1 00:00:16,640 --> 00:00:21,120 Speaker 1: Hello, and welcome to my favorite murder. The minisodes read. 2 00:00:20,920 --> 00:00:24,840 Speaker 2: You your stuff. You send us emails, so we got 3 00:00:24,840 --> 00:00:25,320 Speaker 2: to read them. 4 00:00:25,360 --> 00:00:27,720 Speaker 1: You just keep doing it. Okay, you want to go first? 5 00:00:27,760 --> 00:00:31,080 Speaker 2: Yeat? Okay, all right, this one's called request for Items 6 00:00:31,080 --> 00:00:33,640 Speaker 2: Found in the Wall, and I have to show you 7 00:00:33,640 --> 00:00:36,519 Speaker 2: a photo halfway through. Okay, Hey, Karen and Georgia, you 8 00:00:36,560 --> 00:00:38,879 Speaker 2: guys asked for what did you find in the walls 9 00:00:39,000 --> 00:00:42,559 Speaker 2: on the rewind episode of ninety seven, and I immediately 10 00:00:42,640 --> 00:00:45,040 Speaker 2: knew I had one. A few years ago, I bought 11 00:00:45,080 --> 00:00:48,440 Speaker 2: a house built in nineteen twenty one just south of Dallas, Texas. 12 00:00:48,840 --> 00:00:52,280 Speaker 2: The man who owned it before me, Burrel the hell 13 00:00:52,440 --> 00:00:55,960 Speaker 2: Sacha great name, was basically a local legend. He started 14 00:00:56,000 --> 00:00:58,600 Speaker 2: the neighborhood association and had lived in the house forever 15 00:00:59,000 --> 00:01:00,760 Speaker 2: when he and his wife so to me, he was 16 00:01:00,880 --> 00:01:03,360 Speaker 2: ninety nine and she was ninety three, and they were 17 00:01:03,480 --> 00:01:05,840 Speaker 2: still walking up and down the stairs every day. 18 00:01:05,920 --> 00:01:06,520 Speaker 1: Yeah, they were. 19 00:01:06,680 --> 00:01:09,520 Speaker 2: Honestly, I'm convinced the Fountain of Youth is hidden somewhere 20 00:01:09,520 --> 00:01:10,160 Speaker 2: in that house. 21 00:01:10,600 --> 00:01:13,840 Speaker 1: It's on those stairs, yet stairs, get the stairs going 22 00:01:13,920 --> 00:01:14,559 Speaker 1: on every day. 23 00:01:14,720 --> 00:01:16,679 Speaker 2: The property itself is kind of wild. When the house 24 00:01:16,760 --> 00:01:18,640 Speaker 2: was originally sold in the nineteen twenties. It came with 25 00:01:18,680 --> 00:01:21,959 Speaker 2: one hundred and twenty acres. Now it's surrounded by neighborhoods, 26 00:01:22,000 --> 00:01:24,400 Speaker 2: but it still feels like this tiny, surviving piece of 27 00:01:24,440 --> 00:01:28,040 Speaker 2: old South Dallas history. People would randomly stop by because 28 00:01:28,080 --> 00:01:30,840 Speaker 2: Burle had lived there for so long. I'd be outside 29 00:01:30,840 --> 00:01:33,360 Speaker 2: watering the plants or hauling construction debris, and people would 30 00:01:33,400 --> 00:01:36,399 Speaker 2: look at me and go, you're not Burl. Anyway. I 31 00:01:36,400 --> 00:01:39,200 Speaker 2: started renovating the house while also working on a construction 32 00:01:39,319 --> 00:01:42,360 Speaker 2: job with insane hours. The entire place was torn apart, 33 00:01:42,600 --> 00:01:46,360 Speaker 2: plaster dust everywhere, walls open, exposed framing, so I was 34 00:01:46,400 --> 00:01:49,360 Speaker 2: basically living in a haunted construction zone. One night, I 35 00:01:49,400 --> 00:01:51,680 Speaker 2: came home super late and noticed something sitting on the 36 00:01:51,680 --> 00:01:54,120 Speaker 2: top shelf of my shoe rack. It was a doll, 37 00:01:54,560 --> 00:01:57,760 Speaker 2: a baby doll with wild hair, one eye half open, 38 00:01:58,080 --> 00:02:00,600 Speaker 2: one eye half clothes, wearing a pe ink shirt and 39 00:02:00,640 --> 00:02:04,960 Speaker 2: absolutely no pants. Apparently my electrician had found her inside 40 00:02:05,040 --> 00:02:08,720 Speaker 2: the walls earlier that day. We affectually named her Tricksy. 41 00:02:09,200 --> 00:02:10,720 Speaker 2: Now I can't just read the rest of this she 42 00:02:10,800 --> 00:02:12,480 Speaker 2: because it sounds so normal. You have to see what 43 00:02:12,520 --> 00:02:14,640 Speaker 2: this fucking doll looks like, okay, so here's the picture 44 00:02:14,639 --> 00:02:19,239 Speaker 2: of the doll. Oh no, it is like no arms. 45 00:02:19,360 --> 00:02:22,520 Speaker 2: Its face is just burnt to a crisp. It's just 46 00:02:22,800 --> 00:02:27,160 Speaker 2: it looks sacrificial. Yeah right, yeah, it's not a chill 47 00:02:27,160 --> 00:02:27,919 Speaker 2: little baby doll. 48 00:02:28,040 --> 00:02:32,239 Speaker 1: It is like, well, els, it's a baby doll wearing 49 00:02:32,240 --> 00:02:35,880 Speaker 1: no clothes in no arms is a bad combination. 50 00:02:35,520 --> 00:02:37,320 Speaker 2: Really, And it's someone cut all the hair off and 51 00:02:37,360 --> 00:02:38,000 Speaker 2: burned her face. 52 00:02:38,400 --> 00:02:41,600 Speaker 1: Yeah, she's which is pretty typical for leg dolls and 53 00:02:41,800 --> 00:02:46,400 Speaker 1: children whatever. But yeah, to if I were the person 54 00:02:46,440 --> 00:02:48,680 Speaker 1: and the electrician did that funny joke and put that 55 00:02:48,760 --> 00:02:50,839 Speaker 1: on my shoe rack, I'd be like, you'll never work 56 00:02:50,880 --> 00:02:51,640 Speaker 1: in this town again. 57 00:02:51,800 --> 00:02:55,440 Speaker 2: Well. Oh, from that point on, Trixie became part of 58 00:02:55,480 --> 00:02:59,000 Speaker 2: the construction crew. Every day somebody moved her to a 59 00:02:59,000 --> 00:03:02,040 Speaker 2: new location to scare or someone else. I'd hide her 60 00:03:02,040 --> 00:03:05,000 Speaker 2: somewhere before leaving for work. Nathan, the electrician would move 61 00:03:05,000 --> 00:03:07,799 Speaker 2: her again. Later you'd open a cabinet and Trixie would 62 00:03:07,840 --> 00:03:11,120 Speaker 2: be there and see, this isn't as scary without knowing 63 00:03:11,120 --> 00:03:14,080 Speaker 2: what the fucking doll looks like. Right right, turn around 64 00:03:14,120 --> 00:03:17,440 Speaker 2: in a dark hallway, Tricksy sitting in a wheelbarrow, tricksy. 65 00:03:17,919 --> 00:03:20,880 Speaker 2: Multiple contractors assured me the house was not cursed and 66 00:03:20,919 --> 00:03:23,680 Speaker 2: that the spirits were happy here, which honestly felt like 67 00:03:23,680 --> 00:03:26,440 Speaker 2: a very specific thing to hear from grown men covered 68 00:03:26,440 --> 00:03:30,280 Speaker 2: in plaster dust, Like why do you have to say, 69 00:03:30,320 --> 00:03:31,960 Speaker 2: how do you know about the spirits? Totally? 70 00:03:32,080 --> 00:03:33,400 Speaker 1: Is this the thing you do all the time. 71 00:03:33,639 --> 00:03:35,920 Speaker 2: At the very end of the renovation, we built out 72 00:03:35,960 --> 00:03:38,240 Speaker 2: a new master bedroom. One day I realized I hadn't 73 00:03:38,240 --> 00:03:40,720 Speaker 2: seen Trixy for a while. Turns out one of us 74 00:03:40,720 --> 00:03:43,200 Speaker 2: had left her sitting on some framing lumber, and the 75 00:03:43,240 --> 00:03:46,800 Speaker 2: framers unknowingly sealed her directly back into the walls of 76 00:03:46,840 --> 00:03:50,240 Speaker 2: the house, back where she fucking came from. So somewhere 77 00:03:50,240 --> 00:03:53,520 Speaker 2: inside my beautiful, restored nineteen twenty one home, Trixie is 78 00:03:53,560 --> 00:03:58,320 Speaker 2: still there, waiting patiently to absolutely terrorize another homeowner sixty 79 00:03:58,400 --> 00:04:00,920 Speaker 2: or seventy years from now when they decide to renovate, 80 00:04:01,600 --> 00:04:04,040 Speaker 2: Stay Sexy, don't get murdered by the old house and 81 00:04:04,080 --> 00:04:06,520 Speaker 2: spend way too much money restoring it, Laurel. 82 00:04:08,840 --> 00:04:12,240 Speaker 1: I mean, those framers need a good talking too, because 83 00:04:12,280 --> 00:04:14,600 Speaker 1: but that's a major decision to be like, we're putting 84 00:04:14,600 --> 00:04:15,560 Speaker 1: her back into the wall. 85 00:04:15,760 --> 00:04:18,719 Speaker 2: Yeah, but just the knowledge that she's there for the 86 00:04:18,760 --> 00:04:21,400 Speaker 2: rest of your time. You go to bed, good night, tricksy. 87 00:04:21,880 --> 00:04:24,440 Speaker 1: But like, if everyone is insisting that the vibes were 88 00:04:24,440 --> 00:04:27,159 Speaker 1: not bad, then I guess they weren't. 89 00:04:28,200 --> 00:04:30,800 Speaker 2: If the vibes the construction workers will tell you that 90 00:04:31,160 --> 00:04:34,560 Speaker 2: shit where chit keeps happening? For sure? Right? Yes, so 91 00:04:34,960 --> 00:04:36,280 Speaker 2: the vibes, yeah. 92 00:04:36,120 --> 00:04:38,080 Speaker 1: You would feel like they would be there, going. 93 00:04:37,960 --> 00:04:40,440 Speaker 2: Oh, yeah, we were working a lot of houses. This 94 00:04:40,520 --> 00:04:41,960 Speaker 2: one we're not coming back. 95 00:04:42,200 --> 00:04:49,400 Speaker 1: Never seen a ladder fall like that before, so creepy. Okay, Well, 96 00:04:49,520 --> 00:04:51,600 Speaker 1: it's tis the season, so I'm going to read you 97 00:04:51,640 --> 00:04:55,520 Speaker 1: a graduation party story. Dad's ingrats on all month long. 98 00:04:56,240 --> 00:04:56,640 Speaker 2: Okay. 99 00:04:57,120 --> 00:04:59,680 Speaker 1: The subject line of this email is an unforgettable graduation 100 00:04:59,760 --> 00:05:03,840 Speaker 1: party and it says, hello, all this story has everything snakes, 101 00:05:04,080 --> 00:05:08,239 Speaker 1: things and walls and drunk kids. Sorry, it's all our stuff. 102 00:05:09,080 --> 00:05:11,000 Speaker 1: To set the scene, my family went to a family 103 00:05:11,040 --> 00:05:14,039 Speaker 1: friend's high school graduation party in two thousand and six. 104 00:05:14,520 --> 00:05:17,080 Speaker 1: We were some of the first people to arrive, only 105 00:05:17,120 --> 00:05:19,720 Speaker 1: to find the mom pretty frantic, but not in the 106 00:05:19,960 --> 00:05:22,520 Speaker 1: I'm not quite ready to host this party type of way. 107 00:05:22,920 --> 00:05:26,120 Speaker 1: You mean every single time I host parties? Why was 108 00:05:26,120 --> 00:05:30,000 Speaker 1: she frantic, you ask because the family's pet snake, Missus Alligator, 109 00:05:30,320 --> 00:05:30,840 Speaker 1: was missing. 110 00:05:31,680 --> 00:05:33,680 Speaker 2: Missus Alligator such a good name. 111 00:05:35,320 --> 00:05:37,560 Speaker 1: And then the next paragraph starts, Yes, the snake was 112 00:05:37,640 --> 00:05:41,160 Speaker 1: named Missus Alligator's so good. That's what happens when you 113 00:05:41,240 --> 00:05:43,359 Speaker 1: let an eight to ten year old boy get a 114 00:05:43,400 --> 00:05:47,919 Speaker 1: snake and name it. Oh so funny. It was unknown 115 00:05:47,960 --> 00:05:52,160 Speaker 1: how long Missus Alligator had been missing, but the lid 116 00:05:52,240 --> 00:05:55,320 Speaker 1: was off her tank and she was nowhere to be seen. No, 117 00:05:55,720 --> 00:05:57,880 Speaker 1: we were told not to spread this news. 118 00:05:58,160 --> 00:05:59,880 Speaker 2: Oh my god. 119 00:06:00,160 --> 00:06:05,400 Speaker 1: So good. It's the perfect little yeah variable to mix 120 00:06:05,440 --> 00:06:06,359 Speaker 1: in before this party. 121 00:06:06,360 --> 00:06:07,480 Speaker 2: Here's how it starts. 122 00:06:07,960 --> 00:06:10,719 Speaker 1: Is the snake in the punch bowl. Let's find out. 123 00:06:12,640 --> 00:06:13,520 Speaker 2: Snake in the toilet. 124 00:06:16,279 --> 00:06:18,960 Speaker 1: I told I know, I've told you this, But we 125 00:06:19,000 --> 00:06:22,440 Speaker 1: were driving down back Highway one and my friend Dave 126 00:06:23,040 --> 00:06:25,480 Speaker 1: and I had to stop because you know, there's nothing 127 00:06:25,560 --> 00:06:27,719 Speaker 1: ye in between gas stations. We had to stop it 128 00:06:27,880 --> 00:06:29,800 Speaker 1: and I do use one of those porta potties that 129 00:06:29,960 --> 00:06:31,880 Speaker 1: was just on and out look, oh my god. And 130 00:06:31,920 --> 00:06:33,440 Speaker 1: so I went in. I was like, oh, this is 131 00:06:33,480 --> 00:06:36,559 Speaker 1: the worst. I'm like stand outside, you know, like watch 132 00:06:36,600 --> 00:06:38,640 Speaker 1: it for me or whatever. The door shuts. It's like 133 00:06:38,760 --> 00:06:41,800 Speaker 1: almost pitch black in no Wow, and I'm just squatting 134 00:06:41,839 --> 00:06:45,000 Speaker 1: over and then my friend Dave goes up to the 135 00:06:45,120 --> 00:06:48,599 Speaker 1: crack of the door and goes big black snake. He 136 00:06:48,680 --> 00:06:52,160 Speaker 1: just whispered the phrase big black snake, and I started screaming. 137 00:06:52,160 --> 00:06:53,240 Speaker 1: I've never forgiven him. 138 00:06:53,320 --> 00:06:55,479 Speaker 2: I would have fucking squatted in the field. 139 00:06:55,480 --> 00:06:59,640 Speaker 1: I mean, or just right out of the parking lot. Sure, okay, 140 00:06:59,680 --> 00:07:05,480 Speaker 1: so snake variable worst case scenario. Don't spread it around, 141 00:07:05,839 --> 00:07:07,640 Speaker 1: but keep an eye out for her during the party 142 00:07:08,040 --> 00:07:10,680 Speaker 1: so she didn't leave the house, is what they were 143 00:07:10,720 --> 00:07:13,160 Speaker 1: asked to do. I was never clear on what to 144 00:07:13,200 --> 00:07:15,320 Speaker 1: do if I saw her, because I was definitely not 145 00:07:15,560 --> 00:07:17,920 Speaker 1: going to pick her up or go near her. Since 146 00:07:17,920 --> 00:07:20,640 Speaker 1: the party was catered by a Mexican restaurant, there was 147 00:07:20,720 --> 00:07:23,720 Speaker 1: also a frozen margerita machine set up for the adults. 148 00:07:23,800 --> 00:07:27,080 Speaker 1: Oh my god, this is awesome. Well, my dad decided 149 00:07:27,240 --> 00:07:29,560 Speaker 1: that there wasn't going to be any drunk kids on 150 00:07:29,640 --> 00:07:32,840 Speaker 1: his watch, so he posted himself next to the margherita 151 00:07:32,920 --> 00:07:34,000 Speaker 1: machine all night. 152 00:07:34,400 --> 00:07:35,440 Speaker 2: Mm hmm buzz kill. 153 00:07:35,640 --> 00:07:37,320 Speaker 1: Let's just say it's a good thing my dad isn't 154 00:07:37,320 --> 00:07:39,720 Speaker 1: in charge of any kind of security, because not only 155 00:07:39,760 --> 00:07:41,920 Speaker 1: were some kids able to sneak some margs. But my 156 00:07:42,040 --> 00:07:44,200 Speaker 1: dad got so drunk and on the way home my 157 00:07:44,280 --> 00:07:47,200 Speaker 1: mom had to pull over on the interstate twice for 158 00:07:47,320 --> 00:07:48,160 Speaker 1: him to be sick. 159 00:07:48,320 --> 00:07:49,280 Speaker 2: Oh God. 160 00:07:49,720 --> 00:07:53,280 Speaker 1: So he was just like glug glug Jimmy, buffetting as 161 00:07:53,480 --> 00:07:53,960 Speaker 1: he got his. 162 00:07:54,000 --> 00:07:55,720 Speaker 2: Arms, singing along with the margarita. 163 00:07:55,880 --> 00:07:58,880 Speaker 1: He passed his test so good. And I'll tell you 164 00:07:58,920 --> 00:08:04,040 Speaker 1: what congratuate relations. Yeah, you know how you get in 165 00:08:04,040 --> 00:08:08,480 Speaker 1: here with me? Sneaky sneaks because everyone loves a happy ending. 166 00:08:08,480 --> 00:08:08,760 Speaker 2: Missus. 167 00:08:08,800 --> 00:08:11,480 Speaker 1: Alligator was found a day or two after the party 168 00:08:11,960 --> 00:08:17,480 Speaker 1: drum roll please in the wall in the wall meeting 169 00:08:17,480 --> 00:08:20,560 Speaker 1: with Trixy. Technically she was curled up in an air 170 00:08:20,560 --> 00:08:24,200 Speaker 1: conditioning duct, but those are in walls. And then it's 171 00:08:24,240 --> 00:08:28,480 Speaker 1: this little winky emoticon. Stay sexy and just let the 172 00:08:28,520 --> 00:08:30,480 Speaker 1: kids get drunk, Jenny. 173 00:08:31,480 --> 00:08:33,440 Speaker 2: I have so many questions, like what kind of snake 174 00:08:33,559 --> 00:08:35,920 Speaker 2: was it? Could it have hurt someone at the party. 175 00:08:36,880 --> 00:08:40,280 Speaker 1: I mean, I don't think that they let like eight 176 00:08:40,280 --> 00:08:42,880 Speaker 1: to ten year old boys keep poisonous snakes. Fair enough, 177 00:08:42,920 --> 00:08:45,040 Speaker 1: that's for college guys that love metal. 178 00:08:45,440 --> 00:08:48,840 Speaker 2: Yeah that's true, don't you think? Yes? But like I 179 00:08:48,880 --> 00:08:51,440 Speaker 2: can imagine Vince had a party like he would have 180 00:08:51,440 --> 00:08:55,120 Speaker 2: screamed and ran. It's oh same, like if a spider 181 00:08:55,160 --> 00:08:56,760 Speaker 2: got out, I'd be like, I'm not coming to your 182 00:08:56,800 --> 00:09:00,000 Speaker 2: house again. Bye, good fuck good fuck yourself, goodbye and good. 183 00:09:00,679 --> 00:09:02,280 Speaker 1: Goodbye and good fuck yourself. 184 00:09:03,120 --> 00:09:10,280 Speaker 2: Pay stop. Okay, that's what's called. It's me. I'm the 185 00:09:10,360 --> 00:09:11,600 Speaker 2: Vatican City listener. 186 00:09:11,800 --> 00:09:18,280 Speaker 1: Hi. Oh my god, when say it? Whenna? 187 00:09:19,200 --> 00:09:20,040 Speaker 2: When it's not? Chick? 188 00:09:20,280 --> 00:09:24,599 Speaker 1: No, no, look Spanish, I told you we needed to 189 00:09:24,640 --> 00:09:26,840 Speaker 1: be ready for this. Don't say chaw it's too casual. 190 00:09:27,200 --> 00:09:32,240 Speaker 1: Be the pope. What if this is from the postozy squozy. 191 00:09:32,320 --> 00:09:35,280 Speaker 2: Okay, Hi, Karen and Chorgia. It's me. I'm the Vatican 192 00:09:35,320 --> 00:09:37,640 Speaker 2: City Listener, or at least one of them, and I'm 193 00:09:37,679 --> 00:09:42,600 Speaker 2: so excited to write this email. No, I'm a twenty 194 00:09:42,640 --> 00:09:45,840 Speaker 2: seven year old get it, got the we gotta get 195 00:09:45,840 --> 00:09:51,920 Speaker 2: the we got it the Italian hand Oops. Okay, I'm 196 00:09:51,920 --> 00:09:54,720 Speaker 2: a twenty seven year old American Murderino living in Rome. 197 00:09:54,880 --> 00:09:56,960 Speaker 2: I was literally getting ready to leave my apartment and 198 00:09:57,000 --> 00:09:59,080 Speaker 2: go to the Vatican Archives when I heard you to 199 00:09:59,200 --> 00:10:02,560 Speaker 2: say you have listen Vatican City. Hi. I've been listening 200 00:10:02,559 --> 00:10:04,760 Speaker 2: to you for years, since I was an undergrad. I 201 00:10:04,840 --> 00:10:08,120 Speaker 2: just completed a six month internship in the Vatican Museums. 202 00:10:09,120 --> 00:10:11,520 Speaker 2: This is exactly what we asked, was exactly what we wanted, 203 00:10:11,520 --> 00:10:13,319 Speaker 2: and I used to listen to your podcast from my 204 00:10:13,440 --> 00:10:17,760 Speaker 2: desk and museum while I worked. I'm an art historian 205 00:10:17,840 --> 00:10:20,160 Speaker 2: and a ceramic artist. I first came to Rome for 206 00:10:20,200 --> 00:10:23,000 Speaker 2: a ceramics residency and met my boyfriend and fell in 207 00:10:23,040 --> 00:10:25,840 Speaker 2: love with Rome and him. I came back to Rome 208 00:10:25,880 --> 00:10:28,360 Speaker 2: and earned my master's degree in art history and he 209 00:10:28,440 --> 00:10:32,520 Speaker 2: and I are very happily living together. Smiley face. He 210 00:10:32,679 --> 00:10:35,120 Speaker 2: is the absolute best and most supportive partner and a 211 00:10:35,240 --> 00:10:36,400 Speaker 2: very talented jeweler. 212 00:10:36,840 --> 00:10:38,400 Speaker 1: Oh that's a nice one. 213 00:10:38,480 --> 00:10:40,320 Speaker 2: We have been through a lot, and your podcast has 214 00:10:40,360 --> 00:10:43,720 Speaker 2: always brought me comfort, especially hearing your lovely American voices 215 00:10:43,760 --> 00:10:47,000 Speaker 2: when my brain was extra tired from Italian. I'm back 216 00:10:47,000 --> 00:10:49,720 Speaker 2: in Langdwig school now. Two years ago I was in 217 00:10:49,760 --> 00:10:53,360 Speaker 2: a near death motor vehicle accident. I was hit by 218 00:10:53,360 --> 00:10:56,480 Speaker 2: a motorcycle while crossing the street as a pedestrian in 219 00:10:56,520 --> 00:11:01,360 Speaker 2: the crosswalk. Guys look both ways always. 220 00:11:01,679 --> 00:11:05,240 Speaker 1: That's so awful. I know, what a scary, horrible thing. 221 00:11:05,200 --> 00:11:09,400 Speaker 2: Not something you'd expect, but god, I broke so many bones, 222 00:11:09,640 --> 00:11:12,800 Speaker 2: both legs, a rib, and my sacrum. I spent two 223 00:11:12,880 --> 00:11:15,200 Speaker 2: months in the hospital. For the first month I couldn't 224 00:11:15,200 --> 00:11:16,800 Speaker 2: even sit up, and I had to learn how to 225 00:11:16,880 --> 00:11:19,720 Speaker 2: walk again. Oh my God, And you better bet I 226 00:11:19,800 --> 00:11:22,480 Speaker 2: listened to a lot of my favorite murder in my 227 00:11:22,559 --> 00:11:23,320 Speaker 2: hospital room. 228 00:11:23,520 --> 00:11:26,480 Speaker 1: Oh you were been helped. 229 00:11:28,400 --> 00:11:30,560 Speaker 2: Wow, what a time you brought me a little bit 230 00:11:30,559 --> 00:11:33,160 Speaker 2: of normalcy and a lot of humor to an extraordinary 231 00:11:33,160 --> 00:11:35,800 Speaker 2: period in my life. And that made a big difference. 232 00:11:36,160 --> 00:11:39,480 Speaker 2: Heart emoji. And now I'm up and walking and wearing 233 00:11:39,480 --> 00:11:46,079 Speaker 2: stilettos on cobblestones and researching the Apostle like archives Apostolics, 234 00:11:47,160 --> 00:11:47,800 Speaker 2: I'm Jewish. 235 00:11:47,920 --> 00:11:50,400 Speaker 1: I don't care no excuse you've been sitting across from 236 00:11:50,400 --> 00:11:51,400 Speaker 1: me for ten years. 237 00:11:51,840 --> 00:11:56,040 Speaker 2: My specialty in art history is material culture Renaissance floors. 238 00:11:56,679 --> 00:11:59,200 Speaker 2: Now that I can walk on them again, I'm interested 239 00:11:59,240 --> 00:12:01,280 Speaker 2: in how the choice of the material was shaped by 240 00:12:01,280 --> 00:12:03,920 Speaker 2: a world with broadening trade networks, and how the floor 241 00:12:04,000 --> 00:12:07,040 Speaker 2: is quite literally dictate the movement of the viewer and 242 00:12:07,120 --> 00:12:10,679 Speaker 2: their interaction with space. Think arrows on an airport floor, 243 00:12:10,679 --> 00:12:13,319 Speaker 2: but Renaissance tiles and ancient marble. 244 00:12:13,920 --> 00:12:18,679 Speaker 1: That is so fucking cool, incredible. Also, I'm sure you'll 245 00:12:18,720 --> 00:12:21,640 Speaker 1: see them when you're there. But if you've ever seen 246 00:12:21,679 --> 00:12:24,920 Speaker 1: pictures of those mosaics that the floors used to be 247 00:12:25,040 --> 00:12:27,920 Speaker 1: in the ancient times, right, Like we went and saw 248 00:12:28,000 --> 00:12:30,720 Speaker 1: one once where just you're walking on this trend, like 249 00:12:30,800 --> 00:12:33,760 Speaker 1: a walkway over the top, and you're like, this was 250 00:12:33,800 --> 00:12:35,920 Speaker 1: just the floor about them, and it's like a whole 251 00:12:35,960 --> 00:12:38,720 Speaker 1: scene and animals and still there. 252 00:12:38,840 --> 00:12:41,800 Speaker 2: Hell yeah, crazy. I don't have any crazy secrets to share, 253 00:12:41,880 --> 00:12:45,200 Speaker 2: but archival research is pretty fun, right yeah, right, right 254 00:12:45,240 --> 00:12:48,520 Speaker 2: now I'm looking at receipts of payment for some historical tiles, 255 00:12:48,559 --> 00:12:50,520 Speaker 2: and whenever I see the price of something, I hear 256 00:12:50,559 --> 00:12:53,319 Speaker 2: your voices in my head. Go so in today's money, 257 00:12:54,679 --> 00:13:00,000 Speaker 2: receipts from ancient tiles, from ancient receipts, that's crazy. Savior receipts, 258 00:13:00,040 --> 00:13:02,360 Speaker 2: the Savior receipts. Please no, don't touch them. They're now 259 00:13:02,440 --> 00:13:03,679 Speaker 2: full of toxic. 260 00:13:03,960 --> 00:13:05,040 Speaker 1: Oh yeah, it's different. 261 00:13:05,440 --> 00:13:07,400 Speaker 2: If either of you are ever in Rome, against you 262 00:13:07,440 --> 00:13:09,320 Speaker 2: and I would love to give you a free bootleg 263 00:13:09,360 --> 00:13:12,040 Speaker 2: tour of the city or the Vatican museums or anywhere 264 00:13:12,080 --> 00:13:14,600 Speaker 2: you'd like. Really, I'm not an officially licensed tour guide, 265 00:13:14,600 --> 00:13:16,800 Speaker 2: but I do have a master's degree in Roman art 266 00:13:16,840 --> 00:13:19,480 Speaker 2: history and so many stories. Not good enough. 267 00:13:19,520 --> 00:13:21,440 Speaker 1: You need to get that tour guide license. 268 00:13:21,480 --> 00:13:23,600 Speaker 2: That's right. We won't go unless you have a license 269 00:13:23,840 --> 00:13:24,520 Speaker 2: around your neck. 270 00:13:24,640 --> 00:13:26,400 Speaker 1: We need to see your paperwork. 271 00:13:26,440 --> 00:13:29,439 Speaker 2: It says SSTGM and lots of love from Rome mac 272 00:13:29,679 --> 00:13:33,000 Speaker 2: she her mackenzie. PS. If anyone else writes to you 273 00:13:33,040 --> 00:13:36,480 Speaker 2: from Vatican City, I'd love to meet them. Oh my god, 274 00:13:36,559 --> 00:13:37,960 Speaker 2: make friends with your coworkers. 275 00:13:38,360 --> 00:13:40,080 Speaker 1: Oh my god, that's how you meet people. 276 00:13:40,200 --> 00:13:42,040 Speaker 2: Jesus, is that you? Hi? 277 00:13:42,760 --> 00:13:43,560 Speaker 1: Hey, what's up? 278 00:13:44,040 --> 00:13:46,480 Speaker 2: Thank you? Mackenzie mackenzie. 279 00:13:46,760 --> 00:13:49,200 Speaker 1: What an honor he would be in your ears while 280 00:13:49,240 --> 00:13:53,280 Speaker 1: you are going through and experiencing such a rich life. 281 00:13:53,440 --> 00:13:55,440 Speaker 2: Yeah, that brings us back to where the fuck are 282 00:13:55,440 --> 00:13:58,360 Speaker 2: you listening to us from? Yeah? That's also like not 283 00:13:58,480 --> 00:14:00,480 Speaker 2: just where I think, like what time your life? 284 00:14:00,559 --> 00:14:00,880 Speaker 1: What are you? 285 00:14:01,000 --> 00:14:01,200 Speaker 2: Yeah? 286 00:14:01,200 --> 00:14:03,400 Speaker 1: Because we were like, what are you doing when we're listening? 287 00:14:03,640 --> 00:14:06,040 Speaker 2: And we're just like, what's the season of your life 288 00:14:06,200 --> 00:14:09,800 Speaker 2: look like while you're listening to us? Are you okay? Yeah? 289 00:14:10,080 --> 00:14:10,160 Speaker 1: Like? 290 00:14:10,600 --> 00:14:11,679 Speaker 2: Are you better? Are you? 291 00:14:11,880 --> 00:14:14,319 Speaker 1: Are you getting better? Can we do any same thing 292 00:14:14,320 --> 00:14:14,680 Speaker 1: we can do? 293 00:14:14,760 --> 00:14:16,280 Speaker 2: Can we bring you some soup? 294 00:14:17,280 --> 00:14:20,080 Speaker 1: We can bring you audio soup for the soul. It's 295 00:14:20,120 --> 00:14:22,920 Speaker 1: not chicken noodle. There you go, because there's an ip 296 00:14:23,120 --> 00:14:26,200 Speaker 1: play issue that was just such a full rich I 297 00:14:26,280 --> 00:14:32,840 Speaker 1: was just like, eugh, yeah, yes, totally very exciting. Goodbye. 298 00:14:33,880 --> 00:14:34,320 Speaker 2: Okay. 299 00:14:34,600 --> 00:14:38,400 Speaker 1: So this subject line of this email is hero Grandma, 300 00:14:38,800 --> 00:14:41,440 Speaker 1: and then in parentheses it says gold mine of cute 301 00:14:41,440 --> 00:14:44,720 Speaker 1: old lady names, and it says hey ladies, in honor 302 00:14:44,760 --> 00:14:48,040 Speaker 1: of my mom Karen's birthday, Karen with a sea I 303 00:14:48,160 --> 00:14:50,400 Speaker 1: never see that. I'm writing to tell you about the 304 00:14:50,400 --> 00:14:53,520 Speaker 1: time my grandma Eva saved her family from a fire 305 00:14:54,160 --> 00:14:57,000 Speaker 1: in the winter of nineteen thirty nine. My great grandparents 306 00:14:57,120 --> 00:15:00,560 Speaker 1: Sid and Gladys. We're busy running a sausage business and 307 00:15:00,680 --> 00:15:04,360 Speaker 1: raising their nine children in a small wood frame house 308 00:15:04,520 --> 00:15:08,800 Speaker 1: in rural Kentucky Wow. That morning, it was snowing, so 309 00:15:08,960 --> 00:15:12,000 Speaker 1: great Grandpa Sid had adjusted the damper on the coal 310 00:15:12,040 --> 00:15:15,240 Speaker 1: burning stove to keep the housewarm and instructed the kids 311 00:15:15,240 --> 00:15:17,680 Speaker 1: to leave it alone for the day. He and Gladys 312 00:15:17,760 --> 00:15:19,960 Speaker 1: packed up the horse and buggy and headed into town 313 00:15:20,080 --> 00:15:23,280 Speaker 1: to sell their sausages, leaving my fifteen year old grandma 314 00:15:23,360 --> 00:15:26,600 Speaker 1: Eva May in charge of her three younger sisters, Anna 315 00:15:26,680 --> 00:15:30,560 Speaker 1: Lie age ten, Mary Jane age three, and i'ma nell 316 00:15:31,080 --> 00:15:32,560 Speaker 1: age two great names. 317 00:15:32,680 --> 00:15:33,040 Speaker 2: I mean. 318 00:15:33,680 --> 00:15:36,120 Speaker 1: The girls spread out to enjoy their morning, little ones 319 00:15:36,160 --> 00:15:38,040 Speaker 1: playing in the bedroom and the older girls in the 320 00:15:38,080 --> 00:15:41,400 Speaker 1: main room. It wasn't long before Eva smelled smoke, and 321 00:15:41,560 --> 00:15:44,400 Speaker 1: just as she looked up, the ceiling erupted in flames. 322 00:15:44,760 --> 00:15:47,080 Speaker 1: The coal stove had caught fire, and the flames had 323 00:15:47,120 --> 00:15:50,840 Speaker 1: traveled straight up the flu above them. The whole attic 324 00:15:50,920 --> 00:15:54,160 Speaker 1: was already burning, and within minutes the rest of the 325 00:15:54,160 --> 00:15:56,760 Speaker 1: house was too Oh my god. Eva did what any 326 00:15:56,800 --> 00:15:59,920 Speaker 1: older sister would do and use this opportunity to physic 327 00:16:00,280 --> 00:16:02,520 Speaker 1: pick up ten year old Anna and throw her out 328 00:16:02,560 --> 00:16:04,320 Speaker 1: the front door into the snow. 329 00:16:05,680 --> 00:16:06,720 Speaker 2: Ah she's been waiting. 330 00:16:07,760 --> 00:16:11,880 Speaker 1: Finally, finally, justified. Mary Jane got the same treatment and 331 00:16:11,960 --> 00:16:15,040 Speaker 1: was efficiently ousted from the now smoke filled house. But 332 00:16:15,120 --> 00:16:17,560 Speaker 1: when Eva ran back into the bedroom for little Nell, 333 00:16:17,880 --> 00:16:21,960 Speaker 1: she was nowhere to be found. She frantically searched Nell's 334 00:16:22,040 --> 00:16:24,720 Speaker 1: usual hiding spots with no luck, until through the smoke 335 00:16:24,800 --> 00:16:28,160 Speaker 1: she spotted two little feet under the bed. She dropped 336 00:16:28,160 --> 00:16:30,280 Speaker 1: to the floor, yanked Nell out by the ankle, and 337 00:16:30,320 --> 00:16:32,760 Speaker 1: got out of the house just in time. Even and 338 00:16:32,800 --> 00:16:35,880 Speaker 1: Nell both sustained some burns, but they were all alive 339 00:16:35,960 --> 00:16:36,480 Speaker 1: and together. 340 00:16:36,680 --> 00:16:38,760 Speaker 2: Oh my god, she was like hiding under. 341 00:16:38,600 --> 00:16:41,160 Speaker 1: The bed, yeah, trying to get away from the badge 342 00:16:41,360 --> 00:16:45,000 Speaker 1: so little. Meanwhile in the buggy, Sid and Gladys were 343 00:16:45,000 --> 00:16:47,440 Speaker 1: getting close to town when they passed a neighbor on 344 00:16:47,480 --> 00:16:50,280 Speaker 1: the road. Sid waved and hollered a quick good morning, 345 00:16:50,320 --> 00:16:53,600 Speaker 1: and the neighbor yelled back, turn around, Sid, your house 346 00:16:53,680 --> 00:16:56,520 Speaker 1: is on fire. Someone in town must have had a 347 00:16:56,560 --> 00:16:59,320 Speaker 1: telephone because the news of the fire had beat them there. 348 00:17:00,000 --> 00:17:02,040 Speaker 1: You know what the land speed record is for horse 349 00:17:02,080 --> 00:17:03,920 Speaker 1: and buggy, But I bet they would have come close 350 00:17:03,960 --> 00:17:06,760 Speaker 1: to it that day, high tailing it back home, wondering 351 00:17:06,840 --> 00:17:10,040 Speaker 1: all the time if they'd just lost their girls. Oh, 352 00:17:10,200 --> 00:17:12,560 Speaker 1: they reunited and couldn't have cared less about the house, 353 00:17:12,720 --> 00:17:15,840 Speaker 1: knowing how that day might have gone, and the community 354 00:17:15,960 --> 00:17:18,000 Speaker 1: rallied around them to get them through that winter. 355 00:17:18,240 --> 00:17:19,359 Speaker 2: Oh, oh my god. 356 00:17:20,080 --> 00:17:24,359 Speaker 1: Oh we lost Eva and my three other grandparents before 357 00:17:24,400 --> 00:17:26,800 Speaker 1: I was born. But I've always loved the story of 358 00:17:26,800 --> 00:17:32,359 Speaker 1: how she saved her sisters. Oh I can't the three 359 00:17:32,480 --> 00:17:35,639 Speaker 1: amazing women who loved me like grandmother's in her place. 360 00:17:35,840 --> 00:17:39,760 Speaker 1: Oh thank you. The idea of your sister picking you 361 00:17:39,840 --> 00:17:42,480 Speaker 1: up and throwing you out the door to save your life. 362 00:17:43,040 --> 00:17:45,760 Speaker 1: It's so so older sister, I love it. Thank you 363 00:17:45,800 --> 00:17:48,960 Speaker 1: for all you do. And happy birthday, mom, Stay sexy 364 00:17:49,040 --> 00:17:50,440 Speaker 1: and always check under the bed. 365 00:17:50,720 --> 00:17:54,760 Speaker 2: Kelsey, Oh my god, what a like that story could 366 00:17:54,800 --> 00:17:58,680 Speaker 2: have gone terribly and she just fucking saved the day. 367 00:18:00,080 --> 00:18:00,919 Speaker 2: Dabbing your tears. 368 00:18:00,960 --> 00:18:02,520 Speaker 1: I could have sworn there was a box of clean 369 00:18:02,600 --> 00:18:05,560 Speaker 1: next there. Can I have one? 370 00:18:06,160 --> 00:18:06,400 Speaker 2: Yeah? 371 00:18:06,640 --> 00:18:07,840 Speaker 1: Fully saving the day? 372 00:18:08,359 --> 00:18:11,200 Speaker 2: Like, sorry, talk so much shit on big sisters. 373 00:18:11,320 --> 00:18:13,000 Speaker 1: I know you're pretty good sometimes. 374 00:18:13,160 --> 00:18:15,000 Speaker 2: So I'm sure my sister's saved my life a couple 375 00:18:14,960 --> 00:18:16,080 Speaker 2: of times. I just don't remember. 376 00:18:16,320 --> 00:18:18,560 Speaker 1: I know for a fact has saved mine. 377 00:18:21,119 --> 00:18:26,359 Speaker 2: Okay, okay, it's also Pride Month. Oh so it says 378 00:18:26,440 --> 00:18:31,920 Speaker 2: I can't be the only one a Pride Month story? Yes, okay, hello, ladies, 379 00:18:32,119 --> 00:18:34,560 Speaker 2: love you all, love the podcast, love the animals. Let's 380 00:18:34,560 --> 00:18:37,159 Speaker 2: get into it. When I left college in Michigan to 381 00:18:37,200 --> 00:18:39,600 Speaker 2: move to LA and live the big dream, I found 382 00:18:39,600 --> 00:18:41,720 Speaker 2: out the big dream was living on a couch a 383 00:18:41,760 --> 00:18:44,600 Speaker 2: friend kindly put in his kitchen because another friend had 384 00:18:44,600 --> 00:18:46,760 Speaker 2: already taken the one in the living room. Like, what 385 00:18:46,880 --> 00:18:49,360 Speaker 2: a generous friend to you, Like, I don't have room 386 00:18:49,400 --> 00:18:51,679 Speaker 2: in the living room. But I'll do anything to help you. 387 00:18:51,880 --> 00:18:53,760 Speaker 1: Yeah, I'll go ahead and put a couch in this kitchen. 388 00:18:53,800 --> 00:18:54,160 Speaker 2: Oh nice. 389 00:18:54,320 --> 00:18:57,640 Speaker 1: That's that's the idea. It's just like, help as many 390 00:18:57,680 --> 00:18:59,960 Speaker 1: people as you can in La. That's the advice. I'd 391 00:19:00,200 --> 00:19:02,119 Speaker 1: total help as many people as you can, because you 392 00:19:02,160 --> 00:19:04,200 Speaker 1: have no idea where anybody's gonna go. 393 00:19:04,280 --> 00:19:06,359 Speaker 2: Right, But to also do it because you're a nice person, 394 00:19:06,600 --> 00:19:09,160 Speaker 2: not just because you want to get somewhere. Oh true, true, 395 00:19:09,200 --> 00:19:12,199 Speaker 2: But but you're not implying otherwise. So I don't mean 396 00:19:12,240 --> 00:19:12,640 Speaker 2: to say that. 397 00:19:12,720 --> 00:19:15,000 Speaker 1: Well yeah, just almost like you could be a nice 398 00:19:15,000 --> 00:19:17,400 Speaker 1: person but still be like, but I don't have enough couches. 399 00:19:17,520 --> 00:19:20,600 Speaker 1: It's like, but you do, yes, okay. 400 00:19:20,680 --> 00:19:22,520 Speaker 2: I got a job at a warehouse nearby so I 401 00:19:22,560 --> 00:19:24,840 Speaker 2: could walk to and from work. In a city like La, 402 00:19:24,960 --> 00:19:26,640 Speaker 2: if you don't have a car, you do a lot 403 00:19:26,680 --> 00:19:29,280 Speaker 2: of walking. At night. On my way home from work, 404 00:19:29,280 --> 00:19:32,560 Speaker 2: I would often find myself walking past a woman walking alone. 405 00:19:32,960 --> 00:19:35,000 Speaker 2: I'm a six to two black gay man, and I 406 00:19:35,040 --> 00:19:37,840 Speaker 2: can see how that would be a've bit intimidating, especially 407 00:19:37,880 --> 00:19:40,199 Speaker 2: knowing how men treat women in this world. So I 408 00:19:40,240 --> 00:19:42,160 Speaker 2: did the only thing I could think of to show 409 00:19:42,200 --> 00:19:44,480 Speaker 2: her I was a good guy. I put on my 410 00:19:44,560 --> 00:19:47,960 Speaker 2: best Naomi Campbell runway walk. I even tucked my non 411 00:19:48,000 --> 00:19:50,960 Speaker 2: existent hair behind my ear to really sell the I 412 00:19:51,080 --> 00:19:54,040 Speaker 2: mean you no harm message, because who would ever hurt 413 00:19:54,080 --> 00:19:57,320 Speaker 2: anyone if the sidewalk is their runway? Yes, su fully 414 00:19:57,359 --> 00:20:00,000 Speaker 2: creepy men won't steal this idea and use this game 415 00:20:00,200 --> 00:20:03,159 Speaker 2: power for evil, But just in case, ladies, just be 416 00:20:03,200 --> 00:20:06,760 Speaker 2: skeptical of all men walking alone at night. Anyways, I 417 00:20:06,840 --> 00:20:08,400 Speaker 2: just had to share it because I know I can't 418 00:20:08,400 --> 00:20:11,160 Speaker 2: be the only one who's done this. I'm pretty sure 419 00:20:11,160 --> 00:20:13,840 Speaker 2: this is common gay knowledge. I love you guys in 420 00:20:13,880 --> 00:20:16,040 Speaker 2: this podcast so much. It's such a comforting part of 421 00:20:16,080 --> 00:20:21,479 Speaker 2: my weekly routine. You guys are everything. Anyways, stay sexy 422 00:20:21,520 --> 00:20:25,720 Speaker 2: and do the Naomi Campbell walk, happy pride. Okay, okay, 423 00:20:26,000 --> 00:20:28,920 Speaker 2: I love that, just to be like it's like, I'm 424 00:20:28,920 --> 00:20:31,879 Speaker 2: not a threat. Let me show you my my walk. 425 00:20:32,040 --> 00:20:32,640 Speaker 1: Yeah, that's right. 426 00:20:32,760 --> 00:20:33,280 Speaker 2: I love that. 427 00:20:33,600 --> 00:20:36,840 Speaker 1: I saw someone say somewhere on social media someone said 428 00:20:36,840 --> 00:20:40,720 Speaker 1: they just start singing show too. Yes, I mean whatever 429 00:20:40,760 --> 00:20:41,160 Speaker 1: you can do. 430 00:20:41,200 --> 00:20:42,960 Speaker 2: I soon the one that were like they're like, hey, 431 00:20:42,960 --> 00:20:44,480 Speaker 2: I love your dress, and the girls like fuck you, 432 00:20:44,480 --> 00:20:46,040 Speaker 2: and he goes no, no, I'm sorry. I meant I 433 00:20:46,119 --> 00:20:49,960 Speaker 2: love your dress. 434 00:20:49,800 --> 00:20:52,679 Speaker 1: That's so nice. Oh that's so funny. It must be 435 00:20:52,840 --> 00:20:56,639 Speaker 1: very satisfying to suddenly just be like, yeah, throwing your 436 00:20:56,720 --> 00:21:02,760 Speaker 1: hips as I just like, oh God, okay. The subject 437 00:21:02,840 --> 00:21:05,720 Speaker 1: line of this email is Doppelganger Grandpa and it says 438 00:21:05,720 --> 00:21:09,920 Speaker 1: Hello Karen, Georgia and pets. Every Thanksgiving, my family would 439 00:21:10,000 --> 00:21:12,320 Speaker 1: make the ten hour drive from the middle of Wisconsin 440 00:21:12,359 --> 00:21:16,680 Speaker 1: to Florence, Kentucky, to visit my paternal grandparents. My dad 441 00:21:16,760 --> 00:21:19,200 Speaker 1: drove the entire way because that's just how he is. 442 00:21:19,560 --> 00:21:21,440 Speaker 1: He would always leave Wednesday in the middle of the 443 00:21:21,480 --> 00:21:24,359 Speaker 1: afternoon because he had to work. Typically we would get 444 00:21:24,400 --> 00:21:27,240 Speaker 1: there around one or two in the morning. My grandparents 445 00:21:27,280 --> 00:21:29,880 Speaker 1: lived in a cookie cutter neighborhood where every other house 446 00:21:29,920 --> 00:21:32,399 Speaker 1: looked exactly the same, so when we pulled into the 447 00:21:32,480 --> 00:21:35,159 Speaker 1: driveway with the outside light on, we didn't question it. 448 00:21:35,560 --> 00:21:38,040 Speaker 1: We knew the routine after years of making the drive 449 00:21:38,160 --> 00:21:41,040 Speaker 1: and started unpacking the car. My brother, who was ten, 450 00:21:41,119 --> 00:21:43,760 Speaker 1: grabbed his suitcase and went right inside and down to 451 00:21:43,800 --> 00:21:46,639 Speaker 1: the basement where us kids always slept. My grandpa came 452 00:21:46,680 --> 00:21:49,040 Speaker 1: out in his pajamas and watched us unpacking the car. 453 00:21:49,040 --> 00:21:52,880 Speaker 1: Top carrier. I remember thinking Grandpa looks taller, but continued 454 00:21:52,880 --> 00:21:56,359 Speaker 1: to grab suitcases and trash from the long journey. It 455 00:21:56,400 --> 00:21:58,719 Speaker 1: wasn't until the man said, in a thick Southern accent, 456 00:21:58,960 --> 00:22:03,919 Speaker 1: who are you people? We froze, baffled by our mistake 457 00:22:04,080 --> 00:22:07,760 Speaker 1: and started throwing shit back into the car, apologizing perfusely. 458 00:22:08,480 --> 00:22:11,480 Speaker 1: My dad hadn't even noticed this man was not his 459 00:22:11,640 --> 00:22:14,199 Speaker 1: dad at two in the morning. He looked identical to 460 00:22:14,200 --> 00:22:17,240 Speaker 1: my grandpa except for height, down to the way he stood, 461 00:22:17,600 --> 00:22:21,879 Speaker 1: his sleepy expression, mustache, balding gray hair, big belly, and 462 00:22:21,920 --> 00:22:25,080 Speaker 1: even that thick Southern accent. Oh my god, my sister 463 00:22:25,119 --> 00:22:30,320 Speaker 1: whispered to my mom. Brett went inside so good. My 464 00:22:30,400 --> 00:22:32,639 Speaker 1: mom almost became a trash parent and told her to 465 00:22:32,680 --> 00:22:36,320 Speaker 1: go get him, but remembered she was the adult. She 466 00:22:36,400 --> 00:22:38,640 Speaker 1: walked up to the man, quickly explained and went into 467 00:22:38,720 --> 00:22:41,240 Speaker 1: the house. She whispered to him down the stairs to 468 00:22:41,280 --> 00:22:44,719 Speaker 1: the basement. We are at the wrong house. And we 469 00:22:44,800 --> 00:22:47,399 Speaker 1: heard the thuds of his suitcase quickly coming off. 470 00:22:48,240 --> 00:22:51,119 Speaker 2: Like standing down everything, like what the this is weird? 471 00:22:51,240 --> 00:22:54,639 Speaker 1: Itmells weird down here. We didn't even bother to buckle 472 00:22:54,680 --> 00:22:57,240 Speaker 1: up as we backed out and drove our and drove 473 00:22:57,359 --> 00:23:01,639 Speaker 1: over two doors to my grandma. We laughed about it 474 00:23:01,680 --> 00:23:04,840 Speaker 1: all Thanksgiving break. My grandparents told us later that those 475 00:23:04,840 --> 00:23:07,640 Speaker 1: people were also expecting their family late that same night 476 00:23:07,720 --> 00:23:09,760 Speaker 1: and had just moved in a few weeks ago. 477 00:23:09,880 --> 00:23:10,359 Speaker 2: Oh wow. 478 00:23:10,640 --> 00:23:12,879 Speaker 1: We never talked to the people during the years we 479 00:23:12,920 --> 00:23:16,720 Speaker 1: went to Kentucky for Thanksgiving until summer of twenty twenty four, 480 00:23:17,080 --> 00:23:19,800 Speaker 1: when my grandpa passed away. We were at the entrance 481 00:23:19,800 --> 00:23:22,080 Speaker 1: of the church greeting people at the funeral when an 482 00:23:22,080 --> 00:23:25,159 Speaker 1: elderly gentleman introduced himself and his wife to us. We 483 00:23:25,240 --> 00:23:28,600 Speaker 1: quickly learned that it was my grandpa's doppelganger. We exchanged 484 00:23:28,600 --> 00:23:31,680 Speaker 1: the story from our different perspectives and learned that they too, 485 00:23:31,800 --> 00:23:35,199 Speaker 1: tell this story all the time. My best friend Katrina 486 00:23:35,240 --> 00:23:37,480 Speaker 1: and I saw you at the second show in Chicago 487 00:23:37,520 --> 00:23:40,520 Speaker 1: in November. We had an amazing time. Thank you for 488 00:23:40,640 --> 00:23:44,640 Speaker 1: never failing to make us laugh SSDGM Sarah. 489 00:23:44,240 --> 00:23:46,439 Speaker 2: Oh my god, that's hilarious. 490 00:23:46,600 --> 00:23:50,600 Speaker 1: That is such a great legendary family story of like 491 00:23:51,320 --> 00:23:53,760 Speaker 1: such a great example and it's both directions exactly. 492 00:23:53,840 --> 00:23:55,760 Speaker 2: That's like the best part is, like how do they 493 00:23:55,800 --> 00:23:56,520 Speaker 2: tell the story? 494 00:23:56,720 --> 00:23:58,840 Speaker 1: Yeah, it's so good, so good. 495 00:23:58,920 --> 00:24:00,960 Speaker 2: Do you have a story from your perspective, send it 496 00:24:01,000 --> 00:24:03,560 Speaker 2: to us at my Favorite Murder at gmail. But thanks 497 00:24:03,560 --> 00:24:07,160 Speaker 2: for listening. And happy pride and happy grads and dads. 498 00:24:07,119 --> 00:24:11,200 Speaker 1: Happy pride, gay power. Yeah, stay sexy. 499 00:24:10,920 --> 00:24:12,080 Speaker 2: And don't get murdered. 500 00:24:12,440 --> 00:24:23,440 Speaker 1: Goodbye, Elvis. Do you want a cookie? This has been 501 00:24:23,440 --> 00:24:24,680 Speaker 1: an exactly right production. 502 00:24:24,800 --> 00:24:27,520 Speaker 2: Our senior producer is Molly Smith and our associate producer 503 00:24:27,560 --> 00:24:28,280 Speaker 2: is Tessa Hughes. 504 00:24:28,400 --> 00:24:30,280 Speaker 1: Our editor is Aristotle Ascevedo. 505 00:24:30,440 --> 00:24:32,640 Speaker 2: This episode was mixed by Leona Squalacci. 506 00:24:32,680 --> 00:24:35,480 Speaker 1: Email your hometowns to My Favorite Murder at gmail dot com. 507 00:24:35,480 --> 00:24:37,680 Speaker 2: Follow the show on Instagram at my Favorite Murder. 508 00:24:37,720 --> 00:24:40,359 Speaker 1: Listen to My Favorite Murder on the iHeartRadio app, Apple 509 00:24:40,400 --> 00:24:42,600 Speaker 1: Podcasts or wherever you get your podcasts. 510 00:24:42,640 --> 00:24:44,840 Speaker 2: And now you can watch My Favorite Murder on Netflix. 511 00:24:45,000 --> 00:24:47,040 Speaker 1: And when you're there, hit the double thumbs up and 512 00:24:47,200 --> 00:24:49,240 Speaker 1: the remind me buttons. That's the best way you can 513 00:24:49,280 --> 00:24:52,320 Speaker 1: support our show. Goodbye,