1 00:00:01,720 --> 00:00:04,440 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,480 --> 00:00:12,039 Speaker 3: Welcome to and that's what you really miss the podcast. 4 00:00:12,800 --> 00:00:18,400 Speaker 3: Welcome back for part two. It's Diana Week again. I mean, 5 00:00:18,440 --> 00:00:21,639 Speaker 3: who doesn't want more Diana. There's so much more to 6 00:00:21,760 --> 00:00:26,080 Speaker 3: talk about. There may even be a Feybury mention. 7 00:00:27,120 --> 00:00:27,360 Speaker 4: Ah. 8 00:00:29,400 --> 00:00:32,400 Speaker 2: So you know some people have Shark Week, we have 9 00:00:32,520 --> 00:00:33,480 Speaker 2: Dana Aground Week. 10 00:00:33,600 --> 00:00:35,240 Speaker 1: Ah. 11 00:00:35,280 --> 00:00:38,600 Speaker 2: This is what we're doing, So get into it. Turn 12 00:00:38,680 --> 00:00:41,440 Speaker 2: up the volume and get ready for the sweet sounds 13 00:00:41,440 --> 00:00:45,360 Speaker 2: of Dana Agron's beautiful voice. This is part two with Dana. 14 00:00:46,080 --> 00:00:50,880 Speaker 2: The Unholy Trinity was one of the best parts of 15 00:00:50,920 --> 00:00:56,840 Speaker 2: the show. And your bond with like on camera and 16 00:00:56,920 --> 00:00:59,400 Speaker 2: off camera, with Heather and Nya and like you and 17 00:00:59,400 --> 00:01:02,760 Speaker 2: Iya obviously from the very beginning, Yeah, formed a bond 18 00:01:02,840 --> 00:01:09,360 Speaker 2: just because of exclusion. Yeah, and obviously that didn't last 19 00:01:09,440 --> 00:01:14,679 Speaker 2: long the exclusion. No, but that the relationship between the 20 00:01:14,720 --> 00:01:16,320 Speaker 2: three of you, and I think you know, the success 21 00:01:16,319 --> 00:01:20,200 Speaker 2: of the show, like you mentioned earlier, a lot of it, 22 00:01:20,280 --> 00:01:21,920 Speaker 2: I think, or some of it was due to the 23 00:01:21,959 --> 00:01:25,440 Speaker 2: fact that we all did naturally love each other and 24 00:01:25,480 --> 00:01:30,119 Speaker 2: have great chemistry. And the three of you also had 25 00:01:30,160 --> 00:01:33,480 Speaker 2: like your own special chemistry amongst each other. It's like 26 00:01:33,520 --> 00:01:37,680 Speaker 2: those cheerio uniforms and that high pony really did something 27 00:01:38,200 --> 00:01:42,000 Speaker 2: on camera together. But what like do you have any 28 00:01:42,200 --> 00:01:44,880 Speaker 2: you know, memories or thoughts about just like the three 29 00:01:44,880 --> 00:01:47,120 Speaker 2: of you, the unholy trinity, working together and doing so 30 00:01:47,200 --> 00:01:48,160 Speaker 2: many good numbers. 31 00:01:48,520 --> 00:02:01,320 Speaker 4: So I I those musical sequences like obviously we said 32 00:02:01,360 --> 00:02:02,800 Speaker 4: say a little prayer, but. 33 00:02:04,680 --> 00:02:10,600 Speaker 1: What was it you and never get one? Oh no, 34 00:02:10,680 --> 00:02:12,720 Speaker 1: that was the tree of Us. But I love that 35 00:02:12,760 --> 00:02:13,399 Speaker 1: one very much. 36 00:02:13,440 --> 00:02:19,080 Speaker 4: Songs you Yeah, I just think there was something I 37 00:02:19,200 --> 00:02:22,360 Speaker 4: was not a cheerleader in high school. I was definitely 38 00:02:22,520 --> 00:02:25,280 Speaker 4: the ballet theater girl, yearbook staff. 39 00:02:25,680 --> 00:02:27,760 Speaker 1: You know that that was my role. But it was 40 00:02:27,840 --> 00:02:33,040 Speaker 1: very fun to step into this kind of very typically. 41 00:02:32,600 --> 00:02:40,480 Speaker 4: American high school experience in that form and play this 42 00:02:41,080 --> 00:02:44,240 Speaker 4: you know, trio that just really gets to sit in 43 00:02:44,280 --> 00:02:47,200 Speaker 4: their power in the moments where they are powerful. 44 00:02:47,600 --> 00:02:51,400 Speaker 1: It did all quite stunning to try on that hat, 45 00:02:51,600 --> 00:02:51,800 Speaker 1: you know. 46 00:02:52,400 --> 00:02:54,960 Speaker 4: Yeah, and then all three of us became, you know, 47 00:02:56,040 --> 00:02:59,120 Speaker 4: expressed all versions of vulnerability, and you know that was 48 00:02:59,560 --> 00:03:03,840 Speaker 4: They didn't sit in that queen Bee triangle for very long. 49 00:03:05,440 --> 00:03:08,320 Speaker 4: But I do think there was something quite fun about 50 00:03:08,360 --> 00:03:13,280 Speaker 4: the sisterhood of us and that kind of triangular form 51 00:03:13,480 --> 00:03:17,000 Speaker 4: when it did express itself on set, and that. 52 00:03:17,360 --> 00:03:18,760 Speaker 1: The costumes for all of us. 53 00:03:18,880 --> 00:03:23,160 Speaker 4: I mean, I remember very distinctly Ryan talking about his 54 00:03:23,360 --> 00:03:29,360 Speaker 4: creative decisions the sets and the wardrobe and him saying, yes, 55 00:03:29,560 --> 00:03:33,320 Speaker 4: this show takes place in Ohio, but this doesn't look 56 00:03:33,440 --> 00:03:37,480 Speaker 4: like Ohio. The colors are more saturated, there's not and 57 00:03:37,600 --> 00:03:41,800 Speaker 4: be more expressive. We don't need to understand why they 58 00:03:42,480 --> 00:03:46,440 Speaker 4: are able to afford this, it's just magical realism that's 59 00:03:46,440 --> 00:03:50,600 Speaker 4: coming through a little bit where this is kind of 60 00:03:50,680 --> 00:03:54,520 Speaker 4: both like their reality and the dream version of them. 61 00:03:54,720 --> 00:03:58,160 Speaker 4: So like, let's give them that lift. And I think 62 00:03:58,240 --> 00:04:02,000 Speaker 4: that is showcased in every thing that Ryan does. It's 63 00:04:02,320 --> 00:04:04,920 Speaker 4: if you're gonna make something that's hyper real, then you 64 00:04:05,040 --> 00:04:06,360 Speaker 4: have to adhere to those codes. 65 00:04:06,680 --> 00:04:08,640 Speaker 1: That was what our show was. 66 00:04:09,120 --> 00:04:14,960 Speaker 4: And even with Lou wonderful Lou trying on what was 67 00:04:15,000 --> 00:04:19,240 Speaker 4: the exact skirt and length and color coms, how that 68 00:04:19,279 --> 00:04:22,880 Speaker 4: worked at the high ponytail and all of those things 69 00:04:22,960 --> 00:04:24,320 Speaker 4: that we really looked. 70 00:04:25,120 --> 00:04:28,280 Speaker 1: Yeah, Bay, I had an envision might have looked when 71 00:04:28,320 --> 00:04:29,240 Speaker 1: I read the. 72 00:04:29,160 --> 00:04:31,760 Speaker 2: Pilot and tailored to perfection. 73 00:04:32,960 --> 00:04:34,440 Speaker 1: I just I. 74 00:04:34,240 --> 00:04:38,160 Speaker 4: Loved the worlds that we inhibited in those ways our character, 75 00:04:39,320 --> 00:04:41,920 Speaker 4: and then I loved when we got to do Rocky 76 00:04:41,960 --> 00:04:45,680 Speaker 4: Were a picture show and oh yeah, Danna what we 77 00:04:45,680 --> 00:04:48,279 Speaker 4: were able to wear and how we were able to 78 00:04:48,320 --> 00:04:51,640 Speaker 4: express ourselves in those numbers. To me, anytime we went 79 00:04:52,120 --> 00:04:56,120 Speaker 4: really you know, much farther into the performance aspect, to me, 80 00:04:56,320 --> 00:04:57,440 Speaker 4: that was big joy. 81 00:04:58,080 --> 00:05:00,560 Speaker 2: You know, it was particularly fun to watch you do 82 00:05:00,680 --> 00:05:04,200 Speaker 2: those things too. You could sound the joy, oh my god, 83 00:05:04,279 --> 00:05:06,919 Speaker 2: like radiating through our entire body. Whenever we got to 84 00:05:07,000 --> 00:05:10,880 Speaker 2: like play dress up even more you that camera came on, 85 00:05:11,000 --> 00:05:13,480 Speaker 2: you were doing all kinds of crazy and it was amazing. 86 00:05:14,360 --> 00:05:15,159 Speaker 1: Great favorite. 87 00:05:15,279 --> 00:05:19,600 Speaker 4: I think Rocky Horror in particular, that to me was 88 00:05:20,520 --> 00:05:23,520 Speaker 4: dreaming one of my favorite episodes. 89 00:05:24,440 --> 00:05:26,160 Speaker 1: To make for sure, and. 90 00:05:26,200 --> 00:05:29,160 Speaker 5: Just watching all of us the way we looked at 91 00:05:29,560 --> 00:05:35,680 Speaker 5: episode in just the camp aspect of those songs in 92 00:05:35,760 --> 00:05:37,040 Speaker 5: which we performed them. 93 00:05:37,200 --> 00:05:40,440 Speaker 4: I mean, if I were to go and watch one 94 00:05:40,520 --> 00:05:42,040 Speaker 4: episode tonight, that would. 95 00:05:41,800 --> 00:05:42,560 Speaker 1: Be the one. 96 00:05:43,000 --> 00:05:43,280 Speaker 4: I think. 97 00:05:43,279 --> 00:05:48,240 Speaker 2: It's a perfect episode. Yeah, it's so good. It also 98 00:05:48,240 --> 00:05:51,599 Speaker 2: felt like because that was the first time we did 99 00:05:51,920 --> 00:05:55,120 Speaker 2: something like that where it felt like we were actually 100 00:05:55,560 --> 00:05:58,279 Speaker 2: in school and we're doing something special. Because it was 101 00:05:58,320 --> 00:05:59,919 Speaker 2: so out of our normal routine. 102 00:06:00,320 --> 00:06:03,680 Speaker 1: Yes, so true. Yes, that's very very. 103 00:06:03,760 --> 00:06:05,400 Speaker 2: Just one of those times where it really mimicked. It 104 00:06:05,440 --> 00:06:07,880 Speaker 2: felt like it was mimicking real life, which was Yeah. 105 00:06:08,560 --> 00:06:11,920 Speaker 2: You also got to work with Jane so much from 106 00:06:11,960 --> 00:06:13,240 Speaker 2: the very beginning, and we. 107 00:06:14,200 --> 00:06:17,200 Speaker 1: I know, and so lucky. 108 00:06:17,720 --> 00:06:21,160 Speaker 2: Jane is, obviously, you know me a legend and icon 109 00:06:21,320 --> 00:06:25,400 Speaker 2: and the anchor of this show. What was that like 110 00:06:26,120 --> 00:06:29,600 Speaker 2: stepping onto set and you had so much to do 111 00:06:29,680 --> 00:06:30,000 Speaker 2: with her? 112 00:06:30,640 --> 00:06:36,840 Speaker 4: I know, I've I've been blessed with many things in 113 00:06:36,880 --> 00:06:39,360 Speaker 4: my career, and I think the women that I've had, 114 00:06:39,480 --> 00:06:42,720 Speaker 4: and Jane first and foremost, that have been kind of my. 115 00:06:42,800 --> 00:06:45,279 Speaker 1: Guideposts in. 116 00:06:46,880 --> 00:06:51,520 Speaker 4: Duo relationship over time, has just been incredible. And with Jane, 117 00:06:51,760 --> 00:06:56,320 Speaker 4: I was such a fan of her work, especially I 118 00:06:56,360 --> 00:06:57,599 Speaker 4: mean her comedy. 119 00:06:57,839 --> 00:06:59,400 Speaker 1: I grew up watching Lucille. 120 00:06:58,960 --> 00:07:02,880 Speaker 4: Ball and to me that was I was just mesmerized 121 00:07:02,880 --> 00:07:05,200 Speaker 4: by that kind of comedy. 122 00:07:05,360 --> 00:07:09,120 Speaker 1: And Jane, to me, is our contemporary version of. 123 00:07:09,160 --> 00:07:12,360 Speaker 4: Somebody like Lucille Ball, so to walk or make choices 124 00:07:12,440 --> 00:07:16,960 Speaker 4: in front of me, okay, and just the dryness to 125 00:07:17,040 --> 00:07:21,000 Speaker 4: her delivery and I mean those lines that she had, 126 00:07:21,400 --> 00:07:23,880 Speaker 4: and especially when you could understand where it was being 127 00:07:23,920 --> 00:07:28,440 Speaker 4: ciphered from like everything that you kind of knew was Ian, yes, 128 00:07:28,600 --> 00:07:31,000 Speaker 4: exactly through j. 129 00:07:33,040 --> 00:07:36,840 Speaker 1: But and just the warmest you know. I think that 130 00:07:37,040 --> 00:07:39,520 Speaker 1: was the thing too. Every single cast. 131 00:07:39,320 --> 00:07:43,800 Speaker 4: Member that we had, both in our you know, stable 132 00:07:43,880 --> 00:07:47,120 Speaker 4: of like our core cast and then our guest stars 133 00:07:48,520 --> 00:07:51,400 Speaker 4: were so generous in the way that they could be 134 00:07:51,560 --> 00:07:54,560 Speaker 4: a rock and an anchor for us in scenes and. 135 00:07:55,280 --> 00:07:59,560 Speaker 1: Not make us feel inhibited. 136 00:07:59,720 --> 00:08:02,560 Speaker 4: You know, we really I think we're so supported by 137 00:08:02,800 --> 00:08:04,880 Speaker 4: every member of cast and crew that have been. 138 00:08:04,800 --> 00:08:06,680 Speaker 1: Doing it for so much longer than we had. 139 00:08:07,240 --> 00:08:10,120 Speaker 2: Yeah, that's true. We were very lucky. I feel like 140 00:08:10,200 --> 00:08:14,560 Speaker 2: it's so rare you have that many big stars guest 141 00:08:14,600 --> 00:08:16,680 Speaker 2: stars come on the show and have big names like 142 00:08:16,760 --> 00:08:21,560 Speaker 2: Jane on a show and nobody sucked. It's like everybody 143 00:08:21,720 --> 00:08:25,960 Speaker 2: was great. Everyone was so nice and excited to be there. Oh, 144 00:08:26,080 --> 00:08:31,080 Speaker 2: Ricky Martin's ugly and so unkind, so unkind. 145 00:08:31,440 --> 00:08:36,480 Speaker 1: No, but truly it. 146 00:08:35,480 --> 00:08:37,719 Speaker 4: You would think there would have there would have been 147 00:08:37,760 --> 00:08:40,440 Speaker 4: an awkward moment with somebody, but no, no. 148 00:08:40,920 --> 00:08:45,319 Speaker 1: No, And again I think that speaks to casting. 149 00:08:45,200 --> 00:08:48,840 Speaker 4: And you know, Ryan and Brad and Ian and Robert 150 00:08:49,480 --> 00:08:54,320 Speaker 4: really understanding what was going to play well in the 151 00:08:54,440 --> 00:08:58,360 Speaker 4: landscape and hand picking those people. 152 00:08:59,120 --> 00:09:00,439 Speaker 1: But I do have. 153 00:09:00,800 --> 00:09:05,960 Speaker 4: Extreme pleasure points, like watching Kristin Chenowith with the watermelon 154 00:09:06,000 --> 00:09:09,640 Speaker 4: between her life. There are just moments that really ping 155 00:09:09,960 --> 00:09:14,320 Speaker 4: to me, as just like wanting to cry of laughter 156 00:09:15,360 --> 00:09:19,640 Speaker 4: having that done in front of you, like when it's 157 00:09:19,720 --> 00:09:22,760 Speaker 4: in character, as like when she was teaching outside of 158 00:09:22,920 --> 00:09:25,920 Speaker 4: you know, not singing, as like singing class and dressing 159 00:09:25,960 --> 00:09:33,600 Speaker 4: after hysterical, hysterical and historical figures. Yes, well, you know, 160 00:09:33,960 --> 00:09:41,880 Speaker 4: I just I I so appreciate the kind of play 161 00:09:41,960 --> 00:09:42,800 Speaker 4: we were able to. 162 00:09:42,800 --> 00:09:46,120 Speaker 1: Have and kind of what was being explored on that show. 163 00:09:46,440 --> 00:09:49,600 Speaker 4: And you know, some things didn't work as well as others, 164 00:09:49,679 --> 00:09:52,280 Speaker 4: but there was just gold. 165 00:09:52,160 --> 00:09:53,960 Speaker 2: Tomic two episodes. You know it's not going to win 166 00:09:54,000 --> 00:09:54,280 Speaker 2: them all. 167 00:09:54,600 --> 00:09:59,800 Speaker 3: Yeah, No, seven hundred musical numbers can't can't get them all, right, just. 168 00:09:59,720 --> 00:10:04,200 Speaker 4: Like the little digs, the little like quips, there were 169 00:10:04,240 --> 00:10:08,520 Speaker 4: so many, even pet bird like hype in man Hands, you. 170 00:10:08,480 --> 00:10:10,720 Speaker 1: Know so good. 171 00:10:19,120 --> 00:10:21,360 Speaker 2: One of the best things on this show ever, is 172 00:10:21,400 --> 00:10:25,439 Speaker 2: the fight between you and Aya. 173 00:10:26,920 --> 00:10:29,720 Speaker 1: Tighten your pony before you head back to class. 174 00:10:29,880 --> 00:10:34,120 Speaker 2: Yes, oh, do you remember filming that. 175 00:10:34,400 --> 00:10:35,640 Speaker 1: By you do? 176 00:10:35,800 --> 00:10:38,520 Speaker 6: Because I remember it was the first time I had 177 00:10:38,559 --> 00:10:43,800 Speaker 6: had kind of a physical combative scene and not wanting 178 00:10:43,800 --> 00:10:46,280 Speaker 6: to hurt my friend, but wanting it to look real, 179 00:10:46,600 --> 00:10:49,200 Speaker 6: and also having the sense of like, didn't like. 180 00:10:49,679 --> 00:10:52,319 Speaker 4: Push me, you know, and she's like, we'll push me real, 181 00:10:52,679 --> 00:10:56,720 Speaker 4: and so trying to find that line of of being 182 00:10:56,960 --> 00:10:57,640 Speaker 4: you know, really real. 183 00:10:57,920 --> 00:10:58,520 Speaker 2: It looked. 184 00:11:00,160 --> 00:11:03,880 Speaker 1: Her and then you know, Matt Morrison coming in, break 185 00:11:03,920 --> 00:11:07,880 Speaker 1: it up, Break it up. Oh but I mean I 186 00:11:07,880 --> 00:11:09,280 Speaker 1: had been slapped on that show. 187 00:11:09,760 --> 00:11:12,559 Speaker 4: I've slapped people, and then I mean when I slapped 188 00:11:12,640 --> 00:11:18,120 Speaker 4: Leah in the bathroom during the wrong episode, she was 189 00:11:18,559 --> 00:11:22,679 Speaker 4: very adamant that I must slap her. And and you know, 190 00:11:22,800 --> 00:11:25,480 Speaker 4: being slapped is one thing because you think, oh, I 191 00:11:25,480 --> 00:11:26,640 Speaker 4: can take it. 192 00:11:26,120 --> 00:11:28,760 Speaker 1: That slab thing somebody else is. 193 00:11:28,720 --> 00:11:32,800 Speaker 4: A whole different ceiling because you're gonna you know, it 194 00:11:32,880 --> 00:11:33,920 Speaker 4: just doesn't feel. 195 00:11:33,679 --> 00:11:34,679 Speaker 1: Right, it doesn't sit right. 196 00:11:34,679 --> 00:11:35,880 Speaker 2: You don't want to hurt somebody. 197 00:11:36,320 --> 00:11:37,040 Speaker 1: No, but then you. 198 00:11:37,040 --> 00:11:39,800 Speaker 4: Want to look really And I guess that's the thing 199 00:11:40,200 --> 00:11:45,120 Speaker 4: with acting, is everything that you do. I mean, I 200 00:11:45,200 --> 00:11:48,400 Speaker 4: did this psychological thriller where in the script there were 201 00:11:48,440 --> 00:11:50,720 Speaker 4: so many things like she eats the raw egg, she 202 00:11:50,880 --> 00:11:52,959 Speaker 4: hangs out of the building, she does this stuff, and 203 00:11:53,000 --> 00:11:55,400 Speaker 4: the director was like, oh, Dana, you can't actually do that. 204 00:11:55,440 --> 00:11:58,680 Speaker 4: We're gonna get like a prop egg, raw egg, and 205 00:11:58,720 --> 00:12:00,880 Speaker 4: if that's not gonna look real, and you know, our 206 00:12:01,000 --> 00:12:04,160 Speaker 4: like wonderful props member comes up and shows this like 207 00:12:04,360 --> 00:12:06,720 Speaker 4: very weird composed of it doesn't. 208 00:12:06,520 --> 00:12:09,560 Speaker 1: Look real, and like, I'm just gonna swallow the raw 209 00:12:09,600 --> 00:12:11,040 Speaker 1: egg and she was like, well, then you're gonna have 210 00:12:11,040 --> 00:12:13,360 Speaker 1: to split it spit out. I was like, but then 211 00:12:13,360 --> 00:12:14,600 Speaker 1: you're not gonna see me swallow. 212 00:12:14,880 --> 00:12:18,440 Speaker 4: And we're constantly finding the ways in which you know, 213 00:12:18,480 --> 00:12:20,080 Speaker 4: how many times do we get slush sheet? 214 00:12:20,559 --> 00:12:22,520 Speaker 1: I think I only got slusheed once. 215 00:12:22,320 --> 00:12:25,080 Speaker 4: But people got slusheed a lot, and you just have 216 00:12:25,160 --> 00:12:27,520 Speaker 4: to do the thing, yeah, you know, and if it's 217 00:12:27,559 --> 00:12:30,600 Speaker 4: not gonna kill you, then you know, and if. 218 00:12:30,520 --> 00:12:33,880 Speaker 1: It's only mildly dangerous, then. 219 00:12:35,280 --> 00:12:38,000 Speaker 2: It feels exciting because it's like you're getting permission to 220 00:12:38,160 --> 00:12:41,160 Speaker 2: like be that little kid playing dress up and using 221 00:12:41,200 --> 00:12:46,720 Speaker 2: your imagination like excuse to eat eat egg now? Yeah, 222 00:12:46,720 --> 00:12:48,040 Speaker 2: and I'm gonna get paid for it. 223 00:12:48,559 --> 00:12:49,040 Speaker 7: Yeah, I know. 224 00:12:49,640 --> 00:12:52,719 Speaker 1: Whole debate was like, well you can get salmonilla. 225 00:12:52,760 --> 00:12:54,720 Speaker 4: I was like that if I was a bodybuilder like 226 00:12:54,840 --> 00:12:58,000 Speaker 4: Arnold Schwarzenegger, I would will you be doing them every 227 00:12:58,080 --> 00:13:00,960 Speaker 4: day and she was like, there was was that a rumor? 228 00:13:01,000 --> 00:13:02,319 Speaker 1: I was like, no, people do that. 229 00:13:02,440 --> 00:13:06,760 Speaker 4: They eat raw eggs, we eat raw fish, we eat 230 00:13:06,880 --> 00:13:08,320 Speaker 4: raw a lot of things. 231 00:13:08,559 --> 00:13:10,360 Speaker 1: Yeah, did you eat the rye? 232 00:13:11,080 --> 00:13:14,800 Speaker 4: I had to swallow like three of them and then 233 00:13:14,800 --> 00:13:17,000 Speaker 4: it was like, oh, now we need to do a 234 00:13:17,040 --> 00:13:18,960 Speaker 4: different angle. So I think at the end it was 235 00:13:19,040 --> 00:13:22,480 Speaker 4: like six raw eggs. And our director was so upset 236 00:13:22,520 --> 00:13:24,400 Speaker 4: about it. I was like, you wrote it in the script. 237 00:13:24,520 --> 00:13:26,280 Speaker 4: I She's like, but I didn't want you to actually have 238 00:13:26,360 --> 00:13:28,520 Speaker 4: to do it. I was like, well, you wrote it. 239 00:13:28,559 --> 00:13:29,000 Speaker 1: I did it. 240 00:13:29,320 --> 00:13:33,120 Speaker 7: Yeah, she's probably please, I'll let Diane get sick. 241 00:13:33,640 --> 00:13:39,400 Speaker 1: I'm just not the next day like green, holy sick. Honestly, 242 00:13:39,400 --> 00:13:40,480 Speaker 1: we've done crazier things. 243 00:13:40,520 --> 00:13:40,679 Speaker 4: AG. 244 00:13:41,040 --> 00:13:42,400 Speaker 1: That's just well. 245 00:13:42,440 --> 00:13:46,240 Speaker 2: And also we've worked through being sickly, so it's well. 246 00:13:46,480 --> 00:13:48,719 Speaker 4: Never have I ever been more sick than when we 247 00:13:48,720 --> 00:13:50,440 Speaker 4: were filming Thriller. 248 00:13:50,600 --> 00:13:51,000 Speaker 1: Thriller. 249 00:13:51,160 --> 00:13:53,199 Speaker 2: Yeah, the super Bowl episode got all of us. 250 00:13:53,440 --> 00:13:54,200 Speaker 1: Never forget it. 251 00:13:54,640 --> 00:14:06,240 Speaker 4: I was had the flu and I had. 252 00:14:01,920 --> 00:14:04,280 Speaker 2: I'll forget it. 253 00:14:05,040 --> 00:14:09,480 Speaker 1: We just have all the rhyming things and a fellow 254 00:14:11,280 --> 00:14:12,240 Speaker 1: I'll never forget it. 255 00:14:12,360 --> 00:14:14,240 Speaker 2: I don't forget that too, because what. 256 00:14:14,120 --> 00:14:17,640 Speaker 4: Were we going to do postpone and like that location, 257 00:14:17,880 --> 00:14:19,080 Speaker 4: all those extras. 258 00:14:19,240 --> 00:14:21,280 Speaker 3: There was one time that Kevin was so sick on 259 00:14:21,320 --> 00:14:23,800 Speaker 3: the field. It was like one of those four days 260 00:14:23,840 --> 00:14:26,080 Speaker 3: that we were filming. It wasn't the overnight one, but 261 00:14:26,760 --> 00:14:30,520 Speaker 3: he's in his football outfit and I'm standing next to 262 00:14:30,600 --> 00:14:32,840 Speaker 3: him and we're doing a scene and I looked down 263 00:14:33,040 --> 00:14:34,240 Speaker 3: and it's not Kevin. 264 00:14:35,440 --> 00:14:39,520 Speaker 1: Oh who had a standing like maybe it was j 265 00:14:39,760 --> 00:14:40,080 Speaker 1: I don't know. 266 00:14:40,080 --> 00:14:43,040 Speaker 3: It was a body double that they had found was 267 00:14:43,200 --> 00:14:47,520 Speaker 3: like just close enough to Kevin's build that they put 268 00:14:47,560 --> 00:14:49,360 Speaker 3: him in a helmet and just put him. 269 00:14:49,280 --> 00:14:52,360 Speaker 7: Next to me because he was sleeping in the trailers. 270 00:14:53,080 --> 00:14:54,800 Speaker 2: I was so mad. I was like, you're really going 271 00:14:54,880 --> 00:14:56,360 Speaker 2: to make me drive down the long beach of one 272 00:14:56,440 --> 00:14:57,680 Speaker 2: hundred and two and a half fever. 273 00:14:58,920 --> 00:15:02,200 Speaker 1: Yeah, we did it. Yeah, and then ride yourself back. 274 00:15:02,440 --> 00:15:02,680 Speaker 7: Yeah. 275 00:15:02,840 --> 00:15:02,960 Speaker 1: You know. 276 00:15:03,040 --> 00:15:05,440 Speaker 2: I was so happy that day. I was sad you 277 00:15:05,480 --> 00:15:08,120 Speaker 2: were sick. But they're like, Okay, now Dana has tonsilightest, 278 00:15:08,680 --> 00:15:11,920 Speaker 2: We're going to take it in turns in Like thank you, Diana. Yeah, 279 00:15:12,560 --> 00:15:15,120 Speaker 2: just taking one for the team. 280 00:15:15,160 --> 00:15:20,040 Speaker 4: So sick, But guess that was the thing about working 281 00:15:20,200 --> 00:15:25,800 Speaker 4: that many hours. You just stop one tumble cast. You 282 00:15:25,960 --> 00:15:29,120 Speaker 4: just sometimes you're going to be sick. And I mean, 283 00:15:30,360 --> 00:15:33,040 Speaker 4: I definitely know. There were so many moments where they 284 00:15:33,080 --> 00:15:35,600 Speaker 4: were as you mentioned, like put somebody else in, try 285 00:15:35,600 --> 00:15:37,720 Speaker 4: to navigate around it, try to minimize the amount of 286 00:15:37,720 --> 00:15:39,840 Speaker 4: hours that you were on set to you know, be 287 00:15:40,080 --> 00:15:43,280 Speaker 4: kinder to the situation. But then there's only a certain 288 00:15:43,320 --> 00:15:47,720 Speaker 4: amount of strategy to that, and then sometimes you're just 289 00:15:47,720 --> 00:15:51,880 Speaker 4: gonna yeah, put your best happy face on it. Just 290 00:15:52,560 --> 00:15:54,920 Speaker 4: don't get work, make it work, sir. 291 00:15:56,360 --> 00:16:01,600 Speaker 7: One of my favorite mashups we ever did was I 292 00:16:01,640 --> 00:16:02,760 Speaker 7: feel pretty unpretty. 293 00:16:03,120 --> 00:16:05,760 Speaker 1: Oh oh, I still listened to it. 294 00:16:05,680 --> 00:16:11,440 Speaker 7: Often expends me joy and oh, oh good. Did you 295 00:16:11,720 --> 00:16:13,360 Speaker 7: like recording in the studio? 296 00:16:13,440 --> 00:16:16,200 Speaker 3: Oh was that something that you knew or were familiar with, 297 00:16:16,240 --> 00:16:17,680 Speaker 3: because it was brand new to me. 298 00:16:18,400 --> 00:16:19,600 Speaker 1: Yeah, it was branded too. 299 00:16:19,640 --> 00:16:23,560 Speaker 4: I had never done it before in my life, and 300 00:16:24,880 --> 00:16:31,760 Speaker 4: and the very first time was was for say a 301 00:16:31,800 --> 00:16:32,400 Speaker 4: little prayer. 302 00:16:32,520 --> 00:16:36,040 Speaker 1: And I remember because as you. 303 00:16:35,920 --> 00:16:41,320 Speaker 4: Can hear in my speaking voice, my natural register is 304 00:16:41,400 --> 00:16:44,920 Speaker 4: low and I definitely wasn't speaking like that as Quinn. 305 00:16:45,280 --> 00:16:48,200 Speaker 4: I guess this makes sense that you know you're a 306 00:16:48,280 --> 00:16:52,480 Speaker 4: younger person, you're playing younger characters, and also probably I 307 00:16:52,600 --> 00:16:57,240 Speaker 4: just wasn't as comfortable speaking in you know, this voice, 308 00:16:58,720 --> 00:17:02,880 Speaker 4: and so because she's spoke very high and had this tone, 309 00:17:03,000 --> 00:17:05,919 Speaker 4: that's how she's sang as well. And I don't know 310 00:17:05,960 --> 00:17:09,239 Speaker 4: how it was for you guys that Adam Anders. I 311 00:17:09,280 --> 00:17:11,120 Speaker 4: did not record with Adam and the pilot. 312 00:17:11,119 --> 00:17:13,199 Speaker 1: Did you guys record with Adam? Was Adam a part 313 00:17:13,240 --> 00:17:14,119 Speaker 1: of Okay? 314 00:17:14,320 --> 00:17:16,560 Speaker 2: Like the first thirteen I recorded with Adam a lot. 315 00:17:16,760 --> 00:17:19,520 Speaker 1: Jimmy Kay, Yeah, yes. 316 00:17:20,160 --> 00:17:24,360 Speaker 4: So it was just such a learning curve because it 317 00:17:24,440 --> 00:17:28,320 Speaker 4: was so much higher than I anticipated singing. And then 318 00:17:28,480 --> 00:17:32,680 Speaker 4: just understanding, you know, how to make your voice work 319 00:17:32,840 --> 00:17:35,400 Speaker 4: to the best of its ability, when you swallow, when 320 00:17:35,400 --> 00:17:39,120 Speaker 4: you take a breath, when you do these things, and 321 00:17:39,240 --> 00:17:41,920 Speaker 4: like if there's too much moisture in your mouth, what 322 00:17:41,960 --> 00:17:45,320 Speaker 4: that sounds like. There's a whole art of learning to 323 00:17:45,520 --> 00:17:49,959 Speaker 4: sing in a recording studio, and I did not know 324 00:17:50,160 --> 00:17:53,960 Speaker 4: any of that. So I think that it was a 325 00:17:54,040 --> 00:17:59,200 Speaker 4: very quick learning curve. But I went home from that 326 00:17:59,240 --> 00:18:04,520 Speaker 4: first recording recording session thinking, oh, no, I'm really bad 327 00:18:04,560 --> 00:18:08,000 Speaker 4: at this and I'm just not gonna sing again in 328 00:18:08,040 --> 00:18:11,120 Speaker 4: the show. They'll just make Quinn kind of music. 329 00:18:13,320 --> 00:18:15,000 Speaker 2: To being a recording artist. 330 00:18:16,400 --> 00:18:23,199 Speaker 4: Totally and now, I mean it's it's fun understanding. Like 331 00:18:23,640 --> 00:18:26,800 Speaker 4: recently I've been doing some work in the recording studio 332 00:18:26,800 --> 00:18:29,640 Speaker 4: that's singing, not you know, because as actors, I mean 333 00:18:30,000 --> 00:18:32,879 Speaker 4: talk about how wild for a slight diversion that we 334 00:18:33,040 --> 00:18:37,720 Speaker 4: never had to do a dr because of Brilliant. 335 00:18:37,720 --> 00:18:39,320 Speaker 1: We had Philip on the podcast and. 336 00:18:41,440 --> 00:18:45,919 Speaker 4: A master because you know, typically you would have to 337 00:18:45,960 --> 00:18:50,000 Speaker 4: do all that all the time. But but yeah, recently 338 00:18:50,040 --> 00:18:54,560 Speaker 4: I've been doing music in the recording studio and then 339 00:18:54,720 --> 00:18:58,399 Speaker 4: and it makes me feel proud that we learned so 340 00:18:58,960 --> 00:19:01,560 Speaker 4: much on this show. Oh, I mean we cut our 341 00:19:01,560 --> 00:19:04,680 Speaker 4: teeth in every aspect of storytelling. 342 00:19:06,760 --> 00:19:08,639 Speaker 1: Yeah, dancing and singing, the. 343 00:19:10,000 --> 00:19:15,760 Speaker 4: Langurs, everything ethic, Yeah, yes, so many hours and like 344 00:19:16,000 --> 00:19:21,000 Speaker 4: learning camera work and movements at what kind of drive 345 00:19:21,200 --> 00:19:25,480 Speaker 4: storylines forward? It is just it really was a masterclass 346 00:19:25,840 --> 00:19:31,160 Speaker 4: in how to be a participant in a very vivid 347 00:19:31,520 --> 00:19:35,760 Speaker 4: and larger than life world, how to take that into 348 00:19:35,800 --> 00:19:41,400 Speaker 4: the real world and to communicate what your authenticity is. 349 00:19:41,600 --> 00:19:45,520 Speaker 1: Who you are. Also, how wild that we were discovering 350 00:19:45,600 --> 00:19:46,560 Speaker 1: who we were. 351 00:19:46,840 --> 00:19:53,240 Speaker 4: Publicly so unfacing and such age Like we really had 352 00:19:53,280 --> 00:19:56,280 Speaker 4: a lot to handle those regards. 353 00:19:56,600 --> 00:19:59,080 Speaker 2: Yes, I don't think we I didn't at least realize 354 00:20:00,160 --> 00:20:01,960 Speaker 2: like that was the period of our life that we 355 00:20:02,000 --> 00:20:04,480 Speaker 2: were in. Yes, and then you all of a sudden 356 00:20:04,560 --> 00:20:08,920 Speaker 2: have success. We're making more money than we've probably ever 357 00:20:08,960 --> 00:20:13,200 Speaker 2: made before, and people know us, and so it's a 358 00:20:13,320 --> 00:20:15,680 Speaker 2: very strange, Like we were all very safe with each other. 359 00:20:15,720 --> 00:20:18,399 Speaker 2: I think that's also probably why we were so close, 360 00:20:18,440 --> 00:20:23,359 Speaker 2: because we could find that commonality amongst ourselves. Yeah, and 361 00:20:23,400 --> 00:20:27,000 Speaker 2: it was so strange to like view each other like 362 00:20:27,040 --> 00:20:30,280 Speaker 2: what would happen outside of our little group, you know, 363 00:20:30,359 --> 00:20:33,440 Speaker 2: like who people are dating, or like even like where 364 00:20:33,480 --> 00:20:36,040 Speaker 2: are you going on vacation? Like everything felt like who 365 00:20:36,080 --> 00:20:39,280 Speaker 2: are we now? Outside of each other because the people 366 00:20:39,320 --> 00:20:42,960 Speaker 2: we were before the show is very different well situation, 367 00:20:43,200 --> 00:20:47,160 Speaker 2: like we're in a completely different part spot in our lives. Yeah, 368 00:20:47,280 --> 00:20:50,000 Speaker 2: and it was I felt like we were so lucky 369 00:20:50,000 --> 00:20:53,280 Speaker 2: to have each other and that to grow together. 370 00:20:53,680 --> 00:20:57,720 Speaker 3: God bless. I can't imagine doing that alone or doing 371 00:20:57,880 --> 00:21:00,159 Speaker 3: that as a solo artist of some sort. 372 00:21:00,200 --> 00:21:04,200 Speaker 2: Right, So I would think about that a lot during 373 00:21:04,240 --> 00:21:06,040 Speaker 2: that show. I was like, I am so happy. It 374 00:21:06,119 --> 00:21:07,480 Speaker 2: is such a large. 375 00:21:07,240 --> 00:21:09,840 Speaker 3: Cast, But we were such kids and we thought we 376 00:21:09,840 --> 00:21:12,919 Speaker 3: were fully independent young adults. 377 00:21:13,080 --> 00:21:15,080 Speaker 1: Yes, we did so in our minds. 378 00:21:15,119 --> 00:21:20,040 Speaker 3: We were fully functioning adults in that place. But really 379 00:21:20,600 --> 00:21:24,720 Speaker 3: now looking back at it now, I'm barely learning who 380 00:21:24,760 --> 00:21:28,080 Speaker 3: I am and accepting all of that. To look back 381 00:21:28,119 --> 00:21:30,160 Speaker 3: at that time and go, oh my god, we were 382 00:21:30,200 --> 00:21:35,159 Speaker 3: looking for all of this external praise and you know, 383 00:21:35,359 --> 00:21:40,720 Speaker 3: acceptance in addition to our just figuring out who we 384 00:21:40,760 --> 00:21:43,159 Speaker 3: are without all of that, you know, or people do 385 00:21:43,280 --> 00:21:45,080 Speaker 3: that at that formative time. 386 00:21:45,160 --> 00:21:46,520 Speaker 1: But thank god we had each other. 387 00:21:47,320 --> 00:21:49,680 Speaker 3: I just remember we were at our first TCAs and 388 00:21:49,880 --> 00:21:52,359 Speaker 3: we were at Ruby Foo's and we were talking about 389 00:21:52,359 --> 00:21:53,920 Speaker 3: we went around the tables like saying what. 390 00:21:53,840 --> 00:21:54,879 Speaker 1: We were for. 391 00:21:56,119 --> 00:21:58,000 Speaker 7: We love to do that, We love to go around 392 00:21:58,080 --> 00:21:58,480 Speaker 7: the table. 393 00:21:58,640 --> 00:22:02,600 Speaker 3: Yeah, And the paparazzi was so crazy, right, and we 394 00:22:02,600 --> 00:22:04,560 Speaker 3: were like, we're just gonna hold hands and freak them 395 00:22:04,600 --> 00:22:07,199 Speaker 3: out and make them think we're really weird. And we 396 00:22:07,280 --> 00:22:10,320 Speaker 3: walked into the hotel holding hands in linked arms and. 397 00:22:10,400 --> 00:22:13,199 Speaker 2: We were really weird. We No, That's the thing, the. 398 00:22:13,359 --> 00:22:14,880 Speaker 1: Sweetest thing I think I've ever. 399 00:22:15,800 --> 00:22:17,560 Speaker 3: It's like one of us very fond memories I have 400 00:22:17,640 --> 00:22:20,600 Speaker 3: of being like we are in this together and we're 401 00:22:20,600 --> 00:22:22,040 Speaker 3: gonna freak everybody else out. 402 00:22:22,600 --> 00:22:27,640 Speaker 1: Yeah, yeah, you know, Yeah, I'm still weird. 403 00:22:28,960 --> 00:22:30,920 Speaker 2: Just getting weirder. We're just getting weirder over here. 404 00:22:31,920 --> 00:22:36,600 Speaker 1: Yes, it's just choking itself into different forms. 405 00:22:38,080 --> 00:22:41,400 Speaker 4: Yeah, I I I. 406 00:22:41,320 --> 00:22:44,760 Speaker 1: Think that's maybe. Additionally, why. 407 00:22:46,000 --> 00:22:50,400 Speaker 4: When anyone sees more than one of us together in 408 00:22:50,440 --> 00:22:56,240 Speaker 4: real life it feels charming because it is one kind of. 409 00:22:56,520 --> 00:22:58,720 Speaker 1: I guess you would hope for for people who have 410 00:22:58,760 --> 00:23:03,160 Speaker 1: worked together that intensely retain a love in a friendship. 411 00:23:03,840 --> 00:23:11,680 Speaker 4: And and it's I mean talk about when we were 412 00:23:11,840 --> 00:23:17,520 Speaker 4: traveling in group form. Uh, yes, that was some of 413 00:23:17,560 --> 00:23:18,600 Speaker 4: the wildest. 414 00:23:19,000 --> 00:23:23,199 Speaker 1: I've never been grabbed so many times by mothers. It 415 00:23:23,240 --> 00:23:24,000 Speaker 1: was always mothers. 416 00:23:24,200 --> 00:23:26,600 Speaker 2: Yes, the continues today, you're grabbed by that mother. 417 00:23:27,200 --> 00:23:30,440 Speaker 1: That's right. I know. It was a gentle. 418 00:23:33,000 --> 00:23:39,720 Speaker 3: Changed yeah yeah, yeah, yeah, but no, I just hum. 419 00:23:40,320 --> 00:23:46,600 Speaker 1: We were kind of this phenomenon situation airport. That's when 420 00:23:46,600 --> 00:23:48,800 Speaker 1: I really remember the most nuts. 421 00:23:48,840 --> 00:23:49,439 Speaker 2: There's nowhere to. 422 00:23:51,600 --> 00:23:56,560 Speaker 1: And I doing the airport. Would be so wild to 423 00:23:56,640 --> 00:24:01,320 Speaker 1: see a whole cast at some thing TV walking through 424 00:24:01,320 --> 00:24:02,960 Speaker 1: the airport at the same time together. 425 00:24:03,240 --> 00:24:05,040 Speaker 2: Yes, yeah, I would be freaked out too if I 426 00:24:05,040 --> 00:24:07,280 Speaker 2: saw that, I would show I loved you, like, oh 427 00:24:07,320 --> 00:24:08,120 Speaker 2: my god, you're all the. 428 00:24:08,080 --> 00:24:10,720 Speaker 1: Kettle well here, Yeah, yeah, I get that. I get that. 429 00:24:19,960 --> 00:24:22,359 Speaker 2: Speaking of all the success of the show and like 430 00:24:22,400 --> 00:24:24,960 Speaker 2: how we dealt with it, Another thing lesson I think 431 00:24:25,000 --> 00:24:30,879 Speaker 2: I learned from you is you are really good with people. 432 00:24:31,400 --> 00:24:34,680 Speaker 2: You're excellent with people. You're in like work settings that 433 00:24:34,720 --> 00:24:38,560 Speaker 2: can feel sort of gross and schmoozy and what like 434 00:24:38,640 --> 00:24:41,680 Speaker 2: an obligation as opposed to finding some joy in it. 435 00:24:42,400 --> 00:24:46,399 Speaker 2: You really walk the line in those situations of you know, 436 00:24:46,640 --> 00:24:50,119 Speaker 2: so like, yes, this is all silly and whatever, but 437 00:24:50,240 --> 00:24:53,040 Speaker 2: also finding like real connection in that with people, and 438 00:24:53,640 --> 00:24:56,159 Speaker 2: you get I mean, there's not a person that doesn't 439 00:24:56,240 --> 00:24:58,840 Speaker 2: like you, like you get along with everybody, And I 440 00:24:58,840 --> 00:25:01,640 Speaker 2: think that's such a It's not you're not putting it on. 441 00:25:01,840 --> 00:25:05,159 Speaker 2: You are just genuinely extremely nice and likable. But I 442 00:25:05,160 --> 00:25:07,560 Speaker 2: think being able to have someone like you in our 443 00:25:07,600 --> 00:25:12,080 Speaker 2: group to watch move through those situations was a huge 444 00:25:13,520 --> 00:25:17,160 Speaker 2: bonus for us because it's taught us those things by example. 445 00:25:17,960 --> 00:25:22,280 Speaker 4: That is such a kind thing to say, especially hearing 446 00:25:22,320 --> 00:25:24,199 Speaker 4: it from two people that I find to be the 447 00:25:24,359 --> 00:25:27,520 Speaker 4: kindest people and assmates ever. 448 00:25:28,480 --> 00:25:30,960 Speaker 1: So I would like to return that compliment to the 449 00:25:30,960 --> 00:25:31,440 Speaker 1: book of you. 450 00:25:32,640 --> 00:25:35,119 Speaker 4: I think that's I think that's how you have to 451 00:25:35,160 --> 00:25:38,560 Speaker 4: be though in this industry, you have to really understand that, 452 00:25:38,680 --> 00:25:42,399 Speaker 4: like kindness is key, and you will continue to work 453 00:25:42,880 --> 00:25:47,120 Speaker 4: with different people at different chapter's life and you don't 454 00:25:47,160 --> 00:25:49,040 Speaker 4: always know when it's going to happen, but why not 455 00:25:49,600 --> 00:25:55,199 Speaker 4: do it? Which is great leadership and participation and like 456 00:25:55,400 --> 00:25:57,160 Speaker 4: make everybody feel good at work. 457 00:25:57,280 --> 00:26:00,480 Speaker 1: That doesn't everybody want to do that right to work? 458 00:26:00,560 --> 00:26:03,520 Speaker 2: Yeah, but I mean like sometimes you know, like we'd 459 00:26:03,600 --> 00:26:06,680 Speaker 2: be tired, or like you never had a moment really 460 00:26:06,720 --> 00:26:10,240 Speaker 2: where you slipped, you know, or like I would have 461 00:26:10,280 --> 00:26:11,480 Speaker 2: a day I've. 462 00:26:11,320 --> 00:26:13,240 Speaker 1: Had some moment before I've slipped on the floor. 463 00:26:15,080 --> 00:26:19,280 Speaker 7: I just I can't Diana just flopping forward. 464 00:26:19,480 --> 00:26:26,040 Speaker 1: It is just so hard and I am so. 465 00:26:26,440 --> 00:26:27,440 Speaker 2: That was so rough. 466 00:26:27,920 --> 00:26:30,120 Speaker 4: I just remember it so vividly because I just wanted 467 00:26:30,160 --> 00:26:32,399 Speaker 4: to get there. I was so tired, and I was like, 468 00:26:32,640 --> 00:26:33,800 Speaker 4: oh you want us on stage? 469 00:26:33,800 --> 00:26:37,000 Speaker 1: Okay, here we go. I'm running And then I ripped 470 00:26:37,000 --> 00:26:39,920 Speaker 1: on that carpet and I had a huge rug burns 471 00:26:40,960 --> 00:26:41,680 Speaker 1: her dress. 472 00:26:42,119 --> 00:26:45,040 Speaker 7: She face flopped forward, I saw her hands go. 473 00:26:46,480 --> 00:26:49,920 Speaker 1: Never forget that that moment. 474 00:26:50,280 --> 00:26:53,080 Speaker 3: It was like after a full day of filming like 475 00:26:53,200 --> 00:26:55,960 Speaker 3: sectionals or regionals, and they wanted us on stage for 476 00:26:56,240 --> 00:26:59,080 Speaker 3: her fall and we were like, please, let us just 477 00:26:59,359 --> 00:27:00,359 Speaker 3: go home. 478 00:27:01,040 --> 00:27:01,119 Speaker 6: Go. 479 00:27:01,400 --> 00:27:03,919 Speaker 2: Yeah, and now Dan has injured herself. 480 00:27:03,640 --> 00:27:06,560 Speaker 1: Tripped, she stripped. Some of those long beach nights were 481 00:27:06,640 --> 00:27:10,160 Speaker 1: so late, and you are just let me go home. 482 00:27:12,080 --> 00:27:13,520 Speaker 2: I was like, we should not be allowed to drive 483 00:27:13,560 --> 00:27:14,120 Speaker 2: home right now. 484 00:27:14,200 --> 00:27:17,680 Speaker 7: No, no, it's not safe. 485 00:27:19,000 --> 00:27:19,400 Speaker 1: Safe. 486 00:27:20,000 --> 00:27:23,760 Speaker 2: One of the best parts of doing this podcast surprising, 487 00:27:23,840 --> 00:27:28,720 Speaker 2: but I guess unsurprising, especially with the new cast members. 488 00:27:28,720 --> 00:27:32,720 Speaker 2: We've learned so much about how Corey played this like 489 00:27:32,800 --> 00:27:39,280 Speaker 2: leadership role quietly with people, like taking time outside of 490 00:27:39,280 --> 00:27:42,320 Speaker 2: work to like grab sit down with coffee with people 491 00:27:42,520 --> 00:27:46,720 Speaker 2: or just make sure everybody's feeling safe and whatever. And 492 00:27:46,760 --> 00:27:50,600 Speaker 2: it's been really beautiful to hear. You got to work 493 00:27:50,600 --> 00:27:54,640 Speaker 2: with Corey a lot in the beginning. What was your 494 00:27:54,680 --> 00:27:57,159 Speaker 2: experience like with, you know, working with him and just 495 00:27:58,040 --> 00:27:59,560 Speaker 2: being his friend through all of this. 496 00:28:00,320 --> 00:28:04,919 Speaker 4: He was a teddy bear, and I mean that in 497 00:28:04,960 --> 00:28:10,280 Speaker 4: a way of just his kindness and groundedness. 498 00:28:09,400 --> 00:28:16,280 Speaker 1: In himself was so perfect. I just and he was 499 00:28:16,520 --> 00:28:19,040 Speaker 1: this tall, big brotherly. 500 00:28:19,040 --> 00:28:22,359 Speaker 4: Presence in all of our lives, and he was a 501 00:28:22,359 --> 00:28:27,760 Speaker 4: few years older than us, and he just felt so 502 00:28:28,000 --> 00:28:35,480 Speaker 4: safe and so equally excited about what he was getting 503 00:28:35,480 --> 00:28:38,200 Speaker 4: to experience. With his character, and his character had a 504 00:28:38,280 --> 00:28:42,920 Speaker 4: leadership position in the show as well. And I just 505 00:28:42,960 --> 00:28:46,360 Speaker 4: there was not an ungenerous bone in his body. 506 00:28:47,000 --> 00:28:50,160 Speaker 1: And I remember this one time that. 507 00:28:51,720 --> 00:28:55,000 Speaker 4: He was having people swim in his backyard and my 508 00:28:55,080 --> 00:28:59,960 Speaker 4: brother had come down to San Francisco and he said, oh, 509 00:29:00,280 --> 00:29:03,400 Speaker 4: you know, you're squinting a lot. Do you not have 510 00:29:03,440 --> 00:29:05,800 Speaker 4: a pair of sunglasses or something like that. He was like, oh, no, 511 00:29:06,000 --> 00:29:08,720 Speaker 4: I don't. And it was like, you know what, come 512 00:29:08,760 --> 00:29:10,680 Speaker 4: with me, and he took him into his room. He's like, 513 00:29:10,960 --> 00:29:13,600 Speaker 4: these are all my sunglasses. Just take a pair. He 514 00:29:13,840 --> 00:29:16,680 Speaker 4: was like, oh no, okay, well I'll give him back 515 00:29:16,680 --> 00:29:18,000 Speaker 4: to you. And he's like, no, I want you to 516 00:29:18,000 --> 00:29:19,720 Speaker 4: take a pair that you want to take a comb 517 00:29:19,840 --> 00:29:21,880 Speaker 4: and now you have a pair of sunglasses. I just 518 00:29:22,080 --> 00:29:25,640 Speaker 4: that's who he was, always, always. 519 00:29:26,080 --> 00:29:31,560 Speaker 1: It was so amazing to have I just Chris bumps 520 00:29:31,560 --> 00:29:37,240 Speaker 1: on my arms. I just I it's hard to. 521 00:29:39,200 --> 00:29:43,240 Speaker 4: Think of our loved ones from the show not being 522 00:29:43,320 --> 00:29:47,960 Speaker 4: with us anymore because they feel so present in my heart, body, mind, 523 00:29:48,040 --> 00:29:51,720 Speaker 4: sold all of it. Yes, And I think that the 524 00:29:52,000 --> 00:29:55,120 Speaker 4: tenderness that I feel and the memories that I have 525 00:29:55,520 --> 00:30:00,440 Speaker 4: and who you know, both Corey and Nya and Mark 526 00:30:00,680 --> 00:30:06,040 Speaker 4: were as people, as cast members, as our friends and family. 527 00:30:06,720 --> 00:30:11,680 Speaker 4: That's just so vivid and that will never dissipate for 528 00:30:11,800 --> 00:30:15,280 Speaker 4: me ever. And I think there's beauty in that, and 529 00:30:15,320 --> 00:30:22,320 Speaker 4: I think it's it's I just I could replay memory 530 00:30:22,320 --> 00:30:26,680 Speaker 4: after memory after memory. There's so and I in some 531 00:30:26,720 --> 00:30:29,800 Speaker 4: ways I feel bad because sometimes you could tell me, oh, 532 00:30:29,920 --> 00:30:32,160 Speaker 4: and then we shot this scene in this scene in 533 00:30:32,200 --> 00:30:36,040 Speaker 4: this episode here, and I wouldn't be able to tell 534 00:30:36,080 --> 00:30:41,880 Speaker 4: you that I remember that at all. Yeah, I think 535 00:30:41,920 --> 00:30:45,320 Speaker 4: that speaks to the volume of the work that we 536 00:30:45,320 --> 00:30:52,400 Speaker 4: were doing. And even I I rewatched the finale because 537 00:30:52,400 --> 00:30:55,000 Speaker 4: I know you guys aren't getting to the end because. 538 00:30:54,880 --> 00:31:00,240 Speaker 1: I didn't remember of us do you. 539 00:31:00,240 --> 00:31:02,520 Speaker 4: Opinion most of it? But that's not why I don't 540 00:31:02,560 --> 00:31:06,240 Speaker 4: remember it. I just there are so many fuzzy details. 541 00:31:06,240 --> 00:31:10,640 Speaker 4: But I'm so pleased, and it feels so pleasurable that 542 00:31:10,680 --> 00:31:13,480 Speaker 4: there are no fuzzy details as it relates to. 543 00:31:14,440 --> 00:31:19,800 Speaker 2: Yes beautifully said, Yes, that's exactly right, Yes it is, 544 00:31:20,480 --> 00:31:22,840 Speaker 2: And yeah, I think we're all very fortunate. Those memories 545 00:31:22,840 --> 00:31:25,280 Speaker 2: are just stamped in there. It's like what number we 546 00:31:25,320 --> 00:31:25,920 Speaker 2: did on what day? 547 00:31:25,960 --> 00:31:26,600 Speaker 1: Who knows? 548 00:31:26,880 --> 00:31:29,400 Speaker 7: Ye, Like I'll never forget Lucy kaboozy. 549 00:31:30,160 --> 00:31:37,040 Speaker 4: Oh I remember that little moment to what what is 550 00:31:37,040 --> 00:31:37,640 Speaker 4: your transition? 551 00:31:37,760 --> 00:31:38,080 Speaker 2: Jenna? 552 00:31:38,880 --> 00:31:42,640 Speaker 4: Here she goes, because her popularity is on the line again, 553 00:31:43,240 --> 00:31:44,360 Speaker 4: she must overcome. 554 00:31:45,720 --> 00:31:48,320 Speaker 3: No, no, I didn't mean to swatch like that, but 555 00:31:48,360 --> 00:31:53,440 Speaker 3: I truly it's just you're so versatile in your life 556 00:31:53,520 --> 00:31:57,280 Speaker 3: and as Quinn, and it's so as Diana, and. 557 00:31:57,240 --> 00:32:00,600 Speaker 7: The way I know you and we know you, and you. 558 00:32:00,680 --> 00:32:03,560 Speaker 3: Just you are just such a beautiful soul of like 559 00:32:03,680 --> 00:32:07,160 Speaker 3: no abandon like you just live where you are with 560 00:32:07,600 --> 00:32:11,400 Speaker 3: like such freeing energy and it's something that I've always 561 00:32:11,440 --> 00:32:15,080 Speaker 3: admired about you. And so with Quinn, all these things 562 00:32:15,160 --> 00:32:17,200 Speaker 3: you just took them with such grace and you just 563 00:32:17,400 --> 00:32:21,920 Speaker 3: went and committed so hard with these, you know, questionable 564 00:32:21,920 --> 00:32:24,160 Speaker 3: moments sometimes that you know, we all had with. 565 00:32:24,120 --> 00:32:26,640 Speaker 1: Our characters who were like, what what do I have 566 00:32:26,680 --> 00:32:26,920 Speaker 1: to do? 567 00:32:27,000 --> 00:32:27,240 Speaker 2: Now? 568 00:32:27,360 --> 00:32:31,000 Speaker 3: Okay, great, I'll make it work. And it's just so 569 00:32:31,480 --> 00:32:34,840 Speaker 3: it really does just speak to who you are and 570 00:32:35,200 --> 00:32:37,680 Speaker 3: what you gave to everybody. 571 00:32:37,800 --> 00:32:42,480 Speaker 7: As one of the most requested guests on this show. 572 00:32:42,560 --> 00:32:46,959 Speaker 1: Oh yeah, We're like we need Diane, we need her her. 573 00:32:47,000 --> 00:32:49,360 Speaker 1: We're like, well, we need her. I need her. 574 00:32:49,480 --> 00:32:52,960 Speaker 3: I always need her, but we need her. And it's 575 00:32:53,040 --> 00:32:55,760 Speaker 3: just a testament to like what you gave to our 576 00:32:55,800 --> 00:32:58,120 Speaker 3: fans and our listeners and all the people out there 577 00:32:58,200 --> 00:33:00,680 Speaker 3: who you know, love the show and love your character 578 00:33:00,760 --> 00:33:01,240 Speaker 3: so deeply. 579 00:33:02,320 --> 00:33:05,440 Speaker 1: This is I. I feel so. 580 00:33:08,080 --> 00:33:10,680 Speaker 4: Loved right now by the two of you, and I 581 00:33:11,000 --> 00:33:15,000 Speaker 4: really and I love you both so very deeply. And 582 00:33:15,080 --> 00:33:18,000 Speaker 4: I didn't understand I was going to receive so many 583 00:33:18,040 --> 00:33:19,640 Speaker 4: flowers to take this. 584 00:33:20,640 --> 00:33:23,680 Speaker 1: I feel learn yet balance. I just want to now 585 00:33:23,800 --> 00:33:25,040 Speaker 1: go into each of them. 586 00:33:26,520 --> 00:33:28,680 Speaker 3: You're going to sit there and take it, take it, 587 00:33:28,920 --> 00:33:31,800 Speaker 3: take it, Okay you thank you? 588 00:33:32,160 --> 00:33:34,800 Speaker 1: Yeah, yeah, but so generous. 589 00:33:35,840 --> 00:33:39,680 Speaker 4: I I really I feel very loved and cherished by 590 00:33:39,720 --> 00:33:42,280 Speaker 4: the two of you, and I just hope that you 591 00:33:42,400 --> 00:33:47,640 Speaker 4: know how deeply loved you both are in my heart, body, mind, soul, 592 00:33:47,840 --> 00:33:48,200 Speaker 4: all of it. 593 00:33:48,440 --> 00:33:52,800 Speaker 1: I just wow, it's okay, I get it. It's hard 594 00:33:52,840 --> 00:33:53,120 Speaker 1: to take. 595 00:33:53,160 --> 00:33:57,160 Speaker 3: Sometimes we do this weekly and we just don't on 596 00:33:57,280 --> 00:33:59,440 Speaker 3: our guests because we have to. 597 00:33:59,400 --> 00:34:00,840 Speaker 1: People here us all the time. 598 00:34:00,920 --> 00:34:04,200 Speaker 3: But they need to hear the testament to which we 599 00:34:04,280 --> 00:34:07,280 Speaker 3: speak about everybody and speak about the show. It is 600 00:34:07,360 --> 00:34:10,480 Speaker 3: nice to have you, guys as the test of walking testimonials, 601 00:34:10,680 --> 00:34:12,759 Speaker 3: like we're not making this up. It's not just Kevin 602 00:34:12,800 --> 00:34:15,520 Speaker 3: and Jenna making this up. Like everybody who comes on 603 00:34:15,719 --> 00:34:20,399 Speaker 3: speaks so such loving words about their time and about 604 00:34:20,400 --> 00:34:24,839 Speaker 3: the family and about what we built together. So we 605 00:34:24,880 --> 00:34:27,359 Speaker 3: are grateful that you guys come on and share your 606 00:34:27,400 --> 00:34:30,919 Speaker 3: experience and that it's it resonates and it feels like, oh, yeah, 607 00:34:30,920 --> 00:34:31,680 Speaker 3: we weren't crazy. 608 00:34:31,760 --> 00:34:33,480 Speaker 1: Kevin and I weren't like the crazy one. 609 00:34:33,320 --> 00:34:35,280 Speaker 7: Sitting in the background like this is all great. 610 00:34:36,560 --> 00:34:39,400 Speaker 2: We definitely well, we weren't always saying that no, no. 611 00:34:40,280 --> 00:34:41,680 Speaker 1: We've been honest. 612 00:34:42,520 --> 00:34:46,120 Speaker 4: But it's really beautiful that you've set the groundwork and 613 00:34:46,200 --> 00:34:51,120 Speaker 4: hold the space and can sew cleverly and beautifully articulate 614 00:34:51,320 --> 00:34:54,479 Speaker 4: the experience and really go through the ins and outs 615 00:34:54,520 --> 00:34:57,720 Speaker 4: it with so many different people on our show, because 616 00:34:58,120 --> 00:35:01,600 Speaker 4: I think that is how you build the landscape of 617 00:35:02,040 --> 00:35:06,000 Speaker 4: understanding is talking to people in front of the camera, 618 00:35:06,120 --> 00:35:07,000 Speaker 4: behind the camera. 619 00:35:07,320 --> 00:35:09,319 Speaker 1: This was a group of people. 620 00:35:09,360 --> 00:35:13,480 Speaker 4: But that's why I love making film and TV so much, 621 00:35:13,640 --> 00:35:16,239 Speaker 4: is you come together as a unit of people who 622 00:35:16,360 --> 00:35:19,359 Speaker 4: all are bringing their experience to the table and cares 623 00:35:19,840 --> 00:35:23,719 Speaker 4: about making something. To me, the making of the thing 624 00:35:24,320 --> 00:35:27,160 Speaker 4: is the best time you'll ever have. Yeah, if it 625 00:35:27,360 --> 00:35:30,520 Speaker 4: goes out into the world and it is well received. Sure, 626 00:35:30,640 --> 00:35:36,120 Speaker 4: that's a bonus that the making of a show is there. 627 00:35:36,000 --> 00:35:39,680 Speaker 1: Is no feeling like it and less doun alignment. 628 00:35:39,960 --> 00:35:43,320 Speaker 4: But if it is a line everybody is joining together 629 00:35:43,800 --> 00:35:47,799 Speaker 4: in that kind of you know, grand and wonderful way 630 00:35:48,080 --> 00:35:50,440 Speaker 4: in which we did, then. 631 00:35:50,960 --> 00:35:52,000 Speaker 1: You can't even explain it. 632 00:35:52,040 --> 00:35:55,680 Speaker 4: You can't come home from set and give people the feeling, 633 00:35:56,000 --> 00:36:01,040 Speaker 4: even as descriptive is just you have to be there 634 00:36:01,640 --> 00:36:04,840 Speaker 4: and you have to experiencing it on the ground and 635 00:36:04,840 --> 00:36:09,080 Speaker 4: and that is just a huge life joy to be 636 00:36:09,120 --> 00:36:09,799 Speaker 4: a storyteller. 637 00:36:10,080 --> 00:36:12,640 Speaker 2: I need you to be in a leadership role on 638 00:36:12,680 --> 00:36:13,480 Speaker 2: the set. 639 00:36:14,960 --> 00:36:18,000 Speaker 1: Oh it's it's slowly coming together. 640 00:36:18,680 --> 00:36:21,520 Speaker 2: But do you think so deeply and passionately about all 641 00:36:21,600 --> 00:36:25,760 Speaker 2: facets of filmmaking behind and in front of the camera 642 00:36:26,320 --> 00:36:30,799 Speaker 2: that hearing you speak about these things, that just makes 643 00:36:30,840 --> 00:36:33,000 Speaker 2: me want to see, like, what is a Diana production 644 00:36:34,440 --> 00:36:36,160 Speaker 2: you know, well. 645 00:36:36,080 --> 00:36:38,200 Speaker 1: Direct that we're putting together. 646 00:36:38,320 --> 00:36:42,600 Speaker 4: Now that it's been right, you know, it's like, I'm 647 00:36:43,920 --> 00:36:45,399 Speaker 4: that's been a couple of years in the making, because 648 00:36:45,440 --> 00:36:50,399 Speaker 4: sometimes things take a while to write and get and. 649 00:36:50,520 --> 00:36:51,160 Speaker 1: Do these things. 650 00:36:51,160 --> 00:36:55,680 Speaker 4: But I really have been having so much fun building 651 00:36:55,680 --> 00:36:56,600 Speaker 4: things from the ground up. 652 00:36:56,920 --> 00:36:59,040 Speaker 1: And writing and producing. 653 00:36:58,640 --> 00:37:02,480 Speaker 4: Things, and I've done in short form, not in long form, 654 00:37:02,520 --> 00:37:07,520 Speaker 4: and I just realized that I was so crave the 655 00:37:07,560 --> 00:37:10,920 Speaker 4: opportunity to do something that I had a hand in 656 00:37:11,200 --> 00:37:14,319 Speaker 4: the storytelling that wasn't a script that was coming to me, 657 00:37:14,920 --> 00:37:18,120 Speaker 4: and a couple of years ago I understood what that 658 00:37:18,200 --> 00:37:20,080 Speaker 4: story was and we built it. 659 00:37:20,160 --> 00:37:24,600 Speaker 1: I'm super proud of it. It's a really big film. 660 00:37:24,640 --> 00:37:29,200 Speaker 4: It's a very big, ambitious landscape and film that's a 661 00:37:29,360 --> 00:37:36,920 Speaker 4: psychological thriller is very thrilling to me. Oh thanks, I 662 00:37:36,960 --> 00:37:39,560 Speaker 4: do think I'm writing something right now. I just finished 663 00:37:39,560 --> 00:37:42,000 Speaker 4: something that we're sending out to producers right now and 664 00:37:42,040 --> 00:37:43,880 Speaker 4: they're all very tonally different. 665 00:37:44,640 --> 00:37:46,840 Speaker 1: Uh. It was a rom. 666 00:37:46,640 --> 00:37:49,520 Speaker 4: Calmly, very British rom column that I just finished with 667 00:37:49,560 --> 00:37:51,279 Speaker 4: a friend of mine. This thing that I'm writing on 668 00:37:51,320 --> 00:37:53,879 Speaker 4: my own, it's like I'm writing it as a I'm 669 00:37:54,000 --> 00:37:56,200 Speaker 4: trying to write it as a book first and then 670 00:37:56,239 --> 00:37:59,160 Speaker 4: adapt to us weekly because I had so much to 671 00:37:59,239 --> 00:38:03,480 Speaker 4: say that I to build it out in a way 672 00:38:03,480 --> 00:38:07,120 Speaker 4: that felt honest and true. But I did realize in 673 00:38:07,160 --> 00:38:09,600 Speaker 4: the last couple of years that in order for me 674 00:38:09,920 --> 00:38:13,560 Speaker 4: to experience all the facets of joy that are within 675 00:38:13,680 --> 00:38:14,879 Speaker 4: me as a storyteller. 676 00:38:15,480 --> 00:38:19,480 Speaker 1: I couldn't just wait for the on set experiences. 677 00:38:19,719 --> 00:38:23,040 Speaker 4: And honestly, I mean you days, Remember I always had 678 00:38:23,040 --> 00:38:23,680 Speaker 4: a camera on set. 679 00:38:23,719 --> 00:38:25,480 Speaker 1: I was always filming things together. 680 00:38:25,600 --> 00:38:26,080 Speaker 4: Do this. 681 00:38:26,800 --> 00:38:27,719 Speaker 1: I see the. 682 00:38:27,640 --> 00:38:34,640 Speaker 4: World in frames, and I just again, I think back 683 00:38:34,760 --> 00:38:38,160 Speaker 4: on what I learned on Glee, and when I think 684 00:38:38,200 --> 00:38:43,640 Speaker 4: about Ryan as a visual storyteller that is so specific 685 00:38:43,760 --> 00:38:47,040 Speaker 4: with his references and tone and just gets it right. 686 00:38:47,080 --> 00:38:50,000 Speaker 4: I mean, there's a reason Ryan is able to do 687 00:38:50,200 --> 00:38:54,839 Speaker 4: what he does with such success. And I think cultivating 688 00:38:54,920 --> 00:38:58,760 Speaker 4: what those things are in your artistry is so fun 689 00:38:58,800 --> 00:39:02,080 Speaker 4: and so important because once you kind of start going 690 00:39:02,160 --> 00:39:06,560 Speaker 4: further into that lane, it's it's just intoxicating. 691 00:39:06,680 --> 00:39:09,839 Speaker 2: Yeah, wow, this is why we need you. 692 00:39:10,160 --> 00:39:12,399 Speaker 3: That's what I'm saying. She loves it, she loves it all, 693 00:39:12,640 --> 00:39:17,839 Speaker 3: she loves it deeply. You with that before we won't. 694 00:39:18,040 --> 00:39:19,880 Speaker 3: We don't want to hold you for too long, we know, 695 00:39:20,719 --> 00:39:23,759 Speaker 3: but where we ask everybody who comes on who's been 696 00:39:23,760 --> 00:39:26,920 Speaker 3: a part of the show, what is the feeling that 697 00:39:27,200 --> 00:39:30,640 Speaker 3: Glee leaves you with or left you with or continues 698 00:39:30,680 --> 00:39:31,239 Speaker 3: to leave you with. 699 00:39:33,560 --> 00:39:38,279 Speaker 1: I just have such tenderness for that show. It's a really. 700 00:39:40,040 --> 00:39:43,359 Speaker 4: Glee opened the doors to everything I've been able to 701 00:39:43,400 --> 00:39:47,160 Speaker 4: do in my creative life, absolutely everything. There would be 702 00:39:47,520 --> 00:39:53,840 Speaker 4: no path without that, And so it's just so delicate 703 00:39:53,880 --> 00:39:58,520 Speaker 4: and tender to me. It feels like the exact thing 704 00:39:58,760 --> 00:40:01,600 Speaker 4: I was searching for given to me at such a 705 00:40:01,640 --> 00:40:06,400 Speaker 4: young age. To be able to do that show with 706 00:40:06,440 --> 00:40:12,440 Speaker 4: all of you and find our family in that is 707 00:40:12,680 --> 00:40:16,640 Speaker 4: just it's joyful, it's tender, it's gleeful, it's you know too. 708 00:40:18,239 --> 00:40:24,279 Speaker 1: I just I really and the older I get, the more. 709 00:40:26,800 --> 00:40:30,120 Speaker 4: Kind of like protective I feel about our show because 710 00:40:30,160 --> 00:40:34,480 Speaker 4: I think that there have been so many opportunities for people. 711 00:40:34,840 --> 00:40:37,960 Speaker 1: I mean, we're the only ones that really know what 712 00:40:38,000 --> 00:40:38,520 Speaker 1: it was like. 713 00:40:40,320 --> 00:40:45,400 Speaker 4: And I think that again, meeting people on the streets 714 00:40:45,480 --> 00:40:49,040 Speaker 4: who have to just light up and want to at 715 00:40:49,080 --> 00:40:51,000 Speaker 4: the base level just tell you that they love the 716 00:40:51,000 --> 00:40:54,600 Speaker 4: show or your character or whatever, and at a more 717 00:40:54,640 --> 00:40:56,759 Speaker 4: in depth level, really want to share with you a 718 00:40:56,840 --> 00:40:58,400 Speaker 4: specific reason why. 719 00:40:58,840 --> 00:41:01,000 Speaker 1: And we had that then and the fact that we 720 00:41:01,040 --> 00:41:05,640 Speaker 1: still have that now. There aren't always experiences that you 721 00:41:05,719 --> 00:41:11,080 Speaker 1: have as a storyteller that dig so deeply into people's hearts. Yeah, 722 00:41:11,160 --> 00:41:12,120 Speaker 1: and I. 723 00:41:13,600 --> 00:41:18,080 Speaker 4: I may not ever have a project that people feel 724 00:41:18,200 --> 00:41:22,400 Speaker 4: that strongly about that people lead to tether these these 725 00:41:23,239 --> 00:41:25,960 Speaker 4: like heart strings too and wrap them up tightly. 726 00:41:26,080 --> 00:41:27,680 Speaker 1: And I think that's phenomenal. 727 00:41:27,760 --> 00:41:30,600 Speaker 4: I mean, if you can have one, two, three, but 728 00:41:31,560 --> 00:41:34,200 Speaker 4: if you have one that sits at the top this 729 00:41:34,440 --> 00:41:38,879 Speaker 4: with this amount of strength, yes, amazing because some. 730 00:41:39,000 --> 00:41:40,200 Speaker 1: Well don't have that. 731 00:41:40,640 --> 00:41:45,680 Speaker 4: Imagine we're just doing other projects that people are like. 732 00:41:45,760 --> 00:41:49,360 Speaker 1: I love the stunts that looked really hard, like yeah, 733 00:41:49,440 --> 00:41:50,399 Speaker 1: and that's fun and. 734 00:41:50,400 --> 00:41:54,319 Speaker 4: Thrilling too, But like the emotional connection that people have 735 00:41:54,520 --> 00:41:56,880 Speaker 4: the amount of time somebody's come up to us with 736 00:41:57,000 --> 00:41:58,319 Speaker 4: tears in their eyes. 737 00:41:58,760 --> 00:42:03,360 Speaker 1: Really have changed my life. Yeah, yeah, it's wild to me. 738 00:42:03,880 --> 00:42:06,080 Speaker 4: But I had that feeling that that's what the show 739 00:42:06,160 --> 00:42:08,320 Speaker 4: is going to be when I read that pilot. That pilot, 740 00:42:09,200 --> 00:42:12,440 Speaker 4: I had goosebumps. When I finished it, I just hands 741 00:42:12,960 --> 00:42:14,960 Speaker 4: I knew if we were given the chance. I can't 742 00:42:14,960 --> 00:42:20,840 Speaker 4: believe they let you see footage and I love it delicious, 743 00:42:21,680 --> 00:42:25,120 Speaker 4: And I just it was that overhead angle of him 744 00:42:25,160 --> 00:42:25,680 Speaker 4: as well. 745 00:42:27,320 --> 00:42:28,680 Speaker 1: She couldn't have shown. 746 00:42:28,400 --> 00:42:34,960 Speaker 4: Me a better clip totally, because there was something about 747 00:42:35,400 --> 00:42:39,680 Speaker 4: the sweetness and vulnerability that Finn, you know, his release 748 00:42:39,840 --> 00:42:43,600 Speaker 4: in that moment, his pure joy, I mean the soap 749 00:42:43,640 --> 00:42:45,719 Speaker 4: bar in his hand. 750 00:42:46,360 --> 00:42:52,520 Speaker 1: It's so cute. It's the brush Cory. 751 00:42:54,880 --> 00:42:59,239 Speaker 7: Yeah, I know, it's the dream. It's the dream, you know, the. 752 00:43:00,120 --> 00:43:02,400 Speaker 2: So beautiful Justice For. I'm still standing in Quinn in 753 00:43:02,400 --> 00:43:03,040 Speaker 2: a wheelchair? 754 00:43:04,160 --> 00:43:04,880 Speaker 1: Are you guys? 755 00:43:05,880 --> 00:43:08,720 Speaker 2: Justice For? Do you know the Internet? I know we're leaving, 756 00:43:08,960 --> 00:43:11,680 Speaker 2: but I just need to know your thoughts on FABERI. 757 00:43:12,680 --> 00:43:14,040 Speaker 2: Do you know what FABERI is? 758 00:43:14,760 --> 00:43:18,840 Speaker 1: Yes, now I do. That is Leah and I's characters 759 00:43:19,120 --> 00:43:19,920 Speaker 1: right together. 760 00:43:20,160 --> 00:43:22,800 Speaker 2: People think you guys end up together or together? 761 00:43:23,680 --> 00:43:23,839 Speaker 4: Yeah? 762 00:43:24,239 --> 00:43:27,279 Speaker 2: What what the future? Yeah? What is your What are 763 00:43:27,320 --> 00:43:29,120 Speaker 2: your thoughts if you have any on that? 764 00:43:30,239 --> 00:43:32,600 Speaker 1: Well, then what happens to Jesse Saint James? 765 00:43:34,040 --> 00:43:39,560 Speaker 3: Yeah, maybe I'm into that? 766 00:43:40,080 --> 00:43:43,120 Speaker 1: What a power couple? And then we both get directed 767 00:43:43,160 --> 00:43:48,640 Speaker 1: by him? Oh we're a director? Yes, yes, Oh, we 768 00:43:48,719 --> 00:43:52,800 Speaker 1: love this. We love it being more and more Emmy's 769 00:43:53,000 --> 00:43:53,960 Speaker 1: and Tony's. 770 00:43:54,200 --> 00:43:57,560 Speaker 2: Yes, he is taking over the world, and. 771 00:43:57,480 --> 00:44:05,480 Speaker 4: Quinn is her and Jesse they're entertainment lawyer, and she's 772 00:44:05,560 --> 00:44:10,839 Speaker 4: just really doing great deals for them, expanding their universes. 773 00:44:11,640 --> 00:44:13,600 Speaker 1: What did she do with Yell? We don't know, we 774 00:44:13,640 --> 00:44:14,640 Speaker 1: don't know, we don't know. 775 00:44:15,480 --> 00:44:16,040 Speaker 4: But she's a. 776 00:44:16,000 --> 00:44:17,560 Speaker 1: Power, that's for sure. 777 00:44:18,000 --> 00:44:21,480 Speaker 4: She's in her power in the future in her throuble 778 00:44:21,600 --> 00:44:23,040 Speaker 4: with Jesse and Rachel. 779 00:44:23,440 --> 00:44:25,440 Speaker 1: We love to hear it if it were thea Barry 780 00:44:25,680 --> 00:44:27,560 Speaker 1: What what was sa? 781 00:44:32,440 --> 00:44:36,239 Speaker 2: I also forgot about Santana and Quinn's night together. 782 00:44:37,280 --> 00:44:41,480 Speaker 3: A very special night in the hallway, and then having 783 00:44:42,080 --> 00:44:43,040 Speaker 3: special nights. 784 00:44:42,840 --> 00:44:49,480 Speaker 1: Toms kiss and make up. They said, I guess I was. 785 00:44:49,480 --> 00:44:52,760 Speaker 2: Like, this happened on the show. 786 00:44:53,320 --> 00:44:57,960 Speaker 1: So much that we don't remember there is much What 787 00:44:58,040 --> 00:45:00,840 Speaker 1: would you say? What would you say? 788 00:45:01,360 --> 00:45:07,880 Speaker 4: Is this one of the more silly, unimaginable thought twists 789 00:45:08,200 --> 00:45:12,320 Speaker 4: that you pointed and this recap. 790 00:45:14,200 --> 00:45:16,280 Speaker 2: I don't know if this is cliche, and it's probably 791 00:45:16,280 --> 00:45:21,360 Speaker 2: because we just watched it. What Sue Sylvester in this 792 00:45:21,480 --> 00:45:26,919 Speaker 2: last season, Oh my god fully unhinged Jigsaw su jig 793 00:45:26,920 --> 00:45:31,080 Speaker 2: Saw Su comes out Jigsaw from Saw going to a 794 00:45:31,120 --> 00:45:34,600 Speaker 2: mini tricycle, locks curtain Blaine in an elevator because she 795 00:45:34,640 --> 00:45:35,600 Speaker 2: wants them to make up. 796 00:45:36,520 --> 00:45:38,600 Speaker 3: She has a hurt locker, which is like a storage unit, 797 00:45:38,680 --> 00:45:43,640 Speaker 3: and she has a shrine, and she loves Clane and 798 00:45:43,680 --> 00:45:45,120 Speaker 3: she wants them to get back together. 799 00:45:45,200 --> 00:45:47,960 Speaker 2: And she also has like a murder board basically of 800 00:45:48,000 --> 00:45:49,640 Speaker 2: all of us with you know, the yarn in between 801 00:45:49,719 --> 00:45:52,759 Speaker 2: connecting that very unhinged. 802 00:45:53,200 --> 00:45:57,480 Speaker 4: Yeah, and then she's the president vice president of the 803 00:45:57,600 --> 00:45:58,440 Speaker 4: United States. 804 00:45:58,960 --> 00:46:03,200 Speaker 3: That's exact naturally, naturally, that's how that goes. 805 00:46:04,680 --> 00:46:07,240 Speaker 1: Yeah, she marries herself, right. 806 00:46:07,480 --> 00:46:11,120 Speaker 2: Yeah, she marries herself in a track sue as a concept, 807 00:46:11,280 --> 00:46:13,400 Speaker 2: I think is the wildest part of the show. 808 00:46:14,160 --> 00:46:21,160 Speaker 4: Honestly, I think that is absolutely correct. Yes, so necessary. 809 00:46:21,960 --> 00:46:24,200 Speaker 7: I must have, Yeah, I must have. 810 00:46:24,880 --> 00:46:25,680 Speaker 2: I think we did it. 811 00:46:25,840 --> 00:46:27,080 Speaker 7: I think we did it. 812 00:46:28,600 --> 00:46:33,160 Speaker 4: I opisually don't want it to end looking at your 813 00:46:33,280 --> 00:46:34,680 Speaker 4: beauty faces. 814 00:46:34,719 --> 00:46:36,600 Speaker 2: Like, seriously, thank you so much for spending so much 815 00:46:36,640 --> 00:46:37,640 Speaker 2: time with us. 816 00:46:37,800 --> 00:46:39,920 Speaker 7: It's getting dark. We got to see the light the 817 00:46:39,960 --> 00:46:41,440 Speaker 7: sunset behind you. 818 00:46:41,480 --> 00:46:42,640 Speaker 2: Need to go out and have dinner. 819 00:46:43,239 --> 00:46:47,040 Speaker 1: We love you so much. I love you both so much. 820 00:46:48,280 --> 00:46:53,960 Speaker 4: I'm also freaked out by how unchanged your faces are. 821 00:46:54,880 --> 00:47:00,200 Speaker 2: Now you kidding me, you're the most unchanged. Yeah, you 822 00:47:00,320 --> 00:47:00,840 Speaker 2: must know. 823 00:47:02,320 --> 00:47:05,279 Speaker 1: You better believe. I have a nice filter on. 824 00:47:05,440 --> 00:47:07,640 Speaker 4: Oh, I have the filter all the way turned up 825 00:47:07,640 --> 00:47:10,640 Speaker 4: on here, and your background is filtered. 826 00:47:10,760 --> 00:47:11,840 Speaker 1: You've got a blur tunnel. 827 00:47:12,400 --> 00:47:15,000 Speaker 2: But I also have my face is also blurred, not 828 00:47:15,040 --> 00:47:15,759 Speaker 2: a single pore. 829 00:47:16,360 --> 00:47:21,560 Speaker 3: Oh my gosh, oh my gosh, have a great summer. 830 00:47:22,080 --> 00:47:25,719 Speaker 2: We love you so much, So nice and hopefully I 831 00:47:25,760 --> 00:47:26,520 Speaker 2: get to see you soon. 832 00:47:27,239 --> 00:47:30,040 Speaker 1: Yes, I would love that very much. I r L 833 00:47:30,880 --> 00:47:32,399 Speaker 1: love you. I love you. 834 00:47:33,480 --> 00:47:37,879 Speaker 3: Thank you so much to Diana for spending so much 835 00:47:38,000 --> 00:47:40,680 Speaker 3: time with us coming on the show. 836 00:47:42,040 --> 00:47:45,680 Speaker 1: For all of you guys, it's so nice to hear. 837 00:47:45,560 --> 00:47:50,799 Speaker 3: From her and also just to see her because I 838 00:47:50,800 --> 00:47:52,960 Speaker 3: feel like we text sometimes with her, but like to 839 00:47:53,000 --> 00:47:54,719 Speaker 3: actually see her in the flash is just. 840 00:47:54,680 --> 00:47:57,080 Speaker 2: What a what a dream And we had to do 841 00:47:57,160 --> 00:47:58,920 Speaker 2: it big of course, so we had to get her 842 00:47:58,960 --> 00:48:01,560 Speaker 2: and it's she's so sweet and so kind for giving 843 00:48:01,600 --> 00:48:04,080 Speaker 2: us so much at the time and talking to us 844 00:48:04,080 --> 00:48:06,799 Speaker 2: about all of this, and it was nice for us. 845 00:48:06,840 --> 00:48:08,839 Speaker 2: You know, we don't always talk about all things Glee 846 00:48:08,880 --> 00:48:09,879 Speaker 2: when we're together. 847 00:48:10,239 --> 00:48:11,120 Speaker 3: Right, right. 848 00:48:11,320 --> 00:48:12,640 Speaker 1: That is a good point, Kevin. 849 00:48:12,840 --> 00:48:15,440 Speaker 3: Times sometimes we'll like it'll come up, but we're like, 850 00:48:15,480 --> 00:48:15,920 Speaker 3: not always. 851 00:48:16,040 --> 00:48:18,640 Speaker 7: It's not like the main point of like why we're connecting. 852 00:48:18,760 --> 00:48:23,120 Speaker 3: So it's nice to be in a an insular. 853 00:48:23,080 --> 00:48:24,839 Speaker 1: Glee place, right. 854 00:48:25,160 --> 00:48:27,400 Speaker 3: Okay, you guys, we have a few more Glee episodes 855 00:48:27,520 --> 00:48:31,000 Speaker 3: left for you before we leave Glee behind. Not all 856 00:48:31,040 --> 00:48:33,680 Speaker 3: of it, of course, but you know this this big part. 857 00:48:34,040 --> 00:48:37,400 Speaker 3: So next up is our series overview. We're doing favorites 858 00:48:37,440 --> 00:48:39,800 Speaker 3: from the entire show. Kevin, we have our homework. 859 00:48:40,080 --> 00:48:42,640 Speaker 2: Oh boy, we we we've. 860 00:48:42,440 --> 00:48:44,880 Speaker 1: Got it common and we're gonna we're gonna give it 861 00:48:44,920 --> 00:48:45,120 Speaker 1: to you. 862 00:48:45,239 --> 00:48:48,239 Speaker 7: So tune in and that's what you're reading this. 863 00:48:48,480 --> 00:48:52,280 Speaker 2: Thanks Dana, thanks for listening, and follow us on Instagram 864 00:48:52,600 --> 00:48:55,000 Speaker 2: at and that's what you really miss pod. Make sure 865 00:48:55,000 --> 00:48:57,120 Speaker 2: to write us a review and leave us five stars. 866 00:48:57,320 --> 00:48:58,000 Speaker 2: See you next time.