1 00:00:00,080 --> 00:00:02,440 Speaker 1: When you come up with these characters, they take days, 2 00:00:02,480 --> 00:00:05,200 Speaker 1: they take minutes. I mean, like, how how long does 3 00:00:05,240 --> 00:00:07,400 Speaker 1: it take to come up with these elaborate characters. 4 00:00:07,520 --> 00:00:11,560 Speaker 2: It depends on It depends on the character. Sometimes it's microwaves. 5 00:00:11,560 --> 00:00:13,280 Speaker 2: Sometimes you come up with a character in the moment. 6 00:00:13,280 --> 00:00:15,400 Speaker 2: It's from improvising for years and years. You just have 7 00:00:15,480 --> 00:00:17,919 Speaker 2: to start a scene and walk off the back line. 8 00:00:17,960 --> 00:00:20,720 Speaker 2: And sometimes you start with the limp, or you start 9 00:00:21,000 --> 00:00:23,320 Speaker 2: with like alateral lisps, like you talk like, you just 10 00:00:23,320 --> 00:00:25,640 Speaker 2: just kind of just start putting stuff on. And then 11 00:00:25,680 --> 00:00:28,840 Speaker 2: as that character grows, you get more of a sense 12 00:00:28,880 --> 00:00:31,720 Speaker 2: of who they really are. And then other characters take years. 13 00:00:32,080 --> 00:00:33,519 Speaker 2: I mean, I used to be on a show that 14 00:00:33,560 --> 00:00:35,600 Speaker 2: I taped to Los Angeles called Mad TV. 15 00:00:35,760 --> 00:00:38,960 Speaker 3: You said, hell, yeah, well you were so good on 16 00:00:39,000 --> 00:00:39,639 Speaker 3: that show. 17 00:00:39,479 --> 00:00:42,360 Speaker 2: And I played a character named Coach Hines, and Coach 18 00:00:42,440 --> 00:00:46,120 Speaker 2: Hines was based on he was based on people from 19 00:00:46,360 --> 00:00:48,960 Speaker 2: from back in my college days, from ten to fifteen 20 00:00:49,000 --> 00:00:49,640 Speaker 2: years earlier. 21 00:00:49,720 --> 00:00:53,320 Speaker 3: So sometimes it takes minutes, sometimes it takes years. I 22 00:00:53,800 --> 00:00:54,760 Speaker 3: have two questions on that. 23 00:00:54,840 --> 00:00:55,080 Speaker 1: One. 24 00:00:55,520 --> 00:00:58,960 Speaker 4: Do you have more Jacquellan's or Aarn's that come up 25 00:00:59,040 --> 00:00:59,760 Speaker 4: to you in public? 26 00:00:59,760 --> 00:01:00,320 Speaker 3: Play? 27 00:01:00,320 --> 00:01:03,400 Speaker 4: Is Arons. 28 00:01:03,520 --> 00:01:06,440 Speaker 2: I get arons, I get regular aarns, I get people. 29 00:01:07,200 --> 00:01:08,920 Speaker 2: A dude almost gotta hit my car. Let's week in 30 00:01:08,959 --> 00:01:11,600 Speaker 2: New York is run across the street, and I'll just say, hey, 31 00:01:11,640 --> 00:01:12,600 Speaker 2: my son's name is. 32 00:01:12,520 --> 00:01:13,280 Speaker 3: A A Ron. 33 00:01:13,319 --> 00:01:16,520 Speaker 2: I was like, bro, don't don't die. First of all, 34 00:01:16,680 --> 00:01:18,200 Speaker 2: Second of all, it's not even you. 35 00:01:18,680 --> 00:01:19,360 Speaker 3: Yeah yeah, yeah. 36 00:01:19,480 --> 00:01:21,720 Speaker 2: It wasn't based on but he was very excited, no 37 00:01:21,840 --> 00:01:24,080 Speaker 2: way more a Rons than Jay Collins. 38 00:01:24,160 --> 00:01:26,319 Speaker 4: And my other question was have you ever built a 39 00:01:26,440 --> 00:01:29,480 Speaker 4: character off of someone in your life and that person 40 00:01:29,640 --> 00:01:33,280 Speaker 4: saw the character and when are you doing me? Uh? 41 00:01:33,440 --> 00:01:36,240 Speaker 3: I've never had someone say are you doing me? 42 00:01:40,400 --> 00:01:43,200 Speaker 1: You're right there looking at me. Yet him those ugly 43 00:01:43,440 --> 00:01:49,919 Speaker 1: sunglass down man who I don't know who it is? Ugly, 44 00:01:51,080 --> 00:01:53,160 Speaker 1: ugly as hell? Other shit like this. That was real. 45 00:01:53,200 --> 00:01:56,120 Speaker 3: So that was smooth. You just went suit. 46 00:01:56,160 --> 00:01:57,120 Speaker 1: You're ugly though. 47 00:01:58,600 --> 00:02:00,240 Speaker 4: That's the only guy where people come out to see 48 00:02:00,320 --> 00:02:02,040 Speaker 4: him and he's like, you ugly. 49 00:02:03,960 --> 00:02:05,600 Speaker 3: I thought you were doing it because I have you know, 50 00:02:05,680 --> 00:02:10,200 Speaker 3: sometimes I have been known. I have been known. I 51 00:02:10,240 --> 00:02:13,239 Speaker 3: didn't know you had a shock to impersonate s sometimes. 52 00:02:13,680 --> 00:02:17,040 Speaker 1: Okay, well, I have a question. I'm not cross out 53 00:02:17,080 --> 00:02:20,360 Speaker 1: of mother, I know, yeah, everybody. 54 00:02:20,960 --> 00:02:22,320 Speaker 2: You took the words out of it. I was literally 55 00:02:22,320 --> 00:02:23,680 Speaker 2: about to say that because there was a guy out 56 00:02:23,840 --> 00:02:27,959 Speaker 2: my French kids parross. We're having fun up here. Keep 57 00:02:28,040 --> 00:02:32,600 Speaker 2: just ear mufs ear mups. We we on our show. 58 00:02:32,720 --> 00:02:35,760 Speaker 2: Before I started doing it, Airy Spears used to do it, 59 00:02:36,160 --> 00:02:43,519 Speaker 2: and I say, like, what's what the crossed a cross high? 60 00:02:43,840 --> 00:02:48,360 Speaker 3: I said, secure O'Neil did not have a stroke. It's like, 61 00:02:48,440 --> 00:02:50,640 Speaker 3: what are you doing with the high? 62 00:02:51,360 --> 00:02:53,760 Speaker 1: So when you're doing these characters, you ever feel about 63 00:02:54,440 --> 00:02:56,600 Speaker 1: you have a feel a way about hurting people's feelings, Like, 64 00:02:56,639 --> 00:02:57,360 Speaker 1: do you think about it? 65 00:02:57,400 --> 00:03:01,960 Speaker 2: I actually do think about that sometimes sometimes I'll I 66 00:03:01,960 --> 00:03:03,120 Speaker 2: mean I. 67 00:03:02,840 --> 00:03:05,200 Speaker 3: Feel I mean a little bit of remorse. I mean 68 00:03:05,960 --> 00:03:07,960 Speaker 3: not enough, not enough to not do the character. 69 00:03:08,880 --> 00:03:11,320 Speaker 2: But for the most part, what I try to do 70 00:03:11,400 --> 00:03:14,360 Speaker 2: is do an amalgamation of people that i'll i'll be 71 00:03:14,440 --> 00:03:15,680 Speaker 2: inspired by somebody. 72 00:03:15,720 --> 00:03:24,200 Speaker 5: Would you saydamation an amalgamation? Sorry, spell it amalgamation, amalgamation 73 00:03:24,760 --> 00:03:26,760 Speaker 5: A M A L. 74 00:03:28,400 --> 00:03:33,560 Speaker 3: G A M A T I O N amalgamation. 75 00:03:34,600 --> 00:03:36,480 Speaker 4: So I wasn't sure if that first letter was an 76 00:03:36,480 --> 00:03:37,080 Speaker 4: E or A. 77 00:03:37,720 --> 00:03:39,320 Speaker 3: I got a little nervous on the first letter too. 78 00:03:39,400 --> 00:03:40,200 Speaker 3: I was like, went and hold on. 79 00:03:40,440 --> 00:03:45,640 Speaker 4: DJ gave the thumbs up. DJ Abc can spell any word. 80 00:03:45,800 --> 00:03:48,839 Speaker 3: I used to work at the Amalgamated Transit Union. 81 00:03:48,920 --> 00:03:52,400 Speaker 2: The Amalgamated Transit Union. Okay, all right, so I got 82 00:03:52,400 --> 00:03:55,080 Speaker 2: the expert right here. Then, Yeah, when we I mean, like, 83 00:03:55,160 --> 00:03:58,840 Speaker 2: you know, sometimes people I did. I have some characters 84 00:03:58,840 --> 00:04:02,120 Speaker 2: that are inspired by people and they later in their lives. 85 00:04:02,360 --> 00:04:05,280 Speaker 3: Oh, I didn't know, was that me? Like my childhood friend. 86 00:04:05,280 --> 00:04:07,160 Speaker 3: I have a childhood friend. I've known her. 87 00:04:07,400 --> 00:04:09,800 Speaker 2: I've known her for forty eight years, which means I've 88 00:04:09,840 --> 00:04:13,080 Speaker 2: known her father for forty eight years. And he is 89 00:04:13,120 --> 00:04:16,360 Speaker 2: a big part of Coach Hines from Mad TV. Just 90 00:04:16,400 --> 00:04:18,039 Speaker 2: that kind of you know, it's that kind of added 91 00:04:18,160 --> 00:04:20,160 Speaker 2: that kind of like chewing gum and just like. 92 00:04:20,480 --> 00:04:25,279 Speaker 3: Do you guys stick but I don't see what's happening 93 00:04:25,320 --> 00:04:25,760 Speaker 3: out there. 94 00:04:27,839 --> 00:04:32,119 Speaker 2: You got another thing coming because I got night vision, 95 00:04:32,200 --> 00:04:35,840 Speaker 2: I got scanners and eyes all over the whole place. 96 00:04:37,320 --> 00:04:39,840 Speaker 2: So the it was his like aggressive ad. He was 97 00:04:39,880 --> 00:04:43,120 Speaker 2: like a real like agro mail. Yeah, but so the 98 00:04:43,200 --> 00:04:45,800 Speaker 2: voice like that was part of it. Then the gum 99 00:04:45,880 --> 00:04:48,360 Speaker 2: chewing was our basketball coach from high school. And then 100 00:04:48,600 --> 00:04:51,720 Speaker 2: the voice is kind of like Chris Farley doing that 101 00:04:51,960 --> 00:04:54,760 Speaker 2: Foley by the River. 102 00:04:55,040 --> 00:04:57,520 Speaker 3: Yes, so I kind of smushed it all together and 103 00:04:57,560 --> 00:04:58,200 Speaker 3: made a new character. 104 00:04:58,320 --> 00:05:00,680 Speaker 1: If you and I had to start in a skin movie, 105 00:05:01,680 --> 00:05:03,120 Speaker 1: who's the killer? Mir or you? 106 00:05:03,520 --> 00:05:04,839 Speaker 3: Oh, in a scary movie? 107 00:05:04,920 --> 00:05:05,880 Speaker 1: Yeah, mirror you. 108 00:05:06,279 --> 00:05:08,040 Speaker 3: And like, we don't know till the end one of 109 00:05:08,080 --> 00:05:08,719 Speaker 3: you is the killer. 110 00:05:08,839 --> 00:05:11,440 Speaker 2: So here's the hard pot about that. And I almost 111 00:05:11,440 --> 00:05:15,160 Speaker 2: want to pull the audience. Do we do the double 112 00:05:15,240 --> 00:05:18,960 Speaker 2: flip or the triple flip? You know what I'm saying? 113 00:05:19,600 --> 00:05:22,640 Speaker 2: So you go, oh, I'm not stupid. It's a horror movie. 114 00:05:22,680 --> 00:05:24,760 Speaker 2: It's supposed to be Shack, which means it's gonna be Kegan. 115 00:05:25,600 --> 00:05:27,279 Speaker 2: Or do you do the obvie? 116 00:05:27,400 --> 00:05:29,599 Speaker 3: You know what I mean? Do you do the double pivot? 117 00:05:30,040 --> 00:05:30,800 Speaker 3: Man't it Shack? 118 00:05:31,240 --> 00:05:35,000 Speaker 2: I'm thinking strategically, as opposed to casting wise, I think 119 00:05:35,040 --> 00:05:36,920 Speaker 2: it has to be you because they think it's gonna 120 00:05:36,920 --> 00:05:37,080 Speaker 2: be you. 121 00:05:37,120 --> 00:05:38,600 Speaker 3: They go, oh, no, can't be him, can't be him. 122 00:05:38,600 --> 00:05:40,880 Speaker 3: It's gonna be somebody else, And then it is him. 123 00:05:41,000 --> 00:05:42,040 Speaker 3: I've already overthought that. 124 00:05:42,080 --> 00:05:45,800 Speaker 5: You you thought about it, I'll. 125 00:05:44,720 --> 00:05:46,480 Speaker 1: Tell you why. You write it. I'll fund it. 126 00:05:47,160 --> 00:05:48,159 Speaker 3: I right it, you fund it. 127 00:05:48,240 --> 00:05:50,520 Speaker 4: Yeah, I'll run in a movie of you two figuring 128 00:05:50,520 --> 00:05:51,920 Speaker 4: out who's gonna kill people. 129 00:05:52,360 --> 00:05:54,560 Speaker 2: He'll be a short it'll be a short subject comedy book, 130 00:05:54,640 --> 00:05:55,360 Speaker 2: twenty minutes long. 131 00:05:55,440 --> 00:05:57,440 Speaker 3: We can't figure out who's gonna do that, who's gonna 132 00:05:57,440 --> 00:05:57,960 Speaker 3: be the killer? 133 00:05:58,640 --> 00:05:59,680 Speaker 1: And I already got a name. 134 00:06:00,160 --> 00:06:03,760 Speaker 3: You had the name shack killer, shit kill, shit killer. 135 00:06:05,200 --> 00:06:07,320 Speaker 4: And with that, can we get some love for Key 136 00:06:07,400 --> 00:06:08,640 Speaker 4: and Michael keep plea. 137 00:06:09,120 --> 00:06:14,200 Speaker 3: Get her ready to run? 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