1
00:00:21,280 --> 00:00:23,760
Speaker 1: I spent the last fifteen years in my life fighting

2
00:00:23,800 --> 00:00:26,240
Speaker 1: like hell to make sure that I never ended up here.

3
00:00:27,760 --> 00:00:30,880
Speaker 2: I'm not used to riding shotgun. You should don't want

4
00:00:30,880 --> 00:00:31,319
Speaker 2: me to drive.

5
00:00:32,040 --> 00:00:34,960
Speaker 3: I know, money, it feels good to get behind the

6
00:00:35,000 --> 00:00:35,640
Speaker 3: wheel once in.

7
00:00:35,640 --> 00:00:38,720
Speaker 4: A while, But the island pulled me back.

8
00:00:40,000 --> 00:00:41,560
Speaker 2: Like an undertooe.

9
00:00:42,240 --> 00:00:43,720
Speaker 3: I love that sea air.

10
00:00:44,440 --> 00:00:49,520
Speaker 2: Nothing like it. Hey, I think you missed a turn.

11
00:00:50,479 --> 00:00:53,680
Speaker 3: I didn't miss anything. We just have a quick drop

12
00:00:53,720 --> 00:00:54,440
Speaker 3: to make first.

13
00:00:54,440 --> 00:00:56,400
Speaker 2: Then, so I thought you was going to hurry to

14
00:00:56,400 --> 00:00:56,800
Speaker 2: see her.

15
00:00:57,320 --> 00:00:59,480
Speaker 3: All right, we'll get to her soon.

16
00:01:00,480 --> 00:01:03,720
Speaker 4: I really thought I could work with the current find

17
00:01:03,720 --> 00:01:04,760
Speaker 4: my way ashore.

18
00:01:07,680 --> 00:01:08,400
Speaker 2: While we stopping.

19
00:01:09,560 --> 00:01:12,160
Speaker 3: Because we're here at the beach.

20
00:01:12,600 --> 00:01:14,160
Speaker 1: I should have known the second I tried to put

21
00:01:14,200 --> 00:01:17,399
Speaker 1: up a fight, I was already dead in the water.

22
00:01:19,840 --> 00:01:23,320
Speaker 2: We both were. So we're making the drop here.

23
00:01:24,319 --> 00:01:29,400
Speaker 3: You could say that, Marcus, what the fuck is this

24
00:01:29,600 --> 00:01:33,600
Speaker 3: due diligence. Let's gotta move on, shall we? If you'd

25
00:01:33,640 --> 00:01:36,840
Speaker 3: be so kind as to lend a handy.

26
00:01:37,520 --> 00:01:40,400
Speaker 2: It's okay, I'm gonna figure this out. That's what a god.

27
00:01:40,400 --> 00:01:44,480
Speaker 2: I'm gonna let anything happening. Thanks, I gotta take it

28
00:01:44,520 --> 00:01:50,640
Speaker 2: from here. Okay, you made your point. Just give me

29
00:01:50,680 --> 00:01:51,560
Speaker 2: a chance to talk to it.

30
00:01:51,680 --> 00:01:53,120
Speaker 5: I gave you that chance.

31
00:01:54,360 --> 00:01:56,840
Speaker 2: And you blew it. I know I fucked up, but

32
00:01:56,920 --> 00:01:59,480
Speaker 2: we ain't gotta do this. You've left me no choice.

33
00:02:01,160 --> 00:02:01,480
Speaker 5: Stop.

34
00:02:02,600 --> 00:02:08,640
Speaker 6: Please, I'm sorry, but this is what happens when you

35
00:02:08,680 --> 00:02:09,720
Speaker 6: don't follow waters.

36
00:02:10,440 --> 00:02:10,880
Speaker 5: Nicholas.

37
00:02:11,080 --> 00:02:11,120
Speaker 7: No.

38
00:02:16,000 --> 00:02:18,160
Speaker 1: A week ago, I thought I finally had a shot

39
00:02:18,160 --> 00:02:21,519
Speaker 1: at getting free of this place once and for all.

40
00:02:23,120 --> 00:02:24,119
Speaker 2: But a week ago.

41
00:02:26,560 --> 00:02:51,560
Speaker 4: I hadn't met her.

42
00:02:44,000 --> 00:03:00,880
Speaker 8: Underwater episode one the first night.

43
00:03:17,840 --> 00:03:18,359
Speaker 2: You're my right?

44
00:03:18,560 --> 00:03:18,680
Speaker 1: Uh?

45
00:03:18,960 --> 00:03:22,680
Speaker 9: That depends, are you, mister Nicholas Alexander?

46
00:03:24,120 --> 00:03:25,639
Speaker 2: Only my boss calls me Nicholas.

47
00:03:25,880 --> 00:03:27,360
Speaker 9: All right, Well, then let me be the first to

48
00:03:27,400 --> 00:03:29,959
Speaker 9: welcome you to the island. Nico. Uh, can I help

49
00:03:29,960 --> 00:03:31,280
Speaker 9: you carry one of your suitcases?

50
00:03:31,520 --> 00:03:32,959
Speaker 2: I'm good, I got it.

51
00:03:33,080 --> 00:03:35,200
Speaker 9: Sorry. Most of the folks I drive to this, you know,

52
00:03:35,320 --> 00:03:37,200
Speaker 9: want to be waited on hand and foot as soon

53
00:03:37,240 --> 00:03:40,160
Speaker 9: as the Hilland not that there's anything wrong with that.

54
00:03:40,640 --> 00:03:42,920
Speaker 9: The resort pays me to make sure everyone feels taken

55
00:03:42,960 --> 00:03:43,280
Speaker 9: care of.

56
00:03:43,920 --> 00:03:45,680
Speaker 2: What's your name? Uh?

57
00:03:45,800 --> 00:03:46,480
Speaker 9: Diego, sir?

58
00:03:46,640 --> 00:03:47,840
Speaker 2: All right, listen, Diego.

59
00:03:48,600 --> 00:03:50,760
Speaker 10: You don't need to watch your mouth around me, all right?

60
00:03:51,400 --> 00:03:59,480
Speaker 9: Whatever you say, boss, popular guy.

61
00:03:59,440 --> 00:04:04,520
Speaker 2: That's my I'm on the deadline.

62
00:04:04,680 --> 00:04:06,760
Speaker 9: Well, you picked the perfect week for a business trip.

63
00:04:07,120 --> 00:04:08,720
Speaker 9: The island is beautiful this time of year.

64
00:04:09,080 --> 00:04:13,480
Speaker 1: Yeah, I remember, Oh you visited before.

65
00:04:14,640 --> 00:04:15,360
Speaker 2: Something like that.

66
00:04:23,360 --> 00:04:24,280
Speaker 10: Is the music, Okay.

67
00:04:24,800 --> 00:04:26,400
Speaker 9: I want to make sure your trip starts on the

68
00:04:26,440 --> 00:04:28,320
Speaker 9: right note.

69
00:04:28,480 --> 00:04:29,640
Speaker 5: It didn't even mean to do that.

70
00:04:31,200 --> 00:04:31,920
Speaker 2: We almost now.

71
00:04:32,240 --> 00:04:34,720
Speaker 9: It won't be long now, desinos all the way at

72
00:04:34,720 --> 00:04:37,279
Speaker 9: the southern tip of the island. But we're making good time.

73
00:04:38,839 --> 00:04:42,080
Speaker 9: So when we were down here last you don't mind

74
00:04:42,080 --> 00:04:47,599
Speaker 9: me asking fifteen years ago, it looks different. I'd say

75
00:04:48,480 --> 00:04:52,200
Speaker 9: it's been so built up I barely even recognize it sometimes,

76
00:04:52,960 --> 00:04:54,320
Speaker 9: and I've lived here my whole life.

77
00:04:54,880 --> 00:04:57,360
Speaker 1: Yeah, it must be rough watching all these tours just

78
00:04:57,400 --> 00:04:58,279
Speaker 1: take over everything.

79
00:04:59,040 --> 00:04:59,839
Speaker 2: It's not all bad.

80
00:05:00,520 --> 00:05:03,680
Speaker 9: I wouldn't have this job without them. And trust me,

81
00:05:04,000 --> 00:05:07,400
Speaker 9: driving to him from the airport all day beats the alternatives.

82
00:05:08,160 --> 00:05:10,279
Speaker 9: I'm saving up to open my own little tour company

83
00:05:10,320 --> 00:05:13,880
Speaker 9: down here, though. I'm a good enough talker and I

84
00:05:13,920 --> 00:05:16,800
Speaker 9: know all the local gossips. Plus I want to get

85
00:05:16,800 --> 00:05:19,160
Speaker 9: some of that tourist money flowing into my family's pocket.

86
00:05:19,880 --> 00:05:23,160
Speaker 9: You got kids, not yet, but I've got two little

87
00:05:23,200 --> 00:05:29,920
Speaker 9: sisters who might as well be mine.

88
00:05:31,760 --> 00:05:32,719
Speaker 2: Can we go any faster.

89
00:05:33,320 --> 00:05:34,880
Speaker 9: I'm glad you asked see.

90
00:05:47,920 --> 00:05:48,920
Speaker 5: You that way.

91
00:06:03,520 --> 00:06:11,280
Speaker 2: I do love you anyway. Yeah, yeah, of course I'll

92
00:06:11,360 --> 00:06:11,960
Speaker 2: keep you posting.

93
00:06:12,920 --> 00:06:14,760
Speaker 9: Damn, that's one demanding job.

94
00:06:15,880 --> 00:06:16,040
Speaker 11: Man.

95
00:06:16,080 --> 00:06:17,120
Speaker 2: You don't know what to happen.

96
00:06:24,040 --> 00:06:25,760
Speaker 12: Afternoon, sir checking in.

97
00:06:26,200 --> 00:06:28,320
Speaker 2: Yeah, name is Nicholas Alexander.

98
00:06:31,120 --> 00:06:33,960
Speaker 6: M m ah, yes, I see you've booked one of

99
00:06:33,960 --> 00:06:35,839
Speaker 6: our deluxe few ocean suites.

100
00:06:36,160 --> 00:06:37,239
Speaker 12: Excellent choice.

101
00:06:37,960 --> 00:06:39,320
Speaker 10: Yeah, if you could just point me in the right

102
00:06:39,360 --> 00:06:40,920
Speaker 10: direction in my room, of.

103
00:06:40,960 --> 00:06:41,520
Speaker 12: Course, sir.

104
00:06:41,560 --> 00:06:44,200
Speaker 6: But at first I'd love to walk you to some

105
00:06:44,279 --> 00:06:46,400
Speaker 6: of our all inclusive offerings.

106
00:06:46,400 --> 00:06:47,360
Speaker 2: It's not that kind of true.

107
00:06:57,400 --> 00:07:09,000
Speaker 5: Excuse me, yes, it drops a key, my hero, you go.

108
00:07:11,440 --> 00:07:14,840
Speaker 9: Nego You okay, boss, you look like you're having a

109
00:07:14,880 --> 00:07:15,840
Speaker 9: sunstroke or something.

110
00:07:16,200 --> 00:07:16,680
Speaker 2: No, I was.

111
00:07:18,440 --> 00:07:23,840
Speaker 6: Just I apologize, sir. Diego has a tendency towards over familiarity.

112
00:07:24,560 --> 00:07:27,720
Speaker 12: Just one moment. You are not on a first name

113
00:07:27,760 --> 00:07:28,800
Speaker 12: basis with our guests.

114
00:07:29,040 --> 00:07:30,160
Speaker 5: Show some respect.

115
00:07:30,640 --> 00:07:33,240
Speaker 10: Diego and I are getting along just fine.

116
00:07:33,880 --> 00:07:36,800
Speaker 12: Oh I'm sorry, mister Alexander is fine.

117
00:07:37,280 --> 00:07:39,560
Speaker 1: I just don't like seeing my friends get pushed around,

118
00:07:39,920 --> 00:07:43,600
Speaker 1: of course, so can I please get my key?

119
00:07:44,120 --> 00:07:49,080
Speaker 12: Of course you'll be staying in sweet one oh two.

120
00:07:49,640 --> 00:07:50,280
Speaker 2: I appreciate it.

121
00:07:50,680 --> 00:07:52,320
Speaker 6: I'll have one of our porters show you to your

122
00:07:52,360 --> 00:07:56,080
Speaker 6: suite Diego. I have another pickup for you at the Diego.

123
00:07:56,560 --> 00:07:58,080
Speaker 2: Can you show me to my room?

124
00:07:58,600 --> 00:08:00,920
Speaker 12: Oh uh, certainly.

125
00:08:03,000 --> 00:08:05,600
Speaker 2: Thanks for that. No, that's all good, don't tramp.

126
00:08:17,400 --> 00:08:19,360
Speaker 9: Here's your not so humble a vote for the week.

127
00:08:19,680 --> 00:08:20,800
Speaker 9: I hope it's to your liking.

128
00:08:22,680 --> 00:08:25,800
Speaker 2: Yeah, this will do. So.

129
00:08:26,600 --> 00:08:29,880
Speaker 9: This is your sitting room. The bedroom is through there,

130
00:08:30,240 --> 00:08:33,280
Speaker 9: and there's an outdoor shower on the patio if you

131
00:08:33,320 --> 00:08:35,320
Speaker 9: want to freshen up before you go. Looking for that

132
00:08:35,400 --> 00:08:38,319
Speaker 9: woman from the lobby. I noticed you noticing her.

133
00:08:39,400 --> 00:08:41,720
Speaker 2: Yeah, she's hard to miss right.

134
00:08:41,920 --> 00:08:43,960
Speaker 9: Whole place has been buzzing about her ever since she

135
00:08:44,040 --> 00:08:46,720
Speaker 9: got here. You're gonna try and mix a little pleasure

136
00:08:46,760 --> 00:08:47,520
Speaker 9: in with your business.

137
00:08:48,280 --> 00:08:51,200
Speaker 1: Yeah, we'll see. How would you like to pick up

138
00:08:51,200 --> 00:08:52,720
Speaker 1: a little extra cast this week?

139
00:08:54,240 --> 00:08:56,800
Speaker 9: I wish I could, but I'm on the schedule pretty

140
00:08:56,840 --> 00:08:58,520
Speaker 9: much every day and I.

141
00:08:58,480 --> 00:08:59,160
Speaker 2: Can make it worth you.

142
00:08:59,200 --> 00:09:10,840
Speaker 11: Why, I'm pretty sure that's more cash than I make

143
00:09:10,880 --> 00:09:11,920
Speaker 11: in a year driving.

144
00:09:12,840 --> 00:09:14,840
Speaker 2: The job does come with some perse.

145
00:09:16,080 --> 00:09:18,680
Speaker 9: No offense, boss, but I try not to get mixed

146
00:09:18,760 --> 00:09:21,320
Speaker 9: up in jobs to get paid out from mystery envelopes

147
00:09:21,320 --> 00:09:21,960
Speaker 9: of cash.

148
00:09:22,640 --> 00:09:26,000
Speaker 1: Don't worry, You're not getting your hands dirty. I just

149
00:09:26,040 --> 00:09:30,720
Speaker 1: want to make sure you stay available. I'll s five

150
00:09:30,800 --> 00:09:31,520
Speaker 1: hundred a day, so.

151
00:09:35,000 --> 00:09:39,360
Speaker 2: It'll do. All I ask is that you stay close. Okay,

152
00:09:40,360 --> 00:09:40,800
Speaker 2: we'll do.

153
00:09:42,400 --> 00:09:43,040
Speaker 9: And thanks.

154
00:10:12,640 --> 00:10:14,440
Speaker 1: I've been down to get a moment to myself since

155
00:10:14,480 --> 00:10:17,000
Speaker 1: I left New York. But as soon as I did,

156
00:10:17,720 --> 00:10:19,800
Speaker 1: I realized it wasn't just the present that was haunting

157
00:10:19,840 --> 00:10:20,560
Speaker 1: me on this island.

158
00:10:21,960 --> 00:10:30,120
Speaker 2: It was the past too. Fuck am I doing here?

159
00:10:31,840 --> 00:10:35,400
Speaker 1: Everything I heard, smelled, and taste it here dragged the

160
00:10:35,440 --> 00:10:39,480
Speaker 1: past a little closer to the surface. And that would

161
00:10:39,480 --> 00:10:42,160
Speaker 1: have been just fine if it was just the good memories.

162
00:10:43,320 --> 00:10:45,240
Speaker 1: But as for the bad.

163
00:10:51,480 --> 00:10:55,720
Speaker 3: Mom where are you?

164
00:10:57,720 --> 00:11:03,880
Speaker 2: I kept those farther little surface for the reason.

165
00:11:24,760 --> 00:11:25,600
Speaker 12: Good evening, sir.

166
00:11:26,559 --> 00:11:28,000
Speaker 5: Are we waiting for anyone?

167
00:11:28,440 --> 00:11:29,600
Speaker 2: Yeah, just gotta grab a drink.

168
00:11:30,800 --> 00:11:34,040
Speaker 12: Of course, you'll find the bar just through there out

169
00:11:34,080 --> 00:11:34,760
Speaker 12: in our terrace.

170
00:11:45,600 --> 00:11:55,160
Speaker 7: Okay, what'll look very handsome?

171
00:11:55,679 --> 00:11:56,360
Speaker 2: You got a million?

172
00:11:57,840 --> 00:11:59,200
Speaker 7: This is your first day, Justina?

173
00:11:59,720 --> 00:12:01,840
Speaker 2: Yeah, yeah, checked in this afternoon.

174
00:12:02,640 --> 00:12:06,120
Speaker 9: I knew it definitely would have remembered seeing you around.

175
00:12:06,679 --> 00:12:09,679
Speaker 1: You can't possibly keep track of every single guest that stays.

176
00:12:09,400 --> 00:12:16,360
Speaker 7: Here, of course, not just the cute ones speaking of,

177
00:12:18,240 --> 00:12:19,640
Speaker 7: I'll be with you in a sec vibe.

178
00:12:20,120 --> 00:12:20,760
Speaker 13: Take your time.

179
00:12:22,760 --> 00:12:24,200
Speaker 7: I'll see what she got your eye on.

180
00:12:25,120 --> 00:12:26,520
Speaker 9: She's not on the menu, my guy.

181
00:12:26,920 --> 00:12:29,160
Speaker 2: I'll settle for the bourbon there that.

182
00:12:29,480 --> 00:12:29,920
Speaker 11: I can do.

183
00:12:30,520 --> 00:12:32,280
Speaker 12: Hold the rocks?

184
00:12:33,640 --> 00:12:34,400
Speaker 5: Do you when you're a favor?

185
00:12:34,480 --> 00:12:34,640
Speaker 6: You know?

186
00:12:35,240 --> 00:12:37,079
Speaker 2: And how's that observe?

187
00:12:40,320 --> 00:12:40,480
Speaker 6: Is this?

188
00:12:40,600 --> 00:12:41,079
Speaker 9: He taken?

189
00:12:41,600 --> 00:12:42,960
Speaker 5: I have a feeling it's about to be.

190
00:12:45,120 --> 00:12:46,800
Speaker 10: I mean, looks like you still need a drink.

191
00:12:46,840 --> 00:12:48,200
Speaker 4: I would love to buy you.

192
00:12:48,400 --> 00:12:51,000
Speaker 13: I can buy my own drinks things, of course.

193
00:12:50,800 --> 00:12:54,680
Speaker 11: Of course, But I mean just because you can doesn't

194
00:12:54,720 --> 00:12:56,320
Speaker 11: mean you should have to have this.

195
00:12:56,960 --> 00:12:59,559
Speaker 13: If you can guess what my drink is, you can buy.

196
00:12:59,400 --> 00:13:02,600
Speaker 2: It for me. Okay, okay, you're on.

197
00:13:04,600 --> 00:13:15,600
Speaker 13: Apparrel sprints lax substance, Martine Tustagy. Oh oh now you're

198
00:13:15,720 --> 00:13:16,920
Speaker 13: just hurting my feelings.

199
00:13:17,440 --> 00:13:19,480
Speaker 2: Oh okay, well how about this?

200
00:13:19,640 --> 00:13:27,160
Speaker 13: Oh sorry, three strikes baby? All right? Excuse me?

201
00:13:27,559 --> 00:13:30,319
Speaker 14: Could I get an old fashioned like as a constellation

202
00:13:30,480 --> 00:13:32,000
Speaker 14: prize over here?

203
00:13:32,240 --> 00:13:39,280
Speaker 7: Come and ride off, hansom, But your brisde ego.

204
00:13:39,600 --> 00:13:42,559
Speaker 3: Much obliged, have.

205
00:13:41,880 --> 00:13:42,760
Speaker 2: A have a good life.

206
00:13:42,840 --> 00:13:43,360
Speaker 5: I planned to.

207
00:13:46,640 --> 00:13:49,320
Speaker 2: Usual you know it.

208
00:13:49,320 --> 00:13:50,280
Speaker 9: It was a trick question.

209
00:13:51,280 --> 00:13:52,559
Speaker 2: Sorry my drink.

210
00:13:53,200 --> 00:13:54,000
Speaker 5: There was no way he.

211
00:13:54,000 --> 00:13:58,440
Speaker 13: Could have possibly guessed it because Elena invented it for me.

212
00:13:59,400 --> 00:14:00,199
Speaker 5: It's a seek.

213
00:14:03,440 --> 00:14:04,319
Speaker 2: You're good?

214
00:14:04,679 --> 00:14:06,120
Speaker 7: Oh, I almost forgot?

215
00:14:08,679 --> 00:14:10,000
Speaker 2: Wait, why you need a blow towards?

216
00:14:11,240 --> 00:14:13,199
Speaker 9: Did show the pineapple? Obviously?

217
00:14:17,760 --> 00:14:24,280
Speaker 13: Oh, Elena, it's perfect.

218
00:14:24,560 --> 00:14:24,920
Speaker 15: I know.

219
00:14:26,560 --> 00:14:28,480
Speaker 7: You too enjoy?

220
00:14:29,160 --> 00:14:30,960
Speaker 13: Can I tempt you into trying one of these?

221
00:14:31,920 --> 00:14:33,200
Speaker 5: They're pretty delicious?

222
00:14:33,920 --> 00:14:34,920
Speaker 2: I'm cool, but thank you.

223
00:14:35,520 --> 00:14:39,760
Speaker 13: Ah a whiskey man, very original look.

224
00:14:39,800 --> 00:14:42,480
Speaker 2: I like to keep things simple. It looks a little

225
00:14:42,480 --> 00:14:43,480
Speaker 2: sugary for my taste.

226
00:14:44,040 --> 00:14:47,440
Speaker 13: Don't underestimate it. It may look sweet, but it's strong

227
00:14:47,480 --> 00:14:51,080
Speaker 13: as hell. You're right though, it's probably a bit too

228
00:14:51,080 --> 00:14:52,040
Speaker 13: complicated for you.

229
00:14:52,960 --> 00:14:53,840
Speaker 10: All right, give it here.

230
00:14:54,680 --> 00:14:56,000
Speaker 13: Can't resist a challenge.

231
00:14:56,400 --> 00:14:57,880
Speaker 5: Never, don't worry.

232
00:14:58,040 --> 00:14:58,960
Speaker 13: You're gonna love it.

233
00:14:59,640 --> 00:15:00,280
Speaker 5: Trust.

234
00:15:04,480 --> 00:15:09,600
Speaker 1: Mmm mezcal pineapple obviously. The smoked sea salt rim is

235
00:15:09,640 --> 00:15:12,280
Speaker 1: a nice touch. Could use a little dash of cayenne, though,

236
00:15:12,480 --> 00:15:13,920
Speaker 1: but it's pretty good all the same.

237
00:15:15,960 --> 00:15:19,680
Speaker 13: Oh that's some palette. I'm impressed. Are you a mixologist

238
00:15:19,800 --> 00:15:20,280
Speaker 13: or something?

239
00:15:20,560 --> 00:15:22,200
Speaker 1: I just know a thing or two about the local

240
00:15:22,240 --> 00:15:27,160
Speaker 1: flavors down here. Mm So what's this drink called? Just

241
00:15:27,160 --> 00:15:28,320
Speaker 1: in case I want to order another?

242
00:15:28,480 --> 00:15:29,520
Speaker 5: It doesn't have a name yet.

243
00:15:30,080 --> 00:15:34,440
Speaker 10: What if you were the inspiration is you name it

244
00:15:34,440 --> 00:15:34,800
Speaker 10: after you?

245
00:15:34,960 --> 00:15:36,240
Speaker 5: I'll take that up with Elena.

246
00:15:36,560 --> 00:15:37,440
Speaker 10: Good credit.

247
00:15:37,480 --> 00:15:38,120
Speaker 2: What credits do?

248
00:15:40,120 --> 00:15:42,200
Speaker 10: But if they were to name it after you, what

249
00:15:42,200 --> 00:15:42,800
Speaker 10: what they call it?

250
00:15:43,680 --> 00:15:45,080
Speaker 13: Ana?

251
00:15:45,200 --> 00:15:47,800
Speaker 2: Hey, Hona, I'm Nico.

252
00:15:48,600 --> 00:15:49,840
Speaker 13: You mind if I come closer?

253
00:15:50,320 --> 00:15:50,680
Speaker 5: Nico?

254
00:15:51,200 --> 00:15:51,720
Speaker 2: Not at all?

255
00:15:55,280 --> 00:15:58,480
Speaker 13: At least let me put your entirely uncomplicated whiskey on

256
00:15:58,560 --> 00:16:03,280
Speaker 13: my tip as a thank you for picking up my key.

257
00:16:03,560 --> 00:16:04,840
Speaker 2: I wondered if you recognize me.

258
00:16:05,520 --> 00:16:07,760
Speaker 13: You don't exactly blend in, says the.

259
00:16:07,720 --> 00:16:09,800
Speaker 2: Person who seems even more out of place than not do.

260
00:16:13,000 --> 00:16:13,080
Speaker 8: So.

261
00:16:13,120 --> 00:16:14,960
Speaker 13: Where are you from?

262
00:16:15,000 --> 00:16:15,920
Speaker 2: Based in New York?

263
00:16:16,360 --> 00:16:16,880
Speaker 5: Ooh?

264
00:16:16,920 --> 00:16:20,840
Speaker 10: Red flag? I la?

265
00:16:21,480 --> 00:16:24,640
Speaker 1: Then it's you supposed to be nice to my face

266
00:16:24,680 --> 00:16:26,400
Speaker 1: before you start talking shit behind my back.

267
00:16:29,720 --> 00:16:32,640
Speaker 13: Maybe, but I'm not a big fan of doing what

268
00:16:32,720 --> 00:16:34,880
Speaker 13: I'm supposed to good.

269
00:16:35,880 --> 00:16:37,120
Speaker 2: I like how direct you are?

270
00:16:38,400 --> 00:16:39,680
Speaker 5: You think I care if you like me?

271
00:16:40,360 --> 00:16:44,760
Speaker 10: No, but I do have to admit that only makes me.

272
00:16:44,800 --> 00:16:45,280
Speaker 2: Like you more.

273
00:16:46,440 --> 00:16:51,200
Speaker 10: Someone's a masochist? Why you into that exclusively?

274
00:16:53,240 --> 00:16:54,680
Speaker 2: Somehow? I can't tell if you're joking.

275
00:16:56,160 --> 00:16:58,400
Speaker 13: Keep people guessing and you never have to give them

276
00:16:58,400 --> 00:16:59,120
Speaker 13: a straight answer.

277
00:16:59,200 --> 00:17:00,440
Speaker 5: Nico?

278
00:17:01,320 --> 00:17:04,400
Speaker 2: Is that what you're doing down here? Looking for answers?

279
00:17:05,160 --> 00:17:06,560
Speaker 5: Who says I'm looking for anything.

280
00:17:06,920 --> 00:17:08,240
Speaker 2: Everyone who comes here is.

281
00:17:09,200 --> 00:17:09,800
Speaker 10: Including you.

282
00:17:13,760 --> 00:17:14,200
Speaker 5: I guess.

283
00:17:14,520 --> 00:17:19,920
Speaker 13: If anything, I'd say, I'm looking for an authentic experience

284
00:17:19,960 --> 00:17:20,639
Speaker 13: of this place.

285
00:17:22,200 --> 00:17:25,439
Speaker 1: Well, you're not gonna find out here Thatstino couldn't be

286
00:17:25,480 --> 00:17:28,800
Speaker 1: further from what the island it's actually like. But lucky

287
00:17:28,840 --> 00:17:31,360
Speaker 1: for you, I happen to know a thing or two

288
00:17:31,600 --> 00:17:32,639
Speaker 1: about the real island.

289
00:17:33,760 --> 00:17:34,800
Speaker 10: I can show you if you want.

290
00:17:35,160 --> 00:17:39,200
Speaker 13: Oh yeah, you really think you can show me something

291
00:17:39,240 --> 00:17:40,320
Speaker 13: I haven't seen before?

292
00:17:41,320 --> 00:17:48,280
Speaker 2: I know it. I actually gotta call it a night.

293
00:17:48,800 --> 00:17:57,480
Speaker 13: Oh okay, Hey, Nico, don't tell anyone.

294
00:17:57,200 --> 00:17:57,960
Speaker 5: About my drink.

295
00:17:58,720 --> 00:18:20,720
Speaker 2: Your secrets safe with me. I'll see you later, Honor. Yeah, yeah,

296
00:18:20,760 --> 00:18:26,640
Speaker 2: I know it's late. Listen to me. I found her.

297
00:18:44,640 --> 00:19:03,119
Speaker 15: Mm hmm, I said, Hulo a k preacher, my sexemonal

298
00:19:03,240 --> 00:19:06,760
Speaker 15: Issa can't tell if you can't leave him or refume

299
00:19:07,119 --> 00:19:10,159
Speaker 15: State and Grand just Giezer.

300
00:19:09,880 --> 00:19:14,960
Speaker 14: Don't Underwater is an Interval Presents original production with Temple

301
00:19:15,040 --> 00:19:19,480
Speaker 14: Hill Entertainment and Clamor, starring Jason Derulo and Alexander Scheff.

302
00:19:19,880 --> 00:19:23,359
Speaker 14: Written by Katrina Day, directed by Pat Kelly and Chris Kelly,

303
00:19:24,040 --> 00:19:28,840
Speaker 14: executive producer, Jason Derulo executive producers from Interval Presents Alan

304
00:19:28,880 --> 00:19:32,600
Speaker 14: Coy and Jay Kleinberg executive producers from Temple Hill Entertainment.

305
00:19:33,000 --> 00:19:36,960
Speaker 14: Marty Bowen, Wick Godfrey and Alex Addison executive producers from

306
00:19:36,960 --> 00:19:41,760
Speaker 14: Clamor Rich Statter, Aaron Hilliard, Adam Reynolds and Alison Chana

307
00:19:42,400 --> 00:19:46,680
Speaker 14: Executive produced by Katrina Day, Executive producer from Future History,

308
00:19:46,680 --> 00:19:51,080
Speaker 14: Frank Harris. Special thanks to Henry de Sources, Marketing Lead

309
00:19:51,240 --> 00:19:55,919
Speaker 14: Samara Still, Business development Leader Cheffy Allen, Sweg Meggie and

310
00:19:56,040 --> 00:20:00,760
Speaker 14: Operations Lead Sarah You. Post Production audio services by Helliam Kelly,

311
00:20:01,160 --> 00:20:04,879
Speaker 14: Sound design and mixed by Paul teed Eskindek. Dialogue edited

312
00:20:05,000 --> 00:20:09,080
Speaker 14: by Max Collins. Original music by Jenevieve Vincent. Songs arranged

313
00:20:09,119 --> 00:20:12,720
Speaker 14: by Genevieve Vincent. The cast includes Jason Derulo as Nico,

314
00:20:13,040 --> 00:20:16,359
Speaker 14: Alexander Ship as Anna, Cary, Alexander as bank teller and

315
00:20:16,400 --> 00:20:19,960
Speaker 14: additional voices, Bo Bridgeland as Jordan's, Michael Darry as credit

316
00:20:20,000 --> 00:20:23,919
Speaker 14: reader and additional voices, Anisia Dubois Dahlia and Young Dahlia,

317
00:20:24,200 --> 00:20:27,600
Speaker 14: Andrew Frankel as stranger in additional voices, Walter Gray the

318
00:20:27,640 --> 00:20:31,600
Speaker 14: Fourth as male tourist and additional voices. Melissa Greenspan as

319
00:20:31,640 --> 00:20:36,320
Speaker 14: female tourist and additional voices, Alice Hunter as Elena, Jeremy

320
00:20:36,400 --> 00:20:40,800
Speaker 14: Jordan as Gabriel, Josh Keaton as Matteo, Taara l Angela

321
00:20:40,960 --> 00:20:42,840
Speaker 14: as female guest and additional voices.

322
00:20:43,280 --> 00:20:44,560
Speaker 2: Jonathan Leon as.

323
00:20:44,520 --> 00:20:48,680
Speaker 14: Young Matteo, Donnis Leonard Junior as Alias Parker, James Logan

324
00:20:49,000 --> 00:20:53,560
Speaker 14: as young Boy, Emily Martinez as Carman, Michael McLoone as Marcus,

325
00:20:53,840 --> 00:20:58,320
Speaker 14: Carlo Renata as Bartender, John Carlos Sabagal as Diego, David

326
00:20:58,359 --> 00:21:03,200
Speaker 14: Shatraw as male guest and additional voices. Andre Siglutzo as Sebastian,

327
00:21:03,359 --> 00:21:07,040
Speaker 14: Cameron jay Wright as Young Nico, and Hannah Zamora as Mia.

328
00:21:07,640 --> 00:21:11,440
Speaker 14: Produced by Lillian Holman, post produced by Justin Schow and

329
00:21:11,520 --> 00:21:16,520
Speaker 14: Lauren Berkovich. Associate producer Erica Lowe. Music supervision by Melanie Mitchell.

330
00:21:16,800 --> 00:21:20,920
Speaker 14: Music clearances by Deborah Mannis Gardner DMG Clearance is Incorporated.

331
00:21:21,200 --> 00:21:24,639
Speaker 14: Audio engineered by Ian Fogerty and Ed mckintye at Gold Diggers,

332
00:21:25,000 --> 00:21:27,679
Speaker 14: Brett Tuban at the Relic Room and Jordan Sweet at

333
00:21:27,720 --> 00:21:32,760
Speaker 14: Challie Recording Studio. Assistant engineered by Derek mcgroene and Amperorzeri.

334
00:21:33,640 --> 00:21:37,840
Speaker 14: Vocal coaching by Bianca Blush Atterbury, casting by Marlice Gussenhauer,

335
00:21:37,960 --> 00:21:42,040
Speaker 14: Sibby Kersch and Brentagata. Additional casting by Melissa Berger, Brennan

336
00:21:42,320 --> 00:21:46,639
Speaker 14: Salem Everett and Scott Forbes at CESD Talent Script supervisor

337
00:21:46,720 --> 00:21:52,280
Speaker 14: Tamara Black, Production supervisor Lizzie sam Production coordinators Ethan Aronson

338
00:21:52,480 --> 00:21:57,240
Speaker 14: and Sean Green. Production assistants Chelsea Perry and Samara Malik.

339
00:21:57,760 --> 00:22:02,400
Speaker 14: Additional special thanks to Riley Fulsome in Maxim Carlick. Underwater

340
00:22:02,680 --> 00:22:06,040
Speaker 14: was recorded at Gold Diggers in Los Angeles, California, Cellis

341
00:22:06,080 --> 00:22:09,520
Speaker 14: Recording Studio in Los Angeles, California, and The Relic Room

342
00:22:09,640 --> 00:22:12,880
Speaker 14: in New York, New York. Make sure to follow Underwater

343
00:22:13,320 --> 00:22:18,120
Speaker 14: and listen on Apple Podcasts, Spotify, Amazon Music, Sirius XM,

344
00:22:18,480 --> 00:22:23,800
Speaker 14: or wherever you get your podcasts,