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Speaker 1: It's me and my uh shovel.

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Speaker 2: And my.

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Speaker 1: Other tools, and I can hear that I am right

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Speaker 1: under the ConA podcast. Yeah, I like, you know, I

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Speaker 1: have my I like built scaffolding around the like where

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Speaker 1: I've dug so far, and so I feel like that

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Speaker 1: part is secure and I dig a little more and

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Speaker 1: I just can hear like, yeah, squeaky.

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Speaker 3: Squinky, he's still doing all. Yeah, he's doing string dance.

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Speaker 1: And yes, I can hear kind of just like the

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Speaker 1: movements of the string dance above. And so like, okay,

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Speaker 1: I'm gonna If I'm gonna get up there, I need

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Speaker 1: to have like something really funny.

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Speaker 2: Yeah.

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Speaker 3: But when you say when your head first comes up

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Speaker 3: through the floor, you have one second to win them over, yes,

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Speaker 3: and that's it. Otherwise they're gonna stomp on your head

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Speaker 3: and shoot you back down into the tunnel.

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Speaker 1: So I have like a little blasting cat that uh

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Speaker 1: I put on the roof of the tunnel. I hit

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Speaker 1: the button, it blows up, and I'm sort of hoping

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Speaker 1: to like pop out yeah all at once.

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Speaker 2: Yeah, I end up.

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Speaker 3: Accuse me, I must have had too much beans or something.

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Speaker 1: I end up kind of getting blasted into the ceiling. Oh,

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Speaker 1: and I come down a lot of the the like

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Speaker 1: a panel like does fall down on me.

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Speaker 2: Yeah.

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Speaker 1: I don't want to get asbestos or whatever it's like.

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Speaker 2: In the ceiling of these places. I don't want to get.

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Speaker 1: Into my mouth shit, So I'm like holding my mouth closed.

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Speaker 1: But I also did hit my head pretty hard, so

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Speaker 1: I'm like, I.

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Speaker 3: Like hurrying, You're like screaming as your mouth closed.

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Speaker 1: And so I end up and also like vomiting out

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Speaker 1: my nose. Yeah, having throw up really hard. Yeah, everyone, luckily,

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Speaker 1: everyone is mostly God.

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Speaker 2: Sure there was an.

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Speaker 3: Explosion, yes, which I didn't really think of when you

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Speaker 3: were telling the story that at the moment of the explosion,

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Speaker 3: they're probably gonna get out of the room, so there

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Speaker 3: is not even going to hear you go. For example, Oh,

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Speaker 3: I must have had too much beans, so that at

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Speaker 3: that point you are playing to an empty house.

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Speaker 1: But mics, I guess, are still on or are they

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Speaker 1: going to turn the mics off as they're as they're

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Speaker 1: running out.

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Speaker 3: That's true, So there's an element of like you'll be

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Speaker 3: on the show unless they edit that one part out.

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Speaker 1: So they'll be able to hear like in the corner,

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Speaker 1: like after they explode, which and someone.

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Speaker 2: Like yeah, they're like, who's that right? Ideal? That's funny?

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Speaker 2: That was a fart?

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Speaker 1: Well yeah, so loud.

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Speaker 3: Yeah, part of the the ceiling and walls apart.

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Speaker 1: You know, hey, welcome to Hollywood Handbook, An Insider's guide

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Speaker 1: to kicking button dropping names in the red carpet lineback

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Speaker 1: hallways of this day.

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Speaker 2: Right. Yeah, his farts are worse than his snaps. So

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Speaker 2: what is is? What? What are we? What's this whole thing?

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Speaker 2: The show? Yes?

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Speaker 3: Do we have a guest sort of a fan contest

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Speaker 3: winner who on his own dime was willing to fly

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Speaker 3: out from the sticks and now wants to I don't

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Speaker 3: know what he wants to do. What he thinks he's

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Speaker 3: going to get out of this? But have at it?

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Speaker 2: Yeah? Why do we? What's what is our job here?

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Speaker 2: You're done? So what I wanted to do? Who are you? Say?

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Speaker 2: Who they are? Oh? You don't even You're not even

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Speaker 2: gonna do that? No? Okay, well hello everyone, Sorry, I'm

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Speaker 2: a bit logie. My name is Jesse. They don't know

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Speaker 2: what you're normally like? Well, there's no some of them

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Speaker 2: context have.

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Speaker 3: Heard I'm a bit logi.

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Speaker 2: They know what Loji is Yeah.

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Speaker 3: But it's more I think it's softer. It's logie.

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Speaker 2: Okay, this is so I'm here to get my big break,

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Speaker 2: so I'm here to have it. I'm what is your name, Jesse?

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Speaker 2: My name is Jesse Ferrar. Hello everyone, es.

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Speaker 3: You name yourself after a freaking car you had a

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Speaker 3: poster of on.

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Speaker 2: The wall number one name myself? Yes, absolutely, that part

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Speaker 2: is true. Yeah, that's that's what happened. I'm a car guy.

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Speaker 1: It's like one of those cars is not so Italian,

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Speaker 1: like what's like a Germanic?

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Speaker 3: Yeah, like can we get a reasonable yeah, just like

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Speaker 3: a nice American No, that sounds like this freaking car

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Speaker 3: that looks soup like a space cruiser.

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Speaker 2: Yeah, Ferra, right room. My wife is a school teacher

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Speaker 2: and her students, if they hear this, they're gonna get

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Speaker 2: a huge kick out of you guys doing the Ferrari

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Speaker 2: bit because they love it.

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Speaker 1: Also, yeah, one of those schools where like there's one

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Speaker 1: like seventeen year old kid and he has to take

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Speaker 1: a take a class with like babies and stuff like

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Speaker 1: this didy little down.

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Speaker 2: It's it's effectively Billy Madison. Yeah, it's a Billy Madison setup.

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Speaker 2: Oh yeah, see, but then you watch your big break.

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Speaker 3: I think she was going to say something no, no, no,

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Speaker 3: I just wanted to acknowledge that the area the sandbox

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Speaker 3: you were sort of in was that the jokes we

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Speaker 3: were doing were so immature that school children would like them.

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Speaker 2: And yet no, you're on my show. That's not sucks

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Speaker 2: the title. I just think, I just think, you know,

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Speaker 2: it's very similar to when you go to the grocery store,

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Speaker 2: which we have where I'm we have grocery. We go

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Speaker 2: to the store and they have anything you could want.

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Speaker 1: Just pick it off the salt lick yep, big shank.

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Speaker 3: Yep, have all that goose meat.

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Speaker 2: Mm hmm, that's right, and you say, uh, if the

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Speaker 2: cashier is dried corn. If the cashier is scanning, we

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Speaker 2: call it maze. If she's scanning the items and it

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Speaker 2: doesn't beep, what you say to her is, ah, it's

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Speaker 2: now free. So it's sort of you you talking about

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Speaker 2: sandba you play in and and she goes or he

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Speaker 2: and they go, ah, you know, that's a good It's

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Speaker 2: fun for them to hear you say it. And it's

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Speaker 2: very similar to what I'm hearing now. The for our

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Speaker 2: Ferrari stuff I'm the cashier. Yeah, okay, you know what

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Speaker 2: I'm saying. What am I trying to buy?

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Speaker 3: Cream?

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Speaker 2: What do you get?

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Speaker 3: What?

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Speaker 2: What do you get at the store?

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Speaker 3: At the store.

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Speaker 2: This is what I like. I like to know what

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Speaker 2: you get at the store.

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Speaker 3: Oh okay, fun for us. But you just go, hey,

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Speaker 3: here's my trip to the store. Yeah, just a big

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Speaker 3: case of SuDS.

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Speaker 2: Yeah.

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Speaker 3: For me, it's gonna be all SuDS all day. I

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Speaker 3: get myself SuDS and peanut brittle. Yes, and I just

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Speaker 3: post up on my porch and watch the sun go

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Speaker 3: up and down.

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Speaker 2: Mm hmm.

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Speaker 1: You go to the deli counter and ask for one

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Speaker 1: jar asides one and I don't need the whole thing

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Speaker 1: right now. You can slice it real thin for me,

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Speaker 1: and they're like, well, we can't slice this. Yeah, we

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Speaker 1: don't have this here and we can't slice this. So

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Speaker 1: you're like, oh no, that means I gotta drink.

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Speaker 2: The whole thing. Yeah. If you put the big coin down,

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Speaker 2: that is just you know what amount of money that is,

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Speaker 2: We don't know, but it's the coin, and that's the

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Speaker 2: that's the realm, you know. Yeah, we have delis too,

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Speaker 2: so that's not impressive to me. The farmer and the deli.

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Speaker 2: So so hey, it's like the big game, like when

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Speaker 2: you go to the when you have the big game,

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Speaker 2: what's what are you grabbing? What are we what? Like?

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Speaker 1: We can't let you just redirect this into store slash.

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Speaker 3: We have to prove that we have a regular grocery

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Speaker 3: store order. And the fact of the matter is, I'm

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Speaker 3: rarely going there. I'm so rarely going there because for me,

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Speaker 3: it's all meal delivery system. Bring me the apron witches blue,

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Speaker 3: my good man, I must have meal kits. So I'm

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Speaker 3: not going to a store. The fucking mailman goes to

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Speaker 3: the store for me, and then he goes, hey, I

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Speaker 3: picked out something I think you might like, freaking cheese blurglers.

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Speaker 2: So you know, I didn't want to have to blow

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Speaker 2: you up like this.

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Speaker 3: But basically, if you're gonna keep poking, you keep knocking on.

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Speaker 2: The devil's door.

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Speaker 3: Sooner or later, he just my answer, son.

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Speaker 2: So I went. I So before I came here, I

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Speaker 2: went to Las Vegas. I was there and I was

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Speaker 2: walking around. You know, they have these malls.

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Speaker 3: They looking for a Leaving the Las Vegas situation, I'm

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Speaker 3: just going to drink yourself to death.

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Speaker 2: I don't. I don't know whether I haven't seen.

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Speaker 1: That A decent proposal, which actually Jesse did get earlier today.

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Speaker 2: That's I think it's different in that movie.

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Speaker 3: And if you and you're taking an up on it,

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Speaker 3: you might end up in sort of leaving Las Vegas situation.

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Speaker 2: It's lost on me.

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Speaker 3: I haven't seen it.

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Speaker 2: Why is it? Do you have any sex workers? Are people?

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Speaker 2: I just don't know the movie because to me, yeah,

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Speaker 2: good honest work. I just I'm more of like a

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Speaker 2: Transformers guy. So if you have like a if there's

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Speaker 2: a reference to Transformers, you could do. Okay, that would explain.

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Speaker 1: Earlier today, someone offered Jesse to transform his erect petis.

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Speaker 2: Into a freaking meal.

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Speaker 1: Somebody offered I guess this is what he meant when

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Speaker 1: he talked about getting his big break good la. Someone

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Speaker 1: offered to suck Jesse's dick on the street earlier today. Uh,

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Speaker 1: and he came in here kind of with that, and

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Speaker 1: so that's what you're he was like a little bit Lowjie.

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Speaker 1: That's what you're hearing is like that energy that really

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Speaker 1: did happen afterwards?

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Speaker 2: Yeah, I you know, I was she just needed help

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Speaker 2: home and so I'm trying to do. This is my thing.

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Speaker 2: I'm a I do good deeds.

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Speaker 3: And you want to point downstairs and said, this is

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Speaker 3: where you live now.

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Speaker 2: So I was in Vegas and they have these malls

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Speaker 2: and you you can walk around in the malls and

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Speaker 2: they have these great stores and stuff, and you can't

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Speaker 2: afford anything in the stores. Of course, you know, clem.

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Speaker 2: Yeah that's all man.

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Speaker 3: People affliction T shirts.

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Speaker 2: And uh. And a lady says, would would you like

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Speaker 2: to make some money? And then when I hear this, know,

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Speaker 2: I'm doing the like the Hannah barbera of my feet

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Speaker 2: are running and I'm staying in place with my feet

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Speaker 2: are going very fast, trying to take me in that direction. Yeah,

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Speaker 2: a new tier. You're suggesting a new tier. So I

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Speaker 2: get over there, and what they do is they they

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Speaker 2: you you say, like, what kind of stuff do you

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Speaker 2: get at the store? So you tell them what kind

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Speaker 2: of brands of things you get at the store. And

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Speaker 2: we're talking store. We're talking frozen goods, we're talking frozen items. Yeah,

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Speaker 2: so we're talking and can we say on is it

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Speaker 2: okay to say some of those stuff on here you

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Speaker 2: can get at the store.

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Speaker 3: We just did for like that was like the other

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Speaker 3: the only other thing. Show's barely started. We're only talking

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Speaker 3: about what's at the store. So they say, can we say,

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Speaker 3: who are you stalling for? Is somebody gonna come in here?

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Speaker 3: Are you buying time for like a buddy of years

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Speaker 3: to come? Stick us up?

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Speaker 2: He's late.

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Speaker 1: It feels like that's what it feels like. He has

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Speaker 1: quit on the planet.

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Speaker 3: Yeah, I think he got cold feet. Man, you're gonna

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Speaker 3: have to just do the podcast straight up.

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Speaker 2: He can't. If I had to guess what he was

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Speaker 2: doing right now, it would probably be being let off

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Speaker 2: at the building next to this building, please don't say

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Speaker 2: what it is, and walking back and forth in front

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Speaker 2: of it, okay, and then trying to get a hold

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Speaker 2: of Nick Wiger and saying, can you please help me

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Speaker 2: find the place that I'm supposed to go? If I

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Speaker 2: had to guess what he was doing for maybe like

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Speaker 2: twenty five full minutes, probably.

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Speaker 3: The only name drop available to him. That sucks, man,

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Speaker 3: that fucking sucks.

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Speaker 2: So you so you say what kind of they say?

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Speaker 2: Do you like? Jimmy Dean is when they said, and

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Speaker 2: what would you guys say? James Due, That's what I would.

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Speaker 3: Say, Yeah, I'd go up in the cover of a

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Speaker 3: magazine Jimmy Dean.

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Speaker 2: I just said, yes, I do I like Jimmy Dean. Yeah, sausages.

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Speaker 2: And then they would say.

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Speaker 1: Anti gay sausage brand.

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Speaker 2: It might it was something else, it was a different one.

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Speaker 1: It was something else it was.

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Speaker 2: It might have been someone else. And they go on

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Speaker 2: and they say, well, I like Chick fil A. So

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Speaker 2: then you you say all the ones that you say,

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Speaker 2: you say, whichever the good ones are, you say yes

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Speaker 2: to them.

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Speaker 1: Okay, wait, what are some of the other ones that

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Speaker 1: you like? Oh, we're doing this is all we're allowed

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Speaker 1: to do.

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Speaker 3: No, this is the whole show. Then let's make it

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Speaker 3: the show. Do the fucking show man. What's the names

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Speaker 3: of the stuff at the market?

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Speaker 2: Yeah? They say, do you like Smuckers?

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Speaker 3: Uh huh. Hey, with a name like Smuckers, it's gotta

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Speaker 3: be good.

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Speaker 2: Yeah. And when I took.

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Speaker 3: My commercial acting class, that was the sample copy they

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Speaker 3: gave you for your practice audition.

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Speaker 2: Yeah. Yeah, so they were still doing that.

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Speaker 3: Crushed it, okay, destroyed it ended up booking for commercials

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Speaker 3: at least.

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Speaker 1: Let me sort of circle back to an earlier topic.

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Speaker 2: What is this? What are you doing?

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Speaker 4: Here.

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Speaker 2: What am I doing here? Yeah? What do you want?

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Speaker 2: You're texting anything? I don't know. I think I was.

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Speaker 1: Looking up to see if Jimmy Dean was actually a

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Speaker 1: home homophobic sausage brand.

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Speaker 2: And I didn't find nothing there. So you got away

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Speaker 2: with this one, but I will get you. Yeah, I

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Speaker 2: just I wanted to see the the whole the setup.

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Speaker 2: It's a great Okay, it's a great setup. What do

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Speaker 2: you guys have? It's very similar. Yeah, we I think

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Speaker 2: have more people working on it. Actually, I think we

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Speaker 2: have more people putting it together. So I guess that

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Speaker 2: can kind of explain explain.

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Speaker 3: But you know how, you don't know what the fuck

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Speaker 3: you're doing, so usually other people carrying the hands off.

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Speaker 1: Yeah, okay, so you so there's other people working. There's

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Speaker 1: like other people in the room, but they're not allowed

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Speaker 1: to get on MIC to make it you and the

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Speaker 1: dog boner.

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Speaker 2: Has the name are it's of?

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Speaker 1: So what I always assumed with your guys show is well.

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Speaker 2: There must be nobody else.

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Speaker 1: It certainly in the room, maybe in their lives, Yes,

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Speaker 1: that they've ever met before, because otherwise that person would

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Speaker 1: surely be doing this instead.

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Speaker 2: Yeah.

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Speaker 3: No, I assumed this was the entirety of your social

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Speaker 3: interaction and connection to the outside world.

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Speaker 2: Oh, that would be really sad if that were the case.

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Speaker 2: But there's other people in the room.

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Speaker 1: So my hope is now is that the mic has

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Speaker 1: like just been facing the wrong direction this whole time.

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Speaker 2: Yeah, and you because of you mean, there's you. You

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Speaker 2: expected something else than what you're getting from the product.

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Speaker 1: Or I mean, if there's other people there that let's

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Speaker 1: at least give them a try.

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Speaker 2: This is good feedback, and I'll take it back to

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Speaker 2: the team. You know, Wow, and who are who are

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Speaker 2: these other people? Who are they? Yes? I think of

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Speaker 2: them as.

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Speaker 3: You know, as a buying time.

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Speaker 2: This is.

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Speaker 1: Where this is Jesse's hand motion when he's buying time.

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Speaker 1: Is he's like spinning, He's like a DJ like scritching.

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Speaker 3: Sliding money across literally to buy the time.

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Speaker 2: Is this enough for some extra time? I wish Carl

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Speaker 2: was here.

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Speaker 3: I yeah, me too, that'd be an episode.

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Speaker 2: Are you getting me so much better? So you say

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Speaker 2: what kind of brands of stuff you like? And they

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Speaker 2: they put glasses on you, They put these eye tracking

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Speaker 2: glasses on you, and then they.

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Speaker 1: Put up just just reckoning with the fact that I'm

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Speaker 1: still hearing about this.

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Speaker 2: On your shoulder, and then they put the they slide

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Speaker 2: the they calibrate the phone to your vision, and they

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Speaker 2: put it. They put it in the pouch. And then

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Speaker 2: you go and you look at these big, the wall

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Speaker 2: size posters, and you shop, and they track what your shop,

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Speaker 2: what catches your eye in this case literally, and then

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Speaker 2: they I guess, and they gave me twenty dollars. So,

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Speaker 2: so I.

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Speaker 1: Want to tell you something about engineer Jordan, the person

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Speaker 1: who right now it looks like she wants to drink bleach.

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Speaker 1: You're probably thinking like, oh, she's like an engineer, she

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Speaker 1: doesn't really pay attention to the show anymore.

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Speaker 3: No, she's a most engaged fan we've.

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Speaker 1: Ever and a very generous laugher uh huh, cracking up

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Speaker 1: most of the time. Yes, and her brother's here on

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Speaker 1: the other side of the partition. So she's having like

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Speaker 1: a great day.

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Speaker 2: Yeah. So all the conditions are at.

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Speaker 3: Place, surrounded by family, loved ones and uh doing her

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Speaker 3: so wants to laugh looking for any excuse, really laughs

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Speaker 3: at a bunch of Kevin's.

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Speaker 5: Stuff he didn't get today.

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Speaker 3: Good, let's talk about Kevin, so Jesse, when I suggested

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Speaker 3: getting you on the show. Kevin said, Kevin, do you

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Speaker 3: want to tell us what you said?

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Speaker 4: Hey, guys, chef Kevin here, Hi Jesse?

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Speaker 2: Thank Kevin?

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Speaker 6: Sure?

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Speaker 4: So Sean said, you know, should we have Jesse on

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Speaker 4: the show? I think I said something along the lines, well,

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Speaker 4: neither Hayes and I responded that day, and then the

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Speaker 4: next day I sent a different question. But then you know,

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Speaker 4: obviously I responded to Sean and I said, like I

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Speaker 4: would like to. I'm not super familiar with him, but

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Speaker 4: if you guys want to have him on, like definitely, And.

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Speaker 2: Is that common for you to say, like how familiar

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Speaker 2: you are with the guest? Is that something you're called

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Speaker 2: on to do normally? Does it usually come up?

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Speaker 7: Yeah?

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Speaker 2: Does it? It's usually like a yeah, it's just tascit

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Speaker 2: that he knows who they are.

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Speaker 1: But let's make this happen, Jesse, let's make the big

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Speaker 1: pitch here.

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Speaker 3: Yeah, you got I sell yourself to Kevin because I

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Speaker 3: got angry with Kevin because you know, obviously he had

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Speaker 3: done like some sort of advertisement on your show, and

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Speaker 3: I was like, so you didn't know what you were

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Speaker 3: even selling us to?

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Speaker 2: It explained a lot, but I was like why. I

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Speaker 2: was like why did you initially engage with.

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Speaker 3: Like as if you didn't even know who the fuck

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Speaker 3: Jesse is when he's basically one of the main couple people.

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Speaker 1: Which let's let's say, like you should probably have said

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Speaker 1: the name of your show by now. The show is

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Speaker 1: called your Kickstarter sucks. It's like targeted, I guess people

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00:20:41,320 --> 00:20:44,520
Speaker 1: that are trying to raise money for their medical conditions,

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Speaker 1: and you guys just like crank on these.

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Speaker 2: On these like various fools that are yeah, because they're

382
00:20:55,920 --> 00:20:59,040
Speaker 2: already down, so yes, we saw why not kick them?

383
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Speaker 3: It's very but you are very rare that they're going

384
00:21:01,320 --> 00:21:03,200
Speaker 3: to come beat you up or something, because a lot

385
00:21:03,240 --> 00:21:05,200
Speaker 3: of them are so sick and in the hospital.

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Speaker 1: And I would say in most cases this would be

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Speaker 1: punching down, but this show is somehow an exception.

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00:21:14,040 --> 00:21:18,480
Speaker 2: Yeah. It's also there's I mean there's it's not just

389
00:21:18,560 --> 00:21:23,520
Speaker 2: that there's tech gizmo's. There's you know, restaurant concepts. There's

390
00:21:23,600 --> 00:21:26,560
Speaker 2: there's bad books. You know, there's there's all kinds. It's

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Speaker 2: not just people who are down to their last nickel.

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Speaker 3: That's a bad book.

393
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Speaker 2: Yeaw, because your whole show we've done a lot of

394
00:21:40,280 --> 00:21:43,400
Speaker 2: it's a bad book. We recently did episode one and one,

395
00:21:43,680 --> 00:21:49,359
Speaker 2: so I'm like going back through. That's a lot of episodes. Okay,

396
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Speaker 2: what's one one of the bad books? I think we

397
00:21:56,240 --> 00:22:02,920
Speaker 2: did one. I think okay, what is that one? I

398
00:22:03,280 --> 00:22:05,359
Speaker 2: think we did one that was like Trump. It was

399
00:22:05,400 --> 00:22:08,800
Speaker 2: like Donald Trump. The book was Donald tu I think

400
00:22:08,840 --> 00:22:11,200
Speaker 2: it was like, yeah, there was. It was a book

401
00:22:11,200 --> 00:22:15,040
Speaker 2: about I think there was a book of it was

402
00:22:15,080 --> 00:22:17,280
Speaker 2: about Trump. And it's not coming to me? Is there

403
00:22:17,359 --> 00:22:19,760
Speaker 2: something about Trump in the book? Was about Donald books?

404
00:22:20,880 --> 00:22:24,639
Speaker 3: Yes, the kickstarter sucked. It was a book about Donald Trump.

405
00:22:24,880 --> 00:22:27,120
Speaker 2: Yes, and we took.

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Speaker 1: Wait let me wait, let me let me sort of

407
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Speaker 1: guess something from just your behavior. Was this book like

408
00:22:33,359 --> 00:22:35,920
Speaker 1: kind of an anti Donald Trump book that people were

409
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Speaker 1: trying to raise money for. Uh, they're they're reach back

410
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Speaker 1: in your memory.

411
00:22:41,320 --> 00:22:44,040
Speaker 2: Kind of in my mind palace. There was both. There's

412
00:22:44,080 --> 00:22:46,879
Speaker 2: been both kinds. Actually, now, okay, so you don't sides

413
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Speaker 2: on this kind of thing. I just think the I

414
00:22:49,640 --> 00:22:54,399
Speaker 2: don't like, there's good books on both sides. Yeah, and

415
00:22:54,440 --> 00:22:56,800
Speaker 2: they're but they're like kids books and stuff too. So

416
00:22:56,880 --> 00:22:58,400
Speaker 2: that's sort of the main thing.

417
00:22:58,680 --> 00:23:01,280
Speaker 3: You're the head of, like the d I say or something.

418
00:23:01,960 --> 00:23:05,199
Speaker 2: I'm not involved with the organization at this time. What

419
00:23:05,440 --> 00:23:09,200
Speaker 2: happened They found out I wasn't a police officer, so

420
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Speaker 2: they kicked me out.

421
00:23:10,520 --> 00:23:16,560
Speaker 1: Very inside baseball. So what are we gonna do?

422
00:23:17,200 --> 00:23:19,520
Speaker 2: Yeah, what's going on? We gotta get you got I

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00:23:19,640 --> 00:23:23,680
Speaker 2: m dB a packet? Can you gotta You've got to

424
00:23:23,720 --> 00:23:25,880
Speaker 2: pack it for us? I know you want to pitch

425
00:23:25,920 --> 00:23:30,360
Speaker 2: us sketch ideas? Is that what I don't? I went

426
00:23:30,400 --> 00:23:31,920
Speaker 2: to UCB last night.

427
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Speaker 1: Okay, what'd you say?

428
00:23:34,720 --> 00:23:35,320
Speaker 2: I saw him?

429
00:23:35,400 --> 00:23:36,800
Speaker 1: Wait, no, do your material?

430
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Speaker 2: I don't have go ahead. I was just gonna say,

431
00:23:40,000 --> 00:23:42,040
Speaker 2: have you seen this? Have you seen this? Have you

432
00:23:42,080 --> 00:23:43,280
Speaker 2: heard of this? Yeah?

433
00:23:43,800 --> 00:23:46,760
Speaker 3: UCB hit me with it.

434
00:23:46,880 --> 00:23:49,840
Speaker 2: So I paid to go in, and I saw I

435
00:23:49,880 --> 00:23:53,199
Speaker 2: saw Paul Att Tompkins, that's name drop number two. I

436
00:23:53,240 --> 00:23:54,919
Speaker 2: saw him. He paid to go in. And then they

437
00:23:54,920 --> 00:23:56,600
Speaker 2: turn around and give it to the performers. And then

438
00:23:56,640 --> 00:23:57,600
Speaker 2: they do that where.

439
00:23:57,400 --> 00:24:02,439
Speaker 1: They like be like too slow, but they sweep the

440
00:24:02,520 --> 00:24:04,560
Speaker 1: cash out there through their hair.

441
00:24:04,400 --> 00:24:06,240
Speaker 2: Like a comb. It's kind of inside baseball.

442
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Speaker 3: Do you think, Wow, and you just heard the words

443
00:24:10,760 --> 00:24:13,000
Speaker 3: inside baseball from Hey it's a couple of minutes ago.

444
00:24:13,000 --> 00:24:16,280
Speaker 3: And then he's like, I'm going to use that. I

445
00:24:16,480 --> 00:24:20,040
Speaker 3: couldn't wait for something actually even close to inside baseball

446
00:24:20,040 --> 00:24:21,080
Speaker 3: to happen to use it.

447
00:24:21,240 --> 00:24:31,960
Speaker 2: Just it was wild. So you know Garth Brooks, Yeah, yeah, music,

448
00:24:32,080 --> 00:24:33,919
Speaker 2: I don't. I don't like it. I don't actually like

449
00:24:34,040 --> 00:24:36,240
Speaker 2: you don't you don't like the song five more minutes?

450
00:24:37,600 --> 00:24:38,960
Speaker 2: I don't. I'm not. I don't know what that is.

451
00:24:39,080 --> 00:24:43,000
Speaker 3: Jordan pull up the country song five more minutes.

452
00:24:43,359 --> 00:24:46,679
Speaker 2: You don't like old Town Road? I like old Town

453
00:24:47,000 --> 00:24:48,960
Speaker 2: is not? Oh, you think it's not Country shouldn't be

454
00:24:49,000 --> 00:24:51,120
Speaker 2: allowed on the charts. I don't think there there shouldn't

455
00:24:51,119 --> 00:24:53,479
Speaker 2: be any charts. I think I dispensed. Okay, you think

456
00:24:53,520 --> 00:24:56,800
Speaker 2: there should be any charts? And who now? So it

457
00:24:56,880 --> 00:24:58,320
Speaker 2: takes a lot okay.

458
00:24:58,520 --> 00:25:02,560
Speaker 1: To get Jordan to this pla, Oh, I do not.

459
00:25:02,680 --> 00:25:04,800
Speaker 1: And you think that who Charted should not even be

460
00:25:04,840 --> 00:25:05,680
Speaker 1: a show anymore?

461
00:25:05,960 --> 00:25:08,680
Speaker 2: Wow? No, I like it.

462
00:25:13,320 --> 00:25:21,879
Speaker 1: I actually think country music is like a meaningful cultural

463
00:25:21,960 --> 00:25:25,200
Speaker 1: product of the United States. I think a lot of

464
00:25:25,240 --> 00:25:28,119
Speaker 1: the music is actually really good for me to poop on.

465
00:25:32,160 --> 00:25:34,560
Speaker 5: Do you literally buy the album then poop on it?

466
00:25:35,440 --> 00:25:35,560
Speaker 3: Uh?

467
00:25:36,240 --> 00:25:41,399
Speaker 1: Whoa? Okay, I hadn't played it out this far, and

468
00:25:41,560 --> 00:25:42,480
Speaker 1: I really hate.

469
00:25:42,320 --> 00:25:45,119
Speaker 2: What this has done to my relationship with tournament.

470
00:25:45,680 --> 00:25:50,800
Speaker 3: And Jesse's got her so riled up that we're basically

471
00:25:50,840 --> 00:25:54,040
Speaker 3: never gonna be able to have a normal show again.

472
00:25:55,760 --> 00:25:58,320
Speaker 2: So what are we what are we put the sticky

473
00:25:58,359 --> 00:26:02,760
Speaker 2: notes on, for instance, the pizza rolls? And what is this?

474
00:26:03,119 --> 00:26:04,240
Speaker 2: What are we talking about?

475
00:26:04,680 --> 00:26:08,479
Speaker 3: We're back at Vegas in the virtual grocery store.

476
00:26:09,040 --> 00:26:13,480
Speaker 2: Oh, it's just posters. It's actually like it's like a

477
00:26:13,560 --> 00:26:15,919
Speaker 2: media it's like an office room and they just have

478
00:26:16,000 --> 00:26:17,960
Speaker 2: these posters on the wall and you go and you

479
00:26:18,000 --> 00:26:21,399
Speaker 2: put the little sticky notes. In fact I used and yeah,

480
00:26:21,440 --> 00:26:22,280
Speaker 2: in fact I used.

481
00:26:23,680 --> 00:26:25,560
Speaker 3: I used the same freezer for this one.

482
00:26:25,760 --> 00:26:28,200
Speaker 2: I used the same sticky notes my wife had just used.

483
00:26:29,040 --> 00:26:32,480
Speaker 2: So well, that's a double dub on the sticky notes.

484
00:26:32,960 --> 00:26:36,000
Speaker 3: So this is this was kind of your vacation with

485
00:26:36,119 --> 00:26:40,800
Speaker 3: your wife that you were like, lab rats.

486
00:26:43,880 --> 00:26:47,840
Speaker 1: Jesse, what's the plan? Is this like a one way ticket?

487
00:26:48,480 --> 00:26:51,000
Speaker 1: Are you like you are just hoping to make it

488
00:26:51,080 --> 00:26:51,640
Speaker 1: happen here.

489
00:26:52,040 --> 00:26:55,119
Speaker 2: I'm here for as long as it takes, So okay,

490
00:26:55,359 --> 00:26:57,840
Speaker 2: m I would love to be able to do like

491
00:26:57,880 --> 00:27:00,560
Speaker 2: a Chappelle thing where I can like live in both

492
00:27:00,600 --> 00:27:04,520
Speaker 2: places and just kind of spend weekends wherever is the

493
00:27:04,560 --> 00:27:09,040
Speaker 2: most fruitful for me or just like productive? Yes, right right?

494
00:27:09,760 --> 00:27:12,800
Speaker 2: So the Chappelle thing. So if I come a famous

495
00:27:13,600 --> 00:27:15,560
Speaker 2: guy who lives at two different places, well I think

496
00:27:15,560 --> 00:27:19,880
Speaker 2: he lives in Ohio. Okay, so many people the two

497
00:27:19,880 --> 00:27:23,720
Speaker 2: different places. Why is that? Like the Chappelle thing?

498
00:27:25,440 --> 00:27:28,040
Speaker 3: You just see yourself. That's the closest comp for you.

499
00:27:31,600 --> 00:27:31,919
Speaker 2: Like that.

500
00:27:32,160 --> 00:27:34,800
Speaker 3: People been a lot of times when you're cracking them

501
00:27:34,880 --> 00:27:41,200
Speaker 3: up around the fire at home, dog Boner will go like, dude,

502
00:27:41,240 --> 00:27:43,080
Speaker 3: you're like the next Chappelle.

503
00:27:45,720 --> 00:27:47,760
Speaker 2: Say his name is Mike. His name is Mike. Is

504
00:27:47,800 --> 00:27:51,960
Speaker 2: my friend Mike Hale, Mike Hale, Mike Haal, And he

505
00:27:51,960 --> 00:27:52,640
Speaker 2: couldn't be here.

506
00:27:56,720 --> 00:27:58,120
Speaker 3: Yeah, we decided that.

507
00:28:04,160 --> 00:28:08,560
Speaker 1: What are uh you don't have a sketch back at Uh?

508
00:28:09,160 --> 00:28:13,680
Speaker 3: You don't you have segment ideas, desk piece ideas for us?

509
00:28:14,080 --> 00:28:17,280
Speaker 1: What segments do you guys do? I did the show.

510
00:28:17,320 --> 00:28:20,160
Speaker 1: There was never we didn't talk about one Kickstarter.

511
00:28:20,280 --> 00:28:23,680
Speaker 3: I couldn't do any of the show it started or ended. Yeah,

512
00:28:23,720 --> 00:28:27,720
Speaker 3: there was no Kickstarter at all. My phone still buggy

513
00:28:27,840 --> 00:28:31,080
Speaker 3: from like the software I had to install to do it.

514
00:28:32,720 --> 00:28:34,720
Speaker 2: I sometimes see you on there. Still do you ever

515
00:28:34,760 --> 00:28:36,840
Speaker 2: pop onto the because it has like a little green light.

516
00:28:36,960 --> 00:28:38,200
Speaker 1: It never turns off.

517
00:28:38,320 --> 00:28:40,720
Speaker 3: I don't know how to get in and out. He's

518
00:28:40,760 --> 00:28:44,080
Speaker 3: on the podcast forever. I think you're spying on me.

519
00:28:45,080 --> 00:28:47,920
Speaker 2: Yeah, oh that's I mean, that's sort of ore. We

520
00:28:48,000 --> 00:28:49,800
Speaker 2: sort of also have a pro version, so that was

521
00:28:49,840 --> 00:28:53,120
Speaker 2: sort of our So that's looser, that's what we decided

522
00:28:53,120 --> 00:28:54,680
Speaker 2: to do with it. Uh huh. It is just kind

523
00:28:54,680 --> 00:28:56,719
Speaker 2: of you have the regular show, which is very rigid.

524
00:28:57,600 --> 00:29:00,520
Speaker 2: The form is what it is, and.

525
00:29:00,440 --> 00:29:03,560
Speaker 1: That's just the two of you. Yeah, and then people

526
00:29:03,560 --> 00:29:08,040
Speaker 1: are paying to have guests on the show, sort of

527
00:29:08,120 --> 00:29:11,520
Speaker 1: an inverse of our version. Yeah, where people are paying

528
00:29:11,760 --> 00:29:15,680
Speaker 1: basically did not have you on the show. We have

529
00:29:15,760 --> 00:29:19,120
Speaker 1: this one which is free and then people are like,

530
00:29:19,160 --> 00:29:23,600
Speaker 1: oh I'm interested. And a version of this without Jesse.

531
00:29:23,480 --> 00:29:27,320
Speaker 3: Without the guy talking about the posters of food.

532
00:29:28,720 --> 00:29:33,400
Speaker 2: But so they're considering a redesign for the.

533
00:29:33,800 --> 00:29:36,840
Speaker 3: Is everyone who stops with like a clipboard or anything,

534
00:29:36,920 --> 00:29:42,480
Speaker 3: like you're just engaging with all these people everything one. Yeah,

535
00:29:42,600 --> 00:29:46,560
Speaker 3: that's nuts, man. Yeah, God the way I envy that,

536
00:29:46,720 --> 00:29:49,520
Speaker 3: such a simple life.

537
00:29:49,800 --> 00:29:55,040
Speaker 2: But my thought is, while I'm here, maybe that's somebody's

538
00:29:55,720 --> 00:29:58,440
Speaker 2: you know, what is it like? Scott like agent or something.

539
00:29:58,480 --> 00:30:01,800
Speaker 2: Maybe that's an agent. You think that's an agent scout. Yes,

540
00:30:02,880 --> 00:30:04,480
Speaker 2: so I haven't been, and that.

541
00:30:04,520 --> 00:30:11,160
Speaker 3: The grocery store glasses experiment could in fact be yeah,

542
00:30:12,000 --> 00:30:12,720
Speaker 3: your big break.

543
00:30:12,880 --> 00:30:15,800
Speaker 2: Well the so what she's she did not say grocery

544
00:30:15,840 --> 00:30:18,200
Speaker 2: store to me? She said, do you want to make

545
00:30:18,240 --> 00:30:20,320
Speaker 2: twenty dollars? And I thought, oh, I'm going to be

546
00:30:20,360 --> 00:30:24,720
Speaker 2: on a podcast? This is what I thought.

547
00:30:25,160 --> 00:30:27,920
Speaker 3: Well, no, no, no, no, very ambitious.

548
00:30:30,520 --> 00:30:31,400
Speaker 2: That's the opposite.

549
00:30:32,000 --> 00:30:36,040
Speaker 3: I remember I was on your premium podcast. It cost me.

550
00:30:38,680 --> 00:30:41,240
Speaker 3: I had to buy all these like apps and stuff.

551
00:30:42,040 --> 00:30:48,360
Speaker 1: Okay, now, so I've moved on from what we're gonna do,

552
00:30:49,800 --> 00:30:51,760
Speaker 1: like for you and your career, to what we're going

553
00:30:51,840 --> 00:30:56,520
Speaker 1: to do like about this episode at like, yeah.

554
00:30:54,640 --> 00:30:56,160
Speaker 2: We are here.

555
00:30:56,200 --> 00:30:58,040
Speaker 3: We would like to find a way to release it.

556
00:30:58,080 --> 00:30:58,840
Speaker 2: Is there something?

557
00:30:59,280 --> 00:30:59,560
Speaker 6: Is there?

558
00:31:00,040 --> 00:31:03,360
Speaker 1: Have a pick it ahead? Do we try Jordan's brother?

559
00:31:04,880 --> 00:31:05,760
Speaker 2: That's interesting.

560
00:31:06,000 --> 00:31:09,520
Speaker 1: Do we bring him in and just like see maybe

561
00:31:09,560 --> 00:31:11,000
Speaker 1: they'll play off each other.

562
00:31:11,720 --> 00:31:14,600
Speaker 3: Maybe do we want to bring him in, see how

563
00:31:14,640 --> 00:31:17,720
Speaker 3: they interact and maybe let them discuss the email we got?

564
00:31:19,440 --> 00:31:19,720
Speaker 2: Yeah?

565
00:31:19,720 --> 00:31:21,800
Speaker 1: Oh yeah, or yes, we'll see if we if we

566
00:31:21,840 --> 00:31:23,920
Speaker 1: if it comes to that, that is the ripcord we

567
00:31:23,960 --> 00:31:26,240
Speaker 1: can pay, yes, but I want to see like them

568
00:31:26,360 --> 00:31:30,600
Speaker 1: have a conversation, just like let's see if that it's like.

569
00:31:30,720 --> 00:31:37,040
Speaker 2: Something sparks we met earlier. Okay, that seems fine, That

570
00:31:37,200 --> 00:31:37,720
Speaker 2: is great.

571
00:31:38,120 --> 00:31:43,440
Speaker 8: Okay, do you want him to come in the studio. Yes, Austin,

572
00:31:43,600 --> 00:31:48,040
Speaker 8: come in the studio. He's very mad. Now that's nice.

573
00:31:48,520 --> 00:31:49,400
Speaker 2: Welcome to the show.

574
00:31:49,640 --> 00:31:54,320
Speaker 3: His name is a southern town. You're friends with Garth Brooks.

575
00:31:55,280 --> 00:32:01,760
Speaker 2: Thanks so much in coming, Hi, Austin. Hello, Okay, that's

576
00:32:01,760 --> 00:32:02,040
Speaker 2: the way.

577
00:32:02,080 --> 00:32:04,040
Speaker 3: So you can get up to the mic and try

578
00:32:04,160 --> 00:32:06,280
Speaker 3: not to blow it out.

579
00:32:06,960 --> 00:32:07,280
Speaker 2: Hello.

580
00:32:08,160 --> 00:32:12,600
Speaker 1: Hello, So this is Jordan's brother, Austin. Austin, this is Jesse.

581
00:32:13,600 --> 00:32:20,240
Speaker 2: Hey, I saw you earlier in the the lobby. I

582
00:32:20,240 --> 00:32:22,720
Speaker 2: guess come on this first impression.

583
00:32:23,040 --> 00:32:25,120
Speaker 3: Yeah, don't make eye contact with me.

584
00:32:28,880 --> 00:32:29,480
Speaker 2: I just walked.

585
00:32:29,480 --> 00:32:31,360
Speaker 1: I do you want you want us to confirm that

586
00:32:31,360 --> 00:32:32,360
Speaker 1: that is a lobby?

587
00:32:32,520 --> 00:32:37,840
Speaker 2: It's not? Okay, Well, we were sitting I said in there.

588
00:32:37,920 --> 00:32:42,040
Speaker 2: You came in a little after me. I think, So

589
00:32:42,160 --> 00:32:46,720
Speaker 2: what else is going on? Exactly? There's no initial fag.

590
00:32:48,680 --> 00:32:53,040
Speaker 3: There's no what else else is in addition to the

591
00:32:53,040 --> 00:32:56,160
Speaker 3: there's what is going on in themation that you've seen

592
00:32:56,160 --> 00:33:00,640
Speaker 3: each other, it's good to catch up.

593
00:33:02,160 --> 00:33:03,680
Speaker 7: I mean it has been a long time. Yeah.

594
00:33:03,720 --> 00:33:09,560
Speaker 2: So you do you like uncrustables or do you The

595
00:33:09,600 --> 00:33:13,400
Speaker 2: way you phrase that, just the intonation.

596
00:33:14,440 --> 00:33:17,520
Speaker 1: Implies that, like someone brought up on crustables before this,

597
00:33:17,680 --> 00:33:18,360
Speaker 1: did that happen?

598
00:33:18,400 --> 00:33:19,720
Speaker 2: I zoned out for.

599
00:33:20,280 --> 00:33:22,600
Speaker 3: No pizza roles were brought up, and I guess those

600
00:33:22,680 --> 00:33:27,720
Speaker 3: might be near the uncrustaballs. I would say, Jesse, a

601
00:33:27,720 --> 00:33:30,560
Speaker 3: lot of what we're finding is, and this is a

602
00:33:30,600 --> 00:33:32,800
Speaker 3: compliment to you in a way, there's a very rich

603
00:33:33,000 --> 00:33:37,600
Speaker 3: internal world you're experiencing that we're not necessarily party to,

604
00:33:38,480 --> 00:33:43,800
Speaker 3: and so you're often attempting to continue a conversation with

605
00:33:43,880 --> 00:33:47,880
Speaker 3: a stranger that has been taking place entirely inside your own.

606
00:33:47,720 --> 00:33:52,520
Speaker 2: Minds, trying to keep the ball in the air, you know.

607
00:33:52,920 --> 00:33:55,320
Speaker 2: So again I don't know what the fuck you mean.

608
00:33:55,320 --> 00:34:00,360
Speaker 3: But but maybe for this with Austin anyway, since he

609
00:34:00,480 --> 00:34:03,480
Speaker 3: is something of a clean slate for you, let's just

610
00:34:03,520 --> 00:34:06,240
Speaker 3: start from scratch and be on our best behavior.

611
00:34:11,960 --> 00:34:13,160
Speaker 2: Austin, do you need anything to drink?

612
00:34:18,400 --> 00:34:20,080
Speaker 7: I could use some water?

613
00:34:20,160 --> 00:34:26,720
Speaker 2: Maybe, all right, Sean, Wait.

614
00:34:26,600 --> 00:34:28,400
Speaker 5: You asked him for the drink, but you're not gonna

615
00:34:28,400 --> 00:34:29,240
Speaker 5: get it for him.

616
00:34:29,520 --> 00:34:31,680
Speaker 2: Well, I want to keep going over here. I feel

617
00:34:31,680 --> 00:34:34,640
Speaker 2: like we're cooking. Got some momentum. Now, I agree. I agree.

618
00:34:34,719 --> 00:34:38,120
Speaker 2: This is the closest I've felt. I'm gonna buy my dogue.

619
00:34:38,400 --> 00:34:40,239
Speaker 2: This is the best thing to happen on this show

620
00:34:40,360 --> 00:34:47,440
Speaker 2: so far. He's visiting, You're both, we're both visiting. Yeah, yeah,

621
00:34:47,680 --> 00:34:48,480
Speaker 2: Now where are you from?

622
00:34:49,480 --> 00:34:52,200
Speaker 7: Actually I just moved out here from Louisville, Kentucky.

623
00:34:53,200 --> 00:34:56,960
Speaker 1: Don't look at me, Jesse, I have nothing for you. Louisville,

624
00:34:57,200 --> 00:34:59,200
Speaker 1: Kentucky's like basically where you live.

625
00:34:59,840 --> 00:35:02,959
Speaker 2: You haven't. I have to help you with that. You've

626
00:35:02,960 --> 00:35:04,719
Speaker 2: never been like, I've never been there.

627
00:35:05,400 --> 00:35:07,520
Speaker 5: I can help you. Okay, you said you wanted to

628
00:35:07,560 --> 00:35:12,479
Speaker 5: be Chappelle. Is that the wrong name? It's like the name. Yeah,

629
00:35:13,040 --> 00:35:15,040
Speaker 5: he has a place in young.

630
00:35:14,880 --> 00:35:16,520
Speaker 2: I didn't formulate it quite like that.

631
00:35:18,000 --> 00:35:21,480
Speaker 8: He has a place in Ohio, Ohio, right next to Kentucky.

632
00:35:21,840 --> 00:35:23,799
Speaker 1: It's right there. Yeah, so that would have been a

633
00:35:23,800 --> 00:35:26,400
Speaker 1: perfect time. We can't do it now, but to be like, oh,

634
00:35:26,440 --> 00:35:28,400
Speaker 1: Dave Chappelle, I guess lives there, and this is like

635
00:35:28,520 --> 00:35:30,520
Speaker 1: important to me for some reason, and I want.

636
00:35:30,320 --> 00:35:33,080
Speaker 2: To do that, but we can't.

637
00:35:34,920 --> 00:35:38,879
Speaker 1: Now that has been done, Louisville. Muhammad Ali is from there.

638
00:35:39,360 --> 00:35:42,520
Speaker 1: You believe he should have been forced to join the

639
00:35:42,640 --> 00:35:45,240
Speaker 1: army that should have been set on the front lines.

640
00:35:45,280 --> 00:35:48,000
Speaker 2: You're like very public about this. You only will call

641
00:35:48,040 --> 00:35:59,640
Speaker 2: him Cassius Clay. Is that right? So you like so

642
00:36:00,400 --> 00:36:01,120
Speaker 2: Jimmy Dean.

643
00:36:01,000 --> 00:36:05,600
Speaker 1: Smuckers, Okay, you know what that's by fault? Smuckers I

644
00:36:05,600 --> 00:36:08,640
Speaker 1: think is the brand behind Uncrestable.

645
00:36:08,760 --> 00:36:11,160
Speaker 2: Yeah, because the jelly on me and I guess they

646
00:36:11,160 --> 00:36:14,840
Speaker 2: have their own peanut butter with I don't know, no jelly.

647
00:36:15,080 --> 00:36:17,439
Speaker 2: It's jelly, but there's also peanut butter. There's hazel nuts

648
00:36:17,440 --> 00:36:21,400
Speaker 2: smelling as well, which is you know, it's like Natella,

649
00:36:21,960 --> 00:36:24,279
Speaker 2: which is the brand? I think?

650
00:36:24,320 --> 00:36:29,000
Speaker 1: I think the big goal of coming to la is

651
00:36:29,040 --> 00:36:32,680
Speaker 1: to convince everyone here that there is a store.

652
00:36:35,239 --> 00:36:36,719
Speaker 2: In Jesse's town. We did.

653
00:36:36,840 --> 00:36:40,560
Speaker 1: He did hit that within the first minute without anyone

654
00:36:40,600 --> 00:36:44,200
Speaker 1: they'd never gotten saying we do have a store. And

655
00:36:44,320 --> 00:36:49,319
Speaker 1: it seems like he was anticipating or possibly hoping that

656
00:36:49,320 --> 00:36:52,120
Speaker 1: that would be like a longer confrontation that we would

657
00:36:52,200 --> 00:36:53,560
Speaker 1: like hit back about the store.

658
00:36:53,560 --> 00:36:56,800
Speaker 3: If he's done all this research in order to prove

659
00:36:56,880 --> 00:37:00,680
Speaker 3: that there's a store and it's sort of like em.

660
00:37:01,880 --> 00:37:05,719
Speaker 3: So the store is like home base, and Jesse's kind

661
00:37:05,760 --> 00:37:09,640
Speaker 3: of got his foot still touching base. Even when he

662
00:37:09,760 --> 00:37:13,319
Speaker 3: ventures out to have a conversation with Austin where he's

663
00:37:13,400 --> 00:37:18,719
Speaker 3: keeping contact with us the whole time, or or when

664
00:37:18,719 --> 00:37:21,520
Speaker 3: he wants to tell a story about someone trying to,

665
00:37:21,640 --> 00:37:27,040
Speaker 3: you know, slobber on his way, all these things never

666
00:37:27,080 --> 00:37:30,440
Speaker 3: really get far enough away from the store concept that

667
00:37:30,520 --> 00:37:34,120
Speaker 3: he can't immediately jump back and go, I'm on base.

668
00:37:34,120 --> 00:37:35,759
Speaker 3: I'm on base, on my base, you can't tag me

669
00:37:37,000 --> 00:37:37,600
Speaker 3: john Wick.

670
00:37:38,360 --> 00:37:46,840
Speaker 2: M how it's a very similar the Continental Hotel. I

671
00:37:46,920 --> 00:37:49,319
Speaker 2: just saw it. I just saw the first one. I

672
00:37:49,360 --> 00:37:52,520
Speaker 2: just thought, well, I just saw three. Okay, I saw three.

673
00:37:52,520 --> 00:37:58,160
Speaker 2: Did you guys see the john Wick three? No? Yeah, okay, awesome.

674
00:37:58,680 --> 00:38:03,480
Speaker 2: Does it sound like what you're saying? Awesome? What do

675
00:38:03,520 --> 00:38:04,239
Speaker 2: you think about it?

676
00:38:05,800 --> 00:38:07,480
Speaker 7: You know, I kind of like Smuckers a little bit.

677
00:38:07,560 --> 00:38:08,520
Speaker 3: Yeah, it depends.

678
00:38:12,680 --> 00:38:14,040
Speaker 2: Now this is going it depends.

679
00:38:14,040 --> 00:38:18,200
Speaker 1: Now he has situations where he likes smuck he likes smuckers,

680
00:38:17,680 --> 00:38:20,560
Speaker 1: and where he does not. Now I know it's the

681
00:38:20,640 --> 00:38:25,280
Speaker 1: light has been shut off at the other room.

682
00:38:25,320 --> 00:38:28,200
Speaker 3: Everyone went home and they are putting their ship in boxes.

683
00:38:29,440 --> 00:38:32,000
Speaker 1: We might we might want to turn it on just

684
00:38:32,040 --> 00:38:35,000
Speaker 1: for this Jesse, And if you could watch, we are

685
00:38:35,040 --> 00:38:37,959
Speaker 1: actually gonna hear like a real a point that's about

686
00:38:38,000 --> 00:38:38,799
Speaker 1: to be made.

687
00:38:39,080 --> 00:38:39,920
Speaker 2: Go ahead, Austin.

688
00:38:40,239 --> 00:38:42,160
Speaker 7: Yeah, I mean, well, there's other brands, so it's like

689
00:38:42,200 --> 00:38:43,600
Speaker 7: every now and then you like to switch it up,

690
00:38:43,680 --> 00:38:45,800
Speaker 7: but Smuckers has never been like a number one. I

691
00:38:45,840 --> 00:38:47,160
Speaker 7: don't know if it's like you have a brand dealer

692
00:38:47,239 --> 00:38:48,879
Speaker 7: or something, because you'd really like to bring it up.

693
00:38:49,440 --> 00:38:52,239
Speaker 7: But I mean, you know, every now and then you go.

694
00:38:52,160 --> 00:38:52,720
Speaker 2: With like Welch.

695
00:38:52,800 --> 00:38:55,040
Speaker 7: Welch's does their own like Jelly.

696
00:38:54,800 --> 00:38:55,720
Speaker 2: That's dog shift.

697
00:38:57,840 --> 00:39:00,839
Speaker 1: Okay, I can't understand why you're pitt. This guy is

698
00:39:00,880 --> 00:39:03,680
Speaker 1: really good. He's just like good at talking the way

699
00:39:03,760 --> 00:39:05,319
Speaker 1: he like gaugeing.

700
00:39:05,200 --> 00:39:06,200
Speaker 2: It's just natural.

701
00:39:06,400 --> 00:39:09,720
Speaker 3: He's being himself and everyone can feel it. He's just

702
00:39:09,760 --> 00:39:13,200
Speaker 3: saying what his actual experiences are. He's got no agenda.

703
00:39:15,520 --> 00:39:20,319
Speaker 1: He's responding to what's being asked, which was huge for

704
00:39:20,360 --> 00:39:20,840
Speaker 1: this show.

705
00:39:21,000 --> 00:39:27,400
Speaker 3: Okay, and he's like, don't take this the wrong way. No,

706
00:39:27,719 --> 00:39:29,120
Speaker 3: he's not like desperate.

707
00:39:31,440 --> 00:39:42,640
Speaker 2: So the uh, the Continental Hotel is I mean it

708
00:39:42,719 --> 00:39:48,160
Speaker 2: really it really is home base. Okay, that's why that's

709
00:39:48,200 --> 00:39:54,000
Speaker 2: what it is. Which the third one, Well, there's a moment.

710
00:39:53,719 --> 00:39:55,960
Speaker 1: I'm guessing that the in the third one it becomes

711
00:39:56,000 --> 00:39:58,080
Speaker 1: like the bad guys are taking.

712
00:39:58,160 --> 00:40:03,760
Speaker 3: And of the second one, the Continental becomes no longer

713
00:40:04,000 --> 00:40:05,680
Speaker 3: somewhere that he can consider home base.

714
00:40:05,880 --> 00:40:07,040
Speaker 2: Yeah, that's true.

715
00:40:08,080 --> 00:40:10,680
Speaker 1: Then you just saw the third one which starts there,

716
00:40:10,719 --> 00:40:14,040
Speaker 1: and also in the first one there's a fight at

717
00:40:14,040 --> 00:40:16,839
Speaker 1: the hotel, which is supposed to be safe, and there's

718
00:40:16,880 --> 00:40:17,799
Speaker 1: a huge fight there.

719
00:40:17,920 --> 00:40:22,279
Speaker 2: Yeah, but none of the movies is it what you're describing?

720
00:40:22,440 --> 00:40:25,600
Speaker 1: And even if it were to go from the idea

721
00:40:25,640 --> 00:40:31,520
Speaker 1: of something being home base to say John Wick, John

722
00:40:31,600 --> 00:40:34,520
Speaker 1: Wick hoping will be like, yes, John, wake up Continental Hotel,

723
00:40:34,560 --> 00:40:35,239
Speaker 1: that's his home base.

724
00:40:35,320 --> 00:40:35,520
Speaker 2: Yeah.

725
00:40:35,520 --> 00:40:37,399
Speaker 3: And this is again we're encountering the same thing where

726
00:40:37,440 --> 00:40:38,960
Speaker 3: there's a lot of pieces to fill in.

727
00:40:41,640 --> 00:40:43,799
Speaker 2: Do you know that I can't.

728
00:40:46,280 --> 00:40:52,880
Speaker 3: See your thoughts and then I actually need help surrounding

729
00:40:53,000 --> 00:40:54,759
Speaker 3: some of the simple statements you make.

730
00:40:56,640 --> 00:40:59,480
Speaker 1: It makes me wonder what happened in this earlier conversation

731
00:41:00,440 --> 00:41:03,440
Speaker 1: where that culminated in this woman offering to.

732
00:41:03,440 --> 00:41:04,080
Speaker 2: Suck your dick.

733
00:41:05,560 --> 00:41:07,840
Speaker 1: I think she may have been dry, like thinking that

734
00:41:07,920 --> 00:41:11,440
Speaker 1: was the only thing that could help you. I can

735
00:41:11,440 --> 00:41:15,480
Speaker 1: feel myself wanting to like try. Yes, I'm all kinds

736
00:41:15,480 --> 00:41:15,680
Speaker 1: of that.

737
00:41:15,800 --> 00:41:20,640
Speaker 3: I'm cycling through ideas of ways that I could maybe

738
00:41:21,000 --> 00:41:26,960
Speaker 3: set you right. And I haven't arrived at sucking you

739
00:41:27,040 --> 00:41:31,120
Speaker 3: off yet, but it can't be far away.

740
00:41:33,080 --> 00:41:35,560
Speaker 2: I didn't write the movies, but I would love to

741
00:41:35,600 --> 00:41:38,720
Speaker 2: take a pass and maybe that's could we get there somehow?

742
00:41:38,840 --> 00:41:42,800
Speaker 3: You want to take a pass on john Wick three?

743
00:41:43,719 --> 00:41:44,080
Speaker 2: Yeah?

744
00:41:45,960 --> 00:41:48,280
Speaker 3: Feel free?

745
00:41:48,960 --> 00:41:51,680
Speaker 2: What would you do? I mean, set me up? Give

746
00:41:51,680 --> 00:41:53,800
Speaker 2: me one of those that is a set up? Jesse?

747
00:41:54,719 --> 00:42:00,200
Speaker 1: What would you do with the Wick three? Set you up?

748
00:42:02,120 --> 00:42:07,279
Speaker 2: Well? So I have an idea. Good So in the

749
00:42:07,320 --> 00:42:12,440
Speaker 2: first movie, famously, there there's a there's a dog situation.

750
00:42:12,280 --> 00:42:13,280
Speaker 1: Right, Okay, thank god?

751
00:42:13,440 --> 00:42:15,880
Speaker 3: Okay, so there's this is where you want to start.

752
00:42:15,960 --> 00:42:18,200
Speaker 3: Even the movie ditched out on this part.

753
00:42:18,400 --> 00:42:22,600
Speaker 2: So john Wick one, zero dogs, okay, john Wick two

754
00:42:23,239 --> 00:42:25,520
Speaker 2: one dog? Actually I think in john Wick one there

755
00:42:25,600 --> 00:42:29,279
Speaker 2: are two dogs, but there's one at the beginning. There's

756
00:42:29,880 --> 00:42:33,680
Speaker 2: but if you had the tone is of zero dogs

757
00:42:35,400 --> 00:42:40,640
Speaker 2: and john Wick three he's still just got the one dog? Okay,

758
00:42:41,440 --> 00:42:46,239
Speaker 2: why not? Why doesn't he have two? What doesn't he

759
00:42:46,320 --> 00:42:51,560
Speaker 2: have two? Still? The word dog two? Was it? Sure?

760
00:42:51,600 --> 00:42:52,919
Speaker 3: If it wanted to sneak out.

761
00:42:52,960 --> 00:42:56,799
Speaker 2: There was it. I'm LOGI still.

762
00:43:00,200 --> 00:43:03,560
Speaker 1: LOGI Austin, like, let's see if we can sort of

763
00:43:03,600 --> 00:43:06,080
Speaker 1: like reverse the agency here and you become kind of

764
00:43:06,120 --> 00:43:09,799
Speaker 1: like the host cared in this dynamic and like see

765
00:43:09,840 --> 00:43:12,279
Speaker 1: what you if you can like you can draw him

766
00:43:12,280 --> 00:43:14,600
Speaker 1: out and then because this is like his big break,

767
00:43:14,719 --> 00:43:16,239
Speaker 1: so we really need to make this.

768
00:43:16,239 --> 00:43:17,920
Speaker 7: Okay, So we want to chase the topic or do

769
00:43:17,960 --> 00:43:19,279
Speaker 7: you want Jesse, what do you think you want to

770
00:43:19,280 --> 00:43:21,160
Speaker 7: stick with it? Like, what do you want to do?

771
00:43:21,160 --> 00:43:24,920
Speaker 3: Don't ask him because you have to really take the wheel,

772
00:43:25,200 --> 00:43:26,759
Speaker 3: I would say, and you do have to speak into

773
00:43:26,760 --> 00:43:27,040
Speaker 3: the mike.

774
00:43:27,120 --> 00:43:28,880
Speaker 7: You're great, sorry, yeah, gotcha.

775
00:43:29,200 --> 00:43:29,640
Speaker 2: Perfect.

776
00:43:29,719 --> 00:43:32,359
Speaker 3: It's so natural that it doesn't feel like you're even

777
00:43:32,400 --> 00:43:33,880
Speaker 3: on a show. But we do need the mic to

778
00:43:33,920 --> 00:43:34,640
Speaker 3: pick yeah.

779
00:43:34,680 --> 00:43:35,080
Speaker 2: Perfect.

780
00:43:35,440 --> 00:43:38,399
Speaker 7: Uh, so we'll stay on topic with you know, John Wick,

781
00:43:38,520 --> 00:43:41,200
Speaker 7: Keanu Reeves. Okay, I'm a little into the gaming scene.

782
00:43:41,200 --> 00:43:43,080
Speaker 7: I don't know if you've heard about E three going

783
00:43:43,120 --> 00:43:44,160
Speaker 7: on at the moment.

784
00:43:44,239 --> 00:43:52,560
Speaker 2: I'm actually a famous video game stream Yeah, I think

785
00:43:52,600 --> 00:43:53,200
Speaker 2: I've heard of it.

786
00:43:53,480 --> 00:43:56,759
Speaker 7: Yeah, So, I mean you got a little bit of

787
00:43:56,800 --> 00:44:00,279
Speaker 7: an idea going on, and you know, you know about

788
00:44:00,400 --> 00:44:02,680
Speaker 7: Cyberpunk twenty seventy seven is gonna be coming out.

789
00:44:02,800 --> 00:44:08,440
Speaker 3: Pleased to meet you. I'm famous.

790
00:44:08,520 --> 00:44:12,279
Speaker 2: Well, Jesse, do you know about that about countter Reefs

791
00:44:12,320 --> 00:44:13,239
Speaker 2: being in the game?

792
00:44:13,440 --> 00:44:15,120
Speaker 7: Exactly? Yeah, how do you feel about that?

793
00:44:15,160 --> 00:44:16,880
Speaker 2: It's like mo cap you know, it's sick.

794
00:44:17,680 --> 00:44:24,000
Speaker 7: Yes, that's what it is. Yeah. How are you feeling

795
00:44:24,000 --> 00:44:25,799
Speaker 7: about the game coming out though? I mean he's gonna

796
00:44:25,800 --> 00:44:27,960
Speaker 7: be in it. Yeah, it's gonna be a big game. Yeah,

797
00:44:28,040 --> 00:44:29,680
Speaker 7: any project Rad's working on it.

798
00:44:30,440 --> 00:44:32,359
Speaker 2: Yeah, you know, I'm gonna try and play it for sure.

799
00:44:38,040 --> 00:44:42,760
Speaker 2: This is that was so nice. Yeah, it's a really

800
00:44:42,840 --> 00:44:44,240
Speaker 2: nice guy, all of it.

801
00:44:44,440 --> 00:44:48,360
Speaker 3: Just two guys just being guys.

802
00:44:48,600 --> 00:44:51,920
Speaker 2: You know, shit, man, that.

803
00:44:51,960 --> 00:44:56,479
Speaker 1: Rules Austin is really this was the ripcord. This guy

804
00:44:56,600 --> 00:44:57,320
Speaker 1: is so cool.

805
00:44:57,480 --> 00:44:58,640
Speaker 3: That's what we thank you.

806
00:45:00,120 --> 00:45:00,359
Speaker 2: Jesse.

807
00:45:01,640 --> 00:45:03,640
Speaker 1: I guess I am going to send you back to

808
00:45:03,880 --> 00:45:06,160
Speaker 1: your friend the dog voter.

809
00:45:07,280 --> 00:45:08,600
Speaker 2: He's gotta be worried, sick.

810
00:45:08,840 --> 00:45:11,640
Speaker 1: What what can we give Jesse to like take with

811
00:45:11,800 --> 00:45:16,160
Speaker 1: him back from La, back to this from this experience?

812
00:45:16,280 --> 00:45:19,080
Speaker 2: Right? A packet would be great.

813
00:45:19,640 --> 00:45:22,280
Speaker 1: You want a sketch fast, you want a packet.

814
00:45:22,840 --> 00:45:25,839
Speaker 2: You gotta have one to I can give you.

815
00:45:25,960 --> 00:45:31,920
Speaker 3: I have a fallin submission that I did probably around

816
00:45:31,960 --> 00:45:39,840
Speaker 3: like twenty ten. I can give you those ideas.

817
00:45:38,800 --> 00:45:39,680
Speaker 2: And you take that.

818
00:45:40,680 --> 00:45:43,680
Speaker 3: Does it become part of your Kickstarter sucks? Does it

819
00:45:43,760 --> 00:45:46,520
Speaker 3: launch you into whatever?

820
00:45:47,480 --> 00:45:47,680
Speaker 2: You know?

821
00:45:48,440 --> 00:45:53,160
Speaker 3: Tennessee's version of Fallon is it's Huckabee, It's Mike Huckabee.

822
00:45:53,320 --> 00:45:54,200
Speaker 2: Yeah. Perfect.

823
00:45:54,560 --> 00:45:59,040
Speaker 1: So so I can give you every sketch that I

824
00:45:59,080 --> 00:46:02,799
Speaker 1: wrote for Nix Wurtzon's Pretend Time that got on the air,

825
00:46:02,880 --> 00:46:09,160
Speaker 1: No thinks. Great a show that actually happened and was

826
00:46:09,360 --> 00:46:12,480
Speaker 1: like successful, but it's like forgotten now that you could

827
00:46:12,520 --> 00:46:13,120
Speaker 1: do it again.

828
00:46:13,280 --> 00:46:16,160
Speaker 2: M hmm. I give you pups ill stuff. Yeah, I

829
00:46:16,200 --> 00:46:17,200
Speaker 2: give you pups ill stuff.

830
00:46:17,239 --> 00:46:20,640
Speaker 1: Yeah. Yeah, the pops All stuff. That's it is public

831
00:46:20,680 --> 00:46:21,359
Speaker 1: domaining now.

832
00:46:21,520 --> 00:46:25,040
Speaker 3: Okay, Austin, you're a little younger than I am. Did

833
00:46:25,080 --> 00:46:26,960
Speaker 3: you enjoy pump Zill on MTV?

834
00:46:29,120 --> 00:46:30,400
Speaker 7: I loved it? Yeah, it was great.

835
00:46:31,080 --> 00:46:35,239
Speaker 2: This fucking guy Rolls is on it.

836
00:46:35,480 --> 00:46:38,920
Speaker 7: And again, any material you don't want, Jesse, I'll take.

837
00:46:38,840 --> 00:46:44,080
Speaker 1: At I'll take it. Okay, you can have blind Boss. Uh.

838
00:46:44,560 --> 00:46:50,240
Speaker 1: The boss of the company is blind, but he doesn't

839
00:46:50,280 --> 00:46:53,720
Speaker 1: want anyone to like know or acknowledge that he's blind,

840
00:46:53,760 --> 00:46:55,920
Speaker 1: and he thinks he's getting away with us.

841
00:46:56,680 --> 00:46:59,760
Speaker 2: Nick feels like punching down to me. He's the boss.

842
00:47:00,080 --> 00:47:02,360
Speaker 2: What's kind of inside baseball?

843
00:47:03,760 --> 00:47:12,880
Speaker 1: Just sound waves bouncing around in his skull cavity and

844
00:47:12,960 --> 00:47:16,960
Speaker 1: the employees bosses Nix Worsen. The employees are played by

845
00:47:17,080 --> 00:47:20,680
Speaker 1: Kyle Mooney who's now on SNL, and Owen Benjamin, who's

846
00:47:20,680 --> 00:47:23,600
Speaker 1: basically doing what Jesse is doing but more successfully.

847
00:47:26,640 --> 00:47:27,480
Speaker 2: And they.

848
00:47:29,000 --> 00:47:33,480
Speaker 1: Are trying not to like like the boss is like

849
00:47:34,640 --> 00:47:38,040
Speaker 1: we can't see and they're trying to like not acknowledge

850
00:47:38,080 --> 00:47:38,840
Speaker 1: that he's blind.

851
00:47:39,360 --> 00:47:45,640
Speaker 2: That is the sketch. That's funny. Yeah, no shit, are

852
00:47:45,680 --> 00:47:47,440
Speaker 2: you looking up some of your pops ellow stuff?

853
00:47:47,560 --> 00:47:50,400
Speaker 3: Well, I know I've got a Here's Late Night with

854
00:47:50,480 --> 00:47:55,520
Speaker 3: Jimmy fallon some of the second This I think I

855
00:47:55,560 --> 00:47:58,600
Speaker 3: wrote in twenty ten. Okay, I was submitting to be

856
00:47:58,640 --> 00:48:02,319
Speaker 3: part of this show. So they wanted like fifteen or

857
00:48:02,360 --> 00:48:06,760
Speaker 3: something like desk ideas.

858
00:48:07,440 --> 00:48:12,080
Speaker 2: So here's one. If you remember they used to do like.

859
00:48:14,200 --> 00:48:16,839
Speaker 3: Real Housewives of six B and stuff, and they did

860
00:48:16,880 --> 00:48:19,440
Speaker 3: like a version of Loss that took place entirely and

861
00:48:19,560 --> 00:48:22,600
Speaker 3: like thirty Rock, Like Jimmy would do these shows. So

862
00:48:22,719 --> 00:48:27,080
Speaker 3: I have Jimified in this parody of the FX show.

863
00:48:27,280 --> 00:48:30,600
Speaker 3: Justified us Marshall. Jimmy Fallon has been assigned to Studio

864
00:48:30,719 --> 00:48:33,160
Speaker 3: six B. It's the one place he didn't want to

865
00:48:33,200 --> 00:48:34,440
Speaker 3: go too much history.

866
00:48:34,880 --> 00:48:35,560
Speaker 7: He roams the.

867
00:48:35,480 --> 00:48:38,520
Speaker 3: Halls in a cowboy hat, coolly greeting old friends and

868
00:48:38,560 --> 00:48:41,040
Speaker 3: almost immediately finding an excuse to draw on them and

869
00:48:41,080 --> 00:48:43,799
Speaker 3: shoot them. After every shooting, we cut to Jimmy in

870
00:48:43,800 --> 00:48:46,400
Speaker 3: the office of Chief Deputy AD Miles, who tells him

871
00:48:46,440 --> 00:48:50,040
Speaker 3: to stop shooting everyone. Jimmy Cooley explains he's pretty sure

872
00:48:50,080 --> 00:48:53,400
Speaker 3: the shooting was justified, and against his better judgment, AD

873
00:48:53,440 --> 00:48:55,840
Speaker 3: puts him back on the street parenthes hallway.

874
00:48:57,280 --> 00:49:01,520
Speaker 2: So that's one of them. I mean, do you need

875
00:49:01,560 --> 00:49:07,400
Speaker 2: to hear more? Yeah? Okay? Name that bear.

876
00:49:07,480 --> 00:49:09,759
Speaker 3: This is a game show where audience members are shown

877
00:49:09,800 --> 00:49:11,799
Speaker 3: a photo of a live bear in the wild and

878
00:49:11,840 --> 00:49:15,400
Speaker 3: given a list of possible names to choose from Cappy,

879
00:49:15,600 --> 00:49:19,520
Speaker 3: Sergeant Honey Pause, Nick Prescott, the North American Grizzly, or

880
00:49:19,560 --> 00:49:23,279
Speaker 3: the Tembrists. The contestants guests until the winner chooses the

881
00:49:23,280 --> 00:49:26,240
Speaker 3: correct name. At that point, Jimmy explains why the answer

882
00:49:26,400 --> 00:49:27,759
Speaker 3: was so clear to begin with.

883
00:49:29,120 --> 00:49:33,520
Speaker 2: Oh, masturbating bear was one masturbating bear?

884
00:49:36,640 --> 00:49:40,160
Speaker 3: Hold on, these are you know similar to the Battle

885
00:49:40,200 --> 00:49:42,919
Speaker 3: of the Instant Bands, but requiring less talent. We put

886
00:49:42,920 --> 00:49:45,480
Speaker 3: three pairs of audience members backstage and challenge them to

887
00:49:45,520 --> 00:49:49,080
Speaker 3: come up with an awesome secret handshake featuring ten unique steps.

888
00:49:49,920 --> 00:49:52,759
Speaker 3: Each pair presents their handshake, and the winners chosen via

889
00:49:52,880 --> 00:50:05,160
Speaker 3: audience applause. Ah audience salesman, this character interrupts Jimmy's monologue

890
00:50:05,160 --> 00:50:07,440
Speaker 3: to mention a ridiculous product he's trying to sell.

891
00:50:07,600 --> 00:50:11,479
Speaker 2: This is your kick Starter sucks. I like this one's

892
00:50:11,520 --> 00:50:12,359
Speaker 2: good man.

893
00:50:12,440 --> 00:50:14,640
Speaker 3: This section of the audience sure is hot. I'd better

894
00:50:14,640 --> 00:50:16,919
Speaker 3: put my freeze pot on. He puts on a hat

895
00:50:16,920 --> 00:50:19,400
Speaker 3: that looks like an igloo. Now I'm comfortable the item

896
00:50:19,480 --> 00:50:22,680
Speaker 3: really works. Jimmy grills him on the legitimacy of his product,

897
00:50:22,719 --> 00:50:25,120
Speaker 3: and the salesman eventually admits it to scam and leaves,

898
00:50:25,160 --> 00:50:28,319
Speaker 3: but not before swearing revenge on the show.

899
00:50:28,480 --> 00:50:30,840
Speaker 2: So that could be good.

900
00:50:30,960 --> 00:50:35,080
Speaker 3: These are all ideas that you could use. And this,

901
00:50:35,200 --> 00:50:37,360
Speaker 3: to me is sort of does feel like what the

902
00:50:37,440 --> 00:50:43,280
Speaker 3: show is. And I was really tried very hard to work.

903
00:50:43,120 --> 00:50:48,440
Speaker 2: There, and Studio six B is where it is filmed,

904
00:50:48,680 --> 00:50:53,680
Speaker 2: I believe. So okay, that helps you want more? I mean,

905
00:50:53,719 --> 00:50:58,920
Speaker 2: there's more any here. I guess I knew one of

906
00:50:58,960 --> 00:51:00,680
Speaker 2: these days it would get to a point where we

907
00:51:00,719 --> 00:51:04,279
Speaker 2: would have to just read all talk about all our

908
00:51:04,440 --> 00:51:07,600
Speaker 2: worst old stuff. Didn't I send you popzill ideas once?

909
00:51:08,040 --> 00:51:08,080
Speaker 3: Me?

910
00:51:08,560 --> 00:51:11,920
Speaker 2: Yeah? Yeah, you you worked on that too, right.

911
00:51:12,000 --> 00:51:14,200
Speaker 1: I submitted ideas for the first one, and then they

912
00:51:14,239 --> 00:51:16,560
Speaker 1: bought two and I went out on top and didn't

913
00:51:16,600 --> 00:51:17,480
Speaker 1: submit anymore.

914
00:51:17,640 --> 00:51:18,680
Speaker 2: Yeah, that was on top.

915
00:51:18,760 --> 00:51:19,480
Speaker 3: I worked there.

916
00:51:19,680 --> 00:51:23,120
Speaker 2: Yeah, but you like really like tried hard and stuff.

917
00:51:23,440 --> 00:51:24,000
Speaker 2: That's true.

918
00:51:24,360 --> 00:51:27,440
Speaker 3: Where is it I thing of those?

919
00:51:27,880 --> 00:51:31,640
Speaker 2: So how do you get an agent? Did you do this? Man?

920
00:51:31,680 --> 00:51:36,799
Speaker 6: You write popzill ideas up until somebody bites, Okay, And

921
00:51:36,840 --> 00:51:39,920
Speaker 6: so this is Jesse basically coming on here to scab,

922
00:51:40,160 --> 00:51:43,120
Speaker 6: just to announce that he is ready to scab.

923
00:51:43,400 --> 00:51:44,920
Speaker 2: Are they is Popzilla on strike?

924
00:51:45,080 --> 00:51:47,600
Speaker 1: No, there's a thing with our agents right now where

925
00:51:47,600 --> 00:51:50,600
Speaker 1: you're not allowed to have one, okay. And just by

926
00:51:50,719 --> 00:51:51,480
Speaker 1: saying that.

927
00:51:51,640 --> 00:51:53,279
Speaker 2: Just by saying agent, that's.

928
00:51:53,000 --> 00:51:55,120
Speaker 1: Just by no, just by saying how do I get

929
00:51:55,160 --> 00:51:58,759
Speaker 1: an agent? Yeah, at the right time, that's a that's

930
00:51:58,800 --> 00:52:01,000
Speaker 1: a scab. Maybe that's a sketch.

931
00:52:02,120 --> 00:52:03,280
Speaker 2: No, it's not a sketch.

932
00:52:04,440 --> 00:52:07,239
Speaker 3: Okay, let's see ring ring you know.

933
00:52:07,680 --> 00:52:10,040
Speaker 2: No, I'm not answering the phone.

934
00:52:11,600 --> 00:52:18,960
Speaker 3: Hmm, let's see. Uh, doctor Phil gets angry. Hello, Okay,

935
00:52:19,040 --> 00:52:21,000
Speaker 3: I answered, Jamie Kennedy is talent?

936
00:52:22,560 --> 00:52:22,680
Speaker 6: Hi?

937
00:52:26,000 --> 00:52:33,200
Speaker 2: You just said hi? Okay? Is this okay? Is this

938
00:52:33,320 --> 00:52:36,160
Speaker 2: the is this the best? Is this the best agency

939
00:52:36,200 --> 00:52:40,040
Speaker 2: in town? Okay? Just the number one? Oh?

940
00:52:40,040 --> 00:52:40,720
Speaker 7: The bit started?

941
00:52:40,840 --> 00:52:40,960
Speaker 3: Is that?

942
00:52:41,000 --> 00:52:41,600
Speaker 7: What's going on?

943
00:52:42,920 --> 00:52:49,680
Speaker 1: I'm thank you, Austin. I so I'm the agency that's

944
00:52:49,719 --> 00:52:52,439
Speaker 1: the okay? Is this the best agency in town?

945
00:52:52,640 --> 00:52:59,160
Speaker 2: Yeah? That's so good? Can you can you tell me

946
00:52:59,200 --> 00:53:01,040
Speaker 2: when you're gonna get this? When this whole thing's gonna

947
00:53:01,040 --> 00:53:01,520
Speaker 2: blow over?

948
00:53:03,840 --> 00:53:07,000
Speaker 1: I no, I mean, I don't know. I answer the phone?

949
00:53:10,160 --> 00:53:15,640
Speaker 2: Are you hiring? You want? You want to just like

950
00:53:15,719 --> 00:53:18,600
Speaker 2: answer the phone? Is that? Okay? Will someone get mad

951
00:53:18,640 --> 00:53:22,040
Speaker 2: if I do that? No?

952
00:53:22,280 --> 00:53:26,680
Speaker 1: I mean, I guess ring. I've already on the phone.

953
00:53:26,880 --> 00:53:28,440
Speaker 2: It's call waiting, okay.

954
00:53:28,440 --> 00:53:33,560
Speaker 3: So here's some of the Popzilla ideas. Here's when Tom

955
00:53:33,680 --> 00:53:37,640
Speaker 3: York hates fun so to refresh your memory. Popzilla was

956
00:53:38,239 --> 00:53:40,239
Speaker 3: an animated sket show. The schedule is supposed to be

957
00:53:40,239 --> 00:53:42,920
Speaker 3: about thirty seconds to one minute long, and it featured

958
00:53:43,000 --> 00:53:46,799
Speaker 3: like flash animation South Park style of different celebrities. They

959
00:53:46,880 --> 00:53:50,439
Speaker 3: always wanted more Britney spears of Jonas brothers ideas. Here's

960
00:53:50,440 --> 00:53:52,800
Speaker 3: when Tom York hate's fun. Tom York sneaks around a

961
00:53:52,800 --> 00:53:56,080
Speaker 3: playground like the Gritch. He cuts swings off the swing set,

962
00:53:56,160 --> 00:53:58,760
Speaker 3: knocked over the seesaw, and puts tacks on the slide.

963
00:53:58,880 --> 00:54:01,640
Speaker 3: That'll stop their fun, he says, because I'm Tom York

964
00:54:01,680 --> 00:54:02,520
Speaker 3: and I hate fun.

965
00:54:04,239 --> 00:54:16,640
Speaker 2: Uh see like Garth Brooks for you guys. Okay, what's

966
00:54:16,719 --> 00:54:22,879
Speaker 2: this one? Damn Rick Ross's manager's try to change his name.

967
00:54:24,840 --> 00:54:32,960
Speaker 3: Uh Rizza loves rings. A man is down on his

968
00:54:33,040 --> 00:54:36,080
Speaker 3: knees proposing to a woman. She jumps up and pulls

969
00:54:36,120 --> 00:54:38,799
Speaker 3: her wing off. It's the Rizza. I tricked you. It's

970
00:54:38,840 --> 00:54:41,640
Speaker 3: me the Rizza. I wanted more rings. I love wearing rings.

971
00:54:48,040 --> 00:54:50,920
Speaker 3: Fallout three with shelter. This will appeal to you gamer guys.

972
00:54:51,360 --> 00:54:54,799
Speaker 2: Guitar Hero comes with a guitar. Tony Hawk game comes

973
00:54:54,840 --> 00:54:55,560
Speaker 2: with the board now.

974
00:54:55,600 --> 00:54:57,879
Speaker 3: Fallout Shelter comes with a real shelter that you get

975
00:54:57,920 --> 00:55:00,000
Speaker 3: sealed up in until you've beaten the game. If you don't,

976
00:55:00,040 --> 00:55:01,720
Speaker 3: when you never see your family again.

977
00:55:02,960 --> 00:55:06,200
Speaker 2: The game is not called Fallout Shelter, but is that?

978
00:55:06,239 --> 00:55:08,439
Speaker 2: Do you say? Now? Fallout Shelter, Now fall Out three

979
00:55:08,600 --> 00:55:09,200
Speaker 2: with shelter.

980
00:55:09,320 --> 00:55:12,600
Speaker 1: Okay, you said, now Fallout Shelter comes with a real shelter.

981
00:55:12,800 --> 00:55:15,760
Speaker 3: Okay, now Fallout comes with a real shelter.

982
00:55:18,760 --> 00:55:20,759
Speaker 2: What else Robert Donney Junior does.

983
00:55:20,640 --> 00:55:24,640
Speaker 3: A snuff fill. Oh, Pete Wedds.

984
00:55:24,320 --> 00:55:32,240
Speaker 2: Wants to extend the Fallout by tour Fallout stuff. Okay,

985
00:55:32,360 --> 00:55:38,840
Speaker 2: Jesse warrens bad allergies. These are good.

986
00:55:39,200 --> 00:55:41,920
Speaker 1: Jesse closing closing remarks.

987
00:55:44,239 --> 00:55:47,080
Speaker 2: So it's we're almost done. We are done. I know

988
00:55:47,160 --> 00:55:49,120
Speaker 2: that's what I said. We're almost done with the show.

989
00:55:50,400 --> 00:55:55,360
Speaker 2: Thanks so much for listening to Hollywood Handbook and Insiders.

990
00:55:56,000 --> 00:55:58,920
Speaker 1: But this for you get some people pulling over to

991
00:55:59,040 --> 00:56:02,320
Speaker 1: your Kickstarter. So I don't know you guys remember come.

992
00:56:02,200 --> 00:56:05,720
Speaker 2: On, Jesse, you remember Chris Daughtry.

993
00:56:05,760 --> 00:56:09,000
Speaker 3: I found a whole document just of ideas about Daughtry.

994
00:56:11,360 --> 00:56:14,600
Speaker 1: Jesse, we got where like yeah, like if he gets

995
00:56:14,640 --> 00:56:16,960
Speaker 1: a really good one off, we're gonna like end the show.

996
00:56:17,160 --> 00:56:19,440
Speaker 1: So you have to like, come.

997
00:56:19,280 --> 00:56:21,360
Speaker 7: On, we can circle back to Smuckers if you want to.

998
00:56:21,640 --> 00:56:24,479
Speaker 1: No, we can't do alst then I'm sorry, we can't.

999
00:56:24,520 --> 00:56:26,520
Speaker 1: I know you're trying to be nice. We can't circle

1000
00:56:26,560 --> 00:56:28,920
Speaker 1: back to the Smuckers thing. Okay, people like you know,

1001
00:56:29,400 --> 00:56:35,480
Speaker 1: this is like an exposure to like new fans. Yeah,

1002
00:56:35,520 --> 00:56:36,759
Speaker 1: come on, Jesse.

1003
00:56:38,840 --> 00:56:41,120
Speaker 2: Well thanks everyone for listening to Hollywood Handbook.

1004
00:56:41,160 --> 00:56:44,600
Speaker 3: Here's like an America's Got Talent thing where David Haslahoff

1005
00:56:44,600 --> 00:56:46,719
Speaker 3: and Jack Osborne where the judges I guess at the

1006
00:56:46,719 --> 00:56:48,920
Speaker 3: time and they keep accusing all the contestants of being

1007
00:56:48,960 --> 00:56:49,640
Speaker 3: show offs.

1008
00:56:50,280 --> 00:56:50,840
Speaker 2: It's funny.

1009
00:56:51,560 --> 00:56:54,000
Speaker 3: Here's one where Arnold Schwartzninger is wearing a wire at

1010
00:56:54,040 --> 00:56:57,680
Speaker 3: the FBA agents put it on him and then the

1011
00:56:57,719 --> 00:57:00,920
Speaker 3: sketches he keeps going, speak up, they need to hear you.

1012
00:57:00,880 --> 00:57:02,880
Speaker 2: Guys through the microphone on my chest.

1013
00:57:05,440 --> 00:57:11,200
Speaker 3: Here's what uh bretton Michael's.

1014
00:57:10,880 --> 00:57:14,320
Speaker 2: Uh got a new v H one show.

1015
00:57:15,200 --> 00:57:16,680
Speaker 3: It's not really anything there.

1016
00:57:19,800 --> 00:57:21,320
Speaker 2: I mean, what do you want to hear? Jesse?

1017
00:57:21,680 --> 00:57:24,480
Speaker 1: What do you have coming up on your kickstarter sucks?

1018
00:57:25,840 --> 00:57:26,000
Speaker 4: Uh?

1019
00:57:26,080 --> 00:57:28,680
Speaker 2: Well yeah, we'll do some kickstarters on there. We're gonna

1020
00:57:28,680 --> 00:57:31,480
Speaker 2: take We're gonna take them, and we're gonna we'll look

1021
00:57:31,480 --> 00:57:35,280
Speaker 2: at them. Sorry, I have a bit long, and we

1022
00:57:35,280 --> 00:57:38,600
Speaker 2: will uh just say well, you know what's you know,

1023
00:57:38,640 --> 00:57:42,040
Speaker 2: what's good and what's not good about it? What do

1024
00:57:42,120 --> 00:57:43,160
Speaker 2: we like and not like.

1025
00:57:44,360 --> 00:57:46,360
Speaker 1: I feel like, whatever is happening to you, we have

1026
00:57:46,440 --> 00:57:48,000
Speaker 1: to get you off the grounds.

1027
00:57:51,360 --> 00:57:53,360
Speaker 2: It's just like that legally, you know what I mean.

1028
00:57:53,480 --> 00:57:57,240
Speaker 1: John, It's just like like it's an issue for Earwolf

1029
00:57:57,280 --> 00:58:01,280
Speaker 1: if this plays out on the premise, I'm just gonna

1030
00:58:01,120 --> 00:58:04,360
Speaker 1: go and then the dog like, well this happened.

1031
00:58:04,400 --> 00:58:07,840
Speaker 3: Like you guys, Jesse just sent me back through like

1032
00:58:09,280 --> 00:58:12,120
Speaker 3: it's gotten bad. Yes, it's gotten pretty bad in here

1033
00:58:12,200 --> 00:58:14,600
Speaker 3: where I'm going like, wow, this is a lot of

1034
00:58:14,680 --> 00:58:17,720
Speaker 3: like what like, this was like a lot of what

1035
00:58:17,840 --> 00:58:22,560
Speaker 3: I was doing, And I don't think I really moved.

1036
00:58:22,240 --> 00:58:25,120
Speaker 1: On, but I will say, imagine how much worse it

1037
00:58:25,160 --> 00:58:27,720
Speaker 1: would be without Austin here.

1038
00:58:28,840 --> 00:58:29,040
Speaker 3: That.

1039
00:58:29,320 --> 00:58:32,320
Speaker 2: Okay, that's a little bit of comfort for me.

1040
00:58:32,880 --> 00:58:37,840
Speaker 3: Now, Austin, what do you have coming up that maybe

1041
00:58:37,840 --> 00:58:42,000
Speaker 3: could inspire Jesse to kind of get his shit together?

1042
00:58:44,320 --> 00:58:47,120
Speaker 7: Yeah? I mean I actually did do a podcast for

1043
00:58:47,120 --> 00:58:50,520
Speaker 7: a little bit myself. Okay, revive that. It is a

1044
00:58:50,560 --> 00:58:54,320
Speaker 7: gaming theme, Jesse seem I enjoy it. It's called level

1045
00:58:54,400 --> 00:58:56,440
Speaker 7: up Lore. We might bring it back up. It was

1046
00:58:56,680 --> 00:58:58,920
Speaker 7: all about exploring, you know, like coming up with their

1047
00:58:58,920 --> 00:59:01,920
Speaker 7: own scripted episodes about I worked on it too. Jordan

1048
00:59:02,000 --> 00:59:04,640
Speaker 7: did help for a while. It was really fun. So,

1049
00:59:04,720 --> 00:59:07,120
Speaker 7: I mean, maybe that'll come back. Kind of playing that

1050
00:59:07,160 --> 00:59:07,760
Speaker 7: by years.

1051
00:59:07,560 --> 00:59:12,240
Speaker 2: Still, but yeah, something to look forward to, Yeah for sure.

1052
00:59:13,400 --> 00:59:16,240
Speaker 2: Yeah me too. So what do you mean me to?

1053
00:59:19,200 --> 00:59:21,320
Speaker 2: What does me too mean in this context?

1054
00:59:21,680 --> 00:59:23,240
Speaker 5: Do you want to be part of level up floor?

1055
00:59:24,000 --> 00:59:24,480
Speaker 3: Yeah?

1056
00:59:24,640 --> 00:59:26,000
Speaker 5: Okay?

1057
00:59:26,600 --> 00:59:28,080
Speaker 2: Do you do you need anything from me?

1058
00:59:31,200 --> 00:59:32,000
Speaker 3: You're right home.

1059
00:59:33,760 --> 00:59:36,560
Speaker 2: Bye ho