1 00:00:05,160 --> 00:00:07,840 Speaker 1: Hey, this is Annie and Samantha and welcome to stuff 2 00:00:07,840 --> 00:00:18,759 Speaker 1: I never told you protection of iHeart radio and this 3 00:00:19,040 --> 00:00:23,439 Speaker 1: time for another happy hour. As Samantha and I record this, 4 00:00:23,520 --> 00:00:27,800 Speaker 1: it is Friday, late in the afternoon. Yeah, it's Happy 5 00:00:27,800 --> 00:00:30,240 Speaker 1: Our Time today. It's happy Our Time today, which is 6 00:00:30,400 --> 00:00:34,279 Speaker 1: is that's fun um as I always drink responsibly if 7 00:00:34,280 --> 00:00:37,559 Speaker 1: you choose to do so. With these episodes, we just 8 00:00:37,640 --> 00:00:40,680 Speaker 1: like to kind of create an oasis for you, if 9 00:00:40,680 --> 00:00:43,440 Speaker 1: you will, although this one is filled with a lot 10 00:00:43,479 --> 00:00:49,479 Speaker 1: of my rage and hurt and sadness. Not really, but Samantha, 11 00:00:50,800 --> 00:00:53,559 Speaker 1: what are you sitting on today? Oh? You know, I'm 12 00:00:53,560 --> 00:00:55,680 Speaker 1: throwing it back to my vino verde because it was 13 00:00:55,720 --> 00:00:58,880 Speaker 1: simply in my refrigerator after I thought I was gonna 14 00:00:58,920 --> 00:01:01,680 Speaker 1: have guests and when I said, guess someone who came 15 00:01:01,880 --> 00:01:04,880 Speaker 1: after a week of quarantine like I'm still pandemic living 16 00:01:05,000 --> 00:01:08,479 Speaker 1: and prepared to do it on our patio, well ahead 17 00:01:08,480 --> 00:01:12,199 Speaker 1: and put that out there. But they didn't come, so 18 00:01:12,400 --> 00:01:14,039 Speaker 1: which was fine by me, but that means I have 19 00:01:14,319 --> 00:01:17,960 Speaker 1: extra wine. So I pulled that out for my afternoon 20 00:01:18,000 --> 00:01:21,920 Speaker 1: Happy Our time with you. Thank you. You know, there 21 00:01:21,959 --> 00:01:25,440 Speaker 1: are some there are some positives for a cancelation of plans. 22 00:01:25,560 --> 00:01:29,160 Speaker 1: There are definitely I'm okay with cancelation of plans. I 23 00:01:29,240 --> 00:01:34,400 Speaker 1: know you unless it's me though, of course, because you 24 00:01:34,560 --> 00:01:40,759 Speaker 1: know never of course. Um, So, I have a story 25 00:01:40,800 --> 00:01:45,720 Speaker 1: behind what I'm drinking today. So I'm drinking a sake 26 00:01:46,600 --> 00:01:52,080 Speaker 1: called Perfect Snow and it's an unfiltered cold sake. And 27 00:01:52,520 --> 00:01:54,480 Speaker 1: when me and one of my exces, who I'm going 28 00:01:54,520 --> 00:01:57,800 Speaker 1: to talk about later in this episode, we were dating. 29 00:01:58,360 --> 00:02:01,280 Speaker 1: We loved this time, like if we on a menu, 30 00:02:01,560 --> 00:02:04,080 Speaker 1: we would order it. And I've been looking for it 31 00:02:04,160 --> 00:02:07,800 Speaker 1: for years and I could never find it. But today 32 00:02:08,200 --> 00:02:11,000 Speaker 1: we're recording this kind of early for when it's going 33 00:02:11,080 --> 00:02:16,280 Speaker 1: to come out. So right now it's Janu and believe 34 00:02:16,400 --> 00:02:19,280 Speaker 1: you me, I'm going to find a way to see Scream. 35 00:02:19,880 --> 00:02:22,960 Speaker 1: Believe you me. It came out today. I'm going to 36 00:02:23,000 --> 00:02:25,800 Speaker 1: a drive in. It's gonna be really scary, actually, I think. 37 00:02:26,680 --> 00:02:32,280 Speaker 1: But I So, I was trying to stock up. Georgia 38 00:02:32,400 --> 00:02:36,400 Speaker 1: shuts down if there's any hint of snow. So I 39 00:02:36,480 --> 00:02:39,800 Speaker 1: was trying to stock up, and I went to the 40 00:02:39,840 --> 00:02:41,799 Speaker 1: liquor store because I've been out of liquor, and I 41 00:02:41,880 --> 00:02:46,000 Speaker 1: was like, okay, and I saw I happened to see 42 00:02:46,600 --> 00:02:49,480 Speaker 1: this sack that I've been looking for for years, and 43 00:02:49,560 --> 00:02:52,040 Speaker 1: I just I just bought one, and I thought it 44 00:02:52,080 --> 00:02:54,959 Speaker 1: was perfect with the name Perfect Snow, and it's got 45 00:02:54,960 --> 00:02:58,880 Speaker 1: a nice well probably people think it's gross, but it's 46 00:02:58,400 --> 00:03:03,480 Speaker 1: the snowy texture and color and I'm drinking it at 47 00:03:03,520 --> 00:03:07,440 Speaker 1: the glass you gave me the Last of Us two glass, 48 00:03:07,480 --> 00:03:10,400 Speaker 1: because we're talking about the Last of Us two. Yes again, 49 00:03:12,760 --> 00:03:15,280 Speaker 1: she's saying that to me. I think, yeah, this is 50 00:03:15,320 --> 00:03:19,239 Speaker 1: mostly me complaining and talking and Samantha being very supportive, 51 00:03:19,280 --> 00:03:24,040 Speaker 1: so I appreciate that. Okay, So I do want to say, 52 00:03:24,120 --> 00:03:27,320 Speaker 1: I know I've spoiled this before. I've talked about it 53 00:03:27,360 --> 00:03:32,560 Speaker 1: a lot, but if you've somehow avoided spoilers for the game, 54 00:03:32,680 --> 00:03:35,720 Speaker 1: the twenty twenty game and the Last of Us two, 55 00:03:36,240 --> 00:03:39,280 Speaker 1: I am going to spoil some things, not super major, 56 00:03:40,240 --> 00:03:42,280 Speaker 1: but some things. And then I think some things I'm 57 00:03:42,320 --> 00:03:46,080 Speaker 1: not necessarily going to spoil, but the implication is there 58 00:03:46,120 --> 00:03:51,560 Speaker 1: and you can probably figure out. So just to say, alright, 59 00:03:51,640 --> 00:03:55,000 Speaker 1: So I feel like if I don't discuss the Last 60 00:03:55,000 --> 00:03:57,240 Speaker 1: of Us to every couple of months, then I might 61 00:03:57,480 --> 00:04:01,600 Speaker 1: fade into dust or something. So I, as I said, 62 00:04:01,640 --> 00:04:03,960 Speaker 1: to some of you who who checked in on me 63 00:04:04,000 --> 00:04:07,200 Speaker 1: over New Year's I was sobbing playing this game on 64 00:04:07,280 --> 00:04:10,400 Speaker 1: New Year's Eve, absolutely at a part that wasn't that sad. 65 00:04:10,520 --> 00:04:15,160 Speaker 1: Actually it did feel very appropriate, a very appropriate way 66 00:04:15,160 --> 00:04:18,600 Speaker 1: to close out. I'm doing the whole play through. I'm 67 00:04:18,600 --> 00:04:23,560 Speaker 1: about halfway through right now on my PlayStation five, which 68 00:04:23,600 --> 00:04:32,839 Speaker 1: I did get. It took me some yes and heavy yes, okay, 69 00:04:32,880 --> 00:04:36,240 Speaker 1: but this is actually this whole thing me wanting to 70 00:04:36,240 --> 00:04:39,120 Speaker 1: talk about this again is brought on by a friendly 71 00:04:39,360 --> 00:04:44,360 Speaker 1: tipsy debate between me and a friend and coworker of ours, Tyler, 72 00:04:44,600 --> 00:04:48,800 Speaker 1: at this now infamous holiday work party that we had. Yes, 73 00:04:48,920 --> 00:04:51,279 Speaker 1: so we talked about it, Yes, at the end of 74 00:04:52,120 --> 00:04:54,800 Speaker 1: before a Macrod, before we knew how bad it was. 75 00:04:55,080 --> 00:04:59,160 Speaker 1: It happened before that, but it was outdoor. It was outdoors. 76 00:04:59,240 --> 00:05:04,120 Speaker 1: But looking back it is a little like, I don't know, 77 00:05:04,760 --> 00:05:07,120 Speaker 1: but don't regret it. Yes, And as we said, and 78 00:05:07,720 --> 00:05:10,440 Speaker 1: I think two episodes now, Samantha and I were triggered 79 00:05:10,480 --> 00:05:12,760 Speaker 1: by this party, but I did actually have a really 80 00:05:12,760 --> 00:05:14,640 Speaker 1: good time for the most part. I was just really 81 00:05:14,680 --> 00:05:18,200 Speaker 1: overwhelmed by insecurities and I think not hanging out with 82 00:05:18,240 --> 00:05:21,359 Speaker 1: that many people and so long. Yeah, it workspace is 83 00:05:21,400 --> 00:05:24,040 Speaker 1: completely different too, just as a reminder, because you do 84 00:05:24,120 --> 00:05:28,480 Speaker 1: feel like there's a performative level, especially as hosts, like 85 00:05:28,600 --> 00:05:30,919 Speaker 1: what it needs to be seeing what we need to 86 00:05:30,960 --> 00:05:33,680 Speaker 1: do and how we need to be seen. Also why 87 00:05:33,720 --> 00:05:36,080 Speaker 1: it took me three times to leave the whole thing 88 00:05:36,120 --> 00:05:38,679 Speaker 1: because I kept going to the wrong places and leaving 89 00:05:39,520 --> 00:05:43,360 Speaker 1: behind things that I needed. Yeah, yeah, I mean that's 90 00:05:43,360 --> 00:05:45,320 Speaker 1: a that's a really good point to make, because there 91 00:05:45,400 --> 00:05:49,719 Speaker 1: was definitely there was a point in the night where 92 00:05:49,720 --> 00:05:53,320 Speaker 1: I was looking at three of our pretty big bosses 93 00:05:53,360 --> 00:05:57,320 Speaker 1: were there and I was watching them talk to other 94 00:05:58,120 --> 00:06:02,080 Speaker 1: other people that are on our level, and I had 95 00:06:02,120 --> 00:06:04,080 Speaker 1: the thought I should go and talk to them because 96 00:06:04,320 --> 00:06:08,280 Speaker 1: we Unfortunately, studies do show that that helps you, um 97 00:06:08,480 --> 00:06:11,680 Speaker 1: get career boost and I decided not to because I 98 00:06:11,720 --> 00:06:14,240 Speaker 1: didn't want to. Also, I was a little tipsy, and 99 00:06:14,320 --> 00:06:17,200 Speaker 1: I was like, not a good idea. One day, I'm 100 00:06:17,200 --> 00:06:19,600 Speaker 1: going to talk to our boss about the Bradley Cooper 101 00:06:19,680 --> 00:06:21,920 Speaker 1: Christmas card I made that probably freaked him out, but 102 00:06:22,360 --> 00:06:28,040 Speaker 1: not not no, but I'm sure he's seen it. Oh gosh. 103 00:06:28,080 --> 00:06:31,839 Speaker 1: The listeners are like, what are you talking about? Short? 104 00:06:32,120 --> 00:06:36,479 Speaker 1: Let me shorten this story so my mom for a 105 00:06:36,560 --> 00:06:39,239 Speaker 1: while got in her head that I should marry Bradley Paper. 106 00:06:39,720 --> 00:06:41,520 Speaker 1: I know that sounds weird, but he showed up at 107 00:06:41,520 --> 00:06:43,920 Speaker 1: our office once and I didn't notice him because he's 108 00:06:43,960 --> 00:06:47,240 Speaker 1: friends with one of our bosses. And I told her 109 00:06:47,279 --> 00:06:48,760 Speaker 1: about it, and I think she had a crush on 110 00:06:48,839 --> 00:06:50,960 Speaker 1: him at the time, and she was living through me, 111 00:06:51,000 --> 00:06:53,599 Speaker 1: but she would randomly text me at nine pm on 112 00:06:53,720 --> 00:06:56,000 Speaker 1: Tuesday and be like, have you talked to Bradley Cooper yet? 113 00:06:56,040 --> 00:07:02,040 Speaker 1: I'm like no. So we got us sponsor that wanted wanted, 114 00:07:02,040 --> 00:07:05,040 Speaker 1: because this was when I was hosting Sminthy Solo, wanted 115 00:07:05,040 --> 00:07:08,960 Speaker 1: me to printed a holiday card. I wasn't dating anybody. 116 00:07:08,960 --> 00:07:11,920 Speaker 1: I didn't have a pet. So I photoshopped an image 117 00:07:11,960 --> 00:07:14,640 Speaker 1: of me and Bradley Cooper together and I got a 118 00:07:14,680 --> 00:07:20,640 Speaker 1: hundred copies of it and it looks great. It looks fantastic, 119 00:07:21,440 --> 00:07:22,800 Speaker 1: and I gave them out to a bunch of my 120 00:07:22,800 --> 00:07:25,480 Speaker 1: friends and I wrote personalized messages on the back. My 121 00:07:25,520 --> 00:07:28,320 Speaker 1: mom actually believed it was real for a second. I'd 122 00:07:28,320 --> 00:07:31,680 Speaker 1: be like, no, Mom, I would have told you. But anyway, 123 00:07:32,080 --> 00:07:34,640 Speaker 1: I've always wondered what he thought about his friend being 124 00:07:34,680 --> 00:07:38,200 Speaker 1: featured on this kind of creepy holiday card. Um. I 125 00:07:38,320 --> 00:07:42,040 Speaker 1: have no real opinion on probably Cooper, to be honest, 126 00:07:42,040 --> 00:07:45,080 Speaker 1: but I did think it was funny. I thought it 127 00:07:45,120 --> 00:07:47,360 Speaker 1: was funny, but he's probably weirded out by it. That 128 00:07:47,520 --> 00:08:04,840 Speaker 1: was not the night to approach him, I think anyway. Okay, 129 00:08:05,200 --> 00:08:08,080 Speaker 1: So it was the end of the night at this 130 00:08:08,200 --> 00:08:12,200 Speaker 1: party and I was pretty tipsy, and my friend Tyler 131 00:08:12,200 --> 00:08:14,080 Speaker 1: and I got into this debate about the last of 132 00:08:14,160 --> 00:08:17,160 Speaker 1: Us two, and he was saying he thought Ellie's revenge 133 00:08:17,200 --> 00:08:23,560 Speaker 1: story made her quote irredeemable, and oh der apologies Tyler 134 00:08:24,040 --> 00:08:28,520 Speaker 1: for randomly shouting dig two graves far too loudly, far 135 00:08:28,560 --> 00:08:31,320 Speaker 1: too excitedly, as if I had definitely won an argument, 136 00:08:33,640 --> 00:08:36,160 Speaker 1: because that's a reference both to the idea that revenge 137 00:08:36,200 --> 00:08:39,280 Speaker 1: will end up killing you two um, but also it's 138 00:08:39,320 --> 00:08:41,320 Speaker 1: an achievement you get in the game. If he beat 139 00:08:41,360 --> 00:08:45,400 Speaker 1: it on grounded, he probably doesn't know that he might, 140 00:08:45,800 --> 00:08:48,440 Speaker 1: but it was certainly a random pic to just shout. 141 00:08:50,400 --> 00:08:53,080 Speaker 1: And then I went into a whole thing about how 142 00:08:53,080 --> 00:08:55,120 Speaker 1: it's not supposed to make you feel good. This game 143 00:08:55,160 --> 00:08:57,440 Speaker 1: isn't supposed to make you feel good, How it's supposed 144 00:08:57,480 --> 00:09:00,480 Speaker 1: to make you feel empathy and regret and like face 145 00:09:00,559 --> 00:09:03,160 Speaker 1: your violent decisions that you made and perhaps that you 146 00:09:03,160 --> 00:09:05,280 Speaker 1: didn't want to make as a player, but you did. 147 00:09:05,800 --> 00:09:10,080 Speaker 1: Um but too often that these games are about senseless 148 00:09:10,160 --> 00:09:13,320 Speaker 1: violence and you don't ever kind of face the music, 149 00:09:13,360 --> 00:09:16,160 Speaker 1: as they say, and how I've never played a game 150 00:09:16,160 --> 00:09:18,000 Speaker 1: that made me feel that way. Blah blah blah. You've 151 00:09:18,000 --> 00:09:20,559 Speaker 1: all heard it from me a million times. I did 152 00:09:20,600 --> 00:09:23,360 Speaker 1: not make my point well because tipsiness. I would just 153 00:09:23,400 --> 00:09:25,600 Speaker 1: point at somebody to be like, they agree with me, 154 00:09:25,760 --> 00:09:29,319 Speaker 1: poor Tyler. Anyway, after that, one thing I kept thinking 155 00:09:29,320 --> 00:09:31,800 Speaker 1: about and that I've heard a lot of men allude 156 00:09:31,840 --> 00:09:34,360 Speaker 1: to and they critique this game, and something we've actually 157 00:09:34,440 --> 00:09:40,160 Speaker 1: talked about is how we treat women's vengeance stories versus men's. Uh. 158 00:09:40,160 --> 00:09:43,680 Speaker 1: And just to be clear, I always had to reiterate 159 00:09:43,720 --> 00:09:45,640 Speaker 1: this because it's okay to not like things and to 160 00:09:45,679 --> 00:09:48,960 Speaker 1: have critiques as long as they aren't sexist, racist, able, this, homophobic, 161 00:09:49,000 --> 00:09:51,880 Speaker 1: what have you, the type of critiques that were largely 162 00:09:51,880 --> 00:09:54,679 Speaker 1: lobbed at this game. I think Tyler was very legitimate 163 00:09:55,040 --> 00:09:59,240 Speaker 1: in his points. I just want to put that out there. 164 00:09:59,280 --> 00:10:02,240 Speaker 1: That's total of the sexless races, able us or homophobic No. 165 00:10:02,320 --> 00:10:04,040 Speaker 1: I think he was just sorry it didn't make me 166 00:10:04,080 --> 00:10:07,520 Speaker 1: feel good, and that's totally fair. You love it for 167 00:10:07,559 --> 00:10:11,640 Speaker 1: the sobbings and feeling like being in the depths of despair, right, 168 00:10:11,760 --> 00:10:17,760 Speaker 1: and he didn't like that, and that's again totally and 169 00:10:17,800 --> 00:10:19,760 Speaker 1: I'm gonna agree with them. That's not one of my 170 00:10:19,760 --> 00:10:22,800 Speaker 1: favorite emotions, right, right, right, right, So I just want 171 00:10:22,800 --> 00:10:26,360 Speaker 1: to put that out there. However, I do think it's 172 00:10:26,400 --> 00:10:29,280 Speaker 1: interesting how many times I've heard this argument that Ellie, 173 00:10:29,880 --> 00:10:31,920 Speaker 1: who is the main character that you play in the 174 00:10:31,960 --> 00:10:35,880 Speaker 1: last of us two, she was sort of the I 175 00:10:35,920 --> 00:10:38,079 Speaker 1: don't want to see side character, but kind of side 176 00:10:38,200 --> 00:10:42,199 Speaker 1: character of the first one that you're protecting. Um that 177 00:10:42,320 --> 00:10:45,240 Speaker 1: Ellie and the second one is horrible for what she does, 178 00:10:45,360 --> 00:10:48,680 Speaker 1: that she should have just been more thankful to Joel. 179 00:10:48,800 --> 00:10:51,839 Speaker 1: Her kind of violent, angry caretaker that you play in 180 00:10:51,880 --> 00:10:55,960 Speaker 1: the first one. We don't necessarily see his vengeance story 181 00:10:56,480 --> 00:10:58,200 Speaker 1: after the death of his daughter in the first one, 182 00:10:58,240 --> 00:11:00,320 Speaker 1: but it is implied that it occurred, and that was 183 00:11:00,559 --> 00:11:04,720 Speaker 1: horribly traumatizing for his younger brother, Tommy, the person Joel 184 00:11:04,760 --> 00:11:08,600 Speaker 1: claimed he did these actions for. As the player, you 185 00:11:08,679 --> 00:11:12,280 Speaker 1: know that it's got about twenty twenty years of bodies 186 00:11:12,360 --> 00:11:15,480 Speaker 1: and the wake between what happens when it starts and 187 00:11:15,520 --> 00:11:17,760 Speaker 1: when you actually start playing this character, because that's how 188 00:11:17,760 --> 00:11:20,400 Speaker 1: long the period is a period of time and they 189 00:11:20,440 --> 00:11:24,240 Speaker 1: live in this you know, harsh, cruel world, and through 190 00:11:24,360 --> 00:11:27,120 Speaker 1: Joel and his actions, we can infer just how awful 191 00:11:27,600 --> 00:11:31,120 Speaker 1: everything is and and Joel how he responded to it. 192 00:11:31,800 --> 00:11:34,160 Speaker 1: So when you meet Ellie in the first one, she's 193 00:11:34,200 --> 00:11:36,960 Speaker 1: a contrast of that. She's young, she's innocent, she still 194 00:11:36,960 --> 00:11:39,520 Speaker 1: will kill you, but she's much more curious and hopeful. 195 00:11:39,800 --> 00:11:43,280 Speaker 1: She's fourteen, so you know it's easier to get behind 196 00:11:43,360 --> 00:11:47,360 Speaker 1: violence to protect her that. Plus, you know she is 197 00:11:47,400 --> 00:11:50,960 Speaker 1: immune and the key to the vaccine that will hopefully 198 00:11:51,080 --> 00:11:56,280 Speaker 1: end this zombie apocalypse in this game. So at the end, 199 00:11:56,320 --> 00:11:59,120 Speaker 1: when it turns out using Ellie's immunity to manufacture a 200 00:11:59,160 --> 00:12:01,760 Speaker 1: vaccine would kill her, and Joel, who is now attached 201 00:12:01,800 --> 00:12:04,200 Speaker 1: to Ellie and use her as a surrogate daughter, does 202 00:12:04,240 --> 00:12:06,000 Speaker 1: not want to go through the loss of another daughter, 203 00:12:06,400 --> 00:12:10,840 Speaker 1: slaughters everyone at this Firefly, which is sort of an 204 00:12:10,960 --> 00:12:14,960 Speaker 1: organization sometimes labeled a terrorist group that is trying to 205 00:12:15,000 --> 00:12:18,240 Speaker 1: find a cure um. He kills everybody at this Firefly outpost, 206 00:12:18,440 --> 00:12:20,959 Speaker 1: and he lies to Ellie when she wakes up, telling 207 00:12:20,960 --> 00:12:23,680 Speaker 1: her there was no cure, there plenty like her, that 208 00:12:23,720 --> 00:12:26,520 Speaker 1: he didn't kill anybody. The ending is from her point 209 00:12:26,520 --> 00:12:30,120 Speaker 1: of view, where she admits her survivor's guilt. Um that 210 00:12:30,200 --> 00:12:33,120 Speaker 1: she's still quote waiting for her turn is presented very 211 00:12:33,200 --> 00:12:36,480 Speaker 1: ambiguously as both Ellie and the audience are unsure of 212 00:12:36,520 --> 00:12:39,920 Speaker 1: how to feel about what happened, and all this sets 213 00:12:39,960 --> 00:12:44,240 Speaker 1: in motion what happens in the sequel. So in the 214 00:12:44,280 --> 00:12:47,679 Speaker 1: second one, Ellie learns of Joel's lies and their relationship 215 00:12:47,760 --> 00:12:50,560 Speaker 1: is almost completely destroyed. She is angry he took away 216 00:12:50,600 --> 00:12:52,800 Speaker 1: the choice for her, a chance for her life to 217 00:12:52,920 --> 00:12:57,080 Speaker 1: quote matter In her words, Joel is unrepetant. This is 218 00:12:57,120 --> 00:12:59,600 Speaker 1: complicated for a lot of reasons. Ellie would have consented, 219 00:12:59,640 --> 00:13:02,000 Speaker 1: but she's also under age. She would have consented to 220 00:13:02,000 --> 00:13:04,560 Speaker 1: the surgery that would have killed her, but does that 221 00:13:04,600 --> 00:13:08,240 Speaker 1: matter in the zombie apocalypse and Joel isn't her guardian? 222 00:13:08,360 --> 00:13:12,920 Speaker 1: But again, Zombie Apocalypse, I think it's important to remember 223 00:13:12,960 --> 00:13:16,040 Speaker 1: she's a kid in a very traumatizing world who was 224 00:13:16,120 --> 00:13:18,920 Speaker 1: lied to by a man she hasn't known very long. 225 00:13:19,720 --> 00:13:22,280 Speaker 1: Not to diminish their relationship. But she's a teenage girl, 226 00:13:22,320 --> 00:13:25,160 Speaker 1: and I think her response is valid. How many of 227 00:13:25,240 --> 00:13:28,920 Speaker 1: us have had falling outs for less than being lied 228 00:13:28,960 --> 00:13:33,400 Speaker 1: to about like your whole thing and killing everybody that 229 00:13:33,440 --> 00:13:38,160 Speaker 1: you believed in anyway. And yet my brother's reaction to 230 00:13:38,200 --> 00:13:40,120 Speaker 1: all this was essentially what a bit? Don't you know 231 00:13:40,200 --> 00:13:42,560 Speaker 1: what he did for you? She didn't ask for that. 232 00:13:42,800 --> 00:13:46,720 Speaker 1: It wasn't a selfless deed all for her, but it 233 00:13:46,800 --> 00:13:51,120 Speaker 1: was at least in part for him. He didn't want 234 00:13:51,120 --> 00:13:53,559 Speaker 1: to deal with the grief and trauma. And I'm not 235 00:13:53,600 --> 00:13:55,600 Speaker 1: saying that's wrong. He did kill a lot of people. 236 00:13:55,720 --> 00:13:57,880 Speaker 1: That's not great, but I'm not saying that he was 237 00:13:57,920 --> 00:14:01,760 Speaker 1: wrong to want to keep that. But it wasn't selfless. 238 00:14:02,440 --> 00:14:05,320 Speaker 1: And now she Ellie has to live with the fact 239 00:14:05,400 --> 00:14:07,559 Speaker 1: that there could have been a vaccine and there isn't 240 00:14:08,200 --> 00:14:11,360 Speaker 1: and can't be. It is implied. And yes, I'm not 241 00:14:11,400 --> 00:14:14,600 Speaker 1: condoning violence, but several of Ellie's worst transgussions are things 242 00:14:14,640 --> 00:14:18,480 Speaker 1: she learned from Joel, are things that were accidents. Um, 243 00:14:18,480 --> 00:14:21,040 Speaker 1: that's part of the point. I think she rejects Joel's 244 00:14:21,080 --> 00:14:24,160 Speaker 1: violent actions but ends up doing them herself in her 245 00:14:24,200 --> 00:14:27,120 Speaker 1: quest for revenge. The game doesn't condone her actions either 246 00:14:27,480 --> 00:14:30,440 Speaker 1: over and over again. The messaging is that revenge is pointless. 247 00:14:30,440 --> 00:14:33,280 Speaker 1: It's a pointless cycle that only results in death. Playing 248 00:14:33,280 --> 00:14:37,160 Speaker 1: out on personal levels and on larger social scales. It 249 00:14:37,200 --> 00:14:43,280 Speaker 1: never ends. Oh, I never ends. Will play it over 250 00:14:43,320 --> 00:14:45,400 Speaker 1: and over again. I know. I think I'm on my 251 00:14:45,520 --> 00:15:02,760 Speaker 1: life to play through what ridiculous. So it's just it's 252 00:15:02,760 --> 00:15:04,080 Speaker 1: just hard for me not to think that if the 253 00:15:04,200 --> 00:15:07,280 Speaker 1: roles were versed in the second one and we were 254 00:15:07,280 --> 00:15:11,480 Speaker 1: still playing Joel, the your action wouldn't be He's irredeemable. 255 00:15:11,920 --> 00:15:15,720 Speaker 1: It might be he's dark or an anti hero. Maybe 256 00:15:15,720 --> 00:15:17,880 Speaker 1: we would still be upset. But because we're so used 257 00:15:17,920 --> 00:15:20,920 Speaker 1: to seeing white male rage and violence in the name 258 00:15:20,920 --> 00:15:24,200 Speaker 1: of a girl or woman justified and glorified, we grant 259 00:15:25,040 --> 00:15:29,480 Speaker 1: these characters like Joel more leeway. I think, I think 260 00:15:29,560 --> 00:15:32,800 Speaker 1: we're much more willing to be like, wow, that was 261 00:15:32,840 --> 00:15:34,880 Speaker 1: a terrible thing he just did. But I get it, 262 00:15:35,440 --> 00:15:40,640 Speaker 1: and we're not so likely to do that for female characters, 263 00:15:40,680 --> 00:15:44,440 Speaker 1: for women are girls. At one point, Ellie even says 264 00:15:44,960 --> 00:15:47,440 Speaker 1: if it were you or I, Joel would be halfway 265 00:15:47,440 --> 00:15:50,280 Speaker 1: to Seattle already, implying Joel would have done exactly what 266 00:15:50,320 --> 00:15:53,000 Speaker 1: she did, and he absolutely would have. That's what I 267 00:15:53,040 --> 00:15:57,320 Speaker 1: think he absolutely would have. And it's a it's a 268 00:15:57,400 --> 00:15:59,840 Speaker 1: terrible cycle. When the Ellie manages to sum up break 269 00:16:00,200 --> 00:16:03,200 Speaker 1: but not after losing pretty much everything. It's certainly inspiring 270 00:16:03,360 --> 00:16:05,520 Speaker 1: many to want to seek revenge of their own. It 271 00:16:05,560 --> 00:16:09,360 Speaker 1: reminds me of kill Bill, where she's like, one day 272 00:16:09,400 --> 00:16:12,360 Speaker 1: you'll grew up. The assassin is saying to the young girl, 273 00:16:13,040 --> 00:16:14,560 Speaker 1: one day you'll grew up and you can try to 274 00:16:14,600 --> 00:16:17,960 Speaker 1: get revenge on me. That that's what it kind of 275 00:16:17,960 --> 00:16:21,200 Speaker 1: felt like in my opinion. I think there's so much 276 00:16:21,240 --> 00:16:22,880 Speaker 1: we could talk about there and and we have talked 277 00:16:22,880 --> 00:16:26,880 Speaker 1: about women in revenge and in revenge movies. I just 278 00:16:26,920 --> 00:16:30,880 Speaker 1: think we're so much more accepting of male violence than 279 00:16:31,000 --> 00:16:34,120 Speaker 1: female violence. And I don't think again, I don't condone violence, 280 00:16:34,400 --> 00:16:41,160 Speaker 1: but that is it just gives me pause. And I 281 00:16:41,200 --> 00:16:43,840 Speaker 1: think also a commentary on a lot of the female violence, 282 00:16:43,880 --> 00:16:45,840 Speaker 1: and not necessarily with this one. This is a whole 283 00:16:45,880 --> 00:16:49,120 Speaker 1: different game when it comes to because it was the 284 00:16:49,200 --> 00:16:51,680 Speaker 1: person she's going after is another woman, but typically in 285 00:16:51,760 --> 00:16:55,280 Speaker 1: other revenged things is because of some type of violent 286 00:16:55,360 --> 00:16:59,240 Speaker 1: act acted onto a woman and or her family that 287 00:16:59,640 --> 00:17:03,560 Speaker 1: propelled choice that and that in itself is a commentary 288 00:17:03,800 --> 00:17:11,119 Speaker 1: on men in many ways. Now, I think that's a 289 00:17:11,200 --> 00:17:15,240 Speaker 1: good point, because I mean, this is such a deeper 290 00:17:15,240 --> 00:17:17,040 Speaker 1: thing we could get into, but it feels very of 291 00:17:17,119 --> 00:17:20,199 Speaker 1: the still kind of women are possessions. Men have to 292 00:17:20,200 --> 00:17:23,000 Speaker 1: protect them, and other men are going to hurt this 293 00:17:23,320 --> 00:17:27,919 Speaker 1: possession of this guy to hurt him. But it's not 294 00:17:28,000 --> 00:17:32,240 Speaker 1: about her at all. It's just that she's a thing 295 00:17:33,280 --> 00:17:37,600 Speaker 1: that they can hurt to get to the man. And 296 00:17:37,640 --> 00:17:39,040 Speaker 1: I know we talked about that when we did our 297 00:17:39,040 --> 00:17:43,240 Speaker 1: episode on Survival Horror. How I think so many of 298 00:17:43,400 --> 00:17:46,960 Speaker 1: them Mossley dudes who are mad about the last of 299 00:17:47,040 --> 00:17:50,399 Speaker 1: us two for reasons like I outlined that are I 300 00:17:50,440 --> 00:17:55,120 Speaker 1: would say, not legitimate critiques. They're just mad. They were 301 00:17:55,160 --> 00:17:59,200 Speaker 1: willing in the first one, you're protecting this little girl, 302 00:17:59,359 --> 00:18:02,960 Speaker 1: and even though she is powerful and scary, she's still 303 00:18:03,040 --> 00:18:05,840 Speaker 1: kind of the secondary character that you're protecting as the 304 00:18:05,880 --> 00:18:09,320 Speaker 1: main male playable character. And they were down with that, right. 305 00:18:09,760 --> 00:18:12,560 Speaker 1: But then when we're like, you know, now you're gonna 306 00:18:12,560 --> 00:18:17,439 Speaker 1: play her, they were not down that right. That's not 307 00:18:17,520 --> 00:18:20,640 Speaker 1: the only piece of that puzzle, but I do think 308 00:18:20,680 --> 00:18:24,520 Speaker 1: it is a piece because it we're just so used 309 00:18:24,520 --> 00:18:27,879 Speaker 1: to justifying violence with men in the name of women 310 00:18:28,320 --> 00:18:31,320 Speaker 1: that that was totally cool, and people felt good about 311 00:18:31,400 --> 00:18:33,360 Speaker 1: killing all those people at the end of the first one, 312 00:18:33,680 --> 00:18:37,520 Speaker 1: and I'm like, it's kind of a conversation about what 313 00:18:37,560 --> 00:18:40,600 Speaker 1: they see as hero hero actions, and of course that 314 00:18:40,720 --> 00:18:46,560 Speaker 1: in itself is a male label in its entirety. So again, 315 00:18:46,680 --> 00:18:49,320 Speaker 1: if we really wanted to go real deep, there's a 316 00:18:49,400 --> 00:18:52,639 Speaker 1: reason why those kind of revenge films, john Wick films, 317 00:18:52,680 --> 00:18:55,800 Speaker 1: all of those things are very much incomes with like, yes, 318 00:18:55,960 --> 00:18:59,160 Speaker 1: this is manly, this is what we do when women 319 00:18:59,160 --> 00:19:01,680 Speaker 1: do it, they're crazy easy and it's psychotic, and this 320 00:19:01,760 --> 00:19:08,800 Speaker 1: is unnecessarily violent exactly. Yeah. Yeah, she's irredeemable. How could 321 00:19:08,800 --> 00:19:12,960 Speaker 1: I play someone as terrible as her? Yeah, So I 322 00:19:13,000 --> 00:19:17,399 Speaker 1: am very very excited and nervous to see what people 323 00:19:17,440 --> 00:19:19,800 Speaker 1: think about the show, the HBOS show that is coming 324 00:19:19,800 --> 00:19:24,520 Speaker 1: this year. They just wrapped filming and the second season, 325 00:19:24,520 --> 00:19:26,680 Speaker 1: which they've already an ounce, which I was assuming will 326 00:19:26,720 --> 00:19:29,480 Speaker 1: be the second game, whether or not we see this 327 00:19:29,560 --> 00:19:32,080 Speaker 1: conversation play out, and how people are going to feel 328 00:19:32,080 --> 00:19:35,320 Speaker 1: about a revenge story that is a tragedy that condemns revenge, 329 00:19:35,320 --> 00:19:37,560 Speaker 1: because that's another thing we should say. Like in the 330 00:19:37,600 --> 00:19:40,440 Speaker 1: first one, I feel like the creators of the game, 331 00:19:41,560 --> 00:19:44,240 Speaker 1: I don't think what Joel did is good, but they 332 00:19:44,320 --> 00:19:47,240 Speaker 1: leave it. So it's like, it's hard. It's a hard 333 00:19:47,280 --> 00:19:49,680 Speaker 1: decision because you don't want Ellie to die, but also 334 00:19:49,760 --> 00:19:52,040 Speaker 1: he killed all those people and destroy the chance for 335 00:19:52,040 --> 00:19:54,520 Speaker 1: a vaccine, so it's not happy. It's not a like fun, 336 00:19:54,560 --> 00:19:57,680 Speaker 1: easy decision. But it's not like the game was like, yeah, 337 00:19:57,920 --> 00:20:01,119 Speaker 1: Joel's right. It was very much more like m was 338 00:20:01,160 --> 00:20:04,920 Speaker 1: he right? So I'm interested to see how that plays out, 339 00:20:05,080 --> 00:20:08,200 Speaker 1: especially in terms of I was just thinking about how 340 00:20:08,280 --> 00:20:11,160 Speaker 1: the last game of Throne season played out and how 341 00:20:11,200 --> 00:20:16,359 Speaker 1: everybody thought Aria Start could have never killed the Night King, 342 00:20:16,520 --> 00:20:20,720 Speaker 1: and I'm like, did we watch the same show? But anyway, 343 00:20:21,240 --> 00:20:25,200 Speaker 1: I'm excited, slash nervous, And also just one little point 344 00:20:25,240 --> 00:20:26,439 Speaker 1: I want to add in here. It's one of the 345 00:20:26,440 --> 00:20:29,600 Speaker 1: most ridiculous, petty things I've had feelings that I've had 346 00:20:29,600 --> 00:20:33,080 Speaker 1: in a while. For some reason, I got like I 347 00:20:33,119 --> 00:20:34,879 Speaker 1: felt like a spike of anger at the thought of 348 00:20:34,920 --> 00:20:37,479 Speaker 1: my ex telling people that he was already in on 349 00:20:37,560 --> 00:20:42,800 Speaker 1: this trade. If it gets popular, here's somebody who's like that, 350 00:20:43,440 --> 00:20:50,639 Speaker 1: But at the second you probably will. You know it's true. 351 00:20:52,840 --> 00:20:55,560 Speaker 1: But at the same time, I need to tell him 352 00:20:55,600 --> 00:20:57,960 Speaker 1: about what happens in the second one, so it doesn't 353 00:20:57,960 --> 00:21:01,240 Speaker 1: make sense. I'm like, I want to tell everything about 354 00:21:01,280 --> 00:21:03,520 Speaker 1: this game that he's missed since we broke up, but 355 00:21:03,640 --> 00:21:05,960 Speaker 1: also I don't want him to say he knew about 356 00:21:06,000 --> 00:21:12,080 Speaker 1: it before. He'll call you out. Don't don't speak out 357 00:21:12,080 --> 00:21:18,600 Speaker 1: of our dude, I'm waiting from watching watching No, this 358 00:21:18,680 --> 00:21:20,600 Speaker 1: is me being very, very silly, but I do think 359 00:21:20,640 --> 00:21:24,880 Speaker 1: that's funny these as as you and I were discussing earlier, Samantha, 360 00:21:24,920 --> 00:21:30,280 Speaker 1: relationships are are weird. Yes, he also gave me a 361 00:21:30,400 --> 00:21:33,159 Speaker 1: Last of Us big magnet that's on my refrigerator, so 362 00:21:33,200 --> 00:21:36,360 Speaker 1: I think of it. I think of him with that often. 363 00:21:37,760 --> 00:21:41,040 Speaker 1: We'll see. There's a lot of things that we need 364 00:21:41,080 --> 00:21:46,399 Speaker 1: to see how they play out. But in the meantime, cheers, cheers, boo. Yes, 365 00:21:47,119 --> 00:21:50,200 Speaker 1: thank you for letting me talk about the Last of 366 00:21:50,280 --> 00:21:52,560 Speaker 1: Us two again. I'm sure in three months we'll be 367 00:21:52,600 --> 00:21:59,280 Speaker 1: back some more. But in the meantime, listeners, if you 368 00:21:59,320 --> 00:22:02,280 Speaker 1: have any questions for things we should talk about or 369 00:22:02,560 --> 00:22:06,240 Speaker 1: should be talking about, you can email us, our email us, 370 00:22:06,240 --> 00:22:08,360 Speaker 1: stuffit Media mom stuff at i heeart media dot com. 371 00:22:08,560 --> 00:22:11,080 Speaker 1: You can find us on Twitter at moms podcast or 372 00:22:11,160 --> 00:22:13,440 Speaker 1: on Instagram and stuff I Never Told You things. It's 373 00:22:13,520 --> 00:22:16,800 Speaker 1: always to our super producer Christina. Yes, and we need 374 00:22:16,840 --> 00:22:18,639 Speaker 1: to have our join in this happy hour because I 375 00:22:18,640 --> 00:22:21,879 Speaker 1: feel like he already knows everything from the last of 376 00:22:21,960 --> 00:22:26,439 Speaker 1: us as well just from our episode. Christina, you'll be 377 00:22:26,480 --> 00:22:31,440 Speaker 1: back for this one. Yes. Sorry for the spoilers and 378 00:22:31,520 --> 00:22:34,520 Speaker 1: thanks to you listeners for listening Stuff I Never Told 379 00:22:34,560 --> 00:22:36,320 Speaker 1: You the protection of I Heart Radio. For more. Podcast 380 00:22:36,359 --> 00:22:38,480 Speaker 1: from my Heart Radio is the Hear Radio app, Apple 381 00:22:38,480 --> 00:22:40,480 Speaker 1: podcast or Revery listen to your favorite shows