WEBVTT - 1 | The First Night

0:00:21.280 --> 0:00:23.760
<v Speaker 1>I spent the last fifteen years in my life fighting

0:00:23.800 --> 0:00:26.240
<v Speaker 1>like hell to make sure that I never ended up here.

0:00:27.760 --> 0:00:30.880
<v Speaker 2>I'm not used to riding shotgun. You should don't want

0:00:30.880 --> 0:00:31.319
<v Speaker 2>me to drive.

0:00:32.040 --> 0:00:34.960
<v Speaker 3>I know, money, it feels good to get behind the

0:00:35.000 --> 0:00:35.640
<v Speaker 3>wheel once in.

0:00:35.640 --> 0:00:38.720
<v Speaker 4>A while, But the island pulled me back.

0:00:40.000 --> 0:00:41.560
<v Speaker 2>Like an undertooe.

0:00:42.240 --> 0:00:43.720
<v Speaker 3>I love that sea air.

0:00:44.440 --> 0:00:49.520
<v Speaker 2>Nothing like it. Hey, I think you missed a turn.

0:00:50.479 --> 0:00:53.680
<v Speaker 3>I didn't miss anything. We just have a quick drop

0:00:53.720 --> 0:00:54.440
<v Speaker 3>to make first.

0:00:54.440 --> 0:00:56.400
<v Speaker 2>Then, so I thought you was going to hurry to

0:00:56.400 --> 0:00:56.800
<v Speaker 2>see her.

0:00:57.320 --> 0:00:59.480
<v Speaker 3>All right, we'll get to her soon.

0:01:00.480 --> 0:01:03.720
<v Speaker 4>I really thought I could work with the current find

0:01:03.720 --> 0:01:04.760
<v Speaker 4>my way ashore.

0:01:07.680 --> 0:01:08.400
<v Speaker 2>While we stopping.

0:01:09.560 --> 0:01:12.160
<v Speaker 3>Because we're here at the beach.

0:01:12.600 --> 0:01:14.160
<v Speaker 1>I should have known the second I tried to put

0:01:14.200 --> 0:01:17.399
<v Speaker 1>up a fight, I was already dead in the water.

0:01:19.840 --> 0:01:23.320
<v Speaker 2>We both were. So we're making the drop here.

0:01:24.319 --> 0:01:29.400
<v Speaker 3>You could say that, Marcus, what the fuck is this

0:01:29.600 --> 0:01:33.600
<v Speaker 3>due diligence. Let's gotta move on, shall we? If you'd

0:01:33.640 --> 0:01:36.840
<v Speaker 3>be so kind as to lend a handy.

0:01:37.520 --> 0:01:40.400
<v Speaker 2>It's okay, I'm gonna figure this out. That's what a god.

0:01:40.400 --> 0:01:44.480
<v Speaker 2>I'm gonna let anything happening. Thanks, I gotta take it

0:01:44.520 --> 0:01:50.640
<v Speaker 2>from here. Okay, you made your point. Just give me

0:01:50.680 --> 0:01:51.560
<v Speaker 2>a chance to talk to it.

0:01:51.680 --> 0:01:53.120
<v Speaker 5>I gave you that chance.

0:01:54.360 --> 0:01:56.840
<v Speaker 2>And you blew it. I know I fucked up, but

0:01:56.920 --> 0:01:59.480
<v Speaker 2>we ain't gotta do this. You've left me no choice.

0:02:01.160 --> 0:02:01.480
<v Speaker 5>Stop.

0:02:02.600 --> 0:02:08.640
<v Speaker 6>Please, I'm sorry, but this is what happens when you

0:02:08.680 --> 0:02:09.720
<v Speaker 6>don't follow waters.

0:02:10.440 --> 0:02:10.880
<v Speaker 5>Nicholas.

0:02:11.080 --> 0:02:11.120
<v Speaker 7>No.

0:02:16.000 --> 0:02:18.160
<v Speaker 1>A week ago, I thought I finally had a shot

0:02:18.160 --> 0:02:21.519
<v Speaker 1>at getting free of this place once and for all.

0:02:23.120 --> 0:02:24.119
<v Speaker 2>But a week ago.

0:02:26.560 --> 0:02:51.560
<v Speaker 4>I hadn't met her.

0:02:44.000 --> 0:03:00.880
<v Speaker 8>Underwater episode one the first night.

0:03:17.840 --> 0:03:18.359
<v Speaker 2>You're my right?

0:03:18.560 --> 0:03:18.680
<v Speaker 1>Uh?

0:03:18.960 --> 0:03:22.680
<v Speaker 9>That depends, are you, mister Nicholas Alexander?

0:03:24.120 --> 0:03:25.639
<v Speaker 2>Only my boss calls me Nicholas.

0:03:25.880 --> 0:03:27.360
<v Speaker 9>All right, Well, then let me be the first to

0:03:27.400 --> 0:03:29.959
<v Speaker 9>welcome you to the island. Nico. Uh, can I help

0:03:29.960 --> 0:03:31.280
<v Speaker 9>you carry one of your suitcases?

0:03:31.520 --> 0:03:32.959
<v Speaker 2>I'm good, I got it.

0:03:33.080 --> 0:03:35.200
<v Speaker 9>Sorry. Most of the folks I drive to this, you know,

0:03:35.320 --> 0:03:37.200
<v Speaker 9>want to be waited on hand and foot as soon

0:03:37.240 --> 0:03:40.160
<v Speaker 9>as the Hilland not that there's anything wrong with that.

0:03:40.640 --> 0:03:42.920
<v Speaker 9>The resort pays me to make sure everyone feels taken

0:03:42.960 --> 0:03:43.280
<v Speaker 9>care of.

0:03:43.920 --> 0:03:45.680
<v Speaker 2>What's your name? Uh?

0:03:45.800 --> 0:03:46.480
<v Speaker 9>Diego, sir?

0:03:46.640 --> 0:03:47.840
<v Speaker 2>All right, listen, Diego.

0:03:48.600 --> 0:03:50.760
<v Speaker 10>You don't need to watch your mouth around me, all right?

0:03:51.400 --> 0:03:59.480
<v Speaker 9>Whatever you say, boss, popular guy.

0:03:59.440 --> 0:04:04.520
<v Speaker 2>That's my I'm on the deadline.

0:04:04.680 --> 0:04:06.760
<v Speaker 9>Well, you picked the perfect week for a business trip.

0:04:07.120 --> 0:04:08.720
<v Speaker 9>The island is beautiful this time of year.

0:04:09.080 --> 0:04:13.480
<v Speaker 1>Yeah, I remember, Oh you visited before.

0:04:14.640 --> 0:04:15.360
<v Speaker 2>Something like that.

0:04:23.360 --> 0:04:24.280
<v Speaker 10>Is the music, Okay.

0:04:24.800 --> 0:04:26.400
<v Speaker 9>I want to make sure your trip starts on the

0:04:26.440 --> 0:04:28.320
<v Speaker 9>right note.

0:04:28.480 --> 0:04:29.640
<v Speaker 5>It didn't even mean to do that.

0:04:31.200 --> 0:04:31.920
<v Speaker 2>We almost now.

0:04:32.240 --> 0:04:34.720
<v Speaker 9>It won't be long now, desinos all the way at

0:04:34.720 --> 0:04:37.279
<v Speaker 9>the southern tip of the island. But we're making good time.

0:04:38.839 --> 0:04:42.080
<v Speaker 9>So when we were down here last you don't mind

0:04:42.080 --> 0:04:47.599
<v Speaker 9>me asking fifteen years ago, it looks different. I'd say

0:04:48.480 --> 0:04:52.200
<v Speaker 9>it's been so built up I barely even recognize it sometimes,

0:04:52.960 --> 0:04:54.320
<v Speaker 9>and I've lived here my whole life.

0:04:54.880 --> 0:04:57.360
<v Speaker 1>Yeah, it must be rough watching all these tours just

0:04:57.400 --> 0:04:58.279
<v Speaker 1>take over everything.

0:04:59.040 --> 0:04:59.839
<v Speaker 2>It's not all bad.

0:05:00.520 --> 0:05:03.680
<v Speaker 9>I wouldn't have this job without them. And trust me,

0:05:04.000 --> 0:05:07.400
<v Speaker 9>driving to him from the airport all day beats the alternatives.

0:05:08.160 --> 0:05:10.279
<v Speaker 9>I'm saving up to open my own little tour company

0:05:10.320 --> 0:05:13.880
<v Speaker 9>down here, though. I'm a good enough talker and I

0:05:13.920 --> 0:05:16.800
<v Speaker 9>know all the local gossips. Plus I want to get

0:05:16.800 --> 0:05:19.160
<v Speaker 9>some of that tourist money flowing into my family's pocket.

0:05:19.880 --> 0:05:23.160
<v Speaker 9>You got kids, not yet, but I've got two little

0:05:23.200 --> 0:05:29.920
<v Speaker 9>sisters who might as well be mine.

0:05:31.760 --> 0:05:32.719
<v Speaker 2>Can we go any faster.

0:05:33.320 --> 0:05:34.880
<v Speaker 9>I'm glad you asked see.

0:05:47.920 --> 0:05:48.920
<v Speaker 5>You that way.

0:06:03.520 --> 0:06:11.280
<v Speaker 2>I do love you anyway. Yeah, yeah, of course I'll

0:06:11.360 --> 0:06:11.960
<v Speaker 2>keep you posting.

0:06:12.920 --> 0:06:14.760
<v Speaker 9>Damn, that's one demanding job.

0:06:15.880 --> 0:06:16.040
<v Speaker 11>Man.

0:06:16.080 --> 0:06:17.120
<v Speaker 2>You don't know what to happen.

0:06:24.040 --> 0:06:25.760
<v Speaker 12>Afternoon, sir checking in.

0:06:26.200 --> 0:06:28.320
<v Speaker 2>Yeah, name is Nicholas Alexander.

0:06:31.120 --> 0:06:33.960
<v Speaker 6>M m ah, yes, I see you've booked one of

0:06:33.960 --> 0:06:35.839
<v Speaker 6>our deluxe few ocean suites.

0:06:36.160 --> 0:06:37.239
<v Speaker 12>Excellent choice.

0:06:37.960 --> 0:06:39.320
<v Speaker 10>Yeah, if you could just point me in the right

0:06:39.360 --> 0:06:40.920
<v Speaker 10>direction in my room, of.

0:06:40.960 --> 0:06:41.520
<v Speaker 12>Course, sir.

0:06:41.560 --> 0:06:44.200
<v Speaker 6>But at first I'd love to walk you to some

0:06:44.279 --> 0:06:46.400
<v Speaker 6>of our all inclusive offerings.

0:06:46.400 --> 0:06:47.360
<v Speaker 2>It's not that kind of true.

0:06:57.400 --> 0:07:09.000
<v Speaker 5>Excuse me, yes, it drops a key, my hero, you go.

0:07:11.440 --> 0:07:14.840
<v Speaker 9>Nego You okay, boss, you look like you're having a

0:07:14.880 --> 0:07:15.840
<v Speaker 9>sunstroke or something.

0:07:16.200 --> 0:07:16.680
<v Speaker 2>No, I was.

0:07:18.440 --> 0:07:23.840
<v Speaker 6>Just I apologize, sir. Diego has a tendency towards over familiarity.

0:07:24.560 --> 0:07:27.720
<v Speaker 12>Just one moment. You are not on a first name

0:07:27.760 --> 0:07:28.800
<v Speaker 12>basis with our guests.

0:07:29.040 --> 0:07:30.160
<v Speaker 5>Show some respect.

0:07:30.640 --> 0:07:33.240
<v Speaker 10>Diego and I are getting along just fine.

0:07:33.880 --> 0:07:36.800
<v Speaker 12>Oh I'm sorry, mister Alexander is fine.

0:07:37.280 --> 0:07:39.560
<v Speaker 1>I just don't like seeing my friends get pushed around,

0:07:39.920 --> 0:07:43.600
<v Speaker 1>of course, so can I please get my key?

0:07:44.120 --> 0:07:49.080
<v Speaker 12>Of course you'll be staying in sweet one oh two.

0:07:49.640 --> 0:07:50.280
<v Speaker 2>I appreciate it.

0:07:50.680 --> 0:07:52.320
<v Speaker 6>I'll have one of our porters show you to your

0:07:52.360 --> 0:07:56.080
<v Speaker 6>suite Diego. I have another pickup for you at the Diego.

0:07:56.560 --> 0:07:58.080
<v Speaker 2>Can you show me to my room?

0:07:58.600 --> 0:08:00.920
<v Speaker 12>Oh uh, certainly.

0:08:03.000 --> 0:08:05.600
<v Speaker 2>Thanks for that. No, that's all good, don't tramp.

0:08:17.400 --> 0:08:19.360
<v Speaker 9>Here's your not so humble a vote for the week.

0:08:19.680 --> 0:08:20.800
<v Speaker 9>I hope it's to your liking.

0:08:22.680 --> 0:08:25.800
<v Speaker 2>Yeah, this will do. So.

0:08:26.600 --> 0:08:29.880
<v Speaker 9>This is your sitting room. The bedroom is through there,

0:08:30.240 --> 0:08:33.280
<v Speaker 9>and there's an outdoor shower on the patio if you

0:08:33.320 --> 0:08:35.320
<v Speaker 9>want to freshen up before you go. Looking for that

0:08:35.400 --> 0:08:38.319
<v Speaker 9>woman from the lobby. I noticed you noticing her.

0:08:39.400 --> 0:08:41.720
<v Speaker 2>Yeah, she's hard to miss right.

0:08:41.920 --> 0:08:43.960
<v Speaker 9>Whole place has been buzzing about her ever since she

0:08:44.040 --> 0:08:46.720
<v Speaker 9>got here. You're gonna try and mix a little pleasure

0:08:46.760 --> 0:08:47.520
<v Speaker 9>in with your business.

0:08:48.280 --> 0:08:51.200
<v Speaker 1>Yeah, we'll see. How would you like to pick up

0:08:51.200 --> 0:08:52.720
<v Speaker 1>a little extra cast this week?

0:08:54.240 --> 0:08:56.800
<v Speaker 9>I wish I could, but I'm on the schedule pretty

0:08:56.840 --> 0:08:58.520
<v Speaker 9>much every day and I.

0:08:58.480 --> 0:08:59.160
<v Speaker 2>Can make it worth you.

0:08:59.200 --> 0:09:10.840
<v Speaker 11>Why, I'm pretty sure that's more cash than I make

0:09:10.880 --> 0:09:11.920
<v Speaker 11>in a year driving.

0:09:12.840 --> 0:09:14.840
<v Speaker 2>The job does come with some perse.

0:09:16.080 --> 0:09:18.680
<v Speaker 9>No offense, boss, but I try not to get mixed

0:09:18.760 --> 0:09:21.320
<v Speaker 9>up in jobs to get paid out from mystery envelopes

0:09:21.320 --> 0:09:21.960
<v Speaker 9>of cash.

0:09:22.640 --> 0:09:26.000
<v Speaker 1>Don't worry, You're not getting your hands dirty. I just

0:09:26.040 --> 0:09:30.720
<v Speaker 1>want to make sure you stay available. I'll s five

0:09:30.800 --> 0:09:31.520
<v Speaker 1>hundred a day, so.

0:09:35.000 --> 0:09:39.360
<v Speaker 2>It'll do. All I ask is that you stay close. Okay,

0:09:40.360 --> 0:09:40.800
<v Speaker 2>we'll do.

0:09:42.400 --> 0:09:43.040
<v Speaker 9>And thanks.

0:10:12.640 --> 0:10:14.440
<v Speaker 1>I've been down to get a moment to myself since

0:10:14.480 --> 0:10:17.000
<v Speaker 1>I left New York. But as soon as I did,

0:10:17.720 --> 0:10:19.800
<v Speaker 1>I realized it wasn't just the present that was haunting

0:10:19.840 --> 0:10:20.560
<v Speaker 1>me on this island.

0:10:21.960 --> 0:10:30.120
<v Speaker 2>It was the past too. Fuck am I doing here?

0:10:31.840 --> 0:10:35.400
<v Speaker 1>Everything I heard, smelled, and taste it here dragged the

0:10:35.440 --> 0:10:39.480
<v Speaker 1>past a little closer to the surface. And that would

0:10:39.480 --> 0:10:42.160
<v Speaker 1>have been just fine if it was just the good memories.

0:10:43.320 --> 0:10:45.240
<v Speaker 1>But as for the bad.

0:10:51.480 --> 0:10:55.720
<v Speaker 3>Mom where are you?

0:10:57.720 --> 0:11:03.880
<v Speaker 2>I kept those farther little surface for the reason.

0:11:24.760 --> 0:11:25.600
<v Speaker 12>Good evening, sir.

0:11:26.559 --> 0:11:28.000
<v Speaker 5>Are we waiting for anyone?

0:11:28.440 --> 0:11:29.600
<v Speaker 2>Yeah, just gotta grab a drink.

0:11:30.800 --> 0:11:34.040
<v Speaker 12>Of course, you'll find the bar just through there out

0:11:34.080 --> 0:11:34.760
<v Speaker 12>in our terrace.

0:11:45.600 --> 0:11:55.160
<v Speaker 7>Okay, what'll look very handsome?

0:11:55.679 --> 0:11:56.360
<v Speaker 2>You got a million?

0:11:57.840 --> 0:11:59.200
<v Speaker 7>This is your first day, Justina?

0:11:59.720 --> 0:12:01.840
<v Speaker 2>Yeah, yeah, checked in this afternoon.

0:12:02.640 --> 0:12:06.120
<v Speaker 9>I knew it definitely would have remembered seeing you around.

0:12:06.679 --> 0:12:09.679
<v Speaker 1>You can't possibly keep track of every single guest that stays.

0:12:09.400 --> 0:12:16.360
<v Speaker 7>Here, of course, not just the cute ones speaking of,

0:12:18.240 --> 0:12:19.640
<v Speaker 7>I'll be with you in a sec vibe.

0:12:20.120 --> 0:12:20.760
<v Speaker 13>Take your time.

0:12:22.760 --> 0:12:24.200
<v Speaker 7>I'll see what she got your eye on.

0:12:25.120 --> 0:12:26.520
<v Speaker 9>She's not on the menu, my guy.

0:12:26.920 --> 0:12:29.160
<v Speaker 2>I'll settle for the bourbon there that.

0:12:29.480 --> 0:12:29.920
<v Speaker 11>I can do.

0:12:30.520 --> 0:12:32.280
<v Speaker 12>Hold the rocks?

0:12:33.640 --> 0:12:34.400
<v Speaker 5>Do you when you're a favor?

0:12:34.480 --> 0:12:34.640
<v Speaker 6>You know?

0:12:35.240 --> 0:12:37.079
<v Speaker 2>And how's that observe?

0:12:40.320 --> 0:12:40.480
<v Speaker 6>Is this?

0:12:40.600 --> 0:12:41.079
<v Speaker 9>He taken?

0:12:41.600 --> 0:12:42.960
<v Speaker 5>I have a feeling it's about to be.

0:12:45.120 --> 0:12:46.800
<v Speaker 10>I mean, looks like you still need a drink.

0:12:46.840 --> 0:12:48.200
<v Speaker 4>I would love to buy you.

0:12:48.400 --> 0:12:51.000
<v Speaker 13>I can buy my own drinks things, of course.

0:12:50.800 --> 0:12:54.680
<v Speaker 11>Of course, But I mean just because you can doesn't

0:12:54.720 --> 0:12:56.320
<v Speaker 11>mean you should have to have this.

0:12:56.960 --> 0:12:59.559
<v Speaker 13>If you can guess what my drink is, you can buy.

0:12:59.400 --> 0:13:02.600
<v Speaker 2>It for me. Okay, okay, you're on.

0:13:04.600 --> 0:13:15.600
<v Speaker 13>Apparrel sprints lax substance, Martine Tustagy. Oh oh now you're

0:13:15.720 --> 0:13:16.920
<v Speaker 13>just hurting my feelings.

0:13:17.440 --> 0:13:19.480
<v Speaker 2>Oh okay, well how about this?

0:13:19.640 --> 0:13:27.160
<v Speaker 13>Oh sorry, three strikes baby? All right? Excuse me?

0:13:27.559 --> 0:13:30.319
<v Speaker 14>Could I get an old fashioned like as a constellation

0:13:30.480 --> 0:13:32.000
<v Speaker 14>prize over here?

0:13:32.240 --> 0:13:39.280
<v Speaker 7>Come and ride off, hansom, But your brisde ego.

0:13:39.600 --> 0:13:42.559
<v Speaker 3>Much obliged, have.

0:13:41.880 --> 0:13:42.760
<v Speaker 2>A have a good life.

0:13:42.840 --> 0:13:43.360
<v Speaker 5>I planned to.

0:13:46.640 --> 0:13:49.320
<v Speaker 2>Usual you know it.

0:13:49.320 --> 0:13:50.280
<v Speaker 9>It was a trick question.

0:13:51.280 --> 0:13:52.559
<v Speaker 2>Sorry my drink.

0:13:53.200 --> 0:13:54.000
<v Speaker 5>There was no way he.

0:13:54.000 --> 0:13:58.440
<v Speaker 13>Could have possibly guessed it because Elena invented it for me.

0:13:59.400 --> 0:14:00.199
<v Speaker 5>It's a seek.

0:14:03.440 --> 0:14:04.319
<v Speaker 2>You're good?

0:14:04.679 --> 0:14:06.120
<v Speaker 7>Oh, I almost forgot?

0:14:08.679 --> 0:14:10.000
<v Speaker 2>Wait, why you need a blow towards?

0:14:11.240 --> 0:14:13.199
<v Speaker 9>Did show the pineapple? Obviously?

0:14:17.760 --> 0:14:24.280
<v Speaker 13>Oh, Elena, it's perfect.

0:14:24.560 --> 0:14:24.920
<v Speaker 15>I know.

0:14:26.560 --> 0:14:28.480
<v Speaker 7>You too enjoy?

0:14:29.160 --> 0:14:30.960
<v Speaker 13>Can I tempt you into trying one of these?

0:14:31.920 --> 0:14:33.200
<v Speaker 5>They're pretty delicious?

0:14:33.920 --> 0:14:34.920
<v Speaker 2>I'm cool, but thank you.

0:14:35.520 --> 0:14:39.760
<v Speaker 13>Ah a whiskey man, very original look.

0:14:39.800 --> 0:14:42.480
<v Speaker 2>I like to keep things simple. It looks a little

0:14:42.480 --> 0:14:43.480
<v Speaker 2>sugary for my taste.

0:14:44.040 --> 0:14:47.440
<v Speaker 13>Don't underestimate it. It may look sweet, but it's strong

0:14:47.480 --> 0:14:51.080
<v Speaker 13>as hell. You're right though, it's probably a bit too

0:14:51.080 --> 0:14:52.040
<v Speaker 13>complicated for you.

0:14:52.960 --> 0:14:53.840
<v Speaker 10>All right, give it here.

0:14:54.680 --> 0:14:56.000
<v Speaker 13>Can't resist a challenge.

0:14:56.400 --> 0:14:57.880
<v Speaker 5>Never, don't worry.

0:14:58.040 --> 0:14:58.960
<v Speaker 13>You're gonna love it.

0:14:59.640 --> 0:15:00.280
<v Speaker 5>Trust.

0:15:04.480 --> 0:15:09.600
<v Speaker 1>Mmm mezcal pineapple obviously. The smoked sea salt rim is

0:15:09.640 --> 0:15:12.280
<v Speaker 1>a nice touch. Could use a little dash of cayenne, though,

0:15:12.480 --> 0:15:13.920
<v Speaker 1>but it's pretty good all the same.

0:15:15.960 --> 0:15:19.680
<v Speaker 13>Oh that's some palette. I'm impressed. Are you a mixologist

0:15:19.800 --> 0:15:20.280
<v Speaker 13>or something?

0:15:20.560 --> 0:15:22.200
<v Speaker 1>I just know a thing or two about the local

0:15:22.240 --> 0:15:27.160
<v Speaker 1>flavors down here. Mm So what's this drink called? Just

0:15:27.160 --> 0:15:28.320
<v Speaker 1>in case I want to order another?

0:15:28.480 --> 0:15:29.520
<v Speaker 5>It doesn't have a name yet.

0:15:30.080 --> 0:15:34.440
<v Speaker 10>What if you were the inspiration is you name it

0:15:34.440 --> 0:15:34.800
<v Speaker 10>after you?

0:15:34.960 --> 0:15:36.240
<v Speaker 5>I'll take that up with Elena.

0:15:36.560 --> 0:15:37.440
<v Speaker 10>Good credit.

0:15:37.480 --> 0:15:38.120
<v Speaker 2>What credits do?

0:15:40.120 --> 0:15:42.200
<v Speaker 10>But if they were to name it after you, what

0:15:42.200 --> 0:15:42.800
<v Speaker 10>what they call it?

0:15:43.680 --> 0:15:45.080
<v Speaker 13>Ana?

0:15:45.200 --> 0:15:47.800
<v Speaker 2>Hey, Hona, I'm Nico.

0:15:48.600 --> 0:15:49.840
<v Speaker 13>You mind if I come closer?

0:15:50.320 --> 0:15:50.680
<v Speaker 5>Nico?

0:15:51.200 --> 0:15:51.720
<v Speaker 2>Not at all?

0:15:55.280 --> 0:15:58.480
<v Speaker 13>At least let me put your entirely uncomplicated whiskey on

0:15:58.560 --> 0:16:03.280
<v Speaker 13>my tip as a thank you for picking up my key.

0:16:03.560 --> 0:16:04.840
<v Speaker 2>I wondered if you recognize me.

0:16:05.520 --> 0:16:07.760
<v Speaker 13>You don't exactly blend in, says the.

0:16:07.720 --> 0:16:09.800
<v Speaker 2>Person who seems even more out of place than not do.

0:16:13.000 --> 0:16:13.080
<v Speaker 8>So.

0:16:13.120 --> 0:16:14.960
<v Speaker 13>Where are you from?

0:16:15.000 --> 0:16:15.920
<v Speaker 2>Based in New York?

0:16:16.360 --> 0:16:16.880
<v Speaker 5>Ooh?

0:16:16.920 --> 0:16:20.840
<v Speaker 10>Red flag? I la?

0:16:21.480 --> 0:16:24.640
<v Speaker 1>Then it's you supposed to be nice to my face

0:16:24.680 --> 0:16:26.400
<v Speaker 1>before you start talking shit behind my back.

0:16:29.720 --> 0:16:32.640
<v Speaker 13>Maybe, but I'm not a big fan of doing what

0:16:32.720 --> 0:16:34.880
<v Speaker 13>I'm supposed to good.

0:16:35.880 --> 0:16:37.120
<v Speaker 2>I like how direct you are?

0:16:38.400 --> 0:16:39.680
<v Speaker 5>You think I care if you like me?

0:16:40.360 --> 0:16:44.760
<v Speaker 10>No, but I do have to admit that only makes me.

0:16:44.800 --> 0:16:45.280
<v Speaker 2>Like you more.

0:16:46.440 --> 0:16:51.200
<v Speaker 10>Someone's a masochist? Why you into that exclusively?

0:16:53.240 --> 0:16:54.680
<v Speaker 2>Somehow? I can't tell if you're joking.

0:16:56.160 --> 0:16:58.400
<v Speaker 13>Keep people guessing and you never have to give them

0:16:58.400 --> 0:16:59.120
<v Speaker 13>a straight answer.

0:16:59.200 --> 0:17:00.440
<v Speaker 5>Nico?

0:17:01.320 --> 0:17:04.400
<v Speaker 2>Is that what you're doing down here? Looking for answers?

0:17:05.160 --> 0:17:06.560
<v Speaker 5>Who says I'm looking for anything.

0:17:06.920 --> 0:17:08.240
<v Speaker 2>Everyone who comes here is.

0:17:09.200 --> 0:17:09.800
<v Speaker 10>Including you.

0:17:13.760 --> 0:17:14.200
<v Speaker 5>I guess.

0:17:14.520 --> 0:17:19.920
<v Speaker 13>If anything, I'd say, I'm looking for an authentic experience

0:17:19.960 --> 0:17:20.639
<v Speaker 13>of this place.

0:17:22.200 --> 0:17:25.439
<v Speaker 1>Well, you're not gonna find out here Thatstino couldn't be

0:17:25.480 --> 0:17:28.800
<v Speaker 1>further from what the island it's actually like. But lucky

0:17:28.840 --> 0:17:31.360
<v Speaker 1>for you, I happen to know a thing or two

0:17:31.600 --> 0:17:32.639
<v Speaker 1>about the real island.

0:17:33.760 --> 0:17:34.800
<v Speaker 10>I can show you if you want.

0:17:35.160 --> 0:17:39.200
<v Speaker 13>Oh yeah, you really think you can show me something

0:17:39.240 --> 0:17:40.320
<v Speaker 13>I haven't seen before?

0:17:41.320 --> 0:17:48.280
<v Speaker 2>I know it. I actually gotta call it a night.

0:17:48.800 --> 0:17:57.480
<v Speaker 13>Oh okay, Hey, Nico, don't tell anyone.

0:17:57.200 --> 0:17:57.960
<v Speaker 5>About my drink.

0:17:58.720 --> 0:18:20.720
<v Speaker 2>Your secrets safe with me. I'll see you later, Honor. Yeah, yeah,

0:18:20.760 --> 0:18:26.640
<v Speaker 2>I know it's late. Listen to me. I found her.

0:18:44.640 --> 0:19:03.119
<v Speaker 15>Mm hmm, I said, Hulo a k preacher, my sexemonal

0:19:03.240 --> 0:19:06.760
<v Speaker 15>Issa can't tell if you can't leave him or refume

0:19:07.119 --> 0:19:10.159
<v Speaker 15>State and Grand just Giezer.

0:19:09.880 --> 0:19:14.960
<v Speaker 14>Don't Underwater is an Interval Presents original production with Temple

0:19:15.040 --> 0:19:19.480
<v Speaker 14>Hill Entertainment and Clamor, starring Jason Derulo and Alexander Scheff.

0:19:19.880 --> 0:19:23.359
<v Speaker 14>Written by Katrina Day, directed by Pat Kelly and Chris Kelly,

0:19:24.040 --> 0:19:28.840
<v Speaker 14>executive producer, Jason Derulo executive producers from Interval Presents Alan

0:19:28.880 --> 0:19:32.600
<v Speaker 14>Coy and Jay Kleinberg executive producers from Temple Hill Entertainment.

0:19:33.000 --> 0:19:36.960
<v Speaker 14>Marty Bowen, Wick Godfrey and Alex Addison executive producers from

0:19:36.960 --> 0:19:41.760
<v Speaker 14>Clamor Rich Statter, Aaron Hilliard, Adam Reynolds and Alison Chana

0:19:42.400 --> 0:19:46.680
<v Speaker 14>Executive produced by Katrina Day, Executive producer from Future History,

0:19:46.680 --> 0:19:51.080
<v Speaker 14>Frank Harris. Special thanks to Henry de Sources, Marketing Lead

0:19:51.240 --> 0:19:55.919
<v Speaker 14>Samara Still, Business development Leader Cheffy Allen, Sweg Meggie and

0:19:56.040 --> 0:20:00.760
<v Speaker 14>Operations Lead Sarah You. Post Production audio services by Helliam Kelly,

0:20:01.160 --> 0:20:04.879
<v Speaker 14>Sound design and mixed by Paul teed Eskindek. Dialogue edited

0:20:05.000 --> 0:20:09.080
<v Speaker 14>by Max Collins. Original music by Jenevieve Vincent. Songs arranged

0:20:09.119 --> 0:20:12.720
<v Speaker 14>by Genevieve Vincent. The cast includes Jason Derulo as Nico,

0:20:13.040 --> 0:20:16.359
<v Speaker 14>Alexander Ship as Anna, Cary, Alexander as bank teller and

0:20:16.400 --> 0:20:19.960
<v Speaker 14>additional voices, Bo Bridgeland as Jordan's, Michael Darry as credit

0:20:20.000 --> 0:20:23.919
<v Speaker 14>reader and additional voices, Anisia Dubois Dahlia and Young Dahlia,

0:20:24.200 --> 0:20:27.600
<v Speaker 14>Andrew Frankel as stranger in additional voices, Walter Gray the

0:20:27.640 --> 0:20:31.600
<v Speaker 14>Fourth as male tourist and additional voices. Melissa Greenspan as

0:20:31.640 --> 0:20:36.320
<v Speaker 14>female tourist and additional voices, Alice Hunter as Elena, Jeremy

0:20:36.400 --> 0:20:40.800
<v Speaker 14>Jordan as Gabriel, Josh Keaton as Matteo, Taara l Angela

0:20:40.960 --> 0:20:42.840
<v Speaker 14>as female guest and additional voices.

0:20:43.280 --> 0:20:44.560
<v Speaker 2>Jonathan Leon as.

0:20:44.520 --> 0:20:48.680
<v Speaker 14>Young Matteo, Donnis Leonard Junior as Alias Parker, James Logan

0:20:49.000 --> 0:20:53.560
<v Speaker 14>as young Boy, Emily Martinez as Carman, Michael McLoone as Marcus,

0:20:53.840 --> 0:20:58.320
<v Speaker 14>Carlo Renata as Bartender, John Carlos Sabagal as Diego, David

0:20:58.359 --> 0:21:03.200
<v Speaker 14>Shatraw as male guest and additional voices. Andre Siglutzo as Sebastian,

0:21:03.359 --> 0:21:07.040
<v Speaker 14>Cameron jay Wright as Young Nico, and Hannah Zamora as Mia.

0:21:07.640 --> 0:21:11.440
<v Speaker 14>Produced by Lillian Holman, post produced by Justin Schow and

0:21:11.520 --> 0:21:16.520
<v Speaker 14>Lauren Berkovich. Associate producer Erica Lowe. Music supervision by Melanie Mitchell.

0:21:16.800 --> 0:21:20.920
<v Speaker 14>Music clearances by Deborah Mannis Gardner DMG Clearance is Incorporated.

0:21:21.200 --> 0:21:24.639
<v Speaker 14>Audio engineered by Ian Fogerty and Ed mckintye at Gold Diggers,

0:21:25.000 --> 0:21:27.679
<v Speaker 14>Brett Tuban at the Relic Room and Jordan Sweet at

0:21:27.720 --> 0:21:32.760
<v Speaker 14>Challie Recording Studio. Assistant engineered by Derek mcgroene and Amperorzeri.

0:21:33.640 --> 0:21:37.840
<v Speaker 14>Vocal coaching by Bianca Blush Atterbury, casting by Marlice Gussenhauer,

0:21:37.960 --> 0:21:42.040
<v Speaker 14>Sibby Kersch and Brentagata. Additional casting by Melissa Berger, Brennan

0:21:42.320 --> 0:21:46.639
<v Speaker 14>Salem Everett and Scott Forbes at CESD Talent Script supervisor

0:21:46.720 --> 0:21:52.280
<v Speaker 14>Tamara Black, Production supervisor Lizzie sam Production coordinators Ethan Aronson

0:21:52.480 --> 0:21:57.240
<v Speaker 14>and Sean Green. Production assistants Chelsea Perry and Samara Malik.

0:21:57.760 --> 0:22:02.400
<v Speaker 14>Additional special thanks to Riley Fulsome in Maxim Carlick. Underwater

0:22:02.680 --> 0:22:06.040
<v Speaker 14>was recorded at Gold Diggers in Los Angeles, California, Cellis

0:22:06.080 --> 0:22:09.520
<v Speaker 14>Recording Studio in Los Angeles, California, and The Relic Room

0:22:09.640 --> 0:22:12.880
<v Speaker 14>in New York, New York. Make sure to follow Underwater

0:22:13.320 --> 0:22:18.120
<v Speaker 14>and listen on Apple Podcasts, Spotify, Amazon Music, Sirius XM,

0:22:18.480 --> 0:22:23.800
<v Speaker 14>or wherever you get your podcasts,