WEBVTT - For Dilla

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<v Speaker 1>You're listening to Waiting on reparations production of my heart

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<v Speaker 1>radio check it. Yo, every time I think of Dila,

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<v Speaker 1>make me think of my pops. So I'm sitting here

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<v Speaker 1>with the slicker. Take a sip of the scotch. Yeah,

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<v Speaker 1>it always kind of things. Never see since of stops.

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<v Speaker 1>So I'm clutching both of the legacies. Don't think I

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<v Speaker 1>forgot now. These politicians want to kill your welfare check.

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<v Speaker 1>The cops come, you get killed on the welfare check?

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<v Speaker 1>Kind of tied? Do I really need some healthcare? Yes?

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<v Speaker 1>Fucking whack. I'm sitting right in healthy is stress. What's

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<v Speaker 1>the trend? I got my own ship dog. I've always

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<v Speaker 1>been the Loana dealers and the my Condolas with a

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<v Speaker 1>pendless and the donuts with a bird. And I'm cracking jokes,

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<v Speaker 1>punch lines, packing dope. I trined Jack and Coke, becausing

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<v Speaker 1>like a mac and Roth. Even though I'm stone, still

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<v Speaker 1>controlling the flow, best rapping that you know that nobody knows.

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<v Speaker 1>Don't play with me unsavory, especially when I don't get

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<v Speaker 1>my reparations for that one slavery dope, dope, dope, dope, Hey,

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<v Speaker 1>what's up? What's up this is dope, knife franca and

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<v Speaker 1>we are waiting on recretion. So how you doing? Could ask?

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<v Speaker 1>I'm good, tired, you know, long commission meeting. Life, Life

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<v Speaker 1>is just long snow running. What was the commission meeting

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<v Speaker 1>about tonight? Oh? You know, just a horrible housing stuff?

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<v Speaker 1>Um um, there's something like big that you're working on

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<v Speaker 1>right now, isn't there. Yeah, I mean I've been working

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<v Speaker 1>on the negotiations with these developers to try to get

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<v Speaker 1>some horrible housing in this gigantic complex that they have

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<v Speaker 1>proposed for my district, and so trying to use the

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<v Speaker 1>opportunity's leverage to get stuff for working folks. And it passed.

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<v Speaker 1>It passed this evening, So it's gonna be sixty six

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<v Speaker 1>apartments were just like working class people at minimum potentially

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<v Speaker 1>dred twenty if the local government decides to like shell

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<v Speaker 1>in a little bit, which, like, you know, do you

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<v Speaker 1>think they will? Yeah? I think so. I mean it's

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<v Speaker 1>pending like a community approval. Do we have these advisory

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<v Speaker 1>boards that are signed off on use of these special funds?

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<v Speaker 1>And so I think people will be like hell, yeah,

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<v Speaker 1>I mean more places for like working class people to live. Sure,

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<v Speaker 1>you know, let's do it. So it should be. I mean,

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<v Speaker 1>like it's just funny because like working within the system

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<v Speaker 1>just sucks so bad that like when you even when

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<v Speaker 1>you win, it just feels growth. Like I would prefer

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<v Speaker 1>it would so much prefer to just like seize all

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<v Speaker 1>the people as homes and put people in them like

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<v Speaker 1>like a dictator, you know, and just like, uh, we

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<v Speaker 1>gotta just work within the capitalism, so and think what

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<v Speaker 1>I gotta do, But yeah, what you gotta going. I'm

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<v Speaker 1>in the or racking process of putting out music independently,

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<v Speaker 1>so I feel like I'm about to have a panic attack.

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<v Speaker 1>Yeah again, shameless promotion. I'm dropping a new song tomorrow

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<v Speaker 1>because you guys listened to this on Thursday, right, Yeah,

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<v Speaker 1>so I'm dropping a new song tomorrow. It's tedious, you know,

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<v Speaker 1>write my own press releases and sending out dozens and

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<v Speaker 1>dozens of emails and ship and you know, it's it's

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<v Speaker 1>one of those things you got you gotta go through,

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<v Speaker 1>but it's all worth it in the end, after you

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<v Speaker 1>put the music out. I did stumble across this article

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<v Speaker 1>that I did want to run past you, even though

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<v Speaker 1>it's not about what we're talking about today, Because today

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<v Speaker 1>we are talking about legendary hip hop producer J Dilla. Yeah,

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<v Speaker 1>J Dilla's anniversary or it was a fifteen the anniversary

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<v Speaker 1>of Donuts on Sunday? Um, and was it? Yeah? No,

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<v Speaker 1>I'm confused. Okay, it was a few days ago, a

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<v Speaker 1>couple of days ago. Yeah, everybody was posting their diala stuff.

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<v Speaker 1>You know, I get confused. I get I'm confused because

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<v Speaker 1>Sunday was the fifteenth anniversary of Donuts. Sunday was also

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<v Speaker 1>my mom's birthday. It's not going to maxed up because

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<v Speaker 1>Dila's birthday, No, that it is correct. Yeah, so my

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<v Speaker 1>mom and Jay Dilla have the same birthday. Yeah, they

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<v Speaker 1>have the same birthday. And they also you know, suffered

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<v Speaker 1>from the same chronic illness lupus, and so like, you know,

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<v Speaker 1>this was like, Paul, I'm seeing a lot of people's

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<v Speaker 1>reflections on Ja Della this week. I was like, und

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<v Speaker 1>touch because they have a similar struggle, similar birthday, the

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<v Speaker 1>exact same birthday, and so I was excited to talk

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<v Speaker 1>about him as we both his musical legacy and like

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<v Speaker 1>some of his struggles. For the listeners who don't know, um, Donuts,

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<v Speaker 1>when we say that Donuts is like the seminal last

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<v Speaker 1>album of Jay Dilla, So we're gonna be delving into that,

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<v Speaker 1>some of j Delah's life, some of his music, and

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<v Speaker 1>also you know, talking about how his struggles with America's

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<v Speaker 1>health care system relate to what's going on today, right, yeah,

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<v Speaker 1>still are still impacting his family, despite you know, that's

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<v Speaker 1>fifteen years ago. So well, before we get into that,

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<v Speaker 1>I wanted to tell you about this article that I

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<v Speaker 1>just just read, right, So it's um, it's about that

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<v Speaker 1>movie Judas and the Black Messiah. Have you heard of it,

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<v Speaker 1>the one the Fred Hampton one. I heard, you know,

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<v Speaker 1>they stripped Fred Hampton's politics out of the film. That's

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<v Speaker 1>what I was just about to mention. I didn't see it, though,

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<v Speaker 1>so I read an article about how No Name didn't

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<v Speaker 1>want to be on the soundtrack because of that that

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<v Speaker 1>very issue. I wanted to know what your thoughts were

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<v Speaker 1>about that, because that's great, I mean, at the same time,

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<v Speaker 1>it's sort of like fucked up that folks. Bred Hampton

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<v Speaker 1>would have definitely hated or on the soundtrack instead, like

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<v Speaker 1>it would have been lit if like you know, he's

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<v Speaker 1>like all right, you know, like let's say they brought

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<v Speaker 1>him back from the dead. They're like, all right, we're

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<v Speaker 1>gonna make a movie about you. He's like okay, and

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<v Speaker 1>but but we're not gonna put your politics in it. Well,

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<v Speaker 1>we're gonna have like a modern day black revolutionary and

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<v Speaker 1>like communist beyond the soundtrack, it might be like, oh okay,

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<v Speaker 1>you know, like cut of down, but that it's like,

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<v Speaker 1>we're gonna take your politics out of the film, and

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<v Speaker 1>we're gonna have a bunch of like black capitalist neo

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<v Speaker 1>liberals like on the soundtrack, Like that's just a couple

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<v Speaker 1>of sorts in the back. Oh No, I think it's

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<v Speaker 1>a bit overblown. I mean, there's there's nothing that I've

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<v Speaker 1>seen in any of the previews or any clips or

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<v Speaker 1>even just like the title of the movie, there's nothing

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<v Speaker 1>I've seen that suggests that this was supposed to be

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<v Speaker 1>about Fred Hampton. I mean, it seems like it's about

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<v Speaker 1>the informant guy. It seems like it's about a whole

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<v Speaker 1>other dude. I mean, the movie is called Judas and

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<v Speaker 1>the Black Messiah, not the life and philosophy of Fred Hampton.

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<v Speaker 1>I don't know. It seems like he's a character in it,

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<v Speaker 1>but not the main character. So I don't know to

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<v Speaker 1>frame it like they stripped him of his politics in

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<v Speaker 1>the movie when that's not even necessarily the point of

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<v Speaker 1>the movie. Althought. You know, I haven't seen it, so

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<v Speaker 1>I gotta wait till I see it first. Yeah, I

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<v Speaker 1>don't think that's what it's about. And perhaps we'll talk

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<v Speaker 1>about it talk next week or something. Right, do you

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<v Speaker 1>remember that movie with Brad Pitt, the assassination of Jesse

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<v Speaker 1>James by the coward Robert Ford. I mean, yeah, vaal, yeah,

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<v Speaker 1>it's like, if you're with you hear the title of

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<v Speaker 1>the movie, it's got like another dude's name of the

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<v Speaker 1>title in the movies about him. So somebody went and

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<v Speaker 1>saw it and they're like, man, this is fucked up.

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<v Speaker 1>How this movie wasn't about Jesse James. Like, yo, it's

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<v Speaker 1>not about Jesse James. I don't know, Like this is

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<v Speaker 1>like in the film, like it looks like and somehow

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<v Speaker 1>it doesn't only get into at all, like the shitty

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<v Speaker 1>is about It's not unprecedented. There was a movie with

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<v Speaker 1>Don Cheetle playing Miles Davis that it wasn't a biopic

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<v Speaker 1>at all. It's like a private investigator detective thriller with

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<v Speaker 1>Miles Davis in it. I mean, it all depends on

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<v Speaker 1>the way the movies made. If they're trying to make

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<v Speaker 1>Malcolm X style of movie but they stripped fred Hampton

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<v Speaker 1>involves politics, then yeah that's fishy. But it seems like

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<v Speaker 1>they're trying to make Deep Cover but set in the

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<v Speaker 1>backdrop of what fred Hampton was doing. So I don't

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<v Speaker 1>I don't know, I don't know. Yeah, so many questions.

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<v Speaker 1>I guess I gotta see the film. Yeah, yeah, does

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<v Speaker 1>look it does look cool though, like and she did

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<v Speaker 1>give it props. I'm saying that the cinematography is also

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<v Speaker 1>acting is dope. So you know what I'm saying. Yeah,

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<v Speaker 1>Well took that out next week and weren talk to

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<v Speaker 1>something about it. All right, We're gonna get into this

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<v Speaker 1>J dillas stuff after the job. Sunday mark the fifteenth

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<v Speaker 1>anniversary of Jay Diller's second studio album, an inaugural masterpiece, Donuts.

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<v Speaker 1>It was released on his thirty second birthday, three days

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<v Speaker 1>before his death after years long struggle with blood disease

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<v Speaker 1>and lupus. So this week we're going to look back

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<v Speaker 1>on the iconic album and its impact on hip hop

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<v Speaker 1>culture and discuss J dilla's medical struggles leading up to

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<v Speaker 1>his premature death. What they tell us about the health

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<v Speaker 1>care system in the United States, And that's the thing

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<v Speaker 1>I mentioned a little bit um like at the top.

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<v Speaker 1>You know, Sunday is also my mom's birthday. She is

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<v Speaker 1>recovering from having COVID, which was a terrifying or deal

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<v Speaker 1>for our family because she also suffers like from lupa's

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<v Speaker 1>like Jay Diller did, and complications to los it from

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<v Speaker 1>u comprelations of lupus have caused have severe long problem.

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<v Speaker 1>She's like on a breathing machine most of the time.

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<v Speaker 1>So we we're fucking like that. We're all like, oh, shoot,

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<v Speaker 1>mom is dead. I mean she's she's like better, but

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<v Speaker 1>like the remains to be seen the the long the

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<v Speaker 1>long lasting impacts of her having had COVID until well

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<v Speaker 1>see what happens with it. But I'm glad she's doing okay.

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<v Speaker 1>But the coincidence of their shared birthday and their struggle

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<v Speaker 1>and what health care access means for people like her

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<v Speaker 1>and you know, people in the United States and people

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<v Speaker 1>within the hip hop culture make this episode a special

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<v Speaker 1>one for me personally. It's so very excited to talk

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<v Speaker 1>about it. Yeah, J Dilla's death kind of hits close

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<v Speaker 1>to home too. When he around when he died is

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<v Speaker 1>around when my father started getting sick. So my dad

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<v Speaker 1>passed away two years after Dillah did. And I just

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<v Speaker 1>have this real vivid memory of me and a bunch

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<v Speaker 1>of my you know, hip hop rapped friends, and we

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<v Speaker 1>were watching something. It was like a live show. I

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<v Speaker 1>want to say. I want to say it was like

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<v Speaker 1>rock the Bells or something like that, but I don't

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<v Speaker 1>want to say the wrong thing, so I'll strike that.

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<v Speaker 1>But we were watching some tape of like a live

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<v Speaker 1>performance and Dila came out at the end. It might

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<v Speaker 1>have been like Slum Village playing or something like that,

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<v Speaker 1>but Dila came out at the end to do like

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<v Speaker 1>a you know, surprise versus. The crowd went crazy and everything.

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<v Speaker 1>And it was around when I first started getting into Dila,

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<v Speaker 1>So I didn't even really know what Dila looked like

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<v Speaker 1>like that. I just knew him for like, you know,

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<v Speaker 1>as credits on a on an album liner in the beats.

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<v Speaker 1>So I saw him and I'm like, oh, it's dope.

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<v Speaker 1>And all of my friends were like shocked because they're like, man,

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<v Speaker 1>he looks really skinny, you know, And I just I'll

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<v Speaker 1>never forget, like how like all shocked they were to

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<v Speaker 1>see him looking different than they, you know, had seen

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<v Speaker 1>him before. And then it was like shortly after that

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<v Speaker 1>I had went home after not being there for a while,

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<v Speaker 1>when my dad's already getting sick, and when I saw

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<v Speaker 1>my dad again, he was in the same sort of

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<v Speaker 1>skinny state because he he was like a really big,

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<v Speaker 1>you know, big guy, and I saw him and he

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<v Speaker 1>was he was small, and and just that that connection

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<v Speaker 1>of like jay Dilla passing and how sad that made everybody,

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<v Speaker 1>and then me discovering his music a bit later and

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<v Speaker 1>not really getting the chance to really like dig into

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<v Speaker 1>it while it was happening in the correlation with like

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<v Speaker 1>my dad when he started getting sick. That's just that's

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<v Speaker 1>just oh way, It's hard for me to even hear

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<v Speaker 1>Dillah without thinking about my father instantly. So this episode

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<v Speaker 1>definitely hits close to home too. Oh man, are we am?

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<v Speaker 1>I gonna cry? Are you gonna cry? We're gonna be okay,

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<v Speaker 1>But let's go ahead and get into the album right

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<v Speaker 1>um so. On Metacritic, Donuts received universal acclaim from critics,

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<v Speaker 1>based on an aggregate score of eighty four out of

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<v Speaker 1>our hundred from game reviews. Pitchfork put the album at

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<v Speaker 1>number thirty eight on their list of top fifty albums

0:13:06.480 --> 0:13:10.280
<v Speaker 1>with two six and number sixty six on their list

0:13:10.360 --> 0:13:15.400
<v Speaker 1>of top two hundred albums. From the two thousand's Rolling

0:13:15.440 --> 0:13:19.720
<v Speaker 1>Stone write the album six out of their greatest albums

0:13:19.760 --> 0:13:23.600
<v Speaker 1>of all time now. Structurally Donuts is a thirty one

0:13:23.679 --> 0:13:26.840
<v Speaker 1>track instrumental hip hop album. The only lyrics are the

0:13:26.880 --> 0:13:29.960
<v Speaker 1>short phrases and samples that are snagged from other records.

0:13:30.240 --> 0:13:32.880
<v Speaker 1>Most of the songs are quite short um as far

0:13:32.920 --> 0:13:35.360
<v Speaker 1>as like. The length goes about a minute minute and

0:13:35.360 --> 0:13:37.920
<v Speaker 1>a half for each one, and they vary in style

0:13:37.960 --> 0:13:41.440
<v Speaker 1>and tone. The album's original press release compared its sound

0:13:41.480 --> 0:13:46.880
<v Speaker 1>to scanning radio stations for in an unfamiliar city. The

0:13:46.880 --> 0:13:50.000
<v Speaker 1>track order is also kind of unusual, so the album

0:13:50.040 --> 0:13:52.720
<v Speaker 1>begins with an outro and then ends with the intro,

0:13:53.520 --> 0:13:56.040
<v Speaker 1>and then the ending of the final track flows right

0:13:56.120 --> 0:14:00.880
<v Speaker 1>into the beginning of the first one, forming Some might say, uh,

0:14:01.160 --> 0:14:05.760
<v Speaker 1>the circular shape of a doughnuts infinite loop if you

0:14:05.800 --> 0:14:11.120
<v Speaker 1>would yo when that ship came out. I mean I

0:14:11.120 --> 0:14:15.360
<v Speaker 1>have wrapped over those beats so many times because we

0:14:15.440 --> 0:14:18.120
<v Speaker 1>just used to have that on like an infinite loop.

0:14:18.280 --> 0:14:20.520
<v Speaker 1>And just like you know, just get a little quick

0:14:20.560 --> 0:14:23.640
<v Speaker 1>little sessions in all the time, Like whenever before we

0:14:23.680 --> 0:14:26.320
<v Speaker 1>would go out, heads would spin it, you know, caps

0:14:26.320 --> 0:14:28.880
<v Speaker 1>would be smoking and freestyle and over that ship. And

0:14:28.920 --> 0:14:32.680
<v Speaker 1>then eventually once like the hip hop Nights and stuff

0:14:32.720 --> 0:14:35.960
<v Speaker 1>all over the country started getting that into their rotation.

0:14:36.040 --> 0:14:38.360
<v Speaker 1>When dudes would go cipher, you know, they would always

0:14:38.400 --> 0:14:41.640
<v Speaker 1>be spinning Doughnuts stuff. So I feel like I've wrapped

0:14:41.640 --> 0:14:44.360
<v Speaker 1>like four albums over those beats at this point. I

0:14:44.440 --> 0:14:47.320
<v Speaker 1>will always think like Doughnuts is well always when we

0:14:47.360 --> 0:14:51.480
<v Speaker 1>think of like sneaking and watching like Adult Swim as

0:14:51.520 --> 0:14:54.360
<v Speaker 1>like a child, Like I was pretty young in like

0:14:54.640 --> 0:14:57.760
<v Speaker 1>two thousand six or whatever. Yeah, I guess it wasn't

0:14:57.760 --> 0:15:04.479
<v Speaker 1>like a child per se, but like were you in six, um,

0:15:04.520 --> 0:15:10.240
<v Speaker 1>I was fifty fifteen and two done? Yeah, But like

0:15:10.640 --> 0:15:13.480
<v Speaker 1>so like watching like Adult Swim late at night and

0:15:13.720 --> 0:15:16.480
<v Speaker 1>like just like them, like the kind of hip hop

0:15:16.720 --> 0:15:20.080
<v Speaker 1>like they would play. It's like the bumper music during

0:15:20.200 --> 0:15:23.680
<v Speaker 1>like the Adult Swim programming block. Like I didn't learn

0:15:23.760 --> 0:15:28.160
<v Speaker 1>until later that they had a partnership with Stone Star Records, UM,

0:15:28.280 --> 0:15:32.680
<v Speaker 1>and like actually like collaborated on having a lot of

0:15:32.680 --> 0:15:36.240
<v Speaker 1>Stone Stow artists like make the music for like that

0:15:36.560 --> 0:15:40.200
<v Speaker 1>time of night on Cartoon Network, but like like waking

0:15:40.240 --> 0:15:42.560
<v Speaker 1>up like bleary eyed in the night and what is

0:15:42.760 --> 0:15:44.840
<v Speaker 1>like you know this sounds cool, but then like kind

0:15:44.840 --> 0:15:48.920
<v Speaker 1>of just having this ambiance in the background of of

0:15:49.040 --> 0:15:51.680
<v Speaker 1>ship of like ship like Jay Della, and it wasn't

0:15:51.760 --> 0:15:54.720
<v Speaker 1>until like an adult and it's this is true of

0:15:54.800 --> 0:15:56.440
<v Speaker 1>me with a lot of well, I feel like I'm

0:15:56.480 --> 0:16:00.800
<v Speaker 1>a latecomer to a lot of like of hip hop

0:16:00.840 --> 0:16:02.640
<v Speaker 1>up his era, just because like I was like a

0:16:02.680 --> 0:16:05.960
<v Speaker 1>weird age to like access it when it came out,

0:16:06.920 --> 0:16:13.760
<v Speaker 1>um like as an adult like sort of purposefully, like

0:16:14.160 --> 0:16:15.880
<v Speaker 1>in the way that like you go to like a

0:16:15.960 --> 0:16:20.440
<v Speaker 1>dojo and like learn all of the fucking moves from

0:16:20.440 --> 0:16:23.720
<v Speaker 1>the sense like going back through the discographies of artists

0:16:23.720 --> 0:16:27.040
<v Speaker 1>like Della to like learn about you are, like our

0:16:27.200 --> 0:16:32.240
<v Speaker 1>history as a people, to gain like a like a

0:16:32.360 --> 0:16:37.920
<v Speaker 1>conscious sense of what like this music means and is,

0:16:38.880 --> 0:16:43.480
<v Speaker 1>um And so I'm just like deeply appreciative now. Whereas

0:16:43.720 --> 0:16:47.000
<v Speaker 1>as a younger person, um he like I kind of

0:16:47.120 --> 0:16:49.960
<v Speaker 1>remember like having it on in the background or like

0:16:50.040 --> 0:16:52.200
<v Speaker 1>hearing snippets here and there and were like let's nope,

0:16:52.720 --> 0:16:55.840
<v Speaker 1>I don't have to come back to that. I'm gonna

0:16:55.840 --> 0:16:58.680
<v Speaker 1>have to cycle back to that one. And just to

0:16:58.760 --> 0:17:01.360
<v Speaker 1>give some of our listeners who aren't familiar with J

0:17:01.520 --> 0:17:04.199
<v Speaker 1>Dilla a little bit more context, Just to give you

0:17:04.359 --> 0:17:06.960
<v Speaker 1>a sense of some of the artists that J. Dillah

0:17:07.000 --> 0:17:09.680
<v Speaker 1>has worked on. I'll try to say something that are

0:17:09.840 --> 0:17:12.919
<v Speaker 1>pretty popular. We've got a tribe called Quests Far Side.

0:17:13.359 --> 0:17:17.919
<v Speaker 1>He's made Beats for Day Last, soul Buster Rhymes, Keith Murray,

0:17:18.040 --> 0:17:24.000
<v Speaker 1>Um Mad Skills. He's known for working heavily with Slum Village,

0:17:24.280 --> 0:17:27.040
<v Speaker 1>which has els I in it and els Eyes. One

0:17:27.040 --> 0:17:31.960
<v Speaker 1>of the greatest um he's worked at. Janet Jackson, Ericapat

0:17:32.119 --> 0:17:36.320
<v Speaker 1>do Q, Tipped the Roots. The list goes on. Dealer

0:17:36.400 --> 0:17:38.760
<v Speaker 1>realized there was something not quite right with his health

0:17:38.800 --> 0:17:42.240
<v Speaker 1>back in early two thousand two, fresh home from Europe

0:17:42.280 --> 0:17:45.159
<v Speaker 1>but sick to the stomach. When feverish, he thought he

0:17:45.240 --> 0:17:47.479
<v Speaker 1>might have a bad flu, but his mother took him

0:17:47.480 --> 0:17:50.520
<v Speaker 1>to an emergency room in suburban Gross Point, Michigan, and

0:17:50.560 --> 0:17:52.480
<v Speaker 1>his blood plate lit AC count should have been above

0:17:52.560 --> 0:17:56.199
<v Speaker 1>one fifty, but it was below ten. Doctors told his

0:17:56.280 --> 0:17:59.080
<v Speaker 1>mother they were surprised he was still walking around, and

0:17:59.119 --> 0:18:04.640
<v Speaker 1>so J d was diagnosed with drombotic romocytopenic purpora tt

0:18:04.840 --> 0:18:08.159
<v Speaker 1>P and incurable disease of the blood that results in

0:18:08.240 --> 0:18:11.800
<v Speaker 1>low plately count, low red blood cell count, and often kidney,

0:18:11.880 --> 0:18:14.600
<v Speaker 1>heart and brain. This function this is what it was

0:18:14.720 --> 0:18:17.600
<v Speaker 1>also battling lupus, but she had been diagnosed with the

0:18:17.720 --> 0:18:21.840
<v Speaker 1>previous year. J Dill's illness and medication caused dramatic weight

0:18:21.920 --> 0:18:25.760
<v Speaker 1>loss in two thousand three onwards, forcing him to publicly

0:18:25.840 --> 0:18:29.080
<v Speaker 1>confirm speculation about his health. In two thousand four, two

0:18:29.520 --> 0:18:34.320
<v Speaker 1>five Data underwent treatment at Cedars Sinai Medical Centator for

0:18:34.400 --> 0:18:37.520
<v Speaker 1>complications brought on by a c TTP and lupus. Put

0:18:38.560 --> 0:18:41.520
<v Speaker 1>tracks from donuts recorded in the hospital during this time

0:18:41.680 --> 0:18:44.879
<v Speaker 1>using a Boss SP three or three sampler and a

0:18:44.960 --> 0:18:47.639
<v Speaker 1>small forty five record player that his friends by him.

0:18:48.359 --> 0:18:51.960
<v Speaker 1>That's fucking amazing, Yeah, because like I can't even like

0:18:52.400 --> 0:18:54.840
<v Speaker 1>it's so easy for me to get taken out of

0:18:54.920 --> 0:19:00.480
<v Speaker 1>my artistic zone, you know, I know, like, oh my

0:19:01.280 --> 0:19:06.600
<v Speaker 1>could be mood not today, Like I could be like

0:19:07.119 --> 0:19:10.240
<v Speaker 1>typing some ship, you know, and like type like four

0:19:10.359 --> 0:19:12.720
<v Speaker 1>lines and then forget to save it and those lines

0:19:12.760 --> 0:19:14.399
<v Speaker 1>go away. It's like, oh yeah, I wasn't supposed to

0:19:14.400 --> 0:19:15.960
<v Speaker 1>write today, I'm just gonna drop this, you know what

0:19:16.000 --> 0:19:17.680
<v Speaker 1>I mean. I can get in a bad mood and

0:19:17.760 --> 0:19:22.040
<v Speaker 1>not feel like being creative, So that's I mean, I'm

0:19:22.080 --> 0:19:24.120
<v Speaker 1>not even sure if that's dedication. That sounds like it's

0:19:24.160 --> 0:19:26.840
<v Speaker 1>just like a natural extension of his body, you know

0:19:26.840 --> 0:19:29.160
<v Speaker 1>what I mean. It's like, Yo, I'm in the hospital, son,

0:19:29.440 --> 0:19:32.159
<v Speaker 1>break my MPC. I mean, I wonder if like a

0:19:32.280 --> 0:19:35.640
<v Speaker 1>sense of his own mortality pushed him to like bring

0:19:36.000 --> 0:19:38.440
<v Speaker 1>the most you know, artistry he could out of what

0:19:38.880 --> 0:19:40.520
<v Speaker 1>must have known We're going to be some of his

0:19:40.680 --> 0:19:45.480
<v Speaker 1>last days. Yeah, I wonder. Yeah. So. Jay Diller's mother,

0:19:45.600 --> 0:19:49.679
<v Speaker 1>Maureen Yancy, herself a former opera singer, spoke of watching

0:19:49.760 --> 0:19:52.840
<v Speaker 1>her son's daily routine during the creation of Donuts and Two.

0:19:53.119 --> 0:19:55.240
<v Speaker 1>In a two thousand and six issue of Fader. She

0:19:55.359 --> 0:19:57.840
<v Speaker 1>recounts him being in the hospital trying to go over

0:19:58.000 --> 0:20:00.399
<v Speaker 1>each beat and make sure that it was something different,

0:20:00.800 --> 0:20:02.800
<v Speaker 1>make sure that there was nothing he wanted to change.

0:20:03.720 --> 0:20:05.880
<v Speaker 1>She said, I got a glimpse of the music during

0:20:06.000 --> 0:20:08.040
<v Speaker 1>one of the one of the hospital stays around his

0:20:08.080 --> 0:20:11.600
<v Speaker 1>thirty first birthday, when friend and producer House Shoes came

0:20:11.640 --> 0:20:14.600
<v Speaker 1>out from Detroit to visit him. She told The Fader,

0:20:15.280 --> 0:20:16.960
<v Speaker 1>I would sneak in and listen to the work in

0:20:17.040 --> 0:20:20.040
<v Speaker 1>progress while he was in dialysis. He got furious when

0:20:20.040 --> 0:20:22.280
<v Speaker 1>he found out I was listening to his music. He

0:20:22.359 --> 0:20:24.400
<v Speaker 1>didn't want me to listen to anything until it wasn't

0:20:24.400 --> 0:20:30.040
<v Speaker 1>finished product. I know that feeling. Throughout the Throughout the year,

0:20:30.119 --> 0:20:33.159
<v Speaker 1>his medical condition worsened. His legs started to swell up,

0:20:33.200 --> 0:20:35.440
<v Speaker 1>making it difficult for him to walk, so at times

0:20:35.480 --> 0:20:37.000
<v Speaker 1>he'd wake up his mother in the middle of the

0:20:37.119 --> 0:20:38.840
<v Speaker 1>night and ask her to move him from his bed

0:20:39.359 --> 0:20:42.639
<v Speaker 1>to his instruments. At times, his hands swelled up so

0:20:42.760 --> 0:20:45.200
<v Speaker 1>much he could barely move them. As well, his mother

0:20:45.240 --> 0:20:48.040
<v Speaker 1>would massage them smooth the pain so he can continue

0:20:48.080 --> 0:20:51.479
<v Speaker 1>working on his album. According to Kelly el Carter at

0:20:51.480 --> 0:20:54.240
<v Speaker 1>Detroit of the Detroit Free Press, J Dilla told his

0:20:54.400 --> 0:20:56.800
<v Speaker 1>doctor he was proud of the work and that all

0:20:56.840 --> 0:20:59.119
<v Speaker 1>he wanted to do was finish that album. And he

0:20:59.200 --> 0:21:03.920
<v Speaker 1>did finish it um three days before he died of

0:21:04.080 --> 0:21:08.240
<v Speaker 1>cardiac ars and his death dealt a heavy blow to

0:21:08.320 --> 0:21:13.560
<v Speaker 1>the hip hop community, especially Detroit's hip hop community. But sadly,

0:21:14.280 --> 0:21:18.399
<v Speaker 1>you know, though, I remember I think his mother was

0:21:18.480 --> 0:21:20.960
<v Speaker 1>quoted as saying she was so glad that he wasn't

0:21:20.960 --> 0:21:25.320
<v Speaker 1>suffering any more the troubles in there for Della's family, unfortunately.

0:21:26.760 --> 0:21:29.480
<v Speaker 1>In an interview with The l A Weekly, Arthur Urk,

0:21:29.640 --> 0:21:32.760
<v Speaker 1>the executor at Dilla's estate, described how difficult it was

0:21:32.840 --> 0:21:36.280
<v Speaker 1>for the estate to protect his legacy due to bootlegs

0:21:36.320 --> 0:21:40.440
<v Speaker 1>and unofficial mix tapes. Dilah's just kind of gave out

0:21:40.520 --> 0:21:43.280
<v Speaker 1>CDs of his works to rappers to wrap over them

0:21:43.320 --> 0:21:45.680
<v Speaker 1>and stuff like that. And that's actually like like a

0:21:45.800 --> 0:21:50.720
<v Speaker 1>known story, like Dillo would make these Dila beat tapes,

0:21:51.560 --> 0:21:54.119
<v Speaker 1>and I mean, if you if you watch certain interviews

0:21:54.200 --> 0:21:58.000
<v Speaker 1>with certain rappers, like everybody had a fucking dilabeat tape.

0:21:58.160 --> 0:22:00.040
<v Speaker 1>And I think they were like all different too, but

0:22:00.160 --> 0:22:02.159
<v Speaker 1>just everybody had these beats and they were just like

0:22:02.640 --> 0:22:04.600
<v Speaker 1>I'm not even necessarily sure if they would pass him around,

0:22:04.600 --> 0:22:06.720
<v Speaker 1>because I'm pretty sure they would respect like the craft.

0:22:07.000 --> 0:22:09.159
<v Speaker 1>But there was just a lot of them around there

0:22:09.160 --> 0:22:11.840
<v Speaker 1>because Dillah was so prolific and he worked with so

0:22:12.000 --> 0:22:14.000
<v Speaker 1>many heads that there were so many of these beat

0:22:14.040 --> 0:22:16.800
<v Speaker 1>tapes around. Yeah, so his beats were just kind of everywhere,

0:22:16.800 --> 0:22:18.400
<v Speaker 1>and it was hard to get money out of people

0:22:18.480 --> 0:22:21.360
<v Speaker 1>for their use or expressed the importance for the estate

0:22:21.440 --> 0:22:24.400
<v Speaker 1>to gather all possible income related to Dala's name. Since

0:22:24.840 --> 0:22:27.520
<v Speaker 1>between the taxes, video, the i R s, and being

0:22:27.640 --> 0:22:30.639
<v Speaker 1>uninsured in the hospital, dealer racked up six figures in

0:22:30.720 --> 0:22:33.119
<v Speaker 1>depths toward the end of his life. And I mean,

0:22:33.160 --> 0:22:35.560
<v Speaker 1>this isn't surprising really, given that the United States has

0:22:35.600 --> 0:22:39.480
<v Speaker 1>the highest overall healthcare costs in the developed world. As

0:22:39.480 --> 0:22:42.200
<v Speaker 1>an example, one year is of one year of Dela's

0:22:42.240 --> 0:22:46.879
<v Speaker 1>dialysis probably costs between fifty three or seventy thousand dollars,

0:22:46.920 --> 0:22:48.560
<v Speaker 1>and that was just from one part of this treatment.

0:22:48.640 --> 0:22:50.440
<v Speaker 1>Imagine how much it must have cost for him to

0:22:50.480 --> 0:22:53.720
<v Speaker 1>be in the hospital for months and months at a time.

0:22:54.600 --> 0:22:57.240
<v Speaker 1>About a hundred and thirty seven million Americans struggle with

0:22:57.320 --> 0:23:00.280
<v Speaker 1>medical debt. In two thousand nineteen, to study down that

0:23:00.359 --> 0:23:03.719
<v Speaker 1>sixty six point five percent of all personal bankruptcies are

0:23:03.760 --> 0:23:06.200
<v Speaker 1>tied to medical issues. About a third of the money

0:23:06.320 --> 0:23:10.760
<v Speaker 1>raised on go fund me in seventeen was for medical expenses. Ensure.

0:23:11.160 --> 0:23:13.680
<v Speaker 1>You know, the Affordable Care Act had been passed since

0:23:13.720 --> 0:23:15.800
<v Speaker 1>Dilla's death, but it still leaves so many millions of

0:23:15.840 --> 0:23:18.359
<v Speaker 1>people uninsured and so many others left out in the

0:23:18.440 --> 0:23:22.440
<v Speaker 1>cold by the barriers of bureaucracy. Um. You know, just

0:23:22.640 --> 0:23:25.560
<v Speaker 1>trying to navigate the marketplace and figure out how to

0:23:25.600 --> 0:23:27.639
<v Speaker 1>get health insurance isn't enough for some people to just

0:23:27.720 --> 0:23:31.520
<v Speaker 1>say fuck it, I will take my chances. Particularly, you know,

0:23:32.000 --> 0:23:35.359
<v Speaker 1>young people that don't think. You know, young people of

0:23:35.440 --> 0:23:39.240
<v Speaker 1>Villa's age are younger that start off life thinking that

0:23:39.320 --> 0:23:41.440
<v Speaker 1>they're invincible. They're gonna be fine. But then, on top

0:23:41.480 --> 0:23:45.760
<v Speaker 1>of that, since two thousand eight, health insurance adoptables have

0:23:45.840 --> 0:23:49.120
<v Speaker 1>increased eight times quickly as wages, So the situation isn't

0:23:49.119 --> 0:23:54.720
<v Speaker 1>really improving. Over the past year of Americans say they've

0:23:54.800 --> 0:23:58.800
<v Speaker 1>steered clear some sort of medical care, including doctor visits,

0:23:58.920 --> 0:24:04.160
<v Speaker 1>medications and nations, annual exams, screenings, vision checks, and even

0:24:04.320 --> 0:24:07.919
<v Speaker 1>routine blood work because of the expense. So a blurry

0:24:07.960 --> 0:24:12.800
<v Speaker 1>eye goes blind. Blood sugar roller coaster, A blood sugar

0:24:12.880 --> 0:24:16.360
<v Speaker 1>roller coaster gives way to amputation and fatigue you think

0:24:16.480 --> 0:24:19.360
<v Speaker 1>is a bad cold to actually lupus and if untreated,

0:24:19.400 --> 0:24:23.160
<v Speaker 1>will kill you. Um. With the way the system works,

0:24:23.280 --> 0:24:26.080
<v Speaker 1>even if you're fortunate enough to have insurance, it can

0:24:26.160 --> 0:24:28.639
<v Speaker 1>still be difficult to understand what you're being built for

0:24:28.800 --> 0:24:32.400
<v Speaker 1>and how much you really owe, so you can have insurance,

0:24:32.480 --> 0:24:36.720
<v Speaker 1>but even then be too scared of surprise bills co

0:24:36.960 --> 0:24:40.760
<v Speaker 1>pays or deductibles and to actually use it even if

0:24:40.800 --> 0:24:42.840
<v Speaker 1>you do have the money for it. Yeah, Like I

0:24:43.240 --> 0:24:46.320
<v Speaker 1>have insurance through my job, but i only use it

0:24:46.440 --> 0:24:50.639
<v Speaker 1>for like therapy, because I'm like, it's just so distrust

0:24:50.760 --> 0:24:54.720
<v Speaker 1>doctors showing up for an appointment and my co pays this,

0:24:54.840 --> 0:24:57.240
<v Speaker 1>but actually my deductible is this, But actually I get

0:24:57.280 --> 0:25:00.600
<v Speaker 1>a bill six weeks later saying I owe them that. Like,

0:25:00.800 --> 0:25:03.400
<v Speaker 1>I just rather just take my chances and maybe die

0:25:03.640 --> 0:25:07.720
<v Speaker 1>than deal with this bullshit sometimes should. I sprained my

0:25:07.800 --> 0:25:11.560
<v Speaker 1>wrists like a while back and ended up going to

0:25:11.640 --> 0:25:16.679
<v Speaker 1>the doctor and literally just saw the doctor for fifteen minutes.

0:25:17.359 --> 0:25:20.520
<v Speaker 1>He told me that it was a gangly insist that

0:25:20.640 --> 0:25:23.680
<v Speaker 1>it might go away on its own or I get

0:25:23.720 --> 0:25:26.200
<v Speaker 1>it drained or whatever. I was like, okay, words, so

0:25:26.720 --> 0:25:29.000
<v Speaker 1>I could go and think about it. Left, and they

0:25:29.119 --> 0:25:32.160
<v Speaker 1>ended up hitting me with a bill for a lot,

0:25:32.760 --> 0:25:37.879
<v Speaker 1>just a lot more more than a visit warranted that

0:25:38.680 --> 0:25:40.840
<v Speaker 1>I know, all you need, all you need, this had

0:25:40.880 --> 0:25:42.959
<v Speaker 1>to happen once, and you know, just terrified I've ever

0:25:43.000 --> 0:25:45.600
<v Speaker 1>going to doctor again. And then you start to get

0:25:45.680 --> 0:25:47.440
<v Speaker 1>sit like, oh, my back's hurt, and I don't know

0:25:47.520 --> 0:25:49.480
<v Speaker 1>what that's about, but like I don't want to get

0:25:49.520 --> 0:25:52.760
<v Speaker 1>billed to g again. Yeah, exactly out of the cries

0:25:52.880 --> 0:25:55.280
<v Speaker 1>you have, like spinal cancer or something terrible that you

0:25:55.359 --> 0:25:58.879
<v Speaker 1>could have survived, but you didn't get checked out the doctor.

0:26:00.440 --> 0:26:05.960
<v Speaker 1>So it doesn't have to be like this. And I

0:26:06.080 --> 0:26:08.320
<v Speaker 1>think it's interesting to take a look briefly at how

0:26:08.440 --> 0:26:11.080
<v Speaker 1>the number one healthcare system in the world works just

0:26:11.240 --> 0:26:14.400
<v Speaker 1>a few thousand miles or north in good old Canada.

0:26:15.240 --> 0:26:19.239
<v Speaker 1>A you know, I used to live in Toronto? Did

0:26:19.320 --> 0:26:20.840
<v Speaker 1>he really? I don't know, of course you did. I

0:26:20.920 --> 0:26:24.640
<v Speaker 1>assume you lived everywhere, so like a surprised for a second,

0:26:24.680 --> 0:26:25.800
<v Speaker 1>and then I was like, oh wait, I knew that,

0:26:25.880 --> 0:26:27.560
<v Speaker 1>but actually did I know that? Or did about? Just

0:26:27.680 --> 0:26:31.280
<v Speaker 1>assuming of course he did. I've lived in more places

0:26:31.440 --> 0:26:33.600
<v Speaker 1>over the world than I have in places in America.

0:26:35.600 --> 0:26:38.600
<v Speaker 1>Fun fact of the week. All right, so what's tell

0:26:38.680 --> 0:26:42.080
<v Speaker 1>us about Canada? Bit? In Canada, doctors in private practice

0:26:42.080 --> 0:26:45.679
<v Speaker 1>are generally paid through fee for service schedules that itemize

0:26:45.680 --> 0:26:48.399
<v Speaker 1>each service that you received, and then they pay a

0:26:48.480 --> 0:26:52.000
<v Speaker 1>fee to the doctor for each service rendered. So you know,

0:26:52.160 --> 0:26:54.200
<v Speaker 1>you go in for your gangle and sist or whatever

0:26:54.280 --> 0:26:57.119
<v Speaker 1>the fun they got like a you know, fee for

0:26:57.200 --> 0:26:59.480
<v Speaker 1>service schedule that tells you how much that's gonna cost.

0:27:00.160 --> 0:27:02.560
<v Speaker 1>That's how much the doctor gets paid for that. And

0:27:02.760 --> 0:27:06.920
<v Speaker 1>these fee for service schedules are negotiated between each provincial

0:27:06.960 --> 0:27:11.720
<v Speaker 1>and territorial government and the medical professions in their respective jurisdictions.

0:27:12.640 --> 0:27:16.760
<v Speaker 1>Nurses and other healthcare professionals are generally paid um salaries

0:27:16.840 --> 0:27:19.399
<v Speaker 1>that are negotiated between their unions and their employers. So

0:27:19.520 --> 0:27:22.280
<v Speaker 1>that's how kind of everybody's paid is worked out on

0:27:22.400 --> 0:27:27.560
<v Speaker 1>that end. Then hospitals are generally funded through annual global

0:27:27.640 --> 0:27:31.480
<v Speaker 1>budgets that set overall expenditure targets to limits, as opposed

0:27:31.520 --> 0:27:34.080
<v Speaker 1>to these fee for service arrangements. So they're gonna say, like,

0:27:34.600 --> 0:27:37.480
<v Speaker 1>all right, in two thousand and twenty two, this is

0:27:37.560 --> 0:27:40.120
<v Speaker 1>what we think we're gonna you know, that we think

0:27:40.600 --> 0:27:43.040
<v Speaker 1>healthcare is going to cause for this hospital, and then

0:27:43.080 --> 0:27:46.879
<v Speaker 1>that's negotiated between the hospital and the provincial or territorial

0:27:47.080 --> 0:27:53.119
<v Speaker 1>ministry of health or with the regional health authority or board. Um. Again,

0:27:53.280 --> 0:27:55.960
<v Speaker 1>all paid for by like these I guess akin to

0:27:56.080 --> 0:27:59.600
<v Speaker 1>like states, the states, you know, negotiating with either the

0:27:59.640 --> 0:28:02.639
<v Speaker 1>private health care providers to the hospitals. Right. So, for

0:28:02.800 --> 0:28:05.399
<v Speaker 1>long term care, let's say you're in some a position

0:28:05.640 --> 0:28:09.560
<v Speaker 1>like villa health care. Services provided in long care long

0:28:09.720 --> 0:28:15.040
<v Speaker 1>term care facilities are paid for by provincial and territorial governments, um.

0:28:15.280 --> 0:28:17.359
<v Speaker 1>But then room and board costs are paid for by

0:28:17.400 --> 0:28:22.159
<v Speaker 1>the individual. Usually in some cases, payments for room and

0:28:22.200 --> 0:28:26.760
<v Speaker 1>board are also subsidized by the provincial territorial government. So

0:28:26.880 --> 0:28:29.560
<v Speaker 1>not only is it like all right, we all baby

0:28:30.000 --> 0:28:34.320
<v Speaker 1>like medical costs like also, it's very expensive for you

0:28:34.400 --> 0:28:36.399
<v Speaker 1>to literally stay here and sleep here every day, so

0:28:36.480 --> 0:28:40.479
<v Speaker 1>we're gonna cover that too, fucking pig uh. And then

0:28:40.560 --> 0:28:43.280
<v Speaker 1>I mean, but the kicker, the catch, if you could

0:28:43.480 --> 0:28:47.120
<v Speaker 1>call it that, is it supplementary health benefits like prescription

0:28:47.160 --> 0:28:51.080
<v Speaker 1>drugs outside of hospital, central care, vision care, medical equipment

0:28:51.160 --> 0:28:57.520
<v Speaker 1>appliances like per THESS or wheelchairs, um, and you know,

0:28:57.640 --> 0:29:02.280
<v Speaker 1>other health professional services like this's your therapist aren't usually

0:29:02.320 --> 0:29:05.600
<v Speaker 1>covered unless your kids are very old. So people who

0:29:05.800 --> 0:29:08.920
<v Speaker 1>don't qualify for the supplementary benefits pretty much like if

0:29:08.960 --> 0:29:14.920
<v Speaker 1>you are a normal age or whatever, um, you need

0:29:14.960 --> 0:29:17.160
<v Speaker 1>to pay for these services out of pocket or through

0:29:17.200 --> 0:29:21.400
<v Speaker 1>private health insurance plans like in America, and like America,

0:29:21.520 --> 0:29:23.880
<v Speaker 1>many Canadians either to their employers, are on their own

0:29:23.920 --> 0:29:27.480
<v Speaker 1>are covered by private health insurance that helps, you know,

0:29:27.640 --> 0:29:31.040
<v Speaker 1>cover the cost of these supplemental forms of care for

0:29:31.200 --> 0:29:34.800
<v Speaker 1>your doctor, for your dental appointment, for your glasses whatever, whatever.

0:29:35.520 --> 0:29:40.120
<v Speaker 1>So super cool. So, I mean, fans of Medicare for

0:29:40.160 --> 0:29:43.080
<v Speaker 1>all probably know all this already. But here's a few

0:29:43.120 --> 0:29:47.920
<v Speaker 1>things that I think are superior. Number One, usually, I

0:29:48.000 --> 0:29:50.240
<v Speaker 1>mean most obviously, you usually don't even see a bill,

0:29:50.760 --> 0:29:54.760
<v Speaker 1>and even if you did, it wouldn't be nearly as

0:29:54.840 --> 0:29:56.440
<v Speaker 1>high as a bill that you see here. Because in

0:29:56.560 --> 0:29:59.880
<v Speaker 1>Canada costs your control. Canada pays ten percent of his

0:30:00.000 --> 0:30:04.760
<v Speaker 1>GDP for its health care system, and boom, everybody's covered. Plus,

0:30:04.840 --> 0:30:07.640
<v Speaker 1>the tax payments that fund the health care system are progressive,

0:30:07.720 --> 0:30:10.640
<v Speaker 1>so if you are the lowest twenty percent of income earners,

0:30:10.720 --> 0:30:13.080
<v Speaker 1>you pay six percent of your income into the system,

0:30:13.520 --> 0:30:17.680
<v Speaker 1>while the twenty highest of income earners pay about eight

0:30:17.760 --> 0:30:21.600
<v Speaker 1>percent of their income into the system. Another plus, the

0:30:21.640 --> 0:30:25.040
<v Speaker 1>simplicity of the system leads to major savings and administrative

0:30:25.080 --> 0:30:28.280
<v Speaker 1>costs and overhead, so you don't have to like hire someone,

0:30:28.840 --> 0:30:31.160
<v Speaker 1>so you don't have like your own your insurance company

0:30:31.680 --> 0:30:34.640
<v Speaker 1>like that, but you have to pay to like hire

0:30:34.720 --> 0:30:37.440
<v Speaker 1>the person that goes through and try to figure out

0:30:37.520 --> 0:30:40.040
<v Speaker 1>why they're going to deny you care for some reason,

0:30:40.520 --> 0:30:42.600
<v Speaker 1>and like pay that person's salary. Like all that extra

0:30:42.640 --> 0:30:46.600
<v Speaker 1>ship gets cut out, and then you can really choose

0:30:46.600 --> 0:30:49.520
<v Speaker 1>your doctors and hospitals and keep them in Canada. There's

0:30:49.560 --> 0:30:52.120
<v Speaker 1>no like list of in network vendors and no extra

0:30:52.200 --> 0:30:54.440
<v Speaker 1>hidden charges for going out of network or anything like that.

0:30:55.560 --> 0:30:57.800
<v Speaker 1>And then there's the outcomes as well, So Canadians have

0:30:57.920 --> 0:31:02.040
<v Speaker 1>longer life expectancies and were infant mortality rates then do

0:31:02.400 --> 0:31:05.480
<v Speaker 1>US residents, So it actually like turns out better for

0:31:05.560 --> 0:31:09.400
<v Speaker 1>people that would come in super clutch right now, yo,

0:31:09.920 --> 0:31:13.600
<v Speaker 1>Like I mean, I feel like Medicare for all or

0:31:13.720 --> 0:31:15.720
<v Speaker 1>like you know, single care of universal health care is

0:31:15.720 --> 0:31:21.760
<v Speaker 1>like maybe my second favorite like policy, and it's because everybody,

0:31:21.840 --> 0:31:25.440
<v Speaker 1>like hell, everybody has health. Like if you eat, maybe

0:31:25.520 --> 0:31:28.120
<v Speaker 1>you don't want free college or maybe like this or that,

0:31:28.240 --> 0:31:31.600
<v Speaker 1>but like we all are mortals that are gonna fucking

0:31:31.720 --> 0:31:34.479
<v Speaker 1>die if we don't go see a doctor. So literally

0:31:34.560 --> 0:31:37.960
<v Speaker 1>everybody is impacted by this, and just like thinking about

0:31:38.120 --> 0:31:42.760
<v Speaker 1>like the sigh of relief like that just ease on

0:31:42.920 --> 0:31:46.120
<v Speaker 1>your chest of just saying like I don't feel good,

0:31:46.560 --> 0:31:48.240
<v Speaker 1>I'm gonna go see a doctor. And to have that

0:31:48.360 --> 0:31:50.520
<v Speaker 1>kind of agency, Yeah, to just be able to go

0:31:50.640 --> 0:31:52.240
<v Speaker 1>do it and not feel that it's going to be

0:31:52.400 --> 0:31:57.960
<v Speaker 1>like a like crippling, serious financial blow or somebody. All

0:31:58.000 --> 0:31:59.880
<v Speaker 1>you need to worry. All you gotta worry about is

0:32:00.080 --> 0:32:03.480
<v Speaker 1>if your hands broken. Yeah, there's just one thing, Like

0:32:03.920 --> 0:32:06.080
<v Speaker 1>my hand hurts a lot. I think it's broken at

0:32:06.200 --> 0:32:07.880
<v Speaker 1>all you gotta focus on right now, is they in

0:32:07.920 --> 0:32:12.440
<v Speaker 1>my hands broken? And not like it's just especially now

0:32:12.560 --> 0:32:16.360
<v Speaker 1>in the age of pandemic. You know, it's like a

0:32:16.680 --> 0:32:19.880
<v Speaker 1>you don't know, you don't know what the long term

0:32:19.960 --> 0:32:24.520
<v Speaker 1>effects of COVID are actually going to be down the line.

0:32:24.880 --> 0:32:27.960
<v Speaker 1>And it's just like the more people that have that

0:32:28.160 --> 0:32:32.920
<v Speaker 1>sort of flexibility to get themselves taken care of and

0:32:33.120 --> 0:32:40.960
<v Speaker 1>still like live like a life is a real crew. Yeah. Now,

0:32:42.000 --> 0:32:44.880
<v Speaker 1>I can't know for sure if affordable health care would

0:32:44.880 --> 0:32:48.240
<v Speaker 1>have meant that Dilah would have gotten treatment sooner or

0:32:48.320 --> 0:32:51.560
<v Speaker 1>have been able to afford higher quality of treatment, either

0:32:51.680 --> 0:32:54.600
<v Speaker 1>of which could have prolonged or saved his life. Lucas

0:32:54.640 --> 0:32:57.800
<v Speaker 1>and T. T. P. R killers, So perhaps the conclusion

0:32:57.920 --> 0:33:00.320
<v Speaker 1>was foregone. But I do think about the number of

0:33:00.360 --> 0:33:02.920
<v Speaker 1>Dilla's out there that end up selling their MPC to

0:33:03.000 --> 0:33:05.400
<v Speaker 1>pay their for their treatment, or never get a chance

0:33:05.440 --> 0:33:07.840
<v Speaker 1>to make their masterpiece in the first place, or who

0:33:08.160 --> 0:33:10.680
<v Speaker 1>who can't muster the strength to create dig in the

0:33:10.760 --> 0:33:13.800
<v Speaker 1>record store because they can't afford treatments that they need

0:33:13.880 --> 0:33:17.479
<v Speaker 1>to feel well. And in his personal case, I consider

0:33:17.520 --> 0:33:21.200
<v Speaker 1>the fact that his medical debts kept his family from

0:33:21.320 --> 0:33:23.760
<v Speaker 1>enjoying the royalties of his music after all these years.

0:33:24.000 --> 0:33:25.640
<v Speaker 1>So yeah, I mean, we can't know what, how the

0:33:26.000 --> 0:33:28.920
<v Speaker 1>how a different health care system in America would have

0:33:29.120 --> 0:33:33.280
<v Speaker 1>changed the trajectory of Dilla's life, but we can't imagine

0:33:33.400 --> 0:33:36.920
<v Speaker 1>the impacts that does have on creators or would be

0:33:37.040 --> 0:33:43.600
<v Speaker 1>creators that do live here now and do see their

0:33:43.680 --> 0:33:48.880
<v Speaker 1>potential is constrained by the you know, hurdles of bureaucracy,

0:33:49.320 --> 0:33:53.480
<v Speaker 1>the expense, and then the very real cost of life

0:33:54.320 --> 0:33:59.280
<v Speaker 1>that comes with m delaying treatment or not being able

0:33:59.320 --> 0:34:01.239
<v Speaker 1>to afford the kind of quality treatment. And I'll give

0:34:01.280 --> 0:34:04.800
<v Speaker 1>you a high quality of life, the longer life. And

0:34:05.200 --> 0:34:08.040
<v Speaker 1>also another thing to make it hit home is just

0:34:08.200 --> 0:34:10.880
<v Speaker 1>consider that it's like I mean, I don't know what

0:34:11.160 --> 0:34:13.640
<v Speaker 1>Jay Diller's finances are like, but we just read a

0:34:13.719 --> 0:34:16.440
<v Speaker 1>whole laundry list of famous rappers that Jay dill has

0:34:16.520 --> 0:34:21.040
<v Speaker 1>made songs with. So, you know, if you haven't experienced

0:34:21.040 --> 0:34:25.480
<v Speaker 1>the America's health care system personally, then just consider that

0:34:25.520 --> 0:34:29.160
<v Speaker 1>the dude who had all those songs had financial troubles

0:34:29.239 --> 0:34:32.080
<v Speaker 1>dealing with the ship once he got sick. So what

0:34:32.239 --> 0:34:35.879
<v Speaker 1>are regular people who don't have hit records? I know, Yeah,

0:34:35.960 --> 0:34:38.560
<v Speaker 1>that's crazy. Yeah, So let's take a little break real quick,

0:34:38.600 --> 0:34:40.920
<v Speaker 1>and when we come back, let's do a little discussion

0:34:41.200 --> 0:34:44.560
<v Speaker 1>of the impact of Donuts and Jay Dilla on um

0:34:45.320 --> 0:34:54.640
<v Speaker 1>hip hop a process spectrum ever since. Alrighty, so we're

0:34:54.680 --> 0:34:58.000
<v Speaker 1>about to dig into some Jay Dillers songs, uh, some

0:34:58.480 --> 0:35:03.000
<v Speaker 1>some joints that are off of Don't Nuts and kind

0:35:03.040 --> 0:35:05.279
<v Speaker 1>of go into some of the rappers that decided to

0:35:05.400 --> 0:35:08.960
<v Speaker 1>rap on them too. So up first, we've got one

0:35:09.040 --> 0:35:14.520
<v Speaker 1>of my personal favorites out of this crop and crew favorites. Uh.

0:35:14.680 --> 0:35:19.399
<v Speaker 1>It's the track one for Ghosts, which ghost Face Killer

0:35:19.520 --> 0:35:21.920
<v Speaker 1>ended up using on his album Fish Scales under the

0:35:22.040 --> 0:35:32.799
<v Speaker 1>name Whip You with the Strap. Pretty much ghost Face

0:35:32.880 --> 0:35:37.040
<v Speaker 1>flipped it to make it a joint about his mom

0:35:37.400 --> 0:35:43.680
<v Speaker 1>be acting out as a kid. That's so funny that

0:35:43.760 --> 0:35:47.120
<v Speaker 1>he like so j Dela finds these little samples and

0:35:47.280 --> 0:35:50.000
<v Speaker 1>just throws them as like a little adornments on his

0:35:50.719 --> 0:35:55.239
<v Speaker 1>minute long songs. And then you see it further being

0:35:55.440 --> 0:36:00.080
<v Speaker 1>like copy and pasted and stretched a new direct and

0:36:00.160 --> 0:36:03.800
<v Speaker 1>where it's like the little sample like when I was bad,

0:36:04.440 --> 0:36:07.160
<v Speaker 1>Like he's like, you know, you can see ghost Face

0:36:07.239 --> 0:36:09.800
<v Speaker 1>like musing on that and then having the whole story

0:36:09.880 --> 0:36:12.560
<v Speaker 1>in his head about getting his ask meat by his moms.

0:36:13.200 --> 0:36:16.200
<v Speaker 1>I love it when cats do that with especially for

0:36:16.320 --> 0:36:19.920
<v Speaker 1>songs that have the vocal samples in them, you know,

0:36:20.280 --> 0:36:23.400
<v Speaker 1>like when somebody writes around with the vocal sample is

0:36:23.719 --> 0:36:26.960
<v Speaker 1>because sometimes sometimes cats are just rap over it, you

0:36:27.040 --> 0:36:29.080
<v Speaker 1>know what I mean. It's like, oh that that vocal

0:36:29.120 --> 0:36:31.279
<v Speaker 1>sample is just like another instrument in the beat, So

0:36:31.320 --> 0:36:33.160
<v Speaker 1>I'm just gonna wrap over it. It's just part of

0:36:33.200 --> 0:36:35.200
<v Speaker 1>the beat. But I love it what cats are like, Nah,

0:36:35.320 --> 0:36:37.919
<v Speaker 1>I'm like pause, so the vocal sample can just play

0:36:37.960 --> 0:36:40.040
<v Speaker 1>by itself, or I would even make the whole song

0:36:40.239 --> 0:36:42.600
<v Speaker 1>about what the sample is. Like. I wonder if Ghost

0:36:42.640 --> 0:36:45.080
<v Speaker 1>Face told him yo, I have an idea of for

0:36:45.120 --> 0:36:47.560
<v Speaker 1>a song about getting beat by my mom's and so

0:36:47.880 --> 0:36:50.080
<v Speaker 1>Jay Della found the sample or did jay Deal find

0:36:50.120 --> 0:36:51.799
<v Speaker 1>the sample, and ghost Face heard it and then wrote

0:36:51.840 --> 0:36:55.320
<v Speaker 1>the song It's crazy, and then the whole narrative like

0:36:55.440 --> 0:36:58.880
<v Speaker 1>actually when he's describing like himself doing as like this

0:36:59.080 --> 0:37:02.959
<v Speaker 1>bad as whole kid in cussing and stop at yeah,

0:37:03.880 --> 0:37:07.279
<v Speaker 1>pick the peas off my plate, poured juice in the nickafus,

0:37:09.320 --> 0:37:14.200
<v Speaker 1>just being a little like god like little minutes. It's

0:37:14.200 --> 0:37:16.920
<v Speaker 1>just really adorable. Yeah, I love that song. I love

0:37:17.000 --> 0:37:19.359
<v Speaker 1>that now. That's great. Yeah, Oh, not to go too

0:37:19.480 --> 0:37:22.200
<v Speaker 1>far off topic. It probably is far off topic. But

0:37:22.239 --> 0:37:27.800
<v Speaker 1>there's another song on that album called It's about like

0:37:29.080 --> 0:37:31.480
<v Speaker 1>the difference between a Kilo and a Graham or something

0:37:31.560 --> 0:37:37.360
<v Speaker 1>like that. Remember, yeah, that album is so good fish sales,

0:37:38.600 --> 0:37:43.480
<v Speaker 1>Yeah yeah, okay, So up next from the Donuts, we're

0:37:43.480 --> 0:37:48.440
<v Speaker 1>gonna check out the track the Last Donut, which Buster

0:37:48.640 --> 0:37:51.560
<v Speaker 1>Rhymes and Raw Digga ended up using for their track

0:37:51.680 --> 0:37:53.399
<v Speaker 1>the Best That Ever Did It. We're just gonna listen

0:37:53.440 --> 0:37:54.799
<v Speaker 1>to the Best that Ever did It and you'll you'll

0:37:54.840 --> 0:38:00.520
<v Speaker 1>hear the instrumental on this. Yeah, what a little bit

0:38:00.560 --> 0:38:08.200
<v Speaker 1>of play. That's a fucking classic banger right there. Rod

0:38:08.239 --> 0:38:15.320
<v Speaker 1>Digga is so dope. Yeah, classic and classy. It just

0:38:15.480 --> 0:38:17.920
<v Speaker 1>like makes me want to sip some fucking cavernet on

0:38:18.000 --> 0:38:26.040
<v Speaker 1>a goddamn like balcony overlooking a Parisian canal. That's another

0:38:26.120 --> 0:38:29.040
<v Speaker 1>one of those joints that you know, you go to

0:38:29.760 --> 0:38:33.560
<v Speaker 1>any hip hop knight in the country, any hip hop

0:38:33.640 --> 0:38:36.160
<v Speaker 1>knight in the country, if there's a cipher going on,

0:38:36.560 --> 0:38:38.719
<v Speaker 1>they're probably going to spend that beat for people to

0:38:38.760 --> 0:38:42.400
<v Speaker 1>wrap over. Yeah, like I was saying, Rod Digga doesn't

0:38:42.440 --> 0:38:48.360
<v Speaker 1>get her, Rod Digga is not do. If you guys

0:38:48.480 --> 0:38:52.239
<v Speaker 1>don't know who row Digga is, highly recommend you go

0:38:52.440 --> 0:38:56.920
<v Speaker 1>listen to some raw Digga. She's insanely dope. Don't come

0:38:57.000 --> 0:38:59.360
<v Speaker 1>back until you Yeah, I'm like, you're not allowed to

0:38:59.480 --> 0:39:03.880
<v Speaker 1>listen to the show anymore until you listen to Until

0:39:03.920 --> 0:39:07.200
<v Speaker 1>you don't listen to Rode Like for real, this next one,

0:39:07.360 --> 0:39:09.200
<v Speaker 1>I don't. I don't want to get two out of

0:39:09.239 --> 0:39:13.240
<v Speaker 1>pocket and say that This is possibly the most popular,

0:39:13.600 --> 0:39:19.240
<v Speaker 1>or at least most recognizable joint off of the Dilla Donuts,

0:39:19.280 --> 0:39:22.040
<v Speaker 1>because Dave Chappelle ended up using this as a theme

0:39:22.120 --> 0:39:24.960
<v Speaker 1>to his Netflix specials recently. A couple of years ago,

0:39:25.280 --> 0:39:27.840
<v Speaker 1>this is the track working on it Um. It was

0:39:27.960 --> 0:39:30.560
<v Speaker 1>used by the Roots for a collaboration with Saigon for

0:39:30.640 --> 0:39:34.560
<v Speaker 1>the album Game Theory. The verse from Saigon can be

0:39:34.640 --> 0:39:37.960
<v Speaker 1>heard in the mixtape Return of the Yard Father. Let's

0:39:38.000 --> 0:39:50.040
<v Speaker 1>check that up, Catching Yo. I just get sucking hype

0:39:50.040 --> 0:39:52.440
<v Speaker 1>every time the ship comes on. I'm just like I'm

0:39:52.480 --> 0:39:55.120
<v Speaker 1>in a spaceship, or I'm in a taxi cab flying

0:39:55.200 --> 0:39:58.400
<v Speaker 1>through Detroit, or am a toime machine going back to

0:39:58.520 --> 0:40:00.840
<v Speaker 1>nine seventy. I don't know it's happened in me, but

0:40:00.960 --> 0:40:03.720
<v Speaker 1>I love it. We're getting it, like I just fucking

0:40:03.800 --> 0:40:06.279
<v Speaker 1>I don't know what it is about that track. So

0:40:07.200 --> 0:40:10.279
<v Speaker 1>it's so inspiring, you know. I recently found out that,

0:40:11.080 --> 0:40:12.960
<v Speaker 1>you know, a lot of people think that Diligenous used

0:40:13.000 --> 0:40:15.279
<v Speaker 1>to you know a lot of people think that dill

0:40:15.320 --> 0:40:17.400
<v Speaker 1>It was just like a master at like chopping the

0:40:17.440 --> 0:40:21.520
<v Speaker 1>loops and stuff. But I recently found out that he actually,

0:40:21.600 --> 0:40:24.600
<v Speaker 1>towards the end there he was replaying a lot of

0:40:24.640 --> 0:40:27.560
<v Speaker 1>those samples. So he would like sample the track and

0:40:27.719 --> 0:40:30.120
<v Speaker 1>make the ship, and then he would go back himself

0:40:30.280 --> 0:40:33.919
<v Speaker 1>and like play the keys in the MPC baselines over

0:40:34.400 --> 0:40:36.879
<v Speaker 1>the stuff to re like replace the samples. I don't

0:40:36.880 --> 0:40:38.840
<v Speaker 1>even know if it was necessarily, you know, to not

0:40:39.120 --> 0:40:41.640
<v Speaker 1>use samples, but I just think he started going more

0:40:41.719 --> 0:40:46.279
<v Speaker 1>towards that direction in his production style. That's just like

0:40:46.400 --> 0:40:48.680
<v Speaker 1>inspiring because like I I didn't even know that he

0:40:48.800 --> 0:40:51.560
<v Speaker 1>did that, but that's like something that I try to

0:40:51.640 --> 0:40:54.160
<v Speaker 1>do when I'm making joints because I I sample for

0:40:54.280 --> 0:40:56.760
<v Speaker 1>my beach too. But it's like I'll actually get friends

0:40:56.800 --> 0:40:59.560
<v Speaker 1>of mine who are musicians to replay stuff and then

0:41:00.200 --> 0:41:02.239
<v Speaker 1>you know, letardly the other day, this dude is just

0:41:02.320 --> 0:41:05.120
<v Speaker 1>doing that ship himself. Is like, fucking musician. I'm the musician.

0:41:05.200 --> 0:41:07.439
<v Speaker 1>Let me sit here and figure this out real quick.

0:41:10.640 --> 0:41:15.600
<v Speaker 1>The next five, Nfdom and Guilty Simpson wrapped over the

0:41:15.680 --> 0:41:19.960
<v Speaker 1>track mash Um, which they then called Matches Revenge, which

0:41:20.040 --> 0:41:24.040
<v Speaker 1>appeared on a Stone Slope Camp compilation called Feeballs Don't

0:41:24.040 --> 0:41:28.320
<v Speaker 1>Be Worn Because Jealous Van came to the back with

0:41:28.440 --> 0:41:31.200
<v Speaker 1>blankets along with two of the bassest brought back stacked

0:41:31.239 --> 0:41:34.839
<v Speaker 1>with black spits. Jesus Christo, you were You were such

0:41:34.880 --> 0:41:39.640
<v Speaker 1>a crazy motherfucker too. You're talking about okay, Uh what

0:41:39.640 --> 0:41:42.759
<v Speaker 1>does he say? Uh? Dyla raised the beat like an

0:41:42.800 --> 0:41:46.200
<v Speaker 1>anchor banker. Overstand the shooter and plays the heat and

0:41:46.400 --> 0:41:51.880
<v Speaker 1>Shanka anchor and then he's like, guess what, chicken head Bucks.

0:41:51.920 --> 0:41:56.000
<v Speaker 1>He's just saying, crazy ship. Yes, somebody should have made

0:41:56.200 --> 0:41:58.160
<v Speaker 1>and I don't know if somebody has already done it,

0:41:58.280 --> 0:42:01.000
<v Speaker 1>but somebody should have made like one of those uh

0:42:01.800 --> 0:42:06.520
<v Speaker 1>mashup joints with like just m F Doom and donuts. Oh,

0:42:06.840 --> 0:42:09.200
<v Speaker 1>it's got to be out there. So I mean, it's

0:42:09.239 --> 0:42:12.560
<v Speaker 1>just like that. That just seems like somebody, you know,

0:42:13.640 --> 0:42:15.520
<v Speaker 1>I'm not talking about a track or two. I mean

0:42:15.680 --> 0:42:18.959
<v Speaker 1>like just take all the best m F Doom joints

0:42:19.000 --> 0:42:21.080
<v Speaker 1>and just put the acapellas over donuts, like I want

0:42:21.120 --> 0:42:24.239
<v Speaker 1>to hear it. Hold on, wait a second d J

0:42:24.560 --> 0:42:30.440
<v Speaker 1>producer out there? If it doesn't exist, okay, No, I

0:42:30.520 --> 0:42:34.440
<v Speaker 1>got excited and I was like, wait found it. Yeah no,

0:42:34.680 --> 0:42:38.360
<v Speaker 1>it's just a couple. So they got like, uh this

0:42:38.600 --> 0:42:41.399
<v Speaker 1>the Dan Ghost, Doom the NiFe really and I knew

0:42:41.400 --> 0:42:43.600
<v Speaker 1>about that. And then the light works Yeah I knew

0:42:43.600 --> 0:42:45.960
<v Speaker 1>about that, but it's not like a whole thing. Yeah,

0:42:46.000 --> 0:42:48.719
<v Speaker 1>now I want to hear like a whole out there.

0:42:48.960 --> 0:42:53.760
<v Speaker 1>You know, Doom definitely has enough songs and enough verses

0:42:53.800 --> 0:42:57.160
<v Speaker 1>that you could do it. So yeah, Okay, So for

0:42:57.239 --> 0:43:00.600
<v Speaker 1>the last one, let's let's make it a bit more temporary.

0:43:00.719 --> 0:43:06.680
<v Speaker 1>Let's check out a contemporary rapper like Big Sean paying

0:43:06.800 --> 0:43:12.640
<v Speaker 1>some tribute to Ja Della. He raps over the instrumental

0:43:12.960 --> 0:43:17.040
<v Speaker 1>for the song only two can win, Only two can win,

0:43:17.760 --> 0:43:21.520
<v Speaker 1>and that's worth more than another flower. Sometimes being yours

0:43:21.920 --> 0:43:27.759
<v Speaker 1>worn't more than promote. The only problem with it, it's

0:43:27.800 --> 0:43:30.480
<v Speaker 1>not even Big Sean's fault. It's just like listening to

0:43:30.680 --> 0:43:33.960
<v Speaker 1>a Big Sean verse directly after you listen to MF

0:43:34.080 --> 0:43:37.080
<v Speaker 1>Doom verse. It's like that's cue. It's like if you read.

0:43:37.120 --> 0:43:38.920
<v Speaker 1>It's like if you read a novel and then you

0:43:39.080 --> 0:43:43.160
<v Speaker 1>read something that's written in crown and it's like, okay, yeah,

0:43:43.560 --> 0:43:45.960
<v Speaker 1>you just finished. You just finished, like the Simarillion, and

0:43:45.960 --> 0:43:51.160
<v Speaker 1>then you scroll Twitter for an hour. Big that's not

0:43:51.320 --> 0:43:55.759
<v Speaker 1>Big Shots responsibility. He didn't tell us to listen that

0:43:56.280 --> 0:43:59.520
<v Speaker 1>that was dope. That was dope, but draw our attention

0:43:59.600 --> 0:44:02.319
<v Speaker 1>because likely to like how different all these beats sound,

0:44:02.400 --> 0:44:04.960
<v Speaker 1>And so I totally get the comparison that they like

0:44:05.760 --> 0:44:08.160
<v Speaker 1>us in the original press that release for Doughnuts, that like,

0:44:08.600 --> 0:44:10.840
<v Speaker 1>I do feel like I'm scroll like I'm scanning the

0:44:10.960 --> 0:44:13.320
<v Speaker 1>radio in a city I've never been to before. But

0:44:13.520 --> 0:44:16.359
<v Speaker 1>like it's not completely random or it's like it's still

0:44:16.440 --> 0:44:21.320
<v Speaker 1>all in the same time period. It's still like but

0:44:21.520 --> 0:44:24.440
<v Speaker 1>like it's still like popping back and forth between the

0:44:24.719 --> 0:44:28.320
<v Speaker 1>rock station and like the conservative talk radio and the

0:44:28.719 --> 0:44:32.879
<v Speaker 1>jazz and the you know it just it does sound

0:44:32.960 --> 0:44:35.480
<v Speaker 1>like two different you know, two different producers at war

0:44:35.800 --> 0:44:39.520
<v Speaker 1>with each other. For we never heard it. I've never

0:44:39.640 --> 0:44:42.560
<v Speaker 1>heard it describe that way. Um, as far as like

0:44:42.680 --> 0:44:45.360
<v Speaker 1>the whole concept behind it being like you're scanning the

0:44:45.440 --> 0:44:48.440
<v Speaker 1>radio stations and it's like when to hear that that

0:44:48.680 --> 0:44:52.120
<v Speaker 1>is the actual direction. Now I can kind of hear it,

0:44:52.280 --> 0:44:53.719
<v Speaker 1>and now I want to go back and listen to

0:44:53.800 --> 0:44:56.320
<v Speaker 1>the album against I can like, you know, listen to

0:44:56.400 --> 0:44:58.120
<v Speaker 1>it with that set of ears, knowing that that was

0:44:58.200 --> 0:45:01.239
<v Speaker 1>the direction that they wanted to take with it. Well,

0:45:01.400 --> 0:45:03.640
<v Speaker 1>I think that is going to do it for us

0:45:03.760 --> 0:45:08.160
<v Speaker 1>this week. If you guys haven't listened to jay Dilla,

0:45:08.239 --> 0:45:11.600
<v Speaker 1>you should listen to some jay Dilla and check out

0:45:11.800 --> 0:45:14.759
<v Speaker 1>the description of this episode because we'll have a list

0:45:14.920 --> 0:45:17.440
<v Speaker 1>of the songs that we're playing in it. Um, I

0:45:17.560 --> 0:45:21.399
<v Speaker 1>have a new song dropping tomorrow to go check that out.

0:45:21.640 --> 0:45:26.080
<v Speaker 1>It's on all of the the I'll you know the thing,

0:45:26.920 --> 0:45:30.560
<v Speaker 1>I really wish that we had it like that, that

0:45:30.680 --> 0:45:32.880
<v Speaker 1>we had what do the kids saying? The kids say cloud, right,

0:45:33.200 --> 0:45:35.879
<v Speaker 1>I wish that we had the cloud that we could

0:45:36.000 --> 0:45:39.880
<v Speaker 1>spend our favorite j dillaby and start wrapping over it

0:45:42.840 --> 0:45:46.239
<v Speaker 1>like that. So you know, soon maybe maybe with you'll

0:45:46.280 --> 0:45:50.600
<v Speaker 1>support if y'all keep subscribing and listening, and you know,

0:45:50.640 --> 0:45:55.959
<v Speaker 1>I'm saying that maybe they'll let motherfucker's used to beat Joel.

0:45:56.000 --> 0:45:59.759
<v Speaker 1>It's gonna beat. I probably should have thought about what

0:45:59.800 --> 0:46:03.960
<v Speaker 1>I was gonna wrap work. He started to beat, Yo

0:46:05.120 --> 0:46:10.920
<v Speaker 1>yo yeo. Yeah, reparations, dope knife, you know, the sun pillage,

0:46:11.000 --> 0:46:14.080
<v Speaker 1>the illess love tainted free like the slum village. Got

0:46:14.160 --> 0:46:16.640
<v Speaker 1>the dutch cracked open. Someone come fill it, roll it

0:46:16.719 --> 0:46:19.560
<v Speaker 1>real tight round the back now, the sum spillage. I'll

0:46:19.600 --> 0:46:21.640
<v Speaker 1>be lying if I said I ain't rambling. I was

0:46:21.719 --> 0:46:24.000
<v Speaker 1>trying to stay focused, not to go on the tangent.

0:46:24.160 --> 0:46:25.800
<v Speaker 1>I came in there with a plan. I don't know

0:46:25.880 --> 0:46:28.319
<v Speaker 1>where I landed. Now I'm sitting here and wrapping about

0:46:28.400 --> 0:46:31.680
<v Speaker 1>weed and I'm stranded. I closed better next week, get

0:46:31.719 --> 0:46:33.800
<v Speaker 1>a technique. So when I go in wreck beats and

0:46:33.880 --> 0:46:36.479
<v Speaker 1>make you shake your flesh cheeks. Dope Knife linga frank

0:46:36.640 --> 0:46:38.880
<v Speaker 1>dogs like a ten piece with a side of grits,

0:46:39.040 --> 0:46:41.520
<v Speaker 1>make you want to get the recipe to my homie dealer,

0:46:41.640 --> 0:46:44.760
<v Speaker 1>Say your prayer may rest in peace. Nan Nigger Cheva

0:46:44.840 --> 0:46:54.040
<v Speaker 1>go down his expertise so you better see though they

0:46:54.280 --> 0:46:57.720
<v Speaker 1>come in again. I'm lingle frank back and I'm Dope Knife.

0:46:58.680 --> 0:47:01.960
<v Speaker 1>We are waiting on oparations. We wall see you next week.

0:47:02.320 --> 0:47:05.040
<v Speaker 1>Waiting on Reparations as a production of i Heeart Radio.

0:47:05.360 --> 0:47:08.280
<v Speaker 1>Listen to Waiting on Reparations on the I Heart Radio app,

0:47:08.480 --> 0:47:10.960
<v Speaker 1>Apple podcasts, or wherever you get your podcasts.