1 00:00:00,600 --> 00:00:02,880 Speaker 1: Is there ever a song and I'm not getting into details. 2 00:00:03,000 --> 00:00:05,320 Speaker 1: Was therever a song that comes out and it's like 3 00:00:06,080 --> 00:00:08,159 Speaker 1: did you know something? You know what I mean? Like 4 00:00:08,200 --> 00:00:10,000 Speaker 1: the song comes out, you listen to it, it connects 5 00:00:10,039 --> 00:00:13,560 Speaker 1: with me, like why now what are you doing? Listen 6 00:00:13,560 --> 00:00:13,920 Speaker 1: to this song? 7 00:00:13,920 --> 00:00:15,200 Speaker 2: I mean, I'm going to do this here. 8 00:00:15,480 --> 00:00:19,200 Speaker 1: Listen to this song. Good song. Don't read too far 9 00:00:19,239 --> 00:00:21,520 Speaker 1: into this. I don't need an I'm not answering any questions. 10 00:00:21,520 --> 00:00:22,440 Speaker 1: There'll be no statement. 11 00:00:22,720 --> 00:00:28,120 Speaker 2: Damn man rock Bottom. Here it's different this time. I've 12 00:00:28,200 --> 00:00:32,479 Speaker 2: never failed the phone from clown man. They say the 13 00:00:32,560 --> 00:00:36,840 Speaker 2: crack song He's worth. But now I'm losing my man. 14 00:00:37,400 --> 00:00:44,200 Speaker 1: I'm losing my andpp I ain't sleep forever, bother. 15 00:00:44,440 --> 00:00:46,760 Speaker 2: I can't see. 16 00:00:47,880 --> 00:00:52,320 Speaker 1: We shall never wait it down to that port we should. 17 00:00:52,760 --> 00:00:55,840 Speaker 2: I don't want you back to your car, yeah, shoot 18 00:00:55,920 --> 00:00:58,280 Speaker 2: and ship? Why are you laughing? 19 00:00:59,040 --> 00:01:03,320 Speaker 1: I'm trying to talk about it's a good song. 20 00:01:05,760 --> 00:01:08,000 Speaker 2: How many times have barn car but Ryan to the 21 00:01:08,000 --> 00:01:11,920 Speaker 2: country song? That's what I was thinking. 22 00:01:09,520 --> 00:01:13,559 Speaker 1: Oh you know, I was talking about drinking from the bottle. 23 00:01:13,600 --> 00:01:18,759 Speaker 1: Because you're laughing. 24 00:01:17,360 --> 00:01:18,120 Speaker 2: This is a good song. 25 00:01:20,480 --> 00:01:22,160 Speaker 1: I played this for you this morning because I have 26 00:01:22,360 --> 00:01:27,760 Speaker 1: scientific research that we actually feel music. Oh yeah, but 27 00:01:27,800 --> 00:01:31,600 Speaker 1: it's been proven now because researchers who are not solving cancer, uh, 28 00:01:31,840 --> 00:01:34,880 Speaker 1: studied the ways in which musical notes can elicit specific 29 00:01:34,920 --> 00:01:37,880 Speaker 1: bodily sensations and emotions. They talked to a ball, a 30 00:01:37,920 --> 00:01:40,679 Speaker 1: whole bunch of people, and they asked them to map 31 00:01:40,720 --> 00:01:43,959 Speaker 1: where they felt music in their bodies while listening to 32 00:01:44,080 --> 00:01:47,680 Speaker 1: short songs, and results revealed that songs that were more 33 00:01:47,880 --> 00:01:51,680 Speaker 1: surprising were felt in the heart, while predictable music was 34 00:01:51,760 --> 00:01:52,800 Speaker 1: felt in the stomach. 35 00:01:53,800 --> 00:01:57,280 Speaker 2: Huh, I get goosebumps from music I connect to typically 36 00:01:57,280 --> 00:01:58,920 Speaker 2: on my legs. M yeah. 37 00:01:59,000 --> 00:02:01,560 Speaker 1: Sensations in the heart were only link to esthetic appreciation 38 00:02:01,600 --> 00:02:03,520 Speaker 1: and feelings of pleasure, which in turn led to a 39 00:02:03,560 --> 00:02:07,240 Speaker 1: decline in feelings of awkwardness and anxiety. Meanwhile, sensations in 40 00:02:07,240 --> 00:02:11,000 Speaker 1: the stomach, brought on by predictable chord progressions, run on 41 00:02:11,040 --> 00:02:14,200 Speaker 1: feelings of calm, satisfaction, and nostalgia. And speaking of nostalgia, 42 00:02:14,400 --> 00:02:16,160 Speaker 1: and this is a separate thing that came out today, 43 00:02:16,280 --> 00:02:18,920 Speaker 1: but I've been saying this forever. According to a therapist 44 00:02:19,080 --> 00:02:21,919 Speaker 1: with the SIMS Foundation, an organization that provides mental health 45 00:02:21,960 --> 00:02:25,359 Speaker 1: and substance use recovery, services. Listening to music from your 46 00:02:25,480 --> 00:02:29,920 Speaker 1: high school days binds to your brain more than anything 47 00:02:30,520 --> 00:02:33,680 Speaker 1: any other era of your life. I've been saying this 48 00:02:34,240 --> 00:02:37,480 Speaker 1: like that, you know, when people, for whatever reason, the 49 00:02:37,560 --> 00:02:40,320 Speaker 1: songs from your high school era seem to be the 50 00:02:40,360 --> 00:02:42,200 Speaker 1: ones that connect more than any me. 51 00:02:42,240 --> 00:02:42,840 Speaker 2: Think about it. 52 00:02:43,560 --> 00:02:45,440 Speaker 1: Think about I don't know what were the songs in 53 00:02:45,480 --> 00:02:46,840 Speaker 1: your in your high school arakiki. 54 00:02:48,080 --> 00:02:49,920 Speaker 2: I don't know, because I don't I have a bad memory. 55 00:02:49,919 --> 00:02:51,600 Speaker 1: But I think that's why I'm so attached to Jo 56 00:02:51,720 --> 00:02:54,400 Speaker 1: Rule performing in my wedding, Like I made that decision 57 00:02:54,440 --> 00:02:58,839 Speaker 1: way back then, because because that yes, hey j Low, 58 00:02:59,040 --> 00:03:03,239 Speaker 1: you know, like it's murder, that's the soundtrack of your Yeah. 59 00:03:04,680 --> 00:03:06,760 Speaker 2: Yeah, I mean when I hear Laughy Taffy by D 60 00:03:06,880 --> 00:03:10,200 Speaker 2: four al, that was my ringtone. No, like dead ass 61 00:03:10,680 --> 00:03:12,280 Speaker 2: serious right now, I mean it was my ringtone. 62 00:03:12,480 --> 00:03:15,520 Speaker 1: Oh yeah, because it was high school. It was that 63 00:03:15,560 --> 00:03:16,320 Speaker 1: like grungy era. 64 00:03:16,400 --> 00:03:19,320 Speaker 2: It was like the verb the freshman and all that and. 65 00:03:19,440 --> 00:03:22,240 Speaker 1: Yeah, but it was also like lit yeah, and uh 66 00:03:22,880 --> 00:03:26,440 Speaker 1: it's some forty one and you know kind of like 67 00:03:26,560 --> 00:03:28,200 Speaker 1: right grungyish. 68 00:03:27,720 --> 00:03:29,760 Speaker 2: Yeah, Lincoln Park, all those all those bands like that. 69 00:03:29,919 --> 00:03:31,359 Speaker 2: Did you have like Third Eye Blind songs? 70 00:03:31,560 --> 00:03:33,680 Speaker 1: Yeah, yeah, and then it moved in and then I 71 00:03:33,680 --> 00:03:35,560 Speaker 1: guess when I was in college and some of you 72 00:03:35,600 --> 00:03:37,480 Speaker 1: were closer to high school, then it was more like 73 00:03:37,520 --> 00:03:42,120 Speaker 1: of that shanty Usher. 74 00:03:43,560 --> 00:03:44,240 Speaker 2: Two thousands. 75 00:03:44,280 --> 00:03:49,760 Speaker 1: Yeah, what else a jagget is? Yeah, ta pain Mary 76 00:03:49,880 --> 00:03:52,880 Speaker 1: j Blige. Yeah, definitely moved more into like an R 77 00:03:52,920 --> 00:03:56,800 Speaker 1: and B. Yeah, era so good. But it's it's proven, 78 00:03:57,080 --> 00:04:01,240 Speaker 1: it's the it's the high school songs. Oh Fred needs someone. 79 00:04:01,840 --> 00:04:03,200 Speaker 1: I don't need it. I'm looking at the text now. 80 00:04:03,200 --> 00:04:05,000 Speaker 1: I don't need to learn about this twitch stuff. I'm good, 81 00:04:05,680 --> 00:04:07,440 Speaker 1: I'm fine. No, no twitch stuff. 82 00:04:07,640 --> 00:04:08,480 Speaker 2: I think everything. 83 00:04:09,200 --> 00:04:12,560 Speaker 1: Yeah, no, we've done it. We've talked enough about sketch. 84 00:04:12,320 --> 00:04:14,960 Speaker 2: That you think what I think, everything from high school 85 00:04:15,160 --> 00:04:18,640 Speaker 2: is like sticks with you forever, Like I think like feelings, 86 00:04:18,839 --> 00:04:21,640 Speaker 2: you know, breakups, things you went through. I don't know why. 87 00:04:21,680 --> 00:04:23,720 Speaker 2: I just feel like that was the most impactful time 88 00:04:23,720 --> 00:04:24,520 Speaker 2: for a lot of people. 89 00:04:25,880 --> 00:04:28,760 Speaker 1: Maybe because you feel like you're feeling things for the 90 00:04:28,839 --> 00:04:31,560 Speaker 1: first time, you know, and like, yeah, jaded by the world, 91 00:04:31,640 --> 00:04:35,320 Speaker 1: like you're actually just feeling things. Oh yeah, we grow up. 92 00:04:35,320 --> 00:04:38,480 Speaker 1: We learned to like we jaded, We learned to feel 93 00:04:38,520 --> 00:04:39,440 Speaker 1: bad for ourselves, We. 94 00:04:39,440 --> 00:04:42,360 Speaker 2: Learned to like like you just get to be wild. 95 00:04:42,120 --> 00:04:44,760 Speaker 1: Less impressed by things and yeah, yeah, you're right, we've 96 00:04:44,760 --> 00:04:47,560 Speaker 1: become like callous to the world. Yeah, maybe that's what 97 00:04:47,600 --> 00:04:50,640 Speaker 1: it is. Maybe that's why those songs connect better. 98 00:04:51,040 --> 00:04:54,480 Speaker 2: Like major you were Yeah, oh yeah, I think I 99 00:04:54,520 --> 00:04:56,240 Speaker 2: might have known that it isn't. 100 00:04:56,000 --> 00:04:57,800 Speaker 1: The most like would you argue it's the most social 101 00:04:57,839 --> 00:04:58,640 Speaker 1: time of your life? 102 00:04:58,680 --> 00:04:59,960 Speaker 2: Maybe kindly, I don't. 103 00:05:00,200 --> 00:05:01,800 Speaker 1: I'm trying to think when you would be listening to 104 00:05:01,839 --> 00:05:04,159 Speaker 1: the most amount of music, everything so new. 105 00:05:04,480 --> 00:05:06,880 Speaker 2: Yeah, like you're driving for the first Yeah, oh my god, 106 00:05:07,040 --> 00:05:09,200 Speaker 2: for the first time. That makes CD that I burned 107 00:05:09,200 --> 00:05:14,200 Speaker 2: for my first drive by myself. Oh my god, Clies 108 00:05:14,320 --> 00:05:18,080 Speaker 2: was on there. Obviously my shock. 109 00:05:20,080 --> 00:05:23,520 Speaker 1: I won't even bother to do. I know it was good, 110 00:05:23,760 --> 00:05:27,280 Speaker 1: I actually implies. So, yeah, what is the country song 111 00:05:27,320 --> 00:05:30,000 Speaker 1: you just played? It's Nate Smith wish I never felt 112 00:05:30,000 --> 00:05:30,640 Speaker 1: that's what it's. 113 00:05:30,520 --> 00:05:34,480 Speaker 2: Called, written by Christopher Frederick. I wrote that song. 114 00:05:35,120 --> 00:05:36,960 Speaker 1: No, it's good. I just got five cents sexually. That's 115 00:05:36,960 --> 00:05:39,720 Speaker 1: why I played as long as I play. I think 116 00:05:39,720 --> 00:05:41,720 Speaker 1: it would have been fifteen second seven. I get paid, 117 00:05:41,880 --> 00:05:44,039 Speaker 1: so you'll hear it every hour and there on the 118 00:05:44,080 --> 00:05:44,320 Speaker 1: hour