WEBVTT - On Teasing

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey you welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I'm Joe

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<v Speaker 1>McCormick and Robert. I've got a question for you. You

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<v Speaker 1>ever find yourself in that situation where you're hanging out

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<v Speaker 1>with people. It's all good fun, everybody's there's banter going on.

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<v Speaker 1>One person is teasing another person over something kind of funny,

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<v Speaker 1>some funny foible of their personality, and there's that moment,

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<v Speaker 1>there's that awful little moment where there's kind of a

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<v Speaker 1>pause after somebody says some some teasing joke and then

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<v Speaker 1>you realize like, oh no, suddenly it has gotten serious.

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<v Speaker 1>Oh yes, I mean it's especially if it it's a

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<v Speaker 1>multi person group and and there's a bit of piling

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<v Speaker 1>on occurring. They'll be there, I've seen this, this happened,

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<v Speaker 1>where they'll they'll be a breaking point where the person

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<v Speaker 1>has had an enough and and and you realize, oh, no,

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<v Speaker 1>lines have been crossed, and now this person who is

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<v Speaker 1>gonna leave and we're gonna have to resolve this uh

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<v Speaker 1>via emails later. Uh yeah. And it's a ter it's

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<v Speaker 1>a terrible feeling because things have spiraled out of control.

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<v Speaker 1>Something that was playful and um and just part of

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<v Speaker 1>hanging out has now become a divisive email the best

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<v Speaker 1>place to work out tense social disputes. Well sometimes sometimes

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<v Speaker 1>it depends. I mean, I guess it depends on what

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<v Speaker 1>role one had in the in the breakdown. I've been

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<v Speaker 1>fortunate enough to to not be like at the epicenter

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<v Speaker 1>of the of the breakdown generally, so um email tends

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<v Speaker 1>to suffice for me. You know, you never have to

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<v Speaker 1>worry that when you type a smiley emoji that will

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<v Speaker 1>look like a fake smile. When you actually smile at somebody,

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<v Speaker 1>you always gotta worry like does this look real? Is

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<v Speaker 1>my face moving? Right? You just have to use the

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<v Speaker 1>authentic smiling emoji, not the inauthentic one. You know, it's

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<v Speaker 1>all on the micro expressions of the emoji. What's the

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<v Speaker 1>authentic one that's like colon and clothes brackets? Oh no,

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<v Speaker 1>I'm talking about the ones that actually like the little

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<v Speaker 1>yellow face with the smile, like you'll know what when

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<v Speaker 1>you see it. But is everyone can realize at this point,

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<v Speaker 1>we're talking about teasing today on the show, and teasing

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<v Speaker 1>is weird territory to try and figure out deceptively, so really, um,

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<v Speaker 1>for many of us looking back on our childhoods, it's

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<v Speaker 1>it makes up some of our worst memories of social interaction.

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<v Speaker 1>And as a as a parent, I have a lot

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<v Speaker 1>of apprehension about it, you know, regarding my own child,

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<v Speaker 1>the inevitable struggles that he's gonna gonna face. And at

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<v Speaker 1>the same time, there's this weird cult of the tease

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<v Speaker 1>that is often difficult to understand. We see teasing in

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<v Speaker 1>our media, and it's sometimes presented as in a fun

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<v Speaker 1>comical light. We also see adults for whom teasing is

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<v Speaker 1>a standard part of their interactions, not fighting with each other,

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<v Speaker 1>but but just picking in various ways that it's it

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<v Speaker 1>seems like they're just terms of endearments, joking, benign criticism. Yeah,

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<v Speaker 1>and it and uh. It's often a case where I

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<v Speaker 1>look at it and I realized, well, this is clearly

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<v Speaker 1>part of their social dynamic. It wouldn't necessarily work in

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<v Speaker 1>my social dynamic. But I guess it's okay. Uh. We

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<v Speaker 1>see it factor into courtship as well, which also has

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<v Speaker 1>a way of of seeming weird and sour at times

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<v Speaker 1>of an outside perspective. Right. Well, I mean there's there's

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<v Speaker 1>two very different ways it can take place. There's a

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<v Speaker 1>kind you can see, a kind of friendly, sweet teasing

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<v Speaker 1>that takes place between people in a courtship relationship. And

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<v Speaker 1>then there's like the pickup artist version of it, where

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<v Speaker 1>somebody's clearly like making a power play. Right. And then

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<v Speaker 1>likewise we also see this this space, this sort of

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<v Speaker 1>ambiguous space where playful teasing gives over to what is

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<v Speaker 1>clearly something based in hate and abuse name calling uh

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<v Speaker 1>that occurs among children and even among adults. Obviously even

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<v Speaker 1>at the highest levels of government, you see name calling

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<v Speaker 1>used in a in a hurtful fashion. So if you start,

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<v Speaker 1>if you start picking out and I imagine a lot

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<v Speaker 1>of your doing this as well, thinking of all the

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<v Speaker 1>varying levels of teasing that are going on in your

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<v Speaker 1>immediate environment and um in politics and the media, etcetera.

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<v Speaker 1>On the street as you're driving your car and listen

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<v Speaker 1>to this podcast. You know, it's enough to make you

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<v Speaker 1>wonder if if we're just nothing more than just cruel

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<v Speaker 1>apes jockeying for social position, uh, And it's any wonder

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<v Speaker 1>that we managed to emerge from these social interactions with

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<v Speaker 1>self esteem and respect for our fellow humans. But part

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<v Speaker 1>of the issue here is that while all forms of

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<v Speaker 1>teasing share common features, there are at least three distinctive

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<v Speaker 1>forms of teasing that are often signal, that are often

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<v Speaker 1>singled out and definitely deserve mention here. Okay, well, what

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<v Speaker 1>would those forms be? All right? Well, the first is

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<v Speaker 1>pretty obvious, and that is that is the hurtful teasing.

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<v Speaker 1>And I think it's one of those things where we

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<v Speaker 1>all we all know it when we see it, right

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<v Speaker 1>or hear it. This is obviously the domain of bullying

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<v Speaker 1>and harassment, and yet at the same time it's the

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<v Speaker 1>sort of teasing you might see in a celebrity post

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<v Speaker 1>or some of you are more viciously charged a humor

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<v Speaker 1>or political humor. I guess you could also say it's

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<v Speaker 1>maybe the domain of the jester, the fool, and the clown.

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<v Speaker 1>Uh and important These are important roles throughout human history.

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<v Speaker 1>Oh yeah, well, I mean I might argue that the

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<v Speaker 1>fool in the Shakespearean sense requires its own category here,

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<v Speaker 1>because the fool has a lot of power and freedom,

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<v Speaker 1>and that's important power and freedom. Like they're the only

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<v Speaker 1>member of the lower classes who can point out the

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<v Speaker 1>flaws of the monarchs and the upper classes and get

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<v Speaker 1>away with it. There's something about the ridiculousness of the

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<v Speaker 1>fool that allows a critique of power that might result

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<v Speaker 1>in a beheading if you made the same critique in

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<v Speaker 1>a serious tone. And likewise, a king who beheads a

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<v Speaker 1>jester every week is a terrible king. They look weak. Yeah,

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<v Speaker 1>it makes the king look foolish if the king overreacts

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<v Speaker 1>to a to a comical critique, right, I think you're

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<v Speaker 1>pointing Joffrey from Game of Thrones is this type of

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<v Speaker 1>ruler where you realize how he's terrible. He's totally incompetent.

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<v Speaker 1>Look how thin Skinndy is against Uh, the humorous criticism

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<v Speaker 1>of the the court fool. Well, it codes so easily

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<v Speaker 1>for us. I mean, one of the clearest signs of

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<v Speaker 1>a toxic personality is somebody who's unable to accept criticism

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<v Speaker 1>and even benign criticism, or to be the butt of

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<v Speaker 1>a joke. You know, somebody who cannot tolerate that, especially

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<v Speaker 1>because of the positive role that teasing plays in our culture.

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<v Speaker 1>I mean, there's so much teasing that is not hurtful, hateful.

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<v Speaker 1>I mean it is a constant feature of conversation between friends,

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<v Speaker 1>between couples, between family members, between educators and the people

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<v Speaker 1>they educate. Teasing, you know, there's like a sweet, benign

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<v Speaker 1>form of teasing that's absolutely essential to these relationships. You know.

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<v Speaker 1>I do have to add one more thing about the

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<v Speaker 1>gesture first, though, and there is there is this this

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<v Speaker 1>curious aspect of the dying ammic you see with kind

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<v Speaker 1>of a classic gesture situation, but also in modern political humor,

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<v Speaker 1>there are two extremes that are both equally well, maybe

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<v Speaker 1>not equally, but they're both cringe worthy. Certainly when the king,

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<v Speaker 1>the rule or the politician, whoever the celebrity is too

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<v Speaker 1>thin skinned to let humorous bashing go where they have

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<v Speaker 1>to call out, say, you know an episode of Saturday

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<v Speaker 1>Night Live, right, if you made a joke about me,

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<v Speaker 1>how dare you right? Yeah? That is is cringeworthy and awful.

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<v Speaker 1>But on the same hand, and this is something that

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<v Speaker 1>I believe it was pointed out on an episode of

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<v Speaker 1>Malcolm Gladwell's Revisionist History podcast, there's also this danger in

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<v Speaker 1>what happens when the king says, yeah, this gesture guys, great,

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<v Speaker 1>I'm going to hang out with him and do a

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<v Speaker 1>skit with him, or or yeah, that's Saturday Night Life

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<v Speaker 1>skit is funny. I'm gonna appear on that Saturday Night

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<v Speaker 1>Life skit with the person doing an impression of me.

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<v Speaker 1>There can be uh, too much protection of one's dignity

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<v Speaker 1>is a bad sign, but too much surrender of one's

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<v Speaker 1>dignity also looks kind of bad. Like you got to

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<v Speaker 1>find the middle ground. You want the ruler that that

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<v Speaker 1>ultimately has very little to do with the gesture and

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<v Speaker 1>doesn't politely laughs perhaps but leaves it at that. I

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<v Speaker 1>know exactly what you're talking about. Like when presidential candidates

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<v Speaker 1>go on SNL, that's always like, I don't know, it's

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<v Speaker 1>just always terrible. Yeah. But one of the points that

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<v Speaker 1>Malcolm Gladwell made in his show is that it takes

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<v Speaker 1>the punch out of the political humor, like you managed

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<v Speaker 1>in a way. It's like it's a genius move I

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<v Speaker 1>guess for the politician, because you have you have killed

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<v Speaker 1>the humorous skit. You have you have killed the power

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<v Speaker 1>of the humor in a way that you could never

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<v Speaker 1>do by attacking it. Well, yeah, I guess it doesn't

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<v Speaker 1>make you look great, but it also is a type

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<v Speaker 1>of defense mechanism. It undercuts any truly biting criticism that's

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<v Speaker 1>hidden there in the in the comedy. If you go

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<v Speaker 1>on stage with the comedian. Yes, oh, but before we

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<v Speaker 1>were talking about the jester, we were we were about

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<v Speaker 1>to get into playful teasing. You know, the sweet form

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<v Speaker 1>of teasing, right, And obviously there's a line between hurtful

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<v Speaker 1>and and u and playful teasing good luck finding, especially

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<v Speaker 1>with people you're maybe not that familiar with. But yeah,

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<v Speaker 1>especially in close relationships, you tend to see these you know,

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<v Speaker 1>you see in jokes and you see established safe zones

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<v Speaker 1>for playful teasing. Uh. For instance, if my wife teases

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<v Speaker 1>me about some nerdy hobby of mine, uh, it's it's

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<v Speaker 1>really more of a form, more of a term of endearment.

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<v Speaker 1>Or if she teases me about liking robot music, like

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<v Speaker 1>like really robotic sounding electronic music, and uh and teasing

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<v Speaker 1>me about how awful it sounds. Uh like like this

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<v Speaker 1>is that this feels good when we're doing it. I

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<v Speaker 1>don't feel hurt or defensive about you know, my my

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<v Speaker 1>love of dungeons and dragons, or or or my miniatures

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<v Speaker 1>painting miniatures, or yeah, or my affinity for the music

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<v Speaker 1>of autech or that sort of thing. Yeah, I think

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<v Speaker 1>almost all good romantic relationships include an element of teasing.

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<v Speaker 1>I don't, you know. I don't want to be overly general.

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<v Speaker 1>So maybe some people people make it work in all

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<v Speaker 1>kinds of ways, but I rarely see what seems like

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<v Speaker 1>a happy couple that doesn't tease one another, right, I mean,

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<v Speaker 1>it seems like you do. And this is something we're

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<v Speaker 1>going to return to throughout this episode, this idea that

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<v Speaker 1>that teasing it is, is an opportunity for bond forming

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<v Speaker 1>and the establishment and the maintaining of bonds. And but

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<v Speaker 1>obviously you need a safe place for the teasing. Just

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<v Speaker 1>you know, all of us, I think we're going to have,

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<v Speaker 1>unless we are some sort of like in human politician type,

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<v Speaker 1>you know, we're going to have those areas that we

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<v Speaker 1>are cool being teased about in areas that we're less

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<v Speaker 1>comfortable being teased about. You know, thinking about several of

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<v Speaker 1>the areas that that teasing functions in our our social interactions,

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<v Speaker 1>one of which is sort of reminding people of hierarchies

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<v Speaker 1>or establishing hierarchies. That it does something of enforcing a

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<v Speaker 1>pecking order. Number two is maybe like establishing a criticism

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<v Speaker 1>of somebody's behavior. And number three is allowing bonding. Put

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<v Speaker 1>these three things together, and it seems like a key

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<v Speaker 1>place where teasing should come into play is education, right,

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<v Speaker 1>because that's a place where you need a hierarchy between

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<v Speaker 1>teacher and student. You want to teach lessons and you

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<v Speaker 1>also want to have a good relationship. That's right. So

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<v Speaker 1>this brings us to this third area of teasing, educative teasing,

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<v Speaker 1>and this pops up in areas that you wouldn't quite

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<v Speaker 1>expect it as, as we'll discuss a little later. One

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<v Speaker 1>example is that is that of a frat boys giving

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<v Speaker 1>each other nicknames based on, you know, various bone headed

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<v Speaker 1>things they've done. Uh And and this can be viewed

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<v Speaker 1>as a way of of educating, of laying down various

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<v Speaker 1>um moral rules or or social expectations. Right, you teasing,

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<v Speaker 1>you might get nicknamed like, I don't know, toilet head

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<v Speaker 1>because you fell asleep with your head in the toilet, right,

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<v Speaker 1>And the idea is, don't do that. Don't drink so

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<v Speaker 1>much that you sleep in the toilet. But then again,

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<v Speaker 1>one of the things I noticed about that kind of

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<v Speaker 1>teasing is that toilet head might originally be applied as

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<v Speaker 1>a sort of like moral injunction. But that toilet Head

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<v Speaker 1>make may well come to identify with the nickname and say,

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<v Speaker 1>that's right, that's who I am. I am toilet Head forevermore,

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<v Speaker 1>and I will embrace it. Yeah. Now, some anthropologists point

0:12:21.720 --> 0:12:26.160
<v Speaker 1>to specific traditions of educated teasing between parents and children

0:12:26.240 --> 0:12:31.120
<v Speaker 1>in various Indigenous American um cultures, and the idea here

0:12:31.200 --> 0:12:33.080
<v Speaker 1>is that it's a form of teasing that can work

0:12:33.120 --> 0:12:39.040
<v Speaker 1>better to impart knowledge of social rules and emotionally instilled ideas. However,

0:12:39.120 --> 0:12:41.040
<v Speaker 1>we we didn't really focus on any of that for

0:12:41.080 --> 0:12:42.920
<v Speaker 1>this research, but I just want to let everyone know

0:12:42.960 --> 0:12:45.240
<v Speaker 1>that that that is an area of study. Now, as

0:12:45.280 --> 0:12:48.640
<v Speaker 1>far as these three terms for types of teasing go,

0:12:48.840 --> 0:12:51.680
<v Speaker 1>I I feel like there's some difficulty in how we

0:12:51.800 --> 0:12:55.000
<v Speaker 1>use terms here because I admit that I would typically

0:12:55.120 --> 0:12:59.480
<v Speaker 1>reserve the word teasing for the more benign or playful

0:12:59.520 --> 0:13:03.440
<v Speaker 1>forms what we were calling hurtful teasing, the kind that's

0:13:03.480 --> 0:13:07.360
<v Speaker 1>actually cruel and mean spirited. I would not usually call teasing.

0:13:07.400 --> 0:13:11.640
<v Speaker 1>I'd probably call it bullying or harassment or something. Um though.

0:13:11.920 --> 0:13:15.640
<v Speaker 1>It's what what this highlights is that the line between

0:13:15.760 --> 0:13:19.600
<v Speaker 1>playful teasing and hurtful bullying is not always clear. It's

0:13:19.600 --> 0:13:22.640
<v Speaker 1>not always clear to the person doing it. It's always

0:13:22.720 --> 0:13:25.720
<v Speaker 1>not always clear to the person receiving it. What sometimes

0:13:25.760 --> 0:13:28.960
<v Speaker 1>ment is benign or playful by the teaser can feel

0:13:29.000 --> 0:13:32.480
<v Speaker 1>like bullying to the teaz and sometimes more benign or

0:13:32.520 --> 0:13:35.679
<v Speaker 1>playful forms of teasing. I bet you've been there for this.

0:13:35.760 --> 0:13:37.760
<v Speaker 1>I think we sort of talked about it at the beginning.

0:13:38.160 --> 0:13:41.079
<v Speaker 1>It starts off as a friendly and playful session of

0:13:41.200 --> 0:13:44.520
<v Speaker 1>ribbing that somehow catches this terrible momentum. I don't know

0:13:44.559 --> 0:13:48.480
<v Speaker 1>what causes it, but that momentum it edges into harder

0:13:48.640 --> 0:13:52.600
<v Speaker 1>and meaner stuff as it escalates, and it's this enormously

0:13:52.760 --> 0:13:56.200
<v Speaker 1>painful and uncomfortable thing to witness, And looking back, I

0:13:56.240 --> 0:13:59.440
<v Speaker 1>can remember instances of this in my life where I

0:13:59.559 --> 0:14:03.840
<v Speaker 1>watch something like this happened to somebody else, and in retrospect,

0:14:04.440 --> 0:14:06.720
<v Speaker 1>like I wish I'd found a way to step in

0:14:06.720 --> 0:14:09.560
<v Speaker 1>in the moment and stop it. But it's so much

0:14:09.600 --> 0:14:12.640
<v Speaker 1>easier to to to feel that kind of policing authority

0:14:12.640 --> 0:14:15.520
<v Speaker 1>in retrospect in the moment, to step in like that

0:14:15.559 --> 0:14:19.200
<v Speaker 1>into clear teasing. To have gone too far requires you

0:14:19.240 --> 0:14:22.160
<v Speaker 1>to take this major risk. It feels like you're violating

0:14:22.160 --> 0:14:24.640
<v Speaker 1>a taboo, you're making it weird, you know, you know

0:14:24.680 --> 0:14:28.000
<v Speaker 1>about making it weird, right, um, And in the moment

0:14:28.040 --> 0:14:31.280
<v Speaker 1>you're never really sure if you've like misread some kind

0:14:31.280 --> 0:14:34.440
<v Speaker 1>of unspoken set of cues. Maybe everything is actually okay,

0:14:34.440 --> 0:14:37.200
<v Speaker 1>and you're the one who's making people feel bad by

0:14:37.320 --> 0:14:39.640
<v Speaker 1>getting serious from out of nowhere. It can be a

0:14:39.680 --> 0:14:44.360
<v Speaker 1>really difficult and complicated uh dance to to navigate. All right,

0:14:44.400 --> 0:14:46.000
<v Speaker 1>on that note, we're gonna take a quick break and

0:14:46.000 --> 0:14:48.200
<v Speaker 1>when we come back, we're gonna we're gonna really get

0:14:48.240 --> 0:14:52.560
<v Speaker 1>into the question of teasing and what purpose it truly serves.

0:14:53.240 --> 0:14:56.600
<v Speaker 1>Thank thank thank Alright, we're back. So one of the

0:14:56.640 --> 0:15:01.040
<v Speaker 1>big names that comes up in teasing resear is that

0:15:01.120 --> 0:15:06.000
<v Speaker 1>of psychiatry and psychology researcher Dr Keltner, who has written

0:15:06.000 --> 0:15:09.160
<v Speaker 1>on this, researched on this, and one of the big

0:15:09.200 --> 0:15:12.160
<v Speaker 1>pieces that has often circulated is a two thousand and

0:15:12.240 --> 0:15:16.560
<v Speaker 1>eight New York Times piece titled in Defensive Teasing. Uh.

0:15:16.600 --> 0:15:19.840
<v Speaker 1>And he also directs the Berkeley Social Interaction Lab. So

0:15:19.840 --> 0:15:23.680
<v Speaker 1>this is like right in his uh, his area of focus. Yeah,

0:15:23.800 --> 0:15:27.040
<v Speaker 1>Keltner makes an interesting point, which is that a lot

0:15:27.160 --> 0:15:29.760
<v Speaker 1>of our social conventions in the modern age, I think

0:15:29.760 --> 0:15:35.280
<v Speaker 1>are centered around trying to make social interactions more safe,

0:15:36.040 --> 0:15:37.880
<v Speaker 1>which in a way is a good thing. Right. We

0:15:38.080 --> 0:15:40.920
<v Speaker 1>we all know how destructive and terrible bullying can be.

0:15:41.520 --> 0:15:44.920
<v Speaker 1>We've all seen the kind of teasing in a relationship.

0:15:45.040 --> 0:15:48.840
<v Speaker 1>And you know, somebody's somebody's got a new boyfriend and

0:15:48.880 --> 0:15:52.360
<v Speaker 1>he's teasing her, but he's like going a little hard.

0:15:52.920 --> 0:15:55.560
<v Speaker 1>It doesn't quite seem so sweet. And when you think

0:15:55.600 --> 0:15:58.800
<v Speaker 1>about stuff like that, it can be very easy to

0:15:58.880 --> 0:16:01.520
<v Speaker 1>start to to start to view teasing is this really

0:16:01.560 --> 0:16:05.720
<v Speaker 1>negative thing. It's this this cruel, malicious force that permeates

0:16:05.720 --> 0:16:08.600
<v Speaker 1>our culture and and make you want to do things

0:16:08.600 --> 0:16:11.360
<v Speaker 1>to eliminate it. Right, Well, how can we get people

0:16:11.400 --> 0:16:14.760
<v Speaker 1>to not act like this? But I feel like teasing

0:16:14.840 --> 0:16:16.720
<v Speaker 1>is a situation where you really don't want to throw

0:16:16.760 --> 0:16:19.640
<v Speaker 1>the baby out with the bathwater. Well you don't, but

0:16:19.800 --> 0:16:22.280
<v Speaker 1>you you want to protect the baby. That's the thing

0:16:22.320 --> 0:16:25.920
<v Speaker 1>I mean. Throughout this episode, I kept coming I keep

0:16:25.920 --> 0:16:30.680
<v Speaker 1>coming back to um, my own son, and I just

0:16:30.760 --> 0:16:33.560
<v Speaker 1>want to protect him so much from these things. At

0:16:33.560 --> 0:16:35.200
<v Speaker 1>the same time, I realized I can't protect him there

0:16:35.240 --> 0:16:38.400
<v Speaker 1>from everything. I can't just chattow him through school and

0:16:38.720 --> 0:16:42.360
<v Speaker 1>you know, feed him excellent, you know, comebacks. Uh, anytime

0:16:42.400 --> 0:16:44.680
<v Speaker 1>anybody is is trying to tease him, he's going to

0:16:44.720 --> 0:16:48.240
<v Speaker 1>be teased. It's it's inevitable, and he it's probably inevitable

0:16:48.280 --> 0:16:51.280
<v Speaker 1>to that to engage in teasing. Um. But at the

0:16:51.320 --> 0:16:55.040
<v Speaker 1>same time, it is hard for me to just really

0:16:55.160 --> 0:16:59.360
<v Speaker 1>get behind everything Kelton is saying about just the importance

0:16:59.360 --> 0:17:03.160
<v Speaker 1>of teasing, like, I still my impulse to protect is

0:17:04.040 --> 0:17:07.199
<v Speaker 1>too strong. Well, I mean, I think the point he

0:17:07.200 --> 0:17:09.960
<v Speaker 1>would be making is that the good kind of teasing

0:17:10.640 --> 0:17:13.720
<v Speaker 1>is not actually hurtful, it's not actually something that needs

0:17:13.760 --> 0:17:16.439
<v Speaker 1>to be protected. And he is not advocating that that

0:17:16.640 --> 0:17:20.440
<v Speaker 1>bullying should be permitted. It's very clear about that. But

0:17:20.440 --> 0:17:23.600
<v Speaker 1>but but he does make this strong, strong case that

0:17:23.600 --> 0:17:27.120
<v Speaker 1>that teasing is an essential part of our social interactions,

0:17:27.400 --> 0:17:29.560
<v Speaker 1>and in fact, he points out that the teasing is

0:17:29.760 --> 0:17:33.240
<v Speaker 1>pervasive in the animal world. Right now, we generally think

0:17:33.240 --> 0:17:37.440
<v Speaker 1>of teasing as you know, as a verbal phenomenon, right

0:17:37.480 --> 0:17:39.280
<v Speaker 1>and I guess you do have to think of of

0:17:39.560 --> 0:17:42.240
<v Speaker 1>human teasing as as a lot of things with humans

0:17:42.560 --> 0:17:45.719
<v Speaker 1>happens to be you think of it as a linguistic

0:17:45.840 --> 0:17:49.240
<v Speaker 1>and cultural complication of an impulse that may also be

0:17:49.359 --> 0:17:55.600
<v Speaker 1>found within uh language less animals, and so, for instance,

0:17:55.760 --> 0:17:58.879
<v Speaker 1>Keltner says, quote, the centrality of teasing in our social

0:17:58.880 --> 0:18:01.919
<v Speaker 1>evolution is suggests by just how pervasive teasing is in

0:18:01.920 --> 0:18:05.560
<v Speaker 1>the animal world. Younger monkeys pull the tales of older monkeys.

0:18:05.920 --> 0:18:09.359
<v Speaker 1>African hunting dogs jump all over one another, much like

0:18:09.720 --> 0:18:14.960
<v Speaker 1>pad slapping joking football players moments before kickoff. In every

0:18:14.960 --> 0:18:17.960
<v Speaker 1>corner of the world, human adults play peekaboo games to

0:18:18.000 --> 0:18:21.400
<v Speaker 1>stir a sulking child. Children as early as age one

0:18:21.640 --> 0:18:25.600
<v Speaker 1>mimic nearby adults and teenagers prod one another to gauge

0:18:25.720 --> 0:18:29.560
<v Speaker 1>romantic interest. In rejecting teasing, we may be losing something

0:18:29.680 --> 0:18:33.320
<v Speaker 1>vital and necessary to our identity as the most playful

0:18:33.320 --> 0:18:36.160
<v Speaker 1>of species. I mean, I think I'm pretty on board

0:18:36.200 --> 0:18:39.320
<v Speaker 1>with his message there. It's the the difficulty comes in

0:18:40.240 --> 0:18:45.719
<v Speaker 1>our uncertainty about recognizing the line between benign teasing and

0:18:45.800 --> 0:18:50.359
<v Speaker 1>hurtful teasing. And and I think it's because there's that ambiguity,

0:18:50.480 --> 0:18:53.240
<v Speaker 1>because there's always the danger that you you're not necessarily

0:18:53.240 --> 0:18:57.320
<v Speaker 1>going to be able to recognize immediately the difference between

0:18:57.359 --> 0:18:59.159
<v Speaker 1>one or the other. It's exactly the same problem. I

0:18:59.200 --> 0:19:01.520
<v Speaker 1>was mentioning a minute go where you like, I think

0:19:01.640 --> 0:19:04.320
<v Speaker 1>back on a time you saw somebody getting teased and

0:19:04.359 --> 0:19:07.439
<v Speaker 1>it went over the line, but you didn't stop it. Um,

0:19:07.480 --> 0:19:10.160
<v Speaker 1>it's because of that ambiguity, like you didn't know if

0:19:10.200 --> 0:19:13.040
<v Speaker 1>you should step in or not. And that ambiguity makes

0:19:13.080 --> 0:19:16.120
<v Speaker 1>us uncomfortable because we know teasing this over the line

0:19:16.160 --> 0:19:18.320
<v Speaker 1>is wrong, but you can't always see the line in

0:19:18.359 --> 0:19:20.960
<v Speaker 1>the moment. It would be interesting to hear from from

0:19:21.040 --> 0:19:23.680
<v Speaker 1>educators out there who are listening to the show on this,

0:19:23.800 --> 0:19:26.280
<v Speaker 1>because it does make one think that the message should

0:19:26.320 --> 0:19:29.399
<v Speaker 1>not be hey, kids, don't tease one another. It should

0:19:29.400 --> 0:19:32.840
<v Speaker 1>maybe be more. Here areas where it is not cool

0:19:32.880 --> 0:19:34.800
<v Speaker 1>to tease, you know, like it's not cool to tease

0:19:34.840 --> 0:19:41.920
<v Speaker 1>someone about their physical appearance or the characters or stereotypes, etcetera. Uh,

0:19:41.960 --> 0:19:45.000
<v Speaker 1>but various behavioral teasing. I don't know how, I mean,

0:19:45.040 --> 0:19:47.280
<v Speaker 1>how do you end up teaching such nuance? Maybe you

0:19:47.520 --> 0:19:49.840
<v Speaker 1>to a certain extent, you can't. It has to generate

0:19:50.000 --> 0:19:53.800
<v Speaker 1>via the social interactions. Here's something I would say, Um, well,

0:19:53.920 --> 0:19:56.440
<v Speaker 1>with a with a big exception for we can talk

0:19:56.480 --> 0:19:58.560
<v Speaker 1>about the jester in a second, with a big exception

0:19:58.600 --> 0:20:01.480
<v Speaker 1>for the jester. Maybe one thing is that you shouldn't

0:20:01.480 --> 0:20:05.359
<v Speaker 1>tease somebody unless you like them and they know you

0:20:05.520 --> 0:20:09.600
<v Speaker 1>like them. That's true, because otherwise, if the if the

0:20:09.640 --> 0:20:13.480
<v Speaker 1>existing social dynamic is is is anything different, than you

0:20:13.480 --> 0:20:16.080
<v Speaker 1>are perhaps not engaging in pure teasing. No, I mean,

0:20:16.119 --> 0:20:18.960
<v Speaker 1>then it becomes bullying. When you tease somebody you don't

0:20:18.960 --> 0:20:21.879
<v Speaker 1>even like her respect, obviously you're you're going to be

0:20:21.960 --> 0:20:25.760
<v Speaker 1>tempted to edge over into some form of cruelty. Now,

0:20:25.800 --> 0:20:28.480
<v Speaker 1>speaking of cruelty, we have to think again of of kings,

0:20:28.560 --> 0:20:32.760
<v Speaker 1>and of course the jester. Keltner points out then that

0:20:33.080 --> 0:20:35.240
<v Speaker 1>in the tradition of the court jester, you could say

0:20:35.280 --> 0:20:39.920
<v Speaker 1>teasing is quote a playful, provocative mode of commentary. Yeah,

0:20:39.920 --> 0:20:42.800
<v Speaker 1>I think that's right. I mean, as Touchstone said in

0:20:42.880 --> 0:20:45.920
<v Speaker 1>Shakespeare's as you Like It quote, the fool don't think

0:20:45.960 --> 0:20:48.399
<v Speaker 1>he is wise, but the wise man knows himself to

0:20:48.400 --> 0:20:51.359
<v Speaker 1>be a fool. You know, that's hundreds of years before

0:20:51.400 --> 0:20:54.720
<v Speaker 1>all the modern research on illusory confidence and dunning Krueger

0:20:54.800 --> 0:20:57.160
<v Speaker 1>and all that. I think this reveals that a key

0:20:57.280 --> 0:21:01.000
<v Speaker 1>social good of even harder edged thing is that when

0:21:01.040 --> 0:21:03.880
<v Speaker 1>it's properly applied, it can be kind of a leveling

0:21:03.960 --> 0:21:07.440
<v Speaker 1>tool like it knocks down the wickerman of big egos

0:21:07.480 --> 0:21:10.760
<v Speaker 1>and and pops the balloons of unearned self confidence that

0:21:10.800 --> 0:21:13.920
<v Speaker 1>we see so often in our highest levels of leadership.

0:21:14.560 --> 0:21:17.440
<v Speaker 1>But of course, just as often it's applied the other way,

0:21:17.520 --> 0:21:20.520
<v Speaker 1>and in a very bad, destructive way. It gets applied

0:21:20.520 --> 0:21:23.639
<v Speaker 1>from the top down by the inflated ego against the

0:21:23.720 --> 0:21:26.640
<v Speaker 1>less empowered. I guess as sort of like a hierarchy

0:21:26.800 --> 0:21:30.800
<v Speaker 1>enforcement mechanism, but the bottom up form, the jester driven form.

0:21:30.840 --> 0:21:33.560
<v Speaker 1>I think that's a that leveling instinct is a useful

0:21:33.680 --> 0:21:36.800
<v Speaker 1>social good and a form of freedom. Teasing is an

0:21:36.840 --> 0:21:40.680
<v Speaker 1>arena that allows us to experiment with language, with personality

0:21:40.760 --> 0:21:43.840
<v Speaker 1>and relationships. It's sort of an open ended game that

0:21:43.880 --> 0:21:47.159
<v Speaker 1>we can use to manage relationships and learn about each other. Now,

0:21:47.280 --> 0:21:50.439
<v Speaker 1>Culton A. Keltner also turns to the work of linguistic

0:21:50.440 --> 0:21:56.879
<v Speaker 1>anthropologist Penelope Brown and cognitive anthropologist Stephen Levinson, who I

0:21:56.880 --> 0:21:59.560
<v Speaker 1>believe we've we've touched on both of their work before

0:22:00.160 --> 0:22:04.560
<v Speaker 1>on the podcast, but their work that he's referencing here

0:22:04.640 --> 0:22:08.040
<v Speaker 1>is more specifically aligned with the study of politeness. But

0:22:08.119 --> 0:22:11.159
<v Speaker 1>of interest here is the their focus on two forms

0:22:11.160 --> 0:22:15.600
<v Speaker 1>of communication like basically breaking down communication into two forms

0:22:15.640 --> 0:22:19.520
<v Speaker 1>that we're talking mostly about linguistic communication here, but on

0:22:19.560 --> 0:22:23.480
<v Speaker 1>the on record communication and off record communication. Okay, so

0:22:23.560 --> 0:22:26.800
<v Speaker 1>tell me the difference. Okay, So on record communication is

0:22:26.880 --> 0:22:30.560
<v Speaker 1>just literal direct speech. You take it literally. It's meant

0:22:30.680 --> 0:22:33.720
<v Speaker 1>meant to be taken literally. It's clear, and it's direct.

0:22:34.000 --> 0:22:36.040
<v Speaker 1>This is the kind of speech you would want from

0:22:36.080 --> 0:22:39.320
<v Speaker 1>your doctor or your lawyer or whatever. Right if you

0:22:39.440 --> 0:22:41.480
<v Speaker 1>if someone were to come up to you on the

0:22:41.520 --> 0:22:45.000
<v Speaker 1>street and uh and say, hey, you've got something on

0:22:45.040 --> 0:22:48.479
<v Speaker 1>your face? Um, like that's clear, Like, hey, I think

0:22:48.520 --> 0:22:50.080
<v Speaker 1>there's some food on your face. You need you might

0:22:50.119 --> 0:22:51.840
<v Speaker 1>want to get that off. Like they're they're not playing around.

0:22:51.840 --> 0:22:54.640
<v Speaker 1>They're just letting you know. It might be socially awkward,

0:22:54.960 --> 0:22:58.600
<v Speaker 1>but they are being direct in their communication. They're they're

0:22:58.640 --> 0:23:01.000
<v Speaker 1>not they're not joking, they're not being vague about it.

0:23:01.160 --> 0:23:06.359
<v Speaker 1>Off the record is veiled meeting metaphor alternative meaning. So

0:23:06.440 --> 0:23:07.920
<v Speaker 1>this if someone were to come up on your street

0:23:07.960 --> 0:23:10.720
<v Speaker 1>and be like, hey, um, you got a little something

0:23:10.960 --> 0:23:13.399
<v Speaker 1>right there. Hey, if you you know, if they were

0:23:13.440 --> 0:23:15.159
<v Speaker 1>kind of kind of beat around the bush a little bit,

0:23:15.200 --> 0:23:16.639
<v Speaker 1>you know, you might want to take a look in

0:23:16.640 --> 0:23:18.920
<v Speaker 1>a mirror bro right, Yeah, that kind of thing where

0:23:18.920 --> 0:23:21.560
<v Speaker 1>it can it's off the record, and it can be

0:23:21.640 --> 0:23:25.600
<v Speaker 1>in a way that is meant to, uh to to

0:23:25.640 --> 0:23:29.280
<v Speaker 1>make the the the message softer, or it can go

0:23:29.359 --> 0:23:31.159
<v Speaker 1>the reverse, right, it can, it can make it harder.

0:23:31.200 --> 0:23:33.879
<v Speaker 1>You could be straight up mocking somebody on the street

0:23:34.160 --> 0:23:37.080
<v Speaker 1>for the little bit of lunch they still have, you know,

0:23:37.400 --> 0:23:39.320
<v Speaker 1>caught in their beard. Yeah, it seems the key to

0:23:39.400 --> 0:23:43.000
<v Speaker 1>the off record communication is is some form of ambiguity.

0:23:43.040 --> 0:23:47.440
<v Speaker 1>And one reason is that off record communication is sometimes risky, right,

0:23:47.760 --> 0:23:51.320
<v Speaker 1>people want deniability if their message is not well received.

0:23:51.720 --> 0:23:54.639
<v Speaker 1>Off record communication is the kind of communication where you

0:23:54.680 --> 0:23:58.800
<v Speaker 1>can say I was just kidding. On record communication, you

0:23:58.880 --> 0:24:01.840
<v Speaker 1>cannot plausibly say I was just kidding. And you've all

0:24:01.920 --> 0:24:06.240
<v Speaker 1>been there when somebody delivered on record communication and then

0:24:06.320 --> 0:24:09.640
<v Speaker 1>tried to I was just kidding afterwards. It doesn't work.

0:24:09.920 --> 0:24:13.760
<v Speaker 1>There's no there's generally no room for for retreat except

0:24:13.800 --> 0:24:16.760
<v Speaker 1>to like physically retreat. So the point here is that

0:24:16.800 --> 0:24:20.480
<v Speaker 1>in modern human interactions, you don't always want to be direct.

0:24:20.840 --> 0:24:23.959
<v Speaker 1>On record communication doesn't always work for the same reasons

0:24:24.000 --> 0:24:28.480
<v Speaker 1>that it's not practical to always be truthful. White lies

0:24:28.520 --> 0:24:32.000
<v Speaker 1>are sometimes required or lies of emission. Uh, And so

0:24:32.040 --> 0:24:35.679
<v Speaker 1>it's it's sometimes necessary to communicate via off record communication

0:24:35.760 --> 0:24:39.400
<v Speaker 1>to say something and signal some other meaning, as annoying

0:24:39.440 --> 0:24:41.800
<v Speaker 1>as it can be at times. Obviously, we can all

0:24:41.840 --> 0:24:44.879
<v Speaker 1>think too situations where someone is not direct with us

0:24:44.880 --> 0:24:46.880
<v Speaker 1>and we wish they were direct. Oh yeah, I mean

0:24:47.880 --> 0:24:51.240
<v Speaker 1>pretty much everything we're talking about today that has a

0:24:51.520 --> 0:24:55.639
<v Speaker 1>possible good social good, you know, useful social role also

0:24:55.720 --> 0:24:59.119
<v Speaker 1>can be used for evil. I mean, every shifty, dishonest

0:24:59.160 --> 0:25:02.200
<v Speaker 1>guy you know uses a lot of off record communication

0:25:02.280 --> 0:25:04.160
<v Speaker 1>and always wants to be able to kind of weazle

0:25:04.200 --> 0:25:06.720
<v Speaker 1>around about what he said or what he meant. And

0:25:06.760 --> 0:25:10.040
<v Speaker 1>so Kellner argues that teasing is quote, just such an

0:25:10.080 --> 0:25:14.800
<v Speaker 1>act of off record communication. Provocative commentary is shrouded in

0:25:14.920 --> 0:25:19.920
<v Speaker 1>linguistic acts called off record markers that suggests that commentary

0:25:20.000 --> 0:25:22.199
<v Speaker 1>should not be taken literally. So there's some sort of

0:25:22.240 --> 0:25:25.360
<v Speaker 1>a uh, there's some sort of a wink there, right,

0:25:25.760 --> 0:25:28.720
<v Speaker 1>But I don't think this should cause us to sort, uh,

0:25:28.840 --> 0:25:33.320
<v Speaker 1>communication into like on record which is important, and off record,

0:25:33.359 --> 0:25:36.240
<v Speaker 1>which is not important. Yeah, I mean, to your point,

0:25:36.240 --> 0:25:39.760
<v Speaker 1>it may be very important, It just might be socially

0:25:39.800 --> 0:25:43.240
<v Speaker 1>delicate or you don't want to overstep the boundaries of

0:25:43.280 --> 0:25:46.880
<v Speaker 1>your established relationship with someone, and it may be essential

0:25:47.000 --> 0:25:50.520
<v Speaker 1>to to to to to to provide that wink to

0:25:50.720 --> 0:25:53.160
<v Speaker 1>let them know via you know, some sort of hand

0:25:53.200 --> 0:25:55.720
<v Speaker 1>signal or some alteration of your voice, or even the

0:25:55.800 --> 0:26:00.560
<v Speaker 1>use of rhyme or the mimicking of of of some

0:26:00.600 --> 0:26:03.119
<v Speaker 1>other individual. It could be key to letting them know.

0:26:03.240 --> 0:26:06.520
<v Speaker 1>I'm I'm using off record communication here, even even though

0:26:06.560 --> 0:26:09.040
<v Speaker 1>what I'm about to tell you is important. Well, yeah,

0:26:09.040 --> 0:26:12.800
<v Speaker 1>it on record communication and off record communication. I would say,

0:26:12.800 --> 0:26:16.800
<v Speaker 1>our respectively analogous to work and play, and play is

0:26:16.920 --> 0:26:20.600
<v Speaker 1>very important. Play is where we learn how to work. Ultimately,

0:26:20.640 --> 0:26:22.679
<v Speaker 1>it allows us to send messages in a in a

0:26:22.800 --> 0:26:24.800
<v Speaker 1>masked way, or at least a kind of like a

0:26:25.080 --> 0:26:29.280
<v Speaker 1>lubricated way. Socially. Uh. This this may be a terrible example,

0:26:29.320 --> 0:26:31.720
<v Speaker 1>but but one that I have observed before. If you've

0:26:31.720 --> 0:26:35.520
<v Speaker 1>ever seen, say, an individual come out of a public

0:26:35.600 --> 0:26:39.359
<v Speaker 1>restroom and uh, and they say, who, do not go

0:26:39.440 --> 0:26:41.920
<v Speaker 1>in there. We'll give you some sort of like joking warning,

0:26:42.200 --> 0:26:45.240
<v Speaker 1>that's a good one. Maybe it tends it are it Definitely,

0:26:45.520 --> 0:26:47.959
<v Speaker 1>I would say, definitely works better than if they were

0:26:47.960 --> 0:26:49.840
<v Speaker 1>to look you square in the eyes and say do

0:26:49.960 --> 0:26:52.600
<v Speaker 1>not go in there. Though that's sort of like five minutes,

0:26:52.640 --> 0:26:55.760
<v Speaker 1>you know, like then that's self deprecating. Yeah, but it's

0:26:55.760 --> 0:26:58.119
<v Speaker 1>also it's like awkward for both parties. But if but

0:26:58.160 --> 0:27:00.320
<v Speaker 1>if there's a joke there, like then it's kind of

0:27:00.320 --> 0:27:02.200
<v Speaker 1>like I'm kind of making fun of myself and I'm

0:27:02.200 --> 0:27:04.639
<v Speaker 1>also kind of making fun of fun of you. But

0:27:04.720 --> 0:27:09.119
<v Speaker 1>I'm also providing definite information that you should be aware

0:27:09.160 --> 0:27:13.720
<v Speaker 1>of regarding the the the aromatic state of this bathroom

0:27:13.760 --> 0:27:16.560
<v Speaker 1>you're about to enter. Well to to incorporate teasing, I

0:27:16.600 --> 0:27:19.000
<v Speaker 1>can see how in that situation, teasing if somebody else

0:27:19.040 --> 0:27:21.959
<v Speaker 1>could actually be used to diffuse tension and make them

0:27:22.000 --> 0:27:24.199
<v Speaker 1>feel less bad. So like say you have to go

0:27:24.240 --> 0:27:27.359
<v Speaker 1>into a bathroom after somebody else and it smells bad,

0:27:27.400 --> 0:27:30.240
<v Speaker 1>and the other person knows that they've been in there,

0:27:30.359 --> 0:27:33.159
<v Speaker 1>and you know they're probably feeling embarrassed. You might be

0:27:33.200 --> 0:27:35.680
<v Speaker 1>able to say something that's like a tease of them

0:27:35.720 --> 0:27:38.720
<v Speaker 1>that indicates that they shouldn't actually be you know, you

0:27:38.760 --> 0:27:42.000
<v Speaker 1>can both laugh about it, which actually feels better than

0:27:42.119 --> 0:27:45.159
<v Speaker 1>just leaving it, leaving it unsaid on the person feeling

0:27:45.160 --> 0:27:49.000
<v Speaker 1>awkward and embarrassed. Though I'm not necessarily advocating making fun

0:27:49.000 --> 0:27:51.840
<v Speaker 1>of people's body smells. You've got to judge the situation

0:27:51.880 --> 0:27:55.280
<v Speaker 1>case by case, Keltner says. Quote, in teasing, we become actors,

0:27:55.359 --> 0:27:58.879
<v Speaker 1>taking on playful identities to manage the inevitable conflicts of

0:27:58.960 --> 0:28:01.879
<v Speaker 1>living in social group. Which is as kind of crude

0:28:01.920 --> 0:28:03.960
<v Speaker 1>as this example we just laid out, is it? I

0:28:03.960 --> 0:28:06.320
<v Speaker 1>mean it that is an example of what we're talking

0:28:06.359 --> 0:28:08.919
<v Speaker 1>about here. I mean that is the inevitable conflict of

0:28:08.920 --> 0:28:12.119
<v Speaker 1>living in social groups, of going to restaurants and sharing restrooms.

0:28:12.760 --> 0:28:15.640
<v Speaker 1>And they also may allow us Kelton argues, to engage

0:28:15.680 --> 0:28:19.600
<v Speaker 1>in the sort of social contest that may prove physical

0:28:19.680 --> 0:28:22.280
<v Speaker 1>and deadly in other species. And indeed, we see plenty

0:28:22.320 --> 0:28:27.040
<v Speaker 1>of non human species that have evolved drama dramatized status

0:28:27.080 --> 0:28:30.640
<v Speaker 1>contests that don't involve combat, you know, uh, some sort

0:28:30.640 --> 0:28:33.879
<v Speaker 1>of like feathery display or or even a display of

0:28:33.920 --> 0:28:36.760
<v Speaker 1>something that might otherwise be used for for combat. But

0:28:36.960 --> 0:28:41.480
<v Speaker 1>some mean, some means of of engaging in social contest

0:28:41.560 --> 0:28:46.960
<v Speaker 1>that doesn't actually require two individuals to to fight until

0:28:46.960 --> 0:28:49.280
<v Speaker 1>one backs off. Yeah, I don't know if this is

0:28:49.280 --> 0:28:51.280
<v Speaker 1>the kind I would call teasing. I guess there might

0:28:51.320 --> 0:28:55.240
<v Speaker 1>be elements you call this gets up against when exactly

0:28:55.280 --> 0:28:58.680
<v Speaker 1>I would actually use the word again, But it's clearly yeah,

0:28:58.680 --> 0:29:02.400
<v Speaker 1>it's clearly part of human culture that we use words

0:29:02.760 --> 0:29:06.920
<v Speaker 1>and like insults and humor and stuff like that to

0:29:07.200 --> 0:29:11.760
<v Speaker 1>manage hierarchy navigation. You're trying to take down the person

0:29:11.840 --> 0:29:14.640
<v Speaker 1>above you, and you can do it with a witty comment.

0:29:15.080 --> 0:29:18.760
<v Speaker 1>But stuff like that isn't always isn't always in this playful,

0:29:18.800 --> 0:29:20.720
<v Speaker 1>sweet realm of teasing, I mean that kind of stuff

0:29:20.720 --> 0:29:23.959
<v Speaker 1>can actually be pretty biting, right, But but the argument

0:29:23.960 --> 0:29:27.240
<v Speaker 1>here is that even in playful teasing, there is this

0:29:27.320 --> 0:29:31.520
<v Speaker 1>potential for uh, for establishment of a pecking order. And

0:29:31.640 --> 0:29:34.040
<v Speaker 1>that's just another way that teasing and requires us to

0:29:34.080 --> 0:29:38.240
<v Speaker 1>walk a fine line, right uh, enhancing social connection while

0:29:38.280 --> 0:29:40.880
<v Speaker 1>also establishing a pecking order. Like it it's sounds it's

0:29:40.880 --> 0:29:43.080
<v Speaker 1>one of those things that when you when you boil

0:29:43.160 --> 0:29:46.440
<v Speaker 1>it down, um, like imagine like setting out to do

0:29:46.480 --> 0:29:49.240
<v Speaker 1>that consciously, Like, all right, I've got a I need

0:29:49.240 --> 0:29:51.280
<v Speaker 1>to walk into the office today. I needed I need

0:29:51.320 --> 0:29:54.840
<v Speaker 1>to tear everybody down just the appropriate amount so that

0:29:54.880 --> 0:29:57.520
<v Speaker 1>we all feel a little closer, but also that it's

0:29:57.560 --> 0:29:59.840
<v Speaker 1>so that everybody thinks that I'm superior or that I

0:30:00.000 --> 0:30:03.000
<v Speaker 1>of the appropriate place in the social dynamics of the

0:30:03.080 --> 0:30:09.320
<v Speaker 1>office you're describing management strategy. Probably probably so, No, no, no,

0:30:09.400 --> 0:30:12.960
<v Speaker 1>that's not fair. But yeah, I mean I unfortunately, I

0:30:13.000 --> 0:30:15.440
<v Speaker 1>think there are some people who are that deliberate and

0:30:15.520 --> 0:30:17.800
<v Speaker 1>that calculating about the kind of stuff they say in

0:30:17.800 --> 0:30:20.680
<v Speaker 1>a workplace. They're not just talking to you about whatever

0:30:20.680 --> 0:30:22.920
<v Speaker 1>they're thinking about. They're making a comment to you in

0:30:22.960 --> 0:30:26.360
<v Speaker 1>front of an audience based on how it will benefit them.

0:30:26.400 --> 0:30:30.320
<v Speaker 1>Now we mentioned frat frat brothers earlier, Keltner observed that

0:30:30.360 --> 0:30:33.880
<v Speaker 1>among frat brothers, in one study, teasing nicknames seemed to

0:30:33.920 --> 0:30:37.920
<v Speaker 1>be quote more morality plays based on misdeeds that they

0:30:37.960 --> 0:30:41.440
<v Speaker 1>were encouraged to move beyond, and among teens, teasing as

0:30:41.480 --> 0:30:44.720
<v Speaker 1>a vital part of a flirtation, a way of testing

0:30:44.760 --> 0:30:48.880
<v Speaker 1>out others and looking for genuine signs of interest. Yeah,

0:30:48.920 --> 0:30:50.760
<v Speaker 1>And as I mentioned earlier, I mean, I feel like

0:30:50.960 --> 0:30:53.320
<v Speaker 1>this can easily go two ways. There is a very

0:30:53.360 --> 0:30:56.920
<v Speaker 1>sweet kind of teasing that takes that takes place in courtship,

0:30:56.960 --> 0:30:59.240
<v Speaker 1>and then there's definitely a gross form of it that's

0:30:59.280 --> 0:31:02.280
<v Speaker 1>some kind of so shull leverage trick, right, and then

0:31:02.280 --> 0:31:06.240
<v Speaker 1>there's also something problematic too, about like, if you established

0:31:06.320 --> 0:31:09.360
<v Speaker 1>this rule that like, oh, they're teasing you because they

0:31:09.400 --> 0:31:12.240
<v Speaker 1>like you like, then that that and that may be

0:31:12.360 --> 0:31:15.880
<v Speaker 1>the case, I mean that these but if you but

0:31:15.960 --> 0:31:18.600
<v Speaker 1>then he goes too far. If you established it, then

0:31:18.720 --> 0:31:23.320
<v Speaker 1>is this excuse for for problematic teasing? Right, like, oh,

0:31:23.360 --> 0:31:25.880
<v Speaker 1>that's just boys being boys or girls being girls? Then

0:31:26.280 --> 0:31:28.120
<v Speaker 1>you know, is it Are we using that to cover

0:31:28.200 --> 0:31:31.840
<v Speaker 1>up something that should be um policed in some fashion? Well?

0:31:31.880 --> 0:31:34.360
<v Speaker 1>Often we are. This is yet another case where it

0:31:34.360 --> 0:31:36.680
<v Speaker 1>would be great if we could always clearly see what

0:31:36.800 --> 0:31:40.680
<v Speaker 1>the line is and people's discomfort comes in because sometimes

0:31:40.720 --> 0:31:42.920
<v Speaker 1>it's not clear where the line is. Now. On the

0:31:42.960 --> 0:31:47.080
<v Speaker 1>subject of of teasing among committed partners, uh, he points

0:31:47.080 --> 0:31:49.000
<v Speaker 1>out that there is a language to it, you know,

0:31:49.000 --> 0:31:51.840
<v Speaker 1>they're all these little in jokes, and he points to

0:31:52.200 --> 0:31:55.040
<v Speaker 1>two studies that have shown that married couples with a

0:31:55.160 --> 0:31:59.280
<v Speaker 1>rich vocabulary of you know, various teasing nicknames and ends

0:31:59.320 --> 0:32:04.080
<v Speaker 1>of remulate insults, they tend to be happier and more satisfied.

0:32:04.680 --> 0:32:06.960
<v Speaker 1>And that's the sweet kind. Yeah. And he also adds

0:32:07.040 --> 0:32:11.240
<v Speaker 1>that it may help diffuse arguments over really explosive issues

0:32:11.720 --> 0:32:15.040
<v Speaker 1>and that the terminology of the teasing as well as

0:32:15.120 --> 0:32:18.840
<v Speaker 1>often drawn from the same metaphors we use for for love.

0:32:19.640 --> 0:32:21.840
<v Speaker 1>They have to do, for instance, with with food or

0:32:21.880 --> 0:32:25.520
<v Speaker 1>small animals, like referring to somebody as like a dumpling

0:32:25.720 --> 0:32:28.000
<v Speaker 1>or a muffin or something like that, or a or

0:32:28.040 --> 0:32:32.720
<v Speaker 1>a bunny. Yes, though apparently it does depend on the language. Here,

0:32:32.760 --> 0:32:39.840
<v Speaker 1>I remember speaking with an individual of Thaie descent and

0:32:40.120 --> 0:32:44.120
<v Speaker 1>about how the use of pig or piggy or you know,

0:32:44.160 --> 0:32:47.840
<v Speaker 1>it's thie equivalent was a term of endearment, especially for

0:32:47.920 --> 0:32:52.360
<v Speaker 1>young children, whereas in English that the term maybe has

0:32:52.360 --> 0:32:54.840
<v Speaker 1>a has a bit more like spite to it, if

0:32:54.880 --> 0:32:57.240
<v Speaker 1>you're gonna call someone a pick or a piggy. So

0:32:57.920 --> 0:32:59.920
<v Speaker 1>a term of endeuarment in one language or culture is

0:33:00.000 --> 0:33:03.440
<v Speaker 1>not necessarily going to translate equally into another language. Oh

0:33:03.440 --> 0:33:06.080
<v Speaker 1>but I can actually see, like even in English, a

0:33:06.160 --> 0:33:09.680
<v Speaker 1>great novel where you establish it character's relationship, what we're

0:33:09.720 --> 0:33:13.120
<v Speaker 1>like a wife calls her husband little piggy or something

0:33:13.240 --> 0:33:16.760
<v Speaker 1>that seems that that's good, that's good character right there. Yeah. Now,

0:33:16.760 --> 0:33:18.680
<v Speaker 1>there's a ton of material out there on teasing, and

0:33:18.720 --> 0:33:21.080
<v Speaker 1>we can't possibly touch on all of it here today.

0:33:21.840 --> 0:33:23.920
<v Speaker 1>After all, it does seem to be a major aspect

0:33:23.920 --> 0:33:27.040
<v Speaker 1>of human social dynamics, and the legacy of childhood teasing

0:33:27.760 --> 0:33:30.160
<v Speaker 1>seems to be quite long. A lot of studies look

0:33:30.400 --> 0:33:36.000
<v Speaker 1>at childhood teasing and and the ramifications of it for adults. Yeah,

0:33:36.040 --> 0:33:38.200
<v Speaker 1>a lot of what I saw was just study after

0:33:38.280 --> 0:33:43.640
<v Speaker 1>study looking at whether child whether children perceived teasing as

0:33:43.680 --> 0:33:46.120
<v Speaker 1>harmful or not, and generally they did. Now, one of

0:33:46.240 --> 0:33:47.600
<v Speaker 1>one of the problems here is that it does come

0:33:47.600 --> 0:33:50.440
<v Speaker 1>down to that perception. How is the instance of teasing

0:33:50.680 --> 0:33:54.600
<v Speaker 1>perceived and and and here we see this this this

0:33:54.600 --> 0:33:57.560
<v Speaker 1>this case where an instance of teasing might well be

0:33:57.640 --> 0:34:00.600
<v Speaker 1>perceived by one party as being played well and another

0:34:00.680 --> 0:34:03.600
<v Speaker 1>party as being harmful. I mean, going back to our

0:34:03.960 --> 0:34:08.120
<v Speaker 1>initial example. You know, in in like group social dynamics,

0:34:08.360 --> 0:34:10.960
<v Speaker 1>where someone goes over the line, I mean most of

0:34:10.960 --> 0:34:12.920
<v Speaker 1>the most of the cases, and the person is not

0:34:12.920 --> 0:34:14.880
<v Speaker 1>thinking I'm going over the line, I'm going for it,

0:34:15.000 --> 0:34:17.800
<v Speaker 1>I'm gonna go for the hurt point. Here, well, sometimes

0:34:17.840 --> 0:34:21.080
<v Speaker 1>they are, I mean, there there are clearly different categories here.

0:34:21.160 --> 0:34:25.040
<v Speaker 1>There's like, very often teasing is going to be perceived

0:34:25.080 --> 0:34:28.560
<v Speaker 1>as good natured by the person doing the teasing and

0:34:28.600 --> 0:34:31.360
<v Speaker 1>as mean and hurtful by the person receiving the teasing,

0:34:31.640 --> 0:34:35.120
<v Speaker 1>but also there there are two different versions of what's

0:34:35.120 --> 0:34:38.880
<v Speaker 1>going on in the perpetrator's mind. You've definitely seen cases

0:34:38.880 --> 0:34:42.720
<v Speaker 1>where somebody who genuinely meant no harm accidentally hurts somebody's

0:34:42.760 --> 0:34:45.560
<v Speaker 1>feelings with teasing. And then you see cases where people

0:34:45.600 --> 0:34:48.799
<v Speaker 1>try to cover their butts afterwards, like clearly they let

0:34:49.160 --> 0:34:53.799
<v Speaker 1>some you know, hurtful inclinations reveal itself too much. They

0:34:53.840 --> 0:34:57.000
<v Speaker 1>were being mean, but then afterwards they can be they

0:34:57.000 --> 0:35:00.359
<v Speaker 1>can retreat. It's off record communication, so they can be like, oh,

0:35:00.440 --> 0:35:02.560
<v Speaker 1>I was just kidding. I didn't mean any harm, don't

0:35:02.640 --> 0:35:05.040
<v Speaker 1>you know, don't get upset. I'm I didn't mean to

0:35:05.080 --> 0:35:07.920
<v Speaker 1>hurt your feelings, but they kind of did, right, Yeah,

0:35:08.000 --> 0:35:10.320
<v Speaker 1>I was looking at a paper here, two thousand paper

0:35:10.360 --> 0:35:13.640
<v Speaker 1>titled I Was Only kidding Victims and Perpetrators Perceptions of

0:35:13.680 --> 0:35:16.799
<v Speaker 1>Teasing by Robin M. Kowowski, and he points out that

0:35:16.920 --> 0:35:21.000
<v Speaker 1>via seventy two person study, I found that perspectives might

0:35:21.080 --> 0:35:25.160
<v Speaker 1>reflect the views of perpetrators and victims. The teaser remembers

0:35:25.200 --> 0:35:28.279
<v Speaker 1>it more as fun and focused on behavior, and the

0:35:28.320 --> 0:35:32.160
<v Speaker 1>person being teased remembers it more as hurtful and potentially

0:35:32.160 --> 0:35:35.439
<v Speaker 1>focusing on their appearance. Yeah, that's another thing. So one

0:35:35.600 --> 0:35:38.919
<v Speaker 1>area in which teasing I think is just never acceptable.

0:35:38.960 --> 0:35:40.960
<v Speaker 1>I mean, you just never want to go there is

0:35:41.000 --> 0:35:44.960
<v Speaker 1>teasing about innate characteristics, not not like about what somebody

0:35:45.040 --> 0:35:48.480
<v Speaker 1>just did, but about what they look like about their body,

0:35:48.640 --> 0:35:51.680
<v Speaker 1>about fundamental personality issues. It comes back to like the

0:35:51.840 --> 0:35:55.680
<v Speaker 1>educative aspect of teasing, like you can you if it's

0:35:55.719 --> 0:35:58.040
<v Speaker 1>if it's if there's something educative about it, it's like

0:35:58.080 --> 0:36:00.759
<v Speaker 1>you should be doing this differently, where you should have

0:36:00.800 --> 0:36:04.400
<v Speaker 1>done this differently. But I mean, you know, people for

0:36:04.440 --> 0:36:07.640
<v Speaker 1>the for the vast most part, cannot do anything about

0:36:07.680 --> 0:36:11.719
<v Speaker 1>their their physical appearance, you know. But but I've I'm

0:36:11.760 --> 0:36:15.359
<v Speaker 1>sure you've seen this where people tease somebody and it

0:36:15.520 --> 0:36:19.000
<v Speaker 1>edges into teasing about innate characteristics, and when they get

0:36:19.040 --> 0:36:23.400
<v Speaker 1>called out, they try to retreat to to like pretending

0:36:23.520 --> 0:36:27.600
<v Speaker 1>they were just reacting to behavior or something. No, no, no, no,

0:36:27.680 --> 0:36:30.200
<v Speaker 1>I didn't mean that. I meant this other thing. Yeah,

0:36:30.440 --> 0:36:32.000
<v Speaker 1>Or they're kind of like, oh, I'm sorry, I thought

0:36:32.040 --> 0:36:34.040
<v Speaker 1>we were just being mean, and so I was going

0:36:34.080 --> 0:36:35.879
<v Speaker 1>to be mean too. I didn't realize that we were

0:36:35.880 --> 0:36:38.839
<v Speaker 1>being playful or that we were critiquing things they had

0:36:38.920 --> 0:36:42.080
<v Speaker 1>choices about. Now, this this leads me to a question

0:36:42.120 --> 0:36:44.160
<v Speaker 1>that I've I've had in my mind for a little

0:36:44.160 --> 0:36:48.120
<v Speaker 1>while here, and that is, do certain people invite more

0:36:48.160 --> 0:36:51.719
<v Speaker 1>playful and potentially hurtful teasing than others? And if so,

0:36:52.160 --> 0:36:55.760
<v Speaker 1>what are the factors? So I've observed this in social

0:36:55.800 --> 0:36:57.799
<v Speaker 1>situations in the past, I'm sure a number of our

0:36:57.840 --> 0:37:01.840
<v Speaker 1>listeners have as well. In social dynamics, some individuals seem

0:37:01.920 --> 0:37:05.520
<v Speaker 1>to attract more teasing attention than others. And why is that?

0:37:05.600 --> 0:37:07.839
<v Speaker 1>I think based on some of what we've discussed here

0:37:07.880 --> 0:37:10.840
<v Speaker 1>so far, we could we could really point to various

0:37:10.920 --> 0:37:17.200
<v Speaker 1>causes apparent social status, attractiveness and desirability, but also difference

0:37:17.280 --> 0:37:20.520
<v Speaker 1>outside or status, really any area that would seem to invite,

0:37:20.920 --> 0:37:24.840
<v Speaker 1>invite off the record linguistic attention right. Well, because teasing

0:37:24.920 --> 0:37:27.839
<v Speaker 1>has so many different uses and meanings, there are a

0:37:27.840 --> 0:37:30.200
<v Speaker 1>lot of different ways that it can be attracted. I mean,

0:37:30.640 --> 0:37:34.840
<v Speaker 1>one thing that you can see is that obviously in

0:37:35.160 --> 0:37:37.799
<v Speaker 1>hurtful teasing, you know, the kind of cruel the thing

0:37:37.840 --> 0:37:41.600
<v Speaker 1>I wouldn't usually call teasing cruel, mean spirited bullying. I

0:37:41.640 --> 0:37:44.719
<v Speaker 1>think the people who attract that are people who look

0:37:44.800 --> 0:37:49.080
<v Speaker 1>like easy targets, people who are lower status in the

0:37:49.080 --> 0:37:52.560
<v Speaker 1>community where they're being teased, people who have less power

0:37:52.680 --> 0:37:55.800
<v Speaker 1>to respond. I mean, bullies pick on people they perceived

0:37:55.880 --> 0:37:58.160
<v Speaker 1>to have a weakness. Now, when it comes to the

0:37:58.280 --> 0:38:02.360
<v Speaker 1>jester type of teasing, I think obviously they're the people

0:38:02.400 --> 0:38:04.160
<v Speaker 1>who are going to be attracting it, are going to

0:38:04.200 --> 0:38:07.560
<v Speaker 1>be prominent, high status people. And high status people also

0:38:07.600 --> 0:38:10.960
<v Speaker 1>tend to invite the different kind of teasing that's not

0:38:11.000 --> 0:38:13.759
<v Speaker 1>even really teasing. But Keltner talked about it in this

0:38:13.920 --> 0:38:17.399
<v Speaker 1>article when he talked about how frat brothers give each

0:38:17.400 --> 0:38:21.839
<v Speaker 1>other nicknames. There's a kind of teasing as praise that

0:38:21.920 --> 0:38:25.719
<v Speaker 1>frat pledges show towards the senior brothers of the fraternity.

0:38:26.239 --> 0:38:29.560
<v Speaker 1>Uh So it's structured like teasing, but it's really more

0:38:29.600 --> 0:38:32.479
<v Speaker 1>of a veiled compliment. Do you know what I'm talking about.

0:38:32.960 --> 0:38:35.360
<v Speaker 1>I'm sure you've seen this before, where it like people

0:38:35.440 --> 0:38:40.040
<v Speaker 1>will be obsequious by pretending to rib somebody above them,

0:38:40.080 --> 0:38:42.680
<v Speaker 1>but in a way that's not actually for anything bad

0:38:42.760 --> 0:38:46.560
<v Speaker 1>they did, but really is more for something good about them. Yeah. Yeah,

0:38:46.680 --> 0:38:50.400
<v Speaker 1>you do see examples of this, uh from time to time,

0:38:50.560 --> 0:38:52.760
<v Speaker 1>almost kind of getting into the idea of like hot

0:38:52.800 --> 0:38:57.080
<v Speaker 1>shaming somebody, right, like making fun of them for being attractive,

0:38:57.440 --> 0:39:00.360
<v Speaker 1>or making fun of them for being successful or something

0:39:00.400 --> 0:39:02.840
<v Speaker 1>of that in that regard. I mean, obviously, in the

0:39:02.840 --> 0:39:05.160
<v Speaker 1>fraternity context, a lot of this is going to be

0:39:05.239 --> 0:39:08.640
<v Speaker 1>like pretending to rib an older frat brother for his

0:39:08.920 --> 0:39:13.640
<v Speaker 1>you know, drinking ability, or his sexual prowess or something. Uh,

0:39:13.640 --> 0:39:17.080
<v Speaker 1>it's not really in that context perceived as an insult,

0:39:17.360 --> 0:39:20.759
<v Speaker 1>but they structure it like one. It's a strange phenomenon.

0:39:20.880 --> 0:39:22.840
<v Speaker 1>But but to come back to other people who seem

0:39:22.880 --> 0:39:25.560
<v Speaker 1>to invite I think one thing that is common to

0:39:25.960 --> 0:39:31.160
<v Speaker 1>most forms of more barbed teasing is that it's invited

0:39:31.200 --> 0:39:33.879
<v Speaker 1>by people who do not appear to have a very

0:39:33.960 --> 0:39:37.640
<v Speaker 1>well developed sense of humor, or people who appear to

0:39:37.719 --> 0:39:42.680
<v Speaker 1>take themselves very seriously. I'm sure you've observed this, right, Robert. Yes,

0:39:42.680 --> 0:39:46.520
<v Speaker 1>I've definitely seen this implay, you know, in various work

0:39:46.640 --> 0:39:50.120
<v Speaker 1>environments over over the years, where the person who takes

0:39:50.120 --> 0:39:56.160
<v Speaker 1>themselves very seriously just it almost requires you to to

0:39:56.200 --> 0:39:58.839
<v Speaker 1>take them down to pay, not if they can't laugh

0:39:58.880 --> 0:40:01.600
<v Speaker 1>at themselves. I mean, and this is something that's not

0:40:01.640 --> 0:40:04.280
<v Speaker 1>necessarily going to take place like face to face obviously,

0:40:04.320 --> 0:40:06.200
<v Speaker 1>Like like if you have a say, you have a

0:40:06.239 --> 0:40:10.640
<v Speaker 1>boss that is just really self involved, you you cannot

0:40:10.680 --> 0:40:13.440
<v Speaker 1>help but make fun of them with a coworker. You know,

0:40:14.080 --> 0:40:16.360
<v Speaker 1>regardless of if you if you ever do anything or

0:40:16.360 --> 0:40:18.759
<v Speaker 1>say anything that you know that that that individual is

0:40:18.800 --> 0:40:21.600
<v Speaker 1>ever gonna hear, you still have to at least joke

0:40:21.680 --> 0:40:24.960
<v Speaker 1>about them, uh with your other coworkers. Right, And as

0:40:25.040 --> 0:40:28.640
<v Speaker 1>Keltner points out, the dynamics of teasing tend to change

0:40:28.760 --> 0:40:32.440
<v Speaker 1>dramatically around eleven or twelve, around that that kind of age,

0:40:32.680 --> 0:40:35.200
<v Speaker 1>which is about the age that he says kids most

0:40:35.239 --> 0:40:39.200
<v Speaker 1>often learn to hold contradictory ideas about the world in

0:40:39.239 --> 0:40:41.359
<v Speaker 1>their head at the same time these you know, that's

0:40:41.400 --> 0:40:45.520
<v Speaker 1>the the idea of negative capability, the thing that allows

0:40:45.600 --> 0:40:50.080
<v Speaker 1>the ironic stance, and this allows them to see subtleties

0:40:50.120 --> 0:40:53.600
<v Speaker 1>of teasing and participate in it, especially on the receiving end,

0:40:53.600 --> 0:40:57.160
<v Speaker 1>in a more graceful way, without interpreting all of it

0:40:57.200 --> 0:40:59.840
<v Speaker 1>as bullying and bad. You know. That's one big difference

0:40:59.920 --> 0:41:04.359
<v Speaker 1>is that when you're an adult, it becomes you learn

0:41:04.440 --> 0:41:07.080
<v Speaker 1>how to take a joke usually, you know, like you

0:41:07.200 --> 0:41:10.120
<v Speaker 1>learn how to be the butt of a of a

0:41:10.160 --> 0:41:12.440
<v Speaker 1>good natured piece of criticism. I mean, as long as

0:41:12.480 --> 0:41:15.320
<v Speaker 1>it's not like really cruel, uh, to be the butt

0:41:15.360 --> 0:41:19.160
<v Speaker 1>of a good natured piece of criticism or or teasing

0:41:19.640 --> 0:41:22.200
<v Speaker 1>and to not get too upset about it. But kids

0:41:22.280 --> 0:41:24.680
<v Speaker 1>don't have this ability. They are not good at this

0:41:24.760 --> 0:41:28.560
<v Speaker 1>at all. Kids take themselves very seriously. All right. Well,

0:41:28.600 --> 0:41:30.400
<v Speaker 1>on that note, we're going to take one more break,

0:41:30.480 --> 0:41:33.719
<v Speaker 1>and when we come back, we will discuss teasing U

0:41:33.960 --> 0:41:37.919
<v Speaker 1>in bonding. Thank thank you, thank you. Alright, we're back.

0:41:38.239 --> 0:41:40.040
<v Speaker 1>So one of the funny things I discovered in this

0:41:40.120 --> 0:41:44.800
<v Speaker 1>episode is there's this entire academic journal called Discourse Studies,

0:41:45.360 --> 0:41:48.040
<v Speaker 1>all all kinds of research about the ways people communicate.

0:41:48.600 --> 0:41:52.320
<v Speaker 1>And they have this amazing way of like mapping out

0:41:52.560 --> 0:41:56.840
<v Speaker 1>conversations in a way that includes all this information about

0:41:57.080 --> 0:42:01.240
<v Speaker 1>tone and about gestures and laughter and and how different

0:42:01.320 --> 0:42:05.080
<v Speaker 1>kinds of laughter sounded. It looks like computer code. It's

0:42:05.120 --> 0:42:09.080
<v Speaker 1>like conversations translated into cobal. You should look this up

0:42:09.120 --> 0:42:12.560
<v Speaker 1>if you get a chance. It's it's pretty interesting. Um.

0:42:12.680 --> 0:42:15.880
<v Speaker 1>But I was just looking at one study from Discourse

0:42:15.880 --> 0:42:19.160
<v Speaker 1>Studies in that was published this year in ten called

0:42:19.200 --> 0:42:22.759
<v Speaker 1>getting to Know You Teasing as an Invitation to intimacy

0:42:22.880 --> 0:42:26.640
<v Speaker 1>in initial interactions by Michael Hall and Danielle pill at

0:42:26.680 --> 0:42:30.600
<v Speaker 1>Shore and so that they write about how before the study,

0:42:30.640 --> 0:42:34.680
<v Speaker 1>teasing was often assumed to take place mostly or exclusively

0:42:34.719 --> 0:42:39.080
<v Speaker 1>between people who have previously who have previous relationships, who

0:42:39.080 --> 0:42:43.520
<v Speaker 1>have some degree of intimacy. But this article examined conversations

0:42:43.600 --> 0:42:47.879
<v Speaker 1>between unfamiliar people who were becoming acquainted, and I thought

0:42:47.880 --> 0:42:51.279
<v Speaker 1>this was interesting. They found that teasing does play a role, uh,

0:42:51.280 --> 0:42:53.359
<v Speaker 1>and the role it seems to play in this kind

0:42:53.360 --> 0:42:56.400
<v Speaker 1>of conversation and the getting to know you conversation is

0:42:56.440 --> 0:43:00.239
<v Speaker 1>a sort of experiment, is testing the new acquaint sense,

0:43:00.400 --> 0:43:04.680
<v Speaker 1>is willingness to become more intimate, because I definitely know

0:43:04.719 --> 0:43:07.920
<v Speaker 1>this feeling like you're at a party or whatever, you know,

0:43:07.960 --> 0:43:10.200
<v Speaker 1>any place you've got to meet new people, and you're

0:43:10.200 --> 0:43:12.920
<v Speaker 1>talking to somebody new for the first time, and for

0:43:13.000 --> 0:43:16.040
<v Speaker 1>a while in that first conversation, you don't know if

0:43:16.040 --> 0:43:20.239
<v Speaker 1>this conversation will sort of escalate into a relationship and

0:43:20.320 --> 0:43:22.759
<v Speaker 1>a point of familiarity where you might start to think

0:43:22.760 --> 0:43:25.200
<v Speaker 1>of this person as a friend, or if you're just

0:43:25.400 --> 0:43:29.000
<v Speaker 1>exchanging pleasantries until you can move on, right, Yeah, So

0:43:29.440 --> 0:43:31.520
<v Speaker 1>you never know. Some sometimes you think it's gonna go

0:43:31.560 --> 0:43:32.640
<v Speaker 1>one way, and it goes to the other. And this

0:43:32.680 --> 0:43:35.799
<v Speaker 1>study found that teasing plays an important role in this

0:43:35.920 --> 0:43:39.560
<v Speaker 1>and getting to know people as a bid for increased intimacy.

0:43:39.960 --> 0:43:44.560
<v Speaker 1>So the researchers taped and studied thirty initial interactions twenty

0:43:44.600 --> 0:43:47.040
<v Speaker 1>four of which twenty four out of the thirty featured

0:43:47.080 --> 0:43:50.719
<v Speaker 1>one or more sequence of teasing. And the teases were

0:43:50.760 --> 0:43:54.520
<v Speaker 1>produced by and directed at both male and female speakers

0:43:54.520 --> 0:43:58.280
<v Speaker 1>of varying ages. And this is fascinating. The researchers discovered

0:43:58.280 --> 0:44:01.719
<v Speaker 1>that there was a clear pattern to the teasing exchange

0:44:01.760 --> 0:44:06.360
<v Speaker 1>in the initial conversations. So first, something teasable would happen.

0:44:06.760 --> 0:44:10.719
<v Speaker 1>There's a triggering action by the tease target that affords

0:44:10.800 --> 0:44:14.440
<v Speaker 1>the tease, and then second there's the tease at a quote,

0:44:14.440 --> 0:44:18.120
<v Speaker 1>a teasing action directed at the tease target. And then

0:44:18.239 --> 0:44:24.080
<v Speaker 1>third there's affiliation, a mutual ratification of the non seriousness

0:44:24.239 --> 0:44:27.800
<v Speaker 1>of the tease and the author's right quote. Given, teasing

0:44:27.880 --> 0:44:31.799
<v Speaker 1>is one way of criticizing another, it constitutes a potential

0:44:31.920 --> 0:44:37.040
<v Speaker 1>breach of tact or interactional propriety in initial interactions. However,

0:44:37.080 --> 0:44:42.760
<v Speaker 1>participants can construe this potential impropriety as an invitation to intimacy,

0:44:42.800 --> 0:44:46.480
<v Speaker 1>as it involves the proposal of a shared ironic stance

0:44:46.880 --> 0:44:49.920
<v Speaker 1>that may be either accepted or declined by the target

0:44:49.960 --> 0:44:53.680
<v Speaker 1>of the tease. So teasing in initial interactions, teasing while

0:44:53.680 --> 0:44:56.680
<v Speaker 1>first getting to know somebody can essentially be an off

0:44:56.760 --> 0:45:01.359
<v Speaker 1>record invitation to escalate the interaction and open up possibilities

0:45:01.400 --> 0:45:04.719
<v Speaker 1>of friendship. It's a sort of ambiguous, off record way

0:45:04.719 --> 0:45:07.399
<v Speaker 1>of saying, will you play with me? And of course,

0:45:08.000 --> 0:45:11.719
<v Speaker 1>reading through these, you know these like cobal conversations, you

0:45:11.760 --> 0:45:14.040
<v Speaker 1>see that a lot of the signaling both ways here

0:45:14.120 --> 0:45:19.560
<v Speaker 1>is relegated to nonverbal signals. There's intonation, uh, facial expressions, laughter,

0:45:20.280 --> 0:45:21.759
<v Speaker 1>And you know, one thing I was thinking about it

0:45:21.800 --> 0:45:25.360
<v Speaker 1>is how sometimes a teasing interaction doesn't even necessarily involve

0:45:25.440 --> 0:45:29.920
<v Speaker 1>words like think about this situation. Somebody says something teasable,

0:45:30.480 --> 0:45:32.440
<v Speaker 1>and all you really need to do for a subtle

0:45:32.520 --> 0:45:35.799
<v Speaker 1>tease is to respond with a certain facial expression or

0:45:35.800 --> 0:45:39.240
<v Speaker 1>type of laughter, And the teased person has the option

0:45:39.280 --> 0:45:42.480
<v Speaker 1>of either joining you and and laughing along with you,

0:45:42.640 --> 0:45:45.040
<v Speaker 1>or rejecting the bid to join you in the river

0:45:45.120 --> 0:45:47.959
<v Speaker 1>of irony and staying on dry land, At which point

0:45:48.000 --> 0:45:51.680
<v Speaker 1>you realize like, oh, Okay, this conversation or this relationship

0:45:52.040 --> 0:45:55.239
<v Speaker 1>is not going to a friendly place, or that this

0:45:55.320 --> 0:45:58.440
<v Speaker 1>is not the this is not the safe point for teasing,

0:45:58.520 --> 0:46:01.000
<v Speaker 1>you know, I mean it, it's very possible. I think

0:46:01.040 --> 0:46:03.960
<v Speaker 1>we can all think two situations like this where you're

0:46:04.040 --> 0:46:07.280
<v Speaker 1>kind of doing this playful teasing and then you realize, oh,

0:46:07.320 --> 0:46:11.239
<v Speaker 1>maybe this individual is very serious about this particular aspect

0:46:11.280 --> 0:46:14.359
<v Speaker 1>of their personality or the world. Like they do not

0:46:14.480 --> 0:46:17.440
<v Speaker 1>They're they're not game for say, uh, you know, political

0:46:17.520 --> 0:46:20.200
<v Speaker 1>based humor or teasing, but they may be open in

0:46:20.280 --> 0:46:22.400
<v Speaker 1>other areas. And that is also ultimately part of the

0:46:22.440 --> 0:46:26.040
<v Speaker 1>social dynamic, right, figuring out like what is the shape

0:46:26.080 --> 0:46:29.200
<v Speaker 1>of my relationship with this person and what is this

0:46:29.239 --> 0:46:31.799
<v Speaker 1>shape of this relationship going to be? What are the

0:46:31.880 --> 0:46:35.520
<v Speaker 1>avenues for bonding and teasing that can take place. Yeah,

0:46:35.560 --> 0:46:39.040
<v Speaker 1>I was reading another article about teasing as bonding and

0:46:39.480 --> 0:46:41.960
<v Speaker 1>it talked about how one of the main features of

0:46:42.000 --> 0:46:47.080
<v Speaker 1>teasing is the creation of distinct alliances between participants in

0:46:47.080 --> 0:46:49.360
<v Speaker 1>a conversation. Of course, you know, we we see this

0:46:49.400 --> 0:46:52.160
<v Speaker 1>happen all the time. Teasing is going on, and it

0:46:52.239 --> 0:46:56.799
<v Speaker 1>forms factions in a conversation. People can either join in

0:46:57.000 --> 0:46:59.840
<v Speaker 1>with the teasing and now they're on a team together,

0:47:00.719 --> 0:47:03.279
<v Speaker 1>or they can like resist, or they can you know,

0:47:03.560 --> 0:47:06.080
<v Speaker 1>it's often a form of like joining people together against

0:47:06.080 --> 0:47:09.600
<v Speaker 1>an isolated recipient. And this can take very cruel forms.

0:47:09.640 --> 0:47:11.960
<v Speaker 1>Of course, this is where it can very easily turn

0:47:12.120 --> 0:47:16.160
<v Speaker 1>into bullying, where in group members strengthened bonds by teasing

0:47:16.200 --> 0:47:19.080
<v Speaker 1>somebody from the outgroup or somebody new. But I've also

0:47:19.239 --> 0:47:23.160
<v Speaker 1>noticed that this form of teasing as alliance formation, can

0:47:23.200 --> 0:47:27.040
<v Speaker 1>be really positive. It can have really really sweet forms.

0:47:27.960 --> 0:47:31.279
<v Speaker 1>Here's one very specific benign way I've seen happen a

0:47:31.360 --> 0:47:35.360
<v Speaker 1>lot in my life. It's when there's someone who's uncomfortable

0:47:35.480 --> 0:47:38.879
<v Speaker 1>or unfamiliar in a social group. Say a person's over

0:47:38.960 --> 0:47:40.799
<v Speaker 1>at your house for the first time and they've never

0:47:40.840 --> 0:47:43.200
<v Speaker 1>been there before that you know that they're not one

0:47:43.239 --> 0:47:46.400
<v Speaker 1>of this this social in group yet, and a member

0:47:46.440 --> 0:47:48.560
<v Speaker 1>of that social in group tries to make the new

0:47:48.600 --> 0:47:53.160
<v Speaker 1>person feel comfortable and welcome by inviting them to participate

0:47:53.280 --> 0:47:56.839
<v Speaker 1>in teasing of another member of the in group. Like.

0:47:57.480 --> 0:48:00.720
<v Speaker 1>A very common version of this is I see, um

0:48:00.920 --> 0:48:05.160
<v Speaker 1>a wife trying to make somebody feel welcome in her

0:48:05.200 --> 0:48:09.120
<v Speaker 1>home by inviting that guest to join in with her

0:48:09.239 --> 0:48:12.279
<v Speaker 1>in teasing her husband. Okay, yeah, I mean I can

0:48:12.320 --> 0:48:14.719
<v Speaker 1>think of examples where my wife has done this, where

0:48:15.000 --> 0:48:18.120
<v Speaker 1>essentially what she's saying is like, this is my husband, Uh,

0:48:18.200 --> 0:48:20.479
<v Speaker 1>here's this nerdy thing he likes. It's okay to tease

0:48:20.520 --> 0:48:23.160
<v Speaker 1>him about it because it is part of our dynamic

0:48:23.200 --> 0:48:24.759
<v Speaker 1>and you can share to a certain extent in this

0:48:24.840 --> 0:48:27.520
<v Speaker 1>dynamic as well. Ha ha ha. Yeah. Yeah, it's it's

0:48:27.560 --> 0:48:30.400
<v Speaker 1>an inviting thing, and it it also tells that person

0:48:30.520 --> 0:48:32.960
<v Speaker 1>it's safe here. It says you're not going to get

0:48:33.000 --> 0:48:36.000
<v Speaker 1>your head cut off for mocking the king, right right, Yeah,

0:48:36.320 --> 0:48:40.120
<v Speaker 1>beheading always a sign that that that that a dinner

0:48:40.160 --> 0:48:43.279
<v Speaker 1>party is going terribly wrong. It's it's a demonstration that

0:48:43.320 --> 0:48:46.600
<v Speaker 1>there is no Jeoffrey in this house, right. But it's

0:48:46.600 --> 0:48:49.440
<v Speaker 1>also a form of social bonding and alliance formation. It

0:48:49.480 --> 0:48:52.520
<v Speaker 1>allows the person to feel like they are you know,

0:48:52.560 --> 0:48:55.000
<v Speaker 1>the that the crucial that the bull's eye of the

0:48:55.040 --> 0:48:58.880
<v Speaker 1>in group right now. Though then again, because because teasing

0:48:58.920 --> 0:49:02.760
<v Speaker 1>has all this inbuilt uh ambiguity and risk there, there's

0:49:02.760 --> 0:49:05.480
<v Speaker 1>always the risk of seeing something like that edge into

0:49:05.520 --> 0:49:09.759
<v Speaker 1>actual mean spiritedness in a couple. I hadn't really thought

0:49:09.760 --> 0:49:11.799
<v Speaker 1>about this before, but I was thinking of my my

0:49:11.880 --> 0:49:16.040
<v Speaker 1>own house. A lot of teasing, linguistic teasing, mind you,

0:49:16.719 --> 0:49:20.799
<v Speaker 1>is aimed at our cat, and our son engaged in

0:49:20.880 --> 0:49:23.839
<v Speaker 1>this as well. You know, we we treat the cat

0:49:23.920 --> 0:49:27.279
<v Speaker 1>obviously like a like a queen. You know, she has

0:49:27.800 --> 0:49:30.640
<v Speaker 1>even as a pedestal that she lays upon, and you

0:49:30.680 --> 0:49:33.799
<v Speaker 1>know she hasn't made in the shade and OK, yeah,

0:49:33.840 --> 0:49:36.680
<v Speaker 1>we we love the cat, but at the same time

0:49:36.719 --> 0:49:38.959
<v Speaker 1>we have all sorts of ridiculous names for the cat.

0:49:39.400 --> 0:49:41.799
<v Speaker 1>We're always going, oh, what is the cat doing? Now?

0:49:41.880 --> 0:49:44.359
<v Speaker 1>We're essentially teasing the cat and it is a very

0:49:44.400 --> 0:49:47.560
<v Speaker 1>safe zone for linguistic teasing, you know, because the cat

0:49:47.600 --> 0:49:49.560
<v Speaker 1>doesn't care. The cat doesn't know what we're saying. Well,

0:49:49.840 --> 0:49:51.839
<v Speaker 1>you know why cats are great to tease, it's because

0:49:51.880 --> 0:49:55.160
<v Speaker 1>they take themselves very seriously. They do that, They are

0:49:55.280 --> 0:49:58.919
<v Speaker 1>very to take themselves very seriously, whereas there is there's

0:49:58.960 --> 0:50:01.160
<v Speaker 1>certainly more of a an air of the jesture to

0:50:01.400 --> 0:50:04.120
<v Speaker 1>the dog. Though. We make fun of our dog too,

0:50:04.239 --> 0:50:07.480
<v Speaker 1>and he deserves it because he's very funny. But it

0:50:07.520 --> 0:50:10.160
<v Speaker 1>does make me wonder to what extent pets then, you know,

0:50:10.200 --> 0:50:14.719
<v Speaker 1>they they are enabling this avenue of bonding, uh that

0:50:14.719 --> 0:50:17.680
<v Speaker 1>that that that involves teasing. I think in this world

0:50:17.760 --> 0:50:20.480
<v Speaker 1>where we're trying to be sensitive and socially conscious and

0:50:20.520 --> 0:50:23.319
<v Speaker 1>not and not hurt people and necessarily but at the

0:50:23.360 --> 0:50:27.440
<v Speaker 1>same time, but where we also recognize the absolutely necessary

0:50:27.600 --> 0:50:31.560
<v Speaker 1>value of positive teasing, if we need like a theory,

0:50:31.840 --> 0:50:34.680
<v Speaker 1>we need like a theory of teasing to guide our

0:50:34.719 --> 0:50:38.239
<v Speaker 1>teasing so so that we we always understand where it's

0:50:38.239 --> 0:50:41.360
<v Speaker 1>going and we don't accidentally pilot it into the rocks

0:50:41.440 --> 0:50:44.960
<v Speaker 1>of of of bullying. I agree. I wonder if we

0:50:45.000 --> 0:50:47.560
<v Speaker 1>need like posters, you know, sort of like a military

0:50:47.560 --> 0:50:52.200
<v Speaker 1>propaganda posters that are instructing us about teasing, Like what

0:50:52.320 --> 0:50:54.759
<v Speaker 1>is good teasing, what is bad teasing, what is teasing accomplished?

0:50:54.880 --> 0:50:57.239
<v Speaker 1>What should we tolerate, what should we not tolerate? Yeah,

0:50:57.239 --> 0:50:59.040
<v Speaker 1>I don't know exactly what the best rules of the

0:50:59.120 --> 0:51:01.360
<v Speaker 1>road are. I mean, I know some things you should

0:51:01.400 --> 0:51:04.280
<v Speaker 1>not do, but it would be good to have positive

0:51:04.360 --> 0:51:06.440
<v Speaker 1>rules as well. How do you know you're on the

0:51:06.520 --> 0:51:09.600
<v Speaker 1>right track when you're teasing somebody? Yeah, for the most part,

0:51:09.600 --> 0:51:11.600
<v Speaker 1>we're all just winging it, aren't we. Well, I mean

0:51:11.600 --> 0:51:13.880
<v Speaker 1>you're trying to you're trying to read read their reaction,

0:51:13.960 --> 0:51:17.000
<v Speaker 1>like if it's good natured teasing, if it's between people

0:51:17.040 --> 0:51:19.480
<v Speaker 1>who are friends or in a relationship, they're teasing each

0:51:19.480 --> 0:51:23.399
<v Speaker 1>other that you know, you're reading their their facial expressions

0:51:23.440 --> 0:51:26.399
<v Speaker 1>and all that, and you can generally tell if things

0:51:26.480 --> 0:51:28.920
<v Speaker 1>are going well, but it's harder to tell for some

0:51:28.960 --> 0:51:30.839
<v Speaker 1>people than others. And it's harder to tell in some

0:51:30.880 --> 0:51:33.319
<v Speaker 1>situations than others. Alright, we're gonna go and close it

0:51:33.320 --> 0:51:35.360
<v Speaker 1>out there. But obviously this is a topic that everyone

0:51:35.480 --> 0:51:39.280
<v Speaker 1>is going to have some contribution for. I mean, everyone

0:51:39.280 --> 0:51:42.719
<v Speaker 1>has experience with teasing or being teased, both you know,

0:51:42.760 --> 0:51:46.000
<v Speaker 1>as children, as adolescents, as adults and uh, and we

0:51:46.000 --> 0:51:48.880
<v Speaker 1>would love to hear how you take some of the

0:51:48.920 --> 0:51:53.240
<v Speaker 1>ideas that we've discussed here to uh to dissect teasing

0:51:53.280 --> 0:51:56.520
<v Speaker 1>that has occurred in your life, you see occurring around you.

0:51:56.800 --> 0:51:58.040
<v Speaker 1>We'll tell you how to reach out to us here

0:51:58.040 --> 0:51:59.879
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0:51:59.880 --> 0:52:02.800
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0:52:02.840 --> 0:52:05.520
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0:52:05.560 --> 0:52:08.000
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0:52:08.080 --> 0:52:11.240
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0:52:19.080 --> 0:52:21.439
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0:52:21.480 --> 0:52:23.640
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0:52:23.680 --> 0:52:26.720
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0:52:26.920 --> 0:52:28.879
<v Speaker 1>or just put our sticker next to it. I would

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0:52:31.160 --> 0:52:34.640
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0:52:35.000 --> 0:52:36.759
<v Speaker 1>We've seen a few of these photos already and it's

0:52:36.840 --> 0:52:39.640
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0:52:39.640 --> 0:52:41.919
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0:52:41.960 --> 0:52:44.720
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0:52:57.560 --> 0:53:00.400
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0:53:00.560 --> 0:53:03.000
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0:53:03.080 --> 0:53:05.600
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