1 00:00:00,720 --> 00:00:15,280 Speaker 1: Disgraceland as a production of double Elvis. The stories about 2 00:00:15,280 --> 00:00:19,759 Speaker 1: country music star Johnny Paycheck or Hardcore. He shot a 3 00:00:19,800 --> 00:00:23,640 Speaker 1: man in the head, he escaped from jail twice, and 4 00:00:23,720 --> 00:00:26,520 Speaker 1: he lived under a bridge in Los Angeles in between 5 00:00:26,560 --> 00:00:30,320 Speaker 1: the success of two top ten country hits, and he, 6 00:00:30,480 --> 00:00:33,879 Speaker 1: arguably more than anybody else, embodied the hardcore honky tonk 7 00:00:34,000 --> 00:00:38,320 Speaker 1: outlaw country image. While other country musicians were telling tall 8 00:00:38,360 --> 00:00:41,440 Speaker 1: tales about the devil down in Georgia, Johnny was riding 9 00:00:41,440 --> 00:00:45,360 Speaker 1: with the Hell's Angels. He walked it, talked it, lived it, 10 00:00:45,800 --> 00:00:49,680 Speaker 1: loved it, and all along the way he made great music. 11 00:00:50,720 --> 00:00:52,360 Speaker 1: And that music I played you at the top of 12 00:00:52,400 --> 00:00:55,320 Speaker 1: the show. That wasn't great music. That was a preset 13 00:00:55,360 --> 00:00:59,440 Speaker 1: loop from my melotron called Bruce Viola Low. I played 14 00:00:59,480 --> 00:01:01,960 Speaker 1: you that loop because I can't afford the rights to 15 00:01:02,400 --> 00:01:06,240 Speaker 1: Broken Wings by mister Mister. And why would I play 16 00:01:06,280 --> 00:01:09,640 Speaker 1: you that specific slice of pasteld trench coat cheese? Could 17 00:01:09,680 --> 00:01:13,000 Speaker 1: I afford it? Because that was the number one song 18 00:01:13,040 --> 00:01:17,160 Speaker 1: in America on December nineteenth, nineteen eighty five, And that 19 00:01:17,280 --> 00:01:21,039 Speaker 1: was the day that Johnny Paycheck aka Little Donny Little 20 00:01:21,360 --> 00:01:25,280 Speaker 1: aka the Real Mister Heartache aka the last of the 21 00:01:25,319 --> 00:01:29,720 Speaker 1: Hardcore Troubadours, shot a man in Ohio pretty much just 22 00:01:29,760 --> 00:01:34,759 Speaker 1: to watch him die. On this episode below, viola pastel, 23 00:01:34,840 --> 00:01:39,840 Speaker 1: trench coat, cheese, hardcore, Honky Tonk, and Johnny Paycheck. I'm 24 00:01:39,959 --> 00:02:07,920 Speaker 1: Jake Brennan and this is disgracelked. Woodlawn is a popular 25 00:02:08,000 --> 00:02:11,800 Speaker 1: name for American cemeteries. There are literally too many woodlawn 26 00:02:11,880 --> 00:02:15,320 Speaker 1: cemeteries to count. Woodlawn Cemetery in the Bronx is one 27 00:02:15,360 --> 00:02:19,480 Speaker 1: of the most famous woodlawns. Duke Ellington, Miles Davis, Herman, 28 00:02:19,560 --> 00:02:23,040 Speaker 1: Melville and Rosa Parks. They're all buried there. And there's 29 00:02:23,080 --> 00:02:26,680 Speaker 1: a woodlawn cemetery in Compton, one in Santa Monica, another 30 00:02:26,760 --> 00:02:29,680 Speaker 1: in Dayton, Ohio, now the eternal resting place of the 31 00:02:29,680 --> 00:02:32,639 Speaker 1: Wright brothers. And there is even a woodlawn cemetery in 32 00:02:32,680 --> 00:02:36,240 Speaker 1: my hometown of Clinton, Massachusetts, where my grandmother is buried. 33 00:02:37,120 --> 00:02:41,320 Speaker 1: But Woodlawn Memorial Park Cemetery in Nashville, Tennessee is where 34 00:02:41,320 --> 00:02:46,040 Speaker 1: Country Music Royalty buries they're dead. Webb Peers, Porter Wagoner, 35 00:02:46,320 --> 00:02:49,880 Speaker 1: George Jones, and Johnny Paycheck are all interred at Woodlawn 36 00:02:50,360 --> 00:02:53,000 Speaker 1: in their graves serve as a measure of how successful 37 00:02:53,000 --> 00:02:58,400 Speaker 1: their careers were. Webb Pierce's grave borders on ostentatious. There 38 00:02:58,400 --> 00:03:01,600 Speaker 1: are no inlaid silver dollars, the ones that adorned his Cadillac, 39 00:03:02,080 --> 00:03:05,000 Speaker 1: but there is a picture of him seventeen lengthy lines 40 00:03:05,000 --> 00:03:07,400 Speaker 1: about his life in an homage to his first big hit, 41 00:03:07,800 --> 00:03:12,640 Speaker 1: Wondering Boy. Porter Wagoner's grave features the quote I've left 42 00:03:12,639 --> 00:03:16,600 Speaker 1: this old world with a satisfied mind, having inspired and 43 00:03:16,680 --> 00:03:20,040 Speaker 1: produced Dolly Parton's I Will Always Love You. I'm sure 44 00:03:20,040 --> 00:03:24,320 Speaker 1: that's an accurate statement. George Jones's grave is befitting of 45 00:03:24,360 --> 00:03:28,120 Speaker 1: a king, and justifiably so for arguably the greatest country 46 00:03:28,120 --> 00:03:31,320 Speaker 1: singer of all time. His final resting place is a 47 00:03:31,360 --> 00:03:35,000 Speaker 1: monument to his stature. A great stone arch emblazoned with 48 00:03:35,080 --> 00:03:38,160 Speaker 1: the title of his greatest hit, He Stopped Loving Her Today, 49 00:03:38,480 --> 00:03:41,360 Speaker 1: gives shade to an etched portrait of Jones, along with 50 00:03:41,400 --> 00:03:45,560 Speaker 1: an etched acoustic guitar in enlarged letters, his inscribed nickname, 51 00:03:45,840 --> 00:03:50,400 Speaker 1: the Possum. By contrast, the grave of George Jones' good 52 00:03:50,440 --> 00:03:54,320 Speaker 1: friend Johnny Paycheck is almost forgettable. It's a small stone 53 00:03:54,360 --> 00:03:56,960 Speaker 1: with just Johnny's name, his birth and death dates, and 54 00:03:57,040 --> 00:04:00,240 Speaker 1: etchings of an acoustic guitar and a fiddle, and Georges 55 00:04:00,280 --> 00:04:03,480 Speaker 1: paid for it, and George also paid for Johnny's funeral, 56 00:04:04,120 --> 00:04:09,040 Speaker 1: and somewhat surprisingly, Nashville showed up underneath the high ceilings 57 00:04:09,080 --> 00:04:12,600 Speaker 1: and stained glass windows of Woodlawn's Cathedral, a who's who 58 00:04:12,600 --> 00:04:15,320 Speaker 1: of country music at the time, who somehow managed to 59 00:04:15,360 --> 00:04:18,640 Speaker 1: not be alienated by Johnny Paycheck during his career, or 60 00:04:18,640 --> 00:04:20,840 Speaker 1: who somehow found it in their hearts to forgive Johnny 61 00:04:20,839 --> 00:04:24,440 Speaker 1: Paycheck for as many Transgressions assembled to see the legendary 62 00:04:24,440 --> 00:04:28,960 Speaker 1: hardcore troubadore off Trace Adkins and Little Jimmy Dickens, along 63 00:04:29,000 --> 00:04:31,839 Speaker 1: with Jones with a bold faced name, musicians and attendance, 64 00:04:32,480 --> 00:04:37,520 Speaker 1: local DJ's, record executives, Sunglass Nightclub Impresario's Sidemen, Music Rose 65 00:04:37,560 --> 00:04:41,360 Speaker 1: song pluggers, and a whole pew'sworth of Hell's Angels sat 66 00:04:41,440 --> 00:04:46,279 Speaker 1: to listen to the eulogy. Eddie Stubbs, the WSMAM DJ, 67 00:04:46,440 --> 00:04:49,960 Speaker 1: delivered it with reverence and poise, saying of Johnny Paycheck, 68 00:04:50,360 --> 00:04:53,560 Speaker 1: he was a complicated man. That's one way of putting it. 69 00:04:54,200 --> 00:04:56,520 Speaker 1: Another way would be to say he was a raging 70 00:04:56,520 --> 00:04:59,920 Speaker 1: alcoholic coke fiend who, despite his success, and unlike Porter Wack, 71 00:05:00,720 --> 00:05:05,320 Speaker 1: could never be satisfied. Paycheck was a hardcore musician that 72 00:05:05,440 --> 00:05:08,880 Speaker 1: rare combination of talent and authenticity that needn't be tended to. 73 00:05:09,640 --> 00:05:13,440 Speaker 1: He just was a truly unique voice, a good enough 74 00:05:13,480 --> 00:05:15,680 Speaker 1: player back in the day to back Ray Price and 75 00:05:15,760 --> 00:05:19,680 Speaker 1: George Jones, And despite having his biggest hit, Take This 76 00:05:19,800 --> 00:05:23,480 Speaker 1: Job and Shove It penned by someone else, Johnny Paycheck 77 00:05:23,560 --> 00:05:27,800 Speaker 1: was an excellent songwriter whose songs, particularly Pardon Me have 78 00:05:27,920 --> 00:05:31,479 Speaker 1: Got Someone to Kill in that Old Violin, are uniquely 79 00:05:31,480 --> 00:05:35,360 Speaker 1: identifiable as his own, incapable of being written by anyone else, 80 00:05:35,800 --> 00:05:41,839 Speaker 1: immensely resonant in the very definition of real hardcore. Other 81 00:05:41,920 --> 00:05:45,800 Speaker 1: than the star studded attendees, the funeral was pretty much unremarkable, 82 00:05:46,040 --> 00:05:48,719 Speaker 1: which is saying something. Given who was being laid out, 83 00:05:49,360 --> 00:05:53,200 Speaker 1: Johnny Paycheck was anything but unremarkable. From an early age 84 00:05:53,240 --> 00:05:55,599 Speaker 1: he gave zero fox and last anyone checked. On the 85 00:05:55,640 --> 00:05:57,960 Speaker 1: day he was buried, there was still little proof that 86 00:05:58,000 --> 00:06:23,400 Speaker 1: he wasn't born. Standing up and talking about the first 87 00:06:23,440 --> 00:06:26,440 Speaker 1: punch didn't sound like much, but Donnie could feel the 88 00:06:26,440 --> 00:06:28,960 Speaker 1: impact he'd made by the blood rippling out from under 89 00:06:29,000 --> 00:06:33,600 Speaker 1: his knuckles. The second punch. Now, that punch sounded like something. 90 00:06:34,560 --> 00:06:37,040 Speaker 1: Even with the sounds of waves crashing into the side 91 00:06:37,080 --> 00:06:39,679 Speaker 1: of the Navy aircraft carrier they were on, the punch 92 00:06:39,720 --> 00:06:42,599 Speaker 1: could still be heard, but it didn't land with the 93 00:06:42,640 --> 00:06:46,280 Speaker 1: desired effect. The dude was still on his feet, wavering, 94 00:06:46,600 --> 00:06:48,839 Speaker 1: perhaps aided by the steady ebb and flow of the 95 00:06:48,880 --> 00:06:52,360 Speaker 1: ship on the ocean's surface, and the dude swung wildly, 96 00:06:52,680 --> 00:06:54,920 Speaker 1: too wild to get a real swing in on Donnie. 97 00:06:55,160 --> 00:06:58,080 Speaker 1: Donnie was wiry quick. He dodged to his right, and 98 00:06:58,080 --> 00:07:01,520 Speaker 1: the dude's fist barely graced the left side of his head. However, 99 00:07:01,760 --> 00:07:04,880 Speaker 1: it was enough to send Donnie into a blind rage. 100 00:07:04,960 --> 00:07:08,279 Speaker 1: He fired off a string of punches, fast, furious, each 101 00:07:08,279 --> 00:07:11,200 Speaker 1: one landing more solidly than the one before, until finally 102 00:07:11,240 --> 00:07:14,200 Speaker 1: the dude fell to the deck, and Donnie barely had 103 00:07:14,200 --> 00:07:16,920 Speaker 1: time to feel good about himself. Within seconds, he was 104 00:07:16,960 --> 00:07:19,160 Speaker 1: being wrestled to the floor by a group of sailors 105 00:07:19,280 --> 00:07:22,160 Speaker 1: who'd come up behind him. He struggled, but it was 106 00:07:22,160 --> 00:07:26,240 Speaker 1: no use. He was cuffed, shipped off to the mainland, jailed, escaped, 107 00:07:26,480 --> 00:07:30,080 Speaker 1: was caught, escaped again, was caught again, tried, and sentenced 108 00:07:30,120 --> 00:07:35,880 Speaker 1: to eighteen years for assaulting his superior naval officer. Somehow 109 00:07:36,200 --> 00:07:39,000 Speaker 1: his sentence was reduced to two years, and in nineteen 110 00:07:39,080 --> 00:07:42,080 Speaker 1: fifty nine, Little Donny Little, fresh out of the brig 111 00:07:42,280 --> 00:07:44,560 Speaker 1: headed to Nashville, Tennessee, to make his name in the 112 00:07:44,560 --> 00:07:47,320 Speaker 1: world of country music, and the name he made for 113 00:07:47,440 --> 00:07:51,360 Speaker 1: himself was Johnny Paycheck, after a heavyweight boxer who once 114 00:07:51,400 --> 00:07:54,280 Speaker 1: went toe to toe with Joe Lewis, in whose pugnacious 115 00:07:54,280 --> 00:07:59,560 Speaker 1: attitude Donnie admired, and after stints backing George Jones, Farren Young, 116 00:07:59,640 --> 00:08:02,920 Speaker 1: and other Johnny caught the ear of producer Aubrey Mayhew, 117 00:08:03,920 --> 00:08:06,560 Speaker 1: and Mayhoo was smart enough to design a sound that 118 00:08:06,640 --> 00:08:10,280 Speaker 1: was as big as Johnny's own personality. With Lloyd Green's 119 00:08:10,280 --> 00:08:13,360 Speaker 1: shredding and loud steel guitar and two fiddles up front 120 00:08:13,360 --> 00:08:16,480 Speaker 1: in the mix, the sound of Johnny Paycheck the Musician 121 00:08:17,040 --> 00:08:20,600 Speaker 1: was as tough as Johnny Paycheck the man, but the 122 00:08:20,640 --> 00:08:25,080 Speaker 1: main attraction was Johnny's voice. It refused to conform to 123 00:08:25,160 --> 00:08:28,760 Speaker 1: the standards of country music diction and melody. It sounded 124 00:08:28,800 --> 00:08:32,760 Speaker 1: more cock Need than Chattanooga. Words like night came out 125 00:08:32,800 --> 00:08:37,240 Speaker 1: his mouth sounding like noight, and time like toyme. They 126 00:08:37,240 --> 00:08:39,120 Speaker 1: sound silly coming out of my mouth right now. But 127 00:08:39,200 --> 00:08:41,960 Speaker 1: trust me, go listen to the original version of Johnny 128 00:08:41,960 --> 00:08:45,800 Speaker 1: Paycheck's a eleven. It's wild, it's totally something else, and 129 00:08:45,880 --> 00:08:47,960 Speaker 1: both now to this day and then, which is why 130 00:08:48,000 --> 00:08:51,920 Speaker 1: it was a hit in nineteen sixty five. Success led 131 00:08:51,920 --> 00:08:55,840 Speaker 1: to excess more drinking, drugging, pissing in the punch bowl, 132 00:08:55,880 --> 00:08:59,880 Speaker 1: literally and figuratively, forged checks, petty theft, rumors about sex 133 00:09:00,160 --> 00:09:03,400 Speaker 1: with underage girls, and eventually Johnny quickly burnt his way 134 00:09:03,400 --> 00:09:06,120 Speaker 1: out of Nashville and for unknown reasons, to San Diego 135 00:09:06,520 --> 00:09:09,079 Speaker 1: and then a brief stint on LA's skid row where 136 00:09:09,120 --> 00:09:11,960 Speaker 1: he was forced to play music for beer money, and 137 00:09:12,040 --> 00:09:14,640 Speaker 1: he eventually ended up in Denver, where he likely would 138 00:09:14,640 --> 00:09:17,400 Speaker 1: have drank himself into an early Rocky Mountain grave had 139 00:09:17,400 --> 00:09:20,280 Speaker 1: it not been for the intervention of famed country producer 140 00:09:20,559 --> 00:09:24,800 Speaker 1: Billy Charrell, who'd sometime earlier made it his mission to 141 00:09:24,880 --> 00:09:29,840 Speaker 1: locate the drifting Paycheck and wrangle him back into the studio. 142 00:09:30,080 --> 00:09:32,679 Speaker 1: Charelle knew a unique talent when he heard one. It 143 00:09:32,760 --> 00:09:36,480 Speaker 1: was convinced that Johnny's bizarro voice and hard edged attitude 144 00:09:36,520 --> 00:09:39,760 Speaker 1: would contrast perfectly over the country Politan's style he was 145 00:09:39,760 --> 00:09:44,120 Speaker 1: perfecting back in Nashville, and Billy Charrelle was right. Their 146 00:09:44,160 --> 00:09:47,960 Speaker 1: first collaboration, Don't Take Her, She's All I Got is 147 00:09:48,000 --> 00:09:50,880 Speaker 1: as close to being a perfect recording as you can get. 148 00:09:51,280 --> 00:09:53,439 Speaker 1: When the aliens come and want to know what country 149 00:09:53,520 --> 00:09:56,080 Speaker 1: music sounds like, you'd do good to play them this 150 00:09:56,200 --> 00:10:00,520 Speaker 1: number two country smash from nineteen seventy one. But again, 151 00:10:00,640 --> 00:10:04,200 Speaker 1: despite his success, or perhaps because of it, Johnny Paycheck 152 00:10:04,200 --> 00:10:07,600 Speaker 1: couldn't help but find more trouble. It was in his blood, 153 00:10:07,920 --> 00:10:11,880 Speaker 1: it was who he was. He was hardcore and success 154 00:10:11,920 --> 00:10:16,040 Speaker 1: didn't matter. Neither did failure. Johnny Paycheck lived hard no 155 00:10:16,120 --> 00:10:20,560 Speaker 1: matter life circumstance. That's all success or failure were to Johnny, 156 00:10:20,720 --> 00:10:24,960 Speaker 1: just circumstance. He believed that he himself had no influence 157 00:10:25,120 --> 00:10:27,560 Speaker 1: over how his career turned out, and there was no 158 00:10:27,640 --> 00:10:31,880 Speaker 1: ambition or lack of ambition. He simply just was. Things 159 00:10:31,880 --> 00:10:34,760 Speaker 1: either happened to him or they didn't. Music was a trade, 160 00:10:34,920 --> 00:10:37,600 Speaker 1: no different than fixing cars was to a mechanic or 161 00:10:37,640 --> 00:10:41,720 Speaker 1: fixing toilets was to a plumber. Successful plumbers don't seek 162 00:10:41,760 --> 00:10:44,480 Speaker 1: out and find success, and Johnny's estimation, they got what 163 00:10:44,520 --> 00:10:47,000 Speaker 1: they got through luck of the draw lots of busted 164 00:10:47,000 --> 00:10:50,360 Speaker 1: toilets in their hometowns or whatever, and after work, like 165 00:10:50,440 --> 00:10:54,600 Speaker 1: everyone else, they blew off steam. So when Johnny clocked out, 166 00:10:55,000 --> 00:10:57,360 Speaker 1: he too made it his business to get down to 167 00:10:57,440 --> 00:11:04,320 Speaker 1: business drinking, fucking, fighting, not necessarily in that order, instead 168 00:11:04,360 --> 00:11:07,080 Speaker 1: in any damn order he pleased. It was his life 169 00:11:07,080 --> 00:11:09,440 Speaker 1: and he'd do what he dan well wanted whenever he wanted. 170 00:11:09,880 --> 00:11:11,439 Speaker 1: And if you couldn't get with that, then he could 171 00:11:11,480 --> 00:11:13,880 Speaker 1: just get the hell out of his way, or else 172 00:11:15,559 --> 00:11:21,200 Speaker 1: We'll be right back after this word. We're We're the 173 00:11:21,240 --> 00:11:25,200 Speaker 1: Hell's Angels. Weren't dicking around, friend or no friend. They 174 00:11:25,200 --> 00:11:27,360 Speaker 1: weren't gonna let the man who showed no show jones 175 00:11:27,400 --> 00:11:30,240 Speaker 1: how to not show fuck up their party. And they 176 00:11:30,320 --> 00:11:32,680 Speaker 1: like Johnny paycheck, sure, but if he pulled any shit 177 00:11:32,800 --> 00:11:34,760 Speaker 1: like he did back at the Chili Factory in Santa 178 00:11:34,800 --> 00:11:37,160 Speaker 1: Barbara where he fell off the stage too drunk and 179 00:11:37,200 --> 00:11:39,920 Speaker 1: too stone to play the gig, they'd be hell to pay. 180 00:11:41,320 --> 00:11:44,600 Speaker 1: George Christi, the Hell's Angels Ventura club leader, was throwing 181 00:11:44,640 --> 00:11:48,400 Speaker 1: a party and it hired Johnny to play. George knew 182 00:11:48,400 --> 00:11:51,360 Speaker 1: there was zero chance Johnny would arrive and show for him, 183 00:11:51,679 --> 00:11:53,440 Speaker 1: and he knew that while on the plane, Johnny would 184 00:11:53,480 --> 00:11:56,400 Speaker 1: just be Johnny, take his pills, drain the planes minibar, 185 00:11:56,559 --> 00:11:59,400 Speaker 1: flirt with the stewardess or two, get himself wasted, and 186 00:11:59,480 --> 00:12:03,960 Speaker 1: ultimately arrive legless and unable to perform. So George had 187 00:12:04,000 --> 00:12:06,800 Speaker 1: a plan. He let Johnny believe that he was playing 188 00:12:06,840 --> 00:12:10,000 Speaker 1: the show that Thursday night upon arrival, but the party 189 00:12:10,040 --> 00:12:13,120 Speaker 1: was actually planned for two nights later. On that Saturday. 190 00:12:14,400 --> 00:12:18,040 Speaker 1: When Johnny landed at the airport Hammered, there were two big, 191 00:12:18,120 --> 00:12:21,800 Speaker 1: bad looking Hell's Angels waiting for him, one named Garbage 192 00:12:21,840 --> 00:12:25,079 Speaker 1: aka Garbage and the other named Tiny, who of course 193 00:12:25,120 --> 00:12:28,000 Speaker 1: weighed four hundred pounds, and they took Johnny back to 194 00:12:28,040 --> 00:12:30,719 Speaker 1: his hotel room, where he believed he'd be popping in 195 00:12:30,760 --> 00:12:33,600 Speaker 1: for a cold shower, some black coffee, and a bump 196 00:12:33,679 --> 00:12:36,280 Speaker 1: or two from the bindle of coke he successfully squirreled 197 00:12:36,280 --> 00:12:39,240 Speaker 1: on and off of the plane. Little did he know 198 00:12:39,480 --> 00:12:42,160 Speaker 1: he wouldn't be going anywhere, and there would be no coke. 199 00:12:42,960 --> 00:12:46,640 Speaker 1: Worse than that, no mini bar, no drugs or alcohol 200 00:12:46,679 --> 00:12:50,680 Speaker 1: of any kind, just coffee, cigarettes, and shitty fast food 201 00:12:50,720 --> 00:12:53,160 Speaker 1: brought in by Tiny's old lady, who was staying nearby, 202 00:12:54,240 --> 00:12:57,079 Speaker 1: and Johnny was livid. At first, he tried to head 203 00:12:57,120 --> 00:12:59,120 Speaker 1: into the bathroom to do his blow, but Tiny made 204 00:12:59,160 --> 00:13:02,839 Speaker 1: him empty his pocket beforehand, and when Johnny refused, Tiny 205 00:13:02,840 --> 00:13:05,640 Speaker 1: stuffed his fat figures into Johnny's greasy jean pockets. Had 206 00:13:05,640 --> 00:13:09,400 Speaker 1: found what he was looking for, Johnny's coke, and Johnny 207 00:13:09,440 --> 00:13:11,440 Speaker 1: then made a run for the motel room door, but 208 00:13:11,559 --> 00:13:14,640 Speaker 1: was quickly snapped up by Garbage, who tossed Johnny back 209 00:13:14,679 --> 00:13:17,040 Speaker 1: onto the bed, where he flopped down into an open 210 00:13:17,080 --> 00:13:20,320 Speaker 1: pizza box and a half eaten pie. And Johnny tried 211 00:13:20,320 --> 00:13:23,880 Speaker 1: again for the door, this time Tiny clothes lined him, 212 00:13:24,480 --> 00:13:27,320 Speaker 1: and Johnny's wiry little coke head frame peeled backward and 213 00:13:27,320 --> 00:13:29,920 Speaker 1: fell hard onto the motel room floor, where he curled 214 00:13:30,000 --> 00:13:33,040 Speaker 1: up into a ball, closed his eyes, clinched his fists, 215 00:13:33,040 --> 00:13:36,200 Speaker 1: and accepted his fate. He steeled himself for a long 216 00:13:36,320 --> 00:13:43,280 Speaker 1: night of Noah's substances, and Friday morning finally came. Johnny 217 00:13:43,280 --> 00:13:45,680 Speaker 1: woke up and tried his best to convince Tiny to 218 00:13:45,720 --> 00:13:49,320 Speaker 1: go find him a joint, but Tiny wouldn't budge, so 219 00:13:49,440 --> 00:13:53,760 Speaker 1: instead Johnny chain smoked cigarettes, gorged on candy bars and 220 00:13:53,880 --> 00:13:57,160 Speaker 1: coca Cola. He sat on the motel bed and watched 221 00:13:57,200 --> 00:14:01,199 Speaker 1: Creature double feature reruns Godzilla Versus Mech go on Wild. 222 00:14:02,000 --> 00:14:04,480 Speaker 1: By dinner time, he started plucking at his guitar and 223 00:14:04,600 --> 00:14:07,400 Speaker 1: modeling the lyrics to his biggest hit to date, Take 224 00:14:07,440 --> 00:14:10,400 Speaker 1: this Job and Shove It and Ode to the working Man, 225 00:14:10,640 --> 00:14:14,240 Speaker 1: an outlaw anthem. The song was a smash, in part 226 00:14:14,280 --> 00:14:16,680 Speaker 1: because it was catchy as hell, but also because America 227 00:14:16,720 --> 00:14:21,480 Speaker 1: had caught up to Johnny Paycheck. America in the nineteen 228 00:14:21,560 --> 00:14:24,840 Speaker 1: seventies was searching for itself between the post hippie Hayes 229 00:14:24,920 --> 00:14:28,200 Speaker 1: of the sixties and the Greed is Good Gordon Gecko eighties. 230 00:14:29,120 --> 00:14:32,200 Speaker 1: In the process, while stumbling through its own cultural wilderness, 231 00:14:32,560 --> 00:14:37,000 Speaker 1: America gave rise to outlaw culture. Suddenly renegades were in fashion. 232 00:14:37,760 --> 00:14:40,760 Speaker 1: Burt Reynolds Smoking in the Bandit and John Travolta's Urban 233 00:14:40,800 --> 00:14:44,280 Speaker 1: Cowboy brought black hats and bad attitudes to the mainstream, 234 00:14:44,520 --> 00:14:48,320 Speaker 1: and thus an inevitable backlash happened, where real country stars 235 00:14:48,600 --> 00:14:52,080 Speaker 1: started looking less like cowboys or Hollywood pretty boys playing 236 00:14:52,080 --> 00:14:55,920 Speaker 1: cowboys and more like pirates or perhaps more accurate, like 237 00:14:56,000 --> 00:15:00,840 Speaker 1: bike gangs like Hell's Angels. Willie Nelson Yalen Jennings and 238 00:15:00,920 --> 00:15:04,840 Speaker 1: Johnny Cash most famously adopted this outlaw image, and Charlie 239 00:15:04,920 --> 00:15:07,560 Speaker 1: Daniels seemed hell bent on driving the image straight into 240 00:15:07,600 --> 00:15:11,360 Speaker 1: the cheese factory. But Johnny Paycheck not only looked the part, 241 00:15:11,840 --> 00:15:14,720 Speaker 1: he lived it. He'd been living the outlaw of life 242 00:15:14,800 --> 00:15:17,680 Speaker 1: day and night since he was nine years old, since 243 00:15:17,720 --> 00:15:20,200 Speaker 1: he first picked up a guitar, since he first jumped 244 00:15:20,200 --> 00:15:23,240 Speaker 1: the train like his hero of the singing Breakman, Jimmy Rogers. 245 00:15:24,200 --> 00:15:27,680 Speaker 1: So thirty years later in nineteen seventy seven, when he 246 00:15:27,760 --> 00:15:30,400 Speaker 1: released Take This Job and Shove It, it was no 247 00:15:30,520 --> 00:15:36,239 Speaker 1: surprise that it went to number one. It was real, authentic, hardcore, 248 00:15:37,000 --> 00:15:43,480 Speaker 1: hardcore Honky Tonk and America could handle it, and Johnny 249 00:15:43,520 --> 00:15:45,880 Speaker 1: was handling his boat with sobriety as best he could. 250 00:15:46,520 --> 00:15:49,080 Speaker 1: He passed out in bed with his telecaster at his side, 251 00:15:49,160 --> 00:15:51,200 Speaker 1: and awoke Saturday morning to spend the rest of the 252 00:15:51,280 --> 00:15:55,800 Speaker 1: day getting ready for the gig, singing, playing, doing pushups. 253 00:15:56,200 --> 00:15:59,480 Speaker 1: He even read a newspaper man he thought that Jimmy 254 00:15:59,480 --> 00:16:02,320 Speaker 1: Carter Show seemed like a pussy. By the time the 255 00:16:02,360 --> 00:16:07,760 Speaker 1: sun went down, Johnny was ready to play. George Christy 256 00:16:07,840 --> 00:16:11,320 Speaker 1: took the mic front and center. Johnny's band stood quietly, 257 00:16:11,600 --> 00:16:14,840 Speaker 1: their instruments plugged in and ready on stage behind him, 258 00:16:15,080 --> 00:16:17,400 Speaker 1: with the exception of the coueless pedal steel player who 259 00:16:17,440 --> 00:16:19,800 Speaker 1: was loudly trying to tune and bumming out the audience. 260 00:16:20,640 --> 00:16:23,240 Speaker 1: George shot him a look that said, shut that thing up, 261 00:16:23,320 --> 00:16:26,400 Speaker 1: or I'll hog tie you with those steel strings. And 262 00:16:26,480 --> 00:16:30,400 Speaker 1: the audience was giddy, drunk on white lightning, schlitz and excitement, 263 00:16:30,880 --> 00:16:34,800 Speaker 1: hooting hollering, and George cued the band to start their intro. 264 00:16:35,800 --> 00:16:38,120 Speaker 1: The drummer started banging away his kid at one hundred 265 00:16:38,120 --> 00:16:40,880 Speaker 1: and eighty beats per minute. The bass player pebbled from 266 00:16:40,880 --> 00:16:43,720 Speaker 1: the one to the five manically, somehow managing to look 267 00:16:43,760 --> 00:16:46,560 Speaker 1: cool in the process, and the pedal steel player, who 268 00:16:46,680 --> 00:16:49,400 Speaker 1: was two beats behind, frantically looking up from his stool 269 00:16:49,440 --> 00:16:51,640 Speaker 1: to the bassist and sliding his left hand up and 270 00:16:51,680 --> 00:16:54,479 Speaker 1: down the upper neck, trying to keep pace with his bandmates. 271 00:16:55,280 --> 00:16:58,480 Speaker 1: The fiddle player coolly slid his bow across his strings 272 00:16:58,480 --> 00:17:00,600 Speaker 1: and peered out over the body of his instrumitted a 273 00:17:00,600 --> 00:17:03,040 Speaker 1: big busted blonde and a two tight T shirt in 274 00:17:03,040 --> 00:17:07,000 Speaker 1: the front row. She smiled back and somewhere not too 275 00:17:07,080 --> 00:17:11,800 Speaker 1: far away. The Devil smiled too. George leaned into the mic, 276 00:17:11,880 --> 00:17:16,120 Speaker 1: with the band now blazing behind him. Ladies and gentlemen, 277 00:17:16,520 --> 00:17:23,240 Speaker 1: the Hell's Angels probably presented Johnny Paycheck. The audience broke 278 00:17:23,240 --> 00:17:25,480 Speaker 1: into applause while a short dude in a big black 279 00:17:25,520 --> 00:17:27,320 Speaker 1: hat moved through the crowd from the back of the 280 00:17:27,320 --> 00:17:31,240 Speaker 1: beer hall towards the stage. Johnny Paycheck hopped up under 281 00:17:31,240 --> 00:17:33,359 Speaker 1: the riser, and a chobvy rody in a blue satin 282 00:17:33,400 --> 00:17:36,240 Speaker 1: white sleeve jacket appeared out of nowhere with Johnny's TV 283 00:17:36,359 --> 00:17:39,320 Speaker 1: yellow telecaster. The rody was careful not to knock the 284 00:17:39,320 --> 00:17:41,760 Speaker 1: cigarette out of Johnny's mouth while he placed the strap 285 00:17:41,800 --> 00:17:44,760 Speaker 1: over his hat and head and onto his shoulders, and 286 00:17:44,800 --> 00:17:48,040 Speaker 1: with the band still raging behind him, his guitar hanging 287 00:17:48,080 --> 00:17:50,160 Speaker 1: off of him just below the center of his chest 288 00:17:50,240 --> 00:17:53,640 Speaker 1: like a proud Pimps gold medallion, Johnny grabbed the mic 289 00:17:53,680 --> 00:17:56,520 Speaker 1: with two hands and gave the crowd a loud quick 290 00:17:56,760 --> 00:17:59,720 Speaker 1: well all right, And with that he raised his right 291 00:17:59,760 --> 00:18:02,480 Speaker 1: hand and stomped his left foot, queuing the band to 292 00:18:02,560 --> 00:18:08,760 Speaker 1: abruptly halt. The crowd was brimming with excitement. Johnny's beady 293 00:18:08,760 --> 00:18:12,000 Speaker 1: little eyes surveyed the crowd. He cocked his head back 294 00:18:12,359 --> 00:18:15,560 Speaker 1: and then lowered his chin toward the microphone, slowly and 295 00:18:15,640 --> 00:18:20,560 Speaker 1: in his deepest, baddest baritone, saying, take this job and 296 00:18:20,720 --> 00:18:27,080 Speaker 1: shove it. The crowd nearly pissed themselves with excitement. They screamed, 297 00:18:27,240 --> 00:18:29,760 Speaker 1: held their cowboy hats to the sky, and busted into 298 00:18:29,880 --> 00:18:32,280 Speaker 1: dance while singing along with one of their own, the 299 00:18:32,320 --> 00:18:37,000 Speaker 1: hardcore troubadour Johnny Paycheck, his beer belly barreling out of 300 00:18:37,000 --> 00:18:40,120 Speaker 1: his red, white and blue suspenders, his long greasy hair 301 00:18:40,200 --> 00:18:43,400 Speaker 1: sliding down the sides of his face alongside his chiseled cheekbones, 302 00:18:43,440 --> 00:18:45,879 Speaker 1: and out of his black hat, a stetson with a 303 00:18:45,920 --> 00:18:50,320 Speaker 1: small but dazzled Confederate flag front and center. The stetson, 304 00:18:50,480 --> 00:18:53,119 Speaker 1: whose time on stage would be short lived, as it 305 00:18:53,160 --> 00:18:57,520 Speaker 1: always was, was strictly for show, for introductory purposes. It 306 00:18:57,560 --> 00:18:59,879 Speaker 1: was part of the uniform. It got Johnny in the 307 00:19:00,200 --> 00:19:03,680 Speaker 1: or established him a country. But after the first song 308 00:19:04,040 --> 00:19:08,080 Speaker 1: it was gone, replaced by the outlaw's headband, one of 309 00:19:08,119 --> 00:19:12,560 Speaker 1: those classic blue and white Paisley handkerchiefs rolled tight, making 310 00:19:12,600 --> 00:19:15,520 Speaker 1: him look more like a heroin trafficking Vietnam VET than 311 00:19:15,560 --> 00:19:19,560 Speaker 1: a cowboy country singer that cowboy shit was for the movies. 312 00:19:20,400 --> 00:19:39,359 Speaker 1: Johnny Paycheck was hardcore. After the success of Take This 313 00:19:39,520 --> 00:19:42,760 Speaker 1: Job and Shove It, Johnny Paycheck morphed into a parody 314 00:19:42,760 --> 00:19:46,240 Speaker 1: of himself, the outlaw country singer, driving his life away 315 00:19:46,280 --> 00:19:49,400 Speaker 1: through whiskey, women in song, mountains of cocaine, and pretty 316 00:19:49,480 --> 00:19:51,639 Speaker 1: much any other narcotic he could get his hands on. 317 00:19:52,600 --> 00:19:56,639 Speaker 1: The hardcore outlaw lifestyle. It never stopped. Even after the 318 00:19:56,720 --> 00:20:01,680 Speaker 1: success of Take This Job and Shove It had Johnny 319 00:20:01,680 --> 00:20:03,960 Speaker 1: Paycheck was at the bottom again, and he was headed 320 00:20:04,040 --> 00:20:08,440 Speaker 1: up north on Interstate sixty five from Nashville home to Greenfield, Ohio, 321 00:20:08,640 --> 00:20:12,360 Speaker 1: to see his mother for the holidays. It was Deceummer nineteenth, 322 00:20:12,440 --> 00:20:15,399 Speaker 1: nineteen eighty five, and Johnny thought to himself that he 323 00:20:15,480 --> 00:20:18,360 Speaker 1: was thankful to live in a country that still celebrated Christmas. 324 00:20:19,400 --> 00:20:21,480 Speaker 1: But he didn't think it would be that way much longer. 325 00:20:22,200 --> 00:20:24,679 Speaker 1: He knew that all the outlaws had it coming, and 326 00:20:24,720 --> 00:20:26,760 Speaker 1: that even that long haired freak with the crown of 327 00:20:26,760 --> 00:20:30,840 Speaker 1: Thorns bandana Jesus Christ would one day get what was 328 00:20:30,840 --> 00:20:35,040 Speaker 1: coming to him too. America was changing. It might have 329 00:20:35,080 --> 00:20:37,160 Speaker 1: been the eighties, but hippie thinking was like a bad 330 00:20:37,240 --> 00:20:40,960 Speaker 1: hangover that the country just couldn't shake. The asclown baby 331 00:20:41,000 --> 00:20:44,880 Speaker 1: boomers had their touchy feeling nineteen sixties hands all over everything, 332 00:20:45,440 --> 00:20:47,320 Speaker 1: telling you what they thought you wanted to hear, while 333 00:20:47,359 --> 00:20:50,280 Speaker 1: stabbing you in the back at the same time preaching 334 00:20:50,320 --> 00:20:53,199 Speaker 1: community and respect and cheating on their wives with their 335 00:20:53,240 --> 00:20:58,840 Speaker 1: secretaries and latch keying their kids and alienated adolescents. The Boomers, 336 00:20:58,840 --> 00:21:01,359 Speaker 1: with their trendy cycle analytical bunk, made it so you 337 00:21:01,359 --> 00:21:03,520 Speaker 1: couldn't just look a man in the eye anymore and 338 00:21:03,560 --> 00:21:06,120 Speaker 1: tell him how you felt. You had to listen to him. 339 00:21:06,440 --> 00:21:09,280 Speaker 1: You had to respect his feelings. You could no longer 340 00:21:09,359 --> 00:21:11,640 Speaker 1: just tell your boss to take this job and shove it. 341 00:21:12,119 --> 00:21:14,440 Speaker 1: You had to go to employee counseling with your manager 342 00:21:14,480 --> 00:21:17,320 Speaker 1: and work out your differences. Or if you fell in love, 343 00:21:17,760 --> 00:21:20,200 Speaker 1: you couldn't just tell the person no. That would be 344 00:21:20,240 --> 00:21:24,520 Speaker 1: too direct, too smothering. If you love someone, you had 345 00:21:24,560 --> 00:21:26,919 Speaker 1: to set them free, and what the hell did that 346 00:21:26,960 --> 00:21:29,920 Speaker 1: even mean? Anyways? If you love someone, set them free? 347 00:21:30,320 --> 00:21:33,719 Speaker 1: Fucked this outlaws said what needed saying and did what 348 00:21:33,800 --> 00:21:38,040 Speaker 1: needed doing. Thinking about all this made his head hurt. 349 00:21:38,680 --> 00:21:41,720 Speaker 1: He needed a drink, especially to get himself primed to 350 00:21:41,720 --> 00:21:44,800 Speaker 1: deal with his mother, Johnny pulled off Highway seventy one 351 00:21:44,840 --> 00:21:47,480 Speaker 1: in Hillsborough and into the North High Lounge parking lot. 352 00:21:47,960 --> 00:21:50,639 Speaker 1: He grabbed a seat at the bar, ordered a bud bottle, 353 00:21:51,000 --> 00:21:53,359 Speaker 1: tilted the brim of his black stats and down low 354 00:21:53,400 --> 00:21:56,320 Speaker 1: over his forehead, and listened to his old friend George 355 00:21:56,400 --> 00:21:59,560 Speaker 1: Jones filled the smoky lounge air from the Seabird jukebox 356 00:21:59,560 --> 00:22:04,480 Speaker 1: in the back corner. Then, after George, Johnny heard his 357 00:22:04,520 --> 00:22:07,520 Speaker 1: own voice coming from the jukebox. It was his nineteen 358 00:22:07,600 --> 00:22:10,480 Speaker 1: sixty six classic Pardon Me, I've Got Someone to Kill. 359 00:22:11,520 --> 00:22:14,800 Speaker 1: Lloyd Green's pedal steel intro still sounded dark and evil 360 00:22:14,840 --> 00:22:18,760 Speaker 1: as ever, and Johnny's voice rang out. It never had 361 00:22:18,760 --> 00:22:22,080 Speaker 1: a finer moment, and his lyrics never had more menace. 362 00:22:23,600 --> 00:22:26,240 Speaker 1: Johnny's eyes were closed as he listened and sipped ice 363 00:22:26,280 --> 00:22:29,040 Speaker 1: cold bud from a bar bottle, and for a moment 364 00:22:29,480 --> 00:22:34,280 Speaker 1: there was zen. He just was. Then it was giggling. 365 00:22:35,200 --> 00:22:37,040 Speaker 1: Johnny snapped out of it and turned to the sound 366 00:22:37,080 --> 00:22:40,280 Speaker 1: of laughter behind him at the back wall. Huddled around 367 00:22:40,280 --> 00:22:43,000 Speaker 1: the jukebox were two men laughing and staring at Johnny, 368 00:22:43,680 --> 00:22:48,240 Speaker 1: pointing snickering under the breath taking turns, clowning about, and 369 00:22:48,280 --> 00:22:52,680 Speaker 1: aping Johnny's unique voice, making wide eyed hehaw facial expressions. 370 00:22:53,359 --> 00:22:58,000 Speaker 1: The fuck Johnny tried ignoring them, turned his head, closed 371 00:22:58,040 --> 00:23:00,800 Speaker 1: his eyes, and smoothed out his thick mustache with his 372 00:23:00,800 --> 00:23:03,199 Speaker 1: thumb and index finger while continuing to listen to his 373 00:23:03,280 --> 00:23:07,479 Speaker 1: voice filled the air, But the snickering continued, and Johnny 374 00:23:07,480 --> 00:23:11,640 Speaker 1: felt his blood begin to boil. One of the giggling 375 00:23:11,720 --> 00:23:14,160 Speaker 1: so called men was now standing next to Johnny at 376 00:23:14,160 --> 00:23:17,320 Speaker 1: the bar. Well, I'll be damned, look a here, it's 377 00:23:17,440 --> 00:23:21,600 Speaker 1: Charlie Daniels. The fuck. Johnny turned his head slowly to 378 00:23:21,640 --> 00:23:25,080 Speaker 1: size up the smart mouth standing to his right. Excuse me, 379 00:23:26,320 --> 00:23:28,520 Speaker 1: I'm just playing. We know who you are. Take this 380 00:23:28,600 --> 00:23:32,320 Speaker 1: job and shove it. You're Johnny Paycheck, Greenfield's own celebrity. 381 00:23:32,760 --> 00:23:35,520 Speaker 1: How you like Greenfield? Anyway? Got enough turtles for you? 382 00:23:37,000 --> 00:23:40,680 Speaker 1: What did you just say? Turtles? You know for soup? 383 00:23:41,160 --> 00:23:43,000 Speaker 1: That's what all you read? Next up in Hillsboro? Eat, 384 00:23:43,040 --> 00:23:45,960 Speaker 1: ain't it turtle soup? Oh? Of course? Maybe if you know, 385 00:23:46,040 --> 00:23:48,440 Speaker 1: Count Daddy could afford bullets and you'd be eating dear meat, 386 00:23:49,160 --> 00:23:51,840 Speaker 1: that is, if you're lucky. Am I right? What did 387 00:23:51,840 --> 00:23:53,960 Speaker 1: you just say to me you see me as some 388 00:23:54,080 --> 00:23:58,040 Speaker 1: kind of country hick. Johnny reached down to his side 389 00:23:58,080 --> 00:24:00,760 Speaker 1: and pulled his piece, a twenty two aliber pistol, and 390 00:24:00,800 --> 00:24:02,520 Speaker 1: shoved it in the face of the smart mouth, who, 391 00:24:02,520 --> 00:24:04,760 Speaker 1: without a second's thought, broke into a sprint toward the 392 00:24:04,800 --> 00:24:07,439 Speaker 1: barroom exit. Johnny got up out of his stool and 393 00:24:07,440 --> 00:24:10,440 Speaker 1: took aim. He fired the shot, blew off the smart 394 00:24:10,480 --> 00:24:13,479 Speaker 1: mouth's hat, and grazed his scalp. He fell to the floor, 395 00:24:13,520 --> 00:24:16,960 Speaker 1: bleeding badly from above his eye. The local cops, all 396 00:24:17,040 --> 00:24:19,679 Speaker 1: two of them, not including the dispatcher, were on the 397 00:24:19,720 --> 00:24:26,040 Speaker 1: scene in no time, and Johnny Paycheck was arrested and 398 00:24:26,119 --> 00:24:30,000 Speaker 1: held on fifty thousand dollars bail. His old friend George 399 00:24:30,080 --> 00:24:34,040 Speaker 1: Jones posted it for him. While awaiting trial, another one 400 00:24:34,040 --> 00:24:37,280 Speaker 1: of Johnny's friends, Jerry Lee Lewis, played a benefit concert 401 00:24:37,320 --> 00:24:40,800 Speaker 1: to help raise money for Johnny's legal fees, but no 402 00:24:40,880 --> 00:24:44,080 Speaker 1: amount of bread would make a difference. Johnny's plea of 403 00:24:44,119 --> 00:24:47,440 Speaker 1: self defense fell on deaf ears, and the judge wasn't 404 00:24:47,440 --> 00:24:51,159 Speaker 1: interested in hearing this tired outlaws sad song, so he 405 00:24:51,200 --> 00:24:54,439 Speaker 1: slapped Johnny Paycheck with a seven year prison sentence and 406 00:24:54,560 --> 00:24:57,600 Speaker 1: In the end, the outlaw felt what was coming to 407 00:24:57,680 --> 00:25:15,520 Speaker 1: him hardcore. I'm Jake Brennan. This this Disgraceland. Disgraceland was 408 00:25:15,560 --> 00:25:18,119 Speaker 1: created by Yours Truly and is produced in partnership with 409 00:25:18,240 --> 00:25:21,280 Speaker 1: Double Elvis. Credits for this episode can be found on 410 00:25:21,320 --> 00:25:24,920 Speaker 1: the show notes page at disgracelampod dot com. If you're 411 00:25:24,960 --> 00:25:27,919 Speaker 1: listening as a Disgraceland All Access member, thank you for 412 00:25:27,960 --> 00:25:30,800 Speaker 1: supporting the show. We really appreciate it, and if not, 413 00:25:31,040 --> 00:25:33,119 Speaker 1: you can become a member right now by going to 414 00:25:33,160 --> 00:25:38,040 Speaker 1: disgracelampod dot com Slash Membership. Members can listen to every 415 00:25:38,119 --> 00:25:41,959 Speaker 1: episode of Disgraceland ad free, Plus you'll get one brand 416 00:25:41,960 --> 00:25:46,600 Speaker 1: new exclusive episode every month, weekly unscripted bonus episodes, special 417 00:25:46,640 --> 00:25:50,880 Speaker 1: audio collections, and early access to merchandise and events. Visit 418 00:25:50,960 --> 00:25:55,359 Speaker 1: disgracelampod dot com slash membership for details, rate and review 419 00:25:55,400 --> 00:25:57,800 Speaker 1: the show, and follow us on Instagram, TikTok, Twitter and 420 00:25:57,880 --> 00:26:01,960 Speaker 1: Facebook at disgracelampod and on YouTube at YouTube dot com 421 00:26:01,960 --> 00:26:08,600 Speaker 1: slash at disgrace Lampod, Rock and Roller. He's a bad, 422 00:26:08,800 --> 00:26:09,520 Speaker 1: bad man.