WEBVTT - Adriana Trigiani

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<v Speaker 1>The Craig Ferguson's Fancy Rascal Tour continues in November twenty

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<v Speaker 1>twenty three. For the full list of dates, please go

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<v Speaker 1>to the Craig Ferguson Show dot com slash to her website.

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<v Speaker 1>My name is Craig Ferguson. The name of this podcast

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<v Speaker 1>is Joy. I talk to interest in people about what

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<v Speaker 1>brings them happiness. Meet Adriana Triggyani. Adriana is my friend.

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<v Speaker 1>She's a writer, she's a director, and she's a great cook.

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<v Speaker 1>But you'll have to take my word for the last

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<v Speaker 1>part unless you know her, in which case, why you

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<v Speaker 1>listen to this?

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<v Speaker 2>Just call her? I have said in a little chemistry

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<v Speaker 2>between you and ject Now I like it.

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<v Speaker 3>Yeah, it looks like a young apputuno to mean, it's

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<v Speaker 3>not a bad look. That's a good look. That's a

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<v Speaker 3>look you hold on to. But I want you to

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<v Speaker 3>look at his recent birthday party pictures and plan ahead

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<v Speaker 3>of Yeah, yeah, you really have to plan ahead.

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<v Speaker 2>What about getting older?

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<v Speaker 3>Yes, there has to be a plan. If there's no plan,

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<v Speaker 3>you're flailing.

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<v Speaker 2>What is your plan for getting older?

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<v Speaker 3>Well, I do have one, but I heard.

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<v Speaker 2>You say your daughter, I'll be a burden.

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<v Speaker 3>Okay, so every night from the time she was born

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<v Speaker 3>in the crib, the last thing I say to I

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<v Speaker 3>say I love you, Lucia, and then i'd say I

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<v Speaker 3>will be a burden.

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<v Speaker 2>Good night.

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<v Speaker 3>And I said it every night. And it's a family joke.

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<v Speaker 2>Now, will you do that?

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<v Speaker 3>While you want?

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<v Speaker 2>You should? You should? I mean, come on, I'm saying she.

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<v Speaker 3>Wants to look after me. Last night we watched a

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<v Speaker 3>man called Auto. Have you seen that movie?

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<v Speaker 4>No?

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<v Speaker 3>With Tom Hanks, I know, not your favorite.

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<v Speaker 2>I don't say that.

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<v Speaker 3>Well I heard you say it once and I'm just

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<v Speaker 3>defending your position.

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<v Speaker 2>No, that's not that's not true.

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<v Speaker 3>Okay, Well I hope he comes.

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<v Speaker 2>He's the greatest that drive ever.

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<v Speaker 3>No, No, let me tell you something. We're as great

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<v Speaker 3>as the material always. So people don't even want to

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<v Speaker 3>hear that because they think it looks like it was

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<v Speaker 3>made up on the spot.

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<v Speaker 2>When it's good, when it's a good actor, sure, and.

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<v Speaker 3>When it's a good material, yeah, a great actor can

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<v Speaker 3>triumph over bad material, though I've seen it many times. Yeah,

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<v Speaker 3>but not for this sustaining whole narrative. There'll be a

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<v Speaker 3>scene where you go, WHOA. Okay, yeah, maybe you see that,

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<v Speaker 3>but over the whole narrative. To hold the logic of

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<v Speaker 3>it together takes the writer.

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<v Speaker 2>Hold on a second though.

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<v Speaker 1>A great actor maybe, but a great movie star doesn't matter.

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<v Speaker 1>It doesn't matter. Like Sean Connery, even in Zone, he

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<v Speaker 1>just wanted.

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<v Speaker 3>To walk in the room. Yeah, I stand there with

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<v Speaker 3>his tips and he could destroy the world with his gaze, just.

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<v Speaker 1>Like sure, I'm waiting a Mangini and it doesn't matter.

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<v Speaker 2>It's just that. So listen. I want to. I want to.

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<v Speaker 1>We're gonna go on a journey because the name of

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<v Speaker 1>the podcast is joy. Oh you bring me joy.

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<v Speaker 3>Okay, you bring me.

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<v Speaker 2>Jo, your your friendship brings me joy.

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<v Speaker 3>That makes me.

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<v Speaker 2>But I want to. I want everyone here to get

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<v Speaker 2>to know you a little bit.

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<v Speaker 1>Okay, So we're going to start with little baby Adri

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<v Speaker 1>but it's still gonna be long. I mean, you're not

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<v Speaker 1>gonna be a baby for a long part of the conversation.

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<v Speaker 1>We're going to start with little baby Adree. Right, yeah,

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<v Speaker 1>so close your eyes.

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<v Speaker 2>You're in the creb. Now where is the crib?

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<v Speaker 3>Okay? We're in Banger, Pennsylvania, near Rosetta, Pennsylvania.

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<v Speaker 2>Right, which is it doesn't help anyone.

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<v Speaker 3>It does. It does because this is the town in

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<v Speaker 3>the United States that they sent doctors and medical whole

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<v Speaker 3>groups teams of people to study these Italian Americans that

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<v Speaker 3>didn't die heart attacks if you stepped one step outside

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<v Speaker 3>of Rosetta. This is where my father was born, my

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<v Speaker 3>grandfather was born and raised, and he was the mayor

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<v Speaker 3>of the town. And in the sixties they came in

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<v Speaker 3>and studied everybody, the babies, the old people. Because if

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<v Speaker 3>you stepped over the line of the town into what

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<v Speaker 3>was called bangor right, which is where the Welsh were

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<v Speaker 3>the Johnny bulls, because they came and owned the slate

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<v Speaker 3>quarries and the Italians worked for them.

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<v Speaker 2>The Wells should see the welshould drink.

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<v Speaker 3>They do well. There's a lot of drinking. Yeah, But

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<v Speaker 3>the Italians, with all the bad health habits that they

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<v Speaker 3>could discern, making blood pudding, eating sugar, that the stress

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<v Speaker 3>of being in a quarry, all of that the dangers,

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<v Speaker 3>this little community didn't stuffer from any anxiety. There wasn't cancer,

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<v Speaker 3>there wasn't heart attack, and they couldn't figure it out.

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<v Speaker 3>So this team of doctors came in. They wrote books

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<v Speaker 3>about it. I'll give them to you, and Dean Ornish

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<v Speaker 3>put it in his study. Malcolm Gladwell put it in

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<v Speaker 3>a book of his eye made a little documentary about it.

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<v Speaker 3>What we found out when they completed the study in

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<v Speaker 3>like nineteen sixty five, the doctors concluded that the people

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<v Speaker 3>didn't die of heart attacks because they felt emotionally safe.

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<v Speaker 3>Really so they women worked in the blouse factories. My

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<v Speaker 3>grandmother owned a blouse factory with my grandfather, I mean

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<v Speaker 3>a bloss factory. Blas said. They were yeah, sartorial stuff,

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<v Speaker 3>you know, you made close. They made clothes right, and

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<v Speaker 3>they came up my grandparents. My grandfather was a machinist

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<v Speaker 3>and my grandmother was a four lady at fourteen. So

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<v Speaker 3>I come from real workers.

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<v Speaker 2>I know you do it, but you're a worker.

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<v Speaker 3>I don't rest. But on the other side of the family,

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<v Speaker 3>same thing. My grandfather Carlo I wrote a book about

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<v Speaker 3>you know, fictionalized and Shoemaker's Wife where they went to

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<v Speaker 3>Minnesota and he was in the iron ore mines and

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<v Speaker 3>he brought my grandmother there from Hoboken, New Jersey, Italian immigrants.

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<v Speaker 3>But he got his citizenship in World War One by

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<v Speaker 3>fighting for American World War One and denounced a citizenship

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<v Speaker 3>and then they became Americans and he started the Progressive

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<v Speaker 3>Shoe Shop. He was cool. You would have loved him.

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<v Speaker 2>What's the progressive?

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<v Speaker 3>I never knew.

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<v Speaker 2>I want to know about you, but just before.

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<v Speaker 3>We I know everything.

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<v Speaker 2>This is what you do. I know you though, this

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<v Speaker 2>is what this is what you do.

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<v Speaker 3>I can't. I'm going to get to me because when

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<v Speaker 3>I'm there, because because it's really fascinating what happens. I

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<v Speaker 3>mean my mother and father. My mother was a librarian,

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<v Speaker 3>but she was also brilliant, so she started the architecture

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<v Speaker 3>library at the University of Notre Dame when she was

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<v Speaker 3>twenty one years old. Lord she graduated from Saint Catherines

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<v Speaker 3>in Minnesota. They have to understand something. My grandfather died

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<v Speaker 3>when he was thirty nine. Carlo boniclly wait. I thought

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<v Speaker 3>nobody died different times. He got gassed in World War

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<v Speaker 3>One and got cancer. They all did in his platoon.

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<v Speaker 3>All came home and died before. They said, you won't

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<v Speaker 3>see your fortieth birthday. And my mother told me the

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<v Speaker 3>story she remembered when he came back from the Mayo

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<v Speaker 3>clinic and he dropped his bag and he said to

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<v Speaker 3>his wife Lucci. I'm gonna I'm going to be dead

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<v Speaker 3>in a year. He just had a backache. Yeah, yeah,

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<v Speaker 3>So he was so cool and I found out lots

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<v Speaker 3>and lots about him. Anyway, So he was in the

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<v Speaker 3>iron ore mindest when he couldn't breathe because of the

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<v Speaker 3>guest gast. But he was also a shoemaker, but he

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<v Speaker 3>would have been a shoe designer. That was his goal

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<v Speaker 3>was to design shoes as much as make them. But

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<v Speaker 3>when you work in a mining town, you're adjusting people's

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<v Speaker 3>foot infirmities basically, and you're fixing their shoes and boots

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<v Speaker 3>and all that stuff. So that's what he did. But

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<v Speaker 3>he was very ambitious, My mom told me, very ambitious.

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<v Speaker 3>And he called his shop the Progressive Shoe Shop.

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<v Speaker 2>What does that mean? Progressive shoe shop?

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<v Speaker 3>You know what I meant to him. I think I'm

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<v Speaker 3>an American and you're getting Italian artistry. Yeah, you know,

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<v Speaker 3>kiss my Italian American ass.

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<v Speaker 2>That's what he was saying.

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<v Speaker 1>All right, So little baby Adria is growing up in the.

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<v Speaker 3>Catholic baby boom. All right, okay, yeah, my parents were

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<v Speaker 3>married in the late fifties. My mother had many many

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<v Speaker 3>so you have five girls, two boys. Right, Okay, I'm

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<v Speaker 3>in the middle.

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<v Speaker 2>Right.

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<v Speaker 3>And I found a letter recently that my grandmother wrote

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<v Speaker 3>to one of her children about my birth, my auspicious birth.

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<v Speaker 3>And this is the two words that were in the

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<v Speaker 3>letter another girl. Oh wow, I just found that. I

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<v Speaker 3>think that's a great title.

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<v Speaker 2>Yeah, this is good to do.

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<v Speaker 3>But anyways, so but I never felt that from the

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<v Speaker 3>time I was little, I saw the dramatic possibilities of everything.

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<v Speaker 3>I thought it was a movie I was watching, having

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<v Speaker 3>never watched a movie. You know what I'm saying, Yeah,

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<v Speaker 3>I do, because I was in it. I was in it.

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<v Speaker 3>There was a train moving and I jumped on it

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<v Speaker 3>and wow. And I was fascinated by my father and mother.

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<v Speaker 3>I mean every picture of me as a kid, there

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<v Speaker 3>was a sea of children. But looking up at my mother,

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<v Speaker 3>I would look at my mother like I was looking

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<v Speaker 3>at the blessed mother. I mean like and I was

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<v Speaker 3>Bernadett and lords. I just was looking at her.

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<v Speaker 1>Like I was gonna ask you abolism. Because because the imagery,

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<v Speaker 1>I was always jealous of the Catholic kids when I

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<v Speaker 1>come on over.

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<v Speaker 2>Well, no, not that jealous.

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<v Speaker 1>But I was jealous of the guy because we were Protestants.

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<v Speaker 2>So we just like we had like.

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<v Speaker 3>Well you do the stripped down version.

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<v Speaker 2>It just it's a white wall and you know they read.

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<v Speaker 3>From the Bible and listen. I'm a Protestant lover, but

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<v Speaker 3>it's like there's no hush in the Catholic church. You

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<v Speaker 3>go in, they put on a different robe in every season,

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<v Speaker 3>and we decorate the statue. It's Tuesday night. My aunt

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<v Speaker 3>is crowning the Blessed Mother for may Queen. I mean

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<v Speaker 3>my aunt. I don't think she can get up on

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<v Speaker 3>the step stool. My aunt. I love her dearly, but

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<v Speaker 3>she's like nothing in bestive. But you know she's going

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<v Speaker 3>to crown her. We do these things, say the Rosary,

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<v Speaker 3>we do these rituals, and this is the secret, right,

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<v Speaker 3>don't peak under the curtain of that church. Don't peak

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<v Speaker 3>under the curtain of any institutions. When you do, you'll

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<v Speaker 3>be disappointed and you will be a part of nothing.

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<v Speaker 1>Well, see, that's why you're at heart probably a Protestant,

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<v Speaker 1>because you know it's theater. That was what the whole

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<v Speaker 1>argument was.

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<v Speaker 3>Yes, I have a problem probably with all of it

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<v Speaker 3>on some level, but.

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<v Speaker 2>I have a friend.

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<v Speaker 1>Let me tell you to my friend Phil my friend

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<v Speaker 1>Phil from Philly is an Italian Catholic, and I said,

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<v Speaker 1>hey Phil, he said, because I was interested in the

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<v Speaker 1>Catholic thing, I said, hey, Phil, do you believe in transubstantiation?

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<v Speaker 1>He said, what's that? He said, it's when the biscuit

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<v Speaker 1>turns in to the body of Jesus during the Eucharist.

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<v Speaker 2>And he's like, I never heard of that. It's the

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<v Speaker 2>whole basis of the Catholic faith. He's like, uh no.

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<v Speaker 3>And there's always people don't know about that, and they

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<v Speaker 3>always conflate and confuse the Blessed Mother and the assumption

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<v Speaker 3>and the ascension and.

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<v Speaker 2>Let's you're still religious.

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<v Speaker 3>Oh. I prayed like a you know, I just went

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<v Speaker 3>Sunday and got.

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<v Speaker 2>A treat and all that.

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<v Speaker 3>Well, my guide died. The priest that you know talking about.

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<v Speaker 3>We were talking about Alan Alder earlier. He looked just

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<v Speaker 3>like Alan Alden. And in the seventies I would just

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<v Speaker 3>they stopped the box confession. And you have to understand,

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<v Speaker 3>I grew up in Appalachia, where the Catholic Church was

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<v Speaker 3>less than one percent of the population, so it was

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<v Speaker 3>like the island of misfit toys. There was the former

0:10:51.000 --> 0:10:53.960
<v Speaker 3>this and the this, and the the families were from

0:10:53.960 --> 0:10:57.400
<v Speaker 3>the coal region, so you had, you know, Czechs and

0:10:57.920 --> 0:11:00.800
<v Speaker 3>Polish people who still had their accent, and we were

0:11:00.800 --> 0:11:04.600
<v Speaker 3>the Italians. But the Italians that were in Appalachi prior

0:11:04.640 --> 0:11:07.360
<v Speaker 3>to us changed their names, so we'd have to dig

0:11:07.400 --> 0:11:10.600
<v Speaker 3>around to find them, right, But you'll find enclaves wherever

0:11:10.679 --> 0:11:13.719
<v Speaker 3>there's mining. You're going to find immigrant people here. You're

0:11:13.760 --> 0:11:17.280
<v Speaker 3>always going to find that. But yeah, So the Catholicism

0:11:17.320 --> 0:11:22.960
<v Speaker 3>I grew up with was very open and very welcoming,

0:11:23.559 --> 0:11:26.480
<v Speaker 3>and the priests we got and the nuns that we got.

0:11:26.679 --> 0:11:28.520
<v Speaker 3>In fact, when I was like ten years old, the

0:11:29.000 --> 0:11:31.840
<v Speaker 3>nuns quit. They just said, we're not wearing these habits anymore.

0:11:31.840 --> 0:11:36.360
<v Speaker 3>We're scaring the kids. And they became their own force

0:11:36.520 --> 0:11:40.000
<v Speaker 3>for social order. It wasn't really in order. It had

0:11:40.000 --> 0:11:41.760
<v Speaker 3>nothing to do with the Catholic Church. It was just

0:11:41.800 --> 0:11:44.600
<v Speaker 3>about doing good works. And there was a woman down there.

0:11:44.600 --> 0:11:46.720
<v Speaker 3>She's still alive. I think she's in her nineties now,

0:11:47.200 --> 0:11:50.680
<v Speaker 3>a woman named Katherine Rumschlag, Sister Catherine, that was the

0:11:50.679 --> 0:11:53.520
<v Speaker 3>mother superior and that don't you know, she cut you.

0:11:53.640 --> 0:11:58.000
<v Speaker 3>She was all business. She now lives in community with

0:11:58.080 --> 0:12:00.400
<v Speaker 3>a group of the ex nuns and some of the families.

0:12:00.720 --> 0:12:03.920
<v Speaker 3>There was a noun, a beautiful nun who left the order.

0:12:04.200 --> 0:12:07.120
<v Speaker 3>I mean she was gorgeous, Yeah, and got married and

0:12:07.320 --> 0:12:08.839
<v Speaker 3>not that it has anything to do with anything but

0:12:08.960 --> 0:12:11.520
<v Speaker 3>just having to picture her, but just this beautiful woman

0:12:11.600 --> 0:12:15.080
<v Speaker 3>and she had children and now she lives in that community.

0:12:15.120 --> 0:12:18.280
<v Speaker 3>She's retired and she lives with these the ex nuns.

0:12:18.400 --> 0:12:25.040
<v Speaker 1>All right, So you come from a very warm, Catholic immigrant,

0:12:25.400 --> 0:12:31.360
<v Speaker 1>safe emotionally environment and yet you live now right now,

0:12:31.760 --> 0:12:35.720
<v Speaker 1>you're a New Yorker and you've got a long journey

0:12:35.920 --> 0:12:41.040
<v Speaker 1>from Appalachia to your sophisticated life that you have now.

0:12:41.120 --> 0:12:43.920
<v Speaker 1>With your sophistication, Yeah, you're pretty sophisticated.

0:12:44.240 --> 0:12:45.880
<v Speaker 2>Like you write books and your.

0:12:45.880 --> 0:12:48.640
<v Speaker 3>Well, I write books, but to me, writing books is

0:12:48.720 --> 0:12:50.959
<v Speaker 3>what my grandmother did call peace work in a factory.

0:12:51.000 --> 0:12:54.320
<v Speaker 2>Yeah. But you didn't just start writing books, right, You

0:12:54.320 --> 0:12:55.240
<v Speaker 2>were a writer.

0:12:55.240 --> 0:12:58.640
<v Speaker 1>In television, that's right, comedy writer, right, So how did

0:12:58.640 --> 0:13:01.079
<v Speaker 1>you get from Appalai to write in comedy?

0:13:01.559 --> 0:13:04.760
<v Speaker 3>Okay? So you know there were key moments where I

0:13:04.800 --> 0:13:09.360
<v Speaker 3>made decisions, and the big one was I'll never forget this.

0:13:09.480 --> 0:13:14.160
<v Speaker 3>I was in the principal's office and you know, for whatever,

0:13:15.000 --> 0:13:17.959
<v Speaker 3>delivering something from my teacher, like the absentee list or whatever.

0:13:18.480 --> 0:13:21.920
<v Speaker 3>And this man comes in, Nae Mark Holyfield, and he's

0:13:21.960 --> 0:13:25.839
<v Speaker 3>talking to the school secretary who was smoking. Everybody smoked then,

0:13:26.040 --> 0:13:30.160
<v Speaker 3>like smoking a way Patsy Arnold, who I loved because

0:13:30.480 --> 0:13:32.040
<v Speaker 3>you could give her the dish and then you get

0:13:32.080 --> 0:13:34.280
<v Speaker 3>at something back, you know what I mean. Loved her.

0:13:34.520 --> 0:13:36.439
<v Speaker 2>Yeah, anyway, so that's why are you going so well

0:13:36.480 --> 0:13:37.280
<v Speaker 2>with Megan? My wife?

0:13:37.440 --> 0:13:39.240
<v Speaker 3>Oh hey, yeah, we get we get We got the

0:13:39.320 --> 0:13:41.600
<v Speaker 3>job done in five minutes and now best he's okay.

0:13:41.640 --> 0:13:44.200
<v Speaker 3>So so this man comes in and he says, look,

0:13:44.240 --> 0:13:47.200
<v Speaker 3>I'm looking for I need a reporter from my radio

0:13:47.280 --> 0:13:51.240
<v Speaker 3>show and paying her thing. And I'm listening to this

0:13:51.400 --> 0:13:54.160
<v Speaker 3>now I'm making money. I am the town babysitter. I

0:13:54.200 --> 0:13:56.120
<v Speaker 3>am the I don't like to use this sword, but

0:13:56.760 --> 0:13:58.880
<v Speaker 3>I would say, like it was almost like a ring

0:13:58.920 --> 0:14:01.280
<v Speaker 3>I was running because I they'd call my house and

0:14:01.320 --> 0:14:03.560
<v Speaker 3>I go, yeah, and I have four sisters and I'd

0:14:03.559 --> 0:14:04.080
<v Speaker 3>book them.

0:14:04.400 --> 0:14:04.600
<v Speaker 2>Right.

0:14:04.640 --> 0:14:06.560
<v Speaker 3>I didn't get a kickback, but I would take the

0:14:06.559 --> 0:14:07.080
<v Speaker 3>best job.

0:14:07.160 --> 0:14:09.600
<v Speaker 2>Like, so you're running a babysit and syndicate.

0:14:09.200 --> 0:14:12.280
<v Speaker 3>I'm running a city. I'm very entrepreneurial. I'm sorry to

0:14:12.320 --> 0:14:15.400
<v Speaker 3>tell you so anyway, and you know, people loved when

0:14:15.400 --> 0:14:18.240
<v Speaker 3>the Italians came because we also cleaned, went to kids

0:14:18.240 --> 0:14:20.040
<v Speaker 3>to bed and we cleaned the house, and to women

0:14:20.080 --> 0:14:23.760
<v Speaker 3>like getting two for one fifty cents an hour. Okay,

0:14:23.840 --> 0:14:26.360
<v Speaker 3>So I would like to say not that any of

0:14:26.360 --> 0:14:28.240
<v Speaker 3>them needed their houses clean. You know they needed it

0:14:28.320 --> 0:14:29.760
<v Speaker 3>and ain't got a bunch of kids you need it.

0:14:29.800 --> 0:14:33.240
<v Speaker 3>So anyway, so I hear this guy and he says, uh,

0:14:33.600 --> 0:14:36.720
<v Speaker 3>he says, I need a report. And I'm fourteen years old.

0:14:36.720 --> 0:14:40.440
<v Speaker 3>I'm thinking, here's the thing about me, and I think

0:14:40.480 --> 0:14:42.960
<v Speaker 3>you know this, I think I could do anything like

0:14:43.320 --> 0:14:46.080
<v Speaker 3>if I walked past the television said, and somebody's ice skating.

0:14:46.800 --> 0:14:48.160
<v Speaker 3>When we went to the ice show when I was

0:14:48.160 --> 0:14:50.520
<v Speaker 3>little in Knoxville, Tennessee, I wanted to be that. I

0:14:50.560 --> 0:14:52.160
<v Speaker 3>wanted to be that girl with the big head dress

0:14:52.160 --> 0:14:53.920
<v Speaker 3>who skated over to the side and like did this

0:14:54.160 --> 0:14:56.560
<v Speaker 3>did you ever do it? I've never had on a

0:14:56.560 --> 0:14:58.120
<v Speaker 3>pair of ice skates in my life, but my kid

0:14:58.200 --> 0:15:02.120
<v Speaker 3>has the time. No, now, I'll break my back anyway.

0:15:02.160 --> 0:15:06.520
<v Speaker 3>So anyway, so oh, I was in amorateur ice skating

0:15:06.520 --> 0:15:09.080
<v Speaker 3>and my mother I skated her whole life, and my

0:15:09.160 --> 0:15:11.520
<v Speaker 3>father I skated, but we didn't because there were no

0:15:11.560 --> 0:15:14.840
<v Speaker 3>ice drinks or anything like that. Right, So when I

0:15:14.840 --> 0:15:17.120
<v Speaker 3>found out that we need to qualify for the Olympics,

0:15:17.160 --> 0:15:19.040
<v Speaker 3>you gotta do a three minute routine for like three years,

0:15:19.040 --> 0:15:21.440
<v Speaker 3>I'm like, I got to make up funny stuff every day,

0:15:21.920 --> 0:15:22.360
<v Speaker 3>you see.

0:15:22.400 --> 0:15:24.960
<v Speaker 1>All Right, So the guy's looking for a report, or

0:15:25.000 --> 0:15:28.200
<v Speaker 1>you're fourteen, you think maybe ice skating is not for you.

0:15:28.560 --> 0:15:31.680
<v Speaker 1>So do you approach this guy and say I want

0:15:31.680 --> 0:15:33.400
<v Speaker 1>to be a reporter or mister Hollyfield?

0:15:33.440 --> 0:15:34.840
<v Speaker 3>I said, I'm a writer and I would like to

0:15:34.920 --> 0:15:39.160
<v Speaker 3>have that job. And he went okay. He said can

0:15:39.200 --> 0:15:42.680
<v Speaker 3>you drive? No, but I'll get somebody to drive me. Okay,

0:15:43.280 --> 0:15:44.520
<v Speaker 3>what kind of things do you? Right? I said, well,

0:15:44.520 --> 0:15:45.480
<v Speaker 3>I'm on school paper.

0:15:46.200 --> 0:15:47.120
<v Speaker 2>You were on the school paper.

0:15:47.160 --> 0:15:48.480
<v Speaker 3>Now what he didn't know is that I was in

0:15:48.480 --> 0:15:50.960
<v Speaker 3>trouble at the school newspaper because I would write what

0:15:51.000 --> 0:15:55.760
<v Speaker 3>they called the gossip column, blind items. Okay, and I

0:15:55.840 --> 0:15:58.400
<v Speaker 3>got called and you have done and you know I'm somebody.

0:15:58.400 --> 0:16:00.640
<v Speaker 3>You know. You know I have a good heart, Yes

0:16:00.800 --> 0:16:03.480
<v Speaker 3>you do. But I wrote a joke that's haunted me

0:16:03.960 --> 0:16:04.240
<v Speaker 3>to this.

0:16:04.320 --> 0:16:06.240
<v Speaker 1>I'm going to tell you the joke only one, because

0:16:06.280 --> 0:16:08.520
<v Speaker 1>I've got like a bucket loads of that stuff.

0:16:10.160 --> 0:16:13.440
<v Speaker 3>Well, you know, at that time, you had a homeroom teacher,

0:16:13.480 --> 0:16:15.280
<v Speaker 3>and then you were to make sure you were in school,

0:16:15.280 --> 0:16:17.440
<v Speaker 3>and then you were farmed out to your first period class. Sure,

0:16:19.040 --> 0:16:23.040
<v Speaker 3>there was a teacher named Bobby Jane Cooper and I

0:16:23.120 --> 0:16:26.800
<v Speaker 3>saw her first thing every day. And she was an

0:16:26.880 --> 0:16:32.520
<v Speaker 3>interesting looking woman, kind of like an animated character, sort.

0:16:32.320 --> 0:16:34.120
<v Speaker 2>Of like O lave oil Are we talking?

0:16:34.280 --> 0:16:34.600
<v Speaker 4>Or no?

0:16:34.840 --> 0:16:35.760
<v Speaker 3>The other extreme?

0:16:35.880 --> 0:16:36.240
<v Speaker 2>Gotcha?

0:16:36.280 --> 0:16:38.960
<v Speaker 3>Okay? Kind of like if you put the Liberty bell

0:16:39.040 --> 0:16:42.120
<v Speaker 3>in a skirt. You know what I'm talking about. Okay. So,

0:16:43.680 --> 0:16:45.840
<v Speaker 3>and she wore really red lipstick, which I thought was

0:16:45.880 --> 0:16:49.800
<v Speaker 3>kind of cool. Well, I started keeping track of her

0:16:49.800 --> 0:16:52.400
<v Speaker 3>outfits just for my column, you know, so that I

0:16:52.400 --> 0:16:54.680
<v Speaker 3>could say and so this was the joke. And I

0:16:54.720 --> 0:16:57.040
<v Speaker 3>got called in and I was so ashamed of this joke,

0:16:57.080 --> 0:17:02.080
<v Speaker 3>but it worked on paper. Which home room teacher with

0:17:02.200 --> 0:17:07.800
<v Speaker 3>the initials b j C. Has worn the same blue

0:17:07.840 --> 0:17:11.600
<v Speaker 3>wool skirt six school days in a row, which means

0:17:11.600 --> 0:17:15.120
<v Speaker 3>she went on Monday to Friday. And I think, now

0:17:15.160 --> 0:17:17.879
<v Speaker 3>I would do that, now, sure I would think nothing

0:17:17.960 --> 0:17:22.920
<v Speaker 3>of it. Of course I got called in. It was bad.

0:17:23.119 --> 0:17:26.439
<v Speaker 3>It's like the insensitivity of this comment. And they made

0:17:26.480 --> 0:17:29.680
<v Speaker 3>me go apologize to her, which was so humiliating.

0:17:29.800 --> 0:17:31.960
<v Speaker 2>You got canceled on Twitter and I.

0:17:31.880 --> 0:17:34.359
<v Speaker 3>Said, you know, I'm so sorry. I said, I just

0:17:34.840 --> 0:17:36.920
<v Speaker 3>you know, I have to come up with this material

0:17:37.000 --> 0:17:39.760
<v Speaker 3>and I thought it would work and I didn't mean to,

0:17:39.880 --> 0:17:43.160
<v Speaker 3>you know, she said you had use my initials. She said,

0:17:43.160 --> 0:17:45.879
<v Speaker 3>I hope you've learned your lesson. We don't make a

0:17:45.880 --> 0:17:48.600
<v Speaker 3>lot of money as teachers. We're here because we love

0:17:48.680 --> 0:17:52.360
<v Speaker 3>teaching before we're wearing And I was like, oh, oh

0:17:52.400 --> 0:17:55.040
<v Speaker 3>my god, that's is that the worst story I ever heard? Okay,

0:17:55.080 --> 0:17:56.960
<v Speaker 3>so now everyone hates me within the sound of my voice.

0:17:57.000 --> 0:17:59.000
<v Speaker 2>No, no, no, no, I just feel awful. I just feel

0:17:59.000 --> 0:17:59.960
<v Speaker 2>awful for everybody.

0:18:00.200 --> 0:18:02.959
<v Speaker 3>Now here's the other part of this though. This was

0:18:03.000 --> 0:18:05.720
<v Speaker 3>the slow crawl to journalism wasn't for me till the

0:18:05.800 --> 0:18:08.520
<v Speaker 3>big story when I was okay, I was getting five

0:18:08.520 --> 0:18:10.840
<v Speaker 3>bucks a story and that was pretty good, right, And

0:18:10.880 --> 0:18:13.720
<v Speaker 3>they ran me at the top of every hour and.

0:18:13.680 --> 0:18:14.680
<v Speaker 2>I it's a radio show.

0:18:14.720 --> 0:18:16.720
<v Speaker 3>It's a radio show. And I decided and I'd tape

0:18:16.720 --> 0:18:20.440
<v Speaker 3>them the night before. The engineer would like in a break,

0:18:20.520 --> 0:18:23.360
<v Speaker 3>would tape my stories and I went to the town meetings.

0:18:23.720 --> 0:18:27.080
<v Speaker 3>I did a really good series about a coal mining

0:18:27.119 --> 0:18:29.679
<v Speaker 3>strike that was but I went to meet with the

0:18:29.720 --> 0:18:32.320
<v Speaker 3>women and I got a real sense of that. You know,

0:18:32.760 --> 0:18:35.320
<v Speaker 3>it wasn't. Listen, the jokes I was writing wasn't because

0:18:35.320 --> 0:18:36.880
<v Speaker 3>I was rich and I was sitting on a throne.

0:18:36.920 --> 0:18:39.240
<v Speaker 3>It was because I was trying to like be funny.

0:18:39.320 --> 0:18:41.480
<v Speaker 1>Yeah, I get it. So and also, you're a kid.

0:18:41.480 --> 0:18:42.640
<v Speaker 1>What are you fifteen years old?

0:18:42.720 --> 0:18:45.320
<v Speaker 3>Yeah, I'm fourteen fifteen. Yeah, but that never mattered in

0:18:45.359 --> 0:18:47.879
<v Speaker 3>my family. You do the wrong thing, you put on

0:18:47.920 --> 0:18:52.800
<v Speaker 3>the rack. But anyway, so I decided doing this. They

0:18:52.880 --> 0:18:55.760
<v Speaker 3>kept calling me in. My boss kept calling me in. Mean,

0:18:55.840 --> 0:18:59.480
<v Speaker 3>his name was mister Stallard. He was Holyfield's boss, and

0:18:59.800 --> 0:19:02.440
<v Speaker 3>I remember being in his office and he was smoking

0:19:02.480 --> 0:19:05.040
<v Speaker 3>so much Carly see the guy, right, He said, to

0:19:05.040 --> 0:19:07.879
<v Speaker 3>tell you the future of this business, it's going to

0:19:07.920 --> 0:19:10.040
<v Speaker 3>be a black woman, and it's going to be television.

0:19:10.119 --> 0:19:13.920
<v Speaker 3>He predicted Oprah like before Oprah. Right, Okay, so I'm

0:19:13.960 --> 0:19:15.600
<v Speaker 3>just throwing that out there. So anyway, because so he

0:19:15.640 --> 0:19:17.520
<v Speaker 3>knew what he was talking about. I respected him. But

0:19:17.600 --> 0:19:19.520
<v Speaker 3>he said to me, he said nobody cares about what

0:19:19.560 --> 0:19:22.399
<v Speaker 3>you think. You just tell us what happened. We don't

0:19:22.480 --> 0:19:25.640
<v Speaker 3>care about what you think. You are not the thing.

0:19:25.760 --> 0:19:28.240
<v Speaker 3>The story is the thing, Because I would.

0:19:28.080 --> 0:19:33.200
<v Speaker 1>It's been completely forgotten in it in life.

0:19:32.760 --> 0:19:36.040
<v Speaker 3>If I did that now. Yeah, See, I have a

0:19:36.040 --> 0:19:37.640
<v Speaker 3>hard time when I watched the news because I don't

0:19:37.640 --> 0:19:39.160
<v Speaker 3>want your opinion. I don't care what you think.

0:19:39.240 --> 0:19:41.000
<v Speaker 2>There is no news, says all opinion.

0:19:41.160 --> 0:19:45.080
<v Speaker 3>Tell me what happened. Yeah, And interestingly enough, in my family,

0:19:46.000 --> 0:19:48.600
<v Speaker 3>my great uncle, priest journalist, ran the Leco di Bergomo

0:19:48.680 --> 0:19:51.679
<v Speaker 3>for forty years and I've had his stuff translated. And

0:19:51.720 --> 0:19:55.600
<v Speaker 3>it's so simple and it's good. It works in drama too,

0:19:55.880 --> 0:19:58.959
<v Speaker 3>or comedy. It's that simple narrative. What's what happened, How

0:19:58.960 --> 0:20:00.520
<v Speaker 3>did it happen, When did it happen, and why did

0:20:00.560 --> 0:20:00.879
<v Speaker 3>it happen?

0:20:00.960 --> 0:20:03.960
<v Speaker 1>Oh out, Johnny Carson, you still say, tell them what

0:20:03.960 --> 0:20:05.400
<v Speaker 1>you're going to do.

0:20:05.400 --> 0:20:07.720
<v Speaker 2>Do it. Tell them what you're doing, and then tell

0:20:07.760 --> 0:20:08.280
<v Speaker 2>them what you did.

0:20:08.359 --> 0:20:10.280
<v Speaker 3>Who's gets who trained me as a play right? If

0:20:10.280 --> 0:20:12.200
<v Speaker 3>they don't know within two minutes while they're in that chair,

0:20:12.240 --> 0:20:14.879
<v Speaker 3>you've lost them. They got to know. That's exactly what

0:20:15.000 --> 0:20:15.840
<v Speaker 3>Johnny Carson.

0:20:15.680 --> 0:20:22.320
<v Speaker 1>Saying, I Craig Ferguson will be on the road once

0:20:22.320 --> 0:20:25.320
<v Speaker 1>again this fall, bringing the Fantasy Rascal to or two

0:20:25.560 --> 0:20:29.040
<v Speaker 1>your region. For tickets and full list of tour dates,

0:20:29.119 --> 0:20:32.200
<v Speaker 1>go to my website, The Craig Ferguson Show dot com

0:20:32.200 --> 0:20:35.920
<v Speaker 1>slash tour. Come and see me live or don't. I'm

0:20:35.960 --> 0:20:46.679
<v Speaker 1>not your father. So you're doing the reporter for the

0:20:46.720 --> 0:20:49.240
<v Speaker 1>local radio right with this sense?

0:20:49.280 --> 0:20:51.360
<v Speaker 3>I want to just I got to get out of here.

0:20:51.640 --> 0:20:54.480
<v Speaker 2>Right, Well, that's a small town mentality for it.

0:20:54.800 --> 0:20:57.280
<v Speaker 1>Look, if you have an artist's brain and art is

0:20:57.359 --> 0:21:00.679
<v Speaker 1>hert and artist soul, would you do? Would I? And

0:21:00.720 --> 0:21:02.760
<v Speaker 1>you grew up in a small town, which I did?

0:21:02.840 --> 0:21:05.919
<v Speaker 1>You're like, I, I gotta get out of here. I

0:21:05.960 --> 0:21:08.080
<v Speaker 1>had decided that I was going to change my name

0:21:08.119 --> 0:21:10.840
<v Speaker 1>to Al Shapiro and live in New York. I was

0:21:10.880 --> 0:21:14.200
<v Speaker 1>ten years old, and I wanted to be apparently an

0:21:14.200 --> 0:21:17.159
<v Speaker 1>Italian taxi driver and living you. I wanted to be

0:21:17.200 --> 0:21:18.720
<v Speaker 1>Al Shapiro and live in New York. And I was

0:21:18.720 --> 0:21:21.560
<v Speaker 1>going to wear leather wristbands for some reason.

0:21:21.560 --> 0:21:22.879
<v Speaker 2>That was another thing I was going to do.

0:21:23.000 --> 0:21:24.720
<v Speaker 1>And you know what, I might still do it. But

0:21:24.760 --> 0:21:26.520
<v Speaker 1>the point is, you want to get out of town.

0:21:26.720 --> 0:21:29.720
<v Speaker 3>Yeah. Oh oh, And then other things started happening that

0:21:29.760 --> 0:21:34.159
<v Speaker 3>were really bad. What the girls I ran with, two

0:21:34.240 --> 0:21:35.120
<v Speaker 3>of them got pregnant.

0:21:35.160 --> 0:21:39.560
<v Speaker 2>Ah, I see the sex starts coming along.

0:21:39.640 --> 0:21:42.920
<v Speaker 3>Well, they had the eighth graders with the twelfth graders

0:21:43.600 --> 0:21:44.560
<v Speaker 3>in the same school.

0:21:44.680 --> 0:21:48.600
<v Speaker 2>That doesn't sound like a good idea, all right, So

0:21:49.440 --> 0:21:50.360
<v Speaker 2>you so.

0:21:50.320 --> 0:21:51.440
<v Speaker 3>That was another motivator.

0:21:51.520 --> 0:21:53.880
<v Speaker 2>So you leave because you don't want to get pregnant.

0:21:53.920 --> 0:21:56.000
<v Speaker 3>No, don't, let's not. Let's not act like I'm some

0:21:56.359 --> 0:22:00.919
<v Speaker 3>talented you are that left town. No, no, no, no no.

0:22:01.840 --> 0:22:03.680
<v Speaker 3>I did a radio show down there, and then man

0:22:03.760 --> 0:22:07.000
<v Speaker 3>said the year the confirmation of the power of the

0:22:07.119 --> 0:22:11.399
<v Speaker 3>C grade, Like, because I wasn't any I wasn't distinctive.

0:22:12.119 --> 0:22:14.040
<v Speaker 3>I was funny, but I wasn't distinctive.

0:22:14.359 --> 0:22:17.280
<v Speaker 1>Funny is distinctive. I wouldn't have you dismiss funny is

0:22:17.320 --> 0:22:18.240
<v Speaker 1>not being distinctive.

0:22:18.240 --> 0:22:18.920
<v Speaker 2>It ist.

0:22:19.240 --> 0:22:21.320
<v Speaker 3>No, we know that now. It's a talent's a gift,

0:22:21.359 --> 0:22:24.480
<v Speaker 3>it's all that stuff. But back then that didn't you understand.

0:22:24.480 --> 0:22:29.800
<v Speaker 3>In Appalachia people are hilarious and their characters and so

0:22:30.080 --> 0:22:33.160
<v Speaker 3>it's the birthplace to me of all art because it's

0:22:33.800 --> 0:22:36.680
<v Speaker 3>an around me. Were people that were funny or smarter better.

0:22:36.920 --> 0:22:40.800
<v Speaker 3>I agree that too, But they didn't have this. They

0:22:40.800 --> 0:22:44.760
<v Speaker 3>didn't have the Al Shapiro, Escape Shapiro, and they didn't

0:22:44.800 --> 0:22:46.280
<v Speaker 3>have the I gotta get out of here.

0:22:46.280 --> 0:22:47.920
<v Speaker 2>Right, So how did you get up?

0:22:48.440 --> 0:22:50.760
<v Speaker 3>Okay? I have two sisters ahead of me that are smart,

0:22:51.400 --> 0:22:55.240
<v Speaker 3>and the one that's directly ahead of me is very smart.

0:22:55.800 --> 0:23:00.320
<v Speaker 3>And my father and mother met at Notre Dame. My

0:23:00.400 --> 0:23:04.560
<v Speaker 3>mother's brother, remember the immigrants from Minnesota. Mmm. He was

0:23:04.600 --> 0:23:07.399
<v Speaker 3>a basketball star at Notre Dame, complete free ride. I

0:23:07.440 --> 0:23:08.920
<v Speaker 3>know that's hard to believe. I'm a big athlete in

0:23:08.960 --> 0:23:12.960
<v Speaker 3>my family, but he was incredible, Orlando Wonna Chellie. And

0:23:13.000 --> 0:23:15.439
<v Speaker 3>so he was in college and his sisters were graduating.

0:23:16.040 --> 0:23:19.359
<v Speaker 3>My mother's a twin. There's they call ada Ida and Irma,

0:23:19.920 --> 0:23:23.639
<v Speaker 3>and they went to Saint Catharine together, both librarian science.

0:23:23.720 --> 0:23:26.199
<v Speaker 3>Library science, went all the way through, you know, like

0:23:26.320 --> 0:23:29.120
<v Speaker 3>now it's considered a master's by the way, right, And

0:23:29.200 --> 0:23:32.159
<v Speaker 3>they needed jobs. They weren't going to go back to Chisholm,

0:23:32.240 --> 0:23:33.959
<v Speaker 3>and their mother didn't want them to come home. They

0:23:33.960 --> 0:23:36.760
<v Speaker 3>wanted she wanted them to fly okuds. And my mother

0:23:36.840 --> 0:23:38.480
<v Speaker 3>was the second twin, the shy one they didn't even

0:23:38.480 --> 0:23:42.840
<v Speaker 3>know she was in there, right, Okay, So Orlando goes

0:23:42.880 --> 0:23:43.760
<v Speaker 3>to the head librarian.

0:23:44.280 --> 0:23:46.560
<v Speaker 2>It was your basketball playing uncle, uncle.

0:23:46.680 --> 0:23:49.160
<v Speaker 3>Right, So he goes to the head librarian at Notre Dame.

0:23:49.440 --> 0:23:52.200
<v Speaker 3>You know that touchdown Jesus they call it. My mother

0:23:52.280 --> 0:23:53.679
<v Speaker 3>was on the committee that designed that.

0:23:54.040 --> 0:23:56.600
<v Speaker 2>Wow. Okay, yeah, it's exciting.

0:23:56.640 --> 0:23:59.280
<v Speaker 3>It's very exciting. So I mean, if you had you

0:23:59.280 --> 0:24:00.600
<v Speaker 3>met her, now she's in have him. But if you

0:24:00.600 --> 0:24:01.520
<v Speaker 3>had met her.

0:24:02.200 --> 0:24:04.600
<v Speaker 1>Loved you, I'm going to marry because I'm I'm a

0:24:04.760 --> 0:24:08.040
<v Speaker 1>Scottish Protestant and you're an Italian cat. Like this, it's

0:24:08.080 --> 0:24:11.280
<v Speaker 1>a whole different Afterwall, I'm going to a very cold swamp.

0:24:11.440 --> 0:24:14.000
<v Speaker 3>The great that, the Great Bernadette Canny said, there's no

0:24:14.160 --> 0:24:16.400
<v Speaker 3>labels on the other side. Don't forget that. That's all

0:24:16.520 --> 0:24:17.280
<v Speaker 3>bull anyway.

0:24:17.400 --> 0:24:20.120
<v Speaker 1>So the origin of Alexandria, I said, everyone is forgiven.

0:24:20.400 --> 0:24:23.199
<v Speaker 3>Of course, Well what would be that? What's the point

0:24:23.200 --> 0:24:24.639
<v Speaker 3>You put us in the sewer and then you're not

0:24:24.720 --> 0:24:27.720
<v Speaker 3>Now you're not going to forgive us. What's the basis

0:24:27.720 --> 0:24:28.480
<v Speaker 3>of that? Anyway?

0:24:28.560 --> 0:24:30.760
<v Speaker 2>They excommunicated him for that exactly.

0:24:32.160 --> 0:24:36.159
<v Speaker 3>Everybody's welcomes gates down, all right, So she got a

0:24:36.240 --> 0:24:39.199
<v Speaker 3>job there and that's where she met my father, and

0:24:39.240 --> 0:24:42.360
<v Speaker 3>my father we don't have time for him on this podcast,

0:24:42.400 --> 0:24:47.119
<v Speaker 3>but he was an interesting cat, very very very I

0:24:47.160 --> 0:24:48.560
<v Speaker 3>wrote a joke about him. I mean he was a

0:24:48.560 --> 0:24:52.000
<v Speaker 3>fascist with us. I mean no, he never went back

0:24:52.000 --> 0:24:54.520
<v Speaker 3>on something, even when he was wrong. I'm a tough parent,

0:24:54.520 --> 0:24:57.360
<v Speaker 3>but I'm not that parent. You didn't want to tell

0:24:57.359 --> 0:25:00.400
<v Speaker 3>the guy the truth because you'd pay right. I became

0:25:00.440 --> 0:25:04.280
<v Speaker 3>a fantasist, I would say, based on that. I just

0:25:04.359 --> 0:25:06.199
<v Speaker 3>was like I could make something up to get around something.

0:25:06.400 --> 0:25:09.840
<v Speaker 3>But big things they ignored. They didn't notice at all.

0:25:09.840 --> 0:25:12.240
<v Speaker 3>When I planned a wedding when I was fourteen, Ady,

0:25:12.400 --> 0:25:15.200
<v Speaker 3>how are we getting you out of out Palasia? Well,

0:25:15.280 --> 0:25:17.760
<v Speaker 3>my two smart sisters got into Saint Mary's, which is

0:25:17.800 --> 0:25:21.200
<v Speaker 3>the women's college in South Bend, Indiana, across the street

0:25:21.200 --> 0:25:24.080
<v Speaker 3>from Notre Dame. But it's it's it's a powerhouse place,

0:25:24.240 --> 0:25:27.800
<v Speaker 3>incredible place. And so my sisters got in and they

0:25:27.800 --> 0:25:30.280
<v Speaker 3>weren't going to take me. And I wrote that note

0:25:30.280 --> 0:25:32.840
<v Speaker 3>a letter and I just said, you have to take me.

0:25:32.920 --> 0:25:35.640
<v Speaker 3>I have to get out of here. Like I had dreams,

0:25:35.680 --> 0:25:37.639
<v Speaker 3>like when I look at catalogs of going to Columbia.

0:25:37.720 --> 0:25:39.760
<v Speaker 3>But I did not have the grades and also not

0:25:39.880 --> 0:25:42.800
<v Speaker 3>the interest in getting the grades, and there were so.

0:25:42.760 --> 0:25:44.280
<v Speaker 2>Much I want to study. What did you want to study?

0:25:44.280 --> 0:25:44.880
<v Speaker 3>The journalists?

0:25:44.880 --> 0:25:46.719
<v Speaker 1>You want to study journalism? And you did you get

0:25:46.800 --> 0:25:48.720
<v Speaker 1>accepted for journalism in this place?

0:25:49.240 --> 0:25:51.560
<v Speaker 3>No, you just are an undergrad. But the first thing

0:25:51.600 --> 0:25:53.960
<v Speaker 3>I did when I walked in and I keep in

0:25:54.000 --> 0:25:56.200
<v Speaker 3>mnd have been a reporter for a couple of years, right, yeah,

0:25:56.440 --> 0:25:59.400
<v Speaker 3>really young. I go to the head of the theater department,

0:25:59.560 --> 0:26:01.760
<v Speaker 3>doctor edge Bain, and I said, I want to be

0:26:01.800 --> 0:26:03.320
<v Speaker 3>a theater major. I am a playwright.

0:26:03.560 --> 0:26:06.920
<v Speaker 1>Everybody direct your story has good. The name of a character,

0:26:07.480 --> 0:26:11.320
<v Speaker 1>Reg Bain, it's just like, my name is doctor Reg.

0:26:11.160 --> 0:26:13.679
<v Speaker 3>Bab married to a woman named Georgia. And I and

0:26:13.720 --> 0:26:15.359
<v Speaker 3>he had like really black hair that he'd have to

0:26:15.400 --> 0:26:16.400
<v Speaker 3>flip back all the time.

0:26:16.440 --> 0:26:18.040
<v Speaker 2>And so you go to reg Bain and what do

0:26:18.080 --> 0:26:18.800
<v Speaker 2>you say to Regiment?

0:26:18.960 --> 0:26:20.959
<v Speaker 3>And I said to rege Bain, I'm a freshman. And

0:26:21.000 --> 0:26:23.760
<v Speaker 3>I walk in there, freshman with glasses this thick. I

0:26:23.840 --> 0:26:25.679
<v Speaker 3>just held up the water bottle and I'm like, you know,

0:26:25.720 --> 0:26:28.520
<v Speaker 3>and I go in and I go, doctor Bain, I

0:26:28.600 --> 0:26:31.080
<v Speaker 3>just want you to understand something right up front. I

0:26:31.119 --> 0:26:32.840
<v Speaker 3>am going to be a theater major. And he looked

0:26:32.880 --> 0:26:34.399
<v Speaker 3>up at me and he said, nobody ever comes in

0:26:34.400 --> 0:26:37.080
<v Speaker 3>here when they're freshman says they're a theater major. He said,

0:26:37.080 --> 0:26:39.520
<v Speaker 3>it doesn't worry like that. He said, you can change

0:26:39.520 --> 0:26:42.959
<v Speaker 3>your mind. I said no, no, no, you don't understand.

0:26:43.720 --> 0:26:46.240
<v Speaker 3>I want to take every class you offer in the theater,

0:26:46.400 --> 0:26:49.919
<v Speaker 3>every single one. And he said, well, we have three concentrations, acting, directing,

0:26:49.920 --> 0:26:53.320
<v Speaker 3>and writing. And I said, but I want to start now.

0:26:55.200 --> 0:26:56.800
<v Speaker 3>And he said, all right, I'll put you an intro

0:26:56.880 --> 0:27:01.040
<v Speaker 3>to theater. I'll put you in history theater, put in two.

0:27:01.880 --> 0:27:03.640
<v Speaker 3>He said if you don't do well, we're not having

0:27:03.640 --> 0:27:04.600
<v Speaker 3>this conversation again.

0:27:04.640 --> 0:27:06.600
<v Speaker 2>And I was like, okay, so you had to study.

0:27:06.640 --> 0:27:07.359
<v Speaker 2>He made you study.

0:27:07.400 --> 0:27:11.440
<v Speaker 3>He made me study. But I was so unsophisticated, Craig.

0:27:11.520 --> 0:27:14.120
<v Speaker 3>I mean, it's like other kids had read books, and

0:27:14.480 --> 0:27:17.280
<v Speaker 3>I was an avid reader, but there's books you need

0:27:17.280 --> 0:27:20.760
<v Speaker 3>to read sometimes. So then I became that person. I

0:27:20.800 --> 0:27:23.760
<v Speaker 3>was a hoover reader. I read everything, but I didn't

0:27:23.840 --> 0:27:27.399
<v Speaker 3>then drill into my area. So I drilled into the

0:27:27.440 --> 0:27:31.520
<v Speaker 3>area and I started my concentrations, and I.

0:27:31.520 --> 0:27:33.600
<v Speaker 2>Would did you write plays?

0:27:33.680 --> 0:27:36.359
<v Speaker 3>I wrote plays like right away, and I had written

0:27:36.359 --> 0:27:38.840
<v Speaker 3>plays in high school that I was very proud of.

0:27:38.920 --> 0:27:42.080
<v Speaker 3>And I worked on crew for the town musical, which.

0:27:41.880 --> 0:27:44.879
<v Speaker 2>Is your whole Edita put getting.

0:27:46.880 --> 0:27:50.639
<v Speaker 3>Storyteller. Why did you have? So? Then I go to

0:27:50.680 --> 0:27:53.159
<v Speaker 3>South Bend, Indiana, which compared the Big Stone Gap is

0:27:53.200 --> 0:27:56.840
<v Speaker 3>a big city. Loved it so. But my sisters were

0:27:56.840 --> 0:27:58.959
<v Speaker 3>there in case I needed them, but they were studying

0:27:59.000 --> 0:28:00.959
<v Speaker 3>in Rome. They would go buddy in Italy for a year,

0:28:01.000 --> 0:28:03.280
<v Speaker 3>so I was kind of And then the sister under

0:28:03.359 --> 0:28:05.440
<v Speaker 3>me came there too, So there were four of us there.

0:28:05.440 --> 0:28:06.520
<v Speaker 2>What do you say girls studying?

0:28:07.680 --> 0:28:12.280
<v Speaker 3>The oldest one government, the second one was pre law.

0:28:12.400 --> 0:28:13.760
<v Speaker 3>I think she was in English. I don't even know

0:28:13.760 --> 0:28:15.880
<v Speaker 3>what a mage was. And the one under me was business.

0:28:16.080 --> 0:28:20.080
<v Speaker 1>This is a fascinating story of these women from Appalachia

0:28:20.160 --> 0:28:24.600
<v Speaker 1>who are all these heavy hirs in these is amazing

0:28:24.640 --> 0:28:26.879
<v Speaker 1>when you think about it. Yeah, yeah, you look at

0:28:26.880 --> 0:28:29.480
<v Speaker 1>that picture of these women coming out there. Yeah.

0:28:29.480 --> 0:28:31.399
<v Speaker 3>And then there's the baby who went there too, But

0:28:31.440 --> 0:28:33.119
<v Speaker 3>she wasn't there when we were there. We were going.

0:28:33.160 --> 0:28:34.080
<v Speaker 3>By the time she got.

0:28:33.880 --> 0:28:34.679
<v Speaker 2>There, what does she do?

0:28:35.680 --> 0:28:39.880
<v Speaker 3>She runs my sister's law office and she has four kids,

0:28:40.080 --> 0:28:41.760
<v Speaker 3>right so a nice husband.

0:28:42.200 --> 0:28:44.240
<v Speaker 2>So you have a nice husband. I met your husband.

0:28:44.280 --> 0:28:44.760
<v Speaker 2>He's a dog.

0:28:44.840 --> 0:28:46.880
<v Speaker 3>Oh yeah, I mean he's not going anywhere, no that

0:28:47.040 --> 0:28:49.320
<v Speaker 3>we know of. You know tomorrow, if you take this,

0:28:49.680 --> 0:28:50.640
<v Speaker 3>could be sitting here crying.

0:28:51.000 --> 0:28:53.479
<v Speaker 2>No, I think it's going to be okay. I think

0:28:53.520 --> 0:28:55.400
<v Speaker 2>you guys have I think you going to be all right.

0:28:55.480 --> 0:28:57.000
<v Speaker 2>I don't know. I'm not a bet in mind, but

0:28:57.080 --> 0:28:57.640
<v Speaker 2>we'll see.

0:28:57.800 --> 0:28:58.240
<v Speaker 3>Anyway.

0:28:58.240 --> 0:29:00.440
<v Speaker 2>Look, you're there, let's let's go graduate.

0:29:00.560 --> 0:29:05.000
<v Speaker 3>You're graduating, now, I'm graduating. I come straight to New York.

0:29:05.000 --> 0:29:08.360
<v Speaker 3>It's straight New York. Straight. Oh. I had no place

0:29:08.360 --> 0:29:12.960
<v Speaker 3>to live. I knew no one except this my senior

0:29:13.040 --> 0:29:17.600
<v Speaker 3>year at Saint Mary's that grege Bane. I was called

0:29:17.640 --> 0:29:22.040
<v Speaker 3>in because I demanded, because I'd taken every course study.

0:29:23.200 --> 0:29:27.240
<v Speaker 3>I begged, demanded, put it out there. I want to

0:29:27.240 --> 0:29:29.320
<v Speaker 3>write and direct on the main stage of your theater.

0:29:29.920 --> 0:29:33.680
<v Speaker 3>Now that was reserved for revivals and professionals that came in,

0:29:33.760 --> 0:29:36.560
<v Speaker 3>like Frank Canino from Canada. Come David Hare. We did

0:29:36.560 --> 0:29:39.640
<v Speaker 3>his play. Okay, okay, so major people had come through,

0:29:39.680 --> 0:29:42.760
<v Speaker 3>but I said, give me the slot.

0:29:43.080 --> 0:29:43.719
<v Speaker 2>Did you get it?

0:29:43.800 --> 0:29:46.960
<v Speaker 3>I got it for a play had written?

0:29:47.000 --> 0:29:47.480
<v Speaker 2>Did you direct?

0:29:47.880 --> 0:29:49.760
<v Speaker 3>I pitched the play. I didn't tell it. I wasn't finished,

0:29:49.760 --> 0:29:52.480
<v Speaker 3>and I said, this was my senior year, the ball

0:29:52.520 --> 0:29:55.200
<v Speaker 3>of my senior year. Right, let's to get in there.

0:29:55.320 --> 0:29:58.080
<v Speaker 3>I'm just keep in mind at the eighties, said everybody

0:29:58.360 --> 0:30:02.960
<v Speaker 3>picture the eighties. I remember them, so they were good anyway.

0:30:01.920 --> 0:30:05.960
<v Speaker 3>So I had this idea for a play, okay, but

0:30:06.080 --> 0:30:07.720
<v Speaker 3>I wanted to be an extravagance and I want to

0:30:07.720 --> 0:30:08.400
<v Speaker 3>be bigger than big.

0:30:08.960 --> 0:30:09.760
<v Speaker 2>And you surprise me.

0:30:09.800 --> 0:30:11.760
<v Speaker 3>It's called Notes from the Nile and it's the rewritten

0:30:11.760 --> 0:30:16.960
<v Speaker 3>story of Cleopatra, except that Cleopatra was so beautiful no

0:30:17.000 --> 0:30:17.960
<v Speaker 3>one could look at her.

0:30:18.480 --> 0:30:18.880
<v Speaker 2>Okay.

0:30:19.000 --> 0:30:22.160
<v Speaker 3>I brought Julius Caesar back from the dead and because

0:30:22.160 --> 0:30:24.320
<v Speaker 3>he had an affair with her, and then you know

0:30:24.360 --> 0:30:27.880
<v Speaker 3>the whole story Cleopatra. But then I what I did

0:30:27.920 --> 0:30:31.000
<v Speaker 3>is I infused it with what has happened since Cleopatra's reign.

0:30:31.600 --> 0:30:35.440
<v Speaker 3>So I had Debbie the fish wife, and tap she

0:30:35.520 --> 0:30:38.560
<v Speaker 3>did tap routines. I had Eddie the fisherman who she's

0:30:38.600 --> 0:30:40.680
<v Speaker 3>having an affair with in the palace. Who was Eddie

0:30:40.720 --> 0:30:44.120
<v Speaker 3>Fisher Elizabeth Taylor had you see, I conflated everything, Yeah,

0:30:44.160 --> 0:30:47.640
<v Speaker 3>and then the handmaidens were just like Docile. I made

0:30:47.680 --> 0:30:51.800
<v Speaker 3>them the handmaidens that eventually Mark Margaret Atwood wrote about

0:30:52.040 --> 0:30:53.920
<v Speaker 3>they were dopes and the handman.

0:30:54.160 --> 0:30:58.440
<v Speaker 1>So this is magical realism, sort of a war.

0:30:59.120 --> 0:31:03.960
<v Speaker 3>There's a warn Egypt mm hmm for Cleopatra and okay,

0:31:04.000 --> 0:31:05.560
<v Speaker 3>she says, okay, you can have your word, but you're

0:31:05.560 --> 0:31:07.720
<v Speaker 3>going to fight it with hershey kisses and cotton balls.

0:31:07.960 --> 0:31:08.400
<v Speaker 2>Okay.

0:31:08.640 --> 0:31:12.520
<v Speaker 3>So weapons were made and intermission and it was all

0:31:12.960 --> 0:31:14.720
<v Speaker 3>environmental and crazy.

0:31:14.840 --> 0:31:15.720
<v Speaker 2>Did you put this play on?

0:31:16.400 --> 0:31:17.400
<v Speaker 3>I wrote and directed it.

0:31:17.480 --> 0:31:20.480
<v Speaker 2>That's great, and that's the play that you bring to

0:31:20.520 --> 0:31:20.960
<v Speaker 2>New York.

0:31:21.360 --> 0:31:22.960
<v Speaker 3>That's a play I'm hoping to bring to New York

0:31:23.000 --> 0:31:24.800
<v Speaker 3>and like, get to it. I get to New York

0:31:25.520 --> 0:31:27.240
<v Speaker 3>and now we're like in the mid eighties, and you

0:31:27.360 --> 0:31:30.200
<v Speaker 3>realized if you were in theater and you came from

0:31:30.200 --> 0:31:33.640
<v Speaker 3>Saint Mary's, ain't happening for you, honey. I was doing

0:31:33.680 --> 0:31:37.440
<v Speaker 3>stage ratings with major actors. I mean, I could get

0:31:37.480 --> 0:31:42.360
<v Speaker 3>any actor to read it play because actors. I love actors.

0:31:42.720 --> 0:31:44.520
<v Speaker 2>Proper actors want to work, they want to act.

0:31:45.720 --> 0:31:52.960
<v Speaker 3>They also are always looking in material for what's the pith,

0:31:53.040 --> 0:31:55.800
<v Speaker 3>what are we doing here? And and then as a writer,

0:31:56.040 --> 0:31:58.640
<v Speaker 3>you can once I heard their voices. I could write

0:31:58.680 --> 0:32:01.680
<v Speaker 3>for them, which is how I got into television. But

0:32:02.080 --> 0:32:04.040
<v Speaker 3>I just I could hear them. I could hear them.

0:32:04.040 --> 0:32:06.040
<v Speaker 3>But I was doing the club circuit with my comedy trip.

0:32:06.040 --> 0:32:07.280
<v Speaker 3>I had a comedy trip with girls.

0:32:07.720 --> 0:32:08.480
<v Speaker 2>What were you called?

0:32:08.640 --> 0:32:09.440
<v Speaker 3>The outcasts?

0:32:09.720 --> 0:32:12.240
<v Speaker 2>Uh? Yuh? What did you do? Sometimes?

0:32:12.560 --> 0:32:14.800
<v Speaker 3>Sometimes we were good? Sometimes it was sketchy.

0:32:15.000 --> 0:32:17.320
<v Speaker 2>Yeah, everybody started, But I was.

0:32:17.760 --> 0:32:18.080
<v Speaker 4>I was.

0:32:18.480 --> 0:32:20.560
<v Speaker 3>I was the pet barnum of it, like I wrote

0:32:20.560 --> 0:32:22.360
<v Speaker 3>and directed it, and I was in it. And the

0:32:22.400 --> 0:32:25.440
<v Speaker 3>only reason I was in it because I one night

0:32:25.520 --> 0:32:27.160
<v Speaker 3>at the Horn of Plenty. You remember that club.

0:32:27.240 --> 0:32:28.520
<v Speaker 2>I don't know, the Horn of Planting.

0:32:28.600 --> 0:32:31.239
<v Speaker 3>It's on Bleaker and Charles right. It was run by

0:32:31.240 --> 0:32:34.040
<v Speaker 3>this man who just tried to get in the in

0:32:34.120 --> 0:32:36.760
<v Speaker 3>our dressing room, which was his office between costume changes.

0:32:36.800 --> 0:32:39.400
<v Speaker 1>Okay, well he was PARV and you surprised me. There

0:32:39.400 --> 0:32:41.880
<v Speaker 1>was a pair of in New York in the nineteen eighty.

0:32:41.560 --> 0:32:43.959
<v Speaker 3>And I just I would like hold the door, you know,

0:32:44.000 --> 0:32:45.800
<v Speaker 3>I said, don't worry girls, it's all fine. And then

0:32:45.840 --> 0:32:47.800
<v Speaker 3>one night I had to send him out into the

0:32:47.840 --> 0:32:50.200
<v Speaker 3>bar to fill the room. He started to get onto it,

0:32:50.280 --> 0:32:52.800
<v Speaker 3>like I don't just need your act in here. I

0:32:52.840 --> 0:32:55.240
<v Speaker 3>want to make money. So it was there was a

0:32:55.280 --> 0:32:57.840
<v Speaker 3>two drink minimum, which was the standard of the day,

0:32:57.920 --> 0:32:59.840
<v Speaker 3>but I had to get them drunk men in from

0:32:59.880 --> 0:33:02.200
<v Speaker 3>that room into this room. So one night, this is

0:33:02.240 --> 0:33:03.800
<v Speaker 3>how I'm just telling you, this is why I never

0:33:03.840 --> 0:33:07.240
<v Speaker 3>became a performer per se, except I am performing now.

0:33:07.880 --> 0:33:09.720
<v Speaker 3>I still got up there to do our act and

0:33:10.280 --> 0:33:12.320
<v Speaker 3>helping the show, and a guy stood up and he

0:33:12.520 --> 0:33:15.840
<v Speaker 3>flung a Swedish meatball from the free snack bar out

0:33:15.920 --> 0:33:17.640
<v Speaker 3>my head and it hit the thing went down the

0:33:17.680 --> 0:33:20.160
<v Speaker 3>back and something. I'm not this type of person, but

0:33:20.640 --> 0:33:23.760
<v Speaker 3>it made me angry. No, and I said, hey, mister,

0:33:24.200 --> 0:33:27.760
<v Speaker 3>and the room went dead. You know what, I don't

0:33:27.800 --> 0:33:30.400
<v Speaker 3>appreciate that. I said, we work in offices all day,

0:33:30.840 --> 0:33:33.200
<v Speaker 3>we're exhausted. We're coming in here trying to entertain you,

0:33:33.240 --> 0:33:35.720
<v Speaker 3>and you're throwing food at us. And he got up.

0:33:35.800 --> 0:33:38.920
<v Speaker 3>He's drunk, he's gripping the table and he said, he's

0:33:39.000 --> 0:33:44.280
<v Speaker 3>dead silent. Here he goes he is stink and I thought, well,

0:33:44.320 --> 0:33:45.320
<v Speaker 3>maybe he's right.

0:33:46.360 --> 0:33:49.360
<v Speaker 2>No, maybe he's right.

0:33:49.440 --> 0:33:53.600
<v Speaker 1>All right, So the outcasts are That leads me to TV, though.

0:33:53.480 --> 0:33:55.040
<v Speaker 2>Now, how do you get to TV from there?

0:33:55.120 --> 0:33:58.320
<v Speaker 3>The two girlfriends. I'm gonna name them Ruth Palmer and

0:33:58.480 --> 0:34:01.040
<v Speaker 3>Susan and Geluxy. I always say this to my kid,

0:34:01.040 --> 0:34:03.640
<v Speaker 3>and I'm sure you say it to yours. You graduate

0:34:03.680 --> 0:34:05.960
<v Speaker 3>with your class, So the comedians you came up with

0:34:06.080 --> 0:34:08.719
<v Speaker 3>will become a little black or whoever you were with,

0:34:09.320 --> 0:34:13.640
<v Speaker 3>they become your that's your team. Now, to the public,

0:34:13.640 --> 0:34:15.719
<v Speaker 3>it looks like we're all competing. We're not competing, though

0:34:15.880 --> 0:34:19.560
<v Speaker 3>we're trying to all. Just come on, everybody, pull that wagon,

0:34:19.760 --> 0:34:21.360
<v Speaker 3>you know, pull that wagon.

0:34:21.400 --> 0:34:22.600
<v Speaker 2>He doesn't just.

0:34:22.600 --> 0:34:26.839
<v Speaker 3>Keep moving, get up there, you know. So I had

0:34:27.080 --> 0:34:29.160
<v Speaker 3>this posse and they'd come and see the show, and

0:34:29.160 --> 0:34:32.560
<v Speaker 3>they go, you need an agent. I said, what's an agent?

0:34:32.680 --> 0:34:35.799
<v Speaker 3>That's how I was unsophisticated. Of course I knew there

0:34:35.840 --> 0:34:37.880
<v Speaker 3>were agents. I read books. I knew about agents.

0:34:38.680 --> 0:34:40.400
<v Speaker 2>He didn't know how to get one. I understand that

0:34:40.520 --> 0:34:42.120
<v Speaker 2>did know how to get one. Who's your agent? Who

0:34:42.120 --> 0:34:42.320
<v Speaker 2>did you?

0:34:42.360 --> 0:34:44.799
<v Speaker 4>Who did you get of the same agent? Is it

0:34:44.880 --> 0:34:50.359
<v Speaker 4>still Nancy Joseph's, the legendary Nancy Joseph's She was at

0:34:50.520 --> 0:34:53.240
<v Speaker 4>ic M. Yeah, her dad founded ICE.

0:34:53.239 --> 0:34:55.799
<v Speaker 3>And we know. Yes, I'm glad you're telling that to

0:34:55.840 --> 0:34:58.200
<v Speaker 3>the listeners, because you know I still I just saw

0:34:58.239 --> 0:35:00.799
<v Speaker 3>her in LA but she said she she's a good

0:35:00.800 --> 0:35:02.839
<v Speaker 3>one for you too. But this is the thing about her,

0:35:03.920 --> 0:35:05.960
<v Speaker 3>she knew she was dealing with something weird with me.

0:35:06.280 --> 0:35:09.359
<v Speaker 3>No I'll give her so she said, I'm gonna put

0:35:09.360 --> 0:35:12.000
<v Speaker 3>this guy, this guy, move you around and you know,

0:35:12.120 --> 0:35:14.960
<v Speaker 3>do all that. But she was always my person. How

0:35:14.960 --> 0:35:17.919
<v Speaker 3>do we get her though? Is the key thing. These

0:35:17.960 --> 0:35:20.680
<v Speaker 3>two girls, Ruth Palmerence and Suzanne Glock. Ruth was in

0:35:20.719 --> 0:35:24.359
<v Speaker 3>the mailroom at William Morris and Suzanne was like a

0:35:24.520 --> 0:35:29.440
<v Speaker 3>junior assistant at ICM. They grew up in New York together,

0:35:29.640 --> 0:35:32.480
<v Speaker 3>which already makes them to me goddesses because they grew

0:35:32.560 --> 0:35:36.960
<v Speaker 3>up in New York and right, they're sophisticated, educated, they

0:35:36.960 --> 0:35:38.680
<v Speaker 3>know the lay of the land. They're like, we're gonna

0:35:38.680 --> 0:35:40.600
<v Speaker 3>get you meeting. Here's a list of meetings. You're gonna

0:35:40.600 --> 0:35:43.080
<v Speaker 3>meet all these people. I went to the first meeting

0:35:43.280 --> 0:35:46.120
<v Speaker 3>at ICM, set up by Suzanne. The next one was

0:35:46.120 --> 0:35:48.960
<v Speaker 3>set up by Ruth, and so it went. I meet

0:35:48.960 --> 0:35:53.439
<v Speaker 3>this guy named Wylie housem young agent, and he looked

0:35:53.440 --> 0:35:56.840
<v Speaker 3>at my stuff and he said, okay, if we're going

0:35:56.920 --> 0:35:58.680
<v Speaker 3>to craft a theater career, we're going to do this.

0:35:59.239 --> 0:36:00.960
<v Speaker 3>And he said if we do television, we're going to

0:36:01.000 --> 0:36:02.800
<v Speaker 3>do this. And I said, what do you mean TV?

0:36:03.719 --> 0:36:05.640
<v Speaker 3>And he said, well, you know like write for sitcoms.

0:36:05.640 --> 0:36:07.200
<v Speaker 3>I said, how do you do that? You have to

0:36:07.200 --> 0:36:10.319
<v Speaker 3>write a specscript? What's a specscript? Can you give me one? Well,

0:36:10.360 --> 0:36:11.719
<v Speaker 3>I don't know if we have any land around. Let

0:36:11.719 --> 0:36:13.600
<v Speaker 3>me try to find you one. He said, but I

0:36:13.640 --> 0:36:16.359
<v Speaker 3>have this tape and I can give you to listen to.

0:36:16.760 --> 0:36:19.680
<v Speaker 3>Said okay, So I didn't. I couldn't tell him I

0:36:19.680 --> 0:36:22.920
<v Speaker 3>didn't have a television set or a VCR. Right, I

0:36:22.960 --> 0:36:23.520
<v Speaker 3>didn't have one.

0:36:23.719 --> 0:36:25.920
<v Speaker 2>That that was the thing. It was tapes.

0:36:25.960 --> 0:36:28.359
<v Speaker 3>It was all tapes. And by the way, how many

0:36:28.480 --> 0:36:30.719
<v Speaker 3>tapes of comedians would come over the transom for me

0:36:30.800 --> 0:36:33.360
<v Speaker 3>to write it? Once I got into the racket. But anyway,

0:36:33.400 --> 0:36:36.239
<v Speaker 3>but I loved them watching those. But anyway, so I

0:36:36.280 --> 0:36:37.959
<v Speaker 3>call a friend and I go, I need to borrow

0:36:38.000 --> 0:36:40.480
<v Speaker 3>your thing and watch this thing because because what happened

0:36:40.480 --> 0:36:42.160
<v Speaker 3>in the meeting was the first meeting I have. He

0:36:42.200 --> 0:36:44.239
<v Speaker 3>said I'll be your agent and I said, well, where

0:36:44.239 --> 0:36:47.800
<v Speaker 3>do I sign? And when I signed, he said, okay,

0:36:48.680 --> 0:36:51.120
<v Speaker 3>I'm your agent. He said, we're going to craft this.

0:36:51.200 --> 0:36:53.920
<v Speaker 3>He said, no, I don't have any money. I need

0:36:53.960 --> 0:36:57.160
<v Speaker 3>a job right now. Right then, he said, then you

0:36:57.160 --> 0:36:59.319
<v Speaker 3>got to write a specscript. And he said, you know,

0:36:59.360 --> 0:37:01.160
<v Speaker 3>take it. Some people take a few months to do that.

0:37:01.280 --> 0:37:03.320
<v Speaker 3>I said, by Monday morning, I had a specscript.

0:37:03.320 --> 0:37:04.080
<v Speaker 2>Who'd you write it for?

0:37:04.280 --> 0:37:04.880
<v Speaker 3>Roseanne?

0:37:05.120 --> 0:37:05.879
<v Speaker 2>Did you get the job?

0:37:06.640 --> 0:37:08.279
<v Speaker 3>Not only did I get the job, I didn't go

0:37:08.280 --> 0:37:11.000
<v Speaker 3>to Roseanne the show, but I met Matt Williams, who

0:37:11.000 --> 0:37:13.879
<v Speaker 3>I'm still friends with right, who went on to create

0:37:13.920 --> 0:37:15.640
<v Speaker 3>Home improve and all that. He gave me a deal

0:37:15.760 --> 0:37:19.600
<v Speaker 3>in the nineties. But he was like my guide. I

0:37:19.640 --> 0:37:23.120
<v Speaker 3>couldn't see the picture Craig of the thing. I had

0:37:23.120 --> 0:37:25.399
<v Speaker 3>to listen to it. And I got every big character right,

0:37:25.440 --> 0:37:28.879
<v Speaker 3>except Becky because she'd go be icky and I thought

0:37:28.880 --> 0:37:32.080
<v Speaker 3>she said Betty. So in my script it says Betty.

0:37:32.320 --> 0:37:33.560
<v Speaker 3>I wrote this crazy script.

0:37:33.960 --> 0:37:36.759
<v Speaker 2>I knew they never made the script though, right.

0:37:36.800 --> 0:37:39.239
<v Speaker 3>No, But Carcy Werner hired me and I went on

0:37:39.280 --> 0:37:40.800
<v Speaker 3>a different world as a story editor.

0:37:41.120 --> 0:37:43.399
<v Speaker 2>Nice. So now you're in a different world.

0:37:43.480 --> 0:37:45.080
<v Speaker 3>Now. Not only am I in a different world, I'm

0:37:45.080 --> 0:37:47.399
<v Speaker 3>doing pilots all over town. Nancy would always say, don't

0:37:47.400 --> 0:37:49.640
<v Speaker 3>tell people how many pilots you've written. I wrote, could

0:37:49.640 --> 0:37:52.040
<v Speaker 3>but he banked it. Yeah, you know, we're in the

0:37:52.040 --> 0:37:54.880
<v Speaker 3>middle of a strike. Now, I saw the land land there. Hey,

0:37:55.120 --> 0:37:57.320
<v Speaker 3>there's going to be sometimes you ain't working, you better

0:37:57.520 --> 0:37:58.680
<v Speaker 3>bank it. And that's what I did.

0:37:59.000 --> 0:38:01.879
<v Speaker 2>So you write these pilots and you ended a different world?

0:38:01.920 --> 0:38:02.080
<v Speaker 3>Is that?

0:38:02.120 --> 0:38:03.239
<v Speaker 2>Were you on that for a long time?

0:38:03.320 --> 0:38:05.920
<v Speaker 3>One year? Then I then I went to I came

0:38:05.960 --> 0:38:07.160
<v Speaker 3>back to New York because I wanted to be in

0:38:07.200 --> 0:38:09.440
<v Speaker 3>New York because my grandmother was alive and all that stuff.

0:38:09.560 --> 0:38:12.440
<v Speaker 3>I want to be near Pennsylvania, so I came back here.

0:38:12.560 --> 0:38:14.799
<v Speaker 3>I also am just more in tuned here. Yes, I

0:38:14.840 --> 0:38:17.160
<v Speaker 3>love it out there. I loved when I was there,

0:38:17.200 --> 0:38:19.880
<v Speaker 3>but and I loved Los Angeles. There's a lot to

0:38:19.880 --> 0:38:22.560
<v Speaker 3>recommend it, but you know, ultimately it wasn't going to

0:38:22.600 --> 0:38:25.239
<v Speaker 3>be a place for you. It wasn't a fit for me.

0:38:25.800 --> 0:38:28.080
<v Speaker 3>And even now worse because you have to drive everywhere

0:38:28.120 --> 0:38:30.000
<v Speaker 3>and it takes hours, so and I just don't want

0:38:30.000 --> 0:38:32.040
<v Speaker 3>to spend time in a car. I don't like cars.

0:38:32.360 --> 0:38:35.840
<v Speaker 3>So then I get back here, and so in succession

0:38:35.840 --> 0:38:38.000
<v Speaker 3>I got jobs, so I would get pilots, and then

0:38:38.040 --> 0:38:40.480
<v Speaker 3>I would get I got Bill Persky hired me on

0:38:40.520 --> 0:38:43.759
<v Speaker 3>a show called Working It Out with Jane Curtin. What

0:38:43.920 --> 0:38:48.080
<v Speaker 3>he's like my mentor, mentor, like family mentor, he's like love.

0:38:48.160 --> 0:38:51.080
<v Speaker 3>Bill Persky's still with us, he's ninety two. Then there's

0:38:52.160 --> 0:38:55.880
<v Speaker 3>Alan's Wui Bell hired me as to replace Monica Johnson,

0:38:55.920 --> 0:38:59.080
<v Speaker 3>the only female writer on Good Sports, starring Farah Fawcett

0:38:59.120 --> 0:38:59.920
<v Speaker 3>and Ryan O'Neill.

0:39:00.080 --> 0:39:02.680
<v Speaker 1>I'm not familiar with that short, but I wish I

0:39:03.480 --> 0:39:04.840
<v Speaker 1>had seen it.

0:39:04.200 --> 0:39:06.480
<v Speaker 3>It was It happened during the Gulf War, and I

0:39:06.480 --> 0:39:09.799
<v Speaker 3>don't know, it just disappeared. But it was a good

0:39:09.840 --> 0:39:12.160
<v Speaker 3>concept and I loved those two and we could talk

0:39:12.160 --> 0:39:15.200
<v Speaker 3>off camera about them then, both of them, Fair and Ryan.

0:39:15.760 --> 0:39:18.680
<v Speaker 3>Then I did City Kids, which I was a showrunner for,

0:39:18.719 --> 0:39:20.720
<v Speaker 3>which was shot in New York, which is very avant

0:39:20.760 --> 0:39:22.880
<v Speaker 3>guard you could still watch it and go. It was

0:39:22.880 --> 0:39:25.799
<v Speaker 3>with the Jim Henson company. Oh okay, and they had

0:39:25.800 --> 0:39:27.280
<v Speaker 3>a thing then called TGIF.

0:39:36.080 --> 0:39:40.279
<v Speaker 1>I used to live above Venier's Bakery. I love that

0:39:41.560 --> 0:39:45.240
<v Speaker 1>and every night but two am I used to hear

0:39:45.520 --> 0:39:49.239
<v Speaker 1>this woman walking by and she would sing beautiful operatic

0:39:49.320 --> 0:39:52.200
<v Speaker 1>arias and it was amazing. I mean she was she

0:39:52.280 --> 0:39:54.880
<v Speaker 1>could really sing and I was like, I look out

0:39:54.920 --> 0:39:58.120
<v Speaker 1>the window and she was a young one and she

0:39:58.120 --> 0:40:01.799
<v Speaker 1>would walk by singing these areas. And I eventually I

0:40:01.880 --> 0:40:04.120
<v Speaker 1>met her and she was a waitress and her shift

0:40:04.160 --> 0:40:06.959
<v Speaker 1>finished at one am, and she said, you walked down

0:40:07.000 --> 0:40:10.520
<v Speaker 1>the street singing operatic arias nobody comes near you.

0:40:11.320 --> 0:40:13.439
<v Speaker 3>That's so funny, gig.

0:40:13.600 --> 0:40:15.920
<v Speaker 1>Yeah, so that she had, that was her pillow that

0:40:16.400 --> 0:40:20.200
<v Speaker 1>she would she would sing like every thought she was crazy.

0:40:20.719 --> 0:40:22.319
<v Speaker 1>Did you run into any of that because you're a

0:40:22.360 --> 0:40:24.239
<v Speaker 1>young woman working, did you get did you Were you

0:40:24.280 --> 0:40:27.640
<v Speaker 1>aware of that? You're a very forceful personality. I don't

0:40:27.640 --> 0:40:29.880
<v Speaker 1>know that that makes a difference or not. Were you

0:40:29.960 --> 0:40:31.720
<v Speaker 1>aware of.

0:40:31.280 --> 0:40:34.640
<v Speaker 3>That kind of I'm a funny person. Yeah, I'm always

0:40:34.640 --> 0:40:38.239
<v Speaker 3>aware of my safety wherever I am. Like when I

0:40:38.320 --> 0:40:40.920
<v Speaker 3>moved here, I was very aware, like you gotta be careful,

0:40:41.880 --> 0:40:44.600
<v Speaker 3>and I did things that you know. I got in

0:40:44.600 --> 0:40:46.360
<v Speaker 3>trouble at my boarding house. I lived in a boarding

0:40:46.400 --> 0:40:48.360
<v Speaker 3>house and I took a throw pillow and just pretended

0:40:48.400 --> 0:40:50.120
<v Speaker 3>I was pregnant on the subway late at night, coming

0:40:50.120 --> 0:40:52.160
<v Speaker 3>home from a gig. So I figured nobody's going to

0:40:52.239 --> 0:40:54.680
<v Speaker 3>hit a pregnant woman or kill a pregnant woman. But

0:40:54.800 --> 0:40:56.680
<v Speaker 3>I got in trouble for stealing the pillow, but I said, no,

0:40:56.760 --> 0:40:58.919
<v Speaker 3>I brought it back. I'm bringing the pillow back.

0:40:59.040 --> 0:40:59.840
<v Speaker 2>I give birthday.

0:41:00.440 --> 0:41:03.040
<v Speaker 3>But I was that kind of person, and I'd say

0:41:03.040 --> 0:41:05.799
<v Speaker 3>to the girls, take those glasses. You know, we'd use

0:41:05.800 --> 0:41:07.480
<v Speaker 3>some sketches. I said, we're I'm on the subway. You'll

0:41:07.480 --> 0:41:08.759
<v Speaker 3>be all right, and we're going to come at you

0:41:08.800 --> 0:41:11.520
<v Speaker 3>if you're you know, I'd get out of things joking too.

0:41:11.880 --> 0:41:15.000
<v Speaker 3>I get out sticky situations by being funny and just

0:41:15.120 --> 0:41:17.759
<v Speaker 3>you know, the only way to get a man who's

0:41:17.800 --> 0:41:21.480
<v Speaker 3>intent to bed you off of it is to entertain

0:41:21.600 --> 0:41:27.400
<v Speaker 3>him and get him off the subject. It works, but frankly,

0:41:27.440 --> 0:41:29.440
<v Speaker 3>it was like working a third shift and who needs that.

0:41:30.160 --> 0:41:32.359
<v Speaker 3>But you know, the girls in my group we talk

0:41:32.440 --> 0:41:34.680
<v Speaker 3>about this too. Many of them fell in love, got married,

0:41:34.719 --> 0:41:38.040
<v Speaker 3>left the group, left show business and stuff. And there

0:41:38.080 --> 0:41:40.160
<v Speaker 3>wasn't anything that was going to keep me from show business.

0:41:40.280 --> 0:41:41.600
<v Speaker 2>It was just a different person.

0:41:41.680 --> 0:41:44.520
<v Speaker 3>I just just like, how could he possibly be that

0:41:44.560 --> 0:41:48.560
<v Speaker 3>interesting to you? How could he ever be this other thing?

0:41:48.920 --> 0:41:52.719
<v Speaker 2>So then you meet Tim. What happened? Because you meet

0:41:52.760 --> 0:41:54.359
<v Speaker 2>Tim and Tim is a great life.

0:41:54.520 --> 0:41:58.480
<v Speaker 3>Yeah, he's well listen, I'm giving you the story here

0:41:58.640 --> 0:42:02.360
<v Speaker 3>like as truthfully as I can, because you know, anybody

0:42:02.440 --> 0:42:04.719
<v Speaker 3>that I was ever interested in, it was. I kept

0:42:04.760 --> 0:42:09.160
<v Speaker 3>him at a distance. I wasn't getting involved him different.

0:42:09.600 --> 0:42:12.720
<v Speaker 3>I don't know. I just liked him. I just thought.

0:42:12.920 --> 0:42:16.000
<v Speaker 3>And I also saw this too. When you work in Hollywood,

0:42:16.160 --> 0:42:19.120
<v Speaker 3>you see those beautiful executives and they don't have a man.

0:42:20.280 --> 0:42:22.680
<v Speaker 3>And if you had any interest in a man, which

0:42:22.719 --> 0:42:26.279
<v Speaker 3>I did, you say the windows closing. And my friends

0:42:26.280 --> 0:42:28.560
<v Speaker 3>would still laugh about me going the windows closing. Girls,

0:42:28.600 --> 0:42:31.000
<v Speaker 3>you got to get on this. Let me tell you something.

0:42:31.239 --> 0:42:33.360
<v Speaker 3>Ten years for a woman, it's one hundred years a

0:42:33.360 --> 0:42:35.759
<v Speaker 3>bad road. And if you don't, this is now or never.

0:42:36.000 --> 0:42:39.759
<v Speaker 3>It's now or never. And they never I mean at

0:42:39.760 --> 0:42:43.640
<v Speaker 3>the time they were just women who said I But

0:42:43.760 --> 0:42:46.840
<v Speaker 3>I said, no, you know if you want that. So

0:42:46.920 --> 0:42:48.719
<v Speaker 3>when they complained to me, now, I said, I told you.

0:42:49.239 --> 0:42:52.439
<v Speaker 3>I said, it's a window. You can have somebody now,

0:42:52.480 --> 0:42:53.799
<v Speaker 3>but it's going to be a different thing.

0:42:54.640 --> 0:42:59.080
<v Speaker 1>And I just you know, So what happened with Tim then?

0:42:59.080 --> 0:43:02.040
<v Speaker 1>How calm he was different? Did you make a decision

0:43:02.080 --> 0:43:04.080
<v Speaker 1>that all right, this this is the one for me,

0:43:04.200 --> 0:43:04.680
<v Speaker 1>this is it.

0:43:05.080 --> 0:43:08.200
<v Speaker 3>I was doing plays in Pennsylvania. This is before television

0:43:08.239 --> 0:43:10.719
<v Speaker 3>because I met him before a different world, right, And

0:43:11.640 --> 0:43:13.320
<v Speaker 3>he wasn't ever going to live in New York. He

0:43:13.360 --> 0:43:15.200
<v Speaker 3>didn't want anything to do with this, and I thought,

0:43:15.320 --> 0:43:18.759
<v Speaker 3>so funny for you. And he's still. Every once in

0:43:18.760 --> 0:43:20.000
<v Speaker 3>a while, I will give me a gig and I say,

0:43:20.000 --> 0:43:22.320
<v Speaker 3>you can dig all you want, but you're here. You

0:43:22.400 --> 0:43:23.840
<v Speaker 3>might as well make it work. You know.

0:43:24.440 --> 0:43:27.840
<v Speaker 2>I think he's doing okay, he's okay.

0:43:27.440 --> 0:43:29.799
<v Speaker 3>He's doing fine. But no, he came here and he

0:43:29.880 --> 0:43:31.960
<v Speaker 3>hit the ground running. I mean as a lighting designer,

0:43:32.000 --> 0:43:35.480
<v Speaker 3>he just he's really he was trained by Emerol Fiarantino,

0:43:35.520 --> 0:43:38.960
<v Speaker 3>who did the Kennedy Nixon debates. I mean, he really

0:43:39.040 --> 0:43:41.719
<v Speaker 3>learned on the job and now he's you know, he

0:43:41.840 --> 0:43:43.520
<v Speaker 3>does great. And she won an Emmy.

0:43:43.600 --> 0:43:46.759
<v Speaker 2>I don't have an Emmy. I have no I got

0:43:46.760 --> 0:43:48.799
<v Speaker 2>a couple. You can have one money okay, all.

0:43:48.760 --> 0:43:51.160
<v Speaker 3>Right, I need one for the other side of the mantle.

0:43:51.239 --> 0:43:52.759
<v Speaker 3>Said to my husband, can you win another one? And

0:43:53.200 --> 0:43:54.360
<v Speaker 3>need some synergy here? You know?

0:43:54.440 --> 0:43:56.200
<v Speaker 2>I cold my mom. I said, I want an Emmy.

0:43:56.239 --> 0:44:11.880
<v Speaker 2>She went daytime Emmy. Oh man Jabi, so tell me this.

0:44:12.080 --> 0:44:14.799
<v Speaker 2>You go to Italy now, love huh A Lot. Why

0:44:14.880 --> 0:44:15.200
<v Speaker 2>is that?

0:44:16.040 --> 0:44:19.759
<v Speaker 3>Well, I find you know, I had an experience there.

0:44:19.800 --> 0:44:21.319
<v Speaker 3>I think I told you about this where I was

0:44:21.360 --> 0:44:24.520
<v Speaker 3>on the mountaintop and the Alps where my grandparents on

0:44:24.560 --> 0:44:28.239
<v Speaker 3>the Bone and Cheli side are from, and I it's

0:44:28.280 --> 0:44:31.040
<v Speaker 3>a piece I've never known. So that's probably where I'm gonna.

0:44:30.920 --> 0:44:33.160
<v Speaker 2>End up going back to the old country.

0:44:33.239 --> 0:44:36.719
<v Speaker 3>Yeah, but I loved working with you in Scotland. That

0:44:36.840 --> 0:44:39.520
<v Speaker 3>was really fun. So I'd like to write and direct

0:44:39.520 --> 0:44:42.200
<v Speaker 3>over there, and I'm working on stuff in order to

0:44:42.239 --> 0:44:42.640
<v Speaker 3>do that.

0:44:43.200 --> 0:44:46.240
<v Speaker 2>I think Scotland and Italy are very similar countries.

0:44:46.520 --> 0:44:49.080
<v Speaker 3>We really have to talk about that, because I knew

0:44:49.120 --> 0:44:51.200
<v Speaker 3>you liked Italians immediately, even though you were a very

0:44:51.239 --> 0:44:53.000
<v Speaker 3>stone cold to me on the phone. The first time

0:44:53.000 --> 0:44:53.319
<v Speaker 3>I talked.

0:44:53.520 --> 0:44:56.000
<v Speaker 2>It was just garden myself. I was in Italy when

0:44:56.040 --> 0:44:56.560
<v Speaker 2>you called me.

0:44:56.719 --> 0:44:58.600
<v Speaker 3>I know you were I'm in Italy and I was like,

0:45:00.080 --> 0:45:03.840
<v Speaker 3>mister Ferguson, and then I just and you said, okay,

0:45:03.960 --> 0:45:05.920
<v Speaker 3>call me in forty eight hours. Nobody ever said that

0:45:05.960 --> 0:45:07.880
<v Speaker 3>to me in my life, not even a credit card company.

0:45:07.880 --> 0:45:09.920
<v Speaker 3>So I was like, what is this? Okay? So I

0:45:10.000 --> 0:45:11.800
<v Speaker 3>hung up the phone and I called Kathy Lee and

0:45:11.800 --> 0:45:13.520
<v Speaker 3>I said, I don't know. I mean, I got to

0:45:13.600 --> 0:45:16.640
<v Speaker 3>work this guy over a little more here. And she

0:45:18.040 --> 0:45:20.719
<v Speaker 3>if you look up determination in the dictionary, her little

0:45:20.760 --> 0:45:25.800
<v Speaker 3>head's there like buday. She like her. But anyway, so

0:45:26.000 --> 0:45:29.480
<v Speaker 3>when I called you, I thought, and it wasn't like

0:45:29.520 --> 0:45:32.800
<v Speaker 3>there were edges like of warmth there either, like or

0:45:32.880 --> 0:45:35.640
<v Speaker 3>I could kind of wheedle in. I said, okay, well

0:45:35.640 --> 0:45:38.000
<v Speaker 3>we'll talk about this, and all right, I'll give you

0:45:38.040 --> 0:45:41.319
<v Speaker 3>forty eight hours. And so then I think I called

0:45:41.360 --> 0:45:42.359
<v Speaker 3>back and begged you to.

0:45:42.280 --> 0:45:43.640
<v Speaker 2>Do it, didn't I Yeah, you did.

0:45:44.440 --> 0:45:46.760
<v Speaker 3>And then you say, okay, tell me about this script.

0:45:46.880 --> 0:45:48.040
<v Speaker 2>Yeah you did.

0:45:48.120 --> 0:45:49.920
<v Speaker 3>So I told you about the script and then you know,

0:45:49.960 --> 0:45:52.239
<v Speaker 3>all right, all right, you weren't happy about it, but

0:45:52.280 --> 0:45:54.000
<v Speaker 3>I said, I don't care. He doesn't have to be happy,

0:45:54.120 --> 0:45:59.400
<v Speaker 3>just has to be good. And then I was stunned,

0:46:00.160 --> 0:46:01.319
<v Speaker 3>and how brilliant you were.

0:46:01.440 --> 0:46:03.440
<v Speaker 2>Yeah, we don't need to talk about that though. What

0:46:03.520 --> 0:46:04.600
<v Speaker 2>we need to talk about.

0:46:04.360 --> 0:46:05.879
<v Speaker 3>It, Well, I'm only here because of that.

0:46:06.840 --> 0:46:09.800
<v Speaker 2>We have to talk about how Scotland and Italy. I think, yeah, let's.

0:46:09.640 --> 0:46:12.200
<v Speaker 3>Get them together. Okay. So you know, my last novel

0:46:12.320 --> 0:46:15.840
<v Speaker 3>was about the internment of the Scots and the destruction

0:46:15.880 --> 0:46:18.160
<v Speaker 3>of Scots during World War Two, Italian.

0:46:17.800 --> 0:46:20.040
<v Speaker 2>Scotts, Italian Scots yeah yeah, and the.

0:46:20.120 --> 0:46:22.160
<v Speaker 3>Maker Italians and rallys. Yeah.

0:46:22.239 --> 0:46:25.719
<v Speaker 1>You know the Glaswegian Italians even now because there's like

0:46:25.719 --> 0:46:28.719
<v Speaker 1>a huge Italian community in Glasgow, but they have Glasgow

0:46:28.719 --> 0:46:32.319
<v Speaker 1>accents but they kind of talk Italian. Yeah, so they go, hey,

0:46:32.400 --> 0:46:34.920
<v Speaker 1>what's the comedy you you're coming over to here and

0:46:34.960 --> 0:46:36.960
<v Speaker 1>you come to my house and maybe we watched the

0:46:36.960 --> 0:46:42.600
<v Speaker 1>football and then it's this weird accent and it's fantastic now.

0:46:42.800 --> 0:46:44.960
<v Speaker 3>And then you start scratching around and you'll find it

0:46:45.040 --> 0:46:48.160
<v Speaker 3>Anna Maria and you go oh yeah, oh yeah, I'm Italian. Yeah,

0:46:48.200 --> 0:46:50.960
<v Speaker 3>and you'll find like a Patro and you go, oh

0:46:51.280 --> 0:46:54.360
<v Speaker 3>Daniello okay, well, and it's huge.

0:46:54.120 --> 0:46:56.759
<v Speaker 1>In Glasgow, I mean in Glasgow in particular, it's huge.

0:46:56.760 --> 0:46:58.560
<v Speaker 3>Italian people are like, why don't we know this? Why

0:46:58.560 --> 0:47:02.960
<v Speaker 3>don't we know this? Because of this get out. That's

0:47:02.960 --> 0:47:04.719
<v Speaker 3>how the immigrant feels every day. They don't talk about

0:47:04.719 --> 0:47:06.640
<v Speaker 3>their experiences. Even when people blow up in a boat,

0:47:06.640 --> 0:47:08.600
<v Speaker 3>they're not going to talk about it and talk about it.

0:47:08.960 --> 0:47:11.120
<v Speaker 3>Seventy years had to pass before it was even mentioned

0:47:11.280 --> 0:47:13.960
<v Speaker 3>or there was a shrine belt in uh at St

0:47:14.000 --> 0:47:15.360
<v Speaker 3>Andrew's Cathedral in Glasgow.

0:47:15.880 --> 0:47:16.200
<v Speaker 2>Yeah.

0:47:16.280 --> 0:47:18.960
<v Speaker 3>But in the Orkneys, do you know that, I know

0:47:19.000 --> 0:47:20.040
<v Speaker 3>all about the paper church.

0:47:20.239 --> 0:47:23.880
<v Speaker 2>Yeah, the Orkneys. The President of War, they Bill a church.

0:47:24.040 --> 0:47:24.920
<v Speaker 2>He's still there.

0:47:25.120 --> 0:47:28.480
<v Speaker 3>Your wonderful film in Scotland. You have a great film

0:47:28.520 --> 0:47:31.400
<v Speaker 3>commission and they came to New York to ask me

0:47:31.440 --> 0:47:32.680
<v Speaker 3>to direct a movie about that.

0:47:33.080 --> 0:47:33.960
<v Speaker 2>Why didn't you do it?

0:47:34.239 --> 0:47:37.960
<v Speaker 3>Well, because there's things I had deadlines and stuff, But

0:47:38.120 --> 0:47:39.480
<v Speaker 3>my sick we still do it.

0:47:39.560 --> 0:47:40.160
<v Speaker 2>Yeah, you do it.

0:47:40.160 --> 0:47:42.640
<v Speaker 1>I'll do I'll do a kind of the Italians came

0:47:42.680 --> 0:47:45.640
<v Speaker 1>over and I'll do it. I'll do Bill Patterson's voice,

0:47:46.360 --> 0:47:48.520
<v Speaker 1>and unless you get Bill Parson then it'll be fine.

0:47:48.760 --> 0:47:51.640
<v Speaker 2>Oh, for goodness sake, flea bag, what are you up to?

0:47:51.640 --> 0:47:54.200
<v Speaker 3>You know that's so funny. That would be great.

0:47:54.480 --> 0:47:54.520
<v Speaker 2>No.

0:47:54.600 --> 0:47:56.680
<v Speaker 3>I read the book and I was enchanted by it,

0:47:56.760 --> 0:48:00.400
<v Speaker 3>and then yeah, all the islands. What happened was Churchill

0:48:00.400 --> 0:48:03.120
<v Speaker 3>made a really big mistake. But I had a ball

0:48:03.239 --> 0:48:05.719
<v Speaker 3>touring sixty cities with this novel to say this to

0:48:05.800 --> 0:48:08.960
<v Speaker 3>everybody that I come in contact with, which is basically

0:48:10.440 --> 0:48:13.560
<v Speaker 3>they till the soil of propaganda, thirteen years of it.

0:48:14.000 --> 0:48:17.839
<v Speaker 3>In the British newspapers, anti Italian sentiment. Now people look

0:48:17.880 --> 0:48:20.000
<v Speaker 3>at a room with a view and Ianforster and all

0:48:20.040 --> 0:48:22.200
<v Speaker 3>that stuff, and they go, oh, the Brits are the

0:48:22.200 --> 0:48:26.800
<v Speaker 3>Scots love the Italians. They do, and they were intermarried.

0:48:27.280 --> 0:48:30.920
<v Speaker 3>But when Mussolini declared war, get out. That was the

0:48:30.920 --> 0:48:34.359
<v Speaker 3>only thing. Churchill panicked because he didn't even know, because

0:48:34.360 --> 0:48:37.200
<v Speaker 3>there wasn't sonar yet how much activity was going on

0:48:37.280 --> 0:48:40.440
<v Speaker 3>under the sea. There this guy gun through preen, had

0:48:40.640 --> 0:48:43.480
<v Speaker 3>U boats everywhere. It was like snakes on it. I

0:48:43.520 --> 0:48:46.319
<v Speaker 3>describe it as such in the novels, like snakes at

0:48:47.160 --> 0:48:49.880
<v Speaker 3>the bet of the ocean. They were going to take England.

0:48:50.360 --> 0:48:53.680
<v Speaker 3>They were close. This wasn't even a joke. So he

0:48:53.760 --> 0:48:56.279
<v Speaker 3>didn't know. Churchill didn't know what to do. Now, I

0:48:56.360 --> 0:48:58.920
<v Speaker 3>want you to keep in mind, what was the propaganda.

0:48:59.080 --> 0:49:01.600
<v Speaker 3>It's the same trope you here because the immigrant faces

0:49:01.640 --> 0:49:05.759
<v Speaker 3>the same fight always. You can't come in. Now that

0:49:05.800 --> 0:49:08.920
<v Speaker 3>you're here. Here's the jobs. You're all service jobs because

0:49:09.040 --> 0:49:15.200
<v Speaker 3>most of your battalions, your Glasswegian Italians were doing service jobs, waitering,

0:49:15.360 --> 0:49:17.280
<v Speaker 3>made or d They're good looking, they have an accent.

0:49:17.400 --> 0:49:20.920
<v Speaker 3>That worked at clarages and the big hotels, and the

0:49:20.960 --> 0:49:23.319
<v Speaker 3>women did the cleaning. They did the laundry and the

0:49:23.320 --> 0:49:25.960
<v Speaker 3>pressing and the tailoring and this artorial stuff. Okay, great,

0:49:26.440 --> 0:49:28.120
<v Speaker 3>so you had that going then.

0:49:28.200 --> 0:49:32.600
<v Speaker 1>But at the same time, though, because just my family

0:49:32.760 --> 0:49:37.239
<v Speaker 1>or Scottish my people were doing those jobs too, you know,

0:49:37.400 --> 0:49:39.759
<v Speaker 1>working class people were doing those jobs too.

0:49:39.840 --> 0:49:42.960
<v Speaker 3>And but this was what the working class people were against.

0:49:43.320 --> 0:49:45.879
<v Speaker 3>They felt the Italian immigrants were bringing their people over

0:49:45.920 --> 0:49:46.520
<v Speaker 3>and taking.

0:49:46.280 --> 0:49:47.120
<v Speaker 2>Their take on the job.

0:49:47.239 --> 0:49:49.200
<v Speaker 3>And they want to keep and they want to keep

0:49:49.280 --> 0:49:51.600
<v Speaker 3>in shipbuilding, all of the great stuff that goes on

0:49:51.640 --> 0:49:54.759
<v Speaker 3>in Glasgow. But what I found out was that, you know,

0:49:55.160 --> 0:49:58.920
<v Speaker 3>without that propaganda, Churchill wouldn't made that decision. I had

0:49:58.960 --> 0:50:00.719
<v Speaker 3>to pay thousands of dollars and I get it to

0:50:00.719 --> 0:50:03.880
<v Speaker 3>this day for this article written by a man named Gunther,

0:50:04.080 --> 0:50:06.680
<v Speaker 3>not the famous gun Through historian, another guy or Boswell,

0:50:06.760 --> 0:50:10.360
<v Speaker 3>not not the theater guy John Boswell in the mirror,

0:50:10.400 --> 0:50:13.040
<v Speaker 3>I believe, and it was so reprehensible. I said, I

0:50:13.040 --> 0:50:15.560
<v Speaker 3>can't recreate that. I'm gonna pay to put that in there.

0:50:15.880 --> 0:50:18.360
<v Speaker 3>But then it was one of thousands and thousands of

0:50:18.480 --> 0:50:20.200
<v Speaker 3>articles against Italians in.

0:50:20.080 --> 0:50:22.320
<v Speaker 2>Britain during the nineteen thirties forties.

0:50:22.560 --> 0:50:24.719
<v Speaker 3>You know, I said, I said, you know, they said

0:50:25.000 --> 0:50:27.000
<v Speaker 3>I talked about them making the fish and chips and

0:50:27.040 --> 0:50:29.400
<v Speaker 3>the gelato and stuff. And there were Italians that got

0:50:29.520 --> 0:50:32.040
<v Speaker 3>very rich making the Jelya. They put the factories up

0:50:32.160 --> 0:50:35.880
<v Speaker 3>outside of Glasgow, but most of them were peddlers and

0:50:36.719 --> 0:50:40.960
<v Speaker 3>working class people. They were not elevated in that way however.

0:50:41.560 --> 0:50:43.920
<v Speaker 3>And I would say this people, people go fish and chips.

0:50:43.960 --> 0:50:47.160
<v Speaker 3>That's British, that's Scottish, that's calamari.

0:50:47.280 --> 0:50:49.799
<v Speaker 2>Yeah, it's Italian. It's calamari the Italians, right.

0:50:49.840 --> 0:50:51.560
<v Speaker 1>You know what? It was funny when I grew up

0:50:51.560 --> 0:50:54.000
<v Speaker 1>because I was working class and SCHOOLU teach and grew

0:50:54.080 --> 0:50:54.720
<v Speaker 1>up as much.

0:50:54.680 --> 0:50:56.719
<v Speaker 3>Hungry for it. Right now, save fish and chips.

0:50:56.760 --> 0:50:57.600
<v Speaker 2>But here's the other thing.

0:50:57.760 --> 0:50:59.400
<v Speaker 1>But the time was and this is the weird thing

0:50:59.480 --> 0:51:01.840
<v Speaker 1>with being a Glaswegian growing up in Scotland. At the

0:51:01.880 --> 0:51:04.080
<v Speaker 1>time I was four years old, I knew exactly what

0:51:04.120 --> 0:51:09.680
<v Speaker 1>a cappuccino was and I wanted one because Italians ran

0:51:09.800 --> 0:51:11.560
<v Speaker 1>the caffe's in their Dini family.

0:51:11.680 --> 0:51:15.200
<v Speaker 3>You got Italian, did you get your thing done? He's

0:51:15.239 --> 0:51:16.239
<v Speaker 3>hartly Italian.

0:51:17.200 --> 0:51:19.920
<v Speaker 1>Everybody in my family thinks there is some kind of

0:51:20.120 --> 0:51:21.960
<v Speaker 1>has to be. It has to be, I think, So

0:51:22.040 --> 0:51:26.160
<v Speaker 1>I'm very comfortable when I go to Italy. I think

0:51:26.200 --> 0:51:28.719
<v Speaker 1>Italy is like Scotland, with much better weather and much

0:51:28.719 --> 0:51:33.920
<v Speaker 1>better food and slightly friendlier people. Sometimes they sound friendlier

0:51:33.960 --> 0:51:35.279
<v Speaker 1>because my Italian is so bad.

0:51:35.960 --> 0:51:39.200
<v Speaker 3>I know when you're trying and everybody's trying. Yeah, yeah,

0:51:39.320 --> 0:51:42.520
<v Speaker 3>well you speak. There's affinity. When I get there, I

0:51:42.520 --> 0:51:45.240
<v Speaker 3>get good, but I'm not like is this morning, I'm terrible.

0:51:45.360 --> 0:51:48.080
<v Speaker 3>I'll make it and that's it.

0:51:48.080 --> 0:51:53.000
<v Speaker 2>Italian a very little.

0:51:53.080 --> 0:51:56.080
<v Speaker 3>But the thing is, I think there is an affinity

0:51:56.160 --> 0:51:59.919
<v Speaker 3>between these folks, between Scotland and Italy. I really do.

0:52:00.040 --> 0:52:02.200
<v Speaker 3>There's a and I think some of it like it's

0:52:02.200 --> 0:52:05.120
<v Speaker 3>particularly for part of my family that's from the mountains.

0:52:05.160 --> 0:52:08.120
<v Speaker 3>I'm also Venetian and farmers from outside of Venice. And

0:52:08.160 --> 0:52:11.279
<v Speaker 3>then people that live in mountains or people that live

0:52:11.360 --> 0:52:14.600
<v Speaker 3>in rough terrain or rough weather, they're they're built a

0:52:14.640 --> 0:52:19.240
<v Speaker 3>certain way, like goats. They're strong and they don't expect

0:52:19.320 --> 0:52:22.360
<v Speaker 3>everything to go their way because they're not in control.

0:52:22.640 --> 0:52:28.239
<v Speaker 3>Do you agree with that, because it's just America that way.

0:52:28.320 --> 0:52:32.440
<v Speaker 2>I'm amazed, goes wow, that was really unbelieved. I cannot

0:52:32.440 --> 0:52:32.800
<v Speaker 2>believe that.

0:52:33.000 --> 0:52:35.839
<v Speaker 3>In the same way, I think there's just no way

0:52:35.880 --> 0:52:37.839
<v Speaker 3>this is going to work out, and then when it does,

0:52:37.880 --> 0:52:40.960
<v Speaker 3>it's like, Okay, well that was luck. I never think

0:52:40.960 --> 0:52:42.000
<v Speaker 3>it's like coming my way.

0:52:42.160 --> 0:52:42.400
<v Speaker 2>Do you know?

0:52:42.480 --> 0:52:45.080
<v Speaker 1>What's great is that we've been talking for either the

0:52:45.120 --> 0:52:46.640
<v Speaker 1>best part of an hour, and now we've got to

0:52:46.640 --> 0:52:50.120
<v Speaker 1>stop talking because we do have to stop talking, you know,

0:52:50.719 --> 0:52:55.880
<v Speaker 1>you and I have to stop. It is awesome, it's joyful,

0:52:56.800 --> 0:53:01.040
<v Speaker 1>it's fantastic. I'm delighted to be your friend, and I'm.

0:53:00.880 --> 0:53:01.959
<v Speaker 3>So happier in my life.

0:53:01.960 --> 0:53:04.560
<v Speaker 2>Craig Ferguson, you are you are a job. But you know,

0:53:04.600 --> 0:53:05.000
<v Speaker 2>but we.

0:53:04.920 --> 0:53:07.080
<v Speaker 3>Also get I get Megan.

0:53:07.080 --> 0:53:09.880
<v Speaker 2>You get I get Liam ye, all.

0:53:09.800 --> 0:53:12.600
<v Speaker 3>Your crazy ancillaries that I love so much.

0:53:12.680 --> 0:53:17.359
<v Speaker 5>Your friends, you get Linda, you I got them all,

0:53:17.440 --> 0:53:19.600
<v Speaker 5>you know. Yeah, But I get Tim and I get Lucci,

0:53:19.719 --> 0:53:22.440
<v Speaker 5>and you know, I get your sisters at the casino

0:53:22.520 --> 0:53:24.760
<v Speaker 5>gigs and I meet everybody.

0:53:24.760 --> 0:53:28.040
<v Speaker 2>It's all good. It's all good. And what we should do.

0:53:29.440 --> 0:53:30.600
<v Speaker 3>Is that another movie.

0:53:30.760 --> 0:53:32.759
<v Speaker 2>No, we should go to Italy. We should just all right,

0:53:33.280 --> 0:53:33.640
<v Speaker 2>what do you.

0:53:33.640 --> 0:53:36.440
<v Speaker 3>Want to go? Let's talk and we'll go because the

0:53:36.480 --> 0:53:39.040
<v Speaker 3>apps are my thing. And then and then Venice, I'm

0:53:39.040 --> 0:53:41.120
<v Speaker 3>pretty good at that. You're my favorite ton of itally

0:53:41.280 --> 0:53:44.799
<v Speaker 3>right now, Trevisa. Yes, how did you know that? Did

0:53:44.800 --> 0:53:47.440
<v Speaker 3>I tell you that because I'm psychic? No, my people

0:53:47.440 --> 0:53:50.640
<v Speaker 3>were from That's where all our paperwork is. Also because

0:53:50.800 --> 0:53:52.000
<v Speaker 3>the farm is right outside of there.

0:53:52.120 --> 0:53:52.840
<v Speaker 2>Oh, that's crazy.

0:53:52.920 --> 0:53:55.600
<v Speaker 3>I think Treviso is it hidden jam And we shouldn't

0:53:55.600 --> 0:53:57.600
<v Speaker 3>have told everybody about it? All right, because it's

0:53:58.280 --> 0:54:04.440
<v Speaker 4>Okay, all right, not all before