1
00:00:00,320 --> 00:00:03,840
Speaker 1: Hey, guys, So I've always wanted to do some sort

2
00:00:03,840 --> 00:00:09,200
Speaker 1: of like top Episodes of the year rundown thingy. This year,

3
00:00:09,480 --> 00:00:11,560
Speaker 1: I had a little extra time before taking off for

4
00:00:11,600 --> 00:00:15,120
Speaker 1: the holiday, and so kind of threw something together just

5
00:00:15,160 --> 00:00:18,160
Speaker 1: based on what the episodes were that you listened to

6
00:00:18,200 --> 00:00:20,520
Speaker 1: the most. In future years, I'd like to open it

7
00:00:20,600 --> 00:00:23,959
Speaker 1: up for voting, get your input. But for this year,

8
00:00:24,200 --> 00:00:26,759
Speaker 1: we're just gonna be rerunning each of the top five

9
00:00:26,800 --> 00:00:31,040
Speaker 1: episodes while we're on holiday break. And here it is

10
00:00:31,200 --> 00:00:34,480
Speaker 1: your number two most listened to episode of the year

11
00:00:34,560 --> 00:00:38,920
Speaker 1: twenty twenty three. Hello the Internet, and welcome to Season

12
00:00:38,960 --> 00:00:45,680
Speaker 1: three ten, Episode five of Dilys II. Guys, iHeartRadio. Who

13
00:00:45,920 --> 00:00:46,640
Speaker 1: is that?

14
00:00:48,840 --> 00:00:49,000
Speaker 2: This?

15
00:00:49,840 --> 00:00:50,440
Speaker 1: Why this?

16
00:00:51,720 --> 00:00:52,200
Speaker 2: This year?

17
00:00:53,840 --> 00:00:54,000
Speaker 3: Here?

18
00:00:55,400 --> 00:00:55,600
Speaker 1: Oh?

19
00:00:55,680 --> 00:01:00,120
Speaker 4: This, this whole economy? Why this?

20
00:01:00,120 --> 00:01:00,200
Speaker 3: This?

21
00:01:00,280 --> 00:01:02,080
Speaker 1: Here is a podcast where we take a deep avenue

22
00:01:02,240 --> 00:01:06,080
Speaker 1: version consciousness. I just got it at a second hand store.

23
00:01:06,400 --> 00:01:12,720
Speaker 1: It's very comfortable. Anyways. It's Friday, October twenty seventh, twenty

24
00:01:12,840 --> 00:01:13,440
Speaker 1: twenty three.

25
00:01:13,760 --> 00:01:16,920
Speaker 2: A banger of days. National Civic Day, shout out to

26
00:01:16,920 --> 00:01:20,160
Speaker 2: everybody who has no idea how the government or anything works.

27
00:01:20,760 --> 00:01:23,520
Speaker 2: National black Cat Day Shout out to all the owners

28
00:01:23,560 --> 00:01:27,160
Speaker 2: of black Cat myself included and our very lustrous guesses. Well,

29
00:01:27,600 --> 00:01:30,720
Speaker 2: National Frankenstein Friday, don't know what that is. It's also

30
00:01:30,880 --> 00:01:34,440
Speaker 2: National bread Stick Day, so you know, holler at your

31
00:01:34,640 --> 00:01:37,200
Speaker 2: stick bread and National American Beer Day.

32
00:01:37,840 --> 00:01:42,040
Speaker 1: Frankenstein Friday, the day that the events depicted in the

33
00:01:42,120 --> 00:01:44,880
Speaker 1: Monster Mesh actually like historically took place.

34
00:01:45,040 --> 00:01:49,760
Speaker 2: Maybe canonically, yeah, I don't know, but yeah, it's always

35
00:01:49,840 --> 00:01:53,680
Speaker 2: the Friday before or the last Friday in October for whatever.

36
00:01:54,680 --> 00:01:57,800
Speaker 4: I had labor questions about the opening of Monster Mash

37
00:01:58,040 --> 00:02:00,920
Speaker 4: this year, where it's like, is he compass for working in.

38
00:02:00,960 --> 00:02:02,480
Speaker 1: The lab late one night? One night?

39
00:02:02,840 --> 00:02:03,840
Speaker 4: Is self employed?

40
00:02:05,520 --> 00:02:05,760
Speaker 1: Great?

41
00:02:06,760 --> 00:02:09,760
Speaker 2: I know that the guy who wrote that song he

42
00:02:09,840 --> 00:02:12,320
Speaker 2: had like a daughter who he tried to like launch

43
00:02:12,360 --> 00:02:14,959
Speaker 2: a NEPO baby pop star career with. And it was

44
00:02:15,320 --> 00:02:17,200
Speaker 2: like it was a music video. My friend made the

45
00:02:17,280 --> 00:02:20,120
Speaker 2: music video and it's her and Henry Wingler, and it

46
00:02:20,240 --> 00:02:21,880
Speaker 2: was like all about like there's a bunch of horses

47
00:02:21,880 --> 00:02:24,600
Speaker 2: in anyway, wait what God? Yeah, then.

48
00:02:27,560 --> 00:02:29,600
Speaker 1: The sentence there were a bunch of horses.

49
00:02:30,320 --> 00:02:33,359
Speaker 2: There's like the opening scene of the video is like

50
00:02:33,560 --> 00:02:37,639
Speaker 2: the main you know, the lyricist, the singer, she's like

51
00:02:37,760 --> 00:02:39,600
Speaker 2: at a like she's at a horse stable and like

52
00:02:39,680 --> 00:02:43,560
Speaker 2: Henry Winkler Club comes out all like perplexeds, like, honey,

53
00:02:43,880 --> 00:02:47,239
Speaker 2: we gotta get the horses. Moonshadow hasn't been fed, and

54
00:02:47,320 --> 00:02:50,959
Speaker 2: it's like this weird, very poor opening, and then like

55
00:02:51,040 --> 00:02:52,239
Speaker 2: there's a music video.

56
00:02:52,360 --> 00:02:54,919
Speaker 1: From the like what year was this take? This was

57
00:02:54,960 --> 00:02:59,720
Speaker 1: like two thousand? Okay, So it was like a belated launch.

58
00:02:59,919 --> 00:03:03,240
Speaker 1: Was like all right, now that this song has officially

59
00:03:03,360 --> 00:03:06,639
Speaker 1: made it, and everybody is like wondering what day in

60
00:03:06,840 --> 00:03:10,760
Speaker 1: history it happened on? For instance, maybe maybe we can

61
00:03:10,840 --> 00:03:12,320
Speaker 1: launch this into something now?

62
00:03:12,400 --> 00:03:16,200
Speaker 4: Does that are we to believe that it's it's possible

63
00:03:16,600 --> 00:03:20,600
Speaker 4: that Henry Winkler owed Boris Bobby Pickett a favor.

64
00:03:21,440 --> 00:03:25,239
Speaker 1: Oh and if so, what could it happen? What went

65
00:03:25,400 --> 00:03:26,000
Speaker 1: down there?

66
00:03:28,320 --> 00:03:31,919
Speaker 4: Does Boris Bobby Pickett know something about Henry Winkler that

67
00:03:31,960 --> 00:03:34,239
Speaker 4: would lead him to have like to have to be

68
00:03:34,400 --> 00:03:37,120
Speaker 4: in this because if it's mid two thousands, Henry Winkler

69
00:03:37,280 --> 00:03:39,920
Speaker 4: like he's back, he was the dad in Holes.

70
00:03:40,080 --> 00:03:46,240
Speaker 2: It's like it's like pre arrested development post holes. Yeah, yeah, yeah,

71
00:03:46,240 --> 00:03:47,840
Speaker 2: it was like it was kind of an in between

72
00:03:48,080 --> 00:03:49,680
Speaker 2: you know, it's a bit of a lean period. I

73
00:03:49,680 --> 00:03:51,360
Speaker 2: think it was right before he like we fully re

74
00:03:51,480 --> 00:03:55,080
Speaker 2: embraced Henry but anyway, wow, So he was just like, yeah,

75
00:03:55,200 --> 00:03:58,680
Speaker 2: hell yeah, fuck it, I'll do it. Yeah, Shadow is hungry. Fine,

76
00:03:58,800 --> 00:04:03,720
Speaker 2: I can, I can. I'll kill that line. Anyways, Uh

77
00:04:05,120 --> 00:04:07,760
Speaker 2: what what a what a story to kick us off with.

78
00:04:07,960 --> 00:04:10,840
Speaker 2: I'm telling you find the video. It'll be in the fos.

79
00:04:11,400 --> 00:04:12,680
Speaker 1: Frankenstein Friday?

80
00:04:12,840 --> 00:04:13,400
Speaker 2: Is that what it is?

81
00:04:13,440 --> 00:04:16,400
Speaker 1: Frankenstein Friday? So is it? I want it must be

82
00:04:16,480 --> 00:04:18,440
Speaker 1: the last Friday before October thirty.

83
00:04:18,279 --> 00:04:21,120
Speaker 2: Last Friday of October frank Stein frank Sein.

84
00:04:21,080 --> 00:04:26,400
Speaker 1: Rainey, Well, my name is Jack O'Brien. I forget where

85
00:04:26,440 --> 00:04:31,760
Speaker 1: I am, just generally aka wood Rice. It's spilled in

86
00:04:31,839 --> 00:04:35,440
Speaker 1: my pants while I was on the ride. I don't

87
00:04:35,520 --> 00:04:39,160
Speaker 1: know wood Rice. I swear it's not pissed. It's just

88
00:04:39,320 --> 00:04:43,920
Speaker 1: woodter Ice. That is courtesy of First Blood five two.

89
00:04:44,600 --> 00:04:47,239
Speaker 1: We can't move on from this, can we? Aka writers,

90
00:04:47,360 --> 00:04:50,480
Speaker 1: We're still on the fact that I ghost pissed my

91
00:04:50,640 --> 00:04:54,000
Speaker 1: pants on a child's ride. That was very scary.

92
00:04:54,240 --> 00:04:56,800
Speaker 4: I was not brought up to speed on that.

93
00:04:57,120 --> 00:04:58,080
Speaker 2: But oh, you didn't read.

94
00:04:57,960 --> 00:04:59,840
Speaker 1: Your daily briefing, Jamie.

95
00:05:00,160 --> 00:05:02,119
Speaker 2: This daily briefing, presidential daily briefing.

96
00:05:02,880 --> 00:05:05,400
Speaker 4: I don't feel I feel like I know and I

97
00:05:05,560 --> 00:05:07,960
Speaker 4: and if I don't know how I'm thinking of it

98
00:05:08,160 --> 00:05:08,880
Speaker 4: is better?

99
00:05:09,160 --> 00:05:09,960
Speaker 2: Yeah, yeah, yeah and.

100
00:05:11,839 --> 00:05:17,240
Speaker 1: Shorts on yeah. On the by the way, ghosts, it's

101
00:05:17,279 --> 00:05:19,840
Speaker 1: a good thing. Abba. We're not from Philly, I guess

102
00:05:20,080 --> 00:05:28,280
Speaker 1: because Waterloo. Yeah if it's wood anyways, I'm throwing to

103
00:05:28,360 --> 00:05:31,279
Speaker 1: be joined as always by my co host, mister Miles Gras.

104
00:05:32,640 --> 00:05:34,440
Speaker 2: Yes, my name is Miles Gray.

105
00:05:34,520 --> 00:05:39,560
Speaker 5: A ka oh, kiss me beneath my lace sick eyesight,

106
00:05:40,000 --> 00:05:45,440
Speaker 5: teach me to keep my eyelids close, leave yours open end,

107
00:05:46,040 --> 00:05:49,080
Speaker 5: look at me, stay and meet my wide eyed glance.

108
00:05:49,320 --> 00:05:53,000
Speaker 4: Eyeballs now touching, So kiss me.

109
00:05:53,320 --> 00:05:56,400
Speaker 2: Shout out to that Salbudoor jolly on the discord. Yes,

110
00:05:56,960 --> 00:06:00,360
Speaker 2: you know, Derante was on earlier and was talking about how,

111
00:06:00,720 --> 00:06:03,720
Speaker 2: you know, having some kiss chemistry issues with dates and

112
00:06:03,800 --> 00:06:05,480
Speaker 2: just say, you know what, we probably can't go on

113
00:06:05,560 --> 00:06:07,560
Speaker 2: any more dates because the chemistry is off. And I

114
00:06:07,800 --> 00:06:09,960
Speaker 2: you know, she's talking about being honest with people, and

115
00:06:10,080 --> 00:06:11,520
Speaker 2: I had to say shout out to my high school

116
00:06:11,520 --> 00:06:13,560
Speaker 2: girlfriend and said, stop keeping your eyes open when we

117
00:06:13,680 --> 00:06:15,880
Speaker 2: make out, and you need to hire those lessons. So

118
00:06:15,920 --> 00:06:18,039
Speaker 2: shout out to you making that eye to open.

119
00:06:18,560 --> 00:06:18,760
Speaker 1: Yeah.

120
00:06:18,920 --> 00:06:21,080
Speaker 2: Yeah, with eyes wide open.

121
00:06:27,480 --> 00:06:30,360
Speaker 1: And I like the added lure from this song that

122
00:06:30,520 --> 00:06:32,640
Speaker 1: you were doing that because you were trying to kiss

123
00:06:32,680 --> 00:06:35,600
Speaker 1: eyeballs with the person. You're trying to touch open the

124
00:06:35,640 --> 00:06:39,799
Speaker 1: eyeballs with them, which is very very intimate, painful, painful,

125
00:06:39,839 --> 00:06:40,839
Speaker 1: and not very sexy.

126
00:06:41,040 --> 00:06:43,760
Speaker 4: I found it helpful, like, yeah, there to have to

127
00:06:43,920 --> 00:06:47,440
Speaker 4: articulate if someone asks you, like like they're the back

128
00:06:47,480 --> 00:06:51,760
Speaker 4: of an eighteen wheeler, how am I doing this?

129
00:06:51,960 --> 00:06:52,680
Speaker 1: Number? Yeah?

130
00:06:52,839 --> 00:06:56,080
Speaker 4: And and I and I usually am like great, but

131
00:06:56,240 --> 00:06:59,160
Speaker 4: then every once in a while, I'm like, how are

132
00:06:59,320 --> 00:07:03,760
Speaker 4: they doing? And the this was in like the last

133
00:07:04,000 --> 00:07:06,400
Speaker 4: year where it was like, I don't know how you're

134
00:07:06,440 --> 00:07:11,080
Speaker 4: getting your tongue to be flat, but that's not necessary.

135
00:07:11,960 --> 00:07:16,480
Speaker 4: Someone making their tongue flat, like flat like it had

136
00:07:16,520 --> 00:07:20,160
Speaker 4: suddenly experienced, you know, like it was like thirty feet

137
00:07:20,360 --> 00:07:25,320
Speaker 4: you know, subterranean. It was just flattened. It was really interesting. Yeah,

138
00:07:25,520 --> 00:07:29,640
Speaker 4: So I feel I also improved at giving feedback.

139
00:07:30,720 --> 00:07:35,480
Speaker 1: Yeah, and your feedback was just to clarify here, don't

140
00:07:35,520 --> 00:07:39,960
Speaker 1: have such a flat tongue. Weird. Keep that ship to yourself.

141
00:07:40,040 --> 00:07:40,280
Speaker 2: Homan.

142
00:07:40,760 --> 00:07:46,160
Speaker 4: First of all, you're being disgusting. This whole thing, this

143
00:07:46,280 --> 00:07:49,680
Speaker 4: whole act is making me sick.

144
00:07:52,320 --> 00:07:55,680
Speaker 1: Miles. We're thrilled to be joined in our third seats

145
00:07:56,160 --> 00:07:58,520
Speaker 1: by one of the very faces on mounta Zite, Moore,

146
00:07:58,960 --> 00:08:01,720
Speaker 1: one of their favorite guests. One of your favorite guests, Yeah,

147
00:08:01,800 --> 00:08:06,440
Speaker 1: I mean nominated writer, artist, comedian behind many of the

148
00:08:06,640 --> 00:08:11,760
Speaker 1: most acclaimed podcasts like Ghost Church, Bechtel Cast. She is

149
00:08:11,840 --> 00:08:14,000
Speaker 1: the New York Times best selling author of the New

150
00:08:14,080 --> 00:08:18,040
Speaker 1: York Times best selling Brook Brod Dog, Who's Welcome? The

151
00:08:18,160 --> 00:08:20,720
Speaker 1: New York Times best selling author Jamie Love That.

152
00:08:22,320 --> 00:08:27,040
Speaker 4: Okay, missus Joey chest Nut yesting on.

153
00:08:27,200 --> 00:08:28,360
Speaker 1: An open fire.

154
00:08:28,720 --> 00:08:35,679
Speaker 4: It's at Santa University. Oh you know who's going to

155
00:08:35,720 --> 00:08:39,880
Speaker 4: be making a little appearance this year in Santa University.

156
00:08:40,440 --> 00:08:44,800
Speaker 4: That's from at Zombie z Amboni thirteen. Like as if

157
00:08:44,840 --> 00:08:47,079
Speaker 4: I could know just what you think, it couldn't be

158
00:08:48,280 --> 00:08:52,640
Speaker 4: just what you think. It couldn't get better that that. Really,

159
00:08:52,800 --> 00:08:54,040
Speaker 4: I'm so happy to be back.

160
00:08:54,400 --> 00:08:55,719
Speaker 1: Hi, so happy to have you.

161
00:08:56,160 --> 00:08:59,000
Speaker 2: It's funny too, Like there's so many you know, this guest,

162
00:08:59,080 --> 00:09:01,920
Speaker 2: This show is merely a stepping stone and a place

163
00:09:02,040 --> 00:09:05,520
Speaker 2: people passed through onto greater things, and for many people

164
00:09:05,600 --> 00:09:07,400
Speaker 2: that become as successful as you. A lot of times

165
00:09:07,440 --> 00:09:11,719
Speaker 2: listeners are like oh shit, it's beef. Jamie hasn't been showing. No,

166
00:09:12,520 --> 00:09:16,000
Speaker 2: Jamie is. Jamie's doing quite well and promoting a New

167
00:09:16,120 --> 00:09:19,520
Speaker 2: York Times bestseller. So yeah, you know, there's.

168
00:09:19,679 --> 00:09:22,600
Speaker 4: There's other things happening, and I mean not to mention

169
00:09:22,800 --> 00:09:23,199
Speaker 4: the beef.

170
00:09:23,640 --> 00:09:26,559
Speaker 1: Yeah, well, yeah, the beef is ugly and we don't

171
00:09:26,600 --> 00:09:27,240
Speaker 1: talk about.

172
00:09:27,080 --> 00:09:29,520
Speaker 4: It, but the beef is. But but we put aside

173
00:09:29,559 --> 00:09:30,120
Speaker 4: our differences.

174
00:09:30,280 --> 00:09:32,760
Speaker 2: Well absolutely, and you know we begged you. Yeah, we

175
00:09:32,880 --> 00:09:35,559
Speaker 2: begged you to come back because like, help us do anything,

176
00:09:35,960 --> 00:09:37,040
Speaker 2: you're so mad at us.

177
00:09:37,720 --> 00:09:39,960
Speaker 1: Congratulations. I think this is the first time you've been

178
00:09:40,040 --> 00:09:42,640
Speaker 1: back since becoming a New York Times bestselling author.

179
00:09:42,520 --> 00:09:42,920
Speaker 2: I believe.

180
00:09:43,000 --> 00:09:45,400
Speaker 4: So, yeah, thank you for saying it so many times.

181
00:09:47,000 --> 00:09:49,360
Speaker 2: It's dope. It's the dopest thing to say about anybody

182
00:09:49,440 --> 00:09:51,280
Speaker 2: that you don't like New York Times best selling the

183
00:09:51,360 --> 00:09:52,319
Speaker 2: obviously Jamie Loftus.

184
00:09:53,040 --> 00:09:54,120
Speaker 1: Thanks got Yeah.

185
00:09:54,240 --> 00:09:57,400
Speaker 4: Yeah, it's been it's been, uh, this year's been all

186
00:09:57,440 --> 00:09:59,280
Speaker 4: over the place. That was a high. That was a

187
00:09:59,360 --> 00:09:59,800
Speaker 4: good one.

188
00:10:00,360 --> 00:10:00,600
Speaker 1: Yeah.

189
00:10:01,760 --> 00:10:01,960
Speaker 2: Good.

190
00:10:02,840 --> 00:10:06,079
Speaker 1: Yeah, We're very happy for you, proud of you and

191
00:10:06,200 --> 00:10:08,760
Speaker 1: excited to have you back on the daily. Get to

192
00:10:08,800 --> 00:10:10,959
Speaker 1: know you a little bit better in a moment. First,

193
00:10:11,600 --> 00:10:14,840
Speaker 1: a couple of the things. We're talking about five nights,

194
00:10:15,120 --> 00:10:20,599
Speaker 1: five night at Freddy. Have you guys heard about this?

195
00:10:25,480 --> 00:10:26,079
Speaker 2: Is this right?

196
00:10:28,920 --> 00:10:34,240
Speaker 6: They're spending five five night at Freddy, five night Freddy.

197
00:10:34,920 --> 00:10:38,480
Speaker 4: I honestly, I'm like so stoked for five night at Freddy.

198
00:10:39,760 --> 00:10:43,600
Speaker 4: I got a text to being like, you know, Killers

199
00:10:43,640 --> 00:10:46,200
Speaker 4: of the Flower Moon this weekend, queen, and it's like, well,

200
00:10:47,000 --> 00:10:50,839
Speaker 4: it's more of a five night at Freddy weekend for me.

201
00:10:51,600 --> 00:10:54,400
Speaker 4: Killers the Flower Moon. That's a November project. But I

202
00:10:54,600 --> 00:10:57,000
Speaker 4: have to you know, see is October. I already saw

203
00:10:57,160 --> 00:10:59,520
Speaker 4: Saw X. I gotta see five Night at Freddy. I

204
00:10:59,559 --> 00:11:01,439
Speaker 4: got to see that fifth night. I'm hanging in for

205
00:11:01,520 --> 00:11:02,000
Speaker 4: the fifth night.

206
00:11:02,080 --> 00:11:02,600
Speaker 1: Wow, that's right.

207
00:11:03,200 --> 00:11:03,840
Speaker 4: Yeah, yeah.

208
00:11:04,280 --> 00:11:10,400
Speaker 1: The reviews are in and they are bad. I had

209
00:11:10,440 --> 00:11:14,080
Speaker 1: a friend I have tried not to learn what five

210
00:11:14,200 --> 00:11:17,520
Speaker 1: night at Freddy is, five knight Freddy, five Knight Freddy.

211
00:11:17,800 --> 00:11:20,800
Speaker 1: I had a friend be like, it's the latest nightmare

212
00:11:20,840 --> 00:11:27,600
Speaker 1: on ELM Street movie, right, even I know that's not correct,

213
00:11:27,840 --> 00:11:30,719
Speaker 1: But now that you're saying five knife Freddy, I mean,

214
00:11:31,120 --> 00:11:33,880
Speaker 1: who who's guy with five knife on his hand?

215
00:11:34,400 --> 00:11:36,360
Speaker 2: It's five knife ready.

216
00:11:36,920 --> 00:11:42,959
Speaker 1: Right, I'm just saying all that plenty more, But first, Jamie,

217
00:11:43,000 --> 00:11:45,120
Speaker 1: we do like to ask our guests, what is something

218
00:11:45,200 --> 00:11:47,200
Speaker 1: from your search history?

219
00:11:47,880 --> 00:11:51,360
Speaker 4: Okay, so something for my search history is a guy

220
00:11:51,600 --> 00:11:55,480
Speaker 4: I'm just completely enamored with. Move Over, Joey chest Night.

221
00:11:56,120 --> 00:11:59,679
Speaker 4: Monty Revolta is who has been on my mind. I

222
00:11:59,720 --> 00:12:03,800
Speaker 4: have either of you heard of Monty Revolta. I was

223
00:12:03,960 --> 00:12:08,840
Speaker 4: really desperately trying to write a last minute Halloween profile

224
00:12:08,960 --> 00:12:12,000
Speaker 4: of Monty Revolta, but he tragically does not seem to

225
00:12:12,200 --> 00:12:15,319
Speaker 4: know how he's the Internet very well. But like I okay,

226
00:12:15,880 --> 00:12:19,200
Speaker 4: so I forget if we ever talked about this on TDZ.

227
00:12:19,360 --> 00:12:22,200
Speaker 4: But I worked at a hant at the Haunted hay

228
00:12:22,280 --> 00:12:26,760
Speaker 4: Ride last year in Griffith Park. Yeah, and it was

229
00:12:27,000 --> 00:12:30,679
Speaker 4: a very you know, meaningful experience to me. I have

230
00:12:30,720 --> 00:12:32,400
Speaker 4: a lot to say about it today. And I went

231
00:12:32,640 --> 00:12:34,920
Speaker 4: back because the one thing that I didn't get to

232
00:12:35,120 --> 00:12:38,040
Speaker 4: do while I was at the hay Ride, as like,

233
00:12:38,200 --> 00:12:40,959
Speaker 4: in addition to like being treated like a person, was

234
00:12:41,000 --> 00:12:44,480
Speaker 4: I never got to see I never got to see

235
00:12:44,760 --> 00:12:50,079
Speaker 4: the like main stage huge show which is this lounge

236
00:12:50,360 --> 00:12:55,960
Speaker 4: undead lounge singer named Monty Revolta. He is the star

237
00:12:56,080 --> 00:12:58,240
Speaker 4: of the hay Ride. I never got I never even

238
00:12:58,280 --> 00:13:00,880
Speaker 4: knew what he looked like till I looked him up,

239
00:13:00,880 --> 00:13:02,760
Speaker 4: because he's kind of I'm not going to say he's

240
00:13:02,760 --> 00:13:04,439
Speaker 4: a diva because I don't know what he's like. But

241
00:13:04,520 --> 00:13:07,920
Speaker 4: he didn't fraternize with the other scare actors. He wasn't

242
00:13:07,960 --> 00:13:09,840
Speaker 4: around Oh Manti's scare actors.

243
00:13:09,880 --> 00:13:12,480
Speaker 1: God him learning so much just ambiently.

244
00:13:12,360 --> 00:13:14,760
Speaker 4: Try to keep up with these industry terms.

245
00:13:16,480 --> 00:13:19,160
Speaker 1: The sides that I'm like, they're called scare actors, they're

246
00:13:19,240 --> 00:13:20,600
Speaker 1: called scared.

247
00:13:20,320 --> 00:13:24,240
Speaker 2: The characters at Universal Halloween hor Nights.

248
00:13:24,320 --> 00:13:27,560
Speaker 4: Yeah, well that's some high rant stuff. We couldn't afford

249
00:13:27,640 --> 00:13:30,480
Speaker 4: that kind of that kind of vocabulary. But yeah, that's

250
00:13:30,600 --> 00:13:34,200
Speaker 4: like every every scare actor. Would you know, you would

251
00:13:34,320 --> 00:13:37,199
Speaker 4: see Monty's band, and Monty's band would kind of like

252
00:13:38,280 --> 00:13:40,240
Speaker 4: not well, at least one of them was like kind

253
00:13:40,240 --> 00:13:43,520
Speaker 4: of swinging swinging his dick around about his proximity to Monty,

254
00:13:44,240 --> 00:13:47,679
Speaker 4: and there were some really but I never got to

255
00:13:47,720 --> 00:13:50,320
Speaker 4: meet Manty. I never had to see him perform. Then

256
00:13:50,360 --> 00:13:52,439
Speaker 4: I went back this week because I just had to know,

257
00:13:52,679 --> 00:13:55,520
Speaker 4: you know what changed since last year. It's like visiting

258
00:13:55,640 --> 00:13:58,199
Speaker 4: I never I have no love for my college, Like

259
00:13:58,320 --> 00:14:01,120
Speaker 4: I would never return, but I would I will go

260
00:14:01,200 --> 00:14:02,719
Speaker 4: back to the hair ride every year as if I

261
00:14:02,840 --> 00:14:10,160
Speaker 4: graduated from reunion. Yeah, and Monty unbelievable like I was.

262
00:14:10,480 --> 00:14:13,520
Speaker 4: I couldn't stop smiling. My friend took a picture of

263
00:14:13,679 --> 00:14:17,000
Speaker 4: what I looked like looking at Monty, and it was like,

264
00:14:17,360 --> 00:14:24,040
Speaker 4: he's so he's funny. He comes out of a coffin

265
00:14:24,160 --> 00:14:29,280
Speaker 4: in the beginning. Oh, he's got little jokes. He's physically huge,

266
00:14:29,480 --> 00:14:33,480
Speaker 4: He's like nine feet tall. He's every it was, he's

267
00:14:33,640 --> 00:14:36,520
Speaker 4: He closed the set on I Will Always Love You

268
00:14:37,920 --> 00:14:40,640
Speaker 4: and at one point adjusted the lyrics to I will

269
00:14:40,680 --> 00:14:45,040
Speaker 4: Always love Ghoule and I it really hit for me.

270
00:14:45,320 --> 00:14:48,520
Speaker 4: I love Montey Revolta. I love his website. His website

271
00:14:48,600 --> 00:14:51,359
Speaker 4: is so bizars legendary.

272
00:14:51,960 --> 00:14:54,800
Speaker 2: It is good. It is so good.

273
00:14:55,560 --> 00:14:57,560
Speaker 4: Monte Rivolta and his Band of the Living Dead. It

274
00:14:57,760 --> 00:14:59,760
Speaker 4: was made in you know, an angel fire.

275
00:15:00,200 --> 00:15:02,960
Speaker 2: Look at his clients. He's working with everybody who's doing

276
00:15:03,000 --> 00:15:04,920
Speaker 2: a freaky fucking thing in the South Lane.

277
00:15:05,360 --> 00:15:07,560
Speaker 4: Oh he doesn't give a ship. I mean well, he

278
00:15:07,760 --> 00:15:11,080
Speaker 4: and he also the Herson Reptile Show. You know, Monty

279
00:15:11,160 --> 00:15:13,640
Speaker 4: Rivolta in his Undead band are going to be there.

280
00:15:14,120 --> 00:15:18,160
Speaker 1: I am like the winch the Winchester Mystery House. Oh yeah,

281
00:15:18,320 --> 00:15:20,600
Speaker 1: oh they've been at the Winch.

282
00:15:21,360 --> 00:15:26,400
Speaker 4: I love the kid CBGB's for like Haunted Novelty bands.

283
00:15:28,040 --> 00:15:30,200
Speaker 4: He played the Winch. I just like, I think he's

284
00:15:30,280 --> 00:15:33,480
Speaker 4: so cool, and I kind of love that he is

285
00:15:33,520 --> 00:15:36,320
Speaker 4: sharing his beautiful art. I cannot figure out what his

286
00:15:36,440 --> 00:15:38,840
Speaker 4: government name is, to save my fucking life.

287
00:15:38,960 --> 00:15:44,560
Speaker 1: I just love what I'm seeing that somebody Jos played

288
00:15:45,200 --> 00:15:49,800
Speaker 1: monte Ravolta in Monte Ravolta Acting Dead twenty sixteen.

289
00:15:50,320 --> 00:15:53,920
Speaker 4: I've seen, yeah, I've seen Blake Johnson, and I you

290
00:15:54,000 --> 00:15:56,240
Speaker 4: know it could be true. I just it doesn't fit

291
00:15:56,360 --> 00:16:01,960
Speaker 4: his vibe whatsoever. Interesting this nine foot man singing I

292
00:16:02,000 --> 00:16:04,080
Speaker 4: will always love Ghoule. I'm like, that can't be a

293
00:16:04,120 --> 00:16:07,680
Speaker 4: guy named Blake Johnson. I'd lose it. I don't understand.

294
00:16:07,840 --> 00:16:09,520
Speaker 4: I don't know. I've been trying to I've been trying

295
00:16:09,520 --> 00:16:12,520
Speaker 4: to figure him out. I was like, maybe I could

296
00:16:12,560 --> 00:16:16,720
Speaker 4: shadow him for a night, but he just crickets, crickets,

297
00:16:16,720 --> 00:16:19,840
Speaker 4: wants nothing to do with me and Deadson.

298
00:16:20,360 --> 00:16:22,000
Speaker 1: But Blake Johnson come.

299
00:16:21,920 --> 00:16:27,280
Speaker 4: On exactly exactly. I wonder if he's changed, because I

300
00:16:27,440 --> 00:16:29,800
Speaker 4: I wonder how much crossover there is between this and

301
00:16:30,000 --> 00:16:33,280
Speaker 4: like hot dog eating specific because there's a guy who

302
00:16:33,400 --> 00:16:36,040
Speaker 4: I'm I would now consider not a friend, but like

303
00:16:36,360 --> 00:16:41,040
Speaker 4: a heightened acquaintance. This guy Crazy Legs Kanti who that

304
00:16:41,280 --> 00:16:44,120
Speaker 4: is like now his government name he had it changed,

305
00:16:44,160 --> 00:16:47,120
Speaker 4: and I'm like maybe Monty Revolta just was like, this

306
00:16:47,360 --> 00:16:47,880
Speaker 4: is my life.

307
00:16:47,960 --> 00:16:50,080
Speaker 2: I'm making this olocks.

308
00:16:53,240 --> 00:16:55,880
Speaker 4: Crazy Legs most certainly.

309
00:16:55,600 --> 00:16:58,240
Speaker 2: Does love those dreadlocks.

310
00:16:58,840 --> 00:17:03,600
Speaker 4: Also like a really like really really tall, physically imposing

311
00:17:03,960 --> 00:17:07,879
Speaker 4: person has a huge Marx Brothers collection. Interesting guy, I

312
00:17:07,920 --> 00:17:08,560
Speaker 4: feel like you have.

313
00:17:08,640 --> 00:17:14,320
Speaker 1: A type, Jamie, really tall, not a real human.

314
00:17:14,760 --> 00:17:17,080
Speaker 4: In reality, I men who are tiny and hate me.

315
00:17:17,320 --> 00:17:21,520
Speaker 6: This guy with the Johns Hopkins Jamie, yeah, yeah, like

316
00:17:21,880 --> 00:17:25,040
Speaker 6: super smart, got like lived in LA for a while,

317
00:17:25,160 --> 00:17:27,760
Speaker 6: like really really a fascinating man.

318
00:17:28,000 --> 00:17:31,440
Speaker 4: I went to the after party, the like hot dog

319
00:17:31,520 --> 00:17:34,920
Speaker 4: eating after party, and like was chatting with him for

320
00:17:35,000 --> 00:17:39,080
Speaker 4: a while, and I was like, how people are amazing.

321
00:17:39,200 --> 00:17:41,120
Speaker 4: I have hope for humanity because.

322
00:17:41,520 --> 00:17:43,800
Speaker 1: You know this is possible.

323
00:17:44,240 --> 00:17:48,240
Speaker 2: Yeah, you could look like an Adam Durwitz like impersonator,

324
00:17:48,640 --> 00:17:51,440
Speaker 2: wear a fedora, and just crush the competitive eating scene.

325
00:17:52,000 --> 00:17:55,840
Speaker 4: Unbelievable. He spoke at my New York book release show

326
00:17:56,359 --> 00:17:58,680
Speaker 4: and was telling this story that I was like, what

327
00:17:58,840 --> 00:17:59,600
Speaker 4: are you talking about?

328
00:17:59,640 --> 00:17:59,680
Speaker 2: You?

329
00:18:00,320 --> 00:18:04,719
Speaker 1: Everybody like like your like new friend that gets invited

330
00:18:04,760 --> 00:18:06,399
Speaker 1: to the wedding gives a.

331
00:18:08,480 --> 00:18:12,679
Speaker 4: Like milletant feminist. But he was like telling a story

332
00:18:13,160 --> 00:18:15,520
Speaker 4: about and like he you know, he was really cool,

333
00:18:15,560 --> 00:18:17,440
Speaker 4: but he was like, yeah, I was getting ready for

334
00:18:17,520 --> 00:18:20,399
Speaker 4: this mayonnaise eating contest and I was doing it at

335
00:18:20,440 --> 00:18:22,000
Speaker 4: this girl's house. Because you don't want to be eating

336
00:18:22,080 --> 00:18:24,320
Speaker 4: mayonnaise at your house, like, but you do want to

337
00:18:24,359 --> 00:18:26,320
Speaker 4: be eating it at a girls.

338
00:18:27,200 --> 00:18:29,080
Speaker 1: He's like, mean crazy Legs.

339
00:18:29,359 --> 00:18:31,240
Speaker 4: Right, So I was like, why would you eat it

340
00:18:31,320 --> 00:18:33,760
Speaker 4: at your girlfriend's house. He's like, well, she wasn't my girlfriend.

341
00:18:34,160 --> 00:18:38,720
Speaker 1: It was a casual whoa I don't put you know,

342
00:18:38,800 --> 00:18:40,480
Speaker 1: crazy Legs doesn't put labels on things.

343
00:18:40,680 --> 00:18:47,960
Speaker 2: That's called a mayonnaise side piece, dip over mayo.

344
00:18:48,560 --> 00:18:49,440
Speaker 4: Life is beautiful.

345
00:18:51,000 --> 00:18:54,560
Speaker 1: I love So I've been ever since he said Monty Revolts,

346
00:18:54,560 --> 00:18:57,560
Speaker 1: I've been trying to figure out what that is? It

347
00:18:57,760 --> 00:19:01,119
Speaker 1: like that, So he's a lounge act, like a lounge

348
00:19:01,200 --> 00:19:07,440
Speaker 1: singer who is like themed Halloween themed. I am I stupid?

349
00:19:07,800 --> 00:19:12,320
Speaker 1: Is there an obvious reference there? Like is Montira Volta

350
00:19:13,080 --> 00:19:13,960
Speaker 1: referencing something?

351
00:19:14,640 --> 00:19:18,399
Speaker 4: Not that I can tell I forget, Like I I

352
00:19:18,480 --> 00:19:21,640
Speaker 4: went with somebody and he had like all these ideas,

353
00:19:21,760 --> 00:19:23,480
Speaker 4: He had all these pitches for what it could be

354
00:19:23,560 --> 00:19:27,399
Speaker 4: a reference to. He was like, is it Mars Volta,

355
00:19:27,760 --> 00:19:28,480
Speaker 4: Like that would be.

356
00:19:29,160 --> 00:19:37,560
Speaker 1: Weird Volta from the early two thousand, That would be.

357
00:19:37,560 --> 00:19:40,159
Speaker 4: A very Blake Johnson to do that sounds like a

358
00:19:40,240 --> 00:19:44,119
Speaker 4: Blake Johnson. That it was a huge Mars Vaulta guy.

359
00:19:44,440 --> 00:19:45,639
Speaker 4: I can't figure out what it is.

360
00:19:45,680 --> 00:19:45,960
Speaker 1: I can't.

361
00:19:45,960 --> 00:19:48,840
Speaker 4: I also can't really tell how long he's been doing it.

362
00:19:49,000 --> 00:19:52,440
Speaker 4: But I do know that he plays weddings and that

363
00:19:52,920 --> 00:19:56,440
Speaker 4: is really lighting a fire under my ass to considered

364
00:19:56,480 --> 00:19:59,800
Speaker 4: that to get married before he gets too huge. And

365
00:20:00,040 --> 00:20:02,800
Speaker 4: I can't, you know, get him for weddings anymore.

366
00:20:02,720 --> 00:20:05,600
Speaker 1: Because the Band of the Living Dead would suggest that

367
00:20:05,760 --> 00:20:09,760
Speaker 1: his wordplay is fairly straightforward. But Monty Revolta, I don't know.

368
00:20:10,440 --> 00:20:12,000
Speaker 2: Travolta is the closest thing I get.

369
00:20:12,119 --> 00:20:17,280
Speaker 1: Yeah, that I'm thinking, But like Monty travolt manty, like

370
00:20:17,400 --> 00:20:20,960
Speaker 1: Johnny Travolta, Monty Ravolta, who.

371
00:20:21,000 --> 00:20:24,080
Speaker 4: I'll ask him if he ever answers my fucking email.

372
00:20:24,640 --> 00:20:26,800
Speaker 4: You know, I'm going to hear from him on November fifth,

373
00:20:26,920 --> 00:20:29,119
Speaker 4: Like it is like talking to it does remind me

374
00:20:29,160 --> 00:20:34,000
Speaker 4: of like, you know, come July twelfth, Joey chest Night,

375
00:20:34,280 --> 00:20:37,520
Speaker 4: everyone is you know, temporary, He's left everyone's mind temporarily

376
00:20:37,640 --> 00:20:39,920
Speaker 4: and then you can get him on the horn. But

377
00:20:40,520 --> 00:20:44,760
Speaker 4: you know, June, forget it. July fourth, don't even.

378
00:20:44,720 --> 00:20:47,080
Speaker 1: Try, like trying to get get on the phone with

379
00:20:47,200 --> 00:20:53,360
Speaker 1: my accountant during CAx season Swish, thank you from way downtown.

380
00:20:53,920 --> 00:20:56,040
Speaker 1: Let's take a quick break and we'll come back and

381
00:20:56,200 --> 00:21:09,440
Speaker 1: keep talking to Jamie Loftus. We'll be right back, and

382
00:21:10,040 --> 00:21:14,720
Speaker 1: we're back and Jamie is back on the show, and

383
00:21:15,400 --> 00:21:17,800
Speaker 1: we are about to ask you, what is something do

384
00:21:17,880 --> 00:21:19,000
Speaker 1: you think is overrated?

385
00:21:19,520 --> 00:21:23,240
Speaker 4: So this it does kind of dovetail with the Hanted

386
00:21:23,280 --> 00:21:30,240
Speaker 4: Hayride discussion hyper specific conglomerates because no one I know

387
00:21:30,800 --> 00:21:32,639
Speaker 4: worked at the Haunted ha Ride this year. Because of this,

388
00:21:32,880 --> 00:21:36,920
Speaker 4: like there is a Haunted hay Ride and Haunted Attraction

389
00:21:37,200 --> 00:21:42,040
Speaker 4: specific conglomerate which acquired the Los Angeles Haunted hair Ride

390
00:21:42,400 --> 00:21:45,160
Speaker 4: and like kind of I don't know not to sound

391
00:21:45,320 --> 00:21:48,920
Speaker 4: like gen X about it, but like they sold out

392
00:21:49,560 --> 00:21:53,320
Speaker 4: and now it's fucking corporate. It's sponsored by Hulu. There's

393
00:21:53,400 --> 00:21:55,560
Speaker 4: all this shit there, you know, and so yeah, this

394
00:21:55,680 --> 00:21:58,280
Speaker 4: company Thirteenth Floor, which is a great you know, if

395
00:21:58,280 --> 00:22:00,520
Speaker 4: you're gonna acquire a bunch of haunted hair d you'd

396
00:22:00,560 --> 00:22:02,120
Speaker 4: better be called thirteenth Floor.

397
00:22:02,280 --> 00:22:02,480
Speaker 1: Yeah.

398
00:22:02,960 --> 00:22:05,520
Speaker 4: Real, But they like, as far as I could tell,

399
00:22:05,720 --> 00:22:09,720
Speaker 4: lowered the wages of employees, acquired all these things, sold

400
00:22:09,760 --> 00:22:12,440
Speaker 4: a bunch of sponsorships to Hulu, jacked up the prices

401
00:22:12,480 --> 00:22:14,440
Speaker 4: so it cost fifty bucks to go on a hay ride,

402
00:22:14,880 --> 00:22:19,040
Speaker 4: you know. And and we can only hope they're compensating

403
00:22:19,119 --> 00:22:21,920
Speaker 4: Monty Rivolta and his Band of the Living Dead fairly.

404
00:22:22,560 --> 00:22:26,320
Speaker 4: But I just I take real, real issue. I feel

405
00:22:26,359 --> 00:22:29,159
Speaker 4: like they're you know, if there was still if it

406
00:22:29,240 --> 00:22:31,840
Speaker 4: was still a mom and pop population operation, it would

407
00:22:31,840 --> 00:22:35,160
Speaker 4: still be equally unsafe. You would be taking your life

408
00:22:35,200 --> 00:22:39,600
Speaker 4: in your hands right by attending. But you know, it

409
00:22:39,640 --> 00:22:43,760
Speaker 4: would cost twenty dollars and be fun. Well, not that

410
00:22:43,880 --> 00:22:46,439
Speaker 4: it wasn't fun, It was very fun, but it does.

411
00:22:47,400 --> 00:22:51,000
Speaker 4: It's unsettling to go to a local haunted hay ride

412
00:22:51,000 --> 00:22:52,560
Speaker 4: and feel that it has gone corporate.

413
00:22:52,920 --> 00:22:56,400
Speaker 2: Yeah true, especially like the the won of Griffith Park,

414
00:22:56,520 --> 00:22:59,560
Speaker 2: like it had like this you know, homeliness to it.

415
00:22:59,680 --> 00:23:04,680
Speaker 2: But I guess now that's my thirteenth Floor Entertainment group.

416
00:23:04,840 --> 00:23:05,960
Speaker 2: I mean it was like, are they owned by a

417
00:23:06,000 --> 00:23:06,719
Speaker 2: venture capital?

418
00:23:08,119 --> 00:23:10,680
Speaker 4: Right? Like it has to be someone sucking the fun

419
00:23:11,320 --> 00:23:15,120
Speaker 4: out of everything. It was still great, but I was here.

420
00:23:15,240 --> 00:23:18,280
Speaker 4: I was in a hay Ride alumni text group, and

421
00:23:18,400 --> 00:23:20,760
Speaker 4: most people who went back, they were like, I got

422
00:23:20,840 --> 00:23:26,440
Speaker 4: put in. It's there. It sounds ridiculous to read the text,

423
00:23:26,560 --> 00:23:28,520
Speaker 4: but it's like, you know, someone I worked with last

424
00:23:28,600 --> 00:23:31,840
Speaker 4: year is like, well I quit today. They put me

425
00:23:31,920 --> 00:23:34,240
Speaker 4: in skeletons and I was told I could do a stunt,

426
00:23:34,560 --> 00:23:36,600
Speaker 4: but then I couldn't do a stunt. So I walked

427
00:23:36,640 --> 00:23:38,840
Speaker 4: out on all the skeletons and I was like, good

428
00:23:39,440 --> 00:23:39,720
Speaker 4: for you.

429
00:23:40,160 --> 00:23:42,359
Speaker 1: Yeah, I feel like this could just be the entire

430
00:23:42,680 --> 00:23:45,119
Speaker 1: episode is talking to you about your experience with these

431
00:23:45,200 --> 00:23:48,760
Speaker 1: haunted houses. Like that the local haunted house market has

432
00:23:48,800 --> 00:23:51,680
Speaker 1: come up a little bit as like we've been talking

433
00:23:51,720 --> 00:23:54,800
Speaker 1: about like buying a haunted house Instagram. Yeah, we've been

434
00:23:54,840 --> 00:23:55,359
Speaker 1: talking about the.

435
00:23:56,680 --> 00:23:59,359
Speaker 4: Like Pete Davidson and Colin Joe's buying a boat. You

436
00:23:59,480 --> 00:24:01,320
Speaker 4: guys buying a haunted house together.

437
00:24:03,240 --> 00:24:09,200
Speaker 1: So just like that level of like the Instagram activation,

438
00:24:09,440 --> 00:24:12,399
Speaker 1: things like I took my kids to like Bubble World.

439
00:24:12,600 --> 00:24:14,080
Speaker 1: I think it was called and it was just like

440
00:24:14,119 --> 00:24:16,680
Speaker 1: a bunch of balloons. But it's like a whole thing

441
00:24:17,320 --> 00:24:21,879
Speaker 1: designed around Instagram that seems to be like from about

442
00:24:21,920 --> 00:24:26,560
Speaker 1: the same level of like employee and thought put into

443
00:24:26,640 --> 00:24:29,720
Speaker 1: it as a haunted house, but just like not around Halloween,

444
00:24:30,000 --> 00:24:33,159
Speaker 1: and like they just fill in an old ralphs and

445
00:24:33,280 --> 00:24:37,119
Speaker 1: stuff like I'm just curious what what it was like

446
00:24:37,240 --> 00:24:40,160
Speaker 1: in the guts of the haunted house industry.

447
00:24:40,800 --> 00:24:43,560
Speaker 4: It seems like, I mean, based on how my boss

448
00:24:44,320 --> 00:24:51,000
Speaker 4: last year behaved, he was he had he had he

449
00:24:51,119 --> 00:24:54,359
Speaker 4: had just about fucking had it with this with this corporation,

450
00:24:55,920 --> 00:24:58,680
Speaker 4: and and would start to say there the last night

451
00:24:58,760 --> 00:25:01,639
Speaker 4: on Halloween Night twenty two, me to uh, he was

452
00:25:01,720 --> 00:25:09,680
Speaker 4: dressed as legless from most most nice.

453
00:25:09,720 --> 00:25:10,600
Speaker 2: He would wear you know, like.

454
00:25:10,640 --> 00:25:12,760
Speaker 4: A black shirt and black pants because he was at

455
00:25:12,840 --> 00:25:15,280
Speaker 4: work and he wasn't he wasn't a s character. He

456
00:25:15,520 --> 00:25:18,600
Speaker 4: was like the actor coordinator. But but he was growing

457
00:25:18,680 --> 00:25:21,840
Speaker 4: increased because and he had been in the haunt business

458
00:25:22,240 --> 00:25:24,680
Speaker 4: for years. He would come around and like he was

459
00:25:24,720 --> 00:25:26,760
Speaker 4: a super nice guy. He'd come around and like show

460
00:25:26,800 --> 00:25:29,399
Speaker 4: you pictures of like him and his husband working haunts

461
00:25:29,400 --> 00:25:31,080
Speaker 4: in the mid two thousands, and then he's like, then

462
00:25:31,119 --> 00:25:33,600
Speaker 4: I got the leg injury, and now you know, I'm

463
00:25:33,640 --> 00:25:36,240
Speaker 4: happy to be working in a curatorial role blah blah

464
00:25:36,240 --> 00:25:39,960
Speaker 4: blah blah blah, and like super super cool guy.

465
00:25:40,119 --> 00:25:43,359
Speaker 1: Love that level of professionalism and like dedication. That's great.

466
00:25:43,440 --> 00:25:45,960
Speaker 4: Yeah, he was great. And he ended up quitting and

467
00:25:46,040 --> 00:25:49,280
Speaker 4: not coming back because he was being you know, micromanaged

468
00:25:49,320 --> 00:25:51,720
Speaker 4: and like told that he was being too easy on actors.

469
00:25:51,760 --> 00:25:54,159
Speaker 4: He was giving us too many breaks and like just

470
00:25:54,280 --> 00:25:56,760
Speaker 4: he was being nice to us, and so by the end,

471
00:25:57,160 --> 00:26:00,239
Speaker 4: he like made a whole speech to everyone on Halloween night,

472
00:26:00,480 --> 00:26:03,480
Speaker 4: dressed as legless. Not related to the speech, but certainly

473
00:26:03,640 --> 00:26:06,879
Speaker 4: enhanced it. You know, he was like, I am leaving

474
00:26:07,560 --> 00:26:12,760
Speaker 4: this business. This season has broken me, and I am

475
00:26:13,119 --> 00:26:16,040
Speaker 4: like and like he just he was done. They had

476
00:26:16,119 --> 00:26:19,399
Speaker 4: gone corporate. He had had it and uh and there

477
00:26:19,480 --> 00:26:22,480
Speaker 4: were so many injuries that like we weren't allowed to

478
00:26:22,600 --> 00:26:26,000
Speaker 4: talk about. It was really I And then he said

479
00:26:26,040 --> 00:26:29,400
Speaker 4: he was like, my husband and I may move to Europe.

480
00:26:30,000 --> 00:26:32,760
Speaker 4: Was like, wasn't that bad? Or was that like an

481
00:26:32,840 --> 00:26:34,240
Speaker 4: unrelated plan? I don't know.

482
00:26:35,359 --> 00:26:39,600
Speaker 1: He gave like Eisenhower speech about the military industrial complex,

483
00:26:39,720 --> 00:26:42,200
Speaker 1: like on the way out. He was like, this whole

484
00:26:42,320 --> 00:26:47,080
Speaker 1: industry is fucked rosten run.

485
00:26:47,960 --> 00:26:51,560
Speaker 2: And you're wondering why I'm dressed because Gone Door has

486
00:26:51,720 --> 00:26:54,159
Speaker 2: no king like what stuff.

487
00:26:55,200 --> 00:26:58,120
Speaker 1: But it does also sound because another kind of related

488
00:26:58,320 --> 00:27:01,440
Speaker 1: at that level, like war Old that I find super

489
00:27:01,520 --> 00:27:04,400
Speaker 1: interesting in addition to Haunted Houses, is like ren Fair,

490
00:27:04,760 --> 00:27:07,600
Speaker 1: right Like, I feel like ren Fair like ren Fair

491
00:27:07,680 --> 00:27:13,200
Speaker 1: people might just as well like segue right into Haunted

492
00:27:13,480 --> 00:27:16,600
Speaker 1: Hayaride acting totally, but I feel like the Renfair is

493
00:27:16,600 --> 00:27:19,080
Speaker 1: a little more debauched, though behind the scenes.

494
00:27:20,040 --> 00:27:23,200
Speaker 4: It is certainly horn horny air, Like I went to

495
00:27:23,280 --> 00:27:25,040
Speaker 4: my first Renfair this year, so I can't I can't

496
00:27:25,080 --> 00:27:27,560
Speaker 4: speak to the culture, yeah, like I can't, but it

497
00:27:27,640 --> 00:27:29,840
Speaker 4: seems like there's got to be a similar Like there's

498
00:27:29,880 --> 00:27:34,240
Speaker 4: a real theater kid showing a barn energy to the

499
00:27:34,320 --> 00:27:36,760
Speaker 4: hay Ride, which I feel like the company, like the

500
00:27:37,200 --> 00:27:40,600
Speaker 4: corporate interlopers kind of take advantage of because it's like, oh,

501
00:27:40,840 --> 00:27:42,760
Speaker 4: if these people get injured, they're not going to say

502
00:27:42,760 --> 00:27:45,440
Speaker 4: anything because it feels like we're doing community theater and

503
00:27:45,560 --> 00:27:47,399
Speaker 4: we have to all finish it together. And I'm like, no,

504
00:27:47,560 --> 00:27:50,840
Speaker 4: we should sue these likely capitalize.

505
00:27:51,160 --> 00:27:53,520
Speaker 2: You didn't you get like a promotion last year. I

506
00:27:53,520 --> 00:27:55,880
Speaker 2: remember I was following your tweets because someone like busted

507
00:27:55,920 --> 00:27:58,160
Speaker 2: their knee or some shit, and like, a right, Jamie,

508
00:27:58,200 --> 00:27:59,480
Speaker 2: you're the fucking star tonight.

509
00:27:59,680 --> 00:28:02,399
Speaker 1: Oh that busted their head and we are using the

510
00:28:02,480 --> 00:28:05,359
Speaker 1: passive voice into what happened to their head. And just

511
00:28:05,680 --> 00:28:09,280
Speaker 1: for legal reasons, there's nothing that Jamie had nothing to

512
00:28:09,320 --> 00:28:12,479
Speaker 1: do with. It was not working to work her way up.

513
00:28:12,920 --> 00:28:15,760
Speaker 4: I certainly what if I yeah, what if I was

514
00:28:15,920 --> 00:28:17,360
Speaker 4: doing it all about Eve.

515
00:28:18,720 --> 00:28:23,440
Speaker 1: Saying you are a huge fan, right? Yeah?

516
00:28:23,520 --> 00:28:25,920
Speaker 4: No, I was murder nurse. I was cast as murder

517
00:28:26,000 --> 00:28:26,440
Speaker 4: nurse too.

518
00:28:27,080 --> 00:28:27,359
Speaker 1: Wow.

519
00:28:28,320 --> 00:28:29,960
Speaker 4: Yeah, And I was like, you know, I was like

520
00:28:30,240 --> 00:28:33,160
Speaker 4: a substitute, and I was intended to play a different

521
00:28:33,200 --> 00:28:36,400
Speaker 4: part every single night because there were so many injuries. Yeah,

522
00:28:36,560 --> 00:28:39,480
Speaker 4: and there were so many injuries, and like COVID was

523
00:28:39,600 --> 00:28:41,800
Speaker 4: going around that there was always going to be like

524
00:28:42,280 --> 00:28:44,240
Speaker 4: I was looking forward to being like and now I'm

525
00:28:44,280 --> 00:28:46,800
Speaker 4: a spider and now I'm a chainsaw clown. But I

526
00:28:46,880 --> 00:28:49,760
Speaker 4: only ever got to be the murder nurse because the

527
00:28:49,840 --> 00:28:52,160
Speaker 4: first night, yeah, the other murderers like fell off of

528
00:28:52,240 --> 00:28:54,360
Speaker 4: a platform and hit her head and was taken away

529
00:28:54,400 --> 00:28:55,760
Speaker 4: in an ambulance and.

530
00:28:55,840 --> 00:28:57,120
Speaker 1: She still came back.

531
00:28:57,400 --> 00:28:59,760
Speaker 4: I was I was like, dude, you have you have

532
00:28:59,880 --> 00:29:01,560
Speaker 4: to like I don't know. I was trying to be

533
00:29:01,600 --> 00:29:03,520
Speaker 4: as like undercover as I could be, but like you

534
00:29:03,600 --> 00:29:06,320
Speaker 4: should sue these guys. And she was like, no, you know,

535
00:29:06,360 --> 00:29:08,560
Speaker 4: I got to finish out this season strong. We're a

536
00:29:08,640 --> 00:29:13,720
Speaker 4: family here, And I was like, no, no, you're not

537
00:29:13,800 --> 00:29:14,400
Speaker 4: family to them.

538
00:29:14,880 --> 00:29:15,080
Speaker 2: Yeah.

539
00:29:16,080 --> 00:29:16,720
Speaker 1: So yeah, I was.

540
00:29:16,920 --> 00:29:19,360
Speaker 4: I was the only I was the sole murder nurse

541
00:29:19,680 --> 00:29:22,840
Speaker 4: I went through. I went on the the murderers no

542
00:29:23,000 --> 00:29:25,280
Speaker 4: longer a part that is playing within the hay Ride.

543
00:29:26,040 --> 00:29:31,120
Speaker 1: It was retired there to hire your number. Not going

544
00:29:31,160 --> 00:29:34,920
Speaker 1: to get better than this. Yeah, that's such a like

545
00:29:35,040 --> 00:29:38,560
Speaker 1: that feels like one of the things where the entire

546
00:29:38,720 --> 00:29:43,280
Speaker 1: charm is that it is like slapped together by unprofessional people,

547
00:29:43,560 --> 00:29:46,680
Speaker 1: and for it to be taken over by like private equity,

548
00:29:46,720 --> 00:29:48,400
Speaker 1: it's it's a real bumber.

549
00:29:48,560 --> 00:29:50,760
Speaker 2: Like this is fun. I think you can do this

550
00:29:50,840 --> 00:29:53,400
Speaker 2: for half the price and get twice the people in Like.

551
00:29:53,520 --> 00:29:56,240
Speaker 1: When private equity takes over the whole Carnie circuit, I

552
00:29:56,280 --> 00:29:57,880
Speaker 1: feel like that's when we're really fucked.

553
00:29:58,840 --> 00:30:02,040
Speaker 4: There's a blog that I would read in high school

554
00:30:02,120 --> 00:30:04,960
Speaker 4: and still read now in every post called Diary of

555
00:30:05,040 --> 00:30:08,120
Speaker 4: a Car and he blogspot dot com and he shares

556
00:30:08,240 --> 00:30:10,600
Speaker 4: very similar views to you on that point where he's

557
00:30:10,720 --> 00:30:12,840
Speaker 4: just like, we used to be a proper country.

558
00:30:15,280 --> 00:30:17,080
Speaker 1: I'm glad you're ascribing these views to me.

559
00:30:20,480 --> 00:30:26,560
Speaker 4: Man, it is a bummer.

560
00:30:26,640 --> 00:30:26,840
Speaker 2: I mean.

561
00:30:26,960 --> 00:30:28,960
Speaker 4: And that's not to advocate for the old way of

562
00:30:29,040 --> 00:30:31,000
Speaker 4: doing things, because it really did seem to you know,

563
00:30:31,240 --> 00:30:33,400
Speaker 4: like because at the at the Hayride, it was like

564
00:30:33,480 --> 00:30:35,680
Speaker 4: a lot of you know, guys in their forties and

565
00:30:35,800 --> 00:30:38,800
Speaker 4: teenage girls which would play out the way you would

566
00:30:38,840 --> 00:30:40,800
Speaker 4: imagine and it really grow. So it was good that

567
00:30:40,920 --> 00:30:44,320
Speaker 4: we had you know, a good supervisor old legalists to

568
00:30:44,960 --> 00:30:48,440
Speaker 4: to you know, he would regularly just move the forty

569
00:30:48,520 --> 00:30:51,360
Speaker 4: year old guys elsewhere, like you'd be like, oh, there's

570
00:30:51,360 --> 00:30:53,160
Speaker 4: a we've got an issue with a werewolf, We're gonna

571
00:30:53,160 --> 00:30:58,840
Speaker 4: move him to the maze. Like strategic, very strategic, I know,

572
00:30:59,000 --> 00:31:00,520
Speaker 4: playing to type disgusting.

573
00:31:01,160 --> 00:31:03,640
Speaker 1: What's what's something you think is underrated? Jamie?

574
00:31:03,880 --> 00:31:08,880
Speaker 4: Uh oh, women's hockey. This is something that's been on

575
00:31:09,040 --> 00:31:10,800
Speaker 4: my mind recently. I know, I was excited to tell

576
00:31:10,800 --> 00:31:14,560
Speaker 4: you about Miles, so I U I have been thinking

577
00:31:14,600 --> 00:31:17,640
Speaker 4: about I was with my dad over the summer, and

578
00:31:17,960 --> 00:31:21,880
Speaker 4: he's a hockey writer. And he was on the Bechdel

579
00:31:22,000 --> 00:31:25,320
Speaker 4: Cast after asking for years because every couple like a

580
00:31:25,440 --> 00:31:29,200
Speaker 4: once a year he'd be like sort of throwing his

581
00:31:29,800 --> 00:31:32,880
Speaker 4: hat in the ring as a potential guest on the show,

582
00:31:33,640 --> 00:31:37,680
Speaker 4: and he's like like he just like, you know, jam

583
00:31:38,800 --> 00:31:40,480
Speaker 4: Slapshot was written by a woman?

584
00:31:40,920 --> 00:31:41,480
Speaker 1: Did you know that?

585
00:31:42,200 --> 00:31:44,480
Speaker 4: Did you know that? And there's a woman in the

586
00:31:44,560 --> 00:31:45,720
Speaker 4: movie as well, And.

587
00:31:48,160 --> 00:31:52,400
Speaker 1: And those brothers they have long hair, so I.

588
00:31:52,440 --> 00:31:54,880
Speaker 4: Could say they're challenging the binary a little bit, those

589
00:31:54,920 --> 00:32:01,840
Speaker 4: Hampson And so this year, finally I was like, Caitlyn,

590
00:32:01,920 --> 00:32:04,880
Speaker 4: my dad, he won't stop until we cover him, until

591
00:32:04,960 --> 00:32:07,840
Speaker 4: we cover slap shot. It would improve my day to

592
00:32:07,960 --> 00:32:10,560
Speaker 4: day life if we just let him cover slap shot.

593
00:32:11,320 --> 00:32:14,080
Speaker 4: And uh, I thought he did you know? It? Was great?

594
00:32:14,240 --> 00:32:17,880
Speaker 4: Slap shot does not hold up particularly well, is in

595
00:32:18,000 --> 00:32:20,720
Speaker 4: fact written by a woman. But we were talking about

596
00:32:20,800 --> 00:32:24,760
Speaker 4: on the show how there's like no movies at least

597
00:32:24,960 --> 00:32:28,520
Speaker 4: about women's hockey, or at least popular movies about women's hockey,

598
00:32:29,040 --> 00:32:30,600
Speaker 4: And so I was thinking a lot about just the

599
00:32:30,760 --> 00:32:33,440
Speaker 4: idea of girls slap shot. And then when I got

600
00:32:33,520 --> 00:32:37,000
Speaker 4: back to California, I was like well, is there even

601
00:32:37,160 --> 00:32:41,800
Speaker 4: like what is there? And so and it's it's there's

602
00:32:41,920 --> 00:32:45,240
Speaker 4: not much. But there's two places that I've been checking out,

603
00:32:45,280 --> 00:32:48,600
Speaker 4: including this pickup team in Seami Valley.

604
00:32:49,040 --> 00:32:50,840
Speaker 2: Oh. Yeah, they got a good rink out there. Yeah.

605
00:32:51,040 --> 00:32:52,959
Speaker 4: Oh it's the Isoplex.

606
00:32:53,160 --> 00:32:56,640
Speaker 2: I was, Oh Valleys now in Isoplex. It's a is

607
00:32:56,960 --> 00:33:00,960
Speaker 2: Wait did that change the original? The original Isoplex used

608
00:33:01,000 --> 00:33:03,480
Speaker 2: to be in like North Hills, like West Hills area,

609
00:33:03,640 --> 00:33:06,120
Speaker 2: like off the four or five. Yeah. Yeah, and their

610
00:33:06,240 --> 00:33:08,000
Speaker 2: club because I was all, you know, I was in

611
00:33:08,080 --> 00:33:11,160
Speaker 2: the socow hockey scene. Their team was called the Wolves,

612
00:33:11,600 --> 00:33:14,040
Speaker 2: and Isoplex was like one of the nicest newer ranks,

613
00:33:14,040 --> 00:33:16,480
Speaker 2: but I didn't know that they had rebranded or moved

614
00:33:16,600 --> 00:33:18,840
Speaker 2: or whatever. They like the rinks the further you go

615
00:33:18,960 --> 00:33:22,120
Speaker 2: out of like Maine, La County, they're very They're much

616
00:33:22,240 --> 00:33:24,480
Speaker 2: nicer than what we have. I played at Pickwick in Burbank.

617
00:33:25,160 --> 00:33:26,840
Speaker 4: Oh is that even still there?

618
00:33:27,280 --> 00:33:29,400
Speaker 2: Yeah? Like they shoot that. They always like use that

619
00:33:29,480 --> 00:33:32,440
Speaker 2: place to shoot any like skating scene, like in the office,

620
00:33:32,640 --> 00:33:34,880
Speaker 2: like when like they were like ice skating there, like

621
00:33:34,920 --> 00:33:36,880
Speaker 2: they shoot it. There's so many things are like filmed

622
00:33:36,920 --> 00:33:37,360
Speaker 2: in that rink.

623
00:33:37,440 --> 00:33:39,280
Speaker 1: But it's just a very shallow pool.

624
00:33:39,440 --> 00:33:39,600
Speaker 2: Now.

625
00:33:42,240 --> 00:33:44,480
Speaker 4: The Isoplex was beautiful, and so I was like trying

626
00:33:44,520 --> 00:33:47,240
Speaker 4: to go to these women's pickup games because there's a

627
00:33:47,320 --> 00:33:49,600
Speaker 4: lot of like co ed teams, but there weren't a

628
00:33:49,640 --> 00:33:52,760
Speaker 4: lot of just like specifically women's teams. And I finally

629
00:33:52,800 --> 00:33:55,600
Speaker 4: made it up this week. I'd been like texting with

630
00:33:55,680 --> 00:33:58,160
Speaker 4: this woman and it was like, we're having a difficult time,

631
00:33:58,640 --> 00:34:01,920
Speaker 4: and I was like, why am I having difficulty communicating

632
00:34:02,520 --> 00:34:04,480
Speaker 4: with uh with this woman? And it was when I

633
00:34:04,560 --> 00:34:07,080
Speaker 4: got there, it's because she's like my mom's age. She

634
00:34:07,360 --> 00:34:11,040
Speaker 4: like the team was it was like people in their

635
00:34:11,200 --> 00:34:14,600
Speaker 4: like mid to late twenties through their mid to late sixties,

636
00:34:15,200 --> 00:34:19,319
Speaker 4: like all playing together, play together every week, play well

637
00:34:20,640 --> 00:34:24,440
Speaker 4: no no, which is which I think is important for

638
00:34:24,560 --> 00:34:30,160
Speaker 4: the older players to can't they can't play exactly exactly.

639
00:34:30,160 --> 00:34:32,080
Speaker 4: And so I just have been I don't know, and

640
00:34:32,320 --> 00:34:34,480
Speaker 4: and just talking to them about like everyone had driven

641
00:34:34,840 --> 00:34:36,800
Speaker 4: minimum an hour to be there because there are so

642
00:34:37,000 --> 00:34:40,040
Speaker 4: few options, and I just man, I had the best

643
00:34:40,080 --> 00:34:44,719
Speaker 4: time talking to these ladies. And they had a you know,

644
00:34:44,760 --> 00:34:46,680
Speaker 4: they have like a bar at the rink too, so

645
00:34:46,800 --> 00:34:49,080
Speaker 4: you could just go and hang out afterwards. Crack a

646
00:34:49,160 --> 00:34:49,560
Speaker 4: lat bat.

647
00:34:50,000 --> 00:34:53,840
Speaker 2: Yeah, they they had a labat w.

648
00:34:54,200 --> 00:34:59,080
Speaker 4: H Yeah, the bat on tap tap. It was really cool.

649
00:34:59,160 --> 00:35:02,520
Speaker 4: So yeah, I I'm you know, it took me, you know,

650
00:35:02,680 --> 00:35:07,000
Speaker 4: thirty years, but I finally understand the appeal of this

651
00:35:07,160 --> 00:35:07,680
Speaker 4: little game.

652
00:35:08,080 --> 00:35:08,279
Speaker 1: Yeah.

653
00:35:08,400 --> 00:35:11,000
Speaker 2: Well, now there's a professional league that's starting up too,

654
00:35:11,640 --> 00:35:13,680
Speaker 2: the Professional Women's Hockey League, And I know I don't

655
00:35:13,680 --> 00:35:15,600
Speaker 2: think LA has a team, but they do on the

656
00:35:15,640 --> 00:35:16,720
Speaker 2: East Coast and in Canada.

657
00:35:16,840 --> 00:35:19,480
Speaker 1: But yeah, yeah, did your dad put a lot of

658
00:35:19,480 --> 00:35:21,520
Speaker 1: pressure on you to play like growing up?

659
00:35:22,440 --> 00:35:26,320
Speaker 4: Uh? No, there was one significant push, but then he

660
00:35:26,440 --> 00:35:30,120
Speaker 4: saw me skate and he was like it's a non starter.

661
00:35:30,400 --> 00:35:33,279
Speaker 4: But when I was at the pickup game. When I

662
00:35:33,360 --> 00:35:35,600
Speaker 4: was the pickup game, they're like hurting for players because

663
00:35:35,600 --> 00:35:38,160
Speaker 4: it's so kind of far out that they're like, can

664
00:35:38,239 --> 00:35:41,360
Speaker 4: you skate? I was like, no, no, I'm not gonna.

665
00:35:41,560 --> 00:35:44,200
Speaker 4: I can't play with you. But but maybe on a

666
00:35:44,239 --> 00:35:48,000
Speaker 4: long enough timeline I'll try it, because yeah, it's like

667
00:35:48,160 --> 00:35:50,840
Speaker 4: it's a no check. There is no checking in these games,

668
00:35:51,440 --> 00:35:55,280
Speaker 4: and so that's when I could maybe I could stand

669
00:35:55,360 --> 00:35:57,240
Speaker 4: in place for for right right.

670
00:35:57,400 --> 00:35:59,480
Speaker 2: Yeah yeah, yeah, yeah, just just park it on the

671
00:35:59,520 --> 00:35:59,920
Speaker 2: blue line.

672
00:36:00,280 --> 00:36:00,680
Speaker 4: Mm hmm.

673
00:36:01,120 --> 00:36:03,320
Speaker 1: Yeah, hockey was a big sport at my high school.

674
00:36:03,600 --> 00:36:07,440
Speaker 1: Like I went there, you know, moved to Massachusetts halfway

675
00:36:07,480 --> 00:36:11,160
Speaker 1: through high school from Kentucky, you know, a place where

676
00:36:11,239 --> 00:36:14,200
Speaker 1: basketball is the only sport that matters, to this place

677
00:36:14,239 --> 00:36:18,000
Speaker 1: where I, like, I truly had not encountered hockey being

678
00:36:18,080 --> 00:36:22,520
Speaker 1: a serious sport anywhere outside of a Disney movie, and

679
00:36:23,160 --> 00:36:25,480
Speaker 1: like went and everyone was like, God, the hockey players

680
00:36:25,520 --> 00:36:29,840
Speaker 1: are so cool, so hot. And one of my friends,

681
00:36:30,320 --> 00:36:32,520
Speaker 1: one of my friends, like used a loophole to get

682
00:36:32,560 --> 00:36:35,400
Speaker 1: onto the freshman hockey team even though he was a

683
00:36:35,520 --> 00:36:39,279
Speaker 1: junior and didn't know how to skate. And so when

684
00:36:39,320 --> 00:36:41,840
Speaker 1: you said just like stand there, like he just like

685
00:36:42,000 --> 00:36:45,279
Speaker 1: kind of glided out onto the ice and then like

686
00:36:45,440 --> 00:36:48,279
Speaker 1: took a like swipe at someone and fell over. And

687
00:36:48,320 --> 00:36:53,359
Speaker 1: they were like, all right, man, gets that was truly heavy.

688
00:36:53,440 --> 00:36:58,480
Speaker 2: Gilmarino put the slap shot on that guy breaking a glass.

689
00:36:58,920 --> 00:37:02,439
Speaker 1: Shout out to Michael, Wow, yeah, what a time. Let's

690
00:37:02,480 --> 00:37:05,319
Speaker 1: take a quick break and we'll come back and cover

691
00:37:05,440 --> 00:37:19,759
Speaker 1: some news. And we're back and we're just gonna get

692
00:37:19,840 --> 00:37:23,400
Speaker 1: right down to right down to it. Five night Freddy's

693
00:37:24,400 --> 00:37:27,960
Speaker 1: video game movie that did not was not aware that

694
00:37:28,040 --> 00:37:29,800
Speaker 1: I had a sense based on the poster. It was

695
00:37:29,880 --> 00:37:32,600
Speaker 1: something it was a movie based on something based on

696
00:37:32,760 --> 00:37:37,000
Speaker 1: video game and it's like spooky.

697
00:37:37,120 --> 00:37:41,719
Speaker 4: Chucky, did you guys, Yeah, which is I'm bummed that

698
00:37:41,800 --> 00:37:46,120
Speaker 4: the movie sucks because it was Chuck could really use

699
00:37:46,280 --> 00:37:49,279
Speaker 4: the good pr right now. Yeah, there, Did either of

700
00:37:49,360 --> 00:37:51,800
Speaker 4: you play it? I never played it, but I remember

701
00:37:51,920 --> 00:37:54,960
Speaker 4: that was the first video game I ever saw, like

702
00:37:55,520 --> 00:37:57,920
Speaker 4: play through YouTube videos.

703
00:37:57,640 --> 00:38:00,520
Speaker 2: For Okay, I never played it, but but when we

704
00:38:00,600 --> 00:38:03,040
Speaker 2: were both working at Playboy Jamie when I was doing

705
00:38:03,160 --> 00:38:05,799
Speaker 2: video there, there was like a video series with two

706
00:38:05,880 --> 00:38:09,160
Speaker 2: playmates that are gamers, and I remember I had to

707
00:38:09,400 --> 00:38:11,960
Speaker 2: like produce a shoot with that, and I was like,

708
00:38:12,040 --> 00:38:14,040
Speaker 2: what the fuck? And I was like, oh, this game

709
00:38:14,120 --> 00:38:17,279
Speaker 2: is fucking freaky. But I'm not into horror as a

710
00:38:17,480 --> 00:38:19,560
Speaker 2: like a genre, but I have seen it played and like,

711
00:38:19,640 --> 00:38:22,239
Speaker 2: at the time, this was like the biggest shit, like

712
00:38:22,400 --> 00:38:24,759
Speaker 2: I think came out in twenty fourteen, but yeah, it's

713
00:38:24,800 --> 00:38:27,200
Speaker 2: like a you know, huge, huge like indie game.

714
00:38:27,800 --> 00:38:30,239
Speaker 4: M Yeah it was. I didn't even realize it was

715
00:38:30,239 --> 00:38:32,880
Speaker 4: an indie game because of how like, yeah, that was

716
00:38:32,920 --> 00:38:35,799
Speaker 4: the first time I had ever like encountered that as

717
00:38:35,880 --> 00:38:39,080
Speaker 4: a thing that happened and thought it was isolated, and

718
00:38:39,200 --> 00:38:42,000
Speaker 4: then you know, obviously I have never stopped seeing it,

719
00:38:42,280 --> 00:38:45,440
Speaker 4: but it's i mean, haunted animatronics a great idea, and

720
00:38:46,120 --> 00:38:50,000
Speaker 4: the guy who invented the Chuck E Cheese animatrons very racist,

721
00:38:50,200 --> 00:38:55,040
Speaker 4: like don't don't fuck with this guy. However, however, there

722
00:38:55,600 --> 00:38:58,560
Speaker 4: he at least us as recently as a couple of

723
00:38:58,640 --> 00:39:02,279
Speaker 4: years ago, still had this warehouse in Florida where the

724
00:39:02,360 --> 00:39:05,480
Speaker 4: animatronics were once made, and was really trying to capitalize

725
00:39:05,520 --> 00:39:09,000
Speaker 4: on the success of five Night Freddy. And because he

726
00:39:09,160 --> 00:39:13,640
Speaker 4: basically lived in uh, you know, like Haunted Animatronics palace,

727
00:39:14,680 --> 00:39:19,280
Speaker 4: so he started like selling the like five Night Freddie

728
00:39:19,400 --> 00:39:23,360
Speaker 4: birthday party experience with his like scary old animatronics, and

729
00:39:23,440 --> 00:39:25,960
Speaker 4: it seemed to be somewhat successful.

730
00:39:26,200 --> 00:39:28,160
Speaker 2: At some point, I mean, like the real the diehard

731
00:39:28,239 --> 00:39:31,120
Speaker 2: fans like they fuck. I mean, it's there's a reason

732
00:39:31,200 --> 00:39:34,400
Speaker 2: why it became a Blumhouse film. It's because the definitely

733
00:39:34,760 --> 00:39:36,880
Speaker 2: there is an audience, there's an absolute audience for it.

734
00:39:37,200 --> 00:39:40,439
Speaker 1: Producer Victor is noting that there are multiple three hour

735
00:39:40,640 --> 00:39:44,120
Speaker 1: lower documentaries about five Night, five Night a half five.

736
00:39:44,040 --> 00:39:49,040
Speaker 4: Night Freddy Freddy. What could that possibly mean? That's that's

737
00:39:49,160 --> 00:39:50,040
Speaker 4: so interesting.

738
00:39:50,120 --> 00:39:51,719
Speaker 2: Well, that's like a big thing that like as the

739
00:39:51,800 --> 00:39:54,000
Speaker 2: reviews come in, like there's a whole debate where some

740
00:39:54,080 --> 00:39:56,920
Speaker 2: people are like, it's not really for casuals man, like

741
00:39:57,120 --> 00:39:58,840
Speaker 2: if you don't fuck like or some people were like

742
00:39:58,840 --> 00:40:02,160
Speaker 2: there's not enough for yeah, yeah, yeah, it is wild

743
00:40:02,239 --> 00:40:05,480
Speaker 2: like I'm and I'm like, it's interesting following the reaction because,

744
00:40:05,560 --> 00:40:08,000
Speaker 2: like anything, when you have a huge like when a

745
00:40:08,120 --> 00:40:11,440
Speaker 2: fandom gets to that point where now like a Plumhouse

746
00:40:11,560 --> 00:40:13,520
Speaker 2: or major studios like yeah, let's see if we can

747
00:40:13,560 --> 00:40:15,919
Speaker 2: make money off of this, it's always interesting to see

748
00:40:16,080 --> 00:40:19,560
Speaker 2: how like inevitably the fans will be disappointed. I think

749
00:40:19,560 --> 00:40:21,640
Speaker 2: it's just generally what's always going to happen, Like it's

750
00:40:21,719 --> 00:40:23,640
Speaker 2: there's only a few instances where you have something with

751
00:40:23,719 --> 00:40:26,960
Speaker 2: like a huge mega following take that next jump to

752
00:40:27,080 --> 00:40:31,520
Speaker 2: like major film distribution and it be you know, palatable.

753
00:40:32,040 --> 00:40:35,440
Speaker 4: I was kind of I was positive because I didn't

754
00:40:35,600 --> 00:40:37,600
Speaker 4: see I kind of forgot it was coming out until

755
00:40:37,600 --> 00:40:41,840
Speaker 4: I they showed the trailer at saw X and I

756
00:40:42,040 --> 00:40:45,080
Speaker 4: was like, damn, they got Hutcherson. And my friend was like,

757
00:40:45,719 --> 00:40:46,799
Speaker 4: I don't think that's hard to.

758
00:40:46,840 --> 00:40:53,439
Speaker 3: Do, Like what did you just say, yeah, damn, Josh

759
00:40:53,960 --> 00:40:55,880
Speaker 3: is like, what like in the seat in front of

760
00:40:55,880 --> 00:40:59,680
Speaker 3: you twenty twelve, Yeah, you need something.

761
00:40:59,880 --> 00:41:03,240
Speaker 4: I did see Josh Hutcherson getting into a very quiet

762
00:41:03,320 --> 00:41:05,400
Speaker 4: argument with his girlfriend in front of a restaurant near

763
00:41:05,480 --> 00:41:07,560
Speaker 4: my house once, so it is like not that hard

764
00:41:07,680 --> 00:41:12,040
Speaker 4: to get Hutcherson. But but I was like, I don't know,

765
00:41:12,320 --> 00:41:14,520
Speaker 4: maybe I just like went twenty twelve brain for a second,

766
00:41:14,560 --> 00:41:17,000
Speaker 4: where like, oh my damn, they got Hutcherson. Five Night

767
00:41:17,040 --> 00:41:17,839
Speaker 4: Freddy is huge.

768
00:41:18,080 --> 00:41:19,480
Speaker 2: Yeah, it's bigger than Hunger Games.

769
00:41:20,000 --> 00:41:20,239
Speaker 1: Yeah.

770
00:41:20,840 --> 00:41:21,040
Speaker 2: Yeah.

771
00:41:21,040 --> 00:41:25,480
Speaker 1: There's something about the minds of people who are like

772
00:41:25,880 --> 00:41:29,080
Speaker 1: scared of animatronics, I guess, or like into I don't know,

773
00:41:29,160 --> 00:41:33,600
Speaker 1: because the writer of the original indie game also like

774
00:41:33,719 --> 00:41:35,160
Speaker 1: a right wing person.

775
00:41:35,680 --> 00:41:39,160
Speaker 4: God, what is it with animatronics and being a piece

776
00:41:39,200 --> 00:41:39,640
Speaker 4: of shit?

777
00:41:40,000 --> 00:41:43,080
Speaker 2: I think because they're like techno slaves or some shit.

778
00:41:43,200 --> 00:41:45,839
Speaker 2: Probably you know. Oh yeah, it's like I'll make them

779
00:41:45,960 --> 00:41:48,160
Speaker 2: do what I say, and I can make you in

780
00:41:48,239 --> 00:41:50,719
Speaker 2: my like I mean that's probably some weird god complex.

781
00:41:51,080 --> 00:41:52,759
Speaker 1: Yeah, yeah, I can some level.

782
00:41:52,920 --> 00:41:54,600
Speaker 2: But hey, I would love to see where the where

783
00:41:54,719 --> 00:41:55,919
Speaker 2: the woke animaz.

784
00:41:57,520 --> 00:42:02,680
Speaker 4: Right, I mean, there's certainly woke animtronic fans. But I right, right,

785
00:42:03,120 --> 00:42:06,160
Speaker 4: but we're not technically minded unfortunately, right right.

786
00:42:06,120 --> 00:42:07,640
Speaker 2: Right right, you're just there for the commentary.

787
00:42:08,320 --> 00:42:10,759
Speaker 1: We are topping out for five nights of Freddy's. We

788
00:42:10,840 --> 00:42:15,839
Speaker 1: are topping out on metacritics. So the overall metacritics score

789
00:42:16,000 --> 00:42:18,640
Speaker 1: is twenty nine, an average of twenty nine, and we're

790
00:42:18,719 --> 00:42:22,960
Speaker 1: topping out. Usually usually you will get like one or

791
00:42:23,000 --> 00:42:26,440
Speaker 1: two that's like, hey, I actually enjoyed this because I

792
00:42:26,600 --> 00:42:29,360
Speaker 1: was like, my meds are dialed in or something, you know,

793
00:42:29,560 --> 00:42:31,839
Speaker 1: like so like I sometimes I just enjoy the hell

794
00:42:31,880 --> 00:42:34,600
Speaker 1: out of them. Like one of my favorite film, going Expirits,

795
00:42:34,680 --> 00:42:36,840
Speaker 1: was Die Hard for for no reason other than I

796
00:42:36,960 --> 00:42:39,160
Speaker 1: was just in a good, good movie. Right place in

797
00:42:39,160 --> 00:42:41,520
Speaker 1: your life, Yeah, good place in my life. Loved that

798
00:42:41,680 --> 00:42:42,960
Speaker 1: movie the first time I saw it, and then I

799
00:42:42,960 --> 00:42:44,799
Speaker 1: watched it again, I was like, oh, this is bad,

800
00:42:45,640 --> 00:42:49,040
Speaker 1: right right right, But like this is at we're topping

801
00:42:49,120 --> 00:42:52,080
Speaker 1: out at two out of five stars. Most of them

802
00:42:52,080 --> 00:42:55,200
Speaker 1: are lower than that average, and this like not all

803
00:42:55,320 --> 00:42:58,000
Speaker 1: reviews are in, but it's it seems pretty dismal, and

804
00:42:58,040 --> 00:43:01,000
Speaker 1: everyone's saying boring.

805
00:43:01,920 --> 00:43:05,520
Speaker 2: Yeah, it's not boring. Yeah, I mean even like the fans,

806
00:43:05,600 --> 00:43:07,880
Speaker 2: Like there's a guy who would like stream it on YouTube,

807
00:43:08,040 --> 00:43:11,360
Speaker 2: like this guy Jack Septic guy, Like his review is

808
00:43:11,440 --> 00:43:15,760
Speaker 2: like it is not great, sort of like the nice

809
00:43:15,840 --> 00:43:18,040
Speaker 2: person and a lot of people are like, you made

810
00:43:18,040 --> 00:43:20,479
Speaker 2: a lot of five nights at Freddie Content. But again,

811
00:43:20,520 --> 00:43:22,239
Speaker 2: I think that's where like you see a lot of

812
00:43:22,560 --> 00:43:24,600
Speaker 2: you know, other other fans come in and be like,

813
00:43:24,680 --> 00:43:28,240
Speaker 2: it's just people aren't gonna understand it. It's not for normies.

814
00:43:28,400 --> 00:43:30,120
Speaker 2: But then this guy who like plays the game a

815
00:43:30,200 --> 00:43:32,719
Speaker 2: ton is like just felt rushed in some spots. Other

816
00:43:32,760 --> 00:43:35,959
Speaker 2: parts it just was very normal, like did not feel

817
00:43:36,000 --> 00:43:38,440
Speaker 2: like as you know, original as like the game the

818
00:43:38,480 --> 00:43:39,720
Speaker 2: original idea is itself.

819
00:43:39,760 --> 00:43:43,680
Speaker 1: So you see the trailer, You're like, oh, they got Hutcherson,

820
00:43:43,880 --> 00:43:49,120
Speaker 1: but they but they like now I'm kind of embarrassed

821
00:43:49,120 --> 00:43:51,719
Speaker 1: because Hutcherson knows like what I'm into, and like they

822
00:43:51,760 --> 00:43:54,879
Speaker 1: did such a bad job with the lore that now

823
00:43:55,520 --> 00:43:57,120
Speaker 1: like I'm like, they shouldn't.

824
00:43:56,719 --> 00:44:00,600
Speaker 4: Have done this to Hutcherson or us or mac you Lillard,

825
00:44:00,880 --> 00:44:04,600
Speaker 4: you know, Matthew they got they got Lillard, that got Lillard.

826
00:44:05,280 --> 00:44:08,880
Speaker 2: I mean Mary Stuart Masterson kind.

827
00:44:08,760 --> 00:44:11,920
Speaker 4: Of a star studded cast. I was really impressed with

828
00:44:12,040 --> 00:44:14,399
Speaker 4: the cast. I love that they got Lillard. I feel

829
00:44:14,440 --> 00:44:17,440
Speaker 4: like Lillard played the game. That's my guess is that

830
00:44:17,600 --> 00:44:21,080
Speaker 4: Lillard was into it. Hudgerson, we don't. I don't know

831
00:44:21,320 --> 00:44:22,800
Speaker 4: of his hobbies. I don't know.

832
00:44:23,440 --> 00:44:25,239
Speaker 2: His agents were like, hey, man, you're gonna have to

833
00:44:25,280 --> 00:44:25,840
Speaker 2: say yes to this.

834
00:44:27,040 --> 00:44:27,919
Speaker 1: We got bad news.

835
00:44:28,680 --> 00:44:30,360
Speaker 4: You have to be the leading five knight Freddy.

836
00:44:30,560 --> 00:44:35,680
Speaker 1: You're five knife Freddy because you were Freddy your knife.

837
00:44:35,800 --> 00:44:38,400
Speaker 2: Yeah, you're knife Freddy. Because nobody was fucking with Journey

838
00:44:38,520 --> 00:44:39,719
Speaker 2: to the Center of the Earth too.

839
00:44:40,480 --> 00:44:42,400
Speaker 4: Oh god, he was in that.

840
00:44:43,280 --> 00:44:43,400
Speaker 6: Uh.

841
00:44:43,719 --> 00:44:45,279
Speaker 4: It's a bummer that we would eat at the same

842
00:44:45,320 --> 00:44:47,520
Speaker 4: realm in place. It's like when I saw Taylor Lautner

843
00:44:47,640 --> 00:44:50,400
Speaker 4: at a bar I go to and you're just like,

844
00:44:50,520 --> 00:44:50,799
Speaker 4: this is.

845
00:44:50,960 --> 00:44:52,000
Speaker 2: This sucks recently.

846
00:44:53,040 --> 00:44:56,160
Speaker 4: It's like five years ago, so I think that, well, yeah.

847
00:44:56,040 --> 00:45:00,120
Speaker 2: But I mean like post like Super High Twilight Peak, Yeah.

848
00:45:00,040 --> 00:45:03,200
Speaker 4: Yeah, And it was like a place where you get like,

849
00:45:03,800 --> 00:45:06,160
Speaker 4: you know, three dollars backwash. I'm like, why the hell

850
00:45:06,239 --> 00:45:10,000
Speaker 4: is Taylor Lautner here drinking three dollars backwash with the pleabs?

851
00:45:10,320 --> 00:45:11,640
Speaker 2: Was he doing the thing where he had his back

852
00:45:11,680 --> 00:45:12,960
Speaker 2: to the bar looking out at the.

853
00:45:13,000 --> 00:45:16,800
Speaker 4: Bar, he was holding court. He was holding the court.

854
00:45:17,320 --> 00:45:20,360
Speaker 4: It was really cool, Like he bought rounds, he was

855
00:45:20,440 --> 00:45:24,400
Speaker 4: holding court. He had no issue with you knowing. He

856
00:45:24,600 --> 00:45:27,000
Speaker 4: was drinking backwash at the bar, which is cool. That's

857
00:45:27,000 --> 00:45:29,400
Speaker 4: a cool quality. He was with I think his girlfriend.

858
00:45:29,480 --> 00:45:32,359
Speaker 4: Now his wife also named Taylor. That's not very cool.

859
00:45:32,480 --> 00:45:33,000
Speaker 2: I don't think.

860
00:45:34,040 --> 00:45:35,400
Speaker 1: Wait he married a Taylor.

861
00:45:36,200 --> 00:45:38,200
Speaker 4: Yeah, yeah, Now they're the tailor's lotner.

862
00:45:39,960 --> 00:45:43,920
Speaker 1: Yeah, that's incredible. Should we talk about the Britney Spears

863
00:45:44,400 --> 00:45:46,319
Speaker 1: memoir the audio book?

864
00:45:46,520 --> 00:45:47,680
Speaker 2: Have you got Williams?

865
00:45:48,120 --> 00:45:48,319
Speaker 1: Yeah?

866
00:45:48,680 --> 00:45:52,759
Speaker 2: I I've just slowly seen some like excerpts get sort

867
00:45:52,760 --> 00:45:55,200
Speaker 2: of elevated to the top. But obviously I think the

868
00:45:55,280 --> 00:45:58,640
Speaker 2: big one with the release of the audiobook was everyone

869
00:45:58,800 --> 00:46:01,840
Speaker 2: sharing the clip of Michelle what Michelle Williams doing an

870
00:46:01,880 --> 00:46:04,520
Speaker 2: impression of Justin Timberlake doing a black scent.

871
00:46:05,040 --> 00:46:07,560
Speaker 1: Yeah, it's what It's a lot.

872
00:46:07,760 --> 00:46:10,359
Speaker 2: Have you not heard it? No, Jamie, for someone who

873
00:46:10,440 --> 00:46:12,560
Speaker 2: is so online, I'm like, James, this is old hat

874
00:46:12,640 --> 00:46:13,680
Speaker 2: for Jamie, I'm sure. Okay.

875
00:46:13,800 --> 00:46:15,880
Speaker 4: So I was I was trying to I was like,

876
00:46:15,960 --> 00:46:17,520
Speaker 4: let's see how long I because I was like I

877
00:46:17,560 --> 00:46:19,800
Speaker 4: want to read it. And I also was waiting for

878
00:46:20,000 --> 00:46:22,880
Speaker 4: an episode of Chelsea Devonte's podcast about it. It was like,

879
00:46:22,920 --> 00:46:23,840
Speaker 4: and then I'll engage.

880
00:46:23,960 --> 00:46:27,000
Speaker 2: Oh yeah, wait, just one excerpt, you know, like this

881
00:46:27,239 --> 00:46:30,919
Speaker 2: is one loose line that's like blowing up where she's

882
00:46:31,080 --> 00:46:32,960
Speaker 2: first of all, like Britney Spears is talking about why

883
00:46:33,040 --> 00:46:35,759
Speaker 2: she was fucking with in Sync over Backstreet Boys. She's

884
00:46:35,840 --> 00:46:37,840
Speaker 2: like in sync like they listened to hip hop, like

885
00:46:37,920 --> 00:46:40,239
Speaker 2: they seem more oriented towards that kind of culture where

886
00:46:40,280 --> 00:46:43,080
Speaker 2: the Backstreet Boys felt very white. I'm just gonna we'll

887
00:46:43,080 --> 00:46:45,520
Speaker 2: just play this clip really quick because there's all white.

888
00:46:45,320 --> 00:46:49,319
Speaker 4: Guys from Florida, and yeah, what is like the game guy.

889
00:46:49,680 --> 00:46:54,040
Speaker 2: Let's not forget Chris with his techno dreads either, but hey,

890
00:46:54,320 --> 00:46:58,400
Speaker 2: let's focus on this Skylark. So but yeah, this is

891
00:46:58,440 --> 00:47:00,600
Speaker 2: a this is one of the excerpts here, just talking

892
00:47:00,640 --> 00:47:03,719
Speaker 2: about this time where he met another famous R and

893
00:47:03,840 --> 00:47:04,400
Speaker 2: B musician.

894
00:47:05,080 --> 00:47:07,120
Speaker 1: So the other ding like a lot of people are

895
00:47:07,120 --> 00:47:11,120
Speaker 1: pointing out like this seems Michelle Williams is a five

896
00:47:11,280 --> 00:47:15,080
Speaker 1: time Academy Award nominee. People are like, why is she

897
00:47:15,320 --> 00:47:18,640
Speaker 1: doing this? And then they're listening and they're like, oh,

898
00:47:18,840 --> 00:47:22,279
Speaker 1: she's the best that has ever done this before. She's

899
00:47:22,360 --> 00:47:25,440
Speaker 1: killing it. She's doing a great job. So yeah, this

900
00:47:25,560 --> 00:47:27,680
Speaker 1: is a little sample of that, and it's an anecdote

901
00:47:27,840 --> 00:47:29,880
Speaker 1: that a lot of it's caught a lot of people's attention.

902
00:47:30,719 --> 00:47:33,080
Speaker 7: His band in Sync was what people back then called

903
00:47:33,160 --> 00:47:36,080
Speaker 7: so Pimp. They were white boys, but they loved hip hop.

904
00:47:36,719 --> 00:47:39,200
Speaker 7: To me, that's what separated them from the Backstreet boys,

905
00:47:39,680 --> 00:47:42,680
Speaker 7: who seemed very consciously to position themselves as a white group.

906
00:47:43,320 --> 00:47:47,879
Speaker 7: In Sync hung out with black artists sometimes I thought

907
00:47:47,920 --> 00:47:51,000
Speaker 7: they tried too hard to fit in. One day, Jay

908
00:47:51,040 --> 00:47:52,920
Speaker 7: and I were in New York going to parts of

909
00:47:53,000 --> 00:47:56,239
Speaker 7: town I'd never been to before. Walking our way was

910
00:47:56,239 --> 00:47:58,960
Speaker 7: a guy with a huge, blinged out medallion. He was

911
00:47:59,040 --> 00:48:02,319
Speaker 7: flanked by two giant and security guards. Jay got all

912
00:48:02,400 --> 00:48:08,240
Speaker 7: excited and said so loud, oh yeah, Genuine, what's up, homie.

913
00:48:09,400 --> 00:48:12,440
Speaker 7: After Genuine walked away, Felicia did an impression of Jay.

914
00:48:13,080 --> 00:48:15,560
Speaker 7: Oh yeahses, Genuine.

915
00:48:16,560 --> 00:48:17,880
Speaker 4: Jay wasn't even embarrassed.

916
00:48:19,800 --> 00:48:25,600
Speaker 1: Wow, I like the there's like a YadA YadA past that.

917
00:48:25,719 --> 00:48:27,520
Speaker 1: I'm sure they had an interaction, but it kind of

918
00:48:27,600 --> 00:48:30,759
Speaker 1: suggests that Genuine just he did that and Genuine just

919
00:48:30,800 --> 00:48:31,319
Speaker 1: walked away.

920
00:48:31,520 --> 00:48:34,600
Speaker 2: Yeah, it was like, oh my god, the fuck is that?

921
00:48:37,280 --> 00:48:41,920
Speaker 4: The abrupt switch after the like the audiobook pause before

922
00:48:42,600 --> 00:48:45,400
Speaker 4: genuine walked away, like you're just oh my god.

923
00:48:47,280 --> 00:48:48,719
Speaker 1: After walked away.

924
00:48:48,800 --> 00:48:55,279
Speaker 4: She's a professionals good professional. That alarming. I'm looking forward to,

925
00:48:55,680 --> 00:49:00,520
Speaker 4: uh to reading that book or probably more like listening

926
00:49:00,600 --> 00:49:02,840
Speaker 4: to it. Celebrity memoirs are meant to be listened.

927
00:49:02,600 --> 00:49:04,960
Speaker 2: To, especially oh yeah, because I'm pretty sure what Britney

928
00:49:04,960 --> 00:49:08,360
Speaker 2: Spears personally was like, I want Michelle Williams to narrate this,

929
00:49:08,680 --> 00:49:10,439
Speaker 2: like this is why this is happening.

930
00:49:10,280 --> 00:49:13,319
Speaker 4: So very weird, very weird. How do they know each other?

931
00:49:13,760 --> 00:49:17,600
Speaker 2: Dialed in so well? Though? What better person to lend

932
00:49:17,640 --> 00:49:20,480
Speaker 2: your voice to have their like, have them lend their

933
00:49:20,520 --> 00:49:22,719
Speaker 2: voice and have Michelle Williams do the Britney Spears book

934
00:49:23,360 --> 00:49:25,440
Speaker 2: so good has to get the egot.

935
00:49:26,760 --> 00:49:31,360
Speaker 4: She will this is her grammy, Yeah, yeah, beautiful.

936
00:49:32,160 --> 00:49:34,520
Speaker 1: There's I mean, there's all sorts of There's also the

937
00:49:34,560 --> 00:49:37,880
Speaker 1: story that Britney Spears almost got what was the famous

938
00:49:38,000 --> 00:49:42,040
Speaker 1: role that she almost oh, the Notebook, the Notebook, Yeah,

939
00:49:42,040 --> 00:49:43,880
Speaker 1: she almost was cast in the Notebook.

940
00:49:44,120 --> 00:49:45,520
Speaker 2: She was like in the fire three.

941
00:49:45,640 --> 00:49:48,440
Speaker 1: Yeah, it was between no, she was in the final

942
00:49:48,520 --> 00:49:53,000
Speaker 1: two between her and Rachel McAdams and like they like

943
00:49:53,080 --> 00:49:56,160
Speaker 1: Scarlett Johansson, all these other people had tried out and

944
00:49:56,200 --> 00:49:59,520
Speaker 1: they were like, Britney Spears was like fucking nailing this.

945
00:50:00,160 --> 00:50:04,120
Speaker 1: She's really absolutely like an amazing actor.

946
00:50:04,800 --> 00:50:07,240
Speaker 4: Oh wow, there's like her audition tape is available.

947
00:50:09,200 --> 00:50:11,879
Speaker 2: I think the camera tested with with Ryan too.

948
00:50:12,520 --> 00:50:13,759
Speaker 1: Yeah, that's I always want.

949
00:50:13,800 --> 00:50:16,080
Speaker 4: I mean, I know that there were a number of

950
00:50:16,239 --> 00:50:19,440
Speaker 4: extenuating circumstances in Brittany's life that, uh, but I was

951
00:50:19,800 --> 00:50:23,200
Speaker 4: her her movie career was like a non starter, and

952
00:50:23,440 --> 00:50:27,320
Speaker 4: up until recently you couldn't even get Crossroads, Like you

953
00:50:27,360 --> 00:50:31,360
Speaker 4: couldn't even stream it until recently, even though that was

954
00:50:31,440 --> 00:50:33,520
Speaker 4: like an early Shonda Rhyme's script.

955
00:50:34,040 --> 00:50:35,160
Speaker 1: Oh I didn't realize that.

956
00:50:35,760 --> 00:50:39,000
Speaker 4: Yeah, that was like one. I think it was like Shondai.

957
00:50:39,120 --> 00:50:42,040
Speaker 4: One of Shonda Rhime's like first produced scripts ever was

958
00:50:42,080 --> 00:50:46,080
Speaker 4: the Britney Spears vehicle Crossroads. And she's so good in it,

959
00:50:46,239 --> 00:50:50,240
Speaker 4: and she's so charming and like she's a good actor,

960
00:50:50,400 --> 00:50:52,560
Speaker 4: and it's like there it worked out for Mandy Moore

961
00:50:52,719 --> 00:50:55,600
Speaker 4: many more kind of dropped music and started this is

962
00:50:55,760 --> 00:50:58,320
Speaker 4: Us singer. I still don't know what that show is about,

963
00:50:58,440 --> 00:51:00,840
Speaker 4: but damn, she would have been cool in the Notebook.

964
00:51:01,600 --> 00:51:04,800
Speaker 2: Yeah, here's what Shonda Rymes also did. Didn't she do

965
00:51:04,880 --> 00:51:06,000
Speaker 2: Princess Diaries too?

966
00:51:06,160 --> 00:51:07,200
Speaker 1: That was like another.

967
00:51:08,600 --> 00:51:14,200
Speaker 4: Yeah yeah yeah, Sean after Crossroads Yeah right yeah, pre Crossroads.

968
00:51:14,200 --> 00:51:17,960
Speaker 4: And if I'm recalling, I know, I know too much

969
00:51:18,000 --> 00:51:22,719
Speaker 4: of Shonda's filmography. I think it's just shy of It's

970
00:51:22,800 --> 00:51:26,560
Speaker 4: like the year before Grey's Anatomy, she did Princess Diaries

971
00:51:26,600 --> 00:51:30,120
Speaker 4: to royal engagement. Yep, sure enough, it is true. It

972
00:51:30,239 --> 00:51:33,120
Speaker 4: is true. But I'm like, what is Shonda's relationship with Britney?

973
00:51:33,280 --> 00:51:37,520
Speaker 4: Is there one? Yeah, I don't know, we don't know, right.

974
00:51:38,120 --> 00:51:38,879
Speaker 1: What could have been?

975
00:51:39,239 --> 00:51:39,440
Speaker 2: You know?

976
00:51:39,800 --> 00:51:40,040
Speaker 4: True?

977
00:51:40,680 --> 00:51:41,879
Speaker 2: If she was Meredith Gray?

978
00:51:42,640 --> 00:51:44,520
Speaker 4: Yeah, you know, yeah right, but then it's like we

979
00:51:44,560 --> 00:51:46,440
Speaker 4: would have been I mean, and again this is like

980
00:51:46,680 --> 00:51:50,439
Speaker 4: not even taking into account what happens later in Britney's career,

981
00:51:50,800 --> 00:51:53,480
Speaker 4: but like we would have we would have not gotten

982
00:51:54,160 --> 00:51:56,799
Speaker 4: some really solid Britney albums if she if she had

983
00:51:57,520 --> 00:51:58,880
Speaker 4: gotten too far into acting.

984
00:51:58,960 --> 00:52:02,120
Speaker 1: So yeah, when she talks about it, she's like, you know,

985
00:52:02,320 --> 00:52:05,080
Speaker 1: at a certain point, I decided to stop auditioning and

986
00:52:05,280 --> 00:52:09,120
Speaker 1: just record, just drop classic albums on you all, and

987
00:52:09,280 --> 00:52:10,920
Speaker 1: like good, yeah, if we.

988
00:52:11,000 --> 00:52:14,840
Speaker 4: Got because if we got like if we got Brittany

989
00:52:14,840 --> 00:52:18,520
Speaker 4: in the Notebook, we may not have gotten Blackout, and

990
00:52:18,760 --> 00:52:22,200
Speaker 4: that would have been challenging for me as.

991
00:52:22,080 --> 00:52:24,160
Speaker 1: A youth for American culture.

992
00:52:24,520 --> 00:52:25,719
Speaker 4: That would have been pretty hard.

993
00:52:26,400 --> 00:52:29,600
Speaker 1: America's bad right now. You think America's bad right now,

994
00:52:30,200 --> 00:52:35,719
Speaker 1: try and picture this counterpack. But yeah, and also she

995
00:52:36,840 --> 00:52:39,440
Speaker 1: has a quote like in one of the articles I

996
00:52:39,520 --> 00:52:42,840
Speaker 1: read about the Notebook thing that she was like it

997
00:52:42,960 --> 00:52:48,120
Speaker 1: was just mentally too difficult, like I just embodied the

998
00:52:48,280 --> 00:52:51,319
Speaker 1: character and like trying out for that character like got

999
00:52:51,440 --> 00:52:54,120
Speaker 1: to me so like she was almost like too message

1000
00:52:54,560 --> 00:52:58,200
Speaker 1: for to like actually pursue acting because it was just

1001
00:52:58,280 --> 00:53:01,640
Speaker 1: like too painful. Yeah, God, I love that one, which

1002
00:53:01,880 --> 00:53:05,000
Speaker 1: sounds like a great actor, like, yeah, let's make it happen.

1003
00:53:05,320 --> 00:53:07,800
Speaker 2: Yeah. It's funny too, like because Justin Timberlake does not

1004
00:53:07,960 --> 00:53:10,040
Speaker 2: come out looking good in this too, Like she talks

1005
00:53:10,080 --> 00:53:12,760
Speaker 2: about how like she became pregnant like with his child

1006
00:53:12,920 --> 00:53:15,320
Speaker 2: and then you know, have an abortion and things like that,

1007
00:53:15,440 --> 00:53:17,319
Speaker 2: and then like now it's funny to see the pr

1008
00:53:17,440 --> 00:53:20,680
Speaker 2: machine move in Justin's direction and they're like Justin Timberlake

1009
00:53:20,760 --> 00:53:24,120
Speaker 2: is fine. He's actually just focusing on being with his family,

1010
00:53:24,239 --> 00:53:24,920
Speaker 2: like amid the.

1011
00:53:25,040 --> 00:53:29,480
Speaker 4: Noise amid the when it's also like pretty well documented

1012
00:53:29,520 --> 00:53:33,240
Speaker 4: that his family does not like him, right, So cool,

1013
00:53:33,640 --> 00:53:36,080
Speaker 4: I hope. I'm sure they're really enjoying spending time with

1014
00:53:36,160 --> 00:53:39,239
Speaker 4: you on this your fiftieth cancelation. I was trying to

1015
00:53:40,520 --> 00:53:43,360
Speaker 4: I was trying to think of, you know, like because

1016
00:53:43,400 --> 00:53:44,960
Speaker 4: of SAG rules, I'm like, I have to think of

1017
00:53:45,080 --> 00:53:47,719
Speaker 4: like a Halloween costume I can wear, and I have

1018
00:53:47,840 --> 00:53:50,120
Speaker 4: a lot of I can pretty close to replicate the

1019
00:53:50,320 --> 00:53:53,160
Speaker 4: Justin Timberlake denim outfit. And so I'm trying to put

1020
00:53:53,200 --> 00:53:58,920
Speaker 4: something together like recently Disgrace Denhim boyfriend. But it's getting

1021
00:53:58,960 --> 00:54:01,400
Speaker 4: the hat together because then I, you know, and and

1022
00:54:01,480 --> 00:54:03,680
Speaker 4: then I was just gonna put you know, tearstreaks, some

1023
00:54:03,760 --> 00:54:06,360
Speaker 4: snatch it like that recently disgraced Denham boyfriend. That's a

1024
00:54:06,960 --> 00:54:07,799
Speaker 4: free friend.

1025
00:54:09,520 --> 00:54:12,399
Speaker 2: You got to get those gradiated. Like those gradient shades too,

1026
00:54:13,080 --> 00:54:13,799
Speaker 2: oh my god.

1027
00:54:13,920 --> 00:54:19,400
Speaker 4: Yeah, like the yellow, the freaky late nineties blue blockers everything.

1028
00:54:19,520 --> 00:54:19,719
Speaker 1: Yeah.

1029
00:54:20,000 --> 00:54:23,120
Speaker 2: Yeah, yo, it's so wild like that that outfit. There's

1030
00:54:23,160 --> 00:54:25,600
Speaker 2: like how there's like tutorials on how to make the

1031
00:54:25,840 --> 00:54:29,040
Speaker 2: Disgrace Denim boyfriend outfit. Like it's like it's kind to

1032
00:54:29,080 --> 00:54:35,399
Speaker 2: make your Denhim, Britney and justin good Lord, what a time?

1033
00:54:36,160 --> 00:54:41,000
Speaker 4: What a time? I mean, great, great horrible man, great outfits. Brittany,

1034
00:54:42,360 --> 00:54:43,239
Speaker 4: God bless.

1035
00:54:42,960 --> 00:54:48,320
Speaker 1: Her, She's an keep on dancing those knives girl, or Jamie,

1036
00:54:48,440 --> 00:54:50,360
Speaker 1: Such a pleasure having you as always?

1037
00:54:50,640 --> 00:54:50,839
Speaker 2: Yeah?

1038
00:54:51,000 --> 00:54:53,800
Speaker 1: Where can people find you? Follow you all that good stuff?

1039
00:54:54,200 --> 00:54:58,320
Speaker 4: Oh the same old places? Instagram at Jamie christ Superstar,

1040
00:54:59,160 --> 00:55:03,960
Speaker 4: at Twitter, at Jamie Lofts, help listened to Bechdel Cast,

1041
00:55:04,200 --> 00:55:08,040
Speaker 4: read Raw Dog and and stay safe out there.

1042
00:55:08,840 --> 00:55:12,160
Speaker 1: Yeah. Is there a work of media you've been enjoying?

1043
00:55:13,040 --> 00:55:16,120
Speaker 4: I wanted to shout out Marsha Belski really quick. She

1044
00:55:16,360 --> 00:55:20,800
Speaker 4: tweeted about it yesterday, but she was arrested at the

1045
00:55:20,920 --> 00:55:24,600
Speaker 4: Capitol this week. She was protesting with if Not Now,

1046
00:55:25,120 --> 00:55:28,239
Speaker 4: calling for a fire and kind of shared her whole

1047
00:55:28,320 --> 00:55:31,960
Speaker 4: kind of experience of what that was like, and you know,

1048
00:55:32,080 --> 00:55:35,360
Speaker 4: some criticism of Bernie Sanders in particular, and I just

1049
00:55:35,800 --> 00:55:39,200
Speaker 4: it's a very informative thread and she's the fucking coolest.

1050
00:55:39,360 --> 00:55:42,919
Speaker 4: So that is a work of media that I found

1051
00:55:43,040 --> 00:55:44,480
Speaker 4: inspiring and cool this week.

1052
00:55:44,960 --> 00:55:47,399
Speaker 1: There you go, Miles, Where can people find you? What's

1053
00:55:47,400 --> 00:55:48,720
Speaker 1: the working media you've been enjoying?

1054
00:55:49,560 --> 00:55:54,680
Speaker 2: Find me on Twitter? Instagram everywhere else. Let's see yeah

1055
00:55:54,760 --> 00:55:57,120
Speaker 2: yeah at Miles of Gray. Also follow us on our

1056
00:55:57,160 --> 00:56:00,960
Speaker 2: basketball podcast, Miles and Jack Got Mad, Sleeping Like ninety

1057
00:56:01,040 --> 00:56:03,640
Speaker 2: Day Fiance and trash TV. We'll check out my other

1058
00:56:03,680 --> 00:56:07,560
Speaker 2: podcast for twenty Day Fiance Sophia Alexandra And if you

1059
00:56:07,719 --> 00:56:09,560
Speaker 2: like you know true crime, check out The Good Thief,

1060
00:56:09,680 --> 00:56:11,719
Speaker 2: the new true crime show I'm doing. But it's all

1061
00:56:12,000 --> 00:56:14,880
Speaker 2: all eight episodes are out. Let's see a tweet that

1062
00:56:15,200 --> 00:56:17,160
Speaker 2: I like. I don't know if I have any tweets

1063
00:56:17,200 --> 00:56:20,239
Speaker 2: because I haven't been on there recently, but I just

1064
00:56:20,320 --> 00:56:23,600
Speaker 2: started watching The Bear. Oh so I just I was like, yo,

1065
00:56:23,680 --> 00:56:25,000
Speaker 2: what the fuck is going on here?

1066
00:56:26,640 --> 00:56:26,879
Speaker 4: Yeah?

1067
00:56:27,280 --> 00:56:29,799
Speaker 2: It sounds like people are right that shows it's it's

1068
00:56:29,840 --> 00:56:32,600
Speaker 2: worth watching. But yeah, so far I'm enjoying what I'm saying.

1069
00:56:33,239 --> 00:56:34,839
Speaker 1: Yes, Chef am I right.

1070
00:56:35,440 --> 00:56:40,719
Speaker 2: We chef behind Chef is Joel McHale that much of

1071
00:56:40,800 --> 00:56:43,120
Speaker 2: a dick. I've only like seen this like one flashback

1072
00:56:43,200 --> 00:56:46,520
Speaker 2: scene or he's like maniacally being like you fucking suck.

1073
00:56:50,840 --> 00:56:51,160
Speaker 1: Sucks.

1074
00:56:52,120 --> 00:56:54,920
Speaker 2: It sucks up your slow go fast like I.

1075
00:56:56,920 --> 00:57:01,000
Speaker 1: Really like embodies the like you're mind at the at

1076
00:57:01,040 --> 00:57:03,359
Speaker 1: its least healthy or at least my mind, it's least

1077
00:57:03,560 --> 00:57:06,520
Speaker 1: least healthy. Is just like I feel like he's a

1078
00:57:06,600 --> 00:57:09,960
Speaker 1: great stand in for that. Right, What the fuck do

1079
00:57:10,080 --> 00:57:12,400
Speaker 1: you think you did? It's like so mean, it's like

1080
00:57:12,560 --> 00:57:16,560
Speaker 1: kind of comical. It's it's pretty incredible, right, the Bear.

1081
00:57:17,200 --> 00:57:22,479
Speaker 1: The Bear. You can find me on Twitter at Jack

1082
00:57:22,680 --> 00:57:26,880
Speaker 1: Underscore O'Brien, I haven't really been looking at Twitter for

1083
00:57:26,960 --> 00:57:31,320
Speaker 1: the past three Thank you, My Bloody Valentine that I

1084
00:57:31,360 --> 00:57:33,840
Speaker 1: think that's the name of the slasher film that I

1085
00:57:33,920 --> 00:57:38,960
Speaker 1: recently watched that is fun hot garbage from like nineteen

1086
00:57:39,080 --> 00:57:43,920
Speaker 1: eighty one eighty two, and it is shot in a

1087
00:57:44,720 --> 00:57:49,400
Speaker 1: town in Canada. You like, it's this like really rundown town.

1088
00:57:49,600 --> 00:57:52,840
Speaker 1: They shot it on location, I think probably because like

1089
00:57:52,920 --> 00:57:55,680
Speaker 1: they lived there and but you really get a sense

1090
00:57:55,720 --> 00:58:01,320
Speaker 1: of like the town from the movie about a slasher

1091
00:58:01,440 --> 00:58:04,440
Speaker 1: who comes out around Valentine's Day and starts cutting people's

1092
00:58:04,480 --> 00:58:06,040
Speaker 1: hearts out the best.

1093
00:58:06,640 --> 00:58:06,840
Speaker 2: Yes.

1094
00:58:07,200 --> 00:58:10,960
Speaker 1: You can find us on Twitter at Daily Zeitgeist. We're

1095
00:58:10,960 --> 00:58:13,640
Speaker 1: at the Daily Zeitgeist on Instagram. We have a Facebook

1096
00:58:13,640 --> 00:58:16,280
Speaker 1: fan page on our website Daily zeikeist dot com where

1097
00:58:16,280 --> 00:58:21,920
Speaker 1: he posts our episodes and our footnotes. See it basically

1098
00:58:22,040 --> 00:58:24,120
Speaker 1: talked about in Today's episode, as well as a song

1099
00:58:24,240 --> 00:58:26,440
Speaker 1: that we think you might enjoy it My also song

1100
00:58:26,480 --> 00:58:27,400
Speaker 1: do you think people might enjoy?

1101
00:58:27,440 --> 00:58:28,960
Speaker 2: Well? I guess well. We're gonna have the link to

1102
00:58:29,040 --> 00:58:32,040
Speaker 2: that Henry Winkler music video because I found it. Hell

1103
00:58:32,120 --> 00:58:36,280
Speaker 2: yeah on the footes. The opening is wild Anyway, a

1104
00:58:36,560 --> 00:58:37,320
Speaker 2: song that.

1105
00:58:37,520 --> 00:58:40,880
Speaker 1: Is also about monsters or is it about Portoh?

1106
00:58:41,280 --> 00:58:42,280
Speaker 4: Is it Monty Coded?

1107
00:58:42,720 --> 00:58:45,720
Speaker 2: It's it's called Puddles and wishing wells?

1108
00:58:46,560 --> 00:58:47,000
Speaker 1: Oh no?

1109
00:58:48,000 --> 00:58:50,800
Speaker 2: And you know, I'll let y'all check the footnotes. You

1110
00:58:50,840 --> 00:58:53,480
Speaker 2: can watch the full length video that came out in

1111
00:58:53,520 --> 00:58:56,040
Speaker 2: two thousand and nine. It was actually two thousand and nine,

1112
00:58:56,040 --> 00:58:58,480
Speaker 2: it turns out. But anyway, the music that I think

1113
00:58:58,600 --> 00:59:00,480
Speaker 2: we should go out on is this.

1114
00:59:01,680 --> 00:59:04,600
Speaker 4: Maji Revolta's rendition of I Will Always Love Cool.

1115
00:59:06,320 --> 00:59:11,680
Speaker 1: His wordplay is truly band of the living Dead.

1116
00:59:12,160 --> 00:59:14,720
Speaker 2: They're going out on an LA band called the Altons

1117
00:59:14,800 --> 00:59:17,280
Speaker 2: A L T O N s H. And they're like,

1118
00:59:17,920 --> 00:59:19,600
Speaker 2: you know a band that's around now. They're from LA,

1119
00:59:20,040 --> 00:59:23,120
Speaker 2: but they their shit sounds like you've discovered like New

1120
00:59:23,240 --> 00:59:26,440
Speaker 2: forty five records, like if like Motown was like in LA.

1121
00:59:26,640 --> 00:59:30,160
Speaker 2: Like it feels like West Coast like sixties seventies soul.

1122
00:59:30,720 --> 00:59:33,280
Speaker 2: It's really dope and they're really talented and like they

1123
00:59:33,320 --> 00:59:35,320
Speaker 2: got the esthetic really down. And this track is called

1124
00:59:35,440 --> 00:59:38,280
Speaker 2: over and over by the Altons A L. T O. N. S.

1125
00:59:38,800 --> 00:59:40,520
Speaker 1: Oh right, Well, we will link off to that in

1126
00:59:40,520 --> 00:59:42,960
Speaker 1: the footnotes. For Daily is a production of by Heart Radio.

1127
00:59:42,960 --> 00:59:45,120
Speaker 1: For more podcasts from my art Radio, visit the Heart

1128
00:59:45,160 --> 00:59:46,960
Speaker 1: Radio Wrap, Apple podcast, or wherever you listen to your

1129
00:59:47,000 --> 00:59:49,000
Speaker 1: favorite show. That is gonna do it for us this

1130
00:59:49,160 --> 00:59:53,120
Speaker 1: morning back on Monday, Yeah, well to tell you what

1131
00:59:53,280 --> 00:59:55,760
Speaker 1: is trending, what was trending over the weekend, and then

1132
00:59:55,800 --> 00:59:59,800
Speaker 1: on Tuesday for a special expert guest episode, so we

1133
01:00:00,160 --> 01:00:03,000
Speaker 1: talking to y'all. Then have a good weekend, Stay safe,

1134
01:00:03,280 --> 01:00:06,600
Speaker 1: bye bye m m.

1135
01:00:08,280 --> 01:00:08,480
Speaker 4: Yeah