1
00:00:00,480 --> 00:00:05,440
Speaker 1: Wake that ass up in the morning. Breakfast Club Morning,

2
00:00:05,440 --> 00:00:09,160
Speaker 1: Everybody is the j n V. Just hilarious. Chelamaine the guy.

3
00:00:09,240 --> 00:00:11,080
Speaker 1: We are the Breakfast Club. We got a special guest

4
00:00:11,119 --> 00:00:11,640
Speaker 1: in the building.

5
00:00:11,680 --> 00:00:14,800
Speaker 2: That's right. The other new Netflix special, New Netflix Stand

6
00:00:14,920 --> 00:00:18,400
Speaker 2: Up Special plus is just a very very great story man,

7
00:00:18,960 --> 00:00:20,840
Speaker 2: Keith Robinson, what's happening?

8
00:00:20,880 --> 00:00:22,439
Speaker 1: And the Netflix special is different strokes.

9
00:00:22,520 --> 00:00:25,440
Speaker 3: That's right, Keith Robinson Bocos, Yes, sir, how are.

10
00:00:25,360 --> 00:00:26,160
Speaker 1: You feeling this morning?

11
00:00:26,160 --> 00:00:30,319
Speaker 3: Brother? I'm feeling good man. I'm doing my thing. I'm

12
00:00:30,400 --> 00:00:35,320
Speaker 3: driveling here, almost getting into mind the whole fights in

13
00:00:35,400 --> 00:00:35,800
Speaker 3: a car?

14
00:00:36,240 --> 00:00:37,159
Speaker 2: Who is you fighting with?

15
00:00:38,200 --> 00:00:40,960
Speaker 3: I'm a car, you know what I mean? And a

16
00:00:41,080 --> 00:00:44,840
Speaker 3: guy rolled past me and almost hit my damn car.

17
00:00:45,920 --> 00:00:48,279
Speaker 3: You know, I'm like, you know, what's up? But I

18
00:00:48,360 --> 00:00:53,800
Speaker 3: know I can't. I can't fight, So I was just

19
00:00:53,880 --> 00:00:55,920
Speaker 3: hoping he ain't get out the car. You know, I'm like,

20
00:00:56,000 --> 00:00:59,440
Speaker 3: what's up? And I told him get out the car?

21
00:01:00,040 --> 00:01:01,000
Speaker 4: Why would you say that?

22
00:01:01,280 --> 00:01:05,800
Speaker 3: Because it felt good the same you know, well you

23
00:01:05,840 --> 00:01:09,080
Speaker 3: know it does feel good. Yeah, well, you know it

24
00:01:09,200 --> 00:01:14,520
Speaker 3: seemed like blacker. So I was hoping, man, what's the plaquer?

25
00:01:14,600 --> 00:01:15,360
Speaker 2: Like a decalism?

26
00:01:15,400 --> 00:01:15,840
Speaker 1: Handicap.

27
00:01:16,640 --> 00:01:19,080
Speaker 3: Okay, okay, handicin Yeah, de count.

28
00:01:20,640 --> 00:01:22,200
Speaker 1: Called a handicap, decal handy cap.

29
00:01:22,200 --> 00:01:22,400
Speaker 3: Black.

30
00:01:22,800 --> 00:01:25,280
Speaker 2: Oh ain't a black blacker? Yeah, yeah, I used to.

31
00:01:25,319 --> 00:01:26,480
Speaker 2: I ain't gonna say I used to have one, but

32
00:01:26,520 --> 00:01:28,520
Speaker 2: you or nothing? Then somebody would give me one.

33
00:01:28,959 --> 00:01:32,119
Speaker 1: Yeah, he definitely did.

34
00:01:32,480 --> 00:01:37,840
Speaker 2: Definitely get a good parking space. You know, if you

35
00:01:37,840 --> 00:01:40,880
Speaker 2: have an amazing story, you're clearly here for a real reason.

36
00:01:40,959 --> 00:01:45,479
Speaker 2: Because you survived having a stroke twice. Yes, I started

37
00:01:45,480 --> 00:01:48,520
Speaker 2: this day. You survived multiple strokes, but that's not the gate.

38
00:01:48,680 --> 00:01:51,680
Speaker 2: So so you survived having a stroke twice.

39
00:01:51,800 --> 00:01:55,120
Speaker 3: Yes, the first one I wasn't in the film too.

40
00:01:55,160 --> 00:01:57,960
Speaker 3: Then you know what I mean. I'm like, man, this stroke, man,

41
00:01:59,080 --> 00:02:01,760
Speaker 3: and then number one one more and I'll know for

42
00:02:01,800 --> 00:02:07,280
Speaker 3: sure him Man, he's.

43
00:02:07,200 --> 00:02:14,520
Speaker 1: Looking so so the first stroke that you got, what happened?

44
00:02:14,560 --> 00:02:17,040
Speaker 1: What were you? And did they know why? Or is it?

45
00:02:17,360 --> 00:02:21,440
Speaker 3: Yes? It was my fault, both strokes? Was my fault?

46
00:02:21,720 --> 00:02:24,760
Speaker 2: Was it your lifestyle? I read that you said you

47
00:02:24,800 --> 00:02:25,440
Speaker 2: took biagra?

48
00:02:25,919 --> 00:02:32,320
Speaker 3: Absolutely? Who don't take bagla only you're only fifty key,

49
00:02:32,440 --> 00:02:36,960
Speaker 3: I'm not fifty. Oh you don't worry about it. I'm annoying.

50
00:02:37,400 --> 00:02:42,200
Speaker 3: I'm annoying, calmly for forty years. Damn okay, I'm forty five,

51
00:02:43,720 --> 00:02:46,280
Speaker 3: get to now close to sixty?

52
00:02:46,400 --> 00:02:49,600
Speaker 2: Yes, okay, got you. So when you start taking.

53
00:02:49,440 --> 00:02:52,400
Speaker 3: Bagra, I was, man, I want to choke Viagara and

54
00:02:52,480 --> 00:02:56,480
Speaker 3: falling twenty huh if I was twenty years old, I

55
00:02:56,480 --> 00:03:00,000
Speaker 3: want to took Why because in an it's enhancement.

56
00:03:03,160 --> 00:03:04,320
Speaker 1: I don't gonna keep joking that.

57
00:03:05,280 --> 00:03:06,040
Speaker 3: I'm not joking.

58
00:03:06,040 --> 00:03:07,760
Speaker 2: I heard the bagger story, befo. I heard that you

59
00:03:07,760 --> 00:03:09,120
Speaker 2: said you took a bagger. I said, what led to

60
00:03:09,160 --> 00:03:09,519
Speaker 2: a stroke?

61
00:03:09,880 --> 00:03:14,799
Speaker 3: Yeah that's true. No, well maybe maybe I was a

62
00:03:15,160 --> 00:03:23,200
Speaker 3: hands on. What happened on like twenty twenty November twenty third,

63
00:03:23,320 --> 00:03:25,440
Speaker 3: right there, Thanksgimming.

64
00:03:25,480 --> 00:03:27,000
Speaker 1: So we were in COVID during that time.

65
00:03:27,120 --> 00:03:31,080
Speaker 3: Yes, this girl wanted me to come under aaronsoner. So

66
00:03:31,840 --> 00:03:35,400
Speaker 3: you know, man, can't mess down on that. I'm wanting

67
00:03:35,400 --> 00:03:40,160
Speaker 3: this girl for twenty years. So I decided they go

68
00:03:40,440 --> 00:03:46,480
Speaker 3: let me go to aaronsoner and Thing nine ship every

69
00:03:46,520 --> 00:03:49,560
Speaker 3: time I leave the house. I checked my blood pressure

70
00:03:50,520 --> 00:03:55,360
Speaker 3: this time, and then I get on the flight first class.

71
00:03:55,400 --> 00:03:58,720
Speaker 3: Of course you know I'm not going you know, to

72
00:03:58,840 --> 00:03:59,960
Speaker 3: it stroking.

73
00:04:00,120 --> 00:04:02,440
Speaker 1: Before you go to that floor. Shut up.

74
00:04:02,800 --> 00:04:04,560
Speaker 4: That's no, no, let.

75
00:04:04,440 --> 00:04:06,120
Speaker 2: Him right go ahead.

76
00:04:06,240 --> 00:04:07,880
Speaker 5: That was ask because you said you check your blood

77
00:04:07,880 --> 00:04:10,320
Speaker 5: press every time? Why why do you check your blood press.

78
00:04:10,120 --> 00:04:12,520
Speaker 3: Every time to make sure? You know what I mean?

79
00:04:12,880 --> 00:04:15,119
Speaker 3: It's right, okay, it's regularly.

80
00:04:15,200 --> 00:04:17,799
Speaker 2: I checked mine yesterday because I take I take a Staton,

81
00:04:17,960 --> 00:04:19,599
Speaker 2: you know, and and I had high blood pressures. I

82
00:04:19,600 --> 00:04:21,080
Speaker 2: take my regular regular too.

83
00:04:21,320 --> 00:04:24,400
Speaker 3: Yeah, so winning and popping and take So I want

84
00:04:24,400 --> 00:04:28,120
Speaker 3: to flight when I'm drinking, you know, first class, and

85
00:04:28,120 --> 00:04:29,320
Speaker 3: give me all the good stuff.

86
00:04:29,400 --> 00:04:30,960
Speaker 2: You took a bag before you got on the plane.

87
00:04:31,000 --> 00:04:36,560
Speaker 3: Now, okay, okay, I'm drinking, drinking, drinking. I'm drunk, all right,

88
00:04:36,640 --> 00:04:45,520
Speaker 3: I'm drunk. Twenty minutes, twenty minutes now flying uh with

89
00:04:45,720 --> 00:04:49,160
Speaker 3: a guy that fly the plane and violid the folly him.

90
00:04:49,960 --> 00:04:53,360
Speaker 3: They made an announcement man, he said, twenty minutes and

91
00:04:53,400 --> 00:04:55,960
Speaker 3: left in the flying and I know it was ten

92
00:04:56,000 --> 00:04:59,359
Speaker 3: minutes of the girl to the girl's house touring on

93
00:04:59,480 --> 00:05:05,000
Speaker 3: thirty minut this you get it? What takes thirty minutes

94
00:05:05,040 --> 00:05:08,920
Speaker 3: to kick in? You pop that vi pop that boy

95
00:05:09,640 --> 00:05:13,200
Speaker 3: born and landing. I was a little dizzy, you know

96
00:05:13,240 --> 00:05:18,160
Speaker 3: what I mean. I was like, oh ship and I

97
00:05:18,279 --> 00:05:21,760
Speaker 3: getting over I'm like, oh man, my heart's beating fast

98
00:05:21,800 --> 00:05:25,480
Speaker 3: and all that, and I'm like, okay, I have to

99
00:05:25,480 --> 00:05:29,640
Speaker 3: make this decision. Shall I go to the girl's house

100
00:05:30,520 --> 00:05:34,520
Speaker 3: and get lame? I shall go to the hospital and

101
00:05:34,640 --> 00:05:39,880
Speaker 3: then so of course I'm knocking on the girl's door.

102
00:05:41,760 --> 00:05:48,159
Speaker 3: Huh to man, I.

103
00:05:48,200 --> 00:05:50,240
Speaker 2: Know you did it. You chose.

104
00:05:53,040 --> 00:05:54,600
Speaker 1: So you had it. You had a stroke at her house?

105
00:05:55,680 --> 00:05:59,920
Speaker 3: Well, I had two strokes her, you know, and one

106
00:06:00,160 --> 00:06:07,360
Speaker 3: stroke and half a stroke, and I got a couple

107
00:06:07,440 --> 00:06:09,280
Speaker 3: of pumps before.

108
00:06:12,160 --> 00:06:16,039
Speaker 1: Not that stroke. So you had the physical stroke, no

109
00:06:16,160 --> 00:06:17,200
Speaker 1: physical stroke, sir.

110
00:06:17,480 --> 00:06:26,800
Speaker 3: Yes, there you go. No, I mean I was chilling

111
00:06:27,320 --> 00:06:31,040
Speaker 3: and I'm spending the night. Damn well. When I woke up,

112
00:06:31,160 --> 00:06:36,680
Speaker 3: I couldn't walk. So they called the Amblets one time

113
00:06:36,720 --> 00:06:40,760
Speaker 3: a hospital, and for some reason I felt a little better,

114
00:06:41,680 --> 00:06:47,640
Speaker 3: and I flew back to New York. And that's when

115
00:06:47,640 --> 00:06:48,640
Speaker 3: I want the hospital.

116
00:06:49,080 --> 00:06:51,320
Speaker 2: So did they tell you when you were in Arizona

117
00:06:51,400 --> 00:06:54,280
Speaker 2: that you had just gotten the stroke and you still

118
00:06:54,320 --> 00:06:55,360
Speaker 2: got on a plane that flew back.

119
00:06:55,839 --> 00:06:56,920
Speaker 3: I'm Hawaiian man.

120
00:06:57,279 --> 00:07:01,200
Speaker 2: Listen, you know T K Kirkling and Sherry Sheppard. I

121
00:07:01,240 --> 00:07:04,240
Speaker 2: heard it with TK first. TK tells the joke. It's

122
00:07:04,279 --> 00:07:05,960
Speaker 2: not even really a joke. It's actually real. He was like,

123
00:07:06,080 --> 00:07:07,560
Speaker 2: the old do we get you need to be with

124
00:07:07,600 --> 00:07:10,720
Speaker 2: a woman that can recognize the signs of a stroke.

125
00:07:11,440 --> 00:07:14,280
Speaker 2: Did the woman you was with recognize the signs of

126
00:07:14,320 --> 00:07:14,760
Speaker 2: a stroke?

127
00:07:15,280 --> 00:07:21,120
Speaker 3: No, not at all. No, no, but I have one

128
00:07:21,160 --> 00:07:24,800
Speaker 3: who one of them recognized it. But I'll flow out

129
00:07:24,880 --> 00:07:30,160
Speaker 3: to him, you know, come on, man, And that's real thing.

130
00:07:32,120 --> 00:07:36,040
Speaker 3: Every man and I know has put that life on

131
00:07:36,240 --> 00:07:37,720
Speaker 3: rent one way.

132
00:07:38,080 --> 00:07:43,880
Speaker 2: Or another to get some when we were kids. No, no, no, ok, thirties.

133
00:07:43,760 --> 00:07:51,040
Speaker 3: Yeah, it's you know, like I remember, sold nothing right,

134
00:07:51,760 --> 00:07:54,920
Speaker 3: I want to rent and I on housing projects and

135
00:07:55,080 --> 00:07:59,360
Speaker 3: one in the morning. And at that time in the anies,

136
00:07:59,800 --> 00:08:04,360
Speaker 3: weren allen low. There's a night and you're going in

137
00:08:04,480 --> 00:08:08,880
Speaker 3: at that time in the morning. There's ninety nine percent

138
00:08:09,200 --> 00:08:14,520
Speaker 3: chance you get rob m mean or work. But that

139
00:08:14,640 --> 00:08:18,880
Speaker 3: one percent was all I need. I'm going, you know,

140
00:08:19,320 --> 00:08:23,240
Speaker 3: so we all do stupid stuff. This was domb I

141
00:08:23,360 --> 00:08:27,000
Speaker 3: have nothing until on COVID, and I want to like dumb.

142
00:08:27,480 --> 00:08:29,480
Speaker 1: So did she think she put it on you so bad?

143
00:08:29,520 --> 00:08:32,040
Speaker 1: That's why you could get out of the bed. That what

144
00:08:32,080 --> 00:08:32,400
Speaker 1: she thought?

145
00:08:32,440 --> 00:08:36,080
Speaker 3: Though? No, no, no, she's a one whatever.

146
00:08:36,840 --> 00:08:38,400
Speaker 1: But you don't speak to her anymore.

147
00:08:39,200 --> 00:08:41,920
Speaker 3: Yes, you still speak to and tell him coming back.

148
00:08:43,720 --> 00:08:49,520
Speaker 3: I'm coming back one more time to make sure and

149
00:08:49,679 --> 00:08:54,680
Speaker 3: no stroke this time. You're still sucking absolutely okay, I'm

150
00:08:54,679 --> 00:08:55,880
Speaker 3: still probably blues.

151
00:08:56,040 --> 00:08:57,439
Speaker 4: No, man, cut it out.

152
00:08:57,520 --> 00:08:58,640
Speaker 3: Key.

153
00:08:59,080 --> 00:09:00,880
Speaker 1: Did the doctor say the vice Act was the reason?

154
00:09:01,200 --> 00:09:03,920
Speaker 3: No, No, he ain't.

155
00:09:03,960 --> 00:09:05,880
Speaker 1: No hand ain't telling him.

156
00:09:05,880 --> 00:09:09,360
Speaker 3: I ain't telling him, dogy man. One thing, the fucking.

157
00:09:10,840 --> 00:09:12,520
Speaker 1: You need the alcohol? You did every ding?

158
00:09:12,720 --> 00:09:15,360
Speaker 3: Yes, so I don't know what it why.

159
00:09:16,640 --> 00:09:19,200
Speaker 2: It probably could have been lifestyle leading up to that,

160
00:09:19,760 --> 00:09:20,719
Speaker 2: eating not eating right.

161
00:09:21,000 --> 00:09:26,360
Speaker 3: No, I mean before I've a box I'm boxing, gym

162
00:09:26,760 --> 00:09:30,839
Speaker 3: boxing for a long fan. I'm boxed him too, but

163
00:09:31,400 --> 00:09:35,280
Speaker 3: one train for selling. I've seen it there a couple

164
00:09:35,280 --> 00:09:36,520
Speaker 3: of times, and you.

165
00:09:36,480 --> 00:09:38,840
Speaker 4: Know, getting as kick you don't get his ask kicked.

166
00:09:38,880 --> 00:09:46,120
Speaker 3: I seen him heavy man, Okay, one and good. But

167
00:09:46,320 --> 00:09:50,120
Speaker 3: that was then in the first fund I called when

168
00:09:50,160 --> 00:09:51,079
Speaker 3: I'm in the hospital.

169
00:09:52,720 --> 00:09:53,520
Speaker 2: Can okay?

170
00:09:53,520 --> 00:09:55,280
Speaker 4: Because you are for people who don't know.

171
00:09:55,480 --> 00:09:57,199
Speaker 2: If you know anything about Kevin Hart, if you read

172
00:09:57,240 --> 00:10:00,360
Speaker 2: Kevin Hart's books, you know that Keith Robinson is a

173
00:10:00,440 --> 00:10:03,319
Speaker 2: mentor Kevin Hart. You call him a little dumb.

174
00:10:03,160 --> 00:10:08,520
Speaker 3: Ass, Yeah, little dummy. So I called him up and

175
00:10:08,600 --> 00:10:15,840
Speaker 3: I told this on Mark Twain Award. I call Can, like, man,

176
00:10:16,240 --> 00:10:20,120
Speaker 3: they're gonna put me in the COVID section and can

177
00:10:20,160 --> 00:10:22,440
Speaker 3: who know how to board showing the best of them?

178
00:10:22,760 --> 00:10:26,839
Speaker 3: Oh no they won't. No, they're not. Let me make

179
00:10:26,920 --> 00:10:31,720
Speaker 3: this call. Yeah, that's talking about and he hung out,

180
00:10:32,480 --> 00:10:34,880
Speaker 3: Wait a minute, who the fuck is he gonna call

181
00:10:36,720 --> 00:10:41,280
Speaker 3: doctor foux well talking about? So I ended up in

182
00:10:41,280 --> 00:10:44,160
Speaker 3: in the COVID section. I ain't there from Kevin until

183
00:10:44,200 --> 00:10:46,440
Speaker 3: I got out of the covid hilarious, and.

184
00:10:46,520 --> 00:10:49,600
Speaker 4: I was like, God, damn, Now you are a mentor

185
00:10:49,600 --> 00:10:50,160
Speaker 4: to Kevin Hart?

186
00:10:50,200 --> 00:10:53,120
Speaker 2: What did you see in Kevin early that that maybe

187
00:10:53,160 --> 00:10:54,240
Speaker 2: everybody sees now?

188
00:10:56,280 --> 00:11:00,560
Speaker 3: And took a while, but I asked can, I told

189
00:11:00,720 --> 00:11:05,120
Speaker 3: Cas should I say? He got it in the video tape?

190
00:11:06,040 --> 00:11:15,719
Speaker 3: So he made me like, um, sixteen video tapes Like

191
00:11:16,120 --> 00:11:20,000
Speaker 3: I'm like, no, no, no, But I found him wrong.

192
00:11:20,280 --> 00:11:23,760
Speaker 3: That one was a ship. I said, this guy can

193
00:11:23,840 --> 00:11:29,520
Speaker 3: mean something, and uh, I put uh when we did

194
00:11:29,559 --> 00:11:34,400
Speaker 3: that tape and and started going around and a guy

195
00:11:34,480 --> 00:11:40,120
Speaker 3: named Dave Vitel gave the tape to him. Dave Becky

196
00:11:41,240 --> 00:11:44,360
Speaker 3: and Dame Becky had seen that tape and that was

197
00:11:44,559 --> 00:11:49,360
Speaker 3: beginning a little dummy and he stopped going up and

198
00:11:49,440 --> 00:11:52,280
Speaker 3: nothing and not and and boom.

199
00:11:52,320 --> 00:11:53,560
Speaker 2: So you knew he was gonna be a stuff.

200
00:11:55,280 --> 00:11:58,679
Speaker 3: You never know, but I was like, this guy has

201
00:11:58,760 --> 00:12:02,280
Speaker 3: something special. And then people were like when if you

202
00:12:02,360 --> 00:12:05,280
Speaker 3: want to talk about calv and all that, he had

203
00:12:05,320 --> 00:12:10,560
Speaker 3: to work, come around all the comics, mean streets O'Neill

204
00:12:11,440 --> 00:12:16,840
Speaker 3: or he had to work. We gave him help, you know,

205
00:12:16,920 --> 00:12:19,920
Speaker 3: we were telling him to get on stage. They weren't

206
00:12:20,000 --> 00:12:24,679
Speaker 3: throw books at him and throw books like.

207
00:12:26,200 --> 00:12:28,679
Speaker 1: Yeah he got two yellow pages that.

208
00:12:30,000 --> 00:12:34,559
Speaker 3: Yes, so cal went through hell, he drove up and

209
00:12:34,600 --> 00:12:39,960
Speaker 3: down the turnpink me. We're sleeping hand and hand almost.

210
00:12:40,920 --> 00:12:42,040
Speaker 3: Cavin put the work in.

211
00:12:43,960 --> 00:12:45,520
Speaker 1: Do you feel like comedians put the work in like that?

212
00:12:45,600 --> 00:12:45,760
Speaker 2: Now?

213
00:12:47,559 --> 00:12:52,480
Speaker 3: Uh No? Because the internet it's easy just to go

214
00:12:52,600 --> 00:12:56,600
Speaker 3: on the internet. We ain't go on the internet now,

215
00:12:56,880 --> 00:13:02,800
Speaker 3: you know. That makes it a lot easy. And you know,

216
00:13:05,000 --> 00:13:07,520
Speaker 3: like I've been listening to you guys a lot with

217
00:13:07,679 --> 00:13:10,640
Speaker 3: a comics so on and all that, and a lot

218
00:13:10,679 --> 00:13:14,240
Speaker 3: of comics like I know bomb, I know bomb, Well,

219
00:13:14,320 --> 00:13:20,960
Speaker 3: we don't bomb. You're probably a joke, thief or a hack,

220
00:13:22,480 --> 00:13:28,040
Speaker 3: but coming is a continual experiment. You're try and ship

221
00:13:28,120 --> 00:13:34,000
Speaker 3: out and you can be good if you're afraid to

222
00:13:34,080 --> 00:13:41,040
Speaker 3: be mad. And that's how that's old school. But olde

223
00:13:41,120 --> 00:13:46,600
Speaker 3: is always classic, and classic is what works. You've gotta

224
00:13:46,720 --> 00:13:50,160
Speaker 3: work out, you know. And I feel like a lot

225
00:13:50,200 --> 00:13:54,880
Speaker 3: of comics just making funny face on the Internet and

226
00:13:54,960 --> 00:13:59,800
Speaker 3: get thousands of views and they, you know, become to money.

227
00:14:00,240 --> 00:14:02,439
Speaker 2: You know, it's interesting you talked about driving up and

228
00:14:02,480 --> 00:14:04,680
Speaker 2: down the turnpike, you know with keV. Kevin talks about

229
00:14:04,679 --> 00:14:07,400
Speaker 2: that and his uh, his first book. You know, you

230
00:14:07,440 --> 00:14:10,040
Speaker 2: can't make this up. When you heard, you know, Kat

231
00:14:10,080 --> 00:14:12,920
Speaker 2: Williams say that basically Kevin didn't put the work in

232
00:14:13,000 --> 00:14:15,040
Speaker 2: Nobody who keV was in La California.

233
00:14:15,320 --> 00:14:17,000
Speaker 4: What did you think about that? Being that you were

234
00:14:17,040 --> 00:14:17,719
Speaker 4: there from the.

235
00:14:17,880 --> 00:14:20,920
Speaker 3: Right, I was there from him again and and you

236
00:14:20,960 --> 00:14:28,000
Speaker 3: know I knew that just wanting that makes sense. keV

237
00:14:28,440 --> 00:14:32,560
Speaker 3: had to put them works, not main sure, then like

238
00:14:32,760 --> 00:14:36,080
Speaker 3: you have Matris and all Phil Barring, all them around

239
00:14:36,120 --> 00:14:40,480
Speaker 3: you rinch Falls, you know, Colin Quinton, you got him

240
00:14:40,520 --> 00:14:45,400
Speaker 3: putting them work. And you know a lot of you

241
00:14:45,400 --> 00:14:50,560
Speaker 3: don't realize they had Montreal and that's the Lion's Bank.

242
00:14:50,640 --> 00:14:55,560
Speaker 3: Then you're going to Montreal and you're gonna deal. Like

243
00:14:56,240 --> 00:15:00,640
Speaker 3: Chappelle got a lot of deals on a Montreal. I

244
00:15:00,760 --> 00:15:03,760
Speaker 3: got a deal a lot of Montreal, you know. So

245
00:15:04,440 --> 00:15:08,160
Speaker 3: when Caen went to Montreal, he got a deal. That's

246
00:15:08,200 --> 00:15:11,520
Speaker 3: where that came from. And that's when you get the money.

247
00:15:11,880 --> 00:15:17,520
Speaker 3: And all of agents and execs are there from Disney

248
00:15:17,760 --> 00:15:22,200
Speaker 3: or m mec AMC. And that's how that works. And

249
00:15:22,440 --> 00:15:26,280
Speaker 3: I think Kat knows how it works, you know. And

250
00:15:26,360 --> 00:15:31,760
Speaker 3: you know, but cav like from sure, but a lot

251
00:15:31,840 --> 00:15:32,240
Speaker 3: of work.

252
00:15:32,680 --> 00:15:34,560
Speaker 2: What do you say to people who said Kevin tried

253
00:15:34,560 --> 00:15:37,640
Speaker 2: to sacrifice you twice for the illuminati to gain more.

254
00:15:37,520 --> 00:15:42,720
Speaker 3: Successful illuminati And that is the dumbest shit I've ever heard.

255
00:15:43,040 --> 00:15:44,840
Speaker 1: I think he just made that up. I never heard

256
00:15:44,840 --> 00:15:46,320
Speaker 1: that my life. He just made that up.

257
00:15:46,520 --> 00:15:47,080
Speaker 4: He just made that.

258
00:15:49,200 --> 00:15:56,360
Speaker 3: I've never heard dumbest ship in my life, But he did.

259
00:15:56,720 --> 00:16:01,560
Speaker 3: He tried to sacrifice me. Yeah, and for more ship,

260
00:16:01,800 --> 00:16:06,120
Speaker 3: you know. But you know, yeah, but that's my that's

261
00:16:06,160 --> 00:16:09,400
Speaker 3: my young fella, one of Sykes. That's my girl.

262
00:16:10,000 --> 00:16:13,160
Speaker 4: Amy Schumer, Amy Schumer, that's my girl.

263
00:16:13,760 --> 00:16:18,600
Speaker 3: You know. Amy does a lot for the folks.

264
00:16:19,360 --> 00:16:23,960
Speaker 2: You know, you you rode on train wreck.

265
00:16:24,080 --> 00:16:27,880
Speaker 3: I mean, John Cena, what's going at you know, hey,

266
00:16:28,000 --> 00:16:32,000
Speaker 3: Mark Wahlberg, you know and all that, but yeah, whatever, Amy,

267
00:16:32,000 --> 00:16:37,320
Speaker 3: and then she puts me in. She Amy is good

268
00:16:37,680 --> 00:16:40,800
Speaker 3: for a lot of stuff, and she puts a lot

269
00:16:40,840 --> 00:16:42,720
Speaker 3: of black folks and a lot of things.

270
00:16:42,960 --> 00:16:46,800
Speaker 2: How did you develop that relationship with Amy? Well?

271
00:16:47,960 --> 00:16:51,640
Speaker 3: I met her, you know, and at the seller, at

272
00:16:51,680 --> 00:16:55,120
Speaker 3: the Comedy Seller, and when you started hanging out and

273
00:16:55,160 --> 00:17:00,080
Speaker 3: when asked him was going boxing to work trained? And

274
00:17:00,080 --> 00:17:03,200
Speaker 3: and you know when you developed a nice relationship from

275
00:17:03,240 --> 00:17:12,240
Speaker 3: there and you know when inspired a little bit just no, no,

276
00:17:13,280 --> 00:17:17,080
Speaker 3: but you know, we just hang out and have fun.

277
00:17:17,560 --> 00:17:21,280
Speaker 3: And the Comedy Selling is like a Mike family. Everybody

278
00:17:21,359 --> 00:17:23,520
Speaker 3: hangs out there and have fun and all that.

279
00:17:24,320 --> 00:17:28,360
Speaker 2: So yeah, and you wrote onpel show too, right, yes, yeah,

280
00:17:28,480 --> 00:17:29,440
Speaker 2: what catches did you write?

281
00:17:29,440 --> 00:17:30,000
Speaker 4: What did you write?

282
00:17:30,200 --> 00:17:35,960
Speaker 3: Well, it was the third season, the third season. You know,

283
00:17:36,080 --> 00:17:47,560
Speaker 3: it's funny. On that season we wrote now being bem

284
00:17:47,600 --> 00:17:53,080
Speaker 3: I and d experiment. That one's called the Black Men

285
00:17:53,200 --> 00:17:58,359
Speaker 3: in Dresses experiment, you know, because we saw first and

286
00:17:58,560 --> 00:18:03,160
Speaker 3: was siphilist then now to being towards some wall, being

287
00:18:03,480 --> 00:18:07,520
Speaker 3: the eye and whatever black men dresses And that's why

288
00:18:08,000 --> 00:18:11,040
Speaker 3: I line of that crazy ship and started.

289
00:18:11,920 --> 00:18:14,679
Speaker 2: Oh so when Yeah, So when Dave was getting to

290
00:18:14,680 --> 00:18:16,199
Speaker 2: the point where he wanted to walk away, it was

291
00:18:16,240 --> 00:18:16,760
Speaker 2: because of that.

292
00:18:17,359 --> 00:18:20,320
Speaker 3: Well yeah, and while wall but why.

293
00:18:20,160 --> 00:18:22,479
Speaker 4: Would but it was a sketchy all rode. So I'm

294
00:18:22,520 --> 00:18:23,480
Speaker 4: sure he had a perspective.

295
00:18:24,280 --> 00:18:27,760
Speaker 3: No, while I was thinking about you know, we were thinking,

296
00:18:27,760 --> 00:18:29,920
Speaker 3: but Dame just left complain.

297
00:18:30,680 --> 00:18:33,359
Speaker 4: Well, oh so you wrote that after he was gone.

298
00:18:33,840 --> 00:18:36,879
Speaker 3: No, we told him we didn't want to write it.

299
00:18:36,960 --> 00:18:39,080
Speaker 2: Okay, okay, what cat I mean?

300
00:18:39,280 --> 00:18:43,320
Speaker 3: Can? Dave was in and out, back and forth, and

301
00:18:43,359 --> 00:18:46,239
Speaker 3: when like, all is he going to stand? He's going

302
00:18:46,320 --> 00:18:49,359
Speaker 3: to lean and they laught. Wow.

303
00:18:50,119 --> 00:18:51,440
Speaker 4: What do you think drove him to that point?

304
00:18:53,320 --> 00:19:00,320
Speaker 3: I guess fresher, the fresher and the man I mean

305
00:19:01,160 --> 00:19:04,399
Speaker 3: am I am? I going to match mild and seasons

306
00:19:05,240 --> 00:19:10,520
Speaker 3: and the fresh white black and white black gets you

307
00:19:10,640 --> 00:19:15,960
Speaker 3: all the time every time, like people will call I

308
00:19:15,960 --> 00:19:19,680
Speaker 3: ain't saying, well maybe that Saint Charlemagne is a sellout.

309
00:19:20,119 --> 00:19:22,960
Speaker 3: You'll get that if you're on a radio long enough

310
00:19:22,960 --> 00:19:26,680
Speaker 3: with an opinion, sooner or later somebody black gonna call

311
00:19:26,760 --> 00:19:27,080
Speaker 3: you a.

312
00:19:27,119 --> 00:19:28,520
Speaker 2: Sellout, especially with the success.

313
00:19:28,800 --> 00:19:34,320
Speaker 3: Yes, yeah, but that's what happens. So that man, man,

314
00:19:35,440 --> 00:19:39,000
Speaker 3: that's what Dave too, and like, am I throwing it right?

315
00:19:39,720 --> 00:19:42,960
Speaker 3: Or black people are happy, but you can't worry about that.

316
00:19:43,800 --> 00:19:48,159
Speaker 3: We're gonna make mistakes, we're gonna do whatever, but you

317
00:19:48,200 --> 00:19:52,840
Speaker 3: know it'll work out, you know. And Dave is so

318
00:19:53,160 --> 00:19:58,360
Speaker 3: dope man, they like he's definitely one of the.

319
00:19:58,359 --> 00:20:00,280
Speaker 1: Best absolutely genius out.

320
00:20:00,640 --> 00:20:07,040
Speaker 3: Question that Dave told me in joke rank when and

321
00:20:07,240 --> 00:20:10,800
Speaker 3: the Chapelle Show, You're gonna tell me in joke? And

322
00:20:10,800 --> 00:20:14,960
Speaker 3: I'm like, oh man, that's funny, he said, Keith, that's

323
00:20:15,000 --> 00:20:19,040
Speaker 3: your joke. I'm like, he wrote the joke better than me,

324
00:20:19,480 --> 00:20:26,200
Speaker 3: you know, but he's that good. And like I respect Chappelle,

325
00:20:26,800 --> 00:20:32,600
Speaker 3: Chris Frock won the thanks. They worked like never before

326
00:20:33,680 --> 00:20:38,080
Speaker 3: and keep coming out with stuff all the time. So

327
00:20:38,200 --> 00:20:41,200
Speaker 3: we know who the guys are. You ain't got to

328
00:20:41,280 --> 00:20:44,840
Speaker 3: look for me. You know where they are. Dave Wanna,

329
00:20:45,119 --> 00:20:49,320
Speaker 3: Frince Cat, got cats up there, and you know all.

330
00:20:49,600 --> 00:20:55,919
Speaker 3: It's just like I like to see that. I like

331
00:20:56,000 --> 00:21:01,720
Speaker 3: to see us give folk credit that deserve credit. And

332
00:21:01,800 --> 00:21:06,600
Speaker 3: those guys keV has been doing for so long and

333
00:21:06,600 --> 00:21:11,119
Speaker 3: they're still doing it. That takes a lot. Richard Pryor,

334
00:21:11,520 --> 00:21:17,280
Speaker 3: who is the best, absolutely my top guy without a doubt,

335
00:21:18,680 --> 00:21:23,840
Speaker 3: you know, but after that you got you know, Dave Frish.

336
00:21:24,640 --> 00:21:27,679
Speaker 3: I say Wanda all the time because she don't get

337
00:21:27,720 --> 00:21:33,240
Speaker 3: the love that she deserves. But yeah, we got it.

338
00:21:33,320 --> 00:21:37,639
Speaker 3: We got a good thing going. And when people roll,

339
00:21:37,720 --> 00:21:41,440
Speaker 3: the comics are at each other. Everybody's at each other.

340
00:21:42,119 --> 00:21:45,560
Speaker 3: But the main thing. When I got sick, all the

341
00:21:45,640 --> 00:21:49,880
Speaker 3: comics helped me out. Chris Frug you know what I mean,

342
00:21:50,720 --> 00:21:56,960
Speaker 3: Winder Force, that's my sister. We were roommates, all of them.

343
00:21:57,160 --> 00:22:02,200
Speaker 3: John Avatow sign faultis as he came. People don't even

344
00:22:02,280 --> 00:22:02,680
Speaker 3: know all that.

345
00:22:03,080 --> 00:22:04,320
Speaker 4: You didn't want to do a roommates?

346
00:22:04,440 --> 00:22:08,000
Speaker 3: Yeah wait ninety two? Wow?

347
00:22:09,240 --> 00:22:10,200
Speaker 2: Yeah, how'd that happen?

348
00:22:11,000 --> 00:22:16,280
Speaker 3: Wow? It happened through like me and cried like Chris Frock,

349
00:22:17,040 --> 00:22:19,920
Speaker 3: we were on be t together, but I didn't like

350
00:22:20,000 --> 00:22:22,680
Speaker 3: him and all that one I'm gonna get him.

351
00:22:22,720 --> 00:22:24,119
Speaker 1: Why why did you like him?

352
00:22:24,680 --> 00:22:28,800
Speaker 3: Well? Because when I went to audition that time College Strip,

353
00:22:29,560 --> 00:22:34,000
Speaker 3: a guy named Dev Sweeler, he said, uh, when I

354
00:22:34,359 --> 00:22:37,920
Speaker 3: thought it good and it was eighty six, I thought

355
00:22:38,040 --> 00:22:42,520
Speaker 3: I killed But he's like nah, and one of the

356
00:22:42,560 --> 00:22:46,240
Speaker 3: good you see a guy named Chris Frock. I'm like

357
00:22:47,640 --> 00:22:48,280
Speaker 3: Chris Frock.

358
00:22:48,640 --> 00:22:49,360
Speaker 2: He was jealous.

359
00:22:49,440 --> 00:22:55,919
Speaker 3: Yeah, yeah, so I finally got the meat press on

360
00:22:56,240 --> 00:23:03,080
Speaker 3: Bee T eighty eight and I'm like, yeah that we're

361
00:23:03,200 --> 00:23:07,280
Speaker 3: talking and a woman asked us on being a team,

362
00:23:07,600 --> 00:23:13,400
Speaker 3: what's your process? I said, well, in Philadelphia, lift my shoulders,

363
00:23:13,640 --> 00:23:16,520
Speaker 3: you know what I mean. We do, we work out,

364
00:23:16,800 --> 00:23:21,760
Speaker 3: we're trying to get better. Then Chris came up. He said, well,

365
00:23:22,600 --> 00:23:28,000
Speaker 3: I knew he had something. He said, well, in New York,

366
00:23:28,680 --> 00:23:38,639
Speaker 3: we're actually working for something HBO, NBC saying nah, And

367
00:23:38,720 --> 00:23:42,399
Speaker 3: I stroked more and more of my chairs listening to that,

368
00:23:43,320 --> 00:23:47,320
Speaker 3: and then I answer that I'll call one. He said,

369
00:23:47,720 --> 00:23:51,320
Speaker 3: we got to move to New York, and that's how

370
00:23:51,440 --> 00:23:54,880
Speaker 3: we moved to New York. And then ten years later

371
00:23:55,800 --> 00:24:00,200
Speaker 3: Chris picked Wanna for stretch show.

372
00:24:00,280 --> 00:24:00,560
Speaker 2: Yeah.

373
00:24:01,320 --> 00:24:04,400
Speaker 3: So you know, like a lot of people don't know

374
00:24:04,520 --> 00:24:09,080
Speaker 3: what everybody does and a connection. A lot of people

375
00:24:09,080 --> 00:24:13,560
Speaker 3: don't know your connection, your connection, who hooked out and

376
00:24:13,640 --> 00:24:15,359
Speaker 3: all that. They don't know that.

377
00:24:15,440 --> 00:24:18,440
Speaker 2: They just think, you know, they think it's some industry ship,

378
00:24:18,480 --> 00:24:21,679
Speaker 2: but they don't realize, like, no, these real relationships.

379
00:24:21,000 --> 00:24:26,439
Speaker 3: That ford the relationship, yes and grinding out and all that.

380
00:24:27,119 --> 00:24:31,080
Speaker 3: Why was upset? When you know how you know a

381
00:24:31,119 --> 00:24:34,760
Speaker 3: lot of things and when Chris Rock rought on the

382
00:24:34,840 --> 00:24:40,440
Speaker 3: show that chains Arkham and everything and Chris rockins got

383
00:24:41,080 --> 00:24:44,720
Speaker 3: a lot of people want in and people don't know that.

384
00:24:45,400 --> 00:24:48,000
Speaker 2: You think about that Chris Rock Show, Chris Rocket, Wanda Sykes,

385
00:24:48,440 --> 00:24:51,760
Speaker 2: Lewis c K. Who else is on that show? Dude

386
00:24:51,800 --> 00:24:53,760
Speaker 2: that play Poody Tame. What's the brother name? I can't

387
00:24:53,760 --> 00:24:58,760
Speaker 2: remember the name Lance Lance? Yes, yeah, they saything with Dave.

388
00:24:58,800 --> 00:25:01,600
Speaker 2: You watch Dave Show now so many people. That's somebody

389
00:25:01,640 --> 00:25:06,800
Speaker 2: that was all over Chapel Show, Bill Bird episode Rogan

390
00:25:06,880 --> 00:25:07,879
Speaker 2: Ye who is done? Now?

391
00:25:08,240 --> 00:25:09,120
Speaker 1: That'll rawlers man?

392
00:25:09,160 --> 00:25:11,639
Speaker 3: Stop it down that one. Let me tell you something.

393
00:25:11,920 --> 00:25:12,760
Speaker 3: It's not now.

394
00:25:14,520 --> 00:25:18,040
Speaker 2: He bugged me, donell he bugs me? Now, let's talk

395
00:25:18,040 --> 00:25:18,359
Speaker 2: about it.

396
00:25:18,560 --> 00:25:19,560
Speaker 3: Now we're gonna talk.

397
00:25:19,440 --> 00:25:20,080
Speaker 1: That's him right there.

398
00:25:20,080 --> 00:25:22,800
Speaker 5: You see him right there with getting Aggie's right there.

399
00:25:22,800 --> 00:25:23,320
Speaker 3: Talk about it.

400
00:25:23,320 --> 00:25:23,840
Speaker 2: He bugs me?

401
00:25:23,960 --> 00:25:26,360
Speaker 1: Now, let's talk about like he bugs all of us?

402
00:25:26,560 --> 00:25:29,159
Speaker 3: Now, this is this is kind of funny. I guess

403
00:25:29,720 --> 00:25:33,119
Speaker 3: he was in a movie, right, Which movie? I don't know.

404
00:25:33,200 --> 00:25:35,400
Speaker 3: It's When Cameron or something.

405
00:25:36,160 --> 00:25:37,600
Speaker 1: Oh, Death of a Dynasty one of the movies.

406
00:25:37,720 --> 00:25:41,480
Speaker 3: What those stupid movies was? But I handed him so

407
00:25:41,760 --> 00:25:46,600
Speaker 3: bad the movie I was rooting for him they get shot, Yes,

408
00:25:47,359 --> 00:25:50,080
Speaker 3: I was rooting. I'm kid him, get him.

409
00:25:52,040 --> 00:25:52,240
Speaker 2: Yes.

410
00:25:53,200 --> 00:25:56,840
Speaker 3: And then when he finally got shot, he still was

411
00:25:56,960 --> 00:26:05,040
Speaker 3: hammering it up, pop back up, I'm like I called him.

412
00:26:05,080 --> 00:26:08,159
Speaker 3: I said, I can't stand you. I was rooting for

413
00:26:08,320 --> 00:26:09,040
Speaker 3: you to get shot.

414
00:26:11,440 --> 00:26:14,000
Speaker 2: And how much I'm gonna use that one on him?

415
00:26:14,240 --> 00:26:19,639
Speaker 3: Now He'll tell you, well, why do love him? Now?

416
00:26:21,000 --> 00:26:24,760
Speaker 3: That's why I love down now? Ninety four ninety five,

417
00:26:25,920 --> 00:26:31,439
Speaker 3: I didn't shown in the projects, well, you know, mainly

418
00:26:32,040 --> 00:26:36,080
Speaker 3: for my boy. Nain't singaptary, but you know he had

419
00:26:36,320 --> 00:26:39,720
Speaker 3: passed away. But it was always asked me to door

420
00:26:39,920 --> 00:26:43,800
Speaker 3: shown in the neighborhood. But I wanted to, you know,

421
00:26:44,359 --> 00:26:48,160
Speaker 3: be the guy and come back triumphant and then happen.

422
00:26:48,880 --> 00:26:54,120
Speaker 3: So when when he died, I was like, whoa, We're

423
00:26:54,160 --> 00:26:57,200
Speaker 3: gonna do this show, right, a project And I brought

424
00:26:57,280 --> 00:27:02,200
Speaker 3: down now well Simmons in that one's and wrench falls

425
00:27:03,280 --> 00:27:09,400
Speaker 3: and one Dare and Donell killed so hard. He wasn't

426
00:27:09,480 --> 00:27:22,000
Speaker 3: mob back then. He was good now now, but he

427
00:27:22,240 --> 00:27:27,440
Speaker 3: killed so hard they still talk about him. You're talking

428
00:27:27,440 --> 00:27:30,840
Speaker 3: about a guy named Fat Timmy on the bank, on

429
00:27:31,040 --> 00:27:35,800
Speaker 3: Fat Timmy on Tommy. It was so funny and everybody

430
00:27:35,800 --> 00:27:41,120
Speaker 3: in the name one still remember Donald from that juontcause

431
00:27:41,160 --> 00:27:44,639
Speaker 3: there was that powerful and that's the only reason I

432
00:27:44,920 --> 00:27:45,159
Speaker 3: like that.

433
00:27:45,320 --> 00:27:48,000
Speaker 2: Now they said, well, I don't have a reason to

434
00:27:48,080 --> 00:27:51,040
Speaker 2: like he done. Is one of the best stand ups

435
00:27:51,359 --> 00:27:53,600
Speaker 2: doing it. You got you gotta give him his credit

436
00:27:53,720 --> 00:27:55,720
Speaker 2: because he'll say that we didn't get give too much credit.

437
00:27:56,080 --> 00:27:58,760
Speaker 2: But he's one of their best stand ups doing it

438
00:27:59,240 --> 00:28:00,159
Speaker 2: absolutely now.

439
00:28:00,359 --> 00:28:02,440
Speaker 1: At one time they said, you lost your voice.

440
00:28:03,040 --> 00:28:08,520
Speaker 3: Yes man, And after the stroke, my voice was gone,

441
00:28:09,520 --> 00:28:12,560
Speaker 3: my voice box and all that, and I got a

442
00:28:12,680 --> 00:28:24,119
Speaker 3: contraption on nine thousand dollars I'm putting in my mouth no,

443
00:28:24,400 --> 00:28:29,520
Speaker 3: and contraption stopped the air from escaping from my nose,

444
00:28:31,520 --> 00:28:35,680
Speaker 3: you know, and I end up losing it. But I

445
00:28:35,760 --> 00:28:39,640
Speaker 3: had enough confidence by that with my voice coming back

446
00:28:41,000 --> 00:28:46,360
Speaker 3: to go on. And I needed that one minute confidence

447
00:28:46,960 --> 00:28:50,960
Speaker 3: because that was mostly one the confidence I cann it.

448
00:28:52,160 --> 00:28:56,880
Speaker 3: And when you can talk and it's so frustrated and

449
00:28:57,040 --> 00:29:01,880
Speaker 3: I do it joking, and it's special. Different strokes about

450
00:29:03,920 --> 00:29:07,040
Speaker 3: going through the drawing room. And when you go through

451
00:29:07,040 --> 00:29:11,000
Speaker 3: the drawing room when you can talk clear, they barely

452
00:29:11,160 --> 00:29:14,440
Speaker 3: understand what you're saying. And they were like I was

453
00:29:14,520 --> 00:29:18,400
Speaker 3: at and I said the Chick Filang. I was at

454
00:29:18,440 --> 00:29:21,800
Speaker 3: the Chick Filane, and I was like can I and

455
00:29:21,880 --> 00:29:28,000
Speaker 3: so we don't understand you, and we don't understand I'm like, old, no,

456
00:29:28,800 --> 00:29:34,440
Speaker 3: your chick Filane. You saw nothing but chicken. Guess what

457
00:29:34,600 --> 00:29:39,920
Speaker 3: I want, you know, and just figure it out. You

458
00:29:40,040 --> 00:29:45,160
Speaker 3: ain't got nothing else chicken, That's it. And you know,

459
00:29:45,840 --> 00:29:50,920
Speaker 3: and that was a frustration, And it really was frustrating

460
00:29:51,360 --> 00:29:55,160
Speaker 3: when people don't understand you. You can't curge some my help,

461
00:29:56,040 --> 00:30:01,200
Speaker 3: but they gonna want, you know, they talk ship.

462
00:30:02,800 --> 00:30:05,200
Speaker 2: So did you ever think you lost your funny? Or

463
00:30:05,240 --> 00:30:07,240
Speaker 2: did you or did you ever lose your funny? Meaning

464
00:30:07,360 --> 00:30:09,480
Speaker 2: like you didn't find anything humorous?

465
00:30:10,520 --> 00:30:14,840
Speaker 3: No? Not, no, you know I found a lot of

466
00:30:14,920 --> 00:30:21,960
Speaker 3: stuff funny that happened, you know, because that's what it is,

467
00:30:22,760 --> 00:30:26,160
Speaker 3: you know. But like I said, when Chris, when I

468
00:30:26,240 --> 00:30:30,080
Speaker 3: went back to the cellar, Chris Rock his first thing

469
00:30:30,200 --> 00:30:36,840
Speaker 3: on hey stroking Robinson. I love like that. But that

470
00:30:37,040 --> 00:30:39,040
Speaker 3: let me know A was back. That's right, that's right.

471
00:30:39,600 --> 00:30:42,840
Speaker 3: You know, I ain't getting mad. I was back. I'm like, yes,

472
00:30:44,000 --> 00:30:44,320
Speaker 3: that's it.

473
00:30:44,640 --> 00:30:45,640
Speaker 1: What did you say back to him?

474
00:30:45,640 --> 00:30:45,800
Speaker 2: Though?

475
00:30:47,040 --> 00:30:51,520
Speaker 3: Not? I was laughing, Okay, anyone to understand anyone because

476
00:30:51,600 --> 00:30:55,640
Speaker 3: my voice was still messed up. So he like something

477
00:30:55,680 --> 00:30:57,120
Speaker 3: he said, stroking Robinson.

478
00:30:57,640 --> 00:31:00,480
Speaker 4: I'm like, my man, you know, did you say to

479
00:31:00,560 --> 00:31:01,840
Speaker 4: Chris after the Will Smith incident?

480
00:31:03,920 --> 00:31:10,120
Speaker 3: You know, I'm from feeling one from feeling you know, Charlie, Mike,

481
00:31:10,160 --> 00:31:13,600
Speaker 3: I know him and all that. I just didn't like it,

482
00:31:13,880 --> 00:31:19,560
Speaker 3: you know, because Chris is like, you know, I love

483
00:31:19,640 --> 00:31:24,520
Speaker 3: that guy, and you know I ain't me well, I lot,

484
00:31:25,520 --> 00:31:27,479
Speaker 3: but you know in pheeling, so I got I had

485
00:31:27,520 --> 00:31:31,720
Speaker 3: feeling love for him in the way. But man, that hurt.

486
00:31:32,280 --> 00:31:37,640
Speaker 3: And see that because there was you know that that

487
00:31:37,920 --> 00:31:42,280
Speaker 3: moment it was just it wasn't not I didn't laugh.

488
00:31:42,440 --> 00:31:45,160
Speaker 3: I didn't you know. I'm like, I wasn't.

489
00:31:45,480 --> 00:31:46,600
Speaker 4: It wasn't nothing funny about him.

490
00:31:47,640 --> 00:31:51,800
Speaker 3: I found funny and everything, but not not that. Maybe

491
00:31:51,800 --> 00:31:54,960
Speaker 3: it was somebody else I was like, but it was Chris,

492
00:31:55,160 --> 00:31:59,320
Speaker 3: you know what I mean? And that that doubt me

493
00:31:59,400 --> 00:32:03,680
Speaker 3: a little bit. You know, it's over, hopefully.

494
00:32:04,080 --> 00:32:05,520
Speaker 4: You know what did you say to him? Did you

495
00:32:05,520 --> 00:32:06,360
Speaker 4: say anything to him?

496
00:32:06,520 --> 00:32:06,560
Speaker 2: No?

497
00:32:07,400 --> 00:32:13,880
Speaker 3: I mean I would ride. I had a joke, but

498
00:32:14,080 --> 00:32:17,440
Speaker 3: it was just a one time joke. I ain't funneled

499
00:32:17,520 --> 00:32:22,280
Speaker 3: on nothing. Chris called me struggling Robinson. I'll call him

500
00:32:22,440 --> 00:32:27,080
Speaker 3: slapping white. You know that's a little, you know, a

501
00:32:27,160 --> 00:32:29,840
Speaker 3: little corny joke, but you know, saluted them.

502
00:32:30,000 --> 00:32:34,600
Speaker 2: What qualities do the greats like Kevin, Dave, Chris, what

503
00:32:35,000 --> 00:32:36,920
Speaker 2: qualities do they have that make them.

504
00:32:36,840 --> 00:32:37,400
Speaker 4: Who they are?

505
00:32:41,560 --> 00:32:46,880
Speaker 3: Ryan? They're working out, you know when we got there,

506
00:32:46,920 --> 00:32:51,280
Speaker 3: I'm coming, guys, young boy, and you shatz it's my

507
00:32:51,400 --> 00:32:58,240
Speaker 3: guy coming, you know, Michael Change coming, you know, And

508
00:32:58,320 --> 00:33:01,920
Speaker 3: I like to see that. I never was jealous him.

509
00:33:02,040 --> 00:33:07,240
Speaker 3: Anybody you're jealous of Chris. No, I wasn't jealous of him.

510
00:33:07,640 --> 00:33:10,680
Speaker 3: I was fake, man. I was kind of man with

511
00:33:10,920 --> 00:33:15,120
Speaker 3: somebody saying, hey, get out there and you should meet

512
00:33:15,200 --> 00:33:18,760
Speaker 3: Chris Rock. I mean, the guy was looking back on it,

513
00:33:19,200 --> 00:33:26,000
Speaker 3: the guy was absolutely right. But you know, yeah, like

514
00:33:27,040 --> 00:33:30,920
Speaker 3: I bring a lot of comics in, like the at

515
00:33:30,960 --> 00:33:34,760
Speaker 3: the end of my special, you see all the comics

516
00:33:34,840 --> 00:33:39,040
Speaker 3: around me when the credits rolling, But that's all the comics,

517
00:33:40,440 --> 00:33:44,840
Speaker 3: you know, you bring in. And I think every comic

518
00:33:45,960 --> 00:33:52,200
Speaker 3: bring another damn coming in. Stop talking and happened. I

519
00:33:52,320 --> 00:33:59,400
Speaker 3: loved what Tiffany had said, shah, they ready bring comic sins.

520
00:34:01,000 --> 00:34:06,280
Speaker 3: Stop from playing in the winding about you people, make

521
00:34:06,440 --> 00:34:12,920
Speaker 3: everything about themselves. What the common You keep bringing them

522
00:34:12,960 --> 00:34:16,960
Speaker 3: in and then you know it helps out. So you

523
00:34:17,080 --> 00:34:23,719
Speaker 3: have all the commons. Wait, man, you have all the comics,

524
00:34:24,800 --> 00:34:29,120
Speaker 3: and it's like and that keeps it going, you know,

525
00:34:29,719 --> 00:34:34,760
Speaker 3: like I said, and your show, Michael Chang, other folks

526
00:34:35,360 --> 00:34:40,960
Speaker 3: round your conquest from Roe Martin and Derek Ganges, Thin

527
00:34:40,960 --> 00:34:46,000
Speaker 3: and Am Johnson a name meana of money. All those

528
00:34:46,120 --> 00:34:51,320
Speaker 3: folks bring them in and you know, and then you

529
00:34:51,520 --> 00:34:55,440
Speaker 3: see it keeps going and going and it never stops.

530
00:34:56,760 --> 00:34:59,480
Speaker 2: Kevin did that for you with uh back of the

531
00:34:59,520 --> 00:35:01,680
Speaker 2: bus backing a bunch of funny Yeah, that was your

532
00:35:01,800 --> 00:35:03,279
Speaker 2: That was your first special. That was That was a

533
00:35:03,400 --> 00:35:04,120
Speaker 2: Kevin Hart persition.

534
00:35:04,320 --> 00:35:07,839
Speaker 3: Yeah, but Kevin knew better. What you mean he knew better?

535
00:35:09,040 --> 00:35:10,200
Speaker 3: I socked him, he didn't.

536
00:35:10,239 --> 00:35:15,319
Speaker 2: Oh yeah, what did more for you? That special back then?

537
00:35:15,400 --> 00:35:16,720
Speaker 2: Or that this one now? That Netflix?

538
00:35:17,680 --> 00:35:18,120
Speaker 3: This one?

539
00:35:18,360 --> 00:35:18,640
Speaker 2: Okay?

540
00:35:18,719 --> 00:35:19,279
Speaker 4: Why said that.

541
00:35:20,960 --> 00:35:25,680
Speaker 3: You can feeling you can feel one and ten you

542
00:35:25,760 --> 00:35:30,840
Speaker 3: know the ecosystem. Yeah yeah, yeah, you know and different strokes.

543
00:35:31,200 --> 00:35:35,520
Speaker 3: Now that one is doing great because it's back on now.

544
00:35:35,600 --> 00:35:40,680
Speaker 3: They brought him but on every platform. Excuse me, that's

545
00:35:40,800 --> 00:35:47,120
Speaker 3: ten years every platform. Back in the bunchet keeps going.

546
00:35:47,280 --> 00:35:50,080
Speaker 5: What made you want to do this special? What made

547
00:35:50,080 --> 00:35:51,160
Speaker 5: you say, you know I want to do it? Did

548
00:35:51,200 --> 00:35:53,120
Speaker 5: you feel like I don't know if I want to

549
00:35:53,320 --> 00:35:54,040
Speaker 5: put this out there?

550
00:35:54,640 --> 00:35:58,280
Speaker 3: No, I wanted to put that out here before before,

551
00:36:01,520 --> 00:36:04,360
Speaker 3: and when I was holding didn't even reform. I was

552
00:36:04,480 --> 00:36:07,880
Speaker 3: talking to Charlie Mack on the phone. I said, now what,

553
00:36:08,480 --> 00:36:11,400
Speaker 3: I'm gonna do a special and I'm gonna call it

554
00:36:12,160 --> 00:36:17,160
Speaker 3: different Strokes and he said what Yeah, he said, well,

555
00:36:17,200 --> 00:36:21,000
Speaker 3: what about different stroke And that's that's Charlie's then foot

556
00:36:21,480 --> 00:36:27,239
Speaker 3: shut up, Charlie. But yeah, I knew I wanted to

557
00:36:27,360 --> 00:36:30,360
Speaker 3: do something. And then when I got back on stage

558
00:36:30,960 --> 00:36:35,240
Speaker 3: for the first time, it was like I was nervous

559
00:36:35,640 --> 00:36:39,960
Speaker 3: because I didn't know my voice was list so I was,

560
00:36:40,680 --> 00:36:44,840
Speaker 3: you know, but and one one pretty good, and I

561
00:36:44,960 --> 00:36:48,160
Speaker 3: kept going and going. I called one to psych something.

562
00:36:48,920 --> 00:36:52,439
Speaker 3: I said, wanna, I'm ready to go on the road

563
00:36:53,440 --> 00:36:57,239
Speaker 3: and wanted to win a road and stop building and

564
00:36:57,400 --> 00:36:59,880
Speaker 3: building and building, And that was it.

565
00:37:01,360 --> 00:37:03,840
Speaker 2: I heard you say that you don't want audiences to

566
00:37:04,000 --> 00:37:07,320
Speaker 2: pity you. You know you want their laughs. How do

567
00:37:07,400 --> 00:37:08,880
Speaker 2: you know you're not getting pity laughs?

568
00:37:09,800 --> 00:37:13,400
Speaker 3: Oh? I know, okay, because I do my best, Like,

569
00:37:13,840 --> 00:37:17,400
Speaker 3: you know, they look at me when I see them

570
00:37:17,560 --> 00:37:21,520
Speaker 3: penny in man, you know, I'll throw something in there

571
00:37:21,520 --> 00:37:25,480
Speaker 3: and throw them all when they got this guy in

572
00:37:25,600 --> 00:37:31,680
Speaker 3: an asshole, and I'm saying, you know, I'm newing handicapped.

573
00:37:32,400 --> 00:37:34,920
Speaker 3: I was never a handicapped for when I'm doing this

574
00:37:35,040 --> 00:37:39,160
Speaker 3: shit but only thinking about it. Sometimes I'm forgetting that

575
00:37:39,200 --> 00:37:44,720
Speaker 3: them a handicapped when I find myself laughing and handicapped people,

576
00:37:46,040 --> 00:37:50,760
Speaker 3: so they like they gone that I give them those shots.

577
00:37:50,880 --> 00:37:52,200
Speaker 2: I feel like you can do that though it's like

578
00:37:52,200 --> 00:37:55,719
Speaker 2: a black person saying the N word, like we can

579
00:37:55,800 --> 00:37:58,080
Speaker 2: say it because we're black. I feel like you can

580
00:37:58,160 --> 00:38:00,600
Speaker 2: make handicapped jokes and laughing handicap people.

581
00:38:00,360 --> 00:38:05,200
Speaker 3: Because you know, there's what happened. People will be in

582
00:38:05,280 --> 00:38:09,680
Speaker 3: the handicamp, all in line right and feel coming and

583
00:38:09,920 --> 00:38:15,480
Speaker 3: look at me like this guy's a fraud. He wasn't

584
00:38:15,600 --> 00:38:20,640
Speaker 3: born handicap. We're born this way. And then look, you know,

585
00:38:20,760 --> 00:38:27,680
Speaker 3: I bought the person looking at me. He was asking

586
00:38:27,840 --> 00:38:30,880
Speaker 3: for it. This nigga was asking for it.

587
00:38:31,760 --> 00:38:34,120
Speaker 4: So there's a beef between naturally born.

588
00:38:35,239 --> 00:38:42,640
Speaker 3: So you like a you like trans handed Jesus Christy,

589
00:38:43,320 --> 00:38:43,840
Speaker 3: that's funny.

590
00:38:48,360 --> 00:38:52,000
Speaker 2: So this handicap and.

591
00:38:53,560 --> 00:38:54,400
Speaker 3: Trans handicap.

592
00:38:54,680 --> 00:38:56,240
Speaker 1: My goodness, you trans handicap.

593
00:38:57,440 --> 00:39:01,000
Speaker 5: Do you look at did you look at handycap people differently?

594
00:39:01,840 --> 00:39:05,399
Speaker 5: Because you know, because you know one time you would

595
00:39:05,480 --> 00:39:07,920
Speaker 5: just hayy cat'spot, just take the spot, just what it.

596
00:39:08,000 --> 00:39:09,480
Speaker 1: Is, you know what I mean? Do you look at

597
00:39:09,520 --> 00:39:10,640
Speaker 1: the handicap people differently?

598
00:39:10,719 --> 00:39:14,160
Speaker 3: And no, I mean I see what they go through now,

599
00:39:15,320 --> 00:39:21,640
Speaker 3: you know, And I'm more aware when I see a

600
00:39:21,719 --> 00:39:25,920
Speaker 3: guy want a handicap thing and he's walking with no problem.

601
00:39:26,719 --> 00:39:29,200
Speaker 3: I get it. Kind of I don't get kind of angry.

602
00:39:30,719 --> 00:39:34,040
Speaker 3: I ain't want to come on, man, look at me living,

603
00:39:34,880 --> 00:39:39,040
Speaker 3: you know what I mean, I get it.

604
00:39:40,040 --> 00:39:41,880
Speaker 2: Do you have any like stroke awareness, Like do you

605
00:39:41,960 --> 00:39:44,520
Speaker 2: tell people, like you know, other comedians or just people

606
00:39:44,560 --> 00:39:48,080
Speaker 2: in general, things that they can change now, so maybe

607
00:39:48,200 --> 00:39:50,200
Speaker 2: have some preventive measures to not have a stroke.

608
00:39:51,080 --> 00:39:54,000
Speaker 4: No, damn, I don't.

609
00:39:53,840 --> 00:39:59,080
Speaker 3: Give it down. No, No, I you know what. No,

610
00:39:59,280 --> 00:40:00,960
Speaker 3: I don't want to. I don't want them to do

611
00:40:01,120 --> 00:40:04,040
Speaker 3: that walk around the stroke.

612
00:40:05,360 --> 00:40:09,080
Speaker 5: Okay, but but you know, like because people should know, like,

613
00:40:09,160 --> 00:40:11,120
Speaker 5: you know, we talk about up here about men's health.

614
00:40:11,160 --> 00:40:13,239
Speaker 5: He always talks about, you know, getting a colonoscope. So

615
00:40:13,320 --> 00:40:15,520
Speaker 5: I was just questioned, like, you know, you you made

616
00:40:15,560 --> 00:40:19,000
Speaker 5: fun earlier about the you know, the the biabra, But

617
00:40:19,120 --> 00:40:20,360
Speaker 5: do you know what the reason was it?

618
00:40:20,440 --> 00:40:22,120
Speaker 1: High blood pressure? Was it the way that you ate?

619
00:40:22,280 --> 00:40:23,120
Speaker 1: Was it not sleeping?

620
00:40:23,280 --> 00:40:23,440
Speaker 2: Was it?

621
00:40:24,920 --> 00:40:30,840
Speaker 3: Yeah? Probably all that all on Bob, And you know

622
00:40:31,520 --> 00:40:33,520
Speaker 3: me in a coming I'm never going to do that

623
00:40:33,920 --> 00:40:39,200
Speaker 3: all right anymore? Run a month all time. You know

624
00:40:39,760 --> 00:40:44,640
Speaker 3: when I say, if there's something going wrong and you're feeling,

625
00:40:45,440 --> 00:40:51,719
Speaker 3: go down the hospital, I joke. I mean I was

626
00:40:51,760 --> 00:40:56,640
Speaker 3: a jackass. I won't. I would be still able to

627
00:40:56,880 --> 00:41:01,640
Speaker 3: box if I don't want you in the hospital still,

628
00:41:03,239 --> 00:41:10,960
Speaker 3: but I got lad. No, you do if if there's

629
00:41:11,160 --> 00:41:14,000
Speaker 3: something that you feel you gotta go to the hospital,

630
00:41:15,800 --> 00:41:19,480
Speaker 3: what the hell it is? Because you never know, you know,

631
00:41:20,280 --> 00:41:25,880
Speaker 3: and I knew, actually you know, I won't you know,

632
00:41:26,239 --> 00:41:30,279
Speaker 3: walking around like letting being like, oh ship, what's going on?

633
00:41:32,280 --> 00:41:36,880
Speaker 3: I'm probably asking like that was going you know what?

634
00:41:37,320 --> 00:41:42,120
Speaker 3: God was with me through all that, And you.

635
00:41:42,160 --> 00:41:44,640
Speaker 4: Know that is you think you're funnier now or funnier

636
00:41:44,719 --> 00:41:45,360
Speaker 4: before the scrouke?

637
00:41:47,800 --> 00:41:50,600
Speaker 3: Now? I think, you know, I actually think I'm funnier

638
00:41:50,680 --> 00:41:54,720
Speaker 3: now because I'm more in the pocket and more word

639
00:41:55,080 --> 00:42:00,319
Speaker 3: economy and I weren't like I'm painting man. And now

640
00:42:01,600 --> 00:42:05,240
Speaker 3: let me look at back in the bus. It's funny.

641
00:42:05,280 --> 00:42:09,840
Speaker 3: I was all over the place, moving around and can jive,

642
00:42:11,000 --> 00:42:14,600
Speaker 3: and I felt some movement can help out the jokes.

643
00:42:15,640 --> 00:42:18,560
Speaker 3: Moving now can't help out the jokes. Now and now

644
00:42:18,600 --> 00:42:22,919
Speaker 3: I have to express exactly one of the ends towards tea.

645
00:42:24,120 --> 00:42:27,719
Speaker 3: So I think her named me better now. But I

646
00:42:27,840 --> 00:42:29,000
Speaker 3: was always pretty good.

647
00:42:29,840 --> 00:42:32,520
Speaker 2: I remember you and Amy had that podcast or Three Girls,

648
00:42:32,560 --> 00:42:36,520
Speaker 2: One Keys. Yeah, I stopped doing that? Was that after?

649
00:42:36,960 --> 00:42:40,560
Speaker 3: Yeah? Why the first strike? That was the first struck? Okay,

650
00:42:41,080 --> 00:42:44,680
Speaker 3: the first struck? I was still moving. You know. We

651
00:42:44,880 --> 00:42:51,040
Speaker 3: did a thing Faull. Was I onder the thing? Was

652
00:42:51,120 --> 00:42:54,600
Speaker 3: I wrong? Now I'm gonna ask you guys, was I'm wrong?

653
00:42:56,320 --> 00:42:59,600
Speaker 3: This girl called me from New York? Right she was

654
00:42:59,640 --> 00:43:05,960
Speaker 3: in She said, Ky, come to filling up here and

655
00:43:06,120 --> 00:43:10,319
Speaker 3: let's gonna ride swim got something? I said, Well, I'm

656
00:43:10,440 --> 00:43:15,400
Speaker 3: coming from New York. I'm not coming for no reason.

657
00:43:16,800 --> 00:43:19,279
Speaker 3: Come on, now, you know what I'm saying. She said, no,

658
00:43:19,880 --> 00:43:22,920
Speaker 3: I got it. So we go to Red Lobson that's

659
00:43:22,960 --> 00:43:26,799
Speaker 3: when Red Lobster was a ship, and I go there.

660
00:43:27,200 --> 00:43:35,440
Speaker 3: She say, belting right, I said, well, we want to

661
00:43:35,480 --> 00:43:38,280
Speaker 3: go to this hotel, said no, I kind a headache.

662
00:43:39,160 --> 00:43:44,360
Speaker 3: I said, okay, okay, And so I said, oh this dessert,

663
00:43:45,200 --> 00:43:50,839
Speaker 3: I'm going to the bathroom. I mean, right back down

664
00:43:51,000 --> 00:43:55,319
Speaker 3: in my car and drove home. What was I'm wrong?

665
00:43:56,120 --> 00:43:57,680
Speaker 4: That woman when she heard about you on the scroll,

666
00:43:57,719 --> 00:43:58,720
Speaker 4: she said that was your carme.

667
00:44:03,280 --> 00:44:03,480
Speaker 3: Wrong?

668
00:44:04,480 --> 00:44:07,359
Speaker 2: Uh no, because you told her from the beginning.

669
00:44:07,080 --> 00:44:09,560
Speaker 5: You should at least paid your half paid jab. It

670
00:44:09,560 --> 00:44:11,320
Speaker 5: would have been that bad. You should have paid.

671
00:44:11,160 --> 00:44:13,279
Speaker 4: Jabb wasn't wrong, but you wasn't.

672
00:44:13,560 --> 00:44:15,240
Speaker 2: You wasn't wrong. You told her from the beginning.

673
00:44:15,280 --> 00:44:16,680
Speaker 4: You know what I mean, You're gonna pay his half.

674
00:44:16,760 --> 00:44:18,120
Speaker 4: It's like you know what I'm gonna.

675
00:44:17,960 --> 00:44:18,399
Speaker 2: Tell you something.

676
00:44:18,520 --> 00:44:20,239
Speaker 4: Keep Pussy has ruined your life.

677
00:44:20,480 --> 00:44:23,000
Speaker 3: You should be gay?

678
00:44:24,160 --> 00:44:30,280
Speaker 4: What That's what I've gotten from this whole conversation.

679
00:44:30,600 --> 00:44:37,239
Speaker 2: Pussy is absolutely ruined Keith Robinson's see now you're thinking

680
00:44:37,280 --> 00:44:37,560
Speaker 2: about it.

681
00:44:38,680 --> 00:44:39,520
Speaker 3: Maybe we're wrong.

682
00:44:41,680 --> 00:44:44,920
Speaker 1: Well, the Netflix special Different Strokes out right now.

683
00:44:45,160 --> 00:44:46,640
Speaker 4: Man, it's a pleasure to meet a legend like you.

684
00:44:47,360 --> 00:44:48,759
Speaker 1: I appreciate you joining us this morning.

685
00:44:49,160 --> 00:44:49,319
Speaker 3: Man.

686
00:44:49,640 --> 00:44:54,080
Speaker 2: Absolutely watch Different Strokes on Netflix right now. Man, Keep Robinson,

687
00:44:54,120 --> 00:44:54,959
Speaker 2: it's the breakfast Club.

688
00:44:55,320 --> 00:44:56,279
Speaker 3: Wake that ass up.

689
00:44:56,800 --> 00:44:58,480
Speaker 2: In the morning Breakfast Club