WEBVTT - The Filming of "KARMA"

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<v Speaker 1>You're listening to jojos One Now with me, Jojo Ciua

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<v Speaker 1>and iHeartRadio podcast. Welcome back to Jojo Cewan. Now, Oh

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<v Speaker 1>my god, this this is going to be my favorite

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<v Speaker 1>podcast ever because I got to talk about my favorite

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<v Speaker 1>thing for the next however long I want, and and

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<v Speaker 1>it's your choice how long you listen for. But today

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<v Speaker 1>I am going to be talking all about the visual

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<v Speaker 1>behind my first song, Karma. Now I say first song.

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<v Speaker 1>Of course, it's not my first song. I've had a

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<v Speaker 1>billion songs since I released Boomerang back in the day.

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<v Speaker 1>But it is my first song. It's my first record,

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<v Speaker 1>it's my first it's my first adult world serious not

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<v Speaker 1>kids made. It is my first song, and I am

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<v Speaker 1>so proud of it. I'm so excited about it. I'm

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<v Speaker 1>so excited for it to be in the world's hands

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<v Speaker 1>after two years. If you if you didn't listen to

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<v Speaker 1>last week's podcast, go take a listen. I deep dive

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<v Speaker 1>into the making of a song and all of that.

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<v Speaker 1>But today I'm going to be deep diving into the

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<v Speaker 1>music video. So let's freaking do it. Buckle up, put

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<v Speaker 1>your seatbelt song, because we are going into Carmel world

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<v Speaker 1>right now. And you definitely want a seatbelt for this one. Anyways,

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<v Speaker 1>So let's start at the very end of twenty twenty two.

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<v Speaker 1>I talked about this a bit in my last podcast,

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<v Speaker 1>but I made this document that had a pitch for

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<v Speaker 1>my label. One hundred and sixty page document every song

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<v Speaker 1>date I wanted to come out, music video concept, what

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<v Speaker 1>comes after it, the merch designs for it, the wardrobe

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<v Speaker 1>for it. Like everything, right, everything from that doc has

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<v Speaker 1>stuck to the plan, except for the dates. I mean,

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<v Speaker 1>I originally had a schedule to come out March twenty

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<v Speaker 1>twenty three, and it's now March twenty twenty four, and

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<v Speaker 1>it's all starting to come out. We're April twenty twenty four.

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<v Speaker 1>We get the DA a year later. I was just

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<v Speaker 1>a year early. I was a year excited anyways. But

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<v Speaker 1>I in that doc, the very first video that I

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<v Speaker 1>came up with, very first song that I wanted to

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<v Speaker 1>come out was Karma. I knew I wanted that to

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<v Speaker 1>be first. I knew the power that that song has

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<v Speaker 1>to come out first, to come out out of the

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<v Speaker 1>gate it is. It's a head turner. Is it our

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<v Speaker 1>best song musically? No? Is it the biggest head turner? Absolutely.

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<v Speaker 1>And for me, I'm all about playing my card smart

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<v Speaker 1>and being very calculated and being very what what do

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<v Speaker 1>I want to get across? And for me, with Karma,

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<v Speaker 1>it was about making a point. It wasn't about being

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<v Speaker 1>Selein Down. I know I'm never ever going to be

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<v Speaker 1>Selin Down. I don't I don't have the voice, you know,

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<v Speaker 1>and I but I do have something that is a gift,

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<v Speaker 1>that is being able to create visuals. And for me,

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<v Speaker 1>I knew that with Karma as a song, I could

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<v Speaker 1>create a strong visual and so honestly, I closed my eyes,

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<v Speaker 1>played the song and I thought to myself, what can

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<v Speaker 1>I do to this? And I knew I wanted some

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<v Speaker 1>sort of contradicting element. I wanted either fire and water

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<v Speaker 1>or I wanted dark and light. I wanted something that

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<v Speaker 1>was contradicting, and initially it was fire and water, and

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<v Speaker 1>up until the day of the video Shoe, it was

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<v Speaker 1>still fire and water. The day of the video Shoe

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<v Speaker 1>on set, I literally came up to the director and

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<v Speaker 1>I was like, Hey, so, I don't think we need

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<v Speaker 1>the fire anymore and he was like, we're literally filming

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<v Speaker 1>and I was like, yeah, but no fire, It's not

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<v Speaker 1>gonna it's gonna be too much, and he was like, okay,

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<v Speaker 1>I mean it's your's your thing, so yep, I'm on it. Anyways,

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<v Speaker 1>I'll get into that though. So originally my concept started

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<v Speaker 1>as you know, I wanted to be on a yacht.

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<v Speaker 1>I wanted to be at a party. We didn't necessarily

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<v Speaker 1>know if it was gonna be a yacht yet, so

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<v Speaker 1>I said I wanted to be at a party. I

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<v Speaker 1>wanted to be with my girl. And then I saw

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<v Speaker 1>my girl cheating on me, and I got really angry,

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<v Speaker 1>and so I started to to you know, develop these

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<v Speaker 1>fire powers, right, and I set the boat to fire.

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<v Speaker 1>We do this cool dance and then I'm like, wait,

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<v Speaker 1>I messed up. It's not that serious, it's not that

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<v Speaker 1>dramatic like everyone. I'm just gonna go. So then that's

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<v Speaker 1>when I jumped off the boat. And then I was like, wait,

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<v Speaker 1>I messed up again. I got to get out of

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<v Speaker 1>this water. And then I like, I come out of

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<v Speaker 1>the water and then I'm on this beast island situation,

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<v Speaker 1>and then it's like shit, I messed up again. So

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<v Speaker 1>then I just set the island of fire and it's

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<v Speaker 1>like my Carra followed me and I just set the

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<v Speaker 1>island fire. And originally it ended with me on the

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<v Speaker 1>island on fire, and that was that was it. It

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<v Speaker 1>was like boat firepowers, set the boat to fire, jump off.

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<v Speaker 1>Then it was like island firepowers, set the island fire,

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<v Speaker 1>and then I'm stuck there because you can only escape

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<v Speaker 1>your karma so much. Essentially, So that was the original

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<v Speaker 1>music video idea. And then I got to let that

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<v Speaker 1>idea marinate for a very very long time. So all

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<v Speaker 1>of twenty twenty three, I actually had to not listen

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<v Speaker 1>to any of my new music because any time I

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<v Speaker 1>listened to it, I get too excited. I get ready

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<v Speaker 1>to fill a video and to do a performance and

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<v Speaker 1>to sing and to dance. I get I get so

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<v Speaker 1>excited and so pumped up. But then I when I

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<v Speaker 1>realized it wasn't gonna come out in twenty twenty three,

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<v Speaker 1>I was like, Okay, I have to slow down. I

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<v Speaker 1>can't listen to this. I can't get excited. I can't

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<v Speaker 1>I can't be stoked just yet. But then I got

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<v Speaker 1>the official word that Karma was greenlit by my label

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<v Speaker 1>to come out first and to do the music video

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<v Speaker 1>and to make it massive and to go for it.

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<v Speaker 1>And I said, Okay, here we go. So then I

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<v Speaker 1>had a call with a director who's great, who I've

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<v Speaker 1>worked with before, and it just it wasn't It wasn't

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<v Speaker 1>necessarily the right vibe. She wasn't necessarily finding exactly the

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<v Speaker 1>vision that I had in my head. It wasn't the

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<v Speaker 1>level that I wanted to do. And then I finally

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<v Speaker 1>asked her as a friend on like a sidebar. I

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<v Speaker 1>was like, what's what's going on? I was like why

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<v Speaker 1>because normally normally she does things massive And I was like,

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<v Speaker 1>what's what's going on on? What's happening? Why? Why are

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<v Speaker 1>you holding back on me with this? Like I'm finally excited?

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<v Speaker 1>And she revealed me. She said, because there's not really

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<v Speaker 1>a budget. And I was like, well, what do you

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<v Speaker 1>mean there's not really a budget because at this point

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<v Speaker 1>I was out of the budget conversation. I didn't know that.

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<v Speaker 1>And she said, there's not really a budget to make

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<v Speaker 1>this vision that you have come to life. She's like,

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<v Speaker 1>everyone loves this vision, but it's just not possible within

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<v Speaker 1>the budget that we were given from label. And I said, oh,

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<v Speaker 1>I said, don't's threat about that. I was like, I've

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<v Speaker 1>been waiting for this one I was like, I will

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<v Speaker 1>cover this video whatever it is, like, don't like make

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<v Speaker 1>it like let's let's let's go. Like the best thing

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<v Speaker 1>you can do is invest in yourself. And I've been

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<v Speaker 1>waiting years to have this moment like I I will

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<v Speaker 1>handle whatever we need to handle. And then it's still

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<v Speaker 1>just still wasn't clicking. And so that's when I made

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<v Speaker 1>a phone call to my other director friend. His name

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<v Speaker 1>is Mark Klass, and Mark and I have done so

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<v Speaker 1>many videos together. He is the director behind Dearie Am,

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<v Speaker 1>Number One, You Bop Time to Celebrate World Party he did.

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<v Speaker 1>I wanted him to do the J Team, but Nickelodeon

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<v Speaker 1>did wouldn't let him do the J Team because he

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<v Speaker 1>hadn't done a movie yet and they didn't want it

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<v Speaker 1>to be his first. And I was like why, like

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<v Speaker 1>he's freaking perfect for it, come on, and they just

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<v Speaker 1>they were a little hesitant. I was like, all right, fine.

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<v Speaker 1>But then then once I literally woke up and I

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<v Speaker 1>was like what about Mark? I was like why didn't

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<v Speaker 1>I realize that right away? And so called Mark and

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<v Speaker 1>I was like, look, I don't know if you're interested,

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<v Speaker 1>I don't know if you're available, and he was like look,

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<v Speaker 1>I'm so busy right now, but I will make it happen.

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<v Speaker 1>And I was like, let freaking go. So that I

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<v Speaker 1>called him, gave him my idea and I told him.

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<v Speaker 1>I was like, look, I was like, no matter what

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<v Speaker 1>anyone tells you, I was like, I'm I am going

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<v Speaker 1>to fund this. I was like, I am going to

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<v Speaker 1>make it work. Go make your budget, whatever, whatever the

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<v Speaker 1>team can contribute, that is a phenomenal. I will handle

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<v Speaker 1>it other than that, you know. And so he went.

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<v Speaker 1>He made my vision come to life, and he gave

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<v Speaker 1>us a treatment, and he gave us a budget breakdown,

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<v Speaker 1>and I was like, Okay, here we go, here we go.

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<v Speaker 1>We're gonna be fine. We're gonna be great. It's gonna

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<v Speaker 1>be worth it. And he made this treatment based off

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<v Speaker 1>of that video idea, and uh it was. It was

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<v Speaker 1>essentially perfect. Now I want to cut to you so

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<v Speaker 1>we know we know this video is happening. We have

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<v Speaker 1>our idea, the label approves it. I approve it, like

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<v Speaker 1>we are all so stoked, all so happy. Then it

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<v Speaker 1>comes time to audition dancers, and we auditioned dancers and

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<v Speaker 1>we have great boys to be in the thing. And

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<v Speaker 1>then we have great girls to be in the thing.

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<v Speaker 1>Great girls come to the audition. I knew that Malia,

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<v Speaker 1>who ends up being my girlfriend in the in the

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<v Speaker 1>music video, I knew she was gonna be in it

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<v Speaker 1>as the girlfriend. I was ready for that. I was

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<v Speaker 1>comfortable with that. But then the other girl, the one

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<v Speaker 1>in the red I we had the audition and no

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<v Speaker 1>one else felt right at all. And so then we

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<v Speaker 1>were having a meeting. We were having a meeting with

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<v Speaker 1>the war team, the hair makeup team, my mom, the director,

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<v Speaker 1>the choreographer, Richie, we were all having a meeting together

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<v Speaker 1>and I was like, none of those girls felt right.

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<v Speaker 1>I was like, I just don't know, Like, let me

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<v Speaker 1>sleep on it. My mom actually said, what about Alexis.

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<v Speaker 1>You always said you wanted her in a music video,

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<v Speaker 1>and I had met Alexis, she was the Season seventeen

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<v Speaker 1>winner of So You Think You Can Dance? And literally

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<v Speaker 1>I told her, I said, I have songs coming out.

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<v Speaker 1>I know I want you to be in the music video.

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<v Speaker 1>Like I have this vision for a song that we

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<v Speaker 1>had done and I was like, I have a vision

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<v Speaker 1>for a video and it wasn't Karma, it was a

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<v Speaker 1>different one. And I was like, but I want you

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<v Speaker 1>to be in it, like I see it, I can

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<v Speaker 1>picture it, I'm ready for it. And she said, okay,

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<v Speaker 1>I would love that. And so then I, uh, when

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<v Speaker 1>this that night happened and she didn't come to the audition,

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<v Speaker 1>and so I thought, you know, maybe she maybe she

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<v Speaker 1>changed her mind. Maybe she's not it's just not available,

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<v Speaker 1>like maybe it just didn't know we had that meeting.

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<v Speaker 1>And then I got in my car and I had

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<v Speaker 1>a text from Alexis and she was like, oh my god,

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<v Speaker 1>I had no idea that you had an audition, Like

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<v Speaker 1>I didn't get it because of the height requirement. We

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<v Speaker 1>put girls five six and taller because I'm five seven,

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<v Speaker 1>five eight, five nine, I don't really know, and so

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<v Speaker 1>we put five six and taller so that way that

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<v Speaker 1>wasn't a massive heighth difference. And Alexis is like a

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<v Speaker 1>really cute five two. I think she's really little, itty

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<v Speaker 1>bitty baby. She in a little pollypocket and yeah, so

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<v Speaker 1>she was like, she was like, I didn't get the

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<v Speaker 1>audition because of the heighth requirement, Like there's ever a world

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<v Speaker 1>like where you do like another audition, Like I would

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<v Speaker 1>love to come, even if like it is fight, Like

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<v Speaker 1>I still just love to be there and be in

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<v Speaker 1>the room like please let me know. And I was like,

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<v Speaker 1>oh my god. We literally just had a meeting. We

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<v Speaker 1>were talking about you, like we want you to do it,

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<v Speaker 1>and I was like, can you come to the studio

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<v Speaker 1>tomorrow and we can just dance. We can just kind

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<v Speaker 1>of feel it, see if it works, if we have chemistry,

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<v Speaker 1>because we had never danced together, but we knew each other.

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<v Speaker 1>And she came to the studio the next day and

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<v Speaker 1>it was just, I mean, it was magic. I just

0:10:47.200 --> 0:10:48.960
<v Speaker 1>I knew. I knew that she was the right one

0:10:49.000 --> 0:10:50.800
<v Speaker 1>for it. And then ended up when I was like,

0:10:50.800 --> 0:10:52.560
<v Speaker 1>if you're available, you got the job, and she was like,

0:10:52.640 --> 0:10:57.080
<v Speaker 1>I will be there. So then cut to music video rehearsals.

0:10:57.120 --> 0:10:59.560
<v Speaker 1>We have this idea, we have this costumes. I knew

0:10:59.559 --> 0:11:02.000
<v Speaker 1>that I want to be some sort of beasty sea creature,

0:11:02.000 --> 0:11:05.199
<v Speaker 1>and then we have the beast cousin sea creatures coming

0:11:05.200 --> 0:11:07.280
<v Speaker 1>out of the water. We're in the yacht, all of

0:11:07.520 --> 0:11:11.160
<v Speaker 1>everything is still stuck to the plant. Right then we're

0:11:11.200 --> 0:11:14.800
<v Speaker 1>in rehearsals, and God, I wish I could remember the

0:11:14.880 --> 0:11:18.800
<v Speaker 1>exact moment that this happened. But somewhere along the line

0:11:18.840 --> 0:11:21.880
<v Speaker 1>of the first day of rehearsals, I was like, wait,

0:11:22.760 --> 0:11:25.760
<v Speaker 1>I'm saying I was a bad girl. I did some

0:11:25.920 --> 0:11:29.920
<v Speaker 1>bad things, but I'm seeing somebody else cheat. I was like, no,

0:11:30.440 --> 0:11:32.720
<v Speaker 1>I am the bad guy. I have to do the

0:11:32.720 --> 0:11:36.440
<v Speaker 1>bad thing. And so then it was like, okay, well,

0:11:36.480 --> 0:11:39.200
<v Speaker 1>how are we gonna do this bad thing right? And

0:11:39.200 --> 0:11:41.600
<v Speaker 1>then my choreographer, Richie actually came up with doing it

0:11:41.720 --> 0:11:44.800
<v Speaker 1>in the choreography and kind of getting with another girl

0:11:44.880 --> 0:11:48.080
<v Speaker 1>while my girl was literally in my hands, and that's

0:11:48.120 --> 0:11:50.680
<v Speaker 1>when we came up with that iconic that shah Na lie,

0:11:51.120 --> 0:11:55.280
<v Speaker 1>that shaw Na cheet, that dance moment. And then you know,

0:11:55.480 --> 0:11:57.000
<v Speaker 1>after that is when we went into the dance of

0:11:57.040 --> 0:11:59.360
<v Speaker 1>the chorus and we decided we were like, it's it's

0:11:59.360 --> 0:12:01.160
<v Speaker 1>all happening too fast, like we need a moment for

0:12:01.200 --> 0:12:03.560
<v Speaker 1>it to breathe and to see what happened. And so

0:12:03.720 --> 0:12:07.040
<v Speaker 1>then my videographer his name is Camer and he was

0:12:07.080 --> 0:12:11.200
<v Speaker 1>there and I was like, well, give me a second,

0:12:11.200 --> 0:12:13.079
<v Speaker 1>I can like freeze the song and like just like

0:12:13.160 --> 0:12:14.520
<v Speaker 1>chuck it together quick on my phone and then we

0:12:14.559 --> 0:12:16.959
<v Speaker 1>can have the producer like redo it. So then I

0:12:17.000 --> 0:12:19.280
<v Speaker 1>did that and I played it and then Cameron, who's

0:12:19.280 --> 0:12:22.160
<v Speaker 1>a videographer. He was he's also an incredible music producer,

0:12:22.559 --> 0:12:24.000
<v Speaker 1>and he was like, do you want me to just

0:12:24.040 --> 0:12:26.760
<v Speaker 1>like chuck that together fast, but like better than your

0:12:26.800 --> 0:12:29.400
<v Speaker 1>awkward freeze frame pause, And I was like, oh my god, please.

0:12:29.480 --> 0:12:31.360
<v Speaker 1>I was like I want a heartbeat, I want a breath,

0:12:31.400 --> 0:12:33.160
<v Speaker 1>and then I wanted to fill back into the music,

0:12:33.160 --> 0:12:35.120
<v Speaker 1>and he was like, literally, give me ten minutes. I

0:12:35.120 --> 0:12:38.120
<v Speaker 1>got this, and I was like okay. So Cameron took

0:12:38.120 --> 0:12:40.360
<v Speaker 1>the music, he gave us that extra ten seconds and

0:12:40.400 --> 0:12:42.440
<v Speaker 1>we were like, oh my god, it's perfect. So then

0:12:43.640 --> 0:12:46.160
<v Speaker 1>that night the director comes into rehearsals and we were like,

0:12:46.200 --> 0:12:48.760
<v Speaker 1>all right, we have a full new pitch for you.

0:12:48.880 --> 0:12:50.960
<v Speaker 1>It is me. That's the bad guy. It's me doing

0:12:50.960 --> 0:12:53.760
<v Speaker 1>the cheating. We're still doing the firepowers, but now it

0:12:53.800 --> 0:12:55.920
<v Speaker 1>actually made more sense because it was like, I'm setting

0:12:55.920 --> 0:12:58.440
<v Speaker 1>this fire because I messed up, and I kind of

0:12:58.480 --> 0:13:00.280
<v Speaker 1>just want to burn the evidence. And then and it's

0:13:00.280 --> 0:13:01.840
<v Speaker 1>like it kind of follows me to the island and

0:13:01.840 --> 0:13:05.280
<v Speaker 1>so I want to burn the evidence again. And then

0:13:06.000 --> 0:13:08.640
<v Speaker 1>we have the next day of rehearsals, all going good,

0:13:08.840 --> 0:13:10.520
<v Speaker 1>all going well. I'm trying to think if there was

0:13:10.559 --> 0:13:14.960
<v Speaker 1>anything like that didn't go smoothly. But honestly, everything did.

0:13:15.000 --> 0:13:18.200
<v Speaker 1>I mean, at this point, I did a crash course

0:13:18.280 --> 0:13:22.120
<v Speaker 1>two weeks of like making sure my my body was

0:13:22.120 --> 0:13:24.480
<v Speaker 1>in check, making sure I was eating properly, making sure

0:13:24.520 --> 0:13:27.440
<v Speaker 1>that I was stretching so I wasn't gonna get tight,

0:13:27.520 --> 0:13:31.040
<v Speaker 1>Like I did so much pre work for this video.

0:13:31.200 --> 0:13:35.000
<v Speaker 1>But everything in the week like went so smooth, It

0:13:35.040 --> 0:13:38.640
<v Speaker 1>was so put together, it was so great. And then

0:13:39.080 --> 0:13:42.360
<v Speaker 1>we were on set day one, day one, and so

0:13:42.440 --> 0:13:44.840
<v Speaker 1>day one we shot all of the stuff on the yacht,

0:13:44.920 --> 0:13:47.640
<v Speaker 1>so all of the white. And then day two, so

0:13:47.840 --> 0:13:50.400
<v Speaker 1>we shot all of the beast stuff, all the black,

0:13:50.440 --> 0:13:52.559
<v Speaker 1>and then we did the nude stuff, the pool stuff.

0:13:52.559 --> 0:13:54.720
<v Speaker 1>We did all of that also on day one. We

0:13:54.760 --> 0:13:56.320
<v Speaker 1>did it that night. So day one was like a

0:13:56.360 --> 0:13:58.160
<v Speaker 1>seventeen hour day, and then day two was like a

0:13:58.240 --> 0:14:01.920
<v Speaker 1>fifteen hour day. So we're on set and we're doing

0:14:01.920 --> 0:14:04.640
<v Speaker 1>the first dance, and I told my director after that,

0:14:04.720 --> 0:14:06.439
<v Speaker 1>that's when I had the conversation with him, like I

0:14:06.440 --> 0:14:08.160
<v Speaker 1>don't think we need the fire anymore. I was like,

0:14:08.160 --> 0:14:11.000
<v Speaker 1>because the dance happened, we don't need me to set

0:14:11.040 --> 0:14:12.640
<v Speaker 1>this to fire. To jump off, I can just like

0:14:12.679 --> 0:14:15.760
<v Speaker 1>dip out, like see everybody, and then it made sense

0:14:15.840 --> 0:14:18.080
<v Speaker 1>to have my karma follow me and be with me

0:14:18.160 --> 0:14:20.000
<v Speaker 1>in the pool scene, and then it made sense for

0:14:20.040 --> 0:14:22.520
<v Speaker 1>her to follow me to the island. It kind of

0:14:22.600 --> 0:14:25.960
<v Speaker 1>ended up being that I was the bad guy, and

0:14:26.000 --> 0:14:28.920
<v Speaker 1>then the girl in Red, who is played by Alexis

0:14:29.840 --> 0:14:33.400
<v Speaker 1>read she is, She is my karma, she is what's

0:14:33.440 --> 0:14:35.400
<v Speaker 1>following me. She is the bad thing that I did.

0:14:36.720 --> 0:14:38.800
<v Speaker 1>Then we're on set and I was like, you know

0:14:38.840 --> 0:14:41.880
<v Speaker 1>what would beked up as if I at the end

0:14:42.520 --> 0:14:45.720
<v Speaker 1>still made the wrong choice and I still went with

0:14:45.760 --> 0:14:47.760
<v Speaker 1>the wrong girl. So then I was like, wait a second,

0:14:47.880 --> 0:14:50.800
<v Speaker 1>this is all happening on set. I was like, here's

0:14:50.800 --> 0:14:53.240
<v Speaker 1>the new vision. Everybody. I was like, I know, we're

0:14:53.280 --> 0:14:54.760
<v Speaker 1>literally on set, but hear me and I think this

0:14:54.800 --> 0:14:56.880
<v Speaker 1>is the winner. They're like what is? I was like,

0:14:57.120 --> 0:14:59.720
<v Speaker 1>the whole thing becomes a flashback. The whole thing becomes

0:14:59.760 --> 0:15:02.600
<v Speaker 1>a forward, and so you know, you see me with

0:15:02.640 --> 0:15:04.160
<v Speaker 1>the girls, I make the wrong choice and then I'm

0:15:04.160 --> 0:15:06.400
<v Speaker 1>like deuces. But then you know, after we get to

0:15:06.440 --> 0:15:08.560
<v Speaker 1>the island, Red follows me, and then it's like we

0:15:08.640 --> 0:15:10.840
<v Speaker 1>go back in time and then we're back on the

0:15:10.840 --> 0:15:12.880
<v Speaker 1>boat and we have this moment again where We're doing

0:15:12.960 --> 0:15:14.920
<v Speaker 1>that same style of dance but to a different part

0:15:14.920 --> 0:15:17.280
<v Speaker 1>of music, and it's like we are back now in

0:15:17.320 --> 0:15:19.600
<v Speaker 1>real time of like what choice is she gonna make?

0:15:19.960 --> 0:15:23.240
<v Speaker 1>And I still make the wrong choice. That happened on

0:15:23.640 --> 0:15:26.800
<v Speaker 1>set and that's where the story came together and everyone

0:15:26.880 --> 0:15:29.360
<v Speaker 1>was like sold, we love it. It's psycho, but we

0:15:29.440 --> 0:15:31.480
<v Speaker 1>love it. And I was like me too, I love

0:15:31.520 --> 0:15:33.200
<v Speaker 1>it too. So I was like, all right, we gotta

0:15:33.200 --> 0:15:34.840
<v Speaker 1>get Red in the pool with us. We got we

0:15:34.840 --> 0:15:37.160
<v Speaker 1>gotta make this all happen, and we're like, okay, great,

0:15:37.400 --> 0:15:40.080
<v Speaker 1>nailed it. So we had our first day on set.

0:15:40.120 --> 0:15:43.360
<v Speaker 1>It was a great day, went smoothly. We went to

0:15:43.400 --> 0:15:46.080
<v Speaker 1>the pool after we shout it at the director's pool.

0:15:46.640 --> 0:15:49.280
<v Speaker 1>It was freezing outside and my outpha that I was

0:15:49.280 --> 0:15:52.840
<v Speaker 1>wearing is basically nothing. I mean, I'm essentially nothing. It's

0:15:52.880 --> 0:15:55.920
<v Speaker 1>all sheer and so it's so cold. But luckily the

0:15:55.920 --> 0:15:57.920
<v Speaker 1>pool was heated to like eighty five degrees, so we

0:15:57.920 --> 0:16:03.080
<v Speaker 1>were chilling in that department. And then for the pool scene,

0:16:03.280 --> 0:16:05.960
<v Speaker 1>that actually took a lot of preparation. So the same

0:16:05.960 --> 0:16:09.120
<v Speaker 1>way that we had rehearsals for the dance part of things,

0:16:09.640 --> 0:16:12.400
<v Speaker 1>I had rehearsals by myself. For the pool part of things,

0:16:12.440 --> 0:16:15.080
<v Speaker 1>I practiced how to backflop into the pool. I brought

0:16:15.080 --> 0:16:17.480
<v Speaker 1>a GoPro out I filmed with a camera just at

0:16:17.520 --> 0:16:21.280
<v Speaker 1>my pool figuring it out. And I really tried to

0:16:21.320 --> 0:16:23.880
<v Speaker 1>figure out, like what the best way to jump backwards

0:16:23.880 --> 0:16:26.440
<v Speaker 1>into the pool was. And I realized that the best

0:16:26.440 --> 0:16:27.960
<v Speaker 1>way to do it and the best shot to get

0:16:28.240 --> 0:16:31.560
<v Speaker 1>was just by backflopping. And I was like, Okay, here

0:16:31.640 --> 0:16:35.080
<v Speaker 1>we go. We're just gonna backflop, like you'll be fine eventually,

0:16:35.120 --> 0:16:37.320
<v Speaker 1>and here I am. I'm fine. Then I was like, okay,

0:16:37.320 --> 0:16:39.800
<v Speaker 1>I want to get a shot where I'm singing underwater.

0:16:39.960 --> 0:16:44.640
<v Speaker 1>So then I practiced singing underwater and I realized after

0:16:44.680 --> 0:16:45.840
<v Speaker 1>I did it and I filmed it, and then I

0:16:45.880 --> 0:16:47.760
<v Speaker 1>watched it back just at my house a couple days

0:16:47.800 --> 0:16:51.840
<v Speaker 1>before the video shoot, I was like, oh, your bubbles,

0:16:51.840 --> 0:16:54.720
<v Speaker 1>like you can't see anything. You can't see anything that

0:16:54.760 --> 0:16:57.280
<v Speaker 1>you're singing. So then I had to figure out how

0:16:57.360 --> 0:17:00.600
<v Speaker 1>to move my mouth underwater while making it look like

0:17:00.680 --> 0:17:05.439
<v Speaker 1>I'm singing well not getting that like massive bubble overflow.

0:17:05.520 --> 0:17:08.320
<v Speaker 1>So then what I figured is I had to empty

0:17:08.359 --> 0:17:10.199
<v Speaker 1>my lungs go all the way to the bottom of

0:17:10.200 --> 0:17:12.560
<v Speaker 1>the pool, sing the words come back up, and then

0:17:12.680 --> 0:17:15.040
<v Speaker 1>also while doing that, also holding the beat of the song,

0:17:15.160 --> 0:17:17.160
<v Speaker 1>so I would listen to the song above the pool,

0:17:17.760 --> 0:17:20.040
<v Speaker 1>catch the beat, go under, sing for a bit, come

0:17:20.040 --> 0:17:22.439
<v Speaker 1>back up, make sure I was still on beat. So

0:17:22.520 --> 0:17:25.600
<v Speaker 1>then when we got to the set of the pool,

0:17:26.160 --> 0:17:28.320
<v Speaker 1>did all that, but we could only do it in

0:17:28.680 --> 0:17:33.600
<v Speaker 1>like forward increments because of the emptying my lungs getting

0:17:33.600 --> 0:17:35.000
<v Speaker 1>down to the pool. By the time I was down

0:17:35.000 --> 0:17:36.800
<v Speaker 1>there and they gave me the green light to start,

0:17:36.960 --> 0:17:38.240
<v Speaker 1>and then I had to figure out where I was

0:17:38.240 --> 0:17:40.360
<v Speaker 1>at in the song. We had to do that bit

0:17:40.440 --> 0:17:42.520
<v Speaker 1>coming up and down and up and down and up

0:17:42.560 --> 0:17:45.159
<v Speaker 1>and down, and it was It's not easy, but it

0:17:45.240 --> 0:17:46.680
<v Speaker 1>was so worth it. And that is one of the

0:17:46.720 --> 0:17:48.560
<v Speaker 1>parts of the video that everyone talks about, like the

0:17:48.600 --> 0:17:51.480
<v Speaker 1>singing underwater, the singing underwater where you actually underwater, and

0:17:51.480 --> 0:17:55.399
<v Speaker 1>I was like, no, we literally were underwater. Got it

0:17:55.440 --> 0:17:58.000
<v Speaker 1>turned out so cool. I'm so happy with how that

0:17:58.040 --> 0:18:00.840
<v Speaker 1>turned out. Then after that, we we came home, we

0:18:00.880 --> 0:18:02.439
<v Speaker 1>fell asleep, and we woke up and we did it

0:18:02.480 --> 0:18:04.720
<v Speaker 1>all again the next day. The next day. Day two.

0:18:05.280 --> 0:18:09.080
<v Speaker 1>Day two started off awfully. I'm not gonna lie. My

0:18:09.119 --> 0:18:11.680
<v Speaker 1>biggest fat peeve is hair and makeup. I hate sitting

0:18:11.720 --> 0:18:14.120
<v Speaker 1>in the hair and makeup chair. Hair and makeup took

0:18:14.400 --> 0:18:18.720
<v Speaker 1>five hours on day two. By hour three, I was done.

0:18:18.800 --> 0:18:21.359
<v Speaker 1>I was over it. I was like, give me, like,

0:18:21.640 --> 0:18:24.360
<v Speaker 1>let's go, Like I was just not having it anymore.

0:18:26.040 --> 0:18:28.680
<v Speaker 1>So to be in that chair for five hours was

0:18:28.800 --> 0:18:30.840
<v Speaker 1>very tortuous. And it was just like one thing after

0:18:30.920 --> 0:18:34.800
<v Speaker 1>another after another, just look out to happening. And then

0:18:35.280 --> 0:18:38.119
<v Speaker 1>the girl Alexis, who was red, this is kind of

0:18:38.119 --> 0:18:40.840
<v Speaker 1>a fun story. She was supposed to she was supposed

0:18:40.840 --> 0:18:43.040
<v Speaker 1>to leave set. She's supposed to wrap at about four o'clock.

0:18:43.200 --> 0:18:45.479
<v Speaker 1>But that was so with the order of the day.

0:18:45.560 --> 0:18:47.240
<v Speaker 1>Was going to be all the dancing on the sand

0:18:47.720 --> 0:18:49.480
<v Speaker 1>and then all the dancing in the water and then

0:18:49.520 --> 0:18:51.480
<v Speaker 1>the actual water tank of me coming out of the

0:18:51.520 --> 0:18:54.680
<v Speaker 1>water and all that was good to go. But then

0:18:54.720 --> 0:18:58.639
<v Speaker 1>I realized that the initial schedule didn't have us doing

0:18:58.760 --> 0:19:02.199
<v Speaker 1>our red and blod b stance in the water, and

0:19:02.240 --> 0:19:04.160
<v Speaker 1>I was like, oh, we need that, like we cannot

0:19:04.440 --> 0:19:08.520
<v Speaker 1>not have that moment. And Alexis actually had a flight

0:19:08.560 --> 0:19:11.000
<v Speaker 1>to catch and she was like, I planned on wrapping

0:19:11.000 --> 0:19:13.119
<v Speaker 1>at four. I have a flight at eight, Like I can't.

0:19:13.280 --> 0:19:15.480
<v Speaker 1>I can't stay And I was like, where do you

0:19:15.520 --> 0:19:16.879
<v Speaker 1>have to be. I was like, I will get you

0:19:16.920 --> 0:19:19.960
<v Speaker 1>wherever you have to be, like we must, we must

0:19:20.000 --> 0:19:22.280
<v Speaker 1>have this moment of us doing this dance in the water,

0:19:22.359 --> 0:19:25.280
<v Speaker 1>like we can't not have it. And she was like okay.

0:19:25.800 --> 0:19:28.040
<v Speaker 1>She was like I just have to be somewhere in

0:19:28.080 --> 0:19:30.720
<v Speaker 1>the morning, another state at like nine am. And I

0:19:30.760 --> 0:19:32.800
<v Speaker 1>was like, okay, I'll get you there, Like where do

0:19:32.840 --> 0:19:34.320
<v Speaker 1>I gotta get you? Like I will figure it out.

0:19:34.320 --> 0:19:36.479
<v Speaker 1>And she's like Phoenix, Arizona. And I was like, oh,

0:19:36.480 --> 0:19:38.480
<v Speaker 1>maybe that's like a six hour car drive. I can

0:19:38.600 --> 0:19:40.359
<v Speaker 1>get you there. Even if we wrapped at three in

0:19:40.400 --> 0:19:41.720
<v Speaker 1>the morning, I can get you in a car and

0:19:41.760 --> 0:19:43.800
<v Speaker 1>get you there. We ended up being able to wrap

0:19:43.840 --> 0:19:45.720
<v Speaker 1>her at like eight o'clock, so we got her car service.

0:19:45.760 --> 0:19:47.600
<v Speaker 1>They drove her through the night. It was totally fine.

0:19:48.160 --> 0:19:49.679
<v Speaker 1>But she was like we really, like we can make

0:19:49.720 --> 0:19:51.000
<v Speaker 1>it work. And I was like, yes, we can make

0:19:51.040 --> 0:19:52.760
<v Speaker 1>it work. Like if you're fine to make it work

0:19:52.800 --> 0:19:54.840
<v Speaker 1>like that, I will make it happen. I'll pay for it,

0:19:54.880 --> 0:19:57.600
<v Speaker 1>like don't even sweat. She's like okay, let's freaking do it.

0:19:58.400 --> 0:20:00.240
<v Speaker 1>And thank god we did because that dance in the

0:20:00.280 --> 0:20:03.560
<v Speaker 1>water that few eight council was I mean, honestly, probably

0:20:03.600 --> 0:20:06.399
<v Speaker 1>the most special part of the video, dancing in the

0:20:06.400 --> 0:20:10.240
<v Speaker 1>water like that. It was about a three inch water pellett.

0:20:10.320 --> 0:20:11.600
<v Speaker 1>I guess this is a good way to put it.

0:20:11.640 --> 0:20:14.560
<v Speaker 1>A big, big square of water and we got to

0:20:14.600 --> 0:20:18.800
<v Speaker 1>splash around we It was slippery, but like, you'll be fine,

0:20:18.840 --> 0:20:21.800
<v Speaker 1>we'll find it. I did get scared when we Alexis

0:20:21.840 --> 0:20:23.320
<v Speaker 1>and I were doing our partner work in the water,

0:20:23.359 --> 0:20:25.520
<v Speaker 1>because I, of course, you know, being the partner, I

0:20:25.560 --> 0:20:28.960
<v Speaker 1>didn't want to affect how she does, and I of

0:20:29.000 --> 0:20:31.520
<v Speaker 1>course want to be I have to be the supporting

0:20:31.560 --> 0:20:33.479
<v Speaker 1>one when we're doing all that partnering work. I'm doing

0:20:33.520 --> 0:20:36.320
<v Speaker 1>all the lifting and so having her life essentially in

0:20:36.359 --> 0:20:38.240
<v Speaker 1>my hands. That was a lot of pressure in the water,

0:20:38.359 --> 0:20:42.159
<v Speaker 1>but so sick, so worth it. Then we we wrapped

0:20:42.240 --> 0:20:43.919
<v Speaker 1>up the day. We wrapped up the day in the

0:20:43.920 --> 0:20:45.920
<v Speaker 1>water tank. I got into a tank that was about

0:20:45.920 --> 0:20:47.800
<v Speaker 1>three feet deep of water. It was a square, said

0:20:47.840 --> 0:20:51.680
<v Speaker 1>crisscross apple sauce, And I raised myself out, lowered myself down,

0:20:51.680 --> 0:20:55.639
<v Speaker 1>and raised myself out, lowered myself down. Somehow, by some miracle,

0:20:55.680 --> 0:20:57.520
<v Speaker 1>my hair and makeup stage, so I guess the five

0:20:57.560 --> 0:21:02.240
<v Speaker 1>hours was worth it, but ah it was. So it

0:21:02.320 --> 0:21:09.760
<v Speaker 1>was the most stressful five hours literally ever, but it

0:21:09.800 --> 0:21:12.720
<v Speaker 1>was worth it. And then then we called that's a rap.

0:21:12.880 --> 0:21:15.720
<v Speaker 1>And what's very strange is anytime we've done a music

0:21:15.760 --> 0:21:17.679
<v Speaker 1>video and we've called that's a rap, every time, I

0:21:17.760 --> 0:21:21.400
<v Speaker 1>cry every single time. I'm just so happy. I don't

0:21:21.440 --> 0:21:23.560
<v Speaker 1>want to be done, i don't want to lose the day.

0:21:23.640 --> 0:21:26.600
<v Speaker 1>I'm so sad, like there's so many feelings going into it.

0:21:27.040 --> 0:21:29.600
<v Speaker 1>But for some reason, with Karma, they called that's rap,

0:21:29.600 --> 0:21:32.040
<v Speaker 1>and I was like, yeah it is. We freaking did it,

0:21:32.200 --> 0:21:36.639
<v Speaker 1>Like I felt so accomplished. I felt so satisfied. It

0:21:36.680 --> 0:21:39.160
<v Speaker 1>was so much work. It was two days of rehearsal,

0:21:39.560 --> 0:21:43.359
<v Speaker 1>two days of a video shoot, and it was done.

0:21:43.520 --> 0:21:46.040
<v Speaker 1>Like we did it. We got there, my vision came

0:21:46.080 --> 0:21:49.440
<v Speaker 1>to life. I felt so fulfilled and so overwhelmed with

0:21:49.520 --> 0:21:54.639
<v Speaker 1>excitement that a tear wasn't ever in sight, which is interesting,

0:21:54.720 --> 0:21:58.679
<v Speaker 1>that's very very rare thing for me. But then I

0:21:58.720 --> 0:22:02.119
<v Speaker 1>mean the editing process of we've had forty two different versions.

0:22:02.160 --> 0:22:05.440
<v Speaker 1>That's dramatic. We've had like thirteen, thirteen or fourteen different

0:22:05.520 --> 0:22:08.720
<v Speaker 1>versions editing it. It's kind of funny. I have all

0:22:08.720 --> 0:22:10.440
<v Speaker 1>my reaction videos because I was like, when we get

0:22:10.440 --> 0:22:11.960
<v Speaker 1>the one, like I wanted to, like, I want to

0:22:12.000 --> 0:22:14.600
<v Speaker 1>have my reaction on camera, and so my first reaction,

0:22:14.760 --> 0:22:17.359
<v Speaker 1>like initially, I mean, I'm stoked, like the video is

0:22:17.400 --> 0:22:19.080
<v Speaker 1>everything I ever wanted it to be, Like it turned

0:22:19.119 --> 0:22:21.199
<v Speaker 1>out so great. I'm so happy, but like, here's all

0:22:21.240 --> 0:22:24.199
<v Speaker 1>the changes. But I was so happy. But then after that,

0:22:24.320 --> 0:22:27.480
<v Speaker 1>I mean, for takes two through twelve, I'm just like, no,

0:22:27.760 --> 0:22:29.400
<v Speaker 1>still didn't get it. Still didn't get it, Still don't

0:22:29.400 --> 0:22:32.200
<v Speaker 1>get it. Then finally my last like the last time

0:22:32.240 --> 0:22:33.919
<v Speaker 1>that I like, the first time that I watched the

0:22:34.040 --> 0:22:36.639
<v Speaker 1>final version of the video, I was like, Okay, finally

0:22:36.680 --> 0:22:39.399
<v Speaker 1>we got it. Like I wasn't stoked at all. I

0:22:39.480 --> 0:22:41.760
<v Speaker 1>was so proud and so happy, but I was like, finally,

0:22:41.760 --> 0:22:45.280
<v Speaker 1>it's about time. Like I I wish I had a

0:22:45.320 --> 0:22:47.480
<v Speaker 1>more exciting reaction because the way that I feel when

0:22:47.480 --> 0:22:50.480
<v Speaker 1>I watched the video is like that's my baby coming

0:22:50.520 --> 0:22:52.720
<v Speaker 1>to life. That is everything I've ever wanted to do.

0:22:52.760 --> 0:22:55.879
<v Speaker 1>That is every bit of art that I ever wanted

0:22:55.920 --> 0:22:58.959
<v Speaker 1>to create. And I think one of the things I'm

0:22:59.000 --> 0:23:02.080
<v Speaker 1>most proud about with karma and the visual behind it

0:23:02.119 --> 0:23:04.560
<v Speaker 1>is how much I actually did for it. You know,

0:23:04.640 --> 0:23:06.960
<v Speaker 1>I'm a co director on it. I produced it, I

0:23:07.160 --> 0:23:10.440
<v Speaker 1>financed it. I helped with hair and makeup. I did.

0:23:10.560 --> 0:23:14.080
<v Speaker 1>Alexis the Beast, I did her makeup I did. I

0:23:14.119 --> 0:23:17.080
<v Speaker 1>helped Richie with the choreography. I help with the wardrobe.

0:23:17.200 --> 0:23:19.720
<v Speaker 1>I help on set. I help with the light. I mean,

0:23:19.880 --> 0:23:22.440
<v Speaker 1>I help with the effects. I help with all of it,

0:23:23.160 --> 0:23:25.560
<v Speaker 1>even down to the thumbnail of the music video. The

0:23:25.600 --> 0:23:29.000
<v Speaker 1>thumbnail I made myself on Photoshop, and I put those

0:23:29.000 --> 0:23:31.359
<v Speaker 1>photos together and I cut them out. And there's a

0:23:31.400 --> 0:23:33.159
<v Speaker 1>lot of people that could do that job. But it

0:23:33.240 --> 0:23:35.479
<v Speaker 1>is something that I love doing and I pride myself

0:23:35.520 --> 0:23:38.320
<v Speaker 1>in doing, and so I think that's one of the

0:23:38.359 --> 0:23:40.840
<v Speaker 1>things I'm most excited about. One things that I'm not

0:23:40.880 --> 0:23:45.960
<v Speaker 1>gonna lie I'm scared about is Okay, I guess scared

0:23:46.000 --> 0:23:49.240
<v Speaker 1>is the wrong word, because I'm not scared. I'm interested

0:23:49.400 --> 0:23:52.439
<v Speaker 1>in is the world's reaction. You Know, when I posted

0:23:52.480 --> 0:23:54.639
<v Speaker 1>the warning, the world how to reaction. When I posted

0:23:54.680 --> 0:23:56.840
<v Speaker 1>the teasers, the world how to reaction. When I posted

0:23:56.840 --> 0:23:59.520
<v Speaker 1>the song, the world had to reaction. So now when

0:23:59.520 --> 0:24:03.359
<v Speaker 1>I share this video, what does the world's reaction look like.

0:24:03.400 --> 0:24:04.919
<v Speaker 1>And that is something that I don't know yet and

0:24:04.920 --> 0:24:08.840
<v Speaker 1>I won't know until it happens. But no matter what,

0:24:08.880 --> 0:24:11.320
<v Speaker 1>I'm already onto the next project, already starting the next

0:24:11.320 --> 0:24:16.280
<v Speaker 1>piece of art. And I kind of say, this version

0:24:16.320 --> 0:24:19.199
<v Speaker 1>of me is like a chef's course dinner. You know,

0:24:19.200 --> 0:24:20.960
<v Speaker 1>you're not going to Outback or Applebee's, where you know

0:24:21.000 --> 0:24:22.840
<v Speaker 1>what you get in and you know you're gonna like it.

0:24:23.400 --> 0:24:26.520
<v Speaker 1>You go into a chef's table where you're going in

0:24:27.200 --> 0:24:30.200
<v Speaker 1>to a Michelin Star restaurant, so you can't change anything.

0:24:30.720 --> 0:24:33.920
<v Speaker 1>But like most people are into it, and if you're

0:24:33.920 --> 0:24:36.399
<v Speaker 1>not into it, you still talk about it. And so

0:24:36.480 --> 0:24:38.399
<v Speaker 1>that's kind of how I like to explain this new

0:24:38.920 --> 0:24:41.399
<v Speaker 1>version of me, this new chapter of my life is

0:24:41.480 --> 0:24:45.679
<v Speaker 1>it is unrestrained, and it is a chef's course freaking dinner.

0:24:46.920 --> 0:24:49.639
<v Speaker 1>We're also just getting started. You know, my goal is

0:24:49.680 --> 0:24:53.880
<v Speaker 1>to create art. I can never ever ever say that enough.

0:24:53.960 --> 0:24:57.800
<v Speaker 1>I'm not not trying to create the national anthem and

0:24:57.600 --> 0:25:00.960
<v Speaker 1>the song of the world. I'm trying to art, and

0:25:01.000 --> 0:25:04.240
<v Speaker 1>I'm trying to create visuals that makes people's heads turn

0:25:04.359 --> 0:25:07.120
<v Speaker 1>and make people go, oh shit, she did that. That

0:25:07.359 --> 0:25:11.040
<v Speaker 1>is my goal with this music, with this project, and

0:25:11.119 --> 0:25:13.840
<v Speaker 1>I uh, I'm very excited for it. I'm very proud

0:25:13.840 --> 0:25:16.679
<v Speaker 1>of it, very ready for it. Gosh, I've been waiting

0:25:17.119 --> 0:25:20.320
<v Speaker 1>waiting two legit years, but I mean I have been waiting.

0:25:20.680 --> 0:25:23.440
<v Speaker 1>I have been waiting since since Miley Cyrus said this

0:25:23.560 --> 0:25:25.399
<v Speaker 1>with Bangers. I mean, I remember going to the Bankers

0:25:25.400 --> 0:25:28.959
<v Speaker 1>too when I was eight years old, and I remember

0:25:28.960 --> 0:25:31.080
<v Speaker 1>wanting to be that, and now here I am twenty

0:25:31.160 --> 0:25:32.960
<v Speaker 1>years old, which is around how old she was when

0:25:32.960 --> 0:25:36.400
<v Speaker 1>she did Bangers, and people people are saying, you're trying

0:25:36.400 --> 0:25:39.800
<v Speaker 1>to do Ami Cyrus. No shit, of course I am.

0:25:39.920 --> 0:25:42.000
<v Speaker 1>That's everything I've always wanted to be. And yes, I

0:25:42.040 --> 0:25:46.760
<v Speaker 1>will never ever be Miley Cyrus ever, but one percent

0:25:46.840 --> 0:25:50.040
<v Speaker 1>I am doing like I am. I'm one hundred percent,

0:25:50.600 --> 0:25:54.280
<v Speaker 1>one hundred percent looking at what she did and taking inspiration.

0:25:54.520 --> 0:25:58.760
<v Speaker 1>I would never ever deny that because that's literally what's

0:25:58.760 --> 0:26:03.560
<v Speaker 1>happening anyways. I feel like that is pretty much my

0:26:03.680 --> 0:26:06.359
<v Speaker 1>karma music video Deep Dive. I mean, it was a long,

0:26:07.160 --> 0:26:09.440
<v Speaker 1>long four days, but it was the best four days

0:26:09.440 --> 0:26:11.800
<v Speaker 1>of my life. The project did turn out exactly how

0:26:11.800 --> 0:26:15.800
<v Speaker 1>I wanted to. From my changes from twenty to twenty two,

0:26:15.880 --> 0:26:17.960
<v Speaker 1>the end of the year to literally the day of

0:26:18.000 --> 0:26:21.840
<v Speaker 1>the music video shoot. Every little detail kept changing, but

0:26:22.600 --> 0:26:25.320
<v Speaker 1>man didn't end up exactly the way that I wanted

0:26:25.320 --> 0:26:29.280
<v Speaker 1>it to. I'm so proud, I'm so ready, I'm so excited.

0:26:29.880 --> 0:26:33.400
<v Speaker 1>I'm so thrilled for the world to get to see

0:26:33.440 --> 0:26:35.359
<v Speaker 1>it and for the world to get to judge it. Like,

0:26:36.359 --> 0:26:40.040
<v Speaker 1>be my guest, have fun with it. If it gives

0:26:40.040 --> 0:26:42.919
<v Speaker 1>you a highlight of your day, let it be that.

0:26:43.080 --> 0:26:47.480
<v Speaker 1>I'm I'm totally cool with that. Ah troops, I love y'all.

0:26:47.520 --> 0:26:49.959
<v Speaker 1>I got lots more good podcasts coming your way. We're

0:26:50.000 --> 0:26:52.639
<v Speaker 1>gonna do a couple more deep doves on Karma for

0:26:52.680 --> 0:26:54.679
<v Speaker 1>this week. I am doing so many things for the

0:26:54.760 --> 0:26:56.439
<v Speaker 1>release of Karma, and so I want to do a

0:26:56.440 --> 0:26:58.680
<v Speaker 1>podcast where I kind of, you know, bring you in

0:26:58.720 --> 0:27:00.720
<v Speaker 1>and let you know everything now kind of went on

0:27:00.760 --> 0:27:03.760
<v Speaker 1>in this week and all the ins and the outs.

0:27:03.800 --> 0:27:06.840
<v Speaker 1>There's a lot happening. We're just getting freaking started. And

0:27:07.119 --> 0:27:09.600
<v Speaker 1>I just want to say that I appreciate you. I

0:27:09.640 --> 0:27:12.480
<v Speaker 1>hope you appreciate yourself. I hope you are proud of yourself.

0:27:12.520 --> 0:27:13.919
<v Speaker 1>I hope you wake up every day and are like,

0:27:13.920 --> 0:27:17.040
<v Speaker 1>you know what, I am me, and that's freaking baller

0:27:17.119 --> 0:27:21.760
<v Speaker 1>because it is noise. Remember, no matter what Karma say,

0:27:21.760 --> 0:27:25.160
<v Speaker 1>they're really good, but Karma's a bitch either way. Though,

0:27:25.359 --> 0:27:28.399
<v Speaker 1>I love you and I appreciate you do this. Thank

0:27:28.400 --> 0:27:31.080
<v Speaker 1>you so much for listening, everybody. Be sure to follow

0:27:31.160 --> 0:27:34.879
<v Speaker 1>us on Instagram and TikTok at Jojesua Now podcast. Be

0:27:34.960 --> 0:27:37.080
<v Speaker 1>sure to write us a review and maybe if you're

0:27:37.080 --> 0:27:39.960
<v Speaker 1>feeling to leave us five stars, I'll see you next week.