WEBVTT - Dianna Agron Week (Part 2) 0:00:01.720 --> 0:00:04.440 And that's what you really missed with Jenna. 0:00:04.440 --> 0:00:07.080 And Kevin an iHeartRadio podcast. 0:00:09.480 --> 0:00:12.039 Welcome to and that's what you really miss the podcast. 0:00:12.800 --> 0:00:18.400 Welcome back for part two. It's Diana Week again. I mean, 0:00:18.440 --> 0:00:21.639 who doesn't want more Diana. There's so much more to 0:00:21.760 --> 0:00:26.080 talk about. There may even be a Feybury mention. 0:00:27.120 --> 0:00:27.360 Ah. 0:00:29.400 --> 0:00:32.400 So you know some people have Shark Week, we have 0:00:32.520 --> 0:00:33.480 Dana Aground Week. 0:00:33.600 --> 0:00:35.240 Ah. 0:00:35.280 --> 0:00:38.600 This is what we're doing, So get into it. Turn 0:00:38.680 --> 0:00:41.440 up the volume and get ready for the sweet sounds 0:00:41.440 --> 0:00:45.360 of Dana Agron's beautiful voice. This is part two with Dana. 0:00:46.080 --> 0:00:50.880 The Unholy Trinity was one of the best parts of 0:00:50.920 --> 0:00:56.840 the show. And your bond with like on camera and 0:00:56.920 --> 0:00:59.400 off camera, with Heather and Nya and like you and 0:00:59.400 --> 0:01:02.760 Iya obviously from the very beginning, Yeah, formed a bond 0:01:02.840 --> 0:01:09.360 just because of exclusion. Yeah, and obviously that didn't last 0:01:09.440 --> 0:01:14.679 long the exclusion. No, but that the relationship between the 0:01:14.720 --> 0:01:16.320 three of you, and I think you know, the success 0:01:16.319 --> 0:01:20.200 of the show, like you mentioned earlier, a lot of it, 0:01:20.280 --> 0:01:21.920 I think, or some of it was due to the 0:01:21.959 --> 0:01:25.440 fact that we all did naturally love each other and 0:01:25.480 --> 0:01:30.119 have great chemistry. And the three of you also had 0:01:30.160 --> 0:01:33.480 like your own special chemistry amongst each other. It's like 0:01:33.520 --> 0:01:37.680 those cheerio uniforms and that high pony really did something 0:01:38.200 --> 0:01:42.000 on camera together. But what like do you have any 0:01:42.200 --> 0:01:44.880 you know, memories or thoughts about just like the three 0:01:44.880 --> 0:01:47.120 of you, the unholy trinity, working together and doing so 0:01:47.200 --> 0:01:48.160 many good numbers. 0:01:48.520 --> 0:02:01.320 So I I those musical sequences like obviously we said 0:02:01.360 --> 0:02:02.800 say a little prayer, but. 0:02:04.680 --> 0:02:10.600 What was it you and never get one? Oh no, 0:02:10.680 --> 0:02:12.720 that was the tree of Us. But I love that 0:02:12.760 --> 0:02:13.399 one very much. 0:02:13.440 --> 0:02:19.080 Songs you Yeah, I just think there was something I 0:02:19.200 --> 0:02:22.360 was not a cheerleader in high school. I was definitely 0:02:22.520 --> 0:02:25.280 the ballet theater girl, yearbook staff. 0:02:25.680 --> 0:02:27.760 You know that that was my role. But it was 0:02:27.840 --> 0:02:33.040 very fun to step into this kind of very typically. 0:02:32.600 --> 0:02:40.480 American high school experience in that form and play this 0:02:41.080 --> 0:02:44.240 you know, trio that just really gets to sit in 0:02:44.280 --> 0:02:47.200 their power in the moments where they are powerful. 0:02:47.600 --> 0:02:51.400 It did all quite stunning to try on that hat, 0:02:51.600 --> 0:02:51.800 you know. 0:02:52.400 --> 0:02:54.960 Yeah, and then all three of us became, you know, 0:02:56.040 --> 0:02:59.120 expressed all versions of vulnerability, and you know that was 0:02:59.560 --> 0:03:03.840 They didn't sit in that queen Bee triangle for very long. 0:03:05.440 --> 0:03:08.320 But I do think there was something quite fun about 0:03:08.360 --> 0:03:13.280 the sisterhood of us and that kind of triangular form 0:03:13.480 --> 0:03:17.000 when it did express itself on set, and that. 0:03:17.360 --> 0:03:18.760 The costumes for all of us. 0:03:18.880 --> 0:03:23.160 I mean, I remember very distinctly Ryan talking about his 0:03:23.360 --> 0:03:29.360 creative decisions the sets and the wardrobe and him saying, yes, 0:03:29.560 --> 0:03:33.320 this show takes place in Ohio, but this doesn't look 0:03:33.440 --> 0:03:37.480 like Ohio. The colors are more saturated, there's not and 0:03:37.600 --> 0:03:41.800 be more expressive. We don't need to understand why they 0:03:42.480 --> 0:03:46.440 are able to afford this, it's just magical realism that's 0:03:46.440 --> 0:03:50.600 coming through a little bit where this is kind of 0:03:50.680 --> 0:03:54.520 both like their reality and the dream version of them. 0:03:54.720 --> 0:03:58.160 So like, let's give them that lift. And I think 0:03:58.240 --> 0:04:02.000 that is showcased in every thing that Ryan does. It's 0:04:02.320 --> 0:04:04.920 if you're gonna make something that's hyper real, then you 0:04:05.040 --> 0:04:06.360 have to adhere to those codes. 0:04:06.680 --> 0:04:08.640 That was what our show was. 0:04:09.120 --> 0:04:14.960 And even with Lou wonderful Lou trying on what was 0:04:15.000 --> 0:04:19.240 the exact skirt and length and color coms, how that 0:04:19.279 --> 0:04:22.880 worked at the high ponytail and all of those things 0:04:22.960 --> 0:04:24.320 that we really looked. 0:04:25.120 --> 0:04:28.280 Yeah, Bay, I had an envision might have looked when 0:04:28.320 --> 0:04:29.240 I read the. 0:04:29.160 --> 0:04:31.760 Pilot and tailored to perfection. 0:04:32.960 --> 0:04:34.440 I just I. 0:04:34.240 --> 0:04:38.160 Loved the worlds that we inhibited in those ways our character, 0:04:39.320 --> 0:04:41.920 and then I loved when we got to do Rocky 0:04:41.960 --> 0:04:45.680 Were a picture show and oh yeah, Danna what we 0:04:45.680 --> 0:04:48.279 were able to wear and how we were able to 0:04:48.320 --> 0:04:51.640 express ourselves in those numbers. To me, anytime we went 0:04:52.120 --> 0:04:56.120 really you know, much farther into the performance aspect, to me, 0:04:56.320 --> 0:04:57.440 that was big joy. 0:04:58.080 --> 0:05:00.560 You know, it was particularly fun to watch you do 0:05:00.680 --> 0:05:04.200 those things too. You could sound the joy, oh my god, 0:05:04.279 --> 0:05:06.919 like radiating through our entire body. Whenever we got to 0:05:07.000 --> 0:05:10.880 like play dress up even more you that camera came on, 0:05:11.000 --> 0:05:13.480 you were doing all kinds of crazy and it was amazing. 0:05:14.360 --> 0:05:15.159 Great favorite. 0:05:15.279 --> 0:05:19.600 I think Rocky Horror in particular, that to me was 0:05:20.520 --> 0:05:23.520 dreaming one of my favorite episodes. 0:05:24.440 --> 0:05:26.160 To make for sure, and. 0:05:26.200 --> 0:05:29.160 Just watching all of us the way we looked at 0:05:29.560 --> 0:05:35.680 episode in just the camp aspect of those songs in 0:05:35.760 --> 0:05:37.040 which we performed them. 0:05:37.200 --> 0:05:40.440 I mean, if I were to go and watch one 0:05:40.520 --> 0:05:42.040 episode tonight, that would. 0:05:41.800 --> 0:05:42.560 Be the one. 0:05:43.000 --> 0:05:43.280 I think. 0:05:43.279 --> 0:05:48.240 It's a perfect episode. Yeah, it's so good. It also 0:05:48.240 --> 0:05:51.599 felt like because that was the first time we did 0:05:51.920 --> 0:05:55.120 something like that where it felt like we were actually 0:05:55.560 --> 0:05:58.279 in school and we're doing something special. Because it was 0:05:58.320 --> 0:05:59.919 so out of our normal routine. 0:06:00.320 --> 0:06:03.680 Yes, so true. Yes, that's very very. 0:06:03.760 --> 0:06:05.400 Just one of those times where it really mimicked. It 0:06:05.440 --> 0:06:07.880 felt like it was mimicking real life, which was Yeah. 0:06:08.560 --> 0:06:11.920 You also got to work with Jane so much from 0:06:11.960 --> 0:06:13.240 the very beginning, and we. 0:06:14.200 --> 0:06:17.200 I know, and so lucky. 0:06:17.720 --> 0:06:21.160 Jane is, obviously, you know me a legend and icon 0:06:21.320 --> 0:06:25.400 and the anchor of this show. What was that like 0:06:26.120 --> 0:06:29.600 stepping onto set and you had so much to do 0:06:29.680 --> 0:06:30.000 with her? 0:06:30.640 --> 0:06:36.840 I know, I've I've been blessed with many things in 0:06:36.880 --> 0:06:39.360 my career, and I think the women that I've had, 0:06:39.480 --> 0:06:42.720 and Jane first and foremost, that have been kind of my. 0:06:42.800 --> 0:06:45.279 Guideposts in. 0:06:46.880 --> 0:06:51.520 Duo relationship over time, has just been incredible. And with Jane, 0:06:51.760 --> 0:06:56.320 I was such a fan of her work, especially I 0:06:56.360 --> 0:06:57.599 mean her comedy. 0:06:57.839 --> 0:06:59.400 I grew up watching Lucille. 0:06:58.960 --> 0:07:02.880 Ball and to me that was I was just mesmerized 0:07:02.880 --> 0:07:05.200 by that kind of comedy. 0:07:05.360 --> 0:07:09.120 And Jane, to me, is our contemporary version of. 0:07:09.160 --> 0:07:12.360 Somebody like Lucille Ball, so to walk or make choices 0:07:12.440 --> 0:07:16.960 in front of me, okay, and just the dryness to 0:07:17.040 --> 0:07:21.000 her delivery and I mean those lines that she had, 0:07:21.400 --> 0:07:23.880 and especially when you could understand where it was being 0:07:23.920 --> 0:07:28.440 ciphered from like everything that you kind of knew was Ian, yes, 0:07:28.600 --> 0:07:31.000 exactly through j. 0:07:33.040 --> 0:07:36.840 But and just the warmest you know. I think that 0:07:37.040 --> 0:07:39.520 was the thing too. Every single cast. 0:07:39.320 --> 0:07:43.800 Member that we had, both in our you know, stable 0:07:43.880 --> 0:07:47.120 of like our core cast and then our guest stars 0:07:48.520 --> 0:07:51.400 were so generous in the way that they could be 0:07:51.560 --> 0:07:54.560 a rock and an anchor for us in scenes and. 0:07:55.280 --> 0:07:59.560 Not make us feel inhibited. 0:07:59.720 --> 0:08:02.560 You know, we really I think we're so supported by 0:08:02.800 --> 0:08:04.880 every member of cast and crew that have been. 0:08:04.800 --> 0:08:06.680 Doing it for so much longer than we had. 0:08:07.240 --> 0:08:10.120 Yeah, that's true. We were very lucky. I feel like 0:08:10.200 --> 0:08:14.560 it's so rare you have that many big stars guest 0:08:14.600 --> 0:08:16.680 stars come on the show and have big names like 0:08:16.760 --> 0:08:21.560 Jane on a show and nobody sucked. It's like everybody 0:08:21.720 --> 0:08:25.960 was great. Everyone was so nice and excited to be there. Oh, 0:08:26.080 --> 0:08:31.080 Ricky Martin's ugly and so unkind, so unkind. 0:08:31.440 --> 0:08:36.480 No, but truly it. 0:08:35.480 --> 0:08:37.719 You would think there would have there would have been 0:08:37.760 --> 0:08:40.440 an awkward moment with somebody, but no, no. 0:08:40.920 --> 0:08:45.319 No, And again I think that speaks to casting. 0:08:45.200 --> 0:08:48.840 And you know, Ryan and Brad and Ian and Robert 0:08:49.480 --> 0:08:54.320 really understanding what was going to play well in the 0:08:54.440 --> 0:08:58.360 landscape and hand picking those people. 0:08:59.120 --> 0:09:00.439 But I do have. 0:09:00.800 --> 0:09:05.960 Extreme pleasure points, like watching Kristin Chenowith with the watermelon 0:09:06.000 --> 0:09:09.640 between her life. There are just moments that really ping 0:09:09.960 --> 0:09:14.320 to me, as just like wanting to cry of laughter 0:09:15.360 --> 0:09:19.640 having that done in front of you, like when it's 0:09:19.720 --> 0:09:22.760 in character, as like when she was teaching outside of 0:09:22.920 --> 0:09:25.920 you know, not singing, as like singing class and dressing 0:09:25.960 --> 0:09:33.600 after hysterical, hysterical and historical figures. Yes, well, you know, 0:09:33.960 --> 0:09:41.880 I just I I so appreciate the kind of play 0:09:41.960 --> 0:09:42.800 we were able to. 0:09:42.800 --> 0:09:46.120 Have and kind of what was being explored on that show. 0:09:46.440 --> 0:09:49.600 And you know, some things didn't work as well as others, 0:09:49.679 --> 0:09:52.280 but there was just gold. 0:09:52.160 --> 0:09:53.960 Tomic two episodes. You know it's not going to win 0:09:54.000 --> 0:09:54.280 them all. 0:09:54.600 --> 0:09:59.800 Yeah, No, seven hundred musical numbers can't can't get them all, right, just. 0:09:59.720 --> 0:10:04.200 Like the little digs, the little like quips, there were 0:10:04.240 --> 0:10:08.520 so many, even pet bird like hype in man Hands, you. 0:10:08.480 --> 0:10:10.720 Know so good. 0:10:19.120 --> 0:10:21.360 One of the best things on this show ever, is 0:10:21.400 --> 0:10:25.439 the fight between you and Aya. 0:10:26.920 --> 0:10:29.720 Tighten your pony before you head back to class. 0:10:29.880 --> 0:10:34.120 Yes, oh, do you remember filming that. 0:10:34.400 --> 0:10:35.640 By you do? 0:10:35.800 --> 0:10:38.520 Because I remember it was the first time I had 0:10:38.559 --> 0:10:43.800 had kind of a physical combative scene and not wanting 0:10:43.800 --> 0:10:46.280 to hurt my friend, but wanting it to look real, 0:10:46.600 --> 0:10:49.200 and also having the sense of like, didn't like. 0:10:49.679 --> 0:10:52.319 Push me, you know, and she's like, we'll push me real, 0:10:52.679 --> 0:10:56.720 and so trying to find that line of of being 0:10:56.960 --> 0:10:57.640 you know, really real. 0:10:57.920 --> 0:10:58.520 It looked. 0:11:00.160 --> 0:11:03.880 Her and then you know, Matt Morrison coming in, break 0:11:03.920 --> 0:11:07.880 it up, Break it up. Oh but I mean I 0:11:07.880 --> 0:11:09.280 had been slapped on that show. 0:11:09.760 --> 0:11:12.559 I've slapped people, and then I mean when I slapped 0:11:12.640 --> 0:11:18.120 Leah in the bathroom during the wrong episode, she was 0:11:18.559 --> 0:11:22.679 very adamant that I must slap her. And and you know, 0:11:22.800 --> 0:11:25.480 being slapped is one thing because you think, oh, I 0:11:25.480 --> 0:11:26.640 can take it. 0:11:26.120 --> 0:11:28.760 That slab thing somebody else is. 0:11:28.720 --> 0:11:32.800 A whole different ceiling because you're gonna you know, it 0:11:32.880 --> 0:11:33.920 just doesn't feel. 0:11:33.679 --> 0:11:34.679 Right, it doesn't sit right. 0:11:34.679 --> 0:11:35.880 You don't want to hurt somebody. 0:11:36.320 --> 0:11:37.040 No, but then you. 0:11:37.040 --> 0:11:39.800 Want to look really And I guess that's the thing 0:11:40.200 --> 0:11:45.120 with acting, is everything that you do. I mean, I 0:11:45.200 --> 0:11:48.400 did this psychological thriller where in the script there were 0:11:48.440 --> 0:11:50.720 so many things like she eats the raw egg, she 0:11:50.880 --> 0:11:52.959 hangs out of the building, she does this stuff, and 0:11:53.000 --> 0:11:55.400 the director was like, oh, Dana, you can't actually do that. 0:11:55.440 --> 0:11:58.680 We're gonna get like a prop egg, raw egg, and 0:11:58.720 --> 0:12:00.880 if that's not gonna look real, and you know, our 0:12:01.000 --> 0:12:04.160 like wonderful props member comes up and shows this like 0:12:04.360 --> 0:12:06.720 very weird composed of it doesn't. 0:12:06.520 --> 0:12:09.560 Look real, and like, I'm just gonna swallow the raw 0:12:09.600 --> 0:12:11.040 egg and she was like, well, then you're gonna have 0:12:11.040 --> 0:12:13.360 to split it spit out. I was like, but then 0:12:13.360 --> 0:12:14.600 you're not gonna see me swallow. 0:12:14.880 --> 0:12:18.440 And we're constantly finding the ways in which you know, 0:12:18.480 --> 0:12:20.080 how many times do we get slush sheet? 0:12:20.559 --> 0:12:22.520 I think I only got slusheed once. 0:12:22.320 --> 0:12:25.080 But people got slusheed a lot, and you just have 0:12:25.160 --> 0:12:27.520 to do the thing, yeah, you know, and if it's 0:12:27.559 --> 0:12:30.600 not gonna kill you, then you know, and if. 0:12:30.520 --> 0:12:33.880 It's only mildly dangerous, then. 0:12:35.280 --> 0:12:38.000 It feels exciting because it's like you're getting permission to 0:12:38.160 --> 0:12:41.160 like be that little kid playing dress up and using 0:12:41.200 --> 0:12:46.720 your imagination like excuse to eat eat egg now? Yeah, 0:12:46.720 --> 0:12:48.040 and I'm gonna get paid for it. 0:12:48.559 --> 0:12:49.040 Yeah, I know. 0:12:49.640 --> 0:12:52.719 Whole debate was like, well you can get salmonilla. 0:12:52.760 --> 0:12:54.720 I was like that if I was a bodybuilder like 0:12:54.840 --> 0:12:58.000 Arnold Schwarzenegger, I would will you be doing them every 0:12:58.080 --> 0:13:00.960 day and she was like, there was was that a rumor? 0:13:01.000 --> 0:13:02.319 I was like, no, people do that. 0:13:02.440 --> 0:13:06.760 They eat raw eggs, we eat raw fish, we eat 0:13:06.880 --> 0:13:08.320 raw a lot of things. 0:13:08.559 --> 0:13:10.360 Yeah, did you eat the rye? 0:13:11.080 --> 0:13:14.800 I had to swallow like three of them and then 0:13:14.800 --> 0:13:17.000 it was like, oh, now we need to do a 0:13:17.040 --> 0:13:18.960 different angle. So I think at the end it was 0:13:19.040 --> 0:13:22.480 like six raw eggs. And our director was so upset 0:13:22.520 --> 0:13:24.400 about it. I was like, you wrote it in the script. 0:13:24.520 --> 0:13:26.280 I She's like, but I didn't want you to actually have 0:13:26.360 --> 0:13:28.520 to do it. I was like, well, you wrote it. 0:13:28.559 --> 0:13:29.000 I did it. 0:13:29.320 --> 0:13:33.120 Yeah, she's probably please, I'll let Diane get sick. 0:13:33.640 --> 0:13:39.400 I'm just not the next day like green, holy sick. Honestly, 0:13:39.400 --> 0:13:40.480 we've done crazier things. 0:13:40.520 --> 0:13:40.679 AG. 0:13:41.040 --> 0:13:42.400 That's just well. 0:13:42.440 --> 0:13:46.240 And also we've worked through being sickly, so it's well. 0:13:46.480 --> 0:13:48.719 Never have I ever been more sick than when we 0:13:48.720 --> 0:13:50.440 were filming Thriller. 0:13:50.600 --> 0:13:51.000 Thriller. 0:13:51.160 --> 0:13:53.199 Yeah, the super Bowl episode got all of us. 0:13:53.440 --> 0:13:54.200 Never forget it. 0:13:54.640 --> 0:14:06.240 I was had the flu and I had. 0:14:01.920 --> 0:14:04.280 I'll forget it. 0:14:05.040 --> 0:14:09.480 We just have all the rhyming things and a fellow 0:14:11.280 --> 0:14:12.240 I'll never forget it. 0:14:12.360 --> 0:14:14.240 I don't forget that too, because what. 0:14:14.120 --> 0:14:17.640 Were we going to do postpone and like that location, 0:14:17.880 --> 0:14:19.080 all those extras. 0:14:19.240 --> 0:14:21.280 There was one time that Kevin was so sick on 0:14:21.320 --> 0:14:23.800 the field. It was like one of those four days 0:14:23.840 --> 0:14:26.080 that we were filming. It wasn't the overnight one, but 0:14:26.760 --> 0:14:30.520 he's in his football outfit and I'm standing next to 0:14:30.600 --> 0:14:32.840 him and we're doing a scene and I looked down 0:14:33.040 --> 0:14:34.240 and it's not Kevin. 0:14:35.440 --> 0:14:39.520 Oh who had a standing like maybe it was j 0:14:39.760 --> 0:14:40.080 I don't know. 0:14:40.080 --> 0:14:43.040 It was a body double that they had found was 0:14:43.200 --> 0:14:47.520 like just close enough to Kevin's build that they put 0:14:47.560 --> 0:14:49.360 him in a helmet and just put him. 0:14:49.280 --> 0:14:52.360 Next to me because he was sleeping in the trailers. 0:14:53.080 --> 0:14:54.800 I was so mad. I was like, you're really going 0:14:54.880 --> 0:14:56.360 to make me drive down the long beach of one 0:14:56.440 --> 0:14:57.680 hundred and two and a half fever. 0:14:58.920 --> 0:15:02.200 Yeah, we did it. Yeah, and then ride yourself back. 0:15:02.440 --> 0:15:02.680 Yeah. 0:15:02.840 --> 0:15:02.960 You know. 0:15:03.040 --> 0:15:05.440 I was so happy that day. I was sad you 0:15:05.480 --> 0:15:08.120 were sick. But they're like, Okay, now Dana has tonsilightest, 0:15:08.680 --> 0:15:11.920 We're going to take it in turns in Like thank you, Diana. Yeah, 0:15:12.560 --> 0:15:15.120 just taking one for the team. 0:15:15.160 --> 0:15:20.040 So sick, But guess that was the thing about working 0:15:20.200 --> 0:15:25.800 that many hours. You just stop one tumble cast. You 0:15:25.960 --> 0:15:29.120 just sometimes you're going to be sick. And I mean, 0:15:30.360 --> 0:15:33.040 I definitely know. There were so many moments where they 0:15:33.080 --> 0:15:35.600 were as you mentioned, like put somebody else in, try 0:15:35.600 --> 0:15:37.720 to navigate around it, try to minimize the amount of 0:15:37.720 --> 0:15:39.840 hours that you were on set to you know, be 0:15:40.080 --> 0:15:43.280 kinder to the situation. But then there's only a certain 0:15:43.320 --> 0:15:47.720 amount of strategy to that, and then sometimes you're just 0:15:47.720 --> 0:15:51.880 gonna yeah, put your best happy face on it. Just 0:15:52.560 --> 0:15:54.920 don't get work, make it work, sir. 0:15:56.360 --> 0:16:01.600 One of my favorite mashups we ever did was I 0:16:01.640 --> 0:16:02.760 feel pretty unpretty. 0:16:03.120 --> 0:16:05.760 Oh oh, I still listened to it. 0:16:05.680 --> 0:16:11.440 Often expends me joy and oh, oh good. Did you 0:16:11.720 --> 0:16:13.360 like recording in the studio? 0:16:13.440 --> 0:16:16.200 Oh was that something that you knew or were familiar with, 0:16:16.240 --> 0:16:17.680 because it was brand new to me. 0:16:18.400 --> 0:16:19.600 Yeah, it was branded too. 0:16:19.640 --> 0:16:23.560 I had never done it before in my life, and 0:16:24.880 --> 0:16:31.760 and the very first time was was for say a 0:16:31.800 --> 0:16:32.400 little prayer. 0:16:32.520 --> 0:16:36.040 And I remember because as you. 0:16:35.920 --> 0:16:41.320 Can hear in my speaking voice, my natural register is 0:16:41.400 --> 0:16:44.920 low and I definitely wasn't speaking like that as Quinn. 0:16:45.280 --> 0:16:48.200 I guess this makes sense that you know you're a 0:16:48.280 --> 0:16:52.480 younger person, you're playing younger characters, and also probably I 0:16:52.600 --> 0:16:57.240 just wasn't as comfortable speaking in you know, this voice, 0:16:58.720 --> 0:17:02.880 and so because she's spoke very high and had this tone, 0:17:03.000 --> 0:17:05.919 that's how she's sang as well. And I don't know 0:17:05.960 --> 0:17:09.239 how it was for you guys that Adam Anders. I 0:17:09.280 --> 0:17:11.120 did not record with Adam and the pilot. 0:17:11.119 --> 0:17:13.199 Did you guys record with Adam? Was Adam a part 0:17:13.240 --> 0:17:14.119 of Okay? 0:17:14.320 --> 0:17:16.560 Like the first thirteen I recorded with Adam a lot. 0:17:16.760 --> 0:17:19.520 Jimmy Kay, Yeah, yes. 0:17:20.160 --> 0:17:24.360 So it was just such a learning curve because it 0:17:24.440 --> 0:17:28.320 was so much higher than I anticipated singing. And then 0:17:28.480 --> 0:17:32.680 just understanding, you know, how to make your voice work 0:17:32.840 --> 0:17:35.400 to the best of its ability, when you swallow, when 0:17:35.400 --> 0:17:39.120 you take a breath, when you do these things, and 0:17:39.240 --> 0:17:41.920 like if there's too much moisture in your mouth, what 0:17:41.960 --> 0:17:45.320 that sounds like. There's a whole art of learning to 0:17:45.520 --> 0:17:49.959 sing in a recording studio, and I did not know 0:17:50.160 --> 0:17:53.960 any of that. So I think that it was a 0:17:54.040 --> 0:17:59.200 very quick learning curve. But I went home from that 0:17:59.240 --> 0:18:04.520 first recording recording session thinking, oh, no, I'm really bad 0:18:04.560 --> 0:18:08.000 at this and I'm just not gonna sing again in 0:18:08.040 --> 0:18:11.120 the show. They'll just make Quinn kind of music. 0:18:13.320 --> 0:18:15.000 To being a recording artist. 0:18:16.400 --> 0:18:23.199 Totally and now, I mean it's it's fun understanding. Like 0:18:23.640 --> 0:18:26.800 recently I've been doing some work in the recording studio 0:18:26.800 --> 0:18:29.640 that's singing, not you know, because as actors, I mean 0:18:30.000 --> 0:18:32.879 talk about how wild for a slight diversion that we 0:18:33.040 --> 0:18:37.720 never had to do a dr because of Brilliant. 0:18:37.720 --> 0:18:39.320 We had Philip on the podcast and. 0:18:41.440 --> 0:18:45.919 A master because you know, typically you would have to 0:18:45.960 --> 0:18:50.000 do all that all the time. But but yeah, recently 0:18:50.040 --> 0:18:54.560 I've been doing music in the recording studio and then 0:18:54.720 --> 0:18:58.399 and it makes me feel proud that we learned so 0:18:58.960 --> 0:19:01.560 much on this show. Oh, I mean we cut our 0:19:01.560 --> 0:19:04.680 teeth in every aspect of storytelling. 0:19:06.760 --> 0:19:08.639 Yeah, dancing and singing, the. 0:19:10.000 --> 0:19:15.760 Langurs, everything ethic, Yeah, yes, so many hours and like 0:19:16.000 --> 0:19:21.000 learning camera work and movements at what kind of drive 0:19:21.200 --> 0:19:25.480 storylines forward? It is just it really was a masterclass 0:19:25.840 --> 0:19:31.160 in how to be a participant in a very vivid 0:19:31.520 --> 0:19:35.760 and larger than life world, how to take that into 0:19:35.800 --> 0:19:41.400 the real world and to communicate what your authenticity is. 0:19:41.600 --> 0:19:45.520 Who you are. Also, how wild that we were discovering 0:19:45.600 --> 0:19:46.560 who we were. 0:19:46.840 --> 0:19:53.240 Publicly so unfacing and such age Like we really had 0:19:53.280 --> 0:19:56.280 a lot to handle those regards. 0:19:56.600 --> 0:19:59.080 Yes, I don't think we I didn't at least realize 0:20:00.160 --> 0:20:01.960 like that was the period of our life that we 0:20:02.000 --> 0:20:04.480 were in. Yes, and then you all of a sudden 0:20:04.560 --> 0:20:08.920 have success. We're making more money than we've probably ever 0:20:08.960 --> 0:20:13.200 made before, and people know us, and so it's a 0:20:13.320 --> 0:20:15.680 very strange, Like we were all very safe with each other. 0:20:15.720 --> 0:20:18.399 I think that's also probably why we were so close, 0:20:18.440 --> 0:20:23.359 because we could find that commonality amongst ourselves. Yeah, and 0:20:23.400 --> 0:20:27.000 it was so strange to like view each other like 0:20:27.040 --> 0:20:30.280 what would happen outside of our little group, you know, 0:20:30.359 --> 0:20:33.440 like who people are dating, or like even like where 0:20:33.480 --> 0:20:36.040 are you going on vacation? Like everything felt like who 0:20:36.080 --> 0:20:39.280 are we now? Outside of each other because the people 0:20:39.320 --> 0:20:42.960 we were before the show is very different well situation, 0:20:43.200 --> 0:20:47.160 like we're in a completely different part spot in our lives. Yeah, 0:20:47.280 --> 0:20:50.000 and it was I felt like we were so lucky 0:20:50.000 --> 0:20:53.280 to have each other and that to grow together. 0:20:53.680 --> 0:20:57.720 God bless. I can't imagine doing that alone or doing 0:20:57.880 --> 0:21:00.159 that as a solo artist of some sort. 0:21:00.200 --> 0:21:04.200 Right, So I would think about that a lot during 0:21:04.240 --> 0:21:06.040 that show. I was like, I am so happy. It 0:21:06.119 --> 0:21:07.480 is such a large. 0:21:07.240 --> 0:21:09.840 Cast, But we were such kids and we thought we 0:21:09.840 --> 0:21:12.919 were fully independent young adults. 0:21:13.080 --> 0:21:15.080 Yes, we did so in our minds. 0:21:15.119 --> 0:21:20.040 We were fully functioning adults in that place. But really 0:21:20.600 --> 0:21:24.720 now looking back at it now, I'm barely learning who 0:21:24.760 --> 0:21:28.080 I am and accepting all of that. To look back 0:21:28.119 --> 0:21:30.160 at that time and go, oh my god, we were 0:21:30.200 --> 0:21:35.159 looking for all of this external praise and you know, 0:21:35.359 --> 0:21:40.720 acceptance in addition to our just figuring out who we 0:21:40.760 --> 0:21:43.159 are without all of that, you know, or people do 0:21:43.280 --> 0:21:45.080 that at that formative time. 0:21:45.160 --> 0:21:46.520 But thank god we had each other. 0:21:47.320 --> 0:21:49.680 I just remember we were at our first TCAs and 0:21:49.880 --> 0:21:52.359 we were at Ruby Foo's and we were talking about 0:21:52.359 --> 0:21:53.920 we went around the tables like saying what. 0:21:53.840 --> 0:21:54.879 We were for. 0:21:56.119 --> 0:21:58.000 We love to do that, We love to go around 0:21:58.080 --> 0:21:58.480 the table. 0:21:58.640 --> 0:22:02.600 Yeah, And the paparazzi was so crazy, right, and we 0:22:02.600 --> 0:22:04.560 were like, we're just gonna hold hands and freak them 0:22:04.600 --> 0:22:07.199 out and make them think we're really weird. And we 0:22:07.280 --> 0:22:10.320 walked into the hotel holding hands in linked arms and. 0:22:10.400 --> 0:22:13.199 We were really weird. We No, That's the thing, the. 0:22:13.359 --> 0:22:14.880 Sweetest thing I think I've ever. 0:22:15.800 --> 0:22:17.560 It's like one of us very fond memories I have 0:22:17.640 --> 0:22:20.600 of being like we are in this together and we're 0:22:20.600 --> 0:22:22.040