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Speaker 1: So will I. Uh I got seat four.

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Speaker 2: Deed and it was and it was magical. Was it magical?

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Speaker 2: Didn't make it magical, It was magical all the way around.

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Speaker 1: Jensen and I decided to take the kids to their

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Speaker 1: first ever live wrestling event. They have gotten very into

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Speaker 1: wrestling over the last couple of months, and they play

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Speaker 1: the video game. We watch, you know, Monday Night Raw.

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Speaker 1: We've watched all of the events. Uh they call they wrestle,

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Speaker 1: which they call wrestling with their bodies.

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Speaker 3: As opposed to what wrest with their money.

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Speaker 1: Well, because they'll say, can we play wrestling? And then

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Speaker 1: it's you mean the video game, no, with our bodies.

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Speaker 1: And so we do promos, we do entrances, we play

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Speaker 1: entrance songs. They come out one by one, they put

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Speaker 1: on a whole performance. They have memorized all their favorite

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Speaker 1: wrestlers moves and it's really incredible. And so we decided, okay,

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Speaker 1: money in the bank. June seventh, it was the day

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Speaker 1: after our run of live shows. So you know, me

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Speaker 1: who's like always concerned about when I'm gonna get my sleep,

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Speaker 1: was like, it's okay, it's gonna be worth it. We're

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Speaker 1: gonna take I'm gonna be exhausted, but we're gonna take them.

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Speaker 1: It's gonna be the best, and it was. We got

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Speaker 1: the money in the bank briefcases which they were thrilled

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Speaker 1: to carry to the event. And then we get there

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Speaker 1: and we are sitting in the second row right just

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Speaker 1: facing the wing and to their eyeballs when we walked

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Speaker 1: into into it Dome and saw the way it was

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Speaker 1: set up, and they because there were ladder matches, which

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Speaker 1: means they were, you know, climbing up on the ladder

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Speaker 1: to get to the briefcase that's hanging over the center

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Speaker 1: of the ring, so all the ladders were out. Their

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Speaker 1: faces were like.

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Speaker 2: When I walked in the first time.

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Speaker 1: Correct, it was just like being there with Will Yeah,

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Speaker 1: and it was incredible. We had the time of our

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Speaker 1: lives and no one was sitting in front of us

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Speaker 1: for the first hour and twenty minutes of the wrestling match.

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Speaker 1: And then all of a sudden, there's like some hooplah

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Speaker 1: and there's like a bunch of people come up and

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Speaker 1: we're like, what is going on? And Jensen goes it's

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Speaker 1: Courtney Kardashian and I look up and I yep, I

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Speaker 1: see Travis Barker Courtney Kardashian and they're adorable baby boy,

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Speaker 1: and they come and sit in the three chairs directly

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Speaker 1: in front of us. Yeah, And it was really cute

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Speaker 1: because their son kept turning around and talking to Adler,

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Speaker 1: and Adler was totally taught. It was like, Hi, look

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Speaker 1: at my briefcays and like. And Adler had brought some

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Speaker 1: wrestling figures with him and so he's like, do you

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Speaker 1: want to see my wrestling figures? And it was really

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Speaker 1: cute too because before Adler handed over one of his

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Speaker 1: wrestling figures, he asked Travis Parker, can you touch this?

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Speaker 1: And Travis was like, yeah, I can. So cute. They

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Speaker 1: were an adorable little family sitting directly in front of us,

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Speaker 1: and then without any warning at all whatsoever, there were

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Speaker 1: cameras directly in front of us and they were on

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Speaker 1: screen and I had no idea what a little hambone

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Speaker 1: Adler was. Yeah, Adler knew how to find his lens.

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Speaker 1: He was like, oh, oh, there's two heads here if

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Speaker 1: I just get right in between him, and then he's

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Speaker 1: making faces. He's like rock on and he's going like, oh,

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Speaker 1: he's just hamming it up for the camera, and I,

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Speaker 1: you know, I didn't. I wasn't even aware of all

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Speaker 1: of that was going on. I was just sitting there,

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Speaker 1: absolutely thrilled to be there, thrilled to be watching Adler

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Speaker 1: having such a good time. Keaton was having the time

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Speaker 1: of his life. And then within five minutes our phones

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Speaker 1: started blowing up. Your family was just on TV. Oh

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Speaker 1: my god, Adler is killing it. You guys are just

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Speaker 1: on TV. You should see Adler. It's the greatest thing ever.

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Speaker 1: And so there it is. There's there's the posts. It

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Speaker 1: says Travis Barker and Courtney Kardashian at WW money in

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Speaker 1: the bank.

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Speaker 2: So that's Courtney Kardashian.

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Speaker 1: That's Courtney Kardashian. And that's Travis Barker, the drummer from

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Speaker 1: Blank one eighty two. He's a drummer, right, And there's

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Speaker 1: Adler finding his lens. Keaton was sitting on Daddy's lap

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Speaker 1: for this part, so you can you can only kind

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Speaker 1: of see him. And I'm just smiling in the background,

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Speaker 1: happy to be there, happy to be alive for d

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Speaker 1: And yep, I now know what it feels like to

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Speaker 1: be for you can feel it. I've now seat four D.

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Speaker 2: It hits your bones. God, it well I'm honored to

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Speaker 2: have you sitting next to me. Uh, as long as

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Speaker 2: again you take the window seat and I take the aisle,

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Speaker 2: will be fine. Yeah. So four C and four day

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Speaker 2: we're together all the.

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Speaker 3: Way back and coach just right on camera and b.

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Speaker 1: Yeah, it was exactly like what happened to will they

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Speaker 1: hire on the Kardashian Family. And it was great. I

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Speaker 1: love it. I absolutely love it. It was it was wonderful.

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Speaker 1: So anyway, I feel like a part of it. I

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Speaker 1: feel like I get it now, you know.

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Speaker 2: Yeah, well that's good. Well again, we traveled again this weekend,

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Speaker 2: and it's just how many times did it happened? I

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Speaker 2: took pictures of you with so many people? I mean,

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Speaker 2: so we get you on the flight home. The flight

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Speaker 2: attendant comes up and leans over me, like get out

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Speaker 2: of my radio way yeah, and says like, oh my god,

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Speaker 2: we're so happy to have you on the flight. Could

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Speaker 2: I get a picture with you later? And Daniel's like,

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Speaker 2: of course, of course, no problem, and then she walks away,

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Speaker 2: and then another flight attenant comes up and goes, this

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Speaker 2: is for you and like puts a little note on

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Speaker 2: her seat like everything, and then walks away and I

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Speaker 2: get up to go to the bathroom, and then the

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Speaker 2: first the note lady recognizes me. So about then a

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Speaker 2: half hour into the flight, the flight attenant comes back

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Speaker 2: and goes, we'd like to get a picture with you two,

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Speaker 2: if that be okay. Like somebody then told her like, oh,

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Speaker 2: you know the guy sitting next to her. Yeah, it was,

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Speaker 2: oh my god, it's just traveling.

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Speaker 1: Thing is that they had no idea writer was on

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Speaker 1: the flight. We said, we were like, you know, writers

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Speaker 1: on the flight. He's just sitting way back there somewhere

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Speaker 1: thirty eight ALP.

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Speaker 2: Yeah. I still don't get it, right, I still don't

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Speaker 2: get it. It's like for an hour flight, two hour flight,

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Speaker 2: but it was like nine two hour flights, and you're

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Speaker 2: checking your bag every time. You're that guy he was

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Speaker 2: gone for a long time.

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Speaker 3: Well, I also have wardrobe for our show. I was

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Speaker 3: bringing the manifesto book that never used.

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Speaker 2: We never used. Oh man, yeah, no. Traveling with both

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Speaker 2: of you is certainly an experience because everyone has their

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Speaker 2: own travel method. I like to get there a certain

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Speaker 2: amount of time. I like to board the plane first.

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Speaker 2: I like, you've got your things. So when you throw

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Speaker 2: somebody else into the mix, who's like Oh dude, I'm

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Speaker 2: in the back and I'm checking a bag or I'm

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Speaker 2: getting ready. Nice everywhere, you.

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Speaker 1: Like to board first, and if Writer is checking a

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Speaker 1: bag and doesn't have a bag, he likes to board last.

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Speaker 3: I wait for a final boarding call. Why the person

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Speaker 3: and last person on the stand in line to get

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Speaker 3: on the plane. If you need the overhead bag space,

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Speaker 3: I get it. Otherwise, No, that's why I wait for

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Speaker 3: head backspace. It's chilling the airport until final boarding. I've

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Speaker 3: got to check it our next round. So I'm going

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Speaker 3: to be that guy. Now I'm going to be Writer

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Speaker 3: in the next round.

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Speaker 2: I'm gonna have to check it back because I'm gone

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Speaker 2: for two weeks. So yeah, it's going to be.

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Speaker 1: It was nice knowing you will it was nice traveling

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Speaker 1: with you.

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Speaker 2: Well, we'll see. I'm sure i'll hear that you were there.

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Speaker 2: Did you see that was Depang. I'm like, yeah, I've

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Speaker 2: met her before, so yes, she's really nice. She's really sweet.

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Speaker 2: Traveling with Danielle. Yes, very interesting.

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Speaker 1: Welcome to Pod Meets World. I'm seat four D.

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Speaker 2: I'm seat seventeen B, and I'm still C four C.

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Speaker 1: Welcome to today's episode recap. It is season six, episode thirteen,

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Speaker 1: We'll have a good Time Then. It originally aired January

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Speaker 1: twenty second, nineteen ninety nine. The synopsis Sean and Jack's

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Speaker 1: absentee Dad chet reappears and promises he's here to stay.

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Speaker 1: It was directed by David Kendall and it was written

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Speaker 1: by Gary H. Miller. Now, before I jump into our

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Speaker 1: guest stars, do you guys want to talk about year

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Speaker 1: overall thoughts?

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Speaker 4: Laugh riot, This was funny, so funny, funny really like yeah, yeah,

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Speaker 4: I mean the entire second half is really silent.

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Speaker 3: You know, there's just no laugh so, I mean it's

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Speaker 3: so there's something jarring about that. And it's just also

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Speaker 3: like I feel like a lot of this episode put

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Speaker 3: a lot of pressure on all the actors, you know,

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Speaker 3: like Blake has to have a heart attack on camera,

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Speaker 3: die on camera. Yeah, it's like he has Like it's

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Speaker 3: so it's it's an It felt awkward to me in

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Speaker 3: that regard. It felt like, you know, there's just a it.

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Speaker 3: I think I think it was like our show's attempt

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Speaker 3: at being like a a place, like a real drama play,

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Speaker 3: you know, where like something happens on stage, and it

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Speaker 3: just put a lot of pressure on the actors. But

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Speaker 3: you know, I also like I couldn't I don't know

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Speaker 3: how much of it was the memory of the emotion

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Speaker 3: or seeing myself being emotional, But I freaking cried like

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Speaker 3: you when I started crying in the show, I was

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Speaker 3: like crying in real life, sitting here less like by

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Speaker 3: myself watching I was like, I'm really emotional. So you know,

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Speaker 3: I don't know, Like I said, I don't know how

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Speaker 3: much of that was just like being in the memory

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Speaker 3: of the experience or like seeing myself. I don't know.

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Speaker 3: It just felt very obviously, it felt very personal. So

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Speaker 3: that was I guess effective or felt like maybe that

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Speaker 3: was a thing worth noting. So yeah, I don't know,

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Speaker 3: it just it just it is. It's I like the

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Speaker 3: idea that Jack and Sean have this dynamic. I love

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Speaker 3: that we're finally taught, that Sean's finally saying what he's

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Speaker 3: his problem is and all and all that felt great

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Speaker 3: to hear. But yeah, it was. It's a jarring. It's

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Speaker 3: like a very special episode in so many ways. So

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Speaker 3: just tonally, it was like whoa we are in a

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Speaker 3: drama show. And so but I think if you know,

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Speaker 3: if I put that aside, it was good. You know.

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Speaker 2: Yeah, well I kind of feel the same way this

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Speaker 2: needed to be a two part episode with a funnier

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Speaker 2: bet story because there's no B story. It's just that's

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Speaker 2: that's what this is is. So again, it is it's

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Speaker 2: a very special episode, and it's a good, very special episode.

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Speaker 2: I mean it's the acting's good and the writing's good,

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Speaker 2: and so yeah, in that sense, I liked it. But

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Speaker 2: it is it is a very heavy twenty two minutes,

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Speaker 2: and I think forty four minutes broken up with some

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Speaker 2: kind of bet story probably would have made this story

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Speaker 2: more impactful than just kind of throwing it the way

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Speaker 2: it is. But it's it wasn't bad. I mean again,

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Speaker 2: everybody was good, The performances were good. You're emotionally invested

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Speaker 2: in the characters, everybody coming in, and you know it's

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Speaker 2: it's also it's Blake. You know, Blake is great and

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Speaker 2: watching him come back, there's this energy to him on

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Speaker 2: the screen that is just you can't take your eyes

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Speaker 2: off of him. So it was. It was enjoy I

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Speaker 2: mean as enjoyable as a melodramatic special episode of sitcom

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Speaker 2: can be. This was a good version of that.

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Speaker 1: Yeah, I really loved it. I really I was in it.

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Speaker 1: I was happy that for once, Chet was being kind

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Speaker 1: of held to the fire about what his lifestyle has

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Speaker 1: done to his sons, and he couldn't escape it. He

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Speaker 1: couldn't just tap dances way out of it because he

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Speaker 1: was in the hospital. I loved that. I think the

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Speaker 1: reason maybe it didn't bother me at all that it

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Speaker 1: wasn't super funny or funny at all after the first

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Speaker 1: half is that, unlike other episodes where we are very

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Speaker 1: clearly trying to strike a balance, this one didn't feel

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Speaker 1: like it was trying to strike a balance. It was

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Speaker 1: just going to be We're doing an emotional, true family story,

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Speaker 1: and I'm not going to try to sprinkle in jokes

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Speaker 1: here and there s nobs story. Just this is what

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Speaker 1: we're dealing with, and it's real life, and it's real finally,

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Speaker 1: drama coming to a head, of the differences between Sean

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Speaker 1: and Jack, the differences in their relationship and how they

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Speaker 1: relate to check, just all of it. I loved all

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Speaker 1: of it, and I was really invested. And you know,

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Speaker 1: Matt was so good. Yeah, writer you. I feel like

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Speaker 1: saying you were so good is like me telling Will

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Speaker 1: He was so funny it's like you're always so good

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Speaker 1: and not that Matt is not always so good, but

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Speaker 1: Matt has not had as many opportunities to showcase.

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Speaker 3: Ye, I think Matt and I have better chemistry and drama.

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Speaker 2: Yester chemistry and comedy.

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Speaker 3: Right, but but it's I mean I say that, but

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Speaker 3: I also remember they tried this and when he first

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Speaker 3: came on, but we just didn't have it yet.

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Speaker 1: He didn't have the chemistry yet.

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Speaker 3: Yeah, or it just wasn't written to the right way.

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Speaker 3: I don't know. Whereas this when we're like in those

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Speaker 3: confrontational scenes.

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Speaker 2: I was like, I kind of believe one of these feats.

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Speaker 3: I believe, like I love my One of my favorite

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Speaker 3: moments was I was like, came, we look at you

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Speaker 3: and me. We don't even have a relationship. I was like,

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Speaker 3: thank you, Like this feels right, Like this physics why

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Speaker 3: it were honest, because they split you up. They brought

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Speaker 3: you in and tried to put you together.

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Speaker 2: It didn't work, so they split up to where now

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Speaker 2: it's Jack and Eric, to where people are kind of

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Speaker 2: forgetting like we've even said, like let's wait your brothers,

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Speaker 2: you've kind of forgotten about that, and now they're playing

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Speaker 2: to that where it's like, look, you're back in my

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Speaker 2: life and we don't even talk. I mean, it's one

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Speaker 2: of those things where it's yeah, no. Matt was was.

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Speaker 1: Very very good in that I believed every moment of it.

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Speaker 1: And I also really very much believed that you guys

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Speaker 1: each had your own totally separate relationships with Chet and

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Speaker 1: and every time you'd you would bring up like you

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Speaker 1: just must not be feeling what I'm feeling like, you know,

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Speaker 1: it all felt so real and his the way he

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Speaker 1: was able to pull back because it's such a fun

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Speaker 1: like it's so easy to be defensive when someone says

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Speaker 1: something like that to you, and then in the in

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Speaker 1: the defensiveness to really like out, but he did it

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Speaker 1: from such an a like a truly empathetic place for

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Speaker 1: what you were going through. I don't know. I just

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Speaker 1: really loved underlayed, and he played it in the you're hurting,

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Speaker 1: so I'm gonna I'm gonna accept that you're trying to

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Speaker 1: hurt me too, but I'm not gonna let us take

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Speaker 1: it that way. I don't know.

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Speaker 2: I really enjoyed it, though, I think now looking back,

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Speaker 2: if the producers saw the Lobster as much as I did,

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Speaker 2: be super pissed. It's in every single scene.

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Speaker 3: Really, did you anywhere?

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Speaker 2: Didn't see it anyway? Right over Rider's shoulder when he's

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Speaker 2: doing this emotional thing sitting next to Chet. It's in

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Speaker 2: the the uh student store. It's in the I mean,

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Speaker 2: I must, we must to the point where Suon and

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Speaker 2: I were going lobster, lobster, lobster. I mean, it's everywhere.

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Speaker 1: So you saw it for the first time last week.

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Speaker 2: Last week, and now the students maybe this.

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Speaker 3: Is when it started.

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Speaker 1: This is the beginning of it.

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Speaker 2: You're like sitting You're in the hospital, sitting in the

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Speaker 2: chair talking to chat, and right over your shoulder there's

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Speaker 2: just a giant lobster sitting on the desk.

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Speaker 3: Dom room.

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Speaker 2: There's the lobster in the student store. In it must

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Speaker 2: have been in five different places in this episode, and

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Speaker 2: I was like, oh my god. If they knew she

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Speaker 2: was doing this at this point, they would have been

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Speaker 2: pissed because it's everywhere.

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Speaker 1: Yeah, Oh that's so funny.

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Speaker 2: Everywhere.

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Speaker 3: Yep.

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Speaker 1: The Lobster episode well guest starring Christopher Carter as Kenny.

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Speaker 1: Christopher grew up with two pioneering parents in the business.

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Speaker 1: His dad Robert was an actor and the founder of

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Speaker 1: the prestigious Negro Ensemble Company, and his mom, Nancy, was

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Speaker 1: the founder of the first talent agency to only represent

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Speaker 1: people of color natural artists. Christopher appeared on the Cosby show,

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Speaker 1: Good Morning, Miss Bliss, a Different World and played Andre

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Speaker 1: on Hanging with Mister Cooper. He appears to have left

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Speaker 1: the business soon after his appearance Boy Meets World, and

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Speaker 1: then the comedic genius of Blake Clark makes its triumphant

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Speaker 1: return as Chet Hunter. We have not seen him since

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Speaker 1: season five, episode two. This is his ninth of twelve

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Speaker 1: Boy Meets World episodes that he appeared too. And then

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Speaker 1: we have Julio Oscar Mitchosa as doctor Sanchez, a character

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Speaker 1: actor with almost one hundred and fifty credits to his

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Speaker 1: name in everything. He had quite a distinguished moment on

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Speaker 1: our show, but he also played Detective Ruiz and Bad Boys,

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Speaker 1: and appeared in movies like Jurassic Park three, Little Miss Sunshine,

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Speaker 1: and Larry Clark's very weird movie Ken Park. He also

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Speaker 1: guest starred on TV shows like Miamivice, Coach Gray's Anatomy,

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Speaker 1: and Welmfeled Yes.

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Speaker 2: And he plays Julio the apartment manager.

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Speaker 1: Yes, in an episode titled The Kiss. Hello.

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Speaker 3: Yep, what an actor Matt I remember working with him. Yeah,

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Speaker 3: we'll get into it.

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Speaker 1: Sadly, he died of a heart attack at the young

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Speaker 1: age of sixty two.

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Speaker 2: No, I didn't know he passed away. That sucks.

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Speaker 1: And then we have Shannon Wells as nurse. You may

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Speaker 1: recognize her as Grandma Winslow and The Power Rangers or

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Speaker 1: from small parts on Community Raising Hope, Veep and Transparent.

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Speaker 1: She really landed some great roles later in life, including

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Speaker 1: a part in Christopher Nolan's Inception. She worked right up

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Speaker 1: until twenty nineteen, and she passed away in twenty twenty two.

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Speaker 2: So was she an inception though? Was she was? She?

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Speaker 3: I don't know.

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Speaker 1: Well. We start our episode in the student union, Corey

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Speaker 1: and Sean walk in together. Sean is sporting some very

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Speaker 1: cool rave cargo pants.

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Speaker 2: Man, I love them, dude. These pants were The pockets

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Speaker 2: were distractingly large, to the point where it's had a

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Speaker 2: five minute conversation about whether the stripes, because they also

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Speaker 2: had stripes with major pants look very fast. So the

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Speaker 2: question was did this were the stripes first? And then

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Speaker 2: they put the pockets over the stripes or did they

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Speaker 2: put the pockets on and then stripe and then stripe under.

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Speaker 3: So what kids used to do in my hometown is

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Speaker 3: they would buy Jenkos and then they'd cut them up

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Speaker 3: the side and then put an extra strip of fabric

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Speaker 3: of like your favorite whatever color. So like this was

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Speaker 3: a fake. This was like the processed version of what

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Speaker 3: like kids were doing, what you're doing, like people were doing.

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Speaker 3: It was like that was so you have like these

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Speaker 3: giant bell bottoms that you'd create out of your already

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Speaker 3: giant Jenkos. People would add a strip of fabric and

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Speaker 3: they would be like crazy bright colors or like like

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Speaker 3: a flower print along the side or something. And then

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Speaker 3: it got co opted and became like what this was

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Speaker 3: was would you repurchase them already.

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Speaker 2: With raptingly large pocket?

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Speaker 3: I mean, but you know what's so funny? Okay, So

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Speaker 3: I went, I went and picked up my my, my

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Speaker 3: friend's kids with Indie and picking them up from their babysitter.

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Speaker 3: And this woman walks out. You know, I have no

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Speaker 3: idea nineteen twenty she could have just walked right out

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Speaker 3: of nineteen ninety. Yeah, like her clothing. I was like,

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Speaker 3: oh my god, you look like everybody. I went to

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Speaker 3: high school with the top and the and she had

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Speaker 3: the big jeans. I was like, so I could dress

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Speaker 3: like this now. I mean maybe not me, but a

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Speaker 3: twenty year old would dress like this right now and

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Speaker 3: be totally fitting in. I was like, oh my god,

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Speaker 3: this is Yeah, it's so weird.

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Speaker 1: When we go to the mall, I'm like, I wore that.

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Speaker 1: I swear to god, I wore that to high school.

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Speaker 1: That's exactly what I was wearing.

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Speaker 2: Well, my pajama bottoms and the zipp A puddy is

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Speaker 2: now like the look, we just wear that all the time. Yeah, no,

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Speaker 2: we so.

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Speaker 1: Cory suggests they grab a coffee before class, but Sean says,

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Speaker 1: what's the point of even going to class? Corey explains,

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Speaker 1: because otherwise we have to go to war. Sean continues

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Speaker 1: to pout, I am at war. I'm at war with myself.

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Speaker 3: Now, that might be one of the worst lines in

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Speaker 3: the history.

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Speaker 1: I am not going to disagree with you.

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Speaker 3: I was like, what what I am at war? I'm

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Speaker 3: at war?

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Speaker 1: Why the way I am?

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Speaker 2: Yeah?

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Speaker 3: What was me put to start out of nothing?

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Speaker 1: I don't know.

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Speaker 3: Just give a little guys, let's let's do a rewrite.

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Speaker 1: That was come on.

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Speaker 3: Usually Boys World is yeah, I know that one with you.

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Speaker 1: I agree with you if we needed a tweak and

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Speaker 1: a punch up. Right there after that, I'm in. But

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Speaker 1: at the start of this I was like.

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Speaker 3: Oh, no, I am at war. I am a war

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Speaker 3: joke also feels like from the you know, like Vietnam

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Speaker 3: eras okay, and then no, I know.

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Speaker 1: Corey says he just needs to relax. Jack appears and

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Speaker 1: offers to buy them a coffee, and Sean freaks, what

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Speaker 1: are you trying to say? Jack repeats himself calmly. What

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Speaker 1: I'm trying to say is, hey, guys, buy you a coffee.

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Speaker 2: By the way, this is where one of the place

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Speaker 2: already starts. It's in the it's in the student store,

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Speaker 2: it's being sold to hanging on one of the rooms.

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Speaker 3: Must always be there, then, because you say you saw that,

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Speaker 3: that's what sewn last week too.

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Speaker 1: Right now he was in a different spot of the

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Speaker 1: student was on the cash register.

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Speaker 2: So yeah, this is the first I was like, oh, hey,

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Speaker 2: the lobster. They did get it in this episode. By

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Speaker 2: the ninth time, I was like, oh my god, it's everywhere.

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Speaker 1: Yeah, Sean says he can afford to buy his own coffee.

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Speaker 1: Jack explains he was just offering. Corey chimes in, I

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Speaker 1: will take a lot, and he does his hand to

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Speaker 1: his chest again. Isn't this great? The three of us

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Speaker 1: having coffee, just us guys. Why do we never get

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Speaker 1: to do that? Then on cue a woman they can blame,

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Speaker 1: Tapanga calls out for Corey and he ditches them without

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Speaker 1: a second thought.

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Speaker 3: The effective women on male bonding exactly.

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Speaker 1: Kenny, another college student, walks up to report a nasty situation.

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Speaker 1: Over at the pool table, we see an older man

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Speaker 1: standing with his back toward us, lining up a shot.

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Speaker 1: Kenny adds, old dude has been running the table like

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Speaker 1: he built it. Beat my butt for fifty bucks. Sean's surprised.

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Speaker 1: He's the best stick around, well besides himself, of course.

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Speaker 1: Kenny asks, so you think you can take him? And

433
00:23:00,800 --> 00:23:04,000
Speaker 1: that's when the old man reveals himself. It's Chet Hunter,

434
00:23:04,640 --> 00:23:09,280
Speaker 1: Sean and Jack's long lost dad. Sean smirks, I don't know,

435
00:23:09,400 --> 00:23:12,199
Speaker 1: I never have before. Kenny asks if Sean knows him,

436
00:23:12,200 --> 00:23:15,840
Speaker 1: and Sean grins kind of, he's my father. Over at

437
00:23:15,840 --> 00:23:18,960
Speaker 1: the pool table, Chet declares, I win again. A poor

438
00:23:19,040 --> 00:23:22,080
Speaker 1: college kid hands him some cash, and Chet cheekily asks

439
00:23:22,160 --> 00:23:25,359
Speaker 1: double or nothing. I'll let you break. Sean approaches his

440
00:23:25,440 --> 00:23:27,359
Speaker 1: dad and jokingly asks, is this what you're doing for

441
00:23:27,440 --> 00:23:30,560
Speaker 1: kicks now, hustling students out of their tuition? Money Check

442
00:23:30,560 --> 00:23:33,880
Speaker 1: corrects his son, I'm not hustling. I'm teaching, teaching them

443
00:23:33,920 --> 00:23:36,520
Speaker 1: not to play pool with a stranger. He shows off

444
00:23:36,560 --> 00:23:39,480
Speaker 1: a giant wad of cash and emphasizes especially when that

445
00:23:39,560 --> 00:23:42,360
Speaker 1: stranger is me. He opens his arms for a hug

446
00:23:42,400 --> 00:23:45,400
Speaker 1: and Sean accepts. Then Jack approaches for a little less

447
00:23:45,520 --> 00:23:48,160
Speaker 1: enthused of a hug and asks what he's doing here.

448
00:23:48,560 --> 00:23:51,240
Speaker 1: Sewn interrupts before he can answer. He guess is passing

449
00:23:51,240 --> 00:23:53,520
Speaker 1: through on your way to somewhere else, but Chet tells

450
00:23:53,600 --> 00:23:56,160
Speaker 1: him he's wrong. In fact, he's arrived at the spot

451
00:23:56,160 --> 00:23:57,359
Speaker 1: where he's going to stay put.

452
00:23:57,720 --> 00:24:00,240
Speaker 2: I took a look at my life, right even just

453
00:24:00,320 --> 00:24:02,520
Speaker 2: the two hugs, you kind of set up the whole

454
00:24:02,520 --> 00:24:06,000
Speaker 2: relationship just in those two great absolutely just that moment

455
00:24:06,040 --> 00:24:08,760
Speaker 2: that's all you needed right there, big enthusiastic hug and

456
00:24:08,760 --> 00:24:10,400
Speaker 2: then kind of like I'm getting to know you hug.

457
00:24:10,440 --> 00:24:12,960
Speaker 2: It was it was great. Those little moments really sold

458
00:24:12,960 --> 00:24:13,600
Speaker 2: the relationship.

459
00:24:13,640 --> 00:24:17,439
Speaker 1: I thought completely agree. I took a look at my

460
00:24:17,480 --> 00:24:20,320
Speaker 1: life and I said, Chet, and I went, what he

461
00:24:20,400 --> 00:24:23,119
Speaker 1: needs to spend more time with his two sons. Sean

462
00:24:23,160 --> 00:24:24,840
Speaker 1: knowingly laughs the.

463
00:24:26,480 --> 00:24:30,120
Speaker 3: Way he's so annoyed with himself, like that's the way

464
00:24:30,160 --> 00:24:33,040
Speaker 3: everyone talks to shit, and so he talks to himself

465
00:24:33,080 --> 00:24:33,560
Speaker 3: like that too.

466
00:24:34,640 --> 00:24:40,720
Speaker 1: So, Bunny, I know what. Sean knowingly laughs, you got fired,

467
00:24:40,760 --> 00:24:43,359
Speaker 1: didn't you. Chet tells him not to nitpick. The point

468
00:24:43,440 --> 00:24:44,960
Speaker 1: is he's here and he's staying.

469
00:24:45,640 --> 00:24:50,639
Speaker 3: I was so glad to see that Sean's disappointment with

470
00:24:50,720 --> 00:24:53,639
Speaker 3: his dad is played light here. You know what I

471
00:24:53,600 --> 00:24:56,719
Speaker 3: mean exactly, because it's actually if you read the lines

472
00:24:56,800 --> 00:24:59,760
Speaker 3: the way it's written, it's like, oh, you're gonna leave.

473
00:24:59,800 --> 00:25:01,240
Speaker 3: Like I I could have been sarcastic, and I wouldn't

474
00:25:01,240 --> 00:25:03,080
Speaker 3: be surprised if there was probably takes where I did

475
00:25:03,080 --> 00:25:06,679
Speaker 3: do that. But at some point, clearly the very correct

476
00:25:06,720 --> 00:25:09,119
Speaker 3: decision was made, either by me or the door or

477
00:25:09,200 --> 00:25:12,720
Speaker 3: Kendall or whoever, or Michael, to say, make sure that

478
00:25:12,800 --> 00:25:15,160
Speaker 3: you start from a place where you're saying all these things.

479
00:25:15,160 --> 00:25:18,040
Speaker 3: But it's totally fine, because it's just like it's all

480
00:25:18,160 --> 00:25:20,480
Speaker 3: funny games until the heart attack scene, at which point

481
00:25:20,520 --> 00:25:22,760
Speaker 3: I finally confused, but it was like, oh right, you

482
00:25:22,800 --> 00:25:25,000
Speaker 3: need somewhere to go, you know, you want to start out.

483
00:25:25,200 --> 00:25:28,240
Speaker 3: So even though Sean's saying all this negative stuff, I

484
00:25:28,280 --> 00:25:30,560
Speaker 3: was like smiling and laughing it off and like rolling

485
00:25:30,600 --> 00:25:32,359
Speaker 3: my you know, and I thought that was I was

486
00:25:32,359 --> 00:25:34,040
Speaker 3: so glad to see that. I was like, oh good,

487
00:25:34,040 --> 00:25:34,760
Speaker 3: we have somewhere to go.

488
00:25:34,920 --> 00:25:35,119
Speaker 2: You know.

489
00:25:35,320 --> 00:25:37,080
Speaker 1: So much of that is helped by the fact that

490
00:25:37,119 --> 00:25:40,080
Speaker 1: then you have Jack there to not be laughing along

491
00:25:40,160 --> 00:25:42,520
Speaker 1: with you. It really sets up that there's some like

492
00:25:42,800 --> 00:25:46,920
Speaker 1: Chet's like a little offended, You're clearly laughing it off,

493
00:25:46,960 --> 00:25:49,480
Speaker 1: and you've got Jack in the middle, who's like this

494
00:25:49,640 --> 00:25:52,520
Speaker 1: is awkward, right, Well it really it's.

495
00:25:52,359 --> 00:25:55,320
Speaker 2: Funny because it's because Jack didn't grow up with Chet.

496
00:25:56,080 --> 00:25:59,320
Speaker 2: Jack is like ten year old Sean here. He's so excited,

497
00:25:59,480 --> 00:26:01,600
Speaker 2: he is the best I'm going to get a chance

498
00:26:01,640 --> 00:26:03,959
Speaker 2: to be with my dad. And then there's the actual

499
00:26:03,960 --> 00:26:05,840
Speaker 2: Sean going like he's out of here the second he

500
00:26:05,880 --> 00:26:06,760
Speaker 2: gets a chance.

501
00:26:06,680 --> 00:26:09,399
Speaker 3: Which is a classic charisma trap, right when you have

502
00:26:09,440 --> 00:26:12,760
Speaker 3: somebody who's a complete narcissist charisma it's like when they

503
00:26:12,800 --> 00:26:14,280
Speaker 3: look at you when they spend time with you, like

504
00:26:14,359 --> 00:26:17,119
Speaker 3: I am the center of their universe and then they

505
00:26:17,119 --> 00:26:17,960
Speaker 3: don't care about you, and.

506
00:26:19,640 --> 00:26:20,960
Speaker 2: It's like, right, oh, yeah, I.

507
00:26:20,880 --> 00:26:23,280
Speaker 3: Know and if and yeah, I've definitely had this experience

508
00:26:23,280 --> 00:26:25,679
Speaker 3: where you see that happening to somebody where you know,

509
00:26:25,840 --> 00:26:29,280
Speaker 3: you're like, oh, they're doing their things, this person, and

510
00:26:29,320 --> 00:26:31,160
Speaker 3: this person's going to get their heart broken, like we've

511
00:26:31,160 --> 00:26:34,440
Speaker 3: all thought that. It's very well well laid out.

512
00:26:34,920 --> 00:26:36,440
Speaker 2: Yeah and common in actors.

513
00:26:36,480 --> 00:26:39,560
Speaker 1: Frankly, yeah yeah, Chet adds on his way to the

514
00:26:39,560 --> 00:26:42,359
Speaker 1: pool table, just as sure as I'm winning this next game.

515
00:26:42,640 --> 00:26:44,679
Speaker 1: But Sean has a different idea and picks up a

516
00:26:44,680 --> 00:26:47,520
Speaker 1: pool queue for a challenge of his own. And then

517
00:26:47,640 --> 00:26:49,640
Speaker 1: we're still in the student union. It's a little later.

518
00:26:49,720 --> 00:26:52,360
Speaker 1: There's one striped ball left on the table and Sean's

519
00:26:52,359 --> 00:26:54,680
Speaker 1: eyeing it for the win. He hits it right into

520
00:26:54,720 --> 00:26:56,720
Speaker 1: the pocket and everyone cheers, and.

521
00:26:56,680 --> 00:27:01,159
Speaker 3: Now ball and now we definitely I am not a

522
00:27:01,200 --> 00:27:02,880
Speaker 3: pool shark, like mister will.

523
00:27:02,760 --> 00:27:04,919
Speaker 1: Frail was not done by somebody shoot me?

524
00:27:05,000 --> 00:27:06,080
Speaker 3: Oh yeah, like I was.

525
00:27:06,359 --> 00:27:08,199
Speaker 2: While I was lying on the sho they couldn't hit

526
00:27:08,200 --> 00:27:08,560
Speaker 2: the nine.

527
00:27:08,640 --> 00:27:11,199
Speaker 3: Dude, I am so bad at pool, Like I finally

528
00:27:11,240 --> 00:27:13,560
Speaker 3: just stop, I finally don't even play anymore because it's

529
00:27:13,600 --> 00:27:16,879
Speaker 3: so not fun, Like I ruin everybody's game. It's like

530
00:27:17,040 --> 00:27:18,960
Speaker 3: I just make it. It's like golf, it's like I'm

531
00:27:18,960 --> 00:27:21,199
Speaker 3: so bad that it's like we're here for eight hours.

532
00:27:21,280 --> 00:27:23,679
Speaker 3: I'm so sorry. Let me just hit your I'll just

533
00:27:23,680 --> 00:27:26,320
Speaker 3: do whatever. So I finally have stopped. But I was

534
00:27:26,359 --> 00:27:28,280
Speaker 3: watching myself. I was like, maybe back then I thought

535
00:27:28,280 --> 00:27:30,560
Speaker 3: I was good, and maybe I was okay, And sure

536
00:27:30,680 --> 00:27:33,120
Speaker 3: enough when it catch the shot being made, they go.

537
00:27:35,200 --> 00:27:35,680
Speaker 2: Someone else.

538
00:27:36,280 --> 00:27:37,680
Speaker 3: I was already bad back then.

539
00:27:38,000 --> 00:27:39,479
Speaker 1: Yeah, so funny.

540
00:27:39,640 --> 00:27:42,560
Speaker 2: And she plays nine ball apparently. Yeah, games oppressive.

541
00:27:42,880 --> 00:27:46,159
Speaker 1: He I don't mean there how many normally?

542
00:27:46,400 --> 00:27:47,920
Speaker 2: Well, eight ball is the one where you get the

543
00:27:47,960 --> 00:27:49,880
Speaker 2: black ball in at the end. That's that's eight ball.

544
00:27:49,880 --> 00:27:51,320
Speaker 2: Where nine ball you have to do them in order.

545
00:27:51,400 --> 00:27:53,480
Speaker 2: That's all the striped ones. So when you play nine ball,

546
00:27:53,520 --> 00:27:55,000
Speaker 2: you have to do them in order. Yeah, it's a

547
00:27:55,000 --> 00:27:57,600
Speaker 2: faster game, but it can be more technically skillful with

548
00:27:57,640 --> 00:27:58,520
Speaker 2: the playing nine ball.

549
00:27:58,680 --> 00:28:01,200
Speaker 1: Yeah, He confidently rides right up to his dad to

550
00:28:01,240 --> 00:28:04,480
Speaker 1: collect his winnings. Then Sean shouts out, here's your money back, guys.

551
00:28:04,560 --> 00:28:06,880
Speaker 1: And I love this moment that you give your money.

552
00:28:07,000 --> 00:28:09,720
Speaker 2: On the cash back and you know he needs it too.

553
00:28:10,040 --> 00:28:11,639
Speaker 2: That's the thing. You know, Sean needs it, but he's like,

554
00:28:11,640 --> 00:28:13,640
Speaker 2: I'm not I'm not taking money from my friends exactly.

555
00:28:13,960 --> 00:28:15,359
Speaker 1: I thought it was a really it's a it's a

556
00:28:15,440 --> 00:28:19,439
Speaker 1: nice character building moment again to show who Sean is.

557
00:28:20,200 --> 00:28:22,760
Speaker 2: Well you're also coming off of I don't even want

558
00:28:22,800 --> 00:28:25,199
Speaker 2: to take a cup of coffee from you exactly. And

559
00:28:25,240 --> 00:28:27,520
Speaker 2: it's like this whole episode is about a lot of

560
00:28:27,520 --> 00:28:29,440
Speaker 2: the episode is about how Sean can't afford any of

561
00:28:29,480 --> 00:28:31,080
Speaker 2: this stuff and he's got a lot of cash in

562
00:28:31,119 --> 00:28:32,600
Speaker 2: his hand, but he's like, I'd rather be poor than

563
00:28:32,640 --> 00:28:33,440
Speaker 2: take it from my friends.

564
00:28:33,720 --> 00:28:36,600
Speaker 3: It also makes it okay when Sean has such a

565
00:28:36,640 --> 00:28:38,959
Speaker 3: chip on his shoulder about money later because it's otherwise

566
00:28:38,960 --> 00:28:40,320
Speaker 3: you kind of want to smack him and be like

567
00:28:40,320 --> 00:28:43,040
Speaker 3: you whiney bastard or whiney being so prideful. But you've

568
00:28:43,080 --> 00:28:45,920
Speaker 3: seen that he is willing to give money away when

569
00:28:45,920 --> 00:28:47,120
Speaker 3: it's not his, do you know what I mean? Like

570
00:28:47,160 --> 00:28:51,000
Speaker 3: he is charitable himself. But yeah, because it's a really

571
00:28:51,960 --> 00:28:54,280
Speaker 3: and he's defeating his father in a way, like yes,

572
00:28:54,440 --> 00:28:56,480
Speaker 3: you know, So it's like all the dynamic. It's really

573
00:28:56,520 --> 00:29:01,120
Speaker 3: good writing. It's like pretty perfect this whole setup. Yes,

574
00:29:01,400 --> 00:29:02,440
Speaker 3: just rewrite that first.

575
00:29:02,240 --> 00:29:09,320
Speaker 1: Page, I know, and he throws the cash on the table,

576
00:29:09,360 --> 00:29:11,440
Speaker 1: creating an all out panic to get the money back.

577
00:29:11,760 --> 00:29:11,960
Speaker 2: Check.

578
00:29:12,000 --> 00:29:15,200
Speaker 1: Congratulates his son on some fine shooting, and Sean reminds

579
00:29:15,240 --> 00:29:17,480
Speaker 1: him he learned it all from him. Chet tells his

580
00:29:17,520 --> 00:29:19,520
Speaker 1: boys from now on there will be lots and lots

581
00:29:19,520 --> 00:29:22,320
Speaker 1: of times for us to playpool. Jack warily asks, so

582
00:29:22,400 --> 00:29:25,160
Speaker 1: you're really staying for good? Chet says that's the plan.

583
00:29:25,320 --> 00:29:27,280
Speaker 3: He puts a year old, make a little boy.

584
00:29:28,600 --> 00:29:31,200
Speaker 1: Chet puts his arms around the brothers and announces, I'm

585
00:29:31,200 --> 00:29:34,040
Speaker 1: so proud to have two boys in college. He says

586
00:29:34,080 --> 00:29:36,920
Speaker 1: he's going to get one of those official Penbrook University sweatshirts,

587
00:29:36,920 --> 00:29:40,160
Speaker 1: and he leaves for the student store. Jack excitedly tells Sean,

588
00:29:40,280 --> 00:29:42,120
Speaker 1: ever since I've been here, he's been on the road.

589
00:29:42,280 --> 00:29:43,840
Speaker 1: I guess I just can't believe I'm actually going to

590
00:29:43,880 --> 00:29:46,640
Speaker 1: get to spend time with my father. Sean scoffs, you're not.

591
00:29:47,280 --> 00:29:50,480
Speaker 1: Jack's confused. He said he was staying. Sean explains that

592
00:29:50,640 --> 00:29:53,200
Speaker 1: man doesn't know how to stay. Trust me, He'll be

593
00:29:53,240 --> 00:29:55,840
Speaker 1: gone before your next class starts, and that's when Chet

594
00:29:55,880 --> 00:29:58,360
Speaker 1: returns Now with a huge smile and a bright red

595
00:29:58,400 --> 00:29:59,959
Speaker 1: Penbrook sweatshirt and a foam face.

596
00:30:00,080 --> 00:30:03,040
Speaker 2: Here, huge smile and a small sweatshirt. That's the He

597
00:30:03,080 --> 00:30:04,880
Speaker 2: needs a bigger size. Sorry, but that was he was

598
00:30:04,880 --> 00:30:06,920
Speaker 2: tugging that thing on one size bigger Chet.

599
00:30:07,920 --> 00:30:10,840
Speaker 1: He wants an official college tour, starting with the laboratory

600
00:30:10,880 --> 00:30:14,520
Speaker 1: where they torture the mice. Then tonight Chet will treat

601
00:30:14,560 --> 00:30:17,080
Speaker 1: them to dinner at Steak and SuDS. He gives the

602
00:30:17,080 --> 00:30:19,520
Speaker 1: boys a big group hug. They're going to be a family.

603
00:30:19,840 --> 00:30:22,400
Speaker 1: Then with his big foam finger, he points toward the

604
00:30:22,440 --> 00:30:27,960
Speaker 1: door to the mice, and then we're at the apartment.

605
00:30:28,040 --> 00:30:30,720
Speaker 1: Chet leads the guys in size. What a meal? He

606
00:30:30,920 --> 00:30:32,200
Speaker 1: loves beef.

607
00:30:34,840 --> 00:30:38,080
Speaker 3: Are just so kind of random, but anything out of

608
00:30:38,080 --> 00:30:38,640
Speaker 3: his mouth.

609
00:30:38,800 --> 00:30:39,880
Speaker 1: He's about to have a heart attack.

610
00:30:40,080 --> 00:30:47,680
Speaker 2: I spend the day. It's like, I love me some

611
00:30:47,720 --> 00:30:49,480
Speaker 2: red meat. Meat.

612
00:30:52,080 --> 00:30:54,400
Speaker 1: Meanwhile, Sean is mad at his brother for picking up

613
00:30:54,440 --> 00:30:56,960
Speaker 1: the check. Jack brushes it off, but Sean's adamant. He

614
00:30:57,000 --> 00:30:58,600
Speaker 1: said it was on him. Why you got to be

615
00:30:58,640 --> 00:31:01,920
Speaker 1: such a show off, insists Chet. We'll get it next time,

616
00:31:01,960 --> 00:31:04,280
Speaker 1: and he asks his dad, how about every Thursday night

617
00:31:04,320 --> 00:31:07,400
Speaker 1: Steak and Sud's night Chat grins, I'm there, but Sean

618
00:31:07,440 --> 00:31:10,800
Speaker 1: knows better. Don't hold your breath. Rachel enters the living

619
00:31:10,880 --> 00:31:13,240
Speaker 1: room and greets everyone, forcing Chet to stop dead in

620
00:31:13,320 --> 00:31:16,800
Speaker 1: his tracks. Look what somebody left in your house? He

621
00:31:16,880 --> 00:31:19,680
Speaker 1: tells Rachel. I've been to three county fairs, two pig

622
00:31:19,760 --> 00:31:22,960
Speaker 1: stickings and a goat rope, but I ain't never seen

623
00:31:23,040 --> 00:31:24,000
Speaker 1: nothing like you.

624
00:31:24,840 --> 00:31:25,200
Speaker 4: Wow?

625
00:31:25,760 --> 00:31:29,960
Speaker 2: So is Chet originally from the South? Is he from

626
00:31:29,960 --> 00:31:32,440
Speaker 2: the Deep South? And he comes up to Philly and

627
00:31:32,680 --> 00:31:35,760
Speaker 2: gets a woman pregnant and has Sean? Yeah, and all

628
00:31:35,800 --> 00:31:38,280
Speaker 2: the others and all the other kids. Yeah, right, okay,

629
00:31:39,160 --> 00:31:41,720
Speaker 2: I mean yeah, I mean he's clearly from.

630
00:31:41,560 --> 00:31:43,480
Speaker 3: The Blakes from Georgia, right, right.

631
00:31:43,680 --> 00:31:46,360
Speaker 2: I mean guess that's where there they're playing it from, right, Okay.

632
00:31:46,680 --> 00:31:49,600
Speaker 1: Jack introduces Chet to Rachel and she says she's heard

633
00:31:49,640 --> 00:31:52,120
Speaker 1: so much about him. Chet asks, did they tell you

634
00:31:52,200 --> 00:31:54,400
Speaker 1: my wife passed on? And I'm starting to date again.

635
00:31:55,120 --> 00:31:57,600
Speaker 1: Jack shoots him a look, and Chet says he's just kidding.

636
00:31:57,720 --> 00:32:00,800
Speaker 1: I love the dear woman, wherever the hell she is. Meanwhile,

637
00:32:00,840 --> 00:32:04,280
Speaker 1: Sean is on the couch looking very moody. Rachel decides

638
00:32:04,440 --> 00:32:08,040
Speaker 1: she wants to get a picture of their family for

639
00:32:08,200 --> 00:32:11,480
Speaker 1: her scrap book. I don't know why we had to

640
00:32:11,480 --> 00:32:14,680
Speaker 1: say what she needed a picture for. She'd just be like, no,

641
00:32:14,920 --> 00:32:16,360
Speaker 1: let me get a picture of you guys. I don't

642
00:32:16,360 --> 00:32:18,360
Speaker 1: know why she had to be like for my scrap book.

643
00:32:18,720 --> 00:32:21,600
Speaker 2: So is that scrap book also just hundreds of pictures

644
00:32:21,600 --> 00:32:23,440
Speaker 2: of little kids sitting on Santa's lp.

645
00:32:23,520 --> 00:32:28,480
Speaker 1: Yes, from Santa's littlpers. I mean, she's never mentioned it before,

646
00:32:28,560 --> 00:32:31,040
Speaker 1: but it is just right after she collected those polaroids.

647
00:32:31,080 --> 00:32:35,960
Speaker 1: So Chet grins whatever your pretty little redhead desires. As

648
00:32:36,040 --> 00:32:38,920
Speaker 1: Rachel turns and Chet asks Jack what is she six'?

649
00:32:39,000 --> 00:32:41,760
Speaker 1: Seven he jokes that she could eat a pie off

650
00:32:41,800 --> 00:32:45,280
Speaker 1: of his. Head rachel returns with her camera and tells

651
00:32:45,280 --> 00:32:47,800
Speaker 1: the boys to get. Together jack And chedd are grinning

652
00:32:47,840 --> 00:32:49,800
Speaker 1: from ear to, ear But sean still doesn't look too.

653
00:32:49,880 --> 00:32:53,760
Speaker 1: Thrilled rachel, says, Smile, sean it's your. Dad sean gives

654
00:32:53,760 --> 00:32:54,960
Speaker 1: a week smile and she takes the.

655
00:32:55,000 --> 00:32:57,560
Speaker 2: PICTURE i thought all that looked just Like, riderstrong take

656
00:32:57,560 --> 00:33:01,920
Speaker 2: you a. Picture none that was. Different it's kind of like,

657
00:33:01,920 --> 00:33:03,800
Speaker 2: this and it's, like come, On, Riders and then he's

658
00:33:03,880 --> 00:33:05,560
Speaker 2: kind of half, smiles, like, yeah just taking a picture

659
00:33:05,560 --> 00:33:06,040
Speaker 2: with the rider every.

660
00:33:06,120 --> 00:33:11,240
Speaker 1: Day Then chet decides he wants a picture Of jack

661
00:33:11,320 --> 00:33:15,480
Speaker 1: with his future daughter in. Law rachel And jack oblige

662
00:33:15,720 --> 00:33:18,920
Speaker 1: just As eric walks. In and now this is the

663
00:33:19,080 --> 00:33:21,440
Speaker 1: second episode in a row where there's been a moment

664
00:33:21,480 --> 00:33:22,960
Speaker 1: where she, says you, know in the last one she

665
00:33:23,000 --> 00:33:25,040
Speaker 1: said she wanted five, kids and he says he wants,

666
00:33:25,080 --> 00:33:27,400
Speaker 1: one maybe, Two and then he changes his mind when

667
00:33:27,440 --> 00:33:30,600
Speaker 1: he hears that she wants. Five and now he's, calling they're,

668
00:33:30,720 --> 00:33:33,320
Speaker 1: really in my, opinion they're setting up where this is.

669
00:33:33,360 --> 00:33:35,920
Speaker 2: Going, yeah they're setting it up right. Now this is the.

670
00:33:35,920 --> 00:33:39,440
Speaker 2: Start this is also the fifth time Of eric walking

671
00:33:39,480 --> 00:33:42,520
Speaker 2: in on something With jack And rachel touching each. Other and,

672
00:33:43,200 --> 00:33:44,600
Speaker 2: yeah it's like it's just the new.

673
00:33:44,640 --> 00:33:47,800
Speaker 1: Thing, yeah, yep chat waves Hey. Eryl then he Tells

674
00:33:47,880 --> 00:33:51,239
Speaker 1: jack to hold her. Tight eric does not like, this

675
00:33:51,280 --> 00:33:53,640
Speaker 1: so he tries to pry them apart and Asks, chet

676
00:33:53,720 --> 00:33:56,440
Speaker 1: how you? Doing when are you? Leaving jack answers he's,

677
00:33:56,480 --> 00:33:59,680
Speaker 1: Not he's. Staying rachel's so happy to hear, this But

678
00:33:59,720 --> 00:34:02,400
Speaker 1: sean interrupts the happy. Moment CAN i just clear something?

679
00:34:02,480 --> 00:34:05,800
Speaker 1: Up the man is not. Staying he never, has he never.

680
00:34:05,880 --> 00:34:09,560
Speaker 1: Will chet's had Enough you've been busting my chops SINCE

681
00:34:09,560 --> 00:34:13,120
Speaker 1: i got. Here what is your? Problem sean, ASKS i

682
00:34:13,160 --> 00:34:15,560
Speaker 1: don't have any. Problems what would make you THINK i

683
00:34:15,680 --> 00:34:19,320
Speaker 1: have any? Problems rachel hops in and gleefully asks how about?

684
00:34:19,360 --> 00:34:22,120
Speaker 1: Cake sean says he's not, hungry But rachel fetches it.

685
00:34:22,120 --> 00:34:25,640
Speaker 1: Anyway it's her famous homemade double fudge whipped cream. Cake

686
00:34:26,120 --> 00:34:29,640
Speaker 1: chet says he'd love. Some eric answers the ringing phone and, responds,

687
00:34:29,719 --> 00:34:32,160
Speaker 1: yeah he's right. Here he hands it To chet and

688
00:34:32,400 --> 00:34:35,640
Speaker 1: apparently it's his Friend, tommy but not the little Orphan

689
00:34:35,719 --> 00:34:38,440
Speaker 1: tommy That eric brought home For. Christmas, also how?

690
00:34:38,719 --> 00:34:39,640
Speaker 3: Different call him?

691
00:34:39,640 --> 00:34:41,080
Speaker 1: Here he's given them.

692
00:34:41,000 --> 00:34:43,640
Speaker 2: The number he gave him the. Number, OKAY i FIGURE

693
00:34:43,680 --> 00:34:45,560
Speaker 2: i thought about that, too and THEN i figured somebody

694
00:34:45,560 --> 00:34:47,840
Speaker 2: who's a wanderer and.

695
00:34:49,239 --> 00:34:52,000
Speaker 1: Reach for exactly here's Where i'm gonna be, This i'm

696
00:34:52,040 --> 00:34:53,200
Speaker 1: staying with my. Boys here's.

697
00:34:53,239 --> 00:34:54,600
Speaker 2: There just reach me at this.

698
00:34:54,680 --> 00:34:58,400
Speaker 1: Number, yeah, exactly so Different. Tommy not sure why there

699
00:34:58,440 --> 00:35:00,560
Speaker 1: was such a name shortage on boy it meets we're.

700
00:35:00,440 --> 00:35:02,640
Speaker 2: Old but the same, why same. Reason everybody's last name

701
00:35:02,719 --> 00:35:03,920
Speaker 2: Is williams or.

702
00:35:05,320 --> 00:35:07,280
Speaker 1: Or was it A Jonathan?

703
00:35:07,560 --> 00:35:08,000
Speaker 2: Jonathan?

704
00:35:08,080 --> 00:35:11,000
Speaker 3: Yeah, well to be fair we had Three williams on our.

705
00:35:11,040 --> 00:35:14,640
Speaker 2: SHOW i, know, yeah that's so. True that's. True that's, True.

706
00:35:14,800 --> 00:35:17,000
Speaker 1: AND i guess as far as confusing names, go it's

707
00:35:17,040 --> 00:35:23,640
Speaker 1: not that confusing that it's Not tommy The orphans.

708
00:35:21,840 --> 00:35:23,479
Speaker 2: Or he And tommy are in some kind of scheme,

709
00:35:23,560 --> 00:35:25,279
Speaker 2: Together tommy and The orphan that would make ge.

710
00:35:25,200 --> 00:35:25,880
Speaker 3: Him a job In.

711
00:35:26,000 --> 00:35:29,759
Speaker 1: Vegas over the, Phone chet asks how much are they?

712
00:35:29,760 --> 00:35:32,040
Speaker 1: Paying he clears his throat after hearing the number and

713
00:35:32,080 --> 00:35:34,640
Speaker 1: softly says he'll get back to him on. That what

714
00:35:34,719 --> 00:35:38,840
Speaker 1: do we think About blake's? Acting pretty? Good pretty?

715
00:35:38,840 --> 00:35:39,600
Speaker 3: Good, yeah pretty?

716
00:35:39,640 --> 00:35:42,879
Speaker 2: Good solid antenna. Too it's not not a, retractable it's

717
00:35:42,920 --> 00:35:45,919
Speaker 2: the solid one piece. Antenna those were expensive At Radio.

718
00:35:45,920 --> 00:35:49,359
Speaker 1: Shock oh. Yeah Once chet hangs, Up sean, asks.

719
00:35:49,080 --> 00:35:49,960
Speaker 2: So when you leave?

720
00:35:50,000 --> 00:35:52,759
Speaker 1: It chet fights. Back that shows you how much you.

721
00:35:52,840 --> 00:35:55,120
Speaker 1: KNOW i just got offered the best JOB i ever,

722
00:35:55,160 --> 00:35:57,680
Speaker 1: had dealing blackjack In. Vegas but you didn't hear me

723
00:35:57,719 --> 00:35:59,640
Speaker 1: SAY i was going to take, it did, You sewan

724
00:35:59,719 --> 00:36:02,920
Speaker 1: COUNT i didn't hear you turn it. Down chet insists

725
00:36:02,920 --> 00:36:05,000
Speaker 1: he's going to turn it. Down he's just keeping his options.

726
00:36:05,040 --> 00:36:08,160
Speaker 1: Open sean is, fuming that is so like. You you

727
00:36:08,320 --> 00:36:10,799
Speaker 1: always do this over and over and over. Again you

728
00:36:10,840 --> 00:36:13,560
Speaker 1: come into, town you make all these, promises and just

729
00:36:13,640 --> 00:36:15,880
Speaker 1: WHEN i think we're actually going to get, close you

730
00:36:16,000 --> 00:36:20,239
Speaker 1: take off. Again then the realization Hits, Sean oh my,

731
00:36:20,320 --> 00:36:24,319
Speaker 1: God i'm. You chet asks what he's talking, about And sean,

732
00:36:24,360 --> 00:36:27,160
Speaker 1: EXPLAINS i can't keep a. RELATIONSHIP i drive all my friends,

733
00:36:27,200 --> 00:36:30,919
Speaker 1: AWAY i hurt EVERYBODY i care, about AND i wanted

734
00:36:30,960 --> 00:36:33,680
Speaker 1: to be like, really the only part of that is

735
00:36:33,680 --> 00:36:38,680
Speaker 1: the relationship. Storyline you haven't really Put corey's still your best.

736
00:36:38,719 --> 00:36:43,080
Speaker 1: Friend sean And tapanga have actually become more.

737
00:36:43,120 --> 00:36:46,520
Speaker 2: Friends sean And angela were. ARE i, mean he had

738
00:36:46,520 --> 00:36:48,640
Speaker 2: a decent relationship with her until he ran.

739
00:36:48,920 --> 00:36:51,000
Speaker 1: Right but THAT i. UNDERSTAND i understand him.

740
00:36:50,880 --> 00:36:52,000
Speaker 2: The one that's the one.

741
00:36:52,040 --> 00:36:54,520
Speaker 1: Part i've got somebody who loves me AND i can't

742
00:36:54,560 --> 00:36:55,440
Speaker 1: even you, know, LIKE.

743
00:36:55,640 --> 00:36:56,680
Speaker 2: I don't know that's WHAT i should have.

744
00:36:56,680 --> 00:36:59,200
Speaker 3: Been, yeah, yeah, YEAH i take care of my.

745
00:36:59,280 --> 00:37:02,120
Speaker 2: Pig, NO i mean you're incredibly.

746
00:37:02,200 --> 00:37:05,560
Speaker 3: Loyal, YEAH i, Think, yeah that connection could have been

747
00:37:05,560 --> 00:37:09,360
Speaker 3: made Without, yeah it could have just been about, romance, yeah,

748
00:37:09,600 --> 00:37:12,040
Speaker 3: right or just not being able to commit just in. General,

749
00:37:12,120 --> 00:37:13,640
Speaker 3: right it's just the idea of, LIKE i just this

750
00:37:13,680 --> 00:37:14,239
Speaker 3: is WHY i can't.

751
00:37:14,239 --> 00:37:16,839
Speaker 1: Commit, yes because even if we think ABOUT i was into,

752
00:37:16,840 --> 00:37:19,359
Speaker 1: photography THEN i was into. THIS i have a hard

753
00:37:19,400 --> 00:37:21,879
Speaker 1: time making a choice in my life and sticking with,

754
00:37:21,920 --> 00:37:26,120
Speaker 1: it like, You so even commitment to WHAT i want to,

755
00:37:26,160 --> 00:37:28,480
Speaker 1: be you're you, know like if it had just been

756
00:37:28,520 --> 00:37:31,319
Speaker 1: an overall thing of, like the only Thing i've learned

757
00:37:31,400 --> 00:37:33,880
Speaker 1: from you is how to not stick with.

758
00:37:33,960 --> 00:37:37,080
Speaker 2: Anything, yeah but, THAT i mean that doesn't even really

759
00:37:37,080 --> 00:37:39,760
Speaker 2: work because he's in. COLLEGE i mean he's, Like sean's

760
00:37:39,800 --> 00:37:41,879
Speaker 2: on the right path right. Now so the only thing

761
00:37:41,880 --> 00:37:45,200
Speaker 2: that isn't right is. Angela, yeah so, YEAH i should

762
00:37:45,200 --> 00:37:50,000
Speaker 2: have just been. Romantic, Yeah jack butts, in take it.

763
00:37:50,040 --> 00:37:53,000
Speaker 1: Easy sean says this doesn't concern, him But jack reminds

764
00:37:53,040 --> 00:37:56,040
Speaker 1: him That chet's his father. Too chet changes the. Subject

765
00:37:56,200 --> 00:37:58,399
Speaker 1: he's going to eat some of this, cake but after

766
00:37:58,440 --> 00:38:01,600
Speaker 1: a bite he Breaks, Hey, Okay i'll Call. Tommy i'll

767
00:38:01,600 --> 00:38:03,720
Speaker 1: tell Him i'm not taking the damn. Job you. Happy

768
00:38:04,400 --> 00:38:08,080
Speaker 1: Then chet looks disoriented and grabs his. Chest he's in.

769
00:38:08,120 --> 00:38:10,279
Speaker 1: Pain jack And seawan get their dad over to the,

770
00:38:10,280 --> 00:38:14,160
Speaker 1: couch And chet slumps down without saying a. Word and

771
00:38:14,840 --> 00:38:17,600
Speaker 1: we're in the. Hospital jack And sean are pacing in the.

772
00:38:17,600 --> 00:38:19,960
Speaker 1: Hallway jack says his hand feels like it's gonna fall

773
00:38:20,000 --> 00:38:22,600
Speaker 1: off from all that. Paperwork sean can't believe what he's.

774
00:38:22,640 --> 00:38:24,839
Speaker 1: Hearing he's in there with a heart attack and you're

775
00:38:24,840 --> 00:38:28,080
Speaker 1: out here complaining about. Forms jack explains they weren't going

776
00:38:28,120 --> 00:38:30,520
Speaker 1: to treat him until somebody filled out the. Paperwork Until,

777
00:38:30,600 --> 00:38:32,680
Speaker 1: sean he's really been out of it since the ambulance.

778
00:38:32,760 --> 00:38:35,839
Speaker 1: Ride sean, argues, well maybe you're not going through WHAT i.

779
00:38:35,880 --> 00:38:38,080
Speaker 1: Am jack doesn't want to talk about this right. Now

780
00:38:38,239 --> 00:38:41,279
Speaker 1: he just wants to go see their, father and they

781
00:38:41,280 --> 00:38:44,320
Speaker 1: march off To chet's hospital. Room the boys.

782
00:38:44,120 --> 00:38:47,400
Speaker 3: Entered him listening to, that listening to you summarize it,

783
00:38:47,440 --> 00:38:50,440
Speaker 3: BACK i don't think we need this, Scene, no, no

784
00:38:50,640 --> 00:38:54,440
Speaker 3: because we say all of this l later. Me you,

785
00:38:54,440 --> 00:38:56,839
Speaker 3: know we could have just started in the hospital. Room

786
00:38:56,960 --> 00:38:59,600
Speaker 3: i'm curious why this scene because it's like all the

787
00:38:59,680 --> 00:39:01,960
Speaker 3: tension come out between me And jack in front of

788
00:39:02,120 --> 00:39:04,279
Speaker 3: like for the rest of the. Episode, Yeah AND i

789
00:39:04,320 --> 00:39:06,680
Speaker 3: was just, like, yeah, yeah little.

790
00:39:06,640 --> 00:39:09,480
Speaker 2: Have been about the money not because, again even if

791
00:39:09,480 --> 00:39:11,200
Speaker 2: you have this, scene it wouldn't have been awful for

792
00:39:11,239 --> 00:39:13,360
Speaker 2: shond to have been, like, oh, yeah the, paperwork thanks for. That.

793
00:39:13,520 --> 00:39:15,799
Speaker 2: EXACTLY i, know you, know because it's that's not about,

794
00:39:15,800 --> 00:39:17,719
Speaker 2: money that's just about filling something out and.

795
00:39:17,680 --> 00:39:19,920
Speaker 1: One person has to fill it. Out there's you, know

796
00:39:20,200 --> 00:39:20,600
Speaker 1: it's not.

797
00:39:20,560 --> 00:39:23,319
Speaker 2: Like, right so, yeah so how much does the room?

798
00:39:23,360 --> 00:39:25,760
Speaker 2: Cost that's when it's then like you wait a, minute, yeah.

799
00:39:25,560 --> 00:39:27,120
Speaker 3: You're, right which is the next, thing like you just

800
00:39:27,160 --> 00:39:28,840
Speaker 3: start with a, tension but you know Where i'm with

801
00:39:29,200 --> 00:39:30,640
Speaker 3: him in the, room and then he comes in and

802
00:39:30,680 --> 00:39:33,279
Speaker 3: THEN i attack. Him it's all the same stuff, happens like.

803
00:39:33,280 --> 00:39:37,400
Speaker 1: Right, yeah, no you're. Right not not a needed. Scene

804
00:39:37,840 --> 00:39:39,759
Speaker 1: so then we're In chet's hospital. Room the boys enter

805
00:39:39,840 --> 00:39:41,640
Speaker 1: to See chet lying in the bed with his eyes.

806
00:39:41,640 --> 00:39:44,719
Speaker 1: Closed sean surveys the big room And jack, EXPLAINS i

807
00:39:44,719 --> 00:39:46,839
Speaker 1: thought it'd be nice if he had his own. Room shan,

808
00:39:46,920 --> 00:39:50,600
Speaker 1: demands whatever this nice room, Costs i'm paying. Half jack

809
00:39:50,640 --> 00:39:52,840
Speaker 1: tells him not to, worry his stepfather is willing to.

810
00:39:52,880 --> 00:39:55,560
Speaker 1: Help this only Pisses sean off. More my dad AND

811
00:39:55,600 --> 00:39:58,480
Speaker 1: i do not need charity from your. Family he Asks

812
00:39:58,560 --> 00:40:01,240
Speaker 1: jack multiple times how much the room, costs and Finally

813
00:40:01,360 --> 00:40:05,880
Speaker 1: jack reluctantly tells him two thousand. Dollars sean nods, okay

814
00:40:06,120 --> 00:40:10,040
Speaker 1: And jack clarifies a Day, Sean.

815
00:40:09,960 --> 00:40:13,480
Speaker 2: I'm, curious how rich do you Think jack's dad? IS

816
00:40:14,160 --> 00:40:19,160
Speaker 2: i mean he grew up like, wealthy like wealthy will last, episode,

817
00:40:19,440 --> 00:40:21,399
Speaker 2: Right so if he's driving a far he's he grew

818
00:40:21,440 --> 00:40:24,200
Speaker 2: up like with millions of, dollars, RIGHT.

819
00:40:24,200 --> 00:40:25,880
Speaker 3: I, think so okahamas.

820
00:40:25,880 --> 00:40:29,040
Speaker 2: Everything, yeah, Right so he grew up a rich kid

821
00:40:29,480 --> 00:40:32,600
Speaker 2: that's like upper middle class but like a rich, kid which.

822
00:40:32,400 --> 00:40:34,400
Speaker 3: Going back to When jack was, introduced like if he

823
00:40:34,440 --> 00:40:37,359
Speaker 3: had shown up in like really expensive, clothes you, know

824
00:40:37,440 --> 00:40:40,960
Speaker 3: like they just didn't they have like, that like the you,

825
00:40:41,000 --> 00:40:42,920
Speaker 3: know and even though he's a nice, guy if he

826
00:40:42,960 --> 00:40:45,000
Speaker 3: could come across as like a rich kid when we

827
00:40:45,040 --> 00:40:46,239
Speaker 3: first met him would have.

828
00:40:46,280 --> 00:40:47,799
Speaker 2: HELPED i, Think, yeah, YEAH i.

829
00:40:47,840 --> 00:40:50,840
Speaker 1: Agree sean, yells what are they out of their freaking?

830
00:40:51,000 --> 00:40:54,520
Speaker 1: Minds sean reaches into his pocket and Gives jack twenty

831
00:40:54,600 --> 00:40:58,040
Speaker 1: dollars to, start WHICH i. Love it's, great great moment

832
00:40:58,360 --> 00:41:02,120
Speaker 1: take both boys walk over to their dad's bedside and

833
00:41:02,160 --> 00:41:06,000
Speaker 1: realize his grave. Condition and then we're In topanga And angela's.

834
00:41:06,000 --> 00:41:08,719
Speaker 1: Dorm corey is reading a beautifully written letter about his

835
00:41:08,760 --> 00:41:09,759
Speaker 1: love For, tapanga and we.

836
00:41:09,760 --> 00:41:14,440
Speaker 2: Really lobster over his, shoulder hide over his. Shoulder giant. Lobster,

837
00:41:15,600 --> 00:41:18,400
Speaker 2: yep didn't see. It oh, man it's All i've been seeing.

838
00:41:18,400 --> 00:41:19,919
Speaker 2: Now it's LIKE i don't see any of the. ACTING

839
00:41:20,000 --> 00:41:21,759
Speaker 2: i just see lobsters. Everywhere so.

840
00:41:22,080 --> 00:41:26,400
Speaker 1: Crazy, well we realize he's reading. Vows corey smirks it To,

841
00:41:26,440 --> 00:41:29,040
Speaker 1: panga sitting on her, Bed this is really, sweet BUT

842
00:41:29,080 --> 00:41:30,839
Speaker 1: i Think i'd rather wait and till our wedding day

843
00:41:30,880 --> 00:41:34,240
Speaker 1: to hear your. Vows topega reveals those aren't her, vows

844
00:41:34,280 --> 00:41:38,080
Speaker 1: those are his. Vows corey's taken. Back he appreciates the,

845
00:41:38,080 --> 00:41:40,720
Speaker 1: input but don't you THINK i can write my own wedding.

846
00:41:40,800 --> 00:41:44,800
Speaker 1: Vows topenga, Smiles you're, right why don't you. Try angela

847
00:41:44,840 --> 00:41:46,520
Speaker 1: is on her side of the, room, now interested to

848
00:41:46,520 --> 00:41:49,719
Speaker 1: hear what he comes up. With corey, begins sometimes two

849
00:41:49,800 --> 00:41:52,800
Speaker 1: people who love each other are in, love and because

850
00:41:52,840 --> 00:41:56,560
Speaker 1: of that, love they love each other To pega just

851
00:41:56,600 --> 00:41:58,800
Speaker 1: stares at. Him he, caves all, right you write the.

852
00:41:58,880 --> 00:42:01,360
Speaker 1: Vows she's happy to hear, it then moves on to

853
00:42:01,440 --> 00:42:05,360
Speaker 1: the next topic their wedding. Night corey's excitement is palpable To.

854
00:42:05,480 --> 00:42:09,560
Speaker 1: Penga she corrects Him, bermuda and he, Replies i'll call

855
00:42:09,640 --> 00:42:13,879
Speaker 1: you whatever you. Want so, funny she, Clarifies we're gonna

856
00:42:13,920 --> 00:42:17,160
Speaker 1: honeymoon In. Bermuda it's the perfect, climate fabulous, food and

857
00:42:17,360 --> 00:42:20,720
Speaker 1: just about the best darn snorkeling this side of, Anywhere corey,

858
00:42:20,760 --> 00:42:22,440
Speaker 1: admits BUT i don't want to be in the. OCEAN

859
00:42:22,520 --> 00:42:25,280
Speaker 1: i want to be in the room a. Lot tapanga

860
00:42:25,360 --> 00:42:28,000
Speaker 1: asks why he's so obsessed with, sex and he clearly

861
00:42:28,000 --> 00:42:31,640
Speaker 1: explains BECAUSE i don't get Any there's a knock at

862
00:42:31,680 --> 00:42:33,520
Speaker 1: the door And corey tells her to hold that. Thought,

863
00:42:33,840 --> 00:42:36,080
Speaker 1: kenny the pool player from, earlier pokes his head in

864
00:42:36,160 --> 00:42:38,479
Speaker 1: to Tell corey he has a, Call So corey Tells

865
00:42:38,480 --> 00:42:41,680
Speaker 1: tapanga to hold that thought and. Leaves, meanwhile To, pega

866
00:42:41,719 --> 00:42:45,960
Speaker 1: gushingly Asks, angela isn't my, patient Little corey? Cute angela

867
00:42:46,000 --> 00:42:47,880
Speaker 1: admits he's not going to be so cute when his

868
00:42:47,920 --> 00:42:52,040
Speaker 1: patient little head. Explodes then a Shocked corey. Returns he

869
00:42:52,120 --> 00:42:55,040
Speaker 1: tells the girls That sean's father had a heart. Attack

870
00:43:07,520 --> 00:43:10,000
Speaker 1: then we're back In chet's hospital. Room chet wakes up

871
00:43:10,040 --> 00:43:12,200
Speaker 1: and Sees sean sitting beside the. Bed what?

872
00:43:12,320 --> 00:43:15,840
Speaker 2: HAPPENED a giant lobster over his? SHOULDER i mean right

873
00:43:16,440 --> 00:43:20,440
Speaker 2: over your shoulder it. Is it's it's not even hidden

874
00:43:20,560 --> 00:43:22,840
Speaker 2: at this, point so it was. AMAZING i mean it

875
00:43:22,880 --> 00:43:24,759
Speaker 2: Was sue AND i again go, like, oh oh my,

876
00:43:24,760 --> 00:43:27,160
Speaker 2: god it's right. THERE i mean it's, like, yeah it

877
00:43:27,200 --> 00:43:28,640
Speaker 2: wasn't even like you had to spot it.

878
00:43:28,680 --> 00:43:30,840
Speaker 3: ANYMORE i can't believe they NEVER i, mean do you

879
00:43:30,840 --> 00:43:31,400
Speaker 3: think and then you.

880
00:43:31,480 --> 00:43:33,719
Speaker 2: Cut back to it again and it was, Gone so

881
00:43:33,760 --> 00:43:34,480
Speaker 2: it was like it was.

882
00:43:34,480 --> 00:43:36,319
Speaker 3: Cool so maybe they pulled it after the first. Take,

883
00:43:36,640 --> 00:43:39,200
Speaker 3: yeah that's probably what. Happened if it, was LIKE i

884
00:43:39,200 --> 00:43:42,840
Speaker 3: think we can see it on. CAMERA i wonder all that.

885
00:43:43,040 --> 00:43:44,759
Speaker 3: Happened they were, like we got to pull the lobsters too.

886
00:43:44,840 --> 00:43:45,799
Speaker 3: Up it wasn't even.

887
00:43:45,880 --> 00:43:46,880
Speaker 2: Hidden oh my.

888
00:43:46,960 --> 00:43:49,920
Speaker 1: God So chet wants to know what. Happened did you hit?

889
00:43:50,000 --> 00:43:52,759
Speaker 1: Me sean tells him he had a heart. Attack chet looks,

890
00:43:52,800 --> 00:43:55,600
Speaker 1: around where are all the other. Patients sean says he

891
00:43:55,640 --> 00:43:57,919
Speaker 1: got his own, room And chet's eyes go. Wide, well

892
00:43:57,920 --> 00:44:00,320
Speaker 1: that can't be, good But sean tells him it's because Of,

893
00:44:00,400 --> 00:44:04,200
Speaker 1: jack who's outside filling out. Paperwork sean wants to talk

894
00:44:04,239 --> 00:44:06,320
Speaker 1: about what he was saying earlier back at the, apartment

895
00:44:06,400 --> 00:44:09,480
Speaker 1: but right Then eric And rachel walk. In rachel is freaking.

896
00:44:09,480 --> 00:44:11,680
Speaker 1: Out oh my, God oh my. God chet wants to

897
00:44:11,680 --> 00:44:13,960
Speaker 1: know what the heck is wrong with. Her eric, explains

898
00:44:14,080 --> 00:44:16,120
Speaker 1: she thinks she caused your heart attack with her cake of.

899
00:44:16,160 --> 00:44:20,160
Speaker 1: Death rachel clarifies she didn't think the cake caused. It

900
00:44:20,160 --> 00:44:24,239
Speaker 1: it was a contributing. Factor eric, agrees while bracing his own. Heart,

901
00:44:24,320 --> 00:44:26,759
Speaker 1: well that sucker was rich. MAN i still That chess

902
00:44:26,800 --> 00:44:28,640
Speaker 1: means myself.

903
00:44:31,120 --> 00:44:32,520
Speaker 2: Get some levity in there. Somewhere so.

904
00:44:32,680 --> 00:44:35,680
Speaker 3: Funny BUT i didn't quite realize that there really is

905
00:44:35,719 --> 00:44:39,840
Speaker 3: No bee story, no BECAUSE i thought, maybe, yeah like

906
00:44:39,880 --> 00:44:43,040
Speaker 3: WHEN i when The Corey tapanga stuff, STARTED i was, like,

907
00:44:43,080 --> 00:44:43,719
Speaker 3: thought it's going to be.

908
00:44:43,680 --> 00:44:44,719
Speaker 2: A vow.

909
00:44:46,040 --> 00:44:49,000
Speaker 3: Yeah, Runner but there it's all just one off. Jokes

910
00:44:49,040 --> 00:44:50,120
Speaker 3: they never come. Back.

911
00:44:50,440 --> 00:44:54,640
Speaker 1: Interesting. Wow, no THE b storyline is really all the

912
00:44:54,840 --> 00:44:57,759
Speaker 1: all The it's multiple different relationships and how and how

913
00:44:57,840 --> 00:45:01,839
Speaker 1: they interact and are changed In shawn's life based on his.

914
00:45:01,960 --> 00:45:05,080
Speaker 2: DAD i would, say if THE a story Is chet And,

915
00:45:05,120 --> 00:45:10,680
Speaker 2: sean THE bt story Is sean And Jack jack, exactly so, yeah.

916
00:45:09,760 --> 00:45:13,279
Speaker 1: And then A c storyline Is sean And angela in

917
00:45:13,360 --> 00:45:21,160
Speaker 1: relation To tapanga And corey and. Family, Oh, Alan Amy

918
00:45:21,600 --> 00:45:26,880
Speaker 1: feeney arrives and now this Is sean's, family but also his.

919
00:45:27,040 --> 00:45:30,080
Speaker 1: Dad and you know it's really it's Like sean.

920
00:45:30,000 --> 00:45:32,440
Speaker 2: Is the true.

921
00:45:31,680 --> 00:45:34,880
Speaker 1: Centerpiece and everything is about their relation to.

922
00:45:34,960 --> 00:45:35,160
Speaker 3: Him.

923
00:45:35,560 --> 00:45:39,000
Speaker 1: Yeah chet, says come, here, darling And eric starts to walk.

924
00:45:39,040 --> 00:45:42,680
Speaker 1: Over not, you you. Moron chett Tells rachel it wasn't

925
00:45:42,680 --> 00:45:44,600
Speaker 1: her cake of death that gave him the heart, attack

926
00:45:44,960 --> 00:45:48,359
Speaker 1: it Was shawn's yelling and. Screaming sean decides to go

927
00:45:48,400 --> 00:45:50,760
Speaker 1: Find jack to tell him he's. Awake in the, Meantime

928
00:45:50,840 --> 00:45:52,919
Speaker 1: rachel admits To chet that she was worried about. Him

929
00:45:53,280 --> 00:45:55,440
Speaker 1: eric jumps, in the way your eyes were bugging out

930
00:45:55,440 --> 00:45:58,640
Speaker 1: of your head was totally. Cool chet looks At rachel

931
00:45:58,680 --> 00:46:01,759
Speaker 1: and creepily admits it's worth living just to look at

932
00:46:01,800 --> 00:46:05,000
Speaker 1: this lovely. Face rachel And eric look at him with big,

933
00:46:05,000 --> 00:46:07,400
Speaker 1: smiles And rachel asks if there's anything she can do to.

934
00:46:07,440 --> 00:46:10,880
Speaker 1: Help chet does have one favorite Ask tomorrow Is jack's,

935
00:46:10,920 --> 00:46:13,479
Speaker 1: birthday so Maybe rachel could go pick something up nice

936
00:46:13,480 --> 00:46:15,799
Speaker 1: that he can give to. Him rachel is more than

937
00:46:15,800 --> 00:46:18,000
Speaker 1: happy to do. That in, fact she thinks she has

938
00:46:18,040 --> 00:46:21,040
Speaker 1: the perfect thing in. Mind before she, leaves she Kisses

939
00:46:21,120 --> 00:46:23,000
Speaker 1: chet on the cheek and tells him to take care of.

940
00:46:23,080 --> 00:46:26,840
Speaker 1: Himself eric stays behind and puts on a surgical. Glove just,

941
00:46:27,160 --> 00:46:27,920
Speaker 1: try try and.

942
00:46:27,960 --> 00:46:31,960
Speaker 2: Relax i'm pretty SURE i was gonna say you had to,

943
00:46:32,080 --> 00:46:33,279
Speaker 2: him because there.

944
00:46:35,600 --> 00:46:37,960
Speaker 1: Was no way they put in the script That eric

945
00:46:38,120 --> 00:46:40,160
Speaker 1: puts on a glove and tells him to try and.

946
00:46:40,200 --> 00:46:42,359
Speaker 1: RELAX i am convinced it was an.

947
00:46:42,400 --> 00:46:45,120
Speaker 2: Ape you also see if you Watch blake's, face he's

948
00:46:45,200 --> 00:46:47,560
Speaker 2: laughing because this is this is my go to. Joke

949
00:46:47,600 --> 00:46:49,560
Speaker 2: every TIME i go to a, HOSPITAL i always put

950
00:46:49,600 --> 00:46:52,200
Speaker 2: on a glove and, go all, right just try to. Relax, so,

951
00:46:53,080 --> 00:46:54,520
Speaker 2: yeah this has gotta be totally.

952
00:46:54,520 --> 00:46:58,360
Speaker 1: MEAN i thought it in the. MOMENT i was, like

953
00:46:58,400 --> 00:47:02,240
Speaker 1: that was not. Planned and then we're in the hospital waiting.

954
00:47:02,320 --> 00:47:05,000
Speaker 1: Room jack arrives to Tell sean their dad is asleep.

955
00:47:05,040 --> 00:47:08,440
Speaker 1: Again sean, nods sleep is. Good jack has a crazy

956
00:47:08,480 --> 00:47:11,080
Speaker 1: thought this whole ordeal could be a blessing in. Disguise

957
00:47:11,400 --> 00:47:14,720
Speaker 1: sean doesn't. Understand jack Explains chet's gonna have to slow

958
00:47:14,760 --> 00:47:17,160
Speaker 1: down so he may stick around for a. While sean

959
00:47:17,239 --> 00:47:19,560
Speaker 1: shakes his. Head a, second he gets out of. Here

960
00:47:19,600 --> 00:47:22,400
Speaker 1: he's going straight To. Vegas jack tells him he doesn't

961
00:47:22,400 --> 00:47:25,319
Speaker 1: know that for, sure But sean argues he does Just

962
00:47:25,360 --> 00:47:27,719
Speaker 1: Then Amy Allen poeney walk out of the elevator to

963
00:47:27,760 --> 00:47:31,120
Speaker 1: See sean put himself. Down he tells his, BROTHER i am.

964
00:47:31,280 --> 00:47:34,319
Speaker 1: Him jack tries to tell him he's, not But sean won't.

965
00:47:34,360 --> 00:47:36,520
Speaker 1: Listen why else would he not be able to get

966
00:47:36,520 --> 00:47:39,399
Speaker 1: close to. People he Uses jack as an. Example they're,

967
00:47:39,400 --> 00:47:42,359
Speaker 1: brothers but they're not close at. All this appears to Hurt.

968
00:47:42,440 --> 00:47:45,440
Speaker 1: Jack Then alan walks over To. Sean he wants to

969
00:47:45,440 --> 00:47:47,960
Speaker 1: know how they're holding. Up sean acts like he's doing just.

970
00:47:48,040 --> 00:47:51,120
Speaker 1: Fine jack thanks them for coming. Down pheoene tells the

971
00:47:51,120 --> 00:47:53,400
Speaker 1: boys to take all the time they, need don't worry about,

972
00:47:53,440 --> 00:47:56,359
Speaker 1: school And amy adds if they ever need to, Talk she's.

973
00:47:56,400 --> 00:47:59,239
Speaker 3: There no That phoene's like in charge of all of.

974
00:47:59,239 --> 00:47:59,919
Speaker 3: College she can.

975
00:48:01,400 --> 00:48:04,799
Speaker 1: He now works at the. COLLEGE i can say he

976
00:48:04,880 --> 00:48:08,280
Speaker 1: is the college he. Is, ye don't Worry.

977
00:48:09,800 --> 00:48:13,000
Speaker 2: Peene, pepper don't worry about. Anything i've got it taken care. Of,

978
00:48:13,239 --> 00:48:14,600
Speaker 2: wait what can you do?

979
00:48:14,640 --> 00:48:19,160
Speaker 1: That sean doesn't say, anything So alan pulls him in. Closer,

980
00:48:19,560 --> 00:48:22,279
Speaker 1: sean void of any, emotion insists he's.

981
00:48:22,320 --> 00:48:27,080
Speaker 2: Fine this so if when the whole entire series is,

982
00:48:27,120 --> 00:48:32,799
Speaker 2: DONE i think one of my favorite never really, addressed

983
00:48:32,920 --> 00:48:36,640
Speaker 2: never really gotten, into never really establish isn't, right but

984
00:48:36,719 --> 00:48:41,799
Speaker 2: never really delved into anymore than it. Did favorite relationships

985
00:48:41,800 --> 00:48:43,800
Speaker 2: of mine Is alan And shawn.

986
00:48:43,960 --> 00:48:46,719
Speaker 3: Agreed couldn't agree. More, man it's a. Rate it's like.

987
00:48:46,760 --> 00:48:48,880
Speaker 3: That remember remember that MOMENT i pointed out when we

988
00:48:48,880 --> 00:48:51,440
Speaker 3: were watching. It when what was? It it was During

989
00:48:51,920 --> 00:48:54,239
Speaker 3: we're in the driveway and, says come here with your.

990
00:48:54,280 --> 00:48:58,960
Speaker 3: Family it was a. Moment, yeah it wasn't like a big.

991
00:48:59,000 --> 00:49:02,879
Speaker 3: Moment it was just, like, yeah, oh you can stay

992
00:49:02,880 --> 00:49:05,359
Speaker 3: here because your. Family and Then alan went on about

993
00:49:05,360 --> 00:49:08,640
Speaker 3: something and it was, LIKE i love. That it's like

994
00:49:08,880 --> 00:49:14,000
Speaker 3: this low, key incredible connection and it's great in some.

995
00:49:14,040 --> 00:49:16,080
Speaker 3: WAYS i wish we could have hung a lantern on

996
00:49:16,120 --> 00:49:16,560
Speaker 3: it for an.

997
00:49:16,560 --> 00:49:20,960
Speaker 2: Episode, yeah it's a Phenomenal, yeah something that they, do

998
00:49:21,040 --> 00:49:22,719
Speaker 2: something where you don't know what's going, on but they

999
00:49:22,800 --> 00:49:24,960
Speaker 2: end up trapped in a car. Together so something where

1000
00:49:25,000 --> 00:49:27,560
Speaker 2: there's just scenes of the two of you for a

1001
00:49:27,600 --> 00:49:30,600
Speaker 2: b story would have been really great because it's a

1002
00:49:30,680 --> 00:49:32,120
Speaker 2: wonderful relationship between the two.

1003
00:49:32,200 --> 00:49:35,560
Speaker 1: Characters it really, is and you feel it anytime there's

1004
00:49:35,640 --> 00:49:39,400
Speaker 1: a scene like this where there's a conflict or an

1005
00:49:39,400 --> 00:49:42,160
Speaker 1: issue and Now alan And sean have to be in

1006
00:49:42,200 --> 00:49:44,040
Speaker 1: the same room about, it because even in that episode

1007
00:49:44,080 --> 00:49:46,360
Speaker 1: we didn't the peeing on the cop with the alcohol

1008
00:49:46,400 --> 00:49:51,560
Speaker 1: episode when he really is hard on, you there's those

1009
00:49:51,600 --> 00:49:55,080
Speaker 1: moments where you're, Like, wow you wouldn't talk like that

1010
00:49:55,200 --> 00:49:58,000
Speaker 1: to somebody unless you you did feel like a father to.

1011
00:49:58,080 --> 00:49:59,480
Speaker 2: Them, yeah you, know unless you love.

1012
00:49:59,520 --> 00:50:03,440
Speaker 1: It, Ah and, uh you feel it here too that

1013
00:50:03,560 --> 00:50:08,000
Speaker 1: you can see That alan sees this is this is.

1014
00:50:08,120 --> 00:50:10,279
Speaker 1: Big this is a big moment In sean's. Life it's

1015
00:50:10,280 --> 00:50:13,919
Speaker 1: affecting him in more ways than. One and the way

1016
00:50:14,040 --> 00:50:17,920
Speaker 1: you respond to it writer As sean really trying to

1017
00:50:18,000 --> 00:50:21,360
Speaker 1: pretend like you're, fine but it's so, clear it's just

1018
00:50:21,480 --> 00:50:24,839
Speaker 1: bubbling beneath the. Surface it's so.

1019
00:50:24,880 --> 00:50:26,919
Speaker 3: Many he goes on to say he's gonna take take,

1020
00:50:26,960 --> 00:50:29,080
Speaker 3: me take care of, me you. Know he basically says

1021
00:50:29,120 --> 00:50:29,800
Speaker 3: he's going to adopt.

1022
00:50:29,920 --> 00:50:32,080
Speaker 2: Me, like, yeah it's, great it really is.

1023
00:50:32,120 --> 00:50:34,920
Speaker 1: Great we're back In chet's hospital. ROOM a nurse is

1024
00:50:34,960 --> 00:50:37,440
Speaker 1: Adjusting CHET'S iv and he asks if she can slip

1025
00:50:37,480 --> 00:50:40,200
Speaker 1: a little tequila in. There the nurse, retorts you mean

1026
00:50:40,239 --> 00:50:42,959
Speaker 1: to go with that cigar you're hiding under the. Mattress chet,

1027
00:50:43,000 --> 00:50:46,279
Speaker 1: chuckles you Know i'm dating this, tall beautiful, redhead But

1028
00:50:46,280 --> 00:50:48,440
Speaker 1: i'd drop her in a second for, you sweet. Buns

1029
00:50:48,800 --> 00:50:54,040
Speaker 1: the nurse looks at. Him you repulse. Me, amy who

1030
00:50:54,360 --> 00:50:56,560
Speaker 1: just entered With alan And, feenie gets a kick out of.

1031
00:50:56,600 --> 00:51:00,640
Speaker 1: This well he's. Alert she Grabs chet's hand and he

1032
00:51:00,760 --> 00:51:03,520
Speaker 1: lights up when he Sees. Phoene that's some college they

1033
00:51:03,520 --> 00:51:05,440
Speaker 1: got you. At you're moving up in the, world huh

1034
00:51:05,480 --> 00:51:08,560
Speaker 1: with that pool table and. Everything phoene, asks, maybe when

1035
00:51:08,560 --> 00:51:10,399
Speaker 1: you're feeling, better we play a little game of nine.

1036
00:51:10,400 --> 00:51:14,240
Speaker 1: Ball chet offers fifty. Bucks i'll let you. Break phoene

1037
00:51:14,320 --> 00:51:17,600
Speaker 1: nods you're. On Then chet Asks alan for a big.

1038
00:51:17,640 --> 00:51:20,640
Speaker 1: Favor can you look after my boys After i'm. Gone

1039
00:51:21,000 --> 00:51:23,360
Speaker 1: alan tells him he isn't going, anywhere And amy Assures

1040
00:51:23,440 --> 00:51:26,960
Speaker 1: chet he isn't. Dying chet, EXPLAINS i don't mean. DYING

1041
00:51:27,239 --> 00:51:30,560
Speaker 1: i Mean i'm moving To Las. Vegas alan wants. Clarification

1042
00:51:31,160 --> 00:51:34,520
Speaker 1: wouldn't you rather be here with your? Boys chet simply,

1043
00:51:34,560 --> 00:51:38,080
Speaker 1: responds please look after. Them alan And amy exchange a,

1044
00:51:38,120 --> 00:51:40,919
Speaker 1: look And alan, responds of, Course i'll look after, them

1045
00:51:41,520 --> 00:51:45,680
Speaker 1: But i'm not the one they. Need and then we're

1046
00:51:45,719 --> 00:51:48,759
Speaker 1: back in the hospital waiting. Room sean is passed out

1047
00:51:48,800 --> 00:51:51,040
Speaker 1: in one of the chairs When, Angela, corey And topanga.

1048
00:51:51,200 --> 00:51:53,839
Speaker 1: Arrive corey wakes him up and asks how he's. Doing

1049
00:51:54,200 --> 00:51:56,720
Speaker 1: sean says he's, good he was just resting his. Eyes

1050
00:51:57,200 --> 00:52:00,239
Speaker 1: he makes eye contact With angela And topega asks how your?

1051
00:52:00,280 --> 00:52:03,840
Speaker 1: Dad sean tells them the doctor mentioned bypass surgery To

1052
00:52:03,960 --> 00:52:05,600
Speaker 1: peka asks if they can go in and see, him

1053
00:52:05,640 --> 00:52:08,160
Speaker 1: And sean says his dad would like. That she, leaves

1054
00:52:08,160 --> 00:52:11,080
Speaker 1: But corey And angela hang. Back after a brief, Pause

1055
00:52:11,120 --> 00:52:13,840
Speaker 1: angela Gives sean a big hug and follows To, panga

1056
00:52:14,640 --> 00:52:17,520
Speaker 1: now alone with his best. Friend corey asks If sean is.

1057
00:52:17,560 --> 00:52:21,120
Speaker 1: Okay sean tells him he's lying in, there he's. SICK

1058
00:52:21,400 --> 00:52:23,160
Speaker 1: i should be putting my arms around him and telling

1059
00:52:23,239 --> 00:52:25,719
Speaker 1: him THAT i love, him BUT i can't BECAUSE i

1060
00:52:25,760 --> 00:52:29,799
Speaker 1: am still so angry at. Him corey takes a seat

1061
00:52:29,840 --> 00:52:32,279
Speaker 1: next to. Him you, know all these years he's been

1062
00:52:32,280 --> 00:52:34,160
Speaker 1: sort of blowing in and out of your, life but

1063
00:52:34,280 --> 00:52:36,239
Speaker 1: now you got him right in there and he isn't going.

1064
00:52:36,280 --> 00:52:38,760
Speaker 1: Anywhere Maybe i'm not the one you should be talking.

1065
00:52:38,760 --> 00:52:41,640
Speaker 1: To and, like even just reading it, back it makes

1066
00:52:41,680 --> 00:52:47,440
Speaker 1: me so. Emotional but you, know that is such a

1067
00:52:47,560 --> 00:52:54,319
Speaker 1: very very real thing that you go through when you

1068
00:52:54,360 --> 00:52:58,839
Speaker 1: have a complicated relationship with, somebody and to see it

1069
00:52:58,920 --> 00:53:02,000
Speaker 1: expressed so c, clearly to See sean be so in

1070
00:53:02,080 --> 00:53:05,840
Speaker 1: touch with it, too for all of us who have

1071
00:53:06,040 --> 00:53:10,200
Speaker 1: rooted For sean and have seen the way his parents

1072
00:53:10,239 --> 00:53:14,160
Speaker 1: have treated, HIM i mean they are terrible.

1073
00:53:14,280 --> 00:53:17,879
Speaker 3: Parents, Yeah and it's but it's it's also just like

1074
00:53:18,120 --> 00:53:22,600
Speaker 3: this is this is all that sort of what we've

1075
00:53:22,600 --> 00:53:24,759
Speaker 3: been making fun of this entire, season you, know this

1076
00:53:24,840 --> 00:53:30,359
Speaker 3: sort of, emotion this is like this is the well

1077
00:53:30,400 --> 00:53:34,000
Speaker 3: written version of. That whereas Watching sean avoid his emotions

1078
00:53:34,160 --> 00:53:37,440
Speaker 3: is so actually, exciting you, know it's actually like it

1079
00:53:37,480 --> 00:53:39,839
Speaker 3: makes you want to lean in other scenes Where i'm

1080
00:53:39,880 --> 00:53:42,200
Speaker 3: just Like i'm not, Ready, Angela i'm not, ready without

1081
00:53:42,239 --> 00:53:45,000
Speaker 3: any sense of like why the character is doing that

1082
00:53:45,160 --> 00:53:49,240
Speaker 3: just feels, performative whereas this, LIKE i, Mean i'm basically

1083
00:53:49,440 --> 00:53:52,400
Speaker 3: not doing, anything and yet your heart's breaking and you

1084
00:53:52,440 --> 00:53:54,839
Speaker 3: see And corey doesn't even Have it's not like it's not.

1085
00:53:54,960 --> 00:53:58,560
Speaker 3: Dramatic it's it's it's avoiding drama and it's so much more.

1086
00:53:58,560 --> 00:54:01,880
Speaker 3: Compelling so it's like to difference between melodrama and drama you,

1087
00:54:01,880 --> 00:54:05,360
Speaker 3: know this is just Just sean's Saying i'm okay To,

1088
00:54:05,400 --> 00:54:08,680
Speaker 3: alan and you know it's so much more. Effective SO

1089
00:54:08,880 --> 00:54:11,760
Speaker 3: i just wish the show had figured that out. EARLIER

1090
00:54:11,800 --> 00:54:13,960
Speaker 3: i guess you KNOW i had. DONE i leaned into

1091
00:54:14,000 --> 00:54:17,279
Speaker 3: this as effectively as it's doing in this. Episode, yeah,

1092
00:54:17,360 --> 00:54:18,799
Speaker 3: yeah it's, great it's really.

1093
00:54:18,800 --> 00:54:33,120
Speaker 1: Good so then we're back In chet's hospital. Room sean

1094
00:54:33,239 --> 00:54:35,600
Speaker 1: is reading by his sleeping dad's side When jack walks

1095
00:54:35,600 --> 00:54:38,400
Speaker 1: in and, whispers how's he. Doing sewan admits he looks so.

1096
00:54:38,480 --> 00:54:41,799
Speaker 1: Helpless jack nods in. Agreement his nurse didn't think seem

1097
00:54:41,840 --> 00:54:43,600
Speaker 1: to think he was so. HELPLESS i offered her a

1098
00:54:43,640 --> 00:54:45,200
Speaker 1: job to take care of him when he gets, home

1099
00:54:45,239 --> 00:54:48,120
Speaker 1: AND i can still hear her. Laughing seawan argues he

1100
00:54:48,160 --> 00:54:50,160
Speaker 1: doesn't need a. NURSE i can take care of, him

1101
00:54:50,400 --> 00:54:52,759
Speaker 1: But jack thinks he needs professional, care which is something

1102
00:54:52,800 --> 00:54:56,040
Speaker 1: he can arrange to. Happen sean, Scoffs, wow you got

1103
00:54:56,040 --> 00:54:58,960
Speaker 1: this whole situation figured, out don't. You jack says he's

1104
00:54:58,960 --> 00:55:01,520
Speaker 1: just trying to take care of. Them sean fights, back,

1105
00:55:01,719 --> 00:55:03,520
Speaker 1: WELL i guess it's easy to be efficient when you're

1106
00:55:03,560 --> 00:55:06,279
Speaker 1: not feeling WHAT i. Am jack reminds him that he

1107
00:55:06,360 --> 00:55:10,080
Speaker 1: Is chet's son. Too But sean, wonders are you when

1108
00:55:10,120 --> 00:55:11,600
Speaker 1: you were a little? Kid did you sit next to

1109
00:55:11,640 --> 00:55:13,680
Speaker 1: him while he WATCHED tv all night, long hoping that

1110
00:55:13,719 --> 00:55:16,319
Speaker 1: he'd say something to. You did you ever once clean

1111
00:55:16,400 --> 00:55:18,799
Speaker 1: up after him when he came home? Drunk and when

1112
00:55:18,800 --> 00:55:20,319
Speaker 1: he didn't come home at? All did you lay in

1113
00:55:20,320 --> 00:55:22,440
Speaker 1: bed thinking it was something you did that drove him?

1114
00:55:22,480 --> 00:55:24,760
Speaker 1: Away and when he was, gone did you walk around

1115
00:55:24,760 --> 00:55:27,080
Speaker 1: and make believe that everything was okay when inside it

1116
00:55:27,120 --> 00:55:28,560
Speaker 1: was tearing you? Apart?

1117
00:55:29,000 --> 00:55:29,520
Speaker 2: Oh so.

1118
00:55:29,640 --> 00:55:32,560
Speaker 3: Great it's so great because it's like it's finally hearing

1119
00:55:32,560 --> 00:55:34,920
Speaker 3: the truth About, check you, know which we've alluded to

1120
00:55:35,040 --> 00:55:37,920
Speaker 3: for so many mares And plant and it's like it's really.

1121
00:55:37,920 --> 00:55:40,719
Speaker 3: Effective it's like a really because you Love chet as

1122
00:55:40,840 --> 00:55:43,759
Speaker 3: he as an audience, member you're yond by him and

1123
00:55:43,800 --> 00:55:46,640
Speaker 3: it's so. Funny and then to have this, yeah it's

1124
00:55:46,680 --> 00:55:49,200
Speaker 3: like oh, god, yeah.

1125
00:55:48,719 --> 00:55:54,080
Speaker 1: And then really the response being, NO i didn't get

1126
00:55:54,120 --> 00:55:59,120
Speaker 1: to do any of those. Things that's another very real.

1127
00:55:59,800 --> 00:56:01,200
Speaker 1: Thing the Life.

1128
00:56:01,520 --> 00:56:05,719
Speaker 3: Punch it's a great. Scene it's the dialogue is really

1129
00:56:05,760 --> 00:56:06,320
Speaker 3: on point in the.

1130
00:56:06,360 --> 00:56:12,040
Speaker 2: Scene If matt had matched your, intensity it wouldn't have this. Worked,

1131
00:56:13,800 --> 00:56:19,279
Speaker 2: yeah it was really really. Good, yeah it really.

1132
00:56:19,360 --> 00:56:21,600
Speaker 1: Was You, SEE i KNEW i had a father and

1133
00:56:21,640 --> 00:56:24,279
Speaker 1: he was gone from me my whole. Life sean jumps back.

1134
00:56:24,320 --> 00:56:27,040
Speaker 1: In but you turned out, Okay, jack you know who you.

1135
00:56:27,120 --> 00:56:30,360
Speaker 1: Are you deal with. Things Me i'm just another version of.

1136
00:56:30,440 --> 00:56:36,120
Speaker 1: Him right Then chet opens his. Eyes Sean seawn's. Embarrassed oh, God,

1137
00:56:36,360 --> 00:56:39,640
Speaker 1: dad you're. Up check. Continues i'm. SORRY i didn't do

1138
00:56:39,760 --> 00:56:43,040
Speaker 1: right by your. Son i'm a lousy. Father, sean with

1139
00:56:43,080 --> 00:56:45,480
Speaker 1: a crack in his, voice asks you heard WHAT i.

1140
00:56:45,520 --> 00:56:49,359
Speaker 1: Said chet responds with tears in his. Eyes, Yeah you've

1141
00:56:49,400 --> 00:56:52,000
Speaker 1: been saying it your whole. LIFE i just never. Listened

1142
00:56:52,560 --> 00:56:56,239
Speaker 1: i'm listening. Now sean walks over and bursts into. Tears

1143
00:56:56,480 --> 00:56:59,240
Speaker 1: i'm really screwed, Up. Dad it's Like i'm watching myself

1144
00:56:59,280 --> 00:57:01,400
Speaker 1: do these things THAT i hate AND i can't stop.

1145
00:57:01,440 --> 00:57:04,719
Speaker 1: Them why couldn't you just stick? Around WASN'T i good

1146
00:57:04,800 --> 00:57:09,359
Speaker 1: enough for? You chet's crying now, Too, No, SEAN i

1147
00:57:09,480 --> 00:57:12,440
Speaker 1: wasn't good enough for. You he extends his arms and

1148
00:57:12,480 --> 00:57:15,560
Speaker 1: the two of them. Hug sean cries, OUT i need, you,

1149
00:57:15,680 --> 00:57:18,640
Speaker 1: dad And chet REPLIES i need you, too.

1150
00:57:18,720 --> 00:57:22,400
Speaker 3: Son this was such A i, remember like the first

1151
00:57:22,480 --> 00:57:24,400
Speaker 3: run through because it was, like you, know you've rehearsed

1152
00:57:24,400 --> 00:57:27,000
Speaker 3: something like. THIS i remember like whenever you rehearse, it

1153
00:57:27,040 --> 00:57:28,560
Speaker 3: but you don't really do, it you, know you don't

1154
00:57:28,600 --> 00:57:31,000
Speaker 3: fully commit in the say what you want to, save you,

1155
00:57:31,040 --> 00:57:33,920
Speaker 3: Know AND i remember the first Run i'm pretty sure

1156
00:57:33,960 --> 00:57:35,000
Speaker 3: it was the first. RUNDER i don't think it. Was

1157
00:57:35,000 --> 00:57:37,360
Speaker 3: the actual tabment was one of the. First the run

1158
00:57:37,360 --> 00:57:41,200
Speaker 3: through is, Uh blake just losing, it you, know like

1159
00:57:41,480 --> 00:57:44,200
Speaker 3: seeing me cry and then he started crying and THEN

1160
00:57:44,240 --> 00:57:46,680
Speaker 3: i LIKE i remember him after the scene being, LIKE

1161
00:57:47,920 --> 00:57:50,520
Speaker 3: i forget how he put, it but you, know it

1162
00:57:50,520 --> 00:57:53,480
Speaker 3: was something to the effect of like we just bonded so.

1163
00:57:53,600 --> 00:57:57,000
Speaker 3: Much and for, him he had never he'd always thought

1164
00:57:57,000 --> 00:58:01,000
Speaker 3: of himself as a comedian who, acted and that this,

1165
00:58:01,160 --> 00:58:03,800
Speaker 3: moment this scene and that, rehearsal that run, through or

1166
00:58:03,800 --> 00:58:06,360
Speaker 3: maybe it was. Shooting he like took me aside to,

1167
00:58:06,400 --> 00:58:10,240
Speaker 3: say LIKE i feel, like you, know we were, acting

1168
00:58:10,280 --> 00:58:12,360
Speaker 3: and like it changed me and this was like a

1169
00:58:12,400 --> 00:58:14,960
Speaker 3: real AND i remember being really bonded to him in,

1170
00:58:14,960 --> 00:58:16,800
Speaker 3: that you, know and we were already, close but it

1171
00:58:16,840 --> 00:58:18,600
Speaker 3: was that moment of, like oh, wow this is so,

1172
00:58:18,960 --> 00:58:20,800
Speaker 3: great like it was he was like it was sort

1173
00:58:20,800 --> 00:58:22,640
Speaker 3: of a revelation for, him like it was you, know,

1174
00:58:23,040 --> 00:58:23,480
Speaker 3: well he was.

1175
00:58:23,400 --> 00:58:25,160
Speaker 2: Great in the scene, too even even leading up to

1176
00:58:25,160 --> 00:58:27,360
Speaker 2: the big emotional, stuff just trying to catch his breath

1177
00:58:27,440 --> 00:58:29,400
Speaker 2: and he's out of breath as he's doing his. Dialogue

1178
00:58:29,440 --> 00:58:29,640
Speaker 2: he was.

1179
00:58:29,680 --> 00:58:31,760
Speaker 3: Great AND i THINK i think this stuff made him very.

1180
00:58:31,800 --> 00:58:34,800
Speaker 3: Uncomfortable as you, know he had not come up through

1181
00:58:34,840 --> 00:58:38,280
Speaker 3: the ranks as an actor doing theater or doing ever doing.

1182
00:58:38,360 --> 00:58:41,920
Speaker 3: Drama he was, always you, know a character doing the comedy.

1183
00:58:41,960 --> 00:58:45,240
Speaker 3: Stuff AND i remember him being he was very affected

1184
00:58:45,240 --> 00:58:47,080
Speaker 3: by this in like a really positive. Way was LIKE

1185
00:58:47,120 --> 00:58:49,720
Speaker 3: i think it he knew that he could do this

1186
00:58:49,840 --> 00:58:53,200
Speaker 3: and he could actually enjoy that process and be. Vulnerable

1187
00:58:53,280 --> 00:58:54,040
Speaker 3: and what.

1188
00:58:54,040 --> 00:58:57,200
Speaker 1: A compliment to you that really what he felt was

1189
00:58:57,200 --> 00:58:58,600
Speaker 1: that you elevated his.

1190
00:58:58,640 --> 00:59:01,200
Speaker 2: Game, yeah he brought it up each.

1191
00:59:01,200 --> 00:59:03,760
Speaker 3: Other, yeah we both just like you. Know and THEN

1192
00:59:03,800 --> 00:59:08,400
Speaker 3: i remember turning from this moment and like SEEING i

1193
00:59:09,160 --> 00:59:12,520
Speaker 3: Cannot i'll never, forget, like, uh that sense of, panic

1194
00:59:12,680 --> 00:59:15,240
Speaker 3: like when you, know we think he's dying and looking

1195
00:59:15,360 --> 00:59:17,800
Speaker 3: At Matt lawrence And matt like just. TEARS i don't

1196
00:59:17,800 --> 00:59:19,600
Speaker 3: even know if it's the take they use because you

1197
00:59:19,600 --> 00:59:22,080
Speaker 3: can't really, see but we're Seeing matt just tears like

1198
00:59:22,480 --> 00:59:25,160
Speaker 3: dropping down his. FACE i was, like Oh, god he's

1199
00:59:25,200 --> 00:59:27,720
Speaker 3: in it, too like We're it was so like we

1200
00:59:27,760 --> 00:59:29,720
Speaker 3: were in like the three of us were just in

1201
00:59:29,760 --> 00:59:33,040
Speaker 3: this like it felt it felt like, trauma LIKE i

1202
00:59:33,080 --> 00:59:35,080
Speaker 3: remember it like a real trauma. Memory you.

1203
00:59:35,080 --> 00:59:36,200
Speaker 2: Know that's like the.

1204
00:59:37,840 --> 00:59:42,440
Speaker 1: Scene really does play that. Way it plays so.

1205
00:59:43,520 --> 00:59:48,320
Speaker 3: Real. Yeah, Really And i've had so many PEOPLE i

1206
00:59:48,360 --> 00:59:50,120
Speaker 3: mean this episode in, general it's not this, scene BUT

1207
00:59:50,160 --> 00:59:51,760
Speaker 3: i Mean i've had a lot of people that conventions

1208
00:59:51,760 --> 00:59:54,080
Speaker 3: them in just in, life say like had to having

1209
00:59:54,120 --> 00:59:58,120
Speaker 3: lost a parent or you know that this this this

1210
00:59:58,200 --> 01:00:02,400
Speaker 3: episode really really really affected. Them And i'm, sure, yeah

1211
01:00:02,440 --> 01:00:04,880
Speaker 3: it's you, KNOW i THINK i think that's as much

1212
01:00:04,880 --> 01:00:06,440
Speaker 3: as we were talking about the tone and all that

1213
01:00:06,440 --> 01:00:09,000
Speaker 3: stuff in the, beginning it's like it's a huge. Swing

1214
01:00:09,200 --> 01:00:11,440
Speaker 3: i'm sure turn off some, people maybe a lot of,

1215
01:00:11,480 --> 01:00:14,000
Speaker 3: people but for the people who did get through to

1216
01:00:14,240 --> 01:00:16,200
Speaker 3: this is like a this is a hard hitting.

1217
01:00:16,240 --> 01:00:19,160
Speaker 2: Episode so you, also you this is the perfect, example

1218
01:00:19,160 --> 01:00:20,640
Speaker 2: And you've talked about this a number of, times, writer

1219
01:00:21,000 --> 01:00:23,280
Speaker 2: this is the difference between drama and. Melodrama this is

1220
01:00:23,360 --> 01:00:26,200
Speaker 2: drama for a, Purpose this is real. Drama this is

1221
01:00:26,280 --> 01:00:29,600
Speaker 2: traumatic and it's something that. Matters it's not just angst

1222
01:00:30,080 --> 01:00:32,400
Speaker 2: for no. Reason and that's why it hits this hard

1223
01:00:32,480 --> 01:00:35,040
Speaker 2: because it's it's. Grounded and even when you.

1224
01:00:35,040 --> 01:00:37,520
Speaker 3: Think about like The turner hospital, scene, RIGHT i, mean

1225
01:00:37,600 --> 01:00:42,280
Speaker 3: think about the cult dynamics versus your father's like the cult.

1226
01:00:42,360 --> 01:00:45,840
Speaker 3: DYNAMICS i, mean as much as we were committing wholeheartedly

1227
01:00:45,880 --> 01:00:48,280
Speaker 3: to The i'm Finding god and all, that and it

1228
01:00:48,360 --> 01:00:50,840
Speaker 3: was played for an emotional, truth it didn't feel earned

1229
01:00:50,840 --> 01:00:53,280
Speaker 3: by the, story whereas this is just literally earned by the.

1230
01:00:53,320 --> 01:00:59,640
Speaker 2: Story not talking, exactly there's no interaction between the, two

1231
01:00:59,640 --> 01:01:01,600
Speaker 2: whereas you and you And blake are just.

1232
01:01:04,160 --> 01:01:06,400
Speaker 3: It's like this whole scene is just it's really an effective.

1233
01:01:06,400 --> 01:01:08,320
Speaker 2: Scene it really is very much is.

1234
01:01:08,640 --> 01:01:11,439
Speaker 1: Well chet promises that this time he's staying and he's

1235
01:01:11,480 --> 01:01:14,880
Speaker 1: not going. Anywhere sean, asks you mean it BECAUSE i

1236
01:01:14,880 --> 01:01:16,560
Speaker 1: feel like you're the only one who can help. Me

1237
01:01:17,080 --> 01:01:20,080
Speaker 1: chet proclaims we're a. Family it's about damn time we

1238
01:01:20,120 --> 01:01:23,640
Speaker 1: started acting like. One then he turns To, Jack, hey

1239
01:01:23,920 --> 01:01:26,160
Speaker 1: you got a birthday coming. Up he reaches for his

1240
01:01:26,240 --> 01:01:29,360
Speaker 1: side drawer and retrieves a rapt. Present just As jack

1241
01:01:29,440 --> 01:01:32,040
Speaker 1: is tearing open his, Gift chet's eyes go wide and

1242
01:01:32,080 --> 01:01:35,200
Speaker 1: he reaches for his chest. Again sean notices and asks what's.

1243
01:01:35,200 --> 01:01:38,280
Speaker 1: Wrong chet tells him to call, somebody sending both boys

1244
01:01:38,280 --> 01:01:39,080
Speaker 1: into a. Spiral.

1245
01:01:39,560 --> 01:01:42,120
Speaker 2: Jack this is Where i'm. Sorry they. Needed they needed

1246
01:01:42,160 --> 01:01:47,760
Speaker 2: the sound of the, beep, YOU i, Miss AND i

1247
01:01:47,800 --> 01:01:52,040
Speaker 2: really wish they had even just a low hospital, yes,

1248
01:01:52,120 --> 01:01:54,640
Speaker 2: yes do you hear code blue or something like that

1249
01:01:54,680 --> 01:01:57,160
Speaker 2: to give it just that little more? HEIGHTENED i agree.

1250
01:01:56,920 --> 01:01:58,960
Speaker 1: With, YOU i, did. MISS i expected when he grabbed his.

1251
01:01:59,040 --> 01:02:01,800
Speaker 1: CHEST i, Expected and where's the? Beat so where's the hospital?

1252
01:02:01,880 --> 01:02:06,160
Speaker 1: Sound jack quickly runs, out yelling for a. Doctor sean

1253
01:02:06,200 --> 01:02:09,480
Speaker 1: holds his hand And chet Whispers i'm, Sorry sean and

1254
01:02:09,520 --> 01:02:14,200
Speaker 1: then goes. Silent and then we are in the hospital waiting,

1255
01:02:14,280 --> 01:02:17,000
Speaker 1: room the entire, family Including feenie or sitting around With

1256
01:02:17,160 --> 01:02:20,520
Speaker 1: eric balancing on a. WHEELCHAIR i was, like whoa will

1257
01:02:20,760 --> 01:02:21,520
Speaker 1: balancing on?

1258
01:02:21,560 --> 01:02:23,920
Speaker 2: That i'm pretty, good pretty good at.

1259
01:02:23,920 --> 01:02:26,480
Speaker 1: That sean is stressing their dad has been up there

1260
01:02:26,480 --> 01:02:29,360
Speaker 1: for a long. Time in that, Moment, morgan who is

1261
01:02:29,680 --> 01:02:33,240
Speaker 1: in this, episode Tells sean And jack she helps their

1262
01:02:33,280 --> 01:02:34,360
Speaker 1: dad will be, okay.

1263
01:02:36,040 --> 01:02:36,360
Speaker 3: Very.

1264
01:02:36,640 --> 01:02:37,120
Speaker 2: Weird.

1265
01:02:39,800 --> 01:02:42,360
Speaker 3: WEIRD i, MEAN i GUESS i had to, explain AND.

1266
01:02:42,320 --> 01:02:44,400
Speaker 2: I guess she has to they have to fulfill her

1267
01:02:44,440 --> 01:02:46,720
Speaker 2: contract and she has to say. SOMETHING i need a certain.

1268
01:02:46,800 --> 01:02:49,520
Speaker 1: Number BUT i think if you're there and you don't say,

1269
01:02:49,560 --> 01:02:51,920
Speaker 1: anything or you just considered, background in which, case like

1270
01:02:52,320 --> 01:02:54,200
Speaker 1: even if they are willing to pay, you you can't do.

1271
01:02:54,320 --> 01:02:54,800
Speaker 2: THAT i don't.

1272
01:02:54,800 --> 01:02:57,120
Speaker 3: Know, NO i think they have they have to pay

1273
01:02:57,200 --> 01:02:59,440
Speaker 3: for a certain amount of, episodes so they decided to

1274
01:02:59,440 --> 01:03:01,040
Speaker 3: put her. In they could have just paid her for

1275
01:03:01,080 --> 01:03:02,600
Speaker 3: the episode of not had her there all. Week you know,

1276
01:03:02,640 --> 01:03:04,400
Speaker 3: what you write somebody off the, show you still can

1277
01:03:04,480 --> 01:03:04,920
Speaker 3: just pay.

1278
01:03:04,760 --> 01:03:07,160
Speaker 1: Them, Right and you're just, saying, then just don't have

1279
01:03:07,320 --> 01:03:10,000
Speaker 1: her as a member of the family in the, hospital because,

1280
01:03:10,040 --> 01:03:11,840
Speaker 1: like why couldn't they just ask her to be there

1281
01:03:11,880 --> 01:03:14,200
Speaker 1: and then just not say. Anything BUT i think she

1282
01:03:14,280 --> 01:03:15,000
Speaker 1: has to be there.

1283
01:03:15,120 --> 01:03:19,240
Speaker 2: Family then it's like, who but it's also. Who then

1284
01:03:19,240 --> 01:03:21,800
Speaker 2: it's who's watching, her who's with? Her so it's like

1285
01:03:21,840 --> 01:03:23,760
Speaker 2: that just everybody's never.

1286
01:03:23,600 --> 01:03:24,360
Speaker 3: Bothered, YOU.

1287
01:03:26,000 --> 01:03:28,439
Speaker 1: I, know it's it was just also in the way

1288
01:03:28,560 --> 01:03:30,000
Speaker 1: it was LIKE i think it was supposed to, be,

1289
01:03:30,200 --> 01:03:33,360
Speaker 1: like let's not make it super, heavy but the tone of,

1290
01:03:33,360 --> 01:03:37,800
Speaker 1: it it feels very very. Odd jack nods his, head

1291
01:03:37,920 --> 01:03:40,640
Speaker 1: so DO. I phoenie assures Them chet is a, fighter

1292
01:03:40,760 --> 01:03:43,480
Speaker 1: and besides he owes me a game of. Pool sean

1293
01:03:43,520 --> 01:03:45,280
Speaker 1: Asks jack if he's going to open his, presence So

1294
01:03:45,360 --> 01:03:48,280
Speaker 1: jack tears it open to see. Inside he admits that's

1295
01:03:48,280 --> 01:03:51,880
Speaker 1: something he doesn't. Have, then a doctor played by an

1296
01:03:51,920 --> 01:03:54,280
Speaker 1: actor with one of the weirdest jobs In Boy Meets World,

1297
01:03:54,320 --> 01:03:58,040
Speaker 1: history makes his way into the waiting. Room jack And

1298
01:03:58,080 --> 01:04:00,360
Speaker 1: seawan spring up for the news and he's as with

1299
01:04:00,480 --> 01:04:02,640
Speaker 1: tears in his. Eyes we lost.

1300
01:04:02,720 --> 01:04:08,400
Speaker 2: Him have you remember what he said to? You, yeah, dude, absolutely.

1301
01:04:08,480 --> 01:04:11,200
Speaker 3: Yeah he pulled me. Aside he pulled me into around the.

1302
01:04:11,200 --> 01:04:14,000
Speaker 3: Corner he's, like come with, Me come with. Me and

1303
01:04:14,040 --> 01:04:16,680
Speaker 3: we went around the corner and he's, Like i'm going

1304
01:04:16,680 --> 01:04:18,800
Speaker 3: to tell you a story with my.

1305
01:04:18,880 --> 01:04:19,280
Speaker 2: Eyes.

1306
01:04:19,680 --> 01:04:22,080
Speaker 3: OKAY i was, like, okay.

1307
01:04:22,160 --> 01:04:26,640
Speaker 2: Okay he just pulled me, aside going to.

1308
01:04:26,640 --> 01:04:29,439
Speaker 1: Tell you before he did that scene that we lost.

1309
01:04:29,560 --> 01:04:32,919
Speaker 3: Him it was like on the day of the, show

1310
01:04:32,960 --> 01:04:35,320
Speaker 3: he was so he was so in. It he was.

1311
01:04:35,280 --> 01:04:36,480
Speaker 2: So because the.

1312
01:04:38,520 --> 01:04:41,439
Speaker 3: Story with this and it's so great because he does

1313
01:04:41,440 --> 01:04:45,640
Speaker 3: all the emotion that correct, well it's it's so much more,

1314
01:04:45,680 --> 01:04:46,600
Speaker 3: effective like what are?

1315
01:04:46,640 --> 01:04:47,480
Speaker 2: We what are? WE i?

1316
01:04:47,480 --> 01:04:51,560
Speaker 3: Mean if you notice in in whenever this scene plays

1317
01:04:51,560 --> 01:04:53,760
Speaker 3: out on A tv. Show it's always from a. Distance

1318
01:04:54,000 --> 01:04:56,280
Speaker 3: you always shoot it through a window down a hallway

1319
01:04:56,400 --> 01:04:59,400
Speaker 3: and you watch somebody go oh and cry from far.

1320
01:04:59,480 --> 01:05:02,600
Speaker 3: Away becau because when you're too close to this, intensity

1321
01:05:03,040 --> 01:05:05,880
Speaker 3: it never quite lives up to it never feels it

1322
01:05:05,920 --> 01:05:07,880
Speaker 3: never feels, real even if it, is you, know so

1323
01:05:08,120 --> 01:05:11,360
Speaker 3: you always if you every time somebody gets death news

1324
01:05:11,360 --> 01:05:14,240
Speaker 3: in a, movie it's played from behind around a, corner

1325
01:05:14,600 --> 01:05:17,360
Speaker 3: just for audio or, whatever and so it's a very

1326
01:05:17,360 --> 01:05:21,040
Speaker 3: difficult and they kind of like force the moment to be.

1327
01:05:21,080 --> 01:05:24,520
Speaker 3: Played and yet so he plays the emotion and then

1328
01:05:24,560 --> 01:05:27,280
Speaker 3: it cuts away TO i think somebody's dropping their. Head

1329
01:05:28,240 --> 01:05:31,320
Speaker 3: so it's not on just me because it's too. Much

1330
01:05:31,560 --> 01:05:34,520
Speaker 3: it's so it's like a. Lot so, yeah it's it's

1331
01:05:34,560 --> 01:05:35,840
Speaker 3: it's an interesting.

1332
01:05:35,400 --> 01:05:37,960
Speaker 2: It's a great moment for an. Actor it's not particularly

1333
01:05:37,960 --> 01:05:40,920
Speaker 2: real because a doctor couldn't have that much emotion for

1334
01:05:40,960 --> 01:05:43,280
Speaker 2: every patient that he, loses he or she. LOSES i,

1335
01:05:43,280 --> 01:05:45,840
Speaker 2: mean they're usually kind of cold about. It not, cold

1336
01:05:45,880 --> 01:05:48,040
Speaker 2: but they this is my. Job If i'm going to

1337
01:05:48,120 --> 01:05:51,160
Speaker 2: die every time somebody, DIES i can't do. This so

1338
01:05:51,240 --> 01:05:53,760
Speaker 2: but as an, actor he took that and it's a

1339
01:05:53,760 --> 01:05:58,040
Speaker 2: perfect example of a guest star coming. In you've got two, lines,

1340
01:05:58,480 --> 01:05:59,920
Speaker 2: yeah and you're still you can?

1341
01:06:00,200 --> 01:06:03,240
Speaker 3: IT i mean watching, THIS i WAS i was upset

1342
01:06:03,360 --> 01:06:07,040
Speaker 3: BECAUSE i had such a clear actor instinct THAT i didn't,

1343
01:06:07,480 --> 01:06:10,960
Speaker 3: do which IS i, like the SECOND i get the,

1344
01:06:10,960 --> 01:06:13,520
Speaker 3: News sean should have just walked. Away sean should have

1345
01:06:13,560 --> 01:06:16,320
Speaker 3: just turned and walked, away, Right like that's that is

1346
01:06:16,400 --> 01:06:19,120
Speaker 3: exactly What sean would, do right like we lost. Him,

1347
01:06:19,360 --> 01:06:21,520
Speaker 3: Boom i'm not going to stand. Here i'm not going

1348
01:06:21,600 --> 01:06:24,280
Speaker 3: to be in front of all these people like and

1349
01:06:24,640 --> 01:06:26,640
Speaker 3: like AND i don't know IF i maybe said that

1350
01:06:26,680 --> 01:06:28,400
Speaker 3: and they wouldn't let me or. What But like to,

1351
01:06:28,400 --> 01:06:29,640
Speaker 3: me WHEN i was watching the, SCENE i was, like

1352
01:06:29,680 --> 01:06:31,960
Speaker 3: what Would sean? Do he would be in that elevator

1353
01:06:32,200 --> 01:06:34,720
Speaker 3: in about zero point two. Seconds he would never want

1354
01:06:34,720 --> 01:06:38,760
Speaker 3: to be with this half fake brother behind. Me like it's,

1355
01:06:38,800 --> 01:06:40,280
Speaker 3: like just get me the hell out of, here like

1356
01:06:40,400 --> 01:06:43,800
Speaker 3: none of these people this is or like, AGAIN i

1357
01:06:43,880 --> 01:06:46,040
Speaker 3: knew this would, happen you, know the sense of, like oh,

1358
01:06:46,040 --> 01:06:48,120
Speaker 3: GREAT i, left you know he left it he left?

1359
01:06:48,160 --> 01:06:50,520
Speaker 3: Again that would it would be anger and it would

1360
01:06:50,520 --> 01:06:51,840
Speaker 3: be get me the hell out of. HERE i don't

1361
01:06:51,840 --> 01:06:54,280
Speaker 3: want to be with these. People and so the fact

1362
01:06:54,280 --> 01:06:56,439
Speaker 3: THAT i didn't do. THAT i know that's.

1363
01:06:57,560 --> 01:07:02,320
Speaker 1: Interesting everyone is. Shocked the doctor explains his heart wasn't strong.

1364
01:07:02,440 --> 01:07:05,680
Speaker 1: Enough the boys can't. Speak the doctor apologizes and To

1365
01:07:05,760 --> 01:07:08,680
Speaker 1: panga picks Up jack's. Gift it's a framed photograph Of,

1366
01:07:08,760 --> 01:07:11,800
Speaker 1: Chet sean And, jack the photo That rachel took. Earlier

1367
01:07:12,320 --> 01:07:20,280
Speaker 1: we zoom in and that's the end of our. EPISODE

1368
01:07:21,600 --> 01:07:22,000
Speaker 1: i think we.

1369
01:07:22,000 --> 01:07:25,600
Speaker 3: Should do LIKE i would, just we should make Just rachel's.

1370
01:07:25,560 --> 01:07:30,920
Speaker 1: Scrapbook what do you in? There pictures of her xx

1371
01:07:31,040 --> 01:07:32,520
Speaker 1: is crossed over, it bottom.

1372
01:07:32,160 --> 01:07:34,440
Speaker 2: Of, hair of toenails of her.

1373
01:07:34,600 --> 01:07:40,320
Speaker 1: X, pinderis board of, robes favorite, robes bath, bombs, ye,

1374
01:07:41,880 --> 01:07:43,880
Speaker 1: cooking cooking stuff yeah, yeah.

1375
01:07:44,760 --> 01:07:50,600
Speaker 3: The recipe for her special chocolate chocolate huh.

1376
01:07:50,680 --> 01:07:52,360
Speaker 1: Yeah it's a good. Idea let's make one of.

1377
01:07:52,360 --> 01:07:52,560
Speaker 2: Those.

1378
01:07:52,680 --> 01:07:58,680
Speaker 1: Merch join us for our next, episode recap season, six episode,

1379
01:07:58,680 --> 01:08:03,560
Speaker 1: Fourteen Getting, hitch which originally Aired january twenty, ninth nineteen ninety.

1380
01:08:03,640 --> 01:08:06,400
Speaker 1: Nine as, always you can follow us On instagram Pod

1381
01:08:06,480 --> 01:08:08,720
Speaker 1: Meets World. Show you can send us your emails Podmeets

1382
01:08:08,720 --> 01:08:11,560
Speaker 1: worldshow at gmail dot. Com and we've got.

1383
01:08:11,600 --> 01:08:20,400
Speaker 2: Merch today's merch sponsor By steak And SuDS come On.

1384
01:08:17,960 --> 01:08:21,439
Speaker 1: Podmeetsworldshow dot com writer send us.

1385
01:08:21,320 --> 01:08:26,640
Speaker 3: Out we love you, All. Poddsmith Podmeets world is an

1386
01:08:26,680 --> 01:08:30,240
Speaker 3: iHeart podcast producer hosted By Danielle, Fischel wilfridell And Ryder

1387
01:08:30,280 --> 01:08:33,960
Speaker 3: Strong executive Producers Jensen carp And Amy, Sugarman executive in

1388
01:08:34,040 --> 01:08:37,400
Speaker 3: charge of, Production Danielle, romo producer and, Editor Taras ubasch,

1389
01:08:37,640 --> 01:08:41,040
Speaker 3: Producer Maddie moore engineer And Boy Meets World Superman Easton.

1390
01:08:41,120 --> 01:08:44,080
Speaker 3: Out our theme song is By Kyle morton Of. Typhoon

1391
01:08:44,400 --> 01:08:47,320
Speaker 3: follow us On instagram At Podmets World, show or email

1392
01:08:47,439 --> 01:08:53,519
Speaker 3: us At Podmeats World show at gmail dot com