WEBVTT - Episode 443 w/ Vybz Kartel

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<v Speaker 1>He is drink chests, motherfucking podcast make si. He's a

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<v Speaker 1>legends every queen's rapper. He ain't segregate as your boy

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<v Speaker 1>in O R eight's a Miami hip hop pioneer put

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<v Speaker 1>up as d J e f N. Together they drink

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<v Speaker 1>it up with some of the biggest players. You know

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<v Speaker 1>what I mean in the most professional unprofessional podcast and

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<v Speaker 1>your number one source for drunk d chans mother post

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<v Speaker 1>d is new year CE. That's it's time for drink champions.

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<v Speaker 1>Drink up, motherfuck mother? Would it good? Be hoping swinter

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<v Speaker 1>stere be it's your boy in O R E. What up?

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<v Speaker 1>It is DJ E f N and this midle tim

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<v Speaker 1>crazy ward ye make.

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<v Speaker 2>When we started this show, we started it saying we

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<v Speaker 2>wanted to pay respect to icons, to legends, to people.

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<v Speaker 2>Are the man's of the people. When I tell you,

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<v Speaker 2>when we started this show, from the beginning, they said,

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<v Speaker 2>get this man. This man is like Jesus. He is

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<v Speaker 2>dominated the world of dance hall. Then took a hiatus

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<v Speaker 2>for thirteen years. They came back and went even in

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<v Speaker 2>the thirteen years, he remained his spots.

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<v Speaker 1>Did he come home?

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<v Speaker 2>He sell out Madison Square, going in towns too, every

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<v Speaker 2>man come to every man Bob.

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<v Speaker 1>They call him the world boss.

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<v Speaker 2>God son, and right now we are here to salute

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<v Speaker 2>and to pay respect.

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<v Speaker 1>Give him his flowers while he's here. The one the.

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<v Speaker 2>Only you guys will once a part of a group.

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<v Speaker 2>It was a group called Vib's Cartel. Correct, yes, or

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<v Speaker 2>three of us. But I was the best one.

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<v Speaker 1>To one.

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<v Speaker 2>Because who got you in the music? I heard it

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<v Speaker 2>was your uncles who got you in the music?

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<v Speaker 1>Yeah, you still watch them, d J, you know what

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<v Speaker 1>I mean. They were like up and coming artists. Like

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<v Speaker 1>I said, I was the best one, so you'll never

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<v Speaker 1>hear of them. Oh even your uncles. Yeah, better than them.

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<v Speaker 1>But they inspired me, like seriously though, Like they got

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<v Speaker 1>me interested in the art form, you know. I mean

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<v Speaker 1>those watching people flowing on beats. That was crazy for

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<v Speaker 1>me as a kid like Bombo, you know, And that's

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<v Speaker 1>when I got interested.

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<v Speaker 2>We got that jay Z clip I want to I

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<v Speaker 2>want to yeah, yeah, the cypher sounds.

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<v Speaker 1>I want to show you. I want to show you

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<v Speaker 1>this si f from yeah yeah yeah yeah. Just didn't

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<v Speaker 1>have it, just didn't pop off like that.

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<v Speaker 3>I almost had Vibes Cartel Rocket forget it in the

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<v Speaker 3>fucking round by him.

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<v Speaker 1>No, truly listening to Rtel. Of course I almost had

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<v Speaker 1>him moment.

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<v Speaker 3>Yeah, he tried three different uh cooks really yeah? Oh

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<v Speaker 3>what's song somewhere? Uh I need to forget? Yeah I

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<v Speaker 3>know yeah yeah cool ass.

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<v Speaker 1>Wow. He couldn't come in he sent him.

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<v Speaker 4>No, he was there, he came.

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<v Speaker 1>Vibes Cartel, Yes, I think he's talking about jay Z

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<v Speaker 1>talking about Movado. Nah, he said you but what which

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<v Speaker 1>what year was that because remember that took my visa

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<v Speaker 1>years ago like oh five.

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<v Speaker 5>Yeah, he might be, but they were mentioning that you

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<v Speaker 5>could can come. That's what they were saying.

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<v Speaker 1>That's why I side for acing twice. Yeah yeah, yeah,

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<v Speaker 1>but yeah, Man'm sorry for that's my bread. I've known

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<v Speaker 1>him for years. Nigga called me one day, Cartel, how

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<v Speaker 1>come you've been speaking for two years and I've never

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<v Speaker 1>meant you? Are you a me? That's crazy, man? But

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<v Speaker 1>you know Cipher's defense.

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<v Speaker 2>Since I've heard of you, it's like a myth that

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<v Speaker 2>comes with you, like it's it's like, I'm gonna be

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<v Speaker 2>honest with you. I'm the other day hanging out with

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<v Speaker 2>one of my Jewish friends, and my Jewish friends told me.

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<v Speaker 2>He said, it's in Jamaica. This is when he said

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<v Speaker 2>that his friends. He said, it's Jesus, Bob and KFC.

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<v Speaker 1>You know what I'm saying. Do you realize how many,

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<v Speaker 1>how many people who.

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<v Speaker 2>Love you, like every artist that I've ever interviewed? Right,

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<v Speaker 2>I go to Twitter and I say, I got this

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<v Speaker 2>artist to call it and the cover.

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<v Speaker 1>So you got questions with you? I'm not even playing.

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<v Speaker 2>With the fans because because they'll be all in my commage.

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<v Speaker 1>Do you realize how how popular you are? Yeah? Man,

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<v Speaker 1>of course? Right? But like I said, I put in

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<v Speaker 1>the work, you know what I mean, and I keep

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<v Speaker 1>its real right true, like night Julie. So I just

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<v Speaker 1>sing my truth and people that's like that about me.

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<v Speaker 1>How was the Grammys? It's amazing. I've never been there before,

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<v Speaker 1>you know what I mean. And I just got out

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<v Speaker 1>of christ six months after crazy. I know I'm walking

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<v Speaker 1>in the red conta know I'm saying.

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<v Speaker 6>I know we talked about vibes can tell the name,

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<v Speaker 6>But before that, you were Adi Banshan.

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<v Speaker 1>I'm still Adi is my favorite Dan Soul artists. He

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<v Speaker 1>inspired me. Yeah, Ninja my two favorites.

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<v Speaker 2>Right, I got that written down there was a car

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<v Speaker 2>sert one time when you was young vibes yeah.

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<v Speaker 1>And Bojo grabbed a mic for you. Yeah, what happened there?

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<v Speaker 1>Nothing happened. That's Butcherbanton man. I mean, I was angry

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<v Speaker 1>and happy.

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<v Speaker 4>And funny enough.

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<v Speaker 1>He gave me one of the most profound how would

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<v Speaker 1>I put it in advice in the industry, because back then,

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<v Speaker 1>when I just came out, I used to flow very hard,

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<v Speaker 1>you know what I mean, And a lot of times

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<v Speaker 1>it went over people's heads, especially with all the fans

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<v Speaker 1>because I was just coming out, and Butcherbanton was like,

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<v Speaker 1>own boy, your.

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<v Speaker 4>Bud, what don't those need you to slow it down?

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<v Speaker 1>I said, that makes sense, And that's when I think

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<v Speaker 1>I found that that balance between the art and commerce,

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<v Speaker 1>because you still need our ship to be sold, right,

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<v Speaker 1>still need people to Yeah, so big for that. But

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<v Speaker 1>I'm still.

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<v Speaker 2>I'm gonna be honest with you. I've seen a guy

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<v Speaker 2>on the internet have this liquor yeah and say this

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<v Speaker 2>should be illegal.

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<v Speaker 1>That's so let's let's let's subscribe to people. Which one

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<v Speaker 1>is this? Oh? This is the rampin shot. That's the

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<v Speaker 1>record you got with you, spie, because we named each

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<v Speaker 1>flavor one of my hit songs. You know what I mean?

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<v Speaker 1>This is my This is the Electric This is dangerous

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<v Speaker 1>as well. But my favorite one is the Fever. Uh huh.

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<v Speaker 1>But it's smooth.

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<v Speaker 2>It's like vodka you say, sixty two percent?

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<v Speaker 1>Yeah, yeah, exactly. It takes her off your chest. This

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<v Speaker 1>is crazy, man, this fever. Which one is that one?

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<v Speaker 4>Oh?

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<v Speaker 1>This is unstoppable okay, and you can't let any of

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<v Speaker 1>its fill because it's unmoppable. That's that's how dangerous this

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<v Speaker 1>one is. So he still fire this one. This one

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<v Speaker 1>is mostly for the ladies. Ladies and anyone can have that,

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<v Speaker 1>but trust me, I recommend the Fever and the unstoppable something.

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<v Speaker 6>See how you just said unstoppable and unmarkable. Since when

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<v Speaker 6>you start being a DJ, like that in your mind

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<v Speaker 6>and you always play with.

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<v Speaker 1>You, always play with words, always play you know this? Yes, yes,

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<v Speaker 1>you know what I mean? What age? Since I was

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<v Speaker 1>born man? Like that's it's also a Jamaican thing. We

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<v Speaker 1>love the rhyme. It's like every kid on a street

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<v Speaker 1>corner in New York wants to be a rapper. It's

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<v Speaker 1>the same thing as Jamaica. You don't want to run

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<v Speaker 1>from the cops as well. Oh you want to do music,

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<v Speaker 1>you know what I mean? So those are not the

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<v Speaker 1>only thing, but you do get your style right, Yeah?

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<v Speaker 1>And the Garrison.

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<v Speaker 2>Was the summertime in the port More Yeah that song, yes.

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<v Speaker 1>But but can you just gribe port More for me?

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<v Speaker 1>I mean, it's just outside Kingston, so it's not in Kingston. Okay,

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<v Speaker 1>we got across the bridge, so it's like Jersey, don't

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<v Speaker 1>New York. Yeah, because we are still very much intertwined

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<v Speaker 1>culturally and everything. Most people in Port Moore at the

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<v Speaker 1>time went to school in Kingston. He worked in Kingston,

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<v Speaker 1>so we're basically a twin city. And how was the life?

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<v Speaker 1>So I grew up?

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<v Speaker 6>How was life and water Ford? Could you describe that

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<v Speaker 6>in anything?

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<v Speaker 1>I mean, I grew up like six of us, you

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<v Speaker 1>know what I mean, six kids, six kids my parents.

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<v Speaker 1>We had six of us in one room at one point,

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<v Speaker 1>on one bed. You know, get your lifestyle. But for me,

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<v Speaker 1>I wouldn't change how I was raised because it made

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<v Speaker 1>me a tough, determined, unwilling to go back there, you

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<v Speaker 1>know what I mean. So yeah, I'm on big for

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<v Speaker 1>Fort More Empire.

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<v Speaker 5>Can you say your uncles were inspiring you to do

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<v Speaker 5>mutic Yeah.

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<v Speaker 1>They were from Kingston. So they used to come to

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<v Speaker 1>my mom's house like on Sundays where my dad had

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<v Speaker 1>this thing set up turn table you know those of

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<v Speaker 1>course with the needle. Yeah, so and they used to

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<v Speaker 1>string the mic up and DJ. They lived in Kingston Waterhouse. Yeah,

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<v Speaker 1>that's where I was born, so big as well.

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<v Speaker 2>So let me just go straight up for action. Who's

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<v Speaker 2>the King of the dance Hall?

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<v Speaker 1>Vibes Garter. Don't get it twisted because you have to

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<v Speaker 1>remember Bean is a legend. I mean, was king the

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<v Speaker 1>same way George was was king. Now we have Charles,

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<v Speaker 1>you know what I mean. These things come and go

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<v Speaker 1>just like life right here now a few years from now,

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<v Speaker 1>we're gone. So currently speaking, you know what I mean.

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<v Speaker 1>That's set by billboard, that's set by the fans, rolling stones,

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<v Speaker 1>you know what I mean. Vibes Garten, the king numbers

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<v Speaker 1>is there to prove it as it relates to dance hall,

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<v Speaker 1>the love is there, impact is there, influences there all right,

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<v Speaker 1>So you know, I mean, what's more left to be said?

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<v Speaker 6>One game and one thing I commend you for is

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<v Speaker 6>you never I haven't heard you talk bad on meaniever.

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<v Speaker 6>You always pay me up against es Guard. You just

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<v Speaker 6>hit them, just hit the Grammys, and you still pay

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<v Speaker 6>them respect on.

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<v Speaker 1>That's my top five. I told you Bounty being in

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<v Speaker 1>vibes Guard. That's it. But I've read a.

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<v Speaker 2>Lot of the comments, and a lot of comments were

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<v Speaker 2>saying that that's the reason why you already king is

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<v Speaker 2>because of your humbleness, Like you could use the opportunity

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<v Speaker 2>and said something wrong or said something bad about No.

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<v Speaker 1>No, God is the great test Man. God is the

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<v Speaker 1>great old You wouldn't have been like that. No, no,

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<v Speaker 1>all right, but you know what I mean. You learn,

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<v Speaker 1>you want some feal, you want some fever. You're offering,

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<v Speaker 1>but I need a ice please? So is this something

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<v Speaker 1>white clanberry white? Right? Okay, okay, yeah, that's cool.

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<v Speaker 2>I'm a little hated and I've never heard of white

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<v Speaker 2>caroen Verby?

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<v Speaker 1>Now is that a Jamaican drink? Or is that universe? Okay?

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<v Speaker 1>You're taking it? Keep keep you see where? Yeah, that's right,

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<v Speaker 1>make it over head, that's right. I reflect that.

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<v Speaker 2>So when you were locked up, what was the most

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<v Speaker 2>thing that you missed more? Because I was about to

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<v Speaker 2>say recording or performing, but you got to record in jail, boy,

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<v Speaker 2>did you miss performing? I didn't get to record. I

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<v Speaker 2>can't figure out how to record. Yeah, because I ain't

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<v Speaker 2>gonna lie. Whatever iPhone you got.

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<v Speaker 1>Fives, I'm gonna record it. It's good for recording. How

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<v Speaker 1>many albums do you recorded in jail? A lot? I

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<v Speaker 1>mean we did. We did Iking, which is now re released.

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<v Speaker 1>We did King on the Dance Al which Feverson soul goal.

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<v Speaker 1>I did the Tuanisha, the album that's nominated for a Grammy,

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<v Speaker 1>that in prison as well.

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<v Speaker 2>Right, So, but you don't sound like you in prison.

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<v Speaker 2>I'm trying to like we were listening to this city today,

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<v Speaker 2>I'm like, how the fuck did you do that?

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<v Speaker 1>Let's figure it out. Remember, everything is the technique once

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<v Speaker 1>you crack the colde in. So I started using my mattress,

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<v Speaker 1>like you know that sponge they gave you to sleep

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<v Speaker 1>on to imitate the cushions sound in the studio. Micah.

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<v Speaker 1>So that's that's what I figured out.

0:13:41.679 --> 0:13:43.920
<v Speaker 5>I'm excited to take you to figure that part out a.

0:13:43.880 --> 0:13:46.800
<v Speaker 1>Few years because I started recording, like in twenty twelve,

0:13:46.920 --> 0:13:48.480
<v Speaker 1>and by twenty thirteen I figured it.

0:13:48.480 --> 0:13:50.800
<v Speaker 2>OUTA you had a phone in there immediately, Yeah.

0:13:50.640 --> 0:13:53.920
<v Speaker 1>No, I had an iPad the small one, a rectangular one.

0:13:53.960 --> 0:13:55.800
<v Speaker 1>Remember those early ones from back in the day. I

0:13:55.880 --> 0:13:58.400
<v Speaker 1>used to use that, Yeah, until I figured it out,

0:13:58.440 --> 0:14:01.440
<v Speaker 1>like twenty thirteen. Then I started doing more better quality

0:14:01.520 --> 0:14:03.280
<v Speaker 1>songs in terms of the sound.

0:14:03.679 --> 0:14:08.439
<v Speaker 2>Wow, Now, what's your favorite place to perform? I see

0:14:08.440 --> 0:14:10.400
<v Speaker 2>you just booked Cologne, Germany?

0:14:10.480 --> 0:14:13.040
<v Speaker 1>Right? Yeah, I mean yeah, what's your favorite place.

0:14:12.840 --> 0:14:16.120
<v Speaker 2>To perform outside of Let me let me rephrase the question.

0:14:16.400 --> 0:14:18.240
<v Speaker 2>What's the place that you performed that? Then you was like,

0:14:18.280 --> 0:14:21.000
<v Speaker 2>dam why am I here like a weird place?

0:14:23.960 --> 0:14:27.440
<v Speaker 1>I don't know, man, Like I embraced everywhere. Let me

0:14:27.520 --> 0:14:33.800
<v Speaker 1>let me think Japan two thousand and one. That was crazy. Yeah,

0:14:33.840 --> 0:14:36.600
<v Speaker 1>that's crazy because like at the time most of these

0:14:36.880 --> 0:14:40.040
<v Speaker 1>the Internet wasn't around. That's big. So it was crazy

0:14:40.080 --> 0:14:43.120
<v Speaker 1>for me to go to Japan and was like, these

0:14:43.120 --> 0:14:46.000
<v Speaker 1>people know my songs, you know what I mean? So

0:14:46.120 --> 0:14:49.200
<v Speaker 1>that was crazy. But since then, you know, we got

0:14:49.320 --> 0:14:50.480
<v Speaker 1>used to it. Okay.

0:14:51.760 --> 0:14:55.280
<v Speaker 2>Now, when you went to when you went to trial,

0:14:56.320 --> 0:14:58.720
<v Speaker 2>A friend of mine's different. I believe you went had

0:14:58.760 --> 0:14:59.640
<v Speaker 2>twelve days a trial.

0:15:00.040 --> 0:15:00.840
<v Speaker 1>I believe he went to.

0:15:00.800 --> 0:15:04.640
<v Speaker 2>Eleven days, and I believe if I hear this right,

0:15:05.080 --> 0:15:08.280
<v Speaker 2>on the twelfth day, they didn't let him in because.

0:15:08.560 --> 0:15:11.000
<v Speaker 1>They knew he was going to be guilty. I'm talking

0:15:11.000 --> 0:15:13.960
<v Speaker 1>about Buster Ribs. Yes, yes, yes, that's my G. I

0:15:14.040 --> 0:15:16.080
<v Speaker 1>was with him in La La. I just did him

0:15:16.600 --> 0:15:17.960
<v Speaker 1>in the studio. Yeah.

0:15:18.080 --> 0:15:20.800
<v Speaker 2>So, how's your relationship with bus Describe your relationship.

0:15:21.280 --> 0:15:23.520
<v Speaker 1>That's my g. The first time I met him was

0:15:23.560 --> 0:15:26.320
<v Speaker 1>after I did Best at the Best because remember I

0:15:26.360 --> 0:15:29.880
<v Speaker 1>didn't have a visa, so I was the first artist

0:15:29.920 --> 0:15:33.040
<v Speaker 1>to do Best at the Best from Jamaica by your satellite,

0:15:33.800 --> 0:15:35.360
<v Speaker 1>you know what I mean. Live. So he was in

0:15:35.440 --> 0:15:38.560
<v Speaker 1>the crowd in Miami watching on stage and was like, Yo,

0:15:38.640 --> 0:15:42.040
<v Speaker 1>what the fuck is this? I need to know this person.

0:15:42.440 --> 0:15:46.800
<v Speaker 1>So we came to Jamaica. Oh so he do music first? Okay, okay, okay,

0:15:47.320 --> 0:15:49.600
<v Speaker 1>so he came to Well, we loved Buster Ryan right

0:15:49.720 --> 0:15:51.520
<v Speaker 1>right because you know, growing up we think we found

0:15:51.560 --> 0:15:54.880
<v Speaker 1>out he was Jamaica and the DJ very well, he

0:15:55.040 --> 0:15:57.120
<v Speaker 1>raps very well, you know what I mean? Yeah, yeah, yeah.

0:15:57.240 --> 0:16:05.280
<v Speaker 1>So the Fever, the fever. You don't know the song.

0:16:07.160 --> 0:16:13.360
<v Speaker 2>Fever? Okay, hell y, hell ya, salu yo. Man, let

0:16:13.400 --> 0:16:16.760
<v Speaker 2>me tell you something, world boss man, we are son.

0:16:17.080 --> 0:16:26.400
<v Speaker 1>This is fever. Let's do that looking Fever they're looking fever. Okay.

0:16:26.720 --> 0:16:31.640
<v Speaker 2>So now if I'm a tourist, I've never been to Jamaica.

0:16:32.440 --> 0:16:35.920
<v Speaker 2>I'm a big Bobscartel fan. Where where do you recommend

0:16:35.960 --> 0:16:38.120
<v Speaker 2>that I go in Jamaica for what?

0:16:38.600 --> 0:16:47.560
<v Speaker 1>For? I don't know? To be safe, it's.

0:16:47.440 --> 0:16:48.560
<v Speaker 4>Good man, you can't go anywhere.

0:16:48.560 --> 0:16:50.880
<v Speaker 1>I mean, if you love Dan soul and you want

0:16:50.920 --> 0:16:53.040
<v Speaker 1>to be in that culture where Cartel is from, Bounty

0:16:53.080 --> 0:16:58.160
<v Speaker 1>beating Fada, come to Kingston. Come to Kingston with party

0:16:58.320 --> 0:17:01.680
<v Speaker 1>every single night. So them mon they choose Wednesday thirty Friday.

0:17:02.080 --> 0:17:05.720
<v Speaker 1>You want like a resort, vibe, white sand beaches, the

0:17:05.760 --> 0:17:09.119
<v Speaker 1>girls with the little thing. You go to Montego to

0:17:09.160 --> 0:17:12.840
<v Speaker 1>be feared. To Montego Bay. They also have a very

0:17:12.880 --> 0:17:16.400
<v Speaker 1>powerful inner city culture. They got Gunman in Montigo Bay.

0:17:16.520 --> 0:17:19.680
<v Speaker 1>I've never seen one. Okay, cool, but I will say

0:17:19.720 --> 0:17:22.800
<v Speaker 1>this though, they have a very strong culture as well.

0:17:22.800 --> 0:17:26.840
<v Speaker 1>Because they're the second city. So so Mantigo Bay would

0:17:26.880 --> 0:17:30.120
<v Speaker 1>be if Kingston were in New York, Montego Bay would

0:17:30.119 --> 0:17:33.560
<v Speaker 1>be Los Angeles. Okay, they go and they pushed. They

0:17:33.560 --> 0:17:36.480
<v Speaker 1>have big artists from Montego Bay as well. Culture, the energy,

0:17:36.680 --> 0:17:40.320
<v Speaker 1>you know, I mean dancers, Yeah, Tommy Lee. Yeah, I

0:17:40.320 --> 0:17:42.800
<v Speaker 1>brought out Tommy Lee and I mean I have squash.

0:17:42.880 --> 0:17:46.840
<v Speaker 1>He lives in Miami. Now's the artist man, Jamal the duntsman.

0:17:47.320 --> 0:17:49.639
<v Speaker 1>So yeah, More Bay's a nice cultural place too.

0:17:49.960 --> 0:17:52.160
<v Speaker 2>Okay, I've been to Montego Bay.

0:17:52.200 --> 0:17:54.160
<v Speaker 1>Oh you've been there? Yeah, resort part.

0:17:54.480 --> 0:18:00.560
<v Speaker 2>Yeah, I don't know nobody, so.

0:18:03.000 --> 0:18:04.119
<v Speaker 1>I know we're all over the place.

0:18:04.119 --> 0:18:07.040
<v Speaker 6>But I want to talk about Alliance and you and

0:18:07.119 --> 0:18:09.840
<v Speaker 6>your introduction to Bounty Killer and that that part of

0:18:09.880 --> 0:18:10.440
<v Speaker 6>your life.

0:18:10.680 --> 0:18:13.200
<v Speaker 1>Oh that was crazy, man. Like I was in pot

0:18:13.240 --> 0:18:16.000
<v Speaker 1>More at the time. So a dude that saw me

0:18:16.240 --> 0:18:19.040
<v Speaker 1>on a show, a stage show, amateur night and he

0:18:19.160 --> 0:18:22.919
<v Speaker 1>was like, Yo, I know Bounty Killer and I can

0:18:23.000 --> 0:18:26.320
<v Speaker 1>make the introduction. But them times, as a youth from

0:18:26.359 --> 0:18:30.440
<v Speaker 1>the ghetto, we was like, where do you know Bounty Killer? Yeah?

0:18:30.520 --> 0:18:34.119
<v Speaker 1>Like how you know it? Who are you? Yeah? Exactly

0:18:34.480 --> 0:18:37.200
<v Speaker 1>because at the time he was driving a Nissan. I'm like, nigga,

0:18:37.359 --> 0:18:37.679
<v Speaker 1>how you.

0:18:39.720 --> 0:18:40.120
<v Speaker 4>Know what I mean?

0:18:40.160 --> 0:18:42.480
<v Speaker 1>So it took us months because I was like, yeah,

0:18:42.600 --> 0:18:45.280
<v Speaker 1>come pick me up today, five o'clock, five o'clock. I

0:18:45.359 --> 0:18:47.560
<v Speaker 1>never showed you know what I mean. And then one

0:18:47.640 --> 0:18:49.480
<v Speaker 1>day me and my friends was there chilling and we

0:18:49.520 --> 0:18:53.280
<v Speaker 1>was like you know what, he's determined, give him my chat,

0:18:53.440 --> 0:18:55.520
<v Speaker 1>you know what I mean. See how determination is a

0:18:55.520 --> 0:18:58.560
<v Speaker 1>good thing too. So I said, okay, let's go. And

0:18:58.680 --> 0:19:02.320
<v Speaker 1>he actually knew Bounty. So when he took me to Bounty, Killer,

0:19:02.800 --> 0:19:06.040
<v Speaker 1>Bounty was there. I think he was playing cards or dominos,

0:19:06.040 --> 0:19:08.720
<v Speaker 1>but some gambling was going on and he didn't even

0:19:08.720 --> 0:19:11.159
<v Speaker 1>look up. Like Butler was like, oh, this is the

0:19:11.240 --> 0:19:14.080
<v Speaker 1>dude that I wanted to introduce it to. And Killer

0:19:14.119 --> 0:19:16.040
<v Speaker 1>was like, yeah, man, make him do the demo, you know,

0:19:17.480 --> 0:19:20.400
<v Speaker 1>let him do the money double six. And because he's

0:19:20.400 --> 0:19:22.520
<v Speaker 1>playing his domino. Anyway, we went to do the demo.

0:19:23.200 --> 0:19:25.040
<v Speaker 1>When I went to the studio to do the demo,

0:19:26.520 --> 0:19:29.320
<v Speaker 1>I saw a man. A man came in and the

0:19:29.400 --> 0:19:32.040
<v Speaker 1>engineer was arguing with him and something he pulled the

0:19:32.080 --> 0:19:34.560
<v Speaker 1>gun shot the dude killed him and spot we had

0:19:34.560 --> 0:19:36.680
<v Speaker 1>to leave the like I would have blood cut. It's

0:19:36.680 --> 0:19:39.439
<v Speaker 1>all kind of classes. Listen, I'm alive. Anyway, we went

0:19:39.480 --> 0:19:43.760
<v Speaker 1>to another studio where I met a famous Jamaican DJ

0:19:43.880 --> 0:19:47.680
<v Speaker 1>called Ricky Schoper. In Jamaica, we wouldn't call him DJ

0:19:47.800 --> 0:19:50.359
<v Speaker 1>or we'd call him a selector. He spins the turntable

0:19:51.000 --> 0:19:54.200
<v Speaker 1>and that was the start of an amazing relationship as well. Anyway,

0:19:54.280 --> 0:19:57.119
<v Speaker 1>did the demo, went back to Bounty Killer the next day,

0:19:57.200 --> 0:20:01.120
<v Speaker 1>gave him the demo, left, came back next day, and

0:20:01.200 --> 0:20:07.440
<v Speaker 1>then he was like yeah, yeah, yeah, that's when Bone

0:20:07.480 --> 0:20:10.360
<v Speaker 1>Killer became my mentor you know what I mean, legend. Yeah,

0:20:10.359 --> 0:20:14.159
<v Speaker 1>he made me famous. Big up. Bon Tekula should do that.

0:20:14.200 --> 0:20:16.560
<v Speaker 1>Brought you to him because oh yeah, but he lives

0:20:16.600 --> 0:20:19.639
<v Speaker 1>in la right now. As a matter of fact, me

0:20:19.720 --> 0:20:21.800
<v Speaker 1>and him not that close. But he's a little bro.

0:20:22.600 --> 0:20:24.520
<v Speaker 1>He's one of my road managers. I don't leave him

0:20:24.560 --> 0:20:26.639
<v Speaker 1>everywhere in the world I am. He's there. About the

0:20:26.640 --> 0:20:29.639
<v Speaker 1>first time he met Buju Bo, Like I said, the

0:20:29.640 --> 0:20:32.800
<v Speaker 1>first time I actually met him apart from the incident,

0:20:33.080 --> 0:20:35.800
<v Speaker 1>was in Manhattan. Sometimes I had visa way back in

0:20:35.880 --> 0:20:39.840
<v Speaker 1>the day, like two thousand and four. Yeah, and let

0:20:39.840 --> 0:20:40.240
<v Speaker 1>me ask.

0:20:40.119 --> 0:20:42.640
<v Speaker 2>You a little political questions not so political, but why

0:20:42.640 --> 0:20:45.440
<v Speaker 2>did Jamaicas need visas to come here? But Americans don't

0:20:45.480 --> 0:20:46.720
<v Speaker 2>need visas to go to Jamaica.

0:20:47.720 --> 0:20:51.600
<v Speaker 1>In America is America. If you guys need visas to

0:20:51.640 --> 0:20:57.399
<v Speaker 1>will maybe Russia. London.

0:20:57.680 --> 0:20:59.400
<v Speaker 2>They kick me out of London. I have a visa,

0:20:59.440 --> 0:21:01.840
<v Speaker 2>they kick me out. They didn't even let me get

0:21:02.040 --> 0:21:02.760
<v Speaker 2>out of the airport.

0:21:03.160 --> 0:21:04.920
<v Speaker 1>We need visas for some beer. They kicked me right

0:21:04.920 --> 0:21:07.560
<v Speaker 1>out London. Yeah, I mean you know you loved it, motherfucker.

0:21:10.000 --> 0:21:12.159
<v Speaker 1>I mean we could you know, let me tell us

0:21:12.160 --> 0:21:16.200
<v Speaker 1>on that I'm not going to get to because they're

0:21:16.200 --> 0:21:19.440
<v Speaker 1>going to end up in race. And how does it

0:21:19.480 --> 0:21:20.600
<v Speaker 1>feel to get your visa back?

0:21:20.640 --> 0:21:23.600
<v Speaker 6>And what does that mean for an artist coming from

0:21:23.680 --> 0:21:24.880
<v Speaker 6>Jamaica and overseas.

0:21:24.920 --> 0:21:27.280
<v Speaker 1>I mean it feels good, man. And I think I

0:21:27.320 --> 0:21:33.240
<v Speaker 1>deserve it too, right, I mean, so shout out to it. Yeah,

0:21:34.000 --> 0:21:37.080
<v Speaker 1>not not. I don't say that to sound cocky or anything.

0:21:37.280 --> 0:21:40.240
<v Speaker 1>I just say that because apart from me putting in

0:21:40.240 --> 0:21:42.919
<v Speaker 1>the work, I think I'm changed as a person and

0:21:42.960 --> 0:21:47.480
<v Speaker 1>I'm more user friendly so to speak. So yeah, I

0:21:47.480 --> 0:21:50.480
<v Speaker 1>think I deserve And you got all the charges. We

0:21:50.560 --> 0:21:54.040
<v Speaker 1>got to quit it of all the all the charges charge.

0:21:56.119 --> 0:21:59.280
<v Speaker 2>Because one of the things that that was said to

0:21:59.320 --> 0:22:01.639
<v Speaker 2>me was this whole time he was he was, he

0:22:01.800 --> 0:22:03.520
<v Speaker 2>was caught, but there was no gun and there was

0:22:03.560 --> 0:22:04.879
<v Speaker 2>nobody that they ever found.

0:22:05.280 --> 0:22:08.840
<v Speaker 1>No. Yeah, so it was almost like that's that's like.

0:22:09.400 --> 0:22:12.800
<v Speaker 1>I mean, I went through the childs and tribulations and God,

0:22:14.080 --> 0:22:17.720
<v Speaker 1>God brought me through successfully, you know, so made it through,

0:22:17.920 --> 0:22:20.359
<v Speaker 1>made it God is the greatest, goddamn yeah.

0:22:20.400 --> 0:22:26.520
<v Speaker 2>Man, So he was some of the things you was

0:22:26.560 --> 0:22:30.800
<v Speaker 2>watching in jail, everything everything you had Internet, you had

0:22:30.840 --> 0:22:31.560
<v Speaker 2>world Star.

0:22:32.200 --> 0:22:36.440
<v Speaker 1>World Stars know that jail man, I had fucking porn Hub.

0:22:43.520 --> 0:22:47.960
<v Speaker 2>You walked the Red Carpet and the Grammys, and I

0:22:48.040 --> 0:22:50.640
<v Speaker 2>need to point out every every little website like you knew.

0:22:51.119 --> 0:22:54.960
<v Speaker 1>It was like he had to be and it can. Yeah,

0:22:54.960 --> 0:22:57.320
<v Speaker 1>it's up to the time, man. I mean they've taken

0:22:57.400 --> 0:22:59.720
<v Speaker 1>so much, so many phones from in prison. I've lost

0:22:59.720 --> 0:23:02.440
<v Speaker 1>count man, because it's not like it's legal, right, but

0:23:02.560 --> 0:23:06.240
<v Speaker 1>it's a cell and I'm in a cell. Yeah, so

0:23:06.560 --> 0:23:13.760
<v Speaker 1>you know you know how that goes. It's crazy though

0:23:13.840 --> 0:23:17.800
<v Speaker 1>whatever I mean, I wasn't. I wasn't given the worst treatment.

0:23:18.359 --> 0:23:20.720
<v Speaker 1>I wasn't singled out. You know, sometimes people have to

0:23:20.760 --> 0:23:23.480
<v Speaker 1>single you out, but when I was in Jamaican version,

0:23:23.520 --> 0:23:26.800
<v Speaker 1>I wasn't like singled out in a bad way, right right,

0:23:27.080 --> 0:23:28.879
<v Speaker 1>only in good ways, you know, because you know, the

0:23:28.880 --> 0:23:31.320
<v Speaker 1>culture is big and like I said, I'm a chill person,

0:23:31.880 --> 0:23:32.560
<v Speaker 1>you know what I mean.

0:23:32.480 --> 0:23:38.640
<v Speaker 2>And you're the world on the fucking balls. Yes, yes,

0:23:39.000 --> 0:23:41.520
<v Speaker 2>show it's about giving people their flowers when they could

0:23:41.520 --> 0:23:42.480
<v Speaker 2>smell them, their thoughts where they.

0:23:42.400 --> 0:23:44.560
<v Speaker 1>Could think them, and they drinks while they could drink them.

0:23:44.840 --> 0:23:48.160
<v Speaker 2>Yo, man, welcome home, Yo, stay home, stay on top.

0:23:48.000 --> 0:23:50.040
<v Speaker 1>Of the game. We want to give you your flowers

0:23:50.200 --> 0:24:02.320
<v Speaker 1>face to face. Yeah it's yeah. Yeah, that's a camera. Yeah.

0:24:03.320 --> 0:24:05.159
<v Speaker 2>Snoop Dogg said it's better than the Grammy because it

0:24:05.160 --> 0:24:05.919
<v Speaker 2>comes from his people.

0:24:06.600 --> 0:24:17.800
<v Speaker 1>Tell them where you're from. He's from. Yeah, all around. Yeah,

0:24:17.840 --> 0:24:20.240
<v Speaker 1>thank you man. It means a lot.

0:24:20.560 --> 0:24:25.160
<v Speaker 2>Yes, you got your nickname is the war Angel as well?

0:24:25.160 --> 0:24:27.439
<v Speaker 6>You know what I'm saying, And what's the war Angel?

0:24:27.680 --> 0:24:29.760
<v Speaker 6>Was the War Angel? Yes, So I want to go

0:24:29.840 --> 0:24:32.480
<v Speaker 6>back a little bit because we're in the magnificence of

0:24:32.560 --> 0:24:35.000
<v Speaker 6>Vibes Cartel right now, but we have to talk about

0:24:35.040 --> 0:24:36.679
<v Speaker 6>how you got there and the things that made you

0:24:36.720 --> 0:24:39.520
<v Speaker 6>that you know, and you said some of your inspiration

0:24:39.760 --> 0:24:42.879
<v Speaker 6>was Bounty Bugey and Ninja Man. Yes, you had an

0:24:42.920 --> 0:24:44.800
<v Speaker 6>instance from Ninja Man one time on stage.

0:24:44.840 --> 0:24:45.320
<v Speaker 1>You know what I mean.

0:24:45.320 --> 0:24:47.399
<v Speaker 6>I'm just wondering, how the hell do you have an

0:24:47.400 --> 0:24:48.480
<v Speaker 6>instance like that.

0:24:48.440 --> 0:24:52.040
<v Speaker 1>With one of your inspiration. It was an unfortunate incident,

0:24:52.880 --> 0:24:55.840
<v Speaker 1>you know what I mean. Funny enough, Like I said,

0:24:55.920 --> 0:24:58.600
<v Speaker 1>Ninja Man is the first artist that I really listened

0:24:58.640 --> 0:25:01.240
<v Speaker 1>to and was like, I want to do this. It's

0:25:01.320 --> 0:25:01.760
<v Speaker 1>my job.

0:25:01.880 --> 0:25:02.960
<v Speaker 4>It's going to be my job.

0:25:03.760 --> 0:25:06.840
<v Speaker 1>So I guess we were bound to meet at some time.

0:25:06.920 --> 0:25:12.840
<v Speaker 1>They say worked the idol becomes a rival's Yeah, yeah,

0:25:12.920 --> 0:25:15.159
<v Speaker 1>so it happened. Yeah, so I mean, I guess that's

0:25:15.359 --> 0:25:18.639
<v Speaker 1>what brought me and his journey right there in that

0:25:18.760 --> 0:25:21.360
<v Speaker 1>time and space together. But yeah, we cool. We met

0:25:21.400 --> 0:25:24.840
<v Speaker 1>after that. We were actually in prison together, like two prisons. Yeah,

0:25:24.880 --> 0:25:26.879
<v Speaker 1>so we were in Spanish down prison and we were

0:25:26.920 --> 0:25:29.639
<v Speaker 1>in Towers Street in Kingston. I left in there as

0:25:29.680 --> 0:25:32.160
<v Speaker 1>a matter of fact, So big up Ninja Man. But yeah,

0:25:32.200 --> 0:25:34.879
<v Speaker 1>that was a crazy point in my career. You know,

0:25:35.200 --> 0:25:38.640
<v Speaker 1>I was hungry. I could tell you I was hungry man,

0:25:38.680 --> 0:25:42.760
<v Speaker 1>and I wanted it any means necessary. Yeah, well, big

0:25:42.760 --> 0:25:44.080
<v Speaker 1>of Ninja. We're good like that.

0:25:44.800 --> 0:25:46.560
<v Speaker 5>And what about the Times of Bounty? Who all was

0:25:46.600 --> 0:25:47.240
<v Speaker 5>in the Alliance?

0:25:48.000 --> 0:25:50.160
<v Speaker 1>Oh yeah, I had the lyrical field at the Alliance

0:25:50.200 --> 0:25:52.680
<v Speaker 1>as well when I left, Because you but how long

0:25:52.720 --> 0:25:55.880
<v Speaker 1>were you with them? I was with Alliance some two thousand,

0:25:55.920 --> 0:25:59.359
<v Speaker 1>about two thousand and five, two thousand and six, Yes,

0:26:00.040 --> 0:26:02.119
<v Speaker 1>funny enough. You know what started that field with me

0:26:02.160 --> 0:26:05.880
<v Speaker 1>an Alliance. When I went to Beanie Man's wedding, Oh yeah,

0:26:06.760 --> 0:26:14.119
<v Speaker 1>he was was he grow Beanie was at it at

0:26:14.160 --> 0:26:17.280
<v Speaker 1>the time because remember Bounty being in Man married at

0:26:17.320 --> 0:26:21.640
<v Speaker 1>the time, socience was high. It was loving hip hop

0:26:21.640 --> 0:26:30.520
<v Speaker 1>and Jamake exactly. Angel that's being a man's wife. I've

0:26:30.520 --> 0:26:34.560
<v Speaker 1>known her for years, so I basically went to angel wedding.

0:26:34.640 --> 0:26:37.560
<v Speaker 1>But you were supporting her, yes, right, and trust me

0:26:37.680 --> 0:26:43.520
<v Speaker 1>Man that that was great. Yes, that caused it many

0:26:44.400 --> 0:26:46.560
<v Speaker 1>But did you do you did a record as well?

0:26:46.600 --> 0:26:49.119
<v Speaker 1>What he did a record? Yeah? What she was being

0:26:49.880 --> 0:26:52.040
<v Speaker 1>birth to a life? You know what's it was a

0:26:52.040 --> 0:26:55.399
<v Speaker 1>big it was a big song. Yeah, but that's what

0:26:55.560 --> 0:26:59.520
<v Speaker 1>started and we went and that's what Bert like the

0:26:59.560 --> 0:27:03.879
<v Speaker 1>emerging and so God's a gully because then stepped up

0:27:05.560 --> 0:27:06.119
<v Speaker 1>that gully.

0:27:06.200 --> 0:27:08.639
<v Speaker 2>Is that's who you guys win against, right, Yes, yes, okay,

0:27:08.720 --> 0:27:09.920
<v Speaker 2>but we're both from Alliance.

0:27:12.800 --> 0:27:15.240
<v Speaker 5>Yeah, so when you have that problem, he stepped up

0:27:15.280 --> 0:27:16.120
<v Speaker 5>for Alliance.

0:27:16.320 --> 0:27:20.000
<v Speaker 1>Yes, he stepped up for Alliance because I was shooting everyone.

0:27:20.280 --> 0:27:22.199
<v Speaker 1>He was like the young brave one that at the

0:27:22.240 --> 0:27:26.640
<v Speaker 1>time the way I do. And that's when it started.

0:27:26.880 --> 0:27:32.280
<v Speaker 1>So it's over. It's over now. Yeahahn, because matter.

0:27:32.160 --> 0:27:33.080
<v Speaker 5>Went down for a while.

0:27:33.280 --> 0:27:36.000
<v Speaker 1>Yeah yeah, yeah, no, matter of fact, his son was

0:27:36.040 --> 0:27:39.240
<v Speaker 1>in the same person I was in two yeah yeah,

0:27:39.280 --> 0:27:42.960
<v Speaker 1>so yeah, show the guard. Yeah he's in town.

0:27:43.280 --> 0:27:45.479
<v Speaker 6>Do you ever do you ever look back at those times?

0:27:45.480 --> 0:27:48.280
<v Speaker 6>And and I don't want to say regret. I never

0:27:48.359 --> 0:27:51.080
<v Speaker 6>regret anything, but maybe you want to do something different.

0:27:51.160 --> 0:27:53.200
<v Speaker 1>I know, I want to live in this universe, man,

0:27:53.640 --> 0:27:57.960
<v Speaker 1>and this universe brought me to where I am.

0:27:58.119 --> 0:28:06.880
<v Speaker 2>Well, right, it's a fire happening, right, and you got

0:28:06.880 --> 0:28:07.760
<v Speaker 2>one bottle of fever.

0:28:08.720 --> 0:28:14.480
<v Speaker 1>You could save one person, I understandle no no, I.

0:28:17.560 --> 0:28:24.159
<v Speaker 2>Say one person, yes, booju or bounty killing, save one

0:28:24.280 --> 0:28:25.720
<v Speaker 2>the fire moreal. I just want to let you know

0:28:26.040 --> 0:28:31.280
<v Speaker 2>he can save. He's gonna drink the fever himself.

0:28:32.280 --> 0:28:34.639
<v Speaker 1>I thought I could have sat. I saw that on

0:28:34.680 --> 0:28:36.879
<v Speaker 1>your program that when the person doesn't want to answer,

0:28:37.200 --> 0:28:37.639
<v Speaker 1>you drink.

0:28:42.160 --> 0:28:46.480
<v Speaker 7>That's I'm gonna take a drink.

0:28:49.480 --> 0:28:54.400
<v Speaker 1>It's a quick you're ready for hold on, hold on,

0:28:54.440 --> 0:28:57.480
<v Speaker 1>I want to go ahead. Hold on, my bad, you're

0:28:57.480 --> 0:28:58.959
<v Speaker 1>gonna you gotta step your ship up there.

0:28:59.640 --> 0:29:02.560
<v Speaker 2>That's what they make up these questions. But let's let's

0:29:02.560 --> 0:29:03.640
<v Speaker 2>talk about one of your friends.

0:29:03.680 --> 0:29:11.240
<v Speaker 1>Sean Storm that's my brother man friends. Yeah, real bro man.

0:29:13.320 --> 0:29:16.160
<v Speaker 2>Everything is great, Yeah yeah, yeah, yeah, okay, yeah.

0:29:16.040 --> 0:29:18.600
<v Speaker 1>His mom used to sell at the primary school that

0:29:18.640 --> 0:29:20.440
<v Speaker 1>I went to. He went to there to but I'm

0:29:20.440 --> 0:29:23.040
<v Speaker 1>older than him, so I was there before. So yeah,

0:29:23.440 --> 0:29:26.360
<v Speaker 1>we grew up in the same community, right, yeah, Okay,

0:29:26.720 --> 0:29:30.640
<v Speaker 1>that's my bro man. Okay, talk to him every day. Okay, yeah, yeah,

0:29:31.080 --> 0:29:32.760
<v Speaker 1>Why did you ask that though, even though it's you,

0:29:33.360 --> 0:29:36.040
<v Speaker 1>I don't know. I just want to make sure I'm

0:29:36.080 --> 0:29:38.120
<v Speaker 1>one point.

0:29:38.840 --> 0:29:40.120
<v Speaker 2>I want to make sure I want point. I have

0:29:40.200 --> 0:29:42.560
<v Speaker 2>to call every Let me tell you something. Everybody wants

0:29:42.560 --> 0:29:45.560
<v Speaker 2>to be a part of this interview. Everybody man, because

0:29:45.920 --> 0:29:48.120
<v Speaker 2>you're so important to the people, you know what I mean,

0:29:48.200 --> 0:29:50.760
<v Speaker 2>and and like you know what I mean. I just

0:29:50.800 --> 0:29:53.280
<v Speaker 2>wanted to I just wanted to give your flowers, man,

0:29:53.320 --> 0:29:55.320
<v Speaker 2>because you know what I mean, Like, your story is

0:29:55.360 --> 0:29:56.840
<v Speaker 2>impeccable flowers received.

0:29:57.160 --> 0:30:03.160
<v Speaker 5>Right, Well, I want to ask you what influenced, if

0:30:03.200 --> 0:30:05.480
<v Speaker 5>any did you have a hip hop artist from over

0:30:05.480 --> 0:30:07.840
<v Speaker 5>here in the States.

0:30:06.800 --> 0:30:09.560
<v Speaker 1>Growing up, are used to listening to like KRS one, BDP,

0:30:10.360 --> 0:30:13.280
<v Speaker 1>Love the Browns, and I mean Slick Creck, a little

0:30:13.280 --> 0:30:15.560
<v Speaker 1>bit of Big that we loved, click crick in Jamaica.

0:30:15.600 --> 0:30:19.840
<v Speaker 1>Back in the day, we heard, yeah man the ruler,

0:30:20.920 --> 0:30:24.360
<v Speaker 1>the teacher. Yeah, come on, big up, slickman recruited big

0:30:24.400 --> 0:30:26.840
<v Speaker 1>chin and you know, back in the days, Jamaicans used

0:30:26.880 --> 0:30:29.520
<v Speaker 1>to love to wear those big, heavy gold chains, you

0:30:29.520 --> 0:30:31.200
<v Speaker 1>know what I mean them times the diamond and the

0:30:31.240 --> 0:30:35.640
<v Speaker 1>bling wasn't such a thing. But yeah, I'm on, you

0:30:35.680 --> 0:30:38.920
<v Speaker 1>call yourself the teacher too, right, Yeah? But yeah, well

0:30:39.080 --> 0:30:41.840
<v Speaker 1>I didn't call myself the teacher. The people gave me that.

0:30:42.880 --> 0:30:45.560
<v Speaker 1>People gave me World Boss. I only gave myself the

0:30:45.640 --> 0:30:50.840
<v Speaker 1>name Vibecartel and war Angel. Remember Bounty Killers, the warl Right,

0:30:52.280 --> 0:30:56.080
<v Speaker 1>so he needs the little war angels around. Yeah, yeah

0:30:56.240 --> 0:31:00.080
<v Speaker 1>did you. Yes, that's how we actually hooked up. I

0:31:00.720 --> 0:31:04.280
<v Speaker 1>met in terms of like I used to write, and

0:31:04.320 --> 0:31:06.360
<v Speaker 1>then he gave me the opportunity to do a song

0:31:06.400 --> 0:31:12.560
<v Speaker 1>with him called Galla Clad. Wait wait, you said used

0:31:12.560 --> 0:31:15.400
<v Speaker 1>to write. Yeah, I wrote like back in the day,

0:31:15.480 --> 0:31:20.920
<v Speaker 1>like the whole song. Yes, yes, yes, really, yeah that's cool. Yes,

0:31:21.600 --> 0:31:27.959
<v Speaker 1>that's Bounty Killer. We're gonna say that's uncool. No, No,

0:31:28.000 --> 0:31:30.960
<v Speaker 1>I'm just saying because had the team up right tests

0:31:31.000 --> 0:31:34.480
<v Speaker 1>around him, good writers too, Wow, you know what I mean? Yeah,

0:31:34.600 --> 0:31:35.720
<v Speaker 1>very good, right, test Man.

0:31:38.080 --> 0:31:39.920
<v Speaker 5>So you guys have more output. I feel like then

0:31:40.040 --> 0:31:42.920
<v Speaker 5>artists over here. Yeah right, you're right on every rhythm

0:31:42.920 --> 0:31:44.280
<v Speaker 5>that comes out, just.

0:31:44.400 --> 0:31:48.760
<v Speaker 1>Throwing it out. Did Neo ever get mad at you?

0:31:50.960 --> 0:31:54.920
<v Speaker 1>I've never met him. Your niggas match up his song? Yeah,

0:31:54.920 --> 0:31:55.080
<v Speaker 1>I know.

0:31:55.240 --> 0:31:59.360
<v Speaker 5>I know you're in the club thinking they're gonna hear.

0:32:08.520 --> 0:32:16.880
<v Speaker 1>You clear. That mean if I got okay.

0:32:17.000 --> 0:32:20.440
<v Speaker 8>Clear it right away, which we want for me to

0:32:20.480 --> 0:32:22.160
<v Speaker 8>not clear it, even if I was thinking about not

0:32:22.200 --> 0:32:24.800
<v Speaker 8>clearing it, which by the way, I was never thinking

0:32:24.840 --> 0:32:26.000
<v Speaker 8>about not clearing.

0:32:25.680 --> 0:32:31.320
<v Speaker 1>That's but he didn't clear it. He didn't know, That's

0:32:31.360 --> 0:32:32.000
<v Speaker 1>what I'm saying.

0:32:32.120 --> 0:32:38.280
<v Speaker 8>You was presented to me like this is that dude?

0:32:38.440 --> 0:32:41.200
<v Speaker 8>Oh and by the way, he did this with your song?

0:32:41.400 --> 0:32:43.200
<v Speaker 8>It was presented to me like that. So I'm like,

0:32:43.280 --> 0:32:46.480
<v Speaker 8>so what are we talking about right now? Of course

0:32:46.480 --> 0:32:49.560
<v Speaker 8>it's fine. What Why would I have a problem with this?

0:32:49.920 --> 0:32:52.720
<v Speaker 8>To this day, I can't, like you know, I can't

0:32:52.720 --> 0:32:57.760
<v Speaker 8>be over there and before misindependent without showing without giving props.

0:32:57.480 --> 0:32:59.240
<v Speaker 1>To what then he did? You know what I'm saying,

0:32:59.280 --> 0:33:03.560
<v Speaker 1>like you made Yeah? Yeah, man, Like ye say, he

0:33:03.560 --> 0:33:06.280
<v Speaker 1>broke the record back five and that's awful. The ship

0:33:06.320 --> 0:33:09.040
<v Speaker 1>that I was shrunting. I got to give you love

0:33:09.080 --> 0:33:12.840
<v Speaker 1>for that. Okay. In its defense as well, the publishing

0:33:13.000 --> 0:33:17.040
<v Speaker 1>was owned by some European guys, so they were holding

0:33:17.720 --> 0:33:21.920
<v Speaker 1>like we don't isn't isn't that so dope? The power

0:33:22.040 --> 0:33:23.680
<v Speaker 1>of the people they.

0:33:23.480 --> 0:33:27.440
<v Speaker 2>Make with the hits whatever, den't clear it or not,

0:33:28.000 --> 0:33:28.320
<v Speaker 2>that's it.

0:33:28.640 --> 0:33:30.920
<v Speaker 1>I think that's your record. Yeah, man, it's the biggest.

0:33:30.920 --> 0:33:33.760
<v Speaker 1>It's one of my biggest songs, man, trust me. It's

0:33:33.800 --> 0:33:36.880
<v Speaker 1>one of spices. Like anywhere she goes, she's like, yo,

0:33:37.360 --> 0:33:39.320
<v Speaker 1>I got the big hit with Cartel. This is my

0:33:39.360 --> 0:33:42.400
<v Speaker 1>first big song, she says that. And she's also from

0:33:42.440 --> 0:33:45.680
<v Speaker 1>Portmore by the way, Spice, we grew up together. Yeah

0:33:46.200 --> 0:33:50.320
<v Speaker 1>yeah man, so big up and the rumping shop, that's it.

0:33:50.480 --> 0:33:56.120
<v Speaker 1>That's that's the yes, yes, rough yeah, yeah yeah ump

0:33:57.120 --> 0:33:59.280
<v Speaker 1>you guys maybe we call it like a motel or

0:34:00.200 --> 0:34:03.480
<v Speaker 1>oh it's always like that, yes, yeah, sex shop, but

0:34:03.560 --> 0:34:13.000
<v Speaker 1>we said ramping shop. We rap broth. Yeah. So that's

0:34:13.000 --> 0:34:14.680
<v Speaker 1>where the concept came from, you know what I mean,

0:34:14.719 --> 0:34:16.640
<v Speaker 1>that's where we used to hang out in the name

0:34:16.680 --> 0:34:20.239
<v Speaker 1>me Popcorn family. You know, the girls used to come through. Yeah,

0:34:20.320 --> 0:34:22.640
<v Speaker 1>so that's how we gave it the name the ramping

0:34:22.719 --> 0:34:24.440
<v Speaker 1>shop and it's a real place.

0:34:25.040 --> 0:34:26.480
<v Speaker 2>I don't know I'm supposed to say it like this,

0:34:26.880 --> 0:34:28.759
<v Speaker 2>But and you bus popcorn right yeah?

0:34:28.840 --> 0:34:42.520
<v Speaker 1>Yeah, yeah, yeah, you're going you said it properly saying

0:34:43.280 --> 0:34:43.960
<v Speaker 1>let's say.

0:34:43.800 --> 0:34:51.239
<v Speaker 9>It's just saying yeah yeah, yeah yeah.

0:34:51.280 --> 0:34:54.440
<v Speaker 1>Brought in the fame. Man. Very talented, you know what

0:34:54.480 --> 0:34:55.960
<v Speaker 1>I mean? Yeah, big popcorn.

0:34:56.239 --> 0:34:59.080
<v Speaker 6>Did you did you think he exceeded your expectations or

0:34:59.080 --> 0:35:00.680
<v Speaker 6>did he meets your expect No?

0:35:00.840 --> 0:35:04.120
<v Speaker 1>He met it. And I mean he has way more

0:35:04.160 --> 0:35:06.719
<v Speaker 1>potential in him. Remember he hasn't even touched you as

0:35:06.719 --> 0:35:09.960
<v Speaker 1>soil there. Think about that. He's one of the biggest

0:35:10.080 --> 0:35:12.640
<v Speaker 1>artists out of Jamaica. Been all over the world. He

0:35:12.719 --> 0:35:16.040
<v Speaker 1>rolls with Drake. Oh, I'm seeing him in Canada. I'm

0:35:16.040 --> 0:35:21.439
<v Speaker 1>thinking that exactly. He's got that. Damn I didn't keep that. Yeah,

0:35:21.560 --> 0:35:25.680
<v Speaker 1>and he goes to you cells like gold in Uka

0:35:26.200 --> 0:35:29.640
<v Speaker 1>on a regular Yeah. Man, he's doing this thing. He's big.

0:35:30.360 --> 0:35:32.320
<v Speaker 2>If you if you if you get the headline Eastern

0:35:32.320 --> 0:35:34.839
<v Speaker 2>Parkway Parade, which you bring popcorn with you.

0:35:35.880 --> 0:35:38.200
<v Speaker 1>Unless he's walking through the border. Like I said, he.

0:35:38.120 --> 0:35:48.279
<v Speaker 10>Doesn't have a visa, but definitely like me, and we

0:35:48.400 --> 0:35:49.319
<v Speaker 10>travel all over the world.

0:35:49.320 --> 0:35:51.520
<v Speaker 1>We've been traveling. Like I said, I gave him his fame,

0:35:51.600 --> 0:35:54.640
<v Speaker 1>so of course if he gets his visa, start telling

0:35:55.280 --> 0:35:59.760
<v Speaker 1>it's on. Yeah yeah, but yeah. But now as it stands,

0:36:00.840 --> 0:36:04.359
<v Speaker 1>that's two well man ship. So why they won't give

0:36:04.400 --> 0:36:08.560
<v Speaker 1>him his visa. I never went to the embassy when

0:36:08.600 --> 0:36:13.520
<v Speaker 1>that was being you got your visa? No, because God

0:36:13.600 --> 0:36:17.720
<v Speaker 1>is the greatest. I told you. I've made like people

0:36:17.840 --> 0:36:22.000
<v Speaker 1>expected me to come out guns blazing, fucking up the

0:36:22.000 --> 0:36:26.680
<v Speaker 1>place literally and musically. But like I said, I'm just calm, chill,

0:36:26.840 --> 0:36:29.600
<v Speaker 1>like I feel blessed. I feel good, you know. I mean,

0:36:29.640 --> 0:36:32.080
<v Speaker 1>I'm just showing love to everyone, whether you like me

0:36:32.200 --> 0:36:35.080
<v Speaker 1>or not. And that's where my blessing comes from. I

0:36:35.120 --> 0:36:37.760
<v Speaker 1>mean a lot of people surprised that I got the visa,

0:36:38.160 --> 0:36:40.040
<v Speaker 1>you know what I mean. As a matter of fact,

0:36:40.040 --> 0:36:42.040
<v Speaker 1>I went to the German embassy first and got the

0:36:42.040 --> 0:36:46.279
<v Speaker 1>European one, the shn Yang. Then I went to the

0:36:46.400 --> 0:36:49.360
<v Speaker 1>US embassy got the US visa. In addition to that,

0:36:49.440 --> 0:36:52.360
<v Speaker 1>like I said, the Grammy nomination keeping Freedom Street the

0:36:52.360 --> 0:36:56.400
<v Speaker 1>biggest dance all show a blessing because we're just like yo,

0:36:57.000 --> 0:37:01.040
<v Speaker 1>God on your time right now, you know, I mean yeah.

0:37:01.239 --> 0:37:04.120
<v Speaker 2>Yeah, So you're gonna make Freedom Street a festival.

0:37:04.480 --> 0:37:06.879
<v Speaker 1>Yeah, We're for two days, every two.

0:37:06.840 --> 0:37:08.759
<v Speaker 2>Days everywhere, so we will be the next place you

0:37:08.800 --> 0:37:09.279
<v Speaker 2>want to do that.

0:37:10.200 --> 0:37:12.960
<v Speaker 1>Uh well, we wanted to do it in England, but

0:37:13.000 --> 0:37:17.200
<v Speaker 1>we got an offer already wireless festival. Yes, so being

0:37:17.239 --> 0:37:19.520
<v Speaker 1>wireless and you know that summer, so I don't want

0:37:19.520 --> 0:37:24.200
<v Speaker 1>to fuck that up. So yeah in London okay, well yeah,

0:37:24.560 --> 0:37:27.680
<v Speaker 1>Live Nation okay, yeah. Yeah, so we're doing We're just

0:37:27.760 --> 0:37:30.000
<v Speaker 1>keeping it every year in Jamaica. That's that's one thing

0:37:30.040 --> 0:37:32.799
<v Speaker 1>for sure. It's going to be an annual event. All right.

0:37:33.040 --> 0:37:35.240
<v Speaker 2>Do you realize that you stopped you only the planes

0:37:35.320 --> 0:37:37.800
<v Speaker 2>traffic in Jamaica that night of the concert.

0:37:38.160 --> 0:37:41.560
<v Speaker 1>Yeah, there was planes that was backed up, there was traffic.

0:37:42.000 --> 0:37:44.439
<v Speaker 2>It was it was like one of the craziest nights

0:37:44.440 --> 0:37:45.000
<v Speaker 2>in Jamaica.

0:37:45.400 --> 0:37:47.960
<v Speaker 1>Do you know that? Yeah? Man, he'sn in Kingston. You

0:37:47.960 --> 0:37:50.960
<v Speaker 1>couldn't get a hotel room. All the rooms are booked,

0:37:51.560 --> 0:37:53.279
<v Speaker 1>you know what I mean? And what a lot of

0:37:53.280 --> 0:37:55.680
<v Speaker 1>the hotels did on that night. So say the room

0:37:55.760 --> 0:37:58.759
<v Speaker 1>is for like two fifty US. So for those two

0:37:58.840 --> 0:38:01.240
<v Speaker 1>nights you got to have a thought in the night. Wow,

0:38:02.120 --> 0:38:05.840
<v Speaker 1>they cut you in on that. No, the hotel that

0:38:05.960 --> 0:38:09.680
<v Speaker 1>I stay funny, you know, because actually stay at the hotel.

0:38:09.719 --> 0:38:11.799
<v Speaker 1>I've been there so long. Even my manager was like,

0:38:11.920 --> 0:38:14.920
<v Speaker 1>just by the hotel man, But they give me a

0:38:14.920 --> 0:38:16.840
<v Speaker 1>good rd. So I stayed there because my house is

0:38:16.840 --> 0:38:19.640
<v Speaker 1>in the hills, but it's too far. So if I

0:38:19.680 --> 0:38:21.799
<v Speaker 1>want to hide away from people and then I go there.

0:38:22.480 --> 0:38:25.319
<v Speaker 1>But I like to stay in New Kingston because that's

0:38:25.360 --> 0:38:29.000
<v Speaker 1>like being in Manhattan. You said, New Kingston part of

0:38:30.360 --> 0:38:34.919
<v Speaker 1>New Kingston banks and the hotels and the nice restaurants

0:38:34.920 --> 0:38:36.480
<v Speaker 1>and places.

0:38:36.120 --> 0:38:36.560
<v Speaker 4>You would like.

0:38:36.600 --> 0:38:37.719
<v Speaker 1>Yeah, okay, damn.

0:38:42.080 --> 0:38:44.719
<v Speaker 6>Let me ask a question since I were talking about

0:38:44.719 --> 0:38:48.359
<v Speaker 6>Freedom Street. You know, Freedom Street get reaches reaches here

0:38:48.760 --> 0:38:51.160
<v Speaker 6>and then you emerge out the stage and you just

0:38:51.200 --> 0:38:54.600
<v Speaker 6>sit there for me, yes, for maybe for one two minutes,

0:38:54.640 --> 0:38:55.800
<v Speaker 6>it seemed like five minutes.

0:38:56.120 --> 0:38:58.120
<v Speaker 1>Whoa, whoa, What did that feeling feel like for you?

0:38:58.280 --> 0:39:01.520
<v Speaker 1>I did it on purpose because remember I like to

0:39:01.600 --> 0:39:03.360
<v Speaker 1>prove them wrong. So if you if you want me

0:39:03.400 --> 0:39:06.680
<v Speaker 1>to jump this table, just say you can't jump. You

0:39:06.760 --> 0:39:13.279
<v Speaker 1>know what I mean? So you to the table. So

0:39:13.400 --> 0:39:15.320
<v Speaker 1>when I was coming out the pea, usually I would

0:39:15.320 --> 0:39:19.400
<v Speaker 1>start making my signature slang from from black stage so

0:39:19.400 --> 0:39:22.799
<v Speaker 1>they'd be like yo, yo, all say you know you

0:39:22.920 --> 0:39:26.120
<v Speaker 1>know the thing? Yeahine like that would get the c

0:39:27.200 --> 0:39:29.920
<v Speaker 1>So I was like, nah, I'm coming out like Michael

0:39:30.000 --> 0:39:34.719
<v Speaker 1>Jackson style silence and let them do that. Yeah. So

0:39:34.760 --> 0:39:38.520
<v Speaker 1>I gave them like a good think about a minute. Yeah,

0:39:38.520 --> 0:39:39.560
<v Speaker 1>it seems like five.

0:39:39.440 --> 0:39:41.759
<v Speaker 6>Streaming on six before they canceled it.

0:39:41.840 --> 0:39:45.920
<v Speaker 1>And then I said yeah yo and Pandemonium yeah man,

0:39:45.960 --> 0:39:49.080
<v Speaker 1>and then we started It's crazy this is Mine. Yes,

0:39:50.280 --> 0:39:52.640
<v Speaker 1>I like Dreamstown. The drinks just appear out of nowise.

0:39:57.920 --> 0:39:59.960
<v Speaker 1>Let me ask you, do you think you should have

0:40:00.040 --> 0:40:03.279
<v Speaker 1>on the Grammy? Yeah, yeah, of course why not?

0:40:04.640 --> 0:40:07.080
<v Speaker 2>It was me like you know, reading in the comments,

0:40:07.239 --> 0:40:09.279
<v Speaker 2>a lot of people agree with you. They think that

0:40:09.280 --> 0:40:10.640
<v Speaker 2>you should have won the graph of course.

0:40:10.880 --> 0:40:13.040
<v Speaker 1>I mean that's Bob Marley. How many Grammys do you need?

0:40:14.920 --> 0:40:21.080
<v Speaker 1>Like you're the number one artists in the Jamaica verse, right,

0:40:22.120 --> 0:40:24.919
<v Speaker 1>number one. It's that sit some iTunes number and every

0:40:24.960 --> 0:40:28.279
<v Speaker 1>day looking at us like this literally, I mean, if

0:40:28.280 --> 0:40:31.560
<v Speaker 1>you look at this album that hardly moves some number one.

0:40:31.600 --> 0:40:33.840
<v Speaker 1>Let me, yeah, I moved a couple of times, goes

0:40:33.880 --> 0:40:36.759
<v Speaker 1>back up. Another artist, come move it, it goes back up.

0:40:36.760 --> 0:40:40.160
<v Speaker 1>That's Bob. How many Grammys you need, man, And if

0:40:40.160 --> 0:40:43.600
<v Speaker 1>you think about it, my story is an amazing story.

0:40:43.880 --> 0:40:47.280
<v Speaker 1>Thirteen years out of prism getting nominated for the album

0:40:47.320 --> 0:40:50.000
<v Speaker 1>that I did in prison, I mean, now getting a

0:40:50.080 --> 0:40:52.680
<v Speaker 1>us VSA walk in the red carpet, that's a real story.

0:40:53.280 --> 0:40:55.759
<v Speaker 1>And you know the Grammars is also political as well.

0:40:56.000 --> 0:40:59.080
<v Speaker 1>It's a beautiful story. It's a success story.

0:40:59.600 --> 0:41:02.359
<v Speaker 2>And got a carpet that.

0:41:02.360 --> 0:41:04.359
<v Speaker 1>Was exactly that would have been an icing on the cake?

0:41:04.440 --> 0:41:08.439
<v Speaker 1>Am I bitter? No? No, that's Bob Marley and first,

0:41:08.480 --> 0:41:10.960
<v Speaker 1>and I think he was the only person who could

0:41:10.960 --> 0:41:12.879
<v Speaker 1>have beaten you know what I mean.

0:41:12.960 --> 0:41:15.840
<v Speaker 5>So the last time you're going to be no, exactly,

0:41:16.280 --> 0:41:16.760
<v Speaker 5>that's nothing.

0:41:16.760 --> 0:41:18.160
<v Speaker 1>But you asked a question like that.

0:41:18.760 --> 0:41:23.839
<v Speaker 2>But here's the here's the question that for me. For me,

0:41:24.040 --> 0:41:26.960
<v Speaker 2>I love this movie. But every time I ask somebody

0:41:27.040 --> 0:41:29.279
<v Speaker 2>from the island of Jamaica, they tell me they didn't

0:41:29.320 --> 0:41:30.040
<v Speaker 2>even see the movie.

0:41:31.040 --> 0:41:36.719
<v Speaker 1>No legend Bob Marley movie. Like ever you're talking.

0:41:36.800 --> 0:41:38.800
<v Speaker 2>I asked somebody, did you see the Bob Marley movie,

0:41:39.080 --> 0:41:41.640
<v Speaker 2>like a person from the yard. They will be like yeah,

0:41:41.640 --> 0:41:43.040
<v Speaker 2>they were like, no, I didn't see it.

0:41:43.440 --> 0:41:47.920
<v Speaker 1>I mean I've seen clippings of it though like a

0:41:47.920 --> 0:41:51.480
<v Speaker 1>lot of clips. I need to understand this cause you

0:41:51.640 --> 0:41:52.279
<v Speaker 1>playing this to me.

0:41:53.160 --> 0:41:56.560
<v Speaker 2>Why are people and I think you you you explained

0:41:56.600 --> 0:41:58.319
<v Speaker 2>it to me a little bit. You said, I think

0:41:58.360 --> 0:42:02.759
<v Speaker 2>people from Jamaica knows Bo's story so much they didn't want.

0:42:02.680 --> 0:42:06.720
<v Speaker 1>It to be any iconic. But for for us, like if.

0:42:08.160 --> 0:42:10.720
<v Speaker 2>A biggie movie just come out, right, I'm from Queen's

0:42:10.719 --> 0:42:12.640
<v Speaker 2>I'm not from Brooklyn, but I'm gonna go see a

0:42:12.680 --> 0:42:13.400
<v Speaker 2>biggie movie.

0:42:13.600 --> 0:42:16.640
<v Speaker 1>Why isn't the things he feels they need to tell

0:42:16.680 --> 0:42:23.280
<v Speaker 1>me where he's from.

0:42:24.440 --> 0:42:28.600
<v Speaker 2>Why don't people from the yard go watch Ball's movie?

0:42:28.640 --> 0:42:31.640
<v Speaker 1>I don't understand it. I mean it's personal, man, because

0:42:31.680 --> 0:42:33.400
<v Speaker 1>you know, like you said, we know about we know,

0:42:33.480 --> 0:42:36.279
<v Speaker 1>we grew up hearing his life story. Even a lot

0:42:36.320 --> 0:42:39.040
<v Speaker 1>of people in Jamaica who did watch the movie, they

0:42:39.040 --> 0:42:43.080
<v Speaker 1>were like, oh, why did why didn't Cindy breakspeare? Which

0:42:43.120 --> 0:42:45.200
<v Speaker 1>is which is Julia Gonsman? Why didn't she get more

0:42:45.239 --> 0:42:48.560
<v Speaker 1>time in the film? Oh it is because Richard did

0:42:48.600 --> 0:42:53.799
<v Speaker 1>the film. So yeah, so it's that serious. Yeah yeah, okay, yeah, yeah,

0:42:53.880 --> 0:42:56.640
<v Speaker 1>you know what I mean, there's no people have their favorites, man,

0:42:57.600 --> 0:42:59.279
<v Speaker 1>because Bobby is that big.

0:42:59.360 --> 0:43:03.839
<v Speaker 2>Right now, what is the difference between reggae and dance hall.

0:43:05.000 --> 0:43:07.880
<v Speaker 1>I mean, first of all, the beats, you know what

0:43:07.920 --> 0:43:09.719
<v Speaker 1>I mean, Dan Saul. As a matter of fact, Dan

0:43:09.840 --> 0:43:13.719
<v Speaker 1>Saul came about on reggae beats until he found it

0:43:13.800 --> 0:43:19.120
<v Speaker 1>on nats. Some would say, with in in eighty six

0:43:19.480 --> 0:43:23.560
<v Speaker 1>we changed the beat itself. But yeah, yeah, but reggae

0:43:23.680 --> 0:43:26.759
<v Speaker 1>is more political, more social, you know what I mean,

0:43:26.840 --> 0:43:30.279
<v Speaker 1>more against the system, more rebellious. Well, Dan Saul is

0:43:30.360 --> 0:43:38.440
<v Speaker 1>just like sex, drugs, you know what I mean, like violence.

0:43:41.040 --> 0:43:42.279
<v Speaker 4>I mean, it's deeper than that.

0:43:42.520 --> 0:43:46.320
<v Speaker 1>That's many layers obviously, yeah, obviously, because you know what

0:43:46.320 --> 0:43:49.840
<v Speaker 1>I mean. But yeah, I think Dan Saul is Reggae's

0:43:49.880 --> 0:43:53.839
<v Speaker 1>like unruly cousin, you know, the one from the Projects. Yeah, yeah,

0:43:53.880 --> 0:43:57.920
<v Speaker 1>that's Dan Saull. Younger cousins, Yeah, the younger, very young reggae,

0:43:58.040 --> 0:44:02.919
<v Speaker 1>the older big brother like, yeah, he smokes pipes, yes, yes,

0:44:03.680 --> 0:44:08.160
<v Speaker 1>the younger dance That roller dance is of O G

0:44:08.360 --> 0:44:10.439
<v Speaker 1>now too, Yeah, of course it is. I's been around

0:44:10.480 --> 0:44:12.279
<v Speaker 1>since the seventy what's my man name?

0:44:12.920 --> 0:44:15.040
<v Speaker 2>I told you to sh the picture of and I

0:44:15.080 --> 0:44:15.680
<v Speaker 2>called him doctor.

0:44:15.719 --> 0:44:16.279
<v Speaker 1>But he's not a.

0:44:16.239 --> 0:44:20.279
<v Speaker 2>Doctor, multa multi right. I've seen to you ever you

0:44:20.440 --> 0:44:21.520
<v Speaker 2>think you ever do his show?

0:44:22.560 --> 0:44:25.040
<v Speaker 1>Of course, I'm not afraid to do more show what

0:44:25.280 --> 0:44:27.839
<v Speaker 1>is iconic in Jamaica as well, you know, especially among

0:44:27.880 --> 0:44:30.880
<v Speaker 1>the Rastafi the reggae community.

0:44:31.040 --> 0:44:34.919
<v Speaker 2>So he was saying, like, how how much of reggae is.

0:44:34.840 --> 0:44:35.200
<v Speaker 1>The o G?

0:44:35.360 --> 0:44:37.759
<v Speaker 2>But I guess we kind of like like stepped on

0:44:37.800 --> 0:44:41.120
<v Speaker 2>that already, right few that Yeah, we can't know.

0:44:41.160 --> 0:44:43.759
<v Speaker 1>You can't dispel that. That's plus it's coming from it's

0:44:43.800 --> 0:44:46.000
<v Speaker 1>coming from a legend too. Yeah, but he's right, reggae

0:44:46.080 --> 0:44:48.440
<v Speaker 1>is the og man. Right. Yeah. Well, I think and

0:44:48.520 --> 0:44:51.160
<v Speaker 1>this is the topic that's been discussed, it's been going

0:44:51.200 --> 0:44:54.880
<v Speaker 1>on for years. Should Dancehall have its own category? And

0:44:54.920 --> 0:44:58.400
<v Speaker 1>I think yes, because Sean Paul is a reggae, we

0:44:58.440 --> 0:45:02.600
<v Speaker 1>need more classify him as dance yes, and he's international, right,

0:45:02.680 --> 0:45:04.840
<v Speaker 1>you know what I mean. So we have the we

0:45:04.920 --> 0:45:08.160
<v Speaker 1>have the criteria. We have big International Dance All Stars

0:45:08.440 --> 0:45:11.400
<v Speaker 1>as opposed to what Junior Gong who's reggae, as opposed

0:45:11.440 --> 0:45:13.520
<v Speaker 1>to a Bob Marley who was reggae, you know what

0:45:13.520 --> 0:45:15.719
<v Speaker 1>I mean? Yeah, So I think we could have our

0:45:15.760 --> 0:45:20.200
<v Speaker 1>own catch and you Bounty Dancehall Dance Sall Butcher was

0:45:20.320 --> 0:45:21.640
<v Speaker 1>danceaull as well.

0:45:21.560 --> 0:45:24.960
<v Speaker 5>Liked and the artists could go back and forth.

0:45:25.200 --> 0:45:27.160
<v Speaker 1>Yeah, we can do because I have reggae track well,

0:45:27.680 --> 0:45:29.160
<v Speaker 1>you know what I mean. So it's a thin line,

0:45:29.160 --> 0:45:31.000
<v Speaker 1>but you know what I mean, it's there.

0:45:31.040 --> 0:45:35.520
<v Speaker 6>Nonetheless, when you said was dancehall, would you ever do

0:45:35.640 --> 0:45:38.479
<v Speaker 6>an album like a til Shallow album but on your own?

0:45:38.640 --> 0:45:40.239
<v Speaker 1>You know I mean when I say it was, maybe

0:45:40.280 --> 0:45:42.120
<v Speaker 1>that's a strong choice at first, but what I mean

0:45:42.160 --> 0:45:47.000
<v Speaker 1>he was only dance, you know what I mean?

0:45:49.520 --> 0:45:51.360
<v Speaker 4>And then he was like, didn't shine?

0:45:51.360 --> 0:45:54.600
<v Speaker 1>You know, you're trying to un stuffing, you know what

0:45:54.600 --> 0:45:58.520
<v Speaker 1>I mean. So he made the transition and he was

0:45:58.560 --> 0:46:03.640
<v Speaker 1>super successful as a sold artists and super successful reggae artists.

0:46:04.040 --> 0:46:06.200
<v Speaker 1>Not many people do that, right, you know what I mean?

0:46:06.280 --> 0:46:09.640
<v Speaker 6>So yeah, yeah, would you make an album like that

0:46:09.760 --> 0:46:13.399
<v Speaker 6>until Shallow album or I mean, I'm if I'm.

0:46:13.360 --> 0:46:16.319
<v Speaker 1>Dance so forever, man, I doubt that, but I do

0:46:16.400 --> 0:46:19.200
<v Speaker 1>reggae songs because you are not love, but I'm dance

0:46:19.239 --> 0:46:23.480
<v Speaker 1>sold forever, you know what I mean. That's not gonna change.

0:46:24.320 --> 0:46:26.160
<v Speaker 1>Do you think you do a tour with Beanie Man?

0:46:27.080 --> 0:46:28.759
<v Speaker 1>I mean, if the money is right, I'll do a

0:46:28.800 --> 0:46:34.160
<v Speaker 1>tour with anyone. You know what I mean it is.

0:46:34.440 --> 0:46:36.319
<v Speaker 1>I would not say anyone. I mean any Jamaican up.

0:46:36.560 --> 0:46:39.800
<v Speaker 1>Yeah yeah, any hip hop artists, R and B artist

0:46:40.080 --> 0:46:42.399
<v Speaker 1>you know, I mean saw black music, afrobeats like come

0:46:42.440 --> 0:46:46.239
<v Speaker 1>on you bus tour would be cool, that's my g Yeah.

0:46:46.239 --> 0:46:48.160
<v Speaker 1>He actually told me like, yo, we need to sing

0:46:48.280 --> 0:46:52.960
<v Speaker 1>some dates together, like let me know, I'm flying.

0:46:53.480 --> 0:46:58.239
<v Speaker 2>Yeah, I'm flying out front seat like.

0:46:57.200 --> 0:47:03.799
<v Speaker 1>Like no, I gotta watch it, na. Man h. That

0:47:03.880 --> 0:47:05.480
<v Speaker 1>was one of the guys. That's a good point you

0:47:05.560 --> 0:47:07.840
<v Speaker 1>made too, because when you said, now I'm gonna watch it,

0:47:08.560 --> 0:47:10.920
<v Speaker 1>you see. So you can't just be an artist. You

0:47:11.000 --> 0:47:13.040
<v Speaker 1>got to be a fan of the music. God, damn

0:47:13.080 --> 0:47:18.279
<v Speaker 1>make some noise for I like what you said. Yes,

0:47:18.520 --> 0:47:20.080
<v Speaker 1>I ain't gonna lie, man. I would.

0:47:20.160 --> 0:47:21.920
<v Speaker 2>I would if you and Bust the Pomps to do

0:47:21.960 --> 0:47:24.680
<v Speaker 2>a show together, that's God. I probably wouldn't even call

0:47:24.800 --> 0:47:25.680
<v Speaker 2>him because.

0:47:25.440 --> 0:47:27.359
<v Speaker 1>He was like, you're coming from form and I'm like, no,

0:47:27.680 --> 0:47:31.359
<v Speaker 1>I'll be roll like this on like yeah, yeah, so

0:47:31.440 --> 0:47:35.120
<v Speaker 1>the fans don't see you because this space yeah yeah. Yeah.

0:47:35.719 --> 0:47:39.120
<v Speaker 2>So I'm gonna keep it on hunting with you. How

0:47:39.120 --> 0:47:41.600
<v Speaker 2>many babies you think you made of?

0:47:41.719 --> 0:47:44.000
<v Speaker 1>For vibes? Just your music I'm talking about.

0:47:44.000 --> 0:47:46.040
<v Speaker 2>I was listening to your ship and all you too,

0:47:46.160 --> 0:47:49.600
<v Speaker 2>is talking about fucking you like this, yes, sir, like

0:47:49.680 --> 0:47:50.720
<v Speaker 2>the that's.

0:47:50.600 --> 0:47:51.040
<v Speaker 8>Not for that.

0:47:53.640 --> 0:47:57.560
<v Speaker 1>Yeah, but yeah man, like I said, like in Jamaica,

0:47:57.640 --> 0:48:00.040
<v Speaker 1>you have artists that do songs for the girls, and

0:48:00.040 --> 0:48:02.439
<v Speaker 1>then you have artists like me that go hardcore sex.

0:48:02.480 --> 0:48:04.600
<v Speaker 1>I mean I have songs for the girls. Yeah, but

0:48:04.680 --> 0:48:07.319
<v Speaker 1>a lot of my songs is like sex. You Knowabarans. Yeah,

0:48:07.480 --> 0:48:11.080
<v Speaker 1>Like I'm like Sabarans then, like he was like the

0:48:11.160 --> 0:48:16.759
<v Speaker 1>man every other song pussy pussy, But I mean artistically done,

0:48:17.840 --> 0:48:20.440
<v Speaker 1>it's not. Yeah, it's not like you're reading from a

0:48:20.480 --> 0:48:27.120
<v Speaker 1>book like it's music. So you gotta flow. It got

0:48:27.120 --> 0:48:29.279
<v Speaker 1>to sound poetic, got to be on the beach. You

0:48:29.360 --> 0:48:33.680
<v Speaker 1>got the cadence, articulation, all of that. Yeah, yeah, yeah,

0:48:34.280 --> 0:48:34.560
<v Speaker 1>it was.

0:48:34.560 --> 0:48:37.680
<v Speaker 2>It was funny and ship because we were all working

0:48:37.719 --> 0:48:38.680
<v Speaker 2>out to your music.

0:48:39.239 --> 0:48:46.960
<v Speaker 1>My white days, like yeah, yeah, I had my my

0:48:47.800 --> 0:48:49.920
<v Speaker 1>when I was in America back in the day, I

0:48:49.960 --> 0:48:53.719
<v Speaker 1>had security, right, you know, these giant looking guys. So

0:48:53.840 --> 0:48:56.520
<v Speaker 1>some of them were Hispanish. So the dude came to

0:48:56.560 --> 0:48:58.759
<v Speaker 1>me one day and he was like, yo, cartel man.

0:48:58.800 --> 0:49:01.920
<v Speaker 1>I figured out your song. But your songs are the

0:49:01.920 --> 0:49:05.240
<v Speaker 1>ones that say pussy, pussy every two lines. I'm nothing.

0:49:06.800 --> 0:49:13.320
<v Speaker 1>I was like, yeah, no, that's what I'm saying. You

0:49:13.440 --> 0:49:16.359
<v Speaker 1>got the cold boy, yeah, man, So, like I said,

0:49:16.440 --> 0:49:17.399
<v Speaker 1>dancehall is like that.

0:49:17.440 --> 0:49:20.880
<v Speaker 2>It's hardcore. How many babies you think you made just

0:49:20.880 --> 0:49:23.560
<v Speaker 2>over your music? Like people just just people do something

0:49:24.239 --> 0:49:24.520
<v Speaker 2>the place?

0:49:24.560 --> 0:49:32.719
<v Speaker 1>Okay? Yeah? Yeah? What population nineteen twenty percent? The hell? Yeah,

0:49:35.920 --> 0:49:38.239
<v Speaker 1>it's bigger than Jamaica. When people say that, even in

0:49:38.280 --> 0:49:40.480
<v Speaker 1>the comment section, people would be like, say, I post

0:49:40.520 --> 0:49:45.560
<v Speaker 1>the old song, say ramping shop it, oh cartail, I

0:49:45.640 --> 0:49:50.960
<v Speaker 1>made my son for that song. Yeah. Literally in the

0:49:51.000 --> 0:49:53.960
<v Speaker 1>comment section, I mean Virginity. That's a big song in

0:49:54.000 --> 0:49:57.200
<v Speaker 1>Jamaica that I did as well. Ladies comment, oh I

0:49:57.239 --> 0:49:59.680
<v Speaker 1>lost my virginity to this song such and such I

0:49:59.719 --> 0:50:02.799
<v Speaker 1>got fragmented this song. So yeah, they'd be in the

0:50:02.840 --> 0:50:03.480
<v Speaker 1>comments section.

0:50:04.080 --> 0:50:09.000
<v Speaker 2>I can't think of that.

0:50:10.840 --> 0:50:14.000
<v Speaker 1>Experience. And that's why people call you the world boss.

0:50:14.280 --> 0:50:16.719
<v Speaker 2>In my opinion, they say that you can make you

0:50:16.760 --> 0:50:20.760
<v Speaker 2>know love music, you can make us you know dog music,

0:50:21.200 --> 0:50:24.840
<v Speaker 2>and you can you can make cop music anything.

0:50:24.880 --> 0:50:26.880
<v Speaker 1>Then, like I said, I do a few reggae joints

0:50:26.920 --> 0:50:30.120
<v Speaker 1>and yeah, we do everything man like it's music. It's

0:50:30.160 --> 0:50:33.160
<v Speaker 1>like I say, I sing my truth and my experiences.

0:50:33.480 --> 0:50:35.920
<v Speaker 1>Doesn't have to be first hand all the time and

0:50:36.040 --> 0:50:37.880
<v Speaker 1>be a second you know. I mean, me and you

0:50:37.960 --> 0:50:41.080
<v Speaker 1>in the streets, are something happened in the community, sing

0:50:41.120 --> 0:50:43.680
<v Speaker 1>about that, but do it in a way because remember

0:50:43.760 --> 0:50:47.279
<v Speaker 1>it's universal. I mean, it's like hitting your elbow on

0:50:47.320 --> 0:50:49.279
<v Speaker 1>the wall and feeling that shock. We all go through

0:50:49.480 --> 0:50:52.480
<v Speaker 1>the same stuff. Yeah, funny, Well, so it's like once

0:50:52.800 --> 0:50:55.640
<v Speaker 1>you have been through it, chances are a few other

0:50:55.680 --> 0:50:58.880
<v Speaker 1>people I've gone through that. It's relatable. But yeah, so

0:50:59.560 --> 0:51:04.000
<v Speaker 1>that's how I attacked music from that more personal kind

0:51:04.000 --> 0:51:07.879
<v Speaker 1>of and that's why people love my songs danceau because

0:51:07.880 --> 0:51:11.760
<v Speaker 1>I tap into that personal part. Yeah yeah, yeah yeah.

0:51:12.480 --> 0:51:15.880
<v Speaker 6>Speaking of that, let's talk about your debut album, Up

0:51:15.880 --> 0:51:18.200
<v Speaker 6>to the Time album, you know Green, Do you want

0:51:18.200 --> 0:51:18.880
<v Speaker 6>to just drop no?

0:51:19.000 --> 0:51:22.120
<v Speaker 1>No, no, that's the way out two thousand and three.

0:51:22.200 --> 0:51:24.880
<v Speaker 6>I think, how do you do you remember creating that

0:51:24.920 --> 0:51:27.680
<v Speaker 6>album and what was going on and your mind stage?

0:51:27.719 --> 0:51:30.440
<v Speaker 1>I mean, like I said in them times, Oh, because

0:51:30.440 --> 0:51:32.799
<v Speaker 1>when I came out back then a lot of people

0:51:32.840 --> 0:51:37.600
<v Speaker 1>didn't understand my style exactly because dan So was changing

0:51:37.640 --> 0:51:39.759
<v Speaker 1>and I was one of the kids at the time

0:51:40.120 --> 0:51:42.839
<v Speaker 1>that was changing the flow. So I got a lot

0:51:42.840 --> 0:51:46.839
<v Speaker 1>of pushback from the industry, from the gatekeepers. So when

0:51:46.840 --> 0:51:49.799
<v Speaker 1>that album came out, the kids just ate it up.

0:51:50.800 --> 0:51:52.960
<v Speaker 1>And that's how Vice character became like a young g

0:51:53.160 --> 0:51:56.080
<v Speaker 1>back in the day because the flow was different, you know,

0:51:56.280 --> 0:51:58.960
<v Speaker 1>because you know, in like say nineties dance, so the

0:51:59.000 --> 0:52:02.440
<v Speaker 1>typical template it would be like no no no no

0:52:02.520 --> 0:52:06.279
<v Speaker 1>no no. Vibescarter was like, can I know? And I'm

0:52:06.280 --> 0:52:08.880
<v Speaker 1>a close fitting Clarks Michos the chief like chicken pas.

0:52:09.000 --> 0:52:11.120
<v Speaker 1>They call me Valentine and summer shots. Most you know

0:52:11.160 --> 0:52:13.360
<v Speaker 1>bot't share to the hearts, fend the glass cars eighty

0:52:13.440 --> 0:52:15.400
<v Speaker 1>Dutch marks. We think them my pre when me and

0:52:15.480 --> 0:52:17.799
<v Speaker 1>passed what I tell you them me and not them

0:52:17.880 --> 0:52:20.799
<v Speaker 1>tags Barbara Blue down them color arks, who is vibes

0:52:20.880 --> 0:52:23.719
<v Speaker 1>cartel and then make it recommend this and a remarks

0:52:23.840 --> 0:52:26.759
<v Speaker 1>so I'm semi ugly like Barbara Sparks some sembody. Best

0:52:26.760 --> 0:52:30.000
<v Speaker 1>then come across illegal firearm a fiberglass so on a

0:52:30.080 --> 0:52:32.760
<v Speaker 1>rush me with no knife, iras dis plus me equally

0:52:32.800 --> 0:52:37.280
<v Speaker 1>a life alas you know, crazy rhyme like I opposed

0:52:37.320 --> 0:52:41.600
<v Speaker 1>to like this is early two thousand me talking. So yeah,

0:52:41.640 --> 0:52:43.360
<v Speaker 1>so that album when it came out, the kids ate

0:52:43.400 --> 0:52:46.480
<v Speaker 1>it up and I became like instantly a household named

0:52:47.080 --> 0:52:49.359
<v Speaker 1>just On for that because like I said, we grew up.

0:52:50.160 --> 0:52:53.560
<v Speaker 1>The generation before me wasn't into hip hop like that.

0:52:54.520 --> 0:52:56.560
<v Speaker 1>My generation of the nineties we grew up to like

0:52:56.560 --> 0:52:58.800
<v Speaker 1>I said, the Carris one Big is Smaller and it

0:52:58.880 --> 0:53:00.280
<v Speaker 1>came out Tupac.

0:53:00.360 --> 0:53:03.359
<v Speaker 5>Jay Z nots and the changing of the flows, changing.

0:53:03.120 --> 0:53:05.239
<v Speaker 1>Up the flow, so we kind of have had the

0:53:05.320 --> 0:53:08.440
<v Speaker 1>ear to like, oh, whoa you can say so you

0:53:08.440 --> 0:53:11.719
<v Speaker 1>can express yourself like that, you can say that, you.

0:53:11.640 --> 0:53:13.320
<v Speaker 5>Can jump out of the pocket, come back into the

0:53:13.320 --> 0:53:14.120
<v Speaker 5>part exactly.

0:53:14.200 --> 0:53:16.960
<v Speaker 1>So that's where a cartel came from, like as a

0:53:17.080 --> 0:53:21.120
<v Speaker 1>product of dance, salt and hip hop. Yeah, yeah, yeah,

0:53:21.640 --> 0:53:24.640
<v Speaker 1>that's crazy.

0:53:25.080 --> 0:53:26.840
<v Speaker 5>I was gonna say, I can see why Sife was

0:53:26.880 --> 0:53:29.480
<v Speaker 5>trying to compare him to Eminem, the Eminem Jamaica, and

0:53:29.520 --> 0:53:31.640
<v Speaker 5>that's that's all car exactly.

0:53:31.920 --> 0:53:34.040
<v Speaker 1>And that's like twenty five years ago, twenty you know

0:53:34.040 --> 0:53:35.680
<v Speaker 1>what I mean. So yeah, it's crazy. I don't like

0:53:35.719 --> 0:53:37.000
<v Speaker 1>that comparison, by the way, but.

0:53:40.120 --> 0:53:42.719
<v Speaker 2>The fact that he can do anything, you know what

0:53:42.719 --> 0:53:43.120
<v Speaker 2>I'm saying.

0:53:43.160 --> 0:53:45.200
<v Speaker 6>Like we always we always said Lil Wayne, you know,

0:53:45.280 --> 0:53:47.480
<v Speaker 6>that's who we always is.

0:53:47.560 --> 0:53:50.320
<v Speaker 1>Fired though, like how does he is? How does he

0:53:50.560 --> 0:53:52.799
<v Speaker 1>come up with that ship? Which is what people say

0:53:52.840 --> 0:53:55.640
<v Speaker 1>to me and dance stalls when I listed the way

0:53:55.640 --> 0:53:57.880
<v Speaker 1>and I want to see him to asking that same question.

0:54:00.160 --> 0:54:03.640
<v Speaker 1>Crazy man, But yeah, who's your favorite hip hop artist

0:54:03.760 --> 0:54:07.920
<v Speaker 1>right now? Of all time? Tupac all time Tac. That's

0:54:07.920 --> 0:54:11.839
<v Speaker 1>why this is. I got this from park because back

0:54:11.840 --> 0:54:16.600
<v Speaker 1>in the day, yeah yeah, yeah, and and funny enough

0:54:16.600 --> 0:54:19.359
<v Speaker 1>why we used it to because I'm from port More,

0:54:19.480 --> 0:54:23.560
<v Speaker 1>which is not really Kingston, so we're like outsiders, especially

0:54:23.600 --> 0:54:27.319
<v Speaker 1>back then. We're like yeah, so yeah, so we had

0:54:27.360 --> 0:54:29.680
<v Speaker 1>the Gosha that's crazy.

0:54:30.400 --> 0:54:35.160
<v Speaker 2>What would what would Bob Catel Tupac crazy?

0:54:36.120 --> 0:54:38.560
<v Speaker 1>That would be crazy. Hold hold on, hold on, hold on,

0:54:38.719 --> 0:54:40.040
<v Speaker 1>And I got the worst.

0:54:40.600 --> 0:54:44.400
<v Speaker 2>Uh so that's it called volume in the world.

0:54:46.120 --> 0:54:57.600
<v Speaker 1>Cypher sounds in the building, you see funny. Yeah, I'm here, man,

0:54:57.600 --> 0:55:02.480
<v Speaker 1>You're go I'm fine, man, I'm doing drinks Champs, so

0:55:02.680 --> 0:55:06.800
<v Speaker 1>you know that though I'm telling you, it's a pleasure

0:55:06.840 --> 0:55:12.840
<v Speaker 1>to be here. Sif trust me, thank you you started it.

0:55:12.920 --> 0:55:16.319
<v Speaker 1>You ew and Rosenberg. Remember the interviews as I came out.

0:55:16.320 --> 0:55:19.879
<v Speaker 1>They did the very first one. Yeah. Yeah. So now

0:55:19.880 --> 0:55:26.760
<v Speaker 1>I'm at Drinks Jams Live, so I'm drinking your excite

0:55:26.760 --> 0:55:29.000
<v Speaker 1>where you are question.

0:55:30.000 --> 0:55:31.400
<v Speaker 2>I just want you to know I'm the king of

0:55:31.400 --> 0:55:31.960
<v Speaker 2>the dance hall.

0:55:32.000 --> 0:55:47.000
<v Speaker 1>They come and they come see me. Yeah, yeah, that's

0:55:47.040 --> 0:55:50.800
<v Speaker 1>my friend. That's my friend. Now I was asking you

0:55:50.800 --> 0:55:54.600
<v Speaker 1>about the Brooklyn Parkway Parade.

0:55:56.520 --> 0:56:00.560
<v Speaker 2>Now in New York, this is like the biggest, biggest.

0:56:00.600 --> 0:56:03.480
<v Speaker 2>This is like for the for the Jamaica's is like

0:56:03.520 --> 0:56:04.359
<v Speaker 2>their summer jam.

0:56:04.480 --> 0:56:10.000
<v Speaker 1>Right. Is it a West Indies day in today? You know? Okay? Yeah?

0:56:10.160 --> 0:56:12.280
<v Speaker 1>By them times. Like I said, I was a young artist,

0:56:12.640 --> 0:56:15.279
<v Speaker 1>elephant man, and the guys was running the place from that.

0:56:15.400 --> 0:56:16.200
<v Speaker 1>In the dance all.

0:56:16.239 --> 0:56:19.000
<v Speaker 2>First, yeah, yeah, what do you feel about reggae?

0:56:19.080 --> 0:56:23.600
<v Speaker 1>Don? I love reggae. Don. I don't understand ship they're saying.

0:56:23.640 --> 0:56:26.760
<v Speaker 1>But the flow is similar to the flow is similar

0:56:26.760 --> 0:56:30.120
<v Speaker 1>to dance all and the ridding the beat is dance.

0:56:30.239 --> 0:56:32.480
<v Speaker 1>I love it, man. I don't know problem with I love.

0:56:33.040 --> 0:56:36.160
<v Speaker 1>Have you collaborated yet with anybody? No, not yet, not yet,

0:56:36.200 --> 0:56:38.279
<v Speaker 1>But I love it. You know what I mean? The

0:56:38.400 --> 0:56:41.480
<v Speaker 1>vibe energy, Yeah, it comes on in the club. I mean,

0:56:41.480 --> 0:56:46.799
<v Speaker 1>we don't stop like what the folk man? Can you

0:56:46.920 --> 0:56:51.080
<v Speaker 1>name a reggae don recon that you like? I don't know, okay,

0:56:52.280 --> 0:56:54.600
<v Speaker 1>but I know that the Yankee doog, he was the

0:56:54.640 --> 0:56:57.640
<v Speaker 1>original pioneer, wanted the pioneers. Okay, yeah, so we knew

0:56:57.640 --> 0:57:00.239
<v Speaker 1>about that Yankee and as Jamaicans back in to day,

0:57:00.280 --> 0:57:02.279
<v Speaker 1>that made us feel patriotic and all that. All these

0:57:02.280 --> 0:57:08.320
<v Speaker 1>guys are patterning our ship. So daddy, that's that's a

0:57:08.400 --> 0:57:15.040
<v Speaker 1>reggae name. Remember that, even Yeah, daddy, Yankee, think about

0:57:15.080 --> 0:57:19.600
<v Speaker 1>it because Jamaicans called America African Americans. Yeah, yeah, and

0:57:19.640 --> 0:57:26.280
<v Speaker 1>then you put the daddy on it. How did even

0:57:26.320 --> 0:57:32.320
<v Speaker 1>be down this for three years? What is wrong with me?

0:57:32.760 --> 0:57:33.520
<v Speaker 1>Holy ship?

0:57:33.960 --> 0:57:34.120
<v Speaker 5>Oh?

0:57:34.360 --> 0:57:39.160
<v Speaker 1>Okay, okay? How about apple Beats? I love afro beats.

0:57:39.480 --> 0:57:41.880
<v Speaker 1>What's your favorite apple Beat record out right? Now? This?

0:57:42.520 --> 0:57:44.560
<v Speaker 1>I don't know if I should sing it. She she's

0:57:44.600 --> 0:57:47.800
<v Speaker 1>saying she wants him to make her sweat water. Oh yeah,

0:57:47.920 --> 0:57:51.680
<v Speaker 1>that's yeah, Tyler. Yeah. And I love the girl called

0:57:51.720 --> 0:57:56.040
<v Speaker 1>Tame Stuw. I think she won Grammys for she won

0:57:56.200 --> 0:57:58.439
<v Speaker 1>the Grammys the other day. Yeah, I was there. Yeah,

0:57:58.440 --> 0:58:02.120
<v Speaker 1>I love afro beat. I got songs with Whisked. You

0:58:02.160 --> 0:58:04.680
<v Speaker 1>know what. I mean burn up not. I don't think

0:58:04.680 --> 0:58:06.439
<v Speaker 1>I have a song with him, but he's Big two

0:58:06.440 --> 0:58:11.000
<v Speaker 1>in Jamaica and shot from Ghana, came to Freedom Street,

0:58:11.880 --> 0:58:15.919
<v Speaker 1>Fun Love. Yeah man, that's my bro man. So yeah, yeah,

0:58:16.000 --> 0:58:18.360
<v Speaker 1>because I mean it's it's it's African music, all of it,

0:58:19.000 --> 0:58:25.040
<v Speaker 1>dance song, reggaeton. It's literally called reggae. All of that

0:58:25.120 --> 0:58:29.200
<v Speaker 1>ship come on, jazz whatever, rock and roll is black music.

0:58:29.280 --> 0:58:30.040
<v Speaker 1>That's Africa.

0:58:30.240 --> 0:58:34.560
<v Speaker 2>Because we have Buju bontan on Buju. It was like

0:58:34.600 --> 0:58:38.440
<v Speaker 2>that he don't feel like that. Sometimes reggaeton or Applebeasts

0:58:38.440 --> 0:58:40.680
<v Speaker 2>give dancehall and reggae is props.

0:58:41.000 --> 0:58:43.120
<v Speaker 1>So that's something that you don't agree with you. No,

0:58:43.240 --> 0:58:46.200
<v Speaker 1>it's not that I don't agree, but think about it. Reggaeton,

0:58:46.280 --> 0:58:49.360
<v Speaker 1>it's called reggaeton. The homage is easing in the name

0:58:50.360 --> 0:58:54.320
<v Speaker 1>reggae reggae ton, you know what I mean, So that

0:58:53.960 --> 0:58:56.960
<v Speaker 1>the homage is there, I mean, I think what and

0:58:57.080 --> 0:58:59.440
<v Speaker 1>this goes to show the power of Jamaican music.

0:59:00.080 --> 0:59:00.200
<v Speaker 5>US.

0:59:01.280 --> 0:59:04.840
<v Speaker 1>It's a numbers game in Jamaica is small, you know

0:59:04.840 --> 0:59:08.640
<v Speaker 1>what I mean. Nigeria has worked over two hundred million people. Yeah,

0:59:08.640 --> 0:59:11.440
<v Speaker 1>they're gonna get their own slot on MTV Africa. The continent.

0:59:11.680 --> 0:59:13.960
<v Speaker 1>It's a frea continent, right, tell me they're gonna get

0:59:13.960 --> 0:59:18.600
<v Speaker 1>their own area has two hundred more than two hundred million, man, Yeah,

0:59:19.040 --> 0:59:22.240
<v Speaker 1>someone a huge over. I'm gonna go ahead and say

0:59:22.240 --> 0:59:26.800
<v Speaker 1>it has like maybe two thirty million. So of course

0:59:26.920 --> 0:59:29.760
<v Speaker 1>MTV is gonna recognize. All them niggas are scamming niggas.

0:59:29.800 --> 0:59:47.439
<v Speaker 1>All them niggas are Sha twenty four. I'm off like six.

0:59:47.640 --> 0:59:51.400
<v Speaker 1>You're teaching me, man, that's trying over the teacher. Yeah,

0:59:51.440 --> 0:59:53.960
<v Speaker 1>but seriously, it's a numbers game, so they beg so

0:59:54.000 --> 0:59:58.280
<v Speaker 1>they're gonna get the MTV Special or MTV Africa. But

0:59:58.480 --> 1:00:01.800
<v Speaker 1>Jamaica is like two points something a minion. It's not feasible.

1:00:02.720 --> 1:00:06.640
<v Speaker 1>But but we still influence Nigerian, right, we still influence Ghana.

1:00:07.400 --> 1:00:09.960
<v Speaker 1>So that just goes to show the power of the

1:00:10.080 --> 1:00:11.800
<v Speaker 1>music that comes out that that's small.

1:00:12.880 --> 1:00:19.120
<v Speaker 2>Deep, No, it's very deep, because I'm gonna tell you

1:00:19.200 --> 1:00:23.760
<v Speaker 2>right now, I've been all on hopping and every where

1:00:23.800 --> 1:00:26.680
<v Speaker 2>I went, they was pigging me up for for my

1:00:26.680 --> 1:00:27.400
<v Speaker 2>my dad's.

1:00:27.160 --> 1:00:29.880
<v Speaker 1>Hall interview everywhere exactly.

1:00:29.960 --> 1:00:32.200
<v Speaker 2>So what I'm trying to tell you is as small

1:00:32.240 --> 1:00:34.000
<v Speaker 2>as Jamaica is like how you just said.

1:00:34.000 --> 1:00:35.000
<v Speaker 1>It still runs.

1:00:35.400 --> 1:00:37.880
<v Speaker 2>That's what I'm saying, like it runs that whole thing,

1:00:37.920 --> 1:00:39.720
<v Speaker 2>like everywhere that was that and I was just I

1:00:39.720 --> 1:00:44.160
<v Speaker 2>was feeling like everywhere I was going with it and

1:00:44.200 --> 1:00:45.280
<v Speaker 2>they start crushing up, you know.

1:00:45.360 --> 1:00:52.760
<v Speaker 11>Yeah, no grind allergic the grind so so yeah, man,

1:00:52.760 --> 1:00:56.760
<v Speaker 11>but Jamaica is very you want.

1:00:56.600 --> 1:00:58.280
<v Speaker 2>To play quick, Thomas Laws do it. You don't have

1:00:58.320 --> 1:00:59.400
<v Speaker 2>to take shots if you don't want to.

1:00:59.440 --> 1:01:02.320
<v Speaker 1>You can pick. You could drink, you can drink some

1:01:02.360 --> 1:01:05.360
<v Speaker 1>egos ship Now we got fever migos.

1:01:07.040 --> 1:01:10.400
<v Speaker 5>Two choices. If you pick one, nobody drinks. But if

1:01:10.440 --> 1:01:11.880
<v Speaker 5>you don't want to answer, or you want to say

1:01:11.920 --> 1:01:13.040
<v Speaker 5>both of the people.

1:01:12.880 --> 1:01:15.560
<v Speaker 1>Or everyone drinks. Yeah, I know, I know, he goes man.

1:01:16.000 --> 1:01:20.680
<v Speaker 1>I'm a fan. Yeah again, thank you very much. A

1:01:20.800 --> 1:01:23.560
<v Speaker 1>right you ready ready? I want this one go ahead.

1:01:25.040 --> 1:01:28.680
<v Speaker 2>Because I feel like you already did this already, Bounty

1:01:28.760 --> 1:01:30.320
<v Speaker 2>Killer Jabonta.

1:01:34.960 --> 1:01:43.040
<v Speaker 1>Already Fever he was good. Okay, you can see your

1:01:43.080 --> 1:01:52.120
<v Speaker 1>next one, Terry Gunzi or Grindsman, grinds man. Yeah, he

1:01:52.200 --> 1:01:56.320
<v Speaker 1>originally did. Ben Spanani I paid homage to and used

1:01:56.320 --> 1:01:59.840
<v Speaker 1>to hope and he's from Baltimore, where I'm from definitely

1:02:00.480 --> 1:02:00.800
<v Speaker 1>big Up.

1:02:00.880 --> 1:02:05.920
<v Speaker 2>Terry said, oh yeah, Tupac or DMX tupac rest in

1:02:05.960 --> 1:02:06.560
<v Speaker 2>piece of both.

1:02:06.640 --> 1:02:08.360
<v Speaker 1>But yeah, all right, Peter both.

1:02:08.760 --> 1:02:11.240
<v Speaker 2>I don't want to ask this one Bob Marley or

1:02:11.280 --> 1:02:16.760
<v Speaker 2>Peter tosh Oh Ship, I like this shot got to

1:02:16.800 --> 1:02:19.480
<v Speaker 2>get and you got the next one? Su sayd mm hmm,

1:02:21.720 --> 1:02:28.040
<v Speaker 2>Beanie Man or Ninja Man, Ninja Man, Goad.

1:02:29.520 --> 1:02:35.560
<v Speaker 1>Black Ryan or popcorn mm hmm. You know, the more

1:02:35.560 --> 1:02:41.400
<v Speaker 1>you drink this, the more you I'm ready here, let

1:02:41.440 --> 1:02:49.560
<v Speaker 1>me do this one. Rush on or not nice? You

1:02:49.720 --> 1:02:54.520
<v Speaker 1>you got turning into an alcoholic man. That's the fever

1:02:54.800 --> 1:02:56.560
<v Speaker 1>I want you. I want to think you. You guys

1:02:56.640 --> 1:03:05.040
<v Speaker 1>are right man tiny show ye Ship Yeah, jay Z

1:03:05.200 --> 1:03:08.600
<v Speaker 1>or not jay Z? He mixed one right, No, no,

1:03:08.600 --> 1:03:09.240
<v Speaker 1>he did that one.

1:03:09.400 --> 1:03:11.640
<v Speaker 2>No he did that was popcorn was the last one

1:03:11.760 --> 1:03:12.840
<v Speaker 2>he did he did that?

1:03:12.880 --> 1:03:18.040
<v Speaker 1>Okay, yeah yeah, Raster definitely jay Z.

1:03:20.640 --> 1:03:24.919
<v Speaker 6>This one is a no brainer. Teachers pet reality show,

1:03:24.920 --> 1:03:25.960
<v Speaker 6>a thug life movie.

1:03:26.600 --> 1:03:30.160
<v Speaker 1>Don't don't don't only the witness just speed reality show.

1:03:31.080 --> 1:03:35.080
<v Speaker 1>You're talking about my doug. Last movie before I became famous,

1:03:35.560 --> 1:03:38.640
<v Speaker 1>back in the day when everyone was broke, I did

1:03:38.720 --> 1:03:46.000
<v Speaker 1>the worst fucking movie. Yeah, but that's crazy. Yeah, Doug Life,

1:03:46.000 --> 1:03:50.240
<v Speaker 1>I got shot. That was in bed laughing. That was

1:03:50.240 --> 1:03:55.920
<v Speaker 1>your acting skills. I have terrible laughting skills, bro, trust me.

1:03:56.240 --> 1:03:58.800
<v Speaker 1>And you were paying mister Parker, right, Doug. Yeah yeah,

1:03:58.840 --> 1:04:00.760
<v Speaker 1>Doug Life, Like I said, Yeah, I even have it

1:04:00.800 --> 1:04:01.680
<v Speaker 1>tattooed somewhere.

1:04:01.960 --> 1:04:05.080
<v Speaker 6>I talk about teachers talking about teachers, how was how

1:04:05.160 --> 1:04:06.640
<v Speaker 6>was that experience teachers felt?

1:04:06.760 --> 1:04:09.760
<v Speaker 1>Was crazy? Man? Like, I mean it was. It could

1:04:09.760 --> 1:04:11.680
<v Speaker 1>have looking back, it could have been way better. But

1:04:11.760 --> 1:04:13.600
<v Speaker 1>like I said, I was the first person to do it,

1:04:13.840 --> 1:04:15.920
<v Speaker 1>so we didn't have a template. It was like the

1:04:15.920 --> 1:04:20.960
<v Speaker 1>flavor of love basically, but yeah, we should have. Yeah,

1:04:20.960 --> 1:04:22.800
<v Speaker 1>so I did it. Even to this day, people like,

1:04:23.120 --> 1:04:25.520
<v Speaker 1>when are you doing it? Though? For you you just

1:04:25.560 --> 1:04:27.160
<v Speaker 1>come out of prison. You should be doing it, not

1:04:27.200 --> 1:04:31.040
<v Speaker 1>getting married. So yeah, people love that was a big

1:04:31.120 --> 1:04:38.160
<v Speaker 1>back in the day, especially with the songs. Yeah goes

1:04:38.200 --> 1:04:44.280
<v Speaker 1>hand in hand, man, I got one Kendrick Lamar or

1:04:44.360 --> 1:04:50.800
<v Speaker 1>Drake all the way down. I see you say Drake

1:04:50.880 --> 1:04:52.960
<v Speaker 1>before to man.

1:04:53.240 --> 1:04:55.439
<v Speaker 2>Yeah, he said, he said, every block do you go through,

1:04:55.720 --> 1:04:57.040
<v Speaker 2>you can hear a Drake record.

1:04:58.240 --> 1:05:01.040
<v Speaker 1>You get me. You may not, and he's not talented,

1:05:01.520 --> 1:05:04.160
<v Speaker 1>but you know, Drake has that commercial flavor, and he's like,

1:05:04.840 --> 1:05:07.440
<v Speaker 1>he's like the hip hop Michael Jackson, you know what

1:05:07.480 --> 1:05:11.520
<v Speaker 1>I mean? Yeah, yeah, so yeah juicy. He did a

1:05:11.520 --> 1:05:14.320
<v Speaker 1>lot for popcorn, and he reps the culture. He raps

1:05:14.400 --> 1:05:17.400
<v Speaker 1>Jamaica culture to the point where people started calling him

1:05:17.440 --> 1:05:20.760
<v Speaker 1>culture culture. But like, we don't feel that way. It's

1:05:20.800 --> 1:05:24.840
<v Speaker 1>not Jamaica not influence as well, yeah, because Jamaicans are

1:05:24.880 --> 1:05:29.919
<v Speaker 1>all over exactly, So it is this next. I got

1:05:29.920 --> 1:05:31.440
<v Speaker 1>this one, go ahead.

1:05:31.600 --> 1:05:34.120
<v Speaker 2>I got this because I was looking at my closet.

1:05:33.800 --> 1:05:37.280
<v Speaker 1>For my clocks. Yeah, I couldn't find him. I got

1:05:37.280 --> 1:05:39.040
<v Speaker 1>a brand new clocks.

1:05:39.040 --> 1:05:41.120
<v Speaker 2>And then I said, I might have been going too far. Yes,

1:05:41.320 --> 1:05:47.320
<v Speaker 2>but clarks or no, that's not that's not okay, my bad.

1:05:47.600 --> 1:05:50.000
<v Speaker 1>My is wanted to shoot? How used to it? Back

1:05:50.040 --> 1:05:51.880
<v Speaker 1>to the how do you know that? Come on? All

1:05:55.200 --> 1:06:06.080
<v Speaker 1>the nigga says, come on, come on over here?

1:06:08.160 --> 1:06:13.960
<v Speaker 6>Right about the addies though, because what inspired you to

1:06:14.000 --> 1:06:14.840
<v Speaker 6>have your own shoes?

1:06:15.200 --> 1:06:18.560
<v Speaker 1>I mean, just like I said, I love money, but

1:06:19.000 --> 1:06:21.440
<v Speaker 1>it's deeper than that. Like I said, we grew up

1:06:21.440 --> 1:06:24.200
<v Speaker 1>on hip hop as well, and we always admired how

1:06:24.280 --> 1:06:27.840
<v Speaker 1>these guys come from poverty just like us. Now they

1:06:27.840 --> 1:06:29.960
<v Speaker 1>are rappers, they have their own shoes, They have their

1:06:30.000 --> 1:06:32.440
<v Speaker 1>own you know what I mean. You were seeing that

1:06:32.520 --> 1:06:34.480
<v Speaker 1>first in the hip hop yeah in the nineties. Yeah yeah,

1:06:34.480 --> 1:06:37.120
<v Speaker 1>and that inspired me of course. I mean, like I said,

1:06:37.160 --> 1:06:39.800
<v Speaker 1>my generation is the first generation to have cable TV.

1:06:40.080 --> 1:06:42.760
<v Speaker 1>M so that influences. Yes. So when the cable came

1:06:42.800 --> 1:06:46.120
<v Speaker 1>out in Jamaica, we were like fourteen years old, being

1:06:46.160 --> 1:06:47.960
<v Speaker 1>the first generation to be able to watch B E

1:06:48.080 --> 1:06:54.920
<v Speaker 1>T and yeah A J and Free Yeah yeah example.

1:06:55.080 --> 1:06:57.600
<v Speaker 4>Yeah, so we were in rap City City and all

1:06:57.640 --> 1:06:57.800
<v Speaker 4>of that.

1:06:58.200 --> 1:07:05.680
<v Speaker 1>You hear how loud you got one of these got

1:07:06.720 --> 1:07:09.880
<v Speaker 1>It changed American landscape and it added to the culture

1:07:09.920 --> 1:07:12.000
<v Speaker 1>as well, you know what I mean. So like I said, yeah,

1:07:12.120 --> 1:07:14.760
<v Speaker 1>before us, there was just one TV station in Jamaica.

1:07:15.280 --> 1:07:17.680
<v Speaker 1>So the Jennifer, so my older sisters, they grew up

1:07:17.720 --> 1:07:23.520
<v Speaker 1>on one TV station that signed off at midnight, crazy.

1:07:23.240 --> 1:07:26.840
<v Speaker 6>Right and Clarks, I know their sales had to go

1:07:26.960 --> 1:07:27.760
<v Speaker 6>up after Yeah.

1:07:27.800 --> 1:07:28.000
<v Speaker 12>Yeah.

1:07:28.240 --> 1:07:30.880
<v Speaker 1>One of thember Clark's were a British colony, so Clarks

1:07:30.880 --> 1:07:33.080
<v Speaker 1>has been embedded in the culture. I just brought it

1:07:33.120 --> 1:07:36.439
<v Speaker 1>back exactly because like I said, when the cable TV came,

1:07:36.720 --> 1:07:43.800
<v Speaker 1>this game or Jordan's came, Sneakers came Jersey Scane, so

1:07:44.480 --> 1:07:46.800
<v Speaker 1>a lot of it was lost to the kids who

1:07:46.840 --> 1:07:50.040
<v Speaker 1>came out in the in the late nineties. They came

1:07:50.040 --> 1:07:53.400
<v Speaker 1>out we're in Jordan's and so so when I did Clarks,

1:07:53.760 --> 1:07:57.400
<v Speaker 1>it brought back that old school style. Yeah, and that's

1:07:57.400 --> 1:07:59.040
<v Speaker 1>why it's still so big to this day because it

1:07:59.080 --> 1:08:04.360
<v Speaker 1>has always been in the closure, you know what I mean? Yeah, Yeah,

1:08:05.920 --> 1:08:10.919
<v Speaker 1>let's yeah, Dre scores super hype, dre scung, but soup

1:08:11.000 --> 1:08:14.160
<v Speaker 1>hype is my regends. Dres called ma name did Kingston

1:08:14.280 --> 1:08:18.600
<v Speaker 1>story album that was crazy? M m hm, Sizzler or

1:08:18.600 --> 1:08:30.559
<v Speaker 1>Capleton two legends? Man tell you yeah, did you drink?

1:08:30.600 --> 1:08:37.360
<v Speaker 1>I'm watching you because he's right, He's right, Yeah, yeah,

1:08:37.640 --> 1:08:41.360
<v Speaker 1>bigs long a time, man, you can't talk? Those are

1:08:41.360 --> 1:09:09.640
<v Speaker 1>those are giants? Yes, man? And intro music mine me,

1:09:10.080 --> 1:09:20.840
<v Speaker 1>no one no is that responsibly.

1:09:26.720 --> 1:09:28.600
<v Speaker 2>Let me tell you how much we can get right

1:09:28.640 --> 1:09:29.880
<v Speaker 2>back to the quick time of Slim. But let me

1:09:29.880 --> 1:09:32.120
<v Speaker 2>tell you how much your fans are your fans?

1:09:32.320 --> 1:09:32.559
<v Speaker 1>Yes?

1:09:33.520 --> 1:09:37.080
<v Speaker 2>I posted like with multiple stuff, yes, And all I

1:09:37.120 --> 1:09:39.800
<v Speaker 2>did was post a little bit of this right here.

1:09:40.000 --> 1:09:48.000
<v Speaker 1>What they heard that you got your visa was d

1:09:48.200 --> 1:09:48.919
<v Speaker 1>m Yeah.

1:09:54.200 --> 1:09:56.519
<v Speaker 2>But before we get back to the Quirk Thomas Slim.

1:09:56.520 --> 1:09:59.640
<v Speaker 2>I just want you to know. You know, I've been

1:09:59.680 --> 1:10:02.080
<v Speaker 2>doing this for eight years, so I've been studying years

1:10:02.200 --> 1:10:02.639
<v Speaker 2>nine years.

1:10:02.680 --> 1:10:03.160
<v Speaker 1>Excuse me.

1:10:03.320 --> 1:10:07.360
<v Speaker 2>I've been studying people's fan base. I study people's drinks,

1:10:07.360 --> 1:10:11.679
<v Speaker 2>I study people whatever. And I tell you your fan.

1:10:11.560 --> 1:10:17.400
<v Speaker 1>Base that's crazy crazy. Imagine beehive on weed. That's my finding,

1:10:18.640 --> 1:10:20.080
<v Speaker 1>Marbie on fucking.

1:10:21.080 --> 1:10:25.439
<v Speaker 4>Exactly exactly right, Ship.

1:10:25.760 --> 1:10:28.759
<v Speaker 1>Yeah, man, that's why.

1:10:27.720 --> 1:10:38.720
<v Speaker 13>Not respect like when you win episode recording that, Yeah,

1:10:38.960 --> 1:10:41.160
<v Speaker 13>that's crazy.

1:10:41.680 --> 1:10:43.960
<v Speaker 2>And you know you know that because when I was

1:10:43.960 --> 1:10:46.800
<v Speaker 2>playing that to a little Wayne, little Wayne couldn't actually understand.

1:10:47.479 --> 1:10:49.760
<v Speaker 2>I had like almost tell him his fan base. But

1:10:49.840 --> 1:10:51.839
<v Speaker 2>you know your fan base, you know why.

1:10:51.640 --> 1:10:54.000
<v Speaker 1>They was writing you in jail and yeah, okay, that

1:10:54.160 --> 1:10:58.679
<v Speaker 1>is my fan base is crazy, bro like me back then,

1:10:59.200 --> 1:11:02.400
<v Speaker 1>that's the cart was talking. That's my fan base. They

1:11:02.439 --> 1:11:07.760
<v Speaker 1>haven't evolved with me, with me, they're still dark as fun.

1:11:11.000 --> 1:11:12.800
<v Speaker 1>I like it like that. You can pull a Trump

1:11:12.880 --> 1:11:13.120
<v Speaker 1>right now.

1:11:13.120 --> 1:11:15.639
<v Speaker 2>You can tell people you go go motherfucking the.

1:11:15.600 --> 1:11:22.720
<v Speaker 1>Court right now and don't say that time and at Yeah,

1:11:23.000 --> 1:11:30.960
<v Speaker 1>I'm not going to tell that drink water Ship, Can

1:11:31.040 --> 1:11:37.160
<v Speaker 1>I get a straw? Why? Why Damien Mary Damien Marty

1:11:37.200 --> 1:11:42.080
<v Speaker 1>and Stephen Marley. Damien, that's Junior Gong. He's lop Steven still,

1:11:42.080 --> 1:11:45.559
<v Speaker 1>but Junia Gown like the younger kids. A lot of

1:11:45.560 --> 1:11:49.519
<v Speaker 1>young kids in Jamaica even say Junior Gong is better

1:11:49.600 --> 1:11:53.240
<v Speaker 1>than Bob Marley because he not only sings, he dj

1:11:53.800 --> 1:11:59.200
<v Speaker 1>he raps, right because he grew up different, right, right,

1:11:59.360 --> 1:12:01.639
<v Speaker 1>I mean you grew up in between Miami and New York.

1:12:01.840 --> 1:12:05.639
<v Speaker 1>Like he's a Yeah, he's a world citizen. Mm hmm.

1:12:08.360 --> 1:12:15.240
<v Speaker 1>Shava or super Cat super Man super Cat. Yeah, but

1:12:15.320 --> 1:12:18.320
<v Speaker 1>like I said, remember, Shaba is more my like for

1:12:18.400 --> 1:12:22.080
<v Speaker 1>the ladies, right, So super catches are real. I mean

1:12:22.120 --> 1:12:25.920
<v Speaker 1>I'm a I'm a hybrid because coming up I was

1:12:26.040 --> 1:12:28.880
<v Speaker 1>naturally gangster, but I do a lot of songs for

1:12:28.960 --> 1:12:29.479
<v Speaker 1>the ladies.

1:12:29.560 --> 1:12:31.640
<v Speaker 5>So and it feels like super was one of the

1:12:31.680 --> 1:12:34.439
<v Speaker 5>first artists to really get into the hip hop.

1:12:34.600 --> 1:12:37.320
<v Speaker 1>Yeah. And yeah, of course because even Heavy D was

1:12:37.360 --> 1:12:41.000
<v Speaker 1>friends Heavy Heavy and biggest first track is on that too.

1:12:41.800 --> 1:12:52.439
<v Speaker 1>Yeah yeah, sometimes, yeah that is a legend as well. Yeah,

1:12:52.479 --> 1:12:56.439
<v Speaker 1>that's something Ninja Man super Cats era when I was

1:12:56.560 --> 1:13:02.000
<v Speaker 1>like twelve thirteen coming up in the eighties. Uh yeah,

1:13:02.880 --> 1:13:10.799
<v Speaker 1>Extensive Royalty or eminem which song? Which song? Because royalty

1:13:10.880 --> 1:13:17.400
<v Speaker 1>is a song? Which song? White trash, white trash party,

1:13:18.439 --> 1:13:24.960
<v Speaker 1>white chash. Yeah, this is all you from here on out, brother, yeah, White.

1:13:25.720 --> 1:13:28.240
<v Speaker 1>Why do you write a long ass like that? Because

1:13:28.280 --> 1:13:39.800
<v Speaker 1>it's can tell? Man, these individuals each other? JA right,

1:13:41.560 --> 1:13:46.320
<v Speaker 1>what the fuck? Get it now? I get it. It

1:13:46.400 --> 1:13:52.560
<v Speaker 1>don't make sense. I Shaana, I Shaana, but a legendary

1:13:52.640 --> 1:13:55.720
<v Speaker 1>young artist. As a matter of fact, you break since

1:13:55.800 --> 1:13:59.360
<v Speaker 1>you know I didn't break her. A producer that I

1:13:59.400 --> 1:14:03.720
<v Speaker 1>recorded a song for called Loudie. You basically stole the

1:14:03.800 --> 1:14:07.559
<v Speaker 1>song and gave it to Shenzia to sing. But this

1:14:07.640 --> 1:14:11.479
<v Speaker 1>is when gods are fans. My fans really had a

1:14:11.520 --> 1:14:14.320
<v Speaker 1>problem with Shenzia when she came out and said she

1:14:14.479 --> 1:14:17.400
<v Speaker 1>wrote the song is if she wrote for you? No,

1:14:17.479 --> 1:14:19.800
<v Speaker 1>as if she wrote the entire song? Okay, okay, so

1:14:19.920 --> 1:14:22.439
<v Speaker 1>you wrote her verse two? No, it was my song.

1:14:23.080 --> 1:14:25.880
<v Speaker 1>So I recorded the song for you. You give it

1:14:25.920 --> 1:14:28.960
<v Speaker 1>to a girl. So all she did was change the verses.

1:14:29.080 --> 1:14:32.000
<v Speaker 1>So if I say me, she said her right, yes,

1:14:32.000 --> 1:14:34.960
<v Speaker 1>So she just changed like the pronouns okay, you know

1:14:34.960 --> 1:14:38.800
<v Speaker 1>what I mean? Yeah? And then someone someone leaked the

1:14:38.800 --> 1:14:42.639
<v Speaker 1>original song when when she was saying, oh, Cartail didn't

1:14:42.680 --> 1:14:46.040
<v Speaker 1>write my part. I wrote my part and she released it.

1:14:46.240 --> 1:14:51.120
<v Speaker 1>Someone's leaked the original song where I wrote everything. Yeah,

1:14:51.200 --> 1:14:55.200
<v Speaker 1>that's why Gods and Sons had a problem with her initially. Well, yeah,

1:14:55.240 --> 1:14:57.400
<v Speaker 1>she cool man like I've done met her in person,

1:14:57.400 --> 1:15:00.000
<v Speaker 1>though you remember I was in prison them times. Yeah,

1:15:00.000 --> 1:15:01.719
<v Speaker 1>I told you it's a prison membo. I didn't.

1:15:02.080 --> 1:15:06.479
<v Speaker 2>I didn't because you recorded that feature for I recorded

1:15:06.479 --> 1:15:07.280
<v Speaker 2>that song in prison.

1:15:07.560 --> 1:15:12.160
<v Speaker 1>Wow. Yeah, and Elvis, who was a producer, gave it

1:15:12.200 --> 1:15:17.120
<v Speaker 1>to Shancia, so they left my hook and she just

1:15:17.200 --> 1:15:20.000
<v Speaker 1>sang my verses. Right, how did that? Did you? What

1:15:20.040 --> 1:15:22.479
<v Speaker 1>did that vexin? No? I wasn't vexed, and I wasn't happy.

1:15:22.479 --> 1:15:24.400
<v Speaker 1>It was just like, yo, I need my money. I

1:15:24.439 --> 1:15:31.960
<v Speaker 1>need Yeah, So I wasn't angry or sad. I was unpaid. Yeah,

1:15:32.000 --> 1:15:36.519
<v Speaker 1>so that's all I needed. But yeah, big up and

1:15:36.560 --> 1:15:39.280
<v Speaker 1>she reps anyway she goes. She shout South Cartel too.

1:15:39.920 --> 1:15:46.479
<v Speaker 1>Yeah to be in her defense, she does. But Spice

1:15:46.720 --> 1:15:52.599
<v Speaker 1>is the number one big up Spices, Queen of Dansad. Yes,

1:15:52.760 --> 1:15:56.240
<v Speaker 1>she's been on the show. I need her. Yeah yeah, yeah,

1:15:56.280 --> 1:16:02.360
<v Speaker 1>definitely reggaear dance hall dance for ever, go ahead.

1:16:03.080 --> 1:16:07.439
<v Speaker 2>You should take a shot for accident. Yeah, a shot.

1:16:07.800 --> 1:16:12.479
<v Speaker 2>We knew this dance song. Mm hmm, what this one

1:16:12.560 --> 1:16:18.360
<v Speaker 2>is fire? If you don't say Trump for a Biden. No,

1:16:18.600 --> 1:16:20.599
<v Speaker 2>we don't want no political ship neither.

1:16:20.760 --> 1:16:24.880
<v Speaker 1>Exactly. Do you keep your visa? Yes, sir, the shots

1:16:24.920 --> 1:16:25.280
<v Speaker 1>are here.

1:16:26.080 --> 1:16:29.320
<v Speaker 6>Preface this by saying we have some foul friends, right, Yes,

1:16:29.800 --> 1:16:31.439
<v Speaker 6>I'm the only vegan I te here.

1:16:31.520 --> 1:16:34.040
<v Speaker 1>Right, Oh you're vegan? I tell yes. A little bit.

1:16:35.240 --> 1:16:42.000
<v Speaker 1>Time to eat shrimp legend allegedly allegedly Jamaican born in Jamaica. No,

1:16:42.120 --> 1:16:44.960
<v Speaker 1>I was born in New York. My parents from Jamaica.

1:16:45.320 --> 1:16:51.799
<v Speaker 1>Here Yankee man, here, you're a Yankee basically Yankee. Yeah, yeah,

1:16:51.800 --> 1:16:58.160
<v Speaker 1>that's a vegan. Do you eat pussy? I'm just second man.

1:17:00.680 --> 1:17:11.960
<v Speaker 7>Because because it is me, so you can't be your feet.

1:17:15.640 --> 1:17:23.840
<v Speaker 1>I said, why No, I'm just saying. I'm just saying, okay,

1:17:24.000 --> 1:17:26.800
<v Speaker 1>So what happened when you was going to the head, Yeah,

1:17:26.800 --> 1:17:29.000
<v Speaker 1>you was asking leading that up because the reason why

1:17:28.920 --> 1:17:31.639
<v Speaker 1>I was give some questions. Yeah, they gave me this question, bro,

1:17:32.160 --> 1:17:34.599
<v Speaker 1>that's the question. Jerk chicken, the curry chicken. What the hell?

1:17:34.600 --> 1:17:36.960
<v Speaker 1>That's why they gave you no that's a deep question, man,

1:17:38.040 --> 1:17:43.400
<v Speaker 1>can't be a shot? You take a shot? Yeah? Yeah,

1:17:47.160 --> 1:17:48.800
<v Speaker 1>crazy with that. But they gave it to me though,

1:17:48.840 --> 1:17:51.599
<v Speaker 1>that's the foure part. He gave it. They wanted us

1:17:51.640 --> 1:17:54.640
<v Speaker 1>to drink what Jamaica? And how are you going to

1:17:54.680 --> 1:17:58.639
<v Speaker 1>decide between coury chicken and jerk Chicken. I can't do it, mind,

1:17:58.880 --> 1:17:59.519
<v Speaker 1>I can't do it.

1:18:00.160 --> 1:18:02.320
<v Speaker 2>Then I went to a store in Kingston and I

1:18:02.400 --> 1:18:03.200
<v Speaker 2>seen the Chinese.

1:18:03.200 --> 1:18:12.160
<v Speaker 1>Man. Ye, blood class, you will be a blood. Chinese

1:18:12.200 --> 1:18:22.559
<v Speaker 1>are the toughest Jamaica.

1:18:15.080 --> 1:18:25.760
<v Speaker 14>Yeah, yeah, okay, the locks or dip set?

1:18:26.760 --> 1:18:29.439
<v Speaker 1>The locks is Jada kiss right? You got to say Jada,

1:18:29.520 --> 1:18:34.599
<v Speaker 1>but you I don't know Jada. I love Jada. Why

1:18:34.680 --> 1:18:40.080
<v Speaker 1>does Jada sound like Italian fucking mafia with that voice

1:18:40.080 --> 1:18:42.840
<v Speaker 1>and that cadence, which is one of the reasons why

1:18:42.880 --> 1:18:48.320
<v Speaker 1>he is artist soul. Yeah, it's very true. With his lyrics, yes, man,

1:18:48.400 --> 1:18:52.479
<v Speaker 1>and the sound of his voice. It's crazy man, Yeah,

1:18:52.960 --> 1:18:54.759
<v Speaker 1>rasip be sound. That's what I'm talking about.

1:18:55.240 --> 1:18:58.720
<v Speaker 15>Yeah, man, you take the next one, said cares one

1:18:58.760 --> 1:19:04.840
<v Speaker 15>to slick Rick. I respect that you want to take

1:19:04.840 --> 1:19:12.960
<v Speaker 15>two for the culture. Ye, that's that fever, man, know

1:19:13.160 --> 1:19:15.920
<v Speaker 15>that I like it to that he took one for

1:19:16.040 --> 1:19:16.639
<v Speaker 15>karas one.

1:19:16.520 --> 1:19:21.559
<v Speaker 1>And yeah, man, legends. I'm like, I'm not that young,

1:19:21.640 --> 1:19:23.440
<v Speaker 1>so you know I grew up on those guys.

1:19:23.439 --> 1:19:27.680
<v Speaker 2>Now they're absolute legends, all right, Jordan or Lebron Jordan's

1:19:28.200 --> 1:19:33.639
<v Speaker 2>that was easy, l A or Miami, New York.

1:19:37.720 --> 1:19:40.760
<v Speaker 1>I respect, I love it.

1:19:40.800 --> 1:19:43.880
<v Speaker 4>I'm America, New York, Brooklyn, flat bash.

1:19:44.040 --> 1:19:47.240
<v Speaker 1>You gonna take a shot for shot. You don't have

1:19:47.280 --> 1:19:48.519
<v Speaker 1>to take a shot. I'm gonna take a shot for

1:19:48.560 --> 1:19:53.960
<v Speaker 1>your shot. Hold on, okay, okay, but that's what I

1:19:54.080 --> 1:19:56.120
<v Speaker 1>got to take a shot. That's what I got a shot.

1:19:56.120 --> 1:19:57.559
<v Speaker 1>That's why I got to take It's got to be

1:19:57.640 --> 1:20:02.280
<v Speaker 1>smart over there. Yeah, y'all not smart with it. He's

1:20:02.320 --> 1:20:13.519
<v Speaker 1>like one plus one three yes, salo, Yeah, cheers you guys.

1:20:13.520 --> 1:20:17.400
<v Speaker 1>Man love New York game man. M m, you got

1:20:17.400 --> 1:20:20.160
<v Speaker 1>the nice one. You know. The gods version of salute

1:20:20.200 --> 1:20:24.040
<v Speaker 1>is actually tables. That's what we're saying. So I say tables, yeah,

1:20:24.040 --> 1:20:25.280
<v Speaker 1>because we don't do chairs.

1:20:25.439 --> 1:20:33.120
<v Speaker 2>Okay, tables, get it, chairs, tables.

1:20:33.160 --> 1:20:36.120
<v Speaker 1>I like it. I didn't make that up on the spot.

1:20:36.280 --> 1:20:39.320
<v Speaker 2>I'm going I'm going, like some of your previous guests.

1:20:41.800 --> 1:20:50.840
<v Speaker 1>Analog or digital, and you're talking about the sound to

1:20:50.880 --> 1:20:55.920
<v Speaker 1>say studio together exactly, that that's fintured sound. It's it's warmer.

1:20:56.680 --> 1:20:58.800
<v Speaker 1>I mean, if you grew up on digital, you're not

1:20:58.840 --> 1:21:01.360
<v Speaker 1>going to know the difference, right, But if you grew

1:21:01.400 --> 1:21:03.280
<v Speaker 1>up old school, you're going to know that the analog

1:21:03.400 --> 1:21:05.439
<v Speaker 1>has that warmer sound. So what they used to do

1:21:05.520 --> 1:21:08.280
<v Speaker 1>in Jamaica when the digital sound came out, they used

1:21:08.280 --> 1:21:11.800
<v Speaker 1>to still running back on the twenty four track after

1:21:11.840 --> 1:21:14.519
<v Speaker 1>they mixed it, and then they mastered on the twenty.

1:21:14.280 --> 1:21:18.280
<v Speaker 5>Four chick and they still press it on the plates exactly.

1:21:18.560 --> 1:21:23.280
<v Speaker 1>We still do that. Ship Yeah great, Oh no, this

1:21:23.320 --> 1:21:25.479
<v Speaker 1>is yours? Is the last one? Okay, that's the last one.

1:21:26.320 --> 1:21:30.480
<v Speaker 1>How many questions are though? Yeah? Is seventy one? Yeah?

1:21:30.880 --> 1:21:35.120
<v Speaker 1>Fifty ship? Yeah, let me let me add one. Okay,

1:21:35.120 --> 1:21:37.800
<v Speaker 1>go ahead, go ahead man before they twenty two? Yeah,

1:21:38.000 --> 1:21:43.840
<v Speaker 1>my pinker, it's not think it's future. Thank you for salmon. No,

1:21:43.880 --> 1:21:53.439
<v Speaker 1>not Simon, that's Jamaican. It went over your head. No no, no, no,

1:21:53.560 --> 1:21:54.560
<v Speaker 1>don't worry about.

1:21:54.280 --> 1:22:13.680
<v Speaker 16>Its empty noo.

1:22:13.880 --> 1:22:19.120
<v Speaker 1>Yeah. Yeah, he's asking about one is my brother? One

1:22:19.160 --> 1:22:25.360
<v Speaker 1>is my son? That's three shots. Give us a mad

1:22:25.439 --> 1:22:30.360
<v Speaker 1>story though, MATSSS is crazy, man, like I raised him.

1:22:30.760 --> 1:22:33.200
<v Speaker 1>So when he came up from the country, he was

1:22:33.360 --> 1:22:36.080
<v Speaker 1>like nine ten years old. Oh wow, So we came

1:22:36.120 --> 1:22:39.240
<v Speaker 1>to Port Moore, so coming from does imagine you're coming

1:22:39.280 --> 1:22:44.200
<v Speaker 1>from fucking somewhere in the country and you end up

1:22:44.240 --> 1:22:48.920
<v Speaker 1>in Brooklyn in nineteen eighty fucking six, right, wow exactly.

1:22:49.040 --> 1:22:51.360
<v Speaker 1>So he came up and now I mean he held

1:22:51.360 --> 1:22:54.320
<v Speaker 1>his own he grew up rough just that the rest

1:22:54.360 --> 1:22:58.000
<v Speaker 1>of us. We actually went to prison together, and he

1:22:58.080 --> 1:23:00.760
<v Speaker 1>lost his mother while we were in prison. Yeah. Man,

1:23:00.800 --> 1:23:03.040
<v Speaker 1>I cried man like and like I said, I cried

1:23:03.080 --> 1:23:08.040
<v Speaker 1>twice in prison when my baby mother's mom died. And

1:23:08.040 --> 1:23:12.000
<v Speaker 1>when matchs mom died, that ship hit us like hard. Bro.

1:23:12.760 --> 1:23:14.920
<v Speaker 1>Even my grandmother died when I was in prison, and

1:23:14.960 --> 1:23:17.840
<v Speaker 1>I didn't feel it because she was an old lady,

1:23:18.160 --> 1:23:21.280
<v Speaker 1>was like nineties. She had lived her life, she lived

1:23:21.320 --> 1:23:23.800
<v Speaker 1>her life right right right, Yeah, But when MaTx was

1:23:23.960 --> 1:23:27.719
<v Speaker 1>mom died and Charlotte's mom, that ship hurt. Yeah.

1:23:28.120 --> 1:23:33.160
<v Speaker 6>The is it true that he created the laughter the Yeah.

1:23:33.040 --> 1:23:35.120
<v Speaker 1>I just remember we're a group, you know, and he did.

1:23:35.400 --> 1:23:40.160
<v Speaker 1>He invented the world boss O World Boss Yeah. So yeah,

1:23:40.320 --> 1:23:43.160
<v Speaker 1>like I said, I raised those kids. So yeah, when

1:23:43.160 --> 1:23:44.599
<v Speaker 1>he came out you know, I got in a fat

1:23:44.640 --> 1:23:46.600
<v Speaker 1>bends and you know what I mean, gave him an

1:23:46.640 --> 1:23:56.800
<v Speaker 1>apartment because my life is dope. And I said that, right, Yeah,

1:23:57.360 --> 1:24:00.760
<v Speaker 1>I don't know what I think. Dave Chelle, Yeah, I

1:24:00.800 --> 1:24:04.519
<v Speaker 1>was watching it, yeah, person, yeah, and I heard Dave

1:24:04.600 --> 1:24:06.879
<v Speaker 1>Chapelle say it, and I'm like, oh, ship, that's that's

1:24:06.920 --> 1:24:10.080
<v Speaker 1>that's dope. Yeah, so big up Kanye. I like Kanye too,

1:24:10.960 --> 1:24:13.960
<v Speaker 1>so this is the last one. Yeah, I like Kanye.

1:24:14.040 --> 1:24:16.680
<v Speaker 1>It was you and Kanye and then production wise like

1:24:16.720 --> 1:24:18.640
<v Speaker 1>that would be yeah. Yeah, he's also Yeah, I saw

1:24:19.000 --> 1:24:23.040
<v Speaker 1>ones play two pianos at once, like some black moz

1:24:23.080 --> 1:24:26.080
<v Speaker 1>are fucking crazy, Big up, big up Kanye.

1:24:26.320 --> 1:24:28.120
<v Speaker 2>And now he's back up being there, he's on some

1:24:28.520 --> 1:24:32.040
<v Speaker 2>he's back to being right. You saw about the garments.

1:24:31.680 --> 1:24:45.799
<v Speaker 1>And his wife said, you look, I'm I'm joking. I'm joking.

1:24:47.000 --> 1:24:49.160
<v Speaker 5>I mean I think he might even appreciate that to

1:24:49.160 --> 1:24:49.639
<v Speaker 5>a degree.

1:24:49.720 --> 1:24:54.840
<v Speaker 1>Yeah, yeah, if he does, I'm not joking. I'm just

1:24:59.400 --> 1:25:04.519
<v Speaker 1>it's real. Conye is crazy, man, But I guess that's

1:25:04.560 --> 1:25:08.040
<v Speaker 1>part of being a great artist, right. Yeah, you gotta

1:25:08.040 --> 1:25:10.960
<v Speaker 1>gotta you gotta be fucked up. I mean, not byby

1:25:11.040 --> 1:25:30.599
<v Speaker 1>all fucked up, but you weren't ready, I wasn't okay, Yeah,

1:25:31.720 --> 1:25:34.599
<v Speaker 1>expect your right. It's crazy.

1:25:39.680 --> 1:25:42.479
<v Speaker 2>The last question, last question for Quick Times Love, did

1:25:42.520 --> 1:25:44.120
<v Speaker 2>we get back into the interview, Yes, sir.

1:25:45.760 --> 1:25:50.839
<v Speaker 1>Loyalty or respect? Loyalty, loyalty, loyalty. I believe in loyalty

1:25:51.720 --> 1:25:55.680
<v Speaker 1>because you can respect me. But if you're loyal to me,

1:25:55.800 --> 1:25:59.040
<v Speaker 1>I know I'm Safeernie. Respect that you're not going to

1:25:59.120 --> 1:26:02.160
<v Speaker 1>cause some dude he's here Connor robb him and shoot

1:26:02.200 --> 1:26:07.559
<v Speaker 1>him like they didn't right by day. I mean yeah,

1:26:07.760 --> 1:26:10.920
<v Speaker 1>I don't know they they don't want us to win

1:26:11.080 --> 1:26:17.920
<v Speaker 1>exactly to now. Well, Yeah, loyalty, man, Yeah, of course, loyalty.

1:26:18.120 --> 1:26:20.600
<v Speaker 1>I believe in that, and that's why that's why it

1:26:20.640 --> 1:26:24.280
<v Speaker 1>was stranger And you asked me that question about Sean's storm.

1:26:24.400 --> 1:26:26.840
<v Speaker 1>That's one of the most loyal people I've ever met.

1:26:26.960 --> 1:26:30.800
<v Speaker 1>Oh wow, Yeah, I mean, but Gaza is loyalty though.

1:26:31.680 --> 1:26:33.720
<v Speaker 1>That's how we roll, you know what I mean. Let's

1:26:33.720 --> 1:26:40.320
<v Speaker 1>make some noise for that, true, did you? Yeah?

1:26:40.400 --> 1:26:43.040
<v Speaker 5>It reminds me of Norway saying left rack Iraq.

1:26:43.880 --> 1:26:49.280
<v Speaker 1>First of all, in Jamaica, kid can tell you Jamaican's

1:26:49.840 --> 1:26:51.679
<v Speaker 1>a lot of us, especially back in the day We're

1:26:51.680 --> 1:26:54.880
<v Speaker 1>well read and we watch everything that's happening in the world.

1:26:55.200 --> 1:26:57.519
<v Speaker 1>So you on a street corner in Jamaica can be

1:26:57.560 --> 1:27:03.320
<v Speaker 1>called televisions, Mmmm, televis like Israel. Israel in Jamaica have

1:27:03.360 --> 1:27:08.160
<v Speaker 1>street corners called Mexico, little New amongst yourselves, that Bush. Yeah,

1:27:08.160 --> 1:27:10.800
<v Speaker 1>that's just the street corner amongst ourselves, not like the

1:27:10.800 --> 1:27:14.240
<v Speaker 1>official government. So where I come from in the Waterford,

1:27:14.760 --> 1:27:19.439
<v Speaker 1>you have Boston, you have Flatbush, you have Mexico, and

1:27:19.479 --> 1:27:22.280
<v Speaker 1>then you have Gaza, you know what I mean. So

1:27:22.320 --> 1:27:24.320
<v Speaker 1>we got the name literally from the Middle East.

1:27:24.680 --> 1:27:26.160
<v Speaker 5>Is it given because of a reason?

1:27:26.520 --> 1:27:31.160
<v Speaker 1>Yeah, because of that struggle man, something that emanated something.

1:27:31.200 --> 1:27:33.919
<v Speaker 1>That's why a lot of these street corners in Jamaica

1:27:34.240 --> 1:27:37.000
<v Speaker 1>have those names, nicknames, you know what I mean. So

1:27:37.040 --> 1:27:39.559
<v Speaker 1>you have Red Square, that's where Sprague Benz is from.

1:27:39.600 --> 1:27:42.280
<v Speaker 1>You know, Red Square is Russian. You got little London

1:27:42.680 --> 1:27:46.000
<v Speaker 1>down there, you got Mexico, you got Vietnam. In Seaview,

1:27:46.040 --> 1:27:49.360
<v Speaker 1>we're bounty killers from Seaview. Mountain View, Yeah, mountain View.

1:27:49.400 --> 1:27:52.120
<v Speaker 1>That No, those are real names. But on a street

1:27:52.160 --> 1:27:57.160
<v Speaker 1>corner in Seaview you would see because we graffiti the place,

1:27:57.200 --> 1:28:00.760
<v Speaker 1>so you would see Vietnam. Yeah, yeah, who lives in

1:28:00.800 --> 1:28:04.679
<v Speaker 1>tel Aviv. Spragar Bens No, stel Aviv is South Spargo

1:28:04.720 --> 1:28:07.519
<v Speaker 1>Bens lives in Red Square, which which is, like I said,

1:28:07.520 --> 1:28:10.519
<v Speaker 1>the unofficial name for the corner, yeah, which is a

1:28:10.560 --> 1:28:13.519
<v Speaker 1>Russian Yes, Spragar Bends, you know, big big entertaining in

1:28:13.600 --> 1:28:16.320
<v Speaker 1>Jamaica to see View, mountain View. I've been to see Field,

1:28:16.320 --> 1:28:19.479
<v Speaker 1>that's your Bountikulus, and I've been you've been to Tiffany.

1:28:19.560 --> 1:28:22.160
<v Speaker 1>I watched you saying you you went to Tiffany Gardens

1:28:22.400 --> 1:28:29.400
<v Speaker 1>with none of us. Yeah, I saw that. I saw that.

1:28:30.160 --> 1:28:34.200
<v Speaker 1>I watched that ship. Bro. Your podcast is beginning. Prison

1:28:34.320 --> 1:28:37.200
<v Speaker 1>in the streets in Jamaica. Oh, come on, let's listen

1:28:37.160 --> 1:28:41.880
<v Speaker 1>to what you that's a wrapper as well.

1:28:41.960 --> 1:28:45.960
<v Speaker 2>Yes, yes, I ain't gonna lie on man nor Yes,

1:28:46.479 --> 1:28:48.200
<v Speaker 2>they told me, they said, man.

1:28:48.160 --> 1:28:52.240
<v Speaker 1>Because what what what? Yeah? Had to be going crazy.

1:28:52.240 --> 1:28:55.680
<v Speaker 2>I didn't know, so I didn't know, like Jamaican love, I.

1:28:55.760 --> 1:29:01.120
<v Speaker 1>Gotta be rowdy. Yes, that's it, that's what. Yeah. Yeah,

1:29:01.320 --> 1:29:03.360
<v Speaker 1>that's why I said. When you said Miami or l A,

1:29:03.439 --> 1:29:07.160
<v Speaker 1>I said New York right right, goddamn god damn yeah, yeah, yeah,

1:29:08.160 --> 1:29:11.960
<v Speaker 1>but I love Miami because it has the Jamaican climate, yes,

1:29:12.760 --> 1:29:17.040
<v Speaker 1>and the palm trees. And we're very Caribbean here. Yeah, yeah,

1:29:17.040 --> 1:29:22.360
<v Speaker 1>it's very Caribbean. Can I say very Demian mirror?

1:29:22.439 --> 1:29:31.679
<v Speaker 17>I don't know this, so it sounds very mindful. Yeah,

1:29:31.720 --> 1:29:33.480
<v Speaker 17>moving on, Okay.

1:29:33.240 --> 1:29:34.240
<v Speaker 1>So what is what is it?

1:29:34.360 --> 1:29:39.400
<v Speaker 2>Garnesses Garness, Garness, Garners Garner, like one of the most

1:29:39.479 --> 1:29:41.439
<v Speaker 2>dangerous hoods.

1:29:41.640 --> 1:29:44.800
<v Speaker 1>Garrison, Garrison, garrison, you know what garrison is. That's like

1:29:44.840 --> 1:29:48.160
<v Speaker 1>a forder. It's just a real word from Roman military,

1:29:48.200 --> 1:29:51.800
<v Speaker 1>from the military military. Yeah, Garth, you was locked up.

1:29:51.840 --> 1:29:55.080
<v Speaker 1>You went to the one of the toughest garrisons though,

1:29:55.720 --> 1:29:58.040
<v Speaker 1>That's what I was telling you, pick me up, That's

1:30:00.120 --> 1:30:03.920
<v Speaker 1>that's but but you were locked up.

1:30:04.080 --> 1:30:06.720
<v Speaker 2>There and then that night when he when he came

1:30:06.760 --> 1:30:09.200
<v Speaker 2>to see you bust around, shot a video there that night.

1:30:09.200 --> 1:30:11.880
<v Speaker 1>This nigga buster, the man came to the fucking prison

1:30:12.040 --> 1:30:14.800
<v Speaker 1>which is in another garrison called south Side. Okay that's

1:30:14.800 --> 1:30:16.759
<v Speaker 1>what I was trying to Yeah, okay, and he shot

1:30:16.760 --> 1:30:19.960
<v Speaker 1>the video outside the prison. I'm in the prison talking

1:30:20.000 --> 1:30:22.479
<v Speaker 1>to the g on my phone on my cell in

1:30:22.600 --> 1:30:25.760
<v Speaker 1>my cell like yeah, man, stand up there. So I

1:30:25.960 --> 1:30:28.240
<v Speaker 1>gonna send two men called link her. So I'm telling him,

1:30:28.240 --> 1:30:30.599
<v Speaker 1>I'm gonna send two dogs to come link and make

1:30:30.640 --> 1:30:33.840
<v Speaker 1>sure he's safe. And yeah, it was crazy man, Yo Buster,

1:30:34.240 --> 1:30:42.760
<v Speaker 1>Yo Buster, that's my brother, Big Buster. He's never scared man.

1:30:42.800 --> 1:30:46.320
<v Speaker 1>He represents for Cartel, he represents for Dan Saw. Yeah,

1:30:46.360 --> 1:30:52.200
<v Speaker 1>so big up, Buster. I'm not gonna lie to you.

1:30:52.320 --> 1:30:56.400
<v Speaker 2>Not only there, but I remember when you first coming out,

1:30:56.800 --> 1:30:58.599
<v Speaker 2>and I remember a Buster going on how to deceive

1:30:58.800 --> 1:31:02.880
<v Speaker 2>and literally tell people vibes, cattail, this is the next

1:31:03.040 --> 1:31:05.040
<v Speaker 2>man you please, you know, vibe.

1:31:05.800 --> 1:31:08.920
<v Speaker 1>I remember this ship from the beginning. He believes in

1:31:08.960 --> 1:31:12.200
<v Speaker 1>that man. He trust me, like not only believes in you,

1:31:12.280 --> 1:31:15.840
<v Speaker 1>he like he loves you or something. Yeah. Right. Family

1:31:15.880 --> 1:31:20.599
<v Speaker 1>and family yeah yeah yeah man. And we spoke about

1:31:20.600 --> 1:31:23.160
<v Speaker 1>how you met, right yeah yeah yeah yeah. But once

1:31:23.200 --> 1:31:27.320
<v Speaker 1>he came to Jamaica, we was like instant because the respect.

1:31:27.360 --> 1:31:31.360
<v Speaker 1>And you remember he's he's American, so it's both his

1:31:31.400 --> 1:31:34.080
<v Speaker 1>parents Jamaica. But he was born in Brooklyn, so he's

1:31:34.080 --> 1:31:39.000
<v Speaker 1>basically you can't tell him he's basically you're born in Brooklyn, Jamaica,

1:31:39.680 --> 1:31:49.000
<v Speaker 1>even if your parents are from sucking Dubai, Brooklyn, you Jamaican.

1:31:49.520 --> 1:31:52.800
<v Speaker 1>I'm in Miami. I couldn't get a craving agg. All

1:31:52.840 --> 1:31:59.400
<v Speaker 1>they had was this Brooklyn craving air sol on in

1:31:59.600 --> 1:32:04.120
<v Speaker 1>every gas. This is guineas, Yeah, Guineas. That's Jamaica, like

1:32:04.320 --> 1:32:11.040
<v Speaker 1>our stout dragon stuff, dragon beer. Redistricked. That's not from Irish. Yeah,

1:32:11.080 --> 1:32:14.880
<v Speaker 1>but it's well, remember Jamaica is a British colony. It's

1:32:14.880 --> 1:32:15.679
<v Speaker 1>a British colony.

1:32:16.280 --> 1:32:20.120
<v Speaker 2>A cigarette spoke a cigarette, thank you, sir, the.

1:32:24.040 --> 1:32:30.439
<v Speaker 1>Shout cigarette. You you If it's not the producer, you

1:32:30.479 --> 1:32:37.559
<v Speaker 1>can't say ship which is fucked up, No, which is

1:32:37.600 --> 1:32:42.320
<v Speaker 1>fucked up because it's not Jamaica. So I don't know

1:32:42.360 --> 1:32:44.920
<v Speaker 1>it's not Jamaican. No, that's what I said. If I

1:32:45.000 --> 1:32:48.080
<v Speaker 1>was in Brooklyn, I could have gotten the Jamaican cigarette,

1:32:48.479 --> 1:32:51.120
<v Speaker 1>which is the craving, A craving air. You smooth the

1:32:51.200 --> 1:32:53.840
<v Speaker 1>craven agg. Even a comedian said that you have craving

1:32:54.240 --> 1:32:56.040
<v Speaker 1>Even a comedian said it. The other day. The man

1:32:56.160 --> 1:33:00.160
<v Speaker 1>was like, oh, they are more Jamaicans in Brooklyn than Jamaica.

1:33:00.200 --> 1:33:01.040
<v Speaker 1>And he's not lying.

1:33:01.479 --> 1:33:03.840
<v Speaker 2>Yeah, because there's a lot of white people that go

1:33:03.880 --> 1:33:06.120
<v Speaker 2>to Jamaica. Right now, they're saying that they might be

1:33:06.160 --> 1:33:08.479
<v Speaker 2>a Puerto Rico without Puerto Ricans in a little while

1:33:09.000 --> 1:33:13.280
<v Speaker 2>for real, Yeah, Puerto Rico without Puerto Ricans. So that's

1:33:13.320 --> 1:33:15.760
<v Speaker 2>because they kicking on the perto Ricans out because of.

1:33:15.680 --> 1:33:17.840
<v Speaker 1>The justification justification and.

1:33:19.560 --> 1:33:23.240
<v Speaker 2>Tax purposes because if you live there for yeah, so

1:33:23.280 --> 1:33:24.720
<v Speaker 2>if you lived there for more than six months or

1:33:24.760 --> 1:33:25.640
<v Speaker 2>seven months.

1:33:25.360 --> 1:33:28.360
<v Speaker 1>You don't have to pay no US tax. That's crazy

1:33:28.360 --> 1:33:31.800
<v Speaker 1>because in Jamaica, I think they work out a deal

1:33:31.840 --> 1:33:34.880
<v Speaker 1>with the Chinese that you don't pay taxes on your

1:33:34.920 --> 1:33:39.200
<v Speaker 1>business for like five years. So say you're a Chinese guy, right,

1:33:39.360 --> 1:33:42.080
<v Speaker 1>highly unlikely because you're a dark skick, but just say

1:33:42.080 --> 1:33:43.599
<v Speaker 1>you're a Chinese guy the Chinese.

1:33:44.439 --> 1:33:46.400
<v Speaker 4>Let me, why do I keep using John?

1:33:48.280 --> 1:33:51.920
<v Speaker 1>Yeah? Anyway you pay, you come to Jamaica, you open

1:33:51.960 --> 1:33:55.720
<v Speaker 1>a business, Say you get five years what do you

1:33:55.760 --> 1:33:59.240
<v Speaker 1>call it? Great speriod not to pay taxes. In the

1:33:59.320 --> 1:34:03.719
<v Speaker 1>fourth year, you you send for your cousin from fucking

1:34:03.800 --> 1:34:06.880
<v Speaker 1>Beijing the replacement and put him as the CEO of

1:34:06.920 --> 1:34:09.280
<v Speaker 1>the company. And the company so the company is not

1:34:09.280 --> 1:34:11.559
<v Speaker 1>paying tax for another five years, and they bring the

1:34:11.600 --> 1:34:14.280
<v Speaker 1>next one after and then the next after, and.

1:34:14.160 --> 1:34:16.760
<v Speaker 5>That's when you have the craziest Chinese Jamaica's Because.

1:34:16.520 --> 1:34:19.800
<v Speaker 1>Exactly I'm gonna be honest with you. I see I

1:34:19.840 --> 1:34:22.839
<v Speaker 1>was white. You know this is just a fake bumba

1:34:22.880 --> 1:34:23.920
<v Speaker 1>clad that's not how we say.

1:34:24.720 --> 1:34:28.000
<v Speaker 2>That was a construction site in Jamaica and then they

1:34:28.160 --> 1:34:32.400
<v Speaker 2>had nothing but Chinese workers coming out, and Jamaican guy

1:34:32.520 --> 1:34:34.719
<v Speaker 2>was like, yo, man, look they won't hire us.

1:34:35.560 --> 1:34:39.400
<v Speaker 1>And so my thing is this, Okay, I have no

1:34:39.479 --> 1:34:46.200
<v Speaker 1>problem with Chinese nationalism. The problem I have is with

1:34:46.320 --> 1:34:49.840
<v Speaker 1>the lack of black people's nationalism. But we're not going

1:34:49.920 --> 1:34:55.920
<v Speaker 1>to go that the string champs. Yeah, we're not going

1:34:55.920 --> 1:35:01.840
<v Speaker 1>back to me that. Yes, they can do better, better,

1:35:01.840 --> 1:35:06.240
<v Speaker 1>they can do better. We already spoke. He's just said

1:35:06.240 --> 1:35:07.920
<v Speaker 1>the government can do better. You don't want me to

1:35:07.960 --> 1:35:14.200
<v Speaker 1>go back to Jamaica government, No, but me and the

1:35:14.240 --> 1:35:17.600
<v Speaker 1>government good. They dreating good. Like like I said, I

1:35:17.680 --> 1:35:21.760
<v Speaker 1>came out. I changed up my whole thing and I'm good.

1:35:22.320 --> 1:35:30.040
<v Speaker 1>That's why I'm here now in Americas. The change that's man.

1:35:31.479 --> 1:35:33.920
<v Speaker 2>And we know you're about to get married, but before that,

1:35:34.880 --> 1:35:39.320
<v Speaker 2>let's talk about short boss. Yeah sh shot yeah two.

1:35:40.080 --> 1:35:42.400
<v Speaker 1>Yeah, that's my baby mom. I've been to there since

1:35:42.400 --> 1:35:45.080
<v Speaker 1>before I got famous and rich. But I mean, like

1:35:45.120 --> 1:35:47.880
<v Speaker 1>I said, you see, prison is dangerous because you know,

1:35:47.920 --> 1:35:51.639
<v Speaker 1>when you go to prison, ship gets weird. And I'm like,

1:35:51.680 --> 1:35:54.439
<v Speaker 1>I said, she held it for years and then she

1:35:54.479 --> 1:35:58.720
<v Speaker 1>couldn't hold it anymore. You're talking about your baby mom. Yeah, obviously,

1:35:58.840 --> 1:36:05.200
<v Speaker 1>well we're talking about him. She she got caught slacking then. Yeah,

1:36:05.400 --> 1:36:09.519
<v Speaker 1>but I still respect her still because I understand human beings.

1:36:10.000 --> 1:36:12.719
<v Speaker 1>Think about human nature. Okay, think about it. Your woman

1:36:12.800 --> 1:36:17.320
<v Speaker 1>is in prison, one year goes by. You know, let's

1:36:17.360 --> 1:36:19.439
<v Speaker 1>not use you. You look like you what a woman?

1:36:20.520 --> 1:36:26.360
<v Speaker 1>This woman is like this should look like by the house.

1:36:28.320 --> 1:36:35.160
<v Speaker 1>But yeah, but it's true.

1:36:35.400 --> 1:36:35.960
<v Speaker 4>Think about it.

1:36:37.000 --> 1:36:40.559
<v Speaker 1>People that love me like she I'm sure she loved

1:36:40.560 --> 1:36:43.400
<v Speaker 1>me because she wrote it me. Even when she was slacking,

1:36:43.720 --> 1:36:46.360
<v Speaker 1>I could still jump on my phone in prison. Surely

1:36:46.680 --> 1:36:49.479
<v Speaker 1>go to the bank, shorty, make sure the lawyer gets

1:36:49.479 --> 1:36:52.840
<v Speaker 1>that pay this bill, give this person money. And she

1:36:53.000 --> 1:36:55.880
<v Speaker 1>was there right through. But come on, I mean, prison

1:36:55.920 --> 1:36:58.040
<v Speaker 1>for fucking thirty years. What do you expect her to do?

1:36:58.720 --> 1:37:04.760
<v Speaker 1>Like save the pussy. It's not a hedge funt, you know.

1:37:04.960 --> 1:37:08.960
<v Speaker 1>But yeah, yeah, but I forgave her immediately because I understand.

1:37:09.840 --> 1:37:12.120
<v Speaker 1>But I just had to move on, right, that's what

1:37:12.160 --> 1:37:16.880
<v Speaker 1>That's right, that makes sense. I'm big up to them.

1:37:16.920 --> 1:37:19.160
<v Speaker 1>She's actually hire. No, she's in Lauderdale because I left

1:37:19.160 --> 1:37:21.160
<v Speaker 1>her in lawd of that. Okay, yeah, that's sort of

1:37:21.200 --> 1:37:24.960
<v Speaker 1>mature of you too. She gave me three sons, Come on,

1:37:25.479 --> 1:37:28.000
<v Speaker 1>big up shot. I love she made me cry.

1:37:30.920 --> 1:37:34.000
<v Speaker 4>I was.

1:37:38.560 --> 1:37:41.479
<v Speaker 1>That's crazy, man, And that's what people love about me

1:37:41.479 --> 1:37:43.400
<v Speaker 1>because I just speak my truth and when I'm living

1:37:43.560 --> 1:37:47.000
<v Speaker 1>music that I only live once. Man. So how you

1:37:47.040 --> 1:37:55.320
<v Speaker 1>found my other baby mother? My life is crazy? Seriously,

1:37:55.320 --> 1:37:59.000
<v Speaker 1>My other baby mother told me you're fucking hyping up shorty.

1:37:59.080 --> 1:38:04.320
<v Speaker 1>She fucking some guy like literally, no, I didn't you know?

1:38:04.479 --> 1:38:16.200
<v Speaker 1>Matter are idiots? Cloud. I'm like, you know, that's what

1:38:16.240 --> 1:38:19.559
<v Speaker 1>I'm saying. Well, yeah, yeah, she gave me my sons.

1:38:19.640 --> 1:38:24.920
<v Speaker 1>They do music to live the music. And the other

1:38:24.960 --> 1:38:33.960
<v Speaker 1>baby mom that told me the snitch, but she gave

1:38:34.000 --> 1:38:38.280
<v Speaker 1>me a nice stot. But yeah, I mean, well, I'm

1:38:38.320 --> 1:38:40.920
<v Speaker 1>just living, man, and I take the good, the bad,

1:38:40.960 --> 1:38:48.200
<v Speaker 1>the ugly. Yeah. Man, it's what everybody who was on

1:38:48.360 --> 1:38:51.800
<v Speaker 1>watch right, Like, you know, from the outside looking in,

1:38:52.080 --> 1:38:53.720
<v Speaker 1>it looks like you never cracked. It looked like you

1:38:53.800 --> 1:38:56.120
<v Speaker 1>never know. While I was in prison, No, like I said,

1:38:56.160 --> 1:39:00.920
<v Speaker 1>I cried twice honestly when Shorty her mom died because

1:39:00.920 --> 1:39:03.720
<v Speaker 1>Shorty's short boss when her mom died, because she was

1:39:03.760 --> 1:39:07.040
<v Speaker 1>at every every court, every time I was in court,

1:39:07.479 --> 1:39:10.400
<v Speaker 1>she was there, even when I told her, don't come

1:39:11.000 --> 1:39:15.680
<v Speaker 1>still show still there, bro Bro. I cried like a

1:39:15.760 --> 1:39:19.240
<v Speaker 1>bitch man when she died. And also when Match's mom died,

1:39:19.240 --> 1:39:23.600
<v Speaker 1>because those women are like, she's in the community. You

1:39:23.640 --> 1:39:26.520
<v Speaker 1>know you know what I meantriarch. Yeah, yeah, the matriarchs

1:39:26.600 --> 1:39:30.360
<v Speaker 1>even even daper slices mom. Jamaica runs even those days

1:39:30.360 --> 1:39:33.320
<v Speaker 1>when we was not behaving ourselves and when the cops

1:39:33.360 --> 1:39:38.000
<v Speaker 1>came like that was mom was naked. Like you're like,

1:39:38.680 --> 1:39:41.840
<v Speaker 1>they're in a sense, fuck like leave the community. Like

1:39:42.240 --> 1:39:45.960
<v Speaker 1>Jamaica is another beast man. Yeah, it's crazy. So and

1:39:46.000 --> 1:39:49.280
<v Speaker 1>the women they represent for us, all right, yeah so

1:39:49.760 --> 1:39:58.439
<v Speaker 1>the black women. Yeah, man is what it is. No

1:39:58.439 --> 1:40:03.519
<v Speaker 1>one smokes. I've never seen someone. No, I think, well,

1:40:03.840 --> 1:40:06.599
<v Speaker 1>it's a different beast man. Well he's my favorite comedian.

1:40:08.200 --> 1:40:08.680
<v Speaker 4>Yeah we were.

1:40:08.720 --> 1:40:11.920
<v Speaker 1>You were in a fucking Yeah. I watched that he

1:40:12.080 --> 1:40:16.479
<v Speaker 1>was star Yeah and that that's both death. Yeah, your

1:40:16.520 --> 1:40:21.400
<v Speaker 1>most he's like a sizzler, a bunch of bank How

1:40:21.439 --> 1:40:27.519
<v Speaker 1>he raps he's like like he's deep, very without trying,

1:40:27.640 --> 1:40:30.000
<v Speaker 1>without trying, like it's very not. That was a good

1:40:30.040 --> 1:40:35.840
<v Speaker 1>interview though, with with most death Dave Chappelle and Talib.

1:40:35.560 --> 1:40:38.320
<v Speaker 2>Yeah yeah, you know he didn't like Kanye was breaking

1:40:38.360 --> 1:40:38.960
<v Speaker 2>about his hat.

1:40:39.320 --> 1:40:42.080
<v Speaker 1>Oh Talib, Yeah yeah, he seems like he's a funked

1:40:42.160 --> 1:40:47.639
<v Speaker 1>up guy. Well this music is amazing, yeah man, yea.

1:40:47.880 --> 1:40:50.880
<v Speaker 1>Even Dave said it, like this thing is fucking yeah

1:40:51.960 --> 1:40:55.040
<v Speaker 1>about He's like Jordan. I was watching an interview with

1:40:55.320 --> 1:41:00.320
<v Speaker 1>Chamellionaire the first time he met Jordan's and Jordan he

1:41:00.479 --> 1:41:03.160
<v Speaker 1>was like, Jordan, can I take a picture? And Jordan's

1:41:03.160 --> 1:41:07.640
<v Speaker 1>that nigga you got money or some ship? Yeah. The

1:41:07.800 --> 1:41:13.200
<v Speaker 1>stories about Jordan's he you know the funny story about

1:41:13.479 --> 1:41:18.479
<v Speaker 1>about him. I think it was Jada Kiss was saying

1:41:18.479 --> 1:41:23.680
<v Speaker 1>he was everyone and was like, yo is this like

1:41:23.800 --> 1:41:26.920
<v Speaker 1>he picked up, like is this dude with you? And

1:41:27.000 --> 1:41:29.960
<v Speaker 1>Jada was like, nah, you know he has that resk Like.

1:41:29.960 --> 1:41:31.679
<v Speaker 4>Nah, I know that nigga.

1:41:32.160 --> 1:41:35.640
<v Speaker 1>He said, you went back to the I was like,

1:41:36.080 --> 1:41:43.600
<v Speaker 1>you reworking, bro. I never know.

1:41:44.560 --> 1:41:53.479
<v Speaker 18>That's crazy man, you he's an ja Yeah man, yeah, yeah,

1:41:53.600 --> 1:41:57.600
<v Speaker 18>that's crazy man. Yeah, So shout out Nor, shout outa.

1:41:58.320 --> 1:42:01.720
<v Speaker 1>He spoke to him, Jaya, Yes, while I was in

1:42:01.800 --> 1:42:05.320
<v Speaker 1>the National Stadium in Jamaica. Why someone put him on

1:42:05.760 --> 1:42:07.880
<v Speaker 1>FaceTime Wow and we was talking.

1:42:07.960 --> 1:42:12.839
<v Speaker 2>Yeah, yeah, because I'm just being honest.

1:42:12.880 --> 1:42:13.120
<v Speaker 1>Man.

1:42:13.800 --> 1:42:16.960
<v Speaker 2>When you say you're the world boss, it means it, man,

1:42:17.200 --> 1:42:19.320
<v Speaker 2>it means it. I mean, like you said earlier, you

1:42:19.360 --> 1:42:20.479
<v Speaker 2>said the people who named you that.

1:42:20.640 --> 1:42:21.240
<v Speaker 1>Yes. I like.

1:42:22.800 --> 1:42:25.320
<v Speaker 2>The thing about it is, you know everyone in here,

1:42:25.760 --> 1:42:30.320
<v Speaker 2>it's every nationality and this goddamnit, yes man, because everybody

1:42:30.360 --> 1:42:32.679
<v Speaker 2>wanted to be here to make sure we give you your

1:42:32.600 --> 1:42:34.760
<v Speaker 2>flowers because you deserve this.

1:42:35.280 --> 1:42:39.760
<v Speaker 1>You are the world Boss. Yeah.

1:42:40.200 --> 1:42:44.320
<v Speaker 2>I like that, and we're so happy, Like you know,

1:42:44.360 --> 1:42:47.000
<v Speaker 2>it's so inspiration for a person, you know, from the

1:42:47.040 --> 1:42:51.040
<v Speaker 2>hood that can maybe make it wrong turn, take that

1:42:51.120 --> 1:42:53.720
<v Speaker 2>turn and then come home and then re established. Like

1:42:53.760 --> 1:42:57.080
<v Speaker 2>I didn't hear you complain, No, no, I didn't hear you.

1:42:57.120 --> 1:43:02.400
<v Speaker 1>No bitterness. I hate you home, went straight back. And

1:43:04.320 --> 1:43:05.440
<v Speaker 1>it's amazing.

1:43:05.800 --> 1:43:08.960
<v Speaker 2>It's amazing, like to see what you're doing, to see

1:43:08.960 --> 1:43:10.799
<v Speaker 2>how people are following you.

1:43:10.680 --> 1:43:13.120
<v Speaker 1>And it's real. It's like you don't even have to

1:43:13.600 --> 1:43:16.960
<v Speaker 1>you don't have to claim your thrown no no, no no, no,

1:43:17.080 --> 1:43:18.040
<v Speaker 1>people claim it for you.

1:43:18.160 --> 1:43:18.760
<v Speaker 4>Thank you sir.

1:43:19.200 --> 1:43:21.760
<v Speaker 1>And that's that's what's crazy about it, you know what

1:43:21.800 --> 1:43:22.120
<v Speaker 1>I mean.

1:43:22.200 --> 1:43:25.800
<v Speaker 2>But there's anything you will I know you say you

1:43:25.800 --> 1:43:28.600
<v Speaker 2>don't have no regrets, but there's anything you thought you

1:43:28.600 --> 1:43:29.320
<v Speaker 2>could do better.

1:43:29.360 --> 1:43:38.760
<v Speaker 1>What was one of those things? Watch short Boss Pussy Moore.

1:43:42.400 --> 1:43:45.000
<v Speaker 1>I should have put the dudes on her, like driving eyes,

1:43:45.880 --> 1:43:53.040
<v Speaker 1>like undercover fucking agent to watch the pussys. That's time

1:43:53.439 --> 1:43:55.879
<v Speaker 1>and I'm gonna be honest. When I met see them,

1:43:56.040 --> 1:44:01.160
<v Speaker 1>that's my current fiance. It was twenty fifteen, twenty fifth Yeah,

1:44:01.200 --> 1:44:03.400
<v Speaker 1>I met while us in jail, Yeah, in Oka. And

1:44:03.520 --> 1:44:05.600
<v Speaker 1>at that time, me and Shurety was going through a

1:44:05.600 --> 1:44:10.040
<v Speaker 1>lot because remember I'm in prison, I'm fighting graves disease.

1:44:10.240 --> 1:44:12.240
<v Speaker 1>Even now I have it. That's why I wear my

1:44:12.320 --> 1:44:15.400
<v Speaker 1>shades because sometimes like even now we're smoking, my eyes

1:44:15.479 --> 1:44:19.320
<v Speaker 1>will irritate me. My eyes will get swollen. Yeah, straight up,

1:44:20.280 --> 1:44:25.080
<v Speaker 1>because we're human, you know what I mean. And Shorty

1:44:25.600 --> 1:44:27.960
<v Speaker 1>Sidem was there for me, and like I said, I

1:44:28.040 --> 1:44:33.600
<v Speaker 1>understand Shorty's perspective. Think about this, you're in prison. Two years,

1:44:34.960 --> 1:44:37.719
<v Speaker 1>I'm going to hold it. And she did three years,

1:44:37.760 --> 1:44:43.840
<v Speaker 1>four years, five years, six seven Roh eight Nigga nine

1:44:44.479 --> 1:44:48.680
<v Speaker 1>Dog ten come on, man, So that's for me, Like,

1:44:48.720 --> 1:44:51.120
<v Speaker 1>I'm a realist. And what was you originally sentenced to?

1:44:51.200 --> 1:44:55.519
<v Speaker 1>How many years? Thirty fucking five? Man? It was like, yeah,

1:44:55.600 --> 1:44:59.000
<v Speaker 1>thirty five before parole. So I would have if things

1:44:59.040 --> 1:45:03.400
<v Speaker 1>went out they want, I would still be in prison. So,

1:45:03.680 --> 1:45:05.880
<v Speaker 1>like I said, and Sidem was there for me. She

1:45:06.000 --> 1:45:08.439
<v Speaker 1>was We spoke on the whole night of the night,

1:45:09.040 --> 1:45:12.439
<v Speaker 1>days on days she was there. And in Jamaica, when

1:45:12.479 --> 1:45:15.439
<v Speaker 1>someone represents for you while you're in prison, you don't

1:45:15.479 --> 1:45:19.960
<v Speaker 1>forget that you're going to hell. So but my thing

1:45:20.080 --> 1:45:24.360
<v Speaker 1>is this, I understand people, which is one of the

1:45:24.439 --> 1:45:26.920
<v Speaker 1>things that has made me be a great artist. I

1:45:27.000 --> 1:45:30.799
<v Speaker 1>understand people, human nature. So I could never be angry

1:45:31.240 --> 1:45:35.000
<v Speaker 1>with my baby mom. I love her, still respect her

1:45:35.040 --> 1:45:39.080
<v Speaker 1>because she raised my kids and based on the person

1:45:39.120 --> 1:45:41.720
<v Speaker 1>that I was, a lot of people would expect my

1:45:41.800 --> 1:45:46.320
<v Speaker 1>children to be gangsters in the streets, shooting guns whatever whatever.

1:45:47.240 --> 1:45:50.280
<v Speaker 1>She held them down. None of my sons. Like I said,

1:45:50.280 --> 1:45:52.720
<v Speaker 1>I was in prison with Mavada's son, who is my

1:45:52.920 --> 1:45:56.240
<v Speaker 1>son's best friend. A lot of people don't know that.

1:45:56.320 --> 1:45:59.880
<v Speaker 1>So even when me and Mavada was at it fighting,

1:46:00.040 --> 1:46:02.880
<v Speaker 1>the whole Jamaica was divided like his son and my

1:46:02.960 --> 1:46:06.240
<v Speaker 1>son were crazy. I'm telling you, bro. Even when I

1:46:06.320 --> 1:46:10.040
<v Speaker 1>was in prison, Madams like, yo, say hi to Jahim

1:46:10.160 --> 1:46:15.200
<v Speaker 1>for me. Yeah. So yeah, big old, big old Movada's son.

1:46:15.920 --> 1:46:19.280
<v Speaker 1>Enough respect, enough love to the Gully God. Yeah man,

1:46:19.320 --> 1:46:27.320
<v Speaker 1>it's yeah free. I want to talk about that.

1:46:27.960 --> 1:46:30.000
<v Speaker 6>I want to talk about that period because I feel

1:46:30.000 --> 1:46:31.320
<v Speaker 6>like we just breathed period.

1:46:31.320 --> 1:46:35.240
<v Speaker 1>That's a monthly thing for time. I want to talk

1:46:35.280 --> 1:46:40.160
<v Speaker 1>about that time. We just breezed over it. So that time.

1:46:41.320 --> 1:46:46.360
<v Speaker 2>Yeah, yeah, like that, yeah, Gaza versus Gully. You know,

1:46:47.000 --> 1:46:49.600
<v Speaker 2>it got so serious where the government had to The

1:46:49.840 --> 1:46:53.000
<v Speaker 2>government stepped in. They weren't giving us permise to do concerts.

1:46:53.520 --> 1:46:54.719
<v Speaker 2>They shut that ship down.

1:46:54.760 --> 1:46:58.519
<v Speaker 1>They were like, bro, but funny enough, when Mavado and

1:46:58.560 --> 1:47:01.840
<v Speaker 1>I were at the the King's House, which is where

1:47:01.840 --> 1:47:04.840
<v Speaker 1>the government is. So we were there and they were like, yo,

1:47:04.960 --> 1:47:07.400
<v Speaker 1>you need to shut this down. Let the kids know,

1:47:07.479 --> 1:47:12.160
<v Speaker 1>because the kids took it very serious. Like he is

1:47:12.200 --> 1:47:19.280
<v Speaker 1>small Tupac two point zero in Jamaica. I'm not even joking.

1:47:19.320 --> 1:47:23.120
<v Speaker 1>I remember you know that he knows that. And the

1:47:23.160 --> 1:47:27.519
<v Speaker 1>government was like, bro, we will shut you guys down.

1:47:28.280 --> 1:47:31.640
<v Speaker 1>Stop talking about But them times when they took a

1:47:31.640 --> 1:47:33.640
<v Speaker 1>break in the meeting and me and my father was

1:47:34.400 --> 1:47:38.800
<v Speaker 1>in the government building and we were like, yo, look

1:47:38.840 --> 1:47:42.840
<v Speaker 1>where music brought us. And that's when we had a

1:47:42.920 --> 1:47:46.479
<v Speaker 1>moment and it was like, yo, we need to fix this.

1:47:47.240 --> 1:47:55.040
<v Speaker 1>And we did it. For a few months. The war

1:47:55.160 --> 1:48:00.479
<v Speaker 1>started again. Why black people and we have ego and

1:48:00.560 --> 1:48:03.559
<v Speaker 1>we come from blocking and now we're rich, so you know,

1:48:03.680 --> 1:48:05.880
<v Speaker 1>you know what black man and his ego. Of course

1:48:05.960 --> 1:48:08.960
<v Speaker 1>we have something to prove. Well, yeah, man, And we

1:48:09.000 --> 1:48:13.640
<v Speaker 1>did the fighting again round two. The government came in.

1:48:13.720 --> 1:48:18.800
<v Speaker 1>They did us, I mean they shut down everything. And

1:48:18.800 --> 1:48:23.840
<v Speaker 1>then does us tiffany y Yeah, he was like, yo,

1:48:24.120 --> 1:48:25.800
<v Speaker 1>let me speak to you guys. And we did the

1:48:25.840 --> 1:48:30.240
<v Speaker 1>meeting and it was like yo, for real, man, we

1:48:30.280 --> 1:48:33.519
<v Speaker 1>need to chill. When does us come soon? Right? Yeah?

1:48:33.560 --> 1:48:37.280
<v Speaker 1>He got arrested in twenty ten, become there. It was

1:48:37.280 --> 1:48:39.280
<v Speaker 1>a big thing in Jamaica. A lot of people died

1:48:39.320 --> 1:48:42.240
<v Speaker 1>and oh yeah yeah, yeah, a lot of people coming

1:48:42.280 --> 1:48:45.240
<v Speaker 1>home soon. Right, Yes, he should be. I don't know when,

1:48:45.880 --> 1:48:48.320
<v Speaker 1>but yeah, yeah, I thought they had It's crazy man,

1:48:48.400 --> 1:48:51.479
<v Speaker 1>that Dan Saul is. The people in Jamaica, they love them,

1:48:51.479 --> 1:48:55.759
<v Speaker 1>so they take music serious. Yeah, which is good because

1:48:55.800 --> 1:48:59.720
<v Speaker 1>That's why if you're a star in Jamaica, you're a

1:48:59.720 --> 1:49:04.240
<v Speaker 1>star forever. You have no expiration date. That's how much

1:49:04.240 --> 1:49:08.240
<v Speaker 1>you look. You revered right right, Yes, you're revered like

1:49:08.439 --> 1:49:11.599
<v Speaker 1>this worship like next to Jesus. You know what I mean,

1:49:11.840 --> 1:49:12.320
<v Speaker 1>what was it like?

1:49:12.479 --> 1:49:14.439
<v Speaker 2>If you're a star in Jamaica, you're a star all

1:49:14.439 --> 1:49:18.720
<v Speaker 2>over the world. That's because I just being honest, as

1:49:18.760 --> 1:49:22.360
<v Speaker 2>your cousin, I see the influence that Jamaica has around

1:49:22.400 --> 1:49:26.200
<v Speaker 2>the world, around the world, not just as entertainers.

1:49:26.240 --> 1:49:30.879
<v Speaker 1>Remember Mark, Marcus Gary, he told the entire Latin America

1:49:31.000 --> 1:49:34.880
<v Speaker 1>that's why we begin Panama, we begin Latin America. Costa

1:49:35.040 --> 1:49:42.080
<v Speaker 1>Rica Venezuela is from Jamaica. He's Jamaican. He's not from Jamaica,

1:49:42.120 --> 1:49:45.360
<v Speaker 1>but yeah, but yeah, he has this Jamaican heritage because remember,

1:49:45.400 --> 1:49:49.639
<v Speaker 1>like I said, funny enough, Marcus Garvey, you know who

1:49:49.800 --> 1:49:54.920
<v Speaker 1>was his right hand man, Elijah Muhammad. You used to

1:49:55.000 --> 1:49:57.519
<v Speaker 1>run the Detroit office of the U n I A

1:49:57.680 --> 1:50:02.040
<v Speaker 1>for Marcus. Really, no joke, I kid you not. That's crazy.

1:50:02.200 --> 1:50:05.000
<v Speaker 1>I'm telling you. Jamaican have always had that influence in

1:50:05.040 --> 1:50:09.200
<v Speaker 1>America with our customs to African America. You've always had

1:50:09.200 --> 1:50:13.360
<v Speaker 1>that influence, you know what I mean. So, and like

1:50:13.520 --> 1:50:20.040
<v Speaker 1>I said, uh, the Honorable Elijah Muhammad was Marcus Larv's

1:50:20.400 --> 1:50:21.559
<v Speaker 1>point man in Detroit.

1:50:21.800 --> 1:50:24.880
<v Speaker 5>And for people that don't know, that's the founder of

1:50:24.880 --> 1:50:26.320
<v Speaker 5>the Nation of Islam exactly.

1:50:28.360 --> 1:50:33.160
<v Speaker 1>Malcolm Xu's father was Marcus darvis right hand man. You know,

1:50:33.200 --> 1:50:37.599
<v Speaker 1>they tied into a train track and let the training. Yes,

1:50:37.600 --> 1:50:52.519
<v Speaker 1>it's crazy man, Yeah, how can you remember you weren't there? Yeah?

1:50:43.680 --> 1:50:55.559
<v Speaker 12>Yeah, Malcolm Mexican Autobiography, yeh, that's where I read.

1:50:56.960 --> 1:51:00.760
<v Speaker 1>Look, Yes, look At, look At. You can tell that

1:51:00.800 --> 1:51:06.280
<v Speaker 1>there's influenced by Yeah, it's literally by Look malcome xt

1:51:06.400 --> 1:51:11.120
<v Speaker 1>the Pose, which is the album Bob Marley did Disposed

1:51:11.120 --> 1:51:14.400
<v Speaker 1>as well. So I'm sure he was into because Bob

1:51:14.439 --> 1:51:17.920
<v Speaker 1>Marley sang a lot of Marcus Larvae philosophies, put it

1:51:17.960 --> 1:51:23.280
<v Speaker 1>to music, and he puts high the speech that he

1:51:23.320 --> 1:51:26.960
<v Speaker 1>made at this philosophy the United Nations sometimes it wasn't

1:51:27.000 --> 1:51:30.160
<v Speaker 1>called the United Nations, it was called I don't remember

1:51:30.360 --> 1:51:43.800
<v Speaker 1>United Nas, United Niggas. So Bob Marley. That's that's why

1:51:43.840 --> 1:51:47.200
<v Speaker 1>Bob Marley so powerful, because you know he's mixed. Is

1:51:47.240 --> 1:51:52.200
<v Speaker 1>that is why why it's glad we had to navigate

1:51:52.280 --> 1:51:56.479
<v Speaker 1>through that racial tension back in the day when in

1:51:56.520 --> 1:51:59.439
<v Speaker 1>the seventies, in Jamaica sixties, if you were light skinned,

1:51:59.880 --> 1:52:04.000
<v Speaker 1>you were kind of frowned upon. Yeah, so man, we

1:52:04.080 --> 1:52:09.000
<v Speaker 1>love Bob though like our generation respect Bob. He represented

1:52:09.040 --> 1:52:13.880
<v Speaker 1>for Marcus Larvey, he represented for Selassie. I highly Selassie. Yeah,

1:52:13.880 --> 1:52:16.000
<v Speaker 1>even when I was in La like ef the Opians,

1:52:16.040 --> 1:52:18.640
<v Speaker 1>they came to the hotel contact we love you.

1:52:19.960 --> 1:52:23.800
<v Speaker 2>Yeah, but let me ask you access to Chris Brown.

1:52:25.040 --> 1:52:30.960
<v Speaker 1>Oh represent big up Chris Brown. He won fucking yeah.

1:52:31.040 --> 1:52:31.240
<v Speaker 15>Yeah.

1:52:31.400 --> 1:52:35.000
<v Speaker 1>My favorite song on the album is Residual. So who

1:52:35.000 --> 1:52:39.719
<v Speaker 1>said yes I knew? Yes, yeah, big up Chris Brown. Man. Yeah,

1:52:39.840 --> 1:52:44.040
<v Speaker 1>so ask Chris Brown, why do I not have a drink?

1:52:44.040 --> 1:52:49.920
<v Speaker 2>And come on, come on, you slacking?

1:52:51.200 --> 1:52:53.640
<v Speaker 1>You know brownie light skin girls in Jamaica we call

1:52:53.720 --> 1:53:06.040
<v Speaker 1>them brown and famous. When he did Brownie Broom, the

1:53:06.040 --> 1:53:09.559
<v Speaker 1>whole Jamaica wanted to fucking there was like and then

1:53:09.560 --> 1:53:13.759
<v Speaker 1>he did black Women, a song called black Woman, remember

1:53:15.000 --> 1:53:20.719
<v Speaker 1>you know stop Yeah yeah yeah, yeah, so that's it.

1:53:20.720 --> 1:53:24.679
<v Speaker 1>It's crazy bro dying. Saw you set the trend? Yes,

1:53:24.800 --> 1:53:28.240
<v Speaker 1>and we we we navigate the culture. Yes, so big

1:53:28.600 --> 1:53:31.240
<v Speaker 1>big up legend them, okay.

1:53:31.000 --> 1:53:35.760
<v Speaker 2>Before I get into this, right yeah. Now the second festival, yes,

1:53:35.960 --> 1:53:41.439
<v Speaker 2>Freedom Street, Yeah, oh ship you said London, right, Okay,

1:53:41.720 --> 1:53:45.599
<v Speaker 2>let's forward to the third to the third one. Yes,

1:53:45.880 --> 1:53:49.040
<v Speaker 2>let's say it's in Miami. Yeah, who would you put

1:53:49.360 --> 1:53:50.200
<v Speaker 2>book on that?

1:53:50.240 --> 1:53:51.240
<v Speaker 1>Freedom caught up black?

1:53:56.200 --> 1:53:57.840
<v Speaker 4>And he's Caribbean as well.

1:54:00.640 --> 1:54:18.600
<v Speaker 1>Locations in Jamaica and Haitians have always been because Caribbean

1:54:18.960 --> 1:54:23.080
<v Speaker 1>the most powerful countries in the Caribbean. Jamaica, HEDI Trinidad,

1:54:23.160 --> 1:54:29.479
<v Speaker 1>remember Haitian Black Yeah, New York Okay, So yeah, Jack,

1:54:29.600 --> 1:54:42.200
<v Speaker 1>it's sorry, it's the Fuckingian Jack right, yes, sir. Yeah.

1:54:42.320 --> 1:54:44.600
<v Speaker 1>And the culture is really in the Caribbean man, and

1:54:44.640 --> 1:54:47.240
<v Speaker 1>we share the love. Yes, I was in Trinidad the

1:54:47.280 --> 1:54:49.880
<v Speaker 1>other day. I was launching the Straight Vibes. So we

1:54:50.000 --> 1:54:56.440
<v Speaker 1>launched in Trinidad, Guyana, Barbados, Saint Lucia and I'm doing

1:54:56.480 --> 1:54:59.920
<v Speaker 1>the same kids music festival, so we launching it there.

1:55:00.760 --> 1:55:02.360
<v Speaker 2>If you heard that's when you when you came home

1:55:02.520 --> 1:55:04.640
<v Speaker 2>at first we heard you was in Saint Kits.

1:55:04.440 --> 1:55:08.000
<v Speaker 1>Yes, no, St. Vincent Us. I want to visit the

1:55:08.040 --> 1:55:12.960
<v Speaker 1>Prime Minister. He sent from his private chess everything right now, yeah, yeah,

1:55:13.000 --> 1:55:19.040
<v Speaker 1>I am. I am I'm starting Jackie because he does

1:55:19.080 --> 1:55:22.080
<v Speaker 1>his own stunts, right. Because so, yeah, we went to

1:55:22.360 --> 1:55:27.360
<v Speaker 1>Saint Vincent, met the Prime minister. He calls himself world Boss,

1:55:26.560 --> 1:55:30.920
<v Speaker 1>the the Prime Minister of Saint Vincent. Fucking fun fact,

1:55:30.960 --> 1:55:33.240
<v Speaker 1>I got a call from the Prime Minister of Guyana.

1:55:33.840 --> 1:55:38.000
<v Speaker 1>He was like cartel me and you is the world

1:55:38.000 --> 1:55:45.960
<v Speaker 1>bar not that guy. Yeah, because that's how that's that's

1:55:46.040 --> 1:55:48.720
<v Speaker 1>what that's what I'm saying. It's like the unity among

1:55:48.880 --> 1:55:52.400
<v Speaker 1>among the Caribbean islands. It's like Japan, you know, they

1:55:52.400 --> 1:55:56.480
<v Speaker 1>have like a million islands, but they're still Japanese. Like

1:55:56.520 --> 1:55:59.440
<v Speaker 1>okay now when I was okay, now a supporter, you

1:55:59.480 --> 1:56:02.360
<v Speaker 1>know what I mean. So that's how the Caribbean is.

1:56:03.280 --> 1:56:06.200
<v Speaker 1>We have that unity, you know, the calypso the danceau

1:56:06.680 --> 1:56:08.840
<v Speaker 1>at least some of the English speaking couray Man bring

1:56:08.840 --> 1:56:10.760
<v Speaker 1>Cuban in there, bro we need That's why I said.

1:56:11.120 --> 1:56:15.320
<v Speaker 1>You notice, that's why I said English. The Cubans and

1:56:15.400 --> 1:56:17.040
<v Speaker 1>Jamaicans are still.

1:56:17.120 --> 1:56:19.240
<v Speaker 5>There's a part of Cuba that there's a lot of Jamaicans.

1:56:20.320 --> 1:56:25.920
<v Speaker 1>Nine out of ten doctors in Jamaica Cuba. Yeah, because

1:56:25.920 --> 1:56:28.880
<v Speaker 1>you know they do good medicine, right, Yeah, because they

1:56:28.880 --> 1:56:32.480
<v Speaker 1>get it from the Soviets. Well not Soviet now, because

1:56:32.480 --> 1:56:37.080
<v Speaker 1>that ship is all US Russian, remember us SR Right, yeah,

1:56:37.120 --> 1:56:42.920
<v Speaker 1>Reagan fuck that ship up. Do you eat doubles? Doubles?

1:56:43.760 --> 1:56:49.000
<v Speaker 1>I love doubles. Doubles is like fucking no, seriously, doubles

1:56:49.200 --> 1:56:53.240
<v Speaker 1>in Trinidad. It's like jerk chicken in Jamaica. That's why

1:56:53.240 --> 1:56:56.040
<v Speaker 1>when you said jerk chicken or coury chicken, I had

1:56:56.080 --> 1:56:59.920
<v Speaker 1>to take the shot. Right. Oh, I like that girl?

1:57:00.080 --> 1:57:09.080
<v Speaker 1>Is she? Oh no, we lime in. She knows you real,

1:57:09.160 --> 1:57:14.880
<v Speaker 1>pretty gal. That's my best triming impression ship. Yeah, yeah, yeah,

1:57:15.560 --> 1:57:22.280
<v Speaker 1>we lime in dread. I know, dream chimps. You fuck

1:57:22.360 --> 1:57:25.560
<v Speaker 1>with doubles? What's your favorite version of doubles? My favorite

1:57:25.640 --> 1:57:28.080
<v Speaker 1>version of doubles is the one that that dude don't like.

1:57:34.400 --> 1:57:38.080
<v Speaker 1>But seriously though, well yeah, like when I've been to Barbados,

1:57:38.120 --> 1:57:43.640
<v Speaker 1>I had shark, yeah, bacon shark. Yeah. In Jamaica we

1:57:43.680 --> 1:57:48.160
<v Speaker 1>have crocodiles. You can eat the crocodile tail. Never had that.

1:57:48.520 --> 1:57:51.360
<v Speaker 1>This is Florida. I'm sure you guys you don't eat

1:57:53.160 --> 1:57:59.480
<v Speaker 1>I tell you, yeah, how the crocodile. That's racist, that's

1:57:59.680 --> 1:58:09.040
<v Speaker 1>that's preggator. That's here you. Yeah, but yeah, that's how

1:58:09.040 --> 1:58:15.640
<v Speaker 1>we do it. Yeah, I mean s yeah, yeah, I know, yeah,

1:58:15.680 --> 1:58:15.840
<v Speaker 1>I know.

1:58:16.520 --> 1:58:20.920
<v Speaker 2>So can you explain to people that listen to this,

1:58:21.440 --> 1:58:23.440
<v Speaker 2>listen to the reggae music and listen to the dancehold

1:58:23.520 --> 1:58:27.720
<v Speaker 2>music and listen to the culture. You can love reggae,

1:58:27.760 --> 1:58:29.440
<v Speaker 2>you can love dancehol You don't have to.

1:58:29.400 --> 1:58:33.000
<v Speaker 1>Be a ra no no, okay, oh no. Even Morgan

1:58:33.080 --> 1:58:36.000
<v Speaker 1>heritage they had a big song in Jamaica. You don't

1:58:36.040 --> 1:58:40.120
<v Speaker 1>have to dread be rasta because remember this is the dreads.

1:58:40.560 --> 1:58:44.600
<v Speaker 1>I mean, this is fucking fake, but it's it's human here.

1:58:44.960 --> 1:58:47.480
<v Speaker 1>I got this from my brothers in Africa. I don't

1:58:47.480 --> 1:58:56.600
<v Speaker 1>know who died and oh my god, yeah yeah yeah.

1:58:57.440 --> 1:59:03.000
<v Speaker 1>But reggae music is a for Jamaica's so is dansall

1:59:03.040 --> 1:59:05.120
<v Speaker 1>because remember, like I said, Dan Saull came out in

1:59:05.160 --> 1:59:09.720
<v Speaker 1>the seventies, seventy four, seventy five, seventy six. I was

1:59:09.720 --> 1:59:12.720
<v Speaker 1>born in seventy six, so I'm a product of Dan

1:59:12.800 --> 1:59:16.440
<v Speaker 1>Saul And also the Cold War because remember the US

1:59:16.360 --> 1:59:19.720
<v Speaker 1>A sorry say, they had that thing and that's what

1:59:21.480 --> 1:59:26.160
<v Speaker 1>honestly brought that level of violence to Jamaica and changed

1:59:26.160 --> 1:59:31.000
<v Speaker 1>the culture and then when the violence came, you needed

1:59:31.040 --> 1:59:36.280
<v Speaker 1>an art for him to express it. And that's how

1:59:36.400 --> 1:59:38.920
<v Speaker 1>the Dan Shaul was burned. Who were those first early

1:59:39.000 --> 1:59:45.600
<v Speaker 1>dance artists in the seventies, King Stitch, Bigyud which big

1:59:45.600 --> 1:59:48.080
<v Speaker 1>youth son is the lawyer that got me free?

1:59:48.360 --> 1:59:50.600
<v Speaker 4>Oh wow, he's one.

1:59:50.480 --> 1:59:54.440
<v Speaker 1>Of the first DJs. Wow, and his son freed the

1:59:54.560 --> 1:59:59.440
<v Speaker 1>number one DJ or isat Mechanic right. Think about that,

1:59:59.440 --> 2:00:04.240
<v Speaker 1>that's crazy. The appeal and when he was in law school,

2:00:04.680 --> 2:00:08.240
<v Speaker 1>he was telling his friends that I'm gonna free fives

2:00:08.280 --> 2:00:15.400
<v Speaker 1>cartel and he actually did, actually did. What what is it?

2:00:15.520 --> 2:00:19.000
<v Speaker 1>The l what is it? The T j P, j

2:00:19.240 --> 2:00:21.320
<v Speaker 1>l P and the P and P and the j

2:00:21.480 --> 2:00:23.160
<v Speaker 1>l P is the political.

2:00:24.360 --> 2:00:27.839
<v Speaker 4>Which the Labor Party. They were conservative minigans.

2:00:28.040 --> 2:00:29.400
<v Speaker 1>Yeah, they were conservatives.

2:00:29.400 --> 2:00:31.920
<v Speaker 19>They were recon at the time.

2:00:32.040 --> 2:00:35.200
<v Speaker 5>So you have you have basically like Russia's camp and

2:00:36.000 --> 2:00:36.360
<v Speaker 5>pn P.

2:00:36.600 --> 2:00:38.840
<v Speaker 1>Basically that's why P and P even to this day

2:00:38.880 --> 2:00:42.160
<v Speaker 1>we called they called themselves socialists.

2:00:41.520 --> 2:00:45.200
<v Speaker 5>Right, that's why you're saying started Yeah from the.

2:00:44.520 --> 2:00:47.200
<v Speaker 1>Cold War, remember just like the Nicarago with the contrast

2:00:47.360 --> 2:00:52.920
<v Speaker 1>the Sandinist underneath us Sandonist. So it was that proxy

2:00:52.960 --> 2:00:55.800
<v Speaker 1>were all over the place happened in Congo to with

2:00:55.800 --> 2:00:59.920
<v Speaker 1>with Lomba happened in Kenya with So it's that they

2:01:00.360 --> 2:01:01.080
<v Speaker 1>like you know what I mean?

2:01:01.200 --> 2:01:03.960
<v Speaker 2>You know the teacher man, I am, you know teaching.

2:01:07.240 --> 2:01:09.480
<v Speaker 1>Yeah, my program. I saw the people love me because

2:01:09.480 --> 2:01:12.080
<v Speaker 1>they they know they believe in me because I'm not

2:01:12.120 --> 2:01:14.960
<v Speaker 1>going to bullshit them. I keep it real and I

2:01:15.040 --> 2:01:19.240
<v Speaker 1>seen my truth since I grew up in Jamaica. My

2:01:19.400 --> 2:01:26.920
<v Speaker 1>truth is Jamaica's truth. It is what it is. So

2:01:27.000 --> 2:01:29.760
<v Speaker 1>let me actually write for Jamaica. I'll give it right

2:01:29.760 --> 2:01:30.120
<v Speaker 1>back to you.

2:01:30.200 --> 2:01:32.400
<v Speaker 2>Ros right, So let me ask you when when when

2:01:32.520 --> 2:01:36.960
<v Speaker 2>Esketball was locked up? Right, they said that like one

2:01:37.360 --> 2:01:39.800
<v Speaker 2>night every two or three months, he would come out,

2:01:40.120 --> 2:01:40.960
<v Speaker 2>he would do something.

2:01:41.080 --> 2:01:47.200
<v Speaker 1>Yes, within your thirteen years, I've got lots of oh damn.

2:01:48.080 --> 2:01:52.919
<v Speaker 4>There, right, question.

2:01:54.200 --> 2:01:56.440
<v Speaker 2>If you had like how Essketball did he came out

2:01:56.480 --> 2:01:59.120
<v Speaker 2>one night every two months? If you ever had one

2:01:59.200 --> 2:02:02.040
<v Speaker 2>night about yeah problem, I'm sorry.

2:02:01.760 --> 2:02:06.120
<v Speaker 1>Yeah, I don't want to ask you what I As

2:02:06.160 --> 2:02:08.880
<v Speaker 1>a matter of fact, remember you said Vibe Cartell was

2:02:08.920 --> 2:02:12.200
<v Speaker 1>the group where you think you got the cartel. Yeah, yes,

2:02:12.400 --> 2:02:16.520
<v Speaker 1>from escob Cali Calie Cartel. Yes. Yeah. So if you

2:02:17.400 --> 2:02:18.880
<v Speaker 1>like with every two months.

2:02:19.080 --> 2:02:21.000
<v Speaker 2>If you can come out and do one thing, but

2:02:21.080 --> 2:02:23.920
<v Speaker 2>in your thirteen year bid, what was that one thing

2:02:23.960 --> 2:02:24.360
<v Speaker 2>you would do?

2:02:24.840 --> 2:02:30.440
<v Speaker 1>My kids? Man, damn, that's the thanks to my kid

2:02:31.520 --> 2:02:34.400
<v Speaker 1>post wasn't the problem. I don't know if I can

2:02:34.440 --> 2:02:36.520
<v Speaker 1>say this now you can say you can Yeah that

2:02:36.600 --> 2:02:40.040
<v Speaker 1>sound free? Yeah right, double jeopardy. You can't take you back.

2:02:40.640 --> 2:02:44.640
<v Speaker 1>So yeah, pushy wasn't a problem. Pushy was Oh god, no,

2:02:44.520 --> 2:02:49.400
<v Speaker 1>not all the time, but yeah, yeah, ver y, yeah exactly.

2:02:49.480 --> 2:02:54.960
<v Speaker 1>But yeah, man, that's the only thing because remember in

2:02:55.040 --> 2:03:00.280
<v Speaker 1>Jamaican prisoners, if it's not family Day, you're u and

2:03:00.360 --> 2:03:03.400
<v Speaker 1>can't come and see you Oh wow, because if you

2:03:03.600 --> 2:03:06.280
<v Speaker 1>if you're not eighteen years old, you can't come to

2:03:06.360 --> 2:03:09.560
<v Speaker 1>visit me on a regular day. They have things that

2:03:09.600 --> 2:03:12.840
<v Speaker 1>they keep on family Day, which is like in Christmas,

2:03:13.560 --> 2:03:14.880
<v Speaker 1>you know what I mean, you need to see your

2:03:14.960 --> 2:03:20.840
<v Speaker 1>kids Easter. Yeah, so we got like to twice a year.

2:03:21.440 --> 2:03:25.080
<v Speaker 1>I got to sell my see my kids. Wow. Yeah,

2:03:25.120 --> 2:03:32.960
<v Speaker 1>so that's crazy. But like women whatever, that's but that

2:03:33.120 --> 2:03:36.760
<v Speaker 1>wasn't on the top of my to do list. My

2:03:36.880 --> 2:03:40.400
<v Speaker 1>to do list was to raise my fucking kids, even

2:03:40.440 --> 2:03:43.480
<v Speaker 1>from behind even from behind bars. And that's why I

2:03:43.520 --> 2:03:46.840
<v Speaker 1>say to you. My baby mom, like shorty, I give

2:03:46.840 --> 2:03:50.560
<v Speaker 1>her her props. She did made sure even though I

2:03:50.720 --> 2:03:56.120
<v Speaker 1>was who I was, my kids didn't emulate my lifestyle.

2:03:57.200 --> 2:03:59.520
<v Speaker 1>You know what I mean. My daughter like she wants

2:03:59.560 --> 2:04:02.760
<v Speaker 1>to be a dog because she's Yeah, she's doing well

2:04:02.840 --> 2:04:05.880
<v Speaker 1>in school and so on. So that's what I respect

2:04:05.920 --> 2:04:10.080
<v Speaker 1>about my baby mother's. They weren't just they put in

2:04:10.080 --> 2:04:13.520
<v Speaker 1>the world respect. Yeah, I got it. How many kids

2:04:13.520 --> 2:04:16.120
<v Speaker 1>total that I got, like seven? Seven? I have to

2:04:16.280 --> 2:04:19.920
<v Speaker 1>in Brooklyn, you know, in flat Bush. That's what I'm saying.

2:04:20.080 --> 2:04:22.760
<v Speaker 1>That's why when you said Miami or I said New York,

2:04:22.840 --> 2:04:25.440
<v Speaker 1>I got My children are in Flatbush. I've got two

2:04:25.560 --> 2:04:28.360
<v Speaker 1>sons in flat Bush right now.

2:04:29.080 --> 2:04:32.600
<v Speaker 4>Yeah, blood.

2:04:35.960 --> 2:04:39.560
<v Speaker 1>Forever. You know, Brooklyn is Little's Jamaica. Even though you're

2:04:39.560 --> 2:04:47.720
<v Speaker 1>a queen's nigga block you fifty Nikki Love. Come on,

2:04:47.960 --> 2:04:54.600
<v Speaker 1>come on, that's it. That's it man. Yeah, I know.

2:04:54.680 --> 2:04:58.920
<v Speaker 1>You say you don't regret nine, and I can't because

2:04:58.920 --> 2:05:01.320
<v Speaker 1>I'm still alive at for nine years old. What the

2:05:01.320 --> 2:05:04.640
<v Speaker 1>fuck is there to regret? Come on, man, I came

2:05:04.680 --> 2:05:08.960
<v Speaker 1>out a person Freedom Street. I kept Freedom Street with

2:05:10.080 --> 2:05:13.560
<v Speaker 1>this white guy from Jamaica is called Joe Bogdanovich. He's

2:05:13.560 --> 2:05:17.360
<v Speaker 1>not from Jenaicas, so obviously it's from California, which is Scatter,

2:05:17.680 --> 2:05:23.760
<v Speaker 1>my other road manager. He's a yeah, so we were yeah,

2:05:24.040 --> 2:05:27.200
<v Speaker 1>but we planned Freedom Street from behind bars. That's how

2:05:27.240 --> 2:05:31.839
<v Speaker 1>confident I was that I was coming out my fiance

2:05:32.000 --> 2:05:34.640
<v Speaker 1>see them. I sent for her in twenty twenty two.

2:05:35.320 --> 2:05:37.360
<v Speaker 1>I was like, I'm living in Jamaica. She's from English.

2:05:37.400 --> 2:05:40.600
<v Speaker 1>She was like, oh my god, I don't know girl.

2:05:40.880 --> 2:05:51.280
<v Speaker 1>Richie fuck Richards fuck. So she came. I got her apartment,

2:05:51.320 --> 2:05:54.240
<v Speaker 1>got her arrange over, gave her some money, opened her

2:05:54.240 --> 2:05:57.520
<v Speaker 1>bank account, and she came because, like I said, I've

2:05:57.560 --> 2:06:01.560
<v Speaker 1>known her since twenty fifteen. So she came to Jamaica. Yeah. Yeah,

2:06:01.720 --> 2:06:04.320
<v Speaker 1>and she's been here ever since. She's with me. Now

2:06:04.360 --> 2:06:11.720
<v Speaker 1>she's in Lauderdale, right, Yeah, yeah, she was there and

2:06:11.880 --> 2:06:14.520
<v Speaker 1>this is all I know. She was real. Even when

2:06:14.560 --> 2:06:17.120
<v Speaker 1>I came out and I started posting her more often.

2:06:17.800 --> 2:06:21.880
<v Speaker 1>Her friends from England was like, Yo, the high school

2:06:22.160 --> 2:06:25.560
<v Speaker 1>see them would be proud of you because since she

2:06:25.720 --> 2:06:28.800
<v Speaker 1>was in high school, she was like, oh god, I'm

2:06:28.800 --> 2:06:34.000
<v Speaker 1>gonna marry Vibe Cartel. Oh bro, I'm serious. He's like

2:06:34.040 --> 2:06:42.800
<v Speaker 1>a fucking a Netfeix fucking series. Right, have a girl again? Yeah?

2:06:42.840 --> 2:06:46.520
<v Speaker 4>Yeah, well one burner in Jamaica. One burner.

2:06:46.800 --> 2:06:49.160
<v Speaker 1>It's kind of derogatory because that means you only have

2:06:49.200 --> 2:06:55.600
<v Speaker 1>one woman, and in Jamaica that's fucking frowned upon. Yeah,

2:06:55.640 --> 2:06:58.880
<v Speaker 1>like what the fuck you're doing? Yeah, so big up

2:06:58.920 --> 2:07:08.760
<v Speaker 1>seem She was like, well looked hard for me. Yes,

2:07:09.160 --> 2:07:11.520
<v Speaker 1>when you left.

2:07:10.760 --> 2:07:16.600
<v Speaker 2>Your kids was in single digits.

2:07:16.880 --> 2:07:19.640
<v Speaker 1>Yeah, when I left prison, they was children. When I

2:07:19.720 --> 2:07:25.600
<v Speaker 1>came out, they gave me grandchildren. You're writing my interview, Yes, crazy,

2:07:25.760 --> 2:07:30.160
<v Speaker 1>congratulations grandchildren? Yeah, set my daughter because you know I

2:07:30.160 --> 2:07:35.040
<v Speaker 1>would slapped the ship out of her. I'm joking. It's alcohol.

2:07:36.400 --> 2:07:41.600
<v Speaker 5>He's like, funny, not funny, not funny.

2:07:41.760 --> 2:07:44.880
<v Speaker 1>Yeah, but she's a genius though she like she's an

2:07:44.880 --> 2:07:48.760
<v Speaker 1>A grade student. She's like a head girl of prefect whatever.

2:07:48.840 --> 2:07:52.400
<v Speaker 1>She wants to be a doctor, So I told her

2:07:52.480 --> 2:07:54.800
<v Speaker 1>she needs to invent something better than viagra.

2:07:58.200 --> 2:08:05.880
<v Speaker 4>Right, I wasn't. So how did the chepherd smile it?

2:08:07.080 --> 2:08:19.440
<v Speaker 1>How does it feel to be your grandfather? How liquory?

2:08:20.680 --> 2:08:21.160
<v Speaker 4>How feel?

2:08:21.320 --> 2:08:24.280
<v Speaker 2>Because they were single digits and they got double dish

2:08:24.320 --> 2:08:26.400
<v Speaker 2>and they gave you, How did it feel when they told.

2:08:26.280 --> 2:08:29.120
<v Speaker 1>You you're gonna be your grandfather. It was amazing. I

2:08:29.200 --> 2:08:32.080
<v Speaker 1>wasn't in prison at the time, so I've never seen

2:08:32.120 --> 2:08:35.080
<v Speaker 1>my grandson. So when they kept the family day, which

2:08:35.120 --> 2:08:37.760
<v Speaker 1>is when you can bring your family there, So they

2:08:37.800 --> 2:08:40.320
<v Speaker 1>came and my grandson he met me, he was like, yeah,

2:08:40.400 --> 2:08:44.320
<v Speaker 1>I don't know you nigga. You know what I mean, crying,

2:08:44.360 --> 2:08:47.160
<v Speaker 1>and Ship gave him a piece of chicken. He took

2:08:47.160 --> 2:08:51.560
<v Speaker 1>the chicken. Yeah, I still don't know your nigga. Well,

2:08:51.600 --> 2:08:53.480
<v Speaker 1>it was crange. So when I came out, he like,

2:08:53.640 --> 2:08:56.800
<v Speaker 1>that's when he started embracing me because he saw how

2:08:56.840 --> 2:09:01.720
<v Speaker 1>his dad, his mom and everybody that he knew embraced me.

2:09:01.800 --> 2:09:05.320
<v Speaker 1>So it was like, oh, fucking man, Yeah, this nigga

2:09:05.360 --> 2:09:10.720
<v Speaker 1>is fucking gray beards and yeah. Yeah. So and then

2:09:11.200 --> 2:09:14.520
<v Speaker 1>my son gave me a granddaughter. Oh, then my other

2:09:14.720 --> 2:09:19.400
<v Speaker 1>son gave me another granddaughter. Yeah, you three grand I

2:09:19.440 --> 2:09:23.520
<v Speaker 1>got three grand children from my two sons. I got one. Oh,

2:09:23.720 --> 2:09:28.320
<v Speaker 1>but you're America, don't don't you know? He's America's different.

2:09:28.640 --> 2:09:37.040
<v Speaker 1>Just it's crazy. So yeah, I got to big them up.

2:09:37.480 --> 2:09:46.920
<v Speaker 9>Goddamn Yeah, crazy little bro. I like drinks, shamp not

2:09:47.120 --> 2:09:53.800
<v Speaker 9>just for the drinks. Ship, Yeah, Drink Drink.

2:09:53.880 --> 2:09:56.160
<v Speaker 1>Champ is everything I thought it would because, like I said,

2:09:56.160 --> 2:09:58.640
<v Speaker 1>I was in prison watching everything. I watched the Neil

2:09:59.200 --> 2:10:01.240
<v Speaker 1>in the Bush if you did the Bean Mane, I

2:10:01.240 --> 2:10:04.440
<v Speaker 1>watched all of that like that and not just me

2:10:04.880 --> 2:10:10.720
<v Speaker 1>at the entire prison. Yes, you watched Black No, I

2:10:10.800 --> 2:10:13.320
<v Speaker 1>respect him. You call the black is like I said,

2:10:13.360 --> 2:10:18.160
<v Speaker 1>he's Asian. He's fucking crazy. That's the Caribbean breeze. I

2:10:18.160 --> 2:10:22.840
<v Speaker 1>think something is in the wind makes us fucking crazy. Bro,

2:10:23.560 --> 2:10:28.320
<v Speaker 1>Cardi B. You write Cardi B to your wedding? Yes, yes,

2:10:28.520 --> 2:10:30.200
<v Speaker 1>I would love her to be who else you wanted

2:10:30.240 --> 2:10:32.240
<v Speaker 1>to perform at your wedding? But abant and I told

2:10:32.280 --> 2:10:33.560
<v Speaker 1>you that he is my number one.

2:10:33.520 --> 2:10:38.560
<v Speaker 2>Artists and spoken and since you've been out, yeah, but

2:10:38.560 --> 2:10:42.200
<v Speaker 2>but we haven't met up really, No, I'm serious.

2:10:42.480 --> 2:10:44.520
<v Speaker 1>I met bond te Killer when he was at fucking

2:10:44.600 --> 2:10:47.000
<v Speaker 1>Freedom Street. That's the first time I saw him since

2:10:47.000 --> 2:10:50.400
<v Speaker 1>I came up. Remember this guy made me. Yeah that's

2:10:50.760 --> 2:10:57.440
<v Speaker 1>that's what Killer said. Here's the kid down. Yeah yeah, yes, yeah,

2:10:57.640 --> 2:11:02.920
<v Speaker 1>But like that Bounty, I'm the king of dan Saw,

2:11:03.000 --> 2:11:06.840
<v Speaker 1>but Bounty is the king of artists. Think about it.

2:11:07.320 --> 2:11:10.520
<v Speaker 1>This man met so many people. If you know the Bible.

2:11:10.560 --> 2:11:16.240
<v Speaker 1>He's like Abraham because remember Abraham created the beginning Islam.

2:11:16.800 --> 2:11:24.360
<v Speaker 1>Andrews that's what they call Yeah, think about it. That's yeah,

2:11:24.400 --> 2:11:26.080
<v Speaker 1>Bountikill his father Abraham.

2:11:26.120 --> 2:11:26.240
<v Speaker 5>Bro.

2:11:27.120 --> 2:11:30.320
<v Speaker 1>I'm telling you, bro, Yo, you know what.

2:11:30.360 --> 2:11:36.400
<v Speaker 4>Give me the class for question? Bounty, I'm telling.

2:11:36.120 --> 2:11:40.000
<v Speaker 1>You so being the man, bigger, theself beloved, your catmember,

2:11:40.560 --> 2:11:44.440
<v Speaker 1>Like I can't lie, I'd rather not say ship. So,

2:11:44.880 --> 2:11:48.160
<v Speaker 1>like I said, Bounty, being a bog Ninjaman cartel. That's

2:11:48.160 --> 2:11:53.120
<v Speaker 1>the top five for me. I love, that's the top

2:11:53.840 --> 2:11:57.200
<v Speaker 1>for me and me. Why would I least be out

2:12:07.920 --> 2:12:14.960
<v Speaker 1>Big up my manager TJ. Yeah, yeah, yeah, and Scat

2:12:15.040 --> 2:12:17.960
<v Speaker 1>that's my road manager. But with TJ, we call him

2:12:17.960 --> 2:12:21.560
<v Speaker 1>the grnch. And this is why. No, he steals happiness,

2:12:22.800 --> 2:12:27.040
<v Speaker 1>which is good because remember you know, we're artists. If

2:12:27.040 --> 2:12:32.240
<v Speaker 1>you leave us unattended, we funck ourselves up. So that's

2:12:32.280 --> 2:12:35.680
<v Speaker 1>why he's the balance, you know what I mean? So

2:12:35.760 --> 2:12:38.280
<v Speaker 1>big up t J. He's the grinch, Like, yeah, yeah,

2:12:38.280 --> 2:12:40.520
<v Speaker 1>we got to give him props. He keeps me grounded,

2:12:41.320 --> 2:12:44.360
<v Speaker 1>he keeps me focused, and he keeps me in check.

2:12:44.520 --> 2:12:46.919
<v Speaker 1>The eye on the prize, yeah, the eye on the prize.

2:12:47.200 --> 2:12:48.560
<v Speaker 1>But he's not sit there. Fuck you.

2:12:48.680 --> 2:12:53.840
<v Speaker 4>Nigga's my bro.

2:12:54.600 --> 2:12:56.040
<v Speaker 1>That's why we finished this interview.

2:12:56.040 --> 2:12:57.880
<v Speaker 2>I want to play your record because I need on

2:12:57.960 --> 2:12:58.440
<v Speaker 2>the record.

2:13:03.920 --> 2:13:05.800
<v Speaker 1>Yes, yeah, yeah, I.

2:13:05.760 --> 2:13:08.080
<v Speaker 2>Gotta take another shot if you don't have to take

2:13:08.080 --> 2:13:08.320
<v Speaker 2>it one.

2:13:08.400 --> 2:13:10.120
<v Speaker 1>No, I just want to take some more this fever.

2:13:10.520 --> 2:13:12.280
<v Speaker 1>I want to take some more of this fever has

2:13:12.320 --> 2:13:17.200
<v Speaker 1>to fucking what this hey look look on supported by

2:13:17.200 --> 2:13:22.360
<v Speaker 1>a feminist. Yes, yes, yes, but let me just send

2:13:22.360 --> 2:13:22.760
<v Speaker 1>you something.

2:13:24.720 --> 2:13:26.440
<v Speaker 4>I've cheered you like five times.

2:13:27.120 --> 2:13:37.880
<v Speaker 1>The Champagne is at the same height, keeps feeling that's

2:13:37.920 --> 2:13:53.560
<v Speaker 1>so much dreams Champage. That's what she's very fucking I

2:13:53.760 --> 2:14:04.480
<v Speaker 1>like her. She's she's the official. Yeah yeah, yeah, you.

2:14:04.520 --> 2:14:06.040
<v Speaker 4>Know you're huge in Jamaica.

2:14:06.160 --> 2:14:07.760
<v Speaker 1>Yeah, I know Jamaica.

2:14:09.120 --> 2:14:10.480
<v Speaker 4>You need to come to Jamaica.

2:14:10.560 --> 2:14:16.920
<v Speaker 1>I'm coming. I was not not not Montego Bay should

2:14:16.920 --> 2:14:19.200
<v Speaker 1>do this this with you. I know, I know, I

2:14:19.280 --> 2:14:20.800
<v Speaker 1>know you think so that we was going to see you,

2:14:20.960 --> 2:14:26.880
<v Speaker 1>and then the next twenty minutes they said, but we

2:14:26.960 --> 2:14:29.280
<v Speaker 1>were all our way to see you was in Montgo Bay.

2:14:29.320 --> 2:14:35.600
<v Speaker 1>But it's a tourist part. We have the streets. We

2:14:35.760 --> 2:14:38.480
<v Speaker 1>was ready to love, you know. But that's what I'm

2:14:38.520 --> 2:14:41.520
<v Speaker 1>saying Kingston and Montego Bay is one and the same.

2:14:42.040 --> 2:14:45.320
<v Speaker 1>It's just like New York l A, No, you're ready

2:14:45.320 --> 2:14:48.560
<v Speaker 1>to go. It's like Brooklyn. We was Compton. The hood

2:14:48.680 --> 2:14:54.240
<v Speaker 1>is everywhere before the fucking TJ. Yeah when the white

2:14:54.480 --> 2:14:57.880
<v Speaker 1>gentrification t J. Can you sit over there, because he've

2:14:57.880 --> 2:15:08.040
<v Speaker 1>been looking for you for ye yeah, yeah. Right in Jamaica.

2:15:08.560 --> 2:15:13.000
<v Speaker 1>The number one meme in Jamaica is ats TJ. Because

2:15:13.080 --> 2:15:17.520
<v Speaker 1>everything I say, I'm like, that's the number one memes

2:15:17.600 --> 2:15:25.640
<v Speaker 1>Jamaica right now. But he's my manager, yes, yeah, and

2:15:25.800 --> 2:15:29.480
<v Speaker 1>this is why I see. My first manager was the

2:15:29.520 --> 2:15:31.720
<v Speaker 1>guy that introduced me to Bounty Killer. Remember I was

2:15:31.800 --> 2:15:36.000
<v Speaker 1>telling you so that drove you to them? Yeah? Ok,

2:15:36.560 --> 2:15:38.440
<v Speaker 1>and he was your manager then after Yeah, he's old

2:15:38.520 --> 2:15:44.160
<v Speaker 1>fucking n Nissan Okay, and I do the American pronunciation.

2:15:44.640 --> 2:15:53.200
<v Speaker 1>Nissan was Nissan your blood. So I partied wasted him

2:15:53.240 --> 2:15:56.440
<v Speaker 1>in twenty twenty, two thousand and four, and I've been

2:15:56.520 --> 2:16:00.320
<v Speaker 1>my own manager since. So everything I've done and then

2:16:00.400 --> 2:16:03.600
<v Speaker 1>all the greatness, all the dyanceaung greatness, I did it

2:16:03.680 --> 2:16:06.800
<v Speaker 1>by myself. When I came out, I made him my

2:16:06.960 --> 2:16:10.040
<v Speaker 1>manager because I've known him since he was in high school.

2:16:10.560 --> 2:16:14.600
<v Speaker 1>I gotta tell you, in Jamaica, you have the ghetto

2:16:15.000 --> 2:16:17.800
<v Speaker 1>at a hardcore fire and then you have the up.

2:16:18.040 --> 2:16:21.760
<v Speaker 1>We call it uptown. Uptown in Jamaica means you grew

2:16:21.840 --> 2:16:25.040
<v Speaker 1>up privileged. That my children, Okay, I grew up privilege

2:16:25.040 --> 2:16:28.640
<v Speaker 1>because I started making money. Well, I'm from the ghetto.

2:16:28.760 --> 2:16:31.680
<v Speaker 1>He grew up privilege. So his father is from the ghetto,

2:16:32.200 --> 2:16:37.080
<v Speaker 1>made sure his children grew up good, right right fire. Yeah,

2:16:37.240 --> 2:16:39.640
<v Speaker 1>So when I met him, he was just out of

2:16:39.720 --> 2:16:43.920
<v Speaker 1>high school and he kept he had a big annual

2:16:43.959 --> 2:16:48.880
<v Speaker 1>event called orientation. So you know that's about school orientation, right.

2:16:49.080 --> 2:16:53.640
<v Speaker 1>It's a school party dance where you dressed up in

2:16:53.720 --> 2:16:57.560
<v Speaker 1>your school uniform if you went to fucking whatever yet.

2:16:58.280 --> 2:17:00.760
<v Speaker 1>So my nickname was the Teacher and that's how I

2:17:00.879 --> 2:17:03.480
<v Speaker 1>met him. So and he was like, yo, I'm keeping

2:17:03.560 --> 2:17:06.879
<v Speaker 1>a party. I want the teacher to pass through because

2:17:06.920 --> 2:17:11.240
<v Speaker 1>it's called Orientation. Then he started producing. I gave him

2:17:11.280 --> 2:17:14.400
<v Speaker 1>his first record. He got Idonia, which is also a

2:17:14.440 --> 2:17:20.480
<v Speaker 1>big artist in Jamaica, and then he became a famous producer. Yeah, exactly, Skata,

2:17:20.720 --> 2:17:23.240
<v Speaker 1>which is my road manager. He's actually here as well.

2:17:23.800 --> 2:17:27.480
<v Speaker 1>He introduced me to Idoni. So and then we get,

2:17:27.560 --> 2:17:30.880
<v Speaker 1>We showed the love, give the respect, because Bro Bounty

2:17:30.920 --> 2:17:33.640
<v Speaker 1>Killer made me fucking rich, so I don't have a

2:17:33.760 --> 2:17:39.440
<v Speaker 1>problem to pay forward, right, BUNTI Killer made me be

2:17:39.560 --> 2:17:41.440
<v Speaker 1>able to take care of my family, move them out

2:17:41.480 --> 2:17:44.960
<v Speaker 1>the ghetto, put them in some fucking mansions, So then

2:17:45.040 --> 2:17:48.800
<v Speaker 1>we pay forward. So Scatter brought me to Idonia. I

2:17:48.920 --> 2:17:52.640
<v Speaker 1>brought Idonia to Bounty Killer, and the rest is history,

2:17:52.800 --> 2:17:53.320
<v Speaker 1>you know what I mean?

2:17:57.920 --> 2:17:59.920
<v Speaker 2>Yeah, when's the last time you spoke to America?

2:18:00.080 --> 2:18:04.400
<v Speaker 1>Blood? I haven't you rolled this? Should I smoke you

2:18:04.520 --> 2:18:12.440
<v Speaker 1>down if you fucked me up? American embassy in Jamaica. No,

2:18:12.600 --> 2:18:23.240
<v Speaker 1>but you're American, so my ship is legal to make

2:18:23.280 --> 2:18:28.080
<v Speaker 1>him get Boris boris is. So basically, you're telling me

2:18:28.320 --> 2:18:33.240
<v Speaker 1>that this is only tobacco. Okay, thank you, it's only

2:18:33.280 --> 2:18:37.520
<v Speaker 1>tobaccos tonight. It's only tobacco. Yes, and you know how

2:18:37.680 --> 2:18:44.000
<v Speaker 1>slavery was tobacco is king. Yes. Disclaimer. If you're not black,

2:18:44.080 --> 2:18:48.120
<v Speaker 1>you can't say nigger your vibes. I want to exclaimer.

2:18:49.760 --> 2:18:52.480
<v Speaker 1>I want to, you know, commend you because I see

2:18:52.600 --> 2:18:55.760
<v Speaker 1>when you first came home, when you're battling graves disease. Yeah,

2:18:56.879 --> 2:19:00.640
<v Speaker 1>and now you did the show and you're looking amazing,

2:19:01.600 --> 2:19:06.680
<v Speaker 1>You're feeling great. Yeah, who could you contribute that to? No.

2:19:07.240 --> 2:19:11.160
<v Speaker 1>First of all, that's an amazing question because in the

2:19:11.280 --> 2:19:17.640
<v Speaker 1>black community, speaking on illness is like taboo, right, because

2:19:17.720 --> 2:19:22.480
<v Speaker 1>we had we had to be strong, especially mental illness, right.

2:19:23.320 --> 2:19:25.680
<v Speaker 1>And I spoke on that the other day. But that's

2:19:25.720 --> 2:19:28.720
<v Speaker 1>a good question. While I was in prison, I was

2:19:28.879 --> 2:19:32.560
<v Speaker 1>diagnosed with Graves disease in twenty fourteen. Can you explain

2:19:32.600 --> 2:19:36.280
<v Speaker 1>what it is for people? Graves disease is the autoimmune disease.

2:19:36.680 --> 2:19:40.959
<v Speaker 1>It affects your particular pituary glands. And I said, surely

2:19:40.959 --> 2:19:47.080
<v Speaker 1>because I'm drunk. But I would say this though, Jamaicans,

2:19:47.120 --> 2:19:49.480
<v Speaker 1>you know this statement time drunk? What time? The fool?

2:19:50.440 --> 2:19:55.199
<v Speaker 1>So Grave disease. It's an autoimmune FIRAID disease that affects

2:19:55.280 --> 2:19:59.640
<v Speaker 1>your it. It makes you sweat a lot, it makes

2:19:59.720 --> 2:20:04.320
<v Speaker 1>you your heart palp delicate, it makes your eyes swollen.

2:20:04.760 --> 2:20:07.080
<v Speaker 1>That's why I keep wearing my shape. Well, I used

2:20:07.080 --> 2:20:10.240
<v Speaker 1>to wear my shades because I learned from boundary kills.

2:20:12.840 --> 2:20:15.800
<v Speaker 1>But it's very dangerous. Remember I was in prison, I

2:20:15.920 --> 2:20:20.600
<v Speaker 1>was battling Graves disease. I was I had to balance

2:20:20.720 --> 2:20:23.960
<v Speaker 1>my career. I had to keep my family in check,

2:20:24.440 --> 2:20:28.160
<v Speaker 1>I had to keep my relationship in check. I had

2:20:28.200 --> 2:20:32.680
<v Speaker 1>to be producing music. So anyone that has Graves disease,

2:20:33.040 --> 2:20:36.560
<v Speaker 1>I think Missy Elliott's had it too, Okay, oh yeah, yeah,

2:20:37.640 --> 2:20:40.680
<v Speaker 1>we're human, bro, And a lot of people think because

2:20:40.680 --> 2:20:45.480
<v Speaker 1>you are artists, wo are superhuman, which we are, but

2:20:46.360 --> 2:20:50.280
<v Speaker 1>we still get affected. So I just want people to

2:20:50.400 --> 2:20:53.440
<v Speaker 1>know that whatever illness you have, but it's Graves disease,

2:20:53.520 --> 2:20:57.560
<v Speaker 1>or it's cancer with it's HIV, whatever, don't be afraid

2:20:57.600 --> 2:21:00.320
<v Speaker 1>to embrace it and live your life because you only

2:21:00.360 --> 2:21:04.560
<v Speaker 1>have one. I think Earth gott Et passed away Earth before.

2:21:04.640 --> 2:21:08.520
<v Speaker 1>That's young bro. Yeah, and this is sort of the millennials,

2:21:08.640 --> 2:21:13.440
<v Speaker 1>the gen Z. When I was like fourteen fifteen, back

2:21:13.520 --> 2:21:16.520
<v Speaker 1>in the day, I thought that fifty years old was old,

2:21:16.720 --> 2:21:19.000
<v Speaker 1>right Bro, I'm forty nine. I feel as young at

2:21:19.160 --> 2:21:23.200
<v Speaker 1>forty nine years Well, I feel as young as ever, right. Yeah.

2:21:23.760 --> 2:21:26.080
<v Speaker 1>All you need to do is take care of yourself,

2:21:26.920 --> 2:21:32.320
<v Speaker 1>eat properly, drink plenty water, have sex a lot, then

2:21:32.360 --> 2:21:37.040
<v Speaker 1>you'll be I it is what it is. But yeah,

2:21:37.440 --> 2:21:43.240
<v Speaker 1>but like I said, man having an illness shouldn't be taboo.

2:21:43.680 --> 2:21:48.199
<v Speaker 1>Those were humans we live, we die. So if you're sick,

2:21:48.720 --> 2:21:51.920
<v Speaker 1>whether it's a mental problem, talk to someone, right. If

2:21:51.959 --> 2:21:55.320
<v Speaker 1>I did a video the other day about mental health,

2:21:55.920 --> 2:21:58.760
<v Speaker 1>that's huge, man, Yeah, because a lot of us, especially

2:21:58.879 --> 2:22:02.640
<v Speaker 1>the ones that joy to people, are the ones that's

2:22:02.680 --> 2:22:07.440
<v Speaker 1>suffering the most. Because I'm looking at Norriy. You bring

2:22:07.600 --> 2:22:10.480
<v Speaker 1>joy to me because I grew up listening to you.

2:22:10.640 --> 2:22:13.160
<v Speaker 1>Even though you're not older than me, but you get

2:22:14.200 --> 2:22:17.320
<v Speaker 1>you play an important role in a specific part of

2:22:17.400 --> 2:22:17.920
<v Speaker 1>my life.

2:22:18.959 --> 2:22:21.800
<v Speaker 4>You understand does not.

2:22:24.959 --> 2:22:31.080
<v Speaker 1>Yeah, yeah, but we're still human, right, vulnerable and if

2:22:31.080 --> 2:22:35.080
<v Speaker 1>you if you're vulnerable, don't be afraid to speak to

2:22:35.200 --> 2:22:38.119
<v Speaker 1>people because that's a lot. That's one of the problems

2:22:38.160 --> 2:22:42.640
<v Speaker 1>with the African American and the Africa Caribbean community because

2:22:42.680 --> 2:22:44.720
<v Speaker 1>it's the move. Yeah, we feel like we've got to

2:22:44.760 --> 2:22:47.760
<v Speaker 1>be shot all the time. No, you can be vulnerable.

2:22:48.560 --> 2:22:51.120
<v Speaker 1>You can talk to your mother, you can talk to

2:22:51.240 --> 2:22:54.080
<v Speaker 1>your girlfriend. But then then why do you love her? Bro?

2:22:55.080 --> 2:22:57.720
<v Speaker 1>Why do you love her and spend money on her

2:22:58.080 --> 2:23:00.800
<v Speaker 1>and put her in your fucking house? But you're afraid

2:23:00.840 --> 2:23:01.800
<v Speaker 1>to talk to your woman?

2:23:01.920 --> 2:23:02.040
<v Speaker 20>Bro?

2:23:03.320 --> 2:23:05.360
<v Speaker 1>It's real, you know what I mean? Taking a shot

2:23:05.440 --> 2:23:08.640
<v Speaker 1>to that, Yeah, bro, ship listens.

2:23:10.280 --> 2:23:10.720
<v Speaker 19>But yeah.

2:23:11.480 --> 2:23:20.520
<v Speaker 1>Oh oh the shot empresses here. Yes, that's your new nickname. Brohut,

2:23:21.120 --> 2:23:24.320
<v Speaker 1>that's real. Like I said, I sing my truth. That's

2:23:24.320 --> 2:23:28.160
<v Speaker 1>why I mentioned even graves disease in my song because,

2:23:28.280 --> 2:23:34.480
<v Speaker 1>like I said, bid it inflames your body. That's why

2:23:34.560 --> 2:23:37.520
<v Speaker 1>when I came out, you don't have that inflammation in

2:23:37.640 --> 2:23:43.280
<v Speaker 1>my face, my stomach. But Bro, we're human beings. I

2:23:43.400 --> 2:23:45.960
<v Speaker 1>have no shame in my game. Man, Like I speak

2:23:46.000 --> 2:23:48.280
<v Speaker 1>my truth, it is what it is. Black people and

2:23:48.400 --> 2:23:52.800
<v Speaker 1>black people take fucking certain illnesses as taboo. We're afraid

2:23:52.879 --> 2:23:56.240
<v Speaker 1>to talk about it because we were raised to be talking.

2:23:56.720 --> 2:23:59.480
<v Speaker 1>Oh you're a strong black woman. Why can't you be

2:23:59.560 --> 2:24:02.320
<v Speaker 1>a femine in black women and talk to your man?

2:24:02.920 --> 2:24:07.280
<v Speaker 1>M hmm, talk to your friend? Why you have to

2:24:07.360 --> 2:24:09.680
<v Speaker 1>be a g like all the time, I can't talk

2:24:09.720 --> 2:24:14.480
<v Speaker 1>to FN, a black FN. My dick isn't working properly.

2:24:14.480 --> 2:24:24.119
<v Speaker 1>No no, no, no, no no, no, this is serious,

2:24:24.959 --> 2:24:27.920
<v Speaker 1>this is serious. I'm not twenty nine, I'm forty nine.

2:24:28.680 --> 2:24:30.560
<v Speaker 1>Why can't I come to you, feel my Brison? Why

2:24:30.640 --> 2:24:32.440
<v Speaker 1>trying I come to you? Like, Bro, I'm having problems

2:24:32.440 --> 2:24:38.360
<v Speaker 1>with my wife because we have issues surrounding sex. I

2:24:38.440 --> 2:24:43.640
<v Speaker 1>can only pop off once per night. Why can't I

2:24:43.720 --> 2:24:46.680
<v Speaker 1>talk to your ownership? And and you made me feel

2:24:46.760 --> 2:24:50.320
<v Speaker 1>comfortable talking about it's just what AAA is. Triple A

2:24:50.480 --> 2:24:53.760
<v Speaker 1>is right, Hi, I'm vibe scar Tel, I'm an alcoholic

2:24:54.000 --> 2:24:58.959
<v Speaker 1>or I'm vibe scar Tell, I'm a whatever. Once black

2:24:59.040 --> 2:25:03.120
<v Speaker 1>people get expec us as black people based on our

2:25:03.320 --> 2:25:06.640
<v Speaker 1>historical trauma, we're supposed to be able to speak to

2:25:06.720 --> 2:25:11.920
<v Speaker 1>one another. Bro, Come on, man, it's we only leave once. Bro.

2:25:12.400 --> 2:25:16.120
<v Speaker 1>Everybody is dead. Yeah, yeah, that's a piece of he's

2:25:16.160 --> 2:25:21.000
<v Speaker 1>not broke, he's rich, but he's dead. Michael Jackson is dead.

2:25:21.120 --> 2:25:25.000
<v Speaker 1>You can't take the weakness yet. We we as black people,

2:25:25.080 --> 2:25:28.000
<v Speaker 1>we need to be able to speak to each other,

2:25:28.520 --> 2:25:31.520
<v Speaker 1>if you're right, And I learned this while in prison,

2:25:31.800 --> 2:25:34.720
<v Speaker 1>because anyone in Jamaica can tell you. Before in prison,

2:25:34.879 --> 2:25:40.320
<v Speaker 1>I was a fucking devil. But growth matulready taught me

2:25:40.360 --> 2:25:43.720
<v Speaker 1>a lot of things. We need each other. That's why

2:25:43.800 --> 2:25:48.039
<v Speaker 1>they make these groups and these a A and group

2:25:48.160 --> 2:25:51.400
<v Speaker 1>therapy is good because you're going through something that I'm

2:25:51.480 --> 2:25:54.720
<v Speaker 1>going through. So you have questions and I have questions.

2:25:55.040 --> 2:25:57.959
<v Speaker 1>Maybe you have the answer for some questions. Oh why

2:25:58.040 --> 2:26:01.640
<v Speaker 1>did she cheat on me? I did everything right, you

2:26:01.760 --> 2:26:05.400
<v Speaker 1>can maybe impart some knowledge onto why because you've been

2:26:05.480 --> 2:26:08.640
<v Speaker 1>there before me, right, so you figured it out before.

2:26:10.400 --> 2:26:13.840
<v Speaker 1>It's bro, we living man one hundred years some now

2:26:13.920 --> 2:26:17.160
<v Speaker 1>we're gone, you know what I mean. That's that's the

2:26:17.280 --> 2:26:20.640
<v Speaker 1>mindset I have now. No ready, hold woman before you

2:26:20.720 --> 2:26:27.320
<v Speaker 1>get to that. Yeah, man, that's drink oh ship, that's

2:26:27.360 --> 2:26:28.600
<v Speaker 1>the mindset I have now.

2:26:28.680 --> 2:26:37.560
<v Speaker 15>Bro respects Yeah, man, yeah, it's not that.

2:26:37.800 --> 2:26:43.640
<v Speaker 1>What's look I hooked them up. Man. What what was

2:26:43.680 --> 2:26:46.600
<v Speaker 1>the feeling when they said you live in the jail, man,

2:26:47.440 --> 2:26:52.720
<v Speaker 1>how was that feeling getting? I'm from the ghetto, so

2:26:52.920 --> 2:26:55.920
<v Speaker 1>you can't hide me up. So when the lawyer said

2:26:55.959 --> 2:26:58.600
<v Speaker 1>to me you're free, I was in prison. I was

2:26:58.840 --> 2:27:02.840
<v Speaker 1>in my cell talking on myself. And when no, seriously

2:27:03.280 --> 2:27:09.560
<v Speaker 1>and when Alexandra labich Is, I said, right hand, she

2:27:09.720 --> 2:27:12.440
<v Speaker 1>said to me, I'm free, but I've been in prison

2:27:12.640 --> 2:27:16.080
<v Speaker 1>thirteen years. I didn't want to hear from you, with

2:27:16.240 --> 2:27:19.480
<v Speaker 1>all due respect, I wanted to hear from eye sights. Yeah,

2:27:19.600 --> 2:27:23.000
<v Speaker 1>because he's the one that I'm paying, right. And when

2:27:23.040 --> 2:27:25.880
<v Speaker 1>he called me and said I was free, bro, man,

2:27:26.760 --> 2:27:31.680
<v Speaker 1>not on the front tears, Bro, I fucking cried, Oh

2:27:31.879 --> 2:27:39.000
<v Speaker 1>fuck you if you think that's bitch. I'm gonna answer what, bro, No,

2:27:39.200 --> 2:27:42.000
<v Speaker 1>you can't show I'm tough enough. Man, That's right.

2:27:42.120 --> 2:27:44.400
<v Speaker 4>Anyone that knows me and Jamaica knows that I'm not

2:27:44.520 --> 2:27:44.959
<v Speaker 4>no fool.

2:27:45.120 --> 2:27:49.240
<v Speaker 1>That's what I'm in because you know, look, you know,

2:27:49.440 --> 2:27:54.400
<v Speaker 1>I tried to play it off so cute, yo, lory.

2:27:54.800 --> 2:28:04.440
<v Speaker 1>I tried to play it off, but hes man, because

2:28:04.520 --> 2:28:07.200
<v Speaker 1>think about it. I couldn't cry while I was in prison.

2:28:08.280 --> 2:28:11.080
<v Speaker 1>I had to take care of my family, by parents,

2:28:11.200 --> 2:28:14.720
<v Speaker 1>my children, a lot of people around me, plus the

2:28:14.800 --> 2:28:17.840
<v Speaker 1>guys that I was charged with, So I had no

2:28:18.000 --> 2:28:20.680
<v Speaker 1>time to be weak because all of them was coming

2:28:20.720 --> 2:28:25.720
<v Speaker 1>to me. Oh Jesus Chris, when are you coming out? Yeah?

2:28:25.720 --> 2:28:27.920
<v Speaker 1>What I mean? So I had to be shown for everyone.

2:28:31.120 --> 2:28:33.480
<v Speaker 1>There is even a meme in Jamaica where I say

2:28:33.640 --> 2:28:39.320
<v Speaker 1>as TJ because when he used to call me like, well,

2:28:39.400 --> 2:28:46.000
<v Speaker 1>think about this, I'm in prison, yeah, sending money to

2:28:46.200 --> 2:28:49.600
<v Speaker 1>my back, to Western Union, to people in America, to

2:28:49.720 --> 2:28:53.520
<v Speaker 1>people in England. Look, that's my responsibility and I had

2:28:53.560 --> 2:28:56.560
<v Speaker 1>to do it. People were dying around me. We were

2:28:56.640 --> 2:29:01.440
<v Speaker 1>fucking in prison, losing money money, but yeah, man, like

2:29:01.680 --> 2:29:05.320
<v Speaker 1>I have, I was fighting for my freedom, for my life,

2:29:05.920 --> 2:29:10.760
<v Speaker 1>for my health, right to keep my family, to keep

2:29:10.800 --> 2:29:14.520
<v Speaker 1>my woman from giving away the pussy. That's a serious no, bro,

2:29:16.240 --> 2:29:19.920
<v Speaker 1>that's serious man. She's actually moved on. No, I don't know. Yeah,

2:29:19.920 --> 2:29:23.000
<v Speaker 1>I moved on. Take care of her, Okay, I say,

2:29:23.120 --> 2:29:27.400
<v Speaker 1>take care of all my baby I'm a Jamaican. You're

2:29:27.480 --> 2:29:31.600
<v Speaker 1>either a fucking asshole or you're a good person. There's

2:29:31.640 --> 2:29:34.520
<v Speaker 1>no in the middle. Listen, you're either a fucking pussy

2:29:34.959 --> 2:29:38.400
<v Speaker 1>or you're a real one. That's what Jamaica vibes vibes

2:29:38.520 --> 2:29:43.000
<v Speaker 1>on some New York ship. How how does Sadam feel

2:29:43.040 --> 2:29:46.000
<v Speaker 1>about you taking care of all the baby moms? Well,

2:29:46.160 --> 2:29:50.640
<v Speaker 1>initially she was not cool, but when I explained it

2:29:50.720 --> 2:29:55.760
<v Speaker 1>to her and she saw the predicament my family was

2:29:55.920 --> 2:29:59.440
<v Speaker 1>because remember, you know, I'm the breadwinner. I made the million.

2:30:00.120 --> 2:30:04.840
<v Speaker 1>We're talking about us now, I made the millions. Why

2:30:04.920 --> 2:30:10.560
<v Speaker 1>would I want to see my baby mam suffer? Even

2:30:10.640 --> 2:30:13.560
<v Speaker 1>though when I was in prison going through the worst

2:30:13.600 --> 2:30:18.640
<v Speaker 1>time of my life, she let me do. But it's

2:30:18.760 --> 2:30:22.200
<v Speaker 1>human nature. If you don't believe in forgiveness, you're a

2:30:22.440 --> 2:30:26.119
<v Speaker 1>fucking bro. You shouldn't need to be alive. Bro. Wow,

2:30:27.440 --> 2:30:32.080
<v Speaker 1>we made mistakes, Bro, Okay, you all right, you believe

2:30:32.120 --> 2:30:34.400
<v Speaker 1>in forgiveness, So why why you didn't just stay with

2:30:34.520 --> 2:30:38.400
<v Speaker 1>her then? Because I'm a man first, and I told

2:30:38.440 --> 2:30:41.640
<v Speaker 1>her I was there with you. I'm like, I'm coming out,

2:30:42.040 --> 2:30:45.080
<v Speaker 1>coming out. I lost my trial. She was there, I'm

2:30:45.200 --> 2:30:49.000
<v Speaker 1>coming out. I lost my Jamaican appeal. She was there.

2:30:49.040 --> 2:30:52.920
<v Speaker 1>I'm coming out. But before the British appeal could happen,

2:30:53.840 --> 2:30:56.720
<v Speaker 1>she just gave it. And I can't blame her for that.

2:30:57.480 --> 2:31:00.240
<v Speaker 1>If she was in prison, I would be fucking which

2:31:00.360 --> 2:31:05.280
<v Speaker 1>is the first day she had arrested, right, So how

2:31:05.360 --> 2:31:09.240
<v Speaker 1>can I hate her? Think about this? Man, Think about it,

2:31:09.560 --> 2:31:15.640
<v Speaker 1>bro Think about this. She had got arrested on the

2:31:15.760 --> 2:31:20.160
<v Speaker 1>first of January after I brought her fucking things to

2:31:20.840 --> 2:31:28.960
<v Speaker 1>the first So we got to keep it real. And

2:31:29.160 --> 2:31:31.320
<v Speaker 1>that's what the problem with a lot of us as

2:31:31.400 --> 2:31:34.160
<v Speaker 1>black people are. Egos are high, and I get it.

2:31:34.600 --> 2:31:37.080
<v Speaker 1>We've been through a lot, so we need to prove.

2:31:38.120 --> 2:31:41.440
<v Speaker 1>You know this, Frank, fucking Tom don't need to prove shape,

2:31:41.920 --> 2:31:46.280
<v Speaker 1>but Jai Kwan and fucking Omar, I need to prove shit,

2:31:47.480 --> 2:31:51.000
<v Speaker 1>right because that's how we were raised. We need to prove.

2:31:51.400 --> 2:31:57.320
<v Speaker 1>I don't need to prove nothing. She gave me three

2:31:57.440 --> 2:32:00.800
<v Speaker 1>sons bro, so I couldn't violate her. But what Sitdem

2:32:00.920 --> 2:32:04.600
<v Speaker 1>brought to me was peace right. She made me calm.

2:32:05.480 --> 2:32:10.080
<v Speaker 1>She made me not feel the need the fucking oh

2:32:11.600 --> 2:32:13.720
<v Speaker 1>you know what I mean. She made me That's the

2:32:13.800 --> 2:32:16.760
<v Speaker 1>best thing I met her. Twenty fifteen, July twenty fifth,

2:32:16.840 --> 2:32:21.720
<v Speaker 1>I'll never forget. And that time I'm saying before that,

2:32:21.879 --> 2:32:23.800
<v Speaker 1>me and my baby mama was going through a lot.

2:32:24.280 --> 2:32:27.240
<v Speaker 1>I did an album for short It's literally called to

2:32:27.400 --> 2:32:33.519
<v Speaker 1>Tunisia because her government is Tannisia. The album is to Tunisia,

2:32:33.840 --> 2:32:36.760
<v Speaker 1>one of the biggest albums in the Caribbean. Any person

2:32:36.840 --> 2:32:39.320
<v Speaker 1>from the Caribbean can tell you about that album. Just

2:32:39.480 --> 2:32:42.960
<v Speaker 1>fucking going there for right now. The cart album calls

2:32:43.440 --> 2:32:50.680
<v Speaker 1>to Tunisia. Yeah. In lover she nearly madam. I love

2:32:50.959 --> 2:32:56.200
<v Speaker 1>even now. But Sidem was there. That's why when you

2:32:56.320 --> 2:32:59.199
<v Speaker 1>asked me the question about loyalty was easy to answer.

2:32:59.320 --> 2:33:04.400
<v Speaker 1>That doesn't mean that Shorty was disloyal. She was just human, right,

2:33:06.320 --> 2:33:11.440
<v Speaker 1>she was just human. Ten years, eleven years, he's not

2:33:11.600 --> 2:33:14.039
<v Speaker 1>coming out, but I'm going to be there for her

2:33:14.120 --> 2:33:18.080
<v Speaker 1>because she always represented I could call her any hours,

2:33:18.680 --> 2:33:21.440
<v Speaker 1>three am in the morning, shorty, wake up, take this

2:33:21.640 --> 2:33:28.680
<v Speaker 1>money here, and she would go, come on, man, Bro,

2:33:28.920 --> 2:33:31.200
<v Speaker 1>At what point we're going to be man, and be like, Bro,

2:33:31.760 --> 2:33:34.040
<v Speaker 1>you fucked up? Because she didn't send me to prison.

2:33:35.240 --> 2:33:39.879
<v Speaker 1>That was me. She didn't send me to prison. Bro.

2:33:40.520 --> 2:33:48.520
<v Speaker 1>She was calling me come home. We need to fuck her.

2:33:50.480 --> 2:33:56.600
<v Speaker 1>You get what I'm saying. So she didn't send me.

2:33:56.879 --> 2:34:01.960
<v Speaker 1>She never called nobody or allies is meeting me? Fuck him? No,

2:34:02.120 --> 2:34:05.560
<v Speaker 1>I went on my own. So what am I gonna do?

2:34:05.720 --> 2:34:10.680
<v Speaker 1>Broh And and this is the thing too in Jamaica,

2:34:10.720 --> 2:34:13.480
<v Speaker 1>a lot of times, like a lot of men in prison,

2:34:14.840 --> 2:34:17.520
<v Speaker 1>the woman is she don on them. They just send

2:34:17.640 --> 2:34:22.160
<v Speaker 1>someone to kill her. Oh, and to kill the man. Yeah,

2:34:22.840 --> 2:34:25.360
<v Speaker 1>it's just it's a really in Jamaica. I'm not even

2:34:25.440 --> 2:34:31.280
<v Speaker 1>making that up because Jamaica rough. Why would I want

2:34:31.320 --> 2:34:35.200
<v Speaker 1>to hurt my my children's mother. She made me know

2:34:35.360 --> 2:34:37.800
<v Speaker 1>that my dick was working because she gave him my

2:34:38.040 --> 2:34:43.920
<v Speaker 1>first children. Yeah, and even a lot of times even

2:34:44.000 --> 2:34:46.360
<v Speaker 1>see them, it's like, I think you still love her.

2:34:46.720 --> 2:34:50.800
<v Speaker 1>I'm like, yes, I love her, but I adore you different,

2:34:51.600 --> 2:34:56.280
<v Speaker 1>different I do you can have that's real. She made

2:34:56.320 --> 2:34:58.760
<v Speaker 1>me know that I was a man and I could

2:34:58.800 --> 2:35:03.800
<v Speaker 1>have get. So I love her and I understand what

2:35:03.920 --> 2:35:07.039
<v Speaker 1>she went through. Bro. Even people that loved me gave

2:35:07.160 --> 2:35:11.920
<v Speaker 1>up about in prison thirteen years. Bro, that's your family.

2:35:12.000 --> 2:35:16.760
<v Speaker 1>You got kidds, but you got thirty three years. Yes,

2:35:17.080 --> 2:35:19.879
<v Speaker 1>she's like that's life. That's like thirty three years. That's

2:35:19.959 --> 2:35:22.199
<v Speaker 1>life to everyone else. And maybe you don't get out if.

2:35:22.120 --> 2:35:24.600
<v Speaker 2>Something goes wrong in prison, you might not get that's

2:35:24.680 --> 2:35:25.280
<v Speaker 2>my problem.

2:35:25.360 --> 2:35:36.720
<v Speaker 19>And she needs the doggy style thing. Human nature, human nature.

2:35:37.240 --> 2:35:41.440
<v Speaker 1>That's human nature. So I can I could not be angry.

2:35:42.800 --> 2:35:46.959
<v Speaker 1>I understand. I'm grown. I'm grown. I got a rested

2:35:47.040 --> 2:35:51.200
<v Speaker 1>when I was thirty five, so over the and I

2:35:51.640 --> 2:35:54.959
<v Speaker 1>learned to appreciate God more and be more spiritual. That's

2:35:54.959 --> 2:35:58.520
<v Speaker 1>all you see on my forehead. I have loved God. Wow.

2:35:58.879 --> 2:36:01.400
<v Speaker 1>If you look here, I don't know if you can

2:36:01.480 --> 2:36:03.960
<v Speaker 1>see it. You see devil Devil that was me back

2:36:04.000 --> 2:36:07.320
<v Speaker 1>in the day. That's what that's my that was my nickname.

2:36:07.440 --> 2:36:11.920
<v Speaker 1>Look you see did you feel that you really embodied that? Bro?

2:36:12.040 --> 2:36:15.640
<v Speaker 1>I was crazy. That's why I got so much trouble.

2:36:18.560 --> 2:36:23.080
<v Speaker 1>I was fucking wilding out two three a million point zero.

2:36:23.440 --> 2:36:25.840
<v Speaker 1>So you know, Jamaica is no joke. You don't. You

2:36:25.959 --> 2:36:28.240
<v Speaker 1>can't come on and say on the track you're a

2:36:28.320 --> 2:36:31.680
<v Speaker 1>gangster and you're not. You gotta be back in those days,

2:36:32.959 --> 2:36:35.120
<v Speaker 1>you know what I mean? I like that girl who

2:36:35.200 --> 2:36:45.520
<v Speaker 1>is you knows what's up. But that's what I'm saying. Like,

2:36:47.240 --> 2:36:49.920
<v Speaker 1>that's why I never stopped saying God is the greatest.

2:36:51.760 --> 2:36:53.600
<v Speaker 1>God saved me. No one could save me. I was

2:36:53.680 --> 2:36:57.360
<v Speaker 1>in prison GP and Jamaica tower Ship. That's a number.

2:36:57.440 --> 2:37:01.520
<v Speaker 1>In prison. You see guys hang themselves. You see guys

2:37:01.600 --> 2:37:04.720
<v Speaker 1>you know, steal like that steel thing. You see guys

2:37:04.760 --> 2:37:07.640
<v Speaker 1>sharp that steel and just push it to the niggas

2:37:08.600 --> 2:37:15.760
<v Speaker 1>you're dead. Damn that does That doesn't news. That's all

2:37:15.879 --> 2:37:18.720
<v Speaker 1>Jamaican prisons are. Because I know Americans say they have

2:37:18.800 --> 2:37:24.080
<v Speaker 1>the toughest prisons. Nigga, you don't, We have the toughest prisons.

2:37:24.959 --> 2:37:31.200
<v Speaker 1>People die every day. Well, God said bro, because I

2:37:31.320 --> 2:37:33.320
<v Speaker 1>take care of a lot of people. Because I learned

2:37:33.360 --> 2:37:38.160
<v Speaker 1>from Bounty Killer, so I pay forward and I prayed.

2:37:38.200 --> 2:37:40.280
<v Speaker 1>I was like at one point I didn't even pray

2:37:40.400 --> 2:37:48.280
<v Speaker 1>for TJ. You couldn't tell me nothing about God. I

2:37:48.440 --> 2:37:51.520
<v Speaker 1>was God. That's how Big Guy was in Germany. I

2:37:51.720 --> 2:37:56.640
<v Speaker 1>was God. God los like nigga, you're not won't sit

2:37:56.760 --> 2:38:03.160
<v Speaker 1>down in this fucking dungeon. Wow. Then he gave me

2:38:03.320 --> 2:38:10.240
<v Speaker 1>that epiphany. Bro Chill, I gave you the blessing given them.

2:38:10.320 --> 2:38:13.880
<v Speaker 1>There's that I was helping a lot of people like Popcorn, comingly, gods,

2:38:13.879 --> 2:38:21.920
<v Speaker 1>a slim, etcetera, my parents, Russian, not nice, Jordan, fucking birch, everybody,

2:38:22.040 --> 2:38:24.640
<v Speaker 1>and God was like, Bro, you need to slow down.

2:38:24.680 --> 2:38:27.160
<v Speaker 1>If I didn't, that's why I told him no regrets,

2:38:27.520 --> 2:38:30.040
<v Speaker 1>because if I didn't go to prison, I know I

2:38:30.040 --> 2:38:34.640
<v Speaker 1>would have been dead. You know what I mean. I

2:38:34.800 --> 2:38:37.080
<v Speaker 1>got a second chance. I got the second chance, and

2:38:37.440 --> 2:38:44.280
<v Speaker 1>I won't fuck I'm not How the fuck do I

2:38:44.400 --> 2:38:47.600
<v Speaker 1>fuck up? Turkey years in prison? Come out? Get my

2:38:47.800 --> 2:38:51.440
<v Speaker 1>US visa, got my European visa, get my British visa,

2:38:51.800 --> 2:39:01.680
<v Speaker 1>making these millions us motherfuckert bro and even then, and

2:39:01.879 --> 2:39:04.960
<v Speaker 1>why why I think I got a second chance, Because

2:39:05.000 --> 2:39:07.760
<v Speaker 1>even when I was crazy, I still had that love

2:39:08.720 --> 2:39:11.879
<v Speaker 1>and that respectful people. Because if you good, be good.

2:39:12.200 --> 2:39:15.000
<v Speaker 1>If you're a gangster, we're not good because maybe you

2:39:15.080 --> 2:39:17.560
<v Speaker 1>want to hurt me and I'm not going to give

2:39:17.560 --> 2:39:20.800
<v Speaker 1>you that right, you know what I mean? Yes, So

2:39:21.440 --> 2:39:24.600
<v Speaker 1>that's why mindset since day one. So I have no

2:39:24.800 --> 2:39:28.400
<v Speaker 1>problem giving you your props because you can stop me,

2:39:28.600 --> 2:39:32.760
<v Speaker 1>you know, and I don't want to stop you. Get it.

2:39:33.440 --> 2:39:36.360
<v Speaker 1>You can stop me, and I don't want to stop you.

2:39:36.800 --> 2:39:39.760
<v Speaker 1>Because we can both be rich. We can both have

2:39:40.080 --> 2:39:42.040
<v Speaker 1>a lot of money for every yeah, yeah exactly, we

2:39:42.120 --> 2:39:45.080
<v Speaker 1>can both drive the rolls roys, and we can both

2:39:45.120 --> 2:39:48.280
<v Speaker 1>have a million women without even touching one of yours.

2:39:49.080 --> 2:39:53.200
<v Speaker 1>So that's my mindset since day one, bro, like every

2:39:53.320 --> 2:39:57.040
<v Speaker 1>man has, Like Bob Marley said, every man, I've all

2:39:57.120 --> 2:40:02.040
<v Speaker 1>right we decide there. Oh yes, I mean you have

2:40:02.160 --> 2:40:04.920
<v Speaker 1>your right to decide your destiny. Bro, I can't fuck

2:40:04.959 --> 2:40:08.840
<v Speaker 1>with yours and you can't fuck with mine. If if

2:40:09.280 --> 2:40:11.760
<v Speaker 1>it comes a time when that's gonna happen, you go

2:40:11.959 --> 2:40:16.640
<v Speaker 1>your ways and I go mine, and we're good. You

2:40:17.040 --> 2:40:24.040
<v Speaker 1>You rish over South Miami, a merchant North Miami. That's it.

2:40:25.400 --> 2:40:28.800
<v Speaker 1>That's how it goes, man. So I don't. I don't

2:40:29.040 --> 2:40:34.640
<v Speaker 1>harbor any bad feelings for no human none. I've been

2:40:34.680 --> 2:40:37.720
<v Speaker 1>through it, man, We've been through the wars, the gangster ship,

2:40:37.840 --> 2:40:40.640
<v Speaker 1>everything that's forty nine years old. Now, what the fuck

2:40:40.720 --> 2:40:44.080
<v Speaker 1>you're gonna What can you prove to me? You can't

2:40:44.160 --> 2:40:49.280
<v Speaker 1>prove nothing to me. I'm from Jamaica, broth Exactly, I'm

2:40:49.320 --> 2:40:53.280
<v Speaker 1>from Jamaica, and my mind from Jamaican too. Huh. In

2:40:53.400 --> 2:41:00.360
<v Speaker 1>my mind, I'm from Jamaican too. I'm from you, Tuck

2:41:00.400 --> 2:41:03.880
<v Speaker 1>get me aut man, I'm telling you, man, big up queens.

2:41:04.080 --> 2:41:04.480
<v Speaker 1>That's right.

2:41:07.720 --> 2:41:10.200
<v Speaker 6>Getting back to the music a little bit. Yes, what

2:41:10.480 --> 2:41:13.080
<v Speaker 6>songs of yours do you think change the trajectory of

2:41:13.160 --> 2:41:13.640
<v Speaker 6>your career?

2:41:15.200 --> 2:41:19.680
<v Speaker 1>The first song was question New Millennium two thousand and two,

2:41:20.200 --> 2:41:24.360
<v Speaker 1>which changed Danceaul because the song was saying, decided a

2:41:24.440 --> 2:41:27.360
<v Speaker 1>new millennium, different things are going meaning this is the

2:41:27.480 --> 2:41:31.680
<v Speaker 1>new millennium, different things going on. That's what it says.

2:41:32.440 --> 2:41:38.280
<v Speaker 1>So that's one. Tech Body show Me on Me, which

2:41:38.400 --> 2:41:41.480
<v Speaker 1>is my first song on Billboard in New York. Okay,

2:41:42.120 --> 2:41:47.160
<v Speaker 1>Then tech Body Girl second song, Yeah wait wait wait

2:41:47.200 --> 2:41:49.480
<v Speaker 1>wait wait, let me and the Acon and the Shava

2:41:49.600 --> 2:41:54.480
<v Speaker 1>Rans and the Sis No no if you're this but

2:41:54.760 --> 2:42:00.760
<v Speaker 1>mag money exactly you know what's something? Then Rumping Shop,

2:42:02.280 --> 2:42:06.640
<v Speaker 1>then Clark like oh what more man? And then Fever

2:42:06.959 --> 2:42:08.960
<v Speaker 1>twenty sixteen while I was in the While I was

2:42:09.000 --> 2:42:11.960
<v Speaker 1>in prison, that song was on rotation in ninety seven

2:42:12.480 --> 2:42:14.720
<v Speaker 1>on fucking par one o five. How did I mean

2:42:14.800 --> 2:42:17.720
<v Speaker 1>deal Yu in jail, Bro, I'm on the fucking app

2:42:17.760 --> 2:42:21.680
<v Speaker 1>watching everything. I popping Champagne in prison. I had a

2:42:21.760 --> 2:42:26.200
<v Speaker 1>fucking bust down roles. I had a fucking damn cham

2:42:26.480 --> 2:42:30.320
<v Speaker 1>for crazy, Bro. I had my roles in prison, Ship

2:42:30.320 --> 2:42:35.320
<v Speaker 1>and Pendan anything more. I loves the stream shambling anything. Yeah,

2:42:36.320 --> 2:42:41.200
<v Speaker 1>but it's still prison, right, Still prison, write no doubt

2:42:41.280 --> 2:42:43.880
<v Speaker 1>that can't leave when I want. Yeah, of course, still

2:42:43.959 --> 2:42:47.240
<v Speaker 1>PRIs Here's what it is. But those songs. When I

2:42:47.360 --> 2:42:50.160
<v Speaker 1>saw Golden Prison, I had my fucking plaque in my

2:42:50.400 --> 2:42:55.800
<v Speaker 1>cell like roaches crawling on it, and ship roaches was

2:42:55.959 --> 2:43:00.880
<v Speaker 1>crawling on my fucking bolt black Bro, that's crazy, I'm

2:43:00.959 --> 2:43:04.959
<v Speaker 1>telling you scene. Yeah, roaches was crawling on my block

2:43:05.000 --> 2:43:09.200
<v Speaker 1>and I was like your blood clot areo listen, listen,

2:43:09.360 --> 2:43:13.760
<v Speaker 1>you need to put your movies together. And that's what

2:43:13.840 --> 2:43:17.400
<v Speaker 1>I'm saying. What is the Netflix general, That's what I'm saying.

2:43:17.720 --> 2:43:20.960
<v Speaker 1>Grammy fucked up this year. No disrespect to them, but

2:43:21.320 --> 2:43:25.560
<v Speaker 1>the story. Come on, I'm coming from prison thirteen years,

2:43:25.600 --> 2:43:28.840
<v Speaker 1>get my feast. I'm engaged. I'm behaving myself. I saw

2:43:28.959 --> 2:43:33.080
<v Speaker 1>gold The album that I did was nominated What's Done

2:43:33.120 --> 2:43:36.240
<v Speaker 1>in Prison should Ha took.

2:43:37.959 --> 2:43:39.240
<v Speaker 4>It's an amazing story.

2:43:39.360 --> 2:43:42.960
<v Speaker 1>Norm It's beautiful. I love it. And what that means said,

2:43:42.959 --> 2:43:48.040
<v Speaker 1>I want to piss. Yeah, we got one and we

2:43:48.160 --> 2:43:51.760
<v Speaker 1>got one over there. Yeah, like I'm in that trajectory.

2:43:52.040 --> 2:44:10.280
<v Speaker 1>Yeah yeah, but just that you, that's you. You need

2:44:10.400 --> 2:44:13.840
<v Speaker 1>to like give ours the like Sean pa give me

2:44:13.959 --> 2:44:26.680
<v Speaker 1>the sem Jamaica for sure, right now, Sean Palm. Yeah yeah, yeah, man,

2:44:26.840 --> 2:44:30.960
<v Speaker 1>said Sean Paulish from up town. That means for the

2:44:31.040 --> 2:44:35.720
<v Speaker 1>privileged part privilege because in Jamaica we don't have racism classes.

2:44:37.160 --> 2:44:42.320
<v Speaker 1>But that's for another interview. Passionate about that because I'm

2:44:42.320 --> 2:44:46.840
<v Speaker 1>from the ghetto and I live uptown and my kids

2:44:46.920 --> 2:44:51.760
<v Speaker 1>are born and raised uptown, went to the best schools everything,

2:44:51.840 --> 2:44:56.000
<v Speaker 1>you know how that yes, yeah, so that's a serious

2:44:56.080 --> 2:45:01.160
<v Speaker 1>topic in Jamaica to classes, colorism, right, skin bleaching all day.

2:45:01.400 --> 2:45:04.160
<v Speaker 1>I was just going to say that because I remember

2:45:04.200 --> 2:45:06.440
<v Speaker 1>when you was rehearsing for your show, because I follow you.

2:45:06.600 --> 2:45:08.960
<v Speaker 1>So you was talking about we're going to do the

2:45:10.040 --> 2:45:18.400
<v Speaker 1>the car down and the bats cards, yes, where you

2:45:18.520 --> 2:45:22.400
<v Speaker 1>use the fucking burn up, the fucking melanim Yes, and

2:45:22.640 --> 2:45:28.040
<v Speaker 1>like you're trying to kill God? Do you I told

2:45:28.120 --> 2:45:31.520
<v Speaker 1>I regret nothing, okay, because if you win, you either

2:45:31.600 --> 2:45:34.440
<v Speaker 1>win or learn when you lose this when you die,

2:45:35.280 --> 2:45:37.600
<v Speaker 1>and we still don't know where you go when you die,

2:45:37.959 --> 2:45:38.520
<v Speaker 1>even though I'm.

2:45:38.800 --> 2:45:41.400
<v Speaker 5>And what those lessons are from, you know, from life,

2:45:41.520 --> 2:45:42.840
<v Speaker 5>from your negatives, you know what I mean.

2:45:43.080 --> 2:45:46.720
<v Speaker 1>So I never believe in losses, so I couldn't have regrets.

2:45:47.000 --> 2:45:50.560
<v Speaker 1>And I've lost people that I love, but I can't regret.

2:45:51.160 --> 2:45:53.720
<v Speaker 6>The reason why I asked that because cooda black and

2:45:53.959 --> 2:45:56.280
<v Speaker 6>he had he had a songs in super Grim and

2:45:56.320 --> 2:45:58.680
<v Speaker 6>he said, you know, I know the perk was fake,

2:45:59.000 --> 2:46:00.760
<v Speaker 6>but I still ate it. But because I was a

2:46:00.840 --> 2:46:04.320
<v Speaker 6>gremlin perkose in. Yeah, I know you know what I'm saying.

2:46:04.400 --> 2:46:07.520
<v Speaker 6>So see how deep that it was. And he regretted

2:46:07.600 --> 2:46:10.080
<v Speaker 6>that to a degree. The influence of that. No, but

2:46:10.200 --> 2:46:16.080
<v Speaker 6>I understand that. But think about this, I already drank

2:46:17.440 --> 2:46:21.880
<v Speaker 6>like four bottles of fucking How can I regret it?

2:46:22.640 --> 2:46:25.160
<v Speaker 6>I can't change it, right, you can't go back. You

2:46:25.280 --> 2:46:28.080
<v Speaker 6>can't go back. But the only thing I can do

2:46:28.240 --> 2:46:31.520
<v Speaker 6>from that is like, don't drink from beautiful women.

2:46:36.600 --> 2:46:39.680
<v Speaker 1>I'm giving her props. Come on, Yeah, okay, So if

2:46:39.760 --> 2:46:43.400
<v Speaker 1>I know. I mean, if I went outside, it was

2:46:43.440 --> 2:46:48.680
<v Speaker 1>like that, don't drink from beautiful l. That was the l.

2:46:48.800 --> 2:46:52.280
<v Speaker 1>It's not the loss lesson because once you're alive, it's

2:46:52.320 --> 2:46:55.800
<v Speaker 1>not a loss. It's a lesson. And if it's a lesson,

2:46:57.320 --> 2:47:05.080
<v Speaker 1>it's a blessing. If it's a lesson, Bro, I was

2:47:05.600 --> 2:47:08.520
<v Speaker 1>last year. Some times I was in fucking prison. What

2:47:08.680 --> 2:47:12.039
<v Speaker 1>the fuck are you talking about? I mean for America and.

2:47:12.080 --> 2:47:19.320
<v Speaker 4>I'm rich, that's right, sure, sure, exactly.

2:47:19.640 --> 2:47:25.600
<v Speaker 1>Just shout to that ship, no, bro, like I said.

2:47:25.680 --> 2:47:27.640
<v Speaker 1>Even Massacre said it the other day when I was

2:47:27.720 --> 2:47:33.119
<v Speaker 1>in prison, and I was so much in my positive

2:47:33.320 --> 2:47:36.879
<v Speaker 1>energy that I've understood it. You know what Massacre said,

2:47:36.920 --> 2:47:40.080
<v Speaker 1>I'm bigger Massacre. Its aid interviewing too. He's a big

2:47:40.200 --> 2:47:46.240
<v Speaker 1>artist in Jamaica. He said, nobody can spoil my day.

2:47:48.959 --> 2:47:52.200
<v Speaker 1>Why would I give you that energy. I just came

2:47:52.240 --> 2:47:55.680
<v Speaker 1>out of prison, bro, thirteen years. I watched my children.

2:47:56.160 --> 2:47:59.920
<v Speaker 1>They come from voice to men and not the groups

2:48:00.040 --> 2:48:05.199
<v Speaker 1>from sucking the group big them up. Yeah you salute

2:48:05.920 --> 2:48:11.880
<v Speaker 1>in Boston from boss. Yeah, I'm losing Boston. Where's my

2:48:12.000 --> 2:48:22.040
<v Speaker 1>shot there for Philly? Yeah? I think hello to being wrong?

2:48:22.400 --> 2:48:25.840
<v Speaker 1>Then that's why your coffee is much empty. I know

2:48:26.400 --> 2:48:29.840
<v Speaker 1>we're taking shot. Yeah, we're taking shot. Oh he just

2:48:29.959 --> 2:48:34.720
<v Speaker 1>a shouting there. I know he's a shot that rose. Yeah,

2:48:34.760 --> 2:48:37.280
<v Speaker 1>but you can't. You can't. You can't. You know history.

2:48:37.440 --> 2:48:40.160
<v Speaker 1>Maybe have a bad day, you know your history. That's

2:48:40.200 --> 2:48:44.240
<v Speaker 1>why I'm so big in music. I'm a shooting. I'm

2:48:44.280 --> 2:48:47.080
<v Speaker 1>a student of the music. You're a student first, before them,

2:48:47.160 --> 2:48:50.680
<v Speaker 1>before this guy. Not a student, my little brother right,

2:48:51.040 --> 2:48:53.760
<v Speaker 1>always say you're I'm a student of hip hop. That's

2:48:53.840 --> 2:48:59.640
<v Speaker 1>what yester. Listen, Yeah enough, I respect you. Yeah, man,

2:49:00.320 --> 2:49:07.760
<v Speaker 1>you got it. Don't count you gotta when Yeah, big up,

2:49:07.760 --> 2:49:09.600
<v Speaker 1>big up. It's the Americans.

2:49:09.640 --> 2:49:10.320
<v Speaker 4>Let's suit it again.

2:49:10.440 --> 2:49:16.920
<v Speaker 1>Yes, one of the T shirts. And because he wants

2:49:16.959 --> 2:49:21.680
<v Speaker 1>a student, cligg up. So I want to ask another question.

2:49:21.760 --> 2:49:23.400
<v Speaker 1>You brought up massacre. You know, so.

2:49:25.240 --> 2:49:27.200
<v Speaker 6>As far as dance all right now, who would you

2:49:27.280 --> 2:49:30.560
<v Speaker 6>think is like the top contenders and also like the

2:49:30.680 --> 2:49:32.840
<v Speaker 6>defending champions of dance all right now?

2:49:33.480 --> 2:49:38.400
<v Speaker 1>Well, massacre is one popcorn. And I'm not just saying

2:49:38.480 --> 2:49:44.200
<v Speaker 1>that because he's my protesting, but I'm also saying that

2:49:44.400 --> 2:49:47.760
<v Speaker 1>because he's my protest So I learned from the best guy.

2:49:47.879 --> 2:49:52.840
<v Speaker 1>You went to Harvard nigga, you fucking qualified. So gonsation

2:49:53.080 --> 2:50:01.480
<v Speaker 1>is the Harvard Dance all so popcorn from then, I

2:50:01.840 --> 2:50:08.560
<v Speaker 1>like like the younger kids after popcun like Shama and

2:50:09.160 --> 2:50:10.800
<v Speaker 1>I'm going to get into that in a minute. So

2:50:10.920 --> 2:50:14.640
<v Speaker 1>you have the Gamer, the Pablo wait g the Chronicler,

2:50:15.320 --> 2:50:20.480
<v Speaker 1>Skilly Bang, the jump Jeacque Laani, you know what I mean,

2:50:20.520 --> 2:50:23.800
<v Speaker 1>the four fifty and you know a lot of people

2:50:23.800 --> 2:50:25.880
<v Speaker 1>are gonna come at me, especially the guards are fans.

2:50:25.920 --> 2:50:30.800
<v Speaker 1>But he represents for the culture, the alkaline, right, yeah,

2:50:30.879 --> 2:50:36.200
<v Speaker 1>the squash, squash, squash, not time, you know what I mean.

2:50:37.120 --> 2:50:40.920
<v Speaker 1>So for me, the kids, I have to respect them

2:50:41.000 --> 2:50:43.640
<v Speaker 1>because when I was coming up, I got a lot

2:50:43.680 --> 2:50:48.520
<v Speaker 1>of flat like, oh it does song like dancer like

2:50:48.640 --> 2:50:50.920
<v Speaker 1>they're trying to say I'm not dancing. I'm sure I'm

2:50:51.000 --> 2:50:55.120
<v Speaker 1>something else, right, So we always have to represent for

2:50:55.240 --> 2:50:58.040
<v Speaker 1>the general because I stand on the on the shoulders

2:50:58.080 --> 2:51:03.160
<v Speaker 1>of giants, right, I stand on Bounty Killer's shoulder, Busha

2:51:03.240 --> 2:51:06.600
<v Speaker 1>banter being a man, regardless of what you want to

2:51:06.640 --> 2:51:09.800
<v Speaker 1>say about it. I'm a student, a fucking dance, A

2:51:10.480 --> 2:51:15.640
<v Speaker 1>dance all is forever, right. We have a rep for

2:51:15.720 --> 2:51:20.039
<v Speaker 1>the culture. I'm gonna rep for the vulture for the culture.

2:51:20.760 --> 2:51:23.560
<v Speaker 1>So big Up being a big up Bonty killer who

2:51:23.680 --> 2:51:28.160
<v Speaker 1>made me rich, Big Up Buscher Banton, biggest inspiration, Ninjaman

2:51:28.959 --> 2:51:33.760
<v Speaker 1>my first inspiration, super Cat Jeorg the Wheel, big Eyewod

2:51:34.800 --> 2:51:39.560
<v Speaker 1>Michigan are smiling. Danny English, he passed away the other day,

2:51:40.040 --> 2:51:42.560
<v Speaker 1>because you know what I mean, gives him the first Please,

2:51:43.360 --> 2:51:46.080
<v Speaker 1>he's the first person who told my mom that I'm

2:51:46.120 --> 2:51:48.360
<v Speaker 1>going to be rich. Then she gave me the key

2:51:48.360 --> 2:51:50.560
<v Speaker 1>because they used to lock me all that night. So

2:51:50.680 --> 2:51:52.640
<v Speaker 1>when I went to the stage show at night, I

2:51:52.720 --> 2:51:56.439
<v Speaker 1>could have go in because my mama he ain't bloodclads,

2:51:56.520 --> 2:51:59.480
<v Speaker 1>you know, and my dad is like your blood clod,

2:52:00.760 --> 2:52:04.320
<v Speaker 1>which means also. And then my mom when Danny English

2:52:04.320 --> 2:52:12.240
<v Speaker 1>said to my mom because he got they have a

2:52:12.400 --> 2:52:15.000
<v Speaker 1>meme with me and him on the internet with everything

2:52:15.080 --> 2:52:19.840
<v Speaker 1>I want to confirm, I say at teach me at

2:52:19.879 --> 2:52:24.360
<v Speaker 1>the party, he was the first person to tell my

2:52:24.520 --> 2:52:29.080
<v Speaker 1>mother that your son is going to be famous and

2:52:29.200 --> 2:52:33.040
<v Speaker 1>that that made that brought tears in mother's eyes. So

2:52:33.280 --> 2:52:37.560
<v Speaker 1>and he died the other day, so please give him around.

2:52:40.160 --> 2:52:41.080
<v Speaker 4>That's the peace.

2:52:43.560 --> 2:52:46.280
<v Speaker 1>As well, because they rolled together and big up eeg

2:52:46.320 --> 2:52:50.480
<v Speaker 1>now so bro Dan soul for me is everything, nor

2:52:51.120 --> 2:52:54.080
<v Speaker 1>that I believe in it. It made a lot of

2:52:54.200 --> 2:52:57.720
<v Speaker 1>us famous, the more and rich Mova cartail bonte be

2:52:57.840 --> 2:53:01.320
<v Speaker 1>in a bush like Terry James. Even all the guys

2:53:01.400 --> 2:53:03.280
<v Speaker 1>you asked me questions about why do you think I

2:53:03.320 --> 2:53:06.560
<v Speaker 1>had to take the drag spraga because I'm not going

2:53:06.640 --> 2:53:11.320
<v Speaker 1>to pick because all of them older than me influenced me,

2:53:11.840 --> 2:53:15.520
<v Speaker 1>and the ones that I gave fame, they inspired me.

2:53:16.480 --> 2:53:26.200
<v Speaker 1>So I could never teaz. Yeah, Scata, that's Scata and

2:53:26.320 --> 2:53:29.120
<v Speaker 1>I'm going to be I don't know if you guys understand.

2:53:29.879 --> 2:53:33.040
<v Speaker 1>In Jamaica, we did the Freedom Street Concert the thirty

2:53:33.120 --> 2:53:36.720
<v Speaker 1>one of December, so that went into the first of January,

2:53:37.200 --> 2:53:40.200
<v Speaker 1>which is the first day of the year. Him get

2:53:40.280 --> 2:53:46.080
<v Speaker 1>the first sok yamada for the year, and Jamaica, no

2:53:46.760 --> 2:53:48.040
<v Speaker 1>hold on Jamaica.

2:53:48.520 --> 2:53:51.560
<v Speaker 4>A sk ya moda is not saying your mother is

2:53:51.640 --> 2:53:52.080
<v Speaker 4>a war.

2:53:52.600 --> 2:53:57.480
<v Speaker 1>Go suck your mother and look how deep this is.

2:53:57.920 --> 2:54:02.600
<v Speaker 1>Sketch my, it's my big bra because Sketta was famous

2:54:02.640 --> 2:54:05.600
<v Speaker 1>when I was fucking hungry, you know how that was.

2:54:05.680 --> 2:54:10.560
<v Speaker 1>So he's my big bro. Popcorn is my son. Popcorn

2:54:11.200 --> 2:54:14.560
<v Speaker 1>gave him the first sock mother for the here so

2:54:14.680 --> 2:54:18.520
<v Speaker 1>you know, I'm conflicted, right, But I spoke to Scata.

2:54:18.640 --> 2:54:24.119
<v Speaker 1>He was very mature about it. Popcorn was very remorseful

2:54:24.160 --> 2:54:27.039
<v Speaker 1>about it. Yeah, and everything.

2:54:27.080 --> 2:54:28.840
<v Speaker 4>But but that's when he became a meme.

2:54:29.200 --> 2:54:31.640
<v Speaker 6>Was what was in your mind because people haven't this

2:54:31.720 --> 2:54:33.360
<v Speaker 6>is the first time you're talking about it after that,

2:54:34.840 --> 2:54:36.680
<v Speaker 6>What was in your mind when he was holding the mic?

2:54:37.000 --> 2:54:40.600
<v Speaker 1>Well, you saw my face. I was shocked because I

2:54:40.760 --> 2:54:44.480
<v Speaker 1>never expected Popcorn to say that. It's like, you invite

2:54:44.520 --> 2:54:45.240
<v Speaker 1>me to a party.

2:54:46.160 --> 2:54:48.480
<v Speaker 4>Why would say you invite me to a party.

2:54:49.360 --> 2:54:52.440
<v Speaker 1>But before you invited me to the party, me and

2:54:52.600 --> 2:54:53.840
<v Speaker 1>bust Rhyme had beef.

2:54:54.680 --> 2:54:57.280
<v Speaker 4>Right, this is re just creating a scenario.

2:54:58.720 --> 2:55:03.480
<v Speaker 1>Why would I come to your party and say, bostam

2:55:03.680 --> 2:55:08.360
<v Speaker 1>sokya mada. This is the biggest this in Jamaica. Yeah, yeah,

2:55:08.680 --> 2:55:12.520
<v Speaker 1>that means I don't respect you. But this is here's

2:55:12.600 --> 2:55:16.080
<v Speaker 1>the flip side. You watch that movie with al Pacino

2:55:16.160 --> 2:55:18.959
<v Speaker 1>and Robert de Niro, Here's the flip side to that coin.

2:55:22.360 --> 2:55:27.520
<v Speaker 1>Popcorn felt violent because he was coming to represent for

2:55:27.720 --> 2:55:31.640
<v Speaker 1>the man that made him rich, really rich, because you know,

2:55:31.760 --> 2:55:34.880
<v Speaker 1>Puppy is in like ve spar tell my father level

2:55:34.959 --> 2:55:39.960
<v Speaker 1>Like really when we say millions, you mean us, and

2:55:40.200 --> 2:55:42.959
<v Speaker 1>then we had to be at the gate for two hours.

2:55:44.040 --> 2:55:46.840
<v Speaker 1>But then I had to explain to him after the show,

2:55:46.959 --> 2:55:52.959
<v Speaker 1>like Puppy, yeah, I understand. This is Jamaica, the excitement,

2:55:53.360 --> 2:55:57.360
<v Speaker 1>and everyone wants to prove. So if you're a security

2:55:57.440 --> 2:56:01.280
<v Speaker 1>guard and f N and and and components coming through,

2:56:02.400 --> 2:56:16.360
<v Speaker 1>maybe you have a puppy. I'm fucking okay, But what's

2:56:17.080 --> 2:56:21.680
<v Speaker 1>what's that was? I did that on progress and if

2:56:21.760 --> 2:56:33.640
<v Speaker 1>I didn't do it, hold on, hold on. This is

2:56:34.200 --> 2:56:37.880
<v Speaker 1>serious now. So I'm speaking to Puppy and he's like

2:56:38.840 --> 2:56:41.440
<v Speaker 1>General because you know they all call me General the

2:56:41.560 --> 2:56:46.760
<v Speaker 1>same way I call the guys before General. That's right, bro,

2:56:47.040 --> 2:56:50.400
<v Speaker 1>Respect is everything, you know Jamaicans. Of course she it

2:56:50.560 --> 2:56:54.600
<v Speaker 1>was like General Mefield, vex and Mayfield violated, mister popcorn,

2:56:55.240 --> 2:56:57.680
<v Speaker 1>you can't come to my show with two hundred people

2:56:58.760 --> 2:57:04.240
<v Speaker 1>like literally and then be angry when one of the

2:57:04.320 --> 2:57:10.360
<v Speaker 1>promoters go skata Joe Bangdanovic and Carla big up, Carla.

2:57:10.520 --> 2:57:13.039
<v Speaker 4>They organized it. I didn't do shit.

2:57:13.400 --> 2:57:15.160
<v Speaker 1>All they did was call me, Carl, tell you have

2:57:15.240 --> 2:57:18.119
<v Speaker 1>an interview with Billboards four thirty. Okay, I'll be there.

2:57:18.240 --> 2:57:20.840
<v Speaker 1>I'm there by four thirty just like when I came

2:57:20.920 --> 2:57:23.600
<v Speaker 1>to your show, I didn't disrespect I was on time, right,

2:57:24.040 --> 2:57:30.320
<v Speaker 1>hell yeah, because that's how we do. Thank you for

2:57:30.480 --> 2:57:38.600
<v Speaker 1>your patience, you know what I mean. Thank you for

2:57:38.720 --> 2:57:44.800
<v Speaker 1>your patience, sir, because you understand entertainment. Yes, so yeah,

2:57:44.879 --> 2:57:47.240
<v Speaker 1>So that's why you see me and Scata, me and

2:57:47.360 --> 2:57:49.720
<v Speaker 1>him all over the place together because he's one of

2:57:49.800 --> 2:57:53.000
<v Speaker 1>my road managers. Well, TJ is the manager Scatter and

2:57:53.120 --> 2:57:58.720
<v Speaker 1>Mooney Yeah man, TJ yeah man. So it's TJ, Skata

2:57:58.800 --> 2:58:04.080
<v Speaker 1>and Mooney here the manager, two world managers. Because I'm

2:58:04.160 --> 2:58:13.200
<v Speaker 1>though my life is dough and I do those. Yeah.

2:58:13.480 --> 2:58:14.440
<v Speaker 1>I love what you say.

2:58:14.760 --> 2:58:15.800
<v Speaker 4>What's my eye?

2:58:16.280 --> 2:58:21.880
<v Speaker 1>No, my nose? I'm because in Jamaica, when with the

2:58:22.000 --> 2:58:25.120
<v Speaker 1>mode you said you love you some mode meaning you

2:58:25.200 --> 2:58:29.320
<v Speaker 1>love to fucking talk or you love to like show out.

2:58:30.240 --> 2:58:33.240
<v Speaker 1>So but in America the slang is like I'm out.

2:58:34.680 --> 2:58:38.160
<v Speaker 1>So I merged them together. So what's this under my nose?

2:58:38.600 --> 2:58:43.520
<v Speaker 1>I'm out? It was in Jamaica number one on YouTube

2:58:43.520 --> 2:58:46.360
<v Speaker 1>for like three weeks. It's a slang that I turned

2:58:46.400 --> 2:58:49.480
<v Speaker 1>into a song. So it's crazy here. So you.

2:58:51.520 --> 2:58:54.400
<v Speaker 9>Know what more.

2:58:59.360 --> 2:59:02.200
<v Speaker 1>He knows, like I said, is out of the long

2:59:02.240 --> 2:59:05.760
<v Speaker 1>hand of the New York. It's not Brooklyn, but were

2:59:05.879 --> 2:59:10.000
<v Speaker 1>tough as fun right like why damn? Yeah, we was talking.

2:59:10.480 --> 2:59:12.960
<v Speaker 1>Come check we we got Gotti over here. They're gonna

2:59:12.959 --> 2:59:16.959
<v Speaker 1>stap it. Yeah exactly, we got Gotti. Yeah, so that's

2:59:17.000 --> 2:59:20.040
<v Speaker 1>what time shot form port more. Yeah, let's go, let's go.

2:59:20.600 --> 2:59:21.360
<v Speaker 1>Where's my shot?

2:59:21.520 --> 2:59:24.280
<v Speaker 4>Shot shot shots always live up.

2:59:25.240 --> 2:59:29.400
<v Speaker 1>Light skin girl in Jamaine. We call her brown and

2:59:29.520 --> 2:59:48.120
<v Speaker 1>brinin Where was she? Hold on there beat? Yeah, you

2:59:48.240 --> 2:59:56.920
<v Speaker 1>gotta do jay Z boom ba clop Biggie. Yeah, so

2:59:57.160 --> 3:00:01.800
<v Speaker 1>this is the jay Z Biggie and a little bee

3:00:02.280 --> 3:00:05.960
<v Speaker 1>a little bit your prodigy. Yes, hold on, give me

3:00:06.040 --> 3:00:16.440
<v Speaker 1>a moment to think. Mob d Spragua Bens talking about

3:00:23.840 --> 3:00:31.320
<v Speaker 1>you know my favorite New York rapper female? It's Cardi

3:00:31.840 --> 3:00:35.720
<v Speaker 1>card She has to come to your wedding. You know

3:00:35.760 --> 3:00:40.760
<v Speaker 1>who's I invited her? You know who's my second? And

3:00:40.840 --> 3:00:43.520
<v Speaker 1>this is going to be crazy if you're not if

3:00:43.520 --> 3:00:46.480
<v Speaker 1>you don't understand the generation I grew up there, you

3:00:46.560 --> 3:00:50.640
<v Speaker 1>know it's my favorite female rapper. I know who you're saying. Okay,

3:00:50.879 --> 3:00:58.040
<v Speaker 1>and yeah look which massive, Yes, I remember I'm not

3:00:58.959 --> 3:01:01.200
<v Speaker 1>a Biggi fan and as I am a two Pac

3:01:01.240 --> 3:01:04.800
<v Speaker 1>fun because I remember I said two bars all time rapper,

3:01:05.840 --> 3:01:10.200
<v Speaker 1>but Lco, Kim and Biggie back Jesus the not torri Us.

3:01:10.400 --> 3:01:14.680
<v Speaker 1>Just please us with little Fiss, We're just chilling. So

3:01:14.920 --> 3:01:18.080
<v Speaker 1>so in your wedding you would like Cardi b and

3:01:18.200 --> 3:01:21.320
<v Speaker 1>Little Kim to come out. No, if Little Kim comes,

3:01:21.800 --> 3:01:25.400
<v Speaker 1>that's the ice, bro, that's I okay. So Lies, look,

3:01:25.520 --> 3:01:27.200
<v Speaker 1>you got to recept I know you can do it.

3:01:27.800 --> 3:01:34.080
<v Speaker 1>What your wedding, you can't get ready to make it happen. Yeah,

3:01:34.920 --> 3:01:40.800
<v Speaker 1>your legendary. And they say again, Yo, listen, I'm gonna

3:01:40.840 --> 3:01:42.640
<v Speaker 1>tell you this. I never want to say it because

3:01:43.320 --> 3:01:46.040
<v Speaker 1>the girls in Jamaica that are fourteen, fifteen and sixteen

3:01:46.080 --> 3:01:50.000
<v Speaker 1>they love me. But you're gonna make me say it. Okay, Bro,

3:01:50.120 --> 3:01:54.640
<v Speaker 1>I'm forty nine years old. Yeah, your fucking legend. Okay

3:01:54.720 --> 3:01:58.280
<v Speaker 1>my eyes? Yes, God, so you can't you I know

3:01:58.440 --> 3:02:13.360
<v Speaker 1>you can cooking, but I'm sees yeah okay, So yeah,

3:02:13.879 --> 3:02:16.040
<v Speaker 1>you know I think you know you have turned into

3:02:16.080 --> 3:02:26.840
<v Speaker 1>an alcoholic A number. I'm no culting it. I'm joking.

3:02:27.400 --> 3:02:32.400
<v Speaker 1>This is the engagement ring. I'm joking, this is yeah,

3:02:32.440 --> 3:02:39.000
<v Speaker 1>this is a sim I'm George, you don't know fucking

3:02:39.680 --> 3:02:47.560
<v Speaker 1>you know, moving on. Yeah, the fucking weasy and not

3:02:47.920 --> 3:02:53.640
<v Speaker 1>the way the other. Yeah, we can also a little wing.

3:02:54.200 --> 3:02:57.800
<v Speaker 2>Yeah, let me tell you how I know your official gangster.

3:02:58.080 --> 3:03:01.600
<v Speaker 1>Yeah, you know how to laugh. You gotta smile, you

3:03:01.680 --> 3:03:04.320
<v Speaker 1>know how to have fun. Of course when I see

3:03:04.360 --> 3:03:12.960
<v Speaker 1>people who don't want to smile quite But you hain't

3:03:13.040 --> 3:03:18.880
<v Speaker 1>been to nothing nothing. Listen, tell me one thing that

3:03:19.000 --> 3:03:23.880
<v Speaker 1>you learn being locked up? Being locked up? How to

3:03:23.959 --> 3:03:30.280
<v Speaker 1>set your hands in your jerkey off? I'm sure I

3:03:30.440 --> 3:03:45.280
<v Speaker 1>sho okay on how d man or am I leg ship?

3:03:45.560 --> 3:03:54.240
<v Speaker 1>Allegations again? Allegations ship? Yeah, but ask the question again,

3:03:55.240 --> 3:04:01.520
<v Speaker 1>you know asking I'm going to see his answer. What

3:04:01.720 --> 3:04:07.000
<v Speaker 1>have you learned? Yeah, since you've been home from jail,

3:04:07.160 --> 3:04:14.280
<v Speaker 1>been home from jail. Yeah yeah, don't take time for granted,

3:04:15.040 --> 3:04:18.080
<v Speaker 1>and don't take it the people you love, don't take

3:04:18.160 --> 3:04:22.600
<v Speaker 1>them for granted. You can't. And I'll tell you some

3:04:22.920 --> 3:04:29.800
<v Speaker 1>fn because Jamaica prison is strange. It's like the gangster

3:04:29.959 --> 3:04:35.320
<v Speaker 1>seen in Jamaica. Five people will die here in Kingston,

3:04:36.520 --> 3:04:39.720
<v Speaker 1>but when you watch the news, you only hear about

3:04:39.760 --> 3:04:43.400
<v Speaker 1>the one person that died in Montego Bay or in Osheria.

3:04:45.000 --> 3:04:50.320
<v Speaker 1>So you got to take life seriously. The people you

3:04:50.480 --> 3:04:52.880
<v Speaker 1>love got to spend it with them. You know what

3:04:53.000 --> 3:04:57.360
<v Speaker 1>my biggest shraget is and my first son. I had

3:04:57.440 --> 3:05:00.880
<v Speaker 1>him to the studio. You know when you get that song.

3:05:01.400 --> 3:05:03.800
<v Speaker 1>Your first child is a son. So I'm with him

3:05:03.840 --> 3:05:07.480
<v Speaker 1>in the studio. I'm changing is changing his diapers. I'm

3:05:07.520 --> 3:05:11.199
<v Speaker 1>doing all of that. But what I regret the most

3:05:11.480 --> 3:05:16.840
<v Speaker 1>is not spending more time with him. Who's oldest little vibes? No, yeah,

3:05:16.920 --> 3:05:19.080
<v Speaker 1>lia vibes, all right, But this is the good thing

3:05:19.120 --> 3:05:23.000
<v Speaker 1>about it. The liquor vibes gave me two grandchildren. So

3:05:23.240 --> 3:05:27.440
<v Speaker 1>now I have the opportunity giving me another chance. Yes,

3:05:27.600 --> 3:05:32.600
<v Speaker 1>second chances. Man, God is the greatest. Bro.

3:05:32.760 --> 3:05:33.720
<v Speaker 4>I believe in God.

3:05:35.000 --> 3:05:37.440
<v Speaker 1>Bro when I was even if you watch a lot

3:05:37.520 --> 3:05:40.240
<v Speaker 1>of my old interoys, that's the Wilford I know because

3:05:40.320 --> 3:05:50.320
<v Speaker 1>you watch America. I'm like, yeah, so he knows what

3:05:50.560 --> 3:05:55.200
<v Speaker 1>soup is. I used to say, bro whatever x x X.

3:05:55.720 --> 3:06:00.280
<v Speaker 1>Now I believe in Like my son, I didn't get

3:06:00.320 --> 3:06:06.440
<v Speaker 1>to raise him. He gave me two grandchildren. Yes, so no,

3:06:06.560 --> 3:06:10.480
<v Speaker 1>I can raise a granddaughter and a grandson. So I'm

3:06:10.560 --> 3:06:14.840
<v Speaker 1>like that's yeah, yeah, I'm not to my grandson. Make

3:06:14.879 --> 3:06:16.840
<v Speaker 1>sure you get a lot of pussy. I'm gonna have

3:06:16.920 --> 3:06:26.640
<v Speaker 1>to my granddaughter if you ever two point zero. But seriously, though,

3:06:26.640 --> 3:06:29.560
<v Speaker 1>it's like he gave me a new lease on life

3:06:30.640 --> 3:06:35.280
<v Speaker 1>to be able to because and this is I'm going

3:06:35.360 --> 3:06:41.200
<v Speaker 1>to tell you, I'm going to be honest. Before I

3:06:41.280 --> 3:06:45.400
<v Speaker 1>got arrested, I never believe in God as a concept.

3:06:46.840 --> 3:06:52.240
<v Speaker 1>So being in prison, and like I said, I put

3:06:52.320 --> 3:06:55.160
<v Speaker 1>the two thirty head on my Where is it two

3:06:55.280 --> 3:06:57.880
<v Speaker 1>thirty eight? Where is the tattoo? I don't even know?

3:06:58.160 --> 3:07:04.720
<v Speaker 1>Look where is it? Yeah, let's start right, gee right there, right,

3:07:05.720 --> 3:07:21.000
<v Speaker 1>don't study Norman che hold on these nuts.

3:07:21.080 --> 3:07:21.240
<v Speaker 18>Right.

3:07:25.640 --> 3:07:25.840
<v Speaker 5>Yeah.

3:07:27.040 --> 3:07:34.360
<v Speaker 1>When I said this, no, no disrespect. When I'm gonna

3:07:34.360 --> 3:07:38.600
<v Speaker 1>say this, I knew that I was going to come out.

3:07:38.800 --> 3:07:44.959
<v Speaker 1>But at the time I needed that extra energy because

3:07:45.000 --> 3:07:48.080
<v Speaker 1>a lot of people were depending on me, not just

3:07:48.200 --> 3:07:51.200
<v Speaker 1>the guys that I was arrested with, but my mother

3:07:51.280 --> 3:07:56.279
<v Speaker 1>and my father, my children, my cousins, my aunts, my uncles. Remember,

3:07:56.400 --> 3:07:59.760
<v Speaker 1>this is Jamaica. This is not fucking Wall Street ship.

3:08:00.400 --> 3:08:05.279
<v Speaker 1>This is Jamaica. So I had to put my faith

3:08:05.600 --> 3:08:12.280
<v Speaker 1>in something other than us. And that's when I got

3:08:12.400 --> 3:08:19.000
<v Speaker 1>more spiritual, more religious, and started focusing. And that's when

3:08:19.040 --> 3:08:21.400
<v Speaker 1>I tattooed the thing on my face love God. I

3:08:21.440 --> 3:08:43.360
<v Speaker 1>don't know if you can see it. What's your man?

3:08:45.440 --> 3:08:48.360
<v Speaker 1>That's when I became more spiritual because I used to

3:08:48.480 --> 3:08:52.560
<v Speaker 1>order church like most Jamaicans, because Jamaicans have the most

3:08:52.720 --> 3:08:57.560
<v Speaker 1>churches per square capital. Really, you know what, you know

3:08:57.680 --> 3:09:01.680
<v Speaker 1>what beats it the most bars. And I'm not even joking,

3:09:01.959 --> 3:09:06.840
<v Speaker 1>like literally bars beats no, not beats bar like where

3:09:06.879 --> 3:09:10.520
<v Speaker 1>you go to have drink, drink, rum, shamp whatever. The

3:09:10.800 --> 3:09:15.199
<v Speaker 1>most bars, yes, but but just by a slight because

3:09:15.240 --> 3:09:18.439
<v Speaker 1>think about this, we have the most churches per capita

3:09:18.760 --> 3:09:19.400
<v Speaker 1>in the world.

3:09:19.760 --> 3:09:19.880
<v Speaker 16>Right.

3:09:20.280 --> 3:09:25.400
<v Speaker 1>The only thing that beats that, Wow, it's bars. That's

3:09:25.440 --> 3:09:32.960
<v Speaker 1>why you see the the the places of nature of Jamaica. Yeah, discurpacs.

3:09:33.120 --> 3:09:35.680
<v Speaker 1>So on one side of Jamaica, you're partying, you're in

3:09:35.760 --> 3:09:39.520
<v Speaker 1>a tourist country and you're enjoying yourself and nobody fucking knew.

3:09:39.959 --> 3:09:44.400
<v Speaker 1>And on the other side, fifty three people die in

3:09:44.520 --> 3:09:52.039
<v Speaker 1>two days murder, so crazy. It is three people die

3:09:52.680 --> 3:09:56.920
<v Speaker 1>between Monday and between Friday and Sunday. But when you

3:09:57.120 --> 3:10:02.800
<v Speaker 1>are in Montego Bay, not and not that the real

3:10:02.879 --> 3:10:06.199
<v Speaker 1>month ago, you're in the resort, the resort, right, the safety.

3:10:06.200 --> 3:10:09.240
<v Speaker 1>You're good, right, But when you go back to America

3:10:09.560 --> 3:10:12.200
<v Speaker 1>and you go on Google, you see that fifty three

3:10:12.320 --> 3:10:18.560
<v Speaker 1>people died between Friday and Sunday by murder. It's crazy, man.

3:10:18.800 --> 3:10:21.120
<v Speaker 6>So tell me something. Since you've been out, what have

3:10:21.240 --> 3:10:23.840
<v Speaker 6>you seen change the climate of Jamaica?

3:10:25.080 --> 3:10:30.280
<v Speaker 1>Nothing? Just the love for me. But my thing is this,

3:10:32.680 --> 3:10:36.920
<v Speaker 1>why are you shooting people because you have no other option.

3:10:38.240 --> 3:10:40.440
<v Speaker 1>You were in school and you were you could paint

3:10:40.600 --> 3:10:44.880
<v Speaker 1>very well, you could draw jay Z and it looked

3:10:44.920 --> 3:10:47.960
<v Speaker 1>like jay Z. But because no one cared about that,

3:10:48.920 --> 3:10:52.560
<v Speaker 1>and you lived in fucking flat boards, no opportunities, no opportunities,

3:10:52.640 --> 3:10:57.320
<v Speaker 1>so you just started to shoot. Yeah, gun man, no

3:10:57.440 --> 3:11:00.480
<v Speaker 1>your batman. And it feels good. You know, life feels

3:11:00.520 --> 3:11:04.160
<v Speaker 1>good because they're a man and man need purpose, get respect,

3:11:04.600 --> 3:11:08.000
<v Speaker 1>man need respect, and we need purpose. So you found

3:11:08.040 --> 3:11:11.680
<v Speaker 1>your purpose because you do it very well. Run upon

3:11:11.760 --> 3:11:16.160
<v Speaker 1>niggas and shooting them, is it right?

3:11:17.440 --> 3:11:17.480
<v Speaker 7>No?

3:11:19.120 --> 3:11:23.200
<v Speaker 1>But all you had left was purpose. Found it with

3:11:23.440 --> 3:11:28.520
<v Speaker 1>your gun the same way we found it after the gun,

3:11:28.640 --> 3:11:31.840
<v Speaker 1>with the microphone, music with the microphone. Jordan's founded with

3:11:31.920 --> 3:11:34.640
<v Speaker 1>the basketball. But you don't punk. You want a picture

3:11:34.680 --> 3:11:38.640
<v Speaker 1>with Jordan's nigga. Fuck, nigga, pay me. That's why I

3:11:38.720 --> 3:11:41.680
<v Speaker 1>have no problem with Jordan's because I understand his mindset.

3:11:43.720 --> 3:11:46.520
<v Speaker 1>Is it wrong or right, that's for people to decide.

3:11:47.640 --> 3:11:50.959
<v Speaker 1>But I understand the mindset of the man because well,

3:11:51.480 --> 3:11:54.240
<v Speaker 1>I grew up in the ghetto. I understand how it works.

3:11:55.400 --> 3:11:58.800
<v Speaker 1>And if you don't understand that, man, you naive as fuck.

3:11:58.840 --> 3:12:01.760
<v Speaker 1>You need to live in color you know what I mean.

3:12:02.360 --> 3:12:05.480
<v Speaker 1>Let's go skiing in the fucking window or some trick

3:12:07.720 --> 3:12:11.400
<v Speaker 1>and ship, you know what I mean. I love Colorado, Weed, Colorado,

3:12:11.640 --> 3:12:15.160
<v Speaker 1>let us know, Yeah, and Oregon. Yeah, I love we

3:12:15.760 --> 3:12:19.400
<v Speaker 1>got it in Yeah, that's yeah. When you smoke that

3:12:19.520 --> 3:12:22.600
<v Speaker 1>smoke Champs Weed, I haven't. I'm taking it home. I

3:12:22.720 --> 3:12:25.960
<v Speaker 1>love that ship. I'm taking it home. Listen, when you

3:12:26.120 --> 3:12:28.720
<v Speaker 1>smoke it, you have to make a blog about it

3:12:28.840 --> 3:12:31.480
<v Speaker 1>and say, yo, I will. I'm as well, Jackson, where

3:12:31.640 --> 3:12:35.600
<v Speaker 1>was it? This is my little monkey? What's the monkey's name? Pablo?

3:12:38.440 --> 3:12:42.680
<v Speaker 1>This is my bubbles hoping I smoke it. I see doubles.

3:12:47.280 --> 3:12:49.040
<v Speaker 2>Let me just say something in it, be in it

3:12:49.120 --> 3:12:52.680
<v Speaker 2>with this yeah vibes, man, I'm being honest with you.

3:12:53.120 --> 3:12:56.520
<v Speaker 1>Yeah. Me being a New Yorker it's just a little

3:12:56.640 --> 3:12:57.440
<v Speaker 1>Jamaica for us.

3:12:57.520 --> 3:13:03.800
<v Speaker 2>It's little Jamaica, New York directly. Yes, related. Yes, I

3:13:03.920 --> 3:13:06.520
<v Speaker 2>always wanted to meet you. I always wanted to, you know,

3:13:06.760 --> 3:13:10.200
<v Speaker 2>come into the same you know room with you, just

3:13:10.440 --> 3:13:14.560
<v Speaker 2>vie with you. And then I realized one of my friends,

3:13:14.600 --> 3:13:16.720
<v Speaker 2>one of my best friends in the world, name is

3:13:16.760 --> 3:13:18.199
<v Speaker 2>Busta rhymes damn.

3:13:19.520 --> 3:13:21.959
<v Speaker 1>And he stepped to me and he.

3:13:22.040 --> 3:13:26.440
<v Speaker 2>Told me who you actually are, because I was not

3:13:26.840 --> 3:13:27.800
<v Speaker 2>just the persona.

3:13:29.320 --> 3:13:29.520
<v Speaker 1>Yes.

3:13:29.800 --> 3:13:33.080
<v Speaker 2>So and when I tell you that man woke up

3:13:33.440 --> 3:13:35.120
<v Speaker 2>four o'clock in the morning, you want to.

3:13:35.160 --> 3:13:35.640
<v Speaker 1>Get a shot?

3:13:37.160 --> 3:13:42.840
<v Speaker 2>Yes, hold on, hold on, because I said, okay, all right,

3:13:42.840 --> 3:13:43.440
<v Speaker 2>I do that too.

3:13:43.680 --> 3:13:47.400
<v Speaker 1>I don't know what the fucus definitely out, all right,

3:13:47.640 --> 3:13:50.560
<v Speaker 1>pour it in this let's go pour this ship in

3:13:50.680 --> 3:13:54.520
<v Speaker 1>this ship. But my brother bust around not a lot.

3:13:55.040 --> 3:14:00.760
<v Speaker 1>She what's her name, Jamie Jamie? Yeah, don't play me,

3:14:11.080 --> 3:14:12.520
<v Speaker 1>but bob. Yeah.

3:14:12.840 --> 3:14:16.400
<v Speaker 2>Let me just tell you, man, when we started this

3:14:16.840 --> 3:14:19.760
<v Speaker 2>and we wanted, we wanted to pay respect to the

3:14:19.879 --> 3:14:25.560
<v Speaker 2>dance hall, respected the reggae wonder and our fans went

3:14:25.640 --> 3:14:29.000
<v Speaker 2>so crazy. Let's say your show won't be your show

3:14:29.440 --> 3:14:33.520
<v Speaker 2>wouldn't be official. Yes, like a referee with a whistle.

3:14:33.680 --> 3:14:41.080
<v Speaker 20>Yeah right, unless it's so important, unless you have like

3:14:41.200 --> 3:14:43.720
<v Speaker 20>a Russian missile, but unless you have.

3:14:43.959 --> 3:14:48.960
<v Speaker 2>Bout the kingdom. Yes, and me personally, I think you

3:14:49.240 --> 3:14:50.760
<v Speaker 2>and being the are both kings.

3:14:50.640 --> 3:14:53.320
<v Speaker 1>Bro, my respect, I love being the mine he was

3:14:53.400 --> 3:14:56.000
<v Speaker 1>before me. How the fuck you not in respect a

3:14:56.120 --> 3:14:59.680
<v Speaker 1>nigga who made made this before you from the ghetto.

3:15:00.080 --> 3:15:03.480
<v Speaker 1>Open the doors, you bitch and winna do bitch business.

3:15:03.600 --> 3:15:09.000
<v Speaker 1>I think you're real bunty killer, big up, your big

3:15:09.080 --> 3:15:14.160
<v Speaker 1>up ninja man. After that. Me know, me and my

3:15:14.240 --> 3:15:18.959
<v Speaker 1>father in the same league, you understand, So yeah, big Godi.

3:15:19.080 --> 3:15:27.560
<v Speaker 1>God listen, any y'all know I'm touring it me my father, bunty,

3:15:28.320 --> 3:15:28.640
<v Speaker 1>won't you.

3:15:28.879 --> 3:15:38.119
<v Speaker 21>That's right, that's the sort. That's that's the only tour.

3:15:39.920 --> 3:15:45.160
<v Speaker 21>No the empty everybody, all right right?

3:15:45.280 --> 3:15:49.320
<v Speaker 1>Yeah, give me the fever, give me the fever. You

3:15:49.440 --> 3:15:51.800
<v Speaker 1>want the bottle? Yea, give me the fever.

3:15:52.200 --> 3:15:53.080
<v Speaker 4>Let's get the fever.

3:15:54.040 --> 3:16:04.800
<v Speaker 1>Yeah. Yes, you know why I'm blessed? Yes, because my

3:16:05.000 --> 3:16:15.360
<v Speaker 1>managers don't drink. Yeah. No, no, no, no, you know

3:16:15.440 --> 3:16:18.960
<v Speaker 1>hold on, hold on, I said, hold on. I saved

3:16:19.040 --> 3:16:22.720
<v Speaker 1>the day because it's not under your eye, on your nose.

3:16:24.760 --> 3:16:31.040
<v Speaker 1>Get it. I'm out a mouth. I keep sucking it up.

3:16:31.480 --> 3:16:33.760
<v Speaker 1>I'm smoked down. No, you can't fuck it up. You

3:16:33.840 --> 3:16:45.840
<v Speaker 1>can't suck up your drink Champs. Hold on, hold on on, yeah, no, no, no, okay, gee,

3:16:47.720 --> 3:16:52.720
<v Speaker 1>then do you know do you recognize your hip hop legend?

3:16:53.320 --> 3:17:02.000
<v Speaker 1>Not a fucking podcast legend? Essen is a podcast legend. Yes,

3:17:02.440 --> 3:17:06.040
<v Speaker 1>you're hip hop lashion and the podcastle when I said

3:17:06.360 --> 3:17:10.400
<v Speaker 1>F is a podcast lesson that comes love him, yes,

3:17:10.879 --> 3:17:13.800
<v Speaker 1>and love you, but they also love you because you

3:17:14.000 --> 3:17:16.119
<v Speaker 1>was a rapper. I'm gonna get you on my rap

3:17:16.200 --> 3:17:17.000
<v Speaker 1>album right now.

3:17:19.440 --> 3:17:40.119
<v Speaker 4>Bro, bro bro, Yeah, because you was before everyone.

3:17:40.640 --> 3:17:41.080
<v Speaker 1>Yes. Yes.

3:17:42.440 --> 3:17:45.760
<v Speaker 5>Drink Champs is a drink Champs ll C production hosts

3:17:45.800 --> 3:17:48.640
<v Speaker 5>and executive producers n O r E and d J

3:17:48.840 --> 3:17:49.360
<v Speaker 5>E f N.

3:17:50.560 --> 3:17:51.640
<v Speaker 1>Listen to drink Champs on.

3:17:51.680 --> 3:17:56.640
<v Speaker 5>Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

3:17:57.760 --> 3:18:00.000
<v Speaker 5>Thanks for joining us for another episode of drink Champ

3:18:00.240 --> 3:18:02.840
<v Speaker 5>hosted by Yours truly, dj E f N and n

3:18:02.840 --> 3:18:04.920
<v Speaker 5>O r E. Please make sure to follow us on

3:18:05.000 --> 3:18:08.120
<v Speaker 5>all our socials. That's at drink Champs across all platforms

3:18:08.640 --> 3:18:12.120
<v Speaker 5>at the Real norriegon ig at, Noriega on Twitter.

3:18:12.560 --> 3:18:15.720
<v Speaker 1>Mine is at Who's Crazy on ig at dj

3:18:15.879 --> 3:18:18.440
<v Speaker 5>E f N on Twitter, and most importantly, stay up

3:18:18.440 --> 3:18:21.600
<v Speaker 5>to date with the latest releases, news and merch by

3:18:21.680 --> 3:18:23.360
<v Speaker 5>going to drink Champs dot com