1
00:00:03,440 --> 00:00:08,280
Speaker 1: So it's getting late obviously, and I'm in there with

2
00:00:08,360 --> 00:00:14,240
Speaker 1: Steve Forbes and Jim Downy. It's the night before Steve's

3
00:00:14,240 --> 00:00:17,919
Speaker 1: gonna host SNL, and we still don't have a cold open.

4
00:00:19,720 --> 00:00:21,439
Speaker 1: Now we know we got to do something with the

5
00:00:21,480 --> 00:00:26,320
Speaker 1: flat tax, yes, but what And of course Steve's pitches

6
00:00:26,320 --> 00:00:28,240
Speaker 1: are all like, maybe we could explain how good it

7
00:00:28,240 --> 00:00:35,080
Speaker 1: would be for the American people, right, Jim's going flat Stanley,

8
00:00:35,120 --> 00:00:35,920
Speaker 1: there's something.

9
00:00:35,760 --> 00:00:44,160
Speaker 2: I was thinking that bring out, like to have Nora

10
00:00:44,320 --> 00:00:47,000
Speaker 2: come out and like she's flat or something.

11
00:00:47,720 --> 00:00:51,599
Speaker 1: Well it's hard, yeah, yes, And and we went through that,

12
00:00:51,640 --> 00:00:57,360
Speaker 1: and then also maybe it's some something that tune Sis

13
00:00:57,440 --> 00:01:01,840
Speaker 1: ran over. Is flat Okay, mister Bill, mister Bill, Mister

14
00:01:01,840 --> 00:01:04,560
Speaker 1: Bill gets very flat. And so all of these are

15
00:01:04,600 --> 00:01:07,920
Speaker 1: on the table, Steve keeps shooting them down, and of

16
00:01:07,959 --> 00:01:10,440
Speaker 1: course we try to honor the host. Mister Bill would

17
00:01:10,520 --> 00:01:20,199
Speaker 1: have to become flat. Okay, that felt great? Yeah that yes,

18
00:01:20,720 --> 00:01:26,160
Speaker 1: So none of this is really cold open. Wait it doesn't. Yes,

19
00:01:26,240 --> 00:01:32,039
Speaker 1: I fear you're saying cold open. It's cold open, yeah, okay, yeah,

20
00:01:32,080 --> 00:01:33,600
Speaker 1: this is one of the times where we're going, let's

21
00:01:33,640 --> 00:01:35,520
Speaker 1: just have the host do the cold open as a monologue.

22
00:01:35,800 --> 00:01:36,240
Speaker 3: Got it?

23
00:01:37,920 --> 00:01:41,640
Speaker 1: I love it. Yes, those are the best episodes, but

24
00:01:42,680 --> 00:01:49,320
Speaker 1: ultimately I just go, look, give the people what they want.

25
00:01:50,400 --> 00:01:54,520
Speaker 1: Let's just let Steve riff. So we put him out

26
00:01:54,520 --> 00:02:00,880
Speaker 1: there with nothing, watch him cook virtuoso performance. And when

27
00:02:00,920 --> 00:02:03,400
Speaker 1: we get right to the moment of truth where he's

28
00:02:03,440 --> 00:02:09,840
Speaker 1: gonna bring up TFT, he goes the flat tax and

29
00:02:09,880 --> 00:02:15,280
Speaker 1: there's like an echo underneath it, and man, the fucking

30
00:02:15,600 --> 00:02:19,480
Speaker 1: building lost its mind just him saying it. A lot

31
00:02:19,480 --> 00:02:22,000
Speaker 1: of babies made that night in New York City. I'll

32
00:02:22,040 --> 00:02:23,200
Speaker 1: tell you what hey.

33
00:02:23,320 --> 00:02:27,800
Speaker 2: Welcome to Hollywood Handbook, Insiders Guide to Kickings in the

34
00:02:28,240 --> 00:02:29,840
Speaker 2: red carbon Line, back hallways.

35
00:02:30,080 --> 00:02:33,880
Speaker 1: In this industry we call show it's showbiz, and it's showbiz, baby,

36
00:02:33,919 --> 00:02:34,960
Speaker 1: Hollywood Handbook. What up?

37
00:02:35,000 --> 00:02:35,320
Speaker 3: What up?

38
00:02:36,080 --> 00:02:38,240
Speaker 1: We got a guess, We have a guest. We got

39
00:02:38,240 --> 00:02:41,440
Speaker 1: a guess, a corker in fact, I uh, how you

40
00:02:41,480 --> 00:02:42,079
Speaker 1: feel about that?

41
00:02:42,560 --> 00:02:47,320
Speaker 2: Imagine doing this show in like an empty field with

42
00:02:47,440 --> 00:02:53,160
Speaker 2: like no structure built around us, no mics, no machines,

43
00:02:53,200 --> 00:02:54,960
Speaker 2: because we would have no money to buy them. And

44
00:02:55,000 --> 00:02:57,639
Speaker 2: that's a world that we would be living in if

45
00:02:57,639 --> 00:03:00,880
Speaker 2: not for Reggie Watts, who built this house.

46
00:03:01,240 --> 00:03:01,639
Speaker 4: Mm hmm.

47
00:03:02,600 --> 00:03:05,760
Speaker 3: Yeah. But come I put down some stuff into it.

48
00:03:06,560 --> 00:03:11,079
Speaker 1: Yeah right, Yeah, the entire structure, the whole foundation was laid.

49
00:03:11,639 --> 00:03:14,400
Speaker 1: And without a solid foundation, a house cannot stand.

50
00:03:14,840 --> 00:03:18,239
Speaker 3: No, this, this house will not stand this one.

51
00:03:18,320 --> 00:03:21,480
Speaker 1: Oh oh so you're telling me now the foundation's not solid.

52
00:03:21,560 --> 00:03:24,519
Speaker 5: Oh no, no it is. But if there was no foundation,

53
00:03:24,680 --> 00:03:25,880
Speaker 5: it just will not stand.

54
00:03:26,000 --> 00:03:27,560
Speaker 1: No, it won't, it won't.

55
00:03:27,480 --> 00:03:30,040
Speaker 3: Just will not. I wouldn't stand for it either.

56
00:03:30,240 --> 00:03:32,959
Speaker 1: Oh. I'd be sick to my stomach to see someone

57
00:03:33,000 --> 00:03:34,560
Speaker 1: try to make a house with no foundation.

58
00:03:34,840 --> 00:03:39,560
Speaker 2: And this is actually the first time we are spending

59
00:03:39,560 --> 00:03:44,200
Speaker 2: time together, but we are best friends because there is

60
00:03:44,240 --> 00:03:49,080
Speaker 2: a cardboard standy of you and Scott that has accompanied

61
00:03:49,600 --> 00:03:55,240
Speaker 2: me through my earwolf journey from the Hollywood the other

62
00:03:55,280 --> 00:03:58,880
Speaker 2: Hollywood office to this one, to the one upstairs.

63
00:03:58,520 --> 00:04:00,760
Speaker 3: To the one the other one along way.

64
00:04:00,760 --> 00:04:03,320
Speaker 1: All the way down here and the and this the

65
00:04:03,440 --> 00:04:06,360
Speaker 1: cardboard cutout has been there the whole time. And I've

66
00:04:06,400 --> 00:04:09,720
Speaker 1: spent more time with you than with any member of

67
00:04:09,720 --> 00:04:10,240
Speaker 1: my family.

68
00:04:10,720 --> 00:04:10,920
Speaker 3: Wow.

69
00:04:11,000 --> 00:04:14,520
Speaker 1: That's that's and I've been and I've enjoyed the time more.

70
00:04:14,600 --> 00:04:16,320
Speaker 1: WHOA you think about that?

71
00:04:16,320 --> 00:04:18,760
Speaker 5: That's the important part that when you first started talking,

72
00:04:19,320 --> 00:04:20,680
Speaker 5: was like, oh, that's cool, but then like.

73
00:04:20,680 --> 00:04:22,720
Speaker 1: Course, of course they won't hear that, so I don't

74
00:04:22,760 --> 00:04:24,440
Speaker 1: have to worry about saying it. They don't listen to this.

75
00:04:24,680 --> 00:04:28,480
Speaker 5: No, I mean I don't know, but I hope not now,

76
00:04:28,600 --> 00:04:29,800
Speaker 5: but for your sake.

77
00:04:30,520 --> 00:04:34,440
Speaker 1: But but of course Hayes doesn't know you. But of

78
00:04:34,480 --> 00:04:36,600
Speaker 1: course then we actually have met and we did have

79
00:04:36,839 --> 00:04:41,839
Speaker 1: some soup or something in Montreal in two thousand. Ye

80
00:04:42,320 --> 00:04:45,800
Speaker 1: about that you had soup. I think we had like

81
00:04:46,000 --> 00:04:49,400
Speaker 1: fuh or something like that. Yeah, one on one.

82
00:04:50,200 --> 00:04:54,520
Speaker 6: Uh no, there's no, there's gotta be five people about

83
00:04:54,640 --> 00:04:58,640
Speaker 6: there's five people or five there's either fur or five

84
00:04:58,960 --> 00:05:02,640
Speaker 6: five pH yeah five yeah, a little.

85
00:05:02,400 --> 00:05:05,040
Speaker 1: Bit of fun. Man, it was sweet.

86
00:05:05,279 --> 00:05:06,080
Speaker 3: It was pretty fun.

87
00:05:06,520 --> 00:05:09,680
Speaker 1: The foe was sweet. Yeah, the fun it was sugary

88
00:05:10,040 --> 00:05:11,880
Speaker 1: dessert fu yeah.

89
00:05:11,480 --> 00:05:13,839
Speaker 3: Dessert fun. Yeah yeah, I do love that.

90
00:05:13,880 --> 00:05:18,040
Speaker 1: With the frosted noodles. Yeah, like soda instead of serving it. Yeah,

91
00:05:18,520 --> 00:05:22,480
Speaker 1: oh really little one hot cola and a frosted noodle.

92
00:05:23,279 --> 00:05:26,200
Speaker 1: It's dessert fun and it's really good. It's they don't

93
00:05:26,240 --> 00:05:30,520
Speaker 1: have it here yet, not yet, but in Montreal it's yeah, yeah,

94
00:05:30,839 --> 00:05:38,560
Speaker 1: Zager blue and this is all we did up there.

95
00:05:38,760 --> 00:05:41,240
Speaker 3: It's all we did. Yeah, we did that and we

96
00:05:41,320 --> 00:05:43,400
Speaker 3: got in a lot of trouble. Oh for that.

97
00:05:43,440 --> 00:05:45,360
Speaker 1: God, yeah, they hated it.

98
00:05:45,600 --> 00:05:45,920
Speaker 2: Hate.

99
00:05:46,560 --> 00:05:47,320
Speaker 3: I appreciate that.

100
00:05:47,600 --> 00:05:50,800
Speaker 1: Asked politely to stop so many times. Yes, they kept

101
00:05:51,480 --> 00:05:52,760
Speaker 1: giving him the business.

102
00:05:53,279 --> 00:06:02,040
Speaker 5: Yes, they were like, please, stuff doing this, that's so polite.

103
00:06:02,320 --> 00:06:04,479
Speaker 1: Well, Reggie, of course you know that we're here to

104
00:06:04,520 --> 00:06:09,640
Speaker 1: talk about on a house. Of course, it's it's it's

105
00:06:09,720 --> 00:06:12,200
Speaker 1: November tenth, which doesn't give us a ton of time

106
00:06:12,279 --> 00:06:15,120
Speaker 1: to prepare our Halloween extravaganza.

107
00:06:15,720 --> 00:06:19,520
Speaker 2: Yes, we're a couple of weeks when we normally like

108
00:06:19,600 --> 00:06:25,440
Speaker 2: to start November one. Yes, but we wanted to bring

109
00:06:25,480 --> 00:06:28,919
Speaker 2: you in this year because of course you are a

110
00:06:29,400 --> 00:06:38,000
Speaker 2: sort of a sonic mage yep, and you are inventing new.

111
00:06:38,960 --> 00:06:44,160
Speaker 1: Things when you When I see you coming, I take

112
00:06:44,200 --> 00:06:48,719
Speaker 1: my ears aside and I go strap in boys, because

113
00:06:48,760 --> 00:06:50,000
Speaker 1: we don't know what's going to happen.

114
00:06:52,200 --> 00:06:55,279
Speaker 5: Yeah, I'm glad you're doing that as a percussion.

115
00:06:55,480 --> 00:06:58,160
Speaker 1: Thank you. Yeah, I am too, And so are my ears,

116
00:06:58,920 --> 00:07:01,640
Speaker 1: because they're prepared weird then and.

117
00:07:01,560 --> 00:07:03,800
Speaker 2: So yeah, so obviously we're getting ready for the big

118
00:07:03,839 --> 00:07:08,400
Speaker 2: Hollywood Handbook Haunted House next year. Bush is loudly chewing

119
00:07:08,480 --> 00:07:11,280
Speaker 2: on his chew is going directly to town.

120
00:07:12,400 --> 00:07:13,040
Speaker 1: He's going.

121
00:07:13,160 --> 00:07:17,000
Speaker 5: Ham Bush is just not like he's you know, I mean,

122
00:07:17,120 --> 00:07:19,400
Speaker 5: he's he knows about auto parts, but he also knows

123
00:07:19,440 --> 00:07:20,360
Speaker 5: about chewing.

124
00:07:20,240 --> 00:07:22,240
Speaker 1: A lot and that, and that's a fact.

125
00:07:22,520 --> 00:07:25,200
Speaker 3: This guy's own serious of Netflix. I'm sorry Amazon.

126
00:07:26,560 --> 00:07:33,560
Speaker 2: Well yeah, well can we say now, I'm not supposed

127
00:07:33,560 --> 00:07:35,000
Speaker 2: to say that that it's going to Netflix.

128
00:07:35,080 --> 00:07:36,239
Speaker 3: I'm so sorry.

129
00:07:36,240 --> 00:07:37,680
Speaker 1: We're moving, We're moving over.

130
00:07:38,120 --> 00:07:41,320
Speaker 3: I'm excited about about Haunted House.

131
00:07:42,040 --> 00:07:49,240
Speaker 1: Okay, so yes, Haunted House. I'm excited about Haunted House. Kevin,

132
00:07:49,280 --> 00:07:52,720
Speaker 1: write that down, Kevin, right, because we're gonna the poster

133
00:07:52,840 --> 00:07:56,840
Speaker 1: is gonna say that. Reggie said that, yes, and that

134
00:07:57,000 --> 00:08:00,000
Speaker 1: I think is going to sell some tickets. I'm excited

135
00:08:00,160 --> 00:08:01,119
Speaker 1: about Haunted House.

136
00:08:02,520 --> 00:08:05,320
Speaker 2: Uh, should we talk about the one that we did

137
00:08:05,320 --> 00:08:08,640
Speaker 2: this past year for just like areas of improvement. Absolutely,

138
00:08:08,800 --> 00:08:14,080
Speaker 2: visual effects were great, very good. Slime, the best slime

139
00:08:14,160 --> 00:08:18,760
Speaker 2: of any haunted house. Yes, the texture was disgusting.

140
00:08:19,160 --> 00:08:22,560
Speaker 5: Yeah, I mean I guess it would rival. Technically, it

141
00:08:22,560 --> 00:08:25,760
Speaker 5: would probably rival. I'm guessing just about your description now

142
00:08:25,760 --> 00:08:29,440
Speaker 5: and fantastic. I'm guessing it would it would rival, you know,

143
00:08:29,520 --> 00:08:31,200
Speaker 5: not necessarily the news no.

144
00:08:31,320 --> 00:08:33,600
Speaker 1: Not not No, you can't do that on television.

145
00:08:33,160 --> 00:08:35,720
Speaker 3: Cannot Yeah, you cannot do that.

146
00:08:36,000 --> 00:08:38,120
Speaker 1: You cannot do that on television. And it's funny you

147
00:08:38,120 --> 00:08:40,160
Speaker 1: bring that up because we did have bar from barbs

148
00:08:40,200 --> 00:08:41,480
Speaker 1: Burgers as well.

149
00:08:41,640 --> 00:08:42,360
Speaker 3: Oh, that's great.

150
00:08:42,440 --> 00:08:45,120
Speaker 1: And he made some disgusting smells that we all were

151
00:08:45,160 --> 00:08:45,599
Speaker 1: happy with.

152
00:08:46,760 --> 00:08:53,280
Speaker 2: Uh, the nastiest witch we've had so far. Great witch. Yeah,

153
00:08:53,320 --> 00:08:57,880
Speaker 2: the San Conway. Yeah, we did a lot of political stuff.

154
00:08:58,600 --> 00:09:04,280
Speaker 1: It was political as fuck, absolutely, yeah, and it was

155
00:09:04,360 --> 00:09:07,600
Speaker 1: and both sides and both sides.

156
00:09:07,440 --> 00:09:11,480
Speaker 2: Talking about the scariest hearted house in a world. It's

157
00:09:11,520 --> 00:09:14,200
Speaker 2: probably you think about it, it could be the white excuse me,

158
00:09:14,280 --> 00:09:19,200
Speaker 2: excuse me, excuse me, No, excuse me, excuse all, excuse me,

159
00:09:19,320 --> 00:09:19,839
Speaker 2: excuse me.

160
00:09:19,800 --> 00:09:23,160
Speaker 1: Excuse me, excuse me, excuse me.

161
00:09:23,640 --> 00:09:25,080
Speaker 3: I'm sorry, you're excused.

162
00:09:27,520 --> 00:09:32,000
Speaker 1: So uh, but the sound sucked. The sound was dog shit.

163
00:09:32,080 --> 00:09:34,800
Speaker 1: You couldn't hear anyone. And the sounds that you did

164
00:09:34,840 --> 00:09:39,560
Speaker 1: here were very pleasant and it's sort of undercut the

165
00:09:39,600 --> 00:09:43,319
Speaker 1: scares in a big way. Visually. It was insane. We

166
00:09:43,400 --> 00:09:50,319
Speaker 1: had uh bathtub full of ghoules. We had uh room

167
00:09:50,400 --> 00:09:51,800
Speaker 1: closet full of scary brooms.

168
00:09:52,160 --> 00:09:54,119
Speaker 3: Yep, we had.

169
00:09:56,200 --> 00:09:58,120
Speaker 1: Or we had a bathtub that was empty. But you

170
00:09:58,160 --> 00:09:59,920
Speaker 1: could just imagine what was in there, and it was

171
00:10:00,160 --> 00:10:02,800
Speaker 1: sort of jagged looking. Oh sharp at.

172
00:10:03,200 --> 00:10:06,559
Speaker 3: Whoa that is? That's yeah, uncomfortable.

173
00:10:07,080 --> 00:10:09,800
Speaker 1: The normal ones are very smooth and rounded off.

174
00:10:10,440 --> 00:10:11,120
Speaker 3: Yeah, I don't know.

175
00:10:11,240 --> 00:10:13,520
Speaker 1: We had hot Dracula. We had a sexy Dracula.

176
00:10:13,880 --> 00:10:18,360
Speaker 3: Yeah, just was like, it's so hot in here. It was.

177
00:10:20,440 --> 00:10:23,040
Speaker 2: I'm saying that it was very hot. And what's up

178
00:10:23,080 --> 00:10:27,760
Speaker 2: with the in the high house? Crack a window or something.

179
00:10:28,760 --> 00:10:32,280
Speaker 2: He's so hot she's I guess it's good for you.

180
00:10:32,360 --> 00:10:33,800
Speaker 2: But at a certain point.

181
00:10:35,240 --> 00:10:36,160
Speaker 3: I'm ampire.

182
00:10:37,200 --> 00:10:42,720
Speaker 2: But we need new sounds to help us. We do

183
00:10:42,800 --> 00:10:47,240
Speaker 2: have engineer Jordan. Oh great, she has a BA in

184
00:10:47,320 --> 00:10:49,280
Speaker 2: vocal Talk about your degree.

185
00:10:50,400 --> 00:10:52,840
Speaker 7: I have a degree. I have a b A in

186
00:10:52,920 --> 00:10:53,880
Speaker 7: vocal performance.

187
00:10:54,480 --> 00:10:58,120
Speaker 2: Okay, that's Do you guys know each other from that world?

188
00:10:59,080 --> 00:11:01,839
Speaker 3: I don't know. We probably should because it's a real

189
00:11:01,920 --> 00:11:02,680
Speaker 3: small world.

190
00:11:03,200 --> 00:11:05,720
Speaker 7: There's also a billboard of you at my school.

191
00:11:06,559 --> 00:11:08,319
Speaker 3: Oh there is a billboard.

192
00:11:09,440 --> 00:11:10,679
Speaker 7: Yeah, cut out, cut out?

193
00:11:11,720 --> 00:11:12,040
Speaker 3: Really?

194
00:11:12,200 --> 00:11:12,440
Speaker 1: Yes?

195
00:11:14,360 --> 00:11:14,600
Speaker 5: Uh?

196
00:11:15,240 --> 00:11:16,600
Speaker 1: I want to you have a school.

197
00:11:16,720 --> 00:11:20,439
Speaker 7: I have a school. Yeah, it's a it's a very

198
00:11:20,480 --> 00:11:24,360
Speaker 7: good school of sound effects. It's the Jordan W. Sound

199
00:11:24,360 --> 00:11:25,080
Speaker 7: Effects School.

200
00:11:26,000 --> 00:11:29,920
Speaker 1: First and last name always dangerous and with this audience.

201
00:11:30,000 --> 00:11:33,400
Speaker 7: That's true, that's the engineer Jordan's sound effects school.

202
00:11:33,920 --> 00:11:36,400
Speaker 1: Kevin, I'm curious. Did something gets spilled in the corner

203
00:11:36,400 --> 00:11:38,400
Speaker 1: over here? But I'm just licking the floor.

204
00:11:38,800 --> 00:11:44,360
Speaker 5: It's like doing and licking the floor and covered in

205
00:11:44,400 --> 00:11:45,559
Speaker 5: styrofoam particles?

206
00:11:45,640 --> 00:11:51,199
Speaker 1: Did were you in here doing drugs? Kevin Ken for Kevin,

207
00:11:51,240 --> 00:11:52,600
Speaker 1: come come fix this.

208
00:11:52,880 --> 00:11:54,760
Speaker 7: You might be getting paper towels or something.

209
00:11:55,320 --> 00:12:05,319
Speaker 5: What the hell, Jesus ernymous, Jesus erymous.

210
00:12:05,080 --> 00:12:06,720
Speaker 1: I mean, now we know where he gets the ideas

211
00:12:06,720 --> 00:12:08,079
Speaker 1: for those crazy paintings.

212
00:12:08,320 --> 00:12:09,200
Speaker 3: Yeah, that's true.

213
00:12:11,000 --> 00:12:13,400
Speaker 1: He's licking the freaking g D floor.

214
00:12:14,000 --> 00:12:16,560
Speaker 5: Yeah, I don't know what's it looks like the styrofoam,

215
00:12:16,960 --> 00:12:18,520
Speaker 5: which I know that dogs love.

216
00:12:20,559 --> 00:12:23,520
Speaker 1: Can you not do your drugs in this room and

217
00:12:23,640 --> 00:12:24,920
Speaker 1: leave them all over the floor?

218
00:12:25,760 --> 00:12:26,200
Speaker 3: Yeah?

219
00:12:26,240 --> 00:12:29,679
Speaker 1: And now Bosh is tripping Billy's as Dave Matthews likes

220
00:12:29,720 --> 00:12:30,080
Speaker 1: to say.

221
00:12:31,559 --> 00:12:34,120
Speaker 3: I look at that. You clean it up.

222
00:12:35,240 --> 00:12:37,480
Speaker 5: I want to go over there and lick the corner more.

223
00:12:38,679 --> 00:12:41,920
Speaker 5: There's nothing like a nice, hard, tractiony floor to lick.

224
00:12:43,880 --> 00:12:46,640
Speaker 1: A lot of stuff you lick doesn't lick back, yes's true.

225
00:12:46,720 --> 00:12:50,520
Speaker 3: Yeah, what doesn't lick? You ain't lick in your bag necessarily.

226
00:12:51,559 --> 00:12:57,640
Speaker 5: Why is there a cardboard hostage in the.

227
00:12:56,160 --> 00:13:00,160
Speaker 7: There's also Julia Roberts cut out too. That would means

228
00:13:00,280 --> 00:13:00,960
Speaker 7: in the windows.

229
00:13:01,080 --> 00:13:04,400
Speaker 1: Oh, I see, okay, I would watch that. I see

230
00:13:04,520 --> 00:13:06,319
Speaker 1: Reggie and Julia. I'm watching that.

231
00:13:06,440 --> 00:13:10,000
Speaker 3: You've rold one ticket, yes, and you've sold another one too.

232
00:13:10,160 --> 00:13:11,920
Speaker 1: Yeah, Reggie wants to see it.

233
00:13:12,000 --> 00:13:12,600
Speaker 3: I want to see it.

234
00:13:12,679 --> 00:13:16,720
Speaker 2: Jordan prides herself on having a really good like laugh yes,

235
00:13:16,920 --> 00:13:19,920
Speaker 2: like a good podcast last. So I think, well, the

236
00:13:19,960 --> 00:13:21,960
Speaker 2: one time we asked you what sound you were gonna

237
00:13:22,040 --> 00:13:23,640
Speaker 2: you were like, I'm really good at laughing, and it

238
00:13:23,720 --> 00:13:28,320
Speaker 2: is on tape and I'm happy to play it. And

239
00:13:28,559 --> 00:13:30,920
Speaker 2: so I have a feeling that the cardboard cutout was

240
00:13:30,960 --> 00:13:34,080
Speaker 2: for Jordan to look at Julia Roberts, who has a

241
00:13:34,080 --> 00:13:35,319
Speaker 2: famously great laugh, and be.

242
00:13:35,400 --> 00:13:36,800
Speaker 1: Like she does, I'm coming, bitch.

243
00:13:37,040 --> 00:13:38,920
Speaker 3: Yeah. Yeah.

244
00:13:39,280 --> 00:13:44,520
Speaker 1: It's an inspiration shadow boxing every morning, just staring at

245
00:13:44,559 --> 00:13:47,600
Speaker 1: the Julia Roberts and just working on her insane laugh.

246
00:13:47,760 --> 00:13:48,720
Speaker 1: Oh god, and.

247
00:13:48,679 --> 00:13:55,320
Speaker 2: She's shadow laughing, ye, homecoming, she's laughing, laugh your homegoing.

248
00:13:55,360 --> 00:13:57,319
Speaker 7: There's one movie she has a great laugh.

249
00:13:57,360 --> 00:14:00,480
Speaker 3: Yeah, enchanting, enchantingly.

250
00:14:00,440 --> 00:14:07,360
Speaker 1: And oh yes, I'm watching that as soon as I

251
00:14:07,360 --> 00:14:08,440
Speaker 1: get home again.

252
00:14:11,480 --> 00:14:12,280
Speaker 3: That's my favorite.

253
00:14:12,480 --> 00:14:13,559
Speaker 1: My best friends laugh.

254
00:14:19,280 --> 00:14:24,080
Speaker 3: There you go, get the crown, unlock the crown.

255
00:14:27,720 --> 00:14:31,440
Speaker 2: Okay, what's a scary sound for for our house?

256
00:14:33,920 --> 00:14:35,400
Speaker 3: Uh? Where do you start?

257
00:14:35,840 --> 00:14:39,080
Speaker 1: Well, I guess, so we walk in the door. Yeah,

258
00:14:39,280 --> 00:14:43,920
Speaker 1: the guy that lets you in is like a mean guy. Yeah,

259
00:14:44,920 --> 00:14:53,240
Speaker 1: he's like it's lurch, but meaner the merch it's merch.

260
00:14:54,440 --> 00:14:59,920
Speaker 1: So there's a merch table at the front, and the

261
00:15:00,120 --> 00:15:04,680
Speaker 1: guy working butler named merch. Yeah, guy working the merch

262
00:15:04,960 --> 00:15:10,480
Speaker 1: is like just not really paying attention to you. It's

263
00:15:10,520 --> 00:15:13,720
Speaker 1: like his own stuff. Every size that you ask for,

264
00:15:13,880 --> 00:15:19,080
Speaker 1: he's like, we're out of it. Yeah, come on, what

265
00:15:19,120 --> 00:15:20,240
Speaker 1: are you an extra small?

266
00:15:20,800 --> 00:15:21,040
Speaker 3: Yeah?

267
00:15:21,120 --> 00:15:24,200
Speaker 5: I mean that's a scary sound, like you know, you're

268
00:15:24,240 --> 00:15:27,960
Speaker 5: asking for a specific size of merch. Say it's a

269
00:15:27,960 --> 00:15:31,560
Speaker 5: T shirt and someone's like it's almost goes in slow

270
00:15:31,600 --> 00:15:32,680
Speaker 5: motion d.

271
00:15:34,680 --> 00:15:42,920
Speaker 2: Like it really should be Chef Kevin selling his apron. Yeah,

272
00:15:43,600 --> 00:15:46,280
Speaker 2: Chef Kevin is basically named merch at this point. Yeah,

273
00:15:46,440 --> 00:15:48,840
Speaker 2: Chef Kevin works on our merch table. But then he

274
00:15:49,320 --> 00:15:52,440
Speaker 2: insisted on merch with his face on it, which doesn't

275
00:15:52,480 --> 00:15:54,720
Speaker 2: really make sense, right, No, yeah, no.

276
00:15:55,440 --> 00:15:57,520
Speaker 1: Yeah, are you six to your stomach over that ready.

277
00:15:57,760 --> 00:16:01,920
Speaker 3: Yeah for that thinking about that? Oh me?

278
00:16:02,160 --> 00:16:04,560
Speaker 5: Oh yeah, sorry, I thought I was like, I was like,

279
00:16:04,600 --> 00:16:09,760
Speaker 5: I didn't research that character. No, no, I no, I am,

280
00:16:09,920 --> 00:16:12,520
Speaker 5: I am Yeah, I'm outched.

281
00:16:12,960 --> 00:16:13,880
Speaker 1: Yeah, i'd be weird.

282
00:16:14,960 --> 00:16:16,240
Speaker 3: It was weird. I had to me.

283
00:16:16,320 --> 00:16:19,840
Speaker 1: I'm ready. I built the foundation of the entire business

284
00:16:20,000 --> 00:16:24,800
Speaker 1: and then I come in its some fucking deep. Is

285
00:16:24,880 --> 00:16:25,680
Speaker 1: running a grift?

286
00:16:25,880 --> 00:16:26,080
Speaker 3: Yeah?

287
00:16:26,360 --> 00:16:27,760
Speaker 1: Is running a grift on the talent?

288
00:16:28,560 --> 00:16:31,680
Speaker 5: Well, you know what they say, and when once once grifted,

289
00:16:32,320 --> 00:16:35,720
Speaker 5: I never look at that in the mouth, in the mess.

290
00:16:35,560 --> 00:16:37,920
Speaker 1: Mouth drifted, shifted higher than the ceiling.

291
00:16:38,840 --> 00:16:39,280
Speaker 3: What I am?

292
00:16:39,360 --> 00:16:43,680
Speaker 1: Yeah, I'll tell you what I'm Yeah, I'm on cloud

293
00:16:43,680 --> 00:16:45,160
Speaker 1: freaking I don't know what number.

294
00:16:45,520 --> 00:16:47,400
Speaker 3: Yeah, I know it's like you figured nine used to

295
00:16:47,480 --> 00:16:48,040
Speaker 3: be the highest.

296
00:16:48,240 --> 00:16:51,840
Speaker 1: Yeah, but they with all the technology, Yeah, and we

297
00:16:52,000 --> 00:16:54,920
Speaker 1: know there's way more. At least it has to be right,

298
00:16:55,120 --> 00:16:56,800
Speaker 1: it has to We talk about this all the time,

299
00:16:57,080 --> 00:17:01,360
Speaker 1: you do. Yes, it has to be minimum ten now, okay,

300
00:17:01,720 --> 00:17:04,960
Speaker 1: And can we just get that officially like in the books,

301
00:17:05,640 --> 00:17:10,440
Speaker 1: because when I'm calling the freaking precedent, yes, nothing.

302
00:17:10,920 --> 00:17:14,159
Speaker 2: Huh, barely anything. Yeah, well, oh we're working on it.

303
00:17:14,320 --> 00:17:17,159
Speaker 3: Yeah, yeah, yeah, that's what they always fucking say. It's like,

304
00:17:17,200 --> 00:17:18,439
Speaker 3: why do we elect these people?

305
00:17:18,920 --> 00:17:21,160
Speaker 1: Yeah? They he goes, I go every time I ask,

306
00:17:21,200 --> 00:17:25,879
Speaker 1: he goes. We're trading calls. You're trading calls. Yeah, it's

307
00:17:25,920 --> 00:17:28,000
Speaker 1: a fucking phone call. It's been two weeks.

308
00:17:28,600 --> 00:17:34,679
Speaker 5: Well, we'll have to see Rasha Shannas coming up. Uh Kwansas,

309
00:17:34,720 --> 00:17:36,560
Speaker 5: We're just around the corner. We have to take you

310
00:17:36,760 --> 00:17:38,879
Speaker 5: to take a look at this again with fresh eyes.

311
00:17:42,200 --> 00:17:43,640
Speaker 3: All right, that is a scary sound.

312
00:17:43,720 --> 00:17:46,280
Speaker 1: Yeah, it's two weeks on either side of freaking Kwanza.

313
00:17:47,440 --> 00:17:49,640
Speaker 1: So you you have to defeat Merch.

314
00:17:50,320 --> 00:17:55,440
Speaker 2: Yeah, there's like you get like a blunt axe when

315
00:17:55,440 --> 00:17:58,600
Speaker 2: you go into the that's like your first weapon. Yeah,

316
00:17:58,640 --> 00:17:59,280
Speaker 2: going into the.

317
00:17:59,240 --> 00:18:01,320
Speaker 1: High it's guitar made of blunts.

318
00:18:02,320 --> 00:18:08,320
Speaker 3: Oh yeah, blacks. Yeah, check out my blocks. And someone

319
00:18:08,320 --> 00:18:10,760
Speaker 3: who's not African Americans still use a blacks.

320
00:18:11,840 --> 00:18:17,520
Speaker 1: Yes, just in case you guys are wondering, that's good

321
00:18:17,560 --> 00:18:18,040
Speaker 1: news for me.

322
00:18:18,280 --> 00:18:19,040
Speaker 3: Yeah, it's great.

323
00:18:20,640 --> 00:18:23,159
Speaker 2: Yeah, So a blunt X and you and so you

324
00:18:23,240 --> 00:18:27,080
Speaker 2: got a new weapon. What's what's Merchan's weapon? Every time

325
00:18:27,080 --> 00:18:29,880
Speaker 2: you defeat one of the characters in the house, you

326
00:18:29,920 --> 00:18:31,119
Speaker 2: are given a new weapon.

327
00:18:31,280 --> 00:18:37,240
Speaker 3: Oh yeah, right, like a text.

328
00:18:37,359 --> 00:18:37,719
Speaker 1: Weapons.

329
00:18:37,760 --> 00:18:40,560
Speaker 2: He texts you okay, Yeah, so that chef Kevin. This

330
00:18:40,640 --> 00:18:45,280
Speaker 2: is how he that's his weapon. Yeah, that's how he like. Hey, guys,

331
00:18:45,760 --> 00:18:47,439
Speaker 2: sorry and bothering about this again.

332
00:18:48,119 --> 00:18:49,280
Speaker 1: Hey, just checking in.

333
00:18:50,080 --> 00:18:53,159
Speaker 3: Hey are we are we seriously out of mediums?

334
00:18:55,200 --> 00:18:57,160
Speaker 1: I just wanted to see if you guys have looked

335
00:18:57,200 --> 00:18:58,560
Speaker 1: at the designs for this.

336
00:19:01,040 --> 00:19:02,120
Speaker 3: The answers always no.

337
00:19:04,160 --> 00:19:06,800
Speaker 1: Kevin, it doesn't work. The link you sent doesn't work.

338
00:19:07,800 --> 00:19:09,520
Speaker 1: Buys you like a sorry about back?

339
00:19:09,560 --> 00:19:12,520
Speaker 3: Guys can't send links in text messages.

340
00:19:12,600 --> 00:19:17,880
Speaker 1: I'm sorry, guys, I suck no. Yes, yeah, then I'm

341
00:19:17,880 --> 00:19:19,600
Speaker 1: in this position where I have to say he doesn't

342
00:19:21,440 --> 00:19:24,600
Speaker 1: I know too many texts. That's terrible. Kevin's been saying

343
00:19:24,600 --> 00:19:24,880
Speaker 1: a lot.

344
00:19:24,960 --> 00:19:27,879
Speaker 5: That's a really tough challenge to put someone through. Like

345
00:19:28,000 --> 00:19:32,760
Speaker 5: for the beginning, I know, yeah, I know, it gets easier.

346
00:19:32,800 --> 00:19:36,160
Speaker 1: Doesn't because then as soon as you get by there

347
00:19:36,240 --> 00:19:37,600
Speaker 1: it's a slide, twisty slide.

348
00:19:37,680 --> 00:19:39,840
Speaker 5: Okay, I thought you were doing traditional get harder as

349
00:19:39,840 --> 00:19:42,919
Speaker 5: it goes? No, No, all right, no, well I have

350
00:19:42,960 --> 00:19:43,600
Speaker 5: to chase fun.

351
00:19:44,840 --> 00:19:47,560
Speaker 1: Okay, but then the twisty slide, what do we think?

352
00:19:47,640 --> 00:19:53,840
Speaker 1: What kind of sound would that make? The slide is

353
00:19:53,920 --> 00:19:58,720
Speaker 1: saying that, Yeah, Yeah, it kilds for the slide to

354
00:19:58,760 --> 00:19:59,600
Speaker 1: get slided on.

355
00:20:00,040 --> 00:20:15,320
Speaker 2: Yeah, people's back like pants pocket snaps are like scraping

356
00:20:15,400 --> 00:20:17,440
Speaker 2: the slide and it hurts.

357
00:20:17,520 --> 00:20:20,360
Speaker 3: Yeah yeah, yeah that's man.

358
00:20:20,400 --> 00:20:25,520
Speaker 1: This is the slide has a rash in my mind. Okay,

359
00:20:25,520 --> 00:20:27,119
Speaker 1: first of all, you're scared you could catch it, but

360
00:20:27,200 --> 00:20:29,159
Speaker 1: second off, just so uncomfortable for the slide.

361
00:20:29,240 --> 00:20:33,000
Speaker 3: Wow. So it's more about the slide, like the like

362
00:20:33,240 --> 00:20:34,440
Speaker 3: the slide being affected.

363
00:20:34,480 --> 00:20:36,679
Speaker 1: The slide is the star of the haunted house. To me,

364
00:20:37,040 --> 00:20:39,359
Speaker 1: it's a traditional haunted house, so of course the twisty

365
00:20:39,400 --> 00:20:40,720
Speaker 1: slide is sort of the event.

366
00:20:41,119 --> 00:20:45,000
Speaker 2: And there would be like a little monologue as you're approaching, like, oh,

367
00:20:45,160 --> 00:20:49,200
Speaker 2: I'm the slide, Welcome to my slide. Okay, okay, I've

368
00:20:49,240 --> 00:20:52,640
Speaker 2: got this rash, but I've had it for a few days,

369
00:20:52,680 --> 00:20:54,560
Speaker 2: so I don't think it's containedous anymore.

370
00:20:54,800 --> 00:20:58,399
Speaker 5: Okay, and then yeah, you defeat it. But what is

371
00:20:58,440 --> 00:21:02,520
Speaker 5: the rash look like? Is it just like considation? Oh

372
00:21:02,560 --> 00:21:03,560
Speaker 5: it's Dick rash.

373
00:21:03,640 --> 00:21:08,040
Speaker 1: Kind, well like d a k I any it looks

374
00:21:08,040 --> 00:21:09,760
Speaker 1: like Dick kind kind.

375
00:21:09,840 --> 00:21:17,000
Speaker 5: Yeah, like Dick kind, Dick kind, Bud, what kind of

376
00:21:17,040 --> 00:21:17,600
Speaker 5: rash you got?

377
00:21:17,640 --> 00:21:22,720
Speaker 2: Dick kine? M kind to Hansa the kind that was

378
00:21:22,800 --> 00:21:30,439
Speaker 2: his Richard Kines clothing brand. Yes, that's right, Dick Kind. Okay,

379
00:21:30,480 --> 00:21:32,600
Speaker 2: well that's that's that's that helps a lot.

380
00:21:32,760 --> 00:21:35,439
Speaker 1: Defeated this lie. We got to get engineer Jordan in here.

381
00:21:35,520 --> 00:21:39,840
Speaker 1: At some point she got a degree to do this,

382
00:21:40,200 --> 00:21:42,600
Speaker 1: and so she like she basically this was her.

383
00:21:44,440 --> 00:21:46,080
Speaker 3: Bachelor Persons of the Arts.

384
00:21:46,320 --> 00:21:48,040
Speaker 1: She like loves doing on and out.

385
00:21:48,119 --> 00:21:49,840
Speaker 3: Yeah, Hanted House is great.

386
00:21:50,119 --> 00:21:51,840
Speaker 7: Yeah, yeah, that's great.

387
00:21:52,640 --> 00:21:55,119
Speaker 1: She's very excited about Kevin. Write that down for the poster.

388
00:21:55,320 --> 00:21:58,760
Speaker 5: So, yeah, so Jordan, what's the Jordan's that's six five

389
00:22:00,200 --> 00:22:02,680
Speaker 5: five five or the nine four four whatever, it's called

390
00:22:03,119 --> 00:22:04,199
Speaker 5: the number the scoop.

391
00:22:04,359 --> 00:22:06,840
Speaker 2: I thought you had a BA and vocal performance. Yeah,

392
00:22:07,240 --> 00:22:09,399
Speaker 2: you know what, you don't even know what number is

393
00:22:09,440 --> 00:22:12,560
Speaker 2: the scoopoop. Come on, give us the scoop number.

394
00:22:12,880 --> 00:22:17,560
Speaker 7: Scoop number is okay one seven seven seven seven seven nine.

395
00:22:17,440 --> 00:22:22,119
Speaker 2: Oh shit, one, you had that one?

396
00:22:22,200 --> 00:22:22,880
Speaker 7: One?

397
00:22:23,080 --> 00:22:23,399
Speaker 3: Okay.

398
00:22:23,440 --> 00:22:26,160
Speaker 1: It's a shower radio. You can pick any of these

399
00:22:26,200 --> 00:22:28,280
Speaker 1: in a shower radio, but a spider rig.

400
00:22:31,200 --> 00:22:32,760
Speaker 7: So what's the next part of the Haunted House?

401
00:22:33,080 --> 00:22:36,440
Speaker 1: Asking you what your character that you that you prepare.

402
00:22:36,560 --> 00:22:37,280
Speaker 1: You got one.

403
00:22:37,160 --> 00:22:40,879
Speaker 7: Noise my character is uh.

404
00:22:40,520 --> 00:22:42,879
Speaker 1: And Reggie will be grading the noise.

405
00:22:43,280 --> 00:22:45,720
Speaker 7: The woman with the ladder, okay.

406
00:22:45,480 --> 00:22:49,800
Speaker 3: A track your b a oh wow.

407
00:22:49,720 --> 00:22:52,119
Speaker 7: The one with the ladder. She has a ladder, but

408
00:22:52,320 --> 00:22:54,680
Speaker 7: she's too scared to go up it.

409
00:22:55,160 --> 00:22:56,159
Speaker 1: Oh she is scared.

410
00:22:56,280 --> 00:22:56,959
Speaker 7: She is scared.

411
00:22:57,160 --> 00:22:59,159
Speaker 1: Oh and is she making you go under it?

412
00:22:59,359 --> 00:22:59,560
Speaker 7: Yes?

413
00:23:00,400 --> 00:23:00,840
Speaker 3: No.

414
00:23:01,640 --> 00:23:05,560
Speaker 7: And when you go up the ladder, she throws up

415
00:23:07,080 --> 00:23:08,160
Speaker 7: potatoes at you.

416
00:23:09,600 --> 00:23:10,399
Speaker 1: Cooked or.

417
00:23:11,960 --> 00:23:13,280
Speaker 7: Some are cooked in summer.

418
00:23:13,520 --> 00:23:16,080
Speaker 1: Oh no, and you don't know which is which.

419
00:23:17,320 --> 00:23:20,000
Speaker 7: He's like, which one you gonna get? But I'm scared

420
00:23:20,000 --> 00:23:21,800
Speaker 7: of the ladder, so you gotta go up it?

421
00:23:22,400 --> 00:23:28,600
Speaker 5: Okay, okay, that's it seems like a little too is.

422
00:23:28,600 --> 00:23:33,119
Speaker 1: It a little too scary? Is this third?

423
00:23:33,440 --> 00:23:35,800
Speaker 3: Or is this like where would this? This would happen

424
00:23:35,880 --> 00:23:36,719
Speaker 3: after the slide.

425
00:23:37,480 --> 00:23:40,080
Speaker 7: I would say the slide because you survived the rash,

426
00:23:40,200 --> 00:23:42,600
Speaker 7: so I think you can do the potatoes.

427
00:23:43,000 --> 00:23:45,520
Speaker 2: We also we're kind of trying to give people a

428
00:23:45,600 --> 00:23:48,520
Speaker 2: break from just like their day to day, you know

429
00:23:48,560 --> 00:23:50,640
Speaker 2: what I mean, just sort of like let people forget

430
00:23:50,680 --> 00:23:51,080
Speaker 2: about that.

431
00:23:52,760 --> 00:23:56,639
Speaker 7: Maybe maybe it's just mashed potatoes, like garlic mashed potatoes.

432
00:23:56,840 --> 00:24:01,680
Speaker 5: Oh okay, yeah, that doesn't that seems better?

433
00:24:02,119 --> 00:24:05,679
Speaker 1: Yeah, I think that is a great improvement. Yeah, and Hayes,

434
00:24:05,720 --> 00:24:08,359
Speaker 1: what a constructive way to give the note and Jordan,

435
00:24:08,440 --> 00:24:09,160
Speaker 1: what a fun.

436
00:24:09,000 --> 00:24:16,639
Speaker 7: Song, thank you. I'm trying to think of what sound

437
00:24:17,160 --> 00:24:21,560
Speaker 7: she would make, but like if she threw the potatoes,

438
00:24:21,600 --> 00:24:23,440
Speaker 7: like so you're going up the ladder because she's too

439
00:24:23,480 --> 00:24:25,159
Speaker 7: scared to go up the ladder, and I feel like

440
00:24:25,200 --> 00:24:30,000
Speaker 7: it'd be like, oh yeah, good.

441
00:24:30,000 --> 00:24:33,280
Speaker 3: Okay, Yeah, that would fucking scare the balls off of me.

442
00:24:33,600 --> 00:24:36,119
Speaker 1: That would be scary. But then I also have the

443
00:24:36,160 --> 00:24:38,040
Speaker 1: mass potatoes, which would be pretty comforting.

444
00:24:39,280 --> 00:24:41,239
Speaker 7: Yes, and you can eat them while you go up

445
00:24:41,280 --> 00:24:41,760
Speaker 7: the ladder.

446
00:24:42,240 --> 00:24:45,399
Speaker 5: That's that's true. Yeah, I guess it's cool. It kind

447
00:24:45,440 --> 00:24:47,520
Speaker 5: of bounces itself out. You're like terrified.

448
00:24:47,720 --> 00:24:51,959
Speaker 1: But there's a pleasant symmetry to Jordan's haunted house character,

449
00:24:52,080 --> 00:24:52,480
Speaker 1: isn't there?

450
00:24:52,560 --> 00:24:55,120
Speaker 3: Guys? Yeah, a lot of sim going on.

451
00:24:56,400 --> 00:25:03,280
Speaker 2: I think part of the Jim Jordans really kind of

452
00:25:03,280 --> 00:25:07,960
Speaker 2: forced yourself into this record. Oh yeah, and I think

453
00:25:08,840 --> 00:25:11,240
Speaker 2: a lot of it has to do with getting Reggie

454
00:25:11,280 --> 00:25:13,679
Speaker 2: to be a teacher at Jordan's school.

455
00:25:13,760 --> 00:25:15,200
Speaker 1: Is that the feeling that you're yet.

456
00:25:16,520 --> 00:25:19,680
Speaker 7: Yes, yep, that's why I took this recording.

457
00:25:19,960 --> 00:25:22,280
Speaker 3: Okay, Oh well, that's easy. Yeah, I'll do it.

458
00:25:22,480 --> 00:25:26,440
Speaker 7: Yeah, it's the engineer Jordan's whoa school it sounds?

459
00:25:26,760 --> 00:25:33,359
Speaker 2: Oh school sounds, the Engineering School for Soundrels, School for Sounds, Soundrels.

460
00:25:33,880 --> 00:25:36,560
Speaker 3: That's great, Okay, I'll do it.

461
00:25:37,760 --> 00:25:38,560
Speaker 1: What wow?

462
00:25:39,320 --> 00:25:42,560
Speaker 7: Yes, starting like and your first assignment is the Haunted House.

463
00:25:42,600 --> 00:25:44,000
Speaker 7: So this is actually your innes So.

464
00:25:43,920 --> 00:25:46,000
Speaker 1: We're already doing a lot of the locals call it

465
00:25:46,119 --> 00:25:49,760
Speaker 1: Jordan Brew University because you can drink bruise with your teachers.

466
00:25:49,880 --> 00:25:52,080
Speaker 1: It's one of the only places where your teacher bruised

467
00:25:52,080 --> 00:25:53,720
Speaker 1: down with you.

468
00:25:52,800 --> 00:25:54,639
Speaker 7: Whoa like a witch is Bruce?

469
00:25:55,200 --> 00:25:57,160
Speaker 3: Yeah? Yeah, Miles Davis.

470
00:25:57,359 --> 00:26:04,200
Speaker 1: Yeah, it's a lot like Miles Davis. Oh, that would

471
00:26:04,200 --> 00:26:05,600
Speaker 1: be scary if he came up.

472
00:26:07,440 --> 00:26:11,719
Speaker 2: Oh no, you have to defeat both Bosch, defeat Biles Davis.

473
00:26:16,800 --> 00:26:18,120
Speaker 3: Oh gods, I love.

474
00:26:19,440 --> 00:26:20,000
Speaker 1: Chef Kevin.

475
00:26:20,040 --> 00:26:26,320
Speaker 2: Have a seat, Chevin n Hey, we got so they

476
00:26:26,359 --> 00:26:28,080
Speaker 2: started calling him that on Freedom Reggie.

477
00:26:28,160 --> 00:26:29,920
Speaker 1: Did you know that? Do you know about threedom?

478
00:26:30,560 --> 00:26:33,000
Speaker 5: I've seen I'll have seen our pictures of the three

479
00:26:33,040 --> 00:26:36,200
Speaker 5: of them. Yeah, the latest cash grab?

480
00:26:36,520 --> 00:26:37,600
Speaker 3: I well, cash grab?

481
00:26:37,680 --> 00:26:42,040
Speaker 1: Yeah, Kevin, how are the apron selling?

482
00:26:42,359 --> 00:26:46,000
Speaker 4: Hey, guys, Chef Kevin here they're doing pretty well, I'm

483
00:26:46,000 --> 00:26:48,159
Speaker 4: glad you brought it up. We could use like a

484
00:26:48,320 --> 00:26:51,640
Speaker 4: kind of a second push before the end of the year.

485
00:26:52,160 --> 00:26:55,439
Speaker 1: Thanksgiving, it must be a big holiday for Chef Kevin Apron.

486
00:26:55,560 --> 00:26:56,040
Speaker 1: That's right.

487
00:26:56,200 --> 00:26:59,560
Speaker 4: So if you could go to potswack dot com uh

488
00:26:59,560 --> 00:27:03,120
Speaker 4: and check out the Aprons. It's if you buy one

489
00:27:03,320 --> 00:27:06,280
Speaker 4: and you buy a second one, you can get both

490
00:27:06,320 --> 00:27:09,040
Speaker 4: of them pretty quickly.

491
00:27:09,520 --> 00:27:12,160
Speaker 1: So just for this holiday, just for the holiday.

492
00:27:12,240 --> 00:27:15,040
Speaker 2: Yeah, okay, because sometimes you buy one, you got a

493
00:27:15,040 --> 00:27:15,919
Speaker 2: second one, you get.

494
00:27:15,840 --> 00:27:18,679
Speaker 1: Neither of them. That can't happen.

495
00:27:18,960 --> 00:27:20,080
Speaker 3: I cancel each other out.

496
00:27:20,160 --> 00:27:23,560
Speaker 4: Yeah, they negate each other. We're trying a new thing though,

497
00:27:23,640 --> 00:27:28,919
Speaker 4: where one plus one wool equal to okay, yeah, okay,

498
00:27:29,000 --> 00:27:31,439
Speaker 4: So sales are great, but let's let's kick it.

499
00:27:32,200 --> 00:27:33,679
Speaker 1: Let's step it up. Let's kick some ass.

500
00:27:34,000 --> 00:27:36,760
Speaker 3: Okay, let's kick some ass.

501
00:27:36,880 --> 00:27:42,080
Speaker 1: And the joy that's even felt saying it seemed like

502
00:27:42,119 --> 00:27:45,560
Speaker 1: he'd never been allowed to do that. Let's kick some ass.

503
00:27:48,000 --> 00:27:52,840
Speaker 1: Do we want to talk about the dragon noises? All right?

504
00:27:52,960 --> 00:27:56,120
Speaker 1: Not today? No, okay, so we won't do any dragon

505
00:27:56,200 --> 00:28:02,080
Speaker 1: noises one all right, let's just pick one, the main one.

506
00:28:03,400 --> 00:28:06,280
Speaker 1: So ready. We talked about having like a really little

507
00:28:06,320 --> 00:28:08,720
Speaker 1: tiny dragon that basically could be in your pocket.

508
00:28:09,119 --> 00:28:10,760
Speaker 3: Okay, he's helping you.

509
00:28:11,080 --> 00:28:21,400
Speaker 1: Yeah, he's sort of your guide pocket dragon. Yeah, pragging okay, dragging, hogging. Yeah,

510
00:28:21,480 --> 00:28:28,879
Speaker 1: so he uh is gonna be named Haze m hm.

511
00:28:30,640 --> 00:28:37,160
Speaker 1: He's a fun dragon z or or or s ideally both.

512
00:28:37,640 --> 00:28:40,560
Speaker 1: I think it's j a z okay, because he is

513
00:28:40,880 --> 00:28:41,360
Speaker 1: smoking that.

514
00:28:42,200 --> 00:28:47,120
Speaker 3: Yeah, he's smoking that. He's smoking. That's stooky Yuki.

515
00:28:48,200 --> 00:28:50,760
Speaker 1: He's schwaggen donks.

516
00:28:57,680 --> 00:29:01,600
Speaker 5: Yeah, if anyone can swag it doing, yeah that guy.

517
00:29:02,360 --> 00:29:08,600
Speaker 1: Okay, all right, yeah, so he's Yeah, he's Haze and

518
00:29:08,680 --> 00:29:13,200
Speaker 1: he came to Blaze and yep, he's part of his

519
00:29:13,240 --> 00:29:16,320
Speaker 1: backstory is that he's best friends with Smog mm hmm.

520
00:29:16,480 --> 00:29:19,680
Speaker 3: Oh, I don't know why, but sure.

521
00:29:19,760 --> 00:29:22,560
Speaker 1: Yeah, okay, well I know it just gives him something

522
00:29:22,560 --> 00:29:25,640
Speaker 1: to talk about. Yeah, you're in this house for a

523
00:29:25,760 --> 00:29:26,480
Speaker 1: long time.

524
00:29:26,760 --> 00:29:27,240
Speaker 3: I didn't.

525
00:29:27,280 --> 00:29:30,200
Speaker 2: Yeah, it's really long, okay, and I thought you're gonna

526
00:29:30,200 --> 00:29:32,040
Speaker 2: be looking for like stuff to say.

527
00:29:32,200 --> 00:29:34,560
Speaker 1: A lot of the rooms are totally empty, yes, oh

528
00:29:34,600 --> 00:29:36,800
Speaker 1: my gosh, but they're just kind of going like it's

529
00:29:36,800 --> 00:29:39,440
Speaker 1: sort of like something could happen, you know, but it does. It.

530
00:29:39,560 --> 00:29:41,880
Speaker 1: There's a lot of waiting for the people in the

531
00:29:41,880 --> 00:29:44,600
Speaker 1: next room to be done. Yeah, it's not laid out

532
00:29:44,680 --> 00:29:46,160
Speaker 1: in a good way.

533
00:29:46,440 --> 00:29:48,080
Speaker 3: Okay, that's good to know.

534
00:29:48,400 --> 00:29:50,520
Speaker 2: Yes, So you want to be like, so, what's like

535
00:29:50,720 --> 00:29:52,120
Speaker 2: smoug what do you guys do?

536
00:29:52,360 --> 00:29:55,480
Speaker 1: Like, you know, what's smog like? Does he look gold?

537
00:29:55,640 --> 00:29:58,640
Speaker 3: Yeah? Okay, okay, okay, I got you, got you, got you? Okay.

538
00:29:58,760 --> 00:30:02,920
Speaker 1: That helps, okay. And so basically what we need is

539
00:30:03,160 --> 00:30:09,160
Speaker 1: just uh, a couple wilds of Hay's the dragon uh

540
00:30:09,480 --> 00:30:11,920
Speaker 1: saying hey look out?

541
00:30:12,920 --> 00:30:15,400
Speaker 3: Oh oh yeah, hey, like hey look out.

542
00:30:15,400 --> 00:30:17,720
Speaker 1: Yeah okay, because there's not going to be anything there

543
00:30:17,760 --> 00:30:19,760
Speaker 1: so often that we feel like having that at least

544
00:30:19,760 --> 00:30:21,040
Speaker 1: will keep your adrenaline up.

545
00:30:21,400 --> 00:30:25,720
Speaker 3: Okay. He'll be like, uh, what's the situation again, Nick.

546
00:30:26,000 --> 00:30:29,000
Speaker 1: You're in an empty room. There's a dragon in your pocket.

547
00:30:29,000 --> 00:30:32,560
Speaker 1: Who's your best friend. He's guiding you. He uh is

548
00:30:32,600 --> 00:30:35,080
Speaker 1: trying to make you believe that there is something in

549
00:30:35,120 --> 00:30:37,160
Speaker 1: the room that you have to look out for so

550
00:30:37,200 --> 00:30:39,479
Speaker 1: that you don't immediately turn around and ask for your

551
00:30:39,480 --> 00:30:40,920
Speaker 1: money back at the top of the slide.

552
00:30:41,400 --> 00:30:44,960
Speaker 5: Okay, And he's in he's in your pocket okay, as

553
00:30:45,000 --> 00:30:48,000
Speaker 5: in like you're paying him to like do whatever.

554
00:30:48,280 --> 00:30:50,920
Speaker 1: He's in your he's he's in your shirt pocket, but

555
00:30:51,080 --> 00:30:52,760
Speaker 1: also you yes, But so.

556
00:30:52,720 --> 00:30:55,080
Speaker 2: I guess we'll need to sound first of him unsnapping

557
00:30:55,160 --> 00:30:58,000
Speaker 2: your shirt pocket doing it.

558
00:30:58,560 --> 00:31:05,160
Speaker 5: Right, because yeah, because the first would be like yeah,

559
00:31:05,200 --> 00:31:08,360
Speaker 5: you're like what And then and if you open the

560
00:31:08,400 --> 00:31:10,320
Speaker 5: pocket and you ain't pull him out, he'd be like.

561
00:31:13,520 --> 00:31:16,560
Speaker 1: Okay, So it wasn't really the pocket. He wasn't being

562
00:31:16,640 --> 00:31:19,920
Speaker 1: muffled by the fabric or anything not that much. Yeah.

563
00:31:20,200 --> 00:31:24,960
Speaker 5: Yeah, well he's manufactured with a company. He's a muffet.

564
00:31:25,480 --> 00:31:29,840
Speaker 2: Oh okay, so that's a combination of a muffin.

565
00:31:29,520 --> 00:31:32,120
Speaker 3: And a puppet. What's a muffled puppet?

566
00:31:32,320 --> 00:31:35,120
Speaker 5: Oh all right, yeah, so everything that they do or

567
00:31:35,160 --> 00:31:37,560
Speaker 5: say is slightly muted or muffled.

568
00:31:37,720 --> 00:31:39,560
Speaker 1: Oh okay, so now if you hold them up to

569
00:31:39,640 --> 00:31:40,400
Speaker 1: your ear.

570
00:31:41,040 --> 00:31:43,800
Speaker 5: Yeah, this is get any better. It gets a little better.

571
00:31:44,640 --> 00:31:49,000
Speaker 5: It's like, you know, instead of like it's more like,

572
00:31:51,800 --> 00:31:53,400
Speaker 5: okay that that was a little worse.

573
00:31:55,240 --> 00:31:59,760
Speaker 1: But it's accidentally. I don't know how much you've listened

574
00:31:59,760 --> 00:32:02,800
Speaker 1: to show. I assume a ton Yeah, but you sort

575
00:32:02,800 --> 00:32:04,720
Speaker 1: of captured the essence of the show in a lot

576
00:32:04,720 --> 00:32:06,920
Speaker 1: of ways where somebody asked does it get better, and

577
00:32:06,960 --> 00:32:08,840
Speaker 1: you go, it gets a little better, but then actually

578
00:32:08,880 --> 00:32:13,120
Speaker 1: it gets a little worse. You just got used to

579
00:32:13,200 --> 00:32:15,920
Speaker 1: it a little worse. Yeah, but it did get worse. Yeah,

580
00:32:15,960 --> 00:32:18,520
Speaker 1: you're more comfortable with it, but it is actually worse.

581
00:32:18,960 --> 00:32:23,400
Speaker 1: And so that is really nice and I think it

582
00:32:23,520 --> 00:32:25,400
Speaker 1: honors what we've built here in a way.

583
00:32:25,800 --> 00:32:30,400
Speaker 2: I'm just putting together sort of the metaphor of Jordan

584
00:32:30,480 --> 00:32:34,240
Speaker 2: playing the woman with the ladder, and essentially what she

585
00:32:34,360 --> 00:32:39,200
Speaker 2: did is Jordan's the first female engineer at Earwolf.

586
00:32:39,320 --> 00:32:40,320
Speaker 3: Whoa whatever?

587
00:32:40,600 --> 00:32:46,600
Speaker 2: Ye yes, yeah, right, yep. Time is finally out.

588
00:32:46,520 --> 00:32:49,520
Speaker 1: Times out, times out, times out, game on.

589
00:32:50,400 --> 00:32:54,600
Speaker 2: And what happened was they finally did put down a

590
00:32:54,680 --> 00:32:59,600
Speaker 2: ladder and Jordan climbed up it and then has taken

591
00:32:59,600 --> 00:33:02,160
Speaker 2: the ladder and just carrying it around with her so

592
00:33:02,280 --> 00:33:05,880
Speaker 2: that so that no other ears can come up it.

593
00:33:06,000 --> 00:33:07,320
Speaker 3: Oh I see, I see.

594
00:33:07,400 --> 00:33:09,160
Speaker 1: Would you do the right Yeah?

595
00:33:09,240 --> 00:33:12,560
Speaker 7: Yeah, I have my book bag with my laptop and

596
00:33:12,760 --> 00:33:13,240
Speaker 7: the ladder.

597
00:33:13,320 --> 00:33:14,360
Speaker 1: The ladder's in your bag.

598
00:33:15,000 --> 00:33:15,960
Speaker 7: Yeah, it's very heavy.

599
00:33:15,960 --> 00:33:18,160
Speaker 1: You've got the ladder and if anybody else wants the ladder,

600
00:33:18,160 --> 00:33:20,880
Speaker 1: you better kiss the ring. Yeah, you want to be

601
00:33:20,920 --> 00:33:23,680
Speaker 1: an engineer at this place, Go ahead, come into Jordan

602
00:33:23,800 --> 00:33:25,560
Speaker 1: and tell you tell her what you could do for her,

603
00:33:25,880 --> 00:33:27,720
Speaker 1: because the ladders ain't free in this town.

604
00:33:27,840 --> 00:33:29,680
Speaker 3: Yeah, there's only one hand.

605
00:33:29,680 --> 00:33:30,360
Speaker 7: Very expensive.

606
00:33:30,880 --> 00:33:33,479
Speaker 3: How many rungs there is?

607
00:33:33,840 --> 00:33:34,440
Speaker 7: Sixty four?

608
00:33:34,880 --> 00:33:39,360
Speaker 1: Oh okay, nice round number of rungs.

609
00:33:39,440 --> 00:33:42,040
Speaker 5: That's that's that's that's it. But they're only space like

610
00:33:42,080 --> 00:33:47,200
Speaker 5: one inch apart. Yes, it's almost more of a washboard

611
00:33:47,560 --> 00:33:48,280
Speaker 5: a washboard.

612
00:33:50,640 --> 00:33:52,720
Speaker 7: That's why it's so heavy, right.

613
00:33:53,840 --> 00:33:57,160
Speaker 1: It's very Yeah, and your backpack with your laptop. Yes,

614
00:33:57,480 --> 00:34:00,560
Speaker 1: it actually fits in the laptop pock it. But it's

615
00:34:00,640 --> 00:34:01,320
Speaker 1: thick as hell.

616
00:34:01,880 --> 00:34:02,400
Speaker 3: It's good.

617
00:34:03,240 --> 00:34:09,040
Speaker 5: It's goodt sixty sixty four two millimeter thick, just lead

618
00:34:09,160 --> 00:34:10,440
Speaker 5: run one in space.

619
00:34:10,920 --> 00:34:11,800
Speaker 3: Yeah, that's great.

620
00:34:11,880 --> 00:34:13,200
Speaker 7: I'm a very strong back now.

621
00:34:13,560 --> 00:34:16,440
Speaker 5: Yeah, it's so cool. That's great that you're getting all

622
00:34:16,440 --> 00:34:17,160
Speaker 5: of that at once.

623
00:34:17,719 --> 00:34:19,359
Speaker 1: And some people say, like, you know, you come through

624
00:34:19,360 --> 00:34:21,239
Speaker 1: the door and then you hold it open for the

625
00:34:21,280 --> 00:34:24,160
Speaker 1: next person. Yeah, but Jordan is shut the door and

626
00:34:24,280 --> 00:34:27,479
Speaker 1: is using the ladder to wedget under the oh yeah,

627
00:34:27,560 --> 00:34:28,239
Speaker 1: under the knob.

628
00:34:28,480 --> 00:34:29,280
Speaker 3: Yeah. Classic.

629
00:34:29,600 --> 00:34:31,840
Speaker 1: Then there's like a little mail slid that she peeks

630
00:34:31,880 --> 00:34:34,959
Speaker 1: out and she's like gotta pay the toll, little bb

631
00:34:35,080 --> 00:34:36,640
Speaker 1: guts ticking out of the veils.

632
00:34:36,920 --> 00:34:41,719
Speaker 3: Totally. Wow, this is so cool.

633
00:34:41,800 --> 00:34:42,920
Speaker 1: That's a metaphor.

634
00:34:43,480 --> 00:34:47,399
Speaker 5: That's a great It's just good planning. It makes sense. Yeah,

635
00:34:47,520 --> 00:34:48,200
Speaker 5: that's not weird.

636
00:34:48,280 --> 00:34:50,480
Speaker 1: Well what yeah, and what we what we pitch for

637
00:34:50,520 --> 00:34:53,680
Speaker 1: the Haunted House reveals a lot about ourselves.

638
00:34:53,239 --> 00:34:57,759
Speaker 5: Right, Yeah, I mean yeah, I mean all of this,

639
00:34:57,920 --> 00:35:00,160
Speaker 5: I mean this is shaping up to be one great it.

640
00:35:01,160 --> 00:35:04,920
Speaker 5: Don't you think you're very excited about I think haunted

641
00:35:04,960 --> 00:35:05,600
Speaker 5: house is great?

642
00:35:06,160 --> 00:35:09,839
Speaker 1: Yeah, haunted house is great. I'm excited for a haunted house.

643
00:35:09,960 --> 00:35:13,200
Speaker 3: Yeah. So people are gonna just be talking about that house.

644
00:35:14,520 --> 00:35:17,040
Speaker 7: Is there a reward for leaving the house?

645
00:35:17,480 --> 00:35:17,839
Speaker 3: For what?

646
00:35:18,080 --> 00:35:19,560
Speaker 7: For getting through the house?

647
00:35:19,640 --> 00:35:19,879
Speaker 3: Oh?

648
00:35:20,239 --> 00:35:21,520
Speaker 1: A reward award?

649
00:35:22,080 --> 00:35:24,640
Speaker 3: Oh? Interesting award that's done again.

650
00:35:25,920 --> 00:35:35,799
Speaker 2: Yeah, not a war another ward reward. Maybe you could

651
00:35:36,000 --> 00:35:38,640
Speaker 2: meet someone? So we do want to get like a

652
00:35:38,719 --> 00:35:40,480
Speaker 2: little more of a celebrity presence in this.

653
00:35:41,239 --> 00:35:44,400
Speaker 1: That's maybe can you help? Who could you get? Can

654
00:35:44,440 --> 00:35:45,640
Speaker 1: you connect us to anyone?

655
00:35:45,719 --> 00:35:46,319
Speaker 3: Judith light?

656
00:35:46,960 --> 00:35:51,680
Speaker 2: Oh, Judith is waiting at the end the light at

657
00:35:51,680 --> 00:35:52,319
Speaker 2: the end of the time.

658
00:35:56,320 --> 00:36:03,520
Speaker 1: Wow, you're a good place. Uh sort of equal like, yeah.

659
00:36:03,840 --> 00:36:04,360
Speaker 3: I mean it is.

660
00:36:04,400 --> 00:36:06,399
Speaker 5: I'm trying to like sneak it in because I want

661
00:36:06,520 --> 00:36:08,160
Speaker 5: cross cross branding promotion.

662
00:36:08,840 --> 00:36:11,000
Speaker 1: Yeah, it's a little early to Plug the Good Place

663
00:36:11,000 --> 00:36:15,719
Speaker 1: spin off. Sorry, but but I'm not against it. We

664
00:36:15,760 --> 00:36:17,719
Speaker 1: can sit on the episode for a while too. When

665
00:36:17,719 --> 00:36:18,840
Speaker 1: do you think that's gonna launch?

666
00:36:19,480 --> 00:36:23,279
Speaker 5: I'm hoping that it launches in Q four or sorry, Q.

667
00:36:23,600 --> 00:36:27,200
Speaker 1: Three launch, Q five two, Q five two Q five

668
00:36:27,280 --> 00:36:31,279
Speaker 1: two two. Oh wow, that is such a great time

669
00:36:31,320 --> 00:36:34,160
Speaker 1: to Target. Yeah, we'll finally be ready again.

670
00:36:34,480 --> 00:36:34,640
Speaker 3: Yeah.

671
00:36:34,680 --> 00:36:36,640
Speaker 5: It's funny that you mentioned Target too, because they're gonna

672
00:36:36,680 --> 00:36:40,719
Speaker 5: be they're doing it. Yeah, they promised to consider it.

673
00:36:41,000 --> 00:36:47,080
Speaker 1: Oh wow, so Target Place. Yeah, yeah, it's like a

674
00:36:47,120 --> 00:36:51,600
Speaker 1: good place in a superstore. Yes, I mean yeah, it'll

675
00:36:51,600 --> 00:36:55,200
Speaker 1: be on Target dot Com, available exclusively through the app.

676
00:36:55,920 --> 00:37:00,000
Speaker 3: I definitely do the app. Although Target, I don't know

677
00:37:00,000 --> 00:37:01,680
Speaker 3: if I consider a superstore.

678
00:37:04,600 --> 00:37:07,120
Speaker 1: Well, it's not like Cloud nine, that's true.

679
00:37:07,239 --> 00:37:10,719
Speaker 3: No, No, it's not like Cloud nine. I mean i'd

680
00:37:10,760 --> 00:37:11,640
Speaker 3: say it's a store.

681
00:37:12,239 --> 00:37:15,279
Speaker 1: You think Target's just an average store store? Oh wow,

682
00:37:16,040 --> 00:37:19,240
Speaker 1: takes a store super Reggie Horsepower.

683
00:37:23,719 --> 00:37:24,080
Speaker 3: Bye?

684
00:37:29,080 --> 00:37:30,600
Speaker 1: Did you have anything to plug?

685
00:37:33,200 --> 00:37:35,000
Speaker 3: Yeah? Where where do I put this?

686
00:37:36,040 --> 00:37:39,359
Speaker 1: I put right here?

687
00:37:39,400 --> 00:37:44,440
Speaker 3: I brought a vacuum, okay, plug? I have anything to pluge?

688
00:37:44,680 --> 00:37:47,839
Speaker 3: I don't know. I mean I want to, I want to.

689
00:37:48,120 --> 00:37:49,719
Speaker 1: Yeah, we wouldn't do much.

690
00:37:50,280 --> 00:37:51,759
Speaker 5: I don't know if it Yeah, I don't know if

691
00:37:51,760 --> 00:37:53,600
Speaker 5: it's do much. I don't know if I I mean,

692
00:37:53,840 --> 00:37:55,480
Speaker 5: I'm trying to think of something that I could plug,

693
00:37:55,520 --> 00:37:56,440
Speaker 5: but I don't really have.

694
00:37:56,600 --> 00:37:58,480
Speaker 2: I'm saying, like, if you even if you have like

695
00:37:58,520 --> 00:38:02,240
Speaker 2: a big thing, Yeah, what whatever we're bringing to it

696
00:38:02,280 --> 00:38:03,560
Speaker 2: is not gonna.

697
00:38:03,719 --> 00:38:08,040
Speaker 1: Plugging it here not the most effective. You'd be better off.

698
00:38:08,360 --> 00:38:12,160
Speaker 1: I think walking down the street and just telling someone

699
00:38:12,200 --> 00:38:14,400
Speaker 1: about it it would be more effective.

700
00:38:14,400 --> 00:38:17,200
Speaker 2: And then they tell like two people, yeah, that could

701
00:38:17,239 --> 00:38:18,120
Speaker 2: be really smart.

702
00:38:18,200 --> 00:38:20,880
Speaker 5: That Yeah, I guess, yeah, well you know what, it

703
00:38:21,080 --> 00:38:22,840
Speaker 5: wouldn't hurt.

704
00:38:23,560 --> 00:38:26,919
Speaker 1: So okay, yeah, so you're gonna do that? Plug it up?

705
00:38:27,840 --> 00:38:34,000
Speaker 3: Yeah, it's try. I I'd like to plug. I'd like

706
00:38:34,040 --> 00:38:34,440
Speaker 3: to plug.

707
00:38:34,480 --> 00:38:39,200
Speaker 5: Anybody that has a has a dream.

708
00:38:40,520 --> 00:38:43,040
Speaker 3: Finally, and I'd like to plug.

709
00:38:43,080 --> 00:38:45,839
Speaker 5: I'd like to plug them up and just see how

710
00:38:45,880 --> 00:38:49,000
Speaker 5: that dream like keeps building up and expanding until.

711
00:38:49,360 --> 00:38:53,360
Speaker 1: Until they explode from the pressure of the dream inside them. Yeah,

712
00:38:53,840 --> 00:38:57,880
Speaker 1: what a great image. Really nice. They say follow your dreams,

713
00:38:57,920 --> 00:39:00,719
Speaker 1: but they never say let your dreams fill you up

714
00:39:00,800 --> 00:39:04,720
Speaker 1: until you're at capacity. And then Reggie's holding your nose closed.

715
00:39:04,840 --> 00:39:07,480
Speaker 1: And then your whole head just explodes. Your brains are

716
00:39:07,560 --> 00:39:10,479
Speaker 1: on the wall and the big Dream. And I don't

717
00:39:10,520 --> 00:39:12,759
Speaker 1: know why that's not a more common expression.

718
00:39:13,160 --> 00:39:15,440
Speaker 3: It should be, at least in the House of Representatives.

719
00:39:15,480 --> 00:39:19,040
Speaker 1: Oh please, you know, Bye Hollywood, hambur