1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:09,520 --> 00:00:10,560 Speaker 2: Hello, let's just you. 3 00:00:17,280 --> 00:00:22,320 Speaker 1: I am all in again with Scott Patterson and iHeartRadio Podcast. 4 00:00:22,680 --> 00:00:25,200 Speaker 1: He Everybody, Scott Patterson, I Am all in Podcast, one 5 00:00:25,200 --> 00:00:28,920 Speaker 1: of them productions iHeartRadio Media. I Heart Podcast Season two, 6 00:00:28,920 --> 00:00:33,640 Speaker 1: Episode nine, Runaway Little Boy. November twenty seven, two thousand 7 00:00:33,680 --> 00:00:39,640 Speaker 1: and one, was the momentous date that this originally aired, 8 00:00:39,880 --> 00:00:44,520 Speaker 1: and I am joined by very special guests. Mister Everywhere, 9 00:00:44,720 --> 00:00:48,800 Speaker 1: mister everything. You see him in every scene. Just about 10 00:00:48,880 --> 00:00:53,360 Speaker 1: Robert Lee, the famous Robert Lee. Hello, Robert, how are you? 11 00:00:54,440 --> 00:00:55,760 Speaker 2: I'm doing great? How are you doing? 12 00:00:56,000 --> 00:01:02,080 Speaker 1: I'm doing okay. You are credited for appearing in Good Trouble, 13 00:01:02,120 --> 00:01:05,399 Speaker 1: to Pit, ex Pat's, Gray's Anatomy, Call Me Kat, and 14 00:01:05,600 --> 00:01:09,520 Speaker 1: so much of Gilmore Girls, And I'm thrilled to have here. 15 00:01:09,600 --> 00:01:13,280 Speaker 1: We're going to dive into this, but before we get started, 16 00:01:14,000 --> 00:01:15,880 Speaker 1: you were on the Pit, the hottest show right now. 17 00:01:16,160 --> 00:01:20,000 Speaker 1: So how was that? How was it different from Gilmore Girls? 18 00:01:21,319 --> 00:01:25,080 Speaker 2: That that was a great show. The working with John 19 00:01:25,080 --> 00:01:29,280 Speaker 2: Wall's production and Noah Wiley and the wonderful actors on set. 20 00:01:29,600 --> 00:01:32,800 Speaker 2: They had a great crew. It was a little crazy. 21 00:01:33,800 --> 00:01:37,160 Speaker 2: I played a gentleman that was having a heart attack 22 00:01:37,840 --> 00:01:41,199 Speaker 2: and they were moving crazy fast to save my life. 23 00:01:41,240 --> 00:01:45,759 Speaker 2: But that was a wonderful experience and the crew was welcoming. 24 00:01:45,800 --> 00:01:49,520 Speaker 2: The actors are great, fantastic. 25 00:01:49,560 --> 00:01:55,480 Speaker 1: Now let's discuss the episode Romeo and Juliet. Here's the synopsis. 26 00:01:55,240 --> 00:01:59,120 Speaker 1: Dean gets jealous when Rory and Tristan are cast as 27 00:01:59,240 --> 00:02:02,400 Speaker 1: Romeo and Juliet in the school play, which is fifty 28 00:02:02,480 --> 00:02:08,280 Speaker 1: percent of the overall grade, and Luke Teas's Laura Ali 29 00:02:08,440 --> 00:02:14,880 Speaker 1: for dating a younger man. Director Danny Leaner writer John Stevens. 30 00:02:16,320 --> 00:02:20,920 Speaker 1: Paris is directing who else would be directing? She's in charge, 31 00:02:22,600 --> 00:02:27,640 Speaker 1: and Rory's kisses Juliet and Tristan is Romeo. She feels 32 00:02:27,720 --> 00:02:30,600 Speaker 1: Rory does inclined to tell Dean about her kiss with 33 00:02:30,680 --> 00:02:34,000 Speaker 1: Tristan at that party in season one because Paris is 34 00:02:34,040 --> 00:02:38,520 Speaker 1: making them do rehearsals in Stars Hollow at Miss Patty's 35 00:02:38,520 --> 00:02:42,960 Speaker 1: when Dean insists on watching Rory's rehearsals. She asked Tristan 36 00:02:43,040 --> 00:02:45,720 Speaker 1: to keep their kiss a secret. But during the rehearsal, 37 00:02:46,320 --> 00:02:51,640 Speaker 1: what does Tristan do? He does Tristan things. He reveals 38 00:02:51,680 --> 00:02:54,640 Speaker 1: that they had a kiss before, and that's right in 39 00:02:54,680 --> 00:02:57,800 Speaker 1: front of Dean, who insisted on being there. Later, we 40 00:02:57,840 --> 00:03:00,440 Speaker 1: find out that Tristan's dad has pulled him out of 41 00:03:00,480 --> 00:03:04,519 Speaker 1: school for bad more bad behavior, you know, fulonious behavior, 42 00:03:04,600 --> 00:03:09,280 Speaker 1: breaking into people's safes and taking money out. You know, 43 00:03:09,320 --> 00:03:11,840 Speaker 1: any other kid would have gone to jail and been prosecuted. 44 00:03:11,880 --> 00:03:15,519 Speaker 1: But so Tristan goes to a private military school in 45 00:03:15,560 --> 00:03:19,080 Speaker 1: North Carolina, and then Para steps up to inhabit the 46 00:03:19,200 --> 00:03:26,720 Speaker 1: role so fully as Romeo. In the final performance, Robert 47 00:03:26,800 --> 00:03:29,280 Speaker 1: is Dean being overprotective? Was he justified? 48 00:03:30,520 --> 00:03:32,760 Speaker 2: Well? I mean I have to say that Dean was 49 00:03:32,840 --> 00:03:37,920 Speaker 2: pretty annoying in this episode. He was being extremely needy 50 00:03:37,960 --> 00:03:38,680 Speaker 2: and insecure. 51 00:03:38,800 --> 00:03:42,320 Speaker 1: Yeah, but don't you think Tristan was even being more annoying? Oh? 52 00:03:42,440 --> 00:03:46,240 Speaker 2: Yes, he absolutely was. He was egging danon every step 53 00:03:46,280 --> 00:03:48,600 Speaker 2: of the way, and it just wouldn't. I mean, the 54 00:03:48,760 --> 00:03:53,320 Speaker 2: episode itself is so well. I mean, the dialogue that 55 00:03:54,080 --> 00:03:58,880 Speaker 2: we had in the diner with you you just slinging 56 00:03:59,560 --> 00:04:04,640 Speaker 2: those mad You had great lines. 57 00:04:04,680 --> 00:04:09,400 Speaker 1: Good stuff, good stuff, good stuff. So they're teenagers, how 58 00:04:09,480 --> 00:04:11,880 Speaker 1: was Dean supposed to act? I thought he acted pretty 59 00:04:11,880 --> 00:04:13,040 Speaker 1: grown up for a teenager. 60 00:04:13,320 --> 00:04:15,960 Speaker 2: Yeah, he wasn't too bad. He wasn't too bad. It 61 00:04:16,160 --> 00:04:19,320 Speaker 2: just it just some of the things. The pushing. 62 00:04:19,560 --> 00:04:22,400 Speaker 1: I mean, men do that, right, they do that. That's 63 00:04:22,400 --> 00:04:24,640 Speaker 1: the same scene that has been played out time and 64 00:04:24,720 --> 00:04:28,360 Speaker 1: again for thirty plus forty plus men. Yeah, I think 65 00:04:28,400 --> 00:04:32,440 Speaker 1: I should be there. Yeah, I think I'm crazy. Right. Yeah, 66 00:04:32,560 --> 00:04:34,680 Speaker 1: someone's always getting in between Dean and Rory. 67 00:04:34,800 --> 00:04:38,159 Speaker 2: Right, Yes, it's always trying to get in there. 68 00:04:39,360 --> 00:04:40,880 Speaker 1: So, but do you think he went too far? Do 69 00:04:40,920 --> 00:04:42,039 Speaker 1: you think Dean went too far? 70 00:04:42,720 --> 00:04:45,279 Speaker 2: I think it's kind of normal for his situation in 71 00:04:45,360 --> 00:04:49,000 Speaker 2: a small town. You know, you know people you're you're 72 00:04:49,040 --> 00:04:52,599 Speaker 2: afraid the the implication of you know, he's rich and 73 00:04:52,720 --> 00:04:56,039 Speaker 2: you know from the school, and you know, it's it's 74 00:04:56,160 --> 00:04:58,240 Speaker 2: just that normal teenage anks. 75 00:04:58,360 --> 00:05:01,159 Speaker 1: You think it's more that he doesn't it's not that 76 00:05:01,200 --> 00:05:06,279 Speaker 1: he doesn't trust her, it's that maybe he really doesn't 77 00:05:06,279 --> 00:05:12,640 Speaker 1: trust Tristan, Like that guy is manipulative, diabolical, and you 78 00:05:12,680 --> 00:05:15,400 Speaker 1: know he's up to you, right, he keeps showing it 79 00:05:15,440 --> 00:05:18,760 Speaker 1: at every word out of his mouth, right exactly. 80 00:05:18,839 --> 00:05:21,520 Speaker 2: Yeah, I mean that encountered that they had at Dozes 81 00:05:21,640 --> 00:05:25,560 Speaker 2: market place. You know, he was just every little needle 82 00:05:25,880 --> 00:05:26,560 Speaker 2: nigging on. 83 00:05:27,839 --> 00:05:31,520 Speaker 1: Yeah. I think if anybody ever deserved a sock in 84 00:05:31,600 --> 00:05:35,640 Speaker 1: the jaw is that character Jesus. Let me ask you this. 85 00:05:35,839 --> 00:05:40,239 Speaker 1: If Dean was a little more chill right or stand 86 00:05:40,320 --> 00:05:42,839 Speaker 1: offish with Rory, I wonder if she would have stayed 87 00:05:42,839 --> 00:05:47,920 Speaker 1: with him. What do you think you think she there's 88 00:05:47,920 --> 00:05:51,880 Speaker 1: a part of her that liked him being a little overprotective. 89 00:05:52,560 --> 00:05:54,520 Speaker 1: Did that make her feel safe or did that make 90 00:05:54,560 --> 00:05:56,680 Speaker 1: her did that turn her off a little bit? 91 00:05:56,800 --> 00:06:05,520 Speaker 2: I think the drama, the this situation was very overwhelming 92 00:06:05,600 --> 00:06:09,160 Speaker 2: for her and that was not the experience she was looking. 93 00:06:08,960 --> 00:06:13,240 Speaker 1: For, right right, Obviously we know that Tristan has feelings 94 00:06:13,279 --> 00:06:18,960 Speaker 1: for Rory, right it was a very sweet goodbye after 95 00:06:19,000 --> 00:06:22,120 Speaker 1: he's carted off to military school. I for want am 96 00:06:22,120 --> 00:06:24,440 Speaker 1: not sad to see Tristan leave the show. I think 97 00:06:24,480 --> 00:06:26,520 Speaker 1: this is the last time we have to deal with us. 98 00:06:27,920 --> 00:06:29,599 Speaker 1: What would you have liked to see it happen between 99 00:06:29,600 --> 00:06:30,400 Speaker 1: Tristan and Rory. 100 00:06:30,960 --> 00:06:34,080 Speaker 2: Well, Tristan just wouldn't learn. Would I would have liked 101 00:06:34,080 --> 00:06:36,960 Speaker 2: to see an actual you know, his character was a 102 00:06:37,000 --> 00:06:41,480 Speaker 2: good character, and if we could see him grow from 103 00:06:42,600 --> 00:06:46,520 Speaker 2: learning from his mistakes rather than just constantly repeating mistakes 104 00:06:46,800 --> 00:06:50,400 Speaker 2: over and over asking for that attention. If he kind 105 00:06:50,400 --> 00:06:53,440 Speaker 2: of like put two and two together, says, you know, 106 00:06:53,680 --> 00:06:56,080 Speaker 2: I could be a better person. I could grow or 107 00:06:56,120 --> 00:06:58,800 Speaker 2: if Amy decided to have him grow in that character, 108 00:06:59,080 --> 00:07:02,240 Speaker 2: he would have been a really awesome character to continue 109 00:07:02,279 --> 00:07:02,600 Speaker 2: with the work. 110 00:07:02,720 --> 00:07:05,760 Speaker 1: So you think he was redeemable. There's there's some redeemable 111 00:07:05,839 --> 00:07:06,720 Speaker 1: qualities here. 112 00:07:07,040 --> 00:07:11,120 Speaker 2: Yes, I mean he the dialogue when he said goodbye 113 00:07:11,160 --> 00:07:12,720 Speaker 2: to war kind of im just going. 114 00:07:12,600 --> 00:07:17,920 Speaker 1: Man, just what how do people evolve like this? Let's 115 00:07:18,000 --> 00:07:21,800 Speaker 1: let's say twenty years later, these people have an epiphany 116 00:07:21,880 --> 00:07:24,160 Speaker 1: at twenty five and they say, I don't want to 117 00:07:24,200 --> 00:07:27,120 Speaker 1: be this person anymore. How do these people end up? 118 00:07:27,720 --> 00:07:31,040 Speaker 1: What do they do? Are they redeemable? Do they turn 119 00:07:31,120 --> 00:07:34,360 Speaker 1: into like the opposite of what they once were? Are 120 00:07:34,520 --> 00:07:37,239 Speaker 1: Are they as obnoxious on the other side, love bombing 121 00:07:37,280 --> 00:07:39,560 Speaker 1: people all the time and trying to get everybody to 122 00:07:39,600 --> 00:07:42,640 Speaker 1: fall in love with them? And I'm a great guy, And. 123 00:07:42,720 --> 00:07:45,080 Speaker 2: I think the energy just kind of starts coming down, 124 00:07:45,280 --> 00:07:48,000 Speaker 2: and then you kind of settle down, and you kind 125 00:07:48,000 --> 00:07:50,360 Speaker 2: of well that, you know, you can't put that force, 126 00:07:50,520 --> 00:07:53,560 Speaker 2: that much energy into being that character all the time, 127 00:07:54,040 --> 00:07:56,720 Speaker 2: and chill kind of settle down. 128 00:07:57,800 --> 00:07:59,800 Speaker 1: Well, maybe maybe the reason he's like that is because 129 00:07:59,800 --> 00:08:04,720 Speaker 1: he has no idea who he is, yes, right, yes, anyway, 130 00:08:04,800 --> 00:08:08,480 Speaker 1: all right, well that's for the bigger minds to ponder. 131 00:08:17,560 --> 00:08:19,800 Speaker 1: All right, let's talk about lorelized date. This was This 132 00:08:19,920 --> 00:08:22,120 Speaker 1: was a very This was hysterically funny. The payoff for 133 00:08:22,160 --> 00:08:25,680 Speaker 1: this was really great. She's at business school. She's asked 134 00:08:25,680 --> 00:08:27,880 Speaker 1: by one of her class names made. Paul is very 135 00:08:27,920 --> 00:08:31,920 Speaker 1: young looking, youngish looking. Although we don't see the date. 136 00:08:32,040 --> 00:08:34,680 Speaker 1: She opens up about how she enjoyed the idea of 137 00:08:34,679 --> 00:08:37,160 Speaker 1: a dating life, not necessarily thinking her and Paul are 138 00:08:37,600 --> 00:08:42,960 Speaker 1: a match. But you know. Then he shows up at 139 00:08:43,040 --> 00:08:46,439 Speaker 1: Luke Steider with a baseball cap, one that made him 140 00:08:46,480 --> 00:08:50,200 Speaker 1: look like he was seventeen. Oh, he looked like a 141 00:08:50,240 --> 00:08:54,520 Speaker 1: college guy. It was really funny with his parents and 142 00:08:54,559 --> 00:09:00,160 Speaker 1: he's full of enthusiasm and oh, it's just great. This 143 00:09:00,280 --> 00:09:01,920 Speaker 1: was probably the funniest scene in the show. 144 00:09:03,920 --> 00:09:07,000 Speaker 2: I love the lexuses line. I always wanted a little brother. 145 00:09:08,640 --> 00:09:09,160 Speaker 1: She had. 146 00:09:11,000 --> 00:09:14,200 Speaker 2: Again, like I told you before, you just had some 147 00:09:14,520 --> 00:09:18,640 Speaker 2: great one liners, telling Laura she'd she should have a 148 00:09:18,720 --> 00:09:19,320 Speaker 2: hype bar. 149 00:09:19,920 --> 00:09:25,080 Speaker 1: R right, right, right, Rory had some good one liners too. 150 00:09:25,200 --> 00:09:27,880 Speaker 1: I mean she had some singers. You know, she mocks 151 00:09:27,880 --> 00:09:32,400 Speaker 1: her own mother. She always had a little brother, so 152 00:09:32,520 --> 00:09:35,160 Speaker 1: Luke is a little salty towards Laura. I mean he's 153 00:09:35,240 --> 00:09:37,040 Speaker 1: kidding her and teasing her, but then he gets a 154 00:09:37,120 --> 00:09:40,640 Speaker 1: little you know, he says, you know, the turn is 155 00:09:40,679 --> 00:09:44,120 Speaker 1: it's embarrassing that she's running around with a kid. I mean, right, 156 00:09:44,640 --> 00:09:46,560 Speaker 1: is Luke jealous? No? 157 00:09:46,720 --> 00:09:51,400 Speaker 2: I think Luke is he is generally invested in Laurali 158 00:09:51,520 --> 00:09:54,200 Speaker 2: and he thinks she can do better. I mean she 159 00:09:54,440 --> 00:09:58,120 Speaker 2: is literally I think he is literally embarrassed for her 160 00:09:58,160 --> 00:10:02,440 Speaker 2: because he thinks that much of her and that she 161 00:10:02,559 --> 00:10:03,880 Speaker 2: can do so much better. 162 00:10:04,000 --> 00:10:08,120 Speaker 1: Right, I'm going to say, you know, to answer the question, 163 00:10:08,800 --> 00:10:12,920 Speaker 1: is Luke playing the right game here? I think for 164 00:10:13,080 --> 00:10:17,800 Speaker 1: him to remain unbothered by it could come off as uncaring, 165 00:10:18,320 --> 00:10:21,840 Speaker 1: right yeah? Oh yeah, and he cares. He cares deeply. 166 00:10:23,280 --> 00:10:23,480 Speaker 2: Yeah. 167 00:10:23,520 --> 00:10:27,160 Speaker 1: And I think another way of him showing his feelings 168 00:10:27,160 --> 00:10:30,839 Speaker 1: for her is to be a little critical and to 169 00:10:31,360 --> 00:10:33,160 Speaker 1: be like, you know, to take on the friend roll, 170 00:10:33,240 --> 00:10:34,760 Speaker 1: like what the hell are you doing? What are you 171 00:10:34,760 --> 00:10:37,280 Speaker 1: thinking of it? I mean it's a bad look for you, 172 00:10:37,280 --> 00:10:40,240 Speaker 1: you know, I mean, come on, step up, I mean, 173 00:10:40,400 --> 00:10:45,400 Speaker 1: without you know, pushing himself. But yeah, I don't think 174 00:10:46,520 --> 00:10:51,640 Speaker 1: ice and unbothered and not engaging in it is possible 175 00:10:51,679 --> 00:10:53,040 Speaker 1: for him, you. 176 00:10:52,960 --> 00:10:56,360 Speaker 2: Know, I mean he wears his heart on his sleeve 177 00:10:56,559 --> 00:11:01,560 Speaker 2: and he shows it all the time by showing his 178 00:11:01,640 --> 00:11:04,240 Speaker 2: emotions of when he's bothered and when he's not bothered, 179 00:11:04,320 --> 00:11:08,640 Speaker 2: when he's generally happy and proud of Orri, and when 180 00:11:08,720 --> 00:11:12,960 Speaker 2: he's frustrated by the antics that laurel Lie sometimes does. 181 00:11:13,480 --> 00:11:16,640 Speaker 1: Should he have gotten together with lorel I sooner? Is this? 182 00:11:16,840 --> 00:11:19,120 Speaker 1: Is this proof that it's being dragged out too much 183 00:11:19,160 --> 00:11:23,280 Speaker 1: and that the fans are getting frustrated. Like it's almost 184 00:11:23,440 --> 00:11:27,160 Speaker 1: like the writing is so artful that they want the 185 00:11:27,240 --> 00:11:31,719 Speaker 1: fans to give up hope, they want them to settle on. Oh, 186 00:11:31,720 --> 00:11:33,880 Speaker 1: they're just going to be friends. It's never gonna happen. 187 00:11:34,040 --> 00:11:36,319 Speaker 1: And then when it does happen, it's like, wow. 188 00:11:36,600 --> 00:11:41,800 Speaker 2: No, it's it's it's truly a great, great slow burn. 189 00:11:42,040 --> 00:11:46,680 Speaker 2: And you know Amy just writes so well and had 190 00:11:46,720 --> 00:11:52,160 Speaker 2: this run out so well that yeah, I think it 191 00:11:52,200 --> 00:11:56,079 Speaker 2: would have been the payoff would have been better, or 192 00:11:56,240 --> 00:11:59,360 Speaker 2: had been was better by making it longer. 193 00:12:00,559 --> 00:12:05,800 Speaker 1: Friendshit, there is Paul too young or you know, I 194 00:12:05,800 --> 00:12:09,360 Speaker 1: don't know Laurrea Lash she date who she wants right, right? 195 00:12:09,720 --> 00:12:11,439 Speaker 1: Isn't it a good idea for her to tipper tone 196 00:12:11,480 --> 00:12:13,320 Speaker 1: in the dating pool again, I mean, so what, he's 197 00:12:13,360 --> 00:12:13,920 Speaker 1: so he's young. 198 00:12:14,000 --> 00:12:17,840 Speaker 2: So what, It's just her track record, it's just her 199 00:12:18,240 --> 00:12:20,800 Speaker 2: choices in her track record has just not been sterling 200 00:12:20,840 --> 00:12:21,199 Speaker 2: of late. 201 00:12:21,840 --> 00:12:25,680 Speaker 1: She's in a tough spot, right. It's just such a 202 00:12:25,760 --> 00:12:28,800 Speaker 1: tough to be a single mother and dating a what 203 00:12:28,880 --> 00:12:32,760 Speaker 1: a minefield that is. You have to be so careful 204 00:12:33,480 --> 00:12:35,480 Speaker 1: who you bring into your world. And now that you know, 205 00:12:35,600 --> 00:12:39,560 Speaker 1: Rory is on her way to you know, some Ivy 206 00:12:39,640 --> 00:12:43,560 Speaker 1: League institution, Let's face it, she's going somewhere. She's doing 207 00:12:43,600 --> 00:12:47,480 Speaker 1: great at Chiltern, you know. Yeah, you got to take 208 00:12:47,520 --> 00:12:48,560 Speaker 1: a little me time. 209 00:12:48,440 --> 00:12:50,080 Speaker 2: Right exactly. 210 00:12:50,120 --> 00:12:54,960 Speaker 1: And she's you know, she's thirty what, she's thirty three now, 211 00:12:55,200 --> 00:12:57,040 Speaker 1: she's thirty two. At the beginning of the show, she's 212 00:12:57,040 --> 00:13:01,800 Speaker 1: thirty three season two, so she's thirty three. Yeah, why not? Right? 213 00:13:02,840 --> 00:13:03,080 Speaker 2: Right? 214 00:13:03,240 --> 00:13:06,160 Speaker 1: Yeah, gotta get out and live. And I think I 215 00:13:06,240 --> 00:13:08,680 Speaker 1: think Suki was right, like get out there and like, 216 00:13:08,800 --> 00:13:11,959 Speaker 1: you know, anyway, is it better for Rory or Luke 217 00:13:12,040 --> 00:13:14,160 Speaker 1: to make fun of this guy's age? 218 00:13:14,760 --> 00:13:19,040 Speaker 2: I just well, it's just both. I mean, Rory just 219 00:13:19,160 --> 00:13:25,280 Speaker 2: shows the camaraderie, the the the love and that level 220 00:13:25,320 --> 00:13:29,920 Speaker 2: of kitting around with your mom and being her best friend, 221 00:13:29,960 --> 00:13:34,160 Speaker 2: and then Luke just being there as as a truly 222 00:13:34,520 --> 00:13:38,880 Speaker 2: good friend, going holding up a mirror and saying, what 223 00:13:38,920 --> 00:13:39,960 Speaker 2: are you doing? Look at this? 224 00:13:40,080 --> 00:13:43,320 Speaker 1: But you know this is very North of Eastern kidding 225 00:13:43,320 --> 00:13:46,600 Speaker 1: each other, teasing each other. It's very you know, it's 226 00:13:46,640 --> 00:13:49,000 Speaker 1: what It's how I grew up. This is what you do. 227 00:13:49,040 --> 00:13:53,160 Speaker 1: You just bag on people you know, and it's just constantly. 228 00:13:53,160 --> 00:13:55,800 Speaker 1: It's fun. Why Why do you think Luke isn't making 229 00:13:55,840 --> 00:13:57,880 Speaker 1: a move just yet? What is it? What is he 230 00:13:57,960 --> 00:13:58,880 Speaker 1: waiting for? Robert? 231 00:13:59,360 --> 00:14:01,960 Speaker 2: I think he's a good friend. I think he's truly 232 00:14:02,000 --> 00:14:05,200 Speaker 2: a good friend. And and if it comes down and 233 00:14:05,240 --> 00:14:10,240 Speaker 2: he's looking for what's best for her, if someone else 234 00:14:10,360 --> 00:14:13,280 Speaker 2: else turns up that he approves of that is best 235 00:14:13,320 --> 00:14:16,760 Speaker 2: for her, he'll support it. But if someone like this 236 00:14:16,840 --> 00:14:18,880 Speaker 2: little boy comes around and he's going to say no, 237 00:14:18,960 --> 00:14:22,280 Speaker 2: this is he'll he'll he'll he'll criticize it and tell 238 00:14:22,320 --> 00:14:27,320 Speaker 2: him that's not good enough. And I'm not sure he's 239 00:14:27,360 --> 00:14:31,920 Speaker 2: decided that he's also putting his hat in the ring. 240 00:14:32,080 --> 00:14:33,600 Speaker 2: He's truly a good friend. 241 00:14:34,040 --> 00:14:37,560 Speaker 1: Yeah, I guess he likes his routine. I think he's 242 00:14:37,680 --> 00:14:40,080 Speaker 1: I think he's a little afraid of breaking up his routine. 243 00:14:40,920 --> 00:14:43,000 Speaker 1: If it didn't work out, it would blow his whole 244 00:14:43,000 --> 00:14:45,120 Speaker 1: world apart. If it does work out, it blows his 245 00:14:45,160 --> 00:14:48,720 Speaker 1: whole world apart. Right, So he's he's I think he's 246 00:14:48,720 --> 00:14:53,840 Speaker 1: hanging on with, you know, one hand plus three fingers 247 00:14:53,880 --> 00:14:55,800 Speaker 1: on the other hand, and he's got a pinky and 248 00:14:55,840 --> 00:14:59,960 Speaker 1: a thumb available maybe for this relationship. Boy, that didn't 249 00:15:00,040 --> 00:15:01,120 Speaker 1: come out right anyway. 250 00:15:01,280 --> 00:15:06,480 Speaker 2: So his I mean, his life is a little bit 251 00:15:06,520 --> 00:15:10,480 Speaker 2: on the rocks because of the news of his nephew 252 00:15:11,480 --> 00:15:15,360 Speaker 2: Milo coming into his life, you know, right and upsetting 253 00:15:15,400 --> 00:15:18,200 Speaker 2: that card. So he's got issues. 254 00:15:18,000 --> 00:15:23,360 Speaker 1: Right right, right, all right, So let's discuss Robert, if 255 00:15:24,200 --> 00:15:28,080 Speaker 1: you will indulge me. I know you're busy. I know 256 00:15:28,160 --> 00:15:30,440 Speaker 1: you have to be in several places at once. You're 257 00:15:30,520 --> 00:15:36,440 Speaker 1: mister everywhere, mister everything. Sixth, seventh and eighth Man of 258 00:15:36,480 --> 00:15:43,240 Speaker 1: the Year. Lorel I approaches Luke at the diner and 259 00:15:43,280 --> 00:15:46,640 Speaker 1: she says that she doesn't have many people in her 260 00:15:46,680 --> 00:15:51,080 Speaker 1: life that are permanent, and and she brings it up 261 00:15:51,280 --> 00:15:54,320 Speaker 1: as an example that that could have been. Then she 262 00:15:54,440 --> 00:15:58,520 Speaker 1: says she has roy Suki this town. And then last 263 00:15:58,520 --> 00:16:06,080 Speaker 1: but not least you know the gipper there, Luke, and 264 00:16:06,120 --> 00:16:11,920 Speaker 1: then he says that you know she has him right exactly. 265 00:16:12,320 --> 00:16:15,120 Speaker 1: Let's talk about Lorelay saying that she doesn't have a 266 00:16:15,120 --> 00:16:17,320 Speaker 1: lot of permanent people in her life. Did that hit 267 00:16:17,400 --> 00:16:20,280 Speaker 1: you emotionally? Definitely? 268 00:16:21,000 --> 00:16:28,320 Speaker 2: Oh, absolutely, because Lorela does. She is looking for stability, 269 00:16:28,560 --> 00:16:31,760 Speaker 2: and she's looking for the people that she can count on, 270 00:16:32,160 --> 00:16:36,520 Speaker 2: and she doesn't. She is way too scared to screw 271 00:16:36,560 --> 00:16:40,400 Speaker 2: that up. And you are one of Luke is one 272 00:16:40,440 --> 00:16:43,400 Speaker 2: of those you. Luke is one of those people that 273 00:16:43,760 --> 00:16:45,240 Speaker 2: have been rock steady in her life. 274 00:16:45,880 --> 00:16:48,680 Speaker 1: M hm. Yes, it's nice to hear, right, It's nice 275 00:16:48,720 --> 00:16:52,520 Speaker 1: to hear that absolute. Yeah, So I think it maybe 276 00:16:52,560 --> 00:16:56,520 Speaker 1: gets him. I think that scene maybe gets him to 277 00:16:56,640 --> 00:16:59,760 Speaker 1: the starting line again in the you know, and that 278 00:17:00,440 --> 00:17:06,000 Speaker 1: the kathlon that is laurel I's heart, right, he maybe 279 00:17:06,040 --> 00:17:10,800 Speaker 1: wants to step up and vuy for that trophy, right, maybe? Maybe? 280 00:17:10,880 --> 00:17:11,560 Speaker 2: Yeah? 281 00:17:11,640 --> 00:17:13,920 Speaker 1: What do you think of all this? Do you think 282 00:17:14,000 --> 00:17:19,320 Speaker 1: one of the reasons laurel I has such issues with commitment? 283 00:17:19,359 --> 00:17:21,280 Speaker 1: You think it's it she's commitment phobic. 284 00:17:22,119 --> 00:17:25,359 Speaker 2: Well, she's definitely admitted that she sucks at dating, right, 285 00:17:25,480 --> 00:17:28,320 Speaker 2: and that you know, when she dates a man romantically, 286 00:17:29,000 --> 00:17:32,280 Speaker 2: it's gone bad for her. So she's getting a lot 287 00:17:32,640 --> 00:17:35,520 Speaker 2: or a little or a lot gun shy on the 288 00:17:35,560 --> 00:17:40,679 Speaker 2: whole romance title. And she doesn't want that title to 289 00:17:40,720 --> 00:17:44,520 Speaker 2: be put on someone that she can count on because 290 00:17:44,680 --> 00:17:47,360 Speaker 2: she always loses them. 291 00:17:47,800 --> 00:17:51,000 Speaker 1: Do you feel that on a psychological level, maybe she 292 00:17:51,160 --> 00:17:56,640 Speaker 1: feels she isn't worthy of that type of permanence that 293 00:17:56,680 --> 00:17:59,399 Speaker 1: she liked, Like she had her shot, but now she's 294 00:17:59,440 --> 00:18:02,119 Speaker 1: got bigger fish to fry with her daughter and her 295 00:18:02,200 --> 00:18:05,000 Speaker 1: daughter's future and that's really the important thing, and that 296 00:18:05,040 --> 00:18:07,960 Speaker 1: she's made it this far and she runs her own 297 00:18:08,000 --> 00:18:10,760 Speaker 1: business and she's she's an independent woman. Does she really 298 00:18:10,800 --> 00:18:14,160 Speaker 1: need a man right now? I mean that's that's really 299 00:18:14,160 --> 00:18:17,800 Speaker 1: the question I think this show is posing. Do you 300 00:18:17,920 --> 00:18:20,480 Speaker 1: really need a guy by yourself? Maybe nice to have 301 00:18:20,520 --> 00:18:24,200 Speaker 1: one if it works out, But I mean she's perfectly capable, 302 00:18:24,520 --> 00:18:28,840 Speaker 1: right I'm not arguing against the relationship, trust me. The 303 00:18:28,920 --> 00:18:32,639 Speaker 1: Luke LARELEI think is wonderful. But it's like she's a 304 00:18:32,720 --> 00:18:37,200 Speaker 1: very capable person. She's figured it out at sixteen years old. 305 00:18:37,280 --> 00:18:40,600 Speaker 1: She had to figure it out. Imagine being sixteen and 306 00:18:40,640 --> 00:18:44,720 Speaker 1: having to do that. Now she's still she's she's still young, 307 00:18:44,880 --> 00:18:49,199 Speaker 1: thirty thirty three years old. Yeah, but there's nothing wrong 308 00:18:49,440 --> 00:18:52,800 Speaker 1: with wanting to have a partner. Nothing wrong. 309 00:18:52,880 --> 00:18:53,000 Speaker 2: Yep. 310 00:18:53,200 --> 00:18:54,720 Speaker 1: You know, she's going to be an empty nester in 311 00:18:54,720 --> 00:18:57,200 Speaker 1: a couple of years, so it's like she's going to 312 00:18:57,280 --> 00:19:00,360 Speaker 1: be so young still as an empty nest or she'll 313 00:19:00,400 --> 00:19:04,000 Speaker 1: be what thirty four, thirty five, thirty five years old? 314 00:19:04,320 --> 00:19:10,600 Speaker 1: That's really young, kidding me, right, So it's a real dilemma, 315 00:19:10,800 --> 00:19:12,080 Speaker 1: you know for single mothers. 316 00:19:12,320 --> 00:19:17,040 Speaker 2: Yeah. I think that she's understanding that there is the 317 00:19:17,040 --> 00:19:20,320 Speaker 2: next stage in her life is coming up. She's dipping 318 00:19:20,359 --> 00:19:23,480 Speaker 2: her toe in the water and damn it, but it's 319 00:19:23,600 --> 00:19:26,280 Speaker 2: you know, working out like it did before. So something's 320 00:19:26,320 --> 00:19:29,840 Speaker 2: got to change, and she's trying to figure it out. 321 00:19:30,119 --> 00:19:34,320 Speaker 2: And admitting that she sucks at dating goes a long 322 00:19:34,359 --> 00:19:38,920 Speaker 2: way to I think, establish and maintain her friendship with Luke. 323 00:19:41,400 --> 00:19:44,159 Speaker 1: She also includes the town like the town really is 324 00:19:44,200 --> 00:19:48,800 Speaker 1: her rock. It's the collectives, it stars hollow, that is 325 00:19:48,840 --> 00:19:53,000 Speaker 1: her permanence. Yeah, that's her safe place. That's where she 326 00:19:53,160 --> 00:19:56,720 Speaker 1: found herself and raised her daughter. I mean, she's never 327 00:19:56,760 --> 00:19:59,480 Speaker 1: going to leave that town. She's a lot like Luke 328 00:19:59,520 --> 00:20:02,120 Speaker 1: in that way. I think when you know, that's why 329 00:20:02,200 --> 00:20:05,120 Speaker 1: maybe these two are faded to be together because they 330 00:20:05,160 --> 00:20:09,120 Speaker 1: are both that town. Yes, you know, he grew up there, 331 00:20:09,160 --> 00:20:15,880 Speaker 1: but she adopted it. And I don't see her leaving, right, No, 332 00:20:16,200 --> 00:20:18,040 Speaker 1: I don't see her leaving. Do you see Luke and 333 00:20:18,119 --> 00:20:21,639 Speaker 1: Laurel eyes there together? Right, They're there forever in that 334 00:20:21,720 --> 00:20:29,320 Speaker 1: town and they'll always be you, it will always be on. Yeah. 335 00:20:29,560 --> 00:20:33,679 Speaker 1: When Luke said you have me right, you have me 336 00:20:36,640 --> 00:20:37,320 Speaker 1: pretty good line. 337 00:20:37,400 --> 00:20:42,000 Speaker 2: Huh, that's a great line. I mean, it just shows 338 00:20:42,040 --> 00:20:46,160 Speaker 2: you that you can be a good friend, you can 339 00:20:46,480 --> 00:20:49,440 Speaker 2: have a relationship with a guy and not screw it up, right, 340 00:20:49,480 --> 00:20:51,760 Speaker 2: And I think that's what she needs to know, right. 341 00:20:52,160 --> 00:20:57,280 Speaker 1: The inevitability of this relationship. It's inevitable, right, Yes, that's 342 00:20:57,320 --> 00:21:00,240 Speaker 1: great writing. It has to feel inevitable if you want 343 00:21:00,240 --> 00:21:03,160 Speaker 1: this thing to work, it's got to feel inevitable. From 344 00:21:03,160 --> 00:21:06,680 Speaker 1: the first scene that we see them together, there's got 345 00:21:06,720 --> 00:21:09,160 Speaker 1: to be a spark, right, There's got to be something there, 346 00:21:10,000 --> 00:21:11,760 Speaker 1: you know. It seems like the writers they just they 347 00:21:11,840 --> 00:21:17,080 Speaker 1: just they never give us too much. They give us 348 00:21:17,200 --> 00:21:20,320 Speaker 1: just enough. Right that The magic of the show is 349 00:21:20,320 --> 00:21:21,320 Speaker 1: that the magic. 350 00:21:21,280 --> 00:21:25,320 Speaker 2: Robert no writing is the magic of the show it is. 351 00:21:26,080 --> 00:21:30,160 Speaker 2: I mean, it's so well written. This was but second season. 352 00:21:30,440 --> 00:21:33,800 Speaker 2: This is the beginning of me working on Gilmour Girls. 353 00:21:35,119 --> 00:21:38,879 Speaker 2: I think it's the fourth episode that I've done as 354 00:21:38,920 --> 00:21:43,399 Speaker 2: a busboy. Overall, I think I've done about ten episodes 355 00:21:43,440 --> 00:21:53,320 Speaker 2: so far. And I mean, I'm I'm still finding myself 356 00:21:53,400 --> 00:21:58,480 Speaker 2: in the role of the bus boy and still try 357 00:21:58,560 --> 00:22:01,280 Speaker 2: not to laugh on camera when you guys boy again, 358 00:22:01,640 --> 00:22:05,320 Speaker 2: you and Roy with the one liners and Liz Torres 359 00:22:05,440 --> 00:22:08,760 Speaker 2: coming in, Liz Liz coming in. 360 00:22:08,960 --> 00:22:11,959 Speaker 1: That's right, you had to really repress your laughter. 361 00:22:12,880 --> 00:22:15,520 Speaker 2: Yes, Oh my god, God, what you read to go 362 00:22:15,720 --> 00:22:19,679 Speaker 2: There was a huge difference between reading the script or 363 00:22:19,720 --> 00:22:21,399 Speaker 2: the sides that they give you. So okay, I know 364 00:22:21,440 --> 00:22:24,560 Speaker 2: they're going to say this, but then when you deliver 365 00:22:25,440 --> 00:22:31,760 Speaker 2: and then Liz delivers and Suki delivers those lines, it's like, shit, 366 00:22:32,160 --> 00:22:34,879 Speaker 2: that is way funnier than I read it. 367 00:22:34,920 --> 00:22:40,359 Speaker 1: To me, it's a very heartfelt scene, very sweet little scene. Yes, 368 00:22:41,119 --> 00:22:43,080 Speaker 1: And I gotta tell you my reaction to it when 369 00:22:43,080 --> 00:22:47,000 Speaker 1: I first read it at the table read was you know, 370 00:22:47,080 --> 00:22:49,920 Speaker 1: it gave me. I think it was the first time 371 00:22:49,960 --> 00:22:51,760 Speaker 1: I felt secure that I was going to have a 372 00:22:51,840 --> 00:22:55,639 Speaker 1: job going forward. Yeah, you know, because I was always 373 00:22:55,680 --> 00:22:57,960 Speaker 1: a little like God, they're throwing so many guys, and 374 00:22:58,600 --> 00:23:01,920 Speaker 1: I wanted to believe that this couldn't possibly. 375 00:23:03,720 --> 00:23:03,880 Speaker 2: End. 376 00:23:04,400 --> 00:23:08,480 Speaker 1: But you know, everybody's expendable that isn't like a Gilmore. 377 00:23:10,280 --> 00:23:13,560 Speaker 1: And this is the scene that gave me that confidence, 378 00:23:13,640 --> 00:23:15,600 Speaker 1: like I think I'm going to hang. I think I'm 379 00:23:15,600 --> 00:23:20,720 Speaker 1: going to survive this if this sort of this merry 380 00:23:20,720 --> 00:23:21,959 Speaker 1: go round of boyfriends. 381 00:23:22,440 --> 00:23:27,160 Speaker 2: That is really funny. You say that because working background 382 00:23:27,240 --> 00:23:31,320 Speaker 2: on the show, the ads in the first eighties were 383 00:23:31,359 --> 00:23:34,560 Speaker 2: looking for a spot for me very kindly, and I 384 00:23:34,760 --> 00:23:38,880 Speaker 2: was a towny walking around driving a car, and when 385 00:23:38,880 --> 00:23:41,639 Speaker 2: that scene came out, going wow, I could They're gonna 386 00:23:41,720 --> 00:23:43,920 Speaker 2: make me the bus boy. I guess I can do. 387 00:23:44,520 --> 00:23:47,040 Speaker 2: The bus boys going to be the job that I'm 388 00:23:47,080 --> 00:23:49,880 Speaker 2: going to do. And that's what it grew into that 389 00:23:51,080 --> 00:23:55,040 Speaker 2: I was always in the dinerize the busboy, because you 390 00:23:56,359 --> 00:24:07,879 Speaker 2: we're going to be there forever, you know what. 391 00:24:08,000 --> 00:24:09,600 Speaker 1: Let's let's I want to ask you a couple of 392 00:24:09,640 --> 00:24:13,400 Speaker 1: things about about how you got involved with Gilmore girls. 393 00:24:13,440 --> 00:24:15,080 Speaker 1: You remember your first day on set? 394 00:24:15,480 --> 00:24:19,320 Speaker 2: Wouldn't say I remember literally remember the first day on set, 395 00:24:19,440 --> 00:24:24,040 Speaker 2: but I do remember coming in the first couple of times, 396 00:24:24,840 --> 00:24:28,880 Speaker 2: and Carla was the first a d and she was saying, well, 397 00:24:29,000 --> 00:24:32,159 Speaker 2: I'll find you something, you know. Was it going to 398 00:24:32,160 --> 00:24:35,919 Speaker 2: be a teacher. We didn't know if Chilton and the 399 00:24:36,000 --> 00:24:38,280 Speaker 2: teachers were going to be seen a lot, or were 400 00:24:38,280 --> 00:24:40,760 Speaker 2: we going to be at Chilton mostly where we're going 401 00:24:40,840 --> 00:24:45,439 Speaker 2: to be in the town generally mostly And later on 402 00:24:45,600 --> 00:24:48,520 Speaker 2: as we just talked about, we found out that one 403 00:24:48,520 --> 00:24:52,280 Speaker 2: of the primary sets would be Luke Steiner and we're 404 00:24:52,320 --> 00:24:54,879 Speaker 2: going to be in there so much so trying to 405 00:24:54,920 --> 00:24:58,960 Speaker 2: find out generalized essentially, it was first generalized that you're 406 00:24:59,000 --> 00:25:01,760 Speaker 2: just going to be a towny and we'll see where 407 00:25:01,800 --> 00:25:08,359 Speaker 2: it goes from there. And slowly certain specific things started 408 00:25:08,400 --> 00:25:13,200 Speaker 2: coming up, like working in the diner, in which we 409 00:25:13,280 --> 00:25:17,560 Speaker 2: had not just ask one or two principles, you would 410 00:25:17,640 --> 00:25:23,919 Speaker 2: have up to six five six principles in and you 411 00:25:24,040 --> 00:25:29,440 Speaker 2: needed someone or they needed someone to be reliable and 412 00:25:29,680 --> 00:25:33,840 Speaker 2: do the background without screwing it up, you know, make 413 00:25:33,960 --> 00:25:37,480 Speaker 2: the takes not about the background making mistake, but about 414 00:25:37,520 --> 00:25:40,240 Speaker 2: the actors getting the work done and getting the best 415 00:25:40,320 --> 00:25:46,120 Speaker 2: possibles work out of you guys. So I think this 416 00:25:46,600 --> 00:25:50,840 Speaker 2: is probably one of the starting episodes one of the 417 00:25:50,840 --> 00:25:54,960 Speaker 2: first episodes where they're going, oh, Rob's doing good at 418 00:25:55,160 --> 00:25:57,040 Speaker 2: these complicated scenes. 419 00:25:56,920 --> 00:26:02,719 Speaker 1: And can I interject something here? Days when I would 420 00:26:02,840 --> 00:26:05,360 Speaker 1: be standing next to you, and you are always very 421 00:26:05,359 --> 00:26:10,000 Speaker 1: friendly with everybody and very respectful and reverential. And one 422 00:26:10,040 --> 00:26:12,960 Speaker 1: of the things we appreciated so much about you and 423 00:26:13,000 --> 00:26:16,160 Speaker 1: the work that you were doing was that you took 424 00:26:16,240 --> 00:26:20,399 Speaker 1: it so seriously like you were a member of the 425 00:26:20,480 --> 00:26:25,399 Speaker 1: main cast, and that I was standing next to you 426 00:26:25,440 --> 00:26:28,800 Speaker 1: one day and it was pretty early on and yeah, 427 00:26:28,800 --> 00:26:30,480 Speaker 1: a lot of people were in the diner and it 428 00:26:30,520 --> 00:26:32,160 Speaker 1: was kind of a hot day and we were all 429 00:26:32,240 --> 00:26:34,760 Speaker 1: dressed for winter and all that, and you were sweating 430 00:26:34,800 --> 00:26:38,199 Speaker 1: your brains out and I could see the moisture on 431 00:26:38,240 --> 00:26:41,040 Speaker 1: your shirt. I could see the coming through your shirt, 432 00:26:41,320 --> 00:26:45,680 Speaker 1: the sweat stain. And you were just like focused every 433 00:26:45,720 --> 00:26:48,880 Speaker 1: single take, focused, ready to go, ready to do your thing. 434 00:26:49,560 --> 00:26:55,240 Speaker 1: And if somebody, another extra wasn't doing their job right, 435 00:26:55,440 --> 00:26:58,560 Speaker 1: you would go over and you would you would tell 436 00:26:58,640 --> 00:27:02,159 Speaker 1: them in the night nicest possible way. It's like you 437 00:27:02,200 --> 00:27:05,399 Speaker 1: were the captain of the extras and you were making 438 00:27:05,480 --> 00:27:09,840 Speaker 1: sure that it was the most believable background scene. And 439 00:27:09,920 --> 00:27:13,399 Speaker 1: I just I just respect you so much for the 440 00:27:13,440 --> 00:27:17,000 Speaker 1: work you put in. Because you put in the same 441 00:27:17,000 --> 00:27:21,480 Speaker 1: amount of hours you put your work was maybe even 442 00:27:21,520 --> 00:27:25,320 Speaker 1: harder because you know, you had to focus and listen 443 00:27:25,359 --> 00:27:29,320 Speaker 1: to every line of dialogue to know exactly when to 444 00:27:29,400 --> 00:27:32,000 Speaker 1: hit your mark on the other side of the din, 445 00:27:32,160 --> 00:27:34,000 Speaker 1: when to pick up the plate, when to I mean, 446 00:27:34,040 --> 00:27:37,760 Speaker 1: you had to do all of that stuff, and you know, 447 00:27:38,320 --> 00:27:42,440 Speaker 1: we really marveled at your dedication and your skill at 448 00:27:42,440 --> 00:27:44,280 Speaker 1: doing this. So good on here for that. 449 00:27:45,000 --> 00:27:46,000 Speaker 2: Thank you so much. 450 00:27:46,040 --> 00:27:49,679 Speaker 1: No small job, no small job to work in that diner, 451 00:27:50,280 --> 00:27:54,000 Speaker 1: you know, you know right, because those scenes were very, 452 00:27:54,119 --> 00:27:57,560 Speaker 1: very complex, and the blocking was very complex at times. 453 00:27:58,080 --> 00:28:06,560 Speaker 2: You guys had so much dialogue to do, and I 454 00:28:06,600 --> 00:28:12,080 Speaker 2: respected you guys so much, and I understood that I 455 00:28:12,240 --> 00:28:15,080 Speaker 2: can't be There's just I just could not be part 456 00:28:15,119 --> 00:28:17,280 Speaker 2: of the problem. I needed to be part of the 457 00:28:17,320 --> 00:28:22,400 Speaker 2: solution because you guys were getting your damn you were 458 00:28:22,400 --> 00:28:26,160 Speaker 2: getting your lines last minute all the time. And I 459 00:28:26,200 --> 00:28:29,400 Speaker 2: saw it. I heard it. I heard when the Blues 460 00:28:29,400 --> 00:28:31,439 Speaker 2: and the Pinks came in. I'm just going, are you 461 00:28:31,560 --> 00:28:35,800 Speaker 2: kidding me? They're changing it again? All that dialogue that 462 00:28:35,840 --> 00:28:39,520 Speaker 2: you guys have to do, and I just had I 463 00:28:39,600 --> 00:28:42,920 Speaker 2: just felt that it was really my responsibility to be 464 00:28:43,000 --> 00:28:46,000 Speaker 2: part of the solution and never the problem. 465 00:28:46,360 --> 00:28:50,280 Speaker 1: Well, I'll tell you you made that a very well 466 00:28:50,320 --> 00:28:53,720 Speaker 1: oiled machine in that diner. When we were working with you, 467 00:28:53,960 --> 00:28:57,320 Speaker 1: it was a well oiled machine. We had the utmost 468 00:28:57,360 --> 00:29:00,400 Speaker 1: confidence that we were working with somebody who was truly 469 00:29:00,480 --> 00:29:05,400 Speaker 1: a pro, who took it very seriously, and we I 470 00:29:05,480 --> 00:29:07,560 Speaker 1: just want to say how much I appreciated. I know 471 00:29:07,640 --> 00:29:09,840 Speaker 1: everybody else did too. And if there was some kind 472 00:29:09,840 --> 00:29:12,800 Speaker 1: of an award for extras, you would be getting the Emmy, 473 00:29:13,480 --> 00:29:16,440 Speaker 1: you'd be getting this Screen Actors Guild. I mean, you're 474 00:29:17,040 --> 00:29:22,120 Speaker 1: just wow, really great job. Do you ever get recognized 475 00:29:22,160 --> 00:29:25,840 Speaker 1: by the way as as tell us tell. 476 00:29:25,760 --> 00:29:28,600 Speaker 2: Us, I wouldn't say I get recognized on the street 477 00:29:28,680 --> 00:29:32,200 Speaker 2: so much. But when we when I was working with 478 00:29:32,280 --> 00:29:35,760 Speaker 2: you at the Holidays made here event at Warner brother 479 00:29:35,880 --> 00:29:45,120 Speaker 2: right with the absolutely wonderful and truly great Gilmore girl fans. 480 00:29:44,840 --> 00:29:46,880 Speaker 1: Oh god, yeah, yeah, they. 481 00:29:47,000 --> 00:29:55,680 Speaker 2: Were recognizing me left and right, and absolutely absolutely was happy, happy, 482 00:29:55,720 --> 00:29:59,440 Speaker 2: happy to oblige and you know make I mean being 483 00:29:59,680 --> 00:30:03,520 Speaker 2: there and having stars Hollow recreated in person for them, 484 00:30:03,600 --> 00:30:07,400 Speaker 2: I'm sure it's so great and seeing someone that they've 485 00:30:07,440 --> 00:30:10,480 Speaker 2: seen on TV and they wanted to be part of that. 486 00:30:10,480 --> 00:30:15,400 Speaker 2: That was at that you know there absolutely and if 487 00:30:15,440 --> 00:30:20,480 Speaker 2: I probably went to a convention maybe, but fortunately, fortunately 488 00:30:21,720 --> 00:30:23,720 Speaker 2: out in the public on the street, I get to 489 00:30:23,800 --> 00:30:24,960 Speaker 2: remain anonymous. 490 00:30:25,200 --> 00:30:27,680 Speaker 1: Right, and you're working over there now, right, you're over 491 00:30:27,720 --> 00:30:31,160 Speaker 1: there at Warner Brothers. Now, No, that was a temporary 492 00:30:31,280 --> 00:30:32,200 Speaker 1: Oh that was temporary. 493 00:30:32,200 --> 00:30:35,320 Speaker 2: Oh okay, that was just for the event. 494 00:30:35,440 --> 00:30:38,280 Speaker 1: Okay, what about what about this? What about this coming year? 495 00:30:38,320 --> 00:30:40,600 Speaker 1: You're going to be there again? I don't know, back 496 00:30:40,680 --> 00:30:45,080 Speaker 1: by popular demand? Come on, man, well I know that. 497 00:30:47,160 --> 00:30:50,320 Speaker 2: I haven't in I know some people on the lot, 498 00:30:50,360 --> 00:30:52,240 Speaker 2: so I'll be able to get on the lot for free, 499 00:30:52,680 --> 00:30:56,720 Speaker 2: but to actually work the event, I'm not sure if 500 00:30:57,080 --> 00:31:01,440 Speaker 2: they want would want me to be there. 501 00:31:01,920 --> 00:31:05,320 Speaker 1: You're too famous. Now that's a problem. Yeah, yeah, yeah, 502 00:31:05,360 --> 00:31:08,840 Speaker 1: exactly kind of a problem. You know, you're causing riots, 503 00:31:08,920 --> 00:31:10,720 Speaker 1: little little mini riots all over the place. 504 00:31:10,960 --> 00:31:13,600 Speaker 2: It's almost like you're kind of hired to do a job, 505 00:31:13,800 --> 00:31:17,040 Speaker 2: you know, so stand over your job, but you're attracting 506 00:31:17,080 --> 00:31:20,520 Speaker 2: all this attention. Yeah, so, you know, it was it 507 00:31:20,560 --> 00:31:24,480 Speaker 2: was a weird kind of like I'll do the job, 508 00:31:24,520 --> 00:31:26,280 Speaker 2: but I'm also trying to be that. 509 00:31:26,640 --> 00:31:29,640 Speaker 1: Well, let me tell you something. You're an asset to 510 00:31:29,680 --> 00:31:33,280 Speaker 1: any organization. Thank you that is smart enough to hire you. 511 00:31:33,760 --> 00:31:37,760 Speaker 1: It's been great catching up with you, and I know 512 00:31:37,840 --> 00:31:41,800 Speaker 1: we'll see you again real soon. Robert Lee, the best 513 00:31:41,840 --> 00:31:46,720 Speaker 1: extra any production could ever hope for, best in the 514 00:31:46,760 --> 00:31:49,800 Speaker 1: business right here. All the best to you and the family, 515 00:31:50,760 --> 00:31:53,440 Speaker 1: and we'll see you real soon. And thanks for downloading. Everybody, 516 00:31:53,520 --> 00:31:55,960 Speaker 1: best fans on the planet bar none. We saw you 517 00:31:56,040 --> 00:31:59,040 Speaker 1: five thousand at a time at Holidays Made Here. Get 518 00:31:59,160 --> 00:32:05,560 Speaker 1: ready for the twenty twenty five, twenty fifth anniversary extravaganza 519 00:32:05,600 --> 00:32:09,000 Speaker 1: over at Warner Brother Studios Holidays Made Here. Robert, you 520 00:32:09,080 --> 00:32:11,880 Speaker 1: know it's going to be off the charts. Oh yeah, 521 00:32:11,920 --> 00:32:15,360 Speaker 1: and it's going to be a real hooton Nanny as 522 00:32:15,360 --> 00:32:18,600 Speaker 1: they say. Anyway, all the best and remember where you lead, 523 00:32:18,680 --> 00:32:50,240 Speaker 1: we will follow. Stay safe everyone, everybody and TULUSO again. 524 00:32:50,320 --> 00:32:54,360 Speaker 1: Follow us on Instagram at I Am All In podcast 525 00:32:54,440 --> 00:33:02,640 Speaker 1: and email us at Gilmour at iHeartRadio dot com.