WEBVTT - TechStuff Talks Christmas Lights Shows

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<v Speaker 1>Welcome to tech Stuff, a production from iHeartRadio. Hey there,

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<v Speaker 1>and welcome to tech Stuff. I'm your host, Jonathan Strickland.

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<v Speaker 1>I'm an executive producer with iHeart Podcasts and how the

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<v Speaker 1>tech are you. It's the holiday season, That's all I'm

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<v Speaker 1>allowed to sing by law, But in my neck of

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<v Speaker 1>the woods that means an awful lot of my neighbors

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<v Speaker 1>have gone over the top with various holiday displays. Now

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<v Speaker 1>predominantly the holiday celebrated in my neck of the woods

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<v Speaker 1>is Christmas, And for simplicity's sake, I'll be talking a

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<v Speaker 1>lot about Christmas lights in this episode. But keep in

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<v Speaker 1>mind that, you know, obviously people do light shows for

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<v Speaker 1>all sorts of different holidays, but just for simplicity's sake,

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<v Speaker 1>I'm going to say Christmas lights because that's what the

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<v Speaker 1>hobby is largely centered around. And today I really wanted

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<v Speaker 1>to talk about how people who create those really spectacular

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<v Speaker 1>light displays, the kind that often are coordinated with music,

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<v Speaker 1>how they pull that off. And it takes an awful

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<v Speaker 1>lot of technology. More than that, this technology evolves an

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<v Speaker 1>incredible pace. The way that people can do this now

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<v Speaker 1>is far more sophisticated than what was done even just

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<v Speaker 1>a couple of years ago. So the other thing to

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<v Speaker 1>keep in mind is if you're listening to this episode

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<v Speaker 1>after twenty twenty four, there's going to be some dated

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<v Speaker 1>stuff in here. That's kind of how tech works, and

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<v Speaker 1>it's really sophisticated, both from a hardware and a software

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<v Speaker 1>side of things. And yeah, we're going to really dive

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<v Speaker 1>into this, but on a high level because, as it

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<v Speaker 1>turns out, if you really really want to get into

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<v Speaker 1>this stuff, it's going to take some time on your

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<v Speaker 1>part to really get acquainted with all the nuances. If

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<v Speaker 1>you want a glimpse at how advanced this tech is,

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<v Speaker 1>you should look up Christmas lights shows on YouTube. Some

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<v Speaker 1>of those displays are truly dropping, and of course some

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<v Speaker 1>people do them for Halloween as well. There's a real

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<v Speaker 1>bustling community of hobbyists on YouTube with tutorials and product

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<v Speaker 1>reviews for people in the space. I'll be talking about

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<v Speaker 1>a few different YouTube channels. For example, Listen to lights

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<v Speaker 1>or how to Pixel. That's the number two, so how

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<v Speaker 1>to Pixel. They can give you a lot of information

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<v Speaker 1>on the technology, the hobby, how to get started and

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<v Speaker 1>want to watch out for. But before we go any further,

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<v Speaker 1>let's talk about old school Christmas lights because when I

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<v Speaker 1>was a kid, the Christmas lights I had they could

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<v Speaker 1>not do the things that we're seeing these displays do.

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<v Speaker 1>So in ye olden days of electric Christmas lights, you

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<v Speaker 1>would buy a string of lights that were wired in series. Now,

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<v Speaker 1>when we talk about circuits, one way that you can

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<v Speaker 1>classify simple circuits is by whether they're wired in series

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<v Speaker 1>or in parallel. Here's a quick refresher course on that

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<v Speaker 1>in case it's been a while since you've learned about

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<v Speaker 1>this in science class. So let's start with a power source.

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<v Speaker 1>The power source provides voltage. This is akin to pressure

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<v Speaker 1>in the system that's using water or air. That's how

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<v Speaker 1>much oomph is behind the current. So the higher the voltage,

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<v Speaker 1>the greater the pressure behind the push of electricity. So

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<v Speaker 1>a battery typically has you know, fairly low voltage, like

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<v Speaker 1>a like a little portable battery. It's something you would

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<v Speaker 1>put in one of your handheld devices. So those are

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<v Speaker 1>usually around one and a half volts. The outlet in

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<v Speaker 1>your typical house, at least here in the United States,

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<v Speaker 1>provides around one hundred and twenty volts of pressure. Now

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<v Speaker 1>I say in the United States because in other places

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<v Speaker 1>like say the United Kingdom, it's different. The UK household

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<v Speaker 1>outlet goes to two hundred and thirty volts. By the way,

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<v Speaker 1>this is one of the reasons why it's important to

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<v Speaker 1>use a converter when connecting to outlets in other countries,

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<v Speaker 1>because you do not want to fry your gear anyway.

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<v Speaker 1>This pressure is what pushes electricity through a circuit, which

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<v Speaker 1>you can think of ultimately as a big old loop.

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<v Speaker 1>That's what a circuit is. It's just a loop. The

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<v Speaker 1>path goes from one terminal of your power supply and

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<v Speaker 1>ultimately comes back to connect at a different terminal of

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<v Speaker 1>that same power supply, and this makes a complete circuit. Now,

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<v Speaker 1>if it were just a path, that wouldn't be very useful, right,

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<v Speaker 1>if it was just a loop of wire, I mean

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<v Speaker 1>it would be useful if you wanted to generate heat,

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<v Speaker 1>because the circuit would start to get really hot and

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<v Speaker 1>then eventually melt or catch fire. Then you would be

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<v Speaker 1>pretty much set because the resistance of the pathway, the

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<v Speaker 1>electrical resistance, would mean that some of that electrical energy

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<v Speaker 1>would be transformed into heat, and then if left long enough,

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<v Speaker 1>it'll heat up enough to really do some damage. Now,

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<v Speaker 1>instead we connect other stuff to circuits, you know, like

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<v Speaker 1>light bulbs, for example, and the electricity in the circuit

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<v Speaker 1>powers the light bulb in your old fashioned incandescent light bulbs.

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<v Speaker 1>The way this worked is that electricity would flow through

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<v Speaker 1>a tiny little filament inside the bulb and heat that

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<v Speaker 1>filament to a point where it would incandesce or light up.

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<v Speaker 1>This filament would be connect to a pair of electrodes,

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<v Speaker 1>and then the current could continue on the pathway and

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<v Speaker 1>go to the next light bulb in the series. We

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<v Speaker 1>call these elements the load on the circuit, and the

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<v Speaker 1>load can't exceed what the voltage is capable of doing,

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<v Speaker 1>or else things won't work out so well. It's kind

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<v Speaker 1>of like you can push, say a heavy cart, up

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<v Speaker 1>an incline. You can push it pretty well until it

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<v Speaker 1>reaches a certain weight, and then your strength just isn't

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<v Speaker 1>enough to push it up the incline. Same thing with voltage.

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<v Speaker 1>If you add too much of a load on your

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<v Speaker 1>circuit and the voltage can't get the job done, then

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<v Speaker 1>you don't get a really good result. If you've ever

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<v Speaker 1>used a battery powered device while the batteries were running

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<v Speaker 1>out of juice, you kind of experienced this. You know,

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<v Speaker 1>flashlights get dimmer before going out, and electric shavers start

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<v Speaker 1>to lose their buzz. You get the picture. But as

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<v Speaker 1>long as the load on a circuit is compatible with

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<v Speaker 1>the voltage supplied, you're in business. So let's talk about

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<v Speaker 1>series versus parallel. In a series circuit, each load follows

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<v Speaker 1>the one before it. It's more like a direct line

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<v Speaker 1>from the power supply to load one, and then from

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<v Speaker 1>load one to load two, and so on until you

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<v Speaker 1>get to the end where the path reconnects with the

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<v Speaker 1>other tumble all the power supply. That means that power

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<v Speaker 1>could come through the wire to light bulb number one,

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<v Speaker 1>then continue to light bulb number two, and so on

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<v Speaker 1>and so forth until you get to the end of

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<v Speaker 1>the string, and you might plug a second string into

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<v Speaker 1>the first, which continues the circuit. This is a pretty

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<v Speaker 1>straightforward and simple approach, but there is one major problem.

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<v Speaker 1>If a single light bulb burns out somewhere along that string,

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<v Speaker 1>it breaks the whole circuit and everything goes dark. It's

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<v Speaker 1>like if you turn the switch to off instead of on,

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<v Speaker 1>the filament in that burnt out bulb breaks apart. Essentially,

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<v Speaker 1>it burns through and that means the electricity no longer

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<v Speaker 1>has a path it can follow. It's what we would

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<v Speaker 1>call an open circuit. You have to find the burnt

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<v Speaker 1>out bulb and replace it in order to repair the

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<v Speaker 1>circuit and get things working again. It could be a

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<v Speaker 1>real hassle. Same thing could come true if a light

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<v Speaker 1>bulb becomes loose in its socket and it doesn't have

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<v Speaker 1>a good connection. Same issue. At least in that case,

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<v Speaker 1>you're not having to replace the bulb. You just have

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<v Speaker 1>to figure out which one's lucy goosey in its socket.

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<v Speaker 1>This is also why the Netflix series Stranger Things presented

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<v Speaker 1>a real challenge to electricians like John Hilton, who worked

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<v Speaker 1>on the series. Hilton appeared on an episode of Tech

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<v Speaker 1>Stuff in the Past It's a great episode and we

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<v Speaker 1>talked about this challenge. So Hilton and Jess Royal from

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<v Speaker 1>the series talked about what it was like working on

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<v Speaker 1>there from behind the scenes, and Hilton explained that the

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<v Speaker 1>story required fine tune manipulation of a string of Christmas lights.

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<v Speaker 1>So a character caught in the upside down would use

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<v Speaker 1>Christmas lights to communicate with his mother by lighting up

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<v Speaker 1>very specific bulbs on a string. But, as Hilton explained,

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<v Speaker 1>that's kind of the opposite of how these old Christmas

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<v Speaker 1>lights worked. You know, you can't just turn off or

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<v Speaker 1>on a single bulb. They're either all on or they're

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<v Speaker 1>all off. So to achieve the effect in the series,

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<v Speaker 1>Hilton had to actually individually wire each bulb in a

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<v Speaker 1>string to an electric board so they look like they

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<v Speaker 1>were wired together, but they weren't. They were each wired separately,

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<v Speaker 1>and from that electric board he could manipulate the bulbs

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<v Speaker 1>individually by turning off or on the power to that

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<v Speaker 1>specific bulb. However, he also had to make it look

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<v Speaker 1>like it was a normal string of nineteen eighties era

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<v Speaker 1>Christmas lights, which meant he had to find ways to

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<v Speaker 1>hide all those individual wires running from each bulb to

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<v Speaker 1>his control board, which is not an easy task, especially

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<v Speaker 1>even if you're sitting there and only wiring up the

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<v Speaker 1>lights that are going to be used to communicate. Like

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<v Speaker 1>you figure out, oh they never use the letter K

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<v Speaker 1>or Q or whatever, it's still a whole bunch of

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<v Speaker 1>wires to deal with. Now, I did mention that you

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<v Speaker 1>could also wire circuits in parallel. Now, I imagine in

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<v Speaker 1>this case that rather than having each bulb connected in

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<v Speaker 1>a straight line on that circuit. You have a pair

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<v Speaker 1>of wires connected to each bulb that then you know,

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<v Speaker 1>branches off from the main circuit path. So instead of

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<v Speaker 1>a string which is just one bulb after the other,

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<v Speaker 1>it's more like a string in which there's kind of

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<v Speaker 1>a turnoff for bulb number one, but if you just

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<v Speaker 1>keep going down the string, you'll come to the turnoff

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<v Speaker 1>for bulb number two and so on. These bulbs are

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<v Speaker 1>in a way, they're isolated from one another. And a

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<v Speaker 1>big benefit to this approach is that if a single

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<v Speaker 1>bulb burns out, the path is unbroken for the rest

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<v Speaker 1>of the string, so your entire string doesn't go dark.

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<v Speaker 1>You would still have one dark bulb, but you would

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<v Speaker 1>have to replace that, but everything else would still be

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<v Speaker 1>lit up. Now, some Christmas lights are wired in what's

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<v Speaker 1>called series parallel, all right, So this means you have

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<v Speaker 1>multiple strings of lights wired in series, but collectively, each

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<v Speaker 1>individual string of lights are in parallel with one another.

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<v Speaker 1>So let's say there's like four parallel strings of lights

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<v Speaker 1>and one of those strings goes out, the other three

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<v Speaker 1>would remain lit up, so you would have a section

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<v Speaker 1>go dark, but the rest of your lights would still

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<v Speaker 1>be lit up and that's series parallel. It's part and

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<v Speaker 1>part right within a series string. Any light going out

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<v Speaker 1>makes the rest of that string go out, but the

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<v Speaker 1>rest of the parallel strings remain lit up. You know.

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<v Speaker 1>That's how it used to be, right that if a

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<v Speaker 1>light goes out, then you're kind of up the creek.

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<v Speaker 1>More recently, Christmas lights have included an element called a shunt,

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<v Speaker 1>which helps. So this is something that creates a path

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<v Speaker 1>of lower resistance in an electric circuit, and electricity will

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<v Speaker 1>follow the path of least resistance. Electricity is a lot

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<v Speaker 1>like me. If there's a task that requires effort, I'm

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<v Speaker 1>likely to seek out the way in which I can

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<v Speaker 1>expend the least amount of energy to complete that task,

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<v Speaker 1>even if that means I don't do as good a

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<v Speaker 1>job in the process. If my bosses are listening, I

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<v Speaker 1>was only kidding. So the shunts in Christmas lights are

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<v Speaker 1>wires connected to the electrodes. So remember I mentioned that

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<v Speaker 1>a filament connects two electrodes together, and then electricity, you know,

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<v Speaker 1>flows through the filament and heats it up and incandesces

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<v Speaker 1>and that's where you get your light and your old

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<v Speaker 1>incandescent lights. Eventually, the filament will burn out. It just

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<v Speaker 1>it burns through and breaks, and then you don't have

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<v Speaker 1>a path anymore. Well, the shunt acts as a secondary

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<v Speaker 1>connection between those two electrons, but it has a higher

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<v Speaker 1>resistance than the filament. So normally electricity will flow through

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<v Speaker 1>the filament because again it follows the path of least resistance.

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<v Speaker 1>But if the filament breaks, now it'll flow through the

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<v Speaker 1>shunt because even though it had a higher electrical resistance,

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<v Speaker 1>it still represents a viable path. And if there is

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<v Speaker 1>a viable path, electricity will take it. And so the

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<v Speaker 1>show goes on. Since I'm talking about shunts, I should

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<v Speaker 1>also take a moment to talk about fuses. So a

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<v Speaker 1>fuse is a safety measure. The fuse is there to

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<v Speaker 1>make sure that if something really unexpected happens, like let's

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<v Speaker 1>say there's a surge in electricity, the voltage suddenly changes

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<v Speaker 1>very dramatically, you don't want that to cause more problems.

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<v Speaker 1>You don't want that to create like a fire hazard,

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<v Speaker 1>for example. So the fuse allows electricity to flow through

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<v Speaker 1>under normal conditions, but if it's under a more extreme circumstance,

0:12:03.080 --> 0:12:05.600
<v Speaker 1>the fuze will break, kind of like the filament does

0:12:05.760 --> 0:12:08.280
<v Speaker 1>once it burns out. But the fuse is designed to

0:12:08.280 --> 0:12:12.280
<v Speaker 1>break on purpose once voltage exceeds a certain level, so

0:12:12.320 --> 0:12:14.800
<v Speaker 1>it's like a limit on how much it can allow through,

0:12:14.880 --> 0:12:18.120
<v Speaker 1>and if the incoming voltage exceeds that, the fuse trips,

0:12:18.360 --> 0:12:20.560
<v Speaker 1>so you don't end up with a real catastrophe on

0:12:20.600 --> 0:12:23.160
<v Speaker 1>your hands. It's just an open circuit so the electricity

0:12:23.200 --> 0:12:26.760
<v Speaker 1>doesn't flow through. In Christmas lights, you can typically find

0:12:26.800 --> 0:12:30.320
<v Speaker 1>fuses near the plug where it plugs into either the

0:12:30.320 --> 0:12:33.160
<v Speaker 1>wall or another string of Christmas lights. In some of

0:12:33.200 --> 0:12:35.360
<v Speaker 1>these lights, you can actually replace the fuse if it

0:12:35.360 --> 0:12:38.240
<v Speaker 1>does burn out. I have never done this personally, so

0:12:38.280 --> 0:12:40.600
<v Speaker 1>I have no clue as to how challenging or easy

0:12:40.640 --> 0:12:43.320
<v Speaker 1>it is to do this, though these days with my eyesight,

0:12:43.360 --> 0:12:45.720
<v Speaker 1>I imagine it'd be devilishly tricky if I don't have

0:12:45.720 --> 0:12:48.760
<v Speaker 1>my peepers on. One other thing that I should mention

0:12:49.320 --> 0:12:53.040
<v Speaker 1>is the transition from incandescent bulbs to LED bulbs. So

0:12:53.360 --> 0:12:55.719
<v Speaker 1>incandescent bulbs that was what we had when I was

0:12:55.760 --> 0:12:59.520
<v Speaker 1>a kid, those big Christmas lights. We even had bubblers

0:13:00.000 --> 0:13:02.840
<v Speaker 1>disslights that would include liquid in a little vial that

0:13:02.880 --> 0:13:05.679
<v Speaker 1>would bubble as the light would heat the liquid up.

0:13:05.679 --> 0:13:07.720
<v Speaker 1>It was really neat or I thought it was really neat.

0:13:07.920 --> 0:13:09.720
<v Speaker 1>But in stranger things. You know, the crew were working

0:13:09.720 --> 0:13:12.080
<v Speaker 1>with these old incandescent bulbs because again that's what we

0:13:12.120 --> 0:13:14.760
<v Speaker 1>had in the nineteen eighties. But these days Christmas lights

0:13:14.800 --> 0:13:18.880
<v Speaker 1>tend to be LEDs, light emitting diodes. Now that's great

0:13:19.000 --> 0:13:22.440
<v Speaker 1>for lots of different reasons. One is that LEDs need

0:13:22.679 --> 0:13:26.360
<v Speaker 1>way less energy to generate light, something like seventy percent

0:13:26.520 --> 0:13:30.080
<v Speaker 1>less than incandescent strings, which is both good for the environment.

0:13:30.160 --> 0:13:32.480
<v Speaker 1>It's also good for your wallet because you won't be

0:13:32.600 --> 0:13:35.160
<v Speaker 1>footing a massive electricity bill just to keep your house

0:13:35.200 --> 0:13:39.000
<v Speaker 1>all holly jolly. Also, LED bulbs last a whole lot

0:13:39.080 --> 0:13:43.240
<v Speaker 1>longer than incandescent bulbs do. And you can even create

0:13:43.360 --> 0:13:46.400
<v Speaker 1>strings of LED lights in which each LED can be

0:13:46.480 --> 0:13:50.640
<v Speaker 1>turned on or off individually. That's advanced level stuff that

0:13:50.640 --> 0:13:53.199
<v Speaker 1>we're going to talk about. Now. Your typical LED string

0:13:53.240 --> 0:13:55.800
<v Speaker 1>of lights you can't do that. They're not designed to

0:13:55.840 --> 0:13:57.840
<v Speaker 1>do that. They just plug into your wall, they all

0:13:57.880 --> 0:14:00.840
<v Speaker 1>come on. They might have a simple controller on them

0:14:00.920 --> 0:14:03.960
<v Speaker 1>that allows them to do things like dim and brighten

0:14:04.240 --> 0:14:09.080
<v Speaker 1>or twinkle or flash those kinds of things. That's basic

0:14:09.160 --> 0:14:16.320
<v Speaker 1>level stuff. Serious hobbyists get into the individually controllable LED bulbs,

0:14:16.840 --> 0:14:20.560
<v Speaker 1>where each LED bulb has its own microchip, which in

0:14:20.560 --> 0:14:23.160
<v Speaker 1>turn has to be wired to a controller. When we

0:14:23.200 --> 0:14:25.760
<v Speaker 1>talk about addresses and stuff, we'll get more into that,

0:14:25.800 --> 0:14:28.440
<v Speaker 1>because that's kind of like the advanced level thing. On

0:14:28.480 --> 0:14:31.600
<v Speaker 1>a side note, those last types of LEDs aren't something

0:14:31.600 --> 0:14:34.360
<v Speaker 1>you're going to find in your typical big box stores.

0:14:34.760 --> 0:14:37.800
<v Speaker 1>Those Christmas lights tend to be far simpler in design.

0:14:37.920 --> 0:14:39.760
<v Speaker 1>Those are like the off the shelf things that you'll

0:14:39.800 --> 0:14:42.960
<v Speaker 1>find in your basic retail store. Some retail stores are

0:14:43.440 --> 0:14:48.760
<v Speaker 1>selling kits for holiday light shows, but they tend to

0:14:48.800 --> 0:14:53.240
<v Speaker 1>be proprietary, and at least in the hobbyist field, the

0:14:53.280 --> 0:14:56.560
<v Speaker 1>serious hobbyists tend to look down on those kits. One

0:14:56.600 --> 0:15:00.000
<v Speaker 1>because they don't have as much flexibility. You can't incorporate

0:15:00.360 --> 0:15:04.400
<v Speaker 1>things that are outside those proprietary kits to work with them.

0:15:04.560 --> 0:15:07.800
<v Speaker 1>Another is that there's at least an opinion, a fairly

0:15:07.840 --> 0:15:11.320
<v Speaker 1>prevalent opinion, and the hobbyists that I listened to as

0:15:11.360 --> 0:15:13.920
<v Speaker 1>I was listening to podcasts and watching videos and stuff,

0:15:13.960 --> 0:15:17.840
<v Speaker 1>who feel that the quality of those products is lower

0:15:17.880 --> 0:15:20.840
<v Speaker 1>than what you'll get if you're doing things yourself, and

0:15:20.880 --> 0:15:23.480
<v Speaker 1>that a lot of those things will break down after

0:15:23.520 --> 0:15:26.040
<v Speaker 1>a season or two and that it just gets really

0:15:26.040 --> 0:15:30.160
<v Speaker 1>expensive and wasteful. So your mileage may vary, but that's

0:15:30.200 --> 0:15:34.240
<v Speaker 1>what I heard. So most of the hobby blogs and

0:15:34.360 --> 0:15:37.240
<v Speaker 1>videos that I encountered suggested that you should order straight

0:15:37.280 --> 0:15:40.040
<v Speaker 1>from where the lights are manufactured, which is China. They

0:15:40.080 --> 0:15:42.480
<v Speaker 1>also warned that this also comes with its own risks.

0:15:42.720 --> 0:15:46.320
<v Speaker 1>If something doesn't work correctly, it may be difficult or

0:15:46.360 --> 0:15:49.360
<v Speaker 1>even impossible to return the lights to get working ones,

0:15:49.440 --> 0:15:51.320
<v Speaker 1>so you have to be really careful to make sure

0:15:51.360 --> 0:15:55.600
<v Speaker 1>that you're ordering from a reputable seller. But yeah, the

0:15:55.720 --> 0:15:59.160
<v Speaker 1>LEDs that serious hobbyists use typically are meant for stuff

0:15:59.160 --> 0:16:02.120
<v Speaker 1>like digital disp lays and signage where you need to

0:16:02.120 --> 0:16:05.360
<v Speaker 1>be able to control individual lights in order to spell

0:16:05.440 --> 0:16:08.560
<v Speaker 1>things out right like roadwork ahead or whatever it may be,

0:16:09.120 --> 0:16:13.080
<v Speaker 1>except you're using it to make frosty, you know, melt

0:16:13.280 --> 0:16:15.200
<v Speaker 1>or something. I don't know what you do for your

0:16:15.280 --> 0:16:18.600
<v Speaker 1>Christmas lights displays. So these have just been repurposed to

0:16:18.680 --> 0:16:21.960
<v Speaker 1>be really a holly jolly kind of approach. And now

0:16:22.280 --> 0:16:24.880
<v Speaker 1>we're going to take a quick break. When we come back,

0:16:25.080 --> 0:16:27.640
<v Speaker 1>I'm going to talk about some more details of the

0:16:27.680 --> 0:16:40.640
<v Speaker 1>early days of Christmas lights show as a hobby, so

0:16:40.800 --> 0:16:44.600
<v Speaker 1>we're back now. In the early days, light show hobbyists

0:16:44.720 --> 0:16:48.040
<v Speaker 1>ran into problems similar to those of the Stranger Things Crew.

0:16:48.280 --> 0:16:51.280
<v Speaker 1>The old style Christmas lights could only be controlled by

0:16:51.320 --> 0:16:54.240
<v Speaker 1>the string rather by the individual bulb, So you could

0:16:54.240 --> 0:16:57.920
<v Speaker 1>turn a string of lights off or on, and that

0:16:58.040 --> 0:17:00.960
<v Speaker 1>was relatively simple on a high It just meant that

0:17:01.040 --> 0:17:05.119
<v Speaker 1>you had to control the electricity that was going to

0:17:05.200 --> 0:17:08.040
<v Speaker 1>that particular string. You know, you turned the electricity off,

0:17:08.080 --> 0:17:09.640
<v Speaker 1>the lights go off, you turn it on, the lights

0:17:09.680 --> 0:17:12.560
<v Speaker 1>come on. That's it. The old lights had no ability

0:17:12.600 --> 0:17:15.520
<v Speaker 1>to change color either. If you wanted to create an

0:17:15.560 --> 0:17:18.080
<v Speaker 1>effect of a color change, then it meant that you

0:17:18.080 --> 0:17:21.000
<v Speaker 1>actually had to use multiple strings of lights. Like let's

0:17:21.000 --> 0:17:25.119
<v Speaker 1>say you wanted to outline a window frame outside your

0:17:25.119 --> 0:17:27.280
<v Speaker 1>house in lights and create an effect that those lights

0:17:27.280 --> 0:17:29.919
<v Speaker 1>are changing from red to green. Well, you would actually

0:17:29.920 --> 0:17:32.800
<v Speaker 1>have to use strings of red lights to outline the

0:17:32.840 --> 0:17:35.879
<v Speaker 1>frame and then strings of green lights to outline the frame,

0:17:36.080 --> 0:17:39.119
<v Speaker 1>and then you would just have to alternate which string

0:17:39.280 --> 0:17:42.160
<v Speaker 1>was getting power at what time in order to get

0:17:42.200 --> 0:17:45.640
<v Speaker 1>that effect of red changing to green and green changing

0:17:45.720 --> 0:17:50.399
<v Speaker 1>to red. Modern led lights often have RGB red green

0:17:50.480 --> 0:17:55.240
<v Speaker 1>and blue elements inside each bulb, meaning that you control

0:17:55.320 --> 0:17:58.600
<v Speaker 1>the concentration of what kind of light is allowed to

0:17:58.600 --> 0:18:01.680
<v Speaker 1>be emitted, so you can actually change the color within

0:18:01.720 --> 0:18:03.760
<v Speaker 1>a single string of lights. Now you don't have to

0:18:03.840 --> 0:18:06.280
<v Speaker 1>double up or triple up whatever it may be, which

0:18:06.320 --> 0:18:10.359
<v Speaker 1>does simplify things at least from a wiring perspective, not

0:18:10.400 --> 0:18:14.840
<v Speaker 1>necessarily from the programming perspective. As for controlling which string

0:18:14.920 --> 0:18:17.080
<v Speaker 1>received power at any given time, well, you would need

0:18:17.119 --> 0:18:20.240
<v Speaker 1>to run your lights to a controller box. So essentially

0:18:20.280 --> 0:18:23.400
<v Speaker 1>this box acts as a switch, and in the old

0:18:23.480 --> 0:18:26.240
<v Speaker 1>days it is simply just switched power going from one

0:18:27.000 --> 0:18:30.719
<v Speaker 1>outlet connected to one set of lights or a different outlet.

0:18:30.960 --> 0:18:33.200
<v Speaker 1>The strings of lights would attach to the controller box.

0:18:33.280 --> 0:18:35.879
<v Speaker 1>But the controller is just a tool. It doesn't know

0:18:36.640 --> 0:18:39.119
<v Speaker 1>when it's supposed to switch stuff on or off on

0:18:39.200 --> 0:18:42.760
<v Speaker 1>its own. It has to be programmed. And with a program,

0:18:42.880 --> 0:18:47.120
<v Speaker 1>the controller follows a preset series of instructions a sequence

0:18:47.560 --> 0:18:51.119
<v Speaker 1>in order to achieve whatever the effect was that was desired. Again,

0:18:51.160 --> 0:18:54.440
<v Speaker 1>those early variations essentially just being which strings of lights

0:18:54.440 --> 0:18:56.840
<v Speaker 1>were on or off at any given moment. Now, as

0:18:56.880 --> 0:18:59.200
<v Speaker 1>we'll see, if you really want to go all out

0:18:59.200 --> 0:19:02.880
<v Speaker 1>for the holidays, you could get wicked complicated with your setup,

0:19:03.160 --> 0:19:06.240
<v Speaker 1>but let's start with the simple stuff. So let's say

0:19:06.400 --> 0:19:08.639
<v Speaker 1>you've got your strings of lights hung with care on

0:19:08.680 --> 0:19:11.639
<v Speaker 1>your home. You know, the trees, the family dog, whatever

0:19:11.680 --> 0:19:13.520
<v Speaker 1>it might be, And now you want to create a

0:19:13.680 --> 0:19:17.480
<v Speaker 1>sequence for these lights to follow. They shouldn't just twinkle

0:19:17.840 --> 0:19:20.000
<v Speaker 1>or stay on. They should go on and off according

0:19:20.040 --> 0:19:24.119
<v Speaker 1>to your whimsical nature, perhaps creating animated effects or spelling

0:19:24.240 --> 0:19:27.920
<v Speaker 1>stuff out. Even it takes an awful lot of technology

0:19:27.960 --> 0:19:30.760
<v Speaker 1>and effort to enable whimsy. As it turns out, we

0:19:30.800 --> 0:19:33.600
<v Speaker 1>aren't all like Willy Waka, where things just magically happen.

0:19:33.960 --> 0:19:37.280
<v Speaker 1>So the world of hobbyists Christmas lights shows ends up

0:19:37.560 --> 0:19:41.040
<v Speaker 1>borrowing a lot of technology and technique from the world

0:19:41.040 --> 0:19:43.439
<v Speaker 1>of stage lighting. Now, if you've ever been to a

0:19:43.480 --> 0:19:47.720
<v Speaker 1>big professional theatrical production like a Broadway show or an

0:19:47.800 --> 0:19:51.640
<v Speaker 1>arena concert, you've likely seen some pretty amazing lighting effects,

0:19:51.720 --> 0:19:55.400
<v Speaker 1>like entire banks of lights might sweep around and focus

0:19:55.400 --> 0:19:59.200
<v Speaker 1>on a specific spot, or create interesting patterns on the background,

0:19:59.280 --> 0:20:02.200
<v Speaker 1>or all sorts of other effects. To achieve that, and

0:20:02.240 --> 0:20:06.439
<v Speaker 1>not to have five hundred stage hands manually controlling every

0:20:06.560 --> 0:20:10.520
<v Speaker 1>light with precision, you need some special circuit boards. Now

0:20:10.560 --> 0:20:13.880
<v Speaker 1>I mentioned a controller earlier. These are large logic boards

0:20:13.880 --> 0:20:17.320
<v Speaker 1>that the direct power or commands to specific elements according

0:20:17.320 --> 0:20:20.280
<v Speaker 1>to a pre program set of instructions. Now, before we

0:20:20.320 --> 0:20:23.320
<v Speaker 1>get into those more, let's talk about LEDs. Let's say

0:20:23.320 --> 0:20:25.840
<v Speaker 1>that you've gone all out. You've decided to get the

0:20:26.000 --> 0:20:28.480
<v Speaker 1>LEDs that you're able to control one bulb at a time.

0:20:28.640 --> 0:20:32.280
<v Speaker 1>Each of these bulbs can create any number of colors

0:20:32.840 --> 0:20:35.040
<v Speaker 1>using a variation of the red, green, and blue elements

0:20:35.080 --> 0:20:39.280
<v Speaker 1>that are inside each bulb. Essentially, these bulbs are pixels,

0:20:39.760 --> 0:20:42.720
<v Speaker 1>just like you would have on a television or other display.

0:20:42.920 --> 0:20:45.840
<v Speaker 1>Each light bulb represents one point of light, and by

0:20:45.880 --> 0:20:49.880
<v Speaker 1>controlling them collectively, you can create different shapes, including words.

0:20:50.359 --> 0:20:53.720
<v Speaker 1>The pixel lights typically will be able again to create

0:20:53.840 --> 0:20:57.840
<v Speaker 1>pretty much any color you want. Some Christmas lights sequencer

0:20:57.880 --> 0:21:02.600
<v Speaker 1>programs refer to these pixels as nodes. Technically, a node

0:21:02.720 --> 0:21:06.960
<v Speaker 1>is any singular controllable element in a show. So let's

0:21:07.000 --> 0:21:09.000
<v Speaker 1>say that you have a string of lights that's an

0:21:09.040 --> 0:21:12.520
<v Speaker 1>old style string right the series lights where you can't

0:21:12.520 --> 0:21:16.960
<v Speaker 1>control individual light bulbs, that string would be a node.

0:21:17.160 --> 0:21:19.639
<v Speaker 1>But if you do have bulbs that can be controlled individually,

0:21:19.720 --> 0:21:22.880
<v Speaker 1>each bulb would be a node, So it all depends

0:21:22.920 --> 0:21:25.840
<v Speaker 1>on what are you controlling. Whether it's a string or

0:21:25.880 --> 0:21:29.000
<v Speaker 1>a single light bulb, each one would be a single node.

0:21:29.359 --> 0:21:32.240
<v Speaker 1>These lights have a different kind of plug, the fancy

0:21:32.359 --> 0:21:33.919
<v Speaker 1>led ones, they have a different kind of plug than

0:21:33.920 --> 0:21:35.720
<v Speaker 1>the ones you would find on your regular old Christmas

0:21:35.800 --> 0:21:37.919
<v Speaker 1>light strings. You wouldn't plug them into the wall. And

0:21:37.960 --> 0:21:41.200
<v Speaker 1>it makes sense because these lights have to be able

0:21:41.240 --> 0:21:44.880
<v Speaker 1>to accept digital commands. So you know, you have your

0:21:44.880 --> 0:21:48.080
<v Speaker 1>wires that are in charge of carrying the electricity to

0:21:48.119 --> 0:21:49.639
<v Speaker 1>the bulbs, but you also need to be able to

0:21:49.680 --> 0:21:53.240
<v Speaker 1>control data. So it's a three pin plug and it's

0:21:53.280 --> 0:21:57.040
<v Speaker 1>designed to plug into a controller. The controllers themselves come

0:21:57.080 --> 0:22:01.480
<v Speaker 1>in several varieties. You can purchase components separately. You can actually,

0:22:01.800 --> 0:22:05.600
<v Speaker 1>you know, buy a circuit board controller unit and you know,

0:22:05.680 --> 0:22:10.000
<v Speaker 1>an old like power box, waterproof power box and mount

0:22:10.280 --> 0:22:12.480
<v Speaker 1>your circuit board inside the power box along with a

0:22:12.920 --> 0:22:15.479
<v Speaker 1>power supply and some other elements. It's a lot like

0:22:15.520 --> 0:22:19.360
<v Speaker 1>building a PC from basic components if you have ever

0:22:19.440 --> 0:22:22.520
<v Speaker 1>done that, where you order all the different elements from

0:22:22.520 --> 0:22:25.400
<v Speaker 1>different companies whatever, assuming that you've made sure that they're

0:22:25.400 --> 0:22:27.639
<v Speaker 1>all going to be compatible, and then you mount them

0:22:27.680 --> 0:22:29.239
<v Speaker 1>in the case and then you turn it on and

0:22:29.240 --> 0:22:32.840
<v Speaker 1>hope that it works. Similar thing there. However, nowadays quite

0:22:32.840 --> 0:22:36.520
<v Speaker 1>a few companies are offering fully built out controller systems,

0:22:36.800 --> 0:22:39.480
<v Speaker 1>like ready to play controller systems, so that you don't

0:22:39.480 --> 0:22:41.960
<v Speaker 1>have to do any of that stuff yourself. Now, you're

0:22:42.080 --> 0:22:45.000
<v Speaker 1>likely going to be paying more for a ready to

0:22:45.119 --> 0:22:50.200
<v Speaker 1>run style controller, but not that much more. The gap

0:22:50.240 --> 0:22:55.040
<v Speaker 1>between doing it yourself and the stuff that's already been assembled,

0:22:55.400 --> 0:22:59.000
<v Speaker 1>it's not huge, and if you value your time a lot,

0:22:59.600 --> 0:23:02.120
<v Speaker 1>then you may say, hey, it makes way more sense

0:23:02.119 --> 0:23:05.880
<v Speaker 1>for me to buy this ready made solution as opposed

0:23:05.880 --> 0:23:08.520
<v Speaker 1>to trying to do it myself. If, however, you get

0:23:08.760 --> 0:23:11.560
<v Speaker 1>lots of joy and satisfaction out of doing it yourself,

0:23:11.760 --> 0:23:14.240
<v Speaker 1>that's a completely legitimate reason to do it. You're just

0:23:14.280 --> 0:23:16.880
<v Speaker 1>not going to save that much money. You will save

0:23:16.920 --> 0:23:19.000
<v Speaker 1>a little now. One thing the controller is going to

0:23:19.040 --> 0:23:21.320
<v Speaker 1>need is obviously power, so figuring out how to run

0:23:21.320 --> 0:23:23.720
<v Speaker 1>a power supply to a controller is an important step.

0:23:23.760 --> 0:23:27.480
<v Speaker 1>It's also important that that power supply is weather proofed,

0:23:27.840 --> 0:23:29.960
<v Speaker 1>so in the old days, like I said, you might

0:23:30.000 --> 0:23:31.840
<v Speaker 1>mount a power supply like the kind you would use

0:23:31.880 --> 0:23:36.399
<v Speaker 1>with a PC inside the power box along with the

0:23:36.440 --> 0:23:40.439
<v Speaker 1>controller's circuit board and just run power from the box

0:23:40.480 --> 0:23:44.359
<v Speaker 1>to the circuit board, then cables connecting to the power

0:23:44.400 --> 0:23:47.280
<v Speaker 1>source that would then run to say, an outlet in

0:23:47.320 --> 0:23:51.240
<v Speaker 1>your home, or you might buy a weather proofed power

0:23:51.280 --> 0:23:53.560
<v Speaker 1>source that can sit on the ground and then run

0:23:53.600 --> 0:23:56.600
<v Speaker 1>a cable from that to your controller. But yeah, that

0:23:56.640 --> 0:23:59.040
<v Speaker 1>power ends up going to the controller, which then can

0:23:59.080 --> 0:24:02.080
<v Speaker 1>send power out to the various elements connected to your show.

0:24:02.320 --> 0:24:05.639
<v Speaker 1>But yeah, figuring that out is really important. Really complex

0:24:05.680 --> 0:24:10.200
<v Speaker 1>displays may actually use multiple controllers. Some may use several

0:24:10.200 --> 0:24:12.720
<v Speaker 1>big controllers or lots of small ones, or a combination

0:24:12.800 --> 0:24:16.199
<v Speaker 1>of the two. That obviously necessitates multiple power solutions to

0:24:16.200 --> 0:24:19.080
<v Speaker 1>make everything work and not become like a tripping hazard

0:24:19.160 --> 0:24:21.399
<v Speaker 1>for everyone living in the home. That itself can be

0:24:21.400 --> 0:24:24.760
<v Speaker 1>a huge challenge. Typically, you also have to connect another

0:24:24.800 --> 0:24:27.679
<v Speaker 1>device like a computer to the controller. In the old days,

0:24:27.800 --> 0:24:29.720
<v Speaker 1>you had to have in the old days being like

0:24:29.880 --> 0:24:33.080
<v Speaker 1>three years ago, you had to have your computer connected

0:24:33.200 --> 0:24:36.320
<v Speaker 1>to the controller so that you could send the sequence

0:24:36.680 --> 0:24:39.840
<v Speaker 1>the show to the controller so that it then could

0:24:39.840 --> 0:24:42.440
<v Speaker 1>send the commands out to all the different elements. Because again,

0:24:42.440 --> 0:24:45.600
<v Speaker 1>the controller doesn't have any real intelligence itself. It just

0:24:45.880 --> 0:24:50.160
<v Speaker 1>knows where to send instructions at what time to what element,

0:24:50.359 --> 0:24:53.000
<v Speaker 1>but it has to get those instructions from somewhere. Typically

0:24:53.080 --> 0:24:55.400
<v Speaker 1>that was a computer. Now these days you can get

0:24:55.400 --> 0:24:58.160
<v Speaker 1>a device that often is referenced as a show player.

0:24:58.560 --> 0:25:00.320
<v Speaker 1>In a way, it's kind of like a dry that

0:25:00.480 --> 0:25:04.040
<v Speaker 1>stores show instructions and it will take on the role

0:25:04.119 --> 0:25:07.760
<v Speaker 1>of the computer. Like you have to still program the

0:25:07.840 --> 0:25:11.400
<v Speaker 1>show on your computer, but you then send that program

0:25:11.440 --> 0:25:14.439
<v Speaker 1>to the show player, which stores the program, and then

0:25:14.840 --> 0:25:17.960
<v Speaker 1>when it's the right time to initiate, it will send

0:25:18.000 --> 0:25:20.760
<v Speaker 1>all the commands to the controller, which then sends those

0:25:20.760 --> 0:25:23.720
<v Speaker 1>signals to the various elements in your Christmas show. If

0:25:23.760 --> 0:25:26.200
<v Speaker 1>your display has elements that are really far away from

0:25:26.200 --> 0:25:28.800
<v Speaker 1>the controller, and by far i'm talking like maybe more

0:25:28.840 --> 0:25:31.680
<v Speaker 1>than twenty five feet, then you'll also probably have to

0:25:31.760 --> 0:25:34.480
<v Speaker 1>use receivers. I mean, you could use different controllers for

0:25:34.520 --> 0:25:37.960
<v Speaker 1>different elements so that you know no element is more

0:25:38.000 --> 0:25:41.119
<v Speaker 1>than twenty five feet away from its controller, But that

0:25:41.200 --> 0:25:45.440
<v Speaker 1>gets really complicated. Receivers receive a signal from the controller

0:25:45.480 --> 0:25:48.200
<v Speaker 1>and then send it further along the chain, which allows

0:25:48.240 --> 0:25:50.560
<v Speaker 1>you to have certain show elements that would be further

0:25:50.600 --> 0:25:52.960
<v Speaker 1>away from the controller. So you have a really big yard,

0:25:53.000 --> 0:25:55.840
<v Speaker 1>for example, and you want to run elements way out

0:25:55.880 --> 0:25:58.240
<v Speaker 1>to trees or in the front, as well as all

0:25:58.280 --> 0:26:01.120
<v Speaker 1>the stuff that's in your you know, on your house itself.

0:26:01.560 --> 0:26:04.000
<v Speaker 1>That might be something that you would have to look into.

0:26:04.359 --> 0:26:09.439
<v Speaker 1>Another component you'll probably need is a radio transmitter in

0:26:09.520 --> 0:26:12.480
<v Speaker 1>the FM band of frequencies. Now, this is so that

0:26:12.760 --> 0:26:15.399
<v Speaker 1>the people driving up to watch your display can tune

0:26:15.440 --> 0:26:19.000
<v Speaker 1>into a particular radio station to hear the accompanying music.

0:26:19.320 --> 0:26:22.000
<v Speaker 1>Some displays also make use of outdoor speaker systems that

0:26:22.080 --> 0:26:25.200
<v Speaker 1>will play music, you know, not as a super high

0:26:25.280 --> 0:26:28.200
<v Speaker 1>volume at least if you have any consideration for your neighbors,

0:26:28.440 --> 0:26:31.000
<v Speaker 1>but within the actual environment, so people walking up could

0:26:31.040 --> 0:26:33.359
<v Speaker 1>hear the music too. However, if you're going to use

0:26:33.400 --> 0:26:36.560
<v Speaker 1>a radio transmitter, there are certain rules you have to follow.

0:26:36.920 --> 0:26:41.000
<v Speaker 1>So countries have very strict laws regarding radio frequency bands

0:26:41.240 --> 0:26:43.159
<v Speaker 1>and who can use them and what they can be

0:26:43.280 --> 0:26:46.800
<v Speaker 1>used for. And in order to have permission to broadcast

0:26:46.880 --> 0:26:50.760
<v Speaker 1>on certain bands like the FM radio frequency band, typically

0:26:50.920 --> 0:26:55.200
<v Speaker 1>you need to secure a license, which is incredibly expensive. However,

0:26:55.720 --> 0:26:59.280
<v Speaker 1>if your transmission is under a certain power, you're okay.

0:26:59.480 --> 0:27:01.720
<v Speaker 1>So here in the United States, the rule is if

0:27:01.800 --> 0:27:05.080
<v Speaker 1>you're staying under point zero one microwatts of power at

0:27:05.119 --> 0:27:08.119
<v Speaker 1>three meters, you're good to go, and you can choose

0:27:08.240 --> 0:27:11.760
<v Speaker 1>the frequency band you want to broadcast on. You would

0:27:11.800 --> 0:27:14.320
<v Speaker 1>need to choose something other than a radio station currently

0:27:14.320 --> 0:27:16.760
<v Speaker 1>in use in your area or else your broadcast is

0:27:16.800 --> 0:27:19.359
<v Speaker 1>going to be completely overpowered, and then you need to

0:27:19.400 --> 0:27:22.800
<v Speaker 1>alert folks that they should tune their car radios to

0:27:23.000 --> 0:27:26.879
<v Speaker 1>that specific channel. The transmitter's job is to transmit the

0:27:26.920 --> 0:27:29.800
<v Speaker 1>signal sent to it over the radio, and the signal

0:27:29.840 --> 0:27:33.280
<v Speaker 1>ideally is some Christmas music that you have coordinated with

0:27:33.359 --> 0:27:37.960
<v Speaker 1>the program light display during the actual sequencing or programming phase,

0:27:38.400 --> 0:27:41.719
<v Speaker 1>so it's another component. Also, the music obviously ends up

0:27:41.720 --> 0:27:44.919
<v Speaker 1>being something that gets sent to the show player as well.

0:27:45.160 --> 0:27:47.640
<v Speaker 1>It's all part of the program. Really, you could think

0:27:47.680 --> 0:27:50.000
<v Speaker 1>of it as almost like a video where you've got

0:27:50.000 --> 0:27:52.760
<v Speaker 1>the audio and the video stuff all synced up. It's

0:27:52.800 --> 0:27:55.680
<v Speaker 1>similar to that. One other element you'll need, and you'll

0:27:55.720 --> 0:27:58.040
<v Speaker 1>need several of these depending on what you want to do,

0:27:58.480 --> 0:28:02.439
<v Speaker 1>is some sort of mounting material for the lights. So

0:28:02.560 --> 0:28:05.800
<v Speaker 1>this is essentially a frame through which you plug the

0:28:05.880 --> 0:28:08.600
<v Speaker 1>light bulbs in so that each pixel is held in

0:28:08.640 --> 0:28:12.080
<v Speaker 1>the right position relative to its neighbors. Now that probably

0:28:12.080 --> 0:28:15.320
<v Speaker 1>sounds obvious. If you're controlling bulbs pixel by pixel, The

0:28:15.400 --> 0:28:18.720
<v Speaker 1>only way it works is if all the pixels maintain

0:28:18.840 --> 0:28:22.120
<v Speaker 1>their relative position to one another. So you might use

0:28:22.520 --> 0:28:26.080
<v Speaker 1>strips of plastic with holes cut through to push the

0:28:26.119 --> 0:28:30.239
<v Speaker 1>bulbs into. You could create shapes that you wanted to

0:28:30.280 --> 0:28:32.400
<v Speaker 1>in order, like do your own so that you get

0:28:32.400 --> 0:28:35.400
<v Speaker 1>the effects to have stuff light up, but those are

0:28:35.440 --> 0:28:37.560
<v Speaker 1>really hard, Like I mean, if you wanted to make

0:28:37.600 --> 0:28:41.160
<v Speaker 1>a snowman or a reindeer or crampus or whatever, doing

0:28:41.240 --> 0:28:45.080
<v Speaker 1>it yourself is extremely challenging. These are often referred to

0:28:45.160 --> 0:28:48.320
<v Speaker 1>as props, and the nice thing is you can buy

0:28:48.800 --> 0:28:51.840
<v Speaker 1>props like the hobby. There's tons of props that are

0:28:51.840 --> 0:28:54.960
<v Speaker 1>available in different shapes. So if you want candy canes,

0:28:54.960 --> 0:28:58.480
<v Speaker 1>no problem. You can get candy cane shapes and these

0:28:58.560 --> 0:29:04.040
<v Speaker 1>props frequently you can actually get the digital equivalent of

0:29:04.120 --> 0:29:08.320
<v Speaker 1>the prop to be plugged into your sequencing software so

0:29:08.360 --> 0:29:13.120
<v Speaker 1>that your computer automatically recognizes these prop shapes and how

0:29:13.200 --> 0:29:17.200
<v Speaker 1>they are lined up. So the props tend to come

0:29:17.240 --> 0:29:23.120
<v Speaker 1>with instructions on how you are to install those pixels,

0:29:23.120 --> 0:29:25.800
<v Speaker 1>how you plug the digital pixels in where you start,

0:29:25.840 --> 0:29:28.640
<v Speaker 1>where you end what pattern you want to follow, and

0:29:28.680 --> 0:29:31.920
<v Speaker 1>then that gets sent to the computer software. And the

0:29:31.920 --> 0:29:34.600
<v Speaker 1>computer software already knows where each of those pixels are

0:29:34.640 --> 0:29:36.920
<v Speaker 1>in relation to each other, so that way, when you

0:29:37.040 --> 0:29:41.000
<v Speaker 1>run a program through it, it displays properly on the prop.

0:29:41.200 --> 0:29:44.080
<v Speaker 1>Because that you have to tell the pixels where they live,

0:29:44.240 --> 0:29:47.240
<v Speaker 1>you have to create addresses. So yeah, for programs to

0:29:47.280 --> 0:29:50.520
<v Speaker 1>even work, lights have to have an address. Each light

0:29:50.920 --> 0:29:54.240
<v Speaker 1>has its own address. This as much like your computer

0:29:54.440 --> 0:29:57.320
<v Speaker 1>or your smartphone has an IP address on the Internet.

0:29:57.440 --> 0:30:00.680
<v Speaker 1>Similar thing. For the controller to know which bulbs to

0:30:00.760 --> 0:30:03.480
<v Speaker 1>turn on and off, those bulbs have to have an address.

0:30:03.640 --> 0:30:07.360
<v Speaker 1>Otherwise you would just have random patterns being shown, and

0:30:07.560 --> 0:30:09.760
<v Speaker 1>if your bulbs weren't in the right position, it would

0:30:09.760 --> 0:30:12.240
<v Speaker 1>just look like a mess. So the standard that the

0:30:12.400 --> 0:30:15.080
<v Speaker 1>lighting industry here in the United States uses is called

0:30:15.200 --> 0:30:19.560
<v Speaker 1>DMX or sometimes DMX five twelve. The lighting industry in

0:30:19.640 --> 0:30:22.560
<v Speaker 1>stage and concert productions developed the standard over a number

0:30:22.600 --> 0:30:26.120
<v Speaker 1>of years in order to streamline control processes because before

0:30:26.160 --> 0:30:28.880
<v Speaker 1>that standard, lighting technicians had to deal with lots of

0:30:29.120 --> 0:30:32.960
<v Speaker 1>different proprietary methods to control different elements on the lighting board.

0:30:33.360 --> 0:30:35.480
<v Speaker 1>That was really complicated and it meant it was a

0:30:35.520 --> 0:30:37.440
<v Speaker 1>real pain in the butt to set up and break down.

0:30:37.480 --> 0:30:40.760
<v Speaker 1>It was a nightmare from a wiring perspective. DMX five

0:30:40.920 --> 0:30:46.440
<v Speaker 1>twelve simplified matters. So essentially, every device, every node will

0:30:46.520 --> 0:30:50.520
<v Speaker 1>if you will, gets a DMX address. Now, some devices

0:30:50.800 --> 0:30:54.680
<v Speaker 1>actually receive more than one address. For example, let's say

0:30:54.720 --> 0:30:58.200
<v Speaker 1>you've got a light mounted in a system and the

0:30:58.280 --> 0:31:01.360
<v Speaker 1>light has the ability to dim, well, the dimmer is

0:31:01.400 --> 0:31:05.960
<v Speaker 1>on an address. If the mounted system can tilt, well,

0:31:06.000 --> 0:31:09.200
<v Speaker 1>you've got tilt controls. That requires another address, and so on.

0:31:09.520 --> 0:31:12.680
<v Speaker 1>So depending on how much an element can do, if

0:31:12.720 --> 0:31:14.720
<v Speaker 1>it can pan left and right, well, then you need

0:31:14.800 --> 0:31:18.440
<v Speaker 1>addresses for that. It's not necessarily a one to one system.

0:31:18.480 --> 0:31:20.760
<v Speaker 1>In other words, it all depends on the number of

0:31:20.800 --> 0:31:23.880
<v Speaker 1>effects the device is capable of producing. Each effect needs

0:31:23.880 --> 0:31:26.120
<v Speaker 1>to have its own address so the controller can send

0:31:26.120 --> 0:31:29.080
<v Speaker 1>the correct signal to that element at the right time.

0:31:29.480 --> 0:31:32.880
<v Speaker 1>Now I could do an entire episode on DMX and

0:31:32.960 --> 0:31:36.560
<v Speaker 1>the technologies associated with it and not even touch on

0:31:36.640 --> 0:31:40.120
<v Speaker 1>the fact that there's also the music artist DMX, but

0:31:40.240 --> 0:31:43.480
<v Speaker 1>that's getting away from our conversation about Christmas light shows.

0:31:43.680 --> 0:31:46.280
<v Speaker 1>What you need to know is that DMX five twelve

0:31:46.320 --> 0:31:50.560
<v Speaker 1>makes it possible to quantify and control each pixel in

0:31:50.640 --> 0:31:52.880
<v Speaker 1>a display, and since it's a standard, you don't have

0:31:52.880 --> 0:31:56.240
<v Speaker 1>to worry about proprietary issues, assuming you haven't bought into

0:31:56.280 --> 0:31:59.840
<v Speaker 1>some proprietary string of lights controller system. Again, that's why

0:32:00.000 --> 0:32:02.760
<v Speaker 1>Obvious often will buy direct from China to get these

0:32:03.080 --> 0:32:08.040
<v Speaker 1>elements that can work with the open standards of DMX

0:32:08.080 --> 0:32:11.680
<v Speaker 1>five twelve as opposed to some proprietary approach where it

0:32:11.800 --> 0:32:15.280
<v Speaker 1>only works with that one company's equipment, because you want

0:32:15.280 --> 0:32:17.640
<v Speaker 1>to be able to incorporate whatever elements you like and

0:32:17.760 --> 0:32:20.880
<v Speaker 1>not be limited to what some company has created. Now

0:32:20.960 --> 0:32:23.960
<v Speaker 1>let's talk about software. There are a few different software

0:32:23.960 --> 0:32:26.640
<v Speaker 1>packages out there that let you program at Christmas lights show.

0:32:26.960 --> 0:32:30.320
<v Speaker 1>People have their favorites. They all are trying to do

0:32:30.360 --> 0:32:32.959
<v Speaker 1>the same thing, but the user interface is quite different

0:32:33.080 --> 0:32:37.240
<v Speaker 1>from software to software. Some people prefer one over another.

0:32:37.840 --> 0:32:40.600
<v Speaker 1>The one that I hear the most frequently, I think

0:32:40.720 --> 0:32:46.120
<v Speaker 1>is x lights. It's an open source lights sequencing software package.

0:32:46.200 --> 0:32:48.240
<v Speaker 1>I have not done this myself, so I do not

0:32:48.360 --> 0:32:51.040
<v Speaker 1>have a preference. I suggest doing research on the different

0:32:51.080 --> 0:32:53.360
<v Speaker 1>software packages out there to figure out which one makes

0:32:53.440 --> 0:32:56.880
<v Speaker 1>sense to you. They all can seem a little obtuse

0:32:56.960 --> 0:33:00.160
<v Speaker 1>at first like there's a pretty steep learning curve. But

0:33:00.640 --> 0:33:03.000
<v Speaker 1>in this software you have to go through a process

0:33:03.040 --> 0:33:05.160
<v Speaker 1>called pixel mapping. That is, you have to tell your

0:33:05.200 --> 0:33:08.640
<v Speaker 1>computer where each bulb is in your display so that

0:33:08.680 --> 0:33:10.880
<v Speaker 1>you're able to create the effects that you actually want

0:33:10.920 --> 0:33:14.360
<v Speaker 1>to show. If you're using props from manufacturers, that process

0:33:14.440 --> 0:33:17.120
<v Speaker 1>is made simpler because most software packages make it possible

0:33:17.120 --> 0:33:19.720
<v Speaker 1>for you to indicate which props you're using, and the

0:33:19.760 --> 0:33:23.200
<v Speaker 1>program automatically associates the shape where the lights are, so

0:33:23.240 --> 0:33:26.600
<v Speaker 1>that if you want, say your reindeer to go from

0:33:26.680 --> 0:33:30.160
<v Speaker 1>green to blood red, then you know you can just

0:33:30.360 --> 0:33:33.160
<v Speaker 1>easily pull up that sequence and associate it with the shape.

0:33:33.440 --> 0:33:37.240
<v Speaker 1>In this computer program, you do build out sequences. These

0:33:37.240 --> 0:33:39.880
<v Speaker 1>are the animations and commands that make up your Christmas show,

0:33:39.960 --> 0:33:42.680
<v Speaker 1>and typically you want to coordinate those with whatever music

0:33:42.720 --> 0:33:46.080
<v Speaker 1>you're playing. So this all gets associated with a timeline

0:33:46.360 --> 0:33:50.080
<v Speaker 1>and that gives you precise control over when each element

0:33:50.120 --> 0:33:54.680
<v Speaker 1>in your sequence initiates. Programming sequences can end up getting

0:33:54.880 --> 0:33:58.880
<v Speaker 1>very complicated. The hobbyists all have also uploaded sequences that

0:33:58.920 --> 0:34:02.760
<v Speaker 1>they have design and other people can download those sequences

0:34:02.920 --> 0:34:06.280
<v Speaker 1>import them into their own control software like x lights

0:34:06.440 --> 0:34:09.399
<v Speaker 1>and then incorporate it into their own show. So if

0:34:09.480 --> 0:34:14.240
<v Speaker 1>the whole idea of programming and entire display is daunting

0:34:14.320 --> 0:34:16.560
<v Speaker 1>to you, like if it seems too technical or two

0:34:16.680 --> 0:34:22.279
<v Speaker 1>time consuming, it is possible to download previously program sequences

0:34:22.600 --> 0:34:24.799
<v Speaker 1>and then run them on your system. Once the show

0:34:24.880 --> 0:34:27.640
<v Speaker 1>is programmed, you then can export it to the show

0:34:27.680 --> 0:34:30.520
<v Speaker 1>player in the controller or controller is connected to your show,

0:34:30.880 --> 0:34:35.040
<v Speaker 1>assuming that you have those and which case, at that point,

0:34:35.080 --> 0:34:37.719
<v Speaker 1>your computer is no longer needed, Like, all all you

0:34:37.800 --> 0:34:40.640
<v Speaker 1>did was create the sequence. It sent the sequence to

0:34:40.680 --> 0:34:43.480
<v Speaker 1>the show player that's now stored on the show player.

0:34:43.600 --> 0:34:45.360
<v Speaker 1>Your computer is done. You don't have to keep it

0:34:45.360 --> 0:34:47.960
<v Speaker 1>connected to the system, unless, of course, something in the

0:34:47.960 --> 0:34:49.640
<v Speaker 1>show doesn't work and you have to go back and

0:34:49.760 --> 0:34:52.640
<v Speaker 1>check the program for errors and figure out what went wrong.

0:34:52.800 --> 0:34:55.040
<v Speaker 1>Which does happen now? I got to be straight with

0:34:55.080 --> 0:34:57.960
<v Speaker 1>all of y'all. The programming part of this is a

0:34:58.040 --> 0:35:01.719
<v Speaker 1>particularly huge task. If you're picking on everything yourself, it

0:35:01.760 --> 0:35:05.440
<v Speaker 1>can be just as or more time consuming as plugging

0:35:05.480 --> 0:35:09.239
<v Speaker 1>each individual led into a prop or wiring everything up

0:35:09.280 --> 0:35:11.520
<v Speaker 1>in the first place and mounting it in your yard

0:35:11.640 --> 0:35:15.280
<v Speaker 1>or on your house. There are some great tutorials online

0:35:15.360 --> 0:35:17.799
<v Speaker 1>for the various programs out there. So for example, if

0:35:17.840 --> 0:35:21.160
<v Speaker 1>you want to know how to get started with X lights,

0:35:21.360 --> 0:35:25.239
<v Speaker 1>the YouTube channel how to Pixel. The number two how

0:35:25.280 --> 0:35:29.480
<v Speaker 1>to Pixel has a thorough tutorial on X lights, and

0:35:29.560 --> 0:35:33.680
<v Speaker 1>by thorough, I mean it's two and a half hours long.

0:35:34.239 --> 0:35:38.320
<v Speaker 1>Like I said, this stuff gets complicated. Another YouTube channel

0:35:38.320 --> 0:35:43.480
<v Speaker 1>that I highly recommend is learn Christmas Lighting by above AVL,

0:35:43.640 --> 0:35:47.000
<v Speaker 1>which has multiple videos dedicated to different components in Christmas

0:35:47.080 --> 0:35:51.000
<v Speaker 1>lights shows. These folks come from the world of theatrical lighting,

0:35:51.080 --> 0:35:54.680
<v Speaker 1>so their expertise is considerable in the subject. I do

0:35:55.320 --> 0:35:57.879
<v Speaker 1>suggest that if you are interested in this, take a look,

0:35:58.000 --> 0:36:00.799
<v Speaker 1>start reading about it at least or watchings and see

0:36:00.800 --> 0:36:02.880
<v Speaker 1>if it's something that you know kind of clicks with you.

0:36:03.120 --> 0:36:05.880
<v Speaker 1>Then is something that you'd be interested in, And try

0:36:05.920 --> 0:36:09.360
<v Speaker 1>not to go all out right out the gate like

0:36:09.440 --> 0:36:11.879
<v Speaker 1>build up, you know, gradually, so that you can kind

0:36:11.920 --> 0:36:16.200
<v Speaker 1>of get comfortable with all the various elements needed in

0:36:16.280 --> 0:36:18.839
<v Speaker 1>this hobby to make it work, Like you don't need

0:36:18.880 --> 0:36:22.400
<v Speaker 1>to go all out with fog machines and panning and

0:36:22.440 --> 0:36:25.560
<v Speaker 1>tilting lights and all that kind of stuff right from

0:36:25.600 --> 0:36:29.600
<v Speaker 1>the start, Like start slow, get to know the software,

0:36:29.680 --> 0:36:32.799
<v Speaker 1>get to know the hardware and become familiar with it

0:36:32.840 --> 0:36:35.800
<v Speaker 1>so that you can build upon that knowledge and create

0:36:35.920 --> 0:36:40.160
<v Speaker 1>more complicated and impressive light displays moving forward. Also, keep

0:36:40.160 --> 0:36:43.080
<v Speaker 1>in mind, as I said earlier, this hobby is one

0:36:43.080 --> 0:36:48.200
<v Speaker 1>that is evolving rapidly. The sophistication of the tools has

0:36:48.320 --> 0:36:52.000
<v Speaker 1>changed so much over just the last few years. Like

0:36:52.080 --> 0:36:54.040
<v Speaker 1>it wasn't always possible for you to be able to

0:36:54.080 --> 0:36:57.279
<v Speaker 1>buy an off the shelf controller, for example, you had

0:36:57.320 --> 0:37:00.520
<v Speaker 1>to kind of put those things together yourself. You can

0:37:00.719 --> 0:37:03.359
<v Speaker 1>easily do that. There are multiple companies that offer them,

0:37:03.560 --> 0:37:07.480
<v Speaker 1>So dip your toe in by watching some videos, reading

0:37:07.520 --> 0:37:11.200
<v Speaker 1>some blogs, reading some instructions and stuff, find out what

0:37:11.760 --> 0:37:15.719
<v Speaker 1>kind of fits your your comfort level and go from there.

0:37:16.000 --> 0:37:18.719
<v Speaker 1>But the cool thing is that ultimately you're going to

0:37:18.840 --> 0:37:21.880
<v Speaker 1>end up with a really interesting and fun display that

0:37:21.920 --> 0:37:25.640
<v Speaker 1>can delight people who stop by, and you can really

0:37:25.920 --> 0:37:30.920
<v Speaker 1>celebrate ingenuity and innovation and technology along with the concept

0:37:30.960 --> 0:37:33.799
<v Speaker 1>of people coming together and spending time with each other

0:37:33.880 --> 0:37:36.080
<v Speaker 1>and showing appreciation for one another. I think that's a

0:37:36.080 --> 0:37:39.880
<v Speaker 1>great thing when technology and sappy sentimentality can come together.

0:37:39.920 --> 0:37:42.000
<v Speaker 1>Because I'm a soft touch y'all. You should probably know

0:37:42.040 --> 0:37:44.600
<v Speaker 1>that by now if you've been listening for a while. Anyway.

0:37:45.120 --> 0:37:50.120
<v Speaker 1>That's a quick overview of do it yourself Christmas lights shows.

0:37:50.200 --> 0:37:52.880
<v Speaker 1>There is so much more to talk about. I didn't

0:37:53.040 --> 0:37:55.839
<v Speaker 1>even really scratch the surface, but I just wanted to

0:37:56.160 --> 0:37:58.920
<v Speaker 1>kind of raise awareness. I think a lot of people

0:37:59.040 --> 0:38:01.320
<v Speaker 1>they've just seen the stuff that's online and they haven't

0:38:01.320 --> 0:38:03.680
<v Speaker 1>thought what kind of work goes into actually making that.

0:38:04.040 --> 0:38:08.200
<v Speaker 1>It's considerable amount of work, but the reward of designing

0:38:08.280 --> 0:38:12.839
<v Speaker 1>a really nice lights show is also considerable. I mean

0:38:12.880 --> 0:38:15.200
<v Speaker 1>it may not be monetary, but at least it's a

0:38:15.800 --> 0:38:19.680
<v Speaker 1>sense of satisfaction of having created something really eye catching

0:38:19.960 --> 0:38:22.879
<v Speaker 1>and delightful. I hope all of you out there are

0:38:22.960 --> 0:38:26.879
<v Speaker 1>doing well, and I'll talk to you again really soon.

0:38:33.520 --> 0:38:38.160
<v Speaker 1>Tech Stuff is an iHeartRadio production. For more podcasts from iHeartRadio,

0:38:38.480 --> 0:38:42.200
<v Speaker 1>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

0:38:42.239 --> 0:38:46.720
<v Speaker 1>to your favorite shows.