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Speaker 1: Look may oh, I see you my ow and look

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Speaker 1: over there is that culture.

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Speaker 2: Yes, lost culture ding Dong.

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Speaker 1: Lost culture is just calling. We're in a different room

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Speaker 1: today recording because we were booted for Malala. Yeah that's true.

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Speaker 1: That's too. Malala is upstairs in our regular studio, and yeah,

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Speaker 1: you gotta respect you gotta respect it. You know if

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Speaker 1: it's Sometimes in life you're given a choice between Malala

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Speaker 1: and Matt Rogers and Bowen Yang, and you pick Malala,

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Speaker 1: and that's actually we're loo couch at number ten.

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Speaker 3: Sometimes in life you're giving a choice between Malala and

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Speaker 3: Matt Roger and you've got If it were like a

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Speaker 3: fifth grade pe class and people were picking kickball teams,

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Speaker 3: you would get picked.

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Speaker 1: I was gonna say, Malala, you think Malala would better

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Speaker 1: kickball than Malala grew up in the expanse fields of

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Speaker 1: her home. You're not thinking about winning the game. You're

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Speaker 1: thinking about it'd be cool to hang out with Malala

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Speaker 1: on my team. You're not thinking about who's going to

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Speaker 1: kick the ball and get around the base as quick

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Speaker 1: as you.

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Speaker 4: I'm saying Malala had like more space growing up just

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Speaker 4: to run around and be athletic.

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Speaker 2: I certainly didn't.

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Speaker 1: I don't know.

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Speaker 2: I take, well, look at your bigle games.

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Speaker 1: I'm always looking at your legs because you're always walking

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Speaker 1: in front of me at the speed of light.

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Speaker 2: We haven't seen Malala's legs, have we should we go

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Speaker 2: up there? What if Malala was yoked in in the

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Speaker 2: bottom half like Mamala.

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Speaker 1: Upstairs, like looking like Malala from the waist up, but

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Speaker 1: the legs are like.

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Speaker 4: Wow, sinewy, big fat calves like me.

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Speaker 1: Yeah, damn thick, thick mom always upstairs, all thick.

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Speaker 2: We're down here with our guests.

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Speaker 4: I would pick our guests and every situations, especially between

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Speaker 4: the two of us, especially if.

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Speaker 2: We're between her and Malala. No, I picked our guests

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Speaker 2: over Malala every day of the week.

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Speaker 4: Car guest is nominee for best vibe, hands hands down,

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Speaker 4: Oh my god. Next year her sat Meyers Malala you

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Speaker 4: sup scy.

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Speaker 1: I don't know. I have no idea what Malala's vibe

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Speaker 1: is like and wonderful. She's only five floors above us,

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Speaker 1: giving giving whatever that vibe giving shows, Malala's giving giving

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Speaker 1: thick shows ups there. You shoved to pieces one night

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Speaker 1: and you're like Malala's giving shows tonight. Yeah, I heard

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Speaker 1: it's I heard the lineup tonight is is It's Brinda Filter,

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Speaker 1: is Young Cut, It's is a young Cut? Is Young

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Speaker 1: Cuts hosting?

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Speaker 2: And malalas coming out to do shows.

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Speaker 1: She's coming out every fifteen twenty minutes to give what

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Speaker 1: do they call it? Not a combo.

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Speaker 4: Like like like dram egs mix. Yeah, yeah, yeah, the

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Speaker 4: Malala mix.

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Speaker 1: If you could see Malala lipsync to four songs, what

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Speaker 1: would they be?

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Speaker 5: Well?

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Speaker 2: Okay, and then we'll bring in the guest. I think it's.

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Speaker 4: My own worst enemy. What I wanted to do, like

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Speaker 4: a fun like ADTs rock moment.

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Speaker 1: Yeah, I was. What about this good free.

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Speaker 2: God? What are we talking about?

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Speaker 1: I don't know.

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Speaker 4: I Our guest is one of our dearest friends since college.

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Speaker 4: She is on the boards as Mary Todd Lincoln on

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Speaker 4: Oh Mary in Oh Mary, I should say, excuse me,

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Speaker 4: September thirtieth of October twelve, get the two the Lyceum.

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Speaker 1: I'll never forget going to the Lyceum when our guest

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Speaker 1: got to step onto the boards for the first time

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Speaker 1: as Mary Todd Lincoln. I'm currently wearing and Bowen is

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Speaker 1: wearing the Ohannah sweatshirt Ohnaan. So I've known the guests

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Speaker 1: since we were literally on the same floor freshman year.

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Speaker 4: I think our guest today to be I think we

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Speaker 4: might have been in the same audition for a comedy group.

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Speaker 2: Oh damn. And then she's she's giving me the eye,

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Speaker 2: going well, I think.

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Speaker 1: We could give you similar rise because we me and

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Speaker 1: the guest both didn't make it because of your imperious ways.

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Speaker 2: I didn't I wasn't, I wasn't up. It was up

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Speaker 2: to me.

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Speaker 1: You're imperial. You're imperial. Our guest is one of the greats.

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Speaker 1: You can catch her as Mary Todd Lincoln right now

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Speaker 1: until the day of twelve October. T said the dates,

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Speaker 1: all good, all good, Please welcome into your ears. Oh

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Speaker 1: my gosh, we have a whole We have a whole

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Speaker 1: crew of people here watching you, the audience, audiens.

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Speaker 2: How does it feel to be a Broadway superstar? God,

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Speaker 2: I feel insane.

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Speaker 6: It's actually insane that we're all here together on these couches.

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Speaker 2: We're in a spinning chair. That's true, that's true. I

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Speaker 2: knock the whole mic over.

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Speaker 1: Okay, Well, what were your first impressions of the Big

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Speaker 1: city when you moved to New York.

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Speaker 6: That's a really good question. Matt, thank you for asking

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Speaker 6: learn the subways. Sad to learn the subways.

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Speaker 1: So many sounds, the ways of the subs, all the

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Speaker 1: ways of the sub the ways of the stub But

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Speaker 1: remember our first remember our freshman year a NYU.

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Speaker 4: It was a thing where like you had the little

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Speaker 4: card map in your wallet, like I have a card

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Speaker 4: map in my wall.

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Speaker 6: This is pre app And you didn't have cell phone

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Speaker 6: service when you were on the subway, so you'd just

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Speaker 6: be like, bye, hope we make it there. I'll talk

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Speaker 6: to you in thirty five minutes.

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Speaker 1: Yeah, on Euclid Avenue. Oh god, the when you'd end

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Speaker 1: up like on the sea, like truly in no man's land.

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Speaker 2: Yeah, I was so scary. It's one of the scariest

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Speaker 2: things you could ever shunted by the memory, just.

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Speaker 1: Just to like sort of fall asleep on the subway,

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Speaker 1: wake up and you could.

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Speaker 4: I got very season two finale of Girls very Much.

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Speaker 1: Love.

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Speaker 6: Listen I one for you, Carrie, Samantha or Marnie. Well,

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Speaker 6: one time I was walking down the street when we

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Speaker 6: were in college and a man went.

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Speaker 2: Lena Dunham. You're like, yes, I guess.

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Speaker 1: Pretty much you felt seen by girls? You know what

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Speaker 1: I did feel seen by girls at the time, which

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Speaker 1: part was reflective of.

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Speaker 2: You just sort of like blah flopping around in New

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Speaker 2: York the way those girls one thing in common, they flopped.

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Speaker 1: Number fifty, All of those girls.

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Speaker 2: Had one thing in common.

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Speaker 1: They flopped around New York?

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Speaker 2: Am I wrong? Are still doing it?

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Speaker 1: Here's a question? Would you rather slip or flop? Oh?

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Speaker 2: Flip? Yeah, flip flop? Would you rather flip flop or flup?

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Speaker 1: You just wanted to say flop because it rhymes with boop,

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Speaker 1: and you want to talk about your viral moment.

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Speaker 2: You wanted to talk about the viral moment. You were

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Speaker 2: the one that made the connection between oop and.

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Speaker 4: I want to say, third option, fourth option, flap my gums, Yeah, exactly,

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Speaker 4: this podcast, I love that.

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Speaker 2: Also a tap dances Sophune. Sure.

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Speaker 1: So you were in top twenty one musical theater, which

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Speaker 1: means you have to be excellent as singing, dancing, and acting.

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Speaker 1: Which are the three do you love the most?

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Speaker 2: These questions?

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Speaker 1: I want to get to know.

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Speaker 2: Okay, you're so right, and this is insight into me.

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Speaker 2: I what was the question.

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Speaker 4: Which means you have to be excellent musical theater? So,

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Speaker 4: which did you love most singing dancing round Okay, this

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Speaker 4: is really professional?

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Speaker 2: Yeah question, I love this. Okay.

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Speaker 6: I am not the best dancer, but I love dancing.

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Speaker 6: I'm the same like it feels so good to dance,

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Speaker 6: but my brain isn't keeping up with what my body

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Speaker 6: is doing.

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Speaker 2: No, totally.

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Speaker 1: All the best dancers are the same way.

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Speaker 2: It's true. I don't know anything dancer.

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Speaker 1: Jinger Rogers, Score Girl Girl, Twilight out moving into this.

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Speaker 1: Love for Twila absolutely so.

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Speaker 2: I take singing. I love to sing.

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Speaker 1: You are one of the great singers.

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Speaker 4: Now is the infamous improv group Rumplets are still performing?

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Speaker 4: Please talk about advertise.

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Speaker 2: Thank you.

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Speaker 6: I don't really get to perform with them anymore because

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Speaker 6: of Broadway, the greatest excuse in the world, but they

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Speaker 6: are still performing.

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Speaker 2: Do you want a shirt that says I can't I

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Speaker 2: have Broadway? Yes? Absolutely.

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Speaker 6: I have a blanket in my dressing room that I

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Speaker 6: got off of Amazon that is theater sayings blanket. It's

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Speaker 6: all like light's up. It's me like all of the

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Speaker 6: theater like I can't I have rehearsal.

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Speaker 1: Or we'll do it on the day. Oh, I love

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Speaker 1: the day, and it's best to say it when it's

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Speaker 1: the same day. So on the day I think he'll

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Speaker 1: be over here, I mean in two seconds, just to

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Speaker 1: be a brain teaser when that happens. How do you

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Speaker 1: stay agile? Infectually?

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Speaker 6: I do a lot of crossword puzzle, actually I do.

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Speaker 6: I'm hoping that that will stave off some sort of dementia.

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Speaker 2: Yeah, do you do it? All the way up to

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Speaker 2: Saturday Sunday. I've been trying to get better. I've started

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Speaker 2: the new pips. Yeah what they had.

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Speaker 6: It's like sort of a domino puzzle. Okay, I'm into it.

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Speaker 2: That's wonderful.

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Speaker 6: And as long as my memory stays sharp, I'll do anything.

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Speaker 6: Anything's possible, anything's possible. I gotta be you know, I'm

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Speaker 6: not going to age into the roles that I'm supposed

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Speaker 6: to play for another twenty five years, so I gotta

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Speaker 6: stay sharp.

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Speaker 2: Remember those lyrics, right? If I want to play Dolly

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Speaker 2: in Hello Dolly, you.

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Speaker 4: Know, Oh Hannah, Oh Hannah, that's gonna be That's gonna

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Speaker 4: be amazing.

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Speaker 2: But who cares? I think like I think we should

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Speaker 2: all just do it. I think so too.

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Speaker 1: I want to play fifty now, absolutely, you both could

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Speaker 1: and we will, Okay. Teva golda, Hello, it's see we're waiting.

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Speaker 1: You can be like modeled the tailor.

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Speaker 2: Never seen Fiddler? You've never seen it? No, no, I'm

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Speaker 2: so sorry. The vibes are well in the beginning, they're fun,

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Speaker 2: and at the end it's bad.

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Speaker 6: Because what happens to the characters I can't quite remember,

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Speaker 6: but it's something bad.

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Speaker 1: You know what happens to the characters in Fiddler? Does

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Speaker 1: anyone know?

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Speaker 2: No one knows? Yes, thank you.

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Speaker 1: There's a diaspora. They have to leave their home.

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Speaker 2: Yes, good?

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Speaker 1: Okay?

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Speaker 2: Good?

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Speaker 1: Used so once? Far from the home, Far from the home.

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Speaker 2: I love so.

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Speaker 1: One of the big narratives on this podcast has been

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Speaker 1: are we using the word diaspora? Right?

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Speaker 3: No?

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Speaker 2: One always uses every word right? Good? It was good?

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Speaker 1: Well that time you describing Fiddler as it starts. The

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Speaker 1: vibes start out great, but then they then they then

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Speaker 1: the vibes end bad. That I think accurately describes a

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Speaker 1: lot of shows.

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Speaker 2: That's true. Wicked, Cabaret, Ye, red Wood, Redwood? Did you

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Speaker 2: end up getting to go see red did get to

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Speaker 2: go see it?

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Speaker 1: What do you think? I thought you can save it

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Speaker 1: right now, but your review can bring it back.

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Speaker 2: And bring it back why didn't you go we could

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Speaker 2: see Redwood? Yeah, they said I did have some offers.

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Speaker 6: Specifically from Redwood, but there were other offers and people

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Speaker 6: being like, well you could.

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Speaker 1: Being able to go see our show. So basically, for

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Speaker 1: those who don't know out there, Hannah Solo basically was

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Speaker 1: the one who said we could go see Boo.

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Speaker 2: Can you do it?

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Speaker 1: Because I'm doing it wrong.

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Speaker 2: I feel like you have the right essence. Well we

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Speaker 2: could see Boop? Was that what it was like? It

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Speaker 2: feels like you're the characters right in front of me.

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Speaker 2: I'm trying to remember. It was, oh, well we could

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Speaker 2: sleep Boop, we could them and this was this was

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Speaker 2: t K T Y.

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Speaker 6: Yes, I was walking by the red steps because honey,

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Speaker 6: when you're on Broadway, you're just circling hanting.

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Speaker 1: Yeah for a second, right by the steps, right right

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Speaker 1: next to the right now I remember, and I.

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Speaker 6: Heard a man, which then I got a lot of

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Speaker 6: d MS from people being like, it was me, you

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Speaker 6: heard me.

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Speaker 2: And there was a lot of men, a lot of

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Speaker 2: men being like, I'm the one who said it.

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Speaker 1: It was me. It was me.

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Speaker 2: Men be claiming truly, and I was.

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Speaker 1: Men be claiming.

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Speaker 2: So what what what? Who do you. Did you get

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Speaker 2: a sense that one was the actual guy.

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Speaker 6: The energy that I was feeling was that this man,

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Speaker 6: he's not on Instagram. Yeah, he's not dming me a Broadway.

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Speaker 2: Person. He seemed like a tourist. He seemed like a tourist. Yeah,

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Speaker 2: he's a Taurus. Yeah, headed for the worst time.

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Speaker 1: Your culture number seventeen. Dorris the worst kind because they're

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Speaker 1: so hard headed about what they want to do, where

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Speaker 1: they want to go, how they want to do it.

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Speaker 2: It's New York.

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Speaker 1: You have to be a malleable.

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Speaker 2: I'm sorry, No, you're so right.

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Speaker 1: You have to go with the flow.

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Speaker 4: You have to have a plan in New York City.

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Speaker 4: Abandon it, throw it out the window, throw it at

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Speaker 4: the window. So you So there were other approach approaches.

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Speaker 6: There were other approaches interesting, and I wish I could

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Speaker 6: have helped many shows.

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Speaker 2: But I don't. I'm not count like I'm not because

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Speaker 2: you famously kept still there. This is what people were saying,

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Speaker 2: but I didn't. I didn't see the ledgers.

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Speaker 4: I don't know, do you think I and I actually

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Speaker 4: I'm the one responsible for putting that idea out there

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Speaker 4: in this conversation because I said, you could have saved

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Speaker 4: Redwood and you didn't even I did not mean I apologize.

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Speaker 2: I thank you for your apologies.

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Speaker 1: Need to come out and say if Redwood was going

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Speaker 1: to be saved, it needed to be during the writing

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Speaker 1: and development process. Okay, that I that I don't think happened. Religion,

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Speaker 1: Big Tree religion. It was a full song on the show.

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Speaker 1: I worship Big Tree Religion.

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Speaker 2: Oh okay, I remembering it. I just remember so many screens.

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Speaker 1: Yeah, that was actually one of the exciting Jamie Lloyd.

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Speaker 6: It was, but it was very I felt a little

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Speaker 6: bit soreing over California a few while I love.

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Speaker 1: Can I tell you That's what I loved about the

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Speaker 1: show was the park nature of Yeah, that's why. The

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Speaker 1: fact that I felt like when there was a point

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Speaker 1: where like Adina was probably singing this note and like

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Speaker 1: at one point, like everything was moving around her, and

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Speaker 1: I was like, I feel like I am in the

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Speaker 1: Avatar flight of Passage ride. And it's to say nothing

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Speaker 1: against Surin. I just felt like all the trees it

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Speaker 1: felt like Avatar.

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Speaker 2: I love that.

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Speaker 1: My thoughts on Adina men's you love her, love the coal? Yeah,

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Speaker 1: never mat THEWL we saw her.

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Speaker 2: In the off Broadway place.

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Speaker 1: Skin tight, skin tight, never even heard of it. There

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Speaker 1: was a staircase in that The Broadway loves staircase. What's

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Speaker 1: the Dolly, what's the best staircase of theater?

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Speaker 6: Well, recently, did you see the Hills of California? Yes,

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Speaker 6: the staircases. My case says, did you see that?

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Speaker 1: Purpose had a great staircase, great staircase that comes her? Obviously, Hello, Dolly, staircase, staircase.

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Speaker 2: That's so true. Theaters is just like, let's put a staircase, and.

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Speaker 1: You know there's also an uh not oft remembered staircase

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Speaker 1: from death becomes her. That's the other staircase, which is

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Speaker 1: the one that Michelle Williams is supposed to be descending.

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Speaker 1: Now that goes that like like comically goes up the middle.

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Speaker 2: Really good. That one had to staircases, which is probably

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Speaker 2: why it was double the fun on the building. Yeah.

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Speaker 1: Anyways, what's your best memory of being an r A

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Speaker 1: with me at Coral Towers at n y U. You

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Speaker 1: guys were always together, were together, absolutely, So first answer

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Speaker 1: this question and then we'll go back in time to

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Speaker 1: see what you remembered about me from freshman year. And

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Speaker 1: I remembered about you.

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Speaker 2: Okay, I have a memory.

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Speaker 6: Well, when we were always together, we were I'd say

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Speaker 6: we were cool aras.

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Speaker 1: We were like, we were always joking in the corner.

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Speaker 2: We're joking. Yeah.

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Speaker 6: We were like, if we don't hear you or seeing you,

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Speaker 6: then we're gonna y you do your thing. Yeah, but

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Speaker 6: if you're in the hallway with your whippets, I'm gonna.

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Speaker 2: Write you up.

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Speaker 1: What was your most difficult thing to confront as an

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Speaker 1: Ra and n Yu?

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Speaker 2: Well, do you remember that a girl went missing.

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Speaker 1: And we.

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Speaker 6: Found her and finally found her in my room? Oh well,

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Speaker 6: her roommates came and were like, she's gone. We checked

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Speaker 6: her computer.

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Speaker 2: She had gone to meet Okay, she had been gone.

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Speaker 2: So she was a straight woman. I can't assume you

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Speaker 2: got to watch her sexual identity. She had not gone

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Speaker 2: to meet the man for sex. Well, she did.

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Speaker 6: Because they called her parents and then she came back

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Speaker 6: and she had been tied up for two days in

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Speaker 6: a way she enjoyed.

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Speaker 2: I believe it was consensual. But can you enjoyed being

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Speaker 2: tied up for two days?

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Speaker 1: She get into one hundred K.

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Speaker 2: And this grandro they found her tied up.

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Speaker 1: They well, I think she untied herself came back.

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Speaker 2: Everyone was like where were you? And her parents were there,

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Speaker 2: like you've been missing, and she had to be like, sorry,

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Speaker 2: I was tied up. I'm just gonna ask, like, how

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Speaker 2: did you save her? Well, I didn't save her at

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Speaker 2: all when.

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Speaker 1: Your shift ended, even though she had been missing. When

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Speaker 1: your shift ended, you were like, guys, I can't. I

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Speaker 1: gotta go like my shifts over, my shifts over. She's

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Speaker 1: the next.

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Speaker 2: All right, Literally, that's what it was.

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Speaker 6: You turned in the cell phone and you're like, here,

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Speaker 6: I guess I'll fill out the paper from and I

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Speaker 6: had to type remember it was like don't use you know.

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Speaker 1: I don't remember because I didn't do any of it.

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Speaker 1: I got fired, Matt was fired, fired, You didn't do

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Speaker 1: your bulletin board was the Bulletimore like I'm this is

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Speaker 1: what's happening this week? Like that.

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Speaker 6: It was sort of an opportunity to be creative, or

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Speaker 6: at least I found it, shi Be I had some

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Speaker 6: fun things on my bulletin board. I feel like you

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Speaker 6: sort of slapped a paper on there and said like

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Speaker 6: good luck.

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Speaker 1: I'm not good with like visual aids.

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Speaker 2: Also, we weren't a freshman dorm. It was an upper class. Yes,

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Speaker 2: so we were.

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Speaker 1: Literally like juniors and everyone in our in our dorm

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Speaker 1: was like of sophomore junior or a senior, and so

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Speaker 1: it kind of was.

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Speaker 6: Just like no one okay everyone everyone knew we had

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Speaker 6: to share a sweet way them like other aris got

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Speaker 6: their own sweets. And so we were living with the

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Speaker 6: people on our floor that we had to be like, okay,

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Speaker 6: don't bring wine into my room that we.

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Speaker 2: Share, right.

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Speaker 4: Can I ask you what the vibe of Coral Towers was,

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Speaker 4: because it was it was. It was sort of like

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Speaker 4: a It was kind of like an under It was

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Speaker 4: kind of like an undersung dorm. And the name Coral

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Speaker 4: Tower sounds like a Golden Girls spin off. It sounds

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Speaker 4: so floridious, it sounds so like chic and like I.

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Speaker 2: Would have done a really good bulletin board for that. Yeah, gorgeous. Well,

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Speaker 2: I don't think I ever set foot in Coral Towers.

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Speaker 2: I don't think you did either, because there would be

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Speaker 2: no reason.

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Speaker 1: Right right, like we were. It was on the corner.

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Speaker 1: It is.

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Speaker 2: Above the Dwayne Read.

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Speaker 1: You can still go there to see it's a it's

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Speaker 1: a Hannah Sola one Mette Rogers and Sudie Green. Honestly Landmark,

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Speaker 1: uh huh, they lived there, they should there's a bit

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Speaker 1: of a plaque.

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Speaker 2: And so like it was just like it was. It

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Speaker 2: was bad. I mean when we when we got the

401
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Speaker 2: assignment that we were there, we were like, oh he

402
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Speaker 2: didn't get one of the good ones. Oh man.

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Speaker 1: And I also wasn't alternate to be the RA.

404
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Speaker 2: I think I have been too.

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Speaker 1: I think maybe we were because they would very rarely

406
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Speaker 1: put people as ras who were in Tish because they

407
00:20:12,160 --> 00:20:16,640
Speaker 1: knew that historically Tish kids get busy, like they want

408
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Speaker 1: to do shows, they want to do whatever it is

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Speaker 1: they have like a community outside of the residence hall,

410
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Speaker 1: because the residence hall thing, it was so much more

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Speaker 1: of being an RA was build community in these past

412
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Speaker 1: with I couldn't do that. I had pizza Knight for

413
00:20:31,680 --> 00:20:34,240
Speaker 1: the oscars. I think once one year they made me

414
00:20:34,320 --> 00:20:34,960
Speaker 1: cook a turkey.

415
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Speaker 2: Me, what does that mean?

416
00:20:38,119 --> 00:20:40,720
Speaker 1: It means kids are getting sick, That's what it means.

417
00:20:42,400 --> 00:20:45,200
Speaker 1: It means it means, I, you know, take the bird

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Speaker 1: out the oven and go, well, case, rah, case, let

419
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Speaker 1: me let me put this meat therough mometer in there.

420
00:20:49,880 --> 00:20:53,919
Speaker 1: Seventy five degrees seventy five degrees. Sounds like a good

421
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Speaker 1: temperature to me?

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Speaker 2: Is that a warm sixty four? What's sixty nine is optimal? Okay?

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00:21:04,920 --> 00:21:09,600
Speaker 2: One sixty nine? Remember that depends on Suddenly, suddenly the

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Speaker 2: whole room is activated. Martha Stewart. No, we usually don't

425
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Speaker 2: get the audit. We don't. We don't get the girls

426
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Speaker 2: in in in the studio with us. We're kind of sequested.

427
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Speaker 1: I was fired from being an ra because I forgot

428
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Speaker 1: to pick up that.

429
00:21:22,640 --> 00:21:23,120
Speaker 2: You were too.

430
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Speaker 1: You were fired, You said so, you said same, you said,

431
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Speaker 1: say it, say it.

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Speaker 2: I was not fired. How could you ever? No, you

433
00:21:31,680 --> 00:21:34,159
Speaker 2: were a great employee and lovely to being around. You

434
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Speaker 2: know what we fired?

435
00:21:35,800 --> 00:21:39,680
Speaker 1: Well, I don't think our boss liked my sense of humor. Okay,

436
00:21:40,200 --> 00:21:43,080
Speaker 1: more of a keep it here's more of a keep

437
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Speaker 1: it guy would prefer. I was Lewis Fertell no, don't

438
00:21:48,080 --> 00:21:52,120
Speaker 1: you don't you remember that like our our residents, like director,

439
00:21:53,000 --> 00:21:55,119
Speaker 1: didn't let my sense of humor. Well, there was a.

440
00:21:55,240 --> 00:21:57,920
Speaker 2: Change over in leadership. Oh that's tough. Well that we

441
00:21:58,440 --> 00:21:59,960
Speaker 2: don't we all know. Don't you understand?

442
00:22:00,240 --> 00:22:03,080
Speaker 1: That is really tough. When there's a changeover in leadership,

443
00:22:03,119 --> 00:22:03,760
Speaker 1: everything changes.

444
00:22:03,880 --> 00:22:05,440
Speaker 2: The jokes just weren't hitting the same.

445
00:22:05,560 --> 00:22:08,960
Speaker 1: We had a woman named Danaris the first year. Of course,

446
00:22:08,960 --> 00:22:13,240
Speaker 1: I'll never forget dragon like literally but a kind person

447
00:22:13,680 --> 00:22:15,960
Speaker 1: who loved my humor. And then she at the day

448
00:22:16,359 --> 00:22:18,840
Speaker 1: said I have some news I'll never forget. She said,

449
00:22:18,880 --> 00:22:21,200
Speaker 1: I have news, and then she told us I will

450
00:22:21,240 --> 00:22:24,560
Speaker 1: be leaving, and we were like Denaris, And then she

451
00:22:24,760 --> 00:22:27,080
Speaker 1: left and this other guy came in is I won't

452
00:22:27,119 --> 00:22:30,320
Speaker 1: say his name, but he was not having it, not

453
00:22:30,480 --> 00:22:31,399
Speaker 1: the way Denaris was.

454
00:22:31,480 --> 00:22:34,360
Speaker 2: And they asked where the residents directors also students.

455
00:22:34,720 --> 00:22:37,560
Speaker 6: No, they were adults who lived in the building with this,

456
00:22:37,840 --> 00:22:40,000
Speaker 6: So then these were adult people that had to like

457
00:22:40,400 --> 00:22:43,320
Speaker 6: sign in their guests and like dates.

458
00:22:44,280 --> 00:22:47,160
Speaker 2: It must be so strange to do that. I feel

459
00:22:47,240 --> 00:22:49,200
Speaker 2: for him in that way, Yeah, yeah, it must be.

460
00:22:49,640 --> 00:22:52,120
Speaker 4: Must maybe he doesn't love the fact that he's living

461
00:22:52,119 --> 00:22:53,160
Speaker 4: with him into the twenty year.

462
00:22:53,040 --> 00:22:55,960
Speaker 2: Olds, right right, And we were annoying. I think you're

463
00:22:55,960 --> 00:22:56,760
Speaker 2: looking back.

464
00:22:56,760 --> 00:22:59,760
Speaker 1: There's a high probability I was annoying because I did

465
00:22:59,840 --> 00:23:03,960
Speaker 1: think that my role in the residence hall community was

466
00:23:04,040 --> 00:23:06,680
Speaker 1: to sort of provide vibes. Yeah, and it was because

467
00:23:06,720 --> 00:23:09,000
Speaker 1: I wasn't doing the bulletin board. I wasn't picking up

468
00:23:09,040 --> 00:23:12,719
Speaker 1: the phone. But I do think I provided vibes and laughs,

469
00:23:12,880 --> 00:23:15,440
Speaker 1: and then he didn't He didn't really want that, but

470
00:23:15,560 --> 00:23:17,160
Speaker 1: we thank you for the vibes that laughs.

471
00:23:17,240 --> 00:23:19,480
Speaker 2: We had fun. We had so much fun. How many

472
00:23:19,680 --> 00:23:22,200
Speaker 2: how many people did you guys write up? Like, oh god,

473
00:23:22,240 --> 00:23:22,760
Speaker 2: I never did that.

474
00:23:23,040 --> 00:23:26,320
Speaker 4: What would that involved? Like, well, Stacy was smoking crack,

475
00:23:26,560 --> 00:23:31,119
Speaker 4: and I guess' track. I walked in and Stacy was

476
00:23:31,320 --> 00:23:32,320
Speaker 4: smoking crack.

477
00:23:33,920 --> 00:23:36,760
Speaker 1: Because you're smoking crack in the residence halls and we're

478
00:23:36,880 --> 00:23:39,960
Speaker 1: very clear that happens out on the streets, no crack

479
00:23:40,160 --> 00:23:43,720
Speaker 1: in the resid whack, and that you have to write

480
00:23:43,800 --> 00:23:44,720
Speaker 1: up a little report.

481
00:23:45,960 --> 00:23:47,920
Speaker 6: But they had no emotions, so it had to be

482
00:23:48,080 --> 00:23:51,920
Speaker 6: just factual. I walked in, Stacy was smoking crack. I

483
00:23:52,080 --> 00:23:56,720
Speaker 6: grabbed the crack. I said no more, I said, Mark,

484
00:23:56,760 --> 00:23:58,399
Speaker 6: I'm angry with you about the cracks.

485
00:23:58,680 --> 00:24:01,480
Speaker 2: No emotion. I'm just quote. I'm just quoting what I

486
00:24:01,640 --> 00:24:05,200
Speaker 2: said in the room. I walked out. I took the

487
00:24:05,359 --> 00:24:08,600
Speaker 2: crack in a bag. I don't really know it's crack loose,

488
00:24:09,080 --> 00:24:12,040
Speaker 2: I can. I think crack can be all sorts of forms. Yeah,

489
00:24:12,080 --> 00:24:17,040
Speaker 2: that's beautiful. Number seventy nine.

490
00:24:17,240 --> 00:24:20,760
Speaker 1: I think all sorts of forms and that's beautiful.

491
00:24:21,440 --> 00:24:23,000
Speaker 2: What is your favorite part of playing Mary?

492
00:24:23,480 --> 00:24:26,920
Speaker 6: Oh, my gosh, I'd say my favorite part of playing

493
00:24:27,000 --> 00:24:31,119
Speaker 6: Mary is the moment before the doors open hmm, and

494
00:24:31,400 --> 00:24:33,440
Speaker 6: just bursting.

495
00:24:33,240 --> 00:24:36,960
Speaker 2: Myself up and bursting through those doors. I can't wait

496
00:24:37,000 --> 00:24:40,159
Speaker 2: to see. I still not had the joy and pleasure

497
00:24:40,200 --> 00:24:41,720
Speaker 2: of seeing. Oh my gosh, I think you'll like it.

498
00:24:41,920 --> 00:24:43,840
Speaker 2: I think so you don't you know? You know I

499
00:24:43,960 --> 00:24:45,120
Speaker 2: love a Hannah solo moment.

500
00:24:45,240 --> 00:24:48,280
Speaker 4: I would go to the musical Improv show back in

501
00:24:48,359 --> 00:24:52,720
Speaker 4: the day and there was my My favorite feature of

502
00:24:52,760 --> 00:24:56,439
Speaker 4: a Hannah solo performance is anytime And is it fair

503
00:24:56,480 --> 00:24:59,000
Speaker 4: toest please deny this if it's not wait to hear

504
00:24:59,000 --> 00:24:59,560
Speaker 4: what you're gonna say.

505
00:24:59,600 --> 00:25:00,920
Speaker 2: There, there's there's a there's a phrase.

506
00:25:00,920 --> 00:25:02,720
Speaker 4: I'm not saying you're a catchphrase comedian, but there's a

507
00:25:02,760 --> 00:25:04,560
Speaker 4: phrase that I think I've heard you say at.

508
00:25:04,520 --> 00:25:10,480
Speaker 1: Least twice and it always destroys me. Ready, Okay, I feel.

509
00:25:10,320 --> 00:25:14,880
Speaker 2: So wild, but I kind of I was like, it's

510
00:25:14,920 --> 00:25:17,639
Speaker 2: gonna being a horny teeth.

511
00:25:18,000 --> 00:25:23,280
Speaker 1: But I feel so wild or bumped from Malala, bummed

512
00:25:23,280 --> 00:25:25,360
Speaker 1: from sort of both, and they're related.

513
00:25:26,200 --> 00:25:28,480
Speaker 4: What do you make of that wild? Is there something

514
00:25:28,520 --> 00:25:31,240
Speaker 4: wild within you. That must that you're subconsciously sort of

515
00:25:31,359 --> 00:25:31,960
Speaker 4: like masking.

516
00:25:32,200 --> 00:25:34,639
Speaker 6: I think it's it really is this thing of like

517
00:25:34,880 --> 00:25:39,960
Speaker 6: the music stunts, and I just feel something in sacks.

518
00:25:40,320 --> 00:25:41,640
Speaker 1: Are you saying it now?

519
00:25:42,480 --> 00:25:52,920
Speaker 2: Okay? Immediately I'm thinking a snake. I love iguana?

520
00:25:53,440 --> 00:25:53,720
Speaker 3: You do?

521
00:25:54,320 --> 00:25:56,840
Speaker 1: Yes, you were darre in Miami when one fell out

522
00:25:56,880 --> 00:25:58,560
Speaker 1: of the tree when I was tying my shoe and

523
00:25:58,600 --> 00:25:59,600
Speaker 1: almost hit me in the head.

524
00:25:59,800 --> 00:26:01,560
Speaker 2: You wouldn't like him so much? And then what it

525
00:26:01,640 --> 00:26:03,760
Speaker 2: hits you in the head of what happens? Excuse me?

526
00:26:04,040 --> 00:26:06,199
Speaker 1: You know that you know the upwards of fifty pounds

527
00:26:06,600 --> 00:26:08,320
Speaker 1: at least the way this one hit the tits around

528
00:26:08,359 --> 00:26:10,800
Speaker 1: with a thud. Did you know they were in trees?

529
00:26:11,240 --> 00:26:13,640
Speaker 2: I did not know. To Miami. They're climbing.

530
00:26:14,240 --> 00:26:18,879
Speaker 1: Get to Miami, honey, Get to the Lyceum first Sami

531
00:26:18,960 --> 00:26:19,480
Speaker 1: and then Miami.

532
00:26:19,520 --> 00:26:20,919
Speaker 2: Oh that would be an amazing vacation.

533
00:26:21,080 --> 00:26:23,520
Speaker 1: Oh my god. Well, we're going we're spending a week.

534
00:26:23,560 --> 00:26:26,239
Speaker 1: We're going to do three days at the Lyceum. Then

535
00:26:26,240 --> 00:26:27,479
Speaker 1: we're going to head down to Miami.

536
00:26:27,680 --> 00:26:29,560
Speaker 4: We're gonnao at the urinals at the Lyceum, fill the

537
00:26:29,600 --> 00:26:31,880
Speaker 4: pictures of coal, and then we're gonna go down.

538
00:26:32,560 --> 00:26:35,680
Speaker 2: Is it like knowing that you'll fill the shoes of coal?

539
00:26:37,600 --> 00:26:40,200
Speaker 6: It's really sorting so many talents before you, so many

540
00:26:40,240 --> 00:26:45,879
Speaker 6: talents before the best don't don't well, okay, so unfair.

541
00:26:46,160 --> 00:26:48,040
Speaker 2: It's so unfair when a friend comes on the show,

542
00:26:48,080 --> 00:26:51,200
Speaker 2: it's like we're so unkind to that. It's true. Why

543
00:26:51,200 --> 00:26:54,320
Speaker 2: haven't even really kind? I mean a wild.

544
00:26:56,320 --> 00:27:02,200
Speaker 1: I love doing the play. I'm honored to follow in

545
00:27:02,280 --> 00:27:03,159
Speaker 1: Cole's footsteps.

546
00:27:03,280 --> 00:27:05,680
Speaker 6: And technically I was the first person to do it

547
00:27:05,840 --> 00:27:11,840
Speaker 6: after Cool, which was truly scary, of course, but it happened.

548
00:27:11,960 --> 00:27:14,639
Speaker 2: It went well even was that the night we were

549
00:27:14,680 --> 00:27:14,959
Speaker 2: all there?

550
00:27:15,160 --> 00:27:18,480
Speaker 6: Yes, that was very nice the very first time, and

551
00:27:18,560 --> 00:27:19,919
Speaker 6: I think everyone was a little bit like.

552
00:27:20,520 --> 00:27:23,200
Speaker 2: What if the play doesn't work? About Cool? Oh God,

553
00:27:23,320 --> 00:27:24,640
Speaker 2: but the play is so good.

554
00:27:25,200 --> 00:27:26,920
Speaker 1: Yeah, that's the genius of the play is that anyone

555
00:27:26,960 --> 00:27:31,000
Speaker 1: can do it. Yes, exactly, Well, that is really nice

556
00:27:31,040 --> 00:27:33,560
Speaker 1: to hear. It's the best play in the world, honestly.

557
00:27:33,680 --> 00:27:36,960
Speaker 1: Like you, we were talking about with Jinks last week,

558
00:27:37,400 --> 00:27:40,200
Speaker 1: the Great Day Monologue, and you actually have one of

559
00:27:40,280 --> 00:27:42,879
Speaker 1: my favorite performances of that, and that was such a

560
00:27:43,240 --> 00:27:47,159
Speaker 1: it's such a beautiful, important monologue and obviously such a

561
00:27:47,280 --> 00:27:51,399
Speaker 1: you know, like zany like hysterical show. But it's this

562
00:27:52,040 --> 00:27:57,280
Speaker 1: moment where you, I think, really understand Mary's anxieties. Like

563
00:27:57,359 --> 00:27:59,920
Speaker 1: Jinx was talking about how the way that she was

564
00:28:00,160 --> 00:28:03,240
Speaker 1: playing Mary was as if it was someone with ADHD,

565
00:28:03,880 --> 00:28:07,200
Speaker 1: like in a way where it's like obviously it's it's

566
00:28:07,280 --> 00:28:09,080
Speaker 1: oh Mary, and you're going out there and you're going

567
00:28:09,160 --> 00:28:11,280
Speaker 1: for the joke, but in a grounded way for you, like,

568
00:28:11,359 --> 00:28:12,480
Speaker 1: how are you thinking about her?

569
00:28:13,160 --> 00:28:16,000
Speaker 2: I think I really am not going for the jokes.

570
00:28:16,240 --> 00:28:19,800
Speaker 6: I'm really thinking of her as like this woman who

571
00:28:19,880 --> 00:28:23,680
Speaker 6: has big dreams and there's just everyone in her life

572
00:28:23,880 --> 00:28:26,680
Speaker 6: is trying to stop her from doing them and is

573
00:28:26,760 --> 00:28:30,840
Speaker 6: telling her she sucks and is annoying and all she

574
00:28:30,960 --> 00:28:35,440
Speaker 6: wants to do is sing, which like I really understand that, Yeah,

575
00:28:35,880 --> 00:28:36,600
Speaker 6: and people are.

576
00:28:36,600 --> 00:28:38,680
Speaker 2: Like, no, you can't, You're annoying.

577
00:28:39,000 --> 00:28:39,240
Speaker 1: Yeah.

578
00:28:40,040 --> 00:28:42,200
Speaker 2: It's like action action action, and everyone is wrong and

579
00:28:42,280 --> 00:28:42,760
Speaker 2: they don't know it.

580
00:28:43,040 --> 00:28:45,760
Speaker 6: Yeah, that's really I feel like the trap of the

581
00:28:45,880 --> 00:28:48,480
Speaker 6: show is to like look to the audience and be

582
00:28:48,680 --> 00:28:54,840
Speaker 6: like but that's when you like actually ultimately ruin what

583
00:28:54,960 --> 00:28:57,920
Speaker 6: is so beautiful about the show That everyone does have

584
00:28:58,080 --> 00:29:01,040
Speaker 6: heart and like these characters have really.

585
00:29:00,880 --> 00:29:04,560
Speaker 2: Big wants and it's just the highest stakes of these wants.

586
00:29:04,760 --> 00:29:08,080
Speaker 1: Yeah, I wonder too, like when you're doing that monologue

587
00:29:08,120 --> 00:29:11,840
Speaker 1: and you're obviously having a moment like where you know that,

588
00:29:12,280 --> 00:29:14,080
Speaker 1: like as an understudy, you're there all the time and

589
00:29:14,160 --> 00:29:15,520
Speaker 1: you might get the chance to do it, but my

590
00:29:16,040 --> 00:29:18,920
Speaker 1: job likely not. And then finally it's there and you

591
00:29:19,080 --> 00:29:21,120
Speaker 1: know that like so many people are coming out to

592
00:29:21,160 --> 00:29:23,080
Speaker 1: support you, and then you have to do this monologue

593
00:29:23,080 --> 00:29:27,400
Speaker 1: about having a great day like that probably was really emotional.

594
00:29:27,520 --> 00:29:30,160
Speaker 6: Oh my gosh, I cry like every time because it

595
00:29:30,320 --> 00:29:32,840
Speaker 6: really is like I'm gonna cry thinking about it, Like

596
00:29:33,120 --> 00:29:37,120
Speaker 6: I am like living my dream and saying like these

597
00:29:37,200 --> 00:29:40,360
Speaker 6: lines about how, oh my gosh, like I've wanted to

598
00:29:40,760 --> 00:29:42,920
Speaker 6: have this great day for so long, and then I'm

599
00:29:43,000 --> 00:29:45,400
Speaker 6: like in the midst of the great day as.

600
00:29:45,320 --> 00:29:47,800
Speaker 2: It's ending, which is also what the monologue is the best, right,

601
00:29:48,000 --> 00:29:48,600
Speaker 2: you don't want it to be.

602
00:29:48,600 --> 00:29:51,440
Speaker 6: Over right exactly, And because I am an understudy, it

603
00:29:51,600 --> 00:29:53,480
Speaker 6: is like this is in the moment. I don't know

604
00:29:53,480 --> 00:29:55,600
Speaker 6: when I'm gonna do it again. Is this gonna be

605
00:29:56,440 --> 00:29:59,600
Speaker 6: the last last time I do the show? Or is

606
00:29:59,720 --> 00:30:01,480
Speaker 6: this am I gonna wait a few months, So it

607
00:30:01,560 --> 00:30:04,600
Speaker 6: really does feel like this moment of like so in

608
00:30:04,720 --> 00:30:05,640
Speaker 6: sync with the show.

609
00:30:06,520 --> 00:30:10,560
Speaker 4: I mean, I want you to give a primary account.

610
00:30:11,000 --> 00:30:14,400
Speaker 4: I know that this is like widely known, especially like

611
00:30:15,000 --> 00:30:17,600
Speaker 4: through like the like stages out of COVID, but like

612
00:30:17,760 --> 00:30:20,800
Speaker 4: talk about like I just really want us to give

613
00:30:20,880 --> 00:30:25,960
Speaker 4: like a moment for this, like understudies like talk about

614
00:30:26,000 --> 00:30:29,360
Speaker 4: that give us like like it's the hardest thing I could.

615
00:30:29,560 --> 00:30:31,160
Speaker 4: Every time I see a show on Broadway, I'm like

616
00:30:31,480 --> 00:30:35,040
Speaker 4: thinking about like two of these fucking people on stage

617
00:30:35,160 --> 00:30:37,800
Speaker 4: or back backstage, no, like four of these parts left right,

618
00:30:37,840 --> 00:30:38,600
Speaker 4: and know all these tracks.

619
00:30:38,720 --> 00:30:40,200
Speaker 2: That's crazy. It's crazy.

620
00:30:40,480 --> 00:30:42,800
Speaker 6: When I saw Stranger Things, I was the whole time

621
00:30:42,880 --> 00:30:46,360
Speaker 6: I was only thinking about, like how in the world

622
00:30:46,960 --> 00:30:49,240
Speaker 6: are you an understudy? Being like, well, okay, I guess

623
00:30:49,240 --> 00:30:51,320
Speaker 6: I'm gonna go out there and hopefully the thing works

624
00:30:51,360 --> 00:30:53,200
Speaker 6: and I fly across the room right.

625
00:30:53,720 --> 00:30:56,520
Speaker 1: Right, Because if they added a harness and flying to

626
00:30:56,640 --> 00:31:01,160
Speaker 1: a much harder yes, yeah, I have asked if they

627
00:31:01,200 --> 00:31:03,320
Speaker 1: could they have a lot of fly space up there

628
00:31:03,360 --> 00:31:05,800
Speaker 1: that were not utilizing. You're like, I want to go

629
00:31:05,920 --> 00:31:10,640
Speaker 1: more vertical, more vertical, exactly, you should always go more vertical.

630
00:31:10,840 --> 00:31:14,000
Speaker 2: How high do you think you can jump if you

631
00:31:14,080 --> 00:31:16,239
Speaker 2: had the harness. I've heard the wire on you. Why

632
00:31:16,320 --> 00:31:18,440
Speaker 2: am I hon a trampoline? Or is this jumping out?

633
00:31:18,560 --> 00:31:21,040
Speaker 1: Certainly not? Certainly we can't afford it, and then you

634
00:31:21,120 --> 00:31:25,080
Speaker 1: can't ensure it. I can't jump high at all? Well, shit,

635
00:31:25,800 --> 00:31:27,680
Speaker 1: is that going to be a big problem for the vertical? O?

636
00:31:27,840 --> 00:31:28,080
Speaker 2: Mary?

637
00:31:28,200 --> 00:31:30,160
Speaker 1: But in a real way, like you know both of

638
00:31:30,240 --> 00:31:32,680
Speaker 1: these bars, you know, not just Mary butlers, yes, and

639
00:31:32,840 --> 00:31:35,680
Speaker 1: your back you're backstage with other people knowing the same thing.

640
00:31:35,800 --> 00:31:38,600
Speaker 2: Like, that's that's a lot to learn. It's a lot

641
00:31:38,680 --> 00:31:39,080
Speaker 2: to learn.

642
00:31:39,440 --> 00:31:44,680
Speaker 6: It's I like to say, it's almost like seventy five

643
00:31:44,960 --> 00:31:49,040
Speaker 6: percent mental. Actually is what I've learned, is like the

644
00:31:49,240 --> 00:31:51,680
Speaker 6: learning of the lines and where to go and all

645
00:31:51,760 --> 00:31:55,719
Speaker 6: the blocking and stuff is actually not as hard as

646
00:31:56,000 --> 00:31:57,960
Speaker 6: I thought it was going to be. But for me,

647
00:31:58,160 --> 00:32:02,440
Speaker 6: it's really the mental work of being like, Okay, I'm

648
00:32:02,480 --> 00:32:04,960
Speaker 6: going to go out there and it's okay, and I'm

649
00:32:05,000 --> 00:32:09,320
Speaker 6: having to psyke myself up and having to understudy being

650
00:32:09,360 --> 00:32:12,680
Speaker 6: fortunate enough to understudy these big, big names that you know,

651
00:32:12,760 --> 00:32:17,000
Speaker 6: people are of course disappointed when the person that they

652
00:32:17,040 --> 00:32:19,280
Speaker 6: came to see isn't in so really just like giving

653
00:32:19,320 --> 00:32:20,680
Speaker 6: myself the mental headspace of.

654
00:32:20,800 --> 00:32:24,400
Speaker 2: Like, you're good, you can do this, You're fine, go

655
00:32:24,560 --> 00:32:25,920
Speaker 2: out there and just do the show.

656
00:32:26,040 --> 00:32:28,360
Speaker 1: Yeah, don't pick up on any nasty energy from like

657
00:32:28,440 --> 00:32:30,880
Speaker 1: whoever the fuck is in the sixth throw being like.

658
00:32:36,160 --> 00:32:47,360
Speaker 5: That's how they talk, that's what they were like. And

659
00:32:47,400 --> 00:32:51,520
Speaker 5: then they're like, I love she was pretty good.

660
00:32:54,120 --> 00:32:56,000
Speaker 2: I can really like hear people.

661
00:32:56,320 --> 00:32:59,000
Speaker 1: This is the thing people don't you can we can

662
00:32:59,200 --> 00:33:01,720
Speaker 1: hear you from the stage, and I have heard people

663
00:33:02,000 --> 00:33:07,760
Speaker 1: like Seed three be like, Okay, she's good fun audience. Yes,

664
00:33:08,560 --> 00:33:11,200
Speaker 1: we are so close to the audience. I'm like, I

665
00:33:11,320 --> 00:33:14,400
Speaker 1: can see you, I can hear you. You are not

666
00:33:14,520 --> 00:33:15,120
Speaker 1: being quiet?

667
00:33:15,360 --> 00:33:17,880
Speaker 2: Can I ask please? Coughing?

668
00:33:19,320 --> 00:33:22,440
Speaker 1: He has a real sensitivity thing. Look, I'm not like

669
00:33:22,600 --> 00:33:25,920
Speaker 1: out here saying like fuck you if you're coughing in

670
00:33:26,000 --> 00:33:30,760
Speaker 1: the theater, But there is a point where it starts

671
00:33:30,840 --> 00:33:37,719
Speaker 1: to on a collective level, it's it's it's panoramic coughs,

672
00:33:39,280 --> 00:33:42,719
Speaker 1: and then starts to affect the show, certainly on an

673
00:33:42,720 --> 00:33:46,400
Speaker 1: audience level, I'm sorry, and I'm sure on a performer level.

674
00:33:47,080 --> 00:33:50,160
Speaker 6: Well, the coughing thing is like if you have a

675
00:33:50,240 --> 00:33:53,160
Speaker 6: wet cough and you're going to the theater. You knew

676
00:33:53,360 --> 00:33:55,800
Speaker 6: you had the cough when you came. Bring a ricola,

677
00:33:56,440 --> 00:33:59,720
Speaker 6: bring something with you. Why are you letting this lose?

678
00:34:00,120 --> 00:34:01,480
Speaker 2: I don't know. I don't have a I don't have

679
00:34:01,520 --> 00:34:03,360
Speaker 2: a solution. I think you gotta go.

680
00:34:04,160 --> 00:34:06,760
Speaker 1: I think honestly, like if you're if you're start having

681
00:34:06,800 --> 00:34:09,719
Speaker 1: a coughing attack, you know when it's the kind of

682
00:34:09,719 --> 00:34:12,320
Speaker 1: thing that's not going to stop. Unfortunately, you gotta go.

683
00:34:12,560 --> 00:34:15,919
Speaker 1: It's like it's walking out. It's like a crying baby. Yeah,

684
00:34:16,480 --> 00:34:17,680
Speaker 1: what would you do with a crying baby.

685
00:34:17,840 --> 00:34:21,800
Speaker 6: You wouldn't let the baby cry during Mama Mia, Super Trooper,

686
00:34:22,000 --> 00:34:22,840
Speaker 6: you live.

687
00:34:27,200 --> 00:34:28,799
Speaker 2: And during a play, it's like you can't get away

688
00:34:28,800 --> 00:34:30,200
Speaker 2: from it. We went to go see Purpose. It was

689
00:34:30,320 --> 00:34:30,760
Speaker 2: the worst.

690
00:34:30,840 --> 00:34:32,920
Speaker 1: People were dying all around us. It was costs and

691
00:34:33,080 --> 00:34:36,680
Speaker 1: phones going on. That's that's why I got to me.

692
00:34:36,760 --> 00:34:39,000
Speaker 1: I was like, wait, everything is out of control. Well,

693
00:34:39,000 --> 00:34:42,200
Speaker 1: we were in the West End seeing Titsanik and we

694
00:34:42,280 --> 00:34:44,320
Speaker 1: were in I think I believe the fourth throw and

695
00:34:45,000 --> 00:34:48,000
Speaker 1: like you are so aware that they can see you, like,

696
00:34:48,200 --> 00:34:51,520
Speaker 1: and this woman next to us was double fisting wine

697
00:34:52,040 --> 00:34:53,759
Speaker 1: with her phone out in front of her, with a

698
00:34:53,880 --> 00:34:57,480
Speaker 1: spread sheet on the phone. She was doing Google sheets.

699
00:34:57,719 --> 00:34:59,840
Speaker 1: She had Google sheets that she was like, and she

700
00:35:00,120 --> 00:35:03,080
Speaker 1: like doing this, and Bowen just over me goes to her,

701
00:35:03,520 --> 00:35:06,520
Speaker 1: you're at live theater. I said, you're at it. I said,

702
00:35:06,560 --> 00:35:07,160
Speaker 1: you're at the theater.

703
00:35:07,320 --> 00:35:10,839
Speaker 2: Good for you. I don't care. I don't care.

704
00:35:11,160 --> 00:35:16,799
Speaker 6: Disrespectful when people leave right before bows start.

705
00:35:16,600 --> 00:35:19,000
Speaker 2: Oh honey, and the lights are up, but we can

706
00:35:19,320 --> 00:35:19,759
Speaker 2: see you.

707
00:35:20,000 --> 00:35:20,640
Speaker 1: You got to get to the.

708
00:35:20,680 --> 00:35:26,240
Speaker 2: Parking garage, please pleez. It's so crazy to me. People

709
00:35:26,280 --> 00:35:30,560
Speaker 2: are just like the fourth wall. Yeah no, no, it's glass, honey.

710
00:35:30,840 --> 00:35:31,480
Speaker 2: We can see you.

711
00:35:37,640 --> 00:35:42,800
Speaker 1: Speaking of engaging with patrons of the arts in odd places.

712
00:35:43,239 --> 00:35:47,040
Speaker 1: This sort of connects us to your culture. So, Hannah Sola,

713
00:35:47,840 --> 00:35:49,759
Speaker 1: what was the culture that made you say culture was

714
00:35:49,840 --> 00:35:50,040
Speaker 1: for you?

715
00:35:50,280 --> 00:35:52,160
Speaker 6: The culture that made me say culture was for me

716
00:35:52,719 --> 00:35:56,120
Speaker 6: was dinner theater, let's go. When I was a kid

717
00:35:56,440 --> 00:35:59,160
Speaker 6: doing it, I was too afraid to go to sleep

718
00:35:59,200 --> 00:36:02,080
Speaker 6: away camp, and so my parents put me in a

719
00:36:02,280 --> 00:36:02,560
Speaker 6: thank you.

720
00:36:03,600 --> 00:36:06,080
Speaker 2: I was in a day camp called swing Kids.

721
00:36:06,320 --> 00:36:13,400
Speaker 1: Oh my swing kids, kids preparing to swing, this generation

722
00:36:14,440 --> 00:36:15,960
Speaker 1: ready to be swings.

723
00:36:15,880 --> 00:36:17,600
Speaker 2: And I learned. So this was the thing.

724
00:36:17,719 --> 00:36:22,359
Speaker 6: It was a cabaret space connected to a cocos which

725
00:36:22,400 --> 00:36:25,600
Speaker 6: all cocos. It was like a California like sort of

726
00:36:25,760 --> 00:36:29,720
Speaker 6: diner type bakery. This old pie, great chicken tenders.

727
00:36:30,440 --> 00:36:31,319
Speaker 2: So they would do like.

728
00:36:31,560 --> 00:36:36,200
Speaker 6: Medleys of like old timey songs. But before the shows

729
00:36:36,520 --> 00:36:38,240
Speaker 6: we would be the waiters.

730
00:36:38,320 --> 00:36:42,480
Speaker 1: So we would take cross families orders, which I fucking loved.

731
00:36:42,600 --> 00:36:45,120
Speaker 2: I was full, like what do you want? Okay, going

732
00:36:45,200 --> 00:36:45,440
Speaker 2: back to.

733
00:36:45,440 --> 00:36:48,640
Speaker 1: The kitchen, like I need two chicken tenders, and then.

734
00:36:48,520 --> 00:36:55,080
Speaker 2: You delivered too. She's just saying two orders, Matt.

735
00:36:57,480 --> 00:37:02,600
Speaker 1: In a while a string, we deliver the food, and

736
00:37:02,640 --> 00:37:04,880
Speaker 1: then I'd be like, be right back hop.

737
00:37:04,719 --> 00:37:08,120
Speaker 2: On stage, singing like I'm going back some day.

738
00:37:10,760 --> 00:37:11,239
Speaker 3: It was.

739
00:37:13,520 --> 00:37:16,879
Speaker 1: I didn't know honestly that pull know where it means

740
00:37:16,960 --> 00:37:24,040
Speaker 1: you probably did sing by that one.

741
00:37:24,600 --> 00:37:28,120
Speaker 2: It was so powerful. I loved it, and I was like,

742
00:37:28,960 --> 00:37:30,560
Speaker 2: this is the life, This is the life.

743
00:37:30,920 --> 00:37:34,160
Speaker 1: So many things about this are perfect well. Difference between

744
00:37:34,640 --> 00:37:39,759
Speaker 1: panoramic coughs and phones versus clink clink like all that.

745
00:37:40,200 --> 00:37:43,400
Speaker 1: You know like that, but that's an agreed upon premise.

746
00:37:43,480 --> 00:37:46,280
Speaker 1: We've agreed upon this. There's sort of a base level

747
00:37:46,560 --> 00:37:48,200
Speaker 1: of chewing, clank.

748
00:37:49,360 --> 00:37:52,120
Speaker 2: And accept and you'll be eating on stage, yes, a

749
00:37:52,280 --> 00:37:58,880
Speaker 2: mutual agreement to eat. I mean what it was. What

750
00:37:59,160 --> 00:38:03,040
Speaker 2: was the thing that was like, what was the thing

751
00:38:03,160 --> 00:38:06,480
Speaker 2: that prepared you the most? You think, like, what did

752
00:38:06,560 --> 00:38:08,359
Speaker 2: you like? Did you think you like got you had

753
00:38:08,400 --> 00:38:10,839
Speaker 2: a better experience than than sleepway Camp? I bet you did.

754
00:38:11,320 --> 00:38:13,080
Speaker 6: I feel like I did. I mean I was so

755
00:38:13,360 --> 00:38:15,160
Speaker 6: scared to go to sleep away Camp. I wouldn't have

756
00:38:15,160 --> 00:38:18,759
Speaker 6: been able to really be present. Yeah, I mean I

757
00:38:18,840 --> 00:38:20,239
Speaker 6: think I was like nine or ten.

758
00:38:20,760 --> 00:38:24,960
Speaker 2: Were you anxious or no? I was anxious, Like I

759
00:38:25,120 --> 00:38:26,360
Speaker 2: was like, they're going to drop me off and my

760
00:38:26,440 --> 00:38:27,279
Speaker 2: parents are going to die?

761
00:38:28,239 --> 00:38:31,840
Speaker 1: No? Really, Yeah, So it was it was having to

762
00:38:31,920 --> 00:38:34,080
Speaker 1: do not exactly with being at the camp. It was

763
00:38:34,239 --> 00:38:35,960
Speaker 1: just like being as a separation thing.

764
00:38:36,160 --> 00:38:38,200
Speaker 2: Yes, yes, but I'm okay now.

765
00:38:38,680 --> 00:38:41,520
Speaker 1: Swing Kids is the perfect name. It's like as if

766
00:38:41,640 --> 00:38:44,560
Speaker 1: you made it up right. And also the woman who

767
00:38:44,680 --> 00:38:49,839
Speaker 1: was in charge of it was called Darla Dryer where

768
00:38:50,040 --> 00:38:54,640
Speaker 1: she I don't know Darla if you're listening service.

769
00:38:54,680 --> 00:38:55,200
Speaker 2: She ran it.

770
00:38:55,520 --> 00:38:59,400
Speaker 1: She ran It's so beautiful, dry I run. Swing Kids

771
00:39:00,200 --> 00:39:03,239
Speaker 1: has been incredible. She's really fast on the floor and

772
00:39:03,360 --> 00:39:05,960
Speaker 1: her blue Bayou, the way she slides up to that

773
00:39:06,120 --> 00:39:08,799
Speaker 1: last note, it's always clean and resident. We love her.

774
00:39:09,280 --> 00:39:10,200
Speaker 1: Great with the fingers.

775
00:39:12,040 --> 00:39:12,600
Speaker 2: They never hit.

776
00:39:12,640 --> 00:39:17,759
Speaker 1: The kids were always dropping the fingers, poppy hands great,

777
00:39:18,040 --> 00:39:21,040
Speaker 1: not me, they're dropping on the floor. It up on stage,

778
00:39:21,160 --> 00:39:21,880
Speaker 1: but not Hannah.

779
00:39:22,040 --> 00:39:24,560
Speaker 2: Not your daughter happy you didn't send her a camp.

780
00:39:24,600 --> 00:39:28,480
Speaker 2: The reviews is the reviewser and your daughter's sleigh. How

781
00:39:28,520 --> 00:39:29,239
Speaker 2: many kids was it?

782
00:39:29,640 --> 00:39:30,080
Speaker 3: Oh? My god?

783
00:39:30,120 --> 00:39:33,000
Speaker 6: It was just like a ragtag group of ten kids,

784
00:39:33,360 --> 00:39:37,960
Speaker 6: you know, selective, selective, Okay, it's like all ages, you

785
00:39:38,040 --> 00:39:39,000
Speaker 6: know where it's just like.

786
00:39:40,760 --> 00:39:43,640
Speaker 2: A little tiny kid who's scared to go on stage.

787
00:39:44,239 --> 00:39:45,759
Speaker 1: Did y'all ever sing hard knock life?

788
00:39:47,000 --> 00:39:51,080
Speaker 2: I'm not sure. Great number for a bunch of kids.

789
00:39:51,120 --> 00:39:52,120
Speaker 2: I feel like Darla was.

790
00:39:52,200 --> 00:39:58,279
Speaker 6: Really looking for interesting. I remember singing Johnny Angel Rock

791
00:39:58,320 --> 00:40:04,840
Speaker 6: and Robin was a real hit. I think about the

792
00:40:05,000 --> 00:40:13,759
Speaker 6: residence also of kids. Just wow, resident kid, resident, that's

793
00:40:13,800 --> 00:40:14,680
Speaker 6: all theater true.

794
00:40:16,760 --> 00:40:19,040
Speaker 1: You know. One of my favorite compliments I ever received

795
00:40:19,200 --> 00:40:22,840
Speaker 1: was you when we were twenty, saying that I had residence.

796
00:40:22,880 --> 00:40:23,360
Speaker 2: You really do?

797
00:40:23,600 --> 00:40:23,800
Speaker 3: You do?

798
00:40:24,280 --> 00:40:28,160
Speaker 2: I often describe you as someone who has residents. That

799
00:40:28,440 --> 00:40:30,520
Speaker 2: is kind. He's a very playful, generous person.

800
00:40:30,600 --> 00:40:31,080
Speaker 1: He's very.

801
00:40:33,760 --> 00:40:33,920
Speaker 5: Well.

802
00:40:34,160 --> 00:40:37,640
Speaker 2: Now, were there all races in this? Was it a

803
00:40:37,719 --> 00:40:42,800
Speaker 2: melting pot? Melting color? In my memory? It was you

804
00:40:42,880 --> 00:40:43,600
Speaker 2: can say no, it.

805
00:40:43,680 --> 00:40:46,799
Speaker 6: Was all I honestly don't quite remember, but maybe that's

806
00:40:46,840 --> 00:40:48,960
Speaker 6: because I was very focused on myself.

807
00:40:48,640 --> 00:40:52,359
Speaker 1: And my performance didn't and you didn't see race exactly right.

808
00:40:52,520 --> 00:40:57,040
Speaker 1: I saw a sort of vocal part and I don't

809
00:40:57,080 --> 00:41:03,640
Speaker 1: see race only voice title. And then you're incredibly discriminatory

810
00:41:03,680 --> 00:41:04,000
Speaker 1: based on.

811
00:41:04,080 --> 00:41:07,399
Speaker 4: Those Yeah, like you don't even see basses all all

812
00:41:07,680 --> 00:41:10,439
Speaker 4: contraltos go to jail ja jail.

813
00:41:12,000 --> 00:41:14,000
Speaker 1: What you're always saying, Well, that's kind of my catch

814
00:41:14,080 --> 00:41:17,320
Speaker 1: rais as a catch raise comedian. Thank you about wild

815
00:41:18,719 --> 00:41:20,520
Speaker 1: I feel you can kind of combine the two.

816
00:41:20,680 --> 00:41:22,960
Speaker 2: It's wait, I did not mean to say you were

817
00:41:22,960 --> 00:41:24,000
Speaker 2: a catch track comedian.

818
00:41:24,560 --> 00:41:27,400
Speaker 6: I just heard I feel why when you said that,

819
00:41:27,520 --> 00:41:29,960
Speaker 6: I was like, Wow, Bowen really sees me because the

820
00:41:30,000 --> 00:41:31,840
Speaker 6: amount of times that I have played a.

821
00:41:32,080 --> 00:41:34,319
Speaker 2: Cheen discuffering herself.

822
00:41:34,440 --> 00:41:36,800
Speaker 1: Are you kidding? We all have our tip. I'm not

823
00:41:36,880 --> 00:41:42,240
Speaker 1: saying that's even your type. I have my type bitch bitch, bitch,

824
00:41:42,400 --> 00:41:45,600
Speaker 1: bitch bitch. My type is also a bitch bitch.

825
00:41:46,880 --> 00:41:50,920
Speaker 2: You're competing s me in anything. I'm a bitch Bitch'm

826
00:41:51,040 --> 00:41:52,960
Speaker 2: literally like, hey, like you know what I mean? Like

827
00:41:53,000 --> 00:41:54,520
Speaker 2: you can count on me to come in and deliver

828
00:41:54,600 --> 00:41:59,280
Speaker 2: a bitchy line rate. Hey wait, I finished the Hunting Wives.

829
00:42:00,000 --> 00:42:02,160
Speaker 2: Oh my god, just in time.

830
00:42:02,239 --> 00:42:05,040
Speaker 6: I want to say that Matt threatened me and said,

831
00:42:05,239 --> 00:42:08,360
Speaker 6: if you don't finish, we will walk out on air.

832
00:42:10,320 --> 00:42:10,520
Speaker 1: Like this.

833
00:42:12,880 --> 00:42:15,160
Speaker 2: This is what I this is what I would have experienced.

834
00:42:16,280 --> 00:42:23,560
Speaker 2: But thank goodness, I watch resonance. Didn't even need the mind,

835
00:42:23,600 --> 00:42:26,000
Speaker 2: didn't even need the mic. I'm not even warmed up.

836
00:42:26,080 --> 00:42:29,320
Speaker 2: I'd drinking a coke zero and huff and crack. You

837
00:42:29,360 --> 00:42:30,680
Speaker 2: can huff it too, It's loose.

838
00:42:31,600 --> 00:42:31,759
Speaker 7: Now.

839
00:42:31,840 --> 00:42:33,520
Speaker 2: What did you think of Hunting Wives? Well?

840
00:42:33,800 --> 00:42:36,640
Speaker 6: I did sort of have a thought because I was

841
00:42:36,719 --> 00:42:39,600
Speaker 6: watching it backstage and everyone was like, what are you

842
00:42:39,640 --> 00:42:40,359
Speaker 6: watching him there?

843
00:42:41,000 --> 00:42:44,160
Speaker 1: And it was like it's poorn, Yeah, you're like, I'm

844
00:42:44,200 --> 00:42:48,800
Speaker 1: watching as erected nipple gets stucked by Britney Snow.

845
00:42:48,960 --> 00:42:53,080
Speaker 2: The door was closed and everyone was just hearing and

846
00:42:53,200 --> 00:42:53,960
Speaker 2: the gunshot.

847
00:42:58,840 --> 00:42:59,760
Speaker 1: Are you so happy?

848
00:43:01,520 --> 00:43:05,839
Speaker 2: Wow? The twists and turns, they're not even turn their

849
00:43:06,000 --> 00:43:14,439
Speaker 2: horns twist. I did audition to play Christy Mets's part.

850
00:43:14,719 --> 00:43:19,719
Speaker 2: Oh wow? Was her name Darla Dryer? She kind of

851
00:43:19,840 --> 00:43:21,520
Speaker 2: had the Darla Dryer energy?

852
00:43:21,880 --> 00:43:24,120
Speaker 1: What was her name? Can you show your tape.

853
00:43:24,320 --> 00:43:26,520
Speaker 2: I could show it to you. Actually I watched it.

854
00:43:26,920 --> 00:43:29,239
Speaker 2: I sent it to Melissa, and I was like, this

855
00:43:29,440 --> 00:43:34,719
Speaker 2: is pretty good. Being like, y'all need to get back

856
00:43:34,840 --> 00:43:36,720
Speaker 2: in there and find who killed my daughter?

857
00:43:37,640 --> 00:43:38,480
Speaker 1: Holy ship?

858
00:43:39,000 --> 00:43:45,160
Speaker 2: Could have been? What could have been? Rebecca Cutter daughter. Okay,

859
00:43:45,880 --> 00:43:48,040
Speaker 2: you go do one more time. Y'all need to get

860
00:43:48,120 --> 00:43:52,879
Speaker 2: back in there and find my fucking daughter. Te here

861
00:43:52,960 --> 00:43:55,680
Speaker 2: we go. Y'all need to get back.

862
00:43:55,640 --> 00:43:58,080
Speaker 1: In there and fucking.

863
00:43:59,520 --> 00:44:01,680
Speaker 2: Order order. I have chills.

864
00:44:01,920 --> 00:44:05,080
Speaker 1: Yeah, I mean, Hannah. It just goes to show that

865
00:44:05,200 --> 00:44:09,040
Speaker 1: it can be done four different ways. Chrissy, Bowen, Matt

866
00:44:09,280 --> 00:44:16,200
Speaker 1: or Hannah anybody like the Girls Girls Bowen Yang or

867
00:44:16,239 --> 00:44:18,439
Speaker 1: a Hannah solo at home.

868
00:44:18,880 --> 00:44:19,319
Speaker 2: Make sure you.

869
00:44:19,360 --> 00:44:20,280
Speaker 1: Comment in the comments.

870
00:44:21,280 --> 00:44:23,239
Speaker 2: Hey, make sure you comment in the comments which one

871
00:44:23,280 --> 00:44:23,839
Speaker 2: of us you are?

872
00:44:24,480 --> 00:44:28,680
Speaker 1: Are you Team Bowen, Team Chrissy, mets team Matt or

873
00:44:28,760 --> 00:44:33,680
Speaker 1: team Hannah? Hashtag drag race? Now? Which is what that show?

874
00:44:33,760 --> 00:44:34,759
Speaker 1: And which is what that show is?

875
00:44:35,480 --> 00:44:35,600
Speaker 3: Now?

876
00:44:35,800 --> 00:44:38,600
Speaker 6: How long did you do swing kids to bring it back?

877
00:44:38,840 --> 00:44:43,640
Speaker 6: I think I did it like multiple summers, and then.

878
00:44:43,920 --> 00:44:44,759
Speaker 1: They invited you back.

879
00:44:44,960 --> 00:44:45,919
Speaker 2: I was invited back.

880
00:44:46,040 --> 00:44:49,080
Speaker 1: I was a good performer, organized on top of my line,

881
00:44:49,239 --> 00:44:50,200
Speaker 1: and good on the floor.

882
00:44:50,440 --> 00:44:54,520
Speaker 2: Great on the floor. Now when you think about waiting tables,

883
00:44:55,040 --> 00:44:58,040
Speaker 2: how did it change you? Listen, I think everyone should

884
00:44:58,080 --> 00:45:00,920
Speaker 2: wait tables. You have that opinion, like it should be

885
00:45:01,040 --> 00:45:04,799
Speaker 2: like everyone has to do two years in restaurant. Yeah,

886
00:45:04,960 --> 00:45:05,440
Speaker 2: I think so.

887
00:45:06,000 --> 00:45:08,239
Speaker 6: I feel like you can always tell when someone has

888
00:45:08,320 --> 00:45:10,320
Speaker 6: never worked in a restaurant when they go out to

889
00:45:10,400 --> 00:45:13,200
Speaker 6: dinner because they're being an absolute bitch.

890
00:45:13,520 --> 00:45:16,440
Speaker 2: Why were you looking at me? I never worked in

891
00:45:16,480 --> 00:45:17,840
Speaker 2: a restaurant. I worked service.

892
00:45:18,400 --> 00:45:20,239
Speaker 1: That counts I worked at. My first job was at

893
00:45:20,239 --> 00:45:23,840
Speaker 1: an ice cream store. Okay, I dealt with people. You

894
00:45:24,400 --> 00:45:25,160
Speaker 1: deal with people?

895
00:45:25,280 --> 00:45:26,600
Speaker 2: Yes, yes, Wait correct.

896
00:45:26,400 --> 00:45:28,160
Speaker 1: Me if I'm wrong. You didn't work with your sister

897
00:45:29,600 --> 00:45:34,879
Speaker 1: that up. You worked with a female friend? Sure, another girl,

898
00:45:36,200 --> 00:45:38,680
Speaker 1: a girl worked there, a girl at least one girl,

899
00:45:39,160 --> 00:45:43,840
Speaker 1: one woman, one girl and one woman. Maggie MOUs creamery.

900
00:45:44,080 --> 00:45:47,480
Speaker 2: Wait, where is that dard dryer?

901
00:45:47,840 --> 00:45:51,240
Speaker 1: Maggie Moos was kind of there, the more kid friendly

902
00:45:51,360 --> 00:45:52,320
Speaker 1: version of cold Stone.

903
00:45:53,239 --> 00:45:57,200
Speaker 2: But so the mascot is this county cow.

904
00:45:59,719 --> 00:46:03,160
Speaker 1: Dave her picturing her Maggie, and she wears like a

905
00:46:03,200 --> 00:46:06,760
Speaker 1: poke dot cow print dress and she is stunning.

906
00:46:07,480 --> 00:46:10,240
Speaker 2: Are you going to Maggie?

907
00:46:10,480 --> 00:46:10,840
Speaker 1: It's me?

908
00:46:13,760 --> 00:46:16,359
Speaker 2: You take off your wig to reveal the hunting wife's wig.

909
00:46:16,920 --> 00:46:21,040
Speaker 1: You take off your hair to reveal Mallin's. Yeah, and

910
00:46:21,160 --> 00:46:26,319
Speaker 1: it's She's like, it's me, Maggie, Maggie, mag I love Margo.

911
00:46:30,200 --> 00:46:37,120
Speaker 2: Stopping bring it in. Show us, Jaggie, show us the

912
00:46:37,160 --> 00:46:37,800
Speaker 2: picture of Melssa.

913
00:46:38,120 --> 00:46:38,360
Speaker 1: I know.

914
00:46:39,920 --> 00:46:45,640
Speaker 2: My mind, God, it's you today. It's you today. I'm

915
00:46:45,680 --> 00:46:49,160
Speaker 2: actually it's you. Are you getting next? Get to get

916
00:46:49,719 --> 00:46:53,160
Speaker 2: it's me? That was my first job. Does she ever

917
00:46:53,239 --> 00:46:53,440
Speaker 2: come in?

918
00:46:53,760 --> 00:46:53,800
Speaker 1: She?

919
00:46:54,760 --> 00:46:56,640
Speaker 4: I don't think I ever had to. I was the

920
00:46:56,680 --> 00:46:58,360
Speaker 4: only player who did not have to get in the costume.

921
00:46:58,600 --> 00:47:00,840
Speaker 4: I don't think I had the pleasure.

922
00:47:01,000 --> 00:47:02,799
Speaker 6: Did you say you didn't want to or they were

923
00:47:02,840 --> 00:47:04,200
Speaker 6: like you don't have to. They're like, you don't have

924
00:47:04,280 --> 00:47:06,239
Speaker 6: to because you were so good at serving ice cream.

925
00:47:06,400 --> 00:47:08,520
Speaker 4: I was really good at serving ice cream. And we

926
00:47:08,719 --> 00:47:11,000
Speaker 4: had the very first cotton candy flavored ice cream.

927
00:47:11,440 --> 00:47:15,840
Speaker 1: That changed my life. Yeah, I love cotton candy. I

928
00:47:15,880 --> 00:47:18,880
Speaker 1: don't think so many people who shout on yeah, it's chemicals.

929
00:47:19,600 --> 00:47:20,560
Speaker 1: So is everything?

930
00:47:20,680 --> 00:47:21,560
Speaker 2: Everything is chemical?

931
00:47:22,080 --> 00:47:22,239
Speaker 3: Yeah?

932
00:47:22,239 --> 00:47:23,960
Speaker 1: I don't understand what you think you're eating when you

933
00:47:24,040 --> 00:47:32,279
Speaker 1: eat Vanilla's chemical chemicals emical. So restaurants taught you patience, servitude,

934
00:47:32,480 --> 00:47:34,280
Speaker 1: servitude focus.

935
00:47:34,600 --> 00:47:36,960
Speaker 2: I did work in a restaurant after, and I was

936
00:47:37,040 --> 00:47:39,800
Speaker 2: bad at it. Do you think city, Yeah, does it

937
00:47:39,840 --> 00:47:41,719
Speaker 2: still exist? I don't think so.

938
00:47:42,160 --> 00:47:46,239
Speaker 6: Brother Jimmy's thank you so much. That's an honor. But no,

939
00:47:46,360 --> 00:47:52,160
Speaker 6: I didn't work at Brother Jimmies, that's true. I worked

940
00:47:52,160 --> 00:47:55,120
Speaker 6: at another one that someone else got me a job at,

941
00:47:55,960 --> 00:47:57,120
Speaker 6: and it was a disaster.

942
00:47:57,560 --> 00:47:57,920
Speaker 1: Oh no.

943
00:47:58,520 --> 00:48:00,600
Speaker 6: They would have put like one person it on shift

944
00:48:00,640 --> 00:48:03,160
Speaker 6: and it'd be like brunch and then they'd be like, Hannah,

945
00:48:03,200 --> 00:48:03,960
Speaker 6: can you bartend?

946
00:48:04,040 --> 00:48:08,080
Speaker 1: And I'd be like no, Remember when, remember when we

947
00:48:08,160 --> 00:48:11,520
Speaker 1: used to think Max Brenner's was a normal restaurant.

948
00:48:11,600 --> 00:48:14,560
Speaker 2: I thought it was the fanciest restaurant.

949
00:48:15,719 --> 00:48:16,640
Speaker 1: By the bald man.

950
00:48:21,920 --> 00:48:27,840
Speaker 2: Why why Why? And that little like.

951
00:48:29,600 --> 00:48:29,880
Speaker 1: Drawing.

952
00:48:30,080 --> 00:48:32,800
Speaker 2: I made my parents take me there because I was like,

953
00:48:33,000 --> 00:48:35,400
Speaker 2: you're coming to New York. I'm going to show you.

954
00:48:36,880 --> 00:48:39,040
Speaker 1: Drastic to get you know how many dates I went

955
00:48:39,080 --> 00:48:43,279
Speaker 1: on there? What did you bleeped us out? I went

956
00:48:43,320 --> 00:48:50,680
Speaker 1: on my first date there with What's Married? And that

957
00:48:50,800 --> 00:48:52,399
Speaker 1: he was at the medieval concert.

958
00:48:54,400 --> 00:48:57,680
Speaker 2: It, Oh my god. He and I went to Max Brenner's,

959
00:48:57,719 --> 00:49:00,080
Speaker 2: went across the street and saw the film nine.

960
00:49:00,960 --> 00:49:01,920
Speaker 1: Oh my god.

961
00:49:02,200 --> 00:49:05,680
Speaker 2: Can you imagine a gayer date in the year of

962
00:49:05,760 --> 00:49:09,680
Speaker 2: our Lord? But was at twenty nine? That's a gay

963
00:49:09,960 --> 00:49:10,839
Speaker 2: Union Square date.

964
00:49:10,920 --> 00:49:15,440
Speaker 4: That's hitting up square to be gay. Yeah, I's Union Square.

965
00:49:16,120 --> 00:49:18,520
Speaker 4: It used to be fun Now I don't know not anymore.

966
00:49:18,960 --> 00:49:20,840
Speaker 2: Cozy is gone hozy?

967
00:49:21,800 --> 00:49:26,560
Speaker 1: You know what else has gone? Va piano terrrible. That

968
00:49:26,760 --> 00:49:29,000
Speaker 1: papiano is a very special place for me and my sister.

969
00:49:29,120 --> 00:49:30,839
Speaker 1: It's where we had lunch.

970
00:49:31,440 --> 00:49:34,000
Speaker 2: Of course, the postess election is where we had lunch

971
00:49:34,040 --> 00:49:35,440
Speaker 2: in where I said to bone Yang he can't go

972
00:49:35,520 --> 00:49:36,799
Speaker 2: back to Denver, he has to stay.

973
00:49:38,800 --> 00:49:41,440
Speaker 4: Is actually such an important place like it was a

974
00:49:41,520 --> 00:49:44,279
Speaker 4: life changing place for me. That lunch change the course

975
00:49:44,480 --> 00:49:46,239
Speaker 4: of my stay in New York. What do you think

976
00:49:46,280 --> 00:49:53,399
Speaker 4: it is now? I picture the horse outside, which is great.

977
00:49:53,960 --> 00:49:57,600
Speaker 2: You guysn't want to say that because hey, I wasn't

978
00:49:57,600 --> 00:49:59,040
Speaker 2: any thinking about that. I don't see.

979
00:49:59,480 --> 00:50:02,360
Speaker 1: We love your voice type?

980
00:50:02,800 --> 00:50:03,239
Speaker 3: What is that?

981
00:50:05,239 --> 00:50:08,920
Speaker 1: Despite the fact, despite your cries you are a Can

982
00:50:08,960 --> 00:50:10,840
Speaker 1: you just settle this for us once? And should we

983
00:50:10,880 --> 00:50:14,000
Speaker 1: get the keyboard out? Do you bring it? I got it?

984
00:50:17,840 --> 00:50:20,000
Speaker 2: You know, you know the vocal type.

985
00:50:20,840 --> 00:50:26,200
Speaker 1: I'm I'm like a baritone bass one speaking.

986
00:50:27,600 --> 00:50:28,560
Speaker 2: No singing.

987
00:50:28,760 --> 00:50:30,680
Speaker 1: I've never heard higher singing.

988
00:50:30,800 --> 00:50:31,640
Speaker 2: What what Melissa?

989
00:50:33,560 --> 00:50:36,839
Speaker 1: You guys are projecting down the way you're saying those

990
00:50:36,920 --> 00:50:38,440
Speaker 1: high harmonies, and I don't want to miss a thing

991
00:50:38,480 --> 00:50:41,799
Speaker 1: a base in my falsetto. That doesn't that doesn't mean

992
00:50:41,880 --> 00:50:44,920
Speaker 1: that it's not well. You say, well, I feel like,

993
00:50:45,040 --> 00:50:48,520
Speaker 1: however you want to identify, you're allowed to know what.

994
00:50:48,960 --> 00:50:54,160
Speaker 1: You're a tenor Yeah, i'd say, I think also a

995
00:50:54,200 --> 00:51:01,239
Speaker 1: little joke ten two and ten or two? Sure, tenor

996
00:51:01,320 --> 00:51:05,200
Speaker 1: one is super is very high? No, maybe I used

997
00:51:05,200 --> 00:51:06,600
Speaker 1: to be. I think you're a tenor one. Maybe I

998
00:51:06,800 --> 00:51:10,719
Speaker 1: used to be back the years. Well, I think it

999
00:51:10,800 --> 00:51:12,400
Speaker 1: sounds like we're gonna sound great together.

1000
00:51:12,520 --> 00:51:19,480
Speaker 2: It does? I agree our chorus, I would say, I

1001
00:51:19,560 --> 00:51:20,799
Speaker 2: metzso soprano with belt.

1002
00:51:21,520 --> 00:51:24,480
Speaker 1: Yeah. What did you sing at Pop Rock Night for

1003
00:51:24,600 --> 00:51:27,400
Speaker 1: CAP twenty one, which was the big show at Musical

1004
00:51:27,480 --> 00:51:30,160
Speaker 1: Theater CAP twenty one where each and every person got

1005
00:51:30,200 --> 00:51:33,239
Speaker 1: to sing a pop rock song? What did you sing?

1006
00:51:33,760 --> 00:51:34,160
Speaker 2: Do you know?

1007
00:51:34,640 --> 00:51:35,520
Speaker 1: Does anyone remember?

1008
00:51:35,719 --> 00:51:39,320
Speaker 2: I probably blocked it out? Apple. That feels kind of

1009
00:51:39,400 --> 00:51:40,800
Speaker 2: right for me. I'm sure that I was.

1010
00:51:41,080 --> 00:51:41,719
Speaker 1: I know what you sang?

1011
00:51:41,840 --> 00:51:45,560
Speaker 2: River by Joni Mitchell? Wait, how did you know that?

1012
00:51:45,680 --> 00:51:47,840
Speaker 1: I know a lot of things about you guys. I

1013
00:51:47,880 --> 00:51:50,120
Speaker 1: did because I because you know that back back in

1014
00:51:50,200 --> 00:51:53,400
Speaker 1: the day when we weren't doing performance, really, I was

1015
00:51:53,520 --> 00:51:54,479
Speaker 1: just a fan of you guys.

1016
00:51:54,719 --> 00:51:56,360
Speaker 2: Oh that's crazy.

1017
00:51:56,440 --> 00:51:57,920
Speaker 1: It was so fun for me to be on all

1018
00:51:57,960 --> 00:52:00,440
Speaker 1: of your floor freshman year because you guys were always singing,

1019
00:52:00,920 --> 00:52:03,880
Speaker 1: and everyone was always like, I hate being around the

1020
00:52:03,920 --> 00:52:05,640
Speaker 1: cab kids because they're always singing.

1021
00:52:05,440 --> 00:52:08,320
Speaker 2: And I was like, I think it's great and so challenged.

1022
00:52:08,640 --> 00:52:10,040
Speaker 1: I was like, I always just wanted to go sit

1023
00:52:10,120 --> 00:52:13,960
Speaker 1: in the room because you were down the hall from me,

1024
00:52:14,160 --> 00:52:15,640
Speaker 1: and I remember like it was like it was a

1025
00:52:15,719 --> 00:52:17,479
Speaker 1: whole corner of musical theater girls.

1026
00:52:17,640 --> 00:52:19,120
Speaker 2: Yes, yeah, we're always singing.

1027
00:52:19,280 --> 00:52:22,840
Speaker 6: Always singing. Well, you asked earlier, what my one of

1028
00:52:22,880 --> 00:52:26,040
Speaker 6: my first memories of you was of me. Yeah, we

1029
00:52:26,560 --> 00:52:29,640
Speaker 6: slept out to wait for tickets for us and l

1030
00:52:29,840 --> 00:52:33,120
Speaker 6: yes we did. And I believe at the time you

1031
00:52:33,200 --> 00:52:34,239
Speaker 6: were straight mm hm.

1032
00:52:34,880 --> 00:52:39,360
Speaker 1: And I just have a memory of you talking about titties,

1033
00:52:40,560 --> 00:52:44,160
Speaker 1: Like I just remember being like, he's really talking about

1034
00:52:44,440 --> 00:52:48,080
Speaker 1: titties a lot. Matt Rogers is a boob gay like me.

1035
00:52:49,000 --> 00:52:52,120
Speaker 1: I'm really processing this, taking in that one of your

1036
00:52:52,200 --> 00:52:55,840
Speaker 1: first memories of me. Was this a straight guy talking

1037
00:52:55,880 --> 00:52:56,520
Speaker 1: about tit.

1038
00:52:57,280 --> 00:52:57,800
Speaker 2: Not even.

1039
00:52:59,440 --> 00:53:04,400
Speaker 1: Outside of that word, and you were turned off? You

1040
00:53:04,480 --> 00:53:05,000
Speaker 1: didn't like it.

1041
00:53:05,760 --> 00:53:11,600
Speaker 2: I was like, what an interesting character you wrote in

1042
00:53:11,640 --> 00:53:14,080
Speaker 2: your journal. Later, that's the most interesting.

1043
00:53:13,800 --> 00:53:17,360
Speaker 1: Characters to clearly gay guy sitting outside of us and

1044
00:53:17,360 --> 00:53:20,279
Speaker 1: I'm talking about titties. Airmark later.

1045
00:53:20,920 --> 00:53:23,400
Speaker 2: We'll come back to this. We returned to this thought.

1046
00:53:23,960 --> 00:53:25,320
Speaker 2: We didn't get tickets.

1047
00:53:26,719 --> 00:53:28,520
Speaker 1: I did. You did? That's what I thought you were

1048
00:53:28,560 --> 00:53:31,400
Speaker 1: going to say. Because we all waited and they were

1049
00:53:31,440 --> 00:53:35,000
Speaker 1: gonna let one of our group in, and something took

1050
00:53:35,080 --> 00:53:37,000
Speaker 1: over inside me and I turned to everyone because it

1051
00:53:37,120 --> 00:53:39,600
Speaker 1: was my number. It was thirty nine, because they were

1052
00:53:39,600 --> 00:53:41,520
Speaker 1: taking thirty nine people, it was I was number thirty nine.

1053
00:53:41,520 --> 00:53:43,560
Speaker 1: And then you guys were all behind me, and I thought,

1054
00:53:43,680 --> 00:53:47,000
Speaker 1: I can go with my floor back to the dorms

1055
00:53:47,080 --> 00:53:49,440
Speaker 1: and do whatever, or I can go in. And I

1056
00:53:49,520 --> 00:53:52,279
Speaker 1: felt very compelled to go in, and thank god I did,

1057
00:53:52,360 --> 00:53:54,360
Speaker 1: because that ended up being a turning point for me

1058
00:53:54,719 --> 00:53:56,560
Speaker 1: to decide to come out of literally come out of

1059
00:53:56,600 --> 00:53:59,480
Speaker 1: the closet, stop talking about titties, and take a UCB

1060
00:53:59,600 --> 00:54:01,400
Speaker 1: class and then try to audition for the groups.

1061
00:54:01,760 --> 00:54:05,319
Speaker 2: But that was like a featful night for me. Holy shit,

1062
00:54:05,680 --> 00:54:08,080
Speaker 2: you witnessed him on the precipice.

1063
00:54:09,040 --> 00:54:12,560
Speaker 6: This is actually crazy because also my memory of it

1064
00:54:13,000 --> 00:54:16,160
Speaker 6: was that we all went in and then the cast

1065
00:54:16,239 --> 00:54:20,160
Speaker 6: of Gossip Girl got into the elevator before us, and

1066
00:54:20,280 --> 00:54:21,759
Speaker 6: they went, it's full.

1067
00:54:22,040 --> 00:54:24,800
Speaker 1: Yeah, they let they let one person in, and it

1068
00:54:24,960 --> 00:54:27,239
Speaker 1: was me. They said, okay, we can take one more.

1069
00:54:27,280 --> 00:54:29,800
Speaker 2: There's one more seat, but the universe said it needs

1070
00:54:29,840 --> 00:54:30,160
Speaker 2: to be you.

1071
00:54:30,400 --> 00:54:32,360
Speaker 1: I remember I looked around at you guys, and I

1072
00:54:32,520 --> 00:54:34,160
Speaker 1: was like, I think I want to go, and they

1073
00:54:34,200 --> 00:54:36,520
Speaker 1: were like and a couple people were like go yeah,

1074
00:54:36,680 --> 00:54:38,319
Speaker 1: and I and then and then a couple people were

1075
00:54:38,360 --> 00:54:39,280
Speaker 1: like mmmm.

1076
00:54:39,520 --> 00:54:42,200
Speaker 2: And I was just like, I'm gonna go. And I

1077
00:54:42,280 --> 00:54:44,040
Speaker 2: walked in and the elevator doors closed, and I was like,

1078
00:54:44,080 --> 00:54:45,080
Speaker 2: I can't believe I just did that.

1079
00:54:45,719 --> 00:54:49,440
Speaker 1: Wow. Okay, So were you in the elevator with like

1080
00:54:49,560 --> 00:54:52,520
Speaker 1: Layton Mester And I don't remember the Gossip Girl cast.

1081
00:54:52,560 --> 00:54:55,560
Speaker 1: I do remember sitting two or three seats away from

1082
00:54:56,160 --> 00:54:59,880
Speaker 1: Emma Stone and her partner at the time, Teddy Geiger.

1083
00:55:00,480 --> 00:55:04,320
Speaker 2: Wow. Sure, just for it to be very two thousand

1084
00:55:04,320 --> 00:55:07,759
Speaker 2: and eight. Oh yeah, first memories of me.

1085
00:55:08,320 --> 00:55:12,560
Speaker 6: Yeah, Well, as we said before, we all auditioned for

1086
00:55:12,760 --> 00:55:16,360
Speaker 6: the same improv team together and Bowen did get in.

1087
00:55:16,560 --> 00:55:18,080
Speaker 1: You made it pretty far though in the audition.

1088
00:55:18,160 --> 00:55:20,879
Speaker 2: I believe I made it to the finals with you. Yeah, yes,

1089
00:55:20,960 --> 00:55:23,160
Speaker 2: you did. You beat me out.

1090
00:55:25,440 --> 00:55:29,520
Speaker 1: Vicious when it comes to final rounds. Oh, you don't

1091
00:55:29,520 --> 00:55:31,239
Speaker 1: want to see me.

1092
00:55:31,320 --> 00:55:33,960
Speaker 2: You were so funny. I remember. I remember thinking you

1093
00:55:34,160 --> 00:55:37,040
Speaker 2: or so, I was like, this girl is fucking funny.

1094
00:55:37,160 --> 00:55:39,400
Speaker 1: That's probably probably would have been the best idea for

1095
00:55:39,480 --> 00:55:41,319
Speaker 1: you guys to just go off and create your own group.

1096
00:55:41,400 --> 00:55:44,560
Speaker 2: We're own queer group. Too late, too little, too late.

1097
00:55:45,760 --> 00:55:49,200
Speaker 2: I guess you guys had investments in traditions, you know

1098
00:55:49,200 --> 00:55:51,400
Speaker 2: what I mean. It feels like you guys were putting

1099
00:55:51,440 --> 00:55:54,719
Speaker 2: all your yeah in institutions instead.

1100
00:55:54,360 --> 00:55:56,680
Speaker 7: Of creating your own since learned, yes, you have to

1101
00:55:56,719 --> 00:55:59,879
Speaker 7: create your own work. You have to create your own

1102
00:56:00,120 --> 00:56:05,040
Speaker 7: work exactly. I remember being shot, Oh my god, they

1103
00:56:05,120 --> 00:56:07,120
Speaker 7: were kind of shy. Freshman year, Yeah, I was.

1104
00:56:08,040 --> 00:56:12,600
Speaker 6: I was like so overwhelmed. I think, yeah, oh my gosh.

1105
00:56:12,680 --> 00:56:15,800
Speaker 6: Freshman year, it was like what is going on? And

1106
00:56:15,880 --> 00:56:18,640
Speaker 6: also I wasn't like a big star at my high school,

1107
00:56:18,880 --> 00:56:21,560
Speaker 6: so I didn't come in being like, oh my god,

1108
00:56:21,719 --> 00:56:24,040
Speaker 6: like I'm the most talented person here. I was a

1109
00:56:24,080 --> 00:56:26,760
Speaker 6: little bit like, they're gonna find out that I snuck

1110
00:56:26,840 --> 00:56:28,799
Speaker 6: in and be like you have to leave.

1111
00:56:29,640 --> 00:56:34,239
Speaker 1: Fuck if that's sort of an info in my mental state, No,

1112
00:56:34,360 --> 00:56:38,839
Speaker 1: I get similar feeling to like being hypothetically being dropped

1113
00:56:38,840 --> 00:56:39,799
Speaker 1: off at sleep away camp.

1114
00:56:40,200 --> 00:56:43,960
Speaker 6: Yes, exactly. I was just like, what am I doing here?

1115
00:56:44,160 --> 00:56:48,000
Speaker 6: Where did everyone go yeap oh that you're so tough?

1116
00:56:48,200 --> 00:56:51,160
Speaker 6: My roommate was this girl that was like pledging a

1117
00:56:51,280 --> 00:56:56,080
Speaker 6: sorority and we weren't sure, but we were pretty certain

1118
00:56:56,160 --> 00:56:58,080
Speaker 6: that they had given her a chicken that.

1119
00:56:58,160 --> 00:56:59,279
Speaker 2: She had to take care of.

1120
00:57:00,760 --> 00:57:03,200
Speaker 1: How did you not know? Because we were like, it's

1121
00:57:03,280 --> 00:57:07,200
Speaker 1: in her bag, in the bag, she made the chicken

1122
00:57:07,320 --> 00:57:10,800
Speaker 1: around it never once clock, never once saw the chicken.

1123
00:57:11,680 --> 00:57:14,319
Speaker 1: But she was really wild. Yeah.

1124
00:57:14,880 --> 00:57:20,720
Speaker 2: Who do you look up to? That's a really great

1125
00:57:20,960 --> 00:57:27,720
Speaker 2: questioned Matt. Who do I look up to? Really answering

1126
00:57:27,800 --> 00:57:35,160
Speaker 2: him for me? Seriously?

1127
00:57:35,240 --> 00:57:35,920
Speaker 1: Do I look up to?

1128
00:57:36,120 --> 00:57:37,840
Speaker 2: Who's your hero? Who's my hero?

1129
00:57:38,560 --> 00:57:39,479
Speaker 1: Is that a different question?

1130
00:57:39,800 --> 00:57:41,360
Speaker 2: I feel like it is sort of a different question.

1131
00:57:41,840 --> 00:57:45,000
Speaker 6: I mean, you know, I've had the opportunity to work

1132
00:57:45,040 --> 00:57:48,560
Speaker 6: with so many amazing people at all Mary and like

1133
00:57:48,760 --> 00:57:51,240
Speaker 6: Cole is of course one of my heroes.

1134
00:57:51,480 --> 00:57:53,360
Speaker 2: Kind of boring. We talk about Cole a lot well,

1135
00:57:53,480 --> 00:57:57,919
Speaker 2: shut the fuck up then just saying it could be boring.

1136
00:57:58,160 --> 00:58:01,840
Speaker 6: Okay, changing my answer someone no one's ever said before,

1137
00:58:02,760 --> 00:58:03,600
Speaker 6: Jane Goodall.

1138
00:58:06,040 --> 00:58:06,840
Speaker 2: Do you look up to her?

1139
00:58:06,960 --> 00:58:08,960
Speaker 1: I actually, when I was a kid, I loved Jane

1140
00:58:09,000 --> 00:58:13,720
Speaker 1: Goodall iconic. I was like, I should help save the monkeys?

1141
00:58:14,960 --> 00:58:16,720
Speaker 2: Is that what she does? Or the gorillas?

1142
00:58:17,520 --> 00:58:17,840
Speaker 1: Whatever?

1143
00:58:18,000 --> 00:58:19,080
Speaker 3: The all?

1144
00:58:21,400 --> 00:58:23,680
Speaker 2: Have you ever seen gorillas in the mist? That doesn't

1145
00:58:23,760 --> 00:58:28,960
Speaker 2: end us happy? Okay, that's why we kind of yeah,

1146
00:58:29,120 --> 00:58:33,920
Speaker 2: well girls in the Mists about Diane Fosse, Oh she

1147
00:58:34,080 --> 00:58:40,560
Speaker 2: was killed by poachers. Please watch the movie and I

1148
00:58:40,720 --> 00:58:46,200
Speaker 2: will and I will that my assignment for tonight. Gorilla's

1149
00:58:46,240 --> 00:58:49,000
Speaker 2: in the myss. I'm done with the hunting wives. Time

1150
00:58:49,120 --> 00:58:56,920
Speaker 2: to walk or we walk. I'll come back and I

1151
00:58:57,120 --> 00:58:59,720
Speaker 2: have watched Gorillas in the miss. Okay, and you'll be

1152
00:58:59,760 --> 00:59:02,840
Speaker 2: better for it, and I will, I'll know what it's about.

1153
00:59:06,360 --> 00:59:07,160
Speaker 2: What's next for you?

1154
00:59:08,920 --> 00:59:14,080
Speaker 6: Well, right now, I'm really just trying to hunker down

1155
00:59:14,200 --> 00:59:16,240
Speaker 6: and do these weeks on Broadway.

1156
00:59:17,200 --> 00:59:20,680
Speaker 4: That is going to be like a fully different feeling

1157
00:59:20,760 --> 00:59:22,760
Speaker 4: for you, just to like go on stage and not

1158
00:59:23,000 --> 00:59:24,600
Speaker 4: hear the have to hear the fucking guy be like,

1159
00:59:24,600 --> 00:59:25,240
Speaker 4: Oh she's.

1160
00:59:25,080 --> 00:59:26,120
Speaker 2: Good, truly.

1161
00:59:26,280 --> 00:59:27,760
Speaker 6: I'm like, I don't know what's gonna happen, and I've

1162
00:59:27,800 --> 00:59:29,920
Speaker 6: never done it more than five times in a row.

1163
00:59:30,320 --> 00:59:32,920
Speaker 2: Yes, I guess it's going to be Tea and honey

1164
00:59:33,000 --> 00:59:35,240
Speaker 2: for you. Tea and honey. Nobody talk to me.

1165
00:59:35,400 --> 00:59:40,200
Speaker 6: Vocal rest Broadways of Prison. You do get that, you too,

1166
00:59:40,680 --> 00:59:43,600
Speaker 6: Like it's a beautiful and a wonderful prison. I'm so

1167
00:59:43,720 --> 00:59:44,760
Speaker 6: grateful to be a part of.

1168
00:59:45,040 --> 00:59:46,320
Speaker 2: But it's so hard.

1169
00:59:46,680 --> 00:59:49,800
Speaker 6: Did you read that Megan Hilty New York Times diary

1170
00:59:49,920 --> 00:59:52,800
Speaker 6: where she was like, I don't eat after four pm.

1171
00:59:52,960 --> 00:59:56,600
Speaker 6: I don't speak to anyone after the show. She's just

1172
00:59:56,720 --> 01:00:00,240
Speaker 6: like going to physical therapy, going to the show. It's

1173
01:00:00,720 --> 01:00:01,480
Speaker 6: it's so hard.

1174
01:00:01,840 --> 01:00:05,320
Speaker 2: She's a fucking queen. Absolutely. I met her after.

1175
01:00:05,240 --> 01:00:08,760
Speaker 4: Death becomes Her and I was like, God, you're the coolest,

1176
01:00:08,920 --> 01:00:11,720
Speaker 4: most beautiful, chilliest motherfucker on the planet.

1177
01:00:12,320 --> 01:00:15,720
Speaker 2: So cool. But yeah, like the discipline, but she's she's

1178
01:00:15,920 --> 01:00:16,280
Speaker 2: used to it.

1179
01:00:16,400 --> 01:00:18,640
Speaker 4: But then this is what you want to like, I

1180
01:00:18,680 --> 01:00:21,680
Speaker 4: don't know, Like we're not complaining obviously about our lives,

1181
01:00:21,800 --> 01:00:23,880
Speaker 4: like we're obviously so grateful, but it is like the

1182
01:00:24,000 --> 01:00:26,400
Speaker 4: thing that they don't like tell you about. There's no

1183
01:00:26,440 --> 01:00:28,880
Speaker 4: way to extrapolate how you are going to be feeling

1184
01:00:28,920 --> 01:00:31,960
Speaker 4: and living as like a thirty forty fifty something sixty something,

1185
01:00:32,080 --> 01:00:34,160
Speaker 4: however long you want to work to balance like your

1186
01:00:34,200 --> 01:00:37,720
Speaker 4: actual life with like, oh god, I gotta like do

1187
01:00:37,880 --> 01:00:41,560
Speaker 4: eight shows a week and and suck on brother's past

1188
01:00:41,640 --> 01:00:42,280
Speaker 4: deals all day.

1189
01:00:42,360 --> 01:00:45,240
Speaker 2: I sucking on, I sucking on.

1190
01:00:45,800 --> 01:00:48,080
Speaker 1: And what's weird too, is like to have a job

1191
01:00:48,280 --> 01:00:51,160
Speaker 1: that isolates the area of your life that is like

1192
01:00:51,480 --> 01:00:52,600
Speaker 1: six to ten pm.

1193
01:00:52,880 --> 01:00:55,280
Speaker 2: Yeah, it's just just such a bizarre part of your

1194
01:00:55,360 --> 01:00:58,120
Speaker 2: day to be when you work and.

1195
01:00:58,400 --> 01:01:01,760
Speaker 6: I meet around two pm, I'm like, anybody free, anybody

1196
01:01:01,800 --> 01:01:04,800
Speaker 6: out here, and everyone's anybody two.

1197
01:01:06,160 --> 01:01:08,200
Speaker 1: I'm thinking about having pasta.

1198
01:01:08,240 --> 01:01:13,320
Speaker 6: Spaghetti, but no so that I'm eating a full meal

1199
01:01:13,560 --> 01:01:14,720
Speaker 6: at eleven.

1200
01:01:14,440 --> 01:01:19,600
Speaker 1: Pm, but sleeping until till when you must be sleeping.

1201
01:01:19,320 --> 01:01:22,120
Speaker 6: In these days, Well, recently I've been unable to sleep in,

1202
01:01:22,280 --> 01:01:23,840
Speaker 6: which is concerning what.

1203
01:01:24,480 --> 01:01:24,840
Speaker 2: I don't know.

1204
01:01:24,920 --> 01:01:27,920
Speaker 6: My body just says it's nine fifty five, which I

1205
01:01:28,080 --> 01:01:29,479
Speaker 6: know isn't super early.

1206
01:01:29,760 --> 01:01:32,840
Speaker 2: Yeah no, but when your schedule is shifted later, it's

1207
01:01:32,960 --> 01:01:33,160
Speaker 2: I do.

1208
01:01:33,480 --> 01:01:35,919
Speaker 4: Yeah, when you're going to bed at like two or three,

1209
01:01:36,400 --> 01:01:38,920
Speaker 4: nine five, You're like, okay, but I could have used.

1210
01:01:38,760 --> 01:01:40,960
Speaker 2: A little bit more. Let me have a little bit more.

1211
01:01:42,360 --> 01:01:45,640
Speaker 1: Later. It up at nights smoking weed share jacket off.

1212
01:01:46,560 --> 01:01:49,920
Speaker 1: You have like smoking weed jacket off off. Gambling Well,

1213
01:01:49,960 --> 01:01:52,560
Speaker 1: I got to get into my gambling fixed and my horses.

1214
01:01:53,840 --> 01:01:56,080
Speaker 1: Which one's going to win Lucky seven, Big Blue?

1215
01:01:58,520 --> 01:01:59,919
Speaker 2: I got ten on Big Blue?

1216
01:02:00,960 --> 01:02:01,280
Speaker 1: Me too.

1217
01:02:02,400 --> 01:02:03,080
Speaker 2: I hope we win.

1218
01:02:05,040 --> 01:02:09,360
Speaker 1: We win. Can we talk about Aaron Jackson?

1219
01:02:10,680 --> 01:02:10,880
Speaker 2: Wait?

1220
01:02:11,040 --> 01:02:13,360
Speaker 1: I wanted to bring erin up too, because because you

1221
01:02:13,400 --> 01:02:17,320
Speaker 1: guys are a kindred spirits talk about because the vibe

1222
01:02:17,480 --> 01:02:22,640
Speaker 1: is like we are Devil may Care in a way.

1223
01:02:22,720 --> 01:02:25,200
Speaker 1: You guys are like yeah whatever, it's just but it's

1224
01:02:25,360 --> 01:02:26,720
Speaker 1: it flows out of you like magic.

1225
01:02:26,800 --> 01:02:32,480
Speaker 2: The humor, humor you guys have the same. I'm really

1226
01:02:32,520 --> 01:02:36,200
Speaker 2: honored dialing you have. You have a very similar styling. Well,

1227
01:02:36,240 --> 01:02:37,600
Speaker 2: I learned a lot from Aaron.

1228
01:02:37,800 --> 01:02:40,440
Speaker 6: When I started Rumple Teaser, it was like Aaron and

1229
01:02:40,640 --> 01:02:43,800
Speaker 6: Josh Sharp and Jeff Hiller, And for like months, I

1230
01:02:44,040 --> 01:02:46,360
Speaker 6: was so panicked, like on the back wall, being like

1231
01:02:46,840 --> 01:02:49,840
Speaker 6: just just walk out and just do the scene. They're

1232
01:02:49,880 --> 01:02:52,000
Speaker 6: gonna be fine. But I learned so much by like

1233
01:02:52,160 --> 01:02:55,040
Speaker 6: literally performing with them weekly for years, so you.

1234
01:02:55,080 --> 01:02:56,600
Speaker 2: Were on stage with Hiller all the time.

1235
01:02:56,840 --> 01:03:01,080
Speaker 6: Yeah, we did a show the night after Trump was

1236
01:03:01,120 --> 01:03:04,840
Speaker 6: elected for the first time, and I'll never forget it,

1237
01:03:05,160 --> 01:03:08,320
Speaker 6: Like Jeff led us like a song about how like

1238
01:03:08,560 --> 01:03:13,240
Speaker 6: gender is a river something like all of us were crying.

1239
01:03:14,400 --> 01:03:18,400
Speaker 6: I mean the things that we have said and done.

1240
01:03:18,560 --> 01:03:21,480
Speaker 6: Aaron and I have played sisters.

1241
01:03:21,040 --> 01:03:25,280
Speaker 2: Who've fucked, probably multiple times.

1242
01:03:25,520 --> 01:03:29,960
Speaker 1: Can I say that, sis, But don't say brothers who

1243
01:03:30,000 --> 01:03:32,240
Speaker 1: fuck because that's not through the male gaze. We can

1244
01:03:32,280 --> 01:03:35,240
Speaker 1: talk about sisters who fucked because the men. This is

1245
01:03:35,280 --> 01:03:37,800
Speaker 1: the Manosphere podcast, so the men that listen to us

1246
01:03:37,880 --> 01:03:39,640
Speaker 1: can see two women fucking and they get it. But

1247
01:03:39,680 --> 01:03:43,280
Speaker 1: if you talk about two gay guys, that's discussing whoa

1248
01:03:44,480 --> 01:03:47,960
Speaker 1: So just to maintain our Manisphere presence, Okay, I got you. Sisters,

1249
01:03:48,120 --> 01:03:50,360
Speaker 1: We're fucking just sisters.

1250
01:03:51,760 --> 01:03:54,960
Speaker 2: But yeah, I really feel the spirit of Aaron lives

1251
01:03:55,000 --> 01:03:59,080
Speaker 2: within me of just like that is Aaron.

1252
01:03:59,440 --> 01:04:01,160
Speaker 1: What did you ill when Hiller won the Emmy?

1253
01:04:01,320 --> 01:04:04,800
Speaker 2: Oh my gosh, I truly wept. I wept. I mean,

1254
01:04:04,960 --> 01:04:08,160
Speaker 2: obviously you are a star and I would have loved

1255
01:04:08,160 --> 01:04:11,919
Speaker 2: if you won as well. Not true, no, untrue. Okay,

1256
01:04:12,760 --> 01:04:13,040
Speaker 2: for us.

1257
01:04:13,800 --> 01:04:17,240
Speaker 6: No, but I mean, like, wow, I had seen Jeff

1258
01:04:18,080 --> 01:04:19,920
Speaker 6: like a week prior and he was like, I'm not

1259
01:04:20,120 --> 01:04:20,560
Speaker 6: gonna win.

1260
01:04:21,040 --> 01:04:25,160
Speaker 2: I know I'm not gonna win. It's just so beautiful.

1261
01:04:26,120 --> 01:04:28,960
Speaker 1: He's so beautiful on that shot. The euphoria that I felt,

1262
01:04:29,160 --> 01:04:31,200
Speaker 1: Oh my god, and this is.

1263
01:04:31,200 --> 01:04:35,080
Speaker 6: Someone who like to see hundreds of people on Instagram

1264
01:04:35,200 --> 01:04:39,240
Speaker 6: being like this is the kindest person. They work so hard,

1265
01:04:39,400 --> 01:04:41,640
Speaker 6: Like I was just so moved by the amount of

1266
01:04:41,760 --> 01:04:45,400
Speaker 6: people that felt like, oh, this was a win for us,

1267
01:04:45,920 --> 01:04:47,000
Speaker 6: you know, yeah.

1268
01:04:46,960 --> 01:04:49,440
Speaker 2: So huge, Like when does that happen? No, no, no,

1269
01:04:49,600 --> 01:04:50,040
Speaker 2: please no.

1270
01:04:50,160 --> 01:04:51,600
Speaker 6: I was just gonna say I feel that way too,

1271
01:04:51,720 --> 01:04:54,640
Speaker 6: like just with me being in the show sometimes where

1272
01:04:54,680 --> 01:04:58,720
Speaker 6: I'm like, it's not just me like making it to Broadway,

1273
01:04:58,760 --> 01:05:01,280
Speaker 6: it's like all of our friends and like the people

1274
01:05:01,360 --> 01:05:02,120
Speaker 6: that we came up with.

1275
01:05:02,280 --> 01:05:03,960
Speaker 2: I'm like, yeah, we're doing it. We did this.

1276
01:05:04,160 --> 01:05:06,720
Speaker 1: Yeah. It did feel like that. Like I will say,

1277
01:05:06,840 --> 01:05:14,000
Speaker 1: like earnest moment, it was like so overwhelming and so emotional,

1278
01:05:14,080 --> 01:05:16,200
Speaker 1: and it felt so good for it to be you

1279
01:05:16,560 --> 01:05:18,400
Speaker 1: that we were all going to see because I feel

1280
01:05:18,400 --> 01:05:21,360
Speaker 1: like you're one of the people that, like, universally everyone

1281
01:05:21,440 --> 01:05:23,560
Speaker 1: that's in your life like loves you and roots for

1282
01:05:23,600 --> 01:05:25,360
Speaker 1: you and knows that you deserve it because you are

1283
01:05:25,480 --> 01:05:28,840
Speaker 1: so special, and so the fact that you're going to

1284
01:05:28,880 --> 01:05:30,320
Speaker 1: get this like hunk of time to do it. I'm

1285
01:05:30,360 --> 01:05:32,480
Speaker 1: so happy they gave it to you because you deserve

1286
01:05:32,520 --> 01:05:35,080
Speaker 1: it and be it's gonna be fucking phenomenal because you're

1287
01:05:35,160 --> 01:05:38,840
Speaker 1: so good at it, and especially the mad Cat medley,

1288
01:05:39,320 --> 01:05:41,640
Speaker 1: which is when I feel you can be the most.

1289
01:05:41,880 --> 01:05:45,880
Speaker 2: Wildest, fucked up most I feel so wild. You get

1290
01:05:45,920 --> 01:05:47,600
Speaker 2: to feel so wild. The last time I did the show,

1291
01:05:47,640 --> 01:05:50,120
Speaker 2: I was like, I need to stop sticking my tongue out. No,

1292
01:05:50,880 --> 01:05:51,720
Speaker 2: that's your take.

1293
01:05:52,320 --> 01:05:56,840
Speaker 1: My take is tongue out. Yes, it's like, you know,

1294
01:05:56,920 --> 01:05:59,840
Speaker 1: like a sexy little devil, Like, uh, what do you

1295
01:06:00,080 --> 01:06:03,360
Speaker 1: call it? Like, uh, what about cutey dolls devil? Just

1296
01:06:03,400 --> 01:06:06,479
Speaker 1: like I love someone who thinks that their cute face

1297
01:06:06,520 --> 01:06:08,000
Speaker 1: that they're making as an aside is.

1298
01:06:09,640 --> 01:06:16,960
Speaker 2: Like someone who's who's little thing is me? Who is

1299
01:06:17,040 --> 01:06:21,640
Speaker 2: the worst face they can make? Sometimes you do want

1300
01:06:21,680 --> 01:06:22,360
Speaker 2: to do that, you do.

1301
01:06:23,120 --> 01:06:25,320
Speaker 1: You have to let it out, and you have to

1302
01:06:25,400 --> 01:06:28,360
Speaker 1: let it out on stage exactly my medium.

1303
01:06:28,480 --> 01:06:30,360
Speaker 4: You should throw. I know, like Mary is in distress

1304
01:06:30,400 --> 01:06:31,840
Speaker 4: for most of the show. But I think in one

1305
01:06:31,880 --> 01:06:33,840
Speaker 4: of the scenes you should be like during the Great

1306
01:06:33,920 --> 01:06:35,680
Speaker 4: Day monolog should go at.

1307
01:06:35,640 --> 01:06:47,080
Speaker 1: Some point direct like to an audience. Well find out

1308
01:06:47,080 --> 01:06:49,600
Speaker 1: if she does it, maybe you'll be the person.

1309
01:06:57,520 --> 01:06:59,360
Speaker 2: We're gonna move into. I don't think so, honey.

1310
01:06:59,480 --> 01:07:02,360
Speaker 1: Whoa, this is our sixty second segment where we take

1311
01:07:02,640 --> 01:07:05,520
Speaker 1: exactly that amount of time, okay, to rant, rail and

1312
01:07:05,880 --> 01:07:12,320
Speaker 1: rage and not retreat, the opposite of virtuctually tear apart

1313
01:07:12,440 --> 01:07:16,360
Speaker 1: something in culture. It gets to us and I have something.

1314
01:07:16,160 --> 01:07:19,960
Speaker 4: Okay, okay, yeah, this is Matt Rogers is I don't

1315
01:07:19,960 --> 01:07:21,440
Speaker 4: think so many and it's time starts now.

1316
01:07:21,600 --> 01:07:24,800
Speaker 1: I don't think so, honey. Still using a towel that

1317
01:07:24,880 --> 01:07:28,240
Speaker 1: has a brown stain even if it's clean, okay, so

1318
01:07:28,760 --> 01:07:31,360
Speaker 1: who is to One thing that happens is like you

1319
01:07:31,600 --> 01:07:33,640
Speaker 1: wash towels, they come out of the dryer, they're clean,

1320
01:07:33,960 --> 01:07:36,560
Speaker 1: but they still have a brown stain on it, and

1321
01:07:36,640 --> 01:07:38,880
Speaker 1: people are like, well, it's just the stain from what

1322
01:07:39,240 --> 01:07:42,920
Speaker 1: was there, it's not currently soiled. I don't think so, honey.

1323
01:07:43,120 --> 01:07:46,439
Speaker 1: I think once a towel has a brown stain. Look,

1324
01:07:46,640 --> 01:07:49,800
Speaker 1: we're in entertainment. It could be makeup, it could be poop.

1325
01:07:50,200 --> 01:07:50,520
Speaker 1: I don't know.

1326
01:07:50,600 --> 01:07:52,360
Speaker 2: It's because it could be poop.

1327
01:07:52,720 --> 01:07:55,280
Speaker 1: I don't think so, honey. Any and poop touches so

1328
01:07:55,400 --> 01:07:57,520
Speaker 1: many more things that I think we could even understand.

1329
01:07:57,880 --> 01:07:59,680
Speaker 1: But the fact that this is a towel a thing

1330
01:08:00,080 --> 01:08:03,920
Speaker 1: Wrestley used to, you know, comfort oneself after a shower,

1331
01:08:04,120 --> 01:08:07,640
Speaker 1: comfort meaning dry Like to me, it's just like if

1332
01:08:07,840 --> 01:08:10,520
Speaker 1: if it could be poop for me, it is because

1333
01:08:10,560 --> 01:08:13,240
Speaker 1: especially because the towel is in the bathroom as well.

1334
01:08:14,000 --> 01:08:16,600
Speaker 1: Sometimes what happens is you get a towel, it's a

1335
01:08:16,680 --> 01:08:19,000
Speaker 1: little bit fucked up. I don't think so, honey, rolling

1336
01:08:19,040 --> 01:08:22,360
Speaker 1: the dice, throw it away, get a new towel. I

1337
01:08:22,439 --> 01:08:23,320
Speaker 1: don't think so, honey.

1338
01:08:23,479 --> 01:08:31,240
Speaker 2: And that's one minute it could be poop. I'm just saying,

1339
01:08:31,280 --> 01:08:35,280
Speaker 2: like today, I'm sorry, I'm sorry you had to tell you.

1340
01:08:35,320 --> 01:08:37,720
Speaker 1: There was a towel, and I sort of saw the

1341
01:08:37,760 --> 01:08:38,960
Speaker 1: towel and there was like a little bit of a

1342
01:08:39,040 --> 01:08:40,840
Speaker 1: stain on it, and I'm like, I should just get

1343
01:08:40,920 --> 01:08:43,200
Speaker 1: rid of this. And then I thought, okay, I did

1344
01:08:43,360 --> 01:08:45,719
Speaker 1: use that towel when I took makeup off my face,

1345
01:08:45,920 --> 01:08:55,320
Speaker 1: and only entertainment, by the way, I mean, boys very

1346
01:08:55,400 --> 01:08:59,840
Speaker 1: binary today apparently. Anyway, I just think if your towel

1347
01:09:00,439 --> 01:09:04,800
Speaker 1: is covered in stays, you gotta Okay, I support this,

1348
01:09:05,000 --> 01:09:07,240
Speaker 1: I support I think we're all in agreement. All right, Well,

1349
01:09:07,280 --> 01:09:08,120
Speaker 1: I'm glad I said it.

1350
01:09:08,880 --> 01:09:21,880
Speaker 2: What do you what's the peanut gallery saying, iwers.

1351
01:09:20,800 --> 01:09:32,240
Speaker 1: Please stop at one. I'm gone. Do you have something

1352
01:09:32,280 --> 01:09:32,559
Speaker 1: to say?

1353
01:09:32,600 --> 01:09:36,400
Speaker 2: I have something. It's I'm gonna. I'm gonna go for it.

1354
01:09:36,720 --> 01:09:39,560
Speaker 4: Okay, okay, And and it's it's an important part of

1355
01:09:39,600 --> 01:09:42,960
Speaker 4: the community. But there's something about it that is fundamentally

1356
01:09:43,240 --> 01:09:47,960
Speaker 4: really devastating too to what we do and our and

1357
01:09:48,040 --> 01:09:48,760
Speaker 4: our in our time.

1358
01:09:49,040 --> 01:09:52,840
Speaker 2: And I have to call this out. And I love

1359
01:09:52,880 --> 01:09:55,679
Speaker 2: this place dearly, and this is I don't think so honey,

1360
01:09:55,720 --> 01:09:56,599
Speaker 2: as time starts now.

1361
01:09:56,600 --> 01:09:58,800
Speaker 4: I don't think so honey that there are not one,

1362
01:09:59,160 --> 01:10:04,840
Speaker 4: not two, but three locations of Ripley Greer studios that

1363
01:10:05,080 --> 01:10:07,640
Speaker 4: I spent at least forty five minutes trying to get

1364
01:10:07,640 --> 01:10:11,559
Speaker 4: to the right one, because it was not specified clearly

1365
01:10:11,680 --> 01:10:13,720
Speaker 4: to me which one I was supposed to be at

1366
01:10:13,800 --> 01:10:17,320
Speaker 4: this morning. And so of course I had a lovely

1367
01:10:17,400 --> 01:10:19,879
Speaker 4: time in a yellow cab because that's what was available

1368
01:10:19,920 --> 01:10:22,439
Speaker 4: on Eighth Avenue in thirty six. But I went to

1369
01:10:22,520 --> 01:10:25,320
Speaker 4: the thirty sixth Street location, didn't see anything on the

1370
01:10:25,400 --> 01:10:28,320
Speaker 4: board thirty to thirty eighth Street location, realized I was

1371
01:10:28,360 --> 01:10:30,640
Speaker 4: at the wrong one, then had to go all the

1372
01:10:30,720 --> 01:10:32,200
Speaker 4: way up eighth Avenue.

1373
01:10:31,800 --> 01:10:34,880
Speaker 2: To the fifty fifth Street location. And you, guys, I

1374
01:10:34,960 --> 01:10:35,240
Speaker 2: think we.

1375
01:10:35,280 --> 01:10:38,040
Speaker 4: Have to figure out a naming convention so that it's

1376
01:10:38,240 --> 01:10:40,840
Speaker 4: SEO friendly, so that if I type it in Google Maps,

1377
01:10:41,760 --> 01:10:43,640
Speaker 4: I am at the right place, so you can have

1378
01:10:43,720 --> 01:10:46,840
Speaker 4: a shorthand say I'm at Ripley fifty fifth, I'm at

1379
01:10:46,920 --> 01:10:48,280
Speaker 4: Greer fifty thirty eight.

1380
01:10:49,080 --> 01:10:50,000
Speaker 2: I'm being very calm.

1381
01:10:49,880 --> 01:10:51,560
Speaker 1: About this because I say this with love, but I

1382
01:10:51,600 --> 01:10:54,360
Speaker 1: think it would be it would eliminate so much consternation

1383
01:10:54,680 --> 01:10:59,200
Speaker 1: strife in the theater and dance and performer community are rehearsing,

1384
01:10:59,320 --> 01:11:01,639
Speaker 1: and that's when min I it well, I'm so, I'm

1385
01:11:01,640 --> 01:11:03,200
Speaker 1: so sorry I did. I did fuck up my day

1386
01:11:03,200 --> 01:11:05,320
Speaker 1: a little bit. I think it needs to be raised

1387
01:11:05,400 --> 01:11:09,400
Speaker 1: to the ground and rebuilt, or that it's not it's

1388
01:11:09,479 --> 01:11:17,360
Speaker 1: not ethical. Specifically, it's unethical. The way it's laid out

1389
01:11:17,439 --> 01:11:20,760
Speaker 1: is unethical. I'm not saying that without ethics. I'm not

1390
01:11:20,920 --> 01:11:24,479
Speaker 1: and I obviously love everybody who works there, and as

1391
01:11:24,520 --> 01:11:28,479
Speaker 1: as a decades long patron of that place. I say

1392
01:11:28,520 --> 01:11:30,040
Speaker 1: this with love, but this is not the first time

1393
01:11:30,040 --> 01:11:31,719
Speaker 1: I've been to the wrong Ripley m hmm.

1394
01:11:32,000 --> 01:11:33,160
Speaker 2: Do you know what you need to do once you

1395
01:11:33,240 --> 01:11:34,960
Speaker 2: get into one of those studios.

1396
01:11:40,240 --> 01:11:43,960
Speaker 1: Well, it's always like so thick and sweat sweaty. It's

1397
01:11:44,040 --> 01:11:46,639
Speaker 1: it's it's it's d m V lighting, it's it's, it's

1398
01:11:47,040 --> 01:11:47,160
Speaker 1: you know.

1399
01:11:47,240 --> 01:11:48,840
Speaker 2: But we can put up with that. I can put

1400
01:11:48,920 --> 01:11:49,200
Speaker 2: up with that.

1401
01:11:49,880 --> 01:11:54,559
Speaker 4: I cannot put up with multiple locations and being very

1402
01:11:54,560 --> 01:11:55,599
Speaker 4: hard to specify which one.

1403
01:11:55,960 --> 01:11:59,200
Speaker 2: You know you're you're probably pretty late.

1404
01:12:00,120 --> 01:12:02,520
Speaker 1: You're already in a I can't I have rehearsal mentality,

1405
01:12:02,960 --> 01:12:04,960
Speaker 1: and you're also already a little stressed out because you

1406
01:12:05,080 --> 01:12:07,800
Speaker 1: know you're going to go dance exactly like. I've never

1407
01:12:08,000 --> 01:12:11,040
Speaker 1: once gone to Ripley Greer or really any rehearsal studio

1408
01:12:11,160 --> 01:12:13,120
Speaker 1: like that and been like I'm excited to be here.

1409
01:12:13,360 --> 01:12:15,720
Speaker 1: It's always I'm going to do something that's I'm going

1410
01:12:15,800 --> 01:12:17,800
Speaker 1: to be bad at at it first and scary, yeah,

1411
01:12:18,360 --> 01:12:19,439
Speaker 1: and then be lost.

1412
01:12:20,600 --> 01:12:23,920
Speaker 2: You have to show your ID the panic of getting to.

1413
01:12:23,960 --> 01:12:28,120
Speaker 1: The elevator, the police State, the Ladies Stay of five

1414
01:12:29,120 --> 01:12:31,080
Speaker 1: eighth Avenue, it's a police state.

1415
01:12:31,120 --> 01:12:34,040
Speaker 2: Hannah, you don't have your idea.

1416
01:12:34,200 --> 01:12:37,240
Speaker 1: Good luck, good luck, you're not getting into rehearsal. Okay,

1417
01:12:37,400 --> 01:12:39,840
Speaker 1: Christine Nome, I guess this is fucking.

1418
01:12:40,840 --> 01:12:41,240
Speaker 2: At the gate.

1419
01:12:42,000 --> 01:12:43,360
Speaker 1: By the way, I did go to the airport and

1420
01:12:43,439 --> 01:12:45,479
Speaker 1: so all those Christine home videos like it was fucking,

1421
01:12:45,960 --> 01:12:48,080
Speaker 1: you know, a pre show for a Disney ride. I

1422
01:12:48,200 --> 01:12:51,160
Speaker 1: was like, this is crazy. It's she's she's Beady Wong

1423
01:12:51,240 --> 01:12:53,680
Speaker 1: at the Jurassic Park ride. She really thinks she's bead Won.

1424
01:12:54,640 --> 01:12:58,800
Speaker 1: She's deeply mistaken. I haven't seen these videos at the airport. Okay,

1425
01:12:59,240 --> 01:13:02,719
Speaker 1: get on the plane on a flight tonight. After this hurry, I'm.

1426
01:13:02,600 --> 01:13:08,960
Speaker 2: Going to Florida call back, that's improv.

1427
01:13:09,680 --> 01:13:12,360
Speaker 1: To Florida for an improv callback. I'm doing three days

1428
01:13:12,360 --> 01:13:15,599
Speaker 1: at the Lyceum. Then I'm going to Florida for my callback.

1429
01:13:16,800 --> 01:13:20,800
Speaker 1: Head tonight for my improv callback. By saying Christy on

1430
01:13:20,880 --> 01:13:22,519
Speaker 1: the screen, I want me to be one of the

1431
01:13:22,840 --> 01:13:25,800
Speaker 1: one of the fountains, the voice of a fountain. I

1432
01:13:25,960 --> 01:13:28,680
Speaker 1: sit in a small room that's too hot. I have

1433
01:13:28,760 --> 01:13:32,000
Speaker 1: a little microphone and a tiny, tiny screen. I can

1434
01:13:32,040 --> 01:13:34,320
Speaker 1: see who walks up to a fountain and I play

1435
01:13:34,360 --> 01:13:37,680
Speaker 1: a fountain that talks. Okay, what's your fountain voices? This

1436
01:13:37,840 --> 01:13:41,519
Speaker 1: one that's good comforting, kind of similar to that.

1437
01:13:44,680 --> 01:13:49,840
Speaker 2: I'm a fountain. We can't stop acquainting me.

1438
01:13:50,560 --> 01:13:50,840
Speaker 1: Make a.

1439
01:13:52,479 --> 01:13:55,559
Speaker 2: This is a good character, Wow, old fountain.

1440
01:13:56,200 --> 01:13:59,479
Speaker 1: Hold on, I'll be right there, just kidding. I can't move.

1441
01:13:59,760 --> 01:14:01,400
Speaker 1: I'm a big hole in the ground.

1442
01:14:01,960 --> 01:14:05,519
Speaker 2: Go have five. It's someone writing this down, all right.

1443
01:14:06,160 --> 01:14:08,519
Speaker 2: We have producers for this. Are you writing down what

1444
01:14:08,600 --> 01:14:09,320
Speaker 2: I'm saying for?

1445
01:14:09,439 --> 01:14:21,439
Speaker 1: I found a bit okay, okay, yeah, this is important.

1446
01:14:22,320 --> 01:14:23,160
Speaker 1: You've done this before.

1447
01:14:23,280 --> 01:14:24,280
Speaker 2: I have done it before, sir.

1448
01:14:24,720 --> 01:14:25,639
Speaker 1: I don't think so, honey.

1449
01:14:25,720 --> 01:14:27,880
Speaker 2: Live I believe I was at the first ever won

1450
01:14:28,520 --> 01:14:31,800
Speaker 2: with the hat you have the culture hats?

1451
01:14:31,880 --> 01:14:35,800
Speaker 1: Oh my god, remember those used to be culture crusaders.

1452
01:14:36,439 --> 01:14:39,240
Speaker 1: Didn't really fit with the hat. I don't think most

1453
01:14:39,320 --> 01:14:39,840
Speaker 1: of the things.

1454
01:14:39,720 --> 01:14:42,280
Speaker 2: We've done have like fit in with the hat. But

1455
01:14:42,360 --> 01:14:45,960
Speaker 2: it was a gorgeous hat. It was pirates pirate ass

1456
01:14:46,560 --> 01:14:47,320
Speaker 2: You ready? Okay?

1457
01:14:47,400 --> 01:14:50,120
Speaker 1: Okay, do you have a topic. Yeah, this is Hannah Solo's.

1458
01:14:50,120 --> 01:14:52,080
Speaker 1: I don't think so, honey. Her time starts now, I.

1459
01:14:52,120 --> 01:14:54,760
Speaker 2: Don't think so, honey. Cooking a meal for yourself and

1460
01:14:54,880 --> 01:14:56,320
Speaker 2: then it turns out back.

1461
01:14:56,960 --> 01:15:00,760
Speaker 6: Oh no, I just meant twenty six whole ass dollars

1462
01:15:01,040 --> 01:15:04,479
Speaker 6: and three hours of my one, wild and precious life.

1463
01:15:04,600 --> 01:15:06,960
Speaker 2: Crap a goddamn shoe, and.

1464
01:15:07,160 --> 01:15:10,519
Speaker 6: Now I'm either gonna throw it in the garbage or

1465
01:15:10,640 --> 01:15:13,360
Speaker 6: eat it for the next two weeks because I don't.

1466
01:15:13,200 --> 01:15:14,439
Speaker 2: Want to waste it.

1467
01:15:15,400 --> 01:15:21,519
Speaker 6: Scallions gone, parents, gone can, tomatoes gone urning, and people

1468
01:15:21,560 --> 01:15:23,960
Speaker 6: are you're trying to put new ingredients in to fix it.

1469
01:15:24,160 --> 01:15:25,960
Speaker 2: I don't think so mony, you can't fix it.

1470
01:15:26,280 --> 01:15:27,120
Speaker 1: She is who she is.

1471
01:15:27,360 --> 01:15:31,080
Speaker 2: Walk away and you're thinking, well, oh, you made this stew.

1472
01:15:31,120 --> 01:15:33,639
Speaker 2: It's your fault. I don't think, TONI, it's this jewic's fault. Yeah,

1473
01:15:33,880 --> 01:15:38,639
Speaker 2: blame the stew. And I should have just maybe ordered

1474
01:15:39,120 --> 01:15:42,040
Speaker 2: delivery like I wanted to in the first place, and.

1475
01:15:42,080 --> 01:15:45,439
Speaker 6: It would have spent fifty two dollars and eighty six

1476
01:15:46,360 --> 01:15:48,080
Speaker 6: a single chicken wrap.

1477
01:15:48,320 --> 01:15:51,320
Speaker 2: But now I'm having toast for dinner again. Toast dinner.

1478
01:15:51,560 --> 01:15:57,200
Speaker 2: I don't think somebody is toast dinner. Look, you can't

1479
01:15:57,240 --> 01:15:58,519
Speaker 2: be a hero in the kitchen.

1480
01:15:59,160 --> 01:16:03,160
Speaker 1: No me crying over a bowl that I worked on

1481
01:16:03,360 --> 01:16:05,120
Speaker 1: so hard it tastes horrible.

1482
01:16:05,240 --> 01:16:09,960
Speaker 2: Oh my god, dagging it down and ask what happened, Steve,

1483
01:16:11,400 --> 01:16:12,120
Speaker 2: I don't know.

1484
01:16:12,680 --> 01:16:14,920
Speaker 1: And you buy all these ingredients where you have to

1485
01:16:15,040 --> 01:16:16,400
Speaker 1: use us single teas.

1486
01:16:19,400 --> 01:16:21,280
Speaker 2: You buy all the ingredients and then you get home

1487
01:16:21,320 --> 01:16:23,719
Speaker 2: and they're like a dash of it. I spent thirty

1488
01:16:23,760 --> 01:16:24,639
Speaker 2: dollars on this oil.

1489
01:16:25,040 --> 01:16:29,240
Speaker 4: Now I got seven cinnamon sticks sitting in my pantry

1490
01:16:29,320 --> 01:16:30,479
Speaker 4: for the next eight years.

1491
01:16:31,080 --> 01:16:34,160
Speaker 2: And you're googling what can I do with cinnamon stuff?

1492
01:16:35,040 --> 01:16:38,479
Speaker 1: And you can make a winter saying grea next time

1493
01:16:38,479 --> 01:16:40,600
Speaker 1: you actually see the thing is this is why you

1494
01:16:40,640 --> 01:16:43,120
Speaker 1: text your friends in your community. Had you done that,

1495
01:16:43,560 --> 01:16:47,200
Speaker 1: you would have been able to hear from me what

1496
01:16:47,320 --> 01:16:48,360
Speaker 1: to do with the cinnamon sticks.

1497
01:16:48,400 --> 01:16:51,639
Speaker 6: Okay, well, now I know I was in full shame mode.

1498
01:16:51,760 --> 01:16:54,040
Speaker 6: You know when you go I have to just be

1499
01:16:54,200 --> 01:16:55,519
Speaker 6: by myself eating this.

1500
01:16:55,600 --> 01:16:58,200
Speaker 1: Boo, right, but it's it is just tough to go

1501
01:16:59,280 --> 01:17:01,799
Speaker 1: do I throw it at out exactly because that sucks.

1502
01:17:01,960 --> 01:17:06,200
Speaker 1: Toast dinner again, such a hard image for me. I

1503
01:17:06,400 --> 01:17:06,800
Speaker 1: think you.

1504
01:17:07,200 --> 01:17:13,960
Speaker 2: Saying, I'm meaning a toast dinner. Dinners just like you.

1505
01:17:14,760 --> 01:17:17,280
Speaker 1: It's like eleven thirty pm. You didn't get to go

1506
01:17:17,400 --> 01:17:20,719
Speaker 1: on because no one was sick. That sucks. You get home,

1507
01:17:21,160 --> 01:17:23,439
Speaker 1: you're fucking flopping it in the kitchen. I guess I

1508
01:17:23,479 --> 01:17:26,960
Speaker 1: gotta pop that Ryan hit Hit heavy.

1509
01:17:27,800 --> 01:17:31,880
Speaker 2: And I burn it every time. I burn it on heavy,

1510
01:17:32,000 --> 01:17:35,719
Speaker 2: toast you every time, and a toaster.

1511
01:17:35,840 --> 01:17:38,880
Speaker 1: I don't have a microwave. Oh well, I'm just out

1512
01:17:38,960 --> 01:17:42,599
Speaker 1: here in this world lost. I hope with the money

1513
01:17:42,680 --> 01:17:45,760
Speaker 1: you make from being Ohannah, ye bye.

1514
01:17:46,360 --> 01:17:51,320
Speaker 2: That's our biggest lap of the episode. You're hilarious.

1515
01:17:52,680 --> 01:17:53,640
Speaker 1: You're hilarious.

1516
01:17:53,800 --> 01:17:59,160
Speaker 2: That's rich me A swing sounds similar to the fountain.

1517
01:18:00,720 --> 01:18:02,000
Speaker 1: These are all really different.

1518
01:18:02,880 --> 01:18:06,840
Speaker 2: I'm sorry, I'm actually excuse you, excuse you. It's been

1519
01:18:06,960 --> 01:18:08,920
Speaker 2: like that since the beginning. To excuse you, that's really

1520
01:18:09,000 --> 01:18:11,360
Speaker 2: been the vibe. Excuse you coming here.

1521
01:18:12,640 --> 01:18:15,320
Speaker 1: I'm gonna walk out now, No, don't walk We're all

1522
01:18:15,320 --> 01:18:23,760
Speaker 1: gonna walk out together, Darling Dry.

1523
01:18:26,560 --> 01:18:30,120
Speaker 2: The cats up hunting my season two lucky because they're

1524
01:18:30,120 --> 01:18:35,479
Speaker 2: all dead. They're all they're all dead, so many of them.

1525
01:18:35,520 --> 01:18:39,720
Speaker 2: Monday kept happening. I was astounded. You could tell they

1526
01:18:39,760 --> 01:18:47,120
Speaker 2: were writing with abandon you, you're dead, You're dead.

1527
01:18:47,400 --> 01:18:53,960
Speaker 6: I really thought that redheaded callie yeah, icon, yes, I

1528
01:18:54,040 --> 01:18:55,280
Speaker 6: was her husband.

1529
01:18:55,600 --> 01:18:57,680
Speaker 4: Yes, and then starts the news shown and now she's

1530
01:18:57,720 --> 01:19:00,280
Speaker 4: like she has her own Nancy Grace show take get

1531
01:19:00,560 --> 01:19:02,040
Speaker 4: the real Nancy Grace.

1532
01:19:02,360 --> 01:19:04,600
Speaker 2: Nancy Grace flying in to guest star and be like,

1533
01:19:04,800 --> 01:19:10,960
Speaker 2: you need a future, you need to really think about

1534
01:19:11,080 --> 01:19:14,320
Speaker 2: what's next. She had a great day on set, No

1535
01:19:14,439 --> 01:19:16,680
Speaker 2: she did. You can tell everyone's like, Nancy, thanks so

1536
01:19:16,840 --> 01:19:17,400
Speaker 2: much much for.

1537
01:19:17,520 --> 01:19:20,840
Speaker 1: Doing Now if I'm if I'm to be cripped, if

1538
01:19:20,840 --> 01:19:23,560
Speaker 1: I'm looking at what I'm looking at, it looks like

1539
01:19:23,640 --> 01:19:25,360
Speaker 1: a lot of people are dying in your town.

1540
01:19:26,320 --> 01:19:30,000
Speaker 2: What's happening in this happening in this sum Do you

1541
01:19:30,040 --> 01:19:31,439
Speaker 2: think she improvised? I thinink.

1542
01:19:31,520 --> 01:19:33,679
Speaker 1: She was like, I have some ideas for the script.

1543
01:19:34,439 --> 01:19:36,240
Speaker 1: Let me just let me just do a fun one.

1544
01:19:38,080 --> 01:19:40,040
Speaker 1: I bet Nancy Grace knows what a fun run is.

1545
01:19:40,400 --> 01:19:44,439
Speaker 2: Yeah, now what about one for me? I gotta do

1546
01:19:44,520 --> 01:19:48,840
Speaker 2: a tight one for me. For me, y'all, let me

1547
01:19:48,920 --> 01:19:51,000
Speaker 2: just let me just do one for me. I'll be quaiting.

1548
01:19:51,560 --> 01:19:54,400
Speaker 2: I got a pitch. I got pitch. Meanwhile, she goes.

1549
01:19:54,560 --> 01:19:59,919
Speaker 1: It tears everyone Everyone's like dying, moved, crying, laughing in suspense,

1550
01:20:02,520 --> 01:20:04,320
Speaker 1: sort of like watching you do.

1551
01:20:05,280 --> 01:20:08,519
Speaker 2: Oh Mary, Oh you have to September thirtieth of October twelfth.

1552
01:20:08,800 --> 01:20:12,120
Speaker 2: I cannot wait. It will be a grand old time.

1553
01:20:14,080 --> 01:20:17,040
Speaker 1: I am proud of you. Please, I'm such a star.

1554
01:20:18,240 --> 01:20:21,160
Speaker 2: I've always known you just rock and we're so happy

1555
01:20:21,280 --> 01:20:23,120
Speaker 2: that you're here. I'm so proud of you both, and

1556
01:20:23,320 --> 01:20:25,680
Speaker 2: truly it really means so much to be here with

1557
01:20:25,800 --> 01:20:28,640
Speaker 2: you both. Love you do you?

1558
01:20:29,560 --> 01:20:29,760
Speaker 1: Are you?

1559
01:20:29,800 --> 01:20:31,600
Speaker 2: Grateful to Malala that we actually got to have a

1560
01:20:31,640 --> 01:20:33,960
Speaker 2: great time in this room. I feel like I'm loving

1561
01:20:34,080 --> 01:20:38,640
Speaker 2: the vibes of this room up now better than I

1562
01:20:38,760 --> 01:20:40,680
Speaker 2: did coming in. That's true. You came in with a

1563
01:20:40,760 --> 01:20:45,080
Speaker 2: different energy, and now it's sort of our room. Malala.

1564
01:20:45,120 --> 01:20:46,880
Speaker 2: I don't know what's going on up there.

1565
01:20:47,320 --> 01:20:51,960
Speaker 1: She's crushing, she's tearing it up. She's got really good material. Well,

1566
01:20:52,680 --> 01:20:54,240
Speaker 1: we end every episode with the song, and I know

1567
01:20:54,320 --> 01:20:58,480
Speaker 1: it was a perfect one. It's coming on Christmas.

1568
01:20:58,680 --> 01:21:03,480
Speaker 2: Second Trees put in the Brains.

1569
01:21:03,640 --> 01:21:09,400
Speaker 1: And some piece I wish I had to read I

1570
01:21:09,479 --> 01:21:13,360
Speaker 1: could skate with. Wow, you guys, the voices are lower

1571
01:21:13,560 --> 01:21:14,240
Speaker 1: the voices.

1572
01:21:30,560 --> 01:21:37,240
Speaker 2: I skied. Listen to that song stream Blue by Joni.

1573
01:21:37,080 --> 01:21:39,479
Speaker 1: Mitchell or so many albums everyone's covering that.

1574
01:21:42,360 --> 01:21:43,280
Speaker 2: Gender is a river.

1575
01:21:47,479 --> 01:21:49,599
Speaker 1: Last Culture Reactis is the production by Will Ferrell's Big

1576
01:21:49,600 --> 01:21:52,599
Speaker 1: Money Players in the Heart radio podcasts, created and hosted

1577
01:21:52,640 --> 01:21:55,719
Speaker 1: by Matt Rogers and bowen Yeg executive produced by Ana

1578
01:21:55,800 --> 01:21:58,800
Speaker 1: Hasby and produced by Decor Ramos, Edited and mixed by

1579
01:21:58,920 --> 01:22:07,439
Speaker 1: Duck Bain and Our Sick Is by Henrik Firsky. Yeah.