WEBVTT - ET Walks Into a Bar

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<v Speaker 1>Hey, Brent, we'll get to the show soon enough, but

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<v Speaker 1>before we do, I want to tell you a little

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<v Speaker 1>more about that case I've been working on.

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<v Speaker 2>Oh, the Edwards Air Force one? Sure. Yeah. Go for it.

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<v Speaker 2>All right.

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<v Speaker 1>It starts with this mainstream media investigative reporter whose identity

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<v Speaker 1>I'm protecting.

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<v Speaker 2>At least for now.

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<v Speaker 1>So, Ross Goldhart, George Knapp. No, no, and not any

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<v Speaker 1>of the usual suspects either. Anyway, because of some key relationships,

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<v Speaker 1>this reporter gets assigned to cover an Air Force demonstration

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<v Speaker 1>in of this highly advanced aerospace platform. The reporter is

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<v Speaker 1>supposed to be there when the test happens, but he

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<v Speaker 1>is delayed in transit. And that delay turns out to

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<v Speaker 1>matter because while he's not there, the test ends up

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<v Speaker 1>going sideways in a way that nobody in the Air

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<v Speaker 1>Force wants it to be reported.

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<v Speaker 2>Here's what happened.

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<v Speaker 1>During the flight, controllers pick up this unknown object on radar.

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<v Speaker 1>It's not part of the exercise. It's not supposed to

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<v Speaker 1>be in the airspace. It's moving at a speed that

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<v Speaker 1>makes the advanced platform suddenly look Not very advanced.

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<v Speaker 2>So it's like Nimitz, but with Air Force instead of Navy.

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<v Speaker 2>You've got something anomalous up in the sky. And so

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<v Speaker 2>what's the pilot take on all of this? Okay, so

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<v Speaker 2>you got radar visual.

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<v Speaker 1>But a few seconds later, this pilot radios in that

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<v Speaker 1>something has passed him at extreme velocity. He actually calls

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<v Speaker 1>it a, quote, flying saucer. And instead of asking questions,

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<v Speaker 1>the commanding officer in the HQ shuts that language down hard.

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<v Speaker 1>And all he says to his people there, he doesn't

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<v Speaker 1>want it in any report. He absolutely doesn't want anybody

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<v Speaker 1>to talk about it anywhere near the press. And he

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<v Speaker 1>threatens everybody with what will happen if they talk. So

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<v Speaker 1>no speculation, no hints, no leaks. Nobody says anything unless

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<v Speaker 1>it's to the chain of command.

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<v Speaker 2>Okay, wait. So how do we know any of this

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<v Speaker 2>if the reporter was late to the party?

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<v Speaker 1>By the time the reporter finally arrives, the official position

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<v Speaker 1>to him when he gets there is, hey, sorry, you

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<v Speaker 1>missed it. The test is over. Everything went fine. Nothing

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<v Speaker 1>to see here. Appreciate you coming. Enjoy your long ride

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<v Speaker 1>back home. But he's a reporter, and this guy can

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<v Speaker 1>read the room, and he sees tension, and he knows

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<v Speaker 1>the official.

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<v Speaker 2>Story has a big hole in it.

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<v Speaker 1>So the answer to your question is actually because my

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<v Speaker 1>source has his own source who's inside the Command HQ.

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<v Speaker 1>And this guy has seen the whole thing, and he'll

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<v Speaker 1>tell him about it later. But that's not the tip-off, Brent.

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<v Speaker 1>This would be a great story if it was just

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<v Speaker 1>radar visual, but it's really just where it starts. So.

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<v Speaker 2>I'm sensing a very big plot twist coming up here.

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<v Speaker 1>Well, the source is driving back from the base, and he,

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<v Speaker 1>at this point, has no real idea what the thing

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<v Speaker 1>is that everybody is trying so damn hard not to

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<v Speaker 1>talk about. Then he sees something that looks like an

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<v Speaker 1>orb going down, and there's this flash behind this hill

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<v Speaker 1>off the side of the road. So he stops his car,

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<v Speaker 1>and he goes there, and he finds a damaged craft, okay?

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<v Speaker 2>Okay, yeah. small enough to be concealed.

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<v Speaker 1>It's advanced enough, he says, that it clearly does not

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<v Speaker 1>belong to any known aerospace program, not ours or theirs

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<v Speaker 1>or anybody's.

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<v Speaker 2>And there's an occupant. So now we've got biologics. Yeah,

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<v Speaker 2>we do. Okay, this story is.

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<v Speaker 1>Yeah, it's, well, but it ain't there yet. So this being,

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<v Speaker 1>this occupant is not human, but it's alive. It's injured,

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<v Speaker 1>It appears to be struggling with either Earth gravity or atmosphere.

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<v Speaker 1>Of course, the shock from being in a crash. But

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<v Speaker 1>there's no question that this is an intelligent non-human occupant

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<v Speaker 1>in distress of some kind. And it gets stranger still

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<v Speaker 1>because the communication between this reporter and the occupant is

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<v Speaker 1>not verbal at this point. There's a psionic component.

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<v Speaker 2>There's telepathy. So we're out of nuts and bolts. We're done.

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<v Speaker 2>deep into the phenomenon and into more like consciousness territory here.

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<v Speaker 2>I'm intrigued. Keep going.

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<v Speaker 1>Add a new twist. Just when that's established, the occupant

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<v Speaker 1>starts to speak out loud to the reporter in English.

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<v Speaker 2>English.

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<v Speaker 1>English, which of course qualifies as extreme strangeness no matter

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<v Speaker 1>how you look at it. So the reporter has a

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<v Speaker 1>choice to make. He doesn't call the Air Force. He

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<v Speaker 1>doesn't call the police. And he actually helps this being.

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<v Speaker 1>But a stranger and more dangerous thing, though, is He

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<v Speaker 1>takes it home with him. But before he does that,

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<v Speaker 1>he disguises his craft so he can come back later

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<v Speaker 1>and retrieve it for himself.

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<v Speaker 2>All right. Time out for a second. Yeah. Let me

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<v Speaker 2>just think about this for a second. Here's what the

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<v Speaker 2>reporter knows so far, just to be clear. He's got

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<v Speaker 2>Air Force intel. He's got radar visuals. He's got all

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<v Speaker 2>of this suppression going on. He's apparently got a crashed

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<v Speaker 2>craft that is hidden somewhere. He's kidnapped the pilot and

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<v Speaker 2>he's got all of this Psy thing going on with

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<v Speaker 2>the alien. Am I, did I leave anything out?

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<v Speaker 1>That's about it. That's the state of affairs at this point.

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<v Speaker 2>Okay. So he calls.

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<v Speaker 1>This source that he has for corroboration, which he gets

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<v Speaker 1>from the inside of the command HQ. So now this

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<v Speaker 1>guy is thinking, Hey, I have got the scoop of

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<v Speaker 1>the century, except at this point, the Air Force comes knocking.

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<v Speaker 1>They know that he has information he shouldn't have, don't

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<v Speaker 1>know how, but they take him into custody and pressure

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<v Speaker 1>him to reveal his source. So suddenly all the stuff

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<v Speaker 1>you just explained is now protecting a source case. So

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<v Speaker 1>you've got a mainstream journalist sitting inside an Air Force

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<v Speaker 1>facility under zero legal authority being pushed to explain how

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<v Speaker 1>he knows about a classified UAP event that officially did

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<v Speaker 1>not happen.

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<v Speaker 2>But the last part seems very believable to me. It does,

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<v Speaker 2>but it's going to get one more bit stranger. While

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<v Speaker 2>he's sitting in custody, he receives a telepathic communication from

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<v Speaker 2>this creature. And I don't even know how to explain

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<v Speaker 2>this properly, but somehow the bottom line is this reporter

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<v Speaker 2>and this creature land on an explanation that the reporter

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<v Speaker 2>is going to tell the Air Force that his car

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<v Speaker 2>radio has somehow picked up restricted Air Force communications because

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<v Speaker 2>of some freak atmospheric It's a little extreme as an explanation,

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<v Speaker 2>and the Air Force doesn't actually buy it, but it

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<v Speaker 2>does give them a way out. So they release.

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<v Speaker 1>The reporter, but they take his car radio to look

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<v Speaker 1>for unauthorized equipment. As I understand it, they're not done

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<v Speaker 1>with him. They don't believe him. But the last thing

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<v Speaker 1>they want is to have a missing persons report out

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<v Speaker 1>there of a reporter that people know. So somehow this

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<v Speaker 1>reporter and this creature have come to the same conclusion.

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<v Speaker 1>This whole thing has to remain quiet, not because nothing happened,

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<v Speaker 1>but because too much has happened. So I guess this

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<v Speaker 1>is how it was explained to me. A reporter is

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<v Speaker 1>saying that he's thinking that if he goes public, this

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<v Speaker 1>could get him locked up again or discredited or at

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<v Speaker 1>least fired. And the alien creature is thinking that this

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<v Speaker 1>official exposure could put him in a lab or I

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<v Speaker 1>don't know. I don't There's some fear involved and they

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<v Speaker 1>make the classic UFO bargain. They're going to hide the

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<v Speaker 1>truth in plain sight.

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<v Speaker 2>What happens to the alien? The reporter hides them for years.

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<v Speaker 2>For years? Yep. Okay. So how is it that I

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<v Speaker 2>have not heard of this case? I have not seen

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<v Speaker 2>anything about this case online. Has anyone heard of this case? Yeah.

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<v Speaker 1>Many people have heard about this case.

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<v Speaker 2>Yeah.

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<v Speaker 1>That's because this case that you just heard is the

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<v Speaker 1>story of the pilot who Of the 1960s sitcom, My

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<v Speaker 1>Favorite Marsh.

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<v Speaker 2>I don't know that show well enough to have seen

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<v Speaker 2>that coming. But you, my friend, are not off the

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<v Speaker 2>hook for that little detour. All right. When we come back,

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<v Speaker 2>Bryce is going to explain why that's relevant. I'm Brent Friedman.

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<v Speaker 2>Years ago, a family friend who became a cabinet member

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<v Speaker 2>in the Reagan administration disclosed to me that aliens are real,

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<v Speaker 2>they're here, and he'd seen them. I'm Bryce Zabel.

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<v Speaker 1>Later, when we were producing Dark Skies, an NBC TV

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<v Speaker 1>series about an alien invasion, we were approached by men

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<v Speaker 1>who said they were from the Office of Naval Intelligence,

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<v Speaker 1>and they wanted to give us inside.

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<v Speaker 2>Information in exchange for access to our show. We didn't

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<v Speaker 2>take that deal. but we have never stopped thinking about it.

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<v Speaker 2>That's why we do this podcast.

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<v Speaker 1>We're working out ideas in real time about how Hollywood

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<v Speaker 1>has portrayed aliens and why.

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<v Speaker 2>Every episode is different because there are so many questions.

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<v Speaker 1>We're looking for answers. It's an active investigation. Let's do

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<v Speaker 1>this together.

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<v Speaker 2>All right.

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<v Speaker 1>Let me just explain what we're doing here. We started

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<v Speaker 1>to do a comedy show called An Alien Walks Into

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<v Speaker 1>a Bar. OK, so we got all of our comedy characters.

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<v Speaker 1>movies and TV series together, and we started watching them

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<v Speaker 1>through history. One of the first things we were looking

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<v Speaker 1>at was Visit to a Small Planet, which was a

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<v Speaker 1>Jerry Lewis comedy.

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<v Speaker 2>Or so it was. Jerry Lewis as an alien. Yeah.

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<v Speaker 1>And to be quite honest with you, as I started

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<v Speaker 1>watching them, I thought a lot of them were just bad. ALF,

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<v Speaker 1>which people remember fondly, was just horrible beyond belief. But

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<v Speaker 1>there wasn't a lot ufological in.

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<v Speaker 2>Any of these things. So the huge shock for me, Brent, was.

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<v Speaker 1>I went and bought the pilot episode for My Favorite Martian,

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<v Speaker 1>which I know. many in our audience are like, I've

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<v Speaker 1>never heard of this thing. It is a TV series

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<v Speaker 1>that ran from 63 to 66, I believe. And it

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<v Speaker 1>was also a Jeff Daniels film from 1999, which nobody

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<v Speaker 1>really remembers.

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<v Speaker 2>I totally forgot about that. Yeah.

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<v Speaker 1>The TV series is a big thing. And again, most

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<v Speaker 1>people weren't alive for it or whatever. Some people who

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<v Speaker 1>are listening to us remember it fondly. I just remembered

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<v Speaker 1>it as.

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<v Speaker 2>A dumb sitcom. Okay.

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<v Speaker 1>I watched this pilot and I just thought, holy crap,

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<v Speaker 1>this thing is loaded with ufological things.

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<v Speaker 2>Okay.

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<v Speaker 1>It starts as a documentary. There's elements of Air Force

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<v Speaker 1>imagery and everything. And it's a radar visual UFO case, Brent,

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<v Speaker 1>when it starts. They put it in the aerospace context.

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<v Speaker 1>There's a reporter in this who's being.

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<v Speaker 2>Pulled in to watch an X-15 test.

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<v Speaker 1>And I'm going to tell you more about that in

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<v Speaker 1>a second. But the X-15 could fly up to 60

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<v Speaker 1>miles on this test.

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<v Speaker 2>Really? I didn't even know that was possible then. Right?

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<v Speaker 1>There's the official suppression in this thing. There's the crash

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<v Speaker 1>retrieval aspect, the aliens among us, the consciousness part of it,

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<v Speaker 1>the idea that the alien– has such a damaged craft,

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<v Speaker 1>he's going to have to reverse engineer things himself because

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<v Speaker 1>the technology doesn't exist here on Earth. What struck me

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<v Speaker 1>is the beats of this show, from the newspaper assignment

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<v Speaker 1>to the Air Force sees something it doesn't want to see,

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<v Speaker 1>to the radar confirmation and official denial, to the threats

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<v Speaker 1>that they make to their own people and to reporters

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<v Speaker 1>and others, the discovery of a crash craft. Okay, if

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<v Speaker 1>you take away that it's a sitcom, you realize that

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<v Speaker 1>Somebody in 1963 is floating a very ufological story at

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<v Speaker 1>the time when Blue Book has been around for 10 years,

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<v Speaker 1>and these cases are floating around officially.

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<v Speaker 2>Yeah. It's fascinating. It does sound like a story that

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<v Speaker 2>you and I would write, minus the sitcom element. This

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<v Speaker 2>is a case, again, where truth is stranger than fiction sometimes. Yeah.

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<v Speaker 2>The fact that this show came out and presented something

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<v Speaker 2>that in historical context now seems very credible, but it's

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<v Speaker 2>the setup for a sitcom, which was actually quite popular,

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<v Speaker 2>if I remember. I only saw it in reruns when

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<v Speaker 2>I was growing up. Yeah. Very popular. Okay.

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<v Speaker 1>Now, it'd be one thing to just say, all right,

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<v Speaker 1>let me put it this way. Today, we have a

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<v Speaker 1>lot of stuff, including some comedies that are very ufological.

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<v Speaker 1>And I want to talk about those later. We'll get

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<v Speaker 1>to all that.

0:12:44.990 --> 0:12:45.990
<v Speaker 2>But let's stay with My.

0:12:45.910 --> 0:12:49.959
<v Speaker 1>Favorite Martian for a minute, because back then sitcoms were

0:12:50.030 --> 0:12:52.800
<v Speaker 1>pretty bad. I know that a lot of people find

0:12:52.820 --> 0:12:56.000
<v Speaker 1>them charming and whatever, but they weren't as sophisticated.

0:12:56.040 --> 0:12:57.540
<v Speaker 2>They weren't researched. Whatever.

0:12:57.780 --> 0:13:00.040
<v Speaker 1>But here is this one that looks like a blue

0:13:00.059 --> 0:13:03.160
<v Speaker 1>book case. Here's what's interesting about it. As I said,

0:13:03.200 --> 0:13:08.860
<v Speaker 1>this thing airs in 1963 on September 29th, which if

0:13:08.880 --> 0:13:11.740
<v Speaker 1>you're counting, is less than two months until John Kennedy

0:13:11.760 --> 0:13:15.120
<v Speaker 1>is going to be assassinated. And if you're counting backwards

0:13:15.160 --> 0:13:18.530
<v Speaker 1>from that, Kennedy is reputed to have written this letter,

0:13:19.110 --> 0:13:22.850
<v Speaker 1>this instruction, telling the military that we would need to

0:13:23.190 --> 0:13:25.750
<v Speaker 1>deal with the Soviet Union to make sure that nobody

0:13:26.050 --> 0:13:28.309
<v Speaker 1>started World War III over the sighting.

0:13:27.990 --> 0:13:32.110
<v Speaker 2>Of a UFO. Okay, so that's an interesting context. But

0:13:32.130 --> 0:13:33.590
<v Speaker 2>now let's roll back one year.

0:13:33.610 --> 0:13:39.809
<v Speaker 1>This thing, the actual pilot, apparently- was an unaired pilot

0:13:39.870 --> 0:13:44.829
<v Speaker 1>from November of 1962. So an entire year before it

0:13:44.910 --> 0:13:46.350
<v Speaker 1>actually makes it on the air.

0:13:47.170 --> 0:13:47.469
<v Speaker 2>All right.

0:13:48.370 --> 0:13:55.969
<v Speaker 1>So here's what's interesting. In the My Favorite Martian pilot,

0:13:56.150 --> 0:13:59.530
<v Speaker 1>this reporter played by Bill Bixby, who became the Incredible

0:13:59.580 --> 0:14:02.860
<v Speaker 1>Hulk on TV later. This is his first starring role.

0:14:03.600 --> 0:14:07.180
<v Speaker 1>That reporter, who's called Tim, what is his name?

0:14:07.570 --> 0:14:10.670
<v Speaker 2>Tim O'Hara. So Tim O'Hara is sent out to cover

0:14:10.710 --> 0:14:12.189
<v Speaker 2>the X-15. Yep.

0:14:12.970 --> 0:14:16.450
<v Speaker 1>It's a big deal, and they've got the HQ. It

0:14:16.530 --> 0:14:20.180
<v Speaker 1>looks like sort of the pre-Nimitz Bridge thing, the set,

0:14:20.560 --> 0:14:24.120
<v Speaker 1>low budget. But it turns out that on July 27th

0:14:24.140 --> 0:14:26.910
<v Speaker 1>of 1962, what would that make it?

0:14:27.060 --> 0:14:29.840
<v Speaker 2>August, September, October, November.

0:14:30.140 --> 0:14:33.280
<v Speaker 1>So four months prior, back when a writer was probably

0:14:33.340 --> 0:14:37.880
<v Speaker 1>writing the pilot, there was an X-15 test. with Air

0:14:37.940 --> 0:14:42.580
<v Speaker 1>Force Major Robert White, who flew the X-15 up to

0:14:42.580 --> 0:14:47.520
<v Speaker 1>59.6 miles. Now, I remember in dark skies, we had

0:14:47.540 --> 0:14:49.640
<v Speaker 1>the U-2 flying at 60,000 feet.

0:14:49.800 --> 0:14:53.700
<v Speaker 2>Yeah. I think it's seven miles or something. That's crazy.

0:14:54.160 --> 0:14:57.550
<v Speaker 1>It is crazy. Here's the crazy part, though. Here's what

0:14:57.570 --> 0:14:59.470
<v Speaker 1>got me turned on that we should talk a little

0:14:59.490 --> 0:15:02.450
<v Speaker 1>bit more about this. So Robert White is up there

0:15:02.530 --> 0:15:06.180
<v Speaker 1>flying Close to 60 miles, which at that point is

0:15:06.220 --> 0:15:09.320
<v Speaker 1>the highest altitude ever achieved.

0:15:08.880 --> 0:15:09.990
<v Speaker 2>By a winged aircraft.

0:15:10.370 --> 0:15:12.420
<v Speaker 1>I believe it had to be attached to something else

0:15:12.490 --> 0:15:15.430
<v Speaker 1>and then take off from that thing to get up there.

0:15:16.870 --> 0:15:20.670
<v Speaker 1>Time magazine reports on it. And they say that White

0:15:20.970 --> 0:15:25.430
<v Speaker 1>reported that he saw something strange through the X-15's thick

0:15:25.610 --> 0:15:29.680
<v Speaker 1>quartz window. And he said over the radio, and this

0:15:29.760 --> 0:15:33.450
<v Speaker 1>is a quote from the X-15 pilot four months before that,

0:15:33.970 --> 0:15:38.850
<v Speaker 1>my favorite Martian. He says, quote, there are things out there.

0:15:39.350 --> 0:15:41.050
<v Speaker 1>There absolutely is.

0:15:43.510 --> 0:15:43.810
<v Speaker 2>Okay.

0:15:44.170 --> 0:15:48.450
<v Speaker 1>Now, don't know that's a UFO or whatever. And obviously,

0:15:48.490 --> 0:15:52.230
<v Speaker 1>the writer said, what would happen if it was? And

0:15:52.310 --> 0:15:55.660
<v Speaker 1>what would happen? He set up a scenario. But here's

0:15:55.700 --> 0:15:59.300
<v Speaker 1>what White saw. he saw a grayish piece of paper

0:15:59.360 --> 0:16:01.800
<v Speaker 1>about the size of his hand. I think he probably

0:16:01.860 --> 0:16:06.280
<v Speaker 1>means holding his hand at distance. Yeah, wasn't that something

0:16:06.300 --> 0:16:09.200
<v Speaker 1>the size of a hand way out there? And it

0:16:09.260 --> 0:16:12.880
<v Speaker 1>was tumbling slowly 30 to 40 feet from the aircraft.

0:16:15.060 --> 0:16:17.340
<v Speaker 2>At that height, what could that possibly be?

0:16:18.040 --> 0:16:20.780
<v Speaker 1>Before they had said things like ice frost and debris

0:16:20.820 --> 0:16:25.470
<v Speaker 1>from the X-15 itself. But remember, this X-15... It's flying

0:16:25.530 --> 0:16:28.430
<v Speaker 1>like crap. I don't know what its speed is, but

0:16:28.450 --> 0:16:31.870
<v Speaker 1>for it to be flying that fast and debris from

0:16:31.990 --> 0:16:35.670
<v Speaker 1>it is already a stretch as an explanation. But for

0:16:35.710 --> 0:16:39.380
<v Speaker 1>something that looks like the size of your hand tumbling

0:16:39.380 --> 0:16:40.860
<v Speaker 1>30 to 40 feet from.

0:16:40.740 --> 0:16:42.580
<v Speaker 2>The aircraft, I don't know what that is.

0:16:42.940 --> 0:16:47.320
<v Speaker 1>It was never actually explained, and even Time magazine said

0:16:47.560 --> 0:16:51.350
<v Speaker 1>it would remain a mystery. Listen, if nothing else, folks,

0:16:51.570 --> 0:16:55.050
<v Speaker 1>and Brent, this is what is fun about crypto. prepping

0:16:55.120 --> 0:16:57.800
<v Speaker 1>for a show yeah if all we did was consult

0:16:58.140 --> 0:17:01.520
<v Speaker 1>an ai and say tell us about my favorite martian

0:17:02.160 --> 0:17:07.280
<v Speaker 1>and you wouldn't have seen the pilot episode to really

0:17:07.520 --> 0:17:10.859
<v Speaker 1>you've just seen nobody would have broken it down ufologically

0:17:11.359 --> 0:17:13.460
<v Speaker 1>and you certainly wouldn't have been led to the time

0:17:13.500 --> 0:17:17.760
<v Speaker 1>magazine article about the actual x15 test and about how

0:17:17.800 --> 0:17:19.960
<v Speaker 1>the pilot saw something anomalous.

0:17:19.980 --> 0:17:23.590
<v Speaker 2>Yeah So my experience was, like I said, I grew up,

0:17:23.650 --> 0:17:26.130
<v Speaker 2>this was one of the shows that was in constant reruns.

0:17:26.740 --> 0:17:29.180
<v Speaker 2>I found it vaguely entertaining when I was a kid.

0:17:30.100 --> 0:17:31.899
<v Speaker 2>For this show, I went back and just watched a

0:17:31.940 --> 0:17:34.580
<v Speaker 2>few random episodes. I did not go back and watch

0:17:34.619 --> 0:17:37.760
<v Speaker 2>the pilot. I never would have anticipated that it was

0:17:37.800 --> 0:17:41.140
<v Speaker 2>that ufological. And you wouldn't have recognized it if you did.

0:17:41.160 --> 0:17:41.220
<v Speaker 1>No.

0:17:42.420 --> 0:17:44.919
<v Speaker 2>But what I did do was I said, oh, I wonder,

0:17:45.100 --> 0:17:47.659
<v Speaker 2>how did it end? How did the show end? Yeah.

0:17:48.359 --> 0:17:49.980
<v Speaker 2>I don't know if you looked into this, but do

0:17:50.000 --> 0:17:53.919
<v Speaker 2>you know what the finale of this show was? Does

0:17:53.940 --> 0:17:58.140
<v Speaker 2>he go back home? That's what I thought would happen. Yeah.

0:17:58.220 --> 0:18:02.020
<v Speaker 2>Here's the finale of My Favorite Martian. Oh, wait. I

0:18:02.060 --> 0:18:03.900
<v Speaker 2>think before you tell me. Yeah.

0:18:03.940 --> 0:18:06.530
<v Speaker 1>I'm going to just say, I know in the feature,

0:18:06.869 --> 0:18:10.129
<v Speaker 1>Jeff Daniels plays a guy who's come to Earth from Mars.

0:18:10.570 --> 0:18:14.950
<v Speaker 1>I'm betting that he is still in the feature playing.

0:18:15.630 --> 0:18:19.670
<v Speaker 1>The Ray Walston, Uncle Martin character is still on Earth,

0:18:19.990 --> 0:18:21.830
<v Speaker 1>that he stays on Earth. Oh.

0:18:22.970 --> 0:18:26.050
<v Speaker 2>How much were you betting on that? Oh, good. This

0:18:26.090 --> 0:18:28.530
<v Speaker 2>is why we never put money on these things. Yeah.

0:18:28.830 --> 0:18:34.530
<v Speaker 2>So here's what happens in the series finale. Tim and

0:18:34.570 --> 0:18:39.869
<v Speaker 2>his Uncle Martin use Uncle Martin's time machine. Whoa. Yeah.

0:18:39.890 --> 0:18:42.550
<v Speaker 2>I don't know exactly where that came into play. To

0:18:42.609 --> 0:18:47.520
<v Speaker 2>travel back to the year. Wait for it. 1626. And

0:18:47.560 --> 0:18:53.129
<v Speaker 2>through a series of comic shenanigans, they interrupt or disrupt

0:18:53.270 --> 0:18:57.090
<v Speaker 2>the famous real estate transaction where Manhattan Island is bought

0:18:57.130 --> 0:19:01.690
<v Speaker 2>for $ 24. Oh, I did not see that coming either.

0:19:01.830 --> 0:19:05.320
<v Speaker 2>That never happened then. And so the whole show wraps

0:19:05.400 --> 0:19:10.199
<v Speaker 2>up with this lighthearted historical mishap, rather than doing what

0:19:10.660 --> 0:19:13.280
<v Speaker 2>we both thought would happen, which is sending Martin back home.

0:19:14.770 --> 0:19:17.850
<v Speaker 2>Or at least staying on Earth and living out his age.

0:19:18.530 --> 0:19:22.469
<v Speaker 1>And by the way, Uncle Martin says in that pilot

0:19:22.530 --> 0:19:26.129
<v Speaker 1>episode that he's an anthropologist. There's a theme on a

0:19:26.170 --> 0:19:31.169
<v Speaker 1>lot of these programs where people are coming to assess

0:19:31.230 --> 0:19:31.630
<v Speaker 1>the Earth.

0:19:32.170 --> 0:19:33.540
<v Speaker 2>Yeah, to study it.

0:19:33.859 --> 0:19:36.500
<v Speaker 1>But Uncle Martin says that he's been coming to Earth

0:19:36.540 --> 0:19:39.899
<v Speaker 1>for 150 years in the pilot. So what they are

0:19:40.000 --> 0:19:43.199
<v Speaker 1>also ufologically doing is extending the timeframe.

0:19:43.500 --> 0:19:44.000
<v Speaker 2>UFOs.

0:19:44.550 --> 0:19:47.699
<v Speaker 1>are not just something that have happened since 1947. This

0:19:48.460 --> 0:19:49.970
<v Speaker 1>guy's been coming for a good long time.

0:19:50.060 --> 0:19:54.600
<v Speaker 2>Time. Yeah. What I thought was interesting about this show,

0:19:54.740 --> 0:19:56.619
<v Speaker 2>other than everything else you laid out, is that it

0:19:56.700 --> 0:20:00.159
<v Speaker 2>really set the template for what is to come. As

0:20:00.200 --> 0:20:04.120
<v Speaker 2>you mentioned, a lot of the shows have the alien

0:20:04.220 --> 0:20:08.750
<v Speaker 2>or aliens as anthropologists or people coming to study mankind.

0:20:09.300 --> 0:20:13.040
<v Speaker 2>But what it does is it domesticates the UFO story.

0:20:13.440 --> 0:20:16.900
<v Speaker 2>It brings it into the home. And we're better than

0:20:17.020 --> 0:20:22.609
<v Speaker 2>certainly the television set to introduce aliens to America, actually

0:20:22.640 --> 0:20:29.670
<v Speaker 2>to the world, and let audiences realize they're just like us. Yeah.

0:20:30.550 --> 0:20:36.010
<v Speaker 1>I mean, that which is something that was commonly done.

0:20:36.130 --> 0:20:39.070
<v Speaker 1>They're at least human form, Jerry Lewis films. although he

0:20:39.090 --> 0:20:42.450
<v Speaker 1>looks like Jerry Lewis, is still a human-formed alien in

0:20:42.490 --> 0:20:46.100
<v Speaker 1>his thing. A couple of really parting thoughts on My

0:20:46.160 --> 0:20:51.840
<v Speaker 1>Favorite Martian. This is the Rotten Tomatoes summary of it. Quote,

0:20:52.220 --> 0:20:56.080
<v Speaker 1>newspaper reporter Tim O'Hara offers sanctuary to a Martian who

0:20:56.100 --> 0:20:58.939
<v Speaker 1>has crash-landed on Earth. The point is you could be

0:20:59.000 --> 0:21:03.110
<v Speaker 1>forgiven for not seeing the ufology angle in that from

0:21:03.119 --> 0:21:06.820
<v Speaker 1>the log lines. Because that sounds like Alf. Alf is

0:21:07.000 --> 0:21:11.100
<v Speaker 1>completely stupid. Alf crashes in somebody's garage. The other thing

0:21:11.119 --> 0:21:13.720
<v Speaker 1>I was just going to say, and I believe that's

0:21:13.760 --> 0:21:15.619
<v Speaker 1>what you were just saying, but let me just draw

0:21:15.640 --> 0:21:20.100
<v Speaker 1>a line under it. This might, my favorite Martian, actually

0:21:20.160 --> 0:21:23.000
<v Speaker 1>becomes a template of sorts for a lot of things

0:21:23.040 --> 0:21:26.280
<v Speaker 1>that have followed. It is the alien stuck on Earth.

0:21:27.320 --> 0:21:29.850
<v Speaker 1>It's the alien stuck on Earth in plain sight.

0:21:30.710 --> 0:21:31.430
<v Speaker 2>Right.

0:21:31.630 --> 0:21:34.990
<v Speaker 1>Walking among us in plain sight. And then in some

0:21:35.010 --> 0:21:38.560
<v Speaker 1>of these sitcom variations of it, and actually in some

0:21:38.580 --> 0:21:43.560
<v Speaker 1>of the feature variations as well, generating constant misunderstandings. In

0:21:43.580 --> 0:21:47.700
<v Speaker 1>the sitcom world, those are weekly misunderstandings. And by that,

0:21:47.760 --> 0:21:51.510
<v Speaker 1>I mean everything from the Coneheads to Third Rock, from

0:21:51.570 --> 0:21:52.380
<v Speaker 1>The Sun.

0:21:52.400 --> 0:21:54.890
<v Speaker 2>To Alf to Mork and Mindy.

0:21:55.030 --> 0:21:59.609
<v Speaker 1>They are reporting on us, and it isn't us being

0:21:59.670 --> 0:22:02.690
<v Speaker 1>interested in them as much as we're supposed to say,

0:22:03.970 --> 0:22:07.590
<v Speaker 1>These aliens are observing our behavior and commenting on it.

0:22:07.869 --> 0:22:10.430
<v Speaker 2>It's all very fascinating. One thing I want to do,

0:22:11.350 --> 0:22:13.109
<v Speaker 2>you took us on a detour at the beginning. I'm

0:22:13.130 --> 0:22:16.080
<v Speaker 2>going to take a short detour here. Something interesting in

0:22:16.130 --> 0:22:21.180
<v Speaker 2>this time period was at around the same time that

0:22:21.859 --> 0:22:24.520
<v Speaker 2>My Favorite Martian was running, which was what, 63 to 65,

0:22:24.500 --> 0:22:25.959
<v Speaker 2>you said? Yeah. Yeah. 66, I think. To 66. So

0:22:25.980 --> 0:22:35.280
<v Speaker 2>from 65 to 71, there was another sitcom. called Hogan's Heroes.

0:22:35.880 --> 0:22:37.960
<v Speaker 2>I know a little bit about Hogan's Heroes because I

0:22:37.980 --> 0:22:41.240
<v Speaker 2>was a friend with Al Ruddy, who was the creator of,

0:22:41.600 --> 0:22:44.959
<v Speaker 2>I think, co-creator of Hogan's Heroes. He also went on

0:22:45.010 --> 0:22:48.650
<v Speaker 2>to produce The Godfather and Million Dollar Baby, won some

0:22:48.810 --> 0:22:52.250
<v Speaker 2>Academy Awards for that. But his career started by creating

0:22:52.670 --> 0:22:57.990
<v Speaker 2>Hogan's Heroes. And Hogan's Heroes was essentially a satire, an

0:22:58.090 --> 0:23:02.530
<v Speaker 2>unofficial satire of the very serious movie Stalag 17 by

0:23:02.570 --> 0:23:05.490
<v Speaker 2>Billy Wilder about the concentration camp or the prison camp

0:23:05.570 --> 0:23:08.510
<v Speaker 2>in World War II. Al told me at one time

0:23:08.750 --> 0:23:11.570
<v Speaker 2>that when he was pitching Hogan's Heroes, initially got a

0:23:11.609 --> 0:23:16.449
<v Speaker 2>lot of resistance, but he actually used a line, I believe,

0:23:16.650 --> 0:23:20.380
<v Speaker 2>to help people understand why it was okay to satirize

0:23:20.820 --> 0:23:23.640
<v Speaker 2>Stalag 17. And that was, I think it came from

0:23:23.760 --> 0:23:27.310
<v Speaker 2>Steve Allen, a 50s comedian and TV host, And the

0:23:27.390 --> 0:23:30.490
<v Speaker 2>idea is tragedy plus time equals comedy.

0:23:31.150 --> 0:23:34.190
<v Speaker 1>I think Woody Allen has said that several times himself, too.

0:23:34.270 --> 0:23:37.270
<v Speaker 2>Yes. He borrowed it from the best. But you go, okay,

0:23:37.450 --> 0:23:39.800
<v Speaker 2>I see that. That makes sense. It's cathartic. We can

0:23:39.840 --> 0:23:43.300
<v Speaker 2>start to laugh at the Nazis. But I want to

0:23:43.600 --> 0:23:46.639
<v Speaker 2>make a point here. If you were a survivor of

0:23:46.680 --> 0:23:49.760
<v Speaker 2>the Holocaust and you were watching a sitcom that made

0:23:49.780 --> 0:23:53.939
<v Speaker 2>the Nazis look like idiots and incompetent fools, as Hogan's

0:23:53.960 --> 0:23:57.459
<v Speaker 2>Heroes did, how would you feel? That's a rhetorical question.

0:23:57.500 --> 0:23:59.800
<v Speaker 2>I think we both know the answer. But with regards

0:23:59.840 --> 0:24:03.420
<v Speaker 2>to My Favorite Martian, I can only imagine, as soon

0:24:03.460 --> 0:24:06.100
<v Speaker 2>as I thought this through, I thought, what did Betty

0:24:06.140 --> 0:24:10.090
<v Speaker 2>and Barney Hill think? They had their experience a couple

0:24:10.119 --> 0:24:13.810
<v Speaker 2>years earlier before My Favorite Martian came out. They didn't

0:24:13.890 --> 0:24:16.630
<v Speaker 2>tell anyone about it, I believe, and the world didn't

0:24:16.650 --> 0:24:20.050
<v Speaker 2>learn about it until 65, which was two years into

0:24:20.090 --> 0:24:24.250
<v Speaker 2>the comedy run of My Favorite Martian. So I step

0:24:24.290 --> 0:24:27.679
<v Speaker 2>back and I go, If we want to put on

0:24:27.720 --> 0:24:32.619
<v Speaker 2>our conspiratorial hats here, our tinfoil hats, and we think, okay,

0:24:32.660 --> 0:24:36.369
<v Speaker 2>how much of the UFO alien narrative was controlled by Hollywood?

0:24:36.930 --> 0:24:39.290
<v Speaker 2>You can start to imagine that the powers that be,

0:24:39.390 --> 0:24:43.090
<v Speaker 2>who clearly knew well in advance about Betty and Barney

0:24:43.109 --> 0:24:48.960
<v Speaker 2>Hill's abduction, maybe worked with Hollywood to preemptively undermine it.

0:24:49.390 --> 0:24:52.869
<v Speaker 2>With a series like My Favorite Martian, which seems to

0:24:52.910 --> 0:24:59.500
<v Speaker 2>be loaded with actual, very factual sounding UFO lore. And ultimately,

0:25:00.020 --> 0:25:02.140
<v Speaker 2>that show comes out, My Favorite Martian, and it gives

0:25:02.359 --> 0:25:06.870
<v Speaker 2>everyone a permission to laugh at aliens and UFOs. Again,

0:25:07.050 --> 0:25:09.480
<v Speaker 2>it all could be a coincidence, but I think there's

0:25:09.500 --> 0:25:12.080
<v Speaker 2>a lens through which you go, the timing of all

0:25:12.119 --> 0:25:14.980
<v Speaker 2>of this just sounds very interesting. And let's remember something.

0:25:15.320 --> 0:25:17.740
<v Speaker 1>Betty and Barney, as you point out, their story isn't

0:25:17.840 --> 0:25:22.040
<v Speaker 1>publicized till October of 65 by the Boston Traveler. But

0:25:22.080 --> 0:25:26.359
<v Speaker 1>it doesn't mean that they didn't spend four years thinking

0:25:26.440 --> 0:25:28.720
<v Speaker 1>about this and telling a few friends here and there.

0:25:28.940 --> 0:25:32.850
<v Speaker 1>But basically, two years into this, which is when My

0:25:32.910 --> 0:25:36.350
<v Speaker 1>Favorite Martian is airing, Betty and Barney have to watch it.

0:25:36.470 --> 0:25:39.949
<v Speaker 1>It's a popular show. And there's only three things on

0:25:40.030 --> 0:25:43.490
<v Speaker 1>TV at the time. So they clearly were aware of

0:25:43.570 --> 0:25:46.969
<v Speaker 1>My Favorite Martian. And by the way, the powers that

0:25:46.990 --> 0:25:50.040
<v Speaker 1>be were clearly aware of Betty and Barney. They may

0:25:50.100 --> 0:25:53.600
<v Speaker 1>not have gone public, but they had filed a report

0:25:53.680 --> 0:25:54.300
<v Speaker 1>with the U.S.

0:25:54.359 --> 0:25:59.080
<v Speaker 2>Air Force. And they had filed a report with NICAP. Okay.

0:25:59.160 --> 0:26:02.770
<v Speaker 1>So there were two official reports that they had filed.

0:26:03.330 --> 0:26:07.950
<v Speaker 1>that were making their way around the powers that be.

0:26:08.280 --> 0:26:10.500
<v Speaker 1>And let's face it, that Air Force report ended up

0:26:10.560 --> 0:26:13.160
<v Speaker 1>in Blue Book, or at least was exposed to Blue Book,

0:26:13.400 --> 0:26:15.980
<v Speaker 1>whether they wrote about it later. Everybody in the Air

0:26:16.040 --> 0:26:18.220
<v Speaker 1>Force knew about the Betty and Barney case.

0:26:18.240 --> 0:26:18.680
<v Speaker 2>So you're right.

0:26:19.000 --> 0:26:21.740
<v Speaker 1>It might have been something. And I did look into

0:26:21.820 --> 0:26:25.200
<v Speaker 1>the production people of My Favorite Martian. It was written

0:26:25.240 --> 0:26:28.330
<v Speaker 1>by John L. Green, and it was directed by Sheldon Leonard,

0:26:28.619 --> 0:26:31.609
<v Speaker 1>produced by Jack Chertok. I wasn't able to find that

0:26:31.710 --> 0:26:35.850
<v Speaker 1>any of them had any opinions about UFOs. And I actually,

0:26:36.290 --> 0:26:38.010
<v Speaker 1>I'm sure I could find it, but I didn't find

0:26:38.070 --> 0:26:41.429
<v Speaker 1>it in time about whether they had military backgrounds that

0:26:41.470 --> 0:26:44.679
<v Speaker 1>would have put them with access or whatever, which is

0:26:44.720 --> 0:26:48.920
<v Speaker 1>something that has certainly been seen. But there is a

0:26:48.960 --> 0:26:52.060
<v Speaker 1>confluence of events because one of the things that's so

0:26:52.100 --> 0:26:54.220
<v Speaker 1>interesting about doing this show is that you're talking about

0:26:54.260 --> 0:26:58.050
<v Speaker 1>My Favorite Martian and you say, okay, late 63 is

0:26:58.210 --> 0:27:01.650
<v Speaker 1>JFK dies at the same exact time as this show

0:27:01.710 --> 0:27:02.159
<v Speaker 1>comes out.

0:27:02.609 --> 0:27:05.909
<v Speaker 2>And through 66, what's going on in the U.S. at

0:27:05.950 --> 0:27:06.390
<v Speaker 2>that time?

0:27:06.750 --> 0:27:10.870
<v Speaker 1>If I'm not mistaken, the Socorro landing is happening during.

0:27:10.320 --> 0:27:11.240
<v Speaker 2>That time period.

0:27:11.680 --> 0:27:14.959
<v Speaker 1>Betty and Barney are coming public while My Favorite Martian

0:27:15.020 --> 0:27:18.139
<v Speaker 1>is on the air. During that period, there are ufological

0:27:18.200 --> 0:27:21.860
<v Speaker 1>things happening. And Blue Book is taking a lot of reports.

0:27:22.220 --> 0:27:25.470
<v Speaker 1>I believe as My Favorite Martian is ending its run,

0:27:25.750 --> 0:27:29.080
<v Speaker 1>there's also the sightings in Michigan that lead to J.

0:27:29.330 --> 0:27:34.970
<v Speaker 1>Allen Hynek's talking about swamp gas. So, listen, not wanting

0:27:35.060 --> 0:27:39.320
<v Speaker 1>to beat this dead alien horse deader, but I would

0:27:39.340 --> 0:27:42.720
<v Speaker 1>just like to leave people with this thought. We don't

0:27:42.760 --> 0:27:46.440
<v Speaker 1>have any proof that the My Favorite Martian team had

0:27:46.540 --> 0:27:50.340
<v Speaker 1>any inside UFO knowledge. That we haven't been able to

0:27:50.600 --> 0:27:53.200
<v Speaker 1>come up with. But what we do have is still

0:27:53.859 --> 0:27:56.980
<v Speaker 1>pretty interesting. We do have strong evidence that they were

0:27:57.060 --> 0:28:02.940
<v Speaker 1>responding to a fresh, real-world, X-15 mystery story from 1962.

0:28:02.940 --> 0:28:07.360
<v Speaker 1>That is not commonly known. And it's not commonly known

0:28:07.380 --> 0:28:11.199
<v Speaker 1>that the X-15 guy, the pilot, saw something weird. And

0:28:11.240 --> 0:28:14.200
<v Speaker 1>that happens in July of 62. The pilot airs in

0:28:14.260 --> 0:28:17.940
<v Speaker 1>November of 62, or is made in 62. It doesn't

0:28:18.020 --> 0:28:19.780
<v Speaker 1>air for an entire year.

0:28:20.060 --> 0:28:22.340
<v Speaker 2>All of this is part of it. But we also

0:28:22.400 --> 0:28:26.410
<v Speaker 2>know that my favorite Martian in that pilot, and then

0:28:26.450 --> 0:28:27.670
<v Speaker 2>it dissolves into goofiness.

0:28:28.050 --> 0:28:31.859
<v Speaker 1>But in that pilot, it amplifies some UFO concepts that

0:28:31.880 --> 0:28:36.120
<v Speaker 1>were already circulating in American culture, which is sightings by

0:28:36.220 --> 0:28:42.800
<v Speaker 1>pilots of things doing anomalous things at high speeds, military denial,

0:28:43.040 --> 0:28:45.290
<v Speaker 1>which we know more than ever because of these tranches.

0:28:45.330 --> 0:28:47.470
<v Speaker 1>We're up to tranche five now. And one of the

0:28:47.490 --> 0:28:49.570
<v Speaker 1>things they've been doing, Brent, is putting out a lot

0:28:49.610 --> 0:28:52.410
<v Speaker 1>of documents. And you read this historical documents.

0:28:52.810 --> 0:28:54.210
<v Speaker 2>And while you and I may.

0:28:54.090 --> 0:28:56.030
<v Speaker 1>Have been aware of them or read about them or

0:28:56.070 --> 0:28:58.340
<v Speaker 1>even read some of them because they came out through

0:28:58.660 --> 0:29:02.120
<v Speaker 1>freedom of information, they make very clear right now that

0:29:02.140 --> 0:29:06.500
<v Speaker 1>while the government was telling us in that time period,

0:29:06.820 --> 0:29:10.090
<v Speaker 1>nothing to see here, they were writing memos to each

0:29:10.140 --> 0:29:11.660
<v Speaker 1>other like their hair was on fire.

0:29:12.470 --> 0:29:13.470
<v Speaker 2>Okay? It's true.

0:29:14.050 --> 0:29:18.590
<v Speaker 1>So there's military denial. Press suppression is something we see

0:29:18.630 --> 0:29:22.750
<v Speaker 1>in that episode. Crash retrieval. Now, nobody thought of crash

0:29:22.810 --> 0:29:27.340
<v Speaker 1>retrievals at the time, and yet Roswell had happened Roughly 15,

0:29:27.340 --> 0:29:32.180
<v Speaker 1>16 years before My Favorite Martian comes out. So that

0:29:32.240 --> 0:29:35.880
<v Speaker 1>was a thing. And Leonard Stringfield was starting to wake

0:29:35.960 --> 0:29:38.690
<v Speaker 1>up to crash retrievals and all that. You got an

0:29:38.790 --> 0:29:42.640
<v Speaker 1>alien survivor. which we now think happened at Roswell.

0:29:43.260 --> 0:29:46.840
<v Speaker 2>The whole psychic powers part of it, the whole secrecy.

0:29:47.060 --> 0:29:47.440
<v Speaker 2>I don't know.

0:29:47.540 --> 0:29:52.980
<v Speaker 1>I just, I went into this episode not thinking about

0:29:53.080 --> 0:29:56.300
<v Speaker 1>this other than we would spend two minutes on my favorite.

0:29:55.960 --> 0:29:58.870
<v Speaker 2>Martians and go, see ya. But it turned out to

0:29:58.890 --> 0:30:01.920
<v Speaker 2>be a little more than that. Yeah. Now we're in

0:30:01.960 --> 0:30:04.920
<v Speaker 2>about 20 minutes into My Favorite Martian. So I think

0:30:04.940 --> 0:30:08.880
<v Speaker 2>we're going to now move chronologically through the comedic landscape

0:30:09.200 --> 0:30:10.260
<v Speaker 2>of UFO and aliens.

0:30:10.800 --> 0:30:12.780
<v Speaker 1>But before we do, I just want to say, I

0:30:12.820 --> 0:30:15.000
<v Speaker 1>want to respond to you about something you said. You're

0:30:15.020 --> 0:30:17.020
<v Speaker 1>talking about Hogan's Heroes, which, by the way, I never

0:30:17.120 --> 0:30:19.830
<v Speaker 1>found funny. And I don't think my father found it

0:30:19.900 --> 0:30:22.030
<v Speaker 1>funny because he had served in World War II. And

0:30:22.450 --> 0:30:24.770
<v Speaker 1>even though he didn't serve in the European theater, he

0:30:24.910 --> 0:30:25.910
<v Speaker 1>had friends who had.

0:30:25.930 --> 0:30:26.570
<v Speaker 2>Yeah.

0:30:27.100 --> 0:30:30.820
<v Speaker 1>I think America was divided on Hogan's Heroes. There were

0:30:31.320 --> 0:30:33.790
<v Speaker 1>some people that said, yeah, you got to laugh at it.

0:30:34.040 --> 0:30:36.240
<v Speaker 1>But then there were, if you were a Nazi prisoner

0:30:36.260 --> 0:30:38.480
<v Speaker 1>of war, I don't know that you would find that funny.

0:30:38.640 --> 0:30:40.760
<v Speaker 1>I didn't know enough about anything at that point to

0:30:41.540 --> 0:30:44.940
<v Speaker 1>even watch it, maybe. But the thing that you were saying, though,

0:30:45.080 --> 0:30:47.640
<v Speaker 1>is when is it okay to laugh? We are going

0:30:47.680 --> 0:30:50.780
<v Speaker 1>to get into a couple of shows at the end

0:30:50.820 --> 0:30:54.630
<v Speaker 1>of this chronology of People of Earth and Resident Alien.

0:30:55.010 --> 0:30:58.850
<v Speaker 1>And they- They show us how we now think about

0:30:59.070 --> 0:31:03.170
<v Speaker 1>when it's okay to laugh in today's world versus back then.

0:31:03.430 --> 0:31:10.540
<v Speaker 2>So I turn it back to you. Mork and Mindy

0:31:11.120 --> 0:31:15.959
<v Speaker 2>ran from 78, 1982. It was the story of an

0:31:16.520 --> 0:31:20.640
<v Speaker 2>alien from Ork who comes to Earth, surprise, to study humanity.

0:31:21.100 --> 0:31:23.660
<v Speaker 2>And he moves in with a young woman in Boulder, Colorado.

0:31:24.280 --> 0:31:29.110
<v Speaker 2>And basically- turns human life into an improv comedy because

0:31:29.510 --> 0:31:33.090
<v Speaker 2>the alien is played by Robin Williams. And this show

0:31:33.130 --> 0:31:36.530
<v Speaker 2>was a favorite of my family. We loved this show.

0:31:36.550 --> 0:31:38.280
<v Speaker 2>This was one of the few things that everyone in

0:31:38.300 --> 0:31:40.800
<v Speaker 2>the family loved, and it was appointment television for us.

0:31:41.300 --> 0:31:45.060
<v Speaker 2>I think that it actually, the character was introduced on

0:31:45.140 --> 0:31:49.300
<v Speaker 2>Happy Days and introduced, I think, in an episode called

0:31:49.460 --> 0:31:50.640
<v Speaker 2>My Favorite Orkin.

0:31:51.000 --> 0:31:54.300
<v Speaker 1>I guess Mork is trying to take Richie Cunningham, played

0:31:54.340 --> 0:31:56.080
<v Speaker 1>by Ron Howard, back to Ork.

0:31:55.980 --> 0:32:00.880
<v Speaker 2>As a specimen. He's an alien there to abduct Ron Howard. Yes.

0:32:02.040 --> 0:32:04.270
<v Speaker 2>And so the other thing that I always loved in

0:32:04.310 --> 0:32:05.930
<v Speaker 2>the show was I think at the end of each

0:32:06.010 --> 0:32:10.110
<v Speaker 2>episode or almost all episodes, Ork would report back to

0:32:10.150 --> 0:32:14.670
<v Speaker 2>a character called Orson through his communication with the term

0:32:15.250 --> 0:32:19.390
<v Speaker 2>Nanu Nanu. And that permeated pop culture for a while.

0:32:19.410 --> 0:32:23.090
<v Speaker 2>It's just a funny little verbal meme, if you will. Anyway,

0:32:23.110 --> 0:32:27.050
<v Speaker 2>it ultimately was a very popular show. It made Robin

0:32:27.070 --> 0:32:31.050
<v Speaker 2>Williams a superstar, frankly. So we went from just having

0:32:31.090 --> 0:32:36.110
<v Speaker 2>a sitcom to actually an alien sitcom as superstar launch vehicle.

0:32:36.690 --> 0:32:39.209
<v Speaker 2>So it was a nice little evolution there. Is there

0:32:39.250 --> 0:32:41.350
<v Speaker 2>anything else you want to throw in about it? Yeah,

0:32:41.430 --> 0:32:42.070
<v Speaker 2>I think so.

0:32:42.330 --> 0:32:47.790
<v Speaker 1>The reporting back home thing is something that was first

0:32:48.270 --> 0:32:52.380
<v Speaker 1>really leaned into by Mork and Mindy. And it's also

0:32:52.440 --> 0:32:56.020
<v Speaker 1>leaned into later by Resident Alien to good effect because

0:32:56.340 --> 0:33:00.170
<v Speaker 1>it really does say, well, there may be some nefarious

0:33:00.230 --> 0:33:03.870
<v Speaker 1>moments where people have used Hollywood to float ufological ideas.

0:33:04.110 --> 0:33:07.770
<v Speaker 1>Hollywood has also embraced aliens because they do reflect us.

0:33:08.450 --> 0:33:10.910
<v Speaker 1>And Mork and Mendy is a good example of that.

0:33:11.360 --> 0:33:14.020
<v Speaker 1>All I would tell you is it was a big success.

0:33:14.380 --> 0:33:18.460
<v Speaker 1>These days with all the channels and streaming services and everything,

0:33:18.740 --> 0:33:21.670
<v Speaker 1>if you get just, if you got to, million people

0:33:21.730 --> 0:33:28.100
<v Speaker 1>watching something, you're like, oh, that's great. This show averaged.

0:33:26.740 --> 0:33:29.580
<v Speaker 2>60 million viewers. What? Yes.

0:33:30.180 --> 0:33:32.480
<v Speaker 1>So you and your family were part of a giant,

0:33:32.640 --> 0:33:35.590
<v Speaker 1>and the America of this time had 200 million people.

0:33:35.960 --> 0:33:39.090
<v Speaker 1>So you got 60 million of them watching this thing.

0:33:39.430 --> 0:33:40.850
<v Speaker 1>So he is an alien observer.

0:33:40.890 --> 0:33:41.810
<v Speaker 2>He's not an invader.

0:33:42.260 --> 0:33:44.560
<v Speaker 1>And the report back is something that I guess I

0:33:44.580 --> 0:33:48.160
<v Speaker 1>would call cultural anthropology. And by the way, Uncle Martin

0:33:48.220 --> 0:33:51.060
<v Speaker 1>and My Favorite Martian, that was his job. It's happened

0:33:51.140 --> 0:33:54.140
<v Speaker 1>a lot. My buddy, Don Most, was on Happy Days.

0:33:54.180 --> 0:33:57.180
<v Speaker 1>He played Ralph Mouth. I said, so did you ever

0:33:57.420 --> 0:34:01.120
<v Speaker 1>guest star on Mork and Mendy? And I won't say

0:34:01.160 --> 0:34:03.810
<v Speaker 1>he had a forlorn answer, but it's like, no, he didn't.

0:34:04.110 --> 0:34:07.410
<v Speaker 1>And then he said, Potsy did once. So I was like,

0:34:07.690 --> 0:34:09.569
<v Speaker 1>if you think about it, what was going on with

0:34:10.350 --> 0:34:13.770
<v Speaker 1>between happy days and Laverne and Shirley and Mork and Mindy,

0:34:14.210 --> 0:34:17.549
<v Speaker 1>it was this shared universe farm team that they had

0:34:17.590 --> 0:34:20.430
<v Speaker 1>built back then, whether it tells us anything or not.

0:34:20.670 --> 0:34:23.410
<v Speaker 1>The only thing I've thought is, is you Brent mentioned,

0:34:23.680 --> 0:34:25.880
<v Speaker 1>I think at a previous episode, he arrives.

0:34:25.580 --> 0:34:26.980
<v Speaker 2>In an egg. Yes.

0:34:27.440 --> 0:34:32.120
<v Speaker 1>What does Jake Barber, the whistleblower have to say? He

0:34:32.160 --> 0:34:35.740
<v Speaker 1>was sent out to pick up alien ships that were eggs.

0:34:36.280 --> 0:34:39.440
<v Speaker 2>Yeah. I, Did a little bit of research. I'm sure

0:34:39.480 --> 0:34:41.779
<v Speaker 2>someone in the comments will prove me wrong. But I

0:34:41.840 --> 0:34:45.500
<v Speaker 2>think that was the first representation in film of an

0:34:45.660 --> 0:34:49.820
<v Speaker 2>alien spaceship that looked like an egg. Yeah. So a

0:34:49.860 --> 0:34:54.129
<v Speaker 2>little bit of UFOlogical lore there from Orca Mindy. All right.

0:34:54.190 --> 0:34:56.610
<v Speaker 2>Now we're going to move on to your favorite show

0:34:56.910 --> 0:35:00.049
<v Speaker 2>in this episode, ALF. Oh, my God. Which ran from

0:35:00.050 --> 0:35:00.870
<v Speaker 2>1986 to 1990. Why don't you tell me why you

0:35:00.910 --> 0:35:06.049
<v Speaker 2>hated it so much? I really did hate it.

0:35:06.140 --> 0:35:08.469
<v Speaker 1>And listen, I know that there are a lot of

0:35:08.489 --> 0:35:10.450
<v Speaker 1>people out there who are saying, oh, I have such

0:35:10.530 --> 0:35:13.029
<v Speaker 1>fondness for it. And to those people, I would say,

0:35:13.350 --> 0:35:16.530
<v Speaker 1>go buy the pilot and watch it. It's just so

0:35:16.610 --> 0:35:21.250
<v Speaker 1>insanely stupid. Nobody behaves normally in it. If an alien

0:35:21.310 --> 0:35:25.529
<v Speaker 1>crash landed in your garage, you wouldn't just say, let's

0:35:25.550 --> 0:35:29.510
<v Speaker 1>go eat dinner. Nobody behaves normally at all.

0:35:29.370 --> 0:35:29.910
<v Speaker 2>In this thing.

0:35:30.270 --> 0:35:35.850
<v Speaker 1>And he's speaking English and nobody looks askance. No, he's

0:35:35.890 --> 0:35:38.969
<v Speaker 1>hanging out with them. He's going, this is in the pilot.

0:35:39.469 --> 0:35:41.469
<v Speaker 1>One of the things that you and I know as

0:35:41.530 --> 0:35:44.980
<v Speaker 1>television creators is the pilot is a chance where you

0:35:45.000 --> 0:35:48.020
<v Speaker 1>get to start the, it's the origin story. So the

0:35:48.140 --> 0:35:52.440
<v Speaker 1>origin story, even in E.T., E.T. didn't get discovered by Elliot.

0:35:52.739 --> 0:35:56.720
<v Speaker 1>And then everybody's just hanging out. They're screaming at each other.

0:35:56.800 --> 0:35:59.770
<v Speaker 1>So there's just no credibility to it. I'm not saying

0:35:59.810 --> 0:36:03.040
<v Speaker 1>you have to have credibility in a sitcom story. But

0:36:03.280 --> 0:36:06.480
<v Speaker 1>my goodness, I just, I was stunned. And I watched

0:36:06.540 --> 0:36:09.140
<v Speaker 1>it with Jackie, my wife, and we're looking at each

0:36:09.200 --> 0:36:14.620
<v Speaker 1>other going, okay, not a lot of ufological things to

0:36:15.150 --> 0:36:16.410
<v Speaker 1>checklist here.

0:36:16.810 --> 0:36:19.149
<v Speaker 2>It's not worthy of great mention there.

0:36:19.830 --> 0:36:22.750
<v Speaker 1>But we kept saying, why were they making all these

0:36:22.830 --> 0:36:25.690
<v Speaker 1>decisions as a TV show? It just didn't work as

0:36:25.750 --> 0:36:28.569
<v Speaker 1>a TV show. So then I did the thing I

0:36:28.870 --> 0:36:31.950
<v Speaker 1>sometimes do. I went and watched the very last episode

0:36:31.969 --> 0:36:35.140
<v Speaker 1>of To see where did they take this thing?

0:36:35.400 --> 0:36:39.580
<v Speaker 2>It had not gotten any better. It was just not good.

0:36:39.739 --> 0:36:43.870
<v Speaker 2>I'm disappointed that ALF dropped the ball on credibility and realism.

0:36:44.430 --> 0:36:46.410
<v Speaker 2>It's very disappointing. It's my documentary, folks.

0:36:47.350 --> 0:36:50.589
<v Speaker 1>It stands for Alien Life Form ALF. Don't confuse this

0:36:50.690 --> 0:36:52.049
<v Speaker 1>with a documentary.

0:36:52.469 --> 0:36:55.410
<v Speaker 2>The one thing that I did enjoy was I think

0:36:55.450 --> 0:36:59.680
<v Speaker 2>the official high concept was an alien becomes the world's

0:36:59.760 --> 0:37:02.580
<v Speaker 2>worst houseguest. I think when you look at it through

0:37:02.620 --> 0:37:04.680
<v Speaker 2>that lens, you go, okay, I think the show delivered

0:37:04.739 --> 0:37:07.820
<v Speaker 2>that on that premise. It also was a show where

0:37:08.340 --> 0:37:11.380
<v Speaker 2>in this particular case, I believe that the powers that

0:37:11.400 --> 0:37:13.660
<v Speaker 2>be were looking for Alf. And so the family was

0:37:13.760 --> 0:37:17.379
<v Speaker 2>actually keeping him secret. And so this was the first

0:37:17.440 --> 0:37:21.440
<v Speaker 2>case of like where suburbia becomes a safe haven for aliens,

0:37:22.040 --> 0:37:24.180
<v Speaker 2>which I think is quite entertaining. All right. So let's

0:37:24.219 --> 0:37:25.890
<v Speaker 2>put that one to bed. We're going to go on

0:37:25.930 --> 0:37:29.170
<v Speaker 2>to Coneheads, which was another favorite of mine. I remember

0:37:29.410 --> 0:37:32.520
<v Speaker 2>that was the era where I used to like, religiously

0:37:32.580 --> 0:37:35.549
<v Speaker 2>watch every Saturday Night Live episode. And I remember when

0:37:35.590 --> 0:37:38.270
<v Speaker 2>those sketches were first introduced and then it went on

0:37:38.310 --> 0:37:41.009
<v Speaker 2>to become, it was such a huge hit on the

0:37:41.050 --> 0:37:44.770
<v Speaker 2>show on Saturday Night Live that it became an actual feature.

0:37:45.110 --> 0:37:47.259
<v Speaker 1>And it was so funny because they had these coneheads

0:37:47.600 --> 0:37:51.420
<v Speaker 1>and it was Dan Aykroyd and Jane Curtin and Lorraine

0:37:51.460 --> 0:37:55.799
<v Speaker 1>Newman on the TV series and the little sketches that

0:37:55.840 --> 0:37:58.180
<v Speaker 1>they did. But what was always so funny about them

0:37:58.620 --> 0:38:02.839
<v Speaker 1>is that the They would, when humans would go act

0:38:03.020 --> 0:38:05.540
<v Speaker 1>askance at what they looked like or whatever, they'd explain

0:38:05.580 --> 0:38:06.900
<v Speaker 1>it by saying we're from France.

0:38:07.300 --> 0:38:11.660
<v Speaker 2>Yes. And that would explain everything. Okay. Now it makes sense.

0:38:11.719 --> 0:38:15.160
<v Speaker 2>Now I understand you're from France. Now, I don't know.

0:38:15.469 --> 0:38:18.850
<v Speaker 2>We all saw those sketches. Did you actually see the movie?

0:38:20.110 --> 0:38:22.690
<v Speaker 2>I did see the movie. What it proved was it's

0:38:22.750 --> 0:38:26.390
<v Speaker 2>very funny in a limited format, like sketch comedy, but

0:38:26.450 --> 0:38:29.790
<v Speaker 2>to stretch that premise over 90 minutes. Yeah.

0:38:30.170 --> 0:38:33.130
<v Speaker 1>That shows the limitations of that. The one thing you

0:38:33.170 --> 0:38:37.049
<v Speaker 1>could say about it is the conehead concept is less

0:38:37.110 --> 0:38:39.310
<v Speaker 1>about an invasion than assimilation.

0:38:39.910 --> 0:38:40.370
<v Speaker 2>Yeah.

0:38:40.469 --> 0:38:42.450
<v Speaker 1>And so it tries to be funny in that regard

0:38:42.489 --> 0:38:46.450
<v Speaker 1>because it isn't that they're commenting on, they're not calling

0:38:46.530 --> 0:38:50.300
<v Speaker 1>back Nanu Nanu and explaining what these humans are like.

0:38:50.890 --> 0:38:54.040
<v Speaker 1>Their way of showing how crazy humans are is them

0:38:54.120 --> 0:38:55.080
<v Speaker 1>trying to fit in.

0:38:55.640 --> 0:39:00.299
<v Speaker 2>Yes. Yeah. No, it's an immigration satire. before immigration was

0:39:00.340 --> 0:39:02.120
<v Speaker 2>really an issue like it is today.

0:39:02.560 --> 0:39:04.919
<v Speaker 1>I thought what was interesting about it in particular was

0:39:06.060 --> 0:39:09.180
<v Speaker 1>the essence of its concept is that Americans would barely

0:39:09.260 --> 0:39:12.029
<v Speaker 1>notice aliens as long as they got jobs and paid

0:39:12.070 --> 0:39:13.049
<v Speaker 1>taxes on time.

0:39:13.370 --> 0:39:14.610
<v Speaker 2>It's like very strange.

0:39:14.910 --> 0:39:18.610
<v Speaker 1>And I did rewatch the opening couple of scenes of

0:39:18.650 --> 0:39:21.549
<v Speaker 1>the film, and it's not even that much better. It's

0:39:21.570 --> 0:39:24.970
<v Speaker 1>not like the outfits are so much better realized or anything.

0:39:25.010 --> 0:39:27.120
<v Speaker 1>They still look like the same guys. But by the way,

0:39:27.140 --> 0:39:31.600
<v Speaker 1>should we jump out of chronology for just a minute?

0:39:31.880 --> 0:39:35.259
<v Speaker 1>Because as long as we're talking SNL, maybe we should

0:39:35.280 --> 0:39:38.290
<v Speaker 1>talk because SNL has done.

0:39:38.170 --> 0:39:40.730
<v Speaker 2>Two famous alien UFO things.

0:39:41.010 --> 0:39:44.850
<v Speaker 1>One is the Coneheads. Everybody loves the Coneheads. There's nothing

0:39:44.930 --> 0:39:50.180
<v Speaker 1>real about them or whatever. But starting in 2015, we

0:39:50.219 --> 0:39:56.130
<v Speaker 1>got Kate McKinnon playing Ms. Colleen Rafferty in five different

0:39:56.170 --> 0:40:00.230
<v Speaker 1>sketches that I think are so goddamn funny. I feel

0:40:00.270 --> 0:40:03.150
<v Speaker 1>bad saying that because I don't mean to imply that

0:40:03.230 --> 0:40:06.759
<v Speaker 1>experiences are funny or should be laughed at, but the

0:40:06.800 --> 0:40:09.660
<v Speaker 1>comic conceit, they just found the right.

0:40:11.239 --> 0:40:11.950
<v Speaker 2>Twitch for it.

0:40:12.580 --> 0:40:18.890
<v Speaker 1>Everyone has several abductees, usually three, um, Two of them

0:40:18.950 --> 0:40:20.509
<v Speaker 1>in the first one, by the way, one of them

0:40:20.570 --> 0:40:24.250
<v Speaker 1>was Ryan Gosling, who was the host, and Cecily Strong,

0:40:24.570 --> 0:40:29.469
<v Speaker 1>and then Kate McKinnon. So Gosling and Cecily Strong are being,

0:40:29.590 --> 0:40:33.299
<v Speaker 1>they're all three being interviewed by two, what would you say,

0:40:33.340 --> 0:40:34.580
<v Speaker 1>they're majestic?

0:40:34.680 --> 0:40:36.940
<v Speaker 2>They're intel operatives. Intel operatives.

0:40:37.160 --> 0:40:40.800
<v Speaker 1>So they're asking about their experience. Gosling and Cecily Strong

0:40:40.840 --> 0:40:44.360
<v Speaker 1>are saying how they were brought in on beams of light,

0:40:44.820 --> 0:40:47.649
<v Speaker 1>and they've never felt more loved, and It was just

0:40:47.690 --> 0:40:51.390
<v Speaker 1>so wonderful. And then they asked Kate McKinnon, as Colleen Rafferty,

0:40:51.430 --> 0:40:55.420
<v Speaker 1>and she goes, yeah, I had a slightly different experience.

0:40:55.940 --> 0:40:59.580
<v Speaker 1>Everything about it, she loses her pants and they're slapping

0:40:59.620 --> 0:41:03.219
<v Speaker 1>her in the chest, all taking a feel. She gets

0:41:03.380 --> 0:41:07.000
<v Speaker 1>dropped on top of a diner or something.

0:41:07.600 --> 0:41:11.569
<v Speaker 2>Everything, it's just so funny. Yeah. No, and going back

0:41:11.620 --> 0:41:15.049
<v Speaker 2>to time plus tragedy equals comedy, I feel like By

0:41:15.090 --> 0:41:20.549
<v Speaker 2>that point in 2015, I think enough people, even if

0:41:20.890 --> 0:41:24.280
<v Speaker 2>not just through communion, through Whitley Struber's book, were basically

0:41:24.460 --> 0:41:28.319
<v Speaker 2>understanding of the abduction narrative. And there was a lot

0:41:28.360 --> 0:41:30.760
<v Speaker 2>of serious stories that were happening. And I think people

0:41:30.880 --> 0:41:34.440
<v Speaker 2>had a chance to become empathetic to that. But by 2015,

0:41:34.440 --> 0:41:39.299
<v Speaker 2>you're into a world where it's hard not to laugh

0:41:39.670 --> 0:41:42.149
<v Speaker 2>at some of the stories that came out because they're

0:41:42.190 --> 0:41:44.990
<v Speaker 2>so over the top and outrageous. And What Saturday Night

0:41:45.010 --> 0:41:49.320
<v Speaker 2>Live did so well was they juxtaposed what were actually

0:41:49.580 --> 0:41:53.040
<v Speaker 2>the spectrum of abduction stories, because some people are treated

0:41:53.580 --> 0:41:56.359
<v Speaker 2>like a golden child. They're brought in and they're made

0:41:56.420 --> 0:42:00.700
<v Speaker 2>to feel loved and they're blessed. They're chosen and they're upgraded.

0:42:00.940 --> 0:42:03.569
<v Speaker 2>And then other people are treated like Colleen, which is

0:42:03.620 --> 0:42:07.610
<v Speaker 2>like that they're being assaulted, essentially. And her, Kate McKinnon's

0:42:07.670 --> 0:42:10.989
<v Speaker 2>delivery and her indignance that there are two people that

0:42:11.030 --> 0:42:14.430
<v Speaker 2>were treated like golden child. And she is treated like.

0:42:14.450 --> 0:42:17.250
<v Speaker 2>These are all on YouTube. They're wonderful. But here's the,

0:42:17.350 --> 0:42:19.950
<v Speaker 2>here's a moral to the story. Here's a learning moment

0:42:20.010 --> 0:42:23.339
<v Speaker 2>for us. Yeah. From the moment the Coneheads are.

0:42:23.300 --> 0:42:27.160
<v Speaker 1>On Saturday Night Live to the moment that we have Ms.

0:42:27.260 --> 0:42:31.920
<v Speaker 1>Colleen Rafferty on Saturday Night Live, the abductees. It's about

0:42:31.960 --> 0:42:35.130
<v Speaker 1>a 20 year period. But here's the difference. When the

0:42:35.190 --> 0:42:38.549
<v Speaker 1>Coneheads are on, there's nothing real about the Coneheads. They're

0:42:38.570 --> 0:42:42.780
<v Speaker 1>not pulling on anything. There's, we're not, we don't, There

0:42:42.820 --> 0:42:45.510
<v Speaker 1>are no aliens that look like Conan. There's just nothing

0:42:45.570 --> 0:42:48.210
<v Speaker 1>about it. It's just a comedic thing. And that was

0:42:48.310 --> 0:42:51.890
<v Speaker 1>plenty for people back in the 80s when it started. Now,

0:42:51.930 --> 0:42:55.030
<v Speaker 1>by the time you get to 2015 and all that,

0:42:55.410 --> 0:43:00.000
<v Speaker 1>these are extraordinarily ufological. What do they have? They have

0:43:00.120 --> 0:43:01.279
<v Speaker 1>missing time.

0:43:02.719 --> 0:43:03.560
<v Speaker 2>In the abductions.

0:43:03.840 --> 0:43:08.300
<v Speaker 1>They have a medical procedural examination that they're talking about.

0:43:08.870 --> 0:43:13.610
<v Speaker 1>There are grays that they're talking about. We have official investigators.

0:43:13.969 --> 0:43:18.029
<v Speaker 1>This is witness testimony being gathered by the government. So

0:43:18.930 --> 0:43:23.239
<v Speaker 1>if nothing else, these sketches show us how the two

0:43:23.280 --> 0:43:27.620
<v Speaker 1>things have changed. Probably the public knowledge that we do

0:43:27.660 --> 0:43:30.840
<v Speaker 1>have an investigation of some kind going on and people

0:43:30.980 --> 0:43:36.120
<v Speaker 1>are talking about abductions, but also how the culture has

0:43:36.200 --> 0:43:41.169
<v Speaker 1>decided to incorporate this stuff into it. Now, whether they

0:43:41.630 --> 0:43:44.670
<v Speaker 1>were told, I doubt Saturday Night Live got told by

0:43:44.730 --> 0:43:46.910
<v Speaker 1>anybody in the government, hey, you know what you.

0:43:46.810 --> 0:43:47.469
<v Speaker 2>Really should do?

0:43:47.750 --> 0:43:49.989
<v Speaker 1>I don't think that happened. I think the writers of

0:43:50.070 --> 0:43:54.110
<v Speaker 1>Saturday Night Live, who are funny people and stay tuned

0:43:54.200 --> 0:43:56.279
<v Speaker 1>in to what's going on in the world, said, I

0:43:56.320 --> 0:43:59.940
<v Speaker 1>got a great idea for a sketch that you'll laugh your.

0:43:59.900 --> 0:44:00.660
<v Speaker 2>Ass off about.

0:44:00.680 --> 0:44:03.899
<v Speaker 1>But I do think that they're worth seeing because like

0:44:03.960 --> 0:44:08.210
<v Speaker 1>people of Earth, they're trying to make fun of Of abductions,

0:44:08.650 --> 0:44:09.529
<v Speaker 1>they pull it off.

0:44:09.590 --> 0:44:12.210
<v Speaker 2>People of Earth, in my view, doesn't. But let's go

0:44:12.250 --> 0:44:18.450
<v Speaker 2>back into chronology. Rewinding back to 1996 with the debut

0:44:18.610 --> 0:44:22.290
<v Speaker 2>of Third Rock from the Sun. This one was four

0:44:22.370 --> 0:44:26.700
<v Speaker 2>aliens posing as a human family in Ohio while, surprise,

0:44:26.739 --> 0:44:30.460
<v Speaker 2>studying Earth, only to discover that human life is far

0:44:30.520 --> 0:44:35.840
<v Speaker 2>more confusing than interstellar travel. Grim shot. John Lithgow played

0:44:36.000 --> 0:44:40.320
<v Speaker 2>Dick Solomon, who was the mission commander and very pompous.

0:44:40.820 --> 0:44:44.420
<v Speaker 2>And then you had Kristen Johnson playing Sally, the military

0:44:44.500 --> 0:44:47.390
<v Speaker 2>officer placed in a woman's body. So there was some

0:44:48.070 --> 0:44:53.150
<v Speaker 2>cross-gender stuff going on there. And then French Stewart played Harry,

0:44:53.550 --> 0:44:57.390
<v Speaker 2>the transmitter receiver whose body sometimes relays messages from home.

0:44:57.870 --> 0:45:00.910
<v Speaker 2>So ultimately, this is a fish out of water story

0:45:01.110 --> 0:45:06.250
<v Speaker 2>about aliens trying to blend in to suburban life. Just

0:45:06.270 --> 0:45:10.069
<v Speaker 2>let me really quickly say, I watched the show off

0:45:10.110 --> 0:45:12.870
<v Speaker 2>and on when it was on. I enjoyed it. But

0:45:12.989 --> 0:45:15.850
<v Speaker 2>what I was amazed by was how successful it was.

0:45:17.050 --> 0:45:19.190
<v Speaker 2>Not only was it a hit and was on the

0:45:19.270 --> 0:45:22.200
<v Speaker 2>air for a number of years, but it also won Emmys.

0:45:22.410 --> 0:45:25.009
<v Speaker 2>I think this was the first time that Something in

0:45:25.070 --> 0:45:30.250
<v Speaker 2>this category was actually now blessed by the media as

0:45:30.290 --> 0:45:32.930
<v Speaker 2>something that was really critically acclaimed.

0:45:33.330 --> 0:45:37.540
<v Speaker 1>That's something I know something about. In 1997, it won

0:45:37.560 --> 0:45:40.460
<v Speaker 1>the most primetime Emmys of any TV series that year.

0:45:40.520 --> 0:45:42.980
<v Speaker 1>It got five wins from eight nominations. And the reason

0:45:43.020 --> 0:45:45.660
<v Speaker 1>I know this is I was a member of the

0:45:45.680 --> 0:45:49.500
<v Speaker 1>TV Academy and had just been elected a governor in

0:45:49.500 --> 0:45:54.280
<v Speaker 1>1997 and attended my first Emmy Awards in 1997.

0:45:54.280 --> 0:45:55.719
<v Speaker 2>And little known.

0:45:55.440 --> 0:45:58.640
<v Speaker 1>Factoid, I've been to every Emmy award since then. But

0:45:58.680 --> 0:46:02.410
<v Speaker 1>that was my first one. It didn't have the numbers

0:46:02.469 --> 0:46:04.810
<v Speaker 1>that Mork and Mindy might have, but it had a

0:46:04.870 --> 0:46:07.609
<v Speaker 1>respect that Mork and Mindy never had. A couple other

0:46:07.650 --> 0:46:11.250
<v Speaker 1>just little quick things. Jane Curtin is in it playing the,

0:46:11.370 --> 0:46:15.729
<v Speaker 1>I guess, a love interest to Lithgow. And she's also

0:46:15.790 --> 0:46:20.820
<v Speaker 1>in Coneheads. So she's got her ET thing assembled there. Also,

0:46:20.880 --> 0:46:24.550
<v Speaker 1>French Stewart, just a little sidebar for myself. He's considered

0:46:24.570 --> 0:46:27.230
<v Speaker 1>a comic actor, but my wife, Jackie, and I, we

0:46:27.250 --> 0:46:31.090
<v Speaker 1>won the Writer's Guild for a limited series called Pandemic.

0:46:31.110 --> 0:46:34.760
<v Speaker 1>And Tiffany Amber Thiessen is the doctor in it, did

0:46:34.800 --> 0:46:36.260
<v Speaker 1>very well in streaming.

0:46:36.580 --> 0:46:39.960
<v Speaker 2>But French Stewart plays the doctor that works with her

0:46:40.040 --> 0:46:40.250
<v Speaker 2>in it.

0:46:40.719 --> 0:46:42.739
<v Speaker 1>And I have to say, I thought he did a

0:46:42.890 --> 0:46:46.550
<v Speaker 1>terrific job and surmounted being a comedian.

0:46:46.910 --> 0:46:49.410
<v Speaker 2>And showed himself to be a pretty fine actor in

0:46:49.430 --> 0:46:51.069
<v Speaker 2>the pandemic. Okay. Moving on.

0:46:52.050 --> 0:46:54.870
<v Speaker 1>We were probably in danger of going on forever and

0:46:54.910 --> 0:46:57.290
<v Speaker 1>we've already talked about it, but men in black comes

0:46:57.390 --> 0:46:59.810
<v Speaker 1>right in the middle of that time period that third

0:46:59.830 --> 0:47:00.469
<v Speaker 1>rock is on.

0:47:00.890 --> 0:47:02.690
<v Speaker 2>And it's also our dark skies time.

0:47:02.830 --> 0:47:05.330
<v Speaker 1>And we've had our own, all I can say to people,

0:47:05.930 --> 0:47:07.680
<v Speaker 1>if you want to know what happened with us in

0:47:07.700 --> 0:47:10.979
<v Speaker 1>men in black, there's an episode, which what.

0:47:10.880 --> 0:47:13.080
<v Speaker 2>Do we call our episodes? Burn the negative.

0:47:13.340 --> 0:47:18.049
<v Speaker 1>Burn the negative episode. So if you go to YouTube, HollywoodUFOs.com,

0:47:18.320 --> 0:47:21.969
<v Speaker 1>you will find the video of Burn the Negative, and.

0:47:21.930 --> 0:47:22.810
<v Speaker 2>You should watch that.

0:47:23.510 --> 0:47:25.550
<v Speaker 1>And if you don't want to watch it on video,

0:47:25.590 --> 0:47:29.190
<v Speaker 1>you want to listen to it, go wherever podcasts are

0:47:29.350 --> 0:47:32.360
<v Speaker 1>held and look up Soundlight and Frequency and look up

0:47:32.420 --> 0:47:34.719
<v Speaker 1>Burn the Negative, and you'll get a story and a

0:47:34.739 --> 0:47:38.040
<v Speaker 1>half about Men in Black. But the one thing that

0:47:38.120 --> 0:47:42.140
<v Speaker 1>we can say with some clarity is, yeah, we had

0:47:42.200 --> 0:47:45.210
<v Speaker 1>a run-in with the Men in Black podcast. team, if

0:47:45.250 --> 0:47:48.049
<v Speaker 1>you will. But it's no wonder we did, Brent, when

0:47:48.090 --> 0:47:51.950
<v Speaker 1>you look at the numbers. That film grossed $ 250 million

0:47:51.989 --> 0:47:57.570
<v Speaker 1>domestic and $ 589 million worldwide.

0:47:57.850 --> 0:48:00.660
<v Speaker 2>And it has a $ 90 million budget. Obviously, there's a

0:48:00.700 --> 0:48:03.799
<v Speaker 2>lot riding on the success of Men in Black. Yeah.

0:48:03.860 --> 0:48:06.000
<v Speaker 2>And I think it's an interesting shift. A lot of

0:48:06.020 --> 0:48:08.520
<v Speaker 2>the stories we talked about, one of the main characters were,

0:48:08.820 --> 0:48:11.560
<v Speaker 2>if not the main characters, were aliens trying to fit in.

0:48:11.969 --> 0:48:15.589
<v Speaker 2>And this is a complete flip. This is the heroes

0:48:15.880 --> 0:48:20.560
<v Speaker 2>are the secret agents working for the government out basically

0:48:20.620 --> 0:48:25.360
<v Speaker 2>trying to control the vast alien population that apparently is

0:48:25.400 --> 0:48:28.340
<v Speaker 2>here on Earth every day. And I think suddenly it

0:48:28.380 --> 0:48:33.040
<v Speaker 2>becomes not just a blockbuster as an alien action comedy,

0:48:33.500 --> 0:48:38.680
<v Speaker 2>but it's basically saying the secret keepers are heroes. The

0:48:38.840 --> 0:48:43.319
<v Speaker 2>ones who are keeping the secrets from the population are

0:48:43.540 --> 0:48:48.319
<v Speaker 2>to be looked upon as heroes. And I think that's

0:48:48.360 --> 0:48:51.410
<v Speaker 2>a whole deviation. That's a whole big hard left turn

0:48:51.860 --> 0:48:54.570
<v Speaker 2>in terms of the alien narrative in Hollywood. And it

0:48:54.610 --> 0:48:58.330
<v Speaker 2>was so successful that it made being a man in black,

0:48:58.370 --> 0:49:00.569
<v Speaker 2>which used to be at a certain time something that

0:49:00.590 --> 0:49:04.489
<v Speaker 2>was feared by the populace, now something that I want

0:49:04.550 --> 0:49:06.120
<v Speaker 2>to be a man in black.

0:49:06.880 --> 0:49:09.180
<v Speaker 1>It's not just a left turn for Hollywood. It's a

0:49:09.200 --> 0:49:12.460
<v Speaker 1>left turn from the facts. The man in black phenomenon

0:49:13.239 --> 0:49:18.009
<v Speaker 1>is historically rooted in very strange ass characters that would

0:49:18.550 --> 0:49:22.660
<v Speaker 1>come and see witness. and they weren't even considered government agents.

0:49:23.020 --> 0:49:23.980
<v Speaker 2>It was more.

0:49:23.719 --> 0:49:27.920
<v Speaker 1>Likely that the men in black back then were considered

0:49:27.980 --> 0:49:32.319
<v Speaker 1>to be aliens and agents. And one of the things

0:49:32.360 --> 0:49:34.339
<v Speaker 1>we did in Dark Skies is the same thing they

0:49:34.390 --> 0:49:37.049
<v Speaker 1>did in Men in Black, which is we said, what

0:49:37.110 --> 0:49:41.840
<v Speaker 1>if they're the agents? So So our Dark Skies majestic

0:49:41.940 --> 0:49:46.779
<v Speaker 1>agents were men and women in black, but that's not

0:49:46.820 --> 0:49:51.589
<v Speaker 1>how it started. And so you're right. The one thing

0:49:51.630 --> 0:49:55.730
<v Speaker 1>that film franchise has done is it's made it respectable

0:49:55.830 --> 0:49:58.330
<v Speaker 1>to keep the actual truth from the public.

0:49:59.230 --> 0:50:02.160
<v Speaker 2>Yes. And at the heart of Men in Black is

0:50:02.219 --> 0:50:07.180
<v Speaker 2>that piece of technology, the Neuralizer, which the heroes use

0:50:07.260 --> 0:50:10.810
<v Speaker 2>to wipe the minds and the memories of any witnesses

0:50:12.170 --> 0:50:14.930
<v Speaker 2>for the good of the population. So just think about

0:50:14.950 --> 0:50:19.270
<v Speaker 2>that for a second. And this idea that we actually

0:50:19.870 --> 0:50:22.509
<v Speaker 2>want to celebrate and champion the men in black who

0:50:22.610 --> 0:50:26.310
<v Speaker 2>are keeping us living in a world of ignorance, I

0:50:26.350 --> 0:50:29.670
<v Speaker 2>think it's really fascinating. That's the story of the movie

0:50:29.790 --> 0:50:32.310
<v Speaker 2>and the franchise. It went on to become several films

0:50:32.570 --> 0:50:34.319
<v Speaker 2>and an animated TV series and.

0:50:39.450 --> 0:50:43.190
<v Speaker 1>I'm getting ticked off about the neuralyzer now. Because not

0:50:43.290 --> 0:50:50.190
<v Speaker 1>only has Men in Black been completely changed in its perception,

0:50:50.489 --> 0:50:55.640
<v Speaker 1>but think about it. We're now saying that removing people's

0:50:55.840 --> 0:50:59.819
<v Speaker 1>memories is something people do to each other, when in reality,

0:51:01.420 --> 0:51:05.480
<v Speaker 1>what we keep getting told about abductions is memories are

0:51:06.340 --> 0:51:10.440
<v Speaker 1>wiped into missing time by the people who have abducted people.

0:51:10.820 --> 0:51:16.700
<v Speaker 1>Betty and Barney didn't report, they reported that they lost

0:51:16.820 --> 0:51:20.260
<v Speaker 1>memory after contact with aliens, not after Men in Black.

0:51:21.160 --> 0:51:25.399
<v Speaker 2>Yes. Moving on. Yeah, moving on. I know we've got

0:51:26.030 --> 0:51:28.109
<v Speaker 2>a couple more to talk about. Let's just say we're

0:51:28.140 --> 0:51:30.730
<v Speaker 2>not going to talk about Galaxy Quest in 1999. I

0:51:31.250 --> 0:51:33.250
<v Speaker 2>was just going to suggest the same thing. It's a

0:51:33.330 --> 0:51:38.120
<v Speaker 2>funny movie. Yeah. But let's get to Paul. Yeah, let's

0:51:38.140 --> 0:51:41.739
<v Speaker 2>get to Paul. Because I think Paul has a substantial

0:51:41.780 --> 0:51:44.640
<v Speaker 2>fan base, and rightfully so. A really fun movie. And

0:51:44.719 --> 0:51:49.360
<v Speaker 2>it's highly ufological, for sure. Yes, yes, absolutely. 2011, it's

0:51:50.000 --> 0:51:53.940
<v Speaker 2>basically two British sci-fi nerds are on a road trip

0:51:54.000 --> 0:51:59.230
<v Speaker 2>going through America, and they come across this foul-mouthed gray alien,

0:51:59.590 --> 0:52:03.990
<v Speaker 2>voiced by Seth Rogen, of all people, and they're suddenly

0:52:04.150 --> 0:52:06.630
<v Speaker 2>all on the run from the government. And that's the

0:52:06.650 --> 0:52:10.910
<v Speaker 2>basic setup of the movie. And wow, is it hysterical. Oh,

0:52:11.370 --> 0:52:12.110
<v Speaker 2>I love Paul.

0:52:12.239 --> 0:52:15.460
<v Speaker 1>I've seen it a few times. But from the sort

0:52:15.480 --> 0:52:19.799
<v Speaker 1>of the entertainment angle of the whole thing versus the phenomenon,

0:52:20.360 --> 0:52:26.140
<v Speaker 1>it is intriguing, Brent, because what Paul, once Paul hooks

0:52:26.239 --> 0:52:29.359
<v Speaker 1>up with these two British sci-fi nerds who are road

0:52:29.400 --> 0:52:33.490
<v Speaker 1>tripping through America to there in New Mexico, Las Vegas,

0:52:33.510 --> 0:52:35.720
<v Speaker 1>and And then they run across Paul and they take

0:52:35.760 --> 0:52:36.969
<v Speaker 1>him on the journey with them.

0:52:37.910 --> 0:52:40.330
<v Speaker 2>We learn a little bit about this guy. Sounds like he.

0:52:40.250 --> 0:52:44.110
<v Speaker 1>Was the Roswell guy that's been kept alive. So he's

0:52:44.250 --> 0:52:47.810
<v Speaker 1>turned into a walking disclosure gag. But the thing that

0:52:48.510 --> 0:52:51.260
<v Speaker 1>he basically says that he's been doing, he has been

0:52:51.380 --> 0:52:55.920
<v Speaker 1>quietly feeding Hollywood alien lore for years. So he is

0:52:55.960 --> 0:52:59.600
<v Speaker 1>the poster child. He's the comic poster child for sound, light,

0:52:59.640 --> 0:53:00.219
<v Speaker 1>and frequency.

0:53:00.480 --> 0:53:02.359
<v Speaker 2>Yes, exactly. Maybe that's why I love him so much.

0:53:02.989 --> 0:53:05.230
<v Speaker 1>And there's even a gag where he ends up calling

0:53:05.270 --> 0:53:11.440
<v Speaker 1>Steven Spielberg and talking to him. And basically, though, Paul says,

0:53:11.600 --> 0:53:15.900
<v Speaker 1>as its comic premise, what sound, light, and frequency has

0:53:15.940 --> 0:53:20.319
<v Speaker 1>been saying, that there is a confluence of government and

0:53:20.400 --> 0:53:25.680
<v Speaker 1>Hollywood and secrecy and alien influence, and they're all mixed together.

0:53:26.180 --> 0:53:28.710
<v Speaker 1>We've got the serious angle to it. They've got the

0:53:28.750 --> 0:53:29.350
<v Speaker 1>comic angle.

0:53:30.380 --> 0:53:32.420
<v Speaker 2>Yeah. And I think the other thing too, is at

0:53:32.540 --> 0:53:37.020
<v Speaker 2>this point by 2011, it's almost like Hollywood believes that

0:53:37.239 --> 0:53:40.609
<v Speaker 2>the movie going public already knows the history of, they

0:53:40.630 --> 0:53:43.549
<v Speaker 2>can throw around terms like Roswell and Area 51 and

0:53:44.050 --> 0:53:46.450
<v Speaker 2>government coverup and stuff. And everybody already knows what that

0:53:46.530 --> 0:53:49.710
<v Speaker 2>means because they've seen enough movies and television shows where

0:53:50.210 --> 0:53:52.069
<v Speaker 2>you don't actually have to put all of the deep

0:53:52.170 --> 0:53:54.190
<v Speaker 2>exposition into Paul for people to get it.

0:53:54.530 --> 0:53:57.629
<v Speaker 1>They just, it's like, And it's obvious if you say

0:53:57.690 --> 0:54:00.800
<v Speaker 1>to somebody now who knows really very little about anything

0:54:00.880 --> 0:54:02.960
<v Speaker 1>on this phenomenon topic.

0:54:03.180 --> 0:54:05.319
<v Speaker 2>But if you go, it's like Roswell, man, you don't

0:54:05.340 --> 0:54:06.160
<v Speaker 2>have to say anymore.

0:54:06.580 --> 0:54:09.259
<v Speaker 1>Right. They know what Roswell is. So a lot of

0:54:09.300 --> 0:54:12.120
<v Speaker 1>this stuff can be built upon, which kind of takes

0:54:12.210 --> 0:54:13.450
<v Speaker 1>us to our finale here.

0:54:14.230 --> 0:54:16.170
<v Speaker 2>OK, we got two TV series.

0:54:16.590 --> 0:54:19.430
<v Speaker 1>One of them came out 10 years ago, People of Earth,

0:54:20.070 --> 0:54:24.219
<v Speaker 1>and the other just wrapped its run, Resident Aliens. They're

0:54:24.260 --> 0:54:27.819
<v Speaker 1>both sitcoms. They're both shot, I believe, on film. And

0:54:27.920 --> 0:54:32.200
<v Speaker 1>they're little films. And they take themselves seriously and comedically.

0:54:32.219 --> 0:54:33.940
<v Speaker 1>And I watched both of them.

0:54:34.080 --> 0:54:35.080
<v Speaker 2>Almost....

0:54:36.420 --> 0:54:38.839
<v Speaker 1>I can't say I watched almost all episodes of both.

0:54:38.900 --> 0:54:41.239
<v Speaker 1>But I watched a number of episodes.

0:54:42.160 --> 0:54:42.860
<v Speaker 2>And honestly.

0:54:42.880 --> 0:54:45.520
<v Speaker 1>And I don't know how you feel. I'll just lay

0:54:45.600 --> 0:54:48.819
<v Speaker 1>out this take. I didn't come to admire people of Earth.

0:54:48.920 --> 0:54:52.489
<v Speaker 1>And I came to love Resident Alien. So, where do

0:54:52.510 --> 0:54:53.050
<v Speaker 1>you come down?

0:54:53.530 --> 0:54:56.859
<v Speaker 2>Well... full disclosure of all the stuff we've covered here today,

0:54:57.020 --> 0:55:00.180
<v Speaker 2>people of earth is the one show I have not seen. Um,

0:55:00.580 --> 0:55:02.480
<v Speaker 2>I have not seen it yet. And I, because I

0:55:02.520 --> 0:55:04.660
<v Speaker 2>hadn't seen anything, I didn't know anything about it. I'm like,

0:55:04.700 --> 0:55:06.020
<v Speaker 2>you know what? I'm just going to keep that a

0:55:06.060 --> 0:55:09.410
<v Speaker 2>blind spot for this episode. Other disclosure. I am not

0:55:09.489 --> 0:55:13.250
<v Speaker 2>all the way through resident alien. So forget about everybody else.

0:55:13.450 --> 0:55:18.850
<v Speaker 2>No spoiler, no spoilers for me, please. But I am

0:55:18.950 --> 0:55:21.400
<v Speaker 2>loving the show. I think it's really interesting. I, I,

0:55:21.760 --> 0:55:24.680
<v Speaker 2>What I appreciate is how dark it starts off. It's

0:55:24.719 --> 0:55:27.640
<v Speaker 2>not playing it for laughs. If it is, it's very

0:55:27.719 --> 0:55:28.340
<v Speaker 2>dark comedy.

0:55:28.360 --> 0:55:30.319
<v Speaker 1>The main character, I don't know how to pronounce his name,

0:55:30.520 --> 0:55:33.660
<v Speaker 1>Alan Tudyk. Okay, he's an alien who is sent to

0:55:33.719 --> 0:55:37.589
<v Speaker 1>destroy humanity. And of course, like all aliens sent to

0:55:38.310 --> 0:55:42.310
<v Speaker 1>look around, he crash lands in a Colorado town where

0:55:43.230 --> 0:55:47.660
<v Speaker 1>Mork was hanging out decades earlier. And he assumes the

0:55:47.760 --> 0:55:51.009
<v Speaker 1>identity of a local doctor who, But he does it

0:55:51.050 --> 0:55:51.810
<v Speaker 1>by killing him.

0:55:52.290 --> 0:55:56.109
<v Speaker 2>Yes. He murders the local doctor in the pilot. Yes.

0:55:56.270 --> 0:55:58.890
<v Speaker 2>But his mission, if I remember correctly, is to come

0:55:58.950 --> 0:56:02.930
<v Speaker 2>here and destroy humanity. Yeah. So killing one person is

0:56:02.969 --> 0:56:04.540
<v Speaker 2>not that big of a deal for someone who's supposed

0:56:04.560 --> 0:56:05.600
<v Speaker 2>to kill several billion.

0:56:06.020 --> 0:56:09.460
<v Speaker 1>So let's just lay out the log lines here. People

0:56:09.500 --> 0:56:13.500
<v Speaker 1>of Earth is about a journalist played by Wyatt Senek,

0:56:13.860 --> 0:56:15.620
<v Speaker 1>who came from The Daily Show.

0:56:16.100 --> 0:56:16.239
<v Speaker 2>Yes.

0:56:16.320 --> 0:56:21.029
<v Speaker 1>And he is investigating an alien abduction support group. Mostly

0:56:21.130 --> 0:56:22.850
<v Speaker 1>because it'll be a good.

0:56:22.750 --> 0:56:23.779
<v Speaker 2>Story, whatever.

0:56:23.800 --> 0:56:28.180
<v Speaker 1>And he slowly realizes that the experiencers may not be

0:56:28.260 --> 0:56:29.899
<v Speaker 1>as delusional as he thought.

0:56:30.280 --> 0:56:31.020
<v Speaker 2>Yep. Okay.

0:56:31.600 --> 0:56:35.140
<v Speaker 1>And it widens its scope a little bit because it

0:56:35.200 --> 0:56:37.940
<v Speaker 1>not only is it got the experiencers sitting around to

0:56:38.000 --> 0:56:41.700
<v Speaker 1>their folding chairs, telling each other what's going on in

0:56:41.739 --> 0:56:45.950
<v Speaker 1>their lives. But up on the mothership, you've got Grey's

0:56:46.030 --> 0:56:49.989
<v Speaker 1>Reptilians and Nordics hanging out together. all part of the

0:56:50.050 --> 0:56:54.650
<v Speaker 1>same plan, okay? It's done by the guy that did

0:56:54.690 --> 0:56:56.550
<v Speaker 1>The Office, and it feels like The Office.

0:56:57.370 --> 0:56:58.130
<v Speaker 2>Here's my issue.

0:56:58.489 --> 0:57:00.530
<v Speaker 1>And I know I sound like a hypocrite here because

0:57:00.680 --> 0:57:04.299
<v Speaker 1>I really thought the Saturday Night Live sketches were very

0:57:04.380 --> 0:57:09.339
<v Speaker 1>funny on experiencers. And I know that this show goes

0:57:09.440 --> 0:57:12.000
<v Speaker 1>out of its way to try to say, hey, it's okay.

0:57:12.140 --> 0:57:14.060
<v Speaker 1>We're going to treat them nicely. But at the end

0:57:14.080 --> 0:57:17.160
<v Speaker 1>of the day, it just feels like you have to

0:57:17.780 --> 0:57:21.320
<v Speaker 1>You have to find your comic shot. In Resident Alien,

0:57:21.340 --> 0:57:24.960
<v Speaker 1>there's an alien here who literally in voiceover is reporting

0:57:25.560 --> 0:57:29.040
<v Speaker 1>or saying something about what his experience is. And he's

0:57:29.110 --> 0:57:33.410
<v Speaker 1>making fun of humans. Now, the comic center of people

0:57:33.450 --> 0:57:35.570
<v Speaker 1>of Earth is I don't know what. What is the

0:57:35.610 --> 0:57:38.730
<v Speaker 1>comic center? It's hard to find it because if you're

0:57:38.750 --> 0:57:41.070
<v Speaker 1>going to say it can't be, we don't want to

0:57:41.090 --> 0:57:42.520
<v Speaker 1>make fun of experiencers.

0:57:42.620 --> 0:57:46.070
<v Speaker 2>What are you making fun of? It almost seems. just

0:57:46.130 --> 0:57:47.750
<v Speaker 2>listening to you talk about it, because I haven't seen

0:57:47.790 --> 0:57:50.350
<v Speaker 2>the show, it almost sounds like the comedy comes from

0:57:50.370 --> 0:57:56.439
<v Speaker 2>the awakening of the reporter who's investigating, who's going through

0:57:56.480 --> 0:58:00.280
<v Speaker 2>the transformation. It's him realizing, well, I was wrong this

0:58:00.320 --> 0:58:03.280
<v Speaker 2>whole time. But that seems like such a narrow band

0:58:03.340 --> 0:58:06.900
<v Speaker 2>for comedy that now I'm not racing out to go

0:58:06.940 --> 0:58:07.410
<v Speaker 2>see the show.

0:58:07.430 --> 0:58:11.770
<v Speaker 1>Well, look, Resident Alien, the clean comedic target is Harry's

0:58:12.630 --> 0:58:16.110
<v Speaker 1>alien arrogance colliding with human absurdity.

0:58:16.750 --> 0:58:18.210
<v Speaker 2>Okay. Which is funny. Totally.

0:58:18.270 --> 0:58:21.230
<v Speaker 1>In People of Earth, the target's just more ambiguous. If

0:58:21.270 --> 0:58:24.600
<v Speaker 1>you're not really making fun of abductees, which is what

0:58:24.620 --> 0:58:29.040
<v Speaker 1>the series is about, are you making fun of UFO culture? Well,

0:58:29.060 --> 0:58:32.160
<v Speaker 1>if you make too much fun, then you're saying, whatever.

0:58:32.440 --> 0:58:34.520
<v Speaker 1>Are you making fun of abductee testimony?

0:58:34.580 --> 0:58:38.750
<v Speaker 2>No. Self-help? Maybe a little bit. I don't know.

0:58:39.010 --> 0:58:41.840
<v Speaker 1>It's just a harder needle to thread. And I didn't

0:58:41.900 --> 0:58:44.520
<v Speaker 1>find myself as comfortable with it. Now, I'm not going

0:58:44.560 --> 0:58:47.600
<v Speaker 1>to spoil the ending of Resident Alien, but I am

0:58:47.620 --> 0:58:51.260
<v Speaker 1>going to say that, holy crap, in the same way

0:58:51.300 --> 0:58:53.580
<v Speaker 1>that you and I set out on Dark Skies, let's

0:58:53.620 --> 0:58:56.360
<v Speaker 1>take everything that's out there in the zeitgeist about this,

0:58:57.530 --> 0:59:01.830
<v Speaker 1>about the whole phenomenon and UFOs, UAP, aliens, et cetera,

0:59:01.870 --> 0:59:04.370
<v Speaker 1>and try to get them in our series. They've done

0:59:04.390 --> 0:59:08.370
<v Speaker 1>it into this series. And the thing is, it is funny,

0:59:09.030 --> 0:59:09.870
<v Speaker 1>but it's also not funny.

0:59:10.040 --> 0:59:10.940
<v Speaker 2>Funny sometimes.

0:59:11.300 --> 0:59:14.100
<v Speaker 1>These are characters that I came to love. I came

0:59:14.140 --> 0:59:17.460
<v Speaker 1>to really enjoy all these people relating to each other.

0:59:17.700 --> 0:59:19.920
<v Speaker 1>There are a lot of things that aren't about aliens

0:59:20.000 --> 0:59:24.040
<v Speaker 1>in it. There are a lot of emotional connections between

0:59:24.100 --> 0:59:27.720
<v Speaker 1>people that are just kind of lovely. And at the

0:59:27.780 --> 0:59:30.020
<v Speaker 1>end of it, It was emotional. I'm not going to

0:59:30.060 --> 0:59:32.540
<v Speaker 1>say I broke down in tears and had to be

0:59:32.600 --> 0:59:35.540
<v Speaker 1>hauled out of the movie room, but I was, I

0:59:35.580 --> 0:59:36.200
<v Speaker 1>got a little.

0:59:36.040 --> 0:59:40.160
<v Speaker 2>Misty eyed at the end. Okay. I really, I really

0:59:40.220 --> 0:59:40.690
<v Speaker 2>bought it.

0:59:40.700 --> 0:59:43.280
<v Speaker 1>And the only thing I would say to people about

0:59:43.480 --> 0:59:47.330
<v Speaker 1>resident alien is there's a rhythm to its comedy. And

0:59:47.590 --> 0:59:50.150
<v Speaker 1>I don't think it lends itself as well to binge

0:59:50.190 --> 0:59:55.270
<v Speaker 1>watching because then the, the moving pieces are so clear

0:59:55.290 --> 0:59:58.370
<v Speaker 1>that you anticipate the rhythm of the comedy and It's

0:59:58.430 --> 1:00:01.830
<v Speaker 1>better watched once a week. I don't know if anybody

1:00:01.890 --> 1:00:05.550
<v Speaker 1>will do that, but that's just my take. I just, yeah,

1:00:05.570 --> 1:00:08.140
<v Speaker 1>the other thing, and again, I'm not through the series yet,

1:00:08.180 --> 1:00:12.000
<v Speaker 1>but I do love how much UFOlogical lore they're working

1:00:12.100 --> 1:00:14.520
<v Speaker 1>into it. And I will just say they had me

1:00:14.580 --> 1:00:15.540
<v Speaker 1>at gray moon base.

1:00:16.480 --> 1:00:19.820
<v Speaker 2>Yeah. And I'll leave it at that. So basically now

1:00:19.860 --> 1:00:23.010
<v Speaker 2>we're up to current times. And I think looking back

1:00:23.230 --> 1:00:28.200
<v Speaker 2>on this progression of alien UFO comedies, movies and series.

1:00:28.700 --> 1:00:32.260
<v Speaker 2>I think, go back to the original, My Favorite Martian.

1:00:32.320 --> 1:00:35.660
<v Speaker 2>It starts off as the whole alien on Earth as

1:00:35.860 --> 1:00:39.180
<v Speaker 2>a secrecy comedy. And it's keeping the secret is where

1:00:39.300 --> 1:00:42.020
<v Speaker 2>all of the comedy comes from, or a lot of it.

1:00:42.580 --> 1:00:45.800
<v Speaker 2>And then you get into, oh, now it's more also

1:00:45.840 --> 1:00:49.740
<v Speaker 2>about the aliens interacting or trying to assimilate with humanity,

1:00:49.940 --> 1:00:53.100
<v Speaker 2>still disguised, still living a secret life. And so that

1:00:53.180 --> 1:00:56.010
<v Speaker 2>starts to become more of a commentary on American culture.

1:00:56.450 --> 1:00:58.780
<v Speaker 2>And then- We get into things that are a little

1:00:58.800 --> 1:01:02.520
<v Speaker 2>bit more subversive, and we're getting more into a mix

1:01:02.580 --> 1:01:07.450
<v Speaker 2>of the comedy and the real ufological lore. And everything's

1:01:07.680 --> 1:01:12.850
<v Speaker 2>becoming more morally suspicious. So there's just been this interesting

1:01:12.890 --> 1:01:15.560
<v Speaker 2>graduation when you go and you say, okay, start it,

1:01:16.410 --> 1:01:19.450
<v Speaker 2>My Favorite Martian, and then move to these shows that,

1:01:19.510 --> 1:01:23.060
<v Speaker 2>especially we just talked about, that are basically delineating this

1:01:23.200 --> 1:01:29.790
<v Speaker 2>UFO taxonomy thing. of grays, Nordics, mantids, the tall whites,

1:01:29.890 --> 1:01:35.750
<v Speaker 2>everything where, and that's all coming out now from whistleblowers. Yeah. Yeah.

1:01:35.810 --> 1:01:39.810
<v Speaker 2>And so interesting that these things were all talked about

1:01:39.870 --> 1:01:43.090
<v Speaker 2>and delivered as the pill wrapped in cheese, if you will,

1:01:43.670 --> 1:01:47.050
<v Speaker 2>as truth going back for decades. And now all of

1:01:47.090 --> 1:01:50.200
<v Speaker 2>a sudden, again, these are things that are being testified

1:01:50.260 --> 1:01:56.420
<v Speaker 2>about in the halls of Congress. It still blows my mind.

1:01:56.780 --> 1:01:58.680
<v Speaker 1>I don't know why I thought of this when you

1:01:58.720 --> 1:02:02.600
<v Speaker 1>were talking, but I thought we have a podcast version

1:02:02.760 --> 1:02:06.000
<v Speaker 1>and a YouTube version of this show in honor of

1:02:06.320 --> 1:02:08.980
<v Speaker 1>what we've been talking about. I think the YouTube version

1:02:09.000 --> 1:02:12.970
<v Speaker 1>should have a laugh track. It should just have a

1:02:13.010 --> 1:02:15.670
<v Speaker 1>laugh track. First of all, it'll make people think that

1:02:15.710 --> 1:02:18.890
<v Speaker 1>we're saying funny things, which would be lovely. I don't

1:02:18.910 --> 1:02:20.670
<v Speaker 1>know how hard that is to do. A couple of

1:02:20.730 --> 1:02:26.400
<v Speaker 1>quick things as we wrap ourselves up here. I just watched.

1:02:26.200 --> 1:02:30.960
<v Speaker 2>The season three finale of sugar. Okay. No season two

1:02:31.000 --> 1:02:34.620
<v Speaker 2>finale of sugar. God, I love that show. Oh, I

1:02:34.660 --> 1:02:35.060
<v Speaker 2>can't wait.

1:02:35.500 --> 1:02:37.490
<v Speaker 1>And all I would say, and it's not a comedy,

1:02:37.530 --> 1:02:40.370
<v Speaker 1>of course, it's the Colin Farrell thing on Apple TV plus,

1:02:40.810 --> 1:02:44.590
<v Speaker 1>but man, I just really loved it. I, and I

1:02:44.650 --> 1:02:47.790
<v Speaker 1>don't tend to like shows that are slow burns. I

1:02:47.810 --> 1:02:49.750
<v Speaker 1>want them to get to the point. This is a

1:02:49.810 --> 1:02:53.780
<v Speaker 1>two season long, slow burn. And it, I just loved

1:02:53.800 --> 1:02:57.140
<v Speaker 1>the way they ended this thing. So hats off to them.

1:02:57.580 --> 1:02:59.120
<v Speaker 1>I think it's Simon Kinberg.

1:02:59.380 --> 1:03:03.260
<v Speaker 2>Yes. Yeah. And I think he's got two shows on Apple.

1:03:03.300 --> 1:03:06.210
<v Speaker 2>Doesn't he also do Invasion? Yes. So wow.

1:03:06.530 --> 1:03:09.030
<v Speaker 1>He's all in on aliens kind of like us. So

1:03:09.070 --> 1:03:11.290
<v Speaker 1>hats off to him, but great job. And then the

1:03:11.330 --> 1:03:14.430
<v Speaker 1>other thing I just wanted to let everyone know is

1:03:14.470 --> 1:03:17.450
<v Speaker 1>that we have been working on our show that's going

1:03:17.470 --> 1:03:21.030
<v Speaker 1>to be called Secrets of the Universe. It's our 31st podcast.

1:03:21.110 --> 1:03:23.740
<v Speaker 1>It'll be coming up on September 17th. And we've been

1:03:23.760 --> 1:03:28.180
<v Speaker 1>looking into this formula that you can learn all about

1:03:28.200 --> 1:03:31.820
<v Speaker 1>in our very first episode called Party Crasher. And we're

1:03:31.840 --> 1:03:35.000
<v Speaker 1>getting close. We're finishing up. We're putting the final touches

1:03:35.140 --> 1:03:39.020
<v Speaker 1>on that presentation. And I want to thank everyone for

1:03:39.040 --> 1:03:42.020
<v Speaker 1>their patience that they've granted us to do this, Brent,

1:03:42.440 --> 1:03:44.480
<v Speaker 1>because there's a tendency we could have just thrown it

1:03:44.580 --> 1:03:46.180
<v Speaker 1>out there and said, okay, what do you all think?

1:03:46.500 --> 1:03:47.780
<v Speaker 2>But I wanted to think about it.

1:03:47.780 --> 1:03:50.110
<v Speaker 1>I wanted to take In the same way that we've

1:03:50.130 --> 1:03:54.390
<v Speaker 1>had discoveries about, about comedies. We, I wanted to give

1:03:54.430 --> 1:03:59.169
<v Speaker 1>myself and yourself the time to do some investigation, to

1:03:59.280 --> 1:04:02.220
<v Speaker 1>talk to the people who don't possibly agree with us,

1:04:02.700 --> 1:04:05.900
<v Speaker 1>to hear other things. And honestly, I have learned a ton.

1:04:06.360 --> 1:04:07.820
<v Speaker 1>So those are my thoughts.

1:04:08.100 --> 1:04:10.740
<v Speaker 2>That's been my takeaway is that I'm, I am grateful

1:04:10.820 --> 1:04:14.660
<v Speaker 2>for the time we've been given by our patient listeners

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<v Speaker 2>and viewers. Because I have learned a lot more about it.

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<v Speaker 2>What I thought I knew about it keeps changing. And

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<v Speaker 2>so I cannot wait to share this with the world

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<v Speaker 2>and hear what everyone else sees in this, if anything.

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<v Speaker 2>On that note, I also want to thank everybody who

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<v Speaker 2>has been listening and watching. Please, if you haven't done

1:04:34.360 --> 1:04:38.680
<v Speaker 2>so already, like us on whatever platform we're on. Subscribe.

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<v Speaker 2>And please leave comments. The great thing about comments is

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<v Speaker 2>that's your chance to tell us your stories or things

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<v Speaker 2>that resonated with you. And Bryce and I, where we can,

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<v Speaker 2>go in and answer those comments. But it's also just

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<v Speaker 2>a great way to tell the producers of this show,

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<v Speaker 2>the higher-ups, that there's engagement, that we're starting a conversation.

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<v Speaker 2>So anywhere that you can, anywhere that you're listening or watching,

1:05:04.390 --> 1:05:07.670
<v Speaker 2>please engage, and we appreciate you. I'm just going to

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<v Speaker 2>say amen to that and let's sign off. See you later.

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<v Speaker 1>Sound Light and Frequency is an iHeart podcast produced by

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<v Speaker 1>Stellar Productions. It's executive produced by Nick Johnson. And for Stellar,

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<v Speaker 1>Jackie Zabel. Our show's music was written by Anna Stumpf

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<v Speaker 1>and Hamilton Lighthouser. And your hosts and executive producers are

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<v Speaker 1>Bryce Zabel, that's me, and Brent Friedman.

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<v Speaker 2>Watch the skies. Thank you.