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Speaker 1: Good Transmitting America.

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Speaker 2: Welcome to Monday Show More Studio, and I hope you

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Speaker 2: guys are having a great Monday because we've got a

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Speaker 2: short week because it's almost Thanksgiving.

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Speaker 3: Oh man, finally, what's up? Finally Thanksgiving? Because you're looking

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Speaker 3: forward to Thanksgiving? Any time off? A little bit of both,

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Speaker 3: but mainly on any time off.

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Speaker 4: It's going hard. A little too hard, Yeah, a little

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Speaker 4: too hard. A lot of work hours, sure, doing doing

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Speaker 4: what work?

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Speaker 3: Little, this little that, Oh, I don't know, you did this?

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Speaker 3: That makes sense. That's what we're gonna do. We're gonna

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Speaker 3: get to know. I let me do on Monday. Amy's

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Speaker 3: got the question for us, So what is your story?

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Speaker 5: It's which type of procrastinator are you? Because there's different versions. Okay,

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Speaker 5: so that's sort of like how you show up when

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Speaker 5: it comes to projects. The perfectionists spends too much time

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Speaker 5: on every small detail and feels overwhelmed by the need

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Speaker 5: to be perfect.

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Speaker 3: Okay, anybody feel like they're that. I'm not that. That's

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Speaker 3: not you.

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Speaker 2: No, I don't need to be perfect, not me, nobody, that, nobody,

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Speaker 2: what else.

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Speaker 5: The dreamer likes to plan and think about how to

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Speaker 5: best do things, but does not follow through.

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Speaker 3: That's lunchbox. That's lunchbox for sure. Never does they never

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Speaker 3: follows through. Yeah, that's not right, and often lies. Is

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Speaker 3: that on there? Yeah, that's lunchbo and tricks people out

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Speaker 3: of their money. No, never treat you out of your

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Speaker 3: own money. Lunchbox is a dreamer. Go ahead.

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Speaker 5: The avoid doesn't want to be embarrassed or judged for

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Speaker 5: any mistakes, would rather avoid it completely.

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Speaker 3: That's Eddie. No, that's Eddie.

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Speaker 4: I don't want to do I'm too busy man. So

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Speaker 4: he doesn't want to do it. He avoids it because

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Speaker 4: he doesn't want to have to put his name on it.

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Speaker 1: I'm too busy doesn't mean I want to avoid it.

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Speaker 1: I would agree with that, but I also don't agree

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Speaker 1: you're always so busy.

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Speaker 5: But go ahead, okay. The next one is the crisis

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Speaker 5: maker works well under pressure, needs the excitement of a

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Speaker 5: close deadline.

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Speaker 3: Oooh bones, that's me. That's you. Yeah, it's not me.

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Speaker 3: I don't think I'm a procrastinator at all.

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Speaker 5: You don't ever put anything off?

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Speaker 3: No, he really doesn't, just for the thrill of it.

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Speaker 2: Why would I get a thrill out of put something off?

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Speaker 2: I get anxiety thinking about it like.

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Speaker 1: Even when we try to do like, hey, well it's

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Speaker 1: a great idea, we can do this in three weeks,

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Speaker 1: He's like, now I want to do it to tomorrow

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Speaker 1: or today.

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Speaker 2: I'm gonna fraid I'll lose the fire. Yeah, so but

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Speaker 2: I can be annoyed. That can be annoying too. I'm

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Speaker 2: not saying it, but I don't think I'm a procrastinator.

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Speaker 5: Yes, that's probably why you're not going to be any

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Speaker 5: of these.

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Speaker 3: Okay, what's Eddie? I think you might be that one.

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Speaker 3: What was that one?

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Speaker 5: Crisis maker?

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Speaker 3: Oh no, Amy's that one.

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Speaker 5: It works well under pressure, it okay, and then the

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Speaker 5: final one is the dread field. It doesn't like what

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Speaker 5: they're working on and lacks motivation to begain Eddie.

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Speaker 3: Now we found Eddie. There it is. But you thought

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Speaker 3: I could be a little bit of everything. Yeah, you

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Speaker 3: did come up a lot in those. I am a procrastinator.

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Speaker 3: Which one do you think you're most like?

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Speaker 1: Probably the dreamer. I like to dream things up, but

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Speaker 1: then when it comes they never do it. Nah, maybe tomorrow.

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Speaker 2: I think most people, if they had to pick one,

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Speaker 2: would think that the crisis one. Like I work best

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Speaker 2: when the lights are on, but they're really also not.

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Speaker 5: That A No, I really think I have I work

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Speaker 5: to not be that because I don't want to put

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Speaker 5: things off to the last minute. But I always like

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Speaker 5: that's how I was in college studying for tests. It

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Speaker 5: was always right up to the last minute. I was

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Speaker 5: cramming it in.

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Speaker 3: But was it because you thought you just did better?

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Speaker 2: Like this says like if I just wait, I thrive

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Speaker 2: whenever it's time to like under the lights, like put

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Speaker 2: me in coach, because what's game time?

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Speaker 5: I go, Yeah, I guess I'm thriving and getting it done.

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Speaker 3: Yeah, I hear you.

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Speaker 2: Okay, well I will put this up if you guys

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Speaker 2: want to see this, we'll put this up on our

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Speaker 2: bobbybones dot com. Go check it out. What type of

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Speaker 2: procrastinator or you? I don't feel like i'm that. I'm

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Speaker 2: not trying to too my own horne. I have a

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Speaker 2: lot of flaws, sure, so many, we'd do the whole

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Speaker 2: show would be all flaw all the time.

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Speaker 3: But I don't think I'm a procrastinator.

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Speaker 6: You family amail and we read it all the air

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Speaker 6: to pick something.

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Speaker 7: We call bobbymail Dick.

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Speaker 3: Yeah, hello, Bobby Bones.

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Speaker 2: I was invited to a good friend's wedding, but found

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Speaker 2: out through the grapevine that I'm not invited to the

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Speaker 2: bachelor party. It seems to include a lot of mutual friends,

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Speaker 2: and I feel a bit hurt and excluded. It seems

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Speaker 2: as though pretty much everyone within the circle is invited

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Speaker 2: because of me, though I thought maybe someone forgot or

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Speaker 2: maybe assumed I'd already been invited, or that there's a

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Speaker 2: reason for me being excluded that I'm not aware of.

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Speaker 2: Should I bring this up with the groom or let

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Speaker 2: it go and focus on the wedding. Signed left out

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Speaker 2: of the party.

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Speaker 3: It was an accident and she heard it through the

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Speaker 3: grape vine.

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Speaker 2: It's a also there may be a reason. For example,

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Speaker 2: I remember when Lunchbars got married, I wasn't invited to

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Speaker 2: his bachelor party, and at first I was I was like,

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Speaker 2: well that hurts, but they just went hard and I

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Speaker 2: would have invited me either, But I cried for days.

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Speaker 4: You didn't invite them to No. Look, it was drinking.

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Speaker 4: Bobby didn't drink. It was gambling at that point in time.

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Speaker 4: Bobby wasn't gambling.

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Speaker 3: I think I stepped away form a bit away from

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Speaker 3: gamble golfing.

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Speaker 4: He wasn't golfing at that time, he'd stepped away from golf,

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Speaker 4: So really, what was there.

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Speaker 3: Going to be for Bobby to do? And there was

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Speaker 3: dance clubbing.

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Speaker 2: And means by dance club and there was certain people.

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Speaker 3: Dancing in your sitting.

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Speaker 5: Bobby didn't do that, and Bobby.

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Speaker 3: Didn't do that, So what was there for Bobby to do?

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Speaker 2: Maybe just the yeah, it's okay, it's okay, I'm not

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Speaker 2: still scarred any but so I think.

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Speaker 3: That that's okay.

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Speaker 4: Because guys, when Bobby had a bachelor party, I was

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Speaker 4: not invited either, So let's.

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Speaker 3: Not but that was second.

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Speaker 2: That was only in return for not being invited to yours,

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Speaker 2: because that's how we do it. Because there was no

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Speaker 2: dancers and no drinking and no gambling.

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Speaker 3: So did one of you guys write the mail bag?

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Speaker 3: I'm confused you.

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Speaker 2: No, we're just giving out. We're telling you it was

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Speaker 2: probably left on purpose.

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Speaker 3: I don't know what the reason is. It could have been.

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Speaker 4: Who knows, Like maybe this dude goes back and tells

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Speaker 4: his wife and like the wife tells her exactly, Maybe

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Speaker 4: you have loose lips.

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Speaker 3: We don't know. Maybe maybe you're laying.

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Speaker 1: Yes, hit the brakes like he hasn't said anything yet,

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Speaker 1: like you've just heard through other people that you may

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Speaker 1: not be invited.

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Speaker 2: Wait till don't get closer. Don't stare at the phone.

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Speaker 2: Bro I mean I remember when having his party. I'll

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Speaker 2: be like, I was looking for an l to show

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Speaker 2: up phone never can still collect her? Yeah, inte it?

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Speaker 5: So I follow Mel Robbins and on Instagram and she

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Speaker 5: posts this whole thing and it went really viral. It's

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Speaker 5: to let them theory, and if someone one of the

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Speaker 5: examples of the let them theory is if a friend

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Speaker 5: doesn't invite you to, you know, a launch or in

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Speaker 5: this case, a bachelor party or whatever, you just let them.

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Speaker 5: That's it's not you don't want it to take up

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Speaker 5: space in your brain. If they're going to do that,

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Speaker 5: you can let them and you proceed on with your

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Speaker 5: weekend and go.

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Speaker 3: Buy some theories. It's weird though. Let's say you're getting robbed.

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Speaker 5: Not that part. It's not that example. It's not like

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Speaker 5: it's what you're gonna let take up space in your brain.

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Speaker 2: Let's say you're walking with your kids. Someone would like

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Speaker 2: to have that kid, let them, Let them have the kids.

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Speaker 3: It's a terrible theory.

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Speaker 5: You know that that's not what it is about.

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Speaker 3: I would just say it sucks.

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Speaker 2: It sucks to be left out, for sure, but don't

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Speaker 2: don't raise your hand and be like, was I supposed

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Speaker 2: to get invited?

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Speaker 3: That's only doubly awkward.

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Speaker 5: Yeah, no, you just gotta let them.

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Speaker 3: This is the one time I agree with Amy.

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Speaker 2: Let them. Sorry, there's no good answer to this.

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Speaker 5: No one time you agree with me.

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Speaker 2: Yeah, well, the other let thems I came up bars

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Speaker 2: were terrible examples of that theory.

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Speaker 3: All right, thank you, that's the mailbag. Close it up.

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Speaker 7: We got your Gmail and we reading on your air.

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Speaker 3: Now let's find the clothes.

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Speaker 8: Bobby's failed back.

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Speaker 7: Damn.

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Speaker 2: I don't know who this is for the record, so

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Speaker 2: I'm gonna play along too. So Eddie, what happened?

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Speaker 1: Well, there's something my in laws have always done for

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Speaker 1: as long as I've known them. They send us like

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Speaker 1: newspaper clippings or magazines or whatever. Usually things that I

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Speaker 1: think are interesting, like Willie Nelson or whatever. It's like, oh,

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Speaker 1: it's cool. They sent me one a couple of days ago,

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Speaker 1: and I look at it and then it's like what

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Speaker 1: is this? And I keep reading reading, and one of

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Speaker 1: the show members. One of us is on the cover

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Speaker 1: and there's a fool of a magazine of a magazine.

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Speaker 3: And there's a fool story on this person of a magazine.

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Speaker 1: Yeah, and I was so shocked because I'm like, what,

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Speaker 1: I've never heard of this?

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Speaker 3: And who and who sent it? My mother in law?

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Speaker 2: Okay, so you got to put that together. So that's

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Speaker 2: but that's Texas. Yeah, she lives in Dallas. What kind

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Speaker 2: of magazine? I don't know if I can say.

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Speaker 3: That, Okay, don't, don't give away. I can say it's

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Speaker 3: related to college. It's related to college?

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Speaker 2: Does anybody know? Was it like a did you read it?

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Speaker 2: Was it like kind of bull crap?

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Speaker 3: I didn't really, I didn't read it, thought and I'm like,

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Speaker 3: what is this crap?

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Speaker 5: Okay, Fred?

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Speaker 3: Oh yeah, I didn't read it.

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Speaker 2: By the clues, only those clues, because we think it

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Speaker 2: is Abby or Morgan.

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Speaker 4: Yeah, it has to be about someone that Kansas State.

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Speaker 3: Maybe could it be uts A No, no, because they

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Speaker 3: don't even acknowledge that he went to.

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Speaker 4: Because I get to Sombria in the mail and they've

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Speaker 4: never had me on the front.

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Speaker 3: Sombria that's what it's called.

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Speaker 2: Even when they do famous alum, and they list people

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Speaker 2: who were like kicked off Survivor week one. Okay, they

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Speaker 2: just still don't list Lunchbox. I don't even know if they

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Speaker 2: list Travis Scott, which is crazy they do. I've seen

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Speaker 2: him on him. I was just trying to what about Arkansas?

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Speaker 2: I just don't know that it would have happened then,

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Speaker 2: but in Dallas, I don't.

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Speaker 3: I don't know.

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Speaker 1: She's sent me a couple that you're that you're in

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Speaker 1: and it's not you. I'll say it's not you.

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Speaker 3: I'm gonna I'm gonna go with Morgan. I'm do you

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Speaker 3: have it? Wait to you?

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Speaker 5: Do you have a magazine? No?

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Speaker 3: Noah, I don't what am I gonna do with that?

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Speaker 5: Clearly, whoever it is, they don't know they're on it

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Speaker 5: and may want to Morgan. Okay, Morgan, I got I

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Speaker 5: go Morgan.

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Speaker 4: Why are we ask exit out ray Mundo? Because remember

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Speaker 4: his call his old college reached out.

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Speaker 3: To be a mental Texas state right, guess Eddie, who

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Speaker 3: was it? It's Morgan? Do you know about it? Morgan?

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Speaker 9: I mean, I know I was in a maga, but

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Speaker 9: I didn't know I was on a cover or anything.

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Speaker 1: It was a sorority magazine, the Delta Delta Deltas, which

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Speaker 1: I guess.

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Speaker 3: My mother in law was a Delta.

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Speaker 2: Oh that's so weird. So yeah, hey you're Morgan. His

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Speaker 2: sisters like your mom. She's ain't Morgan.

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Speaker 7: Morgan.

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Speaker 3: Yeah you didn't save it for her to see? No,

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Speaker 3: you probably have it. I don't. Oh no, I you

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Speaker 3: I was.

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Speaker 10: Under like a thirty three hundred thirty three for tried

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Speaker 10: Out List, but I didn't know that they would put

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Speaker 10: me on the cover.

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Speaker 9: Isn't it like a bunch of people on the cover.

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Speaker 7: Yeah?

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Speaker 3: No, no, No, it's just you. No way you have

259
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Speaker 3: a picture of it. No, what are you talking about?

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Speaker 3: You just saw it, threw it away immediately. I don't

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Speaker 3: know what she was wearing.

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Speaker 4: What in the world what was the article about. Eddie

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Speaker 4: knows nothing about this thing that he had. So did

264
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Speaker 4: maybe your mother in law just send you a picture

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Speaker 4: of it? And you never really send me the magazine.

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Speaker 1: But I'm telling you, she sends me stuff all the time,

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Speaker 1: and I'm like, oh, that's cool, and I.

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Speaker 3: Throw it away.

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Speaker 2: I think the message we're gonna be like, hey, I

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Speaker 2: have this magazine, do you want to see it?

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Speaker 3: Think twice about it both. When you come out of magazines,

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Speaker 3: do you have the magazine? Yes?

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Speaker 2: No, not always stop. When you were in People, did

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Speaker 2: you not have the magazine? People was different because they

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Speaker 2: sent me a bunch of them. Well, this is Tried Delta,

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Speaker 2: Delta Delta dude. Yeah, it's weird that they didn't send

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Speaker 2: Morgan a magazine, but also that she didn't know and

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Speaker 2: you didn't text her me like you want the copy

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Speaker 2: of this?

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Speaker 3: Well, I thought I would just send it to the

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Speaker 3: show and talk about it.

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Speaker 5: Wait, Morgan, whenever you were submitted as the thirty three

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Speaker 5: and or whatever thirty three, did you submit a photo?

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Speaker 10: Yeah, there's gonna be like an article or something. I

285
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Speaker 10: didn't know I was gonna be on the cover.

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Speaker 7: You did an.

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Speaker 3: Interview, And what was your sorority?

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Speaker 10: Delta Delta, Delta, Tried Delta, Yeah, adulta Delta Delta.

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Speaker 3: What may I help you? Help you help you? Is

290
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Speaker 3: that it like that's their thing.

291
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Speaker 9: It's something we would say sometimes.

292
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Speaker 3: Yeah, and you were.

293
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Speaker 5: A Kapa kapa gamma.

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Speaker 3: And did you guys ever have a few to where

295
00:11:45,559 --> 00:11:46,280
Speaker 3: you fought each other?

296
00:11:46,760 --> 00:11:51,400
Speaker 5: No? But Delta Delta Delta did cut me the first night.

297
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Speaker 3: Oh so you couldn't.

298
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Speaker 5: They're not an option for me.

299
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Speaker 3: Why, Amy, I don't know.

300
00:11:55,679 --> 00:11:59,000
Speaker 5: Probably because I was a Kyo mega legacy, so most

301
00:11:59,080 --> 00:12:00,240
Speaker 5: people thought I was going to go kyo.

302
00:12:00,800 --> 00:12:02,040
Speaker 2: So they cut you because they thought you were going

303
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Speaker 2: to reject them. Hey, that's why every girl rejected me

304
00:12:05,920 --> 00:12:07,560
Speaker 2: when I was younger, because they thought I was going

305
00:12:07,640 --> 00:12:08,160
Speaker 2: to reject them.

306
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Speaker 3: I don't understand.

307
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Speaker 5: It's the only reason. I'm sure. I just yeah, I

308
00:12:11,960 --> 00:12:13,640
Speaker 5: wasn't there a cup of teeth.

309
00:12:13,760 --> 00:12:15,840
Speaker 3: Did do you benefit, Amy from being in a sorority?

310
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Speaker 3: Do you feel.

311
00:12:17,840 --> 00:12:22,000
Speaker 5: I think that I met some amazing girls and it

312
00:12:22,040 --> 00:12:25,440
Speaker 5: was fun, I asked. I think I would have had

313
00:12:25,480 --> 00:12:27,520
Speaker 5: a good college experience had I done it or not

314
00:12:27,640 --> 00:12:29,360
Speaker 5: done it, So either.

315
00:12:29,200 --> 00:12:31,600
Speaker 9: Way, yeah, I totally would have done it no matter what.

316
00:12:31,800 --> 00:12:33,760
Speaker 3: So you do benefit you did benefit from being authorty?

317
00:12:33,840 --> 00:12:34,000
Speaker 7: Yeah?

318
00:12:34,040 --> 00:12:37,800
Speaker 10: And I well, I don't think there's any direct benefits

319
00:12:37,800 --> 00:12:39,960
Speaker 10: that I've had, Like there's never a connection that I've had,

320
00:12:39,960 --> 00:12:42,920
Speaker 10: but it's always been like I've connected with people after

321
00:12:42,920 --> 00:12:44,880
Speaker 10: the fact, Like it's cool to know that like Eddie's

322
00:12:44,880 --> 00:12:47,360
Speaker 10: mother in law, now we're sisters, Like that is a

323
00:12:47,400 --> 00:12:48,000
Speaker 10: cool connection.

324
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Speaker 3: Do you have a secret handshake?

325
00:12:49,960 --> 00:12:51,719
Speaker 9: No, but we have a sign to try it out.

326
00:12:51,760 --> 00:12:52,760
Speaker 3: That's not secret. You're showing me.

327
00:12:53,280 --> 00:12:56,280
Speaker 9: But there are secret chants that we have.

328
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Speaker 3: Can you share one with us?

329
00:12:57,280 --> 00:12:57,319
Speaker 11: No?

330
00:12:57,360 --> 00:12:58,599
Speaker 9: I cannot because they're inappropriate.

331
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Speaker 3: Oh I'm gonna ask my money.

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Speaker 10: There are things that we would only do, like during

333
00:13:03,080 --> 00:13:04,440
Speaker 10: the meetings that nobody else knew, and.

334
00:13:04,480 --> 00:13:06,679
Speaker 2: Appropriate things with just all you. They just like that

335
00:13:07,240 --> 00:13:11,600
Speaker 2: the podcast. We're gonna do this on the podcast to uncut. Well, Eddie,

336
00:13:11,600 --> 00:13:12,960
Speaker 2: if you could getnother copy, we'd like to see it.

337
00:13:13,040 --> 00:13:14,160
Speaker 2: How long did you get another copy?

338
00:13:14,280 --> 00:13:15,720
Speaker 3: Dude? I don't ask your mother in law.

339
00:13:15,760 --> 00:13:18,439
Speaker 4: Okay, I called it a tried del chapter. Or go

340
00:13:18,440 --> 00:13:20,000
Speaker 4: by the online at least like to see it. Or

341
00:13:20,040 --> 00:13:22,439
Speaker 4: stop by the tri deels here. Okay, Eddie knocked on

342
00:13:22,480 --> 00:13:22,679
Speaker 4: the door.

343
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Speaker 3: Don't care. It's time for the good news.

344
00:13:32,080 --> 00:13:36,160
Speaker 5: Karen Collinsworth has been near Marshall University campus for a

345
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Speaker 5: long time and working at the Starbucks that's right there.

346
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Speaker 5: She's sixty five years old and she feels like she's

347
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Speaker 5: a mom to a lot of the other nineteen year

348
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Speaker 5: old employees that work there. Everybody loves Karen. Well. She

349
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Speaker 5: recently started to have some car trouble. Her two thousand

350
00:13:49,200 --> 00:13:52,280
Speaker 5: and four, Kia hadn't really been working that great, and

351
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Speaker 5: then her car was broken into It made things worse,

352
00:13:55,679 --> 00:13:58,600
Speaker 5: so her co workers at Starbucks decided to put up

353
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Speaker 5: a gofund me. It was called we Love You Karen,

354
00:14:01,760 --> 00:14:04,320
Speaker 5: and their goal was to help buy her a working

355
00:14:04,360 --> 00:14:06,360
Speaker 5: car so that she didn't have to worry about getting

356
00:14:06,360 --> 00:14:08,720
Speaker 5: to work or handling anything that she needed to and

357
00:14:08,760 --> 00:14:11,560
Speaker 5: they raised forty thousand dollars forty Yeah, so you know,

358
00:14:12,120 --> 00:14:13,320
Speaker 5: people love them some Karen.

359
00:14:14,040 --> 00:14:15,920
Speaker 2: Wow, I thought you were gonna say, like, eight doesn't

360
00:14:16,040 --> 00:14:17,319
Speaker 2: be like wow, that's a lot of money.

361
00:14:17,400 --> 00:14:19,240
Speaker 3: Is forty on? Like wow? It sounds the same, but

362
00:14:19,480 --> 00:14:20,880
Speaker 3: it's different intensity from a heart.

363
00:14:20,960 --> 00:14:23,360
Speaker 5: Yeah, Karen said. For them to be nineteen year old

364
00:14:23,480 --> 00:14:26,000
Speaker 5: college students with so much going on in their life

365
00:14:26,040 --> 00:14:28,560
Speaker 5: and then to take take the time to take care

366
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Speaker 5: of their Starbucks mom, she just talked about how big

367
00:14:31,080 --> 00:14:31,680
Speaker 5: their hearts were.

368
00:14:32,600 --> 00:14:37,520
Speaker 11: Wow, Yeah, that's crazy. Makes me feel like there's hope

369
00:14:37,520 --> 00:14:41,000
Speaker 11: for humanity. Yeah, Eddie, get them go fund me you

370
00:14:41,000 --> 00:14:42,920
Speaker 11: know me? Yeah, turkey for your hair?

371
00:14:43,080 --> 00:14:46,960
Speaker 3: Oh, great story, that's what it's all about. That was

372
00:14:47,000 --> 00:14:50,200
Speaker 3: telling me something good.

373
00:14:50,240 --> 00:14:53,880
Speaker 12: So Bobby Bones Show Interviews in case you didn't know.

374
00:14:54,440 --> 00:14:55,200
Speaker 3: They're the front Men.

375
00:14:55,560 --> 00:14:58,000
Speaker 2: They came by months ago and it was just a

376
00:14:58,000 --> 00:15:00,920
Speaker 2: cool thing they were doing to tour. It's the lead

377
00:15:01,000 --> 00:15:04,200
Speaker 2: singers of Lone Star, Restless Heart in Little Texas. We

378
00:15:04,200 --> 00:15:06,960
Speaker 2: can roll through it real quick, Lone Star Amazed, I

379
00:15:07,200 --> 00:15:10,480
Speaker 2: don't dude.

380
00:15:09,360 --> 00:15:11,359
Speaker 3: Little Texas, God blessed Texas.

381
00:15:11,400 --> 00:15:12,840
Speaker 7: Godless.

382
00:15:14,600 --> 00:15:17,240
Speaker 2: Speaking of Texas, Restless Heart, the bluest eyes in.

383
00:15:17,240 --> 00:15:20,640
Speaker 3: Texas, Texas.

384
00:15:20,800 --> 00:15:24,240
Speaker 2: So it's a legitimate thing, massive hits. These guys can

385
00:15:24,240 --> 00:15:26,280
Speaker 2: still sing the crap out of songs. They're called the

386
00:15:26,320 --> 00:15:27,960
Speaker 2: front Men, and they're here now.

387
00:15:28,760 --> 00:15:31,640
Speaker 3: On the Bobby Bones Show. Now the front Men, all right,

388
00:15:31,640 --> 00:15:32,760
Speaker 3: here they are in studio.

389
00:15:32,840 --> 00:15:35,360
Speaker 2: It's the second time you guys have been here, right, yes, yes, okay,

390
00:15:35,440 --> 00:15:38,320
Speaker 2: So let me explain. It's Larry from Restless Heart, Richie

391
00:15:38,360 --> 00:15:41,240
Speaker 2: McDonald formerly of Lone Star, Tim Rushler formerly of Little Texas.

392
00:15:41,280 --> 00:15:44,400
Speaker 3: They are the front man that's walking back. Do you

393
00:15:44,440 --> 00:15:46,480
Speaker 3: feel like Larry, I'll start with you.

394
00:15:46,520 --> 00:15:48,680
Speaker 2: Do you feel like people are starting because the front

395
00:15:48,680 --> 00:15:51,400
Speaker 2: Men's who the heck's the front Men is just starting

396
00:15:51,440 --> 00:15:52,400
Speaker 2: to catch a little.

397
00:15:52,240 --> 00:15:55,640
Speaker 13: Bit, slowly but surely, and yes, I mean the word

398
00:15:55,680 --> 00:16:00,160
Speaker 13: of mouth. Yeah, Roundswell is doing us some favors out

399
00:16:00,160 --> 00:16:03,040
Speaker 13: there on the road. We'll do about seventy shows, so

400
00:16:03,240 --> 00:16:06,160
Speaker 13: really are introducing ourselves to a lot of folks.

401
00:16:06,280 --> 00:16:09,280
Speaker 2: Any fistfights about where God blessed Texas goes into the

402
00:16:09,280 --> 00:16:09,840
Speaker 2: set list?

403
00:16:10,560 --> 00:16:13,360
Speaker 8: No, we end with that one. Oh okay, no brainer.

404
00:16:13,480 --> 00:16:15,200
Speaker 2: Just didn't know because you have three front men here

405
00:16:15,200 --> 00:16:17,320
Speaker 2: of massive groups that I know, you know.

406
00:16:17,280 --> 00:16:19,280
Speaker 13: Probably make all the calls because I'm the oldest.

407
00:16:19,280 --> 00:16:22,520
Speaker 3: So there, you're the oldest. I wouldn't have a picture.

408
00:16:22,560 --> 00:16:24,800
Speaker 2: Tell well, I was gonna, no, I can't you all

409
00:16:24,800 --> 00:16:25,480
Speaker 2: look beautifully?

410
00:16:26,280 --> 00:16:30,760
Speaker 3: Forty five or so? You're hey, where were we? Tim?

411
00:16:31,040 --> 00:16:34,680
Speaker 3: We were at a concert, been rich Ben Rector. That's right.

412
00:16:35,160 --> 00:16:36,600
Speaker 14: Yeah, I walked up to you and I said, hey,

413
00:16:36,640 --> 00:16:38,680
Speaker 14: it's your fault and you go what I do? Yeah,

414
00:16:38,720 --> 00:16:40,920
Speaker 14: And I said, you told us we should cut new music,

415
00:16:41,000 --> 00:16:42,920
Speaker 14: and we did, and now we got a deal when

416
00:16:43,240 --> 00:16:45,240
Speaker 14: I don't know, it's crazy as stuff has happened.

417
00:16:45,240 --> 00:16:46,840
Speaker 3: So you got it. You guys have a deal too.

418
00:16:46,960 --> 00:16:48,960
Speaker 15: Yeah, thanks a lot, Bobby, Yeah, I really.

419
00:16:50,320 --> 00:16:51,800
Speaker 3: That's your day. We did.

420
00:16:51,920 --> 00:16:56,040
Speaker 8: We wrote and recorded and John Loba heard it and went,

421
00:16:56,400 --> 00:16:57,800
Speaker 8: why would I not want to do this? And we

422
00:16:57,800 --> 00:17:00,600
Speaker 8: were like, really, all that we're still shot super cool.

423
00:17:00,880 --> 00:17:03,080
Speaker 2: And so when you go in because you're three different

424
00:17:03,200 --> 00:17:05,480
Speaker 2: from men, because the new song, let me ask you,

425
00:17:05,520 --> 00:17:08,040
Speaker 2: it's a new song, who's who's singing, Who's who's the

426
00:17:08,480 --> 00:17:09,000
Speaker 2: Is that awkward?

427
00:17:09,000 --> 00:17:09,320
Speaker 7: I don't know.

428
00:17:09,600 --> 00:17:10,919
Speaker 3: There's three from men? Who's the front man?

429
00:17:11,080 --> 00:17:14,720
Speaker 13: That has been easy, okay for us to identify the

430
00:17:14,840 --> 00:17:16,200
Speaker 13: voice for a certain song.

431
00:17:16,280 --> 00:17:16,679
Speaker 3: Got it.

432
00:17:17,040 --> 00:17:19,080
Speaker 13: I'm not gonna say it's gonna be like that forever,

433
00:17:19,240 --> 00:17:21,160
Speaker 13: but so far, so perfect.

434
00:17:21,280 --> 00:17:23,760
Speaker 2: Yeah, So the song Landlord in Mexico is a new song?

435
00:17:24,280 --> 00:17:25,840
Speaker 2: Who sings that song?

436
00:17:26,080 --> 00:17:27,920
Speaker 8: We all do? We share lead vocals on that song?

437
00:17:27,960 --> 00:17:29,639
Speaker 3: Oh, well, that's easy one. I would do that in

438
00:17:29,680 --> 00:17:30,200
Speaker 3: all the songs.

439
00:17:30,200 --> 00:17:32,160
Speaker 14: Then, right, we've gotten like some songs that are obviously

440
00:17:32,240 --> 00:17:34,560
Speaker 14: Richie or Larry or me yah, and then we actually

441
00:17:34,640 --> 00:17:37,560
Speaker 14: on three or four songs we're sharing vocals on them.

442
00:17:37,640 --> 00:17:39,120
Speaker 8: I don't think that's really been done.

443
00:17:39,480 --> 00:17:41,600
Speaker 14: And that's the hard part, or actually the cool part

444
00:17:41,680 --> 00:17:44,760
Speaker 14: is that three lead singers singing harmony together. It sounds

445
00:17:44,800 --> 00:17:46,640
Speaker 14: a little bit more powerful to me than it does.

446
00:17:46,680 --> 00:17:49,200
Speaker 14: Just like you've got your singer, then you got the background. Guys,

447
00:17:49,720 --> 00:17:51,880
Speaker 14: we're three lead singers who just kind of you.

448
00:17:51,840 --> 00:17:53,680
Speaker 3: Know you're basically the Backstree boys.

449
00:17:54,040 --> 00:17:56,199
Speaker 8: Yeah, I ever heard minus minus three?

450
00:17:56,280 --> 00:18:00,960
Speaker 3: Well do you every think about that? Or insane in sank? Yes?

451
00:18:01,000 --> 00:18:02,240
Speaker 3: As you said, yes absolutely.

452
00:18:03,119 --> 00:18:05,919
Speaker 2: The states that you're from, you from? Where are you from?

453
00:18:06,080 --> 00:18:07,680
Speaker 2: Kentucky and you're from Texas?

454
00:18:08,080 --> 00:18:09,600
Speaker 8: Born in Oklahoma, raised in Texas.

455
00:18:09,600 --> 00:18:11,600
Speaker 2: Well that's a weird, weird dynamic. So where do you

456
00:18:11,640 --> 00:18:13,440
Speaker 2: Where are you from? Then it's where you're from.

457
00:18:13,520 --> 00:18:15,480
Speaker 8: I was born at Tinker for Space, Oklahoma City.

458
00:18:15,480 --> 00:18:17,400
Speaker 3: Do you say Oklahoma? I do, Okay?

459
00:18:17,760 --> 00:18:19,880
Speaker 5: But so you say Oklahoma or you give the.

460
00:18:20,800 --> 00:18:23,440
Speaker 14: Well the Texas thing is because I was in little Texas,

461
00:18:23,520 --> 00:18:26,000
Speaker 14: so I kind of claimed both depending on where I'm at, you.

462
00:18:25,960 --> 00:18:27,879
Speaker 2: Know, Okay, So if you're gonna lie, you say Texas.

463
00:18:27,880 --> 00:18:29,480
Speaker 2: But if you're gonn tell the truth to say Oklahoma. Yeah,

464
00:18:29,840 --> 00:18:33,720
Speaker 2: time to I guess I'll get too. And you're from Okay,

465
00:18:33,760 --> 00:18:35,480
Speaker 2: So Texas, Oklahoma, Kentucky?

466
00:18:35,960 --> 00:18:36,400
Speaker 3: All right?

467
00:18:36,800 --> 00:18:39,040
Speaker 2: There is there a big football Is there a big

468
00:18:39,040 --> 00:18:40,159
Speaker 2: Texas Oklahoma rival right here?

469
00:18:40,240 --> 00:18:40,840
Speaker 3: Do you guys care?

470
00:18:41,520 --> 00:18:41,560
Speaker 4: No?

471
00:18:41,800 --> 00:18:45,960
Speaker 8: We just like good games unless we're you know that

472
00:18:46,160 --> 00:18:46,760
Speaker 8: non it or something.

473
00:18:46,800 --> 00:18:48,800
Speaker 13: And I'm from Kentucky. I hadn't had a football team

474
00:18:48,880 --> 00:18:49,639
Speaker 13: very often over.

475
00:18:49,800 --> 00:18:50,600
Speaker 3: Every once in a while.

476
00:18:51,000 --> 00:18:54,119
Speaker 2: You've got a lot of basketball teams, though well not recently,

477
00:18:54,160 --> 00:18:56,000
Speaker 2: but yeah, you know, can.

478
00:18:55,880 --> 00:18:58,119
Speaker 3: I hear a little bit of the new song? Can

479
00:18:58,160 --> 00:18:59,520
Speaker 3: you guys play? Oh, if you're not tuned for, we

480
00:18:59,520 --> 00:19:01,680
Speaker 3: can go to something. Are you guys good on that? Yeah,

481
00:19:01,680 --> 00:19:04,720
Speaker 3: i'd either start with that if you can. That is

482
00:19:04,720 --> 00:19:06,440
Speaker 3: what I'm talking about right there, country music.

483
00:19:06,800 --> 00:19:08,800
Speaker 8: This is something really branding, like no one's really even

484
00:19:08,840 --> 00:19:09,119
Speaker 8: heard it.

485
00:19:09,160 --> 00:19:11,680
Speaker 3: So, well, here we go. They're they're they're tuning up,

486
00:19:11,760 --> 00:19:14,959
Speaker 3: except they don't tune. The new EP is out today.

487
00:19:15,320 --> 00:19:18,399
Speaker 2: It is called Laying Low in Mexico and this is

488
00:19:18,440 --> 00:19:20,760
Speaker 2: a new song from the Frontmen. Here they are on

489
00:19:20,800 --> 00:19:22,320
Speaker 2: the Bobby Bone Show.

490
00:19:23,080 --> 00:19:26,480
Speaker 3: I don't I don't know what I expected, but that

491
00:19:26,560 --> 00:19:30,119
Speaker 3: was awesome. So I think I was expecting good and

492
00:19:30,160 --> 00:19:35,080
Speaker 3: I got awesome. Wow before lunch. Yeah, holy crap.

493
00:19:35,520 --> 00:19:38,720
Speaker 2: And it still is who you guys are, but it's

494
00:19:38,760 --> 00:19:43,960
Speaker 2: also it feels extremely contemporary as well.

495
00:19:44,040 --> 00:19:45,760
Speaker 3: At the same time, I'm not that's important to you guys.

496
00:19:45,960 --> 00:19:46,640
Speaker 8: That's a big deal.

497
00:19:46,720 --> 00:19:49,240
Speaker 14: That's what Mickey Jack Cones, our producer, was like, you know,

498
00:19:49,320 --> 00:19:51,960
Speaker 14: you guys are kind of this Three voices of the

499
00:19:52,000 --> 00:19:55,240
Speaker 14: soundtrack of people's lives that are totally nineties, but we

500
00:19:55,560 --> 00:19:58,040
Speaker 14: need to bring in into today and production wise and

501
00:19:58,080 --> 00:19:59,520
Speaker 14: then writing wise create that.

502
00:20:00,080 --> 00:20:01,320
Speaker 8: I think we think we pulled.

503
00:20:01,119 --> 00:20:01,600
Speaker 3: That off so far.

504
00:20:01,680 --> 00:20:05,080
Speaker 2: And when you guys coming together that was full Yeah. Hellox,

505
00:20:05,320 --> 00:20:06,760
Speaker 2: If you get to pick a fourth front man, why

506
00:20:06,800 --> 00:20:07,320
Speaker 2: would it be me?

507
00:20:09,119 --> 00:20:11,639
Speaker 14: Because you have a radio show and well we're Buddy

508
00:20:11,640 --> 00:20:13,680
Speaker 14: Holly fan so has.

509
00:20:13,000 --> 00:20:17,080
Speaker 2: Okay, just making sure that So when you guys play shows,

510
00:20:17,320 --> 00:20:19,760
Speaker 2: I'm always curious in the first and the last song

511
00:20:20,280 --> 00:20:23,719
Speaker 2: because the first very much a tone setter, even if

512
00:20:23,720 --> 00:20:25,760
Speaker 2: the tone is you don't know this song yet, but

513
00:20:25,920 --> 00:20:29,240
Speaker 2: here you go. The last song always boom, this is

514
00:20:29,280 --> 00:20:30,720
Speaker 2: the one we want to end on. So you leave

515
00:20:30,760 --> 00:20:33,280
Speaker 2: feeling this song. What's the first song the front men play?

516
00:20:33,440 --> 00:20:35,840
Speaker 15: Well, the first one, you know you want to you

517
00:20:35,880 --> 00:20:37,480
Speaker 15: want to get their attention right away.

518
00:20:37,560 --> 00:20:41,720
Speaker 8: So what about now? One that we recorded years ago?

519
00:20:42,320 --> 00:20:44,320
Speaker 15: So that kind of you know, up tempo, a lot

520
00:20:44,320 --> 00:20:46,159
Speaker 15: of energy, high energy, and it kind of sets the

521
00:20:46,520 --> 00:20:48,560
Speaker 15: sets the tone for the whole night.

522
00:20:48,800 --> 00:20:51,000
Speaker 8: It's sort of a medley because we do all of

523
00:20:51,080 --> 00:20:51,840
Speaker 8: what about.

524
00:20:51,560 --> 00:20:53,720
Speaker 14: Now, and then we do a like a ten song

525
00:20:53,760 --> 00:20:57,000
Speaker 14: medley of just number one hits just doing Boom Medley.

526
00:20:57,240 --> 00:20:58,480
Speaker 8: Yeah, it's kick a little.

527
00:20:58,680 --> 00:21:00,000
Speaker 3: I'd be sweating. What is after that?

528
00:21:00,840 --> 00:21:03,040
Speaker 8: What I forgot? What it is? Yeah, it's it's what

529
00:21:03,160 --> 00:21:03,280
Speaker 8: is it?

530
00:21:04,200 --> 00:21:04,480
Speaker 7: Little?

531
00:21:05,960 --> 00:21:07,160
Speaker 8: Right to be wrong?

532
00:21:07,280 --> 00:21:07,480
Speaker 3: Rid?

533
00:21:08,280 --> 00:21:10,000
Speaker 8: No news, there's.

534
00:21:11,640 --> 00:21:12,080
Speaker 3: Already.

535
00:21:12,480 --> 00:21:12,680
Speaker 7: Yeah.

536
00:21:12,920 --> 00:21:16,280
Speaker 2: I use a prompter on the stage when I'm doing

537
00:21:16,280 --> 00:21:18,280
Speaker 2: my stand up back to just give me themes of

538
00:21:18,400 --> 00:21:19,760
Speaker 2: the order I want to go. Do you guys use

539
00:21:19,760 --> 00:21:21,280
Speaker 2: prompter all? You have so many number ones and you

540
00:21:21,280 --> 00:21:22,840
Speaker 2: have to learn nobody else's songs as well? Or do

541
00:21:22,840 --> 00:21:23,880
Speaker 2: you guys have them more memorized?

542
00:21:24,040 --> 00:21:24,560
Speaker 8: We know them?

543
00:21:24,600 --> 00:21:25,560
Speaker 3: You do not yet?

544
00:21:26,119 --> 00:21:29,520
Speaker 2: Because I feel well, I use one now, is why

545
00:21:29,520 --> 00:21:32,199
Speaker 2: I ask. I feel like that I know every one

546
00:21:32,240 --> 00:21:33,560
Speaker 2: of you guys a song, except I don't really know

547
00:21:33,600 --> 00:21:33,960
Speaker 2: the words.

548
00:21:35,280 --> 00:21:36,840
Speaker 3: Meaning I know every song and I can.

549
00:21:36,760 --> 00:21:41,280
Speaker 2: Visoom you know if they're like I'm already dep's number new.

550
00:21:43,320 --> 00:21:46,200
Speaker 3: You know if it's on I've done that lyric. Yeah,

551
00:21:46,200 --> 00:21:46,800
Speaker 3: you know what I'm saying.

552
00:21:48,400 --> 00:21:50,399
Speaker 2: But I don't know any word to any song. Like

553
00:21:50,440 --> 00:21:53,719
Speaker 2: I love lyrics, but I don't know them. But I

554
00:21:53,800 --> 00:21:58,960
Speaker 2: know melodies like Amy is back in Austin, nahs.

555
00:21:58,640 --> 00:22:03,040
Speaker 5: It working at Lozona Rosa Cafe.

556
00:22:03,200 --> 00:22:07,240
Speaker 2: Yeah, well yeah, but I mean Yeah, we've been used

557
00:22:07,720 --> 00:22:09,680
Speaker 2: when it was a thing. Yeah, but that's your song.

558
00:22:10,119 --> 00:22:12,920
Speaker 5: I know, I'm that was my song because I'm from

559
00:22:12,920 --> 00:22:15,080
Speaker 5: Austin and my name is Savey, so I will see there.

560
00:22:15,400 --> 00:22:16,320
Speaker 8: It is totally your song.

561
00:22:17,040 --> 00:22:17,840
Speaker 7: Baby, when.

562
00:22:20,160 --> 00:22:24,000
Speaker 2: Nothing no, no, no, don't laugh one, dude.

563
00:22:24,000 --> 00:22:26,920
Speaker 3: You gotta let me do my process. Baby, when I

564
00:22:27,040 --> 00:22:27,800
Speaker 3: come to.

565
00:22:29,240 --> 00:22:34,480
Speaker 2: Nothing inside you, there's always words I can't take.

566
00:22:35,240 --> 00:22:37,840
Speaker 3: Yeah, I know, man, but then I know you still

567
00:22:38,000 --> 00:22:41,200
Speaker 3: believe I'm the only one ever I.

568
00:22:41,160 --> 00:22:44,720
Speaker 2: Get any of them, right, A couple of words and yeah,

569
00:22:45,200 --> 00:22:47,919
Speaker 2: but I know when it's on, you're spot on.

570
00:22:48,359 --> 00:22:51,400
Speaker 3: I don't know why you do what you do. You go,

571
00:22:51,800 --> 00:22:55,320
Speaker 3: I'm so in love with you. Are you acting like

572
00:22:55,359 --> 00:22:57,360
Speaker 3: you're playing piano? Yes, because I'm trying to keep the time,

573
00:22:58,000 --> 00:22:59,160
Speaker 3: just keep getting better.

574
00:22:59,359 --> 00:23:01,920
Speaker 2: Yeah, it's like I said, I know every word, except

575
00:23:01,960 --> 00:23:02,879
Speaker 2: I don't know any of the words.

576
00:23:04,000 --> 00:23:05,840
Speaker 3: If that makes sense, it does. It's kind of cool.

577
00:23:05,840 --> 00:23:06,879
Speaker 8: I'm digging the whole.

578
00:23:07,119 --> 00:23:08,280
Speaker 3: This is totally new to me.

579
00:23:08,560 --> 00:23:10,679
Speaker 14: Some of my songwriting buddies do that. They'll come up

580
00:23:10,680 --> 00:23:12,440
Speaker 14: with the melody while we're writing and they can't say

581
00:23:12,440 --> 00:23:13,040
Speaker 14: any wors is.

582
00:23:13,080 --> 00:23:15,320
Speaker 8: Go, Hell it didn't did it? Did you?

583
00:23:15,359 --> 00:23:16,760
Speaker 2: Kind of like that and the exp I didn't come

584
00:23:16,800 --> 00:23:19,119
Speaker 2: up with the melody. I stole yours and then But

585
00:23:19,359 --> 00:23:22,560
Speaker 2: that's you guys have done all these songs, our whole lives.

586
00:23:22,720 --> 00:23:26,520
Speaker 2: You're the soundtrack. Like I said to us, probably what teenage?

587
00:23:26,960 --> 00:23:29,560
Speaker 1: Oh we're now younger than that ten because I was

588
00:23:29,600 --> 00:23:31,920
Speaker 1: in the I was in the Little Texas fan Club here.

589
00:23:32,760 --> 00:23:33,000
Speaker 7: Wow.

590
00:23:33,240 --> 00:23:35,040
Speaker 3: No, but I mean one of I'm the oldest one here.

591
00:23:35,119 --> 00:23:36,680
Speaker 1: But I mean I was in the Little Texas Fan

592
00:23:36,680 --> 00:23:38,640
Speaker 1: Club when I was ten years old.

593
00:23:38,720 --> 00:23:41,400
Speaker 8: Nine years old. Wow, man, I love that.

594
00:23:41,440 --> 00:23:43,720
Speaker 3: Oh my god, come on, but you guys look the

595
00:23:43,720 --> 00:23:45,600
Speaker 3: same age. Who me and Tim?

596
00:23:45,720 --> 00:23:48,720
Speaker 1: Yeah, it's like we never got older Tim.

597
00:23:48,800 --> 00:23:50,560
Speaker 3: Yeah, both of you guys stayed the same age.

598
00:23:50,680 --> 00:23:51,080
Speaker 8: Frozen.

599
00:23:51,600 --> 00:23:54,840
Speaker 2: So this new EP, Familiar Faces, it is three new songs.

600
00:23:54,840 --> 00:23:56,360
Speaker 2: One of them you played Landlane in Mexico.

601
00:23:57,000 --> 00:23:59,000
Speaker 8: Actually yeah, that song is actually not on the E.

602
00:23:59,160 --> 00:24:00,359
Speaker 3: Why did you play it here then?

603
00:24:00,400 --> 00:24:03,560
Speaker 8: Because we wanted to do sound We wanted to give

604
00:24:03,560 --> 00:24:04,320
Speaker 8: you a little something, you know.

605
00:24:04,400 --> 00:24:06,119
Speaker 3: Do you do any other new songs?

606
00:24:06,480 --> 00:24:06,720
Speaker 8: Yeah?

607
00:24:06,920 --> 00:24:07,280
Speaker 3: Do you want to?

608
00:24:07,320 --> 00:24:08,880
Speaker 2: I mean, if you want to play a little something

609
00:24:08,880 --> 00:24:10,679
Speaker 2: from the new record, you can. You don't have to.

610
00:24:11,040 --> 00:24:12,440
Speaker 2: I don't want to put you on the spot.

611
00:24:13,000 --> 00:24:14,760
Speaker 8: Do a little bit of leftler Mark.

612
00:24:16,160 --> 00:24:19,360
Speaker 3: And that's so good. It's holy crap. Wow, that's awesome.

613
00:24:19,680 --> 00:24:22,840
Speaker 14: You want to hear the second verse, Oh cry you

614
00:24:22,840 --> 00:24:24,520
Speaker 14: get a pair of flyers in a running start.

615
00:24:24,960 --> 00:24:26,880
Speaker 8: It's yeah, it's He brought that in.

616
00:24:27,200 --> 00:24:29,639
Speaker 14: We were trying to wrap up what what the final

617
00:24:29,680 --> 00:24:32,240
Speaker 14: components of the album would be the full album, and.

618
00:24:32,400 --> 00:24:33,760
Speaker 8: He brought that and he goes, hey, man, I got

619
00:24:33,760 --> 00:24:34,359
Speaker 8: something I wrote.

620
00:24:34,400 --> 00:24:37,560
Speaker 14: And he told the story about you know, literally pulling

621
00:24:37,560 --> 00:24:40,720
Speaker 14: his car over impatient at first because that looked like

622
00:24:40,760 --> 00:24:42,880
Speaker 14: something was going on and ended up being a funeral processioner.

623
00:24:42,880 --> 00:24:44,719
Speaker 8: And he wrote that, and we were like, dude, we

624
00:24:44,760 --> 00:24:45,520
Speaker 8: are so cutting that.

625
00:24:46,040 --> 00:24:47,520
Speaker 3: That's a great Richie, great song.

626
00:24:47,640 --> 00:24:50,440
Speaker 2: You sounded great, like I think everybody kind of felt

627
00:24:50,440 --> 00:24:51,320
Speaker 2: it in one way or the other.

628
00:24:51,359 --> 00:24:52,879
Speaker 3: Oh yeah, that's awesome.

629
00:24:53,160 --> 00:24:53,399
Speaker 8: Thank you.

630
00:24:53,520 --> 00:24:54,879
Speaker 3: Yeah, I know you guys wan't planning to play that,

631
00:24:54,880 --> 00:24:55,560
Speaker 3: but I'm glad you did.

632
00:24:55,840 --> 00:24:57,960
Speaker 2: You can curse me after you're gone for making you

633
00:24:58,000 --> 00:24:59,800
Speaker 2: do that, but right now we're feeling pretty good.

634
00:25:00,160 --> 00:25:04,520
Speaker 13: Cool, Okay, we love that Song's yeah, top top one

635
00:25:04,600 --> 00:25:06,440
Speaker 13: or two favorite that we recorded.

636
00:25:06,520 --> 00:25:08,080
Speaker 3: Well, you only recorded three, so I mean, if you

637
00:25:08,119 --> 00:25:10,360
Speaker 3: were to say, then we recorded about twelve.

638
00:25:10,480 --> 00:25:13,359
Speaker 2: Well the one that I said, yeah, I love that,

639
00:25:14,600 --> 00:25:18,040
Speaker 2: the medley that you guys do of the hits, how

640
00:25:18,040 --> 00:25:19,280
Speaker 2: many hits do you put in that medley?

641
00:25:21,000 --> 00:25:23,320
Speaker 8: Well, you mean the one.

642
00:25:23,080 --> 00:25:25,199
Speaker 2: A concert, because it would be hilarious if you went

643
00:25:25,200 --> 00:25:26,640
Speaker 2: and you just played a nonstout melody for an hour

644
00:25:26,640 --> 00:25:28,840
Speaker 2: and then walked off like there was never a break,

645
00:25:29,119 --> 00:25:30,440
Speaker 2: it was just one to the next.

646
00:25:30,440 --> 00:25:31,960
Speaker 3: I would laugh for that.

647
00:25:31,920 --> 00:25:33,320
Speaker 2: Would be the greatest, Like, all right, guys were gonna

648
00:25:33,320 --> 00:25:36,199
Speaker 2: start with this, you finish all every number one you do,

649
00:25:36,520 --> 00:25:37,440
Speaker 2: and then you just walk off.

650
00:25:37,920 --> 00:25:39,640
Speaker 3: I'd like that. I'd get a good life at.

651
00:25:39,600 --> 00:25:42,200
Speaker 13: About an hour and fifty minutes and there's still about

652
00:25:42,200 --> 00:25:44,160
Speaker 13: five number one songs that we don't have in the show.

653
00:25:44,240 --> 00:25:45,919
Speaker 3: Bragger it is.

654
00:25:46,000 --> 00:25:46,840
Speaker 8: It is kind of cool.

655
00:25:47,000 --> 00:25:48,679
Speaker 14: I mean, it's a I think a lot for us

656
00:25:48,720 --> 00:25:52,119
Speaker 14: on stage is just watching people's eyeballs connecting the dots

657
00:25:52,119 --> 00:25:54,879
Speaker 14: and you know, and you know, not to be smaltsy

658
00:25:54,920 --> 00:25:56,640
Speaker 14: about it, but there's a lot of emotion because all

659
00:25:56,640 --> 00:25:58,560
Speaker 14: those songs take people to a certain place, and so

660
00:25:59,560 --> 00:26:02,040
Speaker 14: you know, one thing like when he does I'm already there.

661
00:26:02,080 --> 00:26:04,240
Speaker 14: I mean, it's just bring a mop out people who

662
00:26:04,320 --> 00:26:08,479
Speaker 14: just it fractures people. But I also think that we

663
00:26:08,480 --> 00:26:10,760
Speaker 14: we do a really cool fresh version of all those songs,

664
00:26:10,800 --> 00:26:12,400
Speaker 14: you know, so we kind of bring a freshness to it.

665
00:26:12,760 --> 00:26:15,440
Speaker 14: But it is it's a great concert experience, even for us.

666
00:26:15,480 --> 00:26:17,600
Speaker 14: It's you know, we we actually dig it.

667
00:26:17,840 --> 00:26:19,760
Speaker 3: Larry, do you ever rap in these songs for the freshness?

668
00:26:20,320 --> 00:26:20,720
Speaker 8: Do we ever?

669
00:26:20,760 --> 00:26:20,800
Speaker 5: What?

670
00:26:20,920 --> 00:26:23,159
Speaker 3: Do you have a rap at rap in the middle? No,

671
00:26:23,560 --> 00:26:26,040
Speaker 3: he could, though you should as a freshness to that

672
00:26:26,480 --> 00:26:29,160
Speaker 3: be like I'm Larry from Restless saving it. Okay, I won't.

673
00:26:29,160 --> 00:26:32,440
Speaker 2: I won't lay down anything, Larry, Larry stew Would you

674
00:26:32,480 --> 00:26:34,720
Speaker 2: guys do the medic because on this the new EPs

675
00:26:34,760 --> 00:26:37,960
Speaker 2: familiar faces and so man, that song that you guys

676
00:26:38,000 --> 00:26:40,240
Speaker 2: played left there, Mark is awesome. But I know you

677
00:26:40,280 --> 00:26:43,920
Speaker 2: guys are doing. I'll still be loving you. God blessed

678
00:26:43,920 --> 00:26:46,440
Speaker 2: Texas amazed. Can you cram those three together?

679
00:26:47,840 --> 00:26:49,119
Speaker 3: I could? I don't know.

680
00:26:49,119 --> 00:26:50,879
Speaker 2: Whatever you want, just cram whatever together. We'll just be here,

681
00:26:50,920 --> 00:26:52,480
Speaker 2: play for an hour. We'll check back it later.

682
00:26:52,520 --> 00:26:55,120
Speaker 3: Yeah, we'll be here. You want to do whatever you want.

683
00:26:55,359 --> 00:26:56,159
Speaker 3: I don't care what you do.

684
00:26:56,280 --> 00:26:58,240
Speaker 2: Here's the front men. We're just enjoying the show. This

685
00:26:58,280 --> 00:26:59,439
Speaker 2: is one of those rare times where we just get

686
00:26:59,440 --> 00:27:01,400
Speaker 2: to sit back and whatever you guys do. The Front

687
00:27:01,440 --> 00:27:03,400
Speaker 2: Men are here, which, by the way, follow them on Instagram.

688
00:27:03,400 --> 00:27:06,399
Speaker 2: At the Frontmen Live, it's Larry from Restless Heart, Ritchie

689
00:27:06,480 --> 00:27:09,320
Speaker 2: from Lone Star, Tim Rushlow Little Texas. They have three

690
00:27:09,359 --> 00:27:11,960
Speaker 2: new songs and three new versions of three hits from

691
00:27:11,960 --> 00:27:12,439
Speaker 2: their past.

692
00:27:13,320 --> 00:27:15,720
Speaker 3: This is awesome me talking over this, and I want.

693
00:27:15,560 --> 00:27:18,000
Speaker 2: Everybody to know that no matter who you are and

694
00:27:18,000 --> 00:27:20,560
Speaker 2: where you are, you are loved. Someone right now is

695
00:27:20,600 --> 00:27:23,040
Speaker 2: thinking about you, and they're thinking about and they're caring

696
00:27:23,040 --> 00:27:24,960
Speaker 2: about you with all of their heart.

697
00:27:25,080 --> 00:27:27,440
Speaker 3: Leave your number, Jelly Roe.

698
00:27:27,440 --> 00:27:36,840
Speaker 2: Now the Front Men they have a new ep out.

699
00:27:36,840 --> 00:27:40,000
Speaker 2: It's six songs. Three songs that you love done a

700
00:27:40,040 --> 00:27:42,520
Speaker 2: little differently, a little little uh what would you say,

701
00:27:42,560 --> 00:27:44,680
Speaker 2: I want to say new or little fresher, Yeah, a

702
00:27:44,680 --> 00:27:48,000
Speaker 2: little fresher, and then three songs that you already loved

703
00:27:48,080 --> 00:27:51,800
Speaker 2: done a little fresher except I mean whatever, it's all stuff,

704
00:27:51,800 --> 00:27:52,760
Speaker 2: it's all it's all fun.

705
00:27:52,960 --> 00:27:53,760
Speaker 3: You guys sound great.

706
00:27:54,119 --> 00:27:56,639
Speaker 8: Thank you, Thanks man, Thank you so much for sing together.

707
00:27:56,720 --> 00:27:59,920
Speaker 2: You sound great too, Like, how did three guys who

708
00:28:00,200 --> 00:28:02,760
Speaker 2: just like Alpha energy decide to do it?

709
00:28:03,080 --> 00:28:04,680
Speaker 3: And then it works together.

710
00:28:06,000 --> 00:28:08,640
Speaker 14: I would never it just does, you know, And even

711
00:28:08,640 --> 00:28:11,520
Speaker 14: when we're doing our creative stuff, we just know who

712
00:28:11,920 --> 00:28:13,399
Speaker 14: is going to sing what and oh, you take the

713
00:28:13,440 --> 00:28:15,280
Speaker 14: high part, took He's singing lead on that one, and

714
00:28:15,440 --> 00:28:18,399
Speaker 14: just it just feels, you know, And to be really

715
00:28:18,520 --> 00:28:21,119
Speaker 14: not too cornball, I think we're really grateful that we

716
00:28:21,160 --> 00:28:22,920
Speaker 14: still get to do what we love to do and

717
00:28:23,640 --> 00:28:26,000
Speaker 14: we're still I think, on top of our game vocally,

718
00:28:26,160 --> 00:28:28,280
Speaker 14: and you know, we try to take care of ourselves

719
00:28:28,359 --> 00:28:30,520
Speaker 14: and just you know, to get this shot.

720
00:28:30,560 --> 00:28:32,240
Speaker 8: I mean, again, it's your fault, dude.

721
00:28:32,720 --> 00:28:35,040
Speaker 3: It's not my fault that I love you. Okay, I

722
00:28:35,080 --> 00:28:38,360
Speaker 3: can't help love oh exactly.

723
00:28:38,640 --> 00:28:40,440
Speaker 14: But we did take your advice and we you know,

724
00:28:40,680 --> 00:28:43,400
Speaker 14: we've we've now got in a position to actually make

725
00:28:43,520 --> 00:28:45,480
Speaker 14: music that we're proud of, and you never know, we

726
00:28:45,480 --> 00:28:46,800
Speaker 14: may screw up and have a hit on the radio.

727
00:28:47,120 --> 00:28:47,320
Speaker 7: Yeah.

728
00:28:47,600 --> 00:28:49,080
Speaker 5: Well, I mean it's awesome y'all can make it work,

729
00:28:49,120 --> 00:28:52,200
Speaker 5: because I mean I could picture some lead singers getting

730
00:28:52,200 --> 00:28:54,640
Speaker 5: together and it being more of a battle of like

731
00:28:54,680 --> 00:28:57,120
Speaker 5: when you're like m and then the next is like

732
00:28:57,560 --> 00:29:01,560
Speaker 5: that's hands. I mean that you're like I can do that, louder,

733
00:29:01,600 --> 00:29:02,960
Speaker 5: I can do that better. I can do that louder,

734
00:29:03,000 --> 00:29:05,200
Speaker 5: I can hold that note longer. But y'all just kind.

735
00:29:05,040 --> 00:29:06,640
Speaker 2: Of whoever pee's on the tree first of these three,

736
00:29:06,680 --> 00:29:10,160
Speaker 2: they get it. Pay my dogs first one to pee there,

737
00:29:10,160 --> 00:29:13,600
Speaker 2: it's that's their spot. Okay, So the music's out now,

738
00:29:13,640 --> 00:29:16,040
Speaker 2: the EP, and I'm assuming if this does pretty well,

739
00:29:15,840 --> 00:29:18,960
Speaker 2: there'll be more music. EP turns into LP, LP turns

740
00:29:18,960 --> 00:29:22,000
Speaker 2: into baby. First love comes love, then comes marriage.

741
00:29:22,120 --> 00:29:24,520
Speaker 8: Well, we actually have an an LP done.

742
00:29:24,560 --> 00:29:25,440
Speaker 3: You do well?

743
00:29:25,480 --> 00:29:27,880
Speaker 13: You don't have to whisper, we do. Yeah, it's just

744
00:29:27,880 --> 00:29:31,040
Speaker 13: not out yet, got it. The goal is single twenty

745
00:29:31,080 --> 00:29:31,560
Speaker 13: twenty four.

746
00:29:31,640 --> 00:29:33,880
Speaker 3: Yeah, you're gonna be single twenty twenty four. Good for you.

747
00:29:37,240 --> 00:29:38,120
Speaker 8: Oh this Janet?

748
00:29:40,000 --> 00:29:40,320
Speaker 5: All right?

749
00:29:40,360 --> 00:29:41,520
Speaker 3: But from in go watch them.

750
00:29:41,600 --> 00:29:42,880
Speaker 2: You guys are doing a bunch of shows in twenty

751
00:29:42,920 --> 00:29:44,880
Speaker 2: twenty four, like fairs and festivals, and.

752
00:29:45,080 --> 00:29:47,320
Speaker 3: That's so fun. Which song?

753
00:29:47,360 --> 00:29:48,960
Speaker 2: Okay, this is the last question because I could do

754
00:29:49,000 --> 00:29:53,040
Speaker 2: this for three hours and I need honesty, which always

755
00:29:53,040 --> 00:29:56,560
Speaker 2: means it's gonna be an awkward question. So let me

756
00:29:56,640 --> 00:29:59,160
Speaker 2: go larry to you first. What song of theirs? It's

757
00:29:59,200 --> 00:30:01,080
Speaker 2: the number one? Do you like playing the least?

758
00:30:01,760 --> 00:30:02,520
Speaker 8: Playing the least?

759
00:30:02,560 --> 00:30:05,840
Speaker 3: That's funny? It doesn't act amazing. It doesn't mean you

760
00:30:05,880 --> 00:30:06,600
Speaker 3: don't like it.

761
00:30:07,000 --> 00:30:09,520
Speaker 2: But it's like playing the least for whatever reason, what's

762
00:30:09,520 --> 00:30:10,840
Speaker 2: the number one song from that you like?

763
00:30:10,880 --> 00:30:12,520
Speaker 3: Playing the least from them?

764
00:30:12,800 --> 00:30:14,360
Speaker 5: It's like, okay, so they didn't get along.

765
00:30:14,400 --> 00:30:15,720
Speaker 3: Here's Larry from now.

766
00:30:16,160 --> 00:30:18,880
Speaker 13: There is not one I dislike in our whole cell.

767
00:30:19,000 --> 00:30:20,840
Speaker 2: And I did say dislike. I said like the least

768
00:30:20,880 --> 00:30:22,440
Speaker 2: because I love all these people here on the show.

769
00:30:22,800 --> 00:30:25,000
Speaker 2: If I got to pick one I like, I like

770
00:30:25,040 --> 00:30:25,560
Speaker 2: the least.

771
00:30:26,280 --> 00:30:30,800
Speaker 3: Yes, probably Lunchbox. But I still love them. We've been

772
00:30:30,840 --> 00:30:35,000
Speaker 3: together twenty years. No big deal. See that's a hard one.

773
00:30:35,040 --> 00:30:35,600
Speaker 3: It's mutual.

774
00:30:35,920 --> 00:30:37,600
Speaker 8: I mean, I don't even know that.

775
00:30:37,520 --> 00:30:39,600
Speaker 13: I could pick one one of TAM's songs.

776
00:30:39,800 --> 00:30:40,880
Speaker 8: Yeah, there you go, because.

777
00:30:40,640 --> 00:30:41,720
Speaker 3: He sings I think so high.

778
00:30:42,040 --> 00:30:45,480
Speaker 2: Yeah, like, okay, I know, I feel like Tam. I

779
00:30:45,480 --> 00:30:47,440
Speaker 2: feel like you would like say a song, and I

780
00:30:47,440 --> 00:30:47,920
Speaker 2: gotta say a song.

781
00:30:48,000 --> 00:30:48,080
Speaker 11: Rich.

782
00:30:48,120 --> 00:30:49,160
Speaker 3: I feel like you would say a song to you.

783
00:30:49,520 --> 00:30:51,320
Speaker 3: They think if you say which one the most, I

784
00:30:51,360 --> 00:30:53,120
Speaker 3: can know, I can most is the easy answer.

785
00:30:53,280 --> 00:30:56,400
Speaker 14: Yeah, No, I don't know, man least probably one. I

786
00:30:56,440 --> 00:30:58,200
Speaker 14: have to sing the high part on that, I you know,

787
00:30:58,560 --> 00:30:59,200
Speaker 14: squeak it out.

788
00:31:00,760 --> 00:31:04,000
Speaker 3: Maybe, yes, sir, Yes, sir, yes, sir, which one.

789
00:31:04,520 --> 00:31:05,200
Speaker 8: Wrong or right?

790
00:31:05,640 --> 00:31:05,840
Speaker 3: Yeah?

791
00:31:05,920 --> 00:31:10,120
Speaker 8: Only because he has some other hits that I'd rather perform.

792
00:31:10,160 --> 00:31:11,280
Speaker 3: See that's how you answer that question.

793
00:31:11,800 --> 00:31:12,600
Speaker 8: That was really good.

794
00:31:12,640 --> 00:31:14,440
Speaker 3: I'll be voting for him. Don't care anything else about it,

795
00:31:14,480 --> 00:31:16,200
Speaker 3: but he got my vote. There you go.

796
00:31:17,000 --> 00:31:20,240
Speaker 5: They looked at there like, oh really, they.

797
00:31:20,200 --> 00:31:23,560
Speaker 2: Start fighting my stage. I quit the front Man. You

798
00:31:23,600 --> 00:31:27,280
Speaker 2: guys follow them at the Frontmen live. Congratulations on the record, guys, thanks,

799
00:31:27,440 --> 00:31:29,240
Speaker 2: congratulates on the new song sounding really good.

800
00:31:29,280 --> 00:31:29,960
Speaker 3: That's super cool.

801
00:31:30,280 --> 00:31:32,200
Speaker 2: And now I'm gonna this is what I'm gonna commit

802
00:31:32,280 --> 00:31:35,040
Speaker 2: to right now that that song left there, Mark is

803
00:31:35,080 --> 00:31:36,320
Speaker 2: so good. I don't know what you guys plans are,

804
00:31:36,360 --> 00:31:37,920
Speaker 2: but we I do a national Countdown show. I want

805
00:31:37,960 --> 00:31:39,480
Speaker 2: to play that in the National Countdown show. Is like

806
00:31:39,520 --> 00:31:41,720
Speaker 2: the feature the national song of the week, because I

807
00:31:41,840 --> 00:31:44,680
Speaker 2: just think that's you know, I think it's an awesome song.

808
00:31:44,920 --> 00:31:47,640
Speaker 3: It moved me. You guys just played it and it's

809
00:31:47,720 --> 00:31:48,040
Speaker 3: so good.

810
00:31:48,080 --> 00:31:50,800
Speaker 2: I think a national audience on the Countdown needs to

811
00:31:50,840 --> 00:31:52,200
Speaker 2: hear it too, so we'll do that as well.

812
00:31:52,360 --> 00:31:53,960
Speaker 8: Awesome, all right, thank you, all right, there we go.

813
00:31:54,120 --> 00:31:58,600
Speaker 3: They are the Frontmen, everybody. Thank you, here's a voicemail

814
00:31:58,640 --> 00:31:59,240
Speaker 3: we got yesterday.

815
00:31:59,480 --> 00:32:02,080
Speaker 6: I wastally just curious to see if you guys have

816
00:32:02,280 --> 00:32:05,160
Speaker 6: done the Secret Santa Christmas thing.

817
00:32:05,640 --> 00:32:07,400
Speaker 8: I look forward to it every year. Thank you.

818
00:32:07,960 --> 00:32:10,760
Speaker 2: We will draw for our Secret Sanna. We don't want

819
00:32:10,760 --> 00:32:12,040
Speaker 2: to call it that. We'll figure out what the game

820
00:32:12,120 --> 00:32:15,440
Speaker 2: is before we head off for Thanksgiving. So today, tomorrow, Wednesday,

821
00:32:15,440 --> 00:32:19,120
Speaker 2: we'll draw, get our person, figure out the game the theme, yeah,

822
00:32:19,160 --> 00:32:20,600
Speaker 2: and then try to figure out what we're going to

823
00:32:20,640 --> 00:32:23,040
Speaker 2: fight about ahead of time, okay, and then try to

824
00:32:23,080 --> 00:32:24,600
Speaker 2: cut that out, but then try to figure out what

825
00:32:24,680 --> 00:32:25,600
Speaker 2: else we're going to fight about.

826
00:32:27,000 --> 00:32:27,840
Speaker 3: Also, here's this one.

827
00:32:28,280 --> 00:32:30,640
Speaker 16: Not sure if I miss it, but have lunchbox ate

828
00:32:31,040 --> 00:32:33,560
Speaker 16: the three pounds of food that he is supposed to

829
00:32:33,640 --> 00:32:36,040
Speaker 16: eat by love the show from North Dakota.

830
00:32:36,200 --> 00:32:36,880
Speaker 3: Thank you for calling.

831
00:32:37,000 --> 00:32:38,880
Speaker 2: That is a funny funny bit that we keep forgetting

832
00:32:38,920 --> 00:32:42,120
Speaker 2: to do. Where simply it's if we weigh three pounds

833
00:32:42,160 --> 00:32:44,160
Speaker 2: of food and he goes okay, and then he eats

834
00:32:44,240 --> 00:32:46,120
Speaker 2: all of it, will he weighed exactly three pounds?

835
00:32:46,200 --> 00:32:46,360
Speaker 1: More?

836
00:32:46,520 --> 00:32:48,800
Speaker 3: Was he weighs himself because it weighed three pounds? Yes?

837
00:32:49,040 --> 00:32:50,360
Speaker 3: And I don't know why we haven't done that yet.

838
00:32:50,360 --> 00:32:52,760
Speaker 3: Why haven't we. I have no idea, but I know

839
00:32:52,840 --> 00:32:54,600
Speaker 3: I make money if I can make it complete it

840
00:32:55,000 --> 00:32:57,160
Speaker 3: guys much? How ten thousand?

841
00:32:57,840 --> 00:32:59,880
Speaker 2: There is no way I would committed to that, right, Mike,

842
00:33:00,960 --> 00:33:02,040
Speaker 2: It's like fifty bucks or something.

843
00:33:02,720 --> 00:33:04,520
Speaker 3: Let us figure out what the bit is again, because

844
00:33:04,560 --> 00:33:07,160
Speaker 3: that's a funny bed. I'm here for it. Let's figure

845
00:33:07,160 --> 00:33:12,680
Speaker 3: it out Amy's Pile of Stories.

846
00:33:12,800 --> 00:33:15,360
Speaker 5: An etiquette expert was saying that a lot of people

847
00:33:15,400 --> 00:33:17,720
Speaker 5: are eating peas all wrong. So if peas are going

848
00:33:17,800 --> 00:33:19,200
Speaker 5: to be served at.

849
00:33:19,120 --> 00:33:21,360
Speaker 3: Thanksgiving, pease, how do you eat peas?

850
00:33:21,440 --> 00:33:21,560
Speaker 17: Well?

851
00:33:21,600 --> 00:33:23,080
Speaker 5: Tell me how do you eat peas well? You?

852
00:33:23,280 --> 00:33:25,280
Speaker 2: First of all, you'll have your mouth and you take

853
00:33:25,360 --> 00:33:26,720
Speaker 2: a spoon or a fork and you put them in

854
00:33:26,720 --> 00:33:27,200
Speaker 2: your mouth.

855
00:33:27,080 --> 00:33:28,920
Speaker 3: And then you chew and then you swallow. And that's

856
00:33:29,000 --> 00:33:31,200
Speaker 3: about all I know. Black eyed peas, green peas?

857
00:33:31,280 --> 00:33:31,320
Speaker 17: What?

858
00:33:31,840 --> 00:33:32,040
Speaker 5: Yeah?

859
00:33:32,400 --> 00:33:32,720
Speaker 7: Peace?

860
00:33:32,920 --> 00:33:37,200
Speaker 5: Any peace? I guess that works. I was picturing green peas,

861
00:33:37,280 --> 00:33:39,880
Speaker 5: but you're right. Black eyed peas could work. But apparently

862
00:33:39,880 --> 00:33:43,720
Speaker 5: you should never shovel or scoop them with fork or spoon. Instead,

863
00:33:43,800 --> 00:33:46,320
Speaker 5: you use your knife like a backboard to gather some

864
00:33:46,440 --> 00:33:48,640
Speaker 5: peas together, and then you spear a bunch of them

865
00:33:48,680 --> 00:33:49,080
Speaker 5: at once.

866
00:33:49,520 --> 00:33:51,400
Speaker 2: I'm gonna tell you, if I'm doing this, it's gonna

867
00:33:51,400 --> 00:33:54,760
Speaker 2: be the worst. Etichoete I'm gonna miss. Just let me

868
00:33:54,840 --> 00:33:56,880
Speaker 2: go with the fork, mister Etiicett guy, because there's no

869
00:33:56,960 --> 00:33:58,760
Speaker 2: way any of us are. We're gonna look even more

870
00:33:58,840 --> 00:34:00,840
Speaker 2: hillbilly than we are if we're trying what it's supposed

871
00:34:00,840 --> 00:34:01,320
Speaker 2: to be fancy.

872
00:34:01,560 --> 00:34:04,400
Speaker 5: Well, I'm saying this is the proper way. If you

873
00:34:04,480 --> 00:34:06,840
Speaker 5: want to bust it out at the family meal, you

874
00:34:06,920 --> 00:34:09,320
Speaker 5: can teach everybody like a sort of like soup. You

875
00:34:09,400 --> 00:34:10,640
Speaker 5: know you're supposed to eat soup?

876
00:34:10,840 --> 00:34:12,440
Speaker 3: Do you know you know you're supposed eat soup?

877
00:34:12,520 --> 00:34:12,680
Speaker 1: Yeah?

878
00:34:13,440 --> 00:34:15,840
Speaker 3: How do you do it? Well? It depends.

879
00:34:16,040 --> 00:34:19,040
Speaker 2: I if my wife is not going to be judgmental

880
00:34:19,080 --> 00:34:21,040
Speaker 2: of me, I will ask for extra bread and basically

881
00:34:21,080 --> 00:34:21,960
Speaker 2: eat the soup through the bread.

882
00:34:22,120 --> 00:34:23,799
Speaker 3: Oh. And I will take the bread and just dip

883
00:34:23,840 --> 00:34:25,200
Speaker 3: it and eat the bread like a sponge.

884
00:34:25,520 --> 00:34:25,680
Speaker 7: Yes.

885
00:34:26,120 --> 00:34:29,560
Speaker 2: And she's like, hey, we're not Mountain Pine right now,

886
00:34:30,040 --> 00:34:32,960
Speaker 2: And I'm like, don't talk about Mountain Pine, Oklahoma.

887
00:34:33,120 --> 00:34:35,160
Speaker 3: And then she's like, good point. And then we move

888
00:34:35,239 --> 00:34:35,560
Speaker 3: on from that.

889
00:34:35,640 --> 00:34:38,319
Speaker 2: And then she puts the napkin in my lap because

890
00:34:38,320 --> 00:34:40,880
Speaker 2: I usually get food all over me, and so then

891
00:34:40,880 --> 00:34:42,960
Speaker 2: she's like, you eat like a seven year old. And

892
00:34:43,000 --> 00:34:44,839
Speaker 2: then I said, I'm trying to get better. And then

893
00:34:44,840 --> 00:34:46,120
Speaker 2: we finished dinner and go home and we have the

894
00:34:46,120 --> 00:34:48,120
Speaker 2: whole commerce. It's the whole thing. But yes, it soup

895
00:34:48,200 --> 00:34:48,600
Speaker 2: with a spoon.

896
00:34:48,680 --> 00:34:50,280
Speaker 3: Okay, yeah, but I go backward.

897
00:34:50,560 --> 00:34:52,120
Speaker 5: Yes, that's it. Then you're supposed to.

898
00:34:52,120 --> 00:34:53,800
Speaker 3: Do what do you mean, so you take your spoon?

899
00:34:54,520 --> 00:34:55,919
Speaker 2: I only do this because I worked at a fancy

900
00:34:55,920 --> 00:34:57,719
Speaker 2: restaurant as a waiter and a bus boy. You take

901
00:34:57,760 --> 00:35:01,319
Speaker 2: your spoon, You go in from the front. Okay, it's

902
00:35:01,320 --> 00:35:03,040
Speaker 2: like if you were wiping your butt front to back.

903
00:35:04,440 --> 00:35:05,319
Speaker 5: Not explain it that way.

904
00:35:05,600 --> 00:35:07,960
Speaker 3: Go from the front of the suit, bawl and come

905
00:35:08,000 --> 00:35:11,319
Speaker 3: to your mouth. What is the difference? How? I don't

906
00:35:11,320 --> 00:35:13,200
Speaker 3: think I've ever done that. You only do it because

907
00:35:13,200 --> 00:35:15,440
Speaker 3: I work at a fancy restaurant. Wow, I don't understand.

908
00:35:15,760 --> 00:35:19,240
Speaker 4: You take the spoon, like, yeah, but why would It's

909
00:35:19,239 --> 00:35:21,400
Speaker 4: so much easier to bring it like as you can

910
00:35:21,520 --> 00:35:22,400
Speaker 4: you can flip it from far.

911
00:35:23,120 --> 00:35:28,120
Speaker 5: No, that's not why. Okay, I have some embarrassing moments

912
00:35:28,280 --> 00:35:29,880
Speaker 5: that a lot of people can relate to, Like these

913
00:35:29,920 --> 00:35:32,080
Speaker 5: are the things that just really get us all feeling

914
00:35:32,080 --> 00:35:32,839
Speaker 5: weird if we do them.

915
00:35:32,880 --> 00:35:36,839
Speaker 3: Okay, hooper fants. Oh shoot, got to be on the list.

916
00:35:37,000 --> 00:35:39,240
Speaker 3: I did not make it anyone careful.

917
00:35:39,719 --> 00:35:42,239
Speaker 5: That would be pretty embarrassing. I'll give you the top

918
00:35:42,280 --> 00:35:45,080
Speaker 5: five things people are most embarrassed about. Five deep. Liking

919
00:35:45,160 --> 00:35:46,759
Speaker 5: something on social like if you're.

920
00:35:48,480 --> 00:35:52,600
Speaker 3: Or you're just like cyber stalking someone.

921
00:35:52,960 --> 00:35:54,880
Speaker 2: H Like there have been people in the in this

922
00:35:55,000 --> 00:35:57,000
Speaker 2: business that let me go check out their profiles and

923
00:35:57,120 --> 00:35:58,239
Speaker 2: like see what they're up to. Is if I like

924
00:35:58,320 --> 00:35:59,920
Speaker 2: their work or maybe want to work And I'll be like,

925
00:36:00,040 --> 00:36:02,200
Speaker 2: six months ago they're doing like some funny bit and

926
00:36:02,239 --> 00:36:03,239
Speaker 2: I'm like, oh, that's cool.

927
00:36:03,560 --> 00:36:06,520
Speaker 3: Oh I liked it from six months ago.

928
00:36:06,680 --> 00:36:08,320
Speaker 5: Yeah that is.

929
00:36:08,480 --> 00:36:09,120
Speaker 3: That's a nightmare.

930
00:36:09,239 --> 00:36:12,520
Speaker 5: A deep when the door says pull but you push.

931
00:36:13,160 --> 00:36:14,480
Speaker 3: I don't mind that one that happens all the.

932
00:36:14,520 --> 00:36:16,839
Speaker 5: Time when you try to take a sip of something

933
00:36:16,880 --> 00:36:18,080
Speaker 5: and completely miss your mouth.

934
00:36:19,440 --> 00:36:21,799
Speaker 3: No, I don't do that one that much. Yeah, so far,

935
00:36:21,800 --> 00:36:24,360
Speaker 3: I'm so good. Okay, falling is tough, though, it's embarrassing.

936
00:36:24,560 --> 00:36:24,959
Speaker 3: The trip.

937
00:36:25,520 --> 00:36:26,560
Speaker 5: Yeah, well that's the number one.

938
00:36:26,840 --> 00:36:30,759
Speaker 3: Like ice is hilarious if it's not you, no, yeah,

939
00:36:30,880 --> 00:36:33,239
Speaker 3: terrible if it is you. Man, it's when old people falls.

940
00:36:33,400 --> 00:36:34,960
Speaker 3: I don't like that. I don't like that. That's worse,

941
00:36:35,160 --> 00:36:35,520
Speaker 3: that's bad.

942
00:36:35,960 --> 00:36:38,239
Speaker 5: So since tripping or falling in public is number one,

943
00:36:38,600 --> 00:36:41,520
Speaker 5: number two is texting the wrong person, which I guess

944
00:36:41,520 --> 00:36:42,759
Speaker 5: it just depends on what you've said.

945
00:36:43,080 --> 00:36:45,600
Speaker 3: Well, this is what I did the other day. We

946
00:36:45,680 --> 00:36:47,040
Speaker 3: have a text thread.

947
00:36:47,120 --> 00:36:49,160
Speaker 2: It's me Morgan number one, a couple other people that

948
00:36:49,600 --> 00:36:52,320
Speaker 2: in my little management group, and it was one of

949
00:36:52,320 --> 00:36:55,840
Speaker 2: the people's birthdays, and so I was texting Morgan about it,

950
00:36:55,880 --> 00:36:57,399
Speaker 2: Hey la la, except I sent it to the whole thread,

951
00:36:57,400 --> 00:36:59,520
Speaker 2: including the person who's birthday. Well, all I did was

952
00:36:59,520 --> 00:37:01,200
Speaker 2: see her name up on the front of that text thread,

953
00:37:01,200 --> 00:37:02,600
Speaker 2: and I just hit it and was like, hey, so

954
00:37:02,719 --> 00:37:04,359
Speaker 2: for the birthday, And I realized I pushed the whole

955
00:37:04,440 --> 00:37:05,239
Speaker 2: voice memo through.

956
00:37:06,000 --> 00:37:08,120
Speaker 3: It was like, oh my god, so what is the

957
00:37:08,160 --> 00:37:11,640
Speaker 3: birthday person? Say? Thank you? Sounds like a good idea,

958
00:37:11,640 --> 00:37:13,560
Speaker 3: they said, I don't think I'm supposed to hear this.

959
00:37:13,680 --> 00:37:15,680
Speaker 3: Oh yeah.

960
00:37:16,160 --> 00:37:18,480
Speaker 5: Cody Johnson revealed that he got a tattoo on the

961
00:37:18,480 --> 00:37:19,400
Speaker 5: bottom of his foot.

962
00:37:19,760 --> 00:37:21,560
Speaker 3: I saw that that kind of hurt. That means you

963
00:37:21,640 --> 00:37:24,480
Speaker 3: run out of space though, oh yeah, painful.

964
00:37:24,880 --> 00:37:26,600
Speaker 2: I do a butt cheek before the bottom of the foot,

965
00:37:28,040 --> 00:37:30,640
Speaker 2: just because bottom of the foot you have one, it's

966
00:37:30,640 --> 00:37:32,440
Speaker 2: gonna hurt very sensitive until you have to like to.

967
00:37:32,520 --> 00:37:33,200
Speaker 3: Use it to step on.

968
00:37:34,120 --> 00:37:37,040
Speaker 5: Yeah, he said, the tattoo is a nod to Waylon

969
00:37:37,120 --> 00:37:41,399
Speaker 5: Jennings lyric. That's I've always been different with one foot

970
00:37:41,480 --> 00:37:44,279
Speaker 5: over the line, and so the tattoo is one and

971
00:37:44,360 --> 00:37:46,680
Speaker 5: then the apostrophe for the word foot.

972
00:37:46,960 --> 00:37:49,839
Speaker 2: Well, then that's good because it's not a big one. Yeah, yeah,

973
00:37:50,080 --> 00:37:52,080
Speaker 2: one bottom of the foot, bottom of the foot.

974
00:37:52,760 --> 00:37:54,800
Speaker 5: But still that that's would you are you going to

975
00:37:54,840 --> 00:37:55,600
Speaker 5: get another tattoo.

976
00:37:55,920 --> 00:37:58,000
Speaker 3: I don't have plans to just simply get tattoos.

977
00:37:58,000 --> 00:37:58,960
Speaker 5: It'll just be spur of the moment.

978
00:37:59,000 --> 00:38:00,919
Speaker 2: If you died or something, wud prob get your head

979
00:38:00,960 --> 00:38:02,759
Speaker 2: or oh that'd be nice, cool, we should all do that.

980
00:38:02,760 --> 00:38:04,520
Speaker 2: I've been close for a long time and so but

981
00:38:04,719 --> 00:38:06,600
Speaker 2: that would be like a reason I would do that.

982
00:38:06,800 --> 00:38:09,480
Speaker 2: It's because something would happen. Okay, so don't die. I

983
00:38:09,520 --> 00:38:11,359
Speaker 2: don't want a tattoo like Amy's face with a date

984
00:38:11,440 --> 00:38:11,640
Speaker 2: on it.

985
00:38:12,400 --> 00:38:13,319
Speaker 3: I don't know if I do face.

986
00:38:13,360 --> 00:38:15,440
Speaker 2: Because as you get older, they also get older in

987
00:38:15,480 --> 00:38:18,279
Speaker 2: the tattoo because their skin stretches the wrinkled skin.

988
00:38:18,600 --> 00:38:21,000
Speaker 3: Yeah, so that's okay. That means there are a teams.

989
00:38:21,480 --> 00:38:22,400
Speaker 3: But I want to remember that.

990
00:38:22,520 --> 00:38:24,399
Speaker 2: I want to remember this Amy right here, the Amy

991
00:38:24,440 --> 00:38:26,520
Speaker 2: that we love dearly. I don't want to remember her

992
00:38:27,160 --> 00:38:27,480
Speaker 2: later on.

993
00:38:29,200 --> 00:38:30,200
Speaker 5: I'm Amy. That's my pile.

994
00:38:31,360 --> 00:38:34,080
Speaker 3: That was Amy's pile of stories. We talked yesterday about

995
00:38:34,080 --> 00:38:35,640
Speaker 3: you going to home Deepot to get some stuff for Christmas.

996
00:38:35,680 --> 00:38:36,239
Speaker 3: What did you get?

997
00:38:36,520 --> 00:38:38,600
Speaker 5: Yeah, well, so I got little miniature trees for my

998
00:38:38,760 --> 00:38:39,960
Speaker 5: kids for their rooms.

999
00:38:40,040 --> 00:38:41,839
Speaker 3: But then is that the plant you were talking about?

1000
00:38:41,840 --> 00:38:42,359
Speaker 3: Miniature trees?

1001
00:38:42,440 --> 00:38:44,600
Speaker 5: Yeah, but it looks like a Christmas tree. And then

1002
00:38:44,680 --> 00:38:47,360
Speaker 5: we got many string lights to put around that and

1003
00:38:47,560 --> 00:38:51,000
Speaker 5: lights to throw, like a light net that throws on

1004
00:38:51,080 --> 00:38:52,160
Speaker 5: bushes in your front yard.

1005
00:38:52,280 --> 00:38:53,920
Speaker 3: I feel like, oh, that's cool, looks Christmas.

1006
00:38:54,120 --> 00:38:54,799
Speaker 9: It looks really cool.

1007
00:38:54,840 --> 00:38:56,080
Speaker 3: And then like you're trapping a bush.

1008
00:38:56,200 --> 00:38:57,960
Speaker 5: I feel like we're gonna have to go back because

1009
00:38:57,960 --> 00:39:01,480
Speaker 5: Stevenson is slowly convincing me to get the Grinch Stealing

1010
00:39:01,560 --> 00:39:02,560
Speaker 5: Christmas inflatable.

1011
00:39:04,080 --> 00:39:05,360
Speaker 3: That's a commitment to put it up.

1012
00:39:05,480 --> 00:39:06,560
Speaker 9: I know, I know that there.

1013
00:39:06,960 --> 00:39:09,359
Speaker 5: Yeah, and she was obsessed with it and I was like, oh,

1014
00:39:09,360 --> 00:39:11,399
Speaker 5: I don't know, we'll think about it, and like It's

1015
00:39:11,400 --> 00:39:12,640
Speaker 5: all he talked about before bed.

1016
00:39:12,960 --> 00:39:14,920
Speaker 3: Your yard is not large, right, I.

1017
00:39:14,960 --> 00:39:18,480
Speaker 5: Mean we comet in the backyard, the front porch something

1018
00:39:18,560 --> 00:39:18,719
Speaker 5: like that.

1019
00:39:18,880 --> 00:39:19,279
Speaker 11: But yeah.

1020
00:39:19,320 --> 00:39:21,120
Speaker 2: Depot has the right tools in the perfect decor to

1021
00:39:21,160 --> 00:39:23,480
Speaker 2: transform your home for the holidays. The Home Depot has

1022
00:39:23,520 --> 00:39:26,120
Speaker 2: Black Friday savings all month long. Find the perfect gifts

1023
00:39:26,160 --> 00:39:28,840
Speaker 2: for every doer on your list or something for you.

1024
00:39:29,160 --> 00:39:31,000
Speaker 2: Holiday prep starts here the Home Depot.

1025
00:39:32,840 --> 00:39:35,239
Speaker 3: It's time for the good news, Bobby.

1026
00:39:39,239 --> 00:39:41,480
Speaker 2: Science, Biology love, I don't know. This is an awesome

1027
00:39:41,560 --> 00:39:46,200
Speaker 2: story in Texas. This person found a bunch of orphaned puppies.

1028
00:39:46,239 --> 00:39:47,640
Speaker 2: They'd just been born, but they didn't have a mom

1029
00:39:47,680 --> 00:39:50,160
Speaker 2: anywhere near and so they thought they were guessing nine

1030
00:39:50,239 --> 00:39:52,239
Speaker 2: ten eleven days old. So they took them to the

1031
00:39:52,480 --> 00:39:55,040
Speaker 2: animal shelter and they were like, all right, bottle feed them.

1032
00:39:55,080 --> 00:39:57,719
Speaker 2: So they started bottlefeeding them like crazy. They had brought

1033
00:39:57,760 --> 00:39:59,879
Speaker 2: in a stray that was a Great Pyrenees named Nova,

1034
00:40:00,000 --> 00:40:05,000
Speaker 2: would also recently given birth, but again not Nova's dogs

1035
00:40:05,080 --> 00:40:08,319
Speaker 2: they found. But again Nova didn't have anywhere to stay,

1036
00:40:08,360 --> 00:40:11,080
Speaker 2: so the shelter took Nova. Nova starts nursing all the dogs.

1037
00:40:11,400 --> 00:40:13,600
Speaker 2: Oh wow, they never needs the ball. Nobad took care

1038
00:40:13,640 --> 00:40:18,480
Speaker 2: of all the dogs that weren't hers. That again, nature biology,

1039
00:40:18,600 --> 00:40:23,120
Speaker 2: I don't know, love. But Novah's like this big white

1040
00:40:23,200 --> 00:40:25,960
Speaker 2: Great Pyrenees and all these puppies are right on there.

1041
00:40:28,640 --> 00:40:31,880
Speaker 3: I wonder if she's like known as like the nice dog, like,

1042
00:40:32,000 --> 00:40:35,279
Speaker 3: oh no, no, that's that's Nova. That's what Nova. Well

1043
00:40:35,360 --> 00:40:37,640
Speaker 3: she's astray though, I know, but that's just crazy that

1044
00:40:37,719 --> 00:40:39,879
Speaker 3: the dogs have a personality, like not every dog would

1045
00:40:39,920 --> 00:40:41,839
Speaker 3: do that, but Nova, or would they?

1046
00:40:42,200 --> 00:40:42,960
Speaker 5: Yeah, I don't know.

1047
00:40:43,640 --> 00:40:45,200
Speaker 1: I don't know either, And I wish we could talk

1048
00:40:45,239 --> 00:40:49,319
Speaker 1: to dogs. Well, we could find an animal psychic. That's

1049
00:40:49,360 --> 00:40:50,160
Speaker 1: true that we heard about.

1050
00:40:50,719 --> 00:40:52,120
Speaker 3: That's true on the phone.

1051
00:40:52,200 --> 00:40:53,920
Speaker 2: She makes a lot of money. Now, all right, thank you,

1052
00:40:54,160 --> 00:40:55,880
Speaker 2: great story. That's what it's all about.

1053
00:40:56,480 --> 00:41:00,160
Speaker 3: That was telling me something good. I think this is

1054
00:41:00,160 --> 00:41:03,280
Speaker 3: a pretty good class. California students K through twelve.

1055
00:41:03,920 --> 00:41:06,520
Speaker 2: They have to learn literary skills, but also now there

1056
00:41:06,760 --> 00:41:09,480
Speaker 2: is part of the class that teaches people how to

1057
00:41:09,960 --> 00:41:10,920
Speaker 2: know if it's fake news or not.

1058
00:41:11,600 --> 00:41:12,239
Speaker 3: Oh that's good.

1059
00:41:13,000 --> 00:41:15,160
Speaker 2: Something we didn't have to learn because we didn't have

1060
00:41:15,239 --> 00:41:19,080
Speaker 2: all social media telling us lying to us at times

1061
00:41:20,080 --> 00:41:20,880
Speaker 2: that looked like it.

1062
00:41:20,920 --> 00:41:21,319
Speaker 3: Was the truth.

1063
00:41:21,360 --> 00:41:23,040
Speaker 1: I mean, I just got tricked. Like a second ago,

1064
00:41:23,120 --> 00:41:26,360
Speaker 1: there was some post about Dallas cobboys. Guy got arrested.

1065
00:41:26,440 --> 00:41:29,080
Speaker 1: Now let's fake account, Oh, fake news.

1066
00:41:29,520 --> 00:41:32,080
Speaker 2: So now they have put in this Assembly Bill eight

1067
00:41:32,120 --> 00:41:34,360
Speaker 2: seventy three, which requires the state to add media literacy

1068
00:41:34,400 --> 00:41:37,520
Speaker 2: to curriculum frameworks that actually teaches you how to tell

1069
00:41:37,560 --> 00:41:38,080
Speaker 2: the difference.

1070
00:41:38,480 --> 00:41:40,359
Speaker 5: Sometimes it's really hard to tell though.

1071
00:41:40,360 --> 00:41:41,480
Speaker 3: Oh yeah, yeah.

1072
00:41:41,880 --> 00:41:44,000
Speaker 2: Overall, only seven percent of adults have a great deal

1073
00:41:44,040 --> 00:41:45,640
Speaker 2: of trust in the media, and I'd like to thank

1074
00:41:45,680 --> 00:41:49,359
Speaker 2: that seven percent becose are our listeners. That's the seven

1075
00:41:49,440 --> 00:41:52,320
Speaker 2: percent They know we might be wrong, but they know

1076
00:41:52,400 --> 00:41:54,319
Speaker 2: we're not going to purposely lie to them, right.

1077
00:41:54,600 --> 00:41:56,000
Speaker 3: We just are idiots.

1078
00:41:55,680 --> 00:42:02,560
Speaker 2: Sometimes just misinformation, yeah, yeah, not disinformation, misinformation.

1079
00:42:02,680 --> 00:42:05,880
Speaker 5: Yeah, we're all just a little misunderstood what.

1080
00:42:05,960 --> 00:42:07,960
Speaker 2: As hard as we can here, Yeah, we're just sometimes

1081
00:42:08,400 --> 00:42:11,839
Speaker 2: we're like you, we just say stuff sometimes. So that's

1082
00:42:11,840 --> 00:42:14,160
Speaker 2: from calmatters dot org. Thought that was pretty good. Dumbest

1083
00:42:14,200 --> 00:42:16,680
Speaker 2: class you ever had to take, though in high school

1084
00:42:16,760 --> 00:42:18,080
Speaker 2: or college. In high school we didn't have a whole

1085
00:42:18,080 --> 00:42:21,120
Speaker 2: lot of classes. Small school college I ended up taking

1086
00:42:21,200 --> 00:42:24,320
Speaker 2: and I liked it, But I took racketball and I

1087
00:42:24,400 --> 00:42:25,200
Speaker 2: was I was amazed.

1088
00:42:25,360 --> 00:42:26,920
Speaker 3: I took bowling too. I was a major. You can

1089
00:42:26,960 --> 00:42:27,600
Speaker 3: get credits for that.

1090
00:42:27,680 --> 00:42:27,879
Speaker 7: Yeah.

1091
00:42:27,880 --> 00:42:28,760
Speaker 5: I took power walking.

1092
00:42:29,080 --> 00:42:31,920
Speaker 3: That's that's that's a good one. Did you actually have

1093
00:42:31,960 --> 00:42:32,360
Speaker 3: to show up?

1094
00:42:32,800 --> 00:42:35,480
Speaker 5: Yes, And it's harder than you would think because you

1095
00:42:35,960 --> 00:42:39,240
Speaker 5: are graded. You can't run. There's a fine line between

1096
00:42:39,280 --> 00:42:41,799
Speaker 5: a slow jog and a power amen, and.

1097
00:42:42,080 --> 00:42:43,640
Speaker 9: You have to get it just right you.

1098
00:42:44,400 --> 00:42:47,080
Speaker 1: I took non speaking Spanish, but I failed that one.

1099
00:42:47,160 --> 00:42:49,320
Speaker 1: So like I thought, I did non speaking because I

1100
00:42:49,400 --> 00:42:51,000
Speaker 1: came from a speaking household, thinking.

1101
00:42:50,840 --> 00:42:52,400
Speaker 3: I was gonna ace it. I failed it.

1102
00:42:52,560 --> 00:42:54,480
Speaker 2: Oh, I thought you meant like non speaking, say a

1103
00:42:54,520 --> 00:42:57,040
Speaker 2: single word and everybody just trust each other.

1104
00:42:57,160 --> 00:42:57,840
Speaker 3: They know sanwish.

1105
00:42:58,280 --> 00:42:58,320
Speaker 10: No.

1106
00:42:59,440 --> 00:43:00,960
Speaker 3: It was called Life and Transition.

1107
00:43:01,120 --> 00:43:02,840
Speaker 4: It was high school freshman year, and it was like

1108
00:43:02,920 --> 00:43:05,239
Speaker 4: supposed to teach you how to adjust to high school life.

1109
00:43:05,320 --> 00:43:09,160
Speaker 4: Note taking it, organize your binder, everything. But mine was

1110
00:43:09,239 --> 00:43:11,520
Speaker 4: the second semester because some people took it first semester.

1111
00:43:11,680 --> 00:43:13,440
Speaker 4: Mine was second mercer. So I'd been high school for

1112
00:43:13,760 --> 00:43:17,000
Speaker 4: six months and it was like we're already He put

1113
00:43:17,080 --> 00:43:18,399
Speaker 4: tabs in a binder.

1114
00:43:18,160 --> 00:43:20,879
Speaker 3: And it was like we had already transition. I've already

1115
00:43:20,920 --> 00:43:23,279
Speaker 3: transitioned to you. Good for you, man, All right, thank you.

1116
00:43:23,400 --> 00:43:25,040
Speaker 3: Let's go over to Amy and get in the morning Corny,

1117
00:43:28,120 --> 00:43:29,560
Speaker 3: the morning corny.

1118
00:43:29,880 --> 00:43:32,800
Speaker 5: What is Austin Power has thrown as mash potatoes at Thanksgiving?

1119
00:43:34,200 --> 00:43:39,000
Speaker 3: Groovy baby, gravy, gravy, gravy?

1120
00:43:39,680 --> 00:43:40,719
Speaker 5: Oh should I say it that way?

1121
00:43:40,880 --> 00:43:41,040
Speaker 17: Yeah?

1122
00:43:41,280 --> 00:43:42,400
Speaker 3: Gravy baby?

1123
00:43:43,000 --> 00:43:50,720
Speaker 10: Yea grave baby, you're gonna say like Austin Power grave.

1124
00:43:51,840 --> 00:43:55,120
Speaker 3: Yeah you don't got groovy though, bravy okay, because he

1125
00:43:55,200 --> 00:43:55,760
Speaker 3: says groove.

1126
00:43:55,880 --> 00:43:56,399
Speaker 5: I know he does.

1127
00:43:56,440 --> 00:43:59,040
Speaker 3: So I thought, did you change the joke? What it said?

1128
00:43:59,239 --> 00:43:59,919
Speaker 3: You thought? Gray?

1129
00:44:00,080 --> 00:44:00,480
Speaker 7: You was wrong?

1130
00:44:00,680 --> 00:44:04,280
Speaker 5: No, it said gravy groovy.

1131
00:44:04,480 --> 00:44:14,600
Speaker 2: Gravey by right, that was the morning corny, cool, cool, cool,

1132
00:44:14,920 --> 00:44:20,120
Speaker 2: all right, thank you guys. Name the food in the lyrics? Now,

1133
00:44:20,440 --> 00:44:22,680
Speaker 2: sweet potato pie was the answer to this one right here?

1134
00:44:24,040 --> 00:44:27,880
Speaker 7: Sound yeah, yeah.

1135
00:44:27,719 --> 00:44:33,360
Speaker 17: Yeah, no the wind, sweet potato pie coming back again

1136
00:44:33,800 --> 00:44:34,600
Speaker 17: up my mouth?

1137
00:44:35,280 --> 00:44:36,839
Speaker 3: So how many can we get?

1138
00:44:37,120 --> 00:44:37,239
Speaker 2: Now?

1139
00:44:37,280 --> 00:44:38,240
Speaker 3: How many do we have? Raymond?

1140
00:44:38,280 --> 00:44:40,880
Speaker 2: Because I'm gonna play this eleven? We're not doing eleven?

1141
00:44:41,239 --> 00:44:43,919
Speaker 2: Why do I do five? And if we have ties,

1142
00:44:43,960 --> 00:44:46,440
Speaker 2: we'll just keep going so it'll beep right down the

1143
00:44:46,560 --> 00:44:48,160
Speaker 2: food that's in the song.

1144
00:44:48,400 --> 00:44:52,360
Speaker 3: Everybody ready, all ready go, I got it cooking And

1145
00:44:52,600 --> 00:44:56,200
Speaker 3: the my boy got a free day beard. I don't

1146
00:44:56,400 --> 00:45:00,520
Speaker 3: plan the ship. I'm in for the wind. Everybody want

1147
00:45:00,520 --> 00:45:04,920
Speaker 3: two three rice? I got ross cooking into my good

1148
00:45:06,239 --> 00:45:08,439
Speaker 3: Next one, I shoid where I come from?

1149
00:45:10,239 --> 00:45:10,600
Speaker 7: Chicken?

1150
00:45:10,920 --> 00:45:12,120
Speaker 8: Where I come from?

1151
00:45:12,480 --> 00:45:14,680
Speaker 3: A lot of front porch sitting man?

1152
00:45:14,800 --> 00:45:16,000
Speaker 7: Where I come from?

1153
00:45:17,080 --> 00:45:23,160
Speaker 3: Corn bread? Oh? Correct, corn brea. I should where I

1154
00:45:23,320 --> 00:45:27,239
Speaker 3: come from? It's on red and chicken where I come

1155
00:45:27,360 --> 00:45:32,480
Speaker 3: O're getting harder, harder, Yeah, I hear twice. Here we

1156
00:45:32,560 --> 00:45:38,040
Speaker 3: go down the planet. Get yourself a little one like

1157
00:45:38,120 --> 00:45:41,960
Speaker 3: a wind on land. You down and love, saybody like,

1158
00:45:42,239 --> 00:45:44,959
Speaker 3: take a chance. They don't have it? No, okay? One,

1159
00:45:45,120 --> 00:45:46,840
Speaker 3: two three, catfish.

1160
00:45:46,840 --> 00:45:50,080
Speaker 6: Get yourself a little japishers want to sound like a

1161
00:45:50,160 --> 00:45:54,040
Speaker 6: wind on land. You town next, and that's home the

1162
00:45:54,640 --> 00:45:58,600
Speaker 6: sweet teeth campie on me whine with.

1163
00:46:00,480 --> 00:46:01,040
Speaker 7: My house?

1164
00:46:01,600 --> 00:46:03,480
Speaker 3: Do youone feel like they may not have it? Lunch

1165
00:46:03,480 --> 00:46:04,840
Speaker 3: of struggling? No, I was.

1166
00:46:05,000 --> 00:46:05,279
Speaker 5: I was.

1167
00:46:05,520 --> 00:46:07,279
Speaker 3: We got to get him first. I thought it was

1168
00:46:07,280 --> 00:46:08,960
Speaker 3: gonna be before that. I got me too.

1169
00:46:09,040 --> 00:46:09,360
Speaker 5: I did to.

1170
00:46:09,520 --> 00:46:10,880
Speaker 3: I was like, oh yeah, yeah, I got I got that.

1171
00:46:11,000 --> 00:46:12,520
Speaker 3: But what do you think I got it? What do

1172
00:46:12,560 --> 00:46:18,919
Speaker 3: you have? Peaches? Peaches? The peaches my house context clues

1173
00:46:18,920 --> 00:46:22,880
Speaker 3: because he's from Georgia. There is number five. Don't miss it.

1174
00:46:23,480 --> 00:46:26,120
Speaker 4: Ye know we fanzy light apple be he's on a

1175
00:46:26,239 --> 00:46:27,480
Speaker 4: day nights.

1176
00:46:29,160 --> 00:46:31,080
Speaker 7: Oh yeah, shake some whee.

1177
00:46:31,000 --> 00:46:34,640
Speaker 5: Crazy one shot.

1178
00:46:35,239 --> 00:46:35,640
Speaker 3: We don't need to.

1179
00:46:37,360 --> 00:46:40,359
Speaker 2: Well, lunch walks can't concentrate because you're over there're they're

1180
00:46:40,360 --> 00:46:40,960
Speaker 2: doing your little.

1181
00:46:40,760 --> 00:46:42,680
Speaker 3: Sing squeaky trying to be like look at me, I

1182
00:46:42,800 --> 00:46:48,279
Speaker 3: know it all squeaky seaking. You're so fancy, like all

1183
00:46:48,360 --> 00:46:49,160
Speaker 3: right the long time? Please?

1184
00:46:49,440 --> 00:46:50,680
Speaker 7: Yea we Fanzzy light.

1185
00:46:50,680 --> 00:46:53,520
Speaker 3: Apple be he's on a day night got.

1186
00:46:55,120 --> 00:46:56,120
Speaker 7: Oh yeah shake?

1187
00:46:57,239 --> 00:46:59,160
Speaker 2: So I'll go first or second, because I'm not sure

1188
00:46:59,160 --> 00:47:01,040
Speaker 2: I have it. I'm not I'm sure either, okay, but

1189
00:47:01,120 --> 00:47:04,560
Speaker 2: I think I do Peaches.

1190
00:47:07,400 --> 00:47:11,239
Speaker 3: I don't think lunch has it either. Okay, let's we're

1191
00:47:11,239 --> 00:47:16,160
Speaker 3: gonna go to you cheese sticks? What cheese sticks? Wait?

1192
00:47:16,239 --> 00:47:20,279
Speaker 3: Will you play it with the beat apple on the

1193
00:47:20,360 --> 00:47:25,160
Speaker 3: late night sticks? That can't be it? But you were

1194
00:47:25,280 --> 00:47:27,400
Speaker 3: just saying something's some bourbon, But I don't know what

1195
00:47:27,560 --> 00:47:32,439
Speaker 3: bourbon cheese sticks? Is it cheese sticks? Ray, No, m Eddie,

1196
00:47:33,280 --> 00:47:40,880
Speaker 3: I put bourbon street ribs. Let's try it Bourbon streak.

1197
00:47:40,880 --> 00:47:41,960
Speaker 3: I'm gonna play that yet, but.

1198
00:47:42,000 --> 00:47:47,759
Speaker 11: Yet you and are still in it though Eddie, we got.

1199
00:47:49,680 --> 00:47:52,759
Speaker 3: Man or second or third place. Both of us tied

1200
00:47:52,800 --> 00:47:54,759
Speaker 3: for third. We'll take that. That's still last. I guess

1201
00:47:54,920 --> 00:47:56,759
Speaker 3: at a point, Amy, it's just you and I don't

1202
00:47:56,760 --> 00:48:05,799
Speaker 3: miss it. Yeah, I got it man, Okay.

1203
00:48:05,520 --> 00:48:16,799
Speaker 7: Three, Okay, this side out.

1204
00:48:17,719 --> 00:48:22,600
Speaker 3: No, he got it here flack, so take it so sweet,

1205
00:48:23,719 --> 00:48:29,760
Speaker 3: Honey got here slack, so take it so sweet, Jim, Okay, next.

1206
00:48:29,560 --> 00:48:32,920
Speaker 6: One, I was willing, but she was or settle for

1207
00:48:33,600 --> 00:48:36,680
Speaker 6: then a grape snow conge doctor all fairly, bood I

1208
00:48:36,719 --> 00:48:40,560
Speaker 6: didn't got three for a burger and a grape snow

1209
00:48:40,680 --> 00:48:43,640
Speaker 6: conge doptor all fairly bood I didn't go home?

1210
00:48:43,880 --> 00:48:44,600
Speaker 3: Okay, go ahead.

1211
00:48:44,960 --> 00:48:47,400
Speaker 4: I ain't saving on the super phone Saturday and night,

1212
00:48:47,920 --> 00:48:48,919
Speaker 4: seven days a week.

1213
00:48:48,960 --> 00:48:53,480
Speaker 1: I got an half aside the sunset like it's fine

1214
00:48:53,520 --> 00:48:56,719
Speaker 1: a row i't never seen, don't waste another mile.

1215
00:48:57,080 --> 00:49:00,640
Speaker 2: I'm in, but I'm only like sixty percent sure, make

1216
00:49:00,719 --> 00:49:01,200
Speaker 2: it's sweet?

1217
00:49:01,480 --> 00:49:05,719
Speaker 3: Do you have an idea, apple pie? I think it's three.

1218
00:49:05,520 --> 00:49:08,520
Speaker 2: Syllables because I think it's sunsets, like about it?

1219
00:49:08,960 --> 00:49:12,560
Speaker 5: Yeah, like what's like a sunset's danger? Oh that's probably

1220
00:49:13,040 --> 00:49:17,719
Speaker 5: sunsets the yeah orange suns it.

1221
00:49:17,920 --> 00:49:20,640
Speaker 3: Yeah, No, I get it and it's sweet.

1222
00:49:22,360 --> 00:49:25,440
Speaker 7: It's fine road good about it?

1223
00:49:25,440 --> 00:49:30,080
Speaker 3: About what? You can ask a question? What would an

1224
00:49:30,080 --> 00:49:32,040
Speaker 3: apple pie sunset be? Yeah?

1225
00:49:32,120 --> 00:49:32,520
Speaker 5: I don't know.

1226
00:49:32,960 --> 00:49:33,400
Speaker 7: Circular?

1227
00:49:33,680 --> 00:49:36,160
Speaker 3: Could I just pie?

1228
00:49:36,640 --> 00:49:38,720
Speaker 5: Seemed to rhyme with me with whatever?

1229
00:49:39,080 --> 00:49:40,839
Speaker 3: Sweet with sweet? We need to go back to rhymes.

1230
00:49:41,160 --> 00:49:41,960
Speaker 5: I don't know what I was.

1231
00:49:42,200 --> 00:49:43,080
Speaker 3: I don't know, No, I don't.

1232
00:49:43,239 --> 00:49:44,319
Speaker 2: I just didn't know if there was such thing as

1233
00:49:44,320 --> 00:49:46,759
Speaker 2: an apple pie sunset, because it does sound like something

1234
00:49:46,800 --> 00:49:48,839
Speaker 2: you could use in a different country song. We were

1235
00:49:48,920 --> 00:49:52,600
Speaker 2: there watching that apple pie sunset and people go like, oh, dang,

1236
00:49:52,680 --> 00:49:53,120
Speaker 2: that is good.

1237
00:49:53,160 --> 00:49:55,000
Speaker 3: That's a good because like brown.

1238
00:49:54,920 --> 00:49:58,600
Speaker 1: Yeah, sure, oh yeah, brown song my ice cream from

1239
00:49:58,719 --> 00:49:59,799
Speaker 1: the day that we met.

1240
00:50:00,360 --> 00:50:03,040
Speaker 3: But is it a round under an apple pie.

1241
00:50:04,840 --> 00:50:05,200
Speaker 5: Around?

1242
00:50:05,320 --> 00:50:06,239
Speaker 3: Oh that's good round?

1243
00:50:06,320 --> 00:50:06,520
Speaker 7: Yeah?

1244
00:50:06,800 --> 00:50:09,359
Speaker 3: I see what we're doing there? I won of course?

1245
00:50:10,320 --> 00:50:11,800
Speaker 3: Are there other two more we can? I can do

1246
00:50:11,880 --> 00:50:14,200
Speaker 3: them for fun? Is a mine? This is my victory?

1247
00:50:14,280 --> 00:50:17,640
Speaker 8: Leg and lean, it's hot root beer?

1248
00:50:21,000 --> 00:50:23,200
Speaker 3: Hold on, hold on, don't when it's hot eat a

1249
00:50:23,320 --> 00:50:24,920
Speaker 3: root Go ahead.

1250
00:50:25,400 --> 00:50:26,040
Speaker 7: Lean, it's hot.

1251
00:50:26,760 --> 00:50:27,880
Speaker 3: Root beer.

1252
00:50:29,760 --> 00:50:32,560
Speaker 2: Can only be one thing, well, there could be two,

1253
00:50:32,920 --> 00:50:35,680
Speaker 2: because if he doesn't drink a root beer, it's been different.

1254
00:50:35,719 --> 00:50:36,160
Speaker 3: What do you say?

1255
00:50:36,320 --> 00:50:37,800
Speaker 2: Eat a root beer? So it can either be a

1256
00:50:37,880 --> 00:50:41,080
Speaker 2: root beer float or a root beer popsicle. That's only

1257
00:50:41,120 --> 00:50:42,239
Speaker 2: two things that can beat a root beer.

1258
00:50:42,360 --> 00:50:44,719
Speaker 3: There's only one. Can eat a float. You can't eat

1259
00:50:44,880 --> 00:50:45,879
Speaker 3: float because it's ice cream.

1260
00:50:45,960 --> 00:50:50,560
Speaker 18: But popsicle doesn't fit there, root be it does. You

1261
00:50:50,600 --> 00:50:53,640
Speaker 18: can make a fit you about a dollar? That's fine, Okay,

1262
00:50:54,520 --> 00:50:56,520
Speaker 18: get your wallet out, go lean.

1263
00:50:56,600 --> 00:51:01,040
Speaker 7: It's hot. Root beer pops should all be.

1264
00:51:04,600 --> 00:51:06,640
Speaker 3: All right. I'll let you make it do.

1265
00:51:06,680 --> 00:51:07,960
Speaker 2: I don't know the next one is, but lunch bars

1266
00:51:07,960 --> 00:51:09,239
Speaker 2: can have this one. And if he gets it right,

1267
00:51:09,280 --> 00:51:11,000
Speaker 2: he can have his dollar back. But if you lose it,

1268
00:51:11,040 --> 00:51:11,719
Speaker 2: you give me two dollars.

1269
00:51:11,800 --> 00:51:23,440
Speaker 3: That's fine. Go ahead, Cheese. I don't know this. You

1270
00:51:23,560 --> 00:51:27,960
Speaker 3: got this, dude, You got this. Play it again, listen

1271
00:51:28,040 --> 00:51:28,200
Speaker 3: to it.

1272
00:51:28,960 --> 00:51:29,280
Speaker 7: Cheez.

1273
00:51:36,200 --> 00:51:38,920
Speaker 3: I never knew that's what he was saying. Let me

1274
00:51:39,000 --> 00:51:39,759
Speaker 3: tell you. Come on.

1275
00:51:39,920 --> 00:51:41,600
Speaker 4: It sounds like it's the audio is messed up, but

1276
00:51:41,680 --> 00:51:43,240
Speaker 4: I got it. Go pizza slice?

1277
00:51:43,320 --> 00:51:43,640
Speaker 7: No, what.

1278
00:51:45,280 --> 00:51:48,080
Speaker 3: I wouldn't a pizza slice? That's it's fine.

1279
00:51:48,400 --> 00:51:51,560
Speaker 2: It's a cheeseburger. I don't think that's a fine. Guess

1280
00:51:51,560 --> 00:51:54,200
Speaker 2: because I'm the next word was slice. I would think

1281
00:51:54,320 --> 00:51:55,080
Speaker 2: you get slice.

1282
00:51:55,520 --> 00:51:57,880
Speaker 3: So cheeseburger I didn't know.

1283
00:51:57,920 --> 00:51:59,640
Speaker 2: I said heaven on Earth with the I didn't know

1284
00:51:59,719 --> 00:52:03,560
Speaker 2: that Heaven on Earth with the pizza. So it could

1285
00:52:03,600 --> 00:52:08,880
Speaker 2: be lettuce, onion, tomato, cheese.

1286
00:52:10,080 --> 00:52:11,240
Speaker 3: Cheese burger.

1287
00:52:12,640 --> 00:52:19,520
Speaker 17: With the cheeses slice lettuce like the tomato slices with

1288
00:52:19,640 --> 00:52:22,680
Speaker 17: an onion slice with a pizza slice.

1289
00:52:24,520 --> 00:52:25,239
Speaker 3: That done wrong.

1290
00:52:25,280 --> 00:52:28,080
Speaker 2: I'm gonna go with the tomato or onion. I'm gonna

1291
00:52:28,080 --> 00:52:31,520
Speaker 2: go with the tomato because tomato can fill the onion.

1292
00:52:31,880 --> 00:52:36,719
Speaker 7: Yeah, I didn't know that.

1293
00:52:37,280 --> 00:52:37,560
Speaker 11: That's all.

1294
00:52:37,640 --> 00:52:38,400
Speaker 3: Figure out the syllables.

1295
00:52:39,640 --> 00:52:39,920
Speaker 7: Cheese.

1296
00:52:44,760 --> 00:52:46,279
Speaker 3: Thank you all play my song?

1297
00:52:50,120 --> 00:52:50,600
Speaker 2: I love it.

1298
00:52:51,280 --> 00:52:54,600
Speaker 3: I love the dove dude, thank you very much. Are

1299
00:52:54,640 --> 00:52:57,960
Speaker 3: you undefeated when you play games? No? No, no, no no,

1300
00:52:58,080 --> 00:52:59,080
Speaker 3: no not at all.

1301
00:52:59,600 --> 00:52:59,640
Speaker 17: No.

1302
00:52:59,760 --> 00:53:02,719
Speaker 3: I sometimes when yeah, name it? I can't, but I lose.

1303
00:53:02,960 --> 00:53:04,719
Speaker 3: I don't play enough to name every time. All right,

1304
00:53:04,719 --> 00:53:08,040
Speaker 3: thank you guys. Bothering on show. There's a voicemail from

1305
00:53:08,080 --> 00:53:08,680
Speaker 3: over the weekend.

1306
00:53:09,040 --> 00:53:11,439
Speaker 1: I just wanted to pose a question to the room.

1307
00:53:11,719 --> 00:53:14,520
Speaker 5: Do you guys think that it's still cap fishing?

1308
00:53:14,960 --> 00:53:18,160
Speaker 9: Is it is the person in the photo, but they

1309
00:53:18,200 --> 00:53:19,919
Speaker 9: don't really look that good.

1310
00:53:20,360 --> 00:53:23,120
Speaker 1: Maybe the photos are a few years younger, maybe a

1311
00:53:23,239 --> 00:53:24,520
Speaker 1: few pounds less.

1312
00:53:24,840 --> 00:53:26,840
Speaker 7: Maybe there's some editing going on.

1313
00:53:27,440 --> 00:53:30,120
Speaker 2: Do you guys consider that catfishing? If someone should up

1314
00:53:30,160 --> 00:53:32,680
Speaker 2: to the date and it's them, you recognize them, but

1315
00:53:33,200 --> 00:53:35,279
Speaker 2: you're also like, that's not glad.

1316
00:53:35,320 --> 00:53:36,360
Speaker 1: I thought I would sacking to you.

1317
00:53:36,640 --> 00:53:37,120
Speaker 11: What do you think?

1318
00:53:37,440 --> 00:53:38,880
Speaker 3: Great question. Let's go to Morgan.

1319
00:53:39,840 --> 00:53:41,319
Speaker 2: Morgan, you're on an app and you meet a dude

1320
00:53:41,360 --> 00:53:43,000
Speaker 2: and he didn't look like the picture, but it's just

1321
00:53:43,080 --> 00:53:43,520
Speaker 2: that guy.

1322
00:53:44,040 --> 00:53:44,880
Speaker 9: Yeah, this happened to me.

1323
00:53:45,360 --> 00:53:47,000
Speaker 3: Really, did you feel like you were catfished?

1324
00:53:47,760 --> 00:53:50,080
Speaker 10: I didn't feel like I was catfished, but I definitely

1325
00:53:50,200 --> 00:53:53,160
Speaker 10: felt a little uncomfortable because like it felt like he

1326
00:53:53,440 --> 00:53:57,040
Speaker 10: wasn't secure or confident in himself in that phase of

1327
00:53:57,080 --> 00:53:57,479
Speaker 10: his life.

1328
00:53:57,600 --> 00:53:58,520
Speaker 9: Like when he showed up.

1329
00:53:58,480 --> 00:54:00,800
Speaker 3: To meet me. Do you feel like he was baiting

1330
00:54:00,880 --> 00:54:02,200
Speaker 3: you with a better version of him?

1331
00:54:02,520 --> 00:54:05,320
Speaker 9: Yes, for sure. It definitely was like a It was

1332
00:54:05,400 --> 00:54:06,880
Speaker 9: like a bait and switch situation.

1333
00:54:07,560 --> 00:54:11,520
Speaker 2: Bait here's hot meat, switch, here's ugly me in a

1334
00:54:11,560 --> 00:54:14,160
Speaker 2: way like I could. I could never do that because

1335
00:54:14,280 --> 00:54:16,800
Speaker 2: I would be so nervous. I would almost want to

1336
00:54:16,800 --> 00:54:21,480
Speaker 2: have an uglier picture up because then it'd be like surprise,

1337
00:54:21,680 --> 00:54:24,920
Speaker 2: I'm hotter. Yeah. Not the other way where you actually

1338
00:54:24,960 --> 00:54:28,920
Speaker 2: see their eyes go oh god, how do you react whenever?

1339
00:54:29,520 --> 00:54:31,799
Speaker 3: And do you react whenever he doesn't look like him?

1340
00:54:32,560 --> 00:54:35,320
Speaker 10: I didn't react, like I think my brain reacted like

1341
00:54:35,400 --> 00:54:37,120
Speaker 10: there was definitely wheels turning to my brain.

1342
00:54:37,280 --> 00:54:39,520
Speaker 9: Yeah, but I went through with the date and we

1343
00:54:39,640 --> 00:54:41,080
Speaker 9: hung out for like two hours.

1344
00:54:41,400 --> 00:54:42,239
Speaker 3: Oh so you liked him?

1345
00:54:43,400 --> 00:54:46,480
Speaker 10: No, I just like, I'm really bad at ending conversation.

1346
00:54:46,560 --> 00:54:48,600
Speaker 10: I'm really bad at being like, okay, I'm leaving.

1347
00:54:49,200 --> 00:54:51,279
Speaker 9: So I just went through with it and like did

1348
00:54:51,360 --> 00:54:53,120
Speaker 9: the date. But I didn't talk to him after that.

1349
00:54:53,360 --> 00:54:55,279
Speaker 9: It just it just started everything off kind of like

1350
00:54:55,360 --> 00:54:56,160
Speaker 9: it felt like on a lie.

1351
00:54:57,080 --> 00:54:59,279
Speaker 2: So you wouldn't say that's catfishing though, but you would

1352
00:54:59,280 --> 00:55:00,840
Speaker 2: say it is a bit dishonest.

1353
00:55:00,960 --> 00:55:03,640
Speaker 10: It's dishonest, and it's definitely like it's it's kind of

1354
00:55:03,680 --> 00:55:06,080
Speaker 10: a flag where you're like, okay, what else is going on?

1355
00:55:06,200 --> 00:55:08,600
Speaker 3: It's leading Yeah, oh great, let's box. What do you

1356
00:55:08,640 --> 00:55:09,920
Speaker 3: want to say? Hey, yeah, I want to say this.

1357
00:55:10,280 --> 00:55:11,520
Speaker 3: So when you show up to a date, do you

1358
00:55:11,600 --> 00:55:13,600
Speaker 3: let him know you're wearing spanks or a push up brawl?

1359
00:55:14,360 --> 00:55:14,680
Speaker 5: Okay?

1360
00:55:15,280 --> 00:55:16,560
Speaker 3: No, I'm an honest question.

1361
00:55:17,360 --> 00:55:20,120
Speaker 4: But is that that's misrepresentation the same way because you

1362
00:55:20,200 --> 00:55:22,319
Speaker 4: think you're getting this hour glass figure and you get

1363
00:55:22,360 --> 00:55:24,439
Speaker 4: her home and you're getting a mump and top.

1364
00:55:24,600 --> 00:55:27,719
Speaker 3: I mean, am I right? You think you're getting double

1365
00:55:27,760 --> 00:55:30,319
Speaker 3: d's and you're really getting c's. It's like, whoa, He's

1366
00:55:30,360 --> 00:55:30,839
Speaker 3: not wrong.

1367
00:55:31,640 --> 00:55:35,120
Speaker 4: It's misrepresentation the same way you are altering your look

1368
00:55:35,400 --> 00:55:37,279
Speaker 4: to make yourself look better, just like he did in

1369
00:55:37,320 --> 00:55:37,720
Speaker 4: the picture.

1370
00:55:37,920 --> 00:55:41,240
Speaker 5: Morgan's example is a guy. But this can go both ways,

1371
00:55:41,480 --> 00:55:42,160
Speaker 5: like yes.

1372
00:55:42,719 --> 00:55:47,800
Speaker 2: But his example specifically, Amy respond to that push up Brasen,

1373
00:55:48,120 --> 00:55:49,520
Speaker 2: What do you say spanks spinks?

1374
00:55:49,880 --> 00:55:54,600
Speaker 5: Okay, no, So now if the guy colors his hair great,

1375
00:55:55,520 --> 00:55:58,120
Speaker 5: whitens his teeth, yes, but right.

1376
00:55:59,200 --> 00:56:02,040
Speaker 4: If you have a problem with misrepresentation, then you have

1377
00:56:02,160 --> 00:56:04,040
Speaker 4: to hold the same standards to the woman.

1378
00:56:04,280 --> 00:56:06,799
Speaker 3: I think that the issue here is a.

1379
00:56:06,800 --> 00:56:08,359
Speaker 5: Spincer and push a brawl are not going to alter

1380
00:56:08,480 --> 00:56:09,360
Speaker 5: things that drastically.

1381
00:56:10,280 --> 00:56:11,960
Speaker 3: Sure, what why do you wear them?

1382
00:56:12,400 --> 00:56:14,759
Speaker 5: Because it feel a shape where it feels good.

1383
00:56:15,560 --> 00:56:15,880
Speaker 3: But it's not.

1384
00:56:16,160 --> 00:56:19,480
Speaker 5: It's not this like drastic difference. It's really not.

1385
00:56:19,680 --> 00:56:22,440
Speaker 3: It turns the muffin into a breadstick. Yeah, it actually

1386
00:56:22,520 --> 00:56:23,640
Speaker 3: doesn't swims it down.

1387
00:56:24,960 --> 00:56:25,360
Speaker 5: I can't.

1388
00:56:25,960 --> 00:56:27,759
Speaker 2: We do a lot of things in the current to

1389
00:56:27,840 --> 00:56:29,120
Speaker 2: make ourselves look and feel better.

1390
00:56:29,280 --> 00:56:29,400
Speaker 3: Right.

1391
00:56:29,520 --> 00:56:31,600
Speaker 2: I think that's different than using an old picture of

1392
00:56:31,680 --> 00:56:33,520
Speaker 2: you from ten years ago that you can't even get

1393
00:56:33,600 --> 00:56:33,880
Speaker 2: back to.

1394
00:56:34,320 --> 00:56:34,840
Speaker 5: Very different.

1395
00:56:36,239 --> 00:56:38,320
Speaker 2: I understand why you feel the way you do so,

1396
00:56:39,200 --> 00:56:41,320
Speaker 2: but I don't think it's exactly the same kind of

1397
00:56:41,440 --> 00:56:43,520
Speaker 2: mad though he is her.

1398
00:56:43,800 --> 00:56:45,560
Speaker 3: I'm out at all you guys ripping on this dude.

1399
00:56:45,680 --> 00:56:46,400
Speaker 3: Nobody ripped.

1400
00:56:46,640 --> 00:56:49,600
Speaker 2: She just said it made her feel uncomfortable because she

1401
00:56:49,680 --> 00:56:51,000
Speaker 2: felt like it was dishonest of him.

1402
00:56:51,040 --> 00:56:52,720
Speaker 3: Did you make a bomb for that date, Morgan?

1403
00:56:52,960 --> 00:56:56,000
Speaker 9: Yes, but I will tell you hold on, I do hold.

1404
00:56:55,920 --> 00:56:58,440
Speaker 3: I guess if you put clothes on, then that account right.

1405
00:56:59,000 --> 00:57:01,320
Speaker 10: Can I respond to you like, I don't disagree with you.

1406
00:57:01,440 --> 00:57:04,279
Speaker 10: I do think we filter ourselves and stuff. But I

1407
00:57:04,440 --> 00:57:06,800
Speaker 10: make sure on my profile, Like even when I got bangs,

1408
00:57:06,840 --> 00:57:08,640
Speaker 10: I put new pictures up because I look like a

1409
00:57:08,640 --> 00:57:11,120
Speaker 10: different person. You're gonna make sure that they're not surprised

1410
00:57:11,160 --> 00:57:13,920
Speaker 10: by what they're seeing. Yeah, by what they saw? Yes,

1411
00:57:14,000 --> 00:57:16,320
Speaker 10: So Like, however, I show up every single day is

1412
00:57:16,360 --> 00:57:18,440
Speaker 10: how my dating profile looks. And as long as you

1413
00:57:18,480 --> 00:57:20,640
Speaker 10: show up as who you are every single day, then.

1414
00:57:20,520 --> 00:57:21,120
Speaker 9: I'm cool with that.

1415
00:57:21,240 --> 00:57:23,320
Speaker 10: So you have a variety of photos, yes, so you?

1416
00:57:23,480 --> 00:57:25,560
Speaker 10: I mean I'm full body. I'm close up, you see

1417
00:57:25,560 --> 00:57:27,960
Speaker 10: everything about me. So if I'm putting myself out there

1418
00:57:28,000 --> 00:57:29,120
Speaker 10: in that full way, I feel like the.

1419
00:57:29,120 --> 00:57:29,959
Speaker 9: Guys should also.

1420
00:57:30,160 --> 00:57:31,360
Speaker 2: How did this turn on Morgan? I mean it was

1421
00:57:31,440 --> 00:57:33,520
Speaker 2: literally I went to Morgan to answering lunch Marks got

1422
00:57:33,600 --> 00:57:33,960
Speaker 2: so mad.

1423
00:57:34,680 --> 00:57:37,840
Speaker 5: I think I just gotten mad at women in general.

1424
00:57:39,200 --> 00:57:42,000
Speaker 3: Like, but you see my point. I see why you

1425
00:57:42,120 --> 00:57:42,919
Speaker 3: think that's a point.

1426
00:57:43,120 --> 00:57:44,680
Speaker 2: But I don't you kind of side with me. No, no,

1427
00:57:45,440 --> 00:57:47,160
Speaker 2: but I don't think it's the same point because, like

1428
00:57:47,240 --> 00:57:48,120
Speaker 2: Amy said, guys.

1429
00:57:48,000 --> 00:57:48,320
Speaker 3: Do it too.

1430
00:57:49,920 --> 00:57:51,040
Speaker 5: Yeah, they're shapewaard for men.

1431
00:57:51,440 --> 00:57:55,560
Speaker 3: And not only that, you're dying the hair all all that. Morgan,

1432
00:57:55,680 --> 00:57:59,160
Speaker 3: thank you, Lunchbox, take a breath. Who side you on?

1433
00:57:59,360 --> 00:58:01,080
Speaker 3: I mean, I'm understand what you're saying what I'm not.

1434
00:58:01,360 --> 00:58:02,080
Speaker 3: It's not the same.

1435
00:58:02,640 --> 00:58:05,760
Speaker 5: Like if Eddie's a hat, it's misrepresented.

1436
00:58:05,760 --> 00:58:07,400
Speaker 1: But you know, people know if I'm wearing a hat,

1437
00:58:07,840 --> 00:58:10,000
Speaker 1: wants a full body naked, want to see every your

1438
00:58:10,040 --> 00:58:11,520
Speaker 1: medical records and anything less than that.

1439
00:58:11,640 --> 00:58:13,040
Speaker 3: You know what I'm saying. If you're gonna get mad

1440
00:58:13,080 --> 00:58:15,040
Speaker 3: at him for having older pictures, then you better not

1441
00:58:15,240 --> 00:58:17,960
Speaker 3: have no older pictures. Is different, It doesn't matter. Thank

1442
00:58:18,000 --> 00:58:20,840
Speaker 3: you Morgan, there is a catfishing or not.

1443
00:58:21,040 --> 00:58:23,200
Speaker 5: No, it's misrepresent Yes.

1444
00:58:23,160 --> 00:58:26,320
Speaker 3: I wouldn't have wanted to go out with it. Let's

1445
00:58:26,400 --> 00:58:29,600
Speaker 3: do the boy stories.

1446
00:58:30,840 --> 00:58:34,600
Speaker 2: Philadelphia radio station is and has pulled All Taylor Swift

1447
00:58:35,160 --> 00:58:38,560
Speaker 2: off the air leading up to tonight's Eagles and Chiefs game.

1448
00:58:39,120 --> 00:58:43,959
Speaker 3: Why Philly, Oh got it? That's pretty that makes sense.

1449
00:58:44,800 --> 00:58:46,760
Speaker 3: So they kicked all Taylor off all the time.

1450
00:58:47,760 --> 00:58:50,920
Speaker 2: Travis Kelcey plays for the Chiefs, obviously, Dayton Taylor Swift,

1451
00:58:51,840 --> 00:58:52,600
Speaker 2: she's a Chiefs fan.

1452
00:58:52,720 --> 00:58:55,080
Speaker 1: Now, so that's I mean, everyone knows that, right, Like,

1453
00:58:55,240 --> 00:58:57,200
Speaker 1: isn't that crazy? I know, like you just in case

1454
00:58:57,240 --> 00:58:59,520
Speaker 1: people don't know it, but everyone knows that kind of

1455
00:59:00,880 --> 00:59:02,600
Speaker 1: If you're listening to us now, you probably know what.

1456
00:59:02,640 --> 00:59:04,160
Speaker 1: You're the type of person that would probably know. Sure,

1457
00:59:04,440 --> 00:59:04,880
Speaker 1: I don't know that.

1458
00:59:05,000 --> 00:59:06,680
Speaker 3: Everybody knows you're here.

1459
00:59:08,080 --> 00:59:10,560
Speaker 2: The Chiefs and the Eagles tonight, which by the way,

1460
00:59:10,560 --> 00:59:11,800
Speaker 2: is the rematches the school last year.

1461
00:59:12,160 --> 00:59:14,160
Speaker 5: Yeah, because the brothers who won that one.

1462
00:59:14,200 --> 00:59:17,640
Speaker 3: Amy, I don't uh.

1463
00:59:18,400 --> 00:59:20,520
Speaker 5: The Eagles No danger.

1464
00:59:22,040 --> 00:59:26,280
Speaker 2: Yeah, fed season billion dollars in fake handbags and shoes

1465
00:59:26,520 --> 00:59:29,120
Speaker 2: from a storage unit and the largest counterfeit bust in

1466
00:59:29,240 --> 00:59:33,120
Speaker 2: US Sister one b not one m one would have

1467
00:59:33,160 --> 00:59:35,760
Speaker 2: been like, wow, one b one billion.

1468
00:59:35,480 --> 00:59:38,160
Speaker 3: Dollars, that's a big storage unit. Holy moly.

1469
00:59:38,640 --> 00:59:41,240
Speaker 2: A storage facility in Manhattan was the side of the

1470
00:59:41,280 --> 00:59:43,360
Speaker 2: largest counterfeit good seizure in US history.

1471
00:59:43,560 --> 00:59:44,640
Speaker 3: Well, you know they got some good stuff.

1472
00:59:44,640 --> 00:59:45,760
Speaker 2: If I was part of the crew that sees it,

1473
00:59:45,800 --> 00:59:47,800
Speaker 2: I've been picking out like the best protest of Gucci

1474
00:59:47,840 --> 00:59:48,960
Speaker 2: stuff in like that one looks real enough.

1475
00:59:49,000 --> 00:59:51,400
Speaker 3: Let me have that one. That's crazy.

1476
00:59:51,520 --> 00:59:56,000
Speaker 2: Two men were arrested one point three billion in fake handbag, shoes, clothes,

1477
00:59:56,240 --> 00:59:59,320
Speaker 2: and other accessories. We went to New York a long

1478
00:59:59,400 --> 01:00:02,680
Speaker 2: time ago and Jill, who was a co host on

1479
01:00:02,680 --> 01:00:04,560
Speaker 2: the show when the show very first started, we went

1480
01:00:04,600 --> 01:00:07,320
Speaker 2: to watch David Letterman and we're both Letterman fans.

1481
01:00:07,320 --> 01:00:09,200
Speaker 3: I was probably twenty four, she's probably twenty two.

1482
01:00:10,560 --> 01:00:12,120
Speaker 2: We went to New York, never been to New York

1483
01:00:12,280 --> 01:00:14,240
Speaker 2: at that time, and she's like, I want to go

1484
01:00:14,280 --> 01:00:16,600
Speaker 2: to counterfeit place and geinst some stuff.

1485
01:00:16,600 --> 01:00:19,000
Speaker 3: I was like me too, And so we go and

1486
01:00:19,760 --> 01:00:20,840
Speaker 3: we don't know what to do. So we just ask

1487
01:00:20,880 --> 01:00:22,080
Speaker 3: somebody what do we get the fake stuff?

1488
01:00:22,960 --> 01:00:24,400
Speaker 2: And they don't want to answer that out loud because

1489
01:00:24,440 --> 01:00:27,160
Speaker 2: you could be you know, you can get the law.

1490
01:00:27,480 --> 01:00:29,960
Speaker 3: Yeah, and they're like, no, I can't tell you that.

1491
01:00:30,320 --> 01:00:31,280
Speaker 3: I don't know what talking about.

1492
01:00:32,000 --> 01:00:33,600
Speaker 2: So we asked a couple people and then finally someone

1493
01:00:33,680 --> 01:00:36,280
Speaker 2: came up to us and goes, you the one's asking

1494
01:00:36,320 --> 01:00:36,920
Speaker 2: about stuff.

1495
01:00:38,080 --> 01:00:40,840
Speaker 3: We're like yeah, they follow us. They walk us down

1496
01:00:40,960 --> 01:00:41,880
Speaker 3: into underground.

1497
01:00:42,320 --> 01:00:44,960
Speaker 2: We should have never gone because we were very vulnerable

1498
01:00:45,320 --> 01:00:47,040
Speaker 2: because we went in through the back of a little

1499
01:00:47,040 --> 01:00:51,640
Speaker 2: store underneath, walked through like a tiny little alley into

1500
01:00:51,680 --> 01:00:54,720
Speaker 2: another back of a building. What great they they turned

1501
01:00:54,800 --> 01:00:58,880
Speaker 2: lights on, it was like and then it was just everything. Wow,

1502
01:00:59,280 --> 01:01:02,080
Speaker 2: that's crazy, these crazy I ended up buying like some

1503
01:01:02,160 --> 01:01:04,320
Speaker 2: sunglasses and they broke like an hour later because they

1504
01:01:04,320 --> 01:01:04,640
Speaker 2: weren't real.

1505
01:01:04,680 --> 01:01:07,040
Speaker 3: They weren't really yea. But it was fun.

1506
01:01:07,160 --> 01:01:08,400
Speaker 2: But after what I was like, I was an idiot.

1507
01:01:08,400 --> 01:01:09,960
Speaker 2: I should not have done that. I should not have

1508
01:01:10,080 --> 01:01:13,600
Speaker 2: left very dangerous. I wasn't too good to buy counterfeit stuff.

1509
01:01:13,600 --> 01:01:16,680
Speaker 2: I'm still okay with that. It's how dangerous it was.

1510
01:01:17,120 --> 01:01:19,520
Speaker 2: A Frozen four is in the works parents, How do.

1511
01:01:19,480 --> 01:01:21,920
Speaker 1: You feel about that? I mean, I didn't think they

1512
01:01:21,960 --> 01:01:27,040
Speaker 1: were still making frozens. I remember the first one, but

1513
01:01:27,320 --> 01:01:28,160
Speaker 1: that's a boy.

1514
01:01:28,800 --> 01:01:31,480
Speaker 3: Let it go. Let it go. Yeah, they need to stop.

1515
01:01:31,800 --> 01:01:33,560
Speaker 2: They're not gonna let it go if they're making money.

1516
01:01:34,280 --> 01:01:36,000
Speaker 2: There's no word yet on who was in for the

1517
01:01:36,000 --> 01:01:39,000
Speaker 2: fourth film, but apparently Frozen four, which if I were

1518
01:01:39,200 --> 01:01:41,560
Speaker 2: running Disney, I would try to do things that were

1519
01:01:41,880 --> 01:01:43,880
Speaker 2: easy money makers, sure, and I would assume this would

1520
01:01:43,880 --> 01:01:44,680
Speaker 2: be an easy money maker.

1521
01:01:44,760 --> 01:01:47,160
Speaker 3: It was like toy story they had nineteen four or

1522
01:01:47,200 --> 01:01:47,720
Speaker 3: five or something.

1523
01:01:48,040 --> 01:01:51,160
Speaker 2: A firefighter in Michigan was accused of arson after he

1524
01:01:51,280 --> 01:01:56,200
Speaker 2: was caught actively fighting a fire that he started. Officials

1525
01:01:56,240 --> 01:01:57,880
Speaker 2: in Chippewa County said they were called to a fire

1526
01:01:57,920 --> 01:02:00,919
Speaker 2: Saturday evening. It was the third fire in the area

1527
01:02:01,000 --> 01:02:03,400
Speaker 2: over the past few months. They watched a surveillance video

1528
01:02:03,440 --> 01:02:05,880
Speaker 2: from a gas station across the road, and they identify

1529
01:02:05,920 --> 01:02:09,080
Speaker 2: the person who set the building on fire. That same person,

1530
01:02:09,240 --> 01:02:12,720
Speaker 2: Joseph Carl Holder, thirty five, is a volunteer firefighter who

1531
01:02:12,800 --> 01:02:15,440
Speaker 2: had been working with the Whitefish Township Fire Department for months.

1532
01:02:16,040 --> 01:02:19,120
Speaker 2: He was arrested being held on bond. He was and

1533
01:02:19,240 --> 01:02:20,720
Speaker 2: then is now a person of interest in the other

1534
01:02:20,760 --> 01:02:24,520
Speaker 2: two fires from Click on Detroit. So my thing is,

1535
01:02:24,640 --> 01:02:26,200
Speaker 2: does he like to stuff burn or did he just

1536
01:02:26,240 --> 01:02:28,280
Speaker 2: want to fight a fire? He was bored, and since

1537
01:02:28,280 --> 01:02:31,200
Speaker 2: he's a think about the Instagram pictures you get he'd

1538
01:02:31,200 --> 01:02:33,320
Speaker 2: been fighting a fire. You're a volunteer, so that's like

1539
01:02:33,360 --> 01:02:36,280
Speaker 2: a big deal. Look at me, I'm fighting fire, you know.

1540
01:02:36,480 --> 01:02:38,800
Speaker 2: And he probably responded real quickly too, because like.

1541
01:02:38,960 --> 01:02:41,880
Speaker 5: Yeah, round, time to be practice.

1542
01:02:42,960 --> 01:02:45,439
Speaker 2: But that's not practice if you're really putting out a fire.

1543
01:02:45,520 --> 01:02:47,160
Speaker 2: That's a real fire on a real property.

1544
01:02:47,720 --> 01:02:48,360
Speaker 3: Yeah, you know.

1545
01:02:49,200 --> 01:02:51,040
Speaker 4: Or maybe he was hoping to get called up to

1546
01:02:51,080 --> 01:02:53,280
Speaker 4: act him instead of just volunteer. He wanted to show

1547
01:02:53,360 --> 01:02:55,440
Speaker 4: he was, Yeah, how good he was, Yeah, dummy.

1548
01:02:55,640 --> 01:02:57,600
Speaker 2: Police are looking for five men who stole meet from

1549
01:02:57,600 --> 01:03:00,760
Speaker 2: a refrigerated truck early in the morning and out Philadelphia.

1550
01:03:01,000 --> 01:03:03,160
Speaker 2: One thief told the driver, listen, we're hungry. We're just

1551
01:03:03,200 --> 01:03:05,640
Speaker 2: gonna take a little But then he pointed to his hip,

1552
01:03:06,520 --> 01:03:08,720
Speaker 2: suggesting had a weapon. And then they stole fifteen boxes

1553
01:03:08,760 --> 01:03:11,240
Speaker 2: of beef worth about eight thousand bucks. That's not just

1554
01:03:11,320 --> 01:03:13,280
Speaker 2: a little though. Maybe they were hungry, though, but that's

1555
01:03:13,400 --> 01:03:15,960
Speaker 2: that's too much. If you're just hungry, big family from

1556
01:03:16,160 --> 01:03:19,560
Speaker 2: six ABC, a lot of mouths to feet. That's too

1557
01:03:19,640 --> 01:03:23,400
Speaker 2: much though, that's what Robin Hood's But you don't mean

1558
01:03:23,520 --> 01:03:25,440
Speaker 2: they're rich. You don't know who you stole from. They

1559
01:03:25,520 --> 01:03:28,800
Speaker 2: might be struggling. Hey, Thanksgiving man, Oh I didn't think

1560
01:03:28,800 --> 01:03:29,040
Speaker 2: about that.

1561
01:03:29,120 --> 01:03:30,000
Speaker 3: What does that mean? Thanksgiving?

1562
01:03:30,040 --> 01:03:30,200
Speaker 17: Man?

1563
01:03:30,400 --> 01:03:32,280
Speaker 3: They got to feed their families come in town. They

1564
01:03:32,320 --> 01:03:34,160
Speaker 3: got to have the spread round. Not with a gun.

1565
01:03:34,880 --> 01:03:36,439
Speaker 3: You don't need that much beef. How big is your family?

1566
01:03:37,080 --> 01:03:39,040
Speaker 3: You a gremlin? Fifteen people?

1567
01:03:39,600 --> 01:03:42,640
Speaker 2: Legal action is sad after an Arizona breeding company has

1568
01:03:42,760 --> 01:03:46,520
Speaker 2: two hundred and sixty small animals that they were holding

1569
01:03:46,520 --> 01:03:47,800
Speaker 2: and keeping and feeding to reptiles.

1570
01:03:48,600 --> 01:03:50,160
Speaker 3: Oh, what's terrible.

1571
01:03:50,440 --> 01:03:52,600
Speaker 2: Yeah, these animals were supposed to be placed in for adoption,

1572
01:03:52,800 --> 01:03:55,200
Speaker 2: but instead they were used his food.

1573
01:03:55,280 --> 01:03:58,560
Speaker 3: Were there? Were they like dogs? Yeah? Or were they?

1574
01:03:58,760 --> 01:04:03,000
Speaker 2: I'm not gonna go to okay descriptive into it. But

1575
01:04:03,280 --> 01:04:07,480
Speaker 2: the breeder who was breeding the animals was you was

1576
01:04:07,760 --> 01:04:11,240
Speaker 2: using this feed instead of what? Ooh man, that's terrible.

1577
01:04:12,240 --> 01:04:14,480
Speaker 3: A Tennessee man is pop for Dui while operating a

1578
01:04:14,560 --> 01:04:15,120
Speaker 3: Santa train.

1579
01:04:15,960 --> 01:04:18,680
Speaker 5: Oh no, like are their kids on it?

1580
01:04:18,760 --> 01:04:20,920
Speaker 3: Yeah? A tractor full of kids during Christas parade. You

1581
01:04:20,960 --> 01:04:24,920
Speaker 3: can't do that. I mean the he is driving slow? No, yeah,

1582
01:04:26,120 --> 01:04:28,800
Speaker 3: fun and prey. He's been jolly Sanna. Yeah.

1583
01:04:28,840 --> 01:04:31,800
Speaker 2: The incident went down wheness to say that Henry Mead

1584
01:04:31,920 --> 01:04:35,240
Speaker 2: was driving Santa's trained to radically this out.

1585
01:04:37,600 --> 01:04:39,760
Speaker 3: Not only did Mead fail a sobriety test, the cops

1586
01:04:39,800 --> 01:04:42,240
Speaker 3: found meth, narcotics and a syringe. Whoa, whoa, whoa, he

1587
01:04:42,320 --> 01:04:45,160
Speaker 3: went hard, he went really hard. That's from the messenger.

1588
01:04:45,920 --> 01:04:49,520
Speaker 3: That's that's that's crazy. How do you get the job

1589
01:04:49,560 --> 01:04:52,480
Speaker 3: to begin with? I mean, I think if you just

1590
01:04:52,560 --> 01:04:54,000
Speaker 3: look like Santa, I don't think there's much.

1591
01:04:54,000 --> 01:04:54,160
Speaker 2: Really.

1592
01:04:54,600 --> 01:04:56,840
Speaker 4: You don't even look like Santa to drive a train, yeah,

1593
01:04:56,920 --> 01:04:58,480
Speaker 4: because it's Santa's train, But.

1594
01:04:58,520 --> 01:05:00,240
Speaker 3: Santa can have its own conductor, and san It can

1595
01:05:00,280 --> 01:05:00,720
Speaker 3: be in there too.

1596
01:05:01,080 --> 01:05:04,200
Speaker 5: Technically you should probably look like an elf, right.

1597
01:05:07,080 --> 01:05:08,320
Speaker 3: I just think if you put the uniform on here,

1598
01:05:08,360 --> 01:05:11,440
Speaker 3: just you're a conductor. That's that's it. That's all I got.

1599
01:05:11,480 --> 01:05:11,880
Speaker 3: That's the news.

1600
01:05:12,720 --> 01:05:18,680
Speaker 2: Bobby's Dirk Spentley's birthday today is forty eight years old.

1601
01:05:19,280 --> 01:05:21,200
Speaker 2: Dirk is an awesome dude, like we love when he

1602
01:05:21,200 --> 01:05:24,320
Speaker 2: comes by, love him as a guy. He has so

1603
01:05:24,400 --> 01:05:27,720
Speaker 2: many hits. Top five streaming songs number five, Burning Man,

1604
01:05:28,200 --> 01:05:30,320
Speaker 2: I'm a little Bit Steady, number.

1605
01:05:30,120 --> 01:05:34,120
Speaker 3: Four, Black Make My Go Back, number three? What was

1606
01:05:34,160 --> 01:05:34,560
Speaker 3: I thinking?

1607
01:05:34,800 --> 01:05:37,560
Speaker 2: What was that thinking number two somewhere on a beach,

1608
01:05:37,760 --> 01:05:38,880
Speaker 2: somewhere on a beach.

1609
01:05:39,160 --> 01:05:42,680
Speaker 3: Number one, drunk on a plane. I'm getting drunk on somewhere.

1610
01:05:42,720 --> 01:05:44,720
Speaker 3: He said he had not had a drink for two years. Yeah,

1611
01:05:45,080 --> 01:05:47,640
Speaker 3: like recently. Yeah, it was an article. Wow. Yeah, so

1612
01:05:48,000 --> 01:05:48,920
Speaker 3: have birthday Dirks.

1613
01:05:49,000 --> 01:05:51,880
Speaker 2: Some stuff that we've pulled from Dirk's overtime, and especially

1614
01:05:51,880 --> 01:05:53,480
Speaker 2: on the Bobbycast where I sat with him for an hour.

1615
01:05:53,520 --> 01:05:55,120
Speaker 3: In this episode, we put it back up. Just go

1616
01:05:55,200 --> 01:05:56,160
Speaker 3: search for the Bobby Cast.

1617
01:05:56,720 --> 01:05:59,000
Speaker 2: Dirk Spentley got a job at the Nashville Network when

1618
01:05:59,000 --> 01:06:02,360
Speaker 2: he came to town researching old footage of country performances,

1619
01:06:02,440 --> 01:06:05,400
Speaker 2: and he played bars and worked on demo tracks at night.

1620
01:06:05,440 --> 01:06:06,920
Speaker 2: And he talked about how it'd give his music out

1621
01:06:06,920 --> 01:06:08,600
Speaker 2: to anybody that he thought could help him because he

1622
01:06:08,600 --> 01:06:09,920
Speaker 2: was working kind of in the industry, but he was

1623
01:06:10,360 --> 01:06:11,240
Speaker 2: a video guy.

1624
01:06:11,400 --> 01:06:12,840
Speaker 3: Wasn't here you go? Yeah.

1625
01:06:12,840 --> 01:06:14,280
Speaker 16: We worked at TENA in the building's gone where he

1626
01:06:14,320 --> 01:06:15,840
Speaker 16: used to work. It was a crosstreet from the Oppery house,

1627
01:06:15,880 --> 01:06:17,560
Speaker 16: and it was when Tina and CMT were gonna all

1628
01:06:17,600 --> 01:06:19,880
Speaker 16: pack together and I was just doing anything I could

1629
01:06:19,880 --> 01:06:21,560
Speaker 16: at that point. Yeah, I was working on music and

1630
01:06:22,200 --> 01:06:24,360
Speaker 16: any what I thought could like be of help, like

1631
01:06:24,520 --> 01:06:26,720
Speaker 16: you know, hearing that and help me maybe put in

1632
01:06:26,760 --> 01:06:29,520
Speaker 16: someone's hands or get it get kicked out of doors.

1633
01:06:29,560 --> 01:06:32,320
Speaker 16: It was the point, you know, was recording songs. I

1634
01:06:32,480 --> 01:06:35,000
Speaker 16: was playing downtown on the little Broadway. I was writing

1635
01:06:35,040 --> 01:06:38,240
Speaker 16: at a you know as cap and the little writers

1636
01:06:38,320 --> 01:06:40,880
Speaker 16: room they have upstairs for they out anyone to write in.

1637
01:06:40,960 --> 01:06:42,560
Speaker 16: So it's just kind of a thing and just a

1638
01:06:42,640 --> 01:06:44,640
Speaker 16: shotgun blast of putting my stuff out there and see

1639
01:06:44,680 --> 01:06:45,479
Speaker 16: them would stick.

1640
01:06:45,640 --> 01:06:48,080
Speaker 2: He's a pilot, and so he talks about how he'd

1641
01:06:48,120 --> 01:06:50,840
Speaker 2: fly two shows and from shows, and I would.

1642
01:06:50,720 --> 01:06:51,280
Speaker 3: Just be tired.

1643
01:06:52,160 --> 01:06:53,840
Speaker 2: It's like a yeah, gotta god, you have to go.

1644
01:06:54,000 --> 01:06:56,040
Speaker 2: It's like driving home, but except you could die a

1645
01:06:56,040 --> 01:06:58,320
Speaker 2: lot easier if it didn't go right. But he talked

1646
01:06:58,320 --> 01:07:00,960
Speaker 2: about tim AGirl and Kenny Chesney, you know, started his

1647
01:07:01,080 --> 01:07:01,840
Speaker 2: dream of wanting to fly.

1648
01:07:02,360 --> 01:07:04,200
Speaker 16: And then I flew with Kennie Chesney one time, coming

1649
01:07:04,280 --> 01:07:06,080
Speaker 16: back with a show in a private jet. My first

1650
01:07:06,120 --> 01:07:08,600
Speaker 16: time ever at a jet. I was like, this is unbelievable.

1651
01:07:08,680 --> 01:07:10,440
Speaker 16: It was back in two thousand and three. I made

1652
01:07:10,480 --> 01:07:12,680
Speaker 16: signature of my password in my computer and so every

1653
01:07:12,720 --> 01:07:13,960
Speaker 16: time I typed had to get on my computer out

1654
01:07:13,960 --> 01:07:15,480
Speaker 16: of type of words signature, and I was like, I

1655
01:07:15,840 --> 01:07:17,040
Speaker 16: want to own a jet. I always look at the

1656
01:07:17,040 --> 01:07:18,960
Speaker 16: planes and these guys go, that's Tima graw Ice and

1657
01:07:19,480 --> 01:07:21,240
Speaker 16: he's Tims up there flying that planing to the gig today.

1658
01:07:21,280 --> 01:07:22,480
Speaker 3: It was a charity gig we were doing.

1659
01:07:22,520 --> 01:07:24,160
Speaker 16: He's like, yeah, I'm getting my past license and he

1660
01:07:24,240 --> 01:07:25,760
Speaker 16: was flying this cool plane. Oh he was was an

1661
01:07:25,800 --> 01:07:28,720
Speaker 16: instructor flying to a gig, multitasking. And so I went

1662
01:07:28,800 --> 01:07:31,600
Speaker 16: up the next day and started flying that instructor and.

1663
01:07:31,640 --> 01:07:34,120
Speaker 2: Now it flies all the time. And need drunk on

1664
01:07:34,120 --> 01:07:35,480
Speaker 2: a plane. People like, you're a pilot, you can't have

1665
01:07:35,520 --> 01:07:36,640
Speaker 2: this song. It's like it's a joke.

1666
01:07:36,960 --> 01:07:37,680
Speaker 3: One final clip.

1667
01:07:37,760 --> 01:07:40,240
Speaker 2: Dirk Spentley turns forty eight today. He once tracked down

1668
01:07:40,240 --> 01:07:42,120
Speaker 2: a music executive parking lot to play on a song

1669
01:07:42,520 --> 01:07:44,160
Speaker 2: and then that went on to be his first number one.

1670
01:07:44,200 --> 01:07:47,080
Speaker 3: What was I thinking? But he actually wanted another song

1671
01:07:47,160 --> 01:07:48,080
Speaker 3: to be his first single.

1672
01:07:48,280 --> 01:07:50,640
Speaker 16: And she met me outside and I played it for acoustically,

1673
01:07:50,680 --> 01:07:51,520
Speaker 16: like outside the club.

1674
01:07:51,680 --> 01:07:53,400
Speaker 3: Oddly enough, I fought really hard for that not to

1675
01:07:53,440 --> 01:07:55,360
Speaker 3: be the first single. So what did you want to be?

1676
01:07:55,400 --> 01:07:57,040
Speaker 16: The first song called Wish It Would Break, which is

1677
01:07:57,160 --> 01:07:59,919
Speaker 16: more of a country thing. It's about your wishing your cars.

1678
01:08:00,040 --> 01:08:02,160
Speaker 16: He would break because every song plays with mind your Girl.

1679
01:08:02,240 --> 01:08:04,760
Speaker 16: It's a great song. But Mike Dugan from Capitol was like,

1680
01:08:05,000 --> 01:08:05,480
Speaker 16: we're going with.

1681
01:08:05,480 --> 01:08:07,480
Speaker 8: Close it again, so and you're glad it did. Yeah.

1682
01:08:07,720 --> 01:08:09,400
Speaker 2: The interesting thing is he went and played a song

1683
01:08:09,480 --> 01:08:12,320
Speaker 2: on guitar, not just played a song like here, listen

1684
01:08:12,400 --> 01:08:13,640
Speaker 2: to this, put this in your ear.

1685
01:08:13,720 --> 01:08:16,479
Speaker 3: Oh he has his guitar. Listen to me sing. That's awkward,

1686
01:08:16,920 --> 01:08:20,200
Speaker 3: but it worked out. A favorite Dirk s Bentley moment ever.

1687
01:08:21,000 --> 01:08:26,000
Speaker 5: Amy here, probably in the very beginning. It was maybe

1688
01:08:26,080 --> 01:08:29,320
Speaker 5: one of the first times that he came in and performed.

1689
01:08:30,400 --> 01:08:33,240
Speaker 5: He's saying come a little closer. It was pretty fun

1690
01:08:33,320 --> 01:08:34,599
Speaker 5: when he said come a little closer.

1691
01:08:34,640 --> 01:08:37,880
Speaker 3: Amy. Okay, Yeah, it's.

1692
01:08:37,760 --> 01:08:39,800
Speaker 4: When I saw Dirt Bentley at the grocery store and

1693
01:08:39,880 --> 01:08:42,200
Speaker 4: he had forgot his wallet. Oh yeah, I had to

1694
01:08:42,200 --> 01:08:45,240
Speaker 4: pay for his groceries. So yeah, I mean that was

1695
01:08:45,320 --> 01:08:47,920
Speaker 4: pretty cool. It was full grocery. No, it was like

1696
01:08:48,040 --> 01:08:50,320
Speaker 4: a bag of groceries. He was doing he was gonna

1697
01:08:50,320 --> 01:08:52,800
Speaker 4: cook with the kid and they had a special like

1698
01:08:52,920 --> 01:08:55,600
Speaker 4: meal planned out and he was like, oh, and he

1699
01:08:55,640 --> 01:08:57,439
Speaker 4: starts patting his pockets and I was at the register

1700
01:08:57,520 --> 01:08:59,040
Speaker 4: next to him, and I looked up and I said,

1701
01:08:59,080 --> 01:09:02,280
Speaker 4: what's up, Dirks, And he's going forgot my wallet, so

1702
01:09:02,400 --> 01:09:03,479
Speaker 4: I've paid for his groceries.

1703
01:09:03,760 --> 01:09:05,559
Speaker 3: That's funny, Eddie. Yeah.

1704
01:09:05,600 --> 01:09:07,560
Speaker 1: You always hear about Dirk's like riding his bike and

1705
01:09:07,680 --> 01:09:10,360
Speaker 1: beat adventuress with an outdoorsman whatever. But when we were

1706
01:09:11,240 --> 01:09:14,479
Speaker 1: were outside for some reason outside the studio and he

1707
01:09:14,680 --> 01:09:17,160
Speaker 1: came driving and riding his bike down the sidewalking, We're like.

1708
01:09:17,240 --> 01:09:21,920
Speaker 3: Dirks, what's up, guys? Hel on, Yeah, everything. It's pretty crazy.

1709
01:09:22,080 --> 01:09:23,160
Speaker 3: Dirk's is such a good dude.

1710
01:09:24,240 --> 01:09:25,680
Speaker 2: Eddie and I do a show at the Rhyme and

1711
01:09:25,680 --> 01:09:27,760
Speaker 2: Auditorium ORB You're called the Million Dollar Show, which is

1712
01:09:27,800 --> 01:09:30,679
Speaker 2: off for Saint Jude and Tracy Lawrence was gonna play

1713
01:09:30,720 --> 01:09:33,360
Speaker 2: with us, and Tray Lawrence got sick the day of

1714
01:09:33,560 --> 01:09:35,519
Speaker 2: and I considered Dirk's a friend, so I was like, Dirk,

1715
01:09:35,560 --> 01:09:37,400
Speaker 2: is there anyway you can come and fill in because

1716
01:09:37,400 --> 01:09:39,880
Speaker 2: Tracy Lawrence couldn't make it, And Dirk's not only showed

1717
01:09:39,960 --> 01:09:42,040
Speaker 2: up like six hours later with his guitar, he also

1718
01:09:42,120 --> 01:09:44,360
Speaker 2: did a Tracy Lawrence song that started off he did.

1719
01:09:44,320 --> 01:09:47,719
Speaker 3: You find out who your friends are suh. It was awesome.

1720
01:09:47,960 --> 01:09:49,519
Speaker 3: But I think that pretty much said to that dude

1721
01:09:49,640 --> 01:09:52,120
Speaker 3: is yeah, can I do my real one? No, you

1722
01:09:52,240 --> 01:09:53,840
Speaker 3: had you're a joke.

1723
01:09:54,000 --> 01:09:58,320
Speaker 5: I have like a meaningful one. Okay, it's inner Engineering Tommy.

1724
01:09:58,040 --> 01:09:58,560
Speaker 3: Breathing on me.

1725
01:09:58,720 --> 01:09:59,920
Speaker 7: No, that's I was.

1726
01:10:01,240 --> 01:10:03,120
Speaker 3: You opened up that door for us to do that.

1727
01:10:03,280 --> 01:10:06,280
Speaker 5: I know I made a joke. Go ahead, obviously that

1728
01:10:06,640 --> 01:10:08,760
Speaker 5: he was making a joke when he performed it as well.

1729
01:10:08,840 --> 01:10:11,400
Speaker 5: But inter Engineering is a book that he gave me

1730
01:10:11,720 --> 01:10:14,920
Speaker 5: after we adopted the kids and he came into the

1731
01:10:14,960 --> 01:10:17,600
Speaker 5: studio to do something and dropped off the book and

1732
01:10:18,000 --> 01:10:19,519
Speaker 5: I sort of at the time, I guess I wasn't

1733
01:10:19,520 --> 01:10:22,240
Speaker 5: ready for it, because I put it away on a bookshelf,

1734
01:10:22,400 --> 01:10:25,559
Speaker 5: and then shortly well a few years after that, when

1735
01:10:25,600 --> 01:10:27,720
Speaker 5: my dad passed away, I found the book on my

1736
01:10:27,800 --> 01:10:30,400
Speaker 5: bookshelf and opened it up, and a lot of what

1737
01:10:30,560 --> 01:10:32,439
Speaker 5: was inside of it was exactly what I needed at

1738
01:10:32,520 --> 01:10:35,479
Speaker 5: that time, and so it was just really special that,

1739
01:10:36,280 --> 01:10:37,680
Speaker 5: you know, that was a gift from him.

1740
01:10:37,800 --> 01:10:41,360
Speaker 2: Happy Birthday, Dirks forty eight and that full interview of

1741
01:10:41,760 --> 01:10:44,120
Speaker 2: Dirk's just going a to Z with his life and

1742
01:10:44,160 --> 01:10:45,719
Speaker 2: his career is up. Just go search for the Bobby

1743
01:10:45,760 --> 01:10:48,800
Speaker 2: Cast wherever you listen to your podcasts. Let's play some dirks. Now,

1744
01:10:49,360 --> 01:10:51,640
Speaker 2: let's play, let's play What was I thinking? Because that

1745
01:10:51,680 --> 01:10:52,760
Speaker 2: was the something he went out with the guitar and

1746
01:10:52,800 --> 01:10:56,880
Speaker 2: he's like, listen to this, lady, hilarious. You heard a

1747
01:10:56,960 --> 01:10:59,600
Speaker 2: ghost bagging? Because I'd never heard this term lunchbox. I

1748
01:10:59,600 --> 01:11:00,679
Speaker 2: would thinkybe, you would.

1749
01:11:00,439 --> 01:11:00,880
Speaker 7: Know what this is.

1750
01:11:01,880 --> 01:11:05,800
Speaker 3: Ghost bagging. Yeah, I know what tea bagging is. I

1751
01:11:05,880 --> 01:11:09,479
Speaker 3: don't know what ghost bagging is. Like a ghost does it? Yeah,

1752
01:11:10,520 --> 01:11:14,519
Speaker 3: I think about that ghost puts us nads on your face.

1753
01:11:15,560 --> 01:11:19,479
Speaker 3: I couldn't interesting. No, that's not it.

1754
01:11:20,240 --> 01:11:22,479
Speaker 2: When I first saw ghost bagging, I thought it was

1755
01:11:22,479 --> 01:11:23,719
Speaker 2: somebody like trying to catch a snipe.

1756
01:11:23,760 --> 01:11:23,920
Speaker 3: You know.

1757
01:11:23,960 --> 01:11:25,639
Speaker 2: The joke was always, let's go snipe unting, and there's

1758
01:11:25,640 --> 01:11:27,640
Speaker 2: no such thing, or there's not. It's not really a

1759
01:11:27,680 --> 01:11:32,160
Speaker 2: thing anybody snipe hunting. It's a joke on them. And

1760
01:11:32,400 --> 01:11:33,760
Speaker 2: sometimes they have a bag and they're trying to catch

1761
01:11:33,760 --> 01:11:36,400
Speaker 2: a snipe, like maybe it's ghost bagging. Was you trying

1762
01:11:36,439 --> 01:11:37,320
Speaker 2: to catch a ghost in a bag?

1763
01:11:37,400 --> 01:11:38,280
Speaker 3: I didn't know. That's what I thought.

1764
01:11:38,320 --> 01:11:42,720
Speaker 2: Possibly, However, it's so detailed and it's something that criminals do,

1765
01:11:43,640 --> 01:11:44,639
Speaker 2: and it's a pretty good idea.

1766
01:11:45,080 --> 01:11:46,160
Speaker 3: It's got to work all the time.

1767
01:11:47,160 --> 01:11:49,880
Speaker 5: You saw this right, yeah, the ghost bag operation, especially

1768
01:11:49,880 --> 01:11:51,479
Speaker 5: because three women were arrested in nationally.

1769
01:11:51,520 --> 01:11:51,760
Speaker 16: Hear it.

1770
01:11:51,960 --> 01:11:52,719
Speaker 3: So here's what happened.

1771
01:11:52,840 --> 01:11:55,320
Speaker 2: Southwest Airlines told officers off the weekend that a bag

1772
01:11:55,360 --> 01:11:58,559
Speaker 2: arrived at the airport, no one flew with it. Inside

1773
01:11:58,600 --> 01:12:00,599
Speaker 2: the bag, they found brand new Lulu La, then close

1774
01:12:00,680 --> 01:12:02,840
Speaker 2: a receipt, a forged driver's license, and a credit card.

1775
01:12:03,760 --> 01:12:05,360
Speaker 3: Women then arrived at being able to pick up the bag.

1776
01:12:06,560 --> 01:12:08,880
Speaker 2: Inside the car, police found twenty thousand dollars worth of

1777
01:12:08,920 --> 01:12:11,600
Speaker 2: gift cards, nine thousand dollars worth of receipts and merchandise,

1778
01:12:11,680 --> 01:12:14,240
Speaker 2: and ten credit cards. Police say they believe the women

1779
01:12:14,320 --> 01:12:17,479
Speaker 2: were buying clothes using stolen credit card information, then they

1780
01:12:17,600 --> 01:12:20,599
Speaker 2: return them to different stores to get cash or store credit.

1781
01:12:20,720 --> 01:12:23,639
Speaker 2: Now ghost bagging itself, it's when a bag is checked

1782
01:12:23,680 --> 01:12:25,920
Speaker 2: onto a plane, it arrives at the destination, but the

1783
01:12:26,000 --> 01:12:28,559
Speaker 2: person doesn't travel with it. Then someone else waits at

1784
01:12:28,560 --> 01:12:30,320
Speaker 2: the arrival point for the bag to come down who

1785
01:12:30,479 --> 01:12:32,759
Speaker 2: they don't know who it is. They're not logged into anything.

1786
01:12:33,479 --> 01:12:35,560
Speaker 2: They get it and they go on with it.

1787
01:12:35,720 --> 01:12:38,680
Speaker 3: It's how they move drugs or they do stuff like this.

1788
01:12:39,360 --> 01:12:41,880
Speaker 4: So how did they get caught because you don't have

1789
01:12:42,240 --> 01:12:43,759
Speaker 4: if you're just sitting at the baggage carse.

1790
01:12:43,680 --> 01:12:45,080
Speaker 3: So you just take the bag and you walk out.

1791
01:12:45,479 --> 01:12:47,040
Speaker 2: I don't know how they got caught caught, but I

1792
01:12:47,080 --> 01:12:48,719
Speaker 2: would imagine if I were going to try to ghost

1793
01:12:48,720 --> 01:12:50,559
Speaker 2: bag somebody, or I guess you don't.

1794
01:12:50,840 --> 01:12:51,320
Speaker 3: That's not teap.

1795
01:12:51,439 --> 01:12:54,320
Speaker 2: If you're ever gonna ghost bag a situation, I would

1796
01:12:54,400 --> 01:12:58,000
Speaker 2: go and put a bag through up front where they're.

1797
01:12:57,880 --> 01:13:00,639
Speaker 3: Like check your bag here, not at the desk.

1798
01:13:01,800 --> 01:13:03,400
Speaker 2: You pay them like three blocks, you tip them and

1799
01:13:03,439 --> 01:13:05,759
Speaker 2: they take it from the front of the airport whatever

1800
01:13:05,840 --> 01:13:06,320
Speaker 2: that's called.

1801
01:13:07,600 --> 01:13:10,120
Speaker 3: I would do that, send it through.

1802
01:13:11,600 --> 01:13:13,680
Speaker 2: Then I would walk into the airport and then walk

1803
01:13:13,720 --> 01:13:15,559
Speaker 2: out another door and go about my way.

1804
01:13:15,640 --> 01:13:18,400
Speaker 3: For surveillance reasons, why would you even walk in the airport,

1805
01:13:18,400 --> 01:13:20,080
Speaker 3: because I wouldn't want the got to be like somebody

1806
01:13:20,080 --> 01:13:20,559
Speaker 3: just talked.

1807
01:13:20,360 --> 01:13:23,280
Speaker 5: To bag off and ran Okay, Well it says so

1808
01:13:23,800 --> 01:13:25,600
Speaker 5: I didn't know if you had to be boarding a

1809
01:13:25,680 --> 01:13:27,760
Speaker 5: flight for your luggage to go on there, you do,

1810
01:13:27,840 --> 01:13:29,559
Speaker 5: don't You You have to have a ticket. No, Southwest

1811
01:13:29,560 --> 01:13:31,800
Speaker 5: does not require a passenger to accompany their bag on

1812
01:13:31,880 --> 01:13:36,080
Speaker 5: a domestic flight, and so the bags are still screened.

1813
01:13:37,280 --> 01:13:41,320
Speaker 2: But but you could just ticket, though you have to

1814
01:13:41,360 --> 01:13:42,920
Speaker 2: buy a ticket to get it back to push the

1815
01:13:42,960 --> 01:13:45,120
Speaker 2: bag through because it goes if not, if.

1816
01:13:45,040 --> 01:13:46,880
Speaker 4: I want to ship something, I'm not going to pay ups.

1817
01:13:46,960 --> 01:13:48,960
Speaker 4: I'm just going to go to the Southwest. It's free.

1818
01:13:49,960 --> 01:13:51,840
Speaker 1: Well, you have a ticket, would have to have a ticket,

1819
01:13:51,920 --> 01:13:53,840
Speaker 1: and then they take your bag or whatever, and then

1820
01:13:53,960 --> 01:13:55,680
Speaker 1: you don't have to get on the plane once they

1821
01:13:55,720 --> 01:13:56,200
Speaker 1: take your bag.

1822
01:13:56,320 --> 01:13:58,040
Speaker 3: Correct, probably what they do. But how do you buy it?

1823
01:13:58,280 --> 01:14:00,000
Speaker 3: But who's named you buy the ticket, That's what I'm saying.

1824
01:14:00,000 --> 01:14:02,439
Speaker 2: And you gotta have a stolen identity from the credit card,

1825
01:14:02,600 --> 01:14:03,839
Speaker 2: a credit card stolen identity.

1826
01:14:04,160 --> 01:14:06,559
Speaker 1: Sure, but even then, like even like when we travel,

1827
01:14:06,640 --> 01:14:09,760
Speaker 1: someone buys our tickets, right, Like, it's not I don't

1828
01:14:09,760 --> 01:14:10,519
Speaker 1: buy my own ticket.

1829
01:14:11,280 --> 01:14:12,760
Speaker 3: That's an identity. You just need some one's identity to

1830
01:14:12,840 --> 01:14:14,519
Speaker 3: check it under. That's pretty brilliant.

1831
01:14:14,720 --> 01:14:16,920
Speaker 4: Yeah, So then it comes out at baggage check and

1832
01:14:17,000 --> 01:14:18,439
Speaker 4: someone's just waiting there for it. So how do they

1833
01:14:18,479 --> 01:14:21,439
Speaker 4: get in trouble? Well, what happened here is somebody saw

1834
01:14:21,479 --> 01:14:23,439
Speaker 4: something suspicious. That's why I would walk in the airport,

1835
01:14:23,800 --> 01:14:25,600
Speaker 4: do the whole thing. A yeah, I'm sure people do

1836
01:14:25,600 --> 01:14:27,439
Speaker 4: this all the time and it's never caught. But this

1837
01:14:27,520 --> 01:14:29,880
Speaker 4: time it was caught because somebody messed up somewhere wow,

1838
01:14:30,040 --> 01:14:33,760
Speaker 4: or maybe in the screening. They opened it and we're like,

1839
01:14:33,880 --> 01:14:35,760
Speaker 4: this doesn't seem right. Let's just watch it and see

1840
01:14:35,760 --> 01:14:38,280
Speaker 4: what happens on the other way, like on the way through.

1841
01:14:38,479 --> 01:14:38,960
Speaker 3: That's crazy.

1842
01:14:39,040 --> 01:14:41,280
Speaker 1: Yeah, because they do screen your bags when you check them,

1843
01:14:42,400 --> 01:14:44,559
Speaker 1: then to screen some of them because I've gotten little

1844
01:14:44,560 --> 01:14:45,760
Speaker 1: tags in there say your bag's been.

1845
01:14:45,680 --> 01:14:48,680
Speaker 2: Screening, absolutely, but not every time. Yeah yeah, yeah, you

1846
01:14:48,800 --> 01:14:52,320
Speaker 2: just hope hopefully you don't get unlucky. That's the first

1847
01:14:52,360 --> 01:14:54,120
Speaker 2: person that did that. Man, they probably gotta raise. It's

1848
01:14:54,160 --> 01:14:57,080
Speaker 2: in their cartel. They were like, you, you gave us

1849
01:14:57,080 --> 01:14:58,920
Speaker 2: a great idea. What's it called ghost bag and goes

1850
01:14:58,960 --> 01:15:03,400
Speaker 2: ba And then to have all that in the car though,

1851
01:15:03,439 --> 01:15:05,760
Speaker 2: you got to leave it to the house man at

1852
01:15:05,800 --> 01:15:07,800
Speaker 2: twenty thousand dollars worth of gift cards in the car.

1853
01:15:08,720 --> 01:15:12,040
Speaker 3: It's a lot of gift cards. That's awesome. Terrible, but

1854
01:15:12,120 --> 01:15:13,160
Speaker 3: that's a lot of gift cards.

1855
01:15:13,240 --> 01:15:15,519
Speaker 2: Yeah, yeah, that's it. Okay, Well, the ghost bagging. So

1856
01:15:15,560 --> 01:15:17,200
Speaker 2: when someone asks you you know what it is now.

1857
01:15:17,680 --> 01:15:19,920
Speaker 2: But I thought that was a pretty interesting way that

1858
01:15:19,960 --> 01:15:22,800
Speaker 2: people the're probably moving drugs and money in ways that

1859
01:15:23,360 --> 01:15:24,840
Speaker 2: we don't. We won't even know about it for three

1860
01:15:24,880 --> 01:15:26,360
Speaker 2: or four years. Then we'll be like, wow, I can't

1861
01:15:26,360 --> 01:15:28,719
Speaker 2: believe they were doing that. In the fact that keister

1862
01:15:28,840 --> 01:15:30,679
Speaker 2: things is still amazing to me. And that's old school

1863
01:15:30,960 --> 01:15:31,880
Speaker 2: sticking your butt and you get it.

1864
01:15:31,880 --> 01:15:35,360
Speaker 3: In prison, that's still I don't know why people do that.

1865
01:15:35,600 --> 01:15:37,559
Speaker 3: That's how you get it in person.

1866
01:15:37,880 --> 01:15:39,559
Speaker 5: Or sometimes they'll make people swallow it.

1867
01:15:40,360 --> 01:15:42,640
Speaker 3: Sure, and they wait a couple of days. Would you

1868
01:15:42,720 --> 01:15:46,400
Speaker 3: rather or keyster it? Swallow it?

1869
01:15:46,479 --> 01:15:51,519
Speaker 2: Swallow'd rather go yeah, because then it's it'd probably not

1870
01:15:51,720 --> 01:15:52,640
Speaker 2: be good initially.

1871
01:15:53,120 --> 01:15:57,800
Speaker 3: And but I couldn't die of it, right They put

1872
01:15:57,840 --> 01:15:59,000
Speaker 3: it up there and it blows up.

1873
01:15:59,080 --> 01:15:59,519
Speaker 7: You can die.

1874
01:15:59,600 --> 01:16:00,519
Speaker 3: It's like a blow up. Though.

1875
01:16:00,640 --> 01:16:02,320
Speaker 2: Like if you're going if you're gonna get in a

1876
01:16:02,439 --> 01:16:04,280
Speaker 2: cell phone, a small cell phone, yeah, it's just in

1877
01:16:04,360 --> 01:16:04,759
Speaker 2: your booty.

1878
01:16:05,240 --> 01:16:06,880
Speaker 1: You put it in your butt or you gotta swallow it.

1879
01:16:07,000 --> 01:16:10,080
Speaker 1: The cell phones aren't small, dude. They get the little

1880
01:16:10,080 --> 01:16:12,600
Speaker 1: flip onones like my iPhone that would hurt. You're not

1881
01:16:13,479 --> 01:16:16,400
Speaker 1: You're not gonna that okay, okay, okay, all right.

1882
01:16:17,200 --> 01:16:21,240
Speaker 2: Let's say you were trying to smuggle in five quarters

1883
01:16:22,280 --> 01:16:23,160
Speaker 2: magical quarters.

1884
01:16:23,880 --> 01:16:25,960
Speaker 3: Now would you rather keysta the five quarters or swallow

1885
01:16:25,960 --> 01:16:26,479
Speaker 3: them in alone?

1886
01:16:26,920 --> 01:16:29,120
Speaker 2: Let me see a quarter, and five of them are

1887
01:16:29,160 --> 01:16:34,160
Speaker 2: together like stacked, so five quarters stacked?

1888
01:16:34,160 --> 01:16:36,559
Speaker 3: Would you rather swallow them in a balloon or keister

1889
01:16:36,720 --> 01:16:40,600
Speaker 3: them that way? Swallow the swallow. I don't think you

1890
01:16:40,720 --> 01:16:41,240
Speaker 3: swallow a quarter.

1891
01:16:41,320 --> 01:16:43,800
Speaker 2: I'd keister that and then ikeaster, give me your stuff,

1892
01:16:43,800 --> 01:16:46,480
Speaker 2: I'll take yours years in two gladly.

1893
01:16:49,600 --> 01:16:50,839
Speaker 3: Bobby Bone show.

1894
01:16:52,120 --> 01:16:52,439
Speaker 7: Today.

1895
01:16:53,080 --> 01:16:56,680
Speaker 12: This story comes us from Sheldon Iowa, a sixty four

1896
01:16:56,760 --> 01:16:59,360
Speaker 12: year old man was arrested after he got upset at

1897
01:16:59,360 --> 01:17:03,240
Speaker 12: his neighbors didn't like the way they looked. So you think, oh,

1898
01:17:03,320 --> 01:17:05,679
Speaker 12: he went over and destroyed and broke them all. Nope,

1899
01:17:06,000 --> 01:17:09,240
Speaker 12: he had a bucket of paint a paint brush and

1900
01:17:09,320 --> 01:17:11,479
Speaker 12: went over and did some art on the pottery.

1901
01:17:12,240 --> 01:17:14,360
Speaker 3: So just drew things. Yeah, he painted in them because

1902
01:17:14,360 --> 01:17:17,000
Speaker 3: you want them to be more attractive. But draw like pizza.

1903
01:17:18,320 --> 01:17:20,439
Speaker 3: Well that's kind of nice, but it's vandalism. Tell me

1904
01:17:20,479 --> 01:17:23,559
Speaker 3: something good, or it's a beautiful mirror.

1905
01:17:23,600 --> 01:17:25,920
Speaker 2: I guess you just can't go paint on other people's stuff,

1906
01:17:26,200 --> 01:17:29,599
Speaker 2: even if it's nice that I was watching a TikTok

1907
01:17:29,640 --> 01:17:31,439
Speaker 2: from she's an actress.

1908
01:17:32,560 --> 01:17:34,799
Speaker 3: I recognized you from somewhere, but I don't know Jennifer Lawrence.

1909
01:17:35,080 --> 01:17:35,120
Speaker 10: No.

1910
01:17:36,400 --> 01:17:39,360
Speaker 3: And she was an artisan as well. And so she

1911
01:17:39,479 --> 01:17:41,960
Speaker 3: was in New York and while they this place had.

1912
01:17:41,920 --> 01:17:45,200
Speaker 2: Been like condemned and they were turning it into a new, new,

1913
01:17:45,320 --> 01:17:46,439
Speaker 2: new place, but she didn't know what it was going

1914
01:17:46,479 --> 01:17:48,240
Speaker 2: to be, and it was literally just old boards and stuff.

1915
01:17:48,520 --> 01:17:50,360
Speaker 2: And so she went and she takes a marker and

1916
01:17:50,479 --> 01:17:53,400
Speaker 2: she draws all these little fun shapes on this old

1917
01:17:53,400 --> 01:17:55,240
Speaker 2: piece of crap building that they're going to tear down.

1918
01:17:55,680 --> 01:17:57,760
Speaker 2: So the new people coming to build a restaurant, but

1919
01:17:57,880 --> 01:18:02,479
Speaker 2: they keep her drawings. It's yeah, and like the wood

1920
01:18:02,520 --> 01:18:04,320
Speaker 2: that she drew it on there, it's still up there.

1921
01:18:04,760 --> 01:18:06,599
Speaker 2: And so she goes up to the place and she's like, hey,

1922
01:18:06,680 --> 01:18:10,080
Speaker 2: I'm sorry, I drew this. This was an old piece

1923
01:18:10,080 --> 01:18:11,680
Speaker 2: of crap building. I did it on TikTok. I was

1924
01:18:11,720 --> 01:18:13,479
Speaker 2: just drawing it to make it. And they were like,

1925
01:18:13,800 --> 01:18:16,439
Speaker 2: it's awesome. Will you finish it and do the rest

1926
01:18:16,479 --> 01:18:18,559
Speaker 2: of it. So she drew the rest on the It's awesome.

1927
01:18:18,680 --> 01:18:19,679
Speaker 3: That's cool. Yeahs cool.

1928
01:18:19,680 --> 01:18:19,920
Speaker 7: Wow.

1929
01:18:20,280 --> 01:18:22,840
Speaker 3: And you know what's cool is murals now, I mean

1930
01:18:23,000 --> 01:18:25,920
Speaker 3: when they're painted on walls. I'm like, that is fast, great,

1931
01:18:25,960 --> 01:18:27,760
Speaker 3: it's crazy people have that town. How can they do that?

1932
01:18:27,920 --> 01:18:30,120
Speaker 3: Like it's a ten story building and they paint the

1933
01:18:30,160 --> 01:18:31,000
Speaker 3: whole wall and I'm.

1934
01:18:30,880 --> 01:18:36,080
Speaker 2: Like, yeah, even just somebody who can draw on paper, yes,

1935
01:18:36,800 --> 01:18:37,639
Speaker 2: like a sail boat.

1936
01:18:37,720 --> 01:18:41,840
Speaker 3: I'm like, god, just I know. Crazy? All right, Well,

1937
01:18:41,880 --> 01:18:44,160
Speaker 3: don't paint people's stuff if it's not yours.

1938
01:18:44,320 --> 01:18:47,519
Speaker 5: They have a Gooby Gone makes now a graffiti Gooby

1939
01:18:47,600 --> 01:18:48,160
Speaker 5: Gone spray.

1940
01:18:48,320 --> 01:18:50,479
Speaker 3: I don't know what gooby gun is. Oh, Gooby gone,

1941
01:18:50,640 --> 01:18:52,639
Speaker 3: Gooby gone. Yeah, you wipe graffiti off.

1942
01:18:52,560 --> 01:18:53,479
Speaker 7: With it they have.

1943
01:18:53,880 --> 01:18:56,240
Speaker 5: I just thought they had one Gooby Gone that's it.

1944
01:18:56,720 --> 01:18:59,640
Speaker 5: And I I was looking at it all because I

1945
01:18:59,680 --> 01:19:01,320
Speaker 5: needed to get some and there was like there's no

1946
01:19:01,520 --> 01:19:04,640
Speaker 5: twenty different options of Gooby Gune, some for graffiti, some

1947
01:19:04,800 --> 01:19:05,559
Speaker 5: for super glue.

1948
01:19:06,240 --> 01:19:08,479
Speaker 3: So whenever you need they say, I'm saying Gooby gun

1949
01:19:08,640 --> 01:19:09,960
Speaker 3: like it does. Is this a commercial?

1950
01:19:10,200 --> 01:19:15,400
Speaker 2: No. The girl's name is Kate Winslet mpuchee, and she's

1951
01:19:15,439 --> 01:19:18,320
Speaker 2: in a show called Garfunkele and Oates, a comedy show.

1952
01:19:18,360 --> 01:19:20,479
Speaker 2: But I recognize it from another show as well. So anyway,

1953
01:19:20,479 --> 01:19:21,719
Speaker 2: all right, Lunchbox, I'm Lunchbox.

1954
01:19:21,800 --> 01:19:23,200
Speaker 3: That's your bonehead story of the day.

1955
01:19:24,479 --> 01:19:27,040
Speaker 2: Most popular baby names of this last year twenty twenty three.

1956
01:19:28,680 --> 01:19:31,120
Speaker 2: Mostly they stay the same ish every year. There's like

1957
01:19:31,200 --> 01:19:33,679
Speaker 2: one that kind of creeps up in there, and they're

1958
01:19:33,720 --> 01:19:34,280
Speaker 2: so trendy.

1959
01:19:34,320 --> 01:19:34,880
Speaker 3: I don't know that.

1960
01:19:34,880 --> 01:19:37,000
Speaker 2: I don't want to name my kid this because trendy

1961
01:19:37,120 --> 01:19:41,320
Speaker 2: names also aren't trendy, Like a solid name is like Matt,

1962
01:19:42,840 --> 01:19:44,120
Speaker 2: Like you know, Matt, Matthew is.

1963
01:19:44,080 --> 01:19:45,960
Speaker 3: Gonna be good for fifty years. I mean it's been

1964
01:19:46,000 --> 01:19:48,600
Speaker 3: around for Chris Christopher.

1965
01:19:49,040 --> 01:19:55,479
Speaker 2: You know that's solid. Most popular boy names liam now

1966
01:19:55,520 --> 01:19:57,639
Speaker 2: and you can always track it back to probably Oasis

1967
01:19:57,760 --> 01:19:58,160
Speaker 2: the singer.

1968
01:20:00,400 --> 01:20:05,559
Speaker 5: Yeah, Oliver, that's cute.

1969
01:20:05,360 --> 01:20:10,240
Speaker 3: Oliver twist man, it feels trendy ish Matteo. There's no

1970
01:20:10,360 --> 01:20:13,160
Speaker 3: way that's that's gotta be for my culture?

1971
01:20:13,240 --> 01:20:13,400
Speaker 8: Man?

1972
01:20:14,560 --> 01:20:14,880
Speaker 3: What is it?

1973
01:20:15,120 --> 01:20:15,160
Speaker 2: Like?

1974
01:20:15,240 --> 01:20:15,519
Speaker 8: Really?

1975
01:20:15,880 --> 01:20:17,719
Speaker 3: Is it popular? I wouldn't have thought that would would

1976
01:20:17,720 --> 01:20:21,000
Speaker 3: be a Hispanic or Mexico Yeah right right, you say

1977
01:20:21,040 --> 01:20:21,320
Speaker 3: it like that.

1978
01:20:21,400 --> 01:20:27,040
Speaker 2: I got to be Mato from the South may Noah, Okay,

1979
01:20:27,800 --> 01:20:29,160
Speaker 2: but but the art has always been here.

1980
01:20:29,160 --> 01:20:30,800
Speaker 3: Why is it trendy again? What Noah is there now

1981
01:20:31,479 --> 01:20:36,960
Speaker 3: no Cyrus? And then and then Elijah?

1982
01:20:37,080 --> 01:20:42,400
Speaker 2: Biblical name to Elijah would but tricky because I don't

1983
01:20:42,400 --> 01:20:44,599
Speaker 2: think Elijah has always been like a solid name.

1984
01:20:44,960 --> 01:20:46,479
Speaker 3: We didn't have any Elijah's when I was a kid.

1985
01:20:47,280 --> 01:20:53,519
Speaker 5: Eli Eli's Eli Manning is Elijah or Eli Elijah.

1986
01:20:53,560 --> 01:20:55,320
Speaker 3: That's a good question. I know I wouldn't think Eli

1987
01:20:55,400 --> 01:20:57,560
Speaker 3: Manning's Elijah Manning. I don't know. I don't think so.

1988
01:20:58,080 --> 01:20:58,200
Speaker 17: Uh.

1989
01:20:58,400 --> 01:20:58,960
Speaker 3: Girl names.

1990
01:20:59,880 --> 01:21:03,040
Speaker 2: I do like Charlotte as a consistent name, although I

1991
01:21:03,040 --> 01:21:04,439
Speaker 2: think when we were kid, Charlotte, whatuld seem like a

1992
01:21:04,479 --> 01:21:05,000
Speaker 2: woman's name?

1993
01:21:05,040 --> 01:21:08,760
Speaker 3: Well, this is Charlotte's web. Maybe Sophia four. I think

1994
01:21:08,800 --> 01:21:11,040
Speaker 3: all women names are back as being young girl names.

1995
01:21:11,040 --> 01:21:13,320
Speaker 2: Again, as I look at the list, Amelia three, same,

1996
01:21:13,680 --> 01:21:17,040
Speaker 2: Emma two, Olivia one. It'd be cool to have twins

1997
01:21:17,160 --> 01:21:18,479
Speaker 2: and wanted to be Olivia and I want to be

1998
01:21:18,520 --> 01:21:20,760
Speaker 2: Oliver their boy girl. Or if you had two boys,

1999
01:21:20,800 --> 01:21:22,160
Speaker 2: he still named one Olivia and they just got the

2000
01:21:22,280 --> 01:21:22,880
Speaker 2: raw into the deal.

2001
01:21:22,960 --> 01:21:23,080
Speaker 3: Oh.

2002
01:21:24,560 --> 01:21:25,920
Speaker 5: I like all those girls names.

2003
01:21:26,320 --> 01:21:27,720
Speaker 3: The girl names I do too.

2004
01:21:27,720 --> 01:21:29,800
Speaker 2: The girls names are pretty good. The guy names are fine.

2005
01:21:29,840 --> 01:21:31,719
Speaker 2: They just feel a bit trendy that I'd be risking

2006
01:21:31,760 --> 01:21:34,200
Speaker 2: it in ten years. You don't like Matheo man I

2007
01:21:34,240 --> 01:21:38,360
Speaker 2: think it's mateyo. How you say it comes from, that's it.

2008
01:21:38,479 --> 01:21:39,679
Speaker 2: Thank you, We will see you guys tomorrow.

2009
01:21:39,720 --> 01:21:42,599
Speaker 17: By Buddy's A Bobby Bonesher