1 00:00:02,840 --> 00:00:06,560 Speaker 1: Thirteen Days of Halloween is a production of iHeartRadio Blumhouse 2 00:00:06,600 --> 00:00:10,680 Speaker 1: Television and Grim and Mild from Aaron Mankey Headphones Recommended 3 00:00:11,000 --> 00:00:49,120 Speaker 1: listener discretion advised. Greetings friend, my deepest apologies for startling you. 4 00:00:49,800 --> 00:00:51,760 Speaker 1: I wanted to get the measure of you before you 5 00:00:51,840 --> 00:00:54,760 Speaker 1: knew I was looking. You can tell a lot about 6 00:00:54,760 --> 00:00:59,600 Speaker 1: a body when that body doesn't know it's being studied. Yes, yes, 7 00:00:59,680 --> 00:01:05,920 Speaker 1: of course, as you can at any rate. Come. I 8 00:01:06,000 --> 00:01:09,520 Speaker 1: hope that your journey wasn't too arduous. The weather here 9 00:01:09,600 --> 00:01:14,119 Speaker 1: can be rather unforgiving this time of year, though, truth 10 00:01:14,160 --> 00:01:18,280 Speaker 1: be told, I was never worried about you finding your way. 11 00:01:19,560 --> 00:01:22,920 Speaker 1: As they say here, all roads lead to the manner. 12 00:01:23,680 --> 00:01:26,280 Speaker 1: No matter where you roam, you will find this to 13 00:01:26,280 --> 00:01:33,119 Speaker 1: be true. This, my friend, is Hawthorn manner. I am 14 00:01:33,120 --> 00:01:41,160 Speaker 1: a scaretaker, the caretaker if you wish impressive, is it not? Ah? 15 00:01:41,200 --> 00:01:44,600 Speaker 1: I know that. Look well, my friend, you cannot fully 16 00:01:44,680 --> 00:01:48,560 Speaker 1: understand what it is that you are beholding. It's quite natural. 17 00:01:49,360 --> 00:01:54,520 Speaker 1: Hawthorn manner is something of an architectural anomaly, though austere, 18 00:01:54,720 --> 00:01:58,880 Speaker 1: even savagely so. At first glance, you cannot help but 19 00:01:59,000 --> 00:02:02,920 Speaker 1: notice the quiet. It's whimsy that seems to permeate the 20 00:02:02,960 --> 00:02:07,080 Speaker 1: structure by the coupola there at the apex of the 21 00:02:07,160 --> 00:02:11,520 Speaker 1: main wind, the dome thing on the roof with all 22 00:02:11,560 --> 00:02:14,359 Speaker 1: the windows. Who you see it. It was said to 23 00:02:14,440 --> 00:02:18,519 Speaker 1: have been constructed specifically for the daughter of the architect, 24 00:02:19,120 --> 00:02:23,239 Speaker 1: at first as a play room and then later as 25 00:02:23,240 --> 00:02:27,560 Speaker 1: her own infirmary. Some have reported seeing a shade past 26 00:02:27,600 --> 00:02:32,880 Speaker 1: the windows late at night, back and forth. Patient solitude 27 00:02:34,760 --> 00:02:38,240 Speaker 1: at any rate. Because of the strange blend of architectural 28 00:02:38,440 --> 00:02:42,800 Speaker 1: styles that this massive house possesses, it has the quality 29 00:02:42,840 --> 00:02:46,760 Speaker 1: of feeling both timeless and a standing outside of time. 30 00:02:47,960 --> 00:02:51,799 Speaker 1: Many say that the architect was a madman, but there 31 00:02:51,880 --> 00:02:59,720 Speaker 1: was method to it, all of it. Shall we abandoned? 32 00:03:00,480 --> 00:03:10,720 Speaker 1: Hope yee who enter here? Just kidding? Welcome home, my friend. 33 00:03:12,120 --> 00:03:17,120 Speaker 1: This place was built to last beyond its architect and 34 00:03:17,600 --> 00:03:21,760 Speaker 1: so it has. It may seem disorienting in first, glass 35 00:03:22,600 --> 00:03:27,720 Speaker 1: filled with strange twists and turns, Ceilings too high here, 36 00:03:27,960 --> 00:03:36,240 Speaker 1: too low there. Some rooms canadists, some claustrophobic, this is 37 00:03:36,280 --> 00:03:43,320 Speaker 1: my design. Some prefer grand halls, others quiet nooks. The 38 00:03:43,480 --> 00:03:49,080 Speaker 1: architect manifested this place as a refuge for all This 39 00:03:49,200 --> 00:03:54,160 Speaker 1: has been way station for countless Wario souls, a home 40 00:03:54,360 --> 00:03:59,960 Speaker 1: for those without destination. In time you two fight it familiar. 41 00:04:02,200 --> 00:04:05,240 Speaker 1: You will notice that this elevator is not part of 42 00:04:05,280 --> 00:04:12,440 Speaker 1: the original structure, but yet still oh so vintage. Now, 43 00:04:12,480 --> 00:04:14,840 Speaker 1: before we continue, and if I may be so bold, 44 00:04:15,160 --> 00:04:17,440 Speaker 1: I'd like for you to meet one of our other guests. 45 00:04:17,680 --> 00:04:22,640 Speaker 1: Any objections, I shall take your enigmatic silence as an 46 00:04:22,640 --> 00:04:29,320 Speaker 1: affirmative before your arrival. Soren was our resident neophite. He's 47 00:04:29,400 --> 00:04:35,240 Speaker 1: proven reluctant to indulge in the hotel's more extravagant offerings. 48 00:04:36,080 --> 00:04:40,719 Speaker 1: I don't know if it is inherent shyness or well, 49 00:04:41,480 --> 00:04:44,800 Speaker 1: perhaps your attentive demeanor is just what he needs to 50 00:04:44,839 --> 00:04:49,039 Speaker 1: come out of his shell. Oh yes, you two will 51 00:04:49,080 --> 00:04:54,680 Speaker 1: become fast friends. I can feel it before we enter. 52 00:04:54,839 --> 00:05:01,000 Speaker 1: I must warn you Soren is rather guarded trust issues. 53 00:05:02,000 --> 00:05:05,159 Speaker 1: It's honestly no wonder after what he's being through, but 54 00:05:05,320 --> 00:05:08,159 Speaker 1: I do imagine that he'll explain it all. I can't 55 00:05:08,160 --> 00:05:14,440 Speaker 1: wait for you two to meet Sorred, My dear, I 56 00:05:14,600 --> 00:05:20,280 Speaker 1: present you to our latest guest. Oh dear, all this 57 00:05:20,480 --> 00:05:25,840 Speaker 1: chattering and I haven't caught your name. Oh you don't 58 00:05:25,880 --> 00:05:31,880 Speaker 1: have one, no matter, my friend, meet sorn. I shall 59 00:05:31,920 --> 00:05:50,520 Speaker 1: return after you two have become acquainted albionto he said. 60 00:05:50,520 --> 00:06:00,560 Speaker 1: They harvest at night. He said he'd figured it out. 61 00:06:01,680 --> 00:06:03,960 Speaker 1: We could go about our business in the day, could 62 00:06:03,960 --> 00:06:07,200 Speaker 1: still walk in the sun, could keep on and besides, 63 00:06:07,800 --> 00:06:11,599 Speaker 1: the authorities had at coverage to be on the safe side. 64 00:06:12,240 --> 00:06:18,719 Speaker 1: He said he'd been preparing. I wasn't surprising. Dad was 65 00:06:18,720 --> 00:06:22,440 Speaker 1: always kind of a prepper. He and Mom had this 66 00:06:22,760 --> 00:06:25,280 Speaker 1: massive garden in the back, and I kept it for years. 67 00:06:26,080 --> 00:06:30,080 Speaker 1: The shelves and the pantry were a rainbow of summer colors, 68 00:06:30,120 --> 00:06:34,200 Speaker 1: caught and sealed in glass jars in case of a race, war, 69 00:06:34,360 --> 00:06:37,400 Speaker 1: or pandemic or whatever else the TV warned them off. 70 00:06:39,000 --> 00:06:42,760 Speaker 1: They had a freezer filled with meat chickens they raised, 71 00:06:43,440 --> 00:06:47,840 Speaker 1: plucked half a cow they bought from some service online, 72 00:06:47,880 --> 00:06:50,760 Speaker 1: and a generator to keep it all frozen solid should 73 00:06:50,800 --> 00:06:56,680 Speaker 1: the power grid fail. I asked Mom one time how 74 00:06:56,680 --> 00:06:59,040 Speaker 1: long they could hold out in case of the apocalypse, 75 00:06:59,040 --> 00:07:02,560 Speaker 1: and without pause, said, I could feed twelve people for 76 00:07:02,680 --> 00:07:05,480 Speaker 1: eight months before we had to start eating the freeze 77 00:07:05,560 --> 00:07:13,840 Speaker 1: dried stuff. She'd done them that. I think she told 78 00:07:13,840 --> 00:07:16,280 Speaker 1: me the freeze dried stuff would last another four months, 79 00:07:17,040 --> 00:07:19,320 Speaker 1: so here, I said, what happens at the end of 80 00:07:19,320 --> 00:07:24,880 Speaker 1: a year, She shrubbed, Well, let's hope it doesn't ever 81 00:07:24,920 --> 00:07:31,720 Speaker 1: come to that. Dad had guns, lots of guns, all 82 00:07:31,840 --> 00:07:35,240 Speaker 1: kinds and calibers. I mean, that's why I was there, 83 00:07:35,560 --> 00:07:37,520 Speaker 1: after all, I didn't have one of my own, and 84 00:07:37,600 --> 00:07:39,880 Speaker 1: my roommates had headed back to their own parents to 85 00:07:39,920 --> 00:07:45,600 Speaker 1: deal with the disturbance on their own terms. I wanted 86 00:07:45,640 --> 00:07:48,200 Speaker 1: to stay on at the apartment. The only thing worse 87 00:07:48,240 --> 00:07:51,320 Speaker 1: and dealing with global emergencies alone would be dealing with him, 88 00:07:51,360 --> 00:07:54,520 Speaker 1: with Dad knowingly glancing over at me every time a 89 00:07:54,600 --> 00:07:56,800 Speaker 1: news story told me that I was wrong and he 90 00:07:56,840 --> 00:08:00,680 Speaker 1: was right. They hated that I didn't want to come home, 91 00:08:00,720 --> 00:08:03,280 Speaker 1: but quit bugging me about it. When I finally agreed 92 00:08:03,320 --> 00:08:08,960 Speaker 1: to stop buying pick up a gun. He looked terrible. 93 00:08:12,680 --> 00:08:16,240 Speaker 1: The front yard was overgrown, the grass was long, and 94 00:08:16,280 --> 00:08:21,520 Speaker 1: the holly bushes were shaggy, and Dad matched unshaven, heron 95 00:08:21,640 --> 00:08:28,040 Speaker 1: kempt stinged sweatpants, an old undershirt and say it was clear. 96 00:08:28,040 --> 00:08:32,080 Speaker 1: He head and showered, but his eyes were still sharp. 97 00:08:32,480 --> 00:08:37,000 Speaker 1: They darted around outside before he pulled me in. Inside 98 00:08:37,080 --> 00:08:39,719 Speaker 1: was a wreck. We never let the house be a 99 00:08:39,720 --> 00:08:42,640 Speaker 1: wreck before. But I looked around at the kitchen, the 100 00:08:42,720 --> 00:08:45,680 Speaker 1: opened jars and cans that flies over, the dirty dishes 101 00:08:45,720 --> 00:08:48,840 Speaker 1: in the sink, and litter and grit everywhere, and I 102 00:08:49,000 --> 00:08:56,840 Speaker 1: just said Jesus, Jesus quietly, over and over, as Dad 103 00:08:56,920 --> 00:09:02,120 Speaker 1: stood nearby, looking at me up and down. Where's Mom? 104 00:09:02,240 --> 00:09:08,360 Speaker 1: I asked, and he said she's sleeping. All she seems 105 00:09:08,400 --> 00:09:12,800 Speaker 1: to do these days asleep, And when I asked if 106 00:09:12,800 --> 00:09:15,840 Speaker 1: her depression was back, he just sort of shrugged. I 107 00:09:15,920 --> 00:09:19,200 Speaker 1: promised myself that before I left, I could make sure 108 00:09:19,240 --> 00:09:21,600 Speaker 1: that she was still taking her medication. I didn't want 109 00:09:21,600 --> 00:09:23,360 Speaker 1: her to get as bad as she'd gotten when I 110 00:09:23,400 --> 00:09:25,120 Speaker 1: was in the eighth grade and couldn't get out of 111 00:09:25,160 --> 00:09:27,440 Speaker 1: bed for weeks at a time. But I wanted to 112 00:09:27,440 --> 00:09:31,280 Speaker 1: deal with the business in hand first, so I said, 113 00:09:32,520 --> 00:09:36,000 Speaker 1: can we look at the guns? And he just looked 114 00:09:36,040 --> 00:09:38,560 Speaker 1: back at me, confused, as if he'd never heard the 115 00:09:38,559 --> 00:09:46,400 Speaker 1: word before. The guns, I said, and he snapped, two, oh, yes, yes, 116 00:09:46,720 --> 00:09:54,880 Speaker 1: the guns. The guns, he said, almost wistfully, and then 117 00:09:54,920 --> 00:10:10,600 Speaker 1: he said, I want to show you something first. Growing up, 118 00:10:11,360 --> 00:10:14,880 Speaker 1: there's this grape backyard. You used to have kids from 119 00:10:14,920 --> 00:10:17,920 Speaker 1: all over the neighborhood. We played touch football or these 120 00:10:18,040 --> 00:10:22,920 Speaker 1: huge games of freeze tag barbecues in the summer. And 121 00:10:23,640 --> 00:10:28,000 Speaker 1: after nine eleven when they started watching the network, which 122 00:10:28,120 --> 00:10:30,839 Speaker 1: told them all of the damn time that people were 123 00:10:30,840 --> 00:10:33,959 Speaker 1: coming to get them. They want to convert your kids, 124 00:10:33,960 --> 00:10:36,600 Speaker 1: and they want to steal our money and wreck our culture. 125 00:10:36,640 --> 00:10:40,280 Speaker 1: Whoever the hell the enemy of the week was. That's 126 00:10:40,280 --> 00:10:43,720 Speaker 1: when they started planting the garden. The first summer, it 127 00:10:43,840 --> 00:10:47,400 Speaker 1: was small only really, it took up a corner of 128 00:10:47,440 --> 00:10:50,199 Speaker 1: the yard. But every year it grew larger and larger. 129 00:10:50,320 --> 00:10:54,680 Speaker 1: Tomatoes and oak ground and squash, cucumbers and greens and 130 00:10:54,800 --> 00:10:58,000 Speaker 1: green beans and onions and peppers, all of them diligently 131 00:10:58,080 --> 00:11:02,040 Speaker 1: pulled from the earth and canned and jarred and jellied. 132 00:11:03,160 --> 00:11:05,120 Speaker 1: By the time I graduated, there was nothing left of 133 00:11:05,200 --> 00:11:10,719 Speaker 1: the lawn, just vegetables and space to store vegetables. It 134 00:11:10,880 --> 00:11:15,840 Speaker 1: was their obsession be prepped when they came. Whoever they were, 135 00:11:17,960 --> 00:11:23,240 Speaker 1: I mean, I guess in a sense they were right. Anyway, 136 00:11:23,320 --> 00:11:26,360 Speaker 1: Dad wanted me to see a thing, so we walked 137 00:11:26,400 --> 00:11:29,880 Speaker 1: through the messy house towards the back door. That's when 138 00:11:29,880 --> 00:11:34,920 Speaker 1: he said they harvest at night. When I didn't say anything. 139 00:11:34,960 --> 00:11:38,000 Speaker 1: He went on, we can go about our business during 140 00:11:38,040 --> 00:11:40,839 Speaker 1: the day, but at night they harvest, so that's when 141 00:11:40,840 --> 00:11:43,400 Speaker 1: you want to stay safe indoors. All your know at 142 00:11:43,440 --> 00:11:45,839 Speaker 1: all friends think that they're immortal, think that they can 143 00:11:46,240 --> 00:11:49,400 Speaker 1: go wherever they want, whenever they want. But I'm telling you, 144 00:11:49,760 --> 00:11:55,520 Speaker 1: they harvest at night, so don't go out. Then I said, okay, 145 00:11:56,800 --> 00:12:00,080 Speaker 1: we'd stopped by the back door, and he turned and 146 00:12:00,120 --> 00:12:03,120 Speaker 1: looked me in the eye and got real close to 147 00:12:03,200 --> 00:12:14,120 Speaker 1: my face and said good. His breath was rancid, and 148 00:12:14,200 --> 00:12:17,920 Speaker 1: I told him so, but he just smiled and turned 149 00:12:17,920 --> 00:12:23,840 Speaker 1: and opened the back door. The garden was destroyed. What 150 00:12:23,960 --> 00:12:26,440 Speaker 1: hadn't been ripped up or rotted was going to seed. 151 00:12:27,720 --> 00:12:31,960 Speaker 1: Jesus Dad, I said again, what the hell happened with 152 00:12:32,000 --> 00:12:35,360 Speaker 1: you two? But he didn't answer, and just sort of 153 00:12:35,400 --> 00:12:38,320 Speaker 1: plodded forward and his dirty sweats right through the patch 154 00:12:38,320 --> 00:12:42,000 Speaker 1: where the grains used to be. Followed him. You didn't 155 00:12:42,000 --> 00:12:44,240 Speaker 1: turn around, but he said, just loudly enough for me 156 00:12:44,280 --> 00:12:48,400 Speaker 1: to hear. You can't trust anyone. They'll come knocking, and 157 00:12:48,440 --> 00:12:50,960 Speaker 1: they'll make their voices sweet and warm, and they'll sound 158 00:12:51,000 --> 00:12:52,760 Speaker 1: like the girl you liked when you were a kid. 159 00:12:52,880 --> 00:12:55,880 Speaker 1: Or your dead grandmother, and you'll be tempted to open 160 00:12:55,960 --> 00:12:59,440 Speaker 1: the door. But that's how they get you, begging and 161 00:12:59,559 --> 00:13:02,520 Speaker 1: pleaded and saying the sweetest things you can imagine to 162 00:13:02,559 --> 00:13:06,120 Speaker 1: get you out into the night. I hadn't really heard 163 00:13:06,160 --> 00:13:09,440 Speaker 1: any of this. I certainly hadn't experienced it myself, and 164 00:13:09,840 --> 00:13:11,559 Speaker 1: none of my friends had had a run in yet. 165 00:13:11,600 --> 00:13:13,400 Speaker 1: So I asked where he'd heard it, and had it 166 00:13:13,480 --> 00:13:17,960 Speaker 1: been on his program, because they weren't always on Trustworthy. 167 00:13:19,400 --> 00:13:22,600 Speaker 1: But he didn't answer me. He just stopped and placed 168 00:13:22,640 --> 00:13:25,000 Speaker 1: toward the back of the garden, where there was a 169 00:13:25,040 --> 00:13:28,960 Speaker 1: massive pile of fresh dirt and next to it a 170 00:13:29,120 --> 00:13:32,439 Speaker 1: massive hole in the ground with earthen steps leading down 171 00:13:32,440 --> 00:13:38,160 Speaker 1: into the darkness. I was gobsmacked. That's the word I 172 00:13:38,160 --> 00:13:39,920 Speaker 1: thought of at the time, and I think it's the 173 00:13:39,960 --> 00:13:44,120 Speaker 1: best one to use even now. I said, Jesus again 174 00:13:44,280 --> 00:13:47,160 Speaker 1: a habit by now, and then asked if he'd been 175 00:13:47,200 --> 00:13:51,680 Speaker 1: building a bunker. He turned and smiled and nodded so 176 00:13:51,800 --> 00:13:55,439 Speaker 1: proud of himself, and then like he just remembered, he said, 177 00:13:56,720 --> 00:13:59,839 Speaker 1: that's where the guns are, and then he started down 178 00:13:59,840 --> 00:14:03,720 Speaker 1: the earth and stares into the hole, and I followed 179 00:14:03,800 --> 00:14:09,560 Speaker 1: him down It was damp down there, and even though 180 00:14:09,559 --> 00:14:12,000 Speaker 1: the walls had been tamped so tightly that they looked 181 00:14:12,000 --> 00:14:14,640 Speaker 1: as smooth as concrete, I could feel the moisture they 182 00:14:14,679 --> 00:14:18,680 Speaker 1: seemed to breathe. It smelled like dirt and worms and decay, 183 00:14:18,800 --> 00:14:21,440 Speaker 1: and it went so far back the sun didn't seem 184 00:14:21,480 --> 00:14:25,240 Speaker 1: to reach. Dad just walked on in no flashlight, and 185 00:14:25,280 --> 00:14:27,640 Speaker 1: when I paused to let my eyes adjust, he chuckled 186 00:14:27,640 --> 00:14:32,920 Speaker 1: at me. It's fine, he said, They only harvest at night. 187 00:14:33,720 --> 00:14:37,320 Speaker 1: They lure you in with their sweet song and with promises, 188 00:14:37,360 --> 00:14:40,240 Speaker 1: and then they prick you and their venom freezes you, 189 00:14:40,360 --> 00:14:44,280 Speaker 1: and then they harvest. But they only harvest at night. 190 00:14:46,280 --> 00:14:48,360 Speaker 1: My eyes had started to adjust to the dark, and 191 00:14:48,440 --> 00:14:50,720 Speaker 1: I could see his figure there, next to the smaller 192 00:14:50,760 --> 00:14:55,160 Speaker 1: indentations in the wall, like little cubby holes filled with 193 00:14:55,400 --> 00:15:00,800 Speaker 1: jar after jar after jar from Mom's pantry. How long 194 00:15:00,840 --> 00:15:04,360 Speaker 1: did it take you to do this, I asked, and 195 00:15:04,400 --> 00:15:08,360 Speaker 1: I could see a shrug in response, and beckoned me 196 00:15:08,440 --> 00:15:12,800 Speaker 1: further in, And as I followed, I glanced at the 197 00:15:12,880 --> 00:15:17,040 Speaker 1: dark shape swirling in the jars. The guns are right 198 00:15:17,040 --> 00:15:20,160 Speaker 1: over there, he said, and he pointed to a freshly 199 00:15:20,240 --> 00:15:24,440 Speaker 1: dug cubby in the very back and said, take your pick. 200 00:15:25,440 --> 00:15:29,200 Speaker 1: So I walked past him and leaned in toward the cubby, 201 00:15:29,240 --> 00:15:32,240 Speaker 1: which was just a couple of feet wide, but I 202 00:15:32,240 --> 00:15:35,760 Speaker 1: couldn't see anything, and when I was turning to say so, 203 00:15:37,400 --> 00:15:39,320 Speaker 1: I felt the prick on the back of my neck. 204 00:15:40,760 --> 00:15:43,080 Speaker 1: So he yelped in surprise and turned. But before I 205 00:15:43,080 --> 00:15:46,920 Speaker 1: could get my bearings, my legs collapsed behind me, numb, 206 00:15:48,000 --> 00:15:51,760 Speaker 1: and Dad was standing over me, a silhouette, seeming huge 207 00:15:51,760 --> 00:15:56,480 Speaker 1: in the dim light. All of a sudden, they sound 208 00:15:56,560 --> 00:16:02,240 Speaker 1: like someone you trust, he said, leaning down, and his 209 00:16:02,440 --> 00:16:06,160 Speaker 1: breath smelt of earths and worms and decayed too, and 210 00:16:06,320 --> 00:16:09,080 Speaker 1: his eyes I could see them flash in the dark, 211 00:16:09,160 --> 00:16:11,960 Speaker 1: like a cat's eyes as he lifted a finger with 212 00:16:12,040 --> 00:16:16,080 Speaker 1: a long nail on it. When they came for your mother, 213 00:16:18,320 --> 00:16:22,640 Speaker 1: they sounded like her sister. I couldn't feel my arms now, 214 00:16:23,720 --> 00:16:26,200 Speaker 1: and the warmth and numbness was spreading up into my 215 00:16:26,320 --> 00:16:28,960 Speaker 1: jaw and scalp, and I wanted to close my eyes, 216 00:16:29,000 --> 00:16:31,600 Speaker 1: but I couldn't. Had just kept staring at his figure 217 00:16:31,600 --> 00:16:34,280 Speaker 1: as it seemed to slowly shift in the dim light. 218 00:16:35,680 --> 00:16:38,760 Speaker 1: When they came for your father, they sounded like you, 219 00:16:40,200 --> 00:16:42,240 Speaker 1: and he turned out toward the dim light of the 220 00:16:42,360 --> 00:16:46,320 Speaker 1: entrance far behind him. As I fought the arch to sleep, 221 00:16:47,560 --> 00:16:52,280 Speaker 1: my gaze drifted, and for a moment I looked into 222 00:16:52,320 --> 00:16:56,280 Speaker 1: my mother's eyes as they floated in a jar on 223 00:16:56,320 --> 00:17:03,320 Speaker 1: a nearby shelf. He said, m h, you should relax. 224 00:17:05,520 --> 00:17:10,840 Speaker 1: The evening is still a few hours away, and we 225 00:17:10,960 --> 00:17:53,960 Speaker 1: only harvested in night. Oh look at all the fun 226 00:17:54,040 --> 00:17:58,400 Speaker 1: we're having in here. I just knew you two would 227 00:17:58,440 --> 00:18:03,920 Speaker 1: get along swimmingly. Oh no, come with me, sare in. 228 00:18:04,359 --> 00:18:08,840 Speaker 1: We'll catch up with you later, dear heart. He is 229 00:18:08,960 --> 00:18:12,560 Speaker 1: a truly sweet young man. I've been attempting to persuade 230 00:18:12,600 --> 00:18:14,840 Speaker 1: him to see the good doctor about his cough, but 231 00:18:15,960 --> 00:18:19,040 Speaker 1: he'll have none of it. Maybe you could be of 232 00:18:19,080 --> 00:18:24,399 Speaker 1: service in that department. He really seemed to like you. Now. 233 00:18:25,240 --> 00:18:28,080 Speaker 1: There are hundreds of rooms here of the Hawthorne, but 234 00:18:28,240 --> 00:18:32,960 Speaker 1: this is perhaps the very finest, and it just so 235 00:18:33,119 --> 00:18:38,960 Speaker 1: happens to be your waters. Was it luck or fate 236 00:18:39,359 --> 00:18:45,879 Speaker 1: that placed you here? We'll never know. I trust that 237 00:18:45,920 --> 00:18:48,760 Speaker 1: you'll find everything to your liking, and if you don't, 238 00:18:49,160 --> 00:18:52,000 Speaker 1: notify me and I will make sure it is rectified. 239 00:18:52,760 --> 00:18:56,160 Speaker 1: It's all part of my role here as the caretaker. 240 00:18:58,320 --> 00:19:01,720 Speaker 1: You know your lack of verbal supplication is really breaking 241 00:19:01,720 --> 00:19:05,840 Speaker 1: down my sense of boundaries. I can trust you, right 242 00:19:07,640 --> 00:19:12,680 Speaker 1: of course I can. In these coming days, you may 243 00:19:12,720 --> 00:19:19,960 Speaker 1: notice that Hawthorne Manner has no shortage of oddities. I've 244 00:19:20,040 --> 00:19:24,639 Speaker 1: witnessed things myself that strain the belief. But there is 245 00:19:24,720 --> 00:19:29,439 Speaker 1: one strange legend that has truly become something of an obsession. 246 00:19:30,960 --> 00:19:35,960 Speaker 1: Supposedly that somewhere within these halls there is a hidden doorway. 247 00:19:37,160 --> 00:19:40,320 Speaker 1: If the tale of what looks on the other side 248 00:19:40,400 --> 00:19:44,159 Speaker 1: is to be believed, then gaining access would mean a 249 00:19:44,240 --> 00:19:51,960 Speaker 1: sort of ascenction beyond human imagination, true immortality. I have 250 00:19:52,040 --> 00:19:55,200 Speaker 1: come to understand that one of our guests knows how 251 00:19:55,240 --> 00:19:59,840 Speaker 1: to locate and open this door. Perhaps what they can 252 00:20:00,160 --> 00:20:03,960 Speaker 1: not saying to me, they will happily divulge to you. 253 00:20:05,760 --> 00:20:09,400 Speaker 1: I have a feeling your quiet fortitude will lure them 254 00:20:09,400 --> 00:20:14,639 Speaker 1: into a sense of intimacy. It has certainly worked on me. 255 00:20:16,760 --> 00:20:21,280 Speaker 1: Please make yourself at home. After all, this is it, 256 00:20:23,480 --> 00:20:28,399 Speaker 1: there are so many others. I cannot wait for you 257 00:20:28,520 --> 00:20:35,440 Speaker 1: to meet very well until tomorrow on behalf of Hawthorn 258 00:20:35,560 --> 00:20:58,000 Speaker 1: Manner at you, my friend. Thirteen Days of Halloween was 259 00:20:58,040 --> 00:21:01,560 Speaker 1: created by Matt Frederick and Alex Williams and executive produced 260 00:21:01,600 --> 00:21:05,119 Speaker 1: by Aaron Manky, starring Keegan Michael Key as the caretaker. 261 00:21:06,040 --> 00:21:09,240 Speaker 1: Today's story was written and performed by Nicholas Dakowski and 262 00:21:09,400 --> 00:21:12,520 Speaker 1: directed by Matt Frederick, with editing and sound designed by 263 00:21:12,560 --> 00:21:20,840 Speaker 1: Alex Williams. Only twelve days remain Tomorrow another story. He 264 00:21:21,040 --> 00:21:25,080 Speaker 1: started sleeping with that thing on, lighting up our bedroom 265 00:21:25,119 --> 00:21:28,000 Speaker 1: and didn't bother me at first, But after about a 266 00:21:28,040 --> 00:21:30,080 Speaker 1: week I woke up in the middle of the night 267 00:21:30,119 --> 00:21:33,479 Speaker 1: to go pee and I found him there, curls up 268 00:21:33,480 --> 00:21:37,600 Speaker 1: on the floor, nestles up against the wall and nikelahotha nightlight. 269 00:21:39,320 --> 00:21:43,160 Speaker 1: It just got worse from there. He insisted on sleeping 270 00:21:43,200 --> 00:21:46,159 Speaker 1: with all the overhead lights on too, keet the closet 271 00:21:46,200 --> 00:21:48,239 Speaker 1: doors up, and all the time tape the windows up 272 00:21:48,280 --> 00:21:52,360 Speaker 1: to get the night time out. I thought he was crazy, 273 00:21:52,720 --> 00:21:58,520 Speaker 1: I really did. The problem was he wasn't crazy enough. 274 00:22:03,000 --> 00:22:07,160 Speaker 1: Thirteen Days of Halloween is a production of iHeartRadio, Blumhouse Television, 275 00:22:07,280 --> 00:22:10,400 Speaker 1: and Grimm and Mild from Aaron Manke. For more podcasts 276 00:22:10,440 --> 00:22:14,600 Speaker 1: from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever 277 00:22:14,720 --> 00:22:17,520 Speaker 1: you listen to your favorite shows and learn more about 278 00:22:17,560 --> 00:22:26,159 Speaker 1: Thirteen Days of Halloween at grimm dmild dot com