1
00:00:04,160 --> 00:00:07,320
Speaker 1: I'm buzz night and welcome to the Taking a Walk Podcast.

2
00:00:07,480 --> 00:00:10,840
Speaker 1: This is the podcast we love talking about music history

3
00:00:11,119 --> 00:00:14,760
Speaker 1: Delvin Deep and for that we turn over to the

4
00:00:14,840 --> 00:00:16,120
Speaker 1: music history desk.

5
00:00:16,600 --> 00:00:17,760
Speaker 2: I have a new name for him.

6
00:00:17,800 --> 00:00:20,880
Speaker 1: I'm gonna duck as I say the name, because as

7
00:00:20,920 --> 00:00:23,400
Speaker 1: I throw it out there, I'm never sure if he

8
00:00:23,640 --> 00:00:26,000
Speaker 1: likes where I'm headed with the name or not. So

9
00:00:26,480 --> 00:00:29,800
Speaker 1: we're going to turn it over to the manager of

10
00:00:30,120 --> 00:00:32,600
Speaker 1: Musical Minutia, Harry Jacobs.

11
00:00:32,640 --> 00:00:34,279
Speaker 2: What do you think of that? Oh?

12
00:00:34,320 --> 00:00:38,440
Speaker 3: I love that musical Minusia and Michigas. Probably you could

13
00:00:38,440 --> 00:00:39,520
Speaker 3: add to that as well.

14
00:00:40,320 --> 00:00:47,560
Speaker 1: We would credit Charles Locodera the great wbcn DJ for Michigas, right, remember.

15
00:00:47,280 --> 00:00:50,120
Speaker 4: That absolutely a thousand percent. I remember it.

16
00:00:50,520 --> 00:00:52,040
Speaker 3: It was a big deal for people to get to

17
00:00:52,040 --> 00:00:54,440
Speaker 3: play Michagoths with with Charles on the mattress.

18
00:00:54,760 --> 00:00:57,360
Speaker 4: That's right, BNZLX, that's right.

19
00:00:57,440 --> 00:01:00,280
Speaker 1: Those are the days, as they say, yeah, I'm not

20
00:01:00,280 --> 00:01:06,319
Speaker 1: sure what this is, they were, but they were the days.

21
00:01:04,920 --> 00:01:06,520
Speaker 3: That was back and then when people say back in

22
00:01:06,560 --> 00:01:08,400
Speaker 3: the day, that's what they're talking about.

23
00:01:08,600 --> 00:01:11,200
Speaker 4: Yes, got the mattress BCNZLX.

24
00:01:11,240 --> 00:01:13,840
Speaker 1: So yeah, So we're going to look at music history

25
00:01:13,880 --> 00:01:16,520
Speaker 1: for the week of October thirteenth through the nineteenth.

26
00:01:16,560 --> 00:01:19,039
Speaker 2: And I do want to mention this to you.

27
00:01:19,520 --> 00:01:24,199
Speaker 1: Very excited that we welcome a new sponsor to the program, Harry.

28
00:01:25,480 --> 00:01:29,560
Speaker 1: The fine folks at Anthropic that have the Claude AI

29
00:01:31,040 --> 00:01:35,200
Speaker 1: they are sponsoring taking a walk and they love the

30
00:01:35,240 --> 00:01:38,080
Speaker 1: fact that we're music lovers. They say, every music lover

31
00:01:38,160 --> 00:01:41,480
Speaker 1: has that moment. So when you want that curiosity, go

32
00:01:41,600 --> 00:01:46,240
Speaker 1: to Claude dot ai and in fact, Harry, go to

33
00:01:46,319 --> 00:01:49,200
Speaker 1: Claude dot ai slash buzz and try it for free.

34
00:01:49,240 --> 00:01:54,000
Speaker 1: How's that for getting that plug in? Very overtly for them.

35
00:01:54,440 --> 00:01:57,040
Speaker 4: I can tell you this, I pay for it so

36
00:01:57,480 --> 00:01:58,320
Speaker 4: through Anthropic.

37
00:01:58,400 --> 00:02:00,240
Speaker 3: So now I'm going to go back and camp sold

38
00:02:00,240 --> 00:02:03,840
Speaker 3: my subscription and and reup with the code word buzz.

39
00:02:04,040 --> 00:02:05,080
Speaker 4: And you know, I use that.

40
00:02:05,360 --> 00:02:08,880
Speaker 3: It's one of the sources I you know, I use

41
00:02:09,080 --> 00:02:12,600
Speaker 3: to verify that's that we talk about, to verify dates

42
00:02:12,600 --> 00:02:15,920
Speaker 3: and history. So I love the concept of being able

43
00:02:15,960 --> 00:02:18,000
Speaker 3: to use Claude and the fact that they're on board

44
00:02:18,040 --> 00:02:18,600
Speaker 3: with us.

45
00:02:19,040 --> 00:02:20,800
Speaker 4: Right, it's even better. It's symbiotic.

46
00:02:21,160 --> 00:02:24,200
Speaker 2: It is symbiotic, and I thank them, and I thank you.

47
00:02:24,520 --> 00:02:26,160
Speaker 1: I don't know if they're going to like you canceling

48
00:02:26,240 --> 00:02:29,120
Speaker 1: the paid But as long as people go to claude

49
00:02:29,120 --> 00:02:30,760
Speaker 1: dot ai slash buzz.

50
00:02:30,960 --> 00:02:33,040
Speaker 3: Maybe I just get Maybe I just get another one

51
00:02:33,120 --> 00:02:34,800
Speaker 3: under music Maestro.

52
00:02:38,040 --> 00:02:41,600
Speaker 2: The Master, the manager of musical Minutia.

53
00:02:42,720 --> 00:02:45,720
Speaker 4: All right, missus at gmail dot com.

54
00:02:45,760 --> 00:02:49,800
Speaker 3: Anyway, October thirteenth, The Big day the Beatles. We just

55
00:02:49,919 --> 00:02:56,160
Speaker 3: don't miss a week with without something Beatles and today

56
00:02:56,360 --> 00:03:00,320
Speaker 3: in nineteen sixty five they recorded a day trip and

57
00:03:00,360 --> 00:03:03,280
Speaker 3: we can work it out at Abbey Road Studios. It

58
00:03:03,360 --> 00:03:06,600
Speaker 3: was it took him twelve hours to record each of those,

59
00:03:07,080 --> 00:03:09,000
Speaker 3: you know, two and a half three minute songs.

60
00:03:10,360 --> 00:03:13,840
Speaker 1: So justin from the cheese shop and conquered one of

61
00:03:13,880 --> 00:03:17,640
Speaker 1: our loyal fans. He sent me this screenshot. Artist with

62
00:03:17,680 --> 00:03:20,919
Speaker 1: the most weeks at number one the Beatles at one

63
00:03:21,040 --> 00:03:25,639
Speaker 1: hundred and thirty two weeks, followed by number two. Who

64
00:03:25,639 --> 00:03:26,480
Speaker 1: do you think that is?

65
00:03:28,840 --> 00:03:30,160
Speaker 4: You know, I don't know.

66
00:03:30,320 --> 00:03:37,640
Speaker 3: I would say maybe Michael Jackson. I'm you know, I

67
00:03:37,760 --> 00:03:41,400
Speaker 3: don't know. I'm not a monster pop guy, but Michael

68
00:03:41,480 --> 00:03:43,360
Speaker 3: Jackson is probably what comes to mind.

69
00:03:44,360 --> 00:03:45,760
Speaker 2: It's a pretty interesting list.

70
00:03:45,880 --> 00:03:51,160
Speaker 1: It's Taylor Swift eighty six weeks at number two, followed

71
00:03:51,160 --> 00:03:56,920
Speaker 1: by Elvis Presley at sixty seven weeks, followed by Garth Brooks,

72
00:03:57,840 --> 00:04:03,600
Speaker 1: Oh gosh, fifty two weeks, yeah, followed by Michael Jackson

73
00:04:03,680 --> 00:04:05,960
Speaker 1: at fifty one, and then the next one is the

74
00:04:05,960 --> 00:04:08,320
Speaker 1: one that really throws me and I will stop there

75
00:04:08,360 --> 00:04:13,680
Speaker 1: no disrespect to them, yes, but at forty six weeks

76
00:04:14,240 --> 00:04:15,800
Speaker 1: the Kingston Trio.

77
00:04:16,880 --> 00:04:20,200
Speaker 4: Out, get the get the f out of here? Really

78
00:04:20,800 --> 00:04:24,400
Speaker 4: the Kingston Trio. Yeah, can you even name a song

79
00:04:24,440 --> 00:04:30,080
Speaker 4: by the Kingston Trio? Not the Moment, Let Me Go to,

80
00:04:30,200 --> 00:04:30,480
Speaker 4: Let Me.

81
00:04:30,440 --> 00:04:33,359
Speaker 3: Go to, Let me Go to, Claude dot Ai and

82
00:04:33,360 --> 00:04:36,799
Speaker 3: and get you a list of Kingston Trio songs.

83
00:04:37,680 --> 00:04:39,800
Speaker 4: I was gonna say for the Going Down the Rabbit Hole,

84
00:04:40,000 --> 00:04:40,920
Speaker 4: I was gonna.

85
00:04:40,640 --> 00:04:42,960
Speaker 1: Say puff the Magic Dragon, but I think that's Peter

86
00:04:43,040 --> 00:04:43,719
Speaker 1: Paul and Mary.

87
00:04:44,600 --> 00:04:48,359
Speaker 4: Yeah, you're off, you're off, your your hippie music is off.

88
00:04:48,839 --> 00:04:50,400
Speaker 2: Oh that's before hippie music.

89
00:04:51,279 --> 00:04:55,359
Speaker 3: Yeah, this is thank you justin. By the way, I

90
00:04:55,400 --> 00:04:59,320
Speaker 3: still haven't received my Brie, but it's pretty interesting to

91
00:04:59,360 --> 00:05:02,800
Speaker 3: me that Taylor Swift is number two to the Beatles

92
00:05:02,839 --> 00:05:04,840
Speaker 3: eighty six versus one hundred and whatever it is, one

93
00:05:04,920 --> 00:05:08,200
Speaker 3: hundred and thirty nine. She's going to catch them, right,

94
00:05:08,360 --> 00:05:10,080
Speaker 3: She's going to catch them, and she's going to surpass

95
00:05:10,120 --> 00:05:12,360
Speaker 3: the Beatles. I guarantee you that's gonna be something that's

96
00:05:12,360 --> 00:05:17,640
Speaker 3: gonna happen, you know, in in short order, better slice.

97
00:05:17,240 --> 00:05:20,800
Speaker 2: Of Rare breed with Justin on that one.

98
00:05:20,839 --> 00:05:25,040
Speaker 4: Okay, rare Okay, I will absolutely What.

99
00:05:26,600 --> 00:05:32,120
Speaker 3: Is your opinion, maybe somewhat controversial as well, is your

100
00:05:32,160 --> 00:05:37,600
Speaker 3: opinion that Taylor Swift maybe not now, but it could

101
00:05:37,640 --> 00:05:40,960
Speaker 3: be bigger than the Beatles, man, and there are a

102
00:05:41,000 --> 00:05:44,680
Speaker 3: number of different factors there, right, that's not just a blanket.

103
00:05:45,120 --> 00:05:46,200
Speaker 4: But think about it.

104
00:05:46,360 --> 00:05:50,760
Speaker 3: Obviously, fan wise, music sales wise, she's probably crushed them

105
00:05:51,320 --> 00:05:54,400
Speaker 3: already or wise crushed them.

106
00:05:54,400 --> 00:05:57,239
Speaker 4: Beatles didn't, you know, weren't a big touring band.

107
00:05:58,640 --> 00:06:01,680
Speaker 2: Yeah, I'm thinking of the other here, you and obviously.

108
00:06:02,640 --> 00:06:05,560
Speaker 1: You know, the first thing I'm drawn to is the

109
00:06:05,680 --> 00:06:10,840
Speaker 1: value of the catalog, right, I would I would throw

110
00:06:10,920 --> 00:06:14,719
Speaker 1: that in so I would think she has a chance

111
00:06:14,800 --> 00:06:17,880
Speaker 1: to surpass them at least in some of these metrics.

112
00:06:18,360 --> 00:06:20,760
Speaker 3: Yeah, that's a good quest. I mean, that's that's the

113
00:06:20,880 --> 00:06:22,000
Speaker 3: research guy in you.

114
00:06:22,200 --> 00:06:22,360
Speaker 2: Right.

115
00:06:22,480 --> 00:06:24,320
Speaker 4: What are the metrics are we talking about here in

116
00:06:24,400 --> 00:06:25,599
Speaker 4: terms of overall numbers?

117
00:06:25,920 --> 00:06:30,840
Speaker 3: The smart question, I think, and I'm not home today

118
00:06:30,520 --> 00:06:32,120
Speaker 3: I'm on the road.

119
00:06:32,760 --> 00:06:34,960
Speaker 4: Ordinarily I'd be able to jump onto Claude.

120
00:06:35,560 --> 00:06:40,280
Speaker 3: I'd go, okay, at this moment, how many albums has

121
00:06:40,320 --> 00:06:41,240
Speaker 3: she sold?

122
00:06:41,920 --> 00:06:44,960
Speaker 4: How many tickets as she sold?

123
00:06:45,520 --> 00:06:48,919
Speaker 3: How many you know, whatever those other criteria are. We

124
00:06:48,960 --> 00:06:51,960
Speaker 3: can look at things anyway that we want, and we

125
00:06:52,000 --> 00:06:57,120
Speaker 3: can ask Claude to search those things comparative or compared

126
00:06:57,160 --> 00:07:01,320
Speaker 3: to the Beatles and listen to beat played some big gigs,

127
00:07:01,720 --> 00:07:05,680
Speaker 3: but the Beatles didn't didn't sell out all over the

128
00:07:05,720 --> 00:07:10,280
Speaker 3: world in the in the crazy fashion that Tailert Swift has.

129
00:07:10,280 --> 00:07:12,880
Speaker 3: So I think that I think there were probably a

130
00:07:13,000 --> 00:07:15,560
Speaker 3: number of things where Taylor Swift, just because of the

131
00:07:15,600 --> 00:07:18,800
Speaker 3: times that we're living in, has just destroyed the Beatles

132
00:07:18,880 --> 00:07:20,240
Speaker 3: on some of those fronts.

133
00:07:20,840 --> 00:07:24,160
Speaker 1: Yeah, they were limited on the tour front for sure.

134
00:07:25,560 --> 00:07:31,920
Speaker 1: In looking at at Claude for this answer there, I

135
00:07:31,960 --> 00:07:34,240
Speaker 1: think I need to put a better criteria in. So

136
00:07:34,280 --> 00:07:38,080
Speaker 1: maybe you could, you could further uh, you could further stall.

137
00:07:37,920 --> 00:07:40,400
Speaker 4: For me, absolutely, I'm happy to stall.

138
00:07:40,440 --> 00:07:41,960
Speaker 3: What I'm going to do is you're doing that is

139
00:07:42,000 --> 00:07:43,800
Speaker 3: I'm going to talk about a couple of other things

140
00:07:43,800 --> 00:07:47,240
Speaker 3: on this day that have happened that are that are

141
00:07:47,280 --> 00:07:51,640
Speaker 3: things we don't necessarily need a ton of comment on

142
00:07:51,800 --> 00:07:55,800
Speaker 3: the first is that Janis Joplin's ashes were scattered on

143
00:07:55,840 --> 00:08:01,440
Speaker 3: this day the coast California. We talked about her death

144
00:08:01,760 --> 00:08:06,200
Speaker 3: not long ago. We talked about the historic RECORDINGO Mercedes Benz,

145
00:08:06,240 --> 00:08:11,640
Speaker 3: her last recording nineteen seventy Gone Way too Soon, part

146
00:08:11,640 --> 00:08:15,400
Speaker 3: of this twenty seven club, and it was.

147
00:08:17,000 --> 00:08:19,200
Speaker 4: You know, it was a huge hit for music.

148
00:08:19,240 --> 00:08:21,760
Speaker 3: This was not as much as this was a great

149
00:08:21,800 --> 00:08:23,880
Speaker 3: time for music when you think about the loss of

150
00:08:25,240 --> 00:08:29,400
Speaker 3: you know, artists and the loss of people in our

151
00:08:29,520 --> 00:08:34,400
Speaker 3: country with MLK and RFK, you know, in sixty eight

152
00:08:35,160 --> 00:08:38,720
Speaker 3: and you know, Janis Joplin and Jim Morrison.

153
00:08:38,840 --> 00:08:43,640
Speaker 4: I mean, this was a rough time for US as

154
00:08:43,679 --> 00:08:45,920
Speaker 4: a country on multiple levels.

155
00:08:46,679 --> 00:08:51,600
Speaker 1: Yeah, and these young deaths were mysterious for sure. Immediately,

156
00:08:51,679 --> 00:08:56,440
Speaker 1: people i think deferred to the notion that they were

157
00:08:56,480 --> 00:09:00,120
Speaker 1: you know, drug related. That was the first thought. And

158
00:09:00,559 --> 00:09:04,720
Speaker 1: certainly the lifestyle was ragged and rugged for sure. But

159
00:09:05,640 --> 00:09:09,400
Speaker 1: who knows what the other other reasons in many of

160
00:09:09,400 --> 00:09:16,000
Speaker 1: these cases for their departure from this earth. But you know,

161
00:09:16,040 --> 00:09:20,559
Speaker 1: there was great sadness among the generation for those losses,

162
00:09:20,600 --> 00:09:21,040
Speaker 1: for sure.

163
00:09:21,679 --> 00:09:24,960
Speaker 3: Listen, drugs don't come with a warning label. It's bad,

164
00:09:25,000 --> 00:09:27,520
Speaker 3: and they're bad for a number of different reasons. But

165
00:09:27,600 --> 00:09:30,440
Speaker 3: when you talk about some of the drugs that these

166
00:09:30,440 --> 00:09:33,880
Speaker 3: folks were doing back in those days, heroin and other

167
00:09:33,960 --> 00:09:36,880
Speaker 3: things that people just didn't understand, you know, this is

168
00:09:36,880 --> 00:09:40,240
Speaker 3: obviously a different topic, different tangent, probably a different podcast even.

169
00:09:40,280 --> 00:09:42,560
Speaker 4: But look at people like Philip Seymour Hoffman.

170
00:09:42,600 --> 00:09:46,520
Speaker 3: They got clean one day and then months or a

171
00:09:46,600 --> 00:09:48,920
Speaker 3: year later thought well, I can go do what I

172
00:09:49,000 --> 00:09:54,360
Speaker 3: did before, and they overdose, right, they don't. There are

173
00:09:54,360 --> 00:09:56,640
Speaker 3: no warning labels, there's no one, there's no drug counselor

174
00:09:56,720 --> 00:09:59,560
Speaker 3: saying Okay, if you're going to get high, don't do this,

175
00:10:00,520 --> 00:10:03,360
Speaker 3: do this and make sure that someone's with you. So

176
00:10:03,400 --> 00:10:06,680
Speaker 3: you don't you know, so you don't you know. It's

177
00:10:06,800 --> 00:10:10,760
Speaker 3: just it's awful. It's an awful thing. It's an epidemic

178
00:10:11,320 --> 00:10:13,960
Speaker 3: in our country and famly other places too.

179
00:10:14,080 --> 00:10:17,880
Speaker 1: But it is for sure, I do have a little

180
00:10:17,880 --> 00:10:21,600
Speaker 1: info the Era's tour for Taylor Swift. According to Claude,

181
00:10:22,200 --> 00:10:25,600
Speaker 1: it grows more than two billion in ticket sales. It

182
00:10:25,679 --> 00:10:28,079
Speaker 1: was the first tour to gross one billion in revenue

183
00:10:28,080 --> 00:10:32,079
Speaker 1: and the highest grossing tour in history. But I don't

184
00:10:32,080 --> 00:10:34,760
Speaker 1: have a career total in terms of her ticket sales.

185
00:10:34,800 --> 00:10:39,520
Speaker 1: But the more I think about your point, no disrespect

186
00:10:39,640 --> 00:10:44,000
Speaker 1: as a lover of the Beatles, for sure, and respect

187
00:10:44,040 --> 00:10:49,400
Speaker 1: Taylor for what she has built and continues to build.

188
00:10:49,960 --> 00:10:55,840
Speaker 1: But I do think it's probably, among various criteria accurate

189
00:10:55,920 --> 00:10:58,560
Speaker 1: to suggest she will surpass the Beatles.

190
00:10:59,480 --> 00:11:02,040
Speaker 4: Yeah, and this is the last, my last comming on and.

191
00:11:02,000 --> 00:11:03,440
Speaker 2: Some people are probably cringing.

192
00:11:03,840 --> 00:11:05,480
Speaker 4: There may be cringing, course they are.

193
00:11:05,840 --> 00:11:08,319
Speaker 3: I'm cringing too, And listen, I can't tell you the

194
00:11:08,400 --> 00:11:10,400
Speaker 3: name of more than two of her songs.

195
00:11:10,600 --> 00:11:12,680
Speaker 4: So I'm not a Taylor Swift fan.

196
00:11:12,760 --> 00:11:16,640
Speaker 3: I appreciate it, appreciate what she does, but the reality

197
00:11:16,720 --> 00:11:18,079
Speaker 3: is that this is a different era.

198
00:11:18,280 --> 00:11:21,040
Speaker 4: This is like comparing you know, when people talk about.

199
00:11:20,840 --> 00:11:24,120
Speaker 3: Sports people, who's the best basketball player of all time?

200
00:11:24,559 --> 00:11:26,679
Speaker 3: You know, do you look at you know, do we

201
00:11:26,720 --> 00:11:30,320
Speaker 3: go back to, you know, to the early days. Do

202
00:11:30,320 --> 00:11:34,160
Speaker 3: you go back to like Bill Russell, John Havelchek, or

203
00:11:34,200 --> 00:11:36,520
Speaker 3: do you look at Michael Jordan Or are people going

204
00:11:36,559 --> 00:11:39,280
Speaker 3: to say, well, Lebron is the best? It's all you know,

205
00:11:40,160 --> 00:11:43,360
Speaker 3: It's it's eraspecific. There weren't It wasn't apples and apples

206
00:11:43,400 --> 00:11:47,200
Speaker 3: when Michael Jordan was playing versus Lebron playing now.

207
00:11:48,520 --> 00:11:49,439
Speaker 4: Right, well different.

208
00:11:49,160 --> 00:11:54,280
Speaker 1: Times and also adding in another analysis of let's think

209
00:11:54,280 --> 00:11:57,240
Speaker 1: of the television landscape back when there was only you know,

210
00:11:57,360 --> 00:12:02,960
Speaker 1: three networks and the way you know, viewership was split

211
00:12:03,120 --> 00:12:07,400
Speaker 1: for you know, late night television among the three networks. Obviously,

212
00:12:07,920 --> 00:12:11,839
Speaker 1: no question, you know, Johnny Carson was the king during

213
00:12:11,840 --> 00:12:13,720
Speaker 1: that particular time, but those other.

214
00:12:13,640 --> 00:12:19,040
Speaker 2: Two shows, considering what they drew, you know that we're.

215
00:12:19,000 --> 00:12:24,480
Speaker 1: Up against Carson pretty stellar audiences as well, you know, Oh.

216
00:12:24,400 --> 00:12:27,520
Speaker 3: It's amazing, Yeah, it's amazing. They did amazing work. So

217
00:12:28,320 --> 00:12:30,719
Speaker 3: nineteen eighty four Buzz on October thirteenth, this is a

218
00:12:30,920 --> 00:12:36,320
Speaker 3: historic event. Stevie Ray Vaughan performed at Austin City Limits.

219
00:12:37,400 --> 00:12:38,920
Speaker 4: I don't know if you remember that show. There's a

220
00:12:38,960 --> 00:12:40,800
Speaker 4: video all over the place.

221
00:12:41,160 --> 00:12:44,959
Speaker 3: There's an interesting thing to me that happened during that show.

222
00:12:46,360 --> 00:12:49,040
Speaker 3: I always go back to the guitars because that's what

223
00:12:49,080 --> 00:12:53,800
Speaker 3: I that's my musical thing. But there was an an

224
00:12:53,840 --> 00:12:56,400
Speaker 3: event that happened that happens to guitar players all the time,

225
00:12:56,679 --> 00:13:01,760
Speaker 3: and that was during the song Little Sister, TV. Ray

226
00:13:01,800 --> 00:13:06,120
Speaker 3: broke a guitar string and instead of just playing through it,

227
00:13:06,559 --> 00:13:08,480
Speaker 3: and they could see clearly in the video, the string

228
00:13:08,600 --> 00:13:11,600
Speaker 3: pops off and it goes, it goes crazy. A guitar

229
00:13:11,679 --> 00:13:17,679
Speaker 3: tech walks out on stage with another strap and and

230
00:13:18,120 --> 00:13:22,880
Speaker 3: simultaneously Stevie takes one guitar off, the guitar tech puts

231
00:13:22,920 --> 00:13:26,160
Speaker 3: the other guitar on. Mid song, they plug him in

232
00:13:26,200 --> 00:13:29,679
Speaker 3: and he doesn't miss a beat. I've never seen anything

233
00:13:29,760 --> 00:13:32,439
Speaker 3: like it. It was like, hey, can you do this?

234
00:13:33,880 --> 00:13:37,839
Speaker 3: Like that's not something you practice for, that's not.

235
00:13:38,160 --> 00:13:40,800
Speaker 1: He was of another he was of another land, you know,

236
00:13:41,080 --> 00:13:47,760
Speaker 1: another other ilk. Yeah, I've seen similar, you know, illustrations

237
00:13:47,800 --> 00:13:51,080
Speaker 1: of that, and I think it's it's fascinating just how

238
00:13:51,520 --> 00:13:54,040
Speaker 1: you talk about improvising on the fly, right.

239
00:13:54,559 --> 00:13:55,640
Speaker 4: Yeah.

240
00:13:55,920 --> 00:13:58,480
Speaker 3: Yeah, I've never seen it other than with him, and

241
00:13:58,520 --> 00:14:02,480
Speaker 3: I thought it was just unevable to see. October fourteenth,

242
00:14:02,640 --> 00:14:07,920
Speaker 3: nineteen sixty eight, led Zeppelin performed and they were billed

243
00:14:07,960 --> 00:14:12,959
Speaker 3: as the new Yardbirds. I don't think I realized until

244
00:14:13,000 --> 00:14:16,200
Speaker 3: I saw Becoming led Zeppelin that they actually used the

245
00:14:16,280 --> 00:14:19,240
Speaker 3: Yardbirds name for a minute. Obviously they were born out

246
00:14:19,280 --> 00:14:20,800
Speaker 3: of the Yardbirds, but.

247
00:14:20,840 --> 00:14:22,800
Speaker 4: Yeah, I didn't realize they used it.

248
00:14:23,000 --> 00:14:23,600
Speaker 2: I didn't either.

249
00:14:24,760 --> 00:14:29,240
Speaker 3: They played at Surrey University in England, and in seventy

250
00:14:29,440 --> 00:14:34,720
Speaker 3: seven Bowie released Heroes and you know, I always liked it.

251
00:14:35,640 --> 00:14:37,960
Speaker 3: You don't know about you, but when The Wallflowers came

252
00:14:38,000 --> 00:14:40,840
Speaker 3: out with their version, I got a new appreciation for

253
00:14:40,960 --> 00:14:42,280
Speaker 3: the song in general.

254
00:14:44,400 --> 00:14:45,440
Speaker 4: But I always loved the song.

255
00:14:45,600 --> 00:14:48,760
Speaker 1: I always loved the song. I would say my appreciation

256
00:14:48,960 --> 00:14:52,200
Speaker 1: grew at those moments when you know, in some form,

257
00:14:52,280 --> 00:15:00,080
Speaker 1: let's say, as a backdrop on TV to the passing

258
00:15:00,080 --> 00:15:03,680
Speaker 1: of somebody that they were memorializing and then playing Heroes

259
00:15:03,720 --> 00:15:06,560
Speaker 1: in the background a montage or whatever, just kind of

260
00:15:08,320 --> 00:15:11,360
Speaker 1: you know, whoever had passed on at that point, I remember,

261
00:15:12,040 --> 00:15:16,360
Speaker 1: I don't know, just discovering it differently, loving it differently

262
00:15:16,400 --> 00:15:19,440
Speaker 1: because I always liked it, and you know, and maybe

263
00:15:19,480 --> 00:15:21,840
Speaker 1: not always the biggest Bowie fan at that time, but

264
00:15:22,440 --> 00:15:25,600
Speaker 1: the song really did, you know, take on different meaning

265
00:15:25,680 --> 00:15:26,480
Speaker 1: through tragedy.

266
00:15:26,600 --> 00:15:26,800
Speaker 2: You know.

267
00:15:27,760 --> 00:15:29,560
Speaker 3: Yeah, I don't know that I was ever a super

268
00:15:29,560 --> 00:15:33,280
Speaker 3: fan really ever, but there were always you know, there's

269
00:15:33,320 --> 00:15:35,880
Speaker 3: just a list of songs that you can rattle off and.

270
00:15:35,840 --> 00:15:37,000
Speaker 4: Go, wow, that's a great song.

271
00:15:37,240 --> 00:15:41,760
Speaker 3: Oh yeah, for Suffragette City, Panic and Detroit Heroes, Rebel,

272
00:15:41,920 --> 00:15:45,560
Speaker 3: Rebel barn Burner, right, just I mean there's a bunch

273
00:15:45,600 --> 00:15:49,720
Speaker 3: of you know, great songs in that catalog, that's right.

274
00:15:50,320 --> 00:15:50,520
Speaker 2: Yep.

275
00:15:51,160 --> 00:15:53,920
Speaker 3: In nineteen eighty, the Talking Heads released Remain in Lights

276
00:15:54,000 --> 00:15:56,560
Speaker 3: and that featured Once in a Lifetime.

277
00:15:57,240 --> 00:15:57,840
Speaker 2: Love that song?

278
00:15:58,360 --> 00:15:59,320
Speaker 4: How did they give here?

279
00:15:59,600 --> 00:15:59,840
Speaker 2: I love?

280
00:16:01,240 --> 00:16:05,600
Speaker 1: I loved having Jerry Harrison on taking a walk celebrating

281
00:16:05,640 --> 00:16:10,680
Speaker 1: the fortieth anniversary of one of the great concert films

282
00:16:10,680 --> 00:16:11,160
Speaker 1: of all time.

283
00:16:11,200 --> 00:16:12,160
Speaker 2: Stopped making sense?

284
00:16:12,600 --> 00:16:16,120
Speaker 3: Yeah, what was there anything surprising that came out of

285
00:16:16,160 --> 00:16:18,800
Speaker 3: that conversation with him?

286
00:16:19,840 --> 00:16:20,840
Speaker 4: Just how.

287
00:16:22,080 --> 00:16:26,200
Speaker 1: You know, in the current times, just how vital he

288
00:16:26,280 --> 00:16:29,080
Speaker 1: still is and excited about things that he still is.

289
00:16:29,920 --> 00:16:31,960
Speaker 2: And I hadn't really.

290
00:16:31,680 --> 00:16:36,880
Speaker 1: Focused as much until preparing for that interview about the

291
00:16:36,920 --> 00:16:39,720
Speaker 1: other work that he had done with, you know, with

292
00:16:39,880 --> 00:16:43,840
Speaker 1: various artists, you know, such as Live I think as

293
00:16:43,880 --> 00:16:47,000
Speaker 1: one of those artists that he produced, So I hadn't

294
00:16:47,040 --> 00:16:49,920
Speaker 1: realized his other sort of producer work.

295
00:16:50,680 --> 00:16:52,760
Speaker 2: And then the last part was surprising.

296
00:16:53,200 --> 00:16:57,960
Speaker 1: I didn't really know the current still connection between he

297
00:16:58,120 --> 00:16:59,680
Speaker 1: and particularly David.

298
00:16:59,360 --> 00:17:01,360
Speaker 2: Byrne, but it's I was like, they're still tight, you know.

299
00:17:02,480 --> 00:17:04,159
Speaker 3: I think it's great when you hear these stories of

300
00:17:04,200 --> 00:17:08,479
Speaker 3: guys that are just really still connected it at some level.

301
00:17:09,600 --> 00:17:13,280
Speaker 3: You know, Jagger and Richards clearly are an example, you

302
00:17:13,320 --> 00:17:17,280
Speaker 3: know where they put whatever differences because there was awful mosity. Yeah,

303
00:17:17,320 --> 00:17:20,399
Speaker 3: I'm sure back when Keith was really drugging. But between

304
00:17:20,440 --> 00:17:23,680
Speaker 3: those two guys, and you know, they were notoriously at

305
00:17:23,680 --> 00:17:29,160
Speaker 3: each other. You know, Jimmy Page talks, so it's such

306
00:17:29,160 --> 00:17:32,760
Speaker 3: a lovely way about about Plant and John Paul Jones

307
00:17:33,400 --> 00:17:35,840
Speaker 3: and and John Bonham. Yep, you know, I just I

308
00:17:35,960 --> 00:17:37,760
Speaker 3: just heard something very interesting and we're going to talk

309
00:17:37,760 --> 00:17:41,320
Speaker 3: about Let's let me see if we have another led

310
00:17:41,400 --> 00:17:45,280
Speaker 3: Zeppelin story real quick, and uh yeah, we do, so

311
00:17:45,440 --> 00:17:47,240
Speaker 3: I'll get to I gotta I got a led Zeppelin

312
00:17:47,320 --> 00:17:51,160
Speaker 3: story about what leeds up, what Zeppelin may have done,

313
00:17:52,000 --> 00:17:55,680
Speaker 3: or John's death, what they were planning to do before

314
00:17:55,720 --> 00:17:56,200
Speaker 3: he died.

315
00:17:56,280 --> 00:17:59,080
Speaker 1: So you're teasing, you're teasing the head.

316
00:17:59,119 --> 00:18:03,560
Speaker 3: I like that little teas and I actually went, this

317
00:18:03,600 --> 00:18:06,560
Speaker 3: is very funny with Claude, It's serendipitous. But I did

318
00:18:06,560 --> 00:18:09,880
Speaker 3: a little bit of research on this with Claude as well.

319
00:18:10,000 --> 00:18:11,879
Speaker 4: With Claude AI, So we'll talk about that in just

320
00:18:11,880 --> 00:18:14,480
Speaker 4: a few minutes. October fifteenth. None of the Beatles' story.

321
00:18:14,480 --> 00:18:19,000
Speaker 3: Beatles made their debut their first gig at Homburg's iSER

322
00:18:19,200 --> 00:18:23,000
Speaker 3: Keller Club in nineteen sixty with Who playing the drums.

323
00:18:24,200 --> 00:18:25,720
Speaker 2: With Pete Best.

324
00:18:26,160 --> 00:18:30,520
Speaker 3: Right in Best Best and now in one second, we

325
00:18:30,520 --> 00:18:32,840
Speaker 3: may have to pause. Here, I'm at leaner. She's got

326
00:18:32,880 --> 00:18:39,600
Speaker 3: these two due hours and hey, get in the house.

327
00:18:40,560 --> 00:18:41,440
Speaker 2: What is it?

328
00:18:41,520 --> 00:18:46,080
Speaker 4: What is it? A dog? A cat? Two us two

329
00:18:46,119 --> 00:18:50,200
Speaker 4: two hours. They are the al Qaeda of the dog world.

330
00:18:50,680 --> 00:18:54,480
Speaker 3: And I love and I love all animals, but these

331
00:18:54,520 --> 00:18:57,919
Speaker 3: dogs just want to They have no sense of their side,

332
00:18:58,520 --> 00:19:01,240
Speaker 3: They have no sense of what anything or anyone could

333
00:19:01,240 --> 00:19:01,720
Speaker 3: do to them.

334
00:19:02,040 --> 00:19:02,960
Speaker 4: They just want to fight.

335
00:19:03,640 --> 00:19:06,440
Speaker 2: They do they have a sense of self though.

336
00:19:07,760 --> 00:19:11,160
Speaker 3: Yeah, oh, they are the MS thirteen of the dog world.

337
00:19:11,200 --> 00:19:15,600
Speaker 3: You don't mess with us. We mess with you. You think

338
00:19:15,640 --> 00:19:18,880
Speaker 3: you're waiting for trouble. Oh no, we are the trouble.

339
00:19:20,080 --> 00:19:23,679
Speaker 3: We are the ones that knock anyway. So I just

340
00:19:23,720 --> 00:19:28,480
Speaker 3: put those monsters inside. Nineteen seventy three, October fifteenth, Keith

341
00:19:28,600 --> 00:19:33,280
Speaker 3: Richards fine for possession of cannabis in France. It's amazing

342
00:19:33,320 --> 00:19:37,639
Speaker 3: to me that we were jailing people for weed.

343
00:19:37,880 --> 00:19:44,480
Speaker 1: Well, yeah, now you have legal substances, legal betting, what's next?

344
00:19:45,080 --> 00:19:47,320
Speaker 3: Oh no, I never in a million I never thought

345
00:19:47,320 --> 00:19:49,639
Speaker 3: in my lifetime that I'd be able to go to

346
00:19:49,680 --> 00:19:51,760
Speaker 3: the weed store and buy gummy so that I could

347
00:19:51,800 --> 00:19:53,080
Speaker 3: actually fall asleep.

348
00:19:53,119 --> 00:19:55,640
Speaker 4: I never never had a problem sleeping until I became

349
00:19:55,680 --> 00:19:56,359
Speaker 4: an old man.

350
00:19:56,960 --> 00:19:59,680
Speaker 3: And now God bless the weed stores, in my opinion,

351
00:20:00,080 --> 00:20:00,960
Speaker 3: bless the power.

352
00:20:00,760 --> 00:20:01,720
Speaker 4: Of the gummy.

353
00:20:03,200 --> 00:20:07,520
Speaker 3: Nineteen seventy six songs in the Kilife hit number one

354
00:20:07,560 --> 00:20:10,919
Speaker 3: in the US. We talked about how important that out was. Oh,

355
00:20:11,080 --> 00:20:13,200
Speaker 3: a couple of weeks back. It didn't take it very

356
00:20:13,240 --> 00:20:17,320
Speaker 3: long to make it there. Nineteen ninety, the Rock Hall

357
00:20:17,359 --> 00:20:20,119
Speaker 3: of Fame inducted the Who, Simon and Garfunkele and the

358
00:20:20,280 --> 00:20:25,800
Speaker 3: Kinks as part of that Class of nineteen ninety. Big

359
00:20:25,840 --> 00:20:27,639
Speaker 3: deal for all of them.

360
00:20:28,119 --> 00:20:30,840
Speaker 1: Well yeah, especially the ones that were always fighting, such

361
00:20:30,880 --> 00:20:33,919
Speaker 1: as the Davis brothers Davies brothers.

362
00:20:33,960 --> 00:20:35,680
Speaker 4: I like I say, I say Davies.

363
00:20:35,760 --> 00:20:39,560
Speaker 2: I think they say Davis. But it's Ray Davies day, Dave.

364
00:20:40,320 --> 00:20:42,400
Speaker 4: Ray and Dave Davies, right, they were at each other.

365
00:20:42,480 --> 00:20:45,320
Speaker 2: But don't they say Davis? Then doesn't some people pronounce

366
00:20:45,359 --> 00:20:45,800
Speaker 2: it that way?

367
00:20:46,160 --> 00:20:48,639
Speaker 4: They may that's the bridge, all right. They don't know,

368
00:20:48,720 --> 00:20:50,280
Speaker 4: they don't know from what they're talking about.

369
00:20:50,680 --> 00:20:52,760
Speaker 3: And you got two groups, by the way, of folks

370
00:20:52,760 --> 00:20:55,159
Speaker 3: that are notorious for fighting. You got the davis Is

371
00:20:55,200 --> 00:20:57,879
Speaker 3: if you will, and then you got Simon and Garfunkel.

372
00:20:58,200 --> 00:21:01,320
Speaker 3: Oh yeah, you know, like a couple of thugs on

373
00:21:01,359 --> 00:21:02,119
Speaker 3: a street corner.

374
00:21:02,960 --> 00:21:03,400
Speaker 2: Definitely.

375
00:21:03,680 --> 00:21:06,800
Speaker 1: Yeah, they've since reconciled well. And by the way, the

376
00:21:06,880 --> 00:21:09,040
Speaker 1: who has had a couple tumbles here and there as.

377
00:21:08,880 --> 00:21:11,480
Speaker 2: Well, Yeah they have they Yeah.

378
00:21:11,520 --> 00:21:15,439
Speaker 4: So you got three, three groups of of folks that

379
00:21:15,480 --> 00:21:17,679
Speaker 4: didn't all get along right.

380
00:21:18,680 --> 00:21:22,000
Speaker 3: In nineteen sixty two, the Beatles actually signed their first

381
00:21:22,920 --> 00:21:27,359
Speaker 3: up a recording contract with EMI at Abbey Road Studios.

382
00:21:28,880 --> 00:21:34,280
Speaker 3: Fix the eight Cream began their phil Farewell Tour. Their

383
00:21:34,320 --> 00:21:39,520
Speaker 3: first stop was Oakland, and Cretan's officially announced their breakup

384
00:21:39,520 --> 00:21:40,320
Speaker 3: in seventy two.

385
00:21:40,520 --> 00:21:43,000
Speaker 4: So a lot. This is a very interesting week.

386
00:21:43,040 --> 00:21:45,800
Speaker 3: This is a two page week for me as I

387
00:21:45,840 --> 00:21:48,320
Speaker 3: sit here and look at the notes, and there's really

388
00:21:48,720 --> 00:21:52,760
Speaker 3: still very little that I can eliminate. This is a

389
00:21:52,800 --> 00:21:55,440
Speaker 3: long episode because a lot of stuff happened in this week.

390
00:21:55,760 --> 00:21:59,560
Speaker 3: Think about it, you know, September things are things are happening.

391
00:21:59,600 --> 00:22:01,879
Speaker 3: Are twelve rather, things are happening. People are out of

392
00:22:01,880 --> 00:22:04,439
Speaker 3: the summer, dul drums and albums are coming out, movies

393
00:22:04,440 --> 00:22:05,040
Speaker 3: are coming out.

394
00:22:05,520 --> 00:22:06,240
Speaker 4: It's important.

395
00:22:06,560 --> 00:22:08,840
Speaker 1: Well, you know, they don't call you the manager of

396
00:22:09,000 --> 00:22:10,480
Speaker 1: musical Minutia for nothing.

397
00:22:11,520 --> 00:22:14,159
Speaker 3: This week was complete Michigos trying to pull this together.

398
00:22:14,240 --> 00:22:18,440
Speaker 3: So yeah, manager of Minutia and michigs. This is an

399
00:22:18,440 --> 00:22:22,159
Speaker 3: interesting story. I didn't know about this. In two thousand

400
00:22:22,200 --> 00:22:27,000
Speaker 3: and one, the estates of Artemis Pyle and Ronnie van

401
00:22:27,160 --> 00:22:30,280
Speaker 3: Zandt and Steve Gaines.

402
00:22:30,800 --> 00:22:37,000
Speaker 4: Dude over the making of the movie Free Bird. Did

403
00:22:37,000 --> 00:22:38,320
Speaker 4: you ever see that movie Free Bird?

404
00:22:38,760 --> 00:22:39,080
Speaker 2: Did not?

405
00:22:40,560 --> 00:22:41,800
Speaker 4: I think I want to see it.

406
00:22:41,840 --> 00:22:45,200
Speaker 3: I'm like, you know when I was when that album

407
00:22:45,800 --> 00:22:50,360
Speaker 3: One More from the Road came out. I remember being

408
00:22:50,359 --> 00:22:52,880
Speaker 3: at summer camp that summer and like hearing Gimme Three

409
00:22:52,880 --> 00:22:55,119
Speaker 3: Steps in Sweep Home, Alabama for the first time on

410
00:22:55,240 --> 00:22:59,480
Speaker 3: you know, a rock radio, and I remember just being

411
00:23:00,680 --> 00:23:02,840
Speaker 3: completely enthralled with Leonard Scanner.

412
00:23:02,920 --> 00:23:04,960
Speaker 4: That started it for me when I was ten years old.

413
00:23:05,440 --> 00:23:12,040
Speaker 3: And this movie Freebird is based in part around that

414
00:23:12,160 --> 00:23:15,080
Speaker 3: period of time when they did that show at the

415
00:23:15,280 --> 00:23:17,320
Speaker 3: at the Fox Theater in Atlanta, and then there's a

416
00:23:17,320 --> 00:23:20,800
Speaker 3: bunch of footage apparently shot and floor in other places,

417
00:23:20,840 --> 00:23:22,400
Speaker 3: but I'm I'm gonna watch that.

418
00:23:22,440 --> 00:23:25,520
Speaker 4: Movie and give you some insight on it. I'm a

419
00:23:25,600 --> 00:23:26,600
Speaker 4: huge skinnered fan.

420
00:23:27,800 --> 00:23:31,600
Speaker 1: And there's still people, you know, within that camp that

421
00:23:32,840 --> 00:23:37,200
Speaker 1: I think they were original members and are not considered original.

422
00:23:37,560 --> 00:23:43,000
Speaker 2: So there's still some of that tussling and infighting. There's

423
00:23:43,040 --> 00:23:44,520
Speaker 2: a lighting, yeah, you know.

424
00:23:45,240 --> 00:23:48,440
Speaker 3: Yeah, there's a lot of guys al Cooper running around,

425
00:23:49,000 --> 00:23:49,159
Speaker 3: you know.

426
00:23:49,200 --> 00:23:52,840
Speaker 4: I saw him with I think I saw al Cooper

427
00:23:52,880 --> 00:23:53,399
Speaker 4: with Marty.

428
00:23:53,760 --> 00:23:56,880
Speaker 3: Marty Schwartz, one of the big guitar teachers on YouTube

429
00:23:57,880 --> 00:24:00,760
Speaker 3: showing us how to play Sweet Home Alabama as a

430
00:24:00,800 --> 00:24:03,640
Speaker 3: guitar player or right of passages to learn those three

431
00:24:03,720 --> 00:24:08,159
Speaker 3: chords D, C, and G, And then I watched al

432
00:24:08,240 --> 00:24:12,040
Speaker 3: Kooper play it. He claims he wrote the lick. I

433
00:24:12,040 --> 00:24:13,800
Speaker 3: don't know if he did or not. You know, another

434
00:24:13,800 --> 00:24:15,479
Speaker 3: one of those people running around saying I was an

435
00:24:15,520 --> 00:24:18,199
Speaker 3: original member, but he plays it differently than than we

436
00:24:18,280 --> 00:24:19,920
Speaker 3: all learned how to play it when we were.

437
00:24:19,880 --> 00:24:23,040
Speaker 4: Kids as our first song. So yeah, there are people

438
00:24:23,119 --> 00:24:25,199
Speaker 4: running around talking a bunch of smack.

439
00:24:25,680 --> 00:24:28,639
Speaker 3: Whether it's true or not, they're they're running their mouths

440
00:24:28,880 --> 00:24:29,400
Speaker 3: about it.

441
00:24:29,520 --> 00:24:29,680
Speaker 2: Well.

442
00:24:29,680 --> 00:24:34,360
Speaker 1: I had Ricky medlock on yeah, and Ricky Ricky Medlock

443
00:24:34,840 --> 00:24:38,760
Speaker 1: still to this day, uh feels a sense of bitterness

444
00:24:38,800 --> 00:24:42,320
Speaker 1: that when the Rock and Roll Hall of Fame induction

445
00:24:42,400 --> 00:24:46,679
Speaker 1: occurred that he was not considered kind of an original member,

446
00:24:47,520 --> 00:24:52,119
Speaker 1: and he feels he's got, you know, specific documentation to

447
00:24:52,200 --> 00:24:55,240
Speaker 1: that fact, so it still stings for him. He did

448
00:24:55,280 --> 00:25:00,639
Speaker 1: not mince words on how he feels he's been treated,

449
00:25:00,680 --> 00:25:03,520
Speaker 1: at least in terms of the Hall of Fame.

450
00:25:04,480 --> 00:25:07,520
Speaker 4: It's an interesting back to bring up.

451
00:25:07,560 --> 00:25:10,639
Speaker 3: I didn't you know, I guess I remember listening to

452
00:25:10,640 --> 00:25:12,560
Speaker 3: the Ricky Medlock thing.

453
00:25:13,200 --> 00:25:17,159
Speaker 4: What was he around in the beginning in the in

454
00:25:17,200 --> 00:25:18,200
Speaker 4: the early days.

455
00:25:18,240 --> 00:25:21,159
Speaker 3: Do you recall him saying, you know, for the first

456
00:25:21,359 --> 00:25:25,240
Speaker 3: few albums or through Street Survivors or I mean Street

457
00:25:25,280 --> 00:25:28,160
Speaker 3: Survivors obviously is the is the mark right when people

458
00:25:28,200 --> 00:25:30,520
Speaker 3: say I was an original member, you were either part

459
00:25:30,560 --> 00:25:33,880
Speaker 3: of that band prior to Street Survivors when the crash happened,

460
00:25:34,640 --> 00:25:35,840
Speaker 3: probably or not.

461
00:25:36,680 --> 00:25:39,480
Speaker 2: He was in, he was out, and then he was

462
00:25:39,560 --> 00:25:40,040
Speaker 2: back in.

463
00:25:40,920 --> 00:25:47,080
Speaker 1: So I think because there was some hiatus period however long,

464
00:25:48,000 --> 00:25:51,640
Speaker 1: I think he wasn't treated as, as you know, one

465
00:25:51,640 --> 00:25:56,040
Speaker 1: of the original members. And according to Claude AI, the

466
00:25:56,160 --> 00:26:01,400
Speaker 1: current lineup is is Johnny Van zandt, Ricky Medlock and

467
00:26:01,440 --> 00:26:03,560
Speaker 1: then I gotta be honest, a bunch of people I

468
00:26:03,600 --> 00:26:06,720
Speaker 1: have no idea who they are, with all due respect,

469
00:26:07,400 --> 00:26:13,080
Speaker 1: Damon Johnson on guitar, Mark Sparky Matteka on guitar, Michael

470
00:26:13,400 --> 00:26:19,280
Speaker 1: Cardolone his name is familiar on drums, Keith Christopher bass,

471
00:26:19,280 --> 00:26:23,640
Speaker 1: Peter Keys keyboards, Carol Chase backing vocals, Stacy Michelle backing vocals.

472
00:26:23,680 --> 00:26:28,640
Speaker 2: So it's pretty much Johnny and Ricky, you.

473
00:26:28,600 --> 00:26:31,120
Speaker 4: Know the thing about that band, And there are a lot.

474
00:26:30,920 --> 00:26:33,480
Speaker 3: Of bands, you know, you can look at bands like

475
00:26:33,560 --> 00:26:36,920
Speaker 3: Chicago as an example, who you know they have one

476
00:26:38,400 --> 00:26:44,720
Speaker 3: one horn player right, trumper player or who that's right?

477
00:26:44,760 --> 00:26:47,200
Speaker 4: And he was Do you had him right? I did,

478
00:26:47,920 --> 00:26:48,360
Speaker 4: Yeah you.

479
00:26:48,320 --> 00:26:52,320
Speaker 3: Did, so he he's the one remaining member of that band.

480
00:26:52,400 --> 00:26:55,359
Speaker 3: One of the things about Skinner that's great is Johnny

481
00:26:55,440 --> 00:26:57,520
Speaker 3: Van's aunt sounds just like his brother.

482
00:26:57,760 --> 00:27:00,600
Speaker 4: Oh yeah right, So you could see Leonard's skinned. It's

483
00:27:00,640 --> 00:27:03,240
Speaker 4: unlike seeing Journey.

484
00:27:04,440 --> 00:27:10,359
Speaker 3: With oh his name, the karaoke guy, the karaoke guy

485
00:27:10,680 --> 00:27:14,760
Speaker 3: who was frighteningly similar to Steve Perry. But you can

486
00:27:14,840 --> 00:27:17,720
Speaker 3: see that band and you can hear his brother in him,

487
00:27:17,800 --> 00:27:21,040
Speaker 3: and that's what's kind of frightening to me about about that?

488
00:27:21,080 --> 00:27:23,800
Speaker 3: In a good way? Yep, with skinners. I'm gonna go

489
00:27:23,840 --> 00:27:26,200
Speaker 3: down the I'm gonna go down the Ricky Medlocks rabbit hole.

490
00:27:26,200 --> 00:27:28,760
Speaker 3: I'm gonna use claud Ai. I'm going to use a

491
00:27:28,760 --> 00:27:30,880
Speaker 3: couple of other sources that I have, but I'm very

492
00:27:30,880 --> 00:27:34,040
Speaker 3: curious about Ricky's involvement when he says he was involved,

493
00:27:34,080 --> 00:27:35,760
Speaker 3: and I'm gonna go down that rabbit hole.

494
00:27:35,760 --> 00:27:36,440
Speaker 4: I may or may not.

495
00:27:36,400 --> 00:27:41,720
Speaker 3: Report back that, maybe under the cover of michig OSTs.

496
00:27:40,320 --> 00:27:42,760
Speaker 4: But you know, I'm gonna probably drive myself a little

497
00:27:42,800 --> 00:27:43,399
Speaker 4: crazy there.

498
00:27:43,880 --> 00:27:49,080
Speaker 3: It's over seventeenth of nineteen eighty, Springsteen played his first

499
00:27:49,119 --> 00:27:52,160
Speaker 3: concert in New Jersey after the release of the River

500
00:27:53,640 --> 00:27:59,720
Speaker 3: Big Deals double albums there. This was also on the

501
00:27:59,800 --> 00:28:05,440
Speaker 3: heat of I think there were five No Nukes shows

502
00:28:06,400 --> 00:28:10,600
Speaker 3: near the end of September that happened, and he was

503
00:28:10,640 --> 00:28:12,720
Speaker 3: playing if you remember watching the video and.

504
00:28:14,400 --> 00:28:17,280
Speaker 4: You know, hearing the bootlegs from that, I went to

505
00:28:17,359 --> 00:28:17,840
Speaker 4: one of them.

506
00:28:17,960 --> 00:28:18,800
Speaker 2: I went to one of them.

507
00:28:18,880 --> 00:28:20,919
Speaker 4: Did you really went to the garden?

508
00:28:21,000 --> 00:28:21,400
Speaker 2: Yeah?

509
00:28:21,840 --> 00:28:24,280
Speaker 4: Oh you you have the floor? Then I got I got,

510
00:28:24,520 --> 00:28:27,600
Speaker 4: I got shipped to say, as they say, your talk

511
00:28:27,680 --> 00:28:28,280
Speaker 4: it's your turn.

512
00:28:30,200 --> 00:28:33,719
Speaker 1: Oh, I mean, oh, the whole the whole experience was

513
00:28:33,960 --> 00:28:38,280
Speaker 1: a complete, you know, mind blowing experience in terms of

514
00:28:39,120 --> 00:28:41,880
Speaker 1: the performances, and Bruce's.

515
00:28:41,520 --> 00:28:42,280
Speaker 2: Was no exception.

516
00:28:42,480 --> 00:28:46,360
Speaker 1: Obviously is one of the great performances, certainly from Bruce

517
00:28:46,440 --> 00:28:50,920
Speaker 1: of many right, But it was a it was an

518
00:28:50,920 --> 00:28:54,320
Speaker 1: overwhelming experience in terms of just the amount of music

519
00:28:54,360 --> 00:28:56,880
Speaker 1: that you saw. But I didn't realize where you were

520
00:28:56,880 --> 00:29:01,240
Speaker 1: going that that that event, him playing at that event

521
00:29:01,840 --> 00:29:05,240
Speaker 1: was sort of adjacent to him doing these other big dates.

522
00:29:05,240 --> 00:29:10,920
Speaker 3: It makes sense, yeah, And to me it's interesting because

523
00:29:11,720 --> 00:29:17,760
Speaker 3: he played and the music was received with such mirror

524
00:29:17,760 --> 00:29:20,960
Speaker 3: and excitement from people. When he played the River or

525
00:29:21,480 --> 00:29:23,760
Speaker 3: you know, other songs from that album, I think maybe.

526
00:29:23,640 --> 00:29:27,160
Speaker 4: He played Barry Darling or he played it.

527
00:29:27,200 --> 00:29:28,480
Speaker 3: You know, I got to go back and look at

528
00:29:28,520 --> 00:29:30,320
Speaker 3: what the setlist is. I should have probably prepped this

529
00:29:30,360 --> 00:29:32,080
Speaker 3: part of it better. But he played songs that people

530
00:29:32,120 --> 00:29:35,360
Speaker 3: didn't know at that point, buggs that hadn't been released,

531
00:29:35,360 --> 00:29:39,000
Speaker 3: that he hadn't played, and that was also for me,

532
00:29:39,080 --> 00:29:40,360
Speaker 3: a little personal piece of it.

533
00:29:40,400 --> 00:29:41,240
Speaker 4: I didn't get to.

534
00:29:41,200 --> 00:29:46,320
Speaker 3: Know Nukes, but when I met Rob Barnett the first

535
00:29:46,360 --> 00:29:49,360
Speaker 3: time in nineteen eighty one.

536
00:29:49,440 --> 00:29:51,120
Speaker 4: I remember this like it was yesterday.

537
00:29:51,160 --> 00:29:54,880
Speaker 3: He was wearing a River Tour jacket that he had

538
00:29:54,920 --> 00:29:58,720
Speaker 3: gotten from Bruce, or from John, or from someone he

539
00:29:58,760 --> 00:30:01,480
Speaker 3: worked for Columbia. He was wearing a River pinny. He

540
00:30:01,480 --> 00:30:03,360
Speaker 3: had all this Bruce stuff. This was before I was

541
00:30:03,400 --> 00:30:06,960
Speaker 3: really deep into Bruce. And and that's a memory that

542
00:30:07,080 --> 00:30:09,960
Speaker 3: I have is meeting Rob Barnett on the heels of

543
00:30:09,960 --> 00:30:12,920
Speaker 3: that tour, not meeting John Landau, not meeting Maxim Weinberger,

544
00:30:13,000 --> 00:30:13,960
Speaker 3: Roy Bitten or Bruce.

545
00:30:14,160 --> 00:30:15,200
Speaker 4: I met Rob Barnett.

546
00:30:15,760 --> 00:30:16,120
Speaker 2: I love it.

547
00:30:16,160 --> 00:30:18,160
Speaker 3: So that tour came out and he was the college

548
00:30:18,240 --> 00:30:20,680
Speaker 3: rep at that point he had come out of like

549
00:30:20,920 --> 00:30:23,600
Speaker 3: you know, Boston College or something like that.

550
00:30:23,800 --> 00:30:25,720
Speaker 2: I had forgotten that part of his career.

551
00:30:25,840 --> 00:30:28,720
Speaker 3: Wow, Yeah, it would be interesting. I got to reach

552
00:30:28,760 --> 00:30:30,320
Speaker 3: out to him and say, give me a little give

553
00:30:30,320 --> 00:30:33,000
Speaker 3: me a little bit of that story. He'd be saying,

554
00:30:33,040 --> 00:30:34,720
Speaker 3: he's such a good guest. You've had him on. He

555
00:30:34,760 --> 00:30:37,920
Speaker 3: talked about the Nirvana thing at MTV. But that guy,

556
00:30:38,840 --> 00:30:42,560
Speaker 3: in my opinion, is a music college. Oh yeah, Like

557
00:30:42,640 --> 00:30:44,880
Speaker 3: if I get if I get hit by a truck tomorrow,

558
00:30:45,080 --> 00:30:48,000
Speaker 3: you got to call Barnett, right, You got to see

559
00:30:48,000 --> 00:30:50,400
Speaker 3: if Barnett can do this because he'd do it a

560
00:30:50,480 --> 00:30:51,880
Speaker 3: thousand times better than I could.

561
00:30:51,880 --> 00:30:54,800
Speaker 4: And he's got the stories right, he lived so much

562
00:30:54,800 --> 00:30:55,040
Speaker 4: of it.

563
00:30:55,920 --> 00:31:00,360
Speaker 1: Well, don't manager of Musical Minutia, don't sell yourself short,

564
00:31:00,360 --> 00:31:01,440
Speaker 1: please all.

565
00:31:01,480 --> 00:31:04,280
Speaker 4: Right, October eighteenth, we got two more days. I'm gonna

566
00:31:04,280 --> 00:31:06,680
Speaker 4: blast throw them buzz. I know we're probably now that

567
00:31:06,720 --> 00:31:07,440
Speaker 4: we're tight on time.

568
00:31:07,480 --> 00:31:09,160
Speaker 3: It's not like radio or not like we get to

569
00:31:09,240 --> 00:31:11,880
Speaker 3: hit you know, we've probably hit the commercial breaks already.

570
00:31:12,440 --> 00:31:13,560
Speaker 4: We mentioned Claude AI.

571
00:31:13,800 --> 00:31:15,920
Speaker 3: By the way, we're gonna pre promote that we're going

572
00:31:16,000 --> 00:31:19,040
Speaker 3: to be doing a little something with the Springsteen movie.

573
00:31:19,440 --> 00:31:23,320
Speaker 3: If I may, you may, may, I may I. So

574
00:31:23,360 --> 00:31:25,320
Speaker 3: there's a lot going on. The sponsors will be taken

575
00:31:25,400 --> 00:31:28,600
Speaker 3: care of. They'll be well taken care of. Nineteen sixty six,

576
00:31:28,720 --> 00:31:32,760
Speaker 3: October eighteenth, Jimmy Hendrix The Jimmy Hendricks Experience played their

577
00:31:32,800 --> 00:31:35,600
Speaker 3: first show at the Olympia in Paris.

578
00:31:36,440 --> 00:31:39,760
Speaker 4: I didn't know that. I didn't know they debuted in Paris,

579
00:31:39,800 --> 00:31:40,080
Speaker 4: did you?

580
00:31:40,480 --> 00:31:40,600
Speaker 3: Oh?

581
00:31:40,760 --> 00:31:44,040
Speaker 2: No, I would have given anything to be there for that.

582
00:31:44,240 --> 00:31:45,680
Speaker 4: Huh, Oh my gosh.

583
00:31:45,760 --> 00:31:49,280
Speaker 3: Crazy nineteen sixty nine Temptations hit number one with I

584
00:31:49,320 --> 00:31:50,280
Speaker 3: Can't Get next to you.

585
00:31:50,960 --> 00:31:54,400
Speaker 4: That's one of those songs that if it comes on.

586
00:31:56,000 --> 00:31:59,800
Speaker 3: Radio or someone or the iPad or iPod or someone's

587
00:31:59,800 --> 00:32:01,840
Speaker 3: bastard of the party, I stop and.

588
00:32:01,800 --> 00:32:04,440
Speaker 4: Go hang on a second, I gotta I gotta listen

589
00:32:04,480 --> 00:32:06,920
Speaker 4: to this. You can't not tap your feet to that song.

590
00:32:07,000 --> 00:32:10,360
Speaker 3: It's just such a that song almost borders on rock.

591
00:32:11,720 --> 00:32:15,360
Speaker 2: It's with its fat Yeah. I officially get my jiggy

592
00:32:15,400 --> 00:32:16,120
Speaker 2: on when that's.

593
00:32:16,000 --> 00:32:19,800
Speaker 4: On, But really, is that like your happy dance or

594
00:32:19,800 --> 00:32:20,480
Speaker 4: what is the jiggy?

595
00:32:20,640 --> 00:32:22,520
Speaker 2: I just get my jiggy, man, my jiggy's on.

596
00:32:24,000 --> 00:32:24,160
Speaker 4: You know.

597
00:32:24,280 --> 00:32:27,600
Speaker 3: You know what's funny to me is when guys like us,

598
00:32:27,920 --> 00:32:31,440
Speaker 3: men of a particular age, Oh stop it try to

599
00:32:31,600 --> 00:32:32,360
Speaker 3: be hip.

600
00:32:32,640 --> 00:32:34,680
Speaker 4: Oh stop, I get my jiggy on.

601
00:32:34,800 --> 00:32:35,920
Speaker 2: I get my jiggy on, man.

602
00:32:36,480 --> 00:32:39,520
Speaker 3: And then you get your jiggy on, and undoubtedly someone

603
00:32:39,560 --> 00:32:42,040
Speaker 3: in the crowd goes, do you want to call nine

604
00:32:42,080 --> 00:32:43,960
Speaker 3: to one one? Is he wearing an apple? Is he

605
00:32:44,000 --> 00:32:47,160
Speaker 3: wearing an Apple watch? It may notify the authorities. He

606
00:32:47,200 --> 00:32:50,080
Speaker 3: got his jiggy on, but he got what happened to it?

607
00:32:50,160 --> 00:32:53,680
Speaker 1: But he his hamstring is now got a problem.

608
00:32:53,960 --> 00:32:56,360
Speaker 4: We're gonna hit him with a narkhan because his Jiggy

609
00:32:56,400 --> 00:32:57,920
Speaker 4: came on out of the blue.

610
00:32:58,360 --> 00:33:01,920
Speaker 3: Nineteen seventy five, Simon our Funcle reunited the Speaking of

611
00:33:01,960 --> 00:33:03,920
Speaker 3: the half Fields and McCoy's of.

612
00:33:04,000 --> 00:33:05,840
Speaker 4: Music and the Davises and the Who.

613
00:33:06,240 --> 00:33:09,600
Speaker 3: They got together in nineteen seventy five and performed on

614
00:33:09,720 --> 00:33:10,600
Speaker 3: Saturday Night Lot.

615
00:33:10,640 --> 00:33:12,880
Speaker 4: They had a little reunion. It was a great performance.

616
00:33:12,920 --> 00:33:16,120
Speaker 4: By the way, it was nineteen eighty eight.

617
00:33:16,160 --> 00:33:19,720
Speaker 3: Bon Jovi released New Jersey, banged out a bunch of

618
00:33:19,800 --> 00:33:22,440
Speaker 3: singles out of that, and the last day of the week,

619
00:33:22,960 --> 00:33:24,120
Speaker 3: October nineteenth.

620
00:33:24,160 --> 00:33:26,440
Speaker 4: Of course we've got three big ones.

621
00:33:26,480 --> 00:33:29,120
Speaker 3: We got a Beatles related, we got a Zeppelin, we

622
00:33:29,160 --> 00:33:33,040
Speaker 3: got a Bowie. Nineteen sixty eight, Lennon and Yoko are

623
00:33:33,160 --> 00:33:39,160
Speaker 3: arrested in London for possession of cannabis, the second marijuana.

624
00:33:38,640 --> 00:33:41,640
Speaker 4: Arrest on this week in music history.

625
00:33:42,280 --> 00:33:44,840
Speaker 3: And this day we got Keith Richards on October fifteenth,

626
00:33:44,840 --> 00:33:48,440
Speaker 3: and you know, a few days later in history, we

627
00:33:48,560 --> 00:33:50,160
Speaker 3: got John and Yoko.

628
00:33:50,680 --> 00:33:51,400
Speaker 4: Austin fer Weed.

629
00:33:52,480 --> 00:33:55,840
Speaker 3: Nineteen seventy led Zeppelin three reached number one on the

630
00:33:55,920 --> 00:33:56,760
Speaker 3: UK charts.

631
00:33:58,080 --> 00:33:59,560
Speaker 4: I teased this a few minutes ago.

632
00:34:00,560 --> 00:34:04,560
Speaker 3: I just saw an interview with Jimmy Page where he

633
00:34:04,720 --> 00:34:07,640
Speaker 3: was talking about the death of John Bonham and what

634
00:34:07,840 --> 00:34:11,480
Speaker 3: may have become of led Zeppelin after In Through the Outdoor.

635
00:34:12,760 --> 00:34:15,759
Speaker 3: And I found it so fascinating because I had never

636
00:34:15,800 --> 00:34:20,040
Speaker 3: heard this before, that John Paul Jones had bought a

637
00:34:20,080 --> 00:34:24,560
Speaker 3: big sythesizer. I forget what it's called exactly, but it's

638
00:34:24,600 --> 00:34:28,520
Speaker 3: like the moog, right, remember the Emerson Lake and Palmer.

639
00:34:28,680 --> 00:34:33,839
Speaker 4: It was like one of those devices, a big pit

640
00:34:33,920 --> 00:34:35,600
Speaker 4: the sider kind of device.

641
00:34:36,320 --> 00:34:41,880
Speaker 3: And John Paul Jones and John Bonham and Jimmy Page

642
00:34:41,880 --> 00:34:44,359
Speaker 3: were all talking about the direction that they were going next,

643
00:34:44,400 --> 00:34:48,160
Speaker 3: and they were going back to heavy guitars, right.

644
00:34:48,280 --> 00:34:49,959
Speaker 4: They took I.

645
00:34:49,920 --> 00:34:52,120
Speaker 3: Think what you heard a little bit on In Through

646
00:34:52,120 --> 00:34:56,280
Speaker 3: the Outdoor with heavy keyboards, right, John Paul Jones's influence,

647
00:34:56,760 --> 00:34:59,600
Speaker 3: and they were going to add to that synthesizers like

648
00:34:59,640 --> 00:35:03,319
Speaker 3: in Care or Salambra in the evening, and they were

649
00:35:03,320 --> 00:35:06,240
Speaker 3: going to just bust it out with the guitars again.

650
00:35:06,880 --> 00:35:10,319
Speaker 3: And to me, it really got me excited for a

651
00:35:10,400 --> 00:35:13,839
Speaker 3: minute for what could have been. Oh yeah, because think

652
00:35:13,880 --> 00:35:18,480
Speaker 3: about it, you know sixty eight, you know, through In

653
00:35:18,560 --> 00:35:21,760
Speaker 3: Through the Outdoor in nineteen eighty, the band really rocked

654
00:35:22,239 --> 00:35:25,040
Speaker 3: really well. In Through the Outdoor was a different deal

655
00:35:26,520 --> 00:35:30,279
Speaker 3: tonically and to know that that's the direction they were

656
00:35:30,280 --> 00:35:33,000
Speaker 3: headed in, was to add the synthesizers from In through

657
00:35:33,000 --> 00:35:35,799
Speaker 3: the Outdoor, which we both loved that album totally, and

658
00:35:35,840 --> 00:35:39,440
Speaker 3: then you know, get back into you know, maybe a

659
00:35:39,480 --> 00:35:41,960
Speaker 3: great lick like a whole Lot of Love or heartbreaker

660
00:35:42,239 --> 00:35:43,960
Speaker 3: or communication.

661
00:35:43,360 --> 00:35:46,440
Speaker 4: To break down or something comes out of whatever's next.

662
00:35:46,480 --> 00:35:49,480
Speaker 3: But it would it would be wonderful to have heard,

663
00:35:50,239 --> 00:35:51,480
Speaker 3: you know, what could have happened.

664
00:35:51,480 --> 00:35:54,719
Speaker 4: I wonder if there are tapes, What if there's stuff.

665
00:35:54,480 --> 00:35:57,239
Speaker 3: That maybe they recorded and left on the cutting room

666
00:35:57,280 --> 00:35:59,600
Speaker 3: floor that we never got to hear.

667
00:36:00,480 --> 00:36:03,319
Speaker 1: More than likely yeah, because I don't think they would

668
00:36:03,360 --> 00:36:07,640
Speaker 1: be of an organization that would be releasing that stuff.

669
00:36:07,920 --> 00:36:12,040
Speaker 1: I don't feel like that's their mo unlike some other bands.

670
00:36:12,040 --> 00:36:14,200
Speaker 1: So I'm sure there's stuff sitting somewhere.

671
00:36:14,719 --> 00:36:17,400
Speaker 4: It would be amazing if they did. My question for

672
00:36:17,480 --> 00:36:19,279
Speaker 4: them would be why not.

673
00:36:20,680 --> 00:36:23,040
Speaker 3: You know, you can make a few bucks, you can

674
00:36:23,160 --> 00:36:25,920
Speaker 3: sit at the desk again, you can produce some led

675
00:36:26,000 --> 00:36:29,239
Speaker 3: Zeppelin music, which all of us would be new, And

676
00:36:29,239 --> 00:36:30,759
Speaker 3: how fun would that be if we can't get to

677
00:36:30,800 --> 00:36:33,279
Speaker 3: see them, If they're not going to take all the

678
00:36:33,320 --> 00:36:36,680
Speaker 3: money in the world, and let's face it there, and

679
00:36:36,760 --> 00:36:39,880
Speaker 3: I know firsthand that there was a a hell of

680
00:36:40,160 --> 00:36:45,000
Speaker 3: cat or to them to the two show in twenty twelve,

681
00:36:45,400 --> 00:36:49,160
Speaker 3: and know it from Rich Creswick and Brian Kabasnik who

682
00:36:49,200 --> 00:36:51,320
Speaker 3: were there, who were part of that group of folks

683
00:36:51,360 --> 00:36:56,120
Speaker 3: that were round them during that time that said basically,

684
00:36:56,239 --> 00:36:59,800
Speaker 3: name your price, and they wouldn't do it to continue

685
00:36:59,840 --> 00:37:00,120
Speaker 3: on on.

686
00:37:01,360 --> 00:37:03,879
Speaker 2: I don't think Robert Plant's going to budget there you go.

687
00:37:04,000 --> 00:37:04,600
Speaker 4: No, he's not.

688
00:37:04,719 --> 00:37:09,080
Speaker 3: Nineteen seventy three, Bowie retired, Ziggy Star US Farewell costic

689
00:37:09,080 --> 00:37:11,359
Speaker 3: film release and the Last Story of the Day had

690
00:37:11,360 --> 00:37:14,880
Speaker 3: a sad one. Two thousand and three October nineteenth, Ammy

691
00:37:14,880 --> 00:37:17,799
Speaker 3: Whitehouse released her debut album, Frank.

692
00:37:17,600 --> 00:37:20,080
Speaker 4: In the United Fingom.

693
00:37:20,520 --> 00:37:22,120
Speaker 2: We had a.

694
00:37:21,520 --> 00:37:22,480
Speaker 4: Bragick ending.

695
00:37:24,239 --> 00:37:25,279
Speaker 2: It sure did.

696
00:37:26,760 --> 00:37:27,279
Speaker 4: What a week?

697
00:37:27,360 --> 00:37:28,600
Speaker 2: I mean, I need a nap.

698
00:37:29,239 --> 00:37:29,960
Speaker 4: I'm exhaust.

699
00:37:30,000 --> 00:37:34,200
Speaker 3: I'm standing outside in lovely Docremento, California.

700
00:37:34,239 --> 00:37:36,200
Speaker 4: We're by the way. It's beautiful right.

701
00:37:36,120 --> 00:37:38,960
Speaker 3: Now as I do this, and I'm going a cigar

702
00:37:39,120 --> 00:37:40,880
Speaker 3: and I have some notes in front of me and

703
00:37:40,960 --> 00:37:43,000
Speaker 3: a cup of coffee and I'm just I'm in a

704
00:37:43,000 --> 00:37:43,880
Speaker 3: different spot.

705
00:37:43,600 --> 00:37:45,600
Speaker 4: Than I usually am at the Michigan desk.

706
00:37:47,120 --> 00:37:51,240
Speaker 1: So the great Day it's a great week, Harry, thank

707
00:37:51,239 --> 00:37:53,480
Speaker 1: you so much for this week in music history for

708
00:37:53,520 --> 00:37:56,879
Speaker 1: the week of October thirteenth through the nineteenth. And we

709
00:37:56,920 --> 00:38:00,320
Speaker 1: appreciate your work and we appreciate all you Liss listening

710
00:38:00,320 --> 00:38:01,920
Speaker 1: to the Take on a Walk podcast