1 00:00:00,360 --> 00:00:02,600 Speaker 1: Yo, what's up. It's Millies and you could catch me 2 00:00:02,640 --> 00:00:10,320 Speaker 1: on a bootleg cav podcast. It's the Bootleg cap Podcast. 3 00:00:10,440 --> 00:00:14,760 Speaker 1: Special guests in here, Blanco six on the way April seventh, 4 00:00:14,960 --> 00:00:19,840 Speaker 1: April seventh, Yo, Millies is here man, Welcome, sir, my boy. Yeah, 5 00:00:20,000 --> 00:00:23,439 Speaker 1: I'm looking forward to a potential NBA Finals matchup between 6 00:00:24,120 --> 00:00:27,320 Speaker 1: your Celtics and my Phoenix Sons. If Kad is healthy, 7 00:00:27,400 --> 00:00:29,000 Speaker 1: I love that. I'd love to go in there and 8 00:00:29,000 --> 00:00:32,000 Speaker 1: get that sweep and just celebrate and sweet it's a 9 00:00:32,040 --> 00:00:36,199 Speaker 1: sweet four to one or something like that. We'll overdue 10 00:00:36,240 --> 00:00:38,840 Speaker 1: for a title, though, I don't think so. I think 11 00:00:38,880 --> 00:00:41,680 Speaker 1: you guys have enough titles to last. You. You know 12 00:00:41,720 --> 00:00:43,960 Speaker 1: who's overdue for a title, The Phoenix Suns. You know 13 00:00:43,960 --> 00:00:48,120 Speaker 1: how many we have? How many? Zero? Oh? Yeah, you 14 00:00:48,120 --> 00:00:50,560 Speaker 1: gotta stay that way for a while because like Jason 15 00:00:50,600 --> 00:00:52,720 Speaker 1: Tatum got to have his run. You know, he's having 16 00:00:52,840 --> 00:00:56,040 Speaker 1: Runny Brown and gotta have there run. Yeah. Anyway, I've 17 00:00:56,040 --> 00:00:59,560 Speaker 1: been seen you fucking court sided all the Celtics games. Yeah, 18 00:00:59,600 --> 00:01:02,600 Speaker 1: what are those tickets? Run? You? I don't pay? How 19 00:01:02,600 --> 00:01:05,560 Speaker 1: does that work? It's like you just got to be 20 00:01:05,560 --> 00:01:08,560 Speaker 1: like really iconic and influential in the city of Boston 21 00:01:08,600 --> 00:01:10,760 Speaker 1: and then they'll hold you down. It'd be crazy for 22 00:01:10,800 --> 00:01:14,040 Speaker 1: them to not give you free tickets, right, Yeah. I 23 00:01:14,080 --> 00:01:16,000 Speaker 1: don't want to talk about it too much though, you know, 24 00:01:16,040 --> 00:01:18,720 Speaker 1: because it's like because you don't like, let them think 25 00:01:18,760 --> 00:01:21,080 Speaker 1: I pay ten thousand to pay ten thousand of pop, 26 00:01:21,520 --> 00:01:23,880 Speaker 1: so you're getting free tickets square side. That's that's amazing 27 00:01:24,000 --> 00:01:26,280 Speaker 1: is that through a player, through the pr or somebody 28 00:01:26,280 --> 00:01:28,160 Speaker 1: at the Celtics, they just know what's up. They're like, 29 00:01:28,160 --> 00:01:30,880 Speaker 1: we gotta tap in with the hottest rapper now. Honestly, like, 30 00:01:30,920 --> 00:01:34,679 Speaker 1: that's that's one of the greatest things that's ever happened 31 00:01:34,720 --> 00:01:37,760 Speaker 1: to me in my career as far as like, you know, 32 00:01:38,400 --> 00:01:40,720 Speaker 1: it's dope, selling out shows and all of that shit 33 00:01:40,840 --> 00:01:44,160 Speaker 1: and you know everything that comes with rap. But I 34 00:01:44,240 --> 00:01:45,800 Speaker 1: used to get hype when people would give me a 35 00:01:45,840 --> 00:01:49,680 Speaker 1: T shirt so to give me courtside Celtics tickets to 36 00:01:49,720 --> 00:01:54,000 Speaker 1: the finals. But you got because I wrap finals tickets 37 00:01:54,080 --> 00:01:57,240 Speaker 1: and yeah, come on stop. Wow, Like I really sat there, 38 00:01:57,480 --> 00:02:00,760 Speaker 1: met pissed and kiss watching the Celtics Wi Warriors as 39 00:02:00,760 --> 00:02:02,600 Speaker 1: if I if I had came back, like if I 40 00:02:02,600 --> 00:02:04,640 Speaker 1: had been in another game, we would have won. Again bro, 41 00:02:04,880 --> 00:02:06,720 Speaker 1: and I got a maca the court side record. I 42 00:02:06,760 --> 00:02:08,480 Speaker 1: think that's why they let me back like that, because 43 00:02:08,480 --> 00:02:11,000 Speaker 1: they're like, you're kind of like the actual, like leprecha, 44 00:02:11,120 --> 00:02:16,239 Speaker 1: I am lucky. Yeah, for sure, they should have flew 45 00:02:16,280 --> 00:02:18,200 Speaker 1: you out to the Bay for those fucking Warriors. I 46 00:02:18,280 --> 00:02:20,360 Speaker 1: should We would have won, for sure. It's something about 47 00:02:20,360 --> 00:02:22,079 Speaker 1: the energy, you know. But yeah, that's like one of 48 00:02:22,080 --> 00:02:25,520 Speaker 1: the biggest accomplishments of my life. Like, thank my plug 49 00:02:25,639 --> 00:02:29,519 Speaker 1: so much, and just thank the organization. They treat me amazing. Yeah. 50 00:02:29,720 --> 00:02:32,480 Speaker 1: I remember last year I sat Court signed for the 51 00:02:32,520 --> 00:02:35,679 Speaker 1: first time at a Sun's game and I was like, oh, 52 00:02:35,720 --> 00:02:37,960 Speaker 1: this is like a dream come true. And you sat 53 00:02:37,960 --> 00:02:40,000 Speaker 1: in the balcony right, Yeah. I mean I've sat everywhere, 54 00:02:40,000 --> 00:02:42,800 Speaker 1: but I never sat court signed until last year, and 55 00:02:42,880 --> 00:02:46,519 Speaker 1: I was like, this is insane. No, it's different. It's 56 00:02:46,560 --> 00:02:48,480 Speaker 1: just like, you know, I'm a are you like a 57 00:02:48,480 --> 00:02:51,240 Speaker 1: die hard basketball fan, I'm a diehard Celtics Fanah, so 58 00:02:51,280 --> 00:02:53,880 Speaker 1: growing up, like you imagine a Celtics fan, and you 59 00:02:53,919 --> 00:02:56,680 Speaker 1: got to understand, like I really know the experience, Like 60 00:02:56,760 --> 00:02:59,720 Speaker 1: I'm from I'm from two train stops away. So we 61 00:02:59,720 --> 00:03:01,600 Speaker 1: would get on the green line and take it to 62 00:03:01,680 --> 00:03:06,760 Speaker 1: leech Man watch Ron Mercer. Yeah, crazy all that Antoine Walker, 63 00:03:06,880 --> 00:03:11,760 Speaker 1: antwoyn Walker Man, shout out to Antoine. That was the 64 00:03:12,040 --> 00:03:14,200 Speaker 1: shots of the Celtics. Man. I remember watching Antoine Walker 65 00:03:14,240 --> 00:03:16,080 Speaker 1: as a kid and then he went to the Timberwolves 66 00:03:16,080 --> 00:03:19,239 Speaker 1: and kind of flaked out. But you know what was 67 00:03:19,280 --> 00:03:23,960 Speaker 1: great about the Antoine Walker jersey is when what's his 68 00:03:24,040 --> 00:03:26,799 Speaker 1: name the other Walker came to the semble walk Kemba came, 69 00:03:26,960 --> 00:03:28,919 Speaker 1: it was the same number, same last names. He could 70 00:03:28,919 --> 00:03:31,560 Speaker 1: bust out the o G Antoine Walker jersey. It's the 71 00:03:31,600 --> 00:03:34,160 Speaker 1: same thing. It's fire it was. That was like a 72 00:03:34,200 --> 00:03:36,720 Speaker 1: short lived moment, but kind of a travesty that Antoine 73 00:03:36,720 --> 00:03:39,040 Speaker 1: Walker's jersey isn't retired because he kind of was like 74 00:03:39,080 --> 00:03:41,200 Speaker 1: the best player on the Celtics for at least four years. 75 00:03:41,240 --> 00:03:44,480 Speaker 1: Oh yeah, yeah he made the All Star team. Hell yeah, 76 00:03:44,600 --> 00:03:46,560 Speaker 1: I think he made the All start to Walker wig 77 00:03:46,640 --> 00:03:49,840 Speaker 1: You remember to Walker Wiggle? No, I just remember m 78 00:03:50,080 --> 00:03:56,400 Speaker 1: m yeah. So listen, man, uh, how many blancos are 79 00:03:56,440 --> 00:03:59,400 Speaker 1: you going to do? Seven? Seven? I'm capping it that 80 00:03:59,560 --> 00:04:03,120 Speaker 1: seven is that because it's like just it just feels right. 81 00:04:03,320 --> 00:04:05,680 Speaker 1: I Mean, God created the world in six days and 82 00:04:05,840 --> 00:04:10,040 Speaker 1: rested on the seventh. Mmm, you had that god number, 83 00:04:10,040 --> 00:04:12,040 Speaker 1: you know, it's the god number. You have a seven 84 00:04:12,120 --> 00:04:15,080 Speaker 1: on your face as yeah, yeah, yeah, I'm a dad 85 00:04:15,080 --> 00:04:19,080 Speaker 1: of that seven seven. All right, this new uh Blanco? 86 00:04:19,760 --> 00:04:25,919 Speaker 1: You somehow got a stand interpolation cleared? Yeah, what is 87 00:04:25,920 --> 00:04:30,640 Speaker 1: the process of getting Eminem clearance? So the process of 88 00:04:30,680 --> 00:04:33,920 Speaker 1: getting an Eminem clearance is not getting Eminem to clear it, 89 00:04:33,920 --> 00:04:36,960 Speaker 1: it's getting Dido to clear it. Because it was her 90 00:04:37,279 --> 00:04:40,159 Speaker 1: vocal and it was her sample, nothing off of the 91 00:04:40,200 --> 00:04:42,680 Speaker 1: stand sample. So when I came out with the ship 92 00:04:42,960 --> 00:04:45,599 Speaker 1: like and told everybody, I'm like, I just cleared the 93 00:04:45,600 --> 00:04:48,200 Speaker 1: stand sample because to me, those words people don't know 94 00:04:48,279 --> 00:04:52,599 Speaker 1: that that she was. That song was her sample that 95 00:04:52,680 --> 00:04:55,440 Speaker 1: she said for her. So basically how it happened, I was, 96 00:04:55,600 --> 00:04:58,120 Speaker 1: I was out here in l A. I laid the song, 97 00:04:58,760 --> 00:05:03,000 Speaker 1: you know, just on some freestyle shit because I'm really independent, 98 00:05:03,000 --> 00:05:05,800 Speaker 1: so I don't know how it goes without clearing samples. 99 00:05:05,880 --> 00:05:07,520 Speaker 1: I stay away from all of that, you know what 100 00:05:07,560 --> 00:05:09,880 Speaker 1: I mean. I never even thought it would be possible. 101 00:05:10,240 --> 00:05:13,359 Speaker 1: So I laid the song my man Tens just on 102 00:05:13,440 --> 00:05:16,600 Speaker 1: the iPhone real quick, did a video of me like 103 00:05:16,839 --> 00:05:21,400 Speaker 1: singing and shit, in the crib and you know, it 104 00:05:21,440 --> 00:05:27,240 Speaker 1: got millions of views online, so my distribution perfect Time Music. 105 00:05:27,279 --> 00:05:30,040 Speaker 1: They were like hitting me, like, yo, this shit got motion. 106 00:05:30,160 --> 00:05:31,919 Speaker 1: I think we should try to clear it, and I'm like, 107 00:05:32,240 --> 00:05:35,680 Speaker 1: go ahead. And he found some lady who knows about 108 00:05:35,720 --> 00:05:39,360 Speaker 1: clearing samples, and then she got it to Dido and 109 00:05:39,640 --> 00:05:43,200 Speaker 1: Dito okated, you know, took a little percentage of the 110 00:05:43,240 --> 00:05:46,280 Speaker 1: record and yeah, and we had it. So a lot 111 00:05:46,320 --> 00:05:48,960 Speaker 1: of my fans were mad because the song was like short, 112 00:05:49,040 --> 00:05:51,400 Speaker 1: but that's the way that I did it in the 113 00:05:51,440 --> 00:05:53,440 Speaker 1: studio because I'm like this like a freestyle for me 114 00:05:53,480 --> 00:05:55,440 Speaker 1: to listen to her like to put out on YouTube. 115 00:05:56,040 --> 00:05:58,279 Speaker 1: So by the time I got this sample cleared, I'm like, 116 00:05:58,279 --> 00:05:59,440 Speaker 1: fuck it, I'm gonna just put it out in his 117 00:05:59,560 --> 00:06:01,840 Speaker 1: raw form, and I did an extended version that comes 118 00:06:01,839 --> 00:06:05,760 Speaker 1: with the albums. That's the process of getting an Eminem 119 00:06:05,839 --> 00:06:09,440 Speaker 1: sample cleared. Just just get one of the records that 120 00:06:09,480 --> 00:06:13,360 Speaker 1: he sampled, so you don't have to know. Yeah, it'd 121 00:06:13,400 --> 00:06:15,760 Speaker 1: be like if someone's tried to clear sing for the moment, 122 00:06:15,880 --> 00:06:19,039 Speaker 1: be like, it's not an Eminem song, it's an Arrowsmith. Yeah, 123 00:06:19,040 --> 00:06:21,240 Speaker 1: but I would still say I cleared the sing for 124 00:06:21,279 --> 00:06:24,359 Speaker 1: the moment sample. Oh man, you and Ray Sherman got 125 00:06:24,400 --> 00:06:28,440 Speaker 1: a song coming, so maybe me and Swale we got 126 00:06:28,480 --> 00:06:33,400 Speaker 1: a diss record coming against against Jimmy. That was kind 127 00:06:33,400 --> 00:06:35,240 Speaker 1: of a weird thing. Man. I saw that, I was like, 128 00:06:35,240 --> 00:06:37,400 Speaker 1: why the fuck was somebody? And I know Jimmy, He's 129 00:06:37,400 --> 00:06:39,279 Speaker 1: a good dude. I just I just didn't understand, Like, 130 00:06:40,279 --> 00:06:41,880 Speaker 1: I mean, maybe it's just a way to promote your 131 00:06:41,880 --> 00:06:44,880 Speaker 1: own ship, but I don't understand the thought process of 132 00:06:44,880 --> 00:06:47,520 Speaker 1: shitting on somebody else to promote your own ship. You 133 00:06:47,560 --> 00:06:49,400 Speaker 1: know what it was? I think I think my ship 134 00:06:49,400 --> 00:06:53,000 Speaker 1: was getting traction, like my ship was having motion online, 135 00:06:53,080 --> 00:06:55,800 Speaker 1: Like well, damn, we kind of thing the album that 136 00:06:55,880 --> 00:06:59,200 Speaker 1: was their rollout, like we cleared the stand sample. But 137 00:06:59,279 --> 00:07:01,479 Speaker 1: I'm a marketing guys, so I already know that. So 138 00:07:01,520 --> 00:07:03,760 Speaker 1: as soon as as soon as I cleared it, I 139 00:07:03,920 --> 00:07:06,800 Speaker 1: put it out there, and you know, sites at rap 140 00:07:07,000 --> 00:07:10,120 Speaker 1: started picking it up and it started going crazy. And 141 00:07:12,240 --> 00:07:16,280 Speaker 1: the next day I saw like Sway Lee's camp pushing 142 00:07:16,920 --> 00:07:19,560 Speaker 1: his ship on Twitter. Sway Lee cleared the same I'm like, 143 00:07:19,560 --> 00:07:22,320 Speaker 1: oh no, they're panicking. They must have saw my my 144 00:07:22,440 --> 00:07:26,000 Speaker 1: joint out there, and uh, that's when my ship kept 145 00:07:26,000 --> 00:07:28,560 Speaker 1: going crazy on academics and this, and it helps and 146 00:07:28,600 --> 00:07:30,920 Speaker 1: it just helps your ship. Yeah, Slim Jimmy rolled about 147 00:07:30,920 --> 00:07:32,520 Speaker 1: it and it brought more a win and so you know, 148 00:07:32,600 --> 00:07:36,280 Speaker 1: Solution and I really liked them as a group. I 149 00:07:36,320 --> 00:07:38,760 Speaker 1: talked to sway Lee. You know, sway Lee's cool and 150 00:07:38,760 --> 00:07:40,800 Speaker 1: I could never have beef with like Ray Trema. That's 151 00:07:40,840 --> 00:07:44,280 Speaker 1: like being a bully like that. Yeah, you know whos 152 00:07:44,320 --> 00:07:48,560 Speaker 1: on the new album. I got g Herbo on there. 153 00:07:48,600 --> 00:07:51,280 Speaker 1: I got Jada Kiss, I got Burner. I got Dave's 154 00:07:51,760 --> 00:07:54,400 Speaker 1: Big Burns on the album Big Burns on the album. Man, 155 00:07:54,560 --> 00:07:56,600 Speaker 1: I'm trying to get him to shoot this running gun, 156 00:07:57,160 --> 00:07:59,640 Speaker 1: you know, because burn like to shoot running gun videos. 157 00:07:59,680 --> 00:08:01,520 Speaker 1: You gotta the band man. And now he's like big 158 00:08:01,560 --> 00:08:06,000 Speaker 1: billionaire burn So he's by the way, he's been big billionaire. 159 00:08:06,000 --> 00:08:08,320 Speaker 1: Like no, he's on like Forbes list, like right now 160 00:08:08,440 --> 00:08:10,680 Speaker 1: now everyone knows he's telling it. I knew this shit. 161 00:08:10,720 --> 00:08:12,840 Speaker 1: I was telling my homies like a while ago. But 162 00:08:13,600 --> 00:08:15,880 Speaker 1: I shot a running gun on his album before where 163 00:08:15,920 --> 00:08:18,080 Speaker 1: we just you know, ran around and shot the video. 164 00:08:18,120 --> 00:08:20,360 Speaker 1: But now I'm trying to do one with him where 165 00:08:20,400 --> 00:08:22,920 Speaker 1: I just follow him for two days. See like the 166 00:08:23,040 --> 00:08:26,520 Speaker 1: life of Burning incorporated into the video. But yeah, he's 167 00:08:26,560 --> 00:08:30,400 Speaker 1: on there. Man, I'm gonna forget people side of James, 168 00:08:30,440 --> 00:08:32,880 Speaker 1: this incredible artist named side of James. You'll be hearing 169 00:08:32,920 --> 00:08:40,520 Speaker 1: of a super talented I forget who else she Heroya 170 00:08:40,559 --> 00:08:44,240 Speaker 1: said that, yeah me you. Yeah, I feel like you 171 00:08:44,320 --> 00:08:47,839 Speaker 1: and Berner because Berner likes to do collab albums with people. Yeah, 172 00:08:47,960 --> 00:08:49,839 Speaker 1: he's like, you know, he's done now. I love to 173 00:08:49,960 --> 00:08:52,240 Speaker 1: collabor collab albums with people. I feel like it's kind 174 00:08:52,240 --> 00:08:53,400 Speaker 1: of hard. If you and bern it did like a 175 00:08:53,400 --> 00:08:56,280 Speaker 1: whole little fucking six or seven people, that'd be hard. 176 00:08:56,320 --> 00:08:58,880 Speaker 1: I actually get fans that come to my shows, like 177 00:08:59,080 --> 00:09:01,760 Speaker 1: in Chicago and different places, and it'll be like, yo, 178 00:09:01,800 --> 00:09:04,679 Speaker 1: I met you through burn A lot of Mexican guys, 179 00:09:05,280 --> 00:09:08,040 Speaker 1: the Mexicans of Burner for sure, a lot of Mexican 180 00:09:08,080 --> 00:09:11,120 Speaker 1: fans I got through Burner. So what was did he 181 00:09:11,160 --> 00:09:15,640 Speaker 1: reach out to you? I got a I got a 182 00:09:15,920 --> 00:09:19,640 Speaker 1: mutual acquaintance with him. My man Taba like a like 183 00:09:19,679 --> 00:09:23,160 Speaker 1: a og from my city, and somehow they linked me 184 00:09:23,200 --> 00:09:24,880 Speaker 1: with him. But yeah, it was all love. And then 185 00:09:24,920 --> 00:09:27,440 Speaker 1: he was like, come get on my album. You know. 186 00:09:28,080 --> 00:09:31,079 Speaker 1: I came to his session. I had to beat right there. 187 00:09:31,120 --> 00:09:33,640 Speaker 1: I wrote my ship right there. I got to feel dope, man, 188 00:09:33,640 --> 00:09:35,840 Speaker 1: because like you are not a new artist by any means. 189 00:09:35,920 --> 00:09:38,000 Speaker 1: Like it's like I'm not a new artist, but I'm 190 00:09:38,040 --> 00:09:40,240 Speaker 1: a brand new artist. But we told the story before, 191 00:09:40,320 --> 00:09:42,200 Speaker 1: Like I met you at south By Southwest in like 192 00:09:42,240 --> 00:09:45,720 Speaker 1: two thousand. Yeah, I remember I was walking home in fourteen. 193 00:09:46,280 --> 00:09:49,360 Speaker 1: Probably I was walking home in the streets drunk. Nobody 194 00:09:49,800 --> 00:09:53,120 Speaker 1: at the same hotel, No, I think you Yeah, yeah, 195 00:09:53,160 --> 00:09:55,360 Speaker 1: you was in the line line for something we're we're 196 00:09:55,360 --> 00:09:57,760 Speaker 1: at like a hotel bar summer. It was like it 197 00:09:57,840 --> 00:09:59,720 Speaker 1: was like by the valet or the bar at the 198 00:10:00,080 --> 00:10:02,360 Speaker 1: that hotel. That's like I remember. But I can remember 199 00:10:02,400 --> 00:10:06,120 Speaker 1: walking down Sixth Street right lost. Yeah, I remember walking 200 00:10:06,120 --> 00:10:09,160 Speaker 1: down Sixth Street and nobody knowing me. You know a 201 00:10:09,160 --> 00:10:12,240 Speaker 1: lot of less towers, like yeah, a lot of less tattoos, 202 00:10:12,640 --> 00:10:16,320 Speaker 1: but just nobody knew me anyway. Now they recognized me 203 00:10:16,360 --> 00:10:18,440 Speaker 1: through the mass. I'd be having a shisty mask like this, 204 00:10:19,760 --> 00:10:22,120 Speaker 1: hands in my pockets, ship like this, and they like 205 00:10:22,160 --> 00:10:25,640 Speaker 1: mills and be like wow, bro. But yeah, I remember 206 00:10:25,720 --> 00:10:28,400 Speaker 1: I remember seeing you because I was walking down Sixth Street. 207 00:10:28,400 --> 00:10:31,199 Speaker 1: You know, I said, that's pool Calf. I forget even 208 00:10:31,200 --> 00:10:33,360 Speaker 1: where I knew you from, but I was kind of 209 00:10:33,360 --> 00:10:35,160 Speaker 1: like back then, I was like on the blogs, allied 210 00:10:35,200 --> 00:10:38,160 Speaker 1: with my interviews and shit like two Dope boy days. 211 00:10:38,679 --> 00:10:40,480 Speaker 1: That's why I love seeing your shit go up because 212 00:10:40,520 --> 00:10:43,160 Speaker 1: even at the time, to me, you were like popping, right, 213 00:10:43,480 --> 00:10:46,880 Speaker 1: you know what I mean? So you really popping. But 214 00:10:46,920 --> 00:10:49,000 Speaker 1: it's got to feel good to be on such a 215 00:10:49,040 --> 00:10:53,560 Speaker 1: long journey of being up by taking this Rapture series 216 00:10:53,640 --> 00:10:57,640 Speaker 1: to end up doing you know, records with some legends 217 00:10:57,640 --> 00:11:01,000 Speaker 1: and then obviously Lincoln with Snoop Dog, and you know 218 00:11:01,040 --> 00:11:02,679 Speaker 1: what I'm saying, Like, there's like I feel like you've 219 00:11:02,679 --> 00:11:04,600 Speaker 1: had so many moments in the last couple of years 220 00:11:04,640 --> 00:11:08,920 Speaker 1: where like, you know, do you feel like validated. I 221 00:11:09,000 --> 00:11:11,240 Speaker 1: know you've always know, but like to kind of get 222 00:11:11,240 --> 00:11:13,600 Speaker 1: the peers to kind of get that co sign that's 223 00:11:13,640 --> 00:11:15,840 Speaker 1: got to mean a lot, man. Yeah, I picked up 224 00:11:15,880 --> 00:11:17,520 Speaker 1: a lot of cosine, like I picked up a lot 225 00:11:17,520 --> 00:11:21,040 Speaker 1: of co signs in rap. But then like I got 226 00:11:21,080 --> 00:11:24,600 Speaker 1: co signed by the money, That's what That's the one thing, 227 00:11:24,720 --> 00:11:27,600 Speaker 1: Like I wasn't turning the profit from this shit. Yeah, 228 00:11:27,600 --> 00:11:30,240 Speaker 1: you were kind of doing it. I was doing it 229 00:11:30,320 --> 00:11:32,160 Speaker 1: just getting by like I would make money. I've been 230 00:11:32,160 --> 00:11:35,319 Speaker 1: getting paid for features for twelve thirteen years, right, you 231 00:11:35,360 --> 00:11:36,800 Speaker 1: know what I mean? That would you say? That was 232 00:11:36,880 --> 00:11:38,640 Speaker 1: kind of more of the bread and the butter, like 233 00:11:38,800 --> 00:11:41,920 Speaker 1: I could get features I'm doing. It wasn't get hot, 234 00:11:42,120 --> 00:11:45,640 Speaker 1: It wasn't no real money, you know. And the second 235 00:11:45,679 --> 00:11:47,920 Speaker 1: I did get a little real money, I just put 236 00:11:47,960 --> 00:11:50,360 Speaker 1: more back into myself. The pandemic did it for me 237 00:11:50,400 --> 00:11:52,719 Speaker 1: for real. But like I would say, like, yeah, the 238 00:11:52,800 --> 00:11:55,600 Speaker 1: validation from you know, whether it's like you know, I'm 239 00:11:55,679 --> 00:11:58,120 Speaker 1: signing to kiss and I'm like Snoop is like a 240 00:11:58,120 --> 00:12:01,600 Speaker 1: big supporter of mine and all these guys in the game, 241 00:12:01,679 --> 00:12:05,439 Speaker 1: you know, and and so so it's that, But then 242 00:12:05,480 --> 00:12:09,040 Speaker 1: it's I see it reflecting in my bank account, like 243 00:12:09,040 --> 00:12:12,320 Speaker 1: I got accountants now and ship, and I'll be like damn, 244 00:12:12,400 --> 00:12:14,880 Speaker 1: like I really made it, Like I shed a tear 245 00:12:14,920 --> 00:12:17,560 Speaker 1: on a plane one time, like for real, Like I 246 00:12:17,679 --> 00:12:20,160 Speaker 1: just had a crazy day and I just shed a tear, 247 00:12:20,240 --> 00:12:22,559 Speaker 1: like I couldn't believe it, like because I was really thinking, 248 00:12:22,600 --> 00:12:24,720 Speaker 1: I can't believe that I was dumb enough to believe 249 00:12:24,760 --> 00:12:28,079 Speaker 1: in this ship that I made happen, Like yeah, but 250 00:12:28,160 --> 00:12:32,040 Speaker 1: it's hard work. Yeah, it's hard work and sacrifice, and 251 00:12:32,200 --> 00:12:33,880 Speaker 1: I feel like sometimes you just got to be dumb 252 00:12:33,960 --> 00:12:37,600 Speaker 1: enough to believe, you know, if that makes sense. Yeah, 253 00:12:37,679 --> 00:12:39,319 Speaker 1: that's the real shit. I mean, you had a lot 254 00:12:39,320 --> 00:12:40,480 Speaker 1: of I feel like you had a lot of like 255 00:12:40,559 --> 00:12:43,640 Speaker 1: like uphill battles to fight being the white dude wrapping 256 00:12:43,679 --> 00:12:46,680 Speaker 1: about street ship. Yo, bro, it's almost impossible. It's like 257 00:12:46,720 --> 00:12:49,440 Speaker 1: an uphill battle on roller skates when you think about it, Like, 258 00:12:49,520 --> 00:12:52,720 Speaker 1: because I'm actually doing something that's never been done correct, 259 00:12:52,880 --> 00:12:54,800 Speaker 1: Because you know, we know all the different type of 260 00:12:54,840 --> 00:12:58,600 Speaker 1: rappers that came through hip hop, and it's never been 261 00:12:58,640 --> 00:13:01,640 Speaker 1: a white rapper with the streak content to run around 262 00:13:01,640 --> 00:13:04,240 Speaker 1: with jewelry on, really in the trenches, really moving around, 263 00:13:04,320 --> 00:13:06,720 Speaker 1: really co signed by the right people like that. It 264 00:13:06,800 --> 00:13:10,679 Speaker 1: just hasn't happened ever ever ever. You know, there's nothing 265 00:13:10,720 --> 00:13:13,120 Speaker 1: close to it, except if you're looking at like my guy, 266 00:13:13,200 --> 00:13:16,320 Speaker 1: like like Paul Wall in Houston, but his content was 267 00:13:16,320 --> 00:13:20,720 Speaker 1: more that Houston content. It was like it wasn't like 268 00:13:20,760 --> 00:13:23,600 Speaker 1: my ship. I'm telling intricate street stories to the point 269 00:13:23,640 --> 00:13:29,120 Speaker 1: where I'm talking about nationwide, whether we're in Chicago, Minnesota, Cyprus, 270 00:13:29,320 --> 00:13:32,240 Speaker 1: projects in East New York, wherever, the fuck we at. 271 00:13:32,280 --> 00:13:36,920 Speaker 1: I got real street people Miami, the killers come to 272 00:13:36,920 --> 00:13:39,040 Speaker 1: me and say, Bro, I fuck with your shits so 273 00:13:39,200 --> 00:13:41,120 Speaker 1: hard the way that you yeah, the way that you 274 00:13:41,200 --> 00:13:44,480 Speaker 1: break shit down, Like I'm really embraced in the trenches nationwide. 275 00:13:45,400 --> 00:13:50,440 Speaker 1: And no, it's ill because because nobody would have like 276 00:13:50,480 --> 00:13:53,160 Speaker 1: people used to think like this shit was impossible. And 277 00:13:53,200 --> 00:13:55,800 Speaker 1: I'm still not, Like I've never had an editorial playlisting 278 00:13:55,840 --> 00:13:59,520 Speaker 1: on Spotify like that. Really, Hell no, bro, I got 279 00:13:59,559 --> 00:14:02,439 Speaker 1: six hund than fifty thousand, So there's still things that 280 00:14:02,840 --> 00:14:04,920 Speaker 1: give me, Like I love Spotify, and I know y'all 281 00:14:04,960 --> 00:14:08,240 Speaker 1: will give me all of my It's coming instant because 282 00:14:08,800 --> 00:14:11,000 Speaker 1: I learned to not be the rapper like to learn 283 00:14:11,080 --> 00:14:13,640 Speaker 1: a bridge and complain. So I'm not complaining. I'm just 284 00:14:13,679 --> 00:14:17,760 Speaker 1: saying the other rappers three million on Spotify, Yeah, I 285 00:14:17,760 --> 00:14:20,560 Speaker 1: got six hundred and fifty thousand without one with one 286 00:14:20,600 --> 00:14:24,280 Speaker 1: percent editorial playlisting. Right, My shit's a little different, you 287 00:14:24,320 --> 00:14:25,920 Speaker 1: know what I mean. It's I mean, you're about to 288 00:14:25,960 --> 00:14:28,080 Speaker 1: headline a tour, yeah, and I'm about to sell out 289 00:14:28,080 --> 00:14:30,920 Speaker 1: a tour across the country hard tickets. So I had 290 00:14:30,920 --> 00:14:32,560 Speaker 1: to do all my shit. keV I swear to God, 291 00:14:32,600 --> 00:14:34,480 Speaker 1: I had to do all my shit by just showing 292 00:14:34,520 --> 00:14:37,040 Speaker 1: and proving because the industry did not fuck with me. 293 00:14:37,080 --> 00:14:40,040 Speaker 1: I'm gonna tell you something I never told anybody in life. 294 00:14:41,120 --> 00:14:46,440 Speaker 1: No major label ever reached out or showed interest in me. Never. Never, 295 00:14:47,320 --> 00:14:49,960 Speaker 1: Still to this day, I used to lie about it. Okay, No, 296 00:14:50,040 --> 00:14:53,040 Speaker 1: there's interest today. Of course there is today. On God 297 00:14:53,040 --> 00:14:56,920 Speaker 1: in Heaven, there's an interest today. But I used to 298 00:14:56,960 --> 00:14:59,120 Speaker 1: lie about it my whole career. I swear to God, 299 00:14:59,240 --> 00:15:01,800 Speaker 1: just to people, though, you know, just be like I'd 300 00:15:01,800 --> 00:15:04,440 Speaker 1: be in an interview. They'd be like, yo, so anything going, yeah, 301 00:15:04,480 --> 00:15:08,600 Speaker 1: you know a couple of majors interesting? Lie yeah, like 302 00:15:09,000 --> 00:15:11,120 Speaker 1: or I used to, you know, chill with girls and 303 00:15:11,160 --> 00:15:13,640 Speaker 1: be like, yeah, so you know Atlantic Records they were 304 00:15:13,720 --> 00:15:18,360 Speaker 1: actually talking. Never no major looked at me. And I've 305 00:15:18,360 --> 00:15:21,880 Speaker 1: been grinding for thirteen years, and I watched all their 306 00:15:22,040 --> 00:15:24,480 Speaker 1: artists come and go, Like I watched all these people 307 00:15:24,520 --> 00:15:27,680 Speaker 1: who are right here with me get signed. I don't 308 00:15:27,720 --> 00:15:30,240 Speaker 1: know where they are. I'm here, you feel me? So 309 00:15:30,320 --> 00:15:34,280 Speaker 1: would you even consider the major route now? That third Never? 310 00:15:34,400 --> 00:15:37,120 Speaker 1: I'd have to have the most unique deal ever, because 311 00:15:37,160 --> 00:15:40,880 Speaker 1: once you start feeling the feeling of your catalog, you know, 312 00:15:41,000 --> 00:15:43,960 Speaker 1: really residual income here, bro, I don't got it, like 313 00:15:44,240 --> 00:15:48,240 Speaker 1: you know, I'm waking up on a certain dollar amount regardless, 314 00:15:48,520 --> 00:15:52,480 Speaker 1: right because of my catalog. I couldn't imagine what it's 315 00:15:52,520 --> 00:15:55,360 Speaker 1: like to not have a streaming catalog and you only 316 00:15:55,400 --> 00:15:57,880 Speaker 1: get these checks and then you live off those You're 317 00:15:57,880 --> 00:16:00,680 Speaker 1: pretty much I'm like, really bad money. I got a 318 00:16:00,720 --> 00:16:02,840 Speaker 1: big evance on my last ship, and I thought I 319 00:16:02,960 --> 00:16:06,200 Speaker 1: was rich, rich rich rich rich rich rich that time. 320 00:16:06,240 --> 00:16:09,160 Speaker 1: I was in California. Oh my god, because you know, 321 00:16:09,200 --> 00:16:12,240 Speaker 1: I never really had money like that. I got that money. Boy. 322 00:16:13,280 --> 00:16:15,960 Speaker 1: We stayed in there. We stayed in the house for 323 00:16:16,120 --> 00:16:19,840 Speaker 1: like first thing. We stayed in the house somewhere in 324 00:16:20,000 --> 00:16:24,280 Speaker 1: LA with the with the basketball court. Fucking how very 325 00:16:24,320 --> 00:16:27,280 Speaker 1: much a night that is? Yeah, it was like I 326 00:16:27,280 --> 00:16:32,240 Speaker 1: don't know, three four thousand the night we stayed there. Necessary, Yeah, 327 00:16:32,280 --> 00:16:36,000 Speaker 1: we stayed there. SRTs all type of Carl. I mean, 328 00:16:36,040 --> 00:16:39,720 Speaker 1: this is a chain here, this is new, this is 329 00:16:39,760 --> 00:16:42,800 Speaker 1: fairly new, I think serious. Huh, Yeah, kiss just gave 330 00:16:42,800 --> 00:16:45,040 Speaker 1: me this change. This is through kissing Masa. You know, 331 00:16:45,280 --> 00:16:47,280 Speaker 1: shout out to you with the free chain and the 332 00:16:47,320 --> 00:16:50,400 Speaker 1: free goa court side finals ticket. That's what happens. We 333 00:16:50,520 --> 00:16:55,560 Speaker 1: get successful, you get free ship. Jesus, that's it. That's fire. 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