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Speaker 1: What's up, zaric Andre?

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Speaker 2: And this is Bombing, the podcast where I talk to comedians,

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Speaker 2: artists and other interesting people about the worst bombs of

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Speaker 2: their career. On today's episode, we have certified Sweetie Pie

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Speaker 2: and my friend the Queef of comedy, yourself, Sandy Hoenig.

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Speaker 2: We talk about Sandy's worst bombs in London and a

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Speaker 2: youth hostel on Long Island City, plus mister Beast prop comedy,

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Speaker 2: three busy DeBras, the worst day of the week to

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Speaker 2: do comedy, and a whole lot more.

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Speaker 1: Enjoy Bombing.

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Speaker 3: Baling with Eric.

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Speaker 2: Andre Sandy Onig. We're here with the comedian extraordinaire. I

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Speaker 2: said her name first, which already fund up. The intro

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Speaker 2: doesn't matter. You've seen her on h one Ciso a Kuwimi.

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Speaker 1: I love your intro. I don't think cable doesn't.

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Speaker 4: At this right you.

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Speaker 1: Have to be mister beasts on YouTube and be.

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Speaker 2: Like, dude, I just gave it home this guy five

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Speaker 2: bucks and people were like, holy shit.

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Speaker 5: I just thought that he went in like an ancient

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Speaker 5: Egyptian pyramid tomb.

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Speaker 1: He hacked the algorithm. I'm like, man, I'm overthinking this

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Speaker 1: entertainment business.

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Speaker 2: He's just like, dude, I went in a tomb and

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Speaker 2: guess what I picked toot and commons no, and people

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Speaker 2: are like forty billion likes.

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Speaker 4: So I'm like, really crazy.

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Speaker 5: I only watched one of his videos, which is when

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Speaker 5: he restores sight.

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Speaker 4: To the blind.

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Speaker 5: He's like, but he like does it in this way

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Speaker 5: where he's like he's like patting.

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Speaker 2: Himself on the back of little well. I know, I

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Speaker 2: don't know too much about him. I don't want to

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Speaker 2: talk about him a lovely guy.

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Speaker 4: I know he's an absolutely lovely guy.

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Speaker 2: Mister, I really have known. Why is he called mister beasts?

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Speaker 2: He doesn't seem beast, you know, he doesn't at all.

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Speaker 1: He should be called mister regular guys. I thought he

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Speaker 1: was like, dude, I'm about to drink my blood. Bro

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Speaker 1: like extreme kind of dude.

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Speaker 4: He's like, watch me sight the whine.

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Speaker 5: It's like really crazy because like in the video he's

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Speaker 5: like he does it, not himself, of course.

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Speaker 4: But.

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Speaker 1: Retaches guy's retinas.

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Speaker 4: It's pretty wild.

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Speaker 1: Med school in six weeks. Let's see if I get

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Speaker 1: retached that.

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Speaker 2: I'm a bit of a beast when it comes to

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Speaker 2: the fucking restore carrying glock.

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Speaker 1: Wait, what does he do does he just hang by the.

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Speaker 5: Doctor that does like chills there, and then he like

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Speaker 5: interviews the people who are.

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Speaker 1: Really doing anything.

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Speaker 4: Nobody's like paying for it.

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Speaker 5: Oh I know that he like alternates doing like good

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Speaker 5: things and then like crazy things where it's like can

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Speaker 5: you stay in this room with a million bees for

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Speaker 5: a day?

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Speaker 1: Oh yeah, so that makes him a beast.

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Speaker 4: I think that's more beat.

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Speaker 1: That's beast.

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Speaker 4: You'll, yeah, mister beasting. That's why they pay me the big.

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Speaker 2: And that's why I'm missus beasts. Well, you're getting married

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Speaker 2: to the guy.

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Speaker 4: You know what, mazzle, you know what girls eat?

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Speaker 1: I get it. I'm married married.

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Speaker 2: Challenge I marry is freaking nature. Okay, So the podcast

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Speaker 2: is called Bombing. It's about bombing.

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Speaker 4: It's about bombing.

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Speaker 2: Surprise, surprise if you can actually believe it, and it

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Speaker 2: doesn't have to just be You don't have to tell

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Speaker 2: tales of bombing at a show. You can tell tales

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Speaker 2: of bombing in real life for some awkward time. But

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Speaker 2: do you have any stories of you bombing on stage?

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Speaker 1: Maybe episode.

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Speaker 2: I've had comedians on like that like, yeah, I don't

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Speaker 2: really bomb. I'm like that's and you're a sociopath or

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Speaker 2: you're so neurodivergent, you're like on on Saturn's rings. That

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Speaker 2: that can't be. That cannot be. That's like being like

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Speaker 2: a bat a professional basketball player, Like I've never missed

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Speaker 2: a single shot, Like what are you talking about?

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Speaker 4: Yes, you have.

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Speaker 5: Sometimes when people say that, like comedians, and then I

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Speaker 5: see them perform and it's like or sometimes comedians will perform,

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Speaker 5: film the set and upload the set online and I go, Okay,

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Speaker 5: so not only did you not get any laughs in

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Speaker 5: the room which I can see on the video, but

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Speaker 5: you thought I'm gonna upload this entire set online because

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Speaker 5: you're not even thinking about the audience's reactions.

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Speaker 2: Yeah, they're not. They're never good comics. And b I

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Speaker 2: think they have like laugh blindness or something. I think

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Speaker 2: when they're on stage they're in such a heightened state

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Speaker 2: that they don't really but they're never.

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Speaker 5: And if they think it's funny, then they're like crushed crush.

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Speaker 2: Maybe they think bombing means like booed off stage to

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Speaker 2: the extent where like tomatoes are being thrown versus just

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Speaker 2: getting no laughs. Me, I'm like I need to laugh

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Speaker 2: every joke, or I'm like, all right, I fall to pieces.

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Speaker 4: I feel the same.

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Speaker 2: I can't I if I missed two in a row.

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Speaker 2: I'm like that set was a disaster. I'm I'm like

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Speaker 2: in the fetal position.

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Speaker 1: I'm sure.

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Speaker 5: I feel like the worst that I've ever bombed was

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Speaker 5: probably it was the first time I've ever performed not

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Speaker 5: in the US, and so.

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Speaker 4: I was like, where was it. It was in London.

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Speaker 1: I was like, what crazy country Guinea? It was literally London,

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Speaker 1: like Toronto, Canada.

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Speaker 4: Well, I just was like, oh wow, I guess like

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Speaker 4: things don't.

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Speaker 5: It was interesting though, because before my set, I was

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Speaker 5: like going through all the things with the other comics,

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Speaker 5: being like, what do you call this here?

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Speaker 4: What do you call this here? Was trying to like

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Speaker 4: translate it.

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Speaker 5: It's like they have different words for things, or like

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Speaker 5: I have a joke about Target, they don't.

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Speaker 2: It's always the chains and the I'm like, oh fuck,

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Speaker 2: that jokerlies on pizza hut being the lunch line and

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Speaker 2: they don't have pizza huts.

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Speaker 5: Right, And so I it was is a lineup show,

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Speaker 5: and the host of the show was he's a really.

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Speaker 4: I would say normal comedians like mister Beast. He's just

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Speaker 4: like mister Beat. He like gets up, he does crowd work, he.

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Speaker 1: Does guy yeah, Tom Hanks of comedy Yeah.

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Speaker 5: And and there another guy on the lineup who was

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Speaker 5: like a weird.

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Speaker 4: Guy, and he didn't do so well. And I was like, well,

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Speaker 4: I'm fucked, like the alternative guy.

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Speaker 5: The other weird guy is bombing, like this isn't going

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Speaker 5: to go so well. And I'll say, if I knew

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Speaker 5: what the vibe of the show was going to be,

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Speaker 5: I would have worn like a T shirt and jians.

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Speaker 1: But it was just like a hair girl. I was.

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Speaker 5: It's like, you know, shame on me because I was

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Speaker 5: wearing a turquoise jumpsuit and a right a white and

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Speaker 5: red checkered bow tie. I wanted to dress a little

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Speaker 5: wacky also because I have a whole bit about like

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Speaker 5: dressing wacky.

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Speaker 4: Oh sue me. I dressed like a big clown.

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Speaker 5: And I definitely felt like as soon as everyone else

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Speaker 5: on the show T shirt, jeans.

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Speaker 4: Yeah, they just and also men right and wearing stuff

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Speaker 4: from like the Gap Clean yes.

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Speaker 5: And so I think that immediately upon the eyes people

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Speaker 5: were confused. And when I did my first joke, which

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Speaker 5: like usually gets you know, big laugh, I'm like building

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Speaker 5: to the punchline and I get like actual silence. Yeah,

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Speaker 5: And I was like and I had a twenty minute.

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Speaker 1: Set and You're like this joke doesn't work.

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Speaker 4: I was like, oh fuck, Like.

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Speaker 2: Like I've been in those situations so many times where

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Speaker 2: I'm like, wow, if the A if the A material

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Speaker 2: doesn't work, I'm not going to be able to tap

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Speaker 2: dance into anything.

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Speaker 1: I actually think you should just leave.

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Speaker 2: I'm like, I kind of know why you want to,

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Speaker 2: but you want to get paid to.

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Speaker 5: It was just this weird thing though, where was like

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Speaker 5: the first joke like not just like titters, like literally

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Speaker 5: like syless and drop, which I just was shocked at

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Speaker 5: because I've been doing this bit for a while and

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Speaker 5: it always gets a big laugh and I was just

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Speaker 5: was like, oh my god, I have twenty more the

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Speaker 5: minutes of this was the bit.

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Speaker 2: Too like American or something? Was it like you know

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Speaker 2: when you're in Mobile, Alabama and they're like hey or something?

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Speaker 2: Was it like it was very very American?

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Speaker 5: Or was it that American? I mean, unless Halloween is

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Speaker 5: specific to America, but I don't think it is. I

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Speaker 5: think so it was like I couldn't tell you, and

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Speaker 5: it was just like I was just like, oh, my

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Speaker 5: fucking god. So I go through the rest of my

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Speaker 5: set silence, silence, silence, bowing, moombing. My friend Joe was

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Speaker 5: there in the back and he said that during my

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Speaker 5: last joke he heard a guy turn to his friend and.

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Speaker 4: Go, what is he even going? And I the only time.

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Speaker 5: They laughed was when I made fun of myself, and

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Speaker 5: I made fun of what I was wearing, because also,

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Speaker 5: don't forget turboise jumpsuit, big bow tie, giant bow tie.

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Speaker 5: The They really laughed when I said, by the way,

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Speaker 5: in America, everyone dresses like this.

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Speaker 1: Everyone.

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Speaker 4: By the way, this is normal in America.

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Speaker 5: They only laughed when, Yeah, when I made fun of myself,

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Speaker 5: and then yeah finished out the twenty minutes.

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Speaker 4: I don't know how.

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Speaker 5: Longest, walked off stage, walked through the doors, walked into

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Speaker 5: the bathroom, into a stall closed to the door behind me,

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Speaker 5: just banged my head and.

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Speaker 4: I was just like, how how could it have gone

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Speaker 4: so wrong?

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Speaker 3: Yeah?

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Speaker 4: And then I was like, Okay, I guess.

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Speaker 5: I don't well the other laughs they were except the

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Speaker 5: other weird guy. He he also was having trouble. It's

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Speaker 5: usually when I'm on a show where I'm the weird guy. Yeah, yeah,

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Speaker 5: you know if everybody else is pretty normal and people

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Speaker 5: just show up thinking they're going to see like I

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Speaker 5: don't know.

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Speaker 1: Who I'm trying to think of, like a normal cord like.

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Speaker 4: Right, you know, a normal guy.

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Speaker 5: My other like times that I've bombs have also been

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Speaker 5: like one time I was booked on this show that

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Speaker 5: was at a youth hostel in Long Island City, which

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Speaker 5: I didn't even know there were hostels in New York.

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Speaker 4: There's like two of them.

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Speaker 5: And I showed up. It was in like the lobby

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Speaker 5: of a youth hostel.

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Speaker 1: I've done like almost the same exact.

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Speaker 4: Show, And as soon as I got there, I.

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Speaker 1: Was like, it was like the lobby of a youth

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Speaker 1: hostle in Harlem.

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Speaker 4: Yeah, and that was like no one spoke English.

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Speaker 1: German tourists.

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Speaker 5: Yeah yeah, they all just looked at you like they

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Speaker 5: were smiling.

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Speaker 4: They were happy to but they had no idea what

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Speaker 4: any of us were saying. So that was one of

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Speaker 4: the few shows where.

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Speaker 1: Why do we do this? I don't know ourselves that

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Speaker 1: point of that.

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Speaker 5: Sometimes there were just shows I would be booked on,

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Speaker 5: like when I was first starting in New York, where

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Speaker 5: it was just like I'd show up anywhere anyone told

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Speaker 5: me to show up, and you just assumed that when

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Speaker 5: someone else's running a show they are professional.

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Speaker 2: No, they're crazy crazy, They're oblivious, idiotic, moron, crazy lunatics

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Speaker 2: that are like so disconnected from reality that they're like.

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Speaker 1: The lobby of a hostel in Long Island.

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Speaker 4: This is where we're going to do the show.

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Speaker 1: Comedy will just fucking blossom.

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Speaker 4: It's really because you came up in New York.

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Speaker 2: Also, yeah, I heard Jerry Seinfeld. He goes, I won't

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Speaker 2: even do a show. He goes, I'll never do outside shows.

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Speaker 2: Nobody can pay attention. And he goes, I don't even

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Speaker 2: like doing shows where there's circular tables because fifty percent

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Speaker 2: of the audience has their back to Yeah, so think

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Speaker 2: about how sensitive comedy is as a medium. Where Jerry

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Speaker 2: Seinfeld at the top of comedy mountain is like, h

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Speaker 2: circular tables pass.

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Speaker 5: So I never understand at comedy clubs they are all

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Speaker 5: at the circular tables and people are sitting like well

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Speaker 5: he means like.

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Speaker 2: Big wedding table like banking, not little like bar tops

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Speaker 2: like big ten seedter wedding tables. Because he's like, you

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Speaker 2: got five people at each table, like they're.

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Speaker 1: Like like this or this right.

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Speaker 2: So that's not conducive. Comedy outside is not conducive. I

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Speaker 2: did a concert before, like a like a want to

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Speaker 2: be knockoff Coachella, where I had to host and bring

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Speaker 2: up all the bands, so it was like a ten

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Speaker 2: hour set and it was uncomedyable.

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Speaker 4: Yeah. Well it's like everybody's looking every round.

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Speaker 2: So yeah, everybody's looking around, there's noise everywhere, everybody's on

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Speaker 2: tons of drugs. It's boiling. It was like really hot.

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Speaker 2: So people were just like on like whatever Ketemie and Rabatussa,

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Speaker 2: I'm like waiting for you know, Danny Brown and Idols

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Speaker 2: to play or whoever, and there are other bands.

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Speaker 1: Playing and so many distractions.

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Speaker 2: They're just like, uh, you can't be like, hey, what's

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Speaker 2: the deal with the new iPhone update?

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Speaker 1: And that's your new and that's my only bet that

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Speaker 1: was what's the iPhone out dated?

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Speaker 4: You have to write one every time.

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Speaker 5: There's a new update, every update, like crash on it

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Speaker 5: and the iOS.

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Speaker 1: People, Hello, Tim Cook, please.

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Speaker 4: Have you seen the new oj.

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Speaker 1: Wait?

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Speaker 2: So you know, Tim Cook went back after the inauguration,

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Speaker 2: he went to the other headhunches at apples like should

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Speaker 2: we get rid of our DEI initiative? And they were like, no,

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Speaker 2: that's like completely inappropriate that you would even ask that,

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Speaker 2: like should we stop hiring black people? Is that what

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Speaker 2: you're kind of saying? Like Mark Zuckerberg was liked, no

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Speaker 2: fucking problem, whatever, whatever, But I like it that everybody

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Speaker 2: at Apple was like, no, man's right.

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Speaker 5: It's so crazy that the president can just be like,

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Speaker 5: no more of that and then everyone just does it.

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Speaker 4: It's like, what do you think he's gonna do to you?

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Speaker 2: It's well, they're like puppeteering him. It's like this billionaire

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Speaker 2: play where like Elon Musk like in his brain is

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Speaker 2: the pro He's the guy that.

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Speaker 1: Pen pals back of its fourteen hundred something.

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Speaker 5: Really silly happened to me where I everyone was like

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Speaker 5: talking to me about like and can you believe what

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Speaker 5: Elon Musk is doing and all this stuff? And I

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Speaker 5: was like, why have I not seen anything about him?

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Speaker 5: Like I feel like I miss I was like, are

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Speaker 5: they like not reporting on it? And it's like word

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Speaker 5: of mouth? And then I realized that I had his

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Speaker 5: name muted, his account muted any like iteration because when

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Speaker 5: he bought Twitter everyone was tweeting about him so much.

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Speaker 5: I was just like shut up, like I can't hear

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Speaker 5: about it anymore. And he was like made all of

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Speaker 5: his tweets the top of everybody's feed, and so I

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Speaker 5: had just muted him across everything, and then I was like, wow,

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Speaker 5: people really low key fell off man.

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Speaker 2: He's he's he's doing like press junks in the Oval

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Speaker 2: office and Trump's just sitting there like like clearly doesn't

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Speaker 2: want the job, just didn't want to go to jail.

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Speaker 2: So like, Trump's I got the job. He hates again,

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Speaker 2: but he's too narcissistic to like say no to it.

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Speaker 2: So he's like and he's too good at campaigning. He's like, hey,

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Speaker 2: you want French fries, I'm work at McDonald's now. America's

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Speaker 2: like he's like, I'm giving out bold shoes. And he's

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Speaker 2: too good at campaigning because he's a stand up comic

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Speaker 2: with no jokes. He loves touring, so he loves He's

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Speaker 2: really good. He loves touring. He's great at campaigning to Americans,

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Speaker 2: talk about.

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Speaker 5: A dude who doesn't bomb never never.

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Speaker 1: He's so good at campaigning and now he's got the

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Speaker 1: job I got. He's like oh yeah, fuck I hate this. Yeah, Elon,

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Speaker 1: you want to take it away?

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Speaker 2: And then Elon's kid was in the Oval office talking

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Speaker 2: ship to Trump terry thing.

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Speaker 1: He's like, you're ugly, go away. You shuck all the

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Speaker 1: ship And Trump's like, oh yeah, take it away, dude.

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Speaker 1: Planes are falling out of the sky.

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Speaker 2: He's like, got the SAAE, He's got the FAA. The

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Speaker 2: guy that ran the FAD quit day one. He's like,

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Speaker 2: fuck Trump. And then like then like Eli's like, I'll

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Speaker 2: use all that buddy, just like got the planes are

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Speaker 2: like ship. I just watched the Delta fucking like crash

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Speaker 2: upside out. It was like, god, ship, we needed that money.

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Speaker 1: Comebo. That was such a disaster.

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Speaker 4: The first few days.

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Speaker 5: It was like a plane crash every day.

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Speaker 1: I don't remember.

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Speaker 2: It was like it was a military helicopter into a

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Speaker 2: plane in Washington, d C.

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Speaker 1: The most it should be the most regulated aviation, you

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Speaker 1: know what I mean.

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Speaker 2: It's like the military in Washington, d C with a

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Speaker 2: plane in Washington, d C. Like they should have like

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Speaker 2: the most FAA eyeballs on him. And it was just

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Speaker 2: like come But then Trump's like, yeah, you just should

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Speaker 2: have hired black people. I was like we're black.

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Speaker 4: People were like, was it the in a diversity thing?

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Speaker 1: Yeah?

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Speaker 2: It was like were the pilots diverse or the helicopter

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Speaker 2: guy or the what do you mean?

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Speaker 4: What do you mean?

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Speaker 2: He's like, I don't know, man, and he's like, it's

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Speaker 2: also Biden's fault. We're like, you're dune campaigning.

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Speaker 1: You won. You don't got to talk about Biden anymore.

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Speaker 1: You're in charge.

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Speaker 4: He's dead.

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Speaker 2: Biden died twenty years ago. Jim Carrey is playing him.

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Speaker 4: Jim Carrey is Joe Biden. Wait Wood was.

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Speaker 1: Love that that was reality. It was like somebody like me.

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Speaker 3: With Adrey, with Adre.

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Speaker 1: More bombing stories as stories.

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Speaker 4: I mean, well sort of we we bombed on the network.

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Speaker 5: I'd say, oh, yeah, it was pretty bad.

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Speaker 1: What do you mean? I never asked for ratings? Do

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Speaker 1: you know that?

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Speaker 2: It was always told that. I was like, don't tell me.

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Speaker 2: I was like, tell me, you forget another season, but

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Speaker 2: I don't tell me anything else.

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Speaker 5: It wasn't so much about the ratings as much as

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Speaker 5: it was we were the first women on the network,

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Speaker 5: our first female show on the network, right, and.

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Speaker 4: The audience just like kind of wanted us dead.

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Speaker 1: Like Reddit people like internet audience or what do you mean?

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Speaker 4: Yeah, like internet like any time.

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Speaker 1: I don't think Internet audience is real anymore.

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Speaker 5: It's like I know, but they would certainly find ways

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Speaker 5: to send messages and.

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Speaker 4: Leave comments that were not so really not so naise.

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Speaker 1: Really.

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Speaker 4: It was like before the show even happened.

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Speaker 5: Oh, we got like lumped in with like one million

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Speaker 5: dollar Extreme got canceled.

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Speaker 2: Do you remember the show was like right wing sexist

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Speaker 2: broke like eight Channers.

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Speaker 4: It was like around the same time that that happened.

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Speaker 1: So it's like angry eight chan energy you got like

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Speaker 1: kicked over to you guys.

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Speaker 4: Yeah.

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Speaker 5: The one thing that someone said where they saw a

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Speaker 5: photo of the three of us and they called us

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Speaker 5: the Mexican, the Jewish, and Lago Blina And we were like, okay,

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Speaker 5: who's who. Like we were all like, well, I'm definitely

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Speaker 5: go Blina. All were convinced that we were Logo Blina.

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Speaker 5: But yeah, I still if whoever left that comment, if

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Speaker 5: you could let us know who was who, that would

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Speaker 5: be really great.

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Speaker 2: Yeah, but is that like the time to just like

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Speaker 2: turn off comments? And it was like they just people

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Speaker 2: yell at me about ship on an Instagram post that

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Speaker 2: I don't only think it is offensive. And then not

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Speaker 2: a single person in real life will come up to

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Speaker 2: me and be like, you posted that, you know what

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Speaker 2: I mean?

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Speaker 5: Like it's like, yeah, well it was like the first

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Speaker 5: time we ever had anyone really paying attention to us.

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Speaker 4: So I think we didn't.

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Speaker 2: Know it an extra sensitivity because you're like, oh, I'll

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Speaker 2: look at what the feedback is.

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Speaker 5: It would just be like anytime Adult Swim posted anything.

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Speaker 1: About I didn't know you guys were getting.

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Speaker 5: Yeah, just a lot of like women aren't funny, people

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Speaker 5: work like swastikas in there.

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Speaker 1: You could, Yeah, I have to worry about them.

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Speaker 5: Actually, you know what, one hurt? This one hurt. Okay,

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Speaker 5: So one time I was looking on at because of

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Speaker 5: course it was like the first time that I was

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Speaker 5: just like, oh, what are people saying?

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Speaker 2: I did the same thing too season one aeric on Show,

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Speaker 2: and I quickly quickly pivoted in my approach.

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Speaker 4: Massive mistake.

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Speaker 5: But I remember seeing a comment from a guy that

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Speaker 5: I knew who was just like I know Sandy and

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Speaker 5: we had worked together like years ago, and I was.

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Speaker 4: Like, oh, it's like so sweet like he was.

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Speaker 5: And then the next video he also commented women aren't

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Speaker 5: funny on us?

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Speaker 4: And I was like I almost sent him a message,

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Speaker 4: and then I was like, don't do it, don't do it,

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Speaker 4: don't do it.

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Speaker 5: But it hurt coming from someone that I literally I

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Speaker 5: was like, used to sleep on the floor of my room.

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Speaker 4: No, that's crazy, really.

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Speaker 1: Not so nice. Why why do female comedians have it

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Speaker 1: so rough?

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Speaker 3: Is it?

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Speaker 2: People are like chauvinists just like can't stand that women

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Speaker 2: have an opinion?

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Speaker 1: Is it? Is it?

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Speaker 2: Like I heard Judy Gold break it down one time.

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Speaker 2: She's like, comedy means you have a point of view,

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Speaker 2: an opinion, and there's billions of men that are like

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Speaker 2: don't you, can't you? Yeah, it's deeper than just women

439
00:21:39,440 --> 00:21:39,960
Speaker 2: aren't funny.

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Speaker 5: It's like right, it's like women aren't funny, slash like

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Speaker 5: women don't understand how the.

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Speaker 1: World works or aren't allowed to have a point of

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Speaker 1: viewer a pair or worldview.

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Speaker 5: Well, I also feel that, like I don't know when

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Speaker 5: I think about like people who say that kind of stuff,

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Speaker 5: they usually probably have wives who they hate, or they

447
00:22:00,040 --> 00:22:04,400
Speaker 5: wives where they don't have wives, And like maybe it's

448
00:22:04,440 --> 00:22:07,160
Speaker 5: this thing of like they think of women as just

449
00:22:07,200 --> 00:22:12,280
Speaker 5: like these like nagging shrews. And so they're like, you

450
00:22:12,280 --> 00:22:15,600
Speaker 5: don't get to laugh, Like you're the one who's shaking

451
00:22:15,640 --> 00:22:16,720
Speaker 5: your finger.

452
00:22:18,920 --> 00:22:19,400
Speaker 4: Or their mom.

453
00:22:19,520 --> 00:22:22,199
Speaker 5: Probably they're like, you don't get to laugh. Laughing is

454
00:22:22,240 --> 00:22:24,320
Speaker 5: for me. Laughing is for me and my friends while

455
00:22:24,320 --> 00:22:25,560
Speaker 5: we were off next to each other.

456
00:22:26,400 --> 00:22:34,280
Speaker 2: But you yeah, yeah.

457
00:22:33,000 --> 00:22:34,720
Speaker 4: They should have at the comedy store a little room

458
00:22:34,760 --> 00:22:37,119
Speaker 4: called the goon Room where the women can perform in

459
00:22:37,160 --> 00:22:38,960
Speaker 4: the in the audience.

460
00:22:40,280 --> 00:22:43,840
Speaker 5: Well, I do remember recently I drove by the Improv

461
00:22:44,000 --> 00:22:46,440
Speaker 5: and I remember seeing a sign that said.

462
00:22:47,720 --> 00:22:48,800
Speaker 4: On Mondays, the.

463
00:22:48,800 --> 00:22:51,840
Speaker 5: Ladies get the laughs. And in my head, I was like,

464
00:22:53,119 --> 00:22:54,840
Speaker 5: the worst day of the week.

465
00:22:54,640 --> 00:22:58,560
Speaker 4: To do a show? Girls can go on Monday.

466
00:23:00,080 --> 00:23:01,800
Speaker 1: Have to perform on the weekend.

467
00:23:02,160 --> 00:23:06,480
Speaker 5: Any other day, just Monday, Please please, I'm begging to

468
00:23:06,520 --> 00:23:11,439
Speaker 5: perform on a Monday night. What do you think is

469
00:23:11,480 --> 00:23:13,320
Speaker 5: the worst day of the week to do a show.

470
00:23:13,640 --> 00:23:16,960
Speaker 1: I weirdly feel like Sunday might be even worse. People

471
00:23:17,040 --> 00:23:17,600
Speaker 1: are like.

472
00:23:17,880 --> 00:23:23,120
Speaker 2: Spent from the weekend partying and they're dreading the week.

473
00:23:23,720 --> 00:23:26,680
Speaker 2: They have the Sunday scaries and they're like checked out.

474
00:23:27,320 --> 00:23:30,960
Speaker 5: Every other day. Monday is not great. Tuesday it feels good.

475
00:23:31,200 --> 00:23:32,960
Speaker 1: It gets better the closer you get to the weekend,

476
00:23:33,040 --> 00:23:36,760
Speaker 1: but then wednes dips again. Yeah, well Wednesday's hump day.

477
00:23:36,760 --> 00:23:38,920
Speaker 1: You're like, you're in the taint of the week.

478
00:23:38,960 --> 00:23:40,560
Speaker 4: I think Wenday's hump day time.

479
00:23:45,040 --> 00:23:56,960
Speaker 3: With a Regodrey with a Regodrey.

480
00:23:57,040 --> 00:24:00,879
Speaker 2: What about bombing in front of your face at a

481
00:24:00,920 --> 00:24:01,439
Speaker 2: story like that.

482
00:24:02,640 --> 00:24:04,240
Speaker 4: Of my family? Honestly, have you been.

483
00:24:04,400 --> 00:24:06,439
Speaker 1: Really high on stage or something?

484
00:24:07,119 --> 00:24:08,280
Speaker 4: At the Youth Hostel show.

485
00:24:08,320 --> 00:24:12,040
Speaker 2: I got really high because I.

486
00:24:12,040 --> 00:24:14,639
Speaker 5: Just I looked at the audience and I was like

487
00:24:14,760 --> 00:24:18,480
Speaker 5: what I literally was like whatever, Like I know that

488
00:24:18,520 --> 00:24:22,000
Speaker 5: these people literally are looking at me with the eyes

489
00:24:22,080 --> 00:24:26,560
Speaker 5: of someone who is hearing sounds but not interpreting words.

490
00:24:26,600 --> 00:24:28,880
Speaker 4: Does that make sense? Like hither?

491
00:24:30,760 --> 00:24:32,520
Speaker 5: Yeah, And they were just looking at me where they

492
00:24:32,520 --> 00:24:35,600
Speaker 5: were like And it was like, oh, okay, Like I'm

493
00:24:35,640 --> 00:24:38,560
Speaker 5: going to go get like rip roaring stoned before this

494
00:24:38,680 --> 00:24:41,040
Speaker 5: because I kind of don't want to like be present

495
00:24:41,160 --> 00:24:45,200
Speaker 5: for the kind of I want to be somewhere else.

496
00:24:46,320 --> 00:24:48,600
Speaker 5: So I did get pretty high before that when I

497
00:24:48,600 --> 00:24:50,840
Speaker 5: have no recollection of like what I said or did.

498
00:24:51,200 --> 00:24:52,000
Speaker 4: I probably just.

499
00:24:52,000 --> 00:24:55,960
Speaker 1: Talked to people, Yeah, probably did the right thing.

500
00:24:56,119 --> 00:24:57,959
Speaker 5: Yeah, it was like, oh, I'm going to get up

501
00:24:57,960 --> 00:24:59,840
Speaker 5: and like tell my rehearse jokes.

502
00:25:00,000 --> 00:25:01,879
Speaker 2: No, I think you did the right thing in London

503
00:25:01,920 --> 00:25:04,880
Speaker 2: when you just started like making fun of like your

504
00:25:04,920 --> 00:25:08,320
Speaker 2: outfit that at that point you're like, why why do

505
00:25:08,480 --> 00:25:09,720
Speaker 2: my rehearse material?

506
00:25:09,880 --> 00:25:10,120
Speaker 4: Right?

507
00:25:10,119 --> 00:25:10,520
Speaker 1: Why not?

508
00:25:10,720 --> 00:25:12,040
Speaker 4: You guys are clearly hating.

509
00:25:12,320 --> 00:25:12,560
Speaker 3: Yeah.

510
00:25:12,640 --> 00:25:14,280
Speaker 1: Yeah, just started digging into them.

511
00:25:14,480 --> 00:25:16,879
Speaker 2: Yeah, that's what already Fuqua said, he goes, when I

512
00:25:16,880 --> 00:25:19,440
Speaker 2: start bombing, I just start ripping into each and every

513
00:25:19,440 --> 00:25:20,200
Speaker 2: audience member.

514
00:25:20,000 --> 00:25:22,080
Speaker 1: Because there's like what else is there?

515
00:25:22,119 --> 00:25:24,160
Speaker 2: Like they don't want what I'm selling, so might as

516
00:25:24,160 --> 00:25:26,879
Speaker 2: well just like go in and Yeah.

517
00:25:27,440 --> 00:25:29,560
Speaker 5: I did have a show actually at that same venue

518
00:25:29,560 --> 00:25:31,919
Speaker 5: in London after that one. It was crazy because I

519
00:25:32,119 --> 00:25:34,600
Speaker 5: did the same show two days later with a different

520
00:25:34,640 --> 00:25:37,720
Speaker 5: host and crushed and it was a smaller audience, but

521
00:25:37,760 --> 00:25:41,399
Speaker 5: it was like the host was like a queer cabaret dude.

522
00:25:41,520 --> 00:25:44,159
Speaker 5: So it was just like a different audience that seemed

523
00:25:44,160 --> 00:25:44,960
Speaker 5: a little more down.

524
00:25:45,240 --> 00:25:48,240
Speaker 2: I think like if you go to a R and

525
00:25:48,280 --> 00:25:50,399
Speaker 2: B show and a punk band plays, they're only going

526
00:25:50,480 --> 00:25:53,879
Speaker 2: to go so do so well Yeah, so it's like,

527
00:25:54,200 --> 00:25:57,840
Speaker 2: you know, I just remember it a big stinker.

528
00:25:58,640 --> 00:26:01,840
Speaker 4: So opening for a band is one of the worst experience.

529
00:26:04,240 --> 00:26:07,000
Speaker 2: It's Sarah does it? I know, I don't know how

530
00:26:07,080 --> 00:26:08,919
Speaker 2: she's She's getting like good at it too. It's like

531
00:26:09,240 --> 00:26:11,480
Speaker 2: I think it's the hardest thing, to the point where

532
00:26:11,520 --> 00:26:13,600
Speaker 2: I was just like I give up.

533
00:26:14,240 --> 00:26:19,520
Speaker 5: Yeah, this was one that standing for I forget that

534
00:26:19,520 --> 00:26:22,320
Speaker 5: that music shows. People don't show up at the time

535
00:26:22,400 --> 00:26:24,760
Speaker 5: of the show because they know the headliner goes on

536
00:26:24,920 --> 00:26:27,960
Speaker 5: like two hours later. So I was expecting to walk

537
00:26:28,000 --> 00:26:30,280
Speaker 5: out and see a full This is that lodge room.

538
00:26:31,080 --> 00:26:31,520
Speaker 4: It's like a.

539
00:26:31,440 --> 00:26:34,320
Speaker 5: Pretty big room, and I was like, Okay, I'm gonna

540
00:26:34,359 --> 00:26:36,439
Speaker 5: walk out and there's gonna be like this big crowd.

541
00:26:36,840 --> 00:26:37,360
Speaker 4: Not at all.

542
00:26:37,400 --> 00:26:42,600
Speaker 5: People were absolutely trickling in And I was doing a

543
00:26:42,720 --> 00:26:47,520
Speaker 5: character that I call the Quief of comedy, which is.

544
00:26:50,880 --> 00:26:53,760
Speaker 4: I can quef on command, so you.

545
00:26:54,600 --> 00:26:57,680
Speaker 1: Can throw up on command too, which is like amazing.

546
00:26:57,880 --> 00:27:00,720
Speaker 4: Yeah, it's like those guys.

547
00:27:00,480 --> 00:27:03,240
Speaker 2: Can't even do Yeah, Like I think only Steve O

548
00:27:03,400 --> 00:27:06,320
Speaker 2: possesses your like you can read vomit.

549
00:27:06,800 --> 00:27:09,080
Speaker 4: No, I really can't. That's pretty crazy, even when I

550
00:27:09,119 --> 00:27:09,800
Speaker 4: don't want to.

551
00:27:10,480 --> 00:27:14,160
Speaker 1: Vomiting that command is somehow even more impressive.

552
00:27:14,200 --> 00:27:18,560
Speaker 5: But comedy, I was doing the Queen of comedy, which

553
00:27:18,560 --> 00:27:19,440
Speaker 5: is that you just put.

554
00:27:19,359 --> 00:27:22,680
Speaker 1: The microphone to your Vaginay is that it.

555
00:27:25,520 --> 00:27:27,920
Speaker 4: Well, it's like I'm telling jokes as well.

556
00:27:28,080 --> 00:27:32,320
Speaker 5: It'll be like these corny, corny, corny jokes that I write.

557
00:27:32,320 --> 00:27:35,200
Speaker 5: Actually some of them are the band It was Hunks

558
00:27:35,200 --> 00:27:35,880
Speaker 5: and His Punks.

559
00:27:35,920 --> 00:27:37,040
Speaker 4: Do you know Seth Bogart.

560
00:27:37,840 --> 00:27:39,800
Speaker 5: He's an amazing artist and he has this like punk

561
00:27:39,880 --> 00:27:42,199
Speaker 5: band that they like they used to perform like ten

562
00:27:42,280 --> 00:27:43,800
Speaker 5: years ago and they're doing another.

563
00:27:45,119 --> 00:27:46,440
Speaker 4: Album. So they did a show.

564
00:27:46,800 --> 00:27:50,440
Speaker 5: This was like some point over the summer, and he

565
00:27:50,520 --> 00:27:53,600
Speaker 5: specifically requested the Quief of Comedy because he loves her,

566
00:27:53,960 --> 00:27:58,360
Speaker 5: And a lot of the jokes actually are rejected monologue

567
00:27:58,400 --> 00:28:01,640
Speaker 5: jokes that I wrote for your show no Way, because

568
00:28:01,640 --> 00:28:03,280
Speaker 5: it was like you know, when we just sit down

569
00:28:03,280 --> 00:28:04,760
Speaker 5: and write for ten minutes.

570
00:28:04,520 --> 00:28:06,119
Speaker 4: It's like the worst jokes you can think of.

571
00:28:08,160 --> 00:28:10,200
Speaker 5: They were so bad they didn't even make it into

572
00:28:10,320 --> 00:28:14,320
Speaker 5: the So it's like that level of joke. And then

573
00:28:14,440 --> 00:28:15,000
Speaker 5: after like.

574
00:28:19,800 --> 00:28:21,800
Speaker 4: And I can I have a lot of control over it.

575
00:28:21,840 --> 00:28:24,480
Speaker 5: I can control like if it's like a loud one

576
00:28:24,560 --> 00:28:26,080
Speaker 5: or if it's like a quiet.

577
00:28:27,520 --> 00:28:30,240
Speaker 4: Like so I'll like jump around.

578
00:28:30,480 --> 00:28:33,080
Speaker 2: So we were walking into the venue, what did you

579
00:28:33,119 --> 00:28:35,000
Speaker 2: see the Hunks of Punks or whatever?

580
00:28:35,400 --> 00:28:38,800
Speaker 5: Yeah, and they're seeing that and also it was like,

581
00:28:39,040 --> 00:28:39,640
Speaker 5: so you just.

582
00:28:39,600 --> 00:28:42,840
Speaker 1: Look like you were a roadie for the band lost

583
00:28:42,840 --> 00:28:45,200
Speaker 1: your mind because.

584
00:28:47,200 --> 00:28:51,560
Speaker 4: You know, people were looking at me just like.

585
00:28:51,280 --> 00:28:56,880
Speaker 5: They were laughing, because like you can't sort of watch

586
00:28:56,960 --> 00:28:58,200
Speaker 5: that and not be laughing.

587
00:28:58,200 --> 00:28:59,720
Speaker 4: But I don't know if they knew that they were

588
00:28:59,800 --> 00:29:01,320
Speaker 4: laughing thing with we were at me?

589
00:29:01,760 --> 00:29:03,760
Speaker 1: Yeah and whatever.

590
00:29:03,960 --> 00:29:06,440
Speaker 5: That was like the one time performing where I really

591
00:29:06,480 --> 00:29:08,640
Speaker 5: felt like I was like in a circus side show,

592
00:29:09,080 --> 00:29:15,200
Speaker 5: like it was The Weeping Woman. Oh my god, I

593
00:29:15,200 --> 00:29:17,040
Speaker 5: would have loved to be in the side show.

594
00:29:18,560 --> 00:29:22,120
Speaker 2: Like a world Like what do you mean like a circus,

595
00:29:22,280 --> 00:29:25,280
Speaker 2: like a circus freaking kind of like like you wanted

596
00:29:25,320 --> 00:29:26,720
Speaker 2: to be genetically deformed?

597
00:29:26,920 --> 00:29:27,120
Speaker 4: Yeah?

598
00:29:28,080 --> 00:29:32,120
Speaker 1: Really, but like like elevant or what are we talking here?

599
00:29:32,560 --> 00:29:34,880
Speaker 5: I guess just the concept of it sounds you know,

600
00:29:34,920 --> 00:29:37,880
Speaker 5: it's it's obviously probably really bad.

601
00:29:37,960 --> 00:29:39,920
Speaker 1: It's explained genetic defects.

602
00:29:40,160 --> 00:29:46,040
Speaker 5: Yeah years ago.

603
00:29:45,120 --> 00:29:51,080
Speaker 1: Oh they're like yeah, repetties and because he's got a

604
00:29:51,160 --> 00:29:52,600
Speaker 1: fun and arm growing out.

605
00:29:52,440 --> 00:29:57,240
Speaker 4: Of the space, Yeah sick. I would have been sick.

606
00:29:58,120 --> 00:29:58,680
Speaker 4: I don't know what.

607
00:29:59,280 --> 00:30:00,560
Speaker 5: In my head, I was like, well, you get to

608
00:30:00,600 --> 00:30:02,480
Speaker 5: go to you get to be part of the circuits,

609
00:30:02,560 --> 00:30:06,520
Speaker 5: travel the world, see the sites weep into a microphone,

610
00:30:06,600 --> 00:30:07,600
Speaker 5: keep into the microphone.

611
00:30:07,920 --> 00:30:10,560
Speaker 2: You know what I think Sarah figured out that's smart

612
00:30:10,640 --> 00:30:14,160
Speaker 2: is that she uses the big screen behind her, and

613
00:30:14,840 --> 00:30:19,960
Speaker 2: you know, because those those music shows, it's like it's

614
00:30:19,960 --> 00:30:22,160
Speaker 2: like it's like you gotta think about it, like you're

615
00:30:22,160 --> 00:30:24,560
Speaker 2: shooting in a really wide frame, like you have to

616
00:30:24,600 --> 00:30:25,400
Speaker 2: fill up the space.

617
00:30:26,120 --> 00:30:27,720
Speaker 1: And using that screen and.

618
00:30:27,720 --> 00:30:31,320
Speaker 2: Her visuals that I was like, Aha, that's how she

619
00:30:31,400 --> 00:30:33,280
Speaker 2: did because Hannibal kind of started doing that too. He

620
00:30:33,400 --> 00:30:37,960
Speaker 2: was like using multimedia, Like that's the way, that's the way,

621
00:30:38,080 --> 00:30:40,440
Speaker 2: using that screen. I don't think it's cheating at all.

622
00:30:40,520 --> 00:30:42,800
Speaker 2: I'd like, first of all, I love carrat top and

623
00:30:42,800 --> 00:30:44,720
Speaker 2: I don't know anybody made fun of him in the nineties,

624
00:30:44,760 --> 00:30:45,320
Speaker 2: Like I was like.

625
00:30:45,240 --> 00:30:46,960
Speaker 1: By the way, I was like, yeah, prop comedy, like

626
00:30:47,000 --> 00:30:47,880
Speaker 1: why not use props?

627
00:30:48,040 --> 00:30:50,360
Speaker 4: And his number one fan like I used.

628
00:30:50,160 --> 00:30:52,840
Speaker 1: Props on the air Andre show, like make props, use

629
00:30:52,840 --> 00:30:53,600
Speaker 1: the prop? Why is that?

630
00:30:53,640 --> 00:30:55,240
Speaker 4: It was also a literal genius.

631
00:30:55,640 --> 00:30:59,720
Speaker 5: He I saw his show in Vegas and oh my god,

632
00:30:59,760 --> 00:31:02,560
Speaker 5: he like us come backstage. I was with Sarah actually,

633
00:31:02,680 --> 00:31:07,640
Speaker 5: and we like he just talked to him for like

634
00:31:07,760 --> 00:31:10,480
Speaker 5: an hour and he just was like telling us. He

635
00:31:10,560 --> 00:31:13,000
Speaker 5: writes like five minutes of new material every day.

636
00:31:13,200 --> 00:31:16,880
Speaker 1: Every day. He has a ton, a tremendous amount of material.

637
00:31:16,920 --> 00:31:18,400
Speaker 1: He's been doing it for forty.

638
00:31:18,040 --> 00:31:22,120
Speaker 2: Years and like worth like hundreds of millions of dollars

639
00:31:22,200 --> 00:31:26,800
Speaker 2: and then playing Vegas every day for I love that years. Honestly,

640
00:31:26,920 --> 00:31:27,800
Speaker 2: you got to give it up.

641
00:31:27,840 --> 00:31:30,200
Speaker 4: You've got to give it perseverance.

642
00:31:29,600 --> 00:31:33,400
Speaker 2: Because he got so shipped on in the nineties. I know, comedy,

643
00:31:33,440 --> 00:31:36,880
Speaker 2: that's whag character fucking carrot. That's a rough name to

644
00:31:37,000 --> 00:31:39,560
Speaker 2: like have you know, it's an easy guy to pick up.

645
00:31:39,640 --> 00:31:41,360
Speaker 4: He had gone by Scott, maybe he would.

646
00:31:41,520 --> 00:31:43,240
Speaker 2: Scott, I would have been a little less of a pounding,

647
00:31:43,280 --> 00:31:46,840
Speaker 2: but like whatever, make props, Like what why are there rules?

648
00:31:46,840 --> 00:31:48,680
Speaker 1: Like maybe people laugh? Gives a fuck.

649
00:31:48,920 --> 00:31:51,720
Speaker 5: I'm actually working on a set that is like a

650
00:31:51,760 --> 00:31:54,880
Speaker 5: prop thing, and I'm like really excited.

651
00:31:54,480 --> 00:31:58,200
Speaker 2: Because i I'm actually like, why don't I do prop

652
00:31:58,240 --> 00:31:59,240
Speaker 2: comedy anytime?

653
00:32:00,120 --> 00:32:03,520
Speaker 1: Like like why not? He Also, when I watched Sarah

654
00:32:03,520 --> 00:32:04,280
Speaker 1: and Hand some.

655
00:32:04,280 --> 00:32:07,440
Speaker 2: Of Hannibal's multimedia stuff, I'm like, yeah, use the whole stage,

656
00:32:07,480 --> 00:32:08,440
Speaker 2: Like what is this vaudeville?

657
00:32:08,560 --> 00:32:10,920
Speaker 1: Like, gives a fuck? We're in the twenty first century.

658
00:32:11,000 --> 00:32:11,160
Speaker 3: I know.

659
00:32:11,240 --> 00:32:13,760
Speaker 5: Sometimes people would be like oh, like doing a PowerPoint

660
00:32:13,840 --> 00:32:14,560
Speaker 5: is hack or whatever.

661
00:32:14,600 --> 00:32:16,080
Speaker 4: And I'm like, is the audience laughing?

662
00:32:16,240 --> 00:32:16,480
Speaker 3: Yeah?

663
00:32:16,640 --> 00:32:17,640
Speaker 1: Is the audience laughing?

664
00:32:17,680 --> 00:32:18,400
Speaker 4: That's all that matters.

665
00:32:18,440 --> 00:32:19,560
Speaker 1: Here's what the medium.

666
00:32:19,800 --> 00:32:20,720
Speaker 4: All that matters, is the.

667
00:32:20,680 --> 00:32:23,760
Speaker 1: Audience that matters. You know what those people are. They're

668
00:32:23,840 --> 00:32:28,320
Speaker 1: not successful, they're not that funny say that. They are haters.

669
00:32:28,360 --> 00:32:29,000
Speaker 4: They're haters.

670
00:32:29,080 --> 00:32:29,920
Speaker 1: They're fucking haters.

671
00:32:30,440 --> 00:32:30,720
Speaker 3: Yeah.

672
00:32:30,760 --> 00:32:31,760
Speaker 1: So that's the problem with comedy.

673
00:32:31,800 --> 00:32:36,400
Speaker 2: It's like surrounded by bitterer, entitled people with personality disorders.

674
00:32:36,520 --> 00:32:37,280
Speaker 4: It's rough.

675
00:32:37,400 --> 00:32:40,640
Speaker 2: It's rough, man. I thought it'd be more fun when

676
00:32:40,640 --> 00:32:42,240
Speaker 2: I started comedy. I was like, Oh, it's gonna be

677
00:32:42,280 --> 00:32:45,520
Speaker 2: a group of the most fun people ever.

678
00:32:46,080 --> 00:32:48,640
Speaker 1: And it's misery everywhere.

679
00:32:48,880 --> 00:32:54,160
Speaker 5: Bidder, so much bigger, mad at the world, sometimes mad

680
00:32:54,280 --> 00:32:56,080
Speaker 5: in a way where it's like they don't even know

681
00:32:56,160 --> 00:32:59,000
Speaker 5: what they're mad at. Some of these comics. Yeah, they

682
00:32:59,040 --> 00:33:00,920
Speaker 5: like hate everything, shit on everything.

683
00:33:00,960 --> 00:33:02,240
Speaker 4: But they're really sensitive and.

684
00:33:02,240 --> 00:33:06,320
Speaker 5: If you say anything that is like slightly degrading to them,

685
00:33:06,760 --> 00:33:09,080
Speaker 5: they are like, how fucking dare you? And it's like

686
00:33:09,120 --> 00:33:10,960
Speaker 5: I thought we were like joking around. And the whole

687
00:33:10,960 --> 00:33:13,000
Speaker 5: thing is that you think everything sucks.

688
00:33:13,440 --> 00:33:16,160
Speaker 2: I know it, Well, well, you want to wrap it

689
00:33:16,240 --> 00:33:18,560
Speaker 2: up or it's another bomb. Did I step on the

690
00:33:18,600 --> 00:33:19,520
Speaker 2: rest of your queen story?

691
00:33:20,080 --> 00:33:25,960
Speaker 5: No, that was basically it. Someone got mad at me

692
00:33:26,040 --> 00:33:27,960
Speaker 5: when I did that bit once because I had a

693
00:33:28,080 --> 00:33:31,040
Speaker 5: joke in it, like towards the end that like my

694
00:33:31,160 --> 00:33:33,720
Speaker 5: mom was dying and then it was like basically her

695
00:33:33,800 --> 00:33:36,440
Speaker 5: dying words were and then I queef again.

696
00:33:36,680 --> 00:33:43,800
Speaker 4: And this person you know, it takes a week to recoup.

697
00:33:43,920 --> 00:33:49,680
Speaker 5: But no, there was a point where I was doing

698
00:33:49,720 --> 00:33:52,840
Speaker 5: it a lot right after COVID. It was like the

699
00:33:52,880 --> 00:33:55,920
Speaker 5: first bit that I did because I was a little

700
00:33:55,920 --> 00:33:57,920
Speaker 5: too afraid to do stand up again after COVID.

701
00:33:58,520 --> 00:34:03,200
Speaker 1: Oh, I think you meant after the Cleeves, I was

702
00:34:03,200 --> 00:34:04,080
Speaker 1: too abady.

703
00:34:03,720 --> 00:34:05,840
Speaker 4: To do I just like after COVID was like.

704
00:34:06,000 --> 00:34:09,200
Speaker 2: Yeah, I haven't really got back to it. Yeah, I did,

705
00:34:09,360 --> 00:34:12,839
Speaker 2: like your show. Once I bombed. I did Steph tolev show,

706
00:34:12,840 --> 00:34:16,680
Speaker 2: which was bossouf because she stayed on stage with me

707
00:34:17,560 --> 00:34:20,239
Speaker 2: and like riffed so like I couldn't bomb, Like if

708
00:34:20,239 --> 00:34:22,319
Speaker 2: I had a joke that was so so she would

709
00:34:22,360 --> 00:34:26,400
Speaker 2: just go and like save it from and her audience

710
00:34:26,520 --> 00:34:29,520
Speaker 2: just loves her. And I did Michael Michael Jay's show.

711
00:34:29,960 --> 00:34:32,759
Speaker 2: He wouldn't let me not go on. I was like, no, no,

712
00:34:32,760 --> 00:34:34,319
Speaker 2: I'm just coming here and hang out. He goes, you're

713
00:34:34,320 --> 00:34:35,919
Speaker 2: going on, and I go, nah, I don't do stand

714
00:34:35,960 --> 00:34:38,239
Speaker 2: up anymore. He goes, yeah, you do, and I go, nah,

715
00:34:38,360 --> 00:34:40,520
Speaker 2: really I haven't. He goes, you're coming out, and then

716
00:34:40,560 --> 00:34:41,880
Speaker 2: he just walked out. He goes, ladies and gentlemen, I

717
00:34:41,880 --> 00:34:43,680
Speaker 2: have a special guest, Haeric Conjry. He like forced me out,

718
00:34:44,040 --> 00:34:46,840
Speaker 2: but he's like, I'll stay on stage with you and

719
00:34:46,920 --> 00:34:50,120
Speaker 2: I won't let you suffer. So then like him and

720
00:34:50,200 --> 00:34:53,600
Speaker 2: Wilson Vans came out and like they helped me. Like

721
00:34:53,760 --> 00:34:57,200
Speaker 2: that's pretty much the three shows I've done since, but

722
00:34:57,280 --> 00:34:59,880
Speaker 2: not Eric Andre Show tour. Like all the media stuff

723
00:34:59,880 --> 00:35:00,919
Speaker 2: like stand up.

724
00:35:01,040 --> 00:35:03,040
Speaker 5: Stand up is like I don't know, like I have

725
00:35:03,080 --> 00:35:06,120
Speaker 5: the motivation to do anymore. I'm struggling to find it

726
00:35:06,160 --> 00:35:09,560
Speaker 5: at this point because like I'm not really working towards

727
00:35:09,960 --> 00:35:11,359
Speaker 5: an hour necessarily.

728
00:35:12,000 --> 00:35:13,960
Speaker 4: I don't really like have the drive to do that.

729
00:35:14,560 --> 00:35:17,120
Speaker 5: So then it's then hard to be like, Okay, I'll

730
00:35:17,120 --> 00:35:19,040
Speaker 5: do like ten minutes on this random show.

731
00:35:19,760 --> 00:35:21,080
Speaker 4: But then I feel a little.

732
00:35:20,800 --> 00:35:22,840
Speaker 5: Bit like to what end, I feel like I've lost

733
00:35:23,160 --> 00:35:25,600
Speaker 5: the point, lost the pot, you.

734
00:35:25,560 --> 00:35:28,080
Speaker 2: Know, same, I want to get back into it. But

735
00:35:28,200 --> 00:35:33,280
Speaker 2: if I'm working on other stuff all day, or writing

736
00:35:33,400 --> 00:35:36,719
Speaker 2: or thinking of brainstorming other stuff all day, or actually shooting,

737
00:35:37,719 --> 00:35:40,840
Speaker 2: I don't really feel like blabbing into a microphone.

738
00:35:41,080 --> 00:35:41,239
Speaker 1: Right.

739
00:35:41,280 --> 00:35:44,239
Speaker 5: It's also gotten to a point where it's like, if

740
00:35:44,280 --> 00:35:48,719
Speaker 5: you have a show that doesn't feel amazing, you're sort

741
00:35:48,719 --> 00:35:50,799
Speaker 5: of like, why did I put myself through this?

742
00:35:51,400 --> 00:35:54,560
Speaker 4: Like if it feels okay, that to me feels like

743
00:35:54,680 --> 00:35:55,600
Speaker 4: similar to bombing.

744
00:35:55,800 --> 00:35:58,640
Speaker 5: Yeah, it's just like unless I'm walking away being like

745
00:35:59,320 --> 00:36:02,879
Speaker 5: I fucking us, I'm so funny, like you know, it's

746
00:36:02,960 --> 00:36:06,879
Speaker 5: like otherwise I'm like, what did I put Like why

747
00:36:06,880 --> 00:36:08,799
Speaker 5: am I putting myself through so much anxiety?

748
00:36:09,360 --> 00:36:09,720
Speaker 1: Yeah?

749
00:36:09,800 --> 00:36:10,279
Speaker 4: I don't know.

750
00:36:10,560 --> 00:36:12,480
Speaker 2: So at night I have trouble sleeping, so I don't

751
00:36:12,480 --> 00:36:14,399
Speaker 2: want to like rev up my adrenaline at night.

752
00:36:14,600 --> 00:36:16,600
Speaker 1: Yeah, it doesn't feel healthy.

753
00:36:17,239 --> 00:36:20,879
Speaker 5: When I did that Vice show with Zach and Tony, Yes,

754
00:36:21,320 --> 00:36:23,360
Speaker 5: at this show, we were.

755
00:36:23,360 --> 00:36:27,200
Speaker 4: Together when it got canceled. I was in your writer's room, right,

756
00:36:27,680 --> 00:36:29,400
Speaker 4: you and me and Zach were there.

757
00:36:31,280 --> 00:36:35,160
Speaker 5: That filmed at eleven at night, and for the first

758
00:36:35,200 --> 00:36:37,440
Speaker 5: while it was a two hour long show, so I

759
00:36:37,480 --> 00:36:39,919
Speaker 5: wouldn't get to bed until I don't even know what time.

760
00:36:39,960 --> 00:36:43,640
Speaker 5: And I was like so like stimulated from doing it.

761
00:36:43,640 --> 00:36:46,759
Speaker 5: It was like really really tough on my sleep.

762
00:36:46,719 --> 00:36:51,239
Speaker 1: Ladies and gentleman Sandy. We did it.

763
00:36:51,440 --> 00:36:57,279
Speaker 3: We did it with Adre Bombing, with Eric Andre's Brought

764
00:36:57,280 --> 00:36:59,920
Speaker 3: to you by Will Ferrell's Big Money Players Network and Iheartpot.

765
00:37:00,440 --> 00:37:04,400
Speaker 2: Our executive producer is Olivia Aguilar. Our producer is Bei Wang.

766
00:37:04,680 --> 00:37:07,560
Speaker 2: Our research assistant is David Carliner. Our editor and sound

767
00:37:07,600 --> 00:37:10,400
Speaker 2: designers Andy Harris, and our art is by Dylan Vanderberg.

768
00:37:10,560 --> 00:37:12,480
Speaker 2: Go rate us five stars and drop a review on

769
00:37:12,520 --> 00:37:14,759
Speaker 2: your podcast app a choice