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Speaker 1: Transmitting Hello, welcome to Tuesday show Morton Studio. Morning. Let's

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Speaker 1: hear from Georgia in Ohio, who is six years old,

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Speaker 1: who left us this voicemail last night. I read you

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Speaker 1: buck and then the favorite part was um, your dog

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Speaker 1: shaving m pearl and that bug. It was so much fun.

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Speaker 1: Your dog Stanley went very like I'm crazy, and the

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Speaker 1: pictures it was so funny. Thank you Bye. I believe

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Speaker 1: she felt it. Yeah, that's good. Still laugh. Yeah. So

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Speaker 1: my kid's book, it's been out a week now, and

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Speaker 1: the book cycles weird because it's Tuesday. It's like day

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Speaker 1: one of week two, and so I didn't get to

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Speaker 1: do a lot of book press last week cause I

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Speaker 1: was sick, and I'm not gonna do it this week.

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Speaker 1: So if you'd like to buy it, please do. I

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Speaker 1: think on Amazon the two for three for the price

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Speaker 1: of two fifty. I don't know. So that ship is sailed.

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Speaker 1: You can't do press anymore for them. You can, but

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Speaker 1: what happens is the book company goes you do it

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Speaker 1: week one like a movie. Try to get a big

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Speaker 1: week and then you're able to go out. I don't

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Speaker 1: know if it's gonna be a best seller or not,

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Speaker 1: but I wasn't able to do what I normally do,

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Speaker 1: which is like I was gonna go do Good Morning America.

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Speaker 1: I was gonna go do it and say, hey, buy it.

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Speaker 1: And so if I'll say this and I'll wrap it,

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Speaker 1: and who knows, I could if it's bought a lot

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Speaker 1: the second week, it could be a best seller. If

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Speaker 1: this book ends up being a best seller as a

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Speaker 1: kid's book, me doing no press, I just owe it

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Speaker 1: all to the B team and not any sort of

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Speaker 1: press at all. And if that happens, I'll never do

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Speaker 1: press again. Screw it press. We got our own little

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Speaker 1: group here. But I'm very proud of the book and

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Speaker 1: that's a yeah, it's good. And we're still almost done

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Speaker 1: sitting out all the autographs for inside the book, and

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Speaker 1: that's been a process, but we're there. I do want

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Speaker 1: to go over and talk to Brad. And by the way,

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Speaker 1: the book is called, if you go to Amazon, Stanley

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Speaker 1: the Dog First Day at School, and it's mostly about

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Speaker 1: being true to yourself, regardless of what others are saying

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Speaker 1: and how they're acting about you. You may look different

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Speaker 1: and feel different, but it's about your true value. So

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Speaker 1: it's called Stanley the dog first at school, Brad and Virginia,

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Speaker 1: what's up, buddy, I understand worst encouragement or advice. I'm

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Speaker 1: terrified of flying. I'm not in control. I honestly a

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Speaker 1: little words of encouragement and advice how to get through

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Speaker 1: it tomorrow as I traveled to go pick up my wife.

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Speaker 1: You got it. I'm gonna give it to you because

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Speaker 1: I'm gonna speak to you as you because I Brad,

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Speaker 1: I'm also terrified of flying, like I hate it. I

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Speaker 1: talked about it on the show a lot. I hate.

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Speaker 1: I don't understand how you get something metal that that

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Speaker 1: heavy up there and it just stays up there, right.

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Speaker 1: I don't understand the science. I understand the scientists are smart.

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Speaker 1: I don't know how radio works either, but I trust it.

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Speaker 1: I don't know how anything works. Here's you go, Brad.

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Speaker 1: So you're going to do it. So we're gonna eliminate

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Speaker 1: the fact that you're so scared you may not do it.

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Speaker 1: You're doing it. You're just gonna white knuckle it and go. Now,

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Speaker 1: if you just look at dad at which is the

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Speaker 1: only real truth in our world with science is numbers.

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Speaker 1: There are more accidents that happen on the road with cars,

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Speaker 1: because there are more idiots driving cars in the air planes.

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Speaker 1: So think about that. First of all, do you feel safe, Brad,

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Speaker 1: if you're just driving to work on a Wednesday or

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Speaker 1: like a Tuesday today, do you feel safe just driving

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Speaker 1: to work? Yea, yea, yes, yes, I'm in control of

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Speaker 1: myself for a living, but you're not. You know this,

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Speaker 1: and I'll talk to you. Somebody who got my not

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Speaker 1: as good as you. But I got a CDL for

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Speaker 1: a show. I had to do all the tests. You're

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Speaker 1: in control of you, but you're not in control. Somebody

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Speaker 1: easily can nail you. You have nothing. You don't have control.

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Speaker 1: You have control of you part of the equation. You

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Speaker 1: don't have control of life. Somebody easily, if you're in

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Speaker 1: your car, could pop you. Game over true or false?

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Speaker 1: Very true? Okay, So thank you. That being said, just

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Speaker 1: looking at numbers, way more accidents with cars than airplanes,

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Speaker 1: even if you go per day, per anything. So the

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Speaker 1: plane's not gonna crash, if the car's gonna crash way

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Speaker 1: before the plane. If you feel safe in a car,

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Speaker 1: you should feel safe in a plane. Secondly, Amy's husband

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Speaker 1: was a pilot in the Air Force. Still as a pilot,

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Speaker 1: but was a pilot in the Air Force, and I

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Speaker 1: sat with him and I said, I need you to

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Speaker 1: talk me through this because I'm going to be scared

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Speaker 1: to fly. He said, Okay, here's what turbulence is. It

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Speaker 1: is basically, and I'm gonna paraphrase, and I'm probably gonna

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Speaker 1: be a little wrong when turbulence more in the daytime,

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Speaker 1: because what's happened. As the sun goes down, heat hits

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Speaker 1: the ground, heat comes back up, creates little bumps. He goes,

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Speaker 1: You don't crash from that. It's it's it's air coming up.

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Speaker 1: You're hitting it. Yep, it's uncomfortable, But it's just like

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Speaker 1: driving down the road and going over a bump. Yeah, pothole.

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Speaker 1: Not even a pothole. Yeah, not even that, like pebbles

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Speaker 1: in the road, because a pothole can actually flatten a tire.

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Speaker 1: I said that like a pothole. He goes, No, you idiot,

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Speaker 1: not even a pothole. So when you feel turbulence, the

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Speaker 1: pilots are going basically, oh, I just ran over a

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Speaker 1: hat that fell out of the back of somebody's car.

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Speaker 1: You aren't going to crash. Look at the news. Do

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Speaker 1: you ever see plane crashes a Southwest maybe once every

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Speaker 1: couple of years, and mostly they don't die. It's like

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Speaker 1: we had to land and you hardly ever is there

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Speaker 1: a Sully incident. It makes the news, Yes, did they die? No,

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Speaker 1: And that was a disaster. Occasionally one in ten million.

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Speaker 1: You'll win the lottery before you get in a plane crash.

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Speaker 1: All that to be said, I'm scared too, but I

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Speaker 1: have to just clutter in my mind with all these

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Speaker 1: things to make me twenty percent less scared. So I

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Speaker 1: don't leave water in the seat when I walk out.

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Speaker 1: But you're gonna do it. It's gonna be terrifying. You're

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Speaker 1: gonna be better because of it. You're gonna be no

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Speaker 1: less scared once you're done. But you're gonna do it.

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Speaker 1: You're gonna be fine. You love your wife. The end

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Speaker 1: shows over. Go home, there you go, Yeah, there you go.

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Speaker 1: You're gonna be fine. It's awesome. And think about that

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Speaker 1: back in I don't know, one hundred years ago, for

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Speaker 1: the right brothers, we had to walk. You get on

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Speaker 1: a horse. Years you probably got you ran into some

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Speaker 1: buffalo and got eaten. All right, Brad, you got this, buddy,

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Speaker 1: Go have it. You're not gonna love it. That's hey,

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Speaker 1: that showbiz baby. All right, all right, baby, appreciate all right,

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Speaker 1: see man, Yeah, it's time to open up the mail bag.

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Speaker 1: Get something we call ye Hello, Bobby Bones. My four

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Speaker 1: year old plays in a local t ball league where

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Speaker 1: the coach is volunteer. There's been some concern that the

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Speaker 1: coach has been intoxicated during games. At this last game,

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Speaker 1: she came twenty minutes after it started smelling of alcohol

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Speaker 1: and was kind of rude to the kids who questioned her.

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Speaker 1: If you remember they're four and five year olds, they

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Speaker 1: have no filter. Her cup and breath clearly smelled of alcohol.

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Speaker 1: She then left her cup on the bench, which is

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Speaker 1: within access of any of the kids. She was more clumsy,

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Speaker 1: She was more short with all the players to the game.

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Speaker 1: I understand she's a volunteer. I'm not about anyone having

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Speaker 1: a drink at the fields, but when you're the coach,

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Speaker 1: it's a little different. I'm also concerned for her child

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Speaker 1: that she would be driving home after the game. I

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Speaker 1: don't know if it'd be appropriate to talk to the

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Speaker 1: rec center or just let it be Any advice would

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Speaker 1: be appreciated. Signed mom of a little leaguer Firstly, I

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Speaker 1: want to say I'm surprised as a woman. It's like

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Speaker 1: a dumb dude decision. I've just felt I guess unfairly

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Speaker 1: it was a dude doing this. Um okay, so here

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Speaker 1: we are not a funny situation. Obviously, you don't let

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Speaker 1: it be. First of all, I'm gonna I'm gonna start

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Speaker 1: with that. Now we're gonna talk about how you cannot

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Speaker 1: let it be. But you can't let it be because

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Speaker 1: if you let it be and something bad does happen,

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Speaker 1: and there's a whole myriad of things that could happen,

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Speaker 1: that's that you're gonna feel terribly guilty. Now, what is

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Speaker 1: going to have to happen is going to be awkward

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Speaker 1: for somebody. It is not a comfortable situation to have

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Speaker 1: to address this with any one, regardless of softball life period.

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Speaker 1: My advice would be, if this is something that is

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Speaker 1: known amongst other parents of the team, you're gonna have

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Speaker 1: to talk with them and nominate someone to have that conversation.

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Speaker 1: Who's best equipped to have that conversation. It could be

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Speaker 1: rec Center, Sure, it could be rec Center. But if

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Speaker 1: there's no relationship at all and somebody wh runs a

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Speaker 1: sports complex. That's only going to be disciplinary action, going hey,

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Speaker 1: we saw your alcohol in your cup. You can't come

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Speaker 1: here anymore. That's all that's going to be. So you

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Speaker 1: can do that, or you can have a nominated party approach, like, hey, coach,

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Speaker 1: talk to you after the game. It's going to be awkward,

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Speaker 1: it could end up confrontational. So the person that is

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Speaker 1: best equipped and calm enough to do it and say, hey,

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Speaker 1: I'm just kind of worried about you, La La la,

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Speaker 1: communicate in a manner that is effective and then see

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Speaker 1: where it goes. Either she's not drinking games anymore, she'd

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Speaker 1: come to games anymore. But something has to happen because

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Speaker 1: you can't let this just happen. So it's finding the

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Speaker 1: person who you feel could communicate best with her about

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Speaker 1: this situation. You could also be wrong and there's no

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Speaker 1: alcohol in the drink and she doesn't smell like awkwod.

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Speaker 1: You could an outside chance of that. You need to know, though,

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Speaker 1: so don't just go all will and nilly and go

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Speaker 1: back coach. So we talk to you and get a

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Speaker 1: responsible group of parents that you trust, nominate someone respectfully,

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Speaker 1: have that conversation. That's my opinion of someone who's dealt

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Speaker 1: with similar situations in life, not about ball, but about

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Speaker 1: just drinking in places you shouldn't be drinking, and sometimes

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Speaker 1: not knowing you're drinking when you shouldn't be at all.

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Speaker 1: Amy your thoughts, Yeah, I would say just look at

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Speaker 1: this first and foremost as safety of those children and

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Speaker 1: her child, and that's it is going to be uncomfortable,

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Speaker 1: but sometimes there's discomfort in communication and that you just

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Speaker 1: have to this is too important for you to ignore

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Speaker 1: and let it be well. Any growth hurts. If you're

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Speaker 1: twelve and you're growing physically and your body's growing, that hurts.

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Speaker 1: You're like, oh, wake up. Any growth hurts. Any growth

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Speaker 1: to be better hurts. If you're learning a new skill,

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Speaker 1: it sucks. It hurts because there's a struggle of failing.

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Speaker 1: So look at this as growth. It's going to be

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Speaker 1: painful and awkward, but somebody's got to do it. And

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Speaker 1: if nobody does it and something bad happens, you are

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Speaker 1: not going to be happy with yourself. And I wouldn't

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Speaker 1: use us to me. I hear a little bit of

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Speaker 1: denial and then like, I get it. You know coaching

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Speaker 1: literally you have a drink. Actually, no, no, that's how

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Speaker 1: she said, she said at the ballpark, people drink at

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Speaker 1: the park. She's a coach though, No, no, I know

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Speaker 1: she's saying she's not against people having a drink at

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Speaker 1: the right watching the game, watching the game, but she's

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Speaker 1: arriving as a coach. So yeah, yeah, I'm just like,

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Speaker 1: we don't. I don't want to. It's it's uncomfortable, but

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Speaker 1: it has to be done, like it sounds necessary to me,

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Speaker 1: and I don't. I don't think this is about Eddie. Right. Well,

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Speaker 1: I was gonna say one time I was mowing the

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Speaker 1: lawn and I had a beer and it was right

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Speaker 1: before my kid's game, and I went and one of

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Speaker 1: the dads called in. They're like, hey, we need you

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Speaker 1: to coach third base. And I'm like, oh, they're gonna

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Speaker 1: all smell me like I just had a beer. And

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Speaker 1: so no one said anything. So I think I'm all right,

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Speaker 1: not about me. That's the mail bag. Close it up.

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Speaker 1: We got your game. That was about the year. So

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Speaker 1: as a reminder, we had a segment last week and

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Speaker 1: Eddie and Scoobast were in Memphis. They went to watch

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Speaker 1: the Elvis movie and while they were there, they go

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Speaker 1: to a bar and they see a guy playing Gavin DeGraw.

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Speaker 1: I don't want to be this song right here from

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Speaker 1: Gavin Degral. There's a guy just covering this song in

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Speaker 1: a bar, and they think, since Gavin's been on the

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Speaker 1: show once and they happened to have his number for

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Speaker 1: professional reasons, they needed to text him a video at

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Speaker 1: one in the morning. It was a good version, though.

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Speaker 1: This guy was really good, right, I hear you sure?

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Speaker 1: So we talked about how that's kind of awkward. You're

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Speaker 1: not friends with them, No, we don't really know him.

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Speaker 1: It's like getting his number off a medical form and

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Speaker 1: then being like, oh, I have his number, let me.

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Speaker 1: It was Scuba's idea, he said, should text him. I said, yes, absolutely.

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Speaker 1: I say, Gavin's a nice guy, He's probably not gonna

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Speaker 1: be mad. But that's inappropriate. You can't do that. You

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Speaker 1: can't go down to Broadway here in Nashville and be like, hey, Garth,

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Speaker 1: there's friends in low places here. This is Sally doing it. Man.

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Speaker 1: You guys railed us for doing I railed mildly reem.

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Speaker 1: So Gavin came out at my show. I brought him

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Speaker 1: out on Saturday night as a surprise, and so he's

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Speaker 1: backstage ready to surprise the crowd out inside of my

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Speaker 1: comedy and inspirational show. And you asked him about this? Yeah,

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Speaker 1: he was backstage, so I said, hey, damn, can I

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Speaker 1: ask you a question? You know how we texted you

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Speaker 1: with that version of that guy singing your song, like,

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Speaker 1: what's that inappropriate to? He's like, what are you talking about? No,

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Speaker 1: he was. He didn't say what are you talking about?

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Speaker 1: He said, quote, I will tell you what he said.

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Speaker 1: He goes, Dude, I really enjoyed that, Like I like

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Speaker 1: the reminder of like, that's cool. People are still playing

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Speaker 1: my music to me. It's very flattering. And then he

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Speaker 1: ended with this nice to you. Go ahead. Hey. He

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Speaker 1: ended with next time you see someone else playing that, dude,

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Speaker 1: text away. Yeah, all right, Scuba, We're good. Dude, alright,

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Speaker 1: you do realize more. He's a nice guy. And he

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Speaker 1: was just being what do you think he's gonna say, dude,

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Speaker 1: don't do that. Yeah, yeah, I would expect him to

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Speaker 1: be like, ah, man, yeah it was a little weird

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Speaker 1: or whatever, but he didn't say that. He said, dude,

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Speaker 1: it was. I was very flattered by that, but he

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Speaker 1: also could have just stopped it. I was flattered and

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Speaker 1: it was cool. He didn't have to add on send

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Speaker 1: it to me next time. That's why I think that

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Speaker 1: he was just being super nice and it's like, yeah,

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Speaker 1: who wants to see Yeah. I think it would be

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Speaker 1: a different answer if Bobby asked him as opposed to

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Speaker 1: the person that sent the text. Okay, Bobby, Let's say

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Speaker 1: that we're somewhere and I see someone covering raging idiots

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Speaker 1: or someone else that has happened before, and I wanted

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Speaker 1: it because but I'm not. I'm not famous, but I

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Speaker 1: don't have that. Gavin A grassong is so massive, ten

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Speaker 1: thousand people are covering it every night, and you're friends

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Speaker 1: with Bobby Amy. Okay, not me, bad example, but anybody

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Speaker 1: like that all the way around, Yeah, all the way around.

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Speaker 1: The rule is if you're not if you haven't texted

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Speaker 1: with them on a personal basis before in a friendly way,

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Speaker 1: don't text them. If it period, if you get their

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Speaker 1: number from the show, Okay, you should be like who

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Speaker 1: punishment one day should be like if you mess up

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Speaker 1: or do something, you have to text someone from your phone. No,

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Speaker 1: they do that anyway. That's not that's fun. Hey, you

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Speaker 1: know what else? So embarrassing? He said, did you send

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Speaker 1: that to me. I said, no, Scuba day is like, well,

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Speaker 1: let me give you my number so you can text

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Speaker 1: me next time. Okay, that's what I'm saying, stories being

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Speaker 1: exactly and then he said, hey, come over tonight and

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Speaker 1: when dinner. He never said that. Gavin a Gross so good.

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Speaker 1: This song Ford, you know, he did this whole album

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Speaker 1: about his you know, and the story is his parents

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Speaker 1: died in a lot of death and he wanted to

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Speaker 1: finish this album before his dad died. His dad was

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Speaker 1: diagnosed with cancer and he got to play it for

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Speaker 1: his dad right before he died. He'd been working on

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Speaker 1: it and his dad listened to it, and his dad

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Speaker 1: died very soon after that. And the first track on

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Speaker 1: it's called you Know the River, and it's about his

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Speaker 1: dad finally going to meet his mom because his mom

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Speaker 1: passed away earlier. Super emotional. He has a song called Ford.

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Speaker 1: It's like what you should appreciate in life. I mean,

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Speaker 1: there is not a more country song, the meaning, the

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Speaker 1: message than this song. Right here. He played the hook

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Speaker 1: of that song for me. Right should count lessons and

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Speaker 1: praise the Lord. That book the front door, Work hard

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Speaker 1: and you get paid. It's such a good song. You know,

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Speaker 1: for us in this room, for us to listen to

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Speaker 1: the show this is it's a great message for our

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Speaker 1: kind of pea. Bob at Bone the latest from Nashville

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Speaker 1: in Tullywood Morgan number two, thirty second. Skinny Lady A

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Speaker 1: has a new song out today called Summer State of Mind.

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Speaker 1: Here's a close back beyond the switch off o'clock somewhere

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Speaker 1: always on time, Summon Parley Pierce sold some of our

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Speaker 1: clothes to fans during CMA Fest. With the sale, she

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Speaker 1: raised more than ten thousand dollars for the Music Health Alliance.

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Speaker 1: Faith Hill shared on The Kelly Clarkson Show that before

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Speaker 1: acting in eighteen eighty three, she swore she would not

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Speaker 1: act again. I did Stepford Wives and with an amazing cast,

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Speaker 1: amazing cast, it wasn't the best experience, so I said,

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Speaker 1: I will never ever, ever, ever ever do another. I'm Morgan.

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Speaker 1: It's time for the good news. Good Helen Davis from Boulder, Colorado,

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Speaker 1: is celebrating her ninety ninth birthday and I guess she's

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Speaker 1: in bucket list mode. So to cross off an item

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Speaker 1: on her bucket list, she went gliding on a plane.

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Speaker 1: It was a glider, a glider plane. I guess this

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Speaker 1: thing doesn't have an engine. It's small and it just

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Speaker 1: glides across the side. Crazy. So she did it, and

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Speaker 1: here's audio her talking about how much she loved it.

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Speaker 1: I don't no one I expected, but I loved every

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Speaker 1: middle of it. Yeah. When ever, planes are like, hey,

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Speaker 1: we can put in glide mode if the engine goes out.

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Speaker 1: How do you glide if you five thousand pounds? How

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Speaker 1: do you glide? Of rock? Oh? Good? Guess ninety eight

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Speaker 1: years old and still wanted to do nine? I hope.

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Speaker 1: I just want to get out of bed and go

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Speaker 1: to the bathroom. And I just go to the bathroom

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Speaker 1: in the bed. So that's awesome. Good story. What's her

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Speaker 1: name again? Her name is Helen Davis. Hell your birthday, Helen,

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Speaker 1: keep rocking, Happy birthday. That's what it's all about. That

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Speaker 1: was tell me something good. What what's up with this woman?

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Speaker 1: She is searching for her twelfth husband. She's given up

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Speaker 1: on it, hasn't given up on love through eleven marriages.

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Speaker 1: She's addicted to marriage or addicted to maget as well.

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Speaker 1: She's a love marriage. That's twelve. I mean she's been

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Speaker 1: married eleven times. That is what Monette Das fifty two,

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Speaker 1: an interior designer based in Utah, is on this show

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Speaker 1: called Addicted to Marriage, which followed her relationship that could you,

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Speaker 1: as a judge just go like, I don't want I'm

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Speaker 1: not marrying. I'm not signing this. You've been married eleven times?

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Speaker 1: Do you ever like tap out? I mean, is that

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Speaker 1: a thing? Can you get married one hundred times? I

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Speaker 1: have no idea. I wonder that. So she's been married

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Speaker 1: eleven times, that's crazy. That's from the New York Post.

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Speaker 1: But that TLC man that channel puts on, it's like

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Speaker 1: they walk around and going all right, biggest weird on

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Speaker 1: the room, raise your hand, all all things. It's crazy.

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Speaker 1: They have the wildest show. Yeah they have. It's not

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Speaker 1: the one with my strange addiction. Yeah, you have to

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Speaker 1: sign me. The girls that were attached to I mean,

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Speaker 1: that was a great show. It's people like him they

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Speaker 1: want was so fascinating. Is there anything you do or

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Speaker 1: you're addicted to that you? Stories like this on the

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Speaker 1: air just can't get enough of them. There's a guy

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Speaker 1: who's asked his ex girlfriend to pay nine thousand dollars

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Speaker 1: and dating expenses after a breakup. Nine thousand that's a

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Speaker 1: funny Venmo request. Yeah, you get a little red dot

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Speaker 1: on your phone. Wait, what's this? Nine thousand? What is

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Speaker 1: this for our whole dating relationship together? That's funny. Yeah,

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Speaker 1: I mean but he chose this minute. Yeah, yeah, No,

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Speaker 1: he's nuts. They should do a Telsea's showing him right

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Speaker 1: as we're looking looking for crazies. But I just think

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Speaker 1: that's hilarious. A man has asked his ex girlfriend to

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Speaker 1: pay nine thousand dollars in dating expenses after a breakup.

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Speaker 1: That's good money if you can get it, good work

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Speaker 1: if you can get it. I guess. So there's that,

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Speaker 1: and then I didn't want to bring up that two

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Speaker 1: things here. Lunchbox thinks I'm being scammed instead of Amy

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Speaker 1: being scammed. Yes, he thinks that. So I'm willing to

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Speaker 1: hear this because we do bring up Amy's issues. So

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Speaker 1: I saw a post on the b team page about

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Speaker 1: a woman I think it was a woman. She said,

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Speaker 1: she was at your show this past weekend and she

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Speaker 1: got an autograph poster, and then afterwards she went to

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Speaker 1: the Luke Bryan's bar and they wouldn't let her bring

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Speaker 1: the poster in the bar, And so they were gonna

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Speaker 1: hold the poster for her and someone stole it, and

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Speaker 1: I'm like, hey, she's just scamming Bobby because she wants

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Speaker 1: a free autograph poster. She didn't pay any money for

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Speaker 1: a poster, and she didn't get anything autographed, and she

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Speaker 1: saw other people doing it and was like, man, I

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Speaker 1: wish that was me. So she makes up the story

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Speaker 1: because what bar won't let you carry in a poster? Oh,

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Speaker 1: here's a big flashing signs and no posters allowed her. Yeah,

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Speaker 1: you go shopping somewhere. Guess what, and you go into

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Speaker 1: a bar. You can bring your bags into a bar.

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Speaker 1: You can't. They don't tell you you can't bring a poster,

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Speaker 1: but you can bring t shirts okay? And then also

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Speaker 1: no offense, Bobby, But who wants to steal a Bobby

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Speaker 1: Bones autograph poster? Nobody? You're being no offense to me.

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Speaker 1: I'm always hurt right after that. Yes, so she is

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Speaker 1: scamming you by doing this, and then you send her

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Speaker 1: one and then everybody else is gonna see that be like, well,

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Speaker 1: I don't have to buy the poster. I'll just say

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Speaker 1: I i'd want it got stolen, okay, let me rewind. Yes,

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Speaker 1: I did. A couple of shows this weekend, we would

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Speaker 1: do what they call hatch prints. It's like the name

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Speaker 1: of the show, the date, what it is. I did

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Speaker 1: two shows. We're very cute, like it's like a June

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Speaker 1: eighteenth comedically inspirational Bibles. And she stayed after the show

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Speaker 1: and I happily signed it. There's a picture of her

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Speaker 1: with it. She posted a picture like this is me

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Speaker 1: getting the poster signed. That's why I believed her. Oh,

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Speaker 1: and then I think somebody probably just threw it away.

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Speaker 1: It wasn't so much stolen, but she doesn't have it anymore.

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Speaker 1: It takes me no time in eight seconds to get

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Speaker 1: another posture hatch print, sign it and send it to her,

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Speaker 1: even if she is scamming me. If she cares enough

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Speaker 1: to want a hatch print signed by me, I'm happy

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Speaker 1: to send her one. And all of a sudden, you're

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Speaker 1: gonna get a bunch of requests. Oh, I was at

420
00:20:38,280 --> 00:20:40,480
Speaker 1: the show and my ads print all got stolen. It

421
00:20:40,560 --> 00:20:42,840
Speaker 1: got lost by the airline. All the first scams the

422
00:20:42,840 --> 00:20:45,000
Speaker 1: only one that works. We know that you don't get scamed,

423
00:20:45,040 --> 00:20:46,240
Speaker 1: So if other people are trying to get me, I

424
00:20:46,280 --> 00:20:48,639
Speaker 1: won't allow those. I'm not like Amy. Yeah, she's been

425
00:20:48,640 --> 00:20:52,560
Speaker 1: scammed nine times, so I don't think that's if I

426
00:20:52,640 --> 00:20:54,880
Speaker 1: am being scam because someone wants me to sign something.

427
00:20:55,000 --> 00:20:57,400
Speaker 1: That's the greatest scam ever. They did say they wanted

428
00:20:57,400 --> 00:20:59,240
Speaker 1: my social skirita around the back for some reason. So

429
00:20:59,320 --> 00:21:00,600
Speaker 1: I'll write that on there to you when I send

430
00:21:00,640 --> 00:21:05,200
Speaker 1: it back. By the way, big news. Raymundo's song Vacation

431
00:21:05,359 --> 00:21:08,159
Speaker 1: Part two is now out. Now, Ray, do you have

432
00:21:08,240 --> 00:21:09,960
Speaker 1: Vacation Part one? Because what I'd like to do is

433
00:21:09,960 --> 00:21:12,560
Speaker 1: talk to our audience. A year or so ago, Ray

434
00:21:12,680 --> 00:21:14,600
Speaker 1: comes out with the song how long ago? I would

435
00:21:14,640 --> 00:21:16,720
Speaker 1: say three years? She does a nineteen pandemic because I

436
00:21:16,760 --> 00:21:19,960
Speaker 1: don't remember the year. So Ray has this song called Vacation.

437
00:21:20,119 --> 00:21:23,719
Speaker 1: It's Eric Dodd with Raymundo his wife. We call her

438
00:21:23,800 --> 00:21:26,360
Speaker 1: Bay and so it's called Vacation. And here's a clip.

439
00:21:26,760 --> 00:21:30,520
Speaker 1: Are you down for a babe, baby, Babe bacache? And

440
00:21:30,600 --> 00:21:33,240
Speaker 1: so that's Eric Dodds singing and then Ray does a

441
00:21:33,320 --> 00:21:36,359
Speaker 1: rat part. Is that coming up? Probably not? Maybe right

442
00:21:36,400 --> 00:21:40,639
Speaker 1: here in a couple of days, Little Nat. It's a

443
00:21:40,720 --> 00:21:47,440
Speaker 1: billy Ray Ray, Hey, Babe, Babe Bacation. Don't get down

444
00:21:47,560 --> 00:21:51,960
Speaker 1: bow from Instagram. Imagine these noodles are a Catama ran

445
00:21:52,040 --> 00:21:54,560
Speaker 1: and just clo go in the flow. They call me

446
00:21:54,680 --> 00:22:02,840
Speaker 1: by boy baby ba Bakay. That's a good one. We

447
00:22:02,880 --> 00:22:04,280
Speaker 1: should put that back in the dance party. And so

448
00:22:06,240 --> 00:22:08,840
Speaker 1: you guys did Vacation Part two. Correct the wild success

449
00:22:08,880 --> 00:22:12,280
Speaker 1: of this song, people were demanding a follow up obviously,

450
00:22:12,760 --> 00:22:14,959
Speaker 1: how long he has been working on this. We did

451
00:22:15,000 --> 00:22:16,399
Speaker 1: it like three months ago. And I mean it was

452
00:22:16,520 --> 00:22:18,480
Speaker 1: one day and then it took a lot of times

453
00:22:18,520 --> 00:22:21,159
Speaker 1: going to the studio. One time. My voice was messed up.

454
00:22:21,240 --> 00:22:23,200
Speaker 1: So I did do retakes and stuff because I have

455
00:22:23,240 --> 00:22:26,800
Speaker 1: a rap part that I do. Yeah, so it took me.

456
00:22:26,920 --> 00:22:29,080
Speaker 1: They did retakes because of your voice. Yeah, No, wasted

457
00:22:29,200 --> 00:22:31,080
Speaker 1: three months on a song. No, it takes out. You

458
00:22:31,280 --> 00:22:34,920
Speaker 1: ride it, get getting a studio. His voice messed out, gotcha? Yeah,

459
00:22:34,920 --> 00:22:37,200
Speaker 1: I felt bad. I kept having to do real redos.

460
00:22:37,520 --> 00:22:39,359
Speaker 1: I don't think it was your voice. I think they

461
00:22:39,440 --> 00:22:41,240
Speaker 1: just said they were like, you're they're not feeling it.

462
00:22:41,359 --> 00:22:43,160
Speaker 1: It really wasn't a good part of the song. Voice,

463
00:22:44,520 --> 00:22:47,480
Speaker 1: but but but I made it perfect. Okay, So this

464
00:22:47,600 --> 00:22:50,320
Speaker 1: is it's just called Vacation Part two. Yeah, wow, And

465
00:22:50,400 --> 00:22:53,080
Speaker 1: so who who's this featuring? So this is me DoD

466
00:22:53,359 --> 00:22:59,560
Speaker 1: and then we got Abby phone screeners. Okay, Abby Anderson

467
00:23:01,680 --> 00:23:05,640
Speaker 1: is Abbe Lee Anderson. Ye, Abby Lee Anderson's her stage name.

468
00:23:06,480 --> 00:23:11,000
Speaker 1: So Vacation Part two Eric Dodd featuring Sisson, Raymondo, Raymondo.

469
00:23:11,640 --> 00:23:16,640
Speaker 1: It is featuring Raymundo and Abby Lee Anderson. Okay, we're

470
00:23:16,640 --> 00:23:18,200
Speaker 1: gonna Can we play this on the beginning? Yeah, we

471
00:23:18,359 --> 00:23:23,560
Speaker 1: just played verse chorus and then your rap part of

472
00:23:23,600 --> 00:23:26,080
Speaker 1: it in this part. Yeah, it's sprinkled in there. Oh no,

473
00:23:26,240 --> 00:23:28,040
Speaker 1: it's sprinkled rap. No, no, no, it's just one. It's

474
00:23:28,080 --> 00:23:30,600
Speaker 1: one rapp and then that's it. Here is Vacation Part two,

475
00:23:30,800 --> 00:23:35,119
Speaker 1: Eric Dodd, Raymundo and Abbe Lee Anderson. It's Vacation Part two. Baby,

476
00:23:48,240 --> 00:23:50,960
Speaker 1: But can you get a soun fight up part quite

477
00:23:51,119 --> 00:24:00,439
Speaker 1: lane tune? When now Bobby drink that cup on? How

478
00:24:00,520 --> 00:24:06,720
Speaker 1: you put it on? They bac Si far two gone

479
00:24:06,880 --> 00:24:23,600
Speaker 1: just rounds scammed cheesy me that crazy fine in the

480
00:24:23,720 --> 00:24:29,560
Speaker 1: count sign. Got it? That's how we sung some song

481
00:24:33,560 --> 00:24:42,560
Speaker 1: some sny your hubby sizing here you're so guccie you

482
00:24:42,760 --> 00:24:47,879
Speaker 1: sisl like fireworks shoot and ride out of Charlotte Daniel's

483
00:24:47,920 --> 00:24:51,879
Speaker 1: old film My Sunny Side Up in crep Bacon on

484
00:24:52,080 --> 00:24:56,399
Speaker 1: my met. Great, great, Gridle, You're so far such a

485
00:24:56,600 --> 00:25:01,480
Speaker 1: dime make a Broadway boy, want to whisper? Dang. I

486
00:25:01,520 --> 00:25:02,800
Speaker 1: didn't even know if it was gonna make the air

487
00:25:02,880 --> 00:25:05,760
Speaker 1: or not. That's pretty good, pretty good. Is it Vacation

488
00:25:05,880 --> 00:25:10,399
Speaker 1: Part two or some some summer? I don't ever hear

489
00:25:10,440 --> 00:25:16,600
Speaker 1: the word. I can't wait for it's Vacation part two? Right? Yeah? Whatever?

490
00:25:16,680 --> 00:25:19,000
Speaker 1: Who cares? A good song? Thank you? But you say

491
00:25:19,000 --> 00:25:21,280
Speaker 1: it at the beginning, right, You're like, it's act two,

492
00:25:21,480 --> 00:25:23,680
Speaker 1: just so people know if they're part of the trilogy

493
00:25:24,280 --> 00:25:27,280
Speaker 1: at all. Is there a third? I mean it can

494
00:25:27,320 --> 00:25:29,240
Speaker 1: go on forever. This is me now married because I

495
00:25:29,400 --> 00:25:31,760
Speaker 1: was just boyfriend girlfriend in part one. Part two is me.

496
00:25:31,880 --> 00:25:35,040
Speaker 1: It's Ubby Sisson, So never know the third one? Maybe

497
00:25:35,119 --> 00:25:39,119
Speaker 1: Daddy Sisson. Oh that'd be cool. Fast fast forward your

498
00:25:39,160 --> 00:25:40,240
Speaker 1: rap part. Let me know when you get that up.

499
00:25:40,240 --> 00:25:41,720
Speaker 1: I want to hear the again because I was listening

500
00:25:41,720 --> 00:25:43,200
Speaker 1: to Ray and I was like, you know what I mean, listen,

501
00:25:43,240 --> 00:25:47,000
Speaker 1: he's not gonna go sign with def jam but for him.

502
00:25:47,600 --> 00:25:50,040
Speaker 1: Pretty good. Yeah, it's pretty good. It's very Hickory Dickory doc,

503
00:25:50,680 --> 00:25:53,280
Speaker 1: but that's good. So it's a good little song You

504
00:25:53,320 --> 00:25:55,480
Speaker 1: Got Ready. Yeah, here's raised hip hop part rap part

505
00:25:55,480 --> 00:26:01,440
Speaker 1: again Ahead Sisson, Here You're so gucci you sis, black

506
00:26:01,600 --> 00:26:06,720
Speaker 1: fireworks shooting ride out of Charlotte Daniels Old Fiddle, Black

507
00:26:06,800 --> 00:26:11,360
Speaker 1: Sunny Sun, great bacon O, my great great griddle work.

508
00:26:11,760 --> 00:26:15,640
Speaker 1: You're so far. That's such a dime. Make a Broadway boy,

509
00:26:15,720 --> 00:26:20,440
Speaker 1: want to whisper like, I'm proud of you. That's good.

510
00:26:20,560 --> 00:26:23,520
Speaker 1: Didn't you write that one? Yeah? I think I did

511
00:26:23,600 --> 00:26:26,800
Speaker 1: the great, great great griddle, Eric did the Charlie Daniels

512
00:26:26,840 --> 00:26:29,080
Speaker 1: old fiddle. Maybe it was a tribute to old time players,

513
00:26:29,160 --> 00:26:31,600
Speaker 1: but or Charlie Ding. Yeah you ever went out of door?

514
00:26:34,280 --> 00:26:38,960
Speaker 1: Abby by the way? Nice job. That's how we sum

515
00:26:39,119 --> 00:26:45,560
Speaker 1: sum sum summer. You know, come on, how you feel

516
00:26:45,600 --> 00:26:48,119
Speaker 1: about Abby? I love it. It sounds so good. I

517
00:26:48,240 --> 00:26:51,040
Speaker 1: love his part. Yeah, it's my favorite. He loves your son.

518
00:26:51,720 --> 00:26:54,040
Speaker 1: That was so fun. Good job, guys. Vacation Part two

519
00:26:54,080 --> 00:26:56,080
Speaker 1: it's out there, ry you can stream it now. How

520
00:26:56,160 --> 00:26:57,720
Speaker 1: much money did you make off Vacation Part one? Do

521
00:26:57,760 --> 00:26:59,800
Speaker 1: you think? Honestly? I think it was around I said

522
00:26:59,840 --> 00:27:02,040
Speaker 1: that bit we said five hundred and then I mean

523
00:27:02,160 --> 00:27:04,440
Speaker 1: they keep trickling in, so maybe I made like seven

524
00:27:04,520 --> 00:27:10,320
Speaker 1: eight hundred, Really, mailbox money lunch keeps coming in, Yeah, lunchbox.

525
00:27:10,320 --> 00:27:12,560
Speaker 1: Would you take the song you should have stopped on

526
00:27:12,600 --> 00:27:14,840
Speaker 1: Vacation one? This one one's it's not as catchy. It

527
00:27:14,960 --> 00:27:17,840
Speaker 1: was just like, okay, like slower. It's slower. It doesn't

528
00:27:17,880 --> 00:27:19,480
Speaker 1: feel like a summary song that it was just like

529
00:27:19,600 --> 00:27:22,479
Speaker 1: taking forever. It was a long song, like how long

530
00:27:22,640 --> 00:27:25,520
Speaker 1: was it? Ray two thirty two? Very short? No no

531
00:27:25,640 --> 00:27:28,680
Speaker 1: if no, no, vacation doesn't feel long. That felt long.

532
00:27:29,440 --> 00:27:32,440
Speaker 1: And I mean there's so much auto tune on that

533
00:27:32,560 --> 00:27:35,440
Speaker 1: song that it's just like, oh my gosh, guys, like

534
00:27:36,000 --> 00:27:38,159
Speaker 1: really like you can't you can't even concentrate on the

535
00:27:38,240 --> 00:27:40,119
Speaker 1: words and the fun. You don't feel the vibe. All

536
00:27:40,160 --> 00:27:42,200
Speaker 1: you hear is the auto tune. You're telling me you

537
00:27:42,280 --> 00:27:45,440
Speaker 1: can't fund or vibe because it's so auto. That was

538
00:27:45,520 --> 00:27:48,480
Speaker 1: selling every song, even if you don't need autotune people,

539
00:27:49,080 --> 00:27:51,439
Speaker 1: But not as much as that. You could put anybody out.

540
00:27:51,440 --> 00:27:53,760
Speaker 1: You're just hater. You've gone into full hater mode. Just

541
00:27:53,840 --> 00:27:55,440
Speaker 1: don't even give him the mic to hate on, Like

542
00:27:55,640 --> 00:27:58,040
Speaker 1: you could have said it's any I didn't. I didn't

543
00:27:58,040 --> 00:27:59,880
Speaker 1: say anything about it. Happy would you like you brought

544
00:27:59,920 --> 00:28:05,879
Speaker 1: it up. Yes, thank you, So you're gonna Abby is

545
00:28:05,920 --> 00:28:07,959
Speaker 1: so a autotuned you wouldn't even know it's her if

546
00:28:08,000 --> 00:28:10,200
Speaker 1: you just played the song. Go ahead, lunch, say what

547
00:28:10,240 --> 00:28:11,720
Speaker 1: you want to say. That's what I'm saying. He said it.

548
00:28:11,840 --> 00:28:14,560
Speaker 1: She is so autotuned. If you didn't tell me that

549
00:28:14,640 --> 00:28:16,800
Speaker 1: was her, you would just be like, oh, that's just anybody.

550
00:28:17,080 --> 00:28:19,560
Speaker 1: You can't you want someone to know your voice. You

551
00:28:19,600 --> 00:28:22,480
Speaker 1: don't know that's Happy's voice. That's a fake voice. No

552
00:28:22,600 --> 00:28:26,600
Speaker 1: it's not. No, you didn't hear the nasally because they

553
00:28:26,800 --> 00:28:30,560
Speaker 1: took it out. All right, anyway, right, Abby, great job.

554
00:28:31,160 --> 00:28:34,400
Speaker 1: I hit Vacation one again, hater, um no, don't. Yeah,

555
00:28:34,480 --> 00:28:36,800
Speaker 1: that's a lot better again. All right, I remember wh

556
00:28:36,840 --> 00:28:38,880
Speaker 1: Vacation one came out. Letchbox hated it too. Yeah, now

557
00:28:38,920 --> 00:28:41,480
Speaker 1: he's found it as his his savior. I said, it's

558
00:28:41,480 --> 00:28:44,400
Speaker 1: a lot better than that one. Like, don't have a trilogy,

559
00:28:44,400 --> 00:28:46,480
Speaker 1: because if it's just going worse and worse, sort of

560
00:28:46,520 --> 00:28:48,000
Speaker 1: like it's sort of like The Fast and the Furious.

561
00:28:48,000 --> 00:28:50,200
Speaker 1: It started out strong and it just kept going and

562
00:28:50,240 --> 00:28:51,920
Speaker 1: it was like, good God, this is ever gonna end.

563
00:28:52,120 --> 00:28:55,720
Speaker 1: People love that The f A lot of money Bobby

564
00:28:55,800 --> 00:28:57,760
Speaker 1: Bono was a drug ship men that went to a

565
00:28:57,840 --> 00:29:00,200
Speaker 1: supermarket by mistake and they're like, oh, you get a

566
00:29:00,240 --> 00:29:03,320
Speaker 1: bunch of package, probably a supermarket. They got this huge

567
00:29:04,000 --> 00:29:06,000
Speaker 1: crate of stuff and they open it's eighty three million

568
00:29:06,000 --> 00:29:08,560
Speaker 1: dollars worth the drugs. Who ever addressed that to the

569
00:29:08,600 --> 00:29:10,840
Speaker 1: wrong place probably in trouble. Yeah, let's probably not stamp

570
00:29:10,880 --> 00:29:13,880
Speaker 1: stock COM's fault. Honestly, they might not even be alive

571
00:29:13,960 --> 00:29:16,360
Speaker 1: right now. Yeah, eighty three million dollars. It was like

572
00:29:16,440 --> 00:29:18,520
Speaker 1: hidden in crates of bananas and it was sent to

573
00:29:18,600 --> 00:29:21,160
Speaker 1: the just why what if you're just like the stock

574
00:29:21,240 --> 00:29:22,720
Speaker 1: person like I used to stock at Hobby Lobby and

575
00:29:22,800 --> 00:29:24,320
Speaker 1: you get stuff and you're opening it up all right,

576
00:29:24,800 --> 00:29:27,640
Speaker 1: what you're like? Oh my, You're like you're looking around.

577
00:29:28,960 --> 00:29:33,440
Speaker 1: Oh I saw that. That came from Newsweek. The next

578
00:29:33,480 --> 00:29:34,840
Speaker 1: story I want to talk about I saw is that

579
00:29:34,920 --> 00:29:38,400
Speaker 1: the nicest celebrity ever who gets very very angry in public.

580
00:29:38,560 --> 00:29:39,800
Speaker 1: And I want to play it for you, and you

581
00:29:39,880 --> 00:29:42,120
Speaker 1: tell me if it's justified or if it's a lot

582
00:29:42,280 --> 00:29:47,120
Speaker 1: lower the top, unwarranted. The nicest celebrity ever not that nice.

583
00:29:47,400 --> 00:29:51,160
Speaker 1: We'll play that for you. Coming up next. Tom Hanks

584
00:29:51,360 --> 00:29:54,040
Speaker 1: in the news again, we're talking about how people saw

585
00:29:54,080 --> 00:29:56,720
Speaker 1: him and he wasn't looking great, like like week or old.

586
00:29:56,880 --> 00:29:58,640
Speaker 1: But Morgan's saw him out on the wild and said,

587
00:29:58,680 --> 00:30:01,800
Speaker 1: look fine, Yeah he looked. So here's a video of

588
00:30:01,880 --> 00:30:04,000
Speaker 1: Tom Hanks yelling at someone to back the blank off,

589
00:30:04,560 --> 00:30:06,160
Speaker 1: which he's like the nicest guy ever, and you wouldn't

590
00:30:06,160 --> 00:30:08,480
Speaker 1: think this would happen. The question is is it justified

591
00:30:09,160 --> 00:30:12,960
Speaker 1: or is he overreacting. Here's Tom Hanks with Rita Wilson,

592
00:30:13,040 --> 00:30:15,240
Speaker 1: his wife. There'd be a mob by fans. One of

593
00:30:15,280 --> 00:30:18,200
Speaker 1: the fans bumps into Rita almost trip, sir, And this

594
00:30:18,400 --> 00:30:26,280
Speaker 1: is Tom freaking out here we go. How you wait?

595
00:30:26,400 --> 00:30:33,760
Speaker 1: Why are you doing? What are y'all doing? Knocking over

596
00:30:33,960 --> 00:30:38,320
Speaker 1: my wife? Yeah? The boy about that? Tom? Let me

597
00:30:38,400 --> 00:30:40,200
Speaker 1: say this. I love that. That's awesome. I can't get

598
00:30:40,240 --> 00:30:42,800
Speaker 1: it if people like Tom Hanks evil. Tom isn't murder. No,

599
00:30:43,200 --> 00:30:46,080
Speaker 1: that's his wife. Man. If you get to do that,

600
00:30:46,200 --> 00:30:48,560
Speaker 1: it's to fits your wife or your kid, Like you

601
00:30:48,640 --> 00:30:51,560
Speaker 1: get to act like that toward anybody if anybody is threatening,

602
00:30:52,400 --> 00:30:56,240
Speaker 1: possibly threatening, accidentally threatening your wife or your kid. Play

603
00:30:56,320 --> 00:30:58,040
Speaker 1: just that clip. Now I'm into it. Now that's me

604
00:30:58,080 --> 00:30:59,840
Speaker 1: in my ring cone, you call me. You hear this

605
00:31:00,040 --> 00:31:04,360
Speaker 1: right here? What are y'all doing? It's weird to hear

606
00:31:04,440 --> 00:31:06,680
Speaker 1: him angry though, and not in a role. But I

607
00:31:06,800 --> 00:31:08,760
Speaker 1: like that because now Tom Hanks seems like a little

608
00:31:09,200 --> 00:31:11,400
Speaker 1: He's like three D more human or elements to him

609
00:31:11,680 --> 00:31:15,480
Speaker 1: instead of just the super kind nice guy. Yeah. I

610
00:31:15,560 --> 00:31:17,480
Speaker 1: don't think that there's anything wrong with that at all.

611
00:31:17,920 --> 00:31:25,520
Speaker 1: Play one more time? You got serious? Yeah, wife, I'd

612
00:31:25,520 --> 00:31:27,960
Speaker 1: like to hear Garth. People. You wouldn't expect to hear that,

613
00:31:28,000 --> 00:31:29,920
Speaker 1: but you would appreciate it if they did, because they're

614
00:31:29,960 --> 00:31:32,719
Speaker 1: so nice. You hear a Garth, go shut them up,

615
00:31:33,040 --> 00:31:36,280
Speaker 1: that'd be awesome. That's great. Or Keith Urban, it'd be

616
00:31:36,360 --> 00:31:39,240
Speaker 1: like get the my way or whatever his accent is.

617
00:31:39,840 --> 00:31:45,000
Speaker 1: That'ld be awesome. Like super nice people gone bad? Wow? Yeah?

618
00:31:45,400 --> 00:31:49,200
Speaker 1: Or protective? I like bad though better click made headline.

619
00:31:49,280 --> 00:31:50,880
Speaker 1: Anyone have problem with that at all? I think he

620
00:31:51,000 --> 00:31:54,440
Speaker 1: overreacted because if you watch the clip, Rita Wilson is

621
00:31:54,480 --> 00:31:56,320
Speaker 1: walking ahead and the guys trying to get Tom to

622
00:31:56,440 --> 00:31:59,800
Speaker 1: sign a hat, and Rita stops walking. So the guy

623
00:32:00,160 --> 00:32:02,320
Speaker 1: looking at Tom and he just bumps into her back

624
00:32:02,760 --> 00:32:05,560
Speaker 1: and he acts like he was violently shoving rita. I

625
00:32:05,680 --> 00:32:08,760
Speaker 1: think Tom overreacts. It is his wife and it's a

626
00:32:08,800 --> 00:32:12,160
Speaker 1: guy wanting an autograph, and she stopped in front of him.

627
00:32:12,480 --> 00:32:14,600
Speaker 1: She has right to stop wherever she wants. She is,

628
00:32:14,760 --> 00:32:19,520
Speaker 1: she's walking talking again. If you're gonna harass Tom Hanks

629
00:32:19,520 --> 00:32:21,680
Speaker 1: for an autograph at a point when he's not really

630
00:32:22,080 --> 00:32:25,200
Speaker 1: probably doing autographs, you gotta be really careful. Put your

631
00:32:25,240 --> 00:32:26,840
Speaker 1: head on the swib well, you don't run into somebody,

632
00:32:27,160 --> 00:32:29,200
Speaker 1: especially his wife. I bet he didn't sign it, did he?

633
00:32:29,320 --> 00:32:32,160
Speaker 1: Or he like this? Bag them up him? See her? Buddy? Yet?

634
00:32:32,160 --> 00:32:35,640
Speaker 1: What does take a selfie? All right? Thank you guys.

635
00:32:35,720 --> 00:32:38,680
Speaker 1: Call us if you want eight seven seven seventy seven

636
00:32:38,760 --> 00:32:41,440
Speaker 1: Bobby that number. There's also a voicemail line. You can

637
00:32:41,520 --> 00:32:43,479
Speaker 1: leave a voicemail anytime. If you don't get to us,

638
00:32:43,840 --> 00:32:45,840
Speaker 1: you can leave it right then and we'll get to it.

639
00:32:47,560 --> 00:32:50,480
Speaker 1: This is Cynthia who left us a voicemail. She's from Alabama.

640
00:32:50,880 --> 00:32:54,000
Speaker 1: My daughter and I just got home to Montgomery after

641
00:32:54,120 --> 00:32:56,680
Speaker 1: going up to Nashville to see Bobby Show on Saturday.

642
00:32:56,800 --> 00:33:00,680
Speaker 1: Who woop cannot say enough about it. It was so amazing,

643
00:33:00,760 --> 00:33:05,840
Speaker 1: It was so good, so motivational and inspirational. At the

644
00:33:05,960 --> 00:33:09,440
Speaker 1: same time. We went from my daughter's seventeenth birthday and

645
00:33:09,840 --> 00:33:12,880
Speaker 1: she absolutely loved it. It was great for her to

646
00:33:13,040 --> 00:33:16,520
Speaker 1: hear messages about failures and opportunities, telling that she's going

647
00:33:16,600 --> 00:33:19,680
Speaker 1: to be enough to college in a year. So again

648
00:33:20,600 --> 00:33:23,440
Speaker 1: may thing. Yeah, thank you very much. We're gonna do

649
00:33:23,480 --> 00:33:24,960
Speaker 1: some more shows soon. I don't know when we haven't

650
00:33:25,120 --> 00:33:26,400
Speaker 1: we don't have the theater, but as soon as we do,

651
00:33:26,440 --> 00:33:28,760
Speaker 1: i'll tell you. And I'm super pumped to get that

652
00:33:28,840 --> 00:33:32,400
Speaker 1: back on the stage again. Here is another voicemail. This

653
00:33:32,520 --> 00:33:34,600
Speaker 1: is a fun Fact Friday where listeners will call and

654
00:33:34,720 --> 00:33:36,440
Speaker 1: give us theirs. So I'm gonna play this one now.

655
00:33:36,480 --> 00:33:38,600
Speaker 1: I know it's Tuesday, but call and leave these for

656
00:33:38,680 --> 00:33:40,400
Speaker 1: us because we'll play them all on a Friday together

657
00:33:40,600 --> 00:33:42,920
Speaker 1: like a package. So here's an early fun Fact Friday.

658
00:33:42,960 --> 00:33:46,479
Speaker 1: Go ahead, here's fun facts for fun Facts Friday. If

659
00:33:46,560 --> 00:33:48,920
Speaker 1: you eat a pineapple, it actually eats you as well

660
00:33:49,280 --> 00:33:52,320
Speaker 1: until it hits your stomach acid. Did you know that.

661
00:33:52,840 --> 00:33:54,680
Speaker 1: I don't get it. If you eat a pineapple, it

662
00:33:54,760 --> 00:33:56,560
Speaker 1: eats the things there's acid in your stomach, like eat

663
00:33:56,600 --> 00:33:59,400
Speaker 1: some of the bad stuff. Oh, it has something called

664
00:33:59,520 --> 00:34:03,400
Speaker 1: enzyme bromonian. They're probably not saying that right, but it

665
00:34:03,440 --> 00:34:06,720
Speaker 1: breaks down proteins and is an excellent meat tenderiser. It's

666
00:34:06,760 --> 00:34:08,879
Speaker 1: also what makes your mouth tingle burn and maybe even bleed.

667
00:34:09,000 --> 00:34:11,160
Speaker 1: It does it's because of this. It's when it bleeds

668
00:34:11,160 --> 00:34:12,440
Speaker 1: in stuff in youruth that's trying to break down the

669
00:34:12,480 --> 00:34:16,480
Speaker 1: proteins there. So it's eating you back much. I've wonder

670
00:34:16,560 --> 00:34:18,160
Speaker 1: I ate too much pineapple ones and I was like, oh,

671
00:34:18,280 --> 00:34:22,399
Speaker 1: my mouth is hurts. It was eating me. M there

672
00:34:22,480 --> 00:34:25,880
Speaker 1: you go, Bromlin. I think sure, we'll get that around.

673
00:34:26,040 --> 00:34:30,160
Speaker 1: I'm probably wrong too, we'll give that a run. You're

674
00:34:30,200 --> 00:34:33,800
Speaker 1: Samy's pile of stories. Dyson, you know, the vacuum company.

675
00:34:34,120 --> 00:34:38,239
Speaker 1: They released It's twenty twenty two Global Dust Study and

676
00:34:38,719 --> 00:34:41,440
Speaker 1: pretty much boring study that would never click into. That

677
00:34:41,560 --> 00:34:43,520
Speaker 1: was a headline on Twitter. I would even look twice

678
00:34:43,560 --> 00:34:47,240
Speaker 1: at it Global Dust Study, click, Nope, scroll. The headline

679
00:34:47,640 --> 00:34:50,520
Speaker 1: is for the article the repulsive reason pet shouldn't sleep

680
00:34:50,520 --> 00:34:52,920
Speaker 1: in our beds, So that would make you click. That's

681
00:34:52,960 --> 00:34:54,880
Speaker 1: been done a few times. But what are they saying? Okay, well,

682
00:34:54,880 --> 00:34:57,560
Speaker 1: I feel like Dyson, they're the experts, and good news

683
00:34:57,719 --> 00:35:01,240
Speaker 1: are our homes are cleaner than ever, which is awesome. However,

684
00:35:01,360 --> 00:35:03,800
Speaker 1: our pets are not. And the dust and stuff that

685
00:35:03,880 --> 00:35:08,280
Speaker 1: lives on them, like viruses and microscopic dust, mite from feces,

686
00:35:08,600 --> 00:35:10,840
Speaker 1: well that's all over our pets and they're climbing in

687
00:35:10,920 --> 00:35:15,040
Speaker 1: our beds my band in college, microscopic dust. We're a

688
00:35:15,080 --> 00:35:18,400
Speaker 1: bit darker than the raging idiots. Yeah, it's awesome. So well,

689
00:35:18,480 --> 00:35:20,000
Speaker 1: here's the situation what pets and why we feel like

690
00:35:20,040 --> 00:35:21,680
Speaker 1: they're so clean because we're always to hold a pet's

691
00:35:21,760 --> 00:35:23,800
Speaker 1: tongue is cleaner, so we just assume everything on a

692
00:35:23,840 --> 00:35:26,440
Speaker 1: pet is clean. It's like, oh, well, if the pets

693
00:35:27,080 --> 00:35:28,640
Speaker 1: like is cleaner than the humans, so I guess our

694
00:35:28,640 --> 00:35:30,680
Speaker 1: button must be clean too. We just feel like it's

695
00:35:30,800 --> 00:35:33,440
Speaker 1: all clean. It's not. It's like if we were rolling

696
00:35:33,440 --> 00:35:35,640
Speaker 1: around outside in the grass and dirt all day. We

697
00:35:35,760 --> 00:35:37,200
Speaker 1: were at the pets store the other day because my

698
00:35:37,280 --> 00:35:39,359
Speaker 1: kids wanted to get a ferret. We're not, by the way,

699
00:35:39,520 --> 00:35:44,920
Speaker 1: but we're not. No fish is alive, good question. Fish

700
00:35:45,280 --> 00:35:48,120
Speaker 1: is alive plus two snails in the tank. Everyone's thriving.

701
00:35:48,560 --> 00:35:50,920
Speaker 1: So we go and I'm like, let's just go look

702
00:35:50,920 --> 00:35:52,400
Speaker 1: at the ferret and you can hold the ferret and

703
00:35:52,480 --> 00:35:54,960
Speaker 1: maybe that will you know, fill whatever need they have

704
00:35:55,120 --> 00:35:57,399
Speaker 1: for the moment, and they hold it and the ferret

705
00:35:57,480 --> 00:35:59,600
Speaker 1: is so stinky. And then I guess the guy. I'm like,

706
00:35:59,719 --> 00:36:01,680
Speaker 1: can if we were to get a ferret, would we

707
00:36:01,840 --> 00:36:03,640
Speaker 1: be able to bathe it? He goes, that actually makes

708
00:36:03,719 --> 00:36:06,080
Speaker 1: ferret stink more. You just have to let them be.

709
00:36:06,360 --> 00:36:13,680
Speaker 1: And I was like, this is disgusting, No way, what

710
00:36:13,840 --> 00:36:16,279
Speaker 1: kind of animals stinks worse after you clean it? Yeah?

711
00:36:16,320 --> 00:36:19,279
Speaker 1: I agree. Also, don't get that animal. Yeah, that's yeah.

712
00:36:19,440 --> 00:36:21,640
Speaker 1: Back to the Dyson story, they say that we need

713
00:36:21,719 --> 00:36:25,360
Speaker 1: to be vacuuming our mattresses. Yeah, of course they tell vacuums.

714
00:36:25,440 --> 00:36:28,200
Speaker 1: And there's why the story goes, because that will help

715
00:36:28,360 --> 00:36:33,640
Speaker 1: with all the situations. We've concluded that. So a couple

716
00:36:33,680 --> 00:36:35,120
Speaker 1: of years ago, there was a video of a three

717
00:36:35,160 --> 00:36:38,480
Speaker 1: month old baby saying I love you. Three month old?

718
00:36:38,560 --> 00:36:43,200
Speaker 1: Can they do that? Yes? That it's not common, right,

719
00:36:43,280 --> 00:36:44,480
Speaker 1: That's why it was a big deal with the three

720
00:36:44,520 --> 00:36:46,600
Speaker 1: month old did it? But records they're made to be broken.

721
00:36:46,719 --> 00:36:48,319
Speaker 1: And I've got a clip of a two month old

722
00:36:48,360 --> 00:36:50,360
Speaker 1: baby saying I love you two different times in the

723
00:36:50,400 --> 00:37:03,919
Speaker 1: same clip. You, I struggle sometimes when I say something

724
00:37:03,920 --> 00:37:05,960
Speaker 1: and then lunchbox repeating it back to me and that

725
00:37:06,120 --> 00:37:10,959
Speaker 1: kid can do that. I was impressed, like ambulance, see,

726
00:37:12,440 --> 00:37:14,640
Speaker 1: but baby, you can do it just like that. That's awesome.

727
00:37:14,680 --> 00:37:17,040
Speaker 1: That kid must have some sort of advanced because he

728
00:37:17,080 --> 00:37:19,960
Speaker 1: doesn't know what he's saying, doesn't understand language, but can

729
00:37:20,080 --> 00:37:23,280
Speaker 1: hear God to tie and going that's amazing. That's that's

730
00:37:23,320 --> 00:37:26,520
Speaker 1: wild impressive for sure. So we had Brett Elderj on

731
00:37:26,600 --> 00:37:29,480
Speaker 1: the show and it's it's something he's been vocal about

732
00:37:29,520 --> 00:37:32,120
Speaker 1: his mental health and staying off of social media, but

733
00:37:32,239 --> 00:37:35,160
Speaker 1: he said the discipline has been so good for him,

734
00:37:35,239 --> 00:37:37,080
Speaker 1: Like he doesn't want to wake up in the morning.

735
00:37:37,160 --> 00:37:39,400
Speaker 1: The first thing he thinks about is what TikTok trend

736
00:37:39,680 --> 00:37:41,399
Speaker 1: he needs to be a part of. He goes, that's

737
00:37:41,440 --> 00:37:43,440
Speaker 1: not really the life I want to go after. And

738
00:37:43,560 --> 00:37:45,480
Speaker 1: he says that a lot of artists are feeling this

739
00:37:45,680 --> 00:37:48,720
Speaker 1: right now. And he'll still engage a little bit on socials,

740
00:37:48,800 --> 00:37:51,200
Speaker 1: but he's not gonna let it run his life. And

741
00:37:51,320 --> 00:37:54,160
Speaker 1: I feel like that's something that we could all benefit

742
00:37:54,280 --> 00:37:56,480
Speaker 1: from hearing from time to time. And he's not just

743
00:37:56,600 --> 00:38:00,239
Speaker 1: blowing smoke. No, Brett's one of my best friends. Talk

744
00:38:00,280 --> 00:38:02,120
Speaker 1: about that a lot here, but I can text him

745
00:38:02,160 --> 00:38:04,160
Speaker 1: and I'll hear back from for three days. So either

746
00:38:04,200 --> 00:38:05,560
Speaker 1: he's playing the whole thing out and just use it

747
00:38:05,640 --> 00:38:10,920
Speaker 1: and it's I'd be like, hey, dude, where are you Tuesday? Wow? Wednesday?

748
00:38:11,440 --> 00:38:13,759
Speaker 1: Well heir's day? Hey man to watching TV? What are

749
00:38:13,760 --> 00:38:16,360
Speaker 1: you doing? Like? Why you've really checked out, buddy. He

750
00:38:16,480 --> 00:38:18,640
Speaker 1: said that a way he's been able to help create

751
00:38:18,719 --> 00:38:21,480
Speaker 1: these boundaries is he literally locks himself out of his

752
00:38:21,600 --> 00:38:24,880
Speaker 1: phone so he can't look at him story not his

753
00:38:25,560 --> 00:38:28,600
Speaker 1: uh call phone, but he can't. He has an app

754
00:38:28,719 --> 00:38:31,200
Speaker 1: that keeps him locked out of apps after a certain time, really,

755
00:38:31,360 --> 00:38:32,800
Speaker 1: and then if he needs to get into it, he

756
00:38:32,880 --> 00:38:35,239
Speaker 1: has like somebody to be like hey, like if there's

757
00:38:35,239 --> 00:38:39,239
Speaker 1: an emergency. He disciplines himself knowing he's not going to

758
00:38:39,400 --> 00:38:41,719
Speaker 1: be good at disciplining himself, but he discipled himself by

759
00:38:41,760 --> 00:38:43,920
Speaker 1: letting other people discipline him. Interesting sounds dirty, but not

760
00:38:44,000 --> 00:38:47,440
Speaker 1: in that way. All Right, Amy, I'm Amy. That's my pile.

761
00:38:48,440 --> 00:38:51,840
Speaker 1: That was Amy's pile of stories. It's time for the

762
00:38:51,960 --> 00:38:59,960
Speaker 1: good news. Good Nicos Mexican restaurant in Salt Lake City.

763
00:39:00,000 --> 00:39:02,480
Speaker 1: He's been serving Mexican food for about a decade. But

764
00:39:02,560 --> 00:39:06,320
Speaker 1: it's a small family run business. Pandemic hit and there's

765
00:39:06,400 --> 00:39:09,839
Speaker 1: no customers ghost town, and you know, the Sun's like, man,

766
00:39:09,920 --> 00:39:11,800
Speaker 1: I can't let my dad go out of business. So

767
00:39:11,880 --> 00:39:14,239
Speaker 1: he got on TikTok, did a little story, showed his

768
00:39:14,320 --> 00:39:16,080
Speaker 1: dad in the morning, how excited he wants to serve

769
00:39:16,160 --> 00:39:19,759
Speaker 1: the customers, showed him cooking food for the customers, and said, please, guys,

770
00:39:19,840 --> 00:39:23,040
Speaker 1: come save my dad's business. And now hundreds of people

771
00:39:23,040 --> 00:39:25,880
Speaker 1: are coming through that door every single day. I mean,

772
00:39:25,960 --> 00:39:27,520
Speaker 1: there can be a lot of Mexican food place in

773
00:39:27,560 --> 00:39:29,600
Speaker 1: Salt Lake City, right I wouldn't. I mean just thinking

774
00:39:29,640 --> 00:39:32,160
Speaker 1: about so we need the ones that are good in

775
00:39:32,239 --> 00:39:34,719
Speaker 1: doing it. Ain't them the same business because they can't.

776
00:39:34,920 --> 00:39:36,960
Speaker 1: It's like, listen, I know you can make any kind

777
00:39:36,960 --> 00:39:39,919
Speaker 1: of food anywhere. But if I'm in Iowa, I don't

778
00:39:39,960 --> 00:39:43,319
Speaker 1: know I'm searching for sushi, right, yeah, I probably if

779
00:39:43,360 --> 00:39:44,960
Speaker 1: I'm in Salt Lake City, I don't know that I'm

780
00:39:44,960 --> 00:39:48,279
Speaker 1: trying to find the best takareya. But if there's a

781
00:39:48,320 --> 00:39:50,640
Speaker 1: good one, we really need to embrace it. And that's

782
00:39:50,680 --> 00:39:53,440
Speaker 1: a good story. I like it anything else. Lunchbox six

783
00:39:53,520 --> 00:39:56,320
Speaker 1: million views on TikTok, and people thousands of comments, and

784
00:39:56,520 --> 00:39:59,640
Speaker 1: I mean business is booming. Love to hear it. That's

785
00:39:59,640 --> 00:40:02,600
Speaker 1: what it's all about. That was tell me something good

786
00:40:04,560 --> 00:40:07,440
Speaker 1: jumped out of my skin this morning. Picture it. I'm

787
00:40:07,480 --> 00:40:10,680
Speaker 1: walking through my house. We got a big like back

788
00:40:10,760 --> 00:40:12,759
Speaker 1: deck and it's the doors and the back are all

789
00:40:12,840 --> 00:40:17,200
Speaker 1: glass out to the back deck and it's it's dark ish,

790
00:40:17,840 --> 00:40:19,759
Speaker 1: you know, as you can't but I get up and

791
00:40:19,800 --> 00:40:22,880
Speaker 1: that the light is still on, and I see something

792
00:40:23,000 --> 00:40:27,160
Speaker 1: moving in Those foxes that were in my yard, two

793
00:40:27,200 --> 00:40:30,359
Speaker 1: of them sitting on the back porch chilling drinking beers.

794
00:40:30,680 --> 00:40:35,319
Speaker 1: Are so comfortable, big red foxes. And I walk an

795
00:40:35,360 --> 00:40:40,520
Speaker 1: eller who is half hound. So I'm sprinting over like

796
00:40:40,600 --> 00:40:43,720
Speaker 1: she right to the door, and it's almost like pointing,

797
00:40:44,280 --> 00:40:45,839
Speaker 1: like we had bird dogs rowing up and a bird

798
00:40:45,880 --> 00:40:49,600
Speaker 1: dog all point quail. It's just point and it'll stay pointing,

799
00:40:49,640 --> 00:40:51,600
Speaker 1: so you know where the bird is down in, you know,

800
00:40:51,719 --> 00:40:53,840
Speaker 1: the grass or the we and so that's so you

801
00:40:53,880 --> 00:40:55,840
Speaker 1: know you're a gun ready and the dog is pointing

802
00:40:55,840 --> 00:40:58,120
Speaker 1: and you know they're about to fly from there. It

803
00:40:58,280 --> 00:41:00,960
Speaker 1: was a weird. She was almost pointing at the foxes,

804
00:41:01,360 --> 00:41:06,000
Speaker 1: and the fox was like, they're so comfortable. I couldn't

805
00:41:06,040 --> 00:41:08,120
Speaker 1: believe the they were. It was like in prison when

806
00:41:08,120 --> 00:41:09,759
Speaker 1: you're at the glass with somebody and they're just so

807
00:41:09,880 --> 00:41:11,799
Speaker 1: close but you can't touch them, but you're that close.

808
00:41:12,200 --> 00:41:14,040
Speaker 1: The foxes an hour basically on a phone with a cord,

809
00:41:14,120 --> 00:41:15,880
Speaker 1: going hey, so, howtch your time in the pin? It

810
00:41:16,080 --> 00:41:20,160
Speaker 1: was wild and what is that? It's good? Bad? I

811
00:41:20,200 --> 00:41:22,319
Speaker 1: don't it's weird. I don't want them to eat your

812
00:41:22,400 --> 00:41:25,400
Speaker 1: dogs or threaten your family. But also it's kind of cute.

813
00:41:25,760 --> 00:41:27,520
Speaker 1: They are pretty cute, honestly. When them had a dead

814
00:41:27,520 --> 00:41:29,200
Speaker 1: animal in their mouth though, so that one was some

815
00:41:29,320 --> 00:41:32,680
Speaker 1: small dead animals they were grilling. They no, they had

816
00:41:33,160 --> 00:41:35,520
Speaker 1: we found where they live because there's a couple of

817
00:41:35,560 --> 00:41:38,520
Speaker 1: spots and there's all these like little dead pieces of animals.

818
00:41:38,640 --> 00:41:42,520
Speaker 1: Oh yeah, so they're getting closer and closer to the house,

819
00:41:42,600 --> 00:41:44,960
Speaker 1: so your neck. They could be in the house by tomorrow.

820
00:41:45,600 --> 00:41:48,759
Speaker 1: But it was weird because they were just hanging. They

821
00:41:48,840 --> 00:41:51,560
Speaker 1: are not scared. I really feel like the foxes. That's

822
00:41:51,600 --> 00:41:54,480
Speaker 1: your white ghost dog that you see. Well, we did

823
00:41:54,600 --> 00:41:56,920
Speaker 1: bring some fox trappers and they spent three days. They

824
00:41:57,000 --> 00:42:01,399
Speaker 1: pay them every day to try to trays, yeah, not trackers. Yeah,

825
00:42:02,719 --> 00:42:05,400
Speaker 1: and so they were like, we got nothing. What do

826
00:42:05,400 --> 00:42:06,640
Speaker 1: you mean you got nothing? They're like, you want to

827
00:42:06,640 --> 00:42:08,120
Speaker 1: pay on the five hundred bucks for the next throe. No,

828
00:42:08,160 --> 00:42:10,080
Speaker 1: I don't. You can't get I'm not paying you more

829
00:42:10,120 --> 00:42:12,360
Speaker 1: to do. Like we've we've tried to put them at

830
00:42:12,400 --> 00:42:16,320
Speaker 1: every hole. Nothing. These these foxes are like bugs, bunny,

831
00:42:16,360 --> 00:42:18,239
Speaker 1: just like laughing at you, like too. And on a

832
00:42:18,320 --> 00:42:20,759
Speaker 1: garret they give me one of those circle bombs, the

833
00:42:20,880 --> 00:42:25,040
Speaker 1: fuse on it. They're enjoying your patio. It is. It's

834
00:42:25,280 --> 00:42:26,840
Speaker 1: as bizarre as the first time they've ever been that

835
00:42:26,960 --> 00:42:28,600
Speaker 1: close and so and there were two of them. There

836
00:42:28,640 --> 00:42:30,560
Speaker 1: were more but at night. I don't know if you

837
00:42:30,560 --> 00:42:34,200
Speaker 1: can google what a fox sounds like. Um, but there

838
00:42:34,520 --> 00:42:40,239
Speaker 1: I hear where it messes with eler wow, where she's going,

839
00:42:40,520 --> 00:42:43,000
Speaker 1: what's going on? But there it's such a high screech.

840
00:42:44,120 --> 00:42:46,399
Speaker 1: And growing up we didn't we didn't hear foxes. Everyone,

841
00:42:46,400 --> 00:42:47,840
Speaker 1: we didn't hear them. We grew up in the country,

842
00:42:47,840 --> 00:42:49,960
Speaker 1: but you didn't hear foxes. But apparently they just moved in,

843
00:42:50,080 --> 00:42:53,000
Speaker 1: made it their own. They're chilling, living life. So we

844
00:42:53,120 --> 00:42:56,200
Speaker 1: got a fox situation. I told Kaitlin this. I text

845
00:42:56,200 --> 00:42:58,839
Speaker 1: Attle that the foxes were on the back porch. They're

846
00:42:58,880 --> 00:43:00,719
Speaker 1: just because we built We have at couch out there now,

847
00:43:00,800 --> 00:43:03,360
Speaker 1: a little TV and stuff, I said, even though we

848
00:43:03,440 --> 00:43:05,400
Speaker 1: can't use it all the time, they're leaving it out.

849
00:43:05,440 --> 00:43:06,960
Speaker 1: You might as well just turn the TV. I'll leave

850
00:43:06,960 --> 00:43:08,560
Speaker 1: it on overnight. I did get a picture though, on

851
00:43:08,600 --> 00:43:10,360
Speaker 1: a video if I didn't show you guys, one of

852
00:43:10,360 --> 00:43:13,319
Speaker 1: the foxes hanging in the backyard on the other side

853
00:43:13,320 --> 00:43:15,600
Speaker 1: of the eller's gate like pin in the backyard, and

854
00:43:15,719 --> 00:43:19,279
Speaker 1: the fox again was twenty feet from her chilling. It's

855
00:43:19,320 --> 00:43:23,560
Speaker 1: looking at her like yeah, anyway, that's what we're dealing

856
00:43:23,560 --> 00:43:26,000
Speaker 1: with now. But the fox noise is a weird thing,

857
00:43:26,040 --> 00:43:28,120
Speaker 1: if that's what that is. And maybe the animals getting

858
00:43:28,200 --> 00:43:31,440
Speaker 1: murdered in my backyard always screaming. I don't know. All right,

859
00:43:31,520 --> 00:43:33,400
Speaker 1: let's go over to Amy and get in the morning Corny,

860
00:43:37,239 --> 00:43:41,200
Speaker 1: Morning Corny. Why was music coming from the office printer?

861
00:43:41,600 --> 00:43:43,920
Speaker 1: Why was music coming from the office printer? The paper

862
00:43:44,120 --> 00:43:54,520
Speaker 1: was jamming? That was the morning Corny. So we're doing

863
00:43:54,560 --> 00:43:57,840
Speaker 1: the list my top five nineties country music videos yesterday

864
00:43:57,840 --> 00:44:01,480
Speaker 1: at number five from nineteen ninety two, Alan Jackson, Chattahoochie,

865
00:44:03,160 --> 00:44:05,840
Speaker 1: the chat. You never knew how much we talked about.

866
00:44:05,920 --> 00:44:08,640
Speaker 1: Ninety two is a year and the skiing in the

867
00:44:08,760 --> 00:44:11,760
Speaker 1: video of the water skiing and it's just the ultimate.

868
00:44:11,840 --> 00:44:13,439
Speaker 1: So that's number five. I'm gonna move on to number

869
00:44:13,480 --> 00:44:15,960
Speaker 1: four today. When it comes to nineties country, it has

870
00:44:16,000 --> 00:44:17,279
Speaker 1: to be a great song, it has to be a

871
00:44:17,360 --> 00:44:19,080
Speaker 1: great artist, and it has to be a video that

872
00:44:19,160 --> 00:44:21,960
Speaker 1: you remember. Those were all my criteria here. And I remember,

873
00:44:22,040 --> 00:44:23,759
Speaker 1: this is the first thing you ever saw where I thought,

874
00:44:24,120 --> 00:44:26,879
Speaker 1: maybe line dancing in the bars for cool people. That's

875
00:44:26,920 --> 00:44:30,239
Speaker 1: why I thought, and I never really thought much about it.

876
00:44:30,280 --> 00:44:31,920
Speaker 1: I would see on PBS they would do the line

877
00:44:31,960 --> 00:44:33,400
Speaker 1: dancing show where people show up in that bar and

878
00:44:33,400 --> 00:44:35,759
Speaker 1: they'd be like slapping sides of their foot, and there

879
00:44:35,840 --> 00:44:37,520
Speaker 1: was always that one person who would did a little

880
00:44:37,560 --> 00:44:39,600
Speaker 1: extra And I always envied that person because he knew

881
00:44:39,600 --> 00:44:41,400
Speaker 1: the dance and the extra moves, Like he'd do a

882
00:44:41,440 --> 00:44:44,279
Speaker 1: couple of extra grinds, Like it'd be like he'll kick

883
00:44:44,480 --> 00:44:47,359
Speaker 1: turn turn, He'd do he'll kick grind, grind turn turn.

884
00:44:47,680 --> 00:44:48,839
Speaker 1: I was like, Dan, I want to be that guy

885
00:44:48,880 --> 00:44:51,879
Speaker 1: when I grow up. But not really something I saw

886
00:44:51,960 --> 00:45:00,239
Speaker 1: me doing until this song right here. So in this song,

887
00:45:01,200 --> 00:45:03,600
Speaker 1: obviously it's gonna teach you how to dance. In the video,

888
00:45:03,880 --> 00:45:05,320
Speaker 1: this guy that goes to a bar to unwine and

889
00:45:05,360 --> 00:45:07,160
Speaker 1: it's like, oh hey good, a little dance. He starts

890
00:45:07,480 --> 00:45:10,439
Speaker 1: doing the dance. So boot scoot Boogie becomes this big

891
00:45:10,560 --> 00:45:12,239
Speaker 1: dance and everybody knows how to do. I was still

892
00:45:12,239 --> 00:45:14,200
Speaker 1: too young to actually do it in a bar, although

893
00:45:14,200 --> 00:45:16,440
Speaker 1: I would do it in my living room. Thirty one

894
00:45:16,560 --> 00:45:20,120
Speaker 1: years ago, nineteen ninety one, boot Scooting Boogie by Brooks

895
00:45:20,160 --> 00:45:23,279
Speaker 1: and Dunn comes out also fun fact not very fun

896
00:45:23,360 --> 00:45:24,960
Speaker 1: for me. I thought I knew every word of this song.

897
00:45:25,200 --> 00:45:26,920
Speaker 1: Actually sang this with Brooks and Dune and sang it

898
00:45:26,960 --> 00:45:31,000
Speaker 1: wrong because I thought it said here we go docy dough.

899
00:45:31,440 --> 00:45:35,640
Speaker 1: It doesn't. It says he'll to toe docy right. Yeah,

900
00:45:35,960 --> 00:45:38,239
Speaker 1: tote oh totoe, I don't do this. Should change that

901
00:45:38,280 --> 00:45:40,879
Speaker 1: lyric now it's possible. Change lyric. Heel toe, Yeah, play

902
00:45:40,880 --> 00:45:46,000
Speaker 1: it again, Ray, let's slowly he'll toe. I passionately with

903
00:45:46,200 --> 00:45:49,320
Speaker 1: them on a microphone. Here we go, doc, Do you

904
00:45:49,400 --> 00:45:51,879
Speaker 1: know that was loud and whole. That's part of the dance.

905
00:45:51,960 --> 00:45:54,359
Speaker 1: You put your heel down then toe. No idea, I didn't.

906
00:45:54,400 --> 00:45:56,080
Speaker 1: Here we go part of the dance. I'd be like,

907
00:45:56,280 --> 00:45:59,359
Speaker 1: here we go the arms out, so Brooks and done

908
00:45:59,440 --> 00:46:02,359
Speaker 1: nineteen nine one. This song comes out a massive song

909
00:46:02,520 --> 00:46:04,600
Speaker 1: for them. It wasn't their first number one, it was

910
00:46:04,600 --> 00:46:06,759
Speaker 1: actually their fourth, but it was really the one that

911
00:46:07,480 --> 00:46:09,719
Speaker 1: made them more of a mainstream band, because you had

912
00:46:09,760 --> 00:46:11,840
Speaker 1: to remember two in the nineties, that's when country music

913
00:46:12,719 --> 00:46:18,480
Speaker 1: got pretty mainstream. Garth Brooks obviously, Reba Brooks and Dunne,

914
00:46:18,800 --> 00:46:21,040
Speaker 1: Billy Ray Cyrus. When Aky Break Your Heart was a big,

915
00:46:21,560 --> 00:46:25,719
Speaker 1: you know, pop song. Absolutely Shania. So that's this and

916
00:46:25,800 --> 00:46:28,000
Speaker 1: I remember seeing it on on CMT. I have some

917
00:46:28,080 --> 00:46:30,920
Speaker 1: other facts about nineteen ninety one. In ninety one, when

918
00:46:30,960 --> 00:46:36,600
Speaker 1: I was eleven, WWW was launched. That's the Worldwide Web. Wow, Morgan,

919
00:46:36,640 --> 00:46:40,000
Speaker 1: you were born what you are and you were born

920
00:46:40,040 --> 00:46:44,520
Speaker 1: in the internet existed. We that's crazy, Yeah, that's crazy.

921
00:46:44,960 --> 00:46:47,680
Speaker 1: The average life expectancy in the US then was seventy

922
00:46:47,719 --> 00:46:50,319
Speaker 1: five point three. I think today it's like fifty. Right,

923
00:46:50,360 --> 00:46:53,839
Speaker 1: are we down some today it's seventy eight and a half. Well,

924
00:46:53,880 --> 00:46:56,799
Speaker 1: and this year again, nineteen ninety one, very important year

925
00:46:56,800 --> 00:46:59,680
Speaker 1: because that's the year Mike d was born. Come on,

926
00:47:00,360 --> 00:47:03,080
Speaker 1: here's how i'd rank them. Here's odd rank them boot

927
00:47:03,120 --> 00:47:05,920
Speaker 1: Scooting Boogie and then Mike being born in that order.

928
00:47:06,080 --> 00:47:09,440
Speaker 1: But still you're number two. That's a good Mike. An

929
00:47:09,480 --> 00:47:12,600
Speaker 1: interview with Luke Combs on Friday. His record comes out Friday,

930
00:47:13,480 --> 00:47:15,920
Speaker 1: and so everybody's doing interviews with him now about his

931
00:47:16,000 --> 00:47:19,279
Speaker 1: record coming out, and Billboard asked him, Hey, who's your

932
00:47:19,320 --> 00:47:22,239
Speaker 1: amount Rushmore of artists like who you like? Who's your

933
00:47:22,280 --> 00:47:23,960
Speaker 1: talk four? I had asked him this question a couple

934
00:47:23,960 --> 00:47:26,080
Speaker 1: of years ago. He'd come over to the house and

935
00:47:26,120 --> 00:47:27,680
Speaker 1: we talked for like an hour or so. So I'm

936
00:47:27,680 --> 00:47:30,040
Speaker 1: gonna play your mine. This is from two years ago.

937
00:47:30,400 --> 00:47:32,800
Speaker 1: I said, Luke Combs, give me your amount rushmore of

938
00:47:32,880 --> 00:47:34,960
Speaker 1: your favorite artists. But I gave him five. I gave

939
00:47:35,000 --> 00:47:37,440
Speaker 1: him the amount Rushmore plus one. Here is his answer

940
00:47:37,520 --> 00:47:41,160
Speaker 1: to me from my house during the Bobby cast. Probably

941
00:47:41,200 --> 00:47:43,960
Speaker 1: Elton John, okay was where I would go first, for sure.

942
00:47:44,040 --> 00:47:47,320
Speaker 1: Elton John, all right, Billy Joel, are you a piano player?

943
00:47:47,520 --> 00:47:50,520
Speaker 1: I'm not. Those are your first two? Yeah, they're so keys.

944
00:47:50,560 --> 00:47:54,160
Speaker 1: There's just like just the songs are so great. I've

945
00:47:54,160 --> 00:47:56,800
Speaker 1: always loved keys. I'm not smart enough to play piano.

946
00:47:56,960 --> 00:47:59,960
Speaker 1: I don't think I've tried it would definitely be those guys,

947
00:48:00,239 --> 00:48:02,720
Speaker 1: you know, Tom John, Tom Petty, Billy Joel, Tom Petty

948
00:48:02,800 --> 00:48:05,239
Speaker 1: now Tom Petty for sure, Brooks and Dunn would be

949
00:48:05,280 --> 00:48:07,480
Speaker 1: on there for me one spot. So you have on

950
00:48:07,640 --> 00:48:10,879
Speaker 1: one spot left. That's tough. That's tough, man. It's hard

951
00:48:11,040 --> 00:48:13,120
Speaker 1: for me to go against an edge hearing at this

952
00:48:13,400 --> 00:48:15,879
Speaker 1: at this stage, I just think that amount of work

953
00:48:15,960 --> 00:48:18,200
Speaker 1: that he does, the size of the tours that he does,

954
00:48:18,400 --> 00:48:21,400
Speaker 1: the quality of everything he puts out in the volume

955
00:48:21,960 --> 00:48:25,080
Speaker 1: is just pretty staggering. And there's not really anybody doing

956
00:48:25,560 --> 00:48:28,120
Speaker 1: much like that pretty good list that's from twenty twenty

957
00:48:28,160 --> 00:48:30,239
Speaker 1: in that interview. And so they asked him this again

958
00:48:30,360 --> 00:48:32,640
Speaker 1: like two days ago, which my point here is going

959
00:48:32,719 --> 00:48:34,080
Speaker 1: to be that if you're an artist, now I just

960
00:48:34,160 --> 00:48:37,239
Speaker 1: have this has now become such a cliche question, I

961
00:48:37,280 --> 00:48:39,080
Speaker 1: gotta stop asking it. I mean I've been asking it

962
00:48:39,120 --> 00:48:40,960
Speaker 1: for years, but you just had need to have it

963
00:48:41,200 --> 00:48:43,160
Speaker 1: like prepared, like what it's going to be. So they

964
00:48:43,200 --> 00:48:48,040
Speaker 1: asked him he didn't have all the same answers. Well

965
00:48:48,480 --> 00:48:51,080
Speaker 1: changed it, I think, right, it's just as you can see,

966
00:48:51,080 --> 00:48:53,000
Speaker 1: always gonna be prepared, no, because people gonna fact check you.

967
00:48:53,560 --> 00:48:56,080
Speaker 1: Here is Luke Combs and they ask him, hey, who's

968
00:48:56,080 --> 00:48:58,880
Speaker 1: your mount rushmore of artists for people that have that,

969
00:48:59,280 --> 00:49:02,600
Speaker 1: I feel I can influenced me personally. I'm trying to

970
00:49:02,640 --> 00:49:05,759
Speaker 1: make it easier on myself. I would probably say Vince

971
00:49:05,880 --> 00:49:09,160
Speaker 1: Gill wouldn't be up there for me. Eric Church would

972
00:49:09,160 --> 00:49:11,640
Speaker 1: be up there for me. Elton John would probably be

973
00:49:11,760 --> 00:49:14,520
Speaker 1: up there for me. There's a lot Billy Joel would be.

974
00:49:16,880 --> 00:49:21,200
Speaker 1: So he stayed the same. I guess if you get

975
00:49:21,280 --> 00:49:23,120
Speaker 1: Kick Brooks and done out, I know we need to

976
00:49:23,239 --> 00:49:27,160
Speaker 1: talk about that. And Ed Sheer and his buddy, he's

977
00:49:27,320 --> 00:49:28,960
Speaker 1: got to be like, oh, Luke Colms, what would you

978
00:49:29,040 --> 00:49:32,720
Speaker 1: kick me off the list? So Luke Holmbs being on Friday,

979
00:49:32,800 --> 00:49:35,719
Speaker 1: that'd be pretty cool, pretty cool. I do want to

980
00:49:35,719 --> 00:49:38,319
Speaker 1: talk about lunchboxing. You do not know that you met

981
00:49:38,400 --> 00:49:40,840
Speaker 1: a country icon? Do you know who we're talking about?

982
00:49:41,000 --> 00:49:49,040
Speaker 1: And it wasn't in the studio? No, think think back? Well,

983
00:49:49,080 --> 00:49:52,160
Speaker 1: I mean, did you run into anyone anywhere? I mean

984
00:49:52,200 --> 00:49:55,719
Speaker 1: I met Randy Travis years ago? Yeah, I don't know, Eddie,

985
00:49:55,719 --> 00:49:57,040
Speaker 1: how long ago is this? I was like a couple

986
00:49:57,040 --> 00:49:59,759
Speaker 1: of weeks ago, a couple of what part of town,

987
00:50:00,239 --> 00:50:03,520
Speaker 1: just right down the road at a at another business

988
00:50:03,680 --> 00:50:06,400
Speaker 1: and another building right but right by the area. Okay,

989
00:50:06,480 --> 00:50:08,800
Speaker 1: there's a you're in a building apparently by Was it

990
00:50:08,880 --> 00:50:12,080
Speaker 1: like anything music related related? I'll say, is the CMA's

991
00:50:12,160 --> 00:50:16,080
Speaker 1: the CMA building, CMA building. Yes, who'd you meet at

992
00:50:16,120 --> 00:50:19,640
Speaker 1: CMA building? There was a Cutch mus A guicon. Uh, nobody.

993
00:50:19,840 --> 00:50:23,080
Speaker 1: I saw some girl from the record label. Her name

994
00:50:23,200 --> 00:50:25,920
Speaker 1: was Megan, and then I saw some nurses. I was

995
00:50:25,920 --> 00:50:28,440
Speaker 1: about it. Did he ever knows coutching mus a guy?

996
00:50:29,239 --> 00:50:31,360
Speaker 1: I never told him. I just watched him kind of

997
00:50:31,440 --> 00:50:33,440
Speaker 1: go down like a plane falling, and I was like, oh,

998
00:50:33,480 --> 00:50:36,040
Speaker 1: I'm just gonna let it fall. So it explained the scenario.

999
00:50:36,440 --> 00:50:39,360
Speaker 1: So we're there waiting to get tested for COVID because

1000
00:50:39,400 --> 00:50:42,040
Speaker 1: a CMA fessel's coming. So we're in line and they're

1001
00:50:42,080 --> 00:50:44,520
Speaker 1: a bunch. They're like four people there in line, including

1002
00:50:44,560 --> 00:50:46,879
Speaker 1: that record label girl he's talking about. There's a guy

1003
00:50:47,000 --> 00:50:49,880
Speaker 1: right behind him and he says, how's it going, man's

1004
00:50:50,120 --> 00:50:53,319
Speaker 1: and this is a icon. I know him. I see him.

1005
00:50:53,480 --> 00:50:56,480
Speaker 1: I've worn a shirt in studio with his face on it, absolutely,

1006
00:50:57,239 --> 00:50:59,839
Speaker 1: and so he says what to him? So you work

1007
00:51:00,040 --> 00:51:03,319
Speaker 1: in the industry And the guy's like, yeah, yeah, sure, dude,

1008
00:51:03,520 --> 00:51:06,160
Speaker 1: you work for the CMAS. No. No, he was being

1009
00:51:06,320 --> 00:51:08,320
Speaker 1: very vague because the guy who's like didn't want to

1010
00:51:08,400 --> 00:51:10,719
Speaker 1: just I don't know why. Lunchbox felt like he needed

1011
00:51:10,719 --> 00:51:12,440
Speaker 1: to have a conversation with him, but he was doing

1012
00:51:12,480 --> 00:51:14,759
Speaker 1: small talk with this guy, had no idea who he was.

1013
00:51:14,840 --> 00:51:17,759
Speaker 1: You're small talking everybody, Do you remember that small talking? Yeah?

1014
00:51:17,880 --> 00:51:19,560
Speaker 1: I mean we were just standing in line, and so

1015
00:51:19,680 --> 00:51:21,719
Speaker 1: it's just like awkward because you see each other, you're

1016
00:51:21,719 --> 00:51:23,839
Speaker 1: looking at each other, and you're waiting for your turn

1017
00:51:23,920 --> 00:51:25,640
Speaker 1: to go up and get tested. So you know, it's

1018
00:51:25,680 --> 00:51:27,600
Speaker 1: just like, hey, how's it going good? Oh? Yeah, you

1019
00:51:27,680 --> 00:51:31,400
Speaker 1: weren't you picture the guy? Yeah, he's kind of an

1020
00:51:31,440 --> 00:51:38,120
Speaker 1: older guy. Yeah right, go ahead, white hair, I think

1021
00:51:38,120 --> 00:51:40,759
Speaker 1: a little bit shorter than me. So I have a

1022
00:51:40,920 --> 00:51:44,239
Speaker 1: couple of things. I have an old retro shirt that

1023
00:51:44,360 --> 00:51:46,400
Speaker 1: I would wear with his face on it in studio.

1024
00:51:46,480 --> 00:51:49,320
Speaker 1: A massive fan the couple. I've met him three or

1025
00:51:49,400 --> 00:51:50,800
Speaker 1: four times. The first couple of times I kind of

1026
00:51:50,840 --> 00:51:53,239
Speaker 1: geeked out and I was like, as a kid, I

1027
00:51:53,320 --> 00:51:56,480
Speaker 1: spent so much time listening to you, and he was

1028
00:51:56,640 --> 00:51:59,360
Speaker 1: very He's very kind. They've never he's never been in

1029
00:51:59,480 --> 00:52:03,080
Speaker 1: studio before. Though, but he didn't really say I mean,

1030
00:52:03,120 --> 00:52:05,960
Speaker 1: he didn't really. He wasn't very out going about what

1031
00:52:06,080 --> 00:52:08,359
Speaker 1: he does. And I don't know why an artist would

1032
00:52:08,360 --> 00:52:10,640
Speaker 1: have been there, because I don't think artists had to

1033
00:52:10,719 --> 00:52:13,279
Speaker 1: go to that building. Yeah, I can play you a

1034
00:52:13,360 --> 00:52:16,520
Speaker 1: clip of the person. You can play a clip. Yeah,

1035
00:52:16,520 --> 00:52:17,960
Speaker 1: I can play you a clip of the person. Okay,

1036
00:52:18,440 --> 00:52:19,880
Speaker 1: I have no I mean, I have no idea who

1037
00:52:19,880 --> 00:52:25,280
Speaker 1: you're talking about. I was like, go ahead, well, folks,

1038
00:52:25,360 --> 00:52:28,440
Speaker 1: welcome back to Crook and Chase. I'm Lori and Crook, right,

1039
00:52:28,520 --> 00:52:33,960
Speaker 1: and our guest today is Trish. It's Crook and Chase.

1040
00:52:34,000 --> 00:52:36,000
Speaker 1: So I listen to my whole life on the radio.

1041
00:52:36,600 --> 00:52:38,960
Speaker 1: Oh you don't know. I don't know him. You didn't listen.

1042
00:52:41,080 --> 00:52:43,560
Speaker 1: You work in the industry, sir. You ever been on

1043
00:52:43,640 --> 00:52:47,960
Speaker 1: a radio you get John? Are you a roadie or something? No?

1044
00:52:48,120 --> 00:52:49,880
Speaker 1: I mean I just assumed he was doing some of

1045
00:52:49,960 --> 00:52:52,680
Speaker 1: the you know me Aldane sound. I thought maybe he

1046
00:52:52,760 --> 00:52:55,000
Speaker 1: was a stage hand for CMA or something. I don't know.

1047
00:52:55,160 --> 00:53:00,360
Speaker 1: He was legendary radio guy a massive national countdown and

1048
00:53:00,560 --> 00:53:03,200
Speaker 1: Eddie said, hell lunchbox right into tell Charlie him. It

1049
00:53:03,320 --> 00:53:05,480
Speaker 1: was like, what do you do, buddy? You working in business.

1050
00:53:06,120 --> 00:53:08,640
Speaker 1: After lunch bo was left, I said, Charlie, how's it going?

1051
00:53:08,680 --> 00:53:10,799
Speaker 1: Good to see you? Like, how are you doing? Man Colstwindell,

1052
00:53:10,840 --> 00:53:13,040
Speaker 1: and I passed that shirt back and forth. Oh that's

1053
00:53:13,400 --> 00:53:15,680
Speaker 1: the shirt and Chase on the shirt. Yeah, well he

1054
00:53:15,719 --> 00:53:20,520
Speaker 1: looks younger on that shirt. Yeah. Yeah, well you look

1055
00:53:20,560 --> 00:53:22,520
Speaker 1: younger on the shirts we have too, because having round

1056
00:53:22,520 --> 00:53:25,279
Speaker 1: for like ten. Yeah. Well, hey, Charlie is nice meeting you.

1057
00:53:25,360 --> 00:53:29,279
Speaker 1: Man was his name, Charlie, Yeah, Charlie Chase or no

1058
00:53:29,560 --> 00:53:35,600
Speaker 1: Charlie Crook. Stop. Now time for the most important segment

1059
00:53:35,680 --> 00:53:41,960
Speaker 1: of the day. You're big stories. Bobby's story. So somebody

1060
00:53:42,040 --> 00:53:44,480
Speaker 1: kept hearing this old woman cry from a room like

1061
00:53:44,600 --> 00:53:50,640
Speaker 1: her apartment, like what's like very faintly. So they call cops,

1062
00:53:50,680 --> 00:53:53,520
Speaker 1: are like, hey, this lady lives here. We think we

1063
00:53:53,640 --> 00:53:57,000
Speaker 1: hear her yelling. Maybe she's yelling in pain. You guys

1064
00:53:57,040 --> 00:53:58,800
Speaker 1: come and check this out to cops show up to

1065
00:53:58,880 --> 00:54:05,480
Speaker 1: do nothing. Hello, nothing, okay, we gotta kick the door down. Boom.

1066
00:54:05,520 --> 00:54:08,160
Speaker 1: They kick it down and they find a parrot. Lady

1067
00:54:08,239 --> 00:54:12,719
Speaker 1: wasn't in there, yell, and the lady that funny, huh,

1068
00:54:13,000 --> 00:54:14,759
Speaker 1: really glad it wasn't The lady who in the lady

1069
00:54:14,840 --> 00:54:16,600
Speaker 1: was hurt and funny that it's a parent. Was the

1070
00:54:16,680 --> 00:54:19,200
Speaker 1: parent hurt? The parrot was not just that parents chilling.

1071
00:54:19,239 --> 00:54:21,759
Speaker 1: Parents do what parent does, just parroting. That's from the

1072
00:54:21,800 --> 00:54:25,000
Speaker 1: New York Post. Ben Stiller is in Poland assisting with

1073
00:54:25,160 --> 00:54:28,279
Speaker 1: Ukrainian refugees, which I thought was pretty cool. Guy's richest

1074
00:54:28,320 --> 00:54:29,759
Speaker 1: could be he doesn't need to do that. You should

1075
00:54:29,760 --> 00:54:32,440
Speaker 1: go laand a beach and chill. But Ben Stiller's teaming

1076
00:54:32,520 --> 00:54:36,239
Speaker 1: up with the UN High Commission for work with the

1077
00:54:36,400 --> 00:54:38,600
Speaker 1: refugees and trying to help them. Are you out with

1078
00:54:38,640 --> 00:54:42,800
Speaker 1: their families? Get food, get support? That's from the Hollywood Reporter.

1079
00:54:42,960 --> 00:54:44,879
Speaker 1: Just think it's cool when somebody who doesn't have to does,

1080
00:54:45,080 --> 00:54:47,400
Speaker 1: and somebody who has two hundred million dollars and he

1081
00:54:47,440 --> 00:54:49,200
Speaker 1: could live alife just doing what he's doing. So I

1082
00:54:49,239 --> 00:54:52,640
Speaker 1: thought that's pretty cool. Jack White went five days without

1083
00:54:52,719 --> 00:54:56,120
Speaker 1: food while writing his two latest albums. So here's a

1084
00:54:56,120 --> 00:55:01,040
Speaker 1: little Jack Wife for you. Turning that out there. This

1085
00:55:01,200 --> 00:55:04,799
Speaker 1: is the White Stripes. Jack White said he went five

1086
00:55:04,920 --> 00:55:07,640
Speaker 1: days with no food while riding. He was inspired by

1087
00:55:07,680 --> 00:55:09,480
Speaker 1: a central book to see how the state of his

1088
00:55:09,520 --> 00:55:12,320
Speaker 1: body would affect his creative output. The experience add a

1089
00:55:12,360 --> 00:55:14,600
Speaker 1: new kind of energy to his latest records. That base

1090
00:55:14,680 --> 00:55:21,520
Speaker 1: you here on the records is a stomach growling like Wow,

1091
00:55:21,600 --> 00:55:24,120
Speaker 1: Jack w dressed a new instrument here. That's not something

1092
00:55:27,480 --> 00:55:35,000
Speaker 1: I don't know, weird, cool, though unhealthy. Whatever I mean

1093
00:55:35,080 --> 00:55:37,279
Speaker 1: he was, I get is he's trying to do it

1094
00:55:37,280 --> 00:55:40,000
Speaker 1: in the name of art at least or saving money.

1095
00:55:40,200 --> 00:55:41,719
Speaker 1: I can just tell the guy you want to save money,

1096
00:55:41,840 --> 00:55:44,160
Speaker 1: Hello fresh, you know, use the promo code. Don't be

1097
00:55:44,239 --> 00:55:48,279
Speaker 1: drinking water. You have drink water, you'll die five days

1098
00:55:48,280 --> 00:55:51,080
Speaker 1: a limit three to five days, you'd be Yeah, he'll

1099
00:55:51,120 --> 00:55:56,080
Speaker 1: be dead on that one. Wine bottles, tampons, hot sauce,

1100
00:55:56,880 --> 00:55:59,000
Speaker 1: what do they have in common? I don't know. They're

1101
00:55:59,000 --> 00:56:01,400
Speaker 1: all my pocket right now out here you go. No,

1102
00:56:01,560 --> 00:56:07,440
Speaker 1: they're all among items experiencing nationwide shortages. A spokesperson for

1103
00:56:07,520 --> 00:56:10,960
Speaker 1: Tampax said, Hey, there's a temporary situation happening. They are

1104
00:56:11,080 --> 00:56:14,759
Speaker 1: producing tampons twenty four seven to meet demand, but not

1105
00:56:14,920 --> 00:56:19,680
Speaker 1: only tampons again, hot sauce and wine or tampons, sauts

1106
00:56:19,719 --> 00:56:21,399
Speaker 1: and wine. Oh Saturday night for a lot of people,

1107
00:56:22,600 --> 00:56:26,080
Speaker 1: for sure. That's from the New York Post. From the

1108
00:56:26,080 --> 00:56:27,800
Speaker 1: New York post as well. A man takes a bundle

1109
00:56:27,840 --> 00:56:30,600
Speaker 1: of cash from a wide open atm just sitting there. Oh.

1110
00:56:31,080 --> 00:56:33,320
Speaker 1: A man came up to an atm. It was like,

1111
00:56:33,400 --> 00:56:35,440
Speaker 1: wait a second, is this supposed to be like the

1112
00:56:35,480 --> 00:56:39,640
Speaker 1: doors a little like swey, I would go, where are

1113
00:56:39,680 --> 00:56:42,400
Speaker 1: the camera? Like not the security camera from the atm?

1114
00:56:42,719 --> 00:56:44,759
Speaker 1: Where are the cameras watching me to see what I do?

1115
00:56:45,920 --> 00:56:49,399
Speaker 1: Cops say, the man grab two hundred thousand dollars in cash?

1116
00:56:50,760 --> 00:56:52,759
Speaker 1: Are you I'm surprised there's that much in there? That

1117
00:56:53,000 --> 00:56:57,040
Speaker 1: is incredible. The man walked out of the bank, came

1118
00:56:57,080 --> 00:56:59,520
Speaker 1: back with a bag to hold all the cash. They've

1119
00:56:59,560 --> 00:57:04,520
Speaker 1: made no rests. The bank employee supposed the accident left

1120
00:57:04,560 --> 00:57:08,840
Speaker 1: it open like while oh guts of this guy, the

1121
00:57:09,080 --> 00:57:12,880
Speaker 1: dream come true? No way. I mean he sat there,

1122
00:57:12,960 --> 00:57:15,160
Speaker 1: he looked at it, and he contemplated and look around.

1123
00:57:15,200 --> 00:57:17,080
Speaker 1: I need to go get a bag. Like he left,

1124
00:57:17,400 --> 00:57:21,240
Speaker 1: got a bag, didn't learn anybody yet, like calm and collected.

1125
00:57:21,600 --> 00:57:23,160
Speaker 1: I was like, he got me back on once somebody

1126
00:57:23,160 --> 00:57:25,760
Speaker 1: goes here a little bit. That's yeah, that's nuts and

1127
00:57:26,280 --> 00:57:28,439
Speaker 1: you're just not gonna get away with that though. Why

1128
00:57:29,880 --> 00:57:32,560
Speaker 1: cameras everywhere around the bank everywhere all the time, and

1129
00:57:32,680 --> 00:57:34,479
Speaker 1: you can't like hide your face then go back because

1130
00:57:34,480 --> 00:57:37,240
Speaker 1: then they think you're gonna rob it. Oh man, I

1131
00:57:37,360 --> 00:57:40,360
Speaker 1: feel like if the if the doors, the ATM doors open,

1132
00:57:40,440 --> 00:57:42,720
Speaker 1: the cameras facing the wrong direction. I figured, it's like right,

1133
00:57:42,880 --> 00:57:45,240
Speaker 1: their cameras everywhere. Though, maybe you go and just move

1134
00:57:45,280 --> 00:57:48,520
Speaker 1: your head back and forth really fast. Whole time you're

1135
00:57:48,520 --> 00:57:52,120
Speaker 1: just trying to blur it. From w t h R.

1136
00:57:52,600 --> 00:57:56,200
Speaker 1: The Chicks cut their Indianapolis concert short. They said, we're

1137
00:57:56,240 --> 00:57:57,640
Speaker 1: so sorry we couldn't give you the show you deserve.

1138
00:57:57,640 --> 00:57:59,280
Speaker 1: They played for about thirty minutes and they quit playing.

1139
00:57:59,320 --> 00:58:02,120
Speaker 1: Apparently now his voice gave out and they were like, guys,

1140
00:58:02,200 --> 00:58:04,800
Speaker 1: we'll come back, hold on to your tickets, but we

1141
00:58:04,920 --> 00:58:07,920
Speaker 1: gotta stop. So good for the Chicks. I had some

1142
00:58:08,040 --> 00:58:09,800
Speaker 1: pretty noble thing. They could have just played through, or

1143
00:58:09,840 --> 00:58:13,360
Speaker 1: had one of the other ones sing and listen. I

1144
00:58:13,520 --> 00:58:16,120
Speaker 1: like the Chicks. I don't know why they've been jerked

1145
00:58:16,160 --> 00:58:18,760
Speaker 1: to me. I'm a big supporter. I'll never come on

1146
00:58:18,800 --> 00:58:21,560
Speaker 1: the show and they just ignore us. I'll walk up

1147
00:58:21,560 --> 00:58:22,640
Speaker 1: to the door, knock on the door. They want to

1148
00:58:22,640 --> 00:58:25,640
Speaker 1: answer nothing, nothing, but yeah, it's I like, that's a

1149
00:58:25,640 --> 00:58:27,680
Speaker 1: cool move to go we've played a little bit, we

1150
00:58:27,800 --> 00:58:30,160
Speaker 1: realized we shouldn't play anymore. I know you're frustrated, but

1151
00:58:30,200 --> 00:58:32,920
Speaker 1: we don't want to take your money because they probably

1152
00:58:32,960 --> 00:58:34,880
Speaker 1: honestly could have played like twenty more minutes and called it.

1153
00:58:35,080 --> 00:58:38,200
Speaker 1: On a contract, there's a minimal time requirement. Maybe it's seventy.

1154
00:58:38,240 --> 00:58:40,240
Speaker 1: I don't know. Maybe it's ninety. But if I'm doing

1155
00:58:40,280 --> 00:58:42,200
Speaker 1: a show like a stand up show or the Raging

1156
00:58:42,240 --> 00:58:45,280
Speaker 1: Idiots mine are usually fifty or sixty, unless it's a festival,

1157
00:58:45,320 --> 00:58:48,080
Speaker 1: than it might be ninety. But they could have easily

1158
00:58:48,200 --> 00:58:50,560
Speaker 1: covered this. They could have done a Marty solo for

1159
00:58:50,640 --> 00:58:53,840
Speaker 1: forty minutes and come back. So I like that. Good

1160
00:58:53,880 --> 00:58:56,440
Speaker 1: for the chicks. Class move. Hey, won't you be a

1161
00:58:56,480 --> 00:58:58,000
Speaker 1: little classy it? Come over here? Won't you give us

1162
00:58:58,000 --> 00:58:59,600
Speaker 1: a little call? Come on the show? Ye got me

1163
00:58:59,600 --> 00:59:03,560
Speaker 1: a jerk? Us from the Daily Mail, A woman has

1164
00:59:03,600 --> 00:59:05,360
Speaker 1: a amy. This is the story I want to ask

1165
00:59:05,360 --> 00:59:08,920
Speaker 1: you about. A woman has a heart attack. Yeah, rushing

1166
00:59:09,200 --> 00:59:11,640
Speaker 1: for a gate change and Charlotte at the airport? Oh

1167
00:59:11,880 --> 00:59:14,760
Speaker 1: was this the gosh? No, I was at rally Durham.

1168
00:59:15,000 --> 00:59:17,240
Speaker 1: Are do you? Was that? So that was Charlotte? I

1169
00:59:17,280 --> 00:59:21,160
Speaker 1: mean same state? Wow, dramatic, same state. Yeah, get going

1170
00:59:21,840 --> 00:59:28,480
Speaker 1: and then hey, geography, that is crazy though. I mean

1171
00:59:28,600 --> 00:59:30,680
Speaker 1: she she's probably bound to have a heart attack anyway.

1172
00:59:30,760 --> 00:59:33,919
Speaker 1: That just induced it. Like being late for a plane

1173
00:59:34,000 --> 00:59:36,400
Speaker 1: change is stressful, I know, but she was. Her heart

1174
00:59:36,520 --> 00:59:39,400
Speaker 1: was clearly headed for a heart attack. Here's the stressful

1175
00:59:39,400 --> 00:59:41,320
Speaker 1: thing about the airport. When you go and you're like, well,

1176
00:59:41,800 --> 00:59:43,800
Speaker 1: I get on this flight, I'm starving. It looks like

1177
00:59:43,880 --> 00:59:46,360
Speaker 1: I got about fifty three minutes. Let me hop into

1178
00:59:46,400 --> 00:59:48,640
Speaker 1: this chilies to go and you sit down and know

1179
00:59:48,760 --> 00:59:50,360
Speaker 1: and then you order it. But nobody's coming. And you're like,

1180
00:59:50,400 --> 00:59:53,080
Speaker 1: oh no, forty one minutes. Nobody's coming. Well now I

1181
00:59:53,160 --> 00:59:55,840
Speaker 1: got twenty two minutes. Oh here, sir, here's your SKELLYK

1182
00:59:55,960 --> 00:59:58,480
Speaker 1: So okay, cool. Can I get my no gone my check?

1183
00:59:58,560 --> 01:00:01,040
Speaker 1: Oh no, there's no check, got it? Yeah, we got

1184
01:00:01,080 --> 01:00:05,520
Speaker 1: a Cartigos Scoter heart attack, some skilly case. So you

1185
01:00:05,600 --> 01:00:08,200
Speaker 1: can't pay for it. You're missing your flight. That's stress.

1186
01:00:09,280 --> 01:00:13,280
Speaker 1: So it had a heart attack after a gate change.

1187
01:00:13,400 --> 01:00:15,760
Speaker 1: During a chaotic week of travel, A concerned mother took

1188
01:00:15,760 --> 01:00:17,600
Speaker 1: to Twitter saying her seventeen year old son was among

1189
01:00:17,640 --> 01:00:21,320
Speaker 1: the thousands impacted by delays. Her son was flying to

1190
01:00:21,400 --> 01:00:23,840
Speaker 1: make the connection, but was met with two canceled flights.

1191
01:00:24,040 --> 01:00:25,760
Speaker 1: The traveler had a heart attack in front of her

1192
01:00:25,840 --> 01:00:28,960
Speaker 1: son after running to a new gate. It's unclear what

1193
01:00:29,000 --> 01:00:31,360
Speaker 1: happened to the woman who suffered the cardiac episode. That's

1194
01:00:31,400 --> 01:00:35,120
Speaker 1: from the Daily Mail. A child's hospitalized after being stabbed

1195
01:00:35,120 --> 01:00:39,520
Speaker 1: in the chest by a catfish. Excuse the fin on

1196
01:00:39,600 --> 01:00:42,520
Speaker 1: the top, the top fin they and it will cut you. Yes,

1197
01:00:42,720 --> 01:00:44,360
Speaker 1: if you know, we used to do a lot of

1198
01:00:45,040 --> 01:00:47,480
Speaker 1: we'd do a lot of fishing in some for catfish,

1199
01:00:47,560 --> 01:00:51,320
Speaker 1: catfish or kind of bottom dwellers we do. We'd use jugs.

1200
01:00:51,360 --> 01:00:53,040
Speaker 1: We do a lot of things. Growing up in Arkansas.

1201
01:00:53,240 --> 01:00:54,640
Speaker 1: We do a lot of things to survive. And you

1202
01:00:54,760 --> 01:00:56,720
Speaker 1: there's a lot of ways. You'd take a big oil.

1203
01:00:56,960 --> 01:00:58,920
Speaker 1: You buy a big thing oil, cut the bottom off

1204
01:00:58,960 --> 01:01:02,160
Speaker 1: of it upside now a little lot. There's the things

1205
01:01:02,200 --> 01:01:04,959
Speaker 1: you do, right. So, but it was all you gotta

1206
01:01:04,960 --> 01:01:06,760
Speaker 1: be careful on a catfish because they will cut you,

1207
01:01:07,160 --> 01:01:08,960
Speaker 1: no idea. A child has been rushed to the hospital

1208
01:01:09,000 --> 01:01:11,520
Speaker 1: as a trauma allard after being stabbed by a catfish.

1209
01:01:13,040 --> 01:01:15,360
Speaker 1: Pasco County Fire Rescue posted on Twitter saying the boy

1210
01:01:15,360 --> 01:01:16,720
Speaker 1: who was under the age of ten, was stabbed in

1211
01:01:16,760 --> 01:01:19,600
Speaker 1: the chest by a catfish. It's like a barbed thing

1212
01:01:20,720 --> 01:01:23,320
Speaker 1: in the catfish that's so hard and can be sharp.

1213
01:01:23,640 --> 01:01:25,840
Speaker 1: But it went about one to one point five inches

1214
01:01:25,880 --> 01:01:29,439
Speaker 1: into the kid's chest. The mom's the boy's mom started

1215
01:01:29,520 --> 01:01:32,000
Speaker 1: driving her son to the hospital. He started having trouble breathing.

1216
01:01:32,320 --> 01:01:35,240
Speaker 1: They called nine one one. The boys in stable condition

1217
01:01:35,400 --> 01:01:37,680
Speaker 1: right now. But just a reminder because we probably have

1218
01:01:37,680 --> 01:01:39,600
Speaker 1: a lot of listeners that fish some or like the

1219
01:01:39,640 --> 01:01:42,240
Speaker 1: occasionally fish, and if you're gonna try to catch some catfish,

1220
01:01:42,560 --> 01:01:45,240
Speaker 1: they can get you. They can get you good. That's

1221
01:01:45,320 --> 01:01:47,920
Speaker 1: from Fox thirteen. All right, feel pretty good about that.

1222
01:01:47,960 --> 01:01:50,439
Speaker 1: Your top three songs in country music at number three

1223
01:01:50,560 --> 01:01:56,720
Speaker 1: Jason Aldan, Trouble with the Heartbreak, That's Too Morgan Wall

1224
01:01:56,760 --> 01:02:08,600
Speaker 1: and Wasted on You, Number one Parmalie, take my Name Grass,

1225
01:02:08,680 --> 01:02:11,760
Speaker 1: those parmali guys, and number one pop songs Harry Styles

1226
01:02:11,800 --> 01:02:19,800
Speaker 1: as it was all right, So you guys would call

1227
01:02:19,880 --> 01:02:23,360
Speaker 1: us if you'd like eight seven, seven seventy seven, Bobby.

1228
01:02:25,920 --> 01:02:27,560
Speaker 1: There's a brief period in my life where I thought

1229
01:02:27,560 --> 01:02:30,440
Speaker 1: a personalized license play would be cool. I was like nineteen,

1230
01:02:30,880 --> 01:02:33,040
Speaker 1: I thought that'd be pretty cool. I don't anymore, just

1231
01:02:33,080 --> 01:02:35,520
Speaker 1: because I don't want people going, oh, that's Bobones's car,

1232
01:02:35,560 --> 01:02:38,680
Speaker 1: that's kid. Oh yeah, that's busted. Beside mirrors, there's no

1233
01:02:38,840 --> 01:02:40,840
Speaker 1: hiding who you are when you have one of those. Yeah,

1234
01:02:41,200 --> 01:02:44,360
Speaker 1: so you saw one. I saw a couple. Actually, yesterday

1235
01:02:44,400 --> 01:02:46,520
Speaker 1: I saw one that was really interesting. I've never seen

1236
01:02:46,560 --> 01:02:50,320
Speaker 1: it before. And it said divorced. That's a funny one,

1237
01:02:50,400 --> 01:02:53,240
Speaker 1: like they were proud of. I sure wasn't like a

1238
01:02:53,280 --> 01:02:56,800
Speaker 1: divorce attorney attorney. No, it just said divorced. And it

1239
01:02:56,960 --> 01:02:59,040
Speaker 1: was a guy in a convertible. And I'm maybe it's

1240
01:02:59,080 --> 01:03:01,440
Speaker 1: like it's his way of telling ladies like, hey, I'm divorced,

1241
01:03:01,680 --> 01:03:06,320
Speaker 1: come and get me. Who knows? And interesting, it's very interesting.

1242
01:03:06,400 --> 01:03:08,640
Speaker 1: But then I saw another one that's had It was

1243
01:03:08,720 --> 01:03:11,360
Speaker 1: like a I'm assuming, kind of like lunch boxes car,

1244
01:03:11,440 --> 01:03:13,160
Speaker 1: a little beat up a little bit and said dad

1245
01:03:13,200 --> 01:03:17,080
Speaker 1: bought on it. That's funny. I like that one. I like,

1246
01:03:18,800 --> 01:03:22,320
Speaker 1: well you take shots at your car? Yeah? Anyone here

1247
01:03:22,360 --> 01:03:24,760
Speaker 1: ever had a personalized license plate? No? Did you want?

1248
01:03:24,760 --> 01:03:27,240
Speaker 1: You want one? I want one? Like what why don't

1249
01:03:27,240 --> 01:03:30,560
Speaker 1: you just get it? BBS MVP. Well I don't really

1250
01:03:30,600 --> 01:03:33,840
Speaker 1: tell everyone. It's you. Well, yeah, what's the point of

1251
01:03:33,880 --> 01:03:35,840
Speaker 1: happen one? If you're gonna I mean you want people

1252
01:03:35,880 --> 01:03:38,880
Speaker 1: to know. Yeah you again, BBS switched by the way

1253
01:03:38,920 --> 01:03:42,600
Speaker 1: stands for Bobby Bones showed MVP. That's what you would

1254
01:03:42,640 --> 01:03:45,880
Speaker 1: put BBS MVP. Yeah, okay, of all the things, that's

1255
01:03:46,000 --> 01:03:48,000
Speaker 1: that's what you would want to highlight. But if you

1256
01:03:48,040 --> 01:03:50,040
Speaker 1: don't work for the show anymore for some reason, prom

1257
01:03:50,160 --> 01:03:53,200
Speaker 1: king but he R m K and G love it. Yeah,

1258
01:03:53,760 --> 01:03:59,560
Speaker 1: Eddie you hold you play? Oh I don't daddy, Oh, daddy, Daddy?

1259
01:03:59,640 --> 01:04:04,440
Speaker 1: Oh four because I got four boys? Daddy. That feels

1260
01:04:04,480 --> 01:04:07,080
Speaker 1: a bit pervy though, Daddy. I mean that's what they

1261
01:04:07,160 --> 01:04:08,920
Speaker 1: call me. What do you want me to do? Daddy?

1262
01:04:09,000 --> 01:04:14,160
Speaker 1: For you? That's different, it's very different. S G R

1263
01:04:14,320 --> 01:04:19,120
Speaker 1: D A D that's dr dude, great dad, sugar dad?

1264
01:04:19,200 --> 01:04:22,200
Speaker 1: Oh no, no, no, which amy If you had to

1265
01:04:22,200 --> 01:04:23,760
Speaker 1: get one, would you get? I don't know. I guess

1266
01:04:23,800 --> 01:04:26,240
Speaker 1: I would maybe just put something that would apologize to

1267
01:04:26,280 --> 01:04:28,520
Speaker 1: people if I'm cutting in front of them, like sorry

1268
01:04:29,760 --> 01:04:33,920
Speaker 1: v D d r r V R bad driver, s

1269
01:04:34,080 --> 01:04:38,440
Speaker 1: R y d r V sorry driver. That's that's a

1270
01:04:38,480 --> 01:04:42,400
Speaker 1: good one. I The easy one for me is woo pig.

1271
01:04:43,040 --> 01:04:45,120
Speaker 1: But that's so on the nose. Because I'm such a

1272
01:04:45,160 --> 01:04:47,280
Speaker 1: big Arkansas fan, that's got to exist somewhere, for sure.

1273
01:04:47,320 --> 01:04:52,960
Speaker 1: I'm sure, Oh, I'm sure, but i'd probably do CNT. See.

1274
01:04:54,000 --> 01:04:57,240
Speaker 1: Oh can't see. I can't see one eye, the only

1275
01:04:57,280 --> 01:04:59,680
Speaker 1: one eye that works, and the other one is called

1276
01:05:00,160 --> 01:05:03,000
Speaker 1: you know, colorblind is crap, So I go, can't see.

1277
01:05:03,120 --> 01:05:05,720
Speaker 1: Everyone's gonna like stay away from you. Although that CNT

1278
01:05:05,920 --> 01:05:11,000
Speaker 1: could be interpreted a different way, that's not good. You

1279
01:05:11,080 --> 01:05:16,920
Speaker 1: know what both the record, Uh, let's go to Casey

1280
01:05:17,000 --> 01:05:19,760
Speaker 1: and West Virginia. Casey, you're on the show, tell me

1281
01:05:19,880 --> 01:05:26,040
Speaker 1: your story. I'm more than studio. So when I got

1282
01:05:26,080 --> 01:05:29,520
Speaker 1: my first part, which is an O three dogeny on um,

1283
01:05:30,000 --> 01:05:33,000
Speaker 1: my dad registered it for me and got me a

1284
01:05:33,120 --> 01:05:37,000
Speaker 1: licens plate that said Vermin because our soccer coach used

1285
01:05:37,040 --> 01:05:40,360
Speaker 1: to call us all vermin. So I never picked it,

1286
01:05:40,520 --> 01:05:42,760
Speaker 1: but I loved it. But then everywhere I went I

1287
01:05:42,840 --> 01:05:45,480
Speaker 1: had to explain to people why my license late said

1288
01:05:45,560 --> 01:05:49,000
Speaker 1: vermin on it. Vermin's interesting because I maybe what I

1289
01:05:49,040 --> 01:05:51,040
Speaker 1: think vermin isn't what vermin is. Let me look up

1290
01:05:51,200 --> 01:05:55,439
Speaker 1: the actual definition of vermin. May take a shot of vermin,

1291
01:05:55,840 --> 01:05:59,200
Speaker 1: No idea. Okay, I think they're like dirty animals. Yeah,

1292
01:05:59,520 --> 01:06:02,760
Speaker 1: it's a little green. Oh that's okay, Yeah, that's funny.

1293
01:06:04,520 --> 01:06:09,760
Speaker 1: Vermin there, uh, wild animals or parasitic parasitic worms are insects.

1294
01:06:09,800 --> 01:06:11,760
Speaker 1: It could be harmful to crops farm animals, so it's

1295
01:06:11,840 --> 01:06:14,560
Speaker 1: kind of their rodent. That's a weird thing to put on.

1296
01:06:14,760 --> 01:06:17,320
Speaker 1: A dad to put on his daughter's license plate forever Vermin.

1297
01:06:17,560 --> 01:06:20,080
Speaker 1: That's like I'm going home. Hey babe, we got your

1298
01:06:20,120 --> 01:06:23,320
Speaker 1: car your sixteen birthday. Oh cool dad, what's license say? Skanky?

1299
01:06:23,800 --> 01:06:28,680
Speaker 1: So enjoy it as a weird thing to I like it, though,

1300
01:06:28,720 --> 01:06:33,080
Speaker 1: Hey Casey, thank you. And when did you change that out? Um?

1301
01:06:33,120 --> 01:06:35,280
Speaker 1: When I registered my car in a new state. But

1302
01:06:35,440 --> 01:06:38,040
Speaker 1: to this day, my soccer coach is my best friend's dad,

1303
01:06:38,080 --> 01:06:40,800
Speaker 1: and he still calls this vermin. He'll call and say, hey, Vermin.

1304
01:06:41,000 --> 01:06:43,320
Speaker 1: So it's a pretty cool thing to have. I like

1305
01:06:43,520 --> 01:06:45,440
Speaker 1: that as a nickname. It's just tough on a car

1306
01:06:45,520 --> 01:06:48,640
Speaker 1: when someone doesn't understand the context. So I appreciate that.

1307
01:06:48,680 --> 01:06:51,520
Speaker 1: Thanks for the call, appreciate you listening. Thank you. I

1308
01:06:51,560 --> 01:06:55,200
Speaker 1: see later. Cheyenne and Tampa, Florida. You are on the show. Hi,

1309
01:06:55,360 --> 01:07:03,440
Speaker 1: Cheyenne Morning Studio Morning. So when I was sixteen, I

1310
01:07:03,760 --> 01:07:07,400
Speaker 1: thought it would be great to get a personalized license

1311
01:07:07,480 --> 01:07:11,200
Speaker 1: fight that said MURP. Like from Jersey Shore, what's mur

1312
01:07:11,320 --> 01:07:13,560
Speaker 1: I don't watch Jersey Shore? WHAT'SMURRP? Blutch bat MRP? I

1313
01:07:13,600 --> 01:07:16,480
Speaker 1: don't know what MURP is? We spell murp. Yeah. It

1314
01:07:16,720 --> 01:07:20,080
Speaker 1: was like m e e r RP. It was just

1315
01:07:20,160 --> 01:07:23,480
Speaker 1: a sound they would make because they would go to mr. Huh,

1316
01:07:23,600 --> 01:07:25,480
Speaker 1: So you're a big, big Jersey Shore fan. I was like,

1317
01:07:25,960 --> 01:07:27,800
Speaker 1: I don't think that sounds stood out to a lot

1318
01:07:27,840 --> 01:07:30,640
Speaker 1: of people's but she's like extra big fans and she

1319
01:07:30,720 --> 01:07:33,200
Speaker 1: has the inside jokes. So and did people know what

1320
01:07:33,360 --> 01:07:38,680
Speaker 1: MURP meant? No, exactly what I'm saying. Are you sure

1321
01:07:38,680 --> 01:07:40,640
Speaker 1: that's what they were saying? Because I've watched Jersey Shore

1322
01:07:40,640 --> 01:07:43,160
Speaker 1: and I don't remember murp at all. I just yeah,

1323
01:07:44,080 --> 01:07:46,240
Speaker 1: that's funny, all right, h I am. I appreciate that call.

1324
01:07:46,360 --> 01:07:48,880
Speaker 1: And you changed it out when sick I didn't. Holly

1325
01:07:48,960 --> 01:07:51,840
Speaker 1: d and I are married when I got a new

1326
01:07:51,920 --> 01:07:54,439
Speaker 1: car when I was like twenty oh four years that's funny.

1327
01:07:54,480 --> 01:07:56,280
Speaker 1: All right, thank you very much, We'll we have awesome day.

1328
01:07:57,240 --> 01:07:59,600
Speaker 1: Thank you all right here we go the murp Jersey

1329
01:07:59,640 --> 01:08:02,400
Speaker 1: Shore me anyone who watches Jersey Shores and Dadley heard

1330
01:08:02,440 --> 01:08:05,000
Speaker 1: the word murp many times this season. It says, here's

1331
01:08:05,040 --> 01:08:07,439
Speaker 1: what it means, Mrp. What you say when there's nothing

1332
01:08:07,520 --> 01:08:11,400
Speaker 1: better to be said, an expression of minor disappointment. Huh.

1333
01:08:11,640 --> 01:08:18,479
Speaker 1: So this segment there you go, thank you very much.

1334
01:08:18,560 --> 01:08:21,000
Speaker 1: Let's go to Justin in Ohio. Let's switch it up

1335
01:08:21,000 --> 01:08:24,120
Speaker 1: a little bit. Justin. What do you want to say, buddy? Hey,

1336
01:08:24,240 --> 01:08:28,400
Speaker 1: what's going on in the morning studio? Morning? So I

1337
01:08:28,520 --> 01:08:30,640
Speaker 1: was listening to your show about nine years ago. I

1338
01:08:30,720 --> 01:08:33,719
Speaker 1: think it was you said a quote I can't really

1339
01:08:34,320 --> 01:08:37,840
Speaker 1: say it, preserve, but you said, if plan A doesn't work,

1340
01:08:38,360 --> 01:08:40,880
Speaker 1: always make plan B to go back to plan A.

1341
01:08:41,760 --> 01:08:44,320
Speaker 1: And at that time, I was going through schooling or

1342
01:08:44,400 --> 01:08:48,439
Speaker 1: to be a full time firefighter, and it took me

1343
01:08:48,520 --> 01:08:49,920
Speaker 1: on a different paths and I worked a bunch of

1344
01:08:49,920 --> 01:08:53,160
Speaker 1: different jobs. I wasn't happy, and I've been a volunteer

1345
01:08:53,240 --> 01:08:56,120
Speaker 1: firefighter for years, and I was like, I really enjoy this.

1346
01:08:56,280 --> 01:08:58,960
Speaker 1: And you know, I remembered you saying that the plan

1347
01:08:59,040 --> 01:09:01,639
Speaker 1: A doesn't work, go back plan B, and make plan

1348
01:09:01,720 --> 01:09:03,679
Speaker 1: B to go back to plan A. And uh, well,

1349
01:09:03,920 --> 01:09:06,120
Speaker 1: I worked my first ship as a full time firefighter

1350
01:09:06,240 --> 01:09:07,800
Speaker 1: next week, and I just want, wow, thank you for

1351
01:09:07,880 --> 01:09:11,240
Speaker 1: that next week. That's high. Come on, that's awesome. That's awesome.

1352
01:09:12,439 --> 01:09:14,519
Speaker 1: How do you feel about That's a pretty big accomplishment. Man,

1353
01:09:15,880 --> 01:09:19,360
Speaker 1: it doesn't feel real yet really looking forward to it.

1354
01:09:19,520 --> 01:09:21,960
Speaker 1: So you're pretty buff they're carrying out those Because I

1355
01:09:22,000 --> 01:09:23,920
Speaker 1: see those guys that car do the training up the

1356
01:09:24,080 --> 01:09:26,400
Speaker 1: little stairs. I could never do that. Crap. Do you

1357
01:09:26,439 --> 01:09:29,880
Speaker 1: have to get in really good shape for this? Uh? Yeah,

1358
01:09:30,400 --> 01:09:32,240
Speaker 1: but I mean I could be in better shape, that's

1359
01:09:32,280 --> 01:09:34,640
Speaker 1: for sure. M humble. I like it. It's kind of

1360
01:09:34,680 --> 01:09:35,880
Speaker 1: fire fire I won when my house on fire, I

1361
01:09:35,880 --> 01:09:38,479
Speaker 1: want humble fire fire coming over there, like probably quicker

1362
01:09:38,479 --> 01:09:41,719
Speaker 1: if I did my best, sir. That's awesome. Congratulations man, justin.

1363
01:09:41,760 --> 01:09:43,560
Speaker 1: I hope that op it works out well and you

1364
01:09:43,680 --> 01:09:45,840
Speaker 1: find fulfillment in your career, in your life. And the

1365
01:09:45,920 --> 01:09:47,679
Speaker 1: fact that you give me a little bit of credit

1366
01:09:47,760 --> 01:09:49,720
Speaker 1: for that, I probably don't deserve it, but thank you.

1367
01:09:51,040 --> 01:09:53,559
Speaker 1: I appreciate it. All right, buddy, have a good career.

1368
01:09:53,640 --> 01:09:55,560
Speaker 1: That a way to endocoll. That's good. Yeah, I'm a

1369
01:09:55,600 --> 01:09:58,360
Speaker 1: good life. Yeah. Put out those fires. Yeah, all right?

1370
01:09:58,400 --> 01:10:00,200
Speaker 1: See a man that's really brave and cool you to

1371
01:10:00,280 --> 01:10:01,960
Speaker 1: do that. I don't have the guts to do anything

1372
01:10:02,000 --> 01:10:04,960
Speaker 1: like that. I think what I feel and it's kind

1373
01:10:04,960 --> 01:10:06,280
Speaker 1: of I don't know what I said exactly, but what

1374
01:10:06,400 --> 01:10:08,760
Speaker 1: I feel is for me is I always had Plan A,

1375
01:10:09,120 --> 01:10:10,960
Speaker 1: and then when Plan I didn't work, my Plan B

1376
01:10:11,240 --> 01:10:13,720
Speaker 1: was to suck it up and work harder at Plan

1377
01:10:13,800 --> 01:10:15,559
Speaker 1: A and get back to planet because I knew that's

1378
01:10:15,560 --> 01:10:17,559
Speaker 1: what I really wanted to do. And if that work

1379
01:10:17,640 --> 01:10:20,760
Speaker 1: for him, that's that's awesome, man. Congratulations on that. Let's

1380
01:10:20,760 --> 01:10:23,080
Speaker 1: go to Ashley real quick in Saint Louis. Ashley, we're

1381
01:10:23,080 --> 01:10:25,479
Speaker 1: talking about a kid that got stabbed by a catfish earlier.

1382
01:10:26,000 --> 01:10:28,880
Speaker 1: There's like a if you're on a catfish, it's like

1383
01:10:28,920 --> 01:10:32,760
Speaker 1: a little really hard like probe type thing that can

1384
01:10:33,000 --> 01:10:39,679
Speaker 1: cut you. What happened with you, morning Studio. I lived

1385
01:10:39,680 --> 01:10:42,080
Speaker 1: at the Lake of the Ozarks about twelve years ago

1386
01:10:42,360 --> 01:10:45,160
Speaker 1: and somebody that we were with we were night fishing,

1387
01:10:45,280 --> 01:10:47,040
Speaker 1: and he caught a catfish and when he poured it

1388
01:10:47,080 --> 01:10:49,800
Speaker 1: out of the water, it makes a grunting noise, so

1389
01:10:50,000 --> 01:10:51,760
Speaker 1: he put it up next in my ear and I

1390
01:10:51,960 --> 01:10:54,760
Speaker 1: pushed his hand and when I did. The catfish fell

1391
01:10:55,280 --> 01:10:57,439
Speaker 1: and went directly through the top of my foot and

1392
01:10:57,520 --> 01:11:01,000
Speaker 1: I just started screening, inviting me and trying to kick

1393
01:11:01,040 --> 01:11:02,880
Speaker 1: it off, and it stayed on my foot for at

1394
01:11:02,960 --> 01:11:04,560
Speaker 1: least a minute as I was trying to kick it

1395
01:11:04,640 --> 01:11:08,759
Speaker 1: into the water. I mean, you wouldn't think a fish

1396
01:11:09,479 --> 01:11:12,559
Speaker 1: would cause that much damage. But so what you good? Now?

1397
01:11:13,760 --> 01:11:17,960
Speaker 1: You're good? Now, I'm good now? Uh yeah, yeah, yeah,

1398
01:11:18,000 --> 01:11:20,880
Speaker 1: that's that's tough. If you go catfishing, uh wear a

1399
01:11:21,000 --> 01:11:26,040
Speaker 1: full body armor. Yes, Ashley, thank you for the story.

1400
01:11:26,040 --> 01:11:27,559
Speaker 1: I hope you're awesome. I hope you have a great day.

1401
01:11:28,439 --> 01:11:33,840
Speaker 1: Thank you. So how did the conversation go? Amy, Well,

1402
01:11:33,960 --> 01:11:36,639
Speaker 1: first of all, just say that my daughter has taken

1403
01:11:36,720 --> 01:11:39,360
Speaker 1: over our Instagram account for our cat. She's not doing

1404
01:11:39,479 --> 01:11:41,280
Speaker 1: much work on it yet, but she's going to be

1405
01:11:41,360 --> 01:11:43,000
Speaker 1: the one in charge of it. She's only allowed to

1406
01:11:43,080 --> 01:11:45,600
Speaker 1: post pictures of the cat, not of herself, nothing like that.

1407
01:11:46,120 --> 01:11:49,080
Speaker 1: So she started to hop on my Instagram account to

1408
01:11:49,200 --> 01:11:53,360
Speaker 1: access this and she is flipping through dms and she

1409
01:11:53,479 --> 01:11:56,759
Speaker 1: comes to me and she says, what is a sugar daddy?

1410
01:11:57,040 --> 01:12:01,439
Speaker 1: Because she got a message that said this, Hey, are

1411
01:12:01,479 --> 01:12:04,120
Speaker 1: you seeking a wealthy sugar daddy? For financial support and

1412
01:12:04,240 --> 01:12:07,280
Speaker 1: online based relationship with weekly allowance of thirty five hundred

1413
01:12:07,280 --> 01:12:10,760
Speaker 1: dollars note nothing sexual. And so she's like, MoMA, what's

1414
01:12:10,760 --> 01:12:14,120
Speaker 1: that name? I doing to reach out out to this?

1415
01:12:14,640 --> 01:12:16,640
Speaker 1: You know how she's all about making money, and so

1416
01:12:16,840 --> 01:12:19,760
Speaker 1: she sees this and she's like, well, let's figure this out.

1417
01:12:19,800 --> 01:12:22,120
Speaker 1: I can get thirty five hundred dollars a week. So

1418
01:12:22,280 --> 01:12:23,960
Speaker 1: what do you tell her as a fifteen year old?

1419
01:12:24,479 --> 01:12:28,360
Speaker 1: What's that conversation? How do you describe a sugar daddy? Well?

1420
01:12:28,520 --> 01:12:32,960
Speaker 1: I just said that typically there could be sugar mama's too.

1421
01:12:33,439 --> 01:12:36,599
Speaker 1: I tried to include that, and that there are younger

1422
01:12:36,760 --> 01:12:40,439
Speaker 1: people called sugar babies that kind of don't have to

1423
01:12:40,600 --> 01:12:44,160
Speaker 1: do as much. They just kind of are there to

1424
01:12:44,520 --> 01:12:47,160
Speaker 1: hang out and do whatever, and they get an allowance

1425
01:12:47,280 --> 01:12:50,680
Speaker 1: from the person that has more money than them. So

1426
01:12:51,000 --> 01:12:53,080
Speaker 1: you said, just hang out, like you're just saying yes,

1427
01:12:53,200 --> 01:12:55,439
Speaker 1: I just said hang out because some people do, yeah,

1428
01:12:55,479 --> 01:12:58,360
Speaker 1: but not but most of you? Sure, okay, some people,

1429
01:12:58,720 --> 01:13:03,439
Speaker 1: right most If you have a sugar relationship, I said,

1430
01:13:03,479 --> 01:13:06,840
Speaker 1: it's it's oftentimes there's a power balance issue. For it's

1431
01:13:06,880 --> 01:13:11,680
Speaker 1: not for us, me her our family. You come to me,

1432
01:13:12,320 --> 01:13:15,840
Speaker 1: I'm her so now she thinks you're herma interest. So

1433
01:13:15,920 --> 01:13:18,800
Speaker 1: now she's told me twisted her sugar mom. No, but

1434
01:13:19,080 --> 01:13:26,680
Speaker 1: I mean, it was definitely an unexpected interesting conversation to have.

1435
01:13:26,880 --> 01:13:28,760
Speaker 1: But she understood what I was saying right away, and

1436
01:13:28,840 --> 01:13:31,639
Speaker 1: she's going to steer clear of those messages. You just say.

1437
01:13:31,680 --> 01:13:34,720
Speaker 1: It's it's a creepy old man who pays a young

1438
01:13:34,840 --> 01:13:36,560
Speaker 1: girl to be his girlfriend. That's the thing, is what

1439
01:13:36,560 --> 01:13:38,280
Speaker 1: I would say, because by saying girlfriend, you don't have

1440
01:13:38,320 --> 01:13:42,040
Speaker 1: to say sexual stuff. Okay, right, when that that'd be better.

1441
01:13:42,160 --> 01:13:43,920
Speaker 1: Pretty good one. But I don't know about creepy. Are

1442
01:13:44,000 --> 01:13:47,120
Speaker 1: they all creepy? That's exactly okayunch about to stick it up.

1443
01:13:47,320 --> 01:13:50,880
Speaker 1: You don't need to going creepy. That's rude. That's how

1444
01:13:50,960 --> 01:13:53,040
Speaker 1: I would approach it to a kid if I didn't

1445
01:13:53,120 --> 01:13:55,200
Speaker 1: want her to think it's a cool thing. Oh it's

1446
01:13:55,479 --> 01:13:58,240
Speaker 1: use those words. Yeah. No, I definitely made it seem

1447
01:13:58,280 --> 01:14:01,000
Speaker 1: not cool. Yeah yeah, would you bones would you say? No? No, No,

1448
01:14:01,160 --> 01:14:03,479
Speaker 1: I am your sugar daddy, no one. I would never

1449
01:14:03,560 --> 01:14:06,680
Speaker 1: say that. All right, No, that's a weird thing to go. No,

1450
01:14:06,880 --> 01:14:10,000
Speaker 1: I'm your sugar mama. No. I was basically saying to her,

1451
01:14:10,360 --> 01:14:12,880
Speaker 1: if you have needs, you come to me. It's also

1452
01:14:13,840 --> 01:14:17,040
Speaker 1: I understand it. Yes, I like it. You know, there's

1453
01:14:17,120 --> 01:14:21,200
Speaker 1: no reason you need thirty five a week. You're fifteen, Like,

1454
01:14:21,320 --> 01:14:23,880
Speaker 1: there's nothing just the terminology is Yeah. The fact that

1455
01:14:23,960 --> 01:14:26,080
Speaker 1: you said no, I'm your sugar mama is a weird

1456
01:14:26,160 --> 01:14:29,120
Speaker 1: part you and you are going to learn to take

1457
01:14:29,160 --> 01:14:32,320
Speaker 1: care of yourself. I like that. Good self sufficient, good job.

1458
01:14:32,360 --> 01:14:34,880
Speaker 1: Any other awkward team I think now? Oddly though, she

1459
01:14:35,000 --> 01:14:37,519
Speaker 1: walks away with agains. She's just like her goal in

1460
01:14:37,600 --> 01:14:41,640
Speaker 1: life now is to be the one in charge. I'm like, no, no,

1461
01:14:41,760 --> 01:14:43,280
Speaker 1: she wants to make the money. She wants to make

1462
01:14:43,320 --> 01:14:48,120
Speaker 1: the money. Yeah, any other awkward teen questions from her lately. Yeah,

1463
01:14:48,360 --> 01:14:50,040
Speaker 1: I don't know, Eddie, you with your teenager, do you

1464
01:14:50,040 --> 01:14:52,000
Speaker 1: guys have to deal with this where you're like no,

1465
01:14:53,160 --> 01:14:55,519
Speaker 1: I don't know. I mean everything's awkward to me. You know,

1466
01:14:55,680 --> 01:14:57,960
Speaker 1: like usually when there's something awkward that comes up, I'm

1467
01:14:57,960 --> 01:14:59,960
Speaker 1: always like, ask your mom. She has the right answer.

1468
01:15:00,600 --> 01:15:01,880
Speaker 1: Come on, And then I go to the garage and

1469
01:15:01,920 --> 01:15:04,760
Speaker 1: start working. Act like I'm working. What do you do

1470
01:15:04,840 --> 01:15:07,120
Speaker 1: in the garage? Nothing? I just like organized my tools.

1471
01:15:07,160 --> 01:15:10,080
Speaker 1: He just hides, But Eddie, you're the man, and you

1472
01:15:10,200 --> 01:15:12,640
Speaker 1: have boys, like there's things they're gonna want to hear

1473
01:15:12,720 --> 01:15:15,280
Speaker 1: from you. Probably, Yeah, but you know we've already had

1474
01:15:15,320 --> 01:15:17,519
Speaker 1: the talk and all that, so all that stuff we're clear.

1475
01:15:17,640 --> 01:15:19,160
Speaker 1: It's not like a one and done. You're not like

1476
01:15:19,200 --> 01:15:20,840
Speaker 1: we've already had to talk. I'm all good. The rest

1477
01:15:20,840 --> 01:15:25,720
Speaker 1: of my life checks up. It's ongoing, because there's no

1478
01:15:25,800 --> 01:15:28,000
Speaker 1: way you said to him at whatever age you had

1479
01:15:28,040 --> 01:15:29,759
Speaker 1: to talk things you would say to him at fifteen

1480
01:15:29,800 --> 01:15:33,920
Speaker 1: years Hey, I did it all. Thank you, that's it.

1481
01:15:34,280 --> 01:15:36,760
Speaker 1: And he even asked questions and I answered them pretty well.

1482
01:15:36,800 --> 01:15:41,160
Speaker 1: I just can't imagine you did. You're uncomfortable right now.

1483
01:15:41,600 --> 01:15:47,840
Speaker 1: I'm very uncomfortable shown to day. This story comes up

1484
01:15:47,880 --> 01:15:51,560
Speaker 1: from Olmsted County, Minnesota. A twenty two year old is

1485
01:15:51,600 --> 01:15:55,559
Speaker 1: facing multiple charges after he's driving his motorcycle and he's like, man,

1486
01:15:55,640 --> 01:15:59,280
Speaker 1: let's see how fast this thing can go. Got it

1487
01:15:59,360 --> 01:16:01,760
Speaker 1: up to one hundred forty four miles an hour. When

1488
01:16:01,840 --> 01:16:03,639
Speaker 1: police pulled him over, he said, what are you doing?

1489
01:16:03,680 --> 01:16:05,240
Speaker 1: It goes man. I was trying to cool off. It's

1490
01:16:05,280 --> 01:16:08,920
Speaker 1: hot out here, that will cool you off. Where's the lie?

1491
01:16:09,640 --> 01:16:11,479
Speaker 1: I'd say that to the cop. Okay, where's the lie.

1492
01:16:12,080 --> 01:16:14,599
Speaker 1: It's illegal, but I'm not lying. It was ninety five

1493
01:16:14,640 --> 01:16:16,040
Speaker 1: degrees and he said it was too hot, so he's

1494
01:16:16,040 --> 01:16:17,800
Speaker 1: trying to get a little wind in his face. You

1495
01:16:17,960 --> 01:16:21,439
Speaker 1: want to stop at a Starbucks? Yeah, all right, I'm Lunchbox.

1496
01:16:21,520 --> 01:16:25,080
Speaker 1: That's your bone head story of the day. Nobody won

1497
01:16:25,120 --> 01:16:27,080
Speaker 1: the powerball last night. So we're up to three hundred

1498
01:16:27,080 --> 01:16:31,160
Speaker 1: million bucks. So right now it's three hundred and twelve million.

1499
01:16:31,280 --> 01:16:33,920
Speaker 1: Probably will be a little bit more once more people

1500
01:16:34,000 --> 01:16:37,519
Speaker 1: hear the news and start jumping in. So Lunchbox, you

1501
01:16:37,600 --> 01:16:39,280
Speaker 1: in this one. Oh yeah, I'll be in it. I

1502
01:16:39,400 --> 01:16:41,680
Speaker 1: mean I'll be in. We've in last night. Yeah, I'm

1503
01:16:41,720 --> 01:16:44,519
Speaker 1: in every night. Listen, I'm in. But if you what

1504
01:16:44,600 --> 01:16:46,479
Speaker 1: do you do? One hundred bucks every two weeks? Yeah,

1505
01:16:46,479 --> 01:16:48,080
Speaker 1: but on some of these, like I'll just go buy

1506
01:16:48,120 --> 01:16:50,200
Speaker 1: a couple of tickets. But you know, when it starts

1507
01:16:50,240 --> 01:16:52,360
Speaker 1: getting up three hundred four hundred million, then we got

1508
01:16:52,479 --> 01:16:55,479
Speaker 1: to start going fifty one hundred dollars. You gotta go extra.

1509
01:16:55,720 --> 01:16:58,120
Speaker 1: So when these blow up to bigger amounts, they make

1510
01:16:58,160 --> 01:17:00,280
Speaker 1: the news. You're one hundred bucks every two weeks, or

1511
01:17:00,360 --> 01:17:02,400
Speaker 1: what is your allowance? It's one hundred and fifty bucks

1512
01:17:02,439 --> 01:17:05,519
Speaker 1: every two weeks, and then when these get big, I

1513
01:17:06,120 --> 01:17:07,960
Speaker 1: go over that, like I'll get an extra one hundred,

1514
01:17:07,960 --> 01:17:09,960
Speaker 1: one hundred and fifty bucks because you gotta you gotta

1515
01:17:09,960 --> 01:17:13,080
Speaker 1: go big on these big ones, because man, that five

1516
01:17:13,200 --> 01:17:16,639
Speaker 1: hundred million, three hundred million, four hundred million. Let's say

1517
01:17:16,680 --> 01:17:19,320
Speaker 1: I came in tomorrow. Oh, I would hate you and

1518
01:17:19,479 --> 01:17:21,600
Speaker 1: I won. I don't have to win three hundred but

1519
01:17:21,640 --> 01:17:24,960
Speaker 1: I won five millions. Oh I would like, really, what

1520
01:17:25,040 --> 01:17:29,280
Speaker 1: would your what would your emotion be? Disgusted like? Because

1521
01:17:29,439 --> 01:17:32,080
Speaker 1: here's the thing. You win everything. No, no, no, I

1522
01:17:32,479 --> 01:17:34,840
Speaker 1: work at a lot of different things, and I fail

1523
01:17:34,880 --> 01:17:36,560
Speaker 1: a lot of things. We don't hear about the lost

1524
01:17:37,439 --> 01:17:40,479
Speaker 1: in Vegas, where things are based on you only see

1525
01:17:40,520 --> 01:17:42,600
Speaker 1: the wins. You don't see you guys are so this

1526
01:17:42,800 --> 01:17:45,200
Speaker 1: is normal culture of you only see wins. We see

1527
01:17:45,240 --> 01:17:47,800
Speaker 1: you win a lot that you don't a lot. When's

1528
01:17:47,840 --> 01:17:50,200
Speaker 1: the last time you guys saw me do anything in Vegas? Okay,

1529
01:17:50,360 --> 01:17:55,040
Speaker 1: honest question, go ahead. I saw you last year and

1530
01:17:55,120 --> 01:17:57,960
Speaker 1: did I win anything? That one was bad? Exactly? You

1531
01:17:58,040 --> 01:18:01,120
Speaker 1: guys just remember that A couple of wins and you're like,

1532
01:18:01,160 --> 01:18:04,479
Speaker 1: oh man, the guy's a lucky I remember about ten

1533
01:18:04,560 --> 01:18:10,320
Speaker 1: years ago, were exactly exact and left it out there.

1534
01:18:10,560 --> 01:18:13,160
Speaker 1: One again left it out there, one again left it

1535
01:18:13,240 --> 01:18:15,120
Speaker 1: out there. Well, I mean he just kept stacking it

1536
01:18:15,200 --> 01:18:16,400
Speaker 1: up and up it up, and he won like six

1537
01:18:16,479 --> 01:18:18,080
Speaker 1: times in a round. I was like, why didn't I

1538
01:18:18,160 --> 01:18:20,200
Speaker 1: leave it up? Actually, one of the biggest victories was

1539
01:18:20,240 --> 01:18:21,960
Speaker 1: one time when I met you in lunchbox in Vegas

1540
01:18:22,200 --> 01:18:24,800
Speaker 1: because I was there for work. That was years ago.

1541
01:18:25,800 --> 01:18:28,600
Speaker 1: Say it was two thousand and five. Calm down. My

1542
01:18:28,800 --> 01:18:31,960
Speaker 1: point is killing it the assist the culture. This is

1543
01:18:32,040 --> 01:18:34,839
Speaker 1: normal what everybody does. You only remember the wins everybody

1544
01:18:34,840 --> 01:18:36,439
Speaker 1: else because it makes you jealous that you haven't won.

1545
01:18:36,479 --> 01:18:39,200
Speaker 1: In reality, everybody's pretty much win in the same amount,

1546
01:18:39,520 --> 01:18:41,679
Speaker 1: unless you got your hook in the water more. Okay,

1547
01:18:42,120 --> 01:18:44,960
Speaker 1: you've been winning on Draftking. I did pretty good on that.

1548
01:18:46,520 --> 01:18:50,200
Speaker 1: I'm saying, ok um self, I want you'd be upset.

1549
01:18:50,840 --> 01:18:54,800
Speaker 1: I'd be pretty grossed out, grossed out, like just like

1550
01:18:55,120 --> 01:18:57,280
Speaker 1: that's so disgusting, Like he doesn't need it. I need it.

1551
01:18:57,560 --> 01:19:00,800
Speaker 1: You don't need it. Well, you have good apparently a

1552
01:19:00,960 --> 01:19:03,320
Speaker 1: spare five hundred a month to blow up. Yeah, it's not.

1553
01:19:04,120 --> 01:19:06,080
Speaker 1: It's an investment anyway, it's up tonight. If you guys

1554
01:19:06,120 --> 01:19:09,160
Speaker 1: want to win three hundred million dollars, by about you

1555
01:19:09,520 --> 01:19:10,720
Speaker 1: get your body balls on