WEBVTT - Because of William

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<v Speaker 1>Family Secrets is a production of iHeartRadio.

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<v Speaker 2>This episode contains discussion of suicide. Listener discretion is advised.

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<v Speaker 1>William was a boy. The way they used to make

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<v Speaker 1>them what he would call the platonic ideal of a

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<v Speaker 1>boy building things and breaking them, fixing them back up again.

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<v Speaker 1>But there were two Williams. One was the man with

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<v Speaker 1>no name, the William all of us knew. There was

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<v Speaker 1>another we didn't know, a man who wanted to be named,

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<v Speaker 1>to be known, the William who lived in his own

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<v Speaker 1>secret room. The narrow confines of an interior life with

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<v Speaker 1>space for only one, and a much darker space than

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<v Speaker 1>I'd ever imagined it would be.

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<v Speaker 2>That's Daniel Wallace, author and professor of English at the

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<v Speaker 2>University of North Carolina Chapel Hill, reading from his recent

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<v Speaker 2>memoir This Isn't Going to End well, the true story

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<v Speaker 2>of a man I thought I knew. Sometimes, in our

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<v Speaker 2>most impressionable years, a person comes along who changes the

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<v Speaker 2>course of our lives. We develop a kind of crush

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<v Speaker 2>on that person and model ourselves after them. Daniels is

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<v Speaker 2>a story of just such a relationship, one of emulation

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<v Speaker 2>and unknowability, and finally, the uncovering of a very secret life.

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<v Speaker 2>I'm Danny Shapiro, and this is family secrets, the secrets

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<v Speaker 2>that are kept from us, the secrets we keep from others,

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<v Speaker 2>and the secrets we keep from ourselves.

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<v Speaker 1>I grew up in Birmingham, in Suburbsingham, Homewood at first,

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<v Speaker 1>and then Mountain Brook. Birmingham is this constellation of neighborhoods

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<v Speaker 1>and doesn't really feel like one place, but just this

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<v Speaker 1>collection of places. And my father, when I was in

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<v Speaker 1>sixth grade, after many false starts, started making money, became

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<v Speaker 1>very successful at the work he was doing. He was

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<v Speaker 1>a great salesman. So we moved from Homewood, which is

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<v Speaker 1>a sweet little neighborhood, to a metrorieskier place called Mountain Brook,

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<v Speaker 1>and it had everything. It was a vaunted place to

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<v Speaker 1>live and my mother and father and I lived there

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<v Speaker 1>with my little sister Barry and my two older sisters,

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<v Speaker 1>Holly and Rangely. And it was through this mix and

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<v Speaker 1>mingling of people in ages that was definitely not sequestered.

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<v Speaker 1>We were all part of this hive. I started growing up.

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<v Speaker 2>What was your mother like?

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<v Speaker 1>She was a lot of fun. She was for the

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<v Speaker 1>first few years of my life until I was probably

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<v Speaker 1>in sixth or seventh grade, not employed, worked at home,

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<v Speaker 1>and she and my father had a kind of tepid relationship.

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<v Speaker 1>She was not an admirer I don't think of my father,

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<v Speaker 1>and they were not always at odds, but they were

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<v Speaker 1>always sort of dueling with each other, and there was

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<v Speaker 1>this shimmering hostility and competition that sometimes would boil over.

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<v Speaker 1>But she was really affectionate and did anything, almost anything

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<v Speaker 1>that we asked of her, very very supportive, and was

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<v Speaker 1>there in the beginning in my early life a lot

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<v Speaker 1>more often then my dad was. He had to travel

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<v Speaker 1>so much for his business that he was gone in

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<v Speaker 1>a way that made his return to the house feel

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<v Speaker 1>as if he were a border. We established this routine

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<v Speaker 1>while he was gone, and if he was gone, you know,

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<v Speaker 1>eighteen nineteen days out of the month, we would have

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<v Speaker 1>our own little routines which he would interrupt when he

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<v Speaker 1>would get back. And so he felt that, I think,

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<v Speaker 1>and we felt his presence too, as being something of

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<v Speaker 1>an imposition on the freedoms that my mother allowed us

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<v Speaker 1>to have, as much as we wanted to believe that

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<v Speaker 1>it was this kind of ideal Kennedy esque sort of family,

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<v Speaker 1>which is, you know how we would imagine ourselves being,

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<v Speaker 1>you know, smarter, better looking. Whatever it is that we

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<v Speaker 1>wanted to believe about ourselves wasn't true. When my dad

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<v Speaker 1>found his success, he became the person that he wanted

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<v Speaker 1>to become because he was so so ambitious and so

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<v Speaker 1>hard working. He sort of filled his own shoes and

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<v Speaker 1>saw me, I think, as the next chapter. He never

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<v Speaker 1>had the success that he needed in order to see

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<v Speaker 1>me in his sights as a potential follow up to

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<v Speaker 1>who he was. So one we moved from Homewood, I

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<v Speaker 1>left public school and went to the private school a

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<v Speaker 1>couple of miles away. He and my mother actually were

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<v Speaker 1>no happier with his success. She wasn't really supportive, I

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<v Speaker 1>believe it or not. She had said to him that

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<v Speaker 1>she didn't want him to make more than twenty thousand

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<v Speaker 1>dollars a year because if he did, he would become insufferable.

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<v Speaker 1>So I was in this position of being in this

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<v Speaker 1>private school beginning in sixth grade, wearing ties every day,

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<v Speaker 1>and not really in touch with any sense of myself.

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<v Speaker 1>I tend to think of these years leading up to

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<v Speaker 1>the seventh grade as this continual, almost fetal evolution that

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<v Speaker 1>I am still growing, that I haven't assumed a real

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<v Speaker 1>self yet, and that's when I met William. So I

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<v Speaker 1>came home from school and was standing at the back

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<v Speaker 1>door in the kitchen looking out, and the perspective was

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<v Speaker 1>at the roof of the house where we lived, in

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<v Speaker 1>addition to the house where we lived, which is my parents' bedroom,

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<v Speaker 1>and it was a flat surface with the rest of

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<v Speaker 1>the house was not And on the edge of that roof,

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<v Speaker 1>looking down twenty five feet or so to the pool below,

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<v Speaker 1>was William. He was cut off, jeans, nothing else, spotlighted

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<v Speaker 1>in the sun, his long golden hair draping over his shoulders.

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<v Speaker 1>I remember it as being this moment of a heightened reality,

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<v Speaker 1>kind of a movie moment in a way that just

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<v Speaker 1>wasn't the kind of experience that I usually had in

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<v Speaker 1>my life. He was about to jump, and that in

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<v Speaker 1>and of itself, this idea of this potential act that

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<v Speaker 1>was about to take place, was so antithetical to my

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<v Speaker 1>own experience as a boy in the world, which was

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<v Speaker 1>illustrated by me at the back door in the air

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<v Speaker 1>conditioning with my tie on, looking at an almost naked

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<v Speaker 1>man about to jump off the roof. And he did that.

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<v Speaker 1>He dove off the roof into the pool and lived.

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<v Speaker 1>It wasn't clear to me whether that was going to

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<v Speaker 1>be how this all turned out, but he did it.

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<v Speaker 1>He got out of the pool, climbed the house again,

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<v Speaker 1>which was no easy feet, walked across the hot tar

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<v Speaker 1>to my parent bedroom and jumped off again.

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<v Speaker 2>And your parents, they had removed a diving board from

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<v Speaker 2>the pool, right right. This was a pool that was

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<v Speaker 2>not meant to be dived into in any way, much

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<v Speaker 2>less from twenty five feet above in the roof exactly.

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<v Speaker 1>And that was another aspect of my life which was choreographed.

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<v Speaker 1>My mother lived in a very cautious kind of fear

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<v Speaker 1>that something terrible was going to happen to her trol

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<v Speaker 1>and so she choreographed, tried to choreograph our life so

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<v Speaker 1>that chances for harm were diminished. And one of the

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<v Speaker 1>ways that she did that was by removing the diving board,

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<v Speaker 1>which again was just maybe two feet above the water.

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<v Speaker 1>But before we could even get in the pool, she

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<v Speaker 1>had that removed. So this was the life that I

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<v Speaker 1>understood is being safe and sane. And then here comes

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<v Speaker 1>William jumping off the roof ten and a half times

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<v Speaker 1>higher than I was allowed to go.

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<v Speaker 2>Well, this is the first time Daniel is really seeing

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<v Speaker 2>William up close, spotlet by the sun. He's not a

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<v Speaker 2>total stranger. Daniel knows him sort of. He knows of

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<v Speaker 2>him as a ghostly presence who's dating his older sister Holly.

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<v Speaker 2>Daniel has seen them leave together, come back together, but

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<v Speaker 2>that's been about it until now. On this day, in

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<v Speaker 2>this movie moment, he is captivated, spellbound in a way

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<v Speaker 2>that will continue for many years to come.

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<v Speaker 1>After that, I saw him more and more. He was

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<v Speaker 1>would be in the kitchen when I got home from

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<v Speaker 1>school with Holly and a couple of their friends, or

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<v Speaker 1>I would see him drive up on his motorcycle. He

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<v Speaker 1>had a look that is hard to pull off, and

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<v Speaker 1>it was at once kind of poetic and tough. I

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<v Speaker 1>compare him to this a commingling or confluence of all

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<v Speaker 1>these different ideas of maleness which abounded back then and

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<v Speaker 1>I guess still do in a lot of ways. But

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<v Speaker 1>there was this Shacob varas James Dean Himmingway kind of

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<v Speaker 1>feeling to him that was attractive in part because he

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<v Speaker 1>wasn't asking you to pay attention to him. He wasn't

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<v Speaker 1>the kind of person who was trying to get attention,

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<v Speaker 1>as hard as that maybe to believe by how I'm

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<v Speaker 1>describing him. He was very quiet and was not the

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<v Speaker 1>first person to walk in a room, maybe the last.

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<v Speaker 1>Because when he did say something, it was smart, it

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<v Speaker 1>was important, it was usually always right, and he didn't

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<v Speaker 1>need to be loud, and that, to me, not being

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<v Speaker 1>allowed person myself, was phenomenally attractive. That you could have

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<v Speaker 1>this presence without turning up the volume. So he would

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<v Speaker 1>come over and eventually, the way that kind of a

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<v Speaker 1>sidekick does, I'd hang around with them until they told

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<v Speaker 1>me that that was enough, and later as they were

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<v Speaker 1>getting more and more serious. It was really important for

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<v Speaker 1>Holly to have William accepted by my father, who, as

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<v Speaker 1>any father would in what is this now eighteen seventy three,

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<v Speaker 1>when his daughter brings home a long hair hippy on

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<v Speaker 1>her motorcycle, it's not your first choice for a mate.

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<v Speaker 1>So she would have him do tasks around the house

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<v Speaker 1>that none of us could do. He would build things

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<v Speaker 1>for us, he would fix things for us.

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<v Speaker 2>If something needs fixing in Daniel's family, they either hire

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<v Speaker 2>somebody to do it or it doesn't get done at all.

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<v Speaker 2>So the fact that William is handy and resourceful adds

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<v Speaker 2>to his particular brand of magic and allure. Daniel has

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<v Speaker 2>carved out his own special place in the basement of

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<v Speaker 2>his family's home that he thinks of as his secret room.

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<v Speaker 2>It's not a secret in the sense that people don't

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<v Speaker 2>know it exists. They do, but it is secret in

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<v Speaker 2>the sense that it becomes a place for Daniel to

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<v Speaker 2>call his own, his space, to keep secrets and to

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<v Speaker 2>live his adolescent life. At one point, he decides he

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<v Speaker 2>wants a water bit in his secret room. I mean,

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<v Speaker 2>who wouldn't. His mom actually says okay and gets him one.

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<v Speaker 2>But of course, what a better tricky and perhaps cooler

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<v Speaker 2>in theory than practice. The bed slashes all around and

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<v Speaker 2>is uncomfortable. But one day William comes to pay Daniel

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<v Speaker 2>a visit in a secret room, and William notices the

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<v Speaker 2>waterbed has no frame, a crucial detail missing. So he

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<v Speaker 2>steps in and saves the day.

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<v Speaker 1>And that is perfect illustration of who he was, contrasting

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<v Speaker 1>with who I was. I am the kind of person

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<v Speaker 1>who says I'm going to get a waterbed. They're cool,

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<v Speaker 1>and I'll get a big plastic bag and fill it

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<v Speaker 1>full of water without reading the other side. Of the directions,

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<v Speaker 1>which is you need a frame otherwise you're going to

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<v Speaker 1>feel like you're in the middle of the Atlantic and

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<v Speaker 1>a typhoon. So William knows these things. He knows what's

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<v Speaker 1>necessary to make things work. I think probably that is

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<v Speaker 1>if there was one way to sum him up that

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<v Speaker 1>with him, he knew how things work and he knew

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<v Speaker 1>how to make them work. So he measured, got the wood,

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<v Speaker 1>brought it back. He brought all the hammers, the tools

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<v Speaker 1>that saws, everything that he needed. I watched as he

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<v Speaker 1>assembled it and handed him nails, whatever he needed. But

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<v Speaker 1>again I was passive in the background while he was

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<v Speaker 1>building this beautiful frame for my waterbed. William and Holly

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<v Speaker 1>Day had taken me to see my first rock and

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<v Speaker 1>roll concert I was thirteen. Up until that point in

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<v Speaker 1>my life was the Apex. The Apergy did not get

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<v Speaker 1>much better than that. To be with these two incredibly

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<v Speaker 1>cool people that made me feel completely bulletproof. There was

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<v Speaker 1>nobody in the world who was cooler, and therefore I

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<v Speaker 1>was cool too, when the fact is I was really

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<v Speaker 1>just running their fumes. But the concert itself was wild.

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<v Speaker 1>It was else Cooper who decapitated baby heads on stage

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<v Speaker 1>and hung himself on stage and walked around on stage

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<v Speaker 1>with this bowl constrictor on his shoulders around his neck.

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<v Speaker 1>It makes sense in that respect that later I would

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<v Speaker 1>want a Boa Constrictor of my own. I wonder how

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<v Speaker 1>many Boa Constrictors Alice Cooper actually sold, But you know,

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<v Speaker 1>I mean he kids that bowl constrictor's because of Alice Cooper.

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<v Speaker 1>But I was one of them. And I asked my

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<v Speaker 1>mother if I could have a Boa constrictor, and she said,

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<v Speaker 1>of course not. Snakes were one pass that she would

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<v Speaker 1>not go down. But I had my secret room, so

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<v Speaker 1>I had a place to keep my secret snake. And

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<v Speaker 1>Holly and William and I went shopping. They were in

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<v Speaker 1>on it. I got a bowl Constrictor. I brought it

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<v Speaker 1>home in this little aerated box, and William built this

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<v Speaker 1>beautiful terrarium for I'm shocked Off, as I named him,

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<v Speaker 1>because I was reading Slaughterhouse live by for Bonnigut and

0:16:02.840 --> 0:16:06.720
<v Speaker 1>schlucked Off didn't work out in the and for whatever reason,

0:16:07.160 --> 0:16:09.680
<v Speaker 1>my snake would not eat the mice that I gave him,

0:16:10.720 --> 0:16:14.160
<v Speaker 1>So eventually, of course I got tired of the snake

0:16:14.400 --> 0:16:17.040
<v Speaker 1>and gave him to William. I wouldn't be surprised if

0:16:17.080 --> 0:16:19.920
<v Speaker 1>that was his goal all along, because he knew me,

0:16:20.320 --> 0:16:25.040
<v Speaker 1>he knew the wallaces, our family, and we didn't have

0:16:26.040 --> 0:16:31.120
<v Speaker 1>a ton of staying power. So after he built the

0:16:31.160 --> 0:16:36.280
<v Speaker 1>frame for the waterbed, and after he built the terrarium

0:16:36.440 --> 0:16:41.280
<v Speaker 1>for the bowl constrictor, I was a co worker with

0:16:41.320 --> 0:16:43.920
<v Speaker 1>a friend of mine in high school who had a

0:16:43.920 --> 0:16:48.400
<v Speaker 1>family business selling pot. His cousins had done it, and

0:16:48.520 --> 0:16:51.040
<v Speaker 1>every generation of cousins had sort of passed it on

0:16:51.080 --> 0:16:55.160
<v Speaker 1>to the next, and it was his turn. He would

0:16:55.200 --> 0:16:58.440
<v Speaker 1>bring the pot over to my room, my secret room,

0:16:58.480 --> 0:17:01.480
<v Speaker 1>where it was safe for us to clean it, get

0:17:01.480 --> 0:17:04.960
<v Speaker 1>the stems and seeds out, bag it up into ounces

0:17:05.080 --> 0:17:07.159
<v Speaker 1>or lids, as we called them then. I don't know

0:17:07.200 --> 0:17:10.359
<v Speaker 1>if anybody calls them that now, but he would leave

0:17:10.400 --> 0:17:14.919
<v Speaker 1>the stems and seeds in a hefty bag under my

0:17:15.040 --> 0:17:19.200
<v Speaker 1>bed because there was always something left behind. There was

0:17:19.280 --> 0:17:23.639
<v Speaker 1>always something left on those stems that you could in dire,

0:17:23.800 --> 0:17:26.800
<v Speaker 1>dry times, you could sort of salvage enough to throw

0:17:26.840 --> 0:17:31.879
<v Speaker 1>a joint. And William would sometimes be in those dire

0:17:32.040 --> 0:17:34.760
<v Speaker 1>situations himself, and so he came down to my secret

0:17:34.800 --> 0:17:38.320
<v Speaker 1>room occasionally and he would say, what what's in the bag,

0:17:39.119 --> 0:17:42.560
<v Speaker 1>And I knew even then that he would not be

0:17:42.720 --> 0:17:46.639
<v Speaker 1>there chatting with me were it not for this hefty

0:17:46.640 --> 0:17:50.760
<v Speaker 1>bag I had underneath my bed of stems and seeds.

0:17:51.160 --> 0:17:54.560
<v Speaker 1>It didn't bother me. I think I knew enough to

0:17:54.680 --> 0:17:58.080
<v Speaker 1>realize that I was not going to be as buddy

0:17:58.160 --> 0:18:01.639
<v Speaker 1>the way that people his age for his buddy. So

0:18:01.760 --> 0:18:05.320
<v Speaker 1>whatever I could do to get him into my life,

0:18:05.600 --> 0:18:08.520
<v Speaker 1>it was fine. I was you know, I would definitely

0:18:08.560 --> 0:18:11.840
<v Speaker 1>bribe somebody if it meant getting him to spend more

0:18:11.840 --> 0:18:14.080
<v Speaker 1>time with me. So while I had a nice bag

0:18:14.119 --> 0:18:16.679
<v Speaker 1>of stems and seats, he would visit. He made me

0:18:17.080 --> 0:18:21.119
<v Speaker 1>a pipe. It's beautiful, beautiful, precious pipe out of a

0:18:21.160 --> 0:18:25.199
<v Speaker 1>jina tile where he had Again, this is just a

0:18:25.200 --> 0:18:30.639
<v Speaker 1>way that a lovely minor illustration of his ability to

0:18:30.760 --> 0:18:33.280
<v Speaker 1>create eight things out of the world, which is, he

0:18:33.520 --> 0:18:35.800
<v Speaker 1>drilled a hole in the side of a jina tile,

0:18:36.000 --> 0:18:38.240
<v Speaker 1>carved out a bowl in the top, and got a

0:18:38.280 --> 0:18:42.639
<v Speaker 1>little top of a coat can, the pop top of

0:18:42.680 --> 0:18:46.680
<v Speaker 1>a metal can for the carburetor on top, so in

0:18:46.880 --> 0:18:49.719
<v Speaker 1>you know, tacit trade. One day he gave me this

0:18:49.840 --> 0:18:54.000
<v Speaker 1>pipe and I still have it, and that's fifty years.

0:18:54.440 --> 0:18:56.440
<v Speaker 2>I guess where do you keep it?

0:18:56.880 --> 0:19:01.440
<v Speaker 1>I have it up in my office and the top

0:19:01.560 --> 0:19:03.840
<v Speaker 1>drawer to the left, I've got it up there with

0:19:03.880 --> 0:19:07.160
<v Speaker 1>my glass eyes, which I also collect. I guess that's

0:19:07.200 --> 0:19:11.320
<v Speaker 1>another story. But I've got, you know, little valuables in

0:19:11.359 --> 0:19:16.120
<v Speaker 1>this drawer, and that's right there when I'm working. We

0:19:16.440 --> 0:19:21.159
<v Speaker 1>went to see Clint Eastwood spaghetti westerns they were called,

0:19:21.359 --> 0:19:25.120
<v Speaker 1>and one was just fulve dollars for a few dollars

0:19:25.119 --> 0:19:30.840
<v Speaker 1>more and the Good, the Bad, and the Ugly. And

0:19:31.119 --> 0:19:36.480
<v Speaker 1>we were in the theater by ourselves, nobody else was there.

0:19:36.840 --> 0:19:39.840
<v Speaker 1>Of course, he was wearing his sunglasses he always wore sunglasses,

0:19:40.160 --> 0:19:45.040
<v Speaker 1>even inside, and his leather jacket which had all these

0:19:45.080 --> 0:19:51.119
<v Speaker 1>lovely pockets and them suitable for bringing beer into the theater.

0:19:51.720 --> 0:19:55.000
<v Speaker 1>First beer I had was watching Clint Easwood in the

0:19:55.040 --> 0:19:58.280
<v Speaker 1>Green Springs for Theater in Birmingham, Alabama, when I was

0:19:58.680 --> 0:20:02.400
<v Speaker 1>fourteen or so. With William I love the movies, and

0:20:02.720 --> 0:20:06.720
<v Speaker 1>the character of Clint Eastwood in those movies, those early

0:20:06.760 --> 0:20:10.639
<v Speaker 1>movies that he made were eerily like who I later

0:20:11.280 --> 0:20:17.359
<v Speaker 1>saw William as this really strong but detached force of

0:20:17.840 --> 0:20:23.359
<v Speaker 1>not necessarily good but not definitely not evil, somebody who

0:20:23.880 --> 0:20:27.000
<v Speaker 1>was so quiet sometimes as Clint Eastwood was in these

0:20:27.000 --> 0:20:30.040
<v Speaker 1>movies that his character was called the Man with No Name.

0:20:31.240 --> 0:20:33.080
<v Speaker 2>Tell me a bit about Holly, you know, there's so

0:20:33.160 --> 0:20:36.879
<v Speaker 2>much about Holly and William. But Holly as she was

0:20:37.440 --> 0:20:41.240
<v Speaker 2>as your much older sister. Was she cool on her own?

0:20:41.520 --> 0:20:45.280
<v Speaker 2>Were they like cool squared together or did his magic

0:20:45.320 --> 0:20:47.480
<v Speaker 2>fairy dust sort of wrap off on her or did

0:20:47.480 --> 0:20:48.320
<v Speaker 2>they each have that?

0:20:49.000 --> 0:20:52.360
<v Speaker 1>Oh no, they each had it, one without the other.

0:20:53.400 --> 0:20:57.520
<v Speaker 1>It's hard to imagine. Actually, he was perfect for her

0:20:57.560 --> 0:21:01.680
<v Speaker 1>in many ways, but she was more perfect for him.

0:21:02.280 --> 0:21:05.480
<v Speaker 1>She was the person who could enter a room and

0:21:06.040 --> 0:21:11.360
<v Speaker 1>every head return. She was beautiful, She was sharp and

0:21:11.480 --> 0:21:15.879
<v Speaker 1>funny and fearless, and she would say anything, and she

0:21:15.880 --> 0:21:19.320
<v Speaker 1>would answer any question you asked her. The more intimate,

0:21:19.320 --> 0:21:23.600
<v Speaker 1>the better. There's nothing that was off limits. And William,

0:21:23.800 --> 0:21:27.320
<v Speaker 1>he would fade back behind her. His nature was not

0:21:27.440 --> 0:21:30.800
<v Speaker 1>to be a front person anyway. So she did that.

0:21:31.359 --> 0:21:34.320
<v Speaker 1>She was able to go into a room and by

0:21:34.359 --> 0:21:36.199
<v Speaker 1>the time he got into the room behind her, she

0:21:36.200 --> 0:21:39.080
<v Speaker 1>would have already made friends and something he didn't have

0:21:39.119 --> 0:21:42.320
<v Speaker 1>to do. The vital never known any more body more

0:21:42.880 --> 0:21:48.000
<v Speaker 1>vital or open to take a chance in life. So yeah,

0:21:48.119 --> 0:21:49.840
<v Speaker 1>she definitely brought her own bag of tricks.

0:21:55.160 --> 0:22:07.520
<v Speaker 2>We'll be right back. When Holly is twenty one, a

0:22:07.640 --> 0:22:11.920
<v Speaker 2>terrifying thing happens to her physically. Daniel is only fourteen

0:22:11.960 --> 0:22:16.040
<v Speaker 2>at the time. After a series of tests, Holly receives

0:22:16.160 --> 0:22:19.040
<v Speaker 2>diagnosis that will change the course of her whole life

0:22:19.600 --> 0:22:20.520
<v Speaker 2>and William's two.

0:22:21.880 --> 0:22:25.479
<v Speaker 1>It wasn't clear what was going on at first, because

0:22:25.520 --> 0:22:28.639
<v Speaker 1>she actually woke up one morning and couldn't move. She

0:22:28.880 --> 0:22:31.879
<v Speaker 1>was like ossified. She had been at school, but she

0:22:31.920 --> 0:22:33.520
<v Speaker 1>was at home at the time and was in my

0:22:33.640 --> 0:22:37.120
<v Speaker 1>room and could not be moved from the room. And

0:22:37.680 --> 0:22:42.119
<v Speaker 1>we finally discovered what it was, a rumator arthritis, which

0:22:42.320 --> 0:22:45.000
<v Speaker 1>at the time there was nothing you could do for it.

0:22:45.280 --> 0:22:50.240
<v Speaker 1>You could ameliorate it with these gold shots and other treatments.

0:22:51.040 --> 0:22:55.159
<v Speaker 1>It was just totally pernicious and a disease which beats

0:22:55.160 --> 0:22:58.200
<v Speaker 1>you up, or it used to do that every joint

0:22:58.359 --> 0:23:03.879
<v Speaker 1>in her body. So William around the same time, a

0:23:03.960 --> 0:23:07.720
<v Speaker 1>little bit before this actually, but in the same era,

0:23:08.359 --> 0:23:12.960
<v Speaker 1>had become a kayaker. He was always an outdoorsman. He

0:23:13.119 --> 0:23:17.480
<v Speaker 1>loved camping, he loved being in nature, mountain climbing, fishing.

0:23:18.400 --> 0:23:20.960
<v Speaker 1>He was an eagle scout, of course, and so he

0:23:21.440 --> 0:23:26.080
<v Speaker 1>knew everything about knots. He knew plant jugit eat, and

0:23:26.119 --> 0:23:32.119
<v Speaker 1>he loved this solo adventure that kayaking, wise and canoeing,

0:23:32.400 --> 0:23:36.439
<v Speaker 1>and the two of them would go kayaking together. She

0:23:36.600 --> 0:23:38.600
<v Speaker 1>was out on the river as much as he was,

0:23:39.600 --> 0:23:43.760
<v Speaker 1>but this disease of course, made that impossible. She couldn't

0:23:43.800 --> 0:23:48.679
<v Speaker 1>do that anymore. Her life in every way was changed.

0:23:48.720 --> 0:23:53.560
<v Speaker 1>She had to make other plans. William, also being who

0:23:53.600 --> 0:23:56.800
<v Speaker 1>he was, he had an idea about what his life

0:23:56.880 --> 0:23:59.800
<v Speaker 1>was going to look like, which was one of being

0:24:00.040 --> 0:24:05.120
<v Speaker 1>outside of doing boy things with his girl. And there

0:24:05.160 --> 0:24:10.160
<v Speaker 1>was this moment where we were all sure that he

0:24:10.240 --> 0:24:14.480
<v Speaker 1>was going to leave because she was not what he

0:24:14.600 --> 0:24:17.440
<v Speaker 1>had in mind for his life. And they were still young.

0:24:17.440 --> 0:24:19.239
<v Speaker 1>If she was twenty one he was twenty two. He

0:24:19.240 --> 0:24:22.720
<v Speaker 1>could have easily gone off to school and just let

0:24:22.760 --> 0:24:26.280
<v Speaker 1>things sort of cool off. But he doubled down and

0:24:26.600 --> 0:24:31.120
<v Speaker 1>started taking care of her, started allowing her to have

0:24:31.400 --> 0:24:34.960
<v Speaker 1>the kind of life that appeared to be lost.

0:24:36.760 --> 0:24:38.920
<v Speaker 2>After the magical high school years of being Holly and

0:24:38.960 --> 0:24:42.600
<v Speaker 2>William's sidekick, Daniel goes off to study at Emory, where

0:24:42.600 --> 0:24:45.960
<v Speaker 2>he spends his first two years of college. When he's there,

0:24:46.320 --> 0:24:48.720
<v Speaker 2>William and Holly moved to Chapel Hill in North Carolina.

0:24:49.480 --> 0:24:51.919
<v Speaker 2>Daniel ends up moving to Chapel Hill as well and

0:24:51.960 --> 0:24:54.600
<v Speaker 2>finishes his final two years of college at UNC.

0:24:56.240 --> 0:24:59.760
<v Speaker 1>They moved to Chapel Hill so that Holly could go

0:24:59.800 --> 0:25:04.040
<v Speaker 1>to graduate school in political science, and for the first

0:25:04.160 --> 0:25:06.760
<v Speaker 1>two years I lived in a cinder block house where

0:25:06.800 --> 0:25:10.560
<v Speaker 1>graduate students lived. But then, through the large ass of

0:25:10.600 --> 0:25:15.920
<v Speaker 1>my father, who was really devastated by what had happened

0:25:15.960 --> 0:25:22.320
<v Speaker 1>to Holly and this ongoing deterioration of her body and

0:25:22.440 --> 0:25:25.960
<v Speaker 1>the way that her life was being made smaller and smaller,

0:25:26.320 --> 0:25:30.000
<v Speaker 1>paid for a house to be built by William So.

0:25:30.119 --> 0:25:35.080
<v Speaker 1>William designed and built a house on twenty acres of

0:25:35.160 --> 0:25:39.600
<v Speaker 1>land out in the country, down the trees, removed all

0:25:39.600 --> 0:25:43.560
<v Speaker 1>the copperheads. My hand didn't kill any of them. He

0:25:44.000 --> 0:25:46.400
<v Speaker 1>designed it so that it would be the perfect place

0:25:46.520 --> 0:25:49.119
<v Speaker 1>to what they call now aging in place. It's the

0:25:49.160 --> 0:25:54.879
<v Speaker 1>perfect place for somebody whose body was basically going to

0:25:54.920 --> 0:25:59.480
<v Speaker 1>betray them to live. Everything is on one story, totally

0:25:59.560 --> 0:26:03.880
<v Speaker 1>accessible well if there was a pool, hot tub. Once

0:26:03.920 --> 0:26:08.040
<v Speaker 1>you got in, it was this joyous, art filled, weird

0:26:08.720 --> 0:26:13.320
<v Speaker 1>different world. They lived in their art. They both made things.

0:26:13.560 --> 0:26:16.399
<v Speaker 1>Holly was be a wonderful arts herself. By this time, though,

0:26:16.440 --> 0:26:21.719
<v Speaker 1>William had actually discovered what his path in life was

0:26:21.840 --> 0:26:26.840
<v Speaker 1>going to be, which was as an artist on the river.

0:26:27.840 --> 0:26:31.959
<v Speaker 1>He's always drawn. He was always a cartoonist, a playful cartoonist,

0:26:32.000 --> 0:26:37.879
<v Speaker 1>all through high school and into his truncated college years,

0:26:38.960 --> 0:26:42.960
<v Speaker 1>but he had never been able to harness that into

0:26:43.600 --> 0:26:46.440
<v Speaker 1>any way to make a living. And what he discovered

0:26:46.520 --> 0:26:51.240
<v Speaker 1>is that he could kiak these rivers and understand them

0:26:51.440 --> 0:26:56.000
<v Speaker 1>in this holistic way and draw them so that you

0:26:56.680 --> 0:27:00.320
<v Speaker 1>could know what to do when you got to a

0:27:00.320 --> 0:27:03.080
<v Speaker 1>bend in the river. You knew how to good around

0:27:03.119 --> 0:27:06.640
<v Speaker 1>a rock, you knew where the dangerous rapids were, where

0:27:07.040 --> 0:27:11.200
<v Speaker 1>the takeouts were. And along with the maps, there were

0:27:11.359 --> 0:27:14.520
<v Speaker 1>this little narrative of characters that he would draw, so

0:27:14.560 --> 0:27:18.800
<v Speaker 1>they were instructive and funny at the same time. He

0:27:18.840 --> 0:27:22.560
<v Speaker 1>was drawing these maps and traveling and taking Holly with

0:27:22.640 --> 0:27:26.600
<v Speaker 1>him to every river in North Carolina and Tennessee and

0:27:27.160 --> 0:27:28.880
<v Speaker 1>drawing every single one of them.

0:27:29.480 --> 0:27:33.000
<v Speaker 2>And he becomes over a pretty short period of time,

0:27:33.040 --> 0:27:36.359
<v Speaker 2>once he discovers exactly what it is that he is

0:27:36.400 --> 0:27:38.960
<v Speaker 2>meant to do and how to harness it. He's found

0:27:38.960 --> 0:27:43.040
<v Speaker 2>the perfect subject for his unique skills and passions, and

0:27:43.119 --> 0:27:45.400
<v Speaker 2>sort of a subculture seems to kind of spring up

0:27:45.520 --> 0:27:47.480
<v Speaker 2>around his art in some way.

0:27:47.920 --> 0:27:52.280
<v Speaker 1>Yes, isn't that rare too. It's such an accident sometimes

0:27:52.320 --> 0:27:56.000
<v Speaker 1>that you fall into the thing that you are supposed

0:27:56.040 --> 0:27:57.679
<v Speaker 1>to do or the thing that you're supposed to be.

0:27:58.480 --> 0:28:02.680
<v Speaker 1>And William was able to bring his love of outdoors

0:28:02.800 --> 0:28:06.480
<v Speaker 1>of the river, of kayaking with his love of art

0:28:06.760 --> 0:28:10.359
<v Speaker 1>of cartooning, and they met in a way that took

0:28:10.520 --> 0:28:14.520
<v Speaker 1>William into a completely different zone. He did become a

0:28:14.560 --> 0:28:20.439
<v Speaker 1>cult hero in the adrenaline sports world. He became this

0:28:20.560 --> 0:28:27.320
<v Speaker 1>mysterious artist in the Whitewater culture, which back then was

0:28:27.520 --> 0:28:33.760
<v Speaker 1>predominantly macho and male. He's hewed that in his books.

0:28:34.040 --> 0:28:37.760
<v Speaker 1>His first book was a compilation of his maps. Then

0:28:38.040 --> 0:28:41.640
<v Speaker 1>he did a book of cartoons that were about reflecting

0:28:41.680 --> 0:28:44.800
<v Speaker 1>on what the culture of the Whitewater world really was.

0:28:45.920 --> 0:28:50.040
<v Speaker 1>And the next ten years he published ten books and

0:28:50.080 --> 0:28:56.480
<v Speaker 1>became iconic and still is remarkably, even though it's been

0:28:56.600 --> 0:29:00.400
<v Speaker 1>so long since he had published a book on anything

0:29:00.400 --> 0:29:03.800
<v Speaker 1>happy to do with with Whitewater. Yeah, he had really

0:29:04.120 --> 0:29:08.480
<v Speaker 1>found a way to make the life that if he

0:29:08.560 --> 0:29:12.080
<v Speaker 1>had the ability to, he would have created that is,

0:29:12.280 --> 0:29:15.400
<v Speaker 1>he'd created the life that he only could imagine, that

0:29:15.480 --> 0:29:17.200
<v Speaker 1>that habit. He seemed to have it.

0:29:17.200 --> 0:29:20.440
<v Speaker 2>All really in this life, in this home on twenty

0:29:20.480 --> 0:29:23.080
<v Speaker 2>acres that he built himself, where he and Holly were

0:29:23.160 --> 0:29:26.560
<v Speaker 2>doing their art. There's also this menagerie of animals that

0:29:26.600 --> 0:29:28.240
<v Speaker 2>they have with them, right.

0:29:28.400 --> 0:29:33.800
<v Speaker 1>Right Without animals, who wouldn't feel alive, there are always

0:29:33.840 --> 0:29:39.200
<v Speaker 1>animals around. They of course had dogs, cats, They had snakes,

0:29:39.320 --> 0:29:43.600
<v Speaker 1>obviously not the Bowlken stricture anymore, but William had a

0:29:43.600 --> 0:29:47.800
<v Speaker 1>couple of copperheads. They had pigs, two pot bellied pigs,

0:29:47.920 --> 0:29:52.040
<v Speaker 1>Sherman and Harold. They were rabbits. There were turtles. There

0:29:52.080 --> 0:29:56.680
<v Speaker 1>really was a kind of an Edenic menagerie of animals

0:29:56.680 --> 0:29:59.520
<v Speaker 1>they had, And occasionally they would take a blanket out

0:30:00.080 --> 0:30:02.920
<v Speaker 1>into the banks of this little river that ran through

0:30:02.960 --> 0:30:05.720
<v Speaker 1>the back of their yard and have a picnic with

0:30:05.760 --> 0:30:10.040
<v Speaker 1>all their animals. Holly said that was the highlight.

0:30:12.240 --> 0:30:18.720
<v Speaker 2>William had another highlight, extreme adrenaline sports, river running, mountain climbing,

0:30:18.960 --> 0:30:21.880
<v Speaker 2>mountain biking, all bringing him to the edge of death.

0:30:22.840 --> 0:30:25.760
<v Speaker 2>At one point, he tells Daniel he considers this edging

0:30:25.880 --> 0:30:29.080
<v Speaker 2>up to death as a healthy way to truly feel alive.

0:30:31.040 --> 0:30:34.320
<v Speaker 2>One day in two thousand and one, he calls Daniel

0:30:34.360 --> 0:30:35.880
<v Speaker 2>and tells him to go over to the house to

0:30:35.920 --> 0:30:39.000
<v Speaker 2>be with Holly. He won't be there and makes up

0:30:39.040 --> 0:30:41.360
<v Speaker 2>an excuse about why he doesn't want Holly to be alone.

0:30:42.400 --> 0:30:46.640
<v Speaker 2>This is the day William dies by suicide.

0:30:46.920 --> 0:30:54.360
<v Speaker 1>What's really unique about suicide or knowing somebody who actually

0:30:55.120 --> 0:30:59.120
<v Speaker 1>does take their own life. It changes everything that happened

0:30:59.160 --> 0:31:03.000
<v Speaker 1>before it. Do you have a different perspective on it?

0:31:03.760 --> 0:31:09.000
<v Speaker 1>When somebody chooses to end their life that way, you say, oh,

0:31:09.520 --> 0:31:13.760
<v Speaker 1>that's why he was so quiet, or oh that's why

0:31:13.840 --> 0:31:16.680
<v Speaker 1>I didn't see him for a week. You know, things

0:31:16.680 --> 0:31:21.840
<v Speaker 1>that wouldn't necessarily have seen significant suddenly become significant. So

0:31:22.440 --> 0:31:28.400
<v Speaker 1>after William took his own life, you immediately start revising

0:31:29.400 --> 0:31:33.440
<v Speaker 1>your life in light of that, trying to make sense

0:31:33.480 --> 0:31:36.520
<v Speaker 1>of it. At the same time, it is a shock.

0:31:37.120 --> 0:31:42.040
<v Speaker 1>There's nobody that I've spoken to, and I did a

0:31:42.080 --> 0:31:46.120
<v Speaker 1>lot of research talking to folks in his life. No

0:31:46.160 --> 0:31:50.160
<v Speaker 1>one saw him as a person who would do this,

0:31:51.480 --> 0:31:54.360
<v Speaker 1>So for a long time it was a mystery, and

0:31:54.400 --> 0:32:00.800
<v Speaker 1>it was even a mystery to my sister Holly Widow

0:32:00.920 --> 0:32:06.400
<v Speaker 1>now who knew him better than anybody else. She lived

0:32:06.720 --> 0:32:14.080
<v Speaker 1>for another ten years after he died, and when she died,

0:32:14.520 --> 0:32:18.960
<v Speaker 1>and her death of course was related to room to

0:32:19.160 --> 0:32:23.280
<v Speaker 1>arthritis and a lot of other autoimmune diseases that she had.

0:32:23.800 --> 0:32:26.760
<v Speaker 1>We were cleaning out her house, my wife and i'm

0:32:27.800 --> 0:32:31.800
<v Speaker 1>and I found in the back of a closet in

0:32:31.840 --> 0:32:36.800
<v Speaker 1>her home two big boxes of journals that turned out

0:32:36.840 --> 0:32:41.760
<v Speaker 1>to be William's journals. I showed them to everybody. I said,

0:32:41.800 --> 0:32:46.880
<v Speaker 1>look look what I found. And we decided together that

0:32:48.480 --> 0:32:52.720
<v Speaker 1>it wasn't our business. Whatever was in these journals, whatever

0:32:52.880 --> 0:32:57.959
<v Speaker 1>William wrote, there were kids, and we should leave it

0:32:58.080 --> 0:33:01.680
<v Speaker 1>be and put them in the stea dumpster where so

0:33:01.840 --> 0:33:05.840
<v Speaker 1>much stuff was going. So I agreed, and I took

0:33:05.840 --> 0:33:09.840
<v Speaker 1>the journals outside and on the way to the dimpsty dumpster,

0:33:10.080 --> 0:33:13.400
<v Speaker 1>took a detour to the trunk of my car and

0:33:14.080 --> 0:33:20.080
<v Speaker 1>put them in the trunk without telling anybody, and took

0:33:20.160 --> 0:33:23.280
<v Speaker 1>them home and put them at a bookcase. Eventually I

0:33:23.320 --> 0:33:27.800
<v Speaker 1>told Laura, my wife, that they were there, but didn't

0:33:28.240 --> 0:33:31.480
<v Speaker 1>look at them. I felt like, these are things that

0:33:31.520 --> 0:33:34.960
<v Speaker 1>should not be disposed of. He was a writer, he

0:33:36.000 --> 0:33:38.760
<v Speaker 1>was an artist. These are books by a published author.

0:33:39.240 --> 0:33:42.959
<v Speaker 1>But I was also a writer myself, and it was

0:33:43.360 --> 0:33:47.920
<v Speaker 1>important for me to understand this person, this man who

0:33:47.960 --> 0:33:54.040
<v Speaker 1>had been so integral to the choices that I'd made

0:33:54.240 --> 0:33:58.239
<v Speaker 1>in the world. He was so integral in that my

0:33:58.320 --> 0:34:02.480
<v Speaker 1>father sent me to go work for him in Japan

0:34:03.040 --> 0:34:05.880
<v Speaker 1>for two years. I was twenty one to twenty three.

0:34:06.120 --> 0:34:09.680
<v Speaker 1>I didn't want to turn down an opportunity to live

0:34:09.719 --> 0:34:14.759
<v Speaker 1>incredible country, and I went without any strings attached. I

0:34:14.880 --> 0:34:17.560
<v Speaker 1>said I would go there live and work, but it

0:34:17.560 --> 0:34:19.200
<v Speaker 1>didn't mean that I was going to go into his

0:34:19.320 --> 0:34:22.200
<v Speaker 1>business with him. And he said that's fine, just try

0:34:22.239 --> 0:34:26.440
<v Speaker 1>it out. And after two years he said, well, now

0:34:26.480 --> 0:34:29.000
<v Speaker 1>there are strings, and I need to know whether you

0:34:29.080 --> 0:34:31.480
<v Speaker 1>were going to come into the business or not. My

0:34:31.560 --> 0:34:34.799
<v Speaker 1>eventual decision was no, of course, I'm not going to

0:34:34.800 --> 0:34:37.440
<v Speaker 1>do it. The only reason I could have made that

0:34:37.480 --> 0:34:41.360
<v Speaker 1>decision was because of William. If I had an idea

0:34:41.400 --> 0:34:44.600
<v Speaker 1>of what the life of an artist should be, the

0:34:44.600 --> 0:34:46.400
<v Speaker 1>only way that I would know what that looked like

0:34:47.040 --> 0:34:51.440
<v Speaker 1>was because of William. I did not want to be

0:34:51.600 --> 0:34:55.640
<v Speaker 1>William because I never could be William. I knew that

0:34:55.680 --> 0:34:57.920
<v Speaker 1>from the get go. You know, I did not have

0:34:58.280 --> 0:35:00.680
<v Speaker 1>his No, how I did not have his strength. I

0:35:00.680 --> 0:35:04.279
<v Speaker 1>didn't have most of the virtues that I saw in him.

0:35:04.600 --> 0:35:09.120
<v Speaker 1>But he was a type of person who lived on

0:35:09.160 --> 0:35:13.319
<v Speaker 1>the fringes, outside of the mainstream, who made his own life.

0:35:13.360 --> 0:35:16.440
<v Speaker 1>He was a self made man, and he did it

0:35:16.440 --> 0:35:19.440
<v Speaker 1>through his art, and that's what I wanted to do.

0:35:19.520 --> 0:35:22.759
<v Speaker 1>I wanted to make myself through arc. But if you

0:35:22.800 --> 0:35:25.720
<v Speaker 1>don't have that person, if you don't have that example

0:35:25.760 --> 0:35:29.640
<v Speaker 1>in your life, it's difficult. It's not impossible, but it's

0:35:29.680 --> 0:35:32.120
<v Speaker 1>just much more difficult to come up with it on

0:35:32.160 --> 0:35:32.520
<v Speaker 1>your own.

0:35:36.920 --> 0:35:53.240
<v Speaker 2>We'll be back in a moment with more family secrets.

0:35:55.560 --> 0:35:59.640
<v Speaker 2>William's journals sit on Daniel's bookshelves for two years before

0:35:59.640 --> 0:36:01.480
<v Speaker 2>he decid to read them.

0:36:02.080 --> 0:36:04.040
<v Speaker 1>I thought about them all the time. They were in

0:36:04.080 --> 0:36:07.959
<v Speaker 1>this old antigue bookcase with glass doors, and I could

0:36:07.960 --> 0:36:10.239
<v Speaker 1>see them every time I walked to my office. They

0:36:10.280 --> 0:36:13.359
<v Speaker 1>were there, and I was well aware that they were there.

0:36:13.719 --> 0:36:17.839
<v Speaker 1>It was crossing the rubicon. I didn't know if we

0:36:17.840 --> 0:36:20.239
<v Speaker 1>weren't right in the beginning and our family decision that

0:36:20.239 --> 0:36:23.120
<v Speaker 1>we'd made to get rid of them, because I think

0:36:23.120 --> 0:36:27.520
<v Speaker 1>there's a real arguments be made that they're not my business,

0:36:27.600 --> 0:36:31.760
<v Speaker 1>that they're not anybody's business, that they were his private journals.

0:36:31.960 --> 0:36:34.880
<v Speaker 1>How can you do that? How can you broadcast or

0:36:34.960 --> 0:36:37.480
<v Speaker 1>read at the time, just read the private thoughts of

0:36:37.560 --> 0:36:40.680
<v Speaker 1>somebody else who didn't share them with you on his own.

0:36:41.120 --> 0:36:44.279
<v Speaker 1>And what happened was it was a parallel experience that

0:36:44.400 --> 0:36:48.000
<v Speaker 1>really led me to do it. Is after Holly died,

0:36:48.480 --> 0:36:51.760
<v Speaker 1>and as I experienced so inanimately with her her last

0:36:51.800 --> 0:36:58.000
<v Speaker 1>ten years, which were terrible, I started having a shift

0:36:58.040 --> 0:37:02.480
<v Speaker 1>in my feelings toward William. I hated him for leaving Holly,

0:37:02.719 --> 0:37:05.880
<v Speaker 1>for leaving Holly, Yeah, for doing this to Holly. And

0:37:05.920 --> 0:37:10.160
<v Speaker 1>of course I mean I missed him terribly, But it

0:37:10.239 --> 0:37:15.200
<v Speaker 1>wasn't my life that was dependent upon him the way

0:37:15.239 --> 0:37:18.000
<v Speaker 1>that hers was. He was her other half. He allowed

0:37:18.000 --> 0:37:19.719
<v Speaker 1>her to live in the world. You have a really

0:37:19.760 --> 0:37:23.720
<v Speaker 1>big life in the world. And when he died, that died,

0:37:24.000 --> 0:37:27.880
<v Speaker 1>and then she lost everything.

0:37:29.200 --> 0:37:33.399
<v Speaker 2>When you actually did, like take that leap and open

0:37:33.480 --> 0:37:36.799
<v Speaker 2>that first journal, was it coming from that rage or

0:37:36.880 --> 0:37:42.040
<v Speaker 2>was it coming from the kind of profound need to

0:37:42.320 --> 0:37:45.880
<v Speaker 2>solve this mystery, this conundrum, this not just of William,

0:37:45.880 --> 0:37:46.879
<v Speaker 2>but of yourself as well.

0:37:47.760 --> 0:37:52.000
<v Speaker 1>When I was finally able to get them out of

0:37:52.000 --> 0:37:55.600
<v Speaker 1>the bookcase and start reading them, I was tired of

0:37:55.640 --> 0:38:01.280
<v Speaker 1>hating him, and I wanted to understand what had happened.

0:38:01.600 --> 0:38:04.279
<v Speaker 1>And I didn't know what was in the journals, but

0:38:04.960 --> 0:38:08.080
<v Speaker 1>there were a lot of them, and he was brilliant,

0:38:08.480 --> 0:38:12.239
<v Speaker 1>and he was a great writer, and I knew that

0:38:12.280 --> 0:38:14.799
<v Speaker 1>there was something there. And sure enough, as soon as

0:38:14.840 --> 0:38:17.440
<v Speaker 1>I opened the very first one, it was there, from

0:38:17.480 --> 0:38:21.080
<v Speaker 1>the very first page, that he had been thinking considering

0:38:21.239 --> 0:38:24.399
<v Speaker 1>taking his own life since he was twenty five years old.

0:38:25.040 --> 0:38:26.799
<v Speaker 1>It could have happened before this, and I missed some

0:38:26.840 --> 0:38:30.160
<v Speaker 1>of the earlier journals, but from the very first page,

0:38:30.320 --> 0:38:34.640
<v Speaker 1>this is what he's talking about, a suicidal ideation, and

0:38:35.360 --> 0:38:37.800
<v Speaker 1>this sense of his place in the world as being

0:38:38.320 --> 0:38:42.080
<v Speaker 1>so tentative and fragile, as if he were a stranger

0:38:42.719 --> 0:38:47.520
<v Speaker 1>in a strange land, so much so that he created

0:38:47.880 --> 0:38:52.959
<v Speaker 1>self consciously created the person that we've been talking about,

0:38:53.480 --> 0:38:59.080
<v Speaker 1>this capable, brilliant man. Who is that person that you

0:38:59.080 --> 0:39:01.840
<v Speaker 1>would want with you if your plane goes down in

0:39:01.840 --> 0:39:03.319
<v Speaker 1>the Amazon and all you have is a piece of

0:39:03.320 --> 0:39:05.680
<v Speaker 1>gum and a half piece of string and he can

0:39:05.719 --> 0:39:07.799
<v Speaker 1>somehow get you out of that. He's the guy that

0:39:07.840 --> 0:39:14.600
<v Speaker 1>you want with you. He had created this very real persona.

0:39:14.880 --> 0:39:18.280
<v Speaker 1>I mean, it wasn't false. You can't pretend to build

0:39:18.280 --> 0:39:21.160
<v Speaker 1>a house. You can't pretend to be an artist. You

0:39:21.280 --> 0:39:24.160
<v Speaker 1>either are one or you're not. He was one. These

0:39:24.160 --> 0:39:26.080
<v Speaker 1>are the things that he really did in the world.

0:39:26.320 --> 0:39:30.759
<v Speaker 1>But it was a very very willful creation of this

0:39:31.080 --> 0:39:35.400
<v Speaker 1>secondary personality or person that allowed the other part of

0:39:35.480 --> 0:39:39.280
<v Speaker 1>him to be completely perfectly shrouded.

0:39:40.200 --> 0:39:43.239
<v Speaker 2>Yeah. I mean, there's this moment where he writes the

0:39:43.239 --> 0:39:46.960
<v Speaker 2>only place in all of the journals and all in

0:39:47.080 --> 0:39:50.520
<v Speaker 2>caps in nineteen ninety five, this entry, I must not

0:39:50.680 --> 0:39:53.360
<v Speaker 2>let them see who I really am exactly.

0:39:53.440 --> 0:39:55.799
<v Speaker 1>And then after that he says they couldn't handle the

0:39:55.840 --> 0:40:00.320
<v Speaker 1>real meed, which was astounding to read, because the truth

0:40:00.480 --> 0:40:03.360
<v Speaker 1>was he was the only person that couldn't handle the

0:40:03.440 --> 0:40:06.759
<v Speaker 1>real him. We could have handled him, for sure. But

0:40:06.840 --> 0:40:10.520
<v Speaker 1>again it's this old story that we struggle with, which

0:40:10.600 --> 0:40:12.799
<v Speaker 1>is that if I show you who I really am,

0:40:12.960 --> 0:40:16.160
<v Speaker 1>you will not love me. You will not like me anymore.

0:40:16.719 --> 0:40:21.040
<v Speaker 1>You like me because I've created this idea which you're

0:40:21.080 --> 0:40:23.359
<v Speaker 1>attracted to. But if you actually sell the real need,

0:40:24.000 --> 0:40:25.640
<v Speaker 1>you know, you wouldn't give me the time of day.

0:40:25.680 --> 0:40:29.759
<v Speaker 1>And so he was that person, but in a very

0:40:29.800 --> 0:40:35.440
<v Speaker 1>sophisticated and on another plane, an exaggerated kind of invention

0:40:35.840 --> 0:40:40.600
<v Speaker 1>of self that I don't know anyone else who had

0:40:40.880 --> 0:40:45.600
<v Speaker 1>done what he did, perfected the second self as well

0:40:45.640 --> 0:40:48.480
<v Speaker 1>as he did, and by doing good, what's remarkable about

0:40:48.520 --> 0:40:51.440
<v Speaker 1>William is that the second self he created was so good.

0:40:52.120 --> 0:40:56.560
<v Speaker 1>It was great, you know, he was great, but it

0:40:57.040 --> 0:41:01.160
<v Speaker 1>ended up being the reason why I couldn't live anymore.

0:41:03.040 --> 0:41:06.719
<v Speaker 2>Do you think that that second self, that there were

0:41:06.719 --> 0:41:10.160
<v Speaker 2>a periods of time in his life where that second

0:41:10.200 --> 0:41:14.239
<v Speaker 2>self did feel like the real William to William or

0:41:14.320 --> 0:41:18.000
<v Speaker 2>was it always something that he worked to, you know,

0:41:18.080 --> 0:41:21.680
<v Speaker 2>sort of like the deepest cover of who he felt

0:41:22.080 --> 0:41:25.160
<v Speaker 2>he really was, as outlined in his journals.

0:41:26.760 --> 0:41:30.000
<v Speaker 1>I don't think that he was ever able to escape that,

0:41:30.239 --> 0:41:34.120
<v Speaker 1>because that was him, that was as real a part

0:41:34.120 --> 0:41:37.080
<v Speaker 1>of him as the self that we all knew. I

0:41:37.120 --> 0:41:39.840
<v Speaker 1>never have liked this idea that when you talk about

0:41:39.840 --> 0:41:45.400
<v Speaker 1>somebody like William as having the interior unseen persons the

0:41:45.480 --> 0:41:49.120
<v Speaker 1>real William. I don't see that as being the case.

0:41:49.280 --> 0:41:53.040
<v Speaker 1>I think that they were both real. But because of that,

0:41:53.360 --> 0:41:55.279
<v Speaker 1>there was no way that he was going to be

0:41:55.360 --> 0:41:59.600
<v Speaker 1>able to on his own separate the two. So we

0:41:59.680 --> 0:42:04.919
<v Speaker 1>can't live like that. It's just unsustainable. Something is going

0:42:04.960 --> 0:42:08.120
<v Speaker 1>to give. And when you wake up every morning and

0:42:08.120 --> 0:42:11.280
<v Speaker 1>have to make a decision, as I feel like he did,

0:42:11.640 --> 0:42:13.279
<v Speaker 1>whether today was going to be the day he was

0:42:13.320 --> 0:42:15.839
<v Speaker 1>going to take his own life or live, and then

0:42:15.960 --> 0:42:19.759
<v Speaker 1>decide to live as he did for decades. It was

0:42:19.760 --> 0:42:22.400
<v Speaker 1>a decision that he had to make every day. That

0:42:22.600 --> 0:42:24.200
<v Speaker 1>cannot sustain itself.

0:42:26.680 --> 0:42:30.120
<v Speaker 2>Daniel describes the journals as the longest suicide note in

0:42:30.160 --> 0:42:34.000
<v Speaker 2>the history of the world. But there's more. There's an

0:42:34.120 --> 0:42:37.080
<v Speaker 2>envelope that is unlike anything Daniel has ever held in

0:42:37.120 --> 0:42:41.279
<v Speaker 2>his hands. On the front of the envelope, in Holly's handwriting,

0:42:41.719 --> 0:42:46.680
<v Speaker 2>is the phrase William's intense self hatred. It's clear that

0:42:46.719 --> 0:42:49.760
<v Speaker 2>Holly opened and read the contents of this envelope shortly

0:42:49.800 --> 0:42:50.839
<v Speaker 2>after William's death.

0:42:52.719 --> 0:42:55.720
<v Speaker 1>Yes, she read the envelope just a few weeks after

0:42:56.080 --> 0:42:59.640
<v Speaker 1>he died, and clearly had also read all the journals.

0:43:00.040 --> 0:43:03.800
<v Speaker 1>But the envelope was different. It was separate from the journals.

0:43:03.800 --> 0:43:07.400
<v Speaker 1>It was all by itself, and the envelope itself was

0:43:07.560 --> 0:43:12.600
<v Speaker 1>taped shut, and in the tape were three of hairs

0:43:12.600 --> 0:43:18.000
<v Speaker 1>from her head that she had taped there. And I

0:43:18.040 --> 0:43:19.759
<v Speaker 1>thought about it a lot. I don't know why she

0:43:19.840 --> 0:43:23.000
<v Speaker 1>did that, why she taped her hair on there. It's

0:43:23.040 --> 0:43:25.440
<v Speaker 1>one of those things that private eyes do or to

0:43:25.480 --> 0:43:27.920
<v Speaker 1>discover whether anybody got into something. You know, the hair

0:43:28.000 --> 0:43:30.480
<v Speaker 1>is broken, the seal is broken. So I would not

0:43:30.520 --> 0:43:35.560
<v Speaker 1>break that seal. I could not open that envelope even

0:43:35.600 --> 0:43:40.000
<v Speaker 1>after I'd read the rest of the journals. But I

0:43:40.080 --> 0:43:43.640
<v Speaker 1>knew that I was going to read it one day,

0:43:44.080 --> 0:43:48.480
<v Speaker 1>and I couldn't at the same time break that seal

0:43:48.520 --> 0:43:51.560
<v Speaker 1>that had Hi's sister's hair in it. So I did

0:43:51.640 --> 0:43:54.000
<v Speaker 1>this kind of a cheat maneuver where I took a

0:43:54.160 --> 0:43:57.160
<v Speaker 1>razor blade and sliced the top the side of the

0:43:57.239 --> 0:44:00.239
<v Speaker 1>envelope open, so that you couldn't tell that it had

0:44:00.280 --> 0:44:02.879
<v Speaker 1>been opened. And if Holly, Say, came back to life

0:44:03.400 --> 0:44:06.879
<v Speaker 1>and looked at the envelope, she wouldn't necessarily know by

0:44:06.960 --> 0:44:09.880
<v Speaker 1>looking that I had gotten into it. Said, this is

0:44:09.920 --> 0:44:13.239
<v Speaker 1>one of those weird choices that a person makes that

0:44:13.640 --> 0:44:17.279
<v Speaker 1>essentially doesn't make any sense, but it seems to make sense.

0:44:17.320 --> 0:44:20.400
<v Speaker 1>And still I still feel like if I had to

0:44:20.400 --> 0:44:21.960
<v Speaker 1>do it again, I would definitely do the same thing.

0:44:22.000 --> 0:44:24.160
<v Speaker 1>I would not break that seal, and I haven't broken

0:44:24.200 --> 0:44:27.200
<v Speaker 1>that seal, but sliced open the top of the envelope

0:44:27.200 --> 0:44:31.560
<v Speaker 1>and got the three pages line paper from a notebook

0:44:31.600 --> 0:44:34.879
<v Speaker 1>in which William had written everything that he was most

0:44:34.880 --> 0:44:37.880
<v Speaker 1>ashamed of in his life. It was a list of

0:44:38.000 --> 0:44:40.919
<v Speaker 1>things that he had done, but also things that had

0:44:40.960 --> 0:44:44.400
<v Speaker 1>been done to him. And it was a key. It

0:44:44.520 --> 0:44:49.200
<v Speaker 1>was a key to who had made him, maybe not entirely,

0:44:49.280 --> 0:44:54.359
<v Speaker 1>but defined for me the moment that his life became intenable.

0:44:55.280 --> 0:44:59.239
<v Speaker 1>When William was a boy, he had bright red hair

0:45:00.400 --> 0:45:02.759
<v Speaker 1>his mother cut into a bowl cut. He was very,

0:45:03.040 --> 0:45:07.320
<v Speaker 1>very skinny. He had white skin, really white, with freckles.

0:45:07.480 --> 0:45:11.200
<v Speaker 1>He wore coke bottle glasses. He had terrible eye sight,

0:45:11.680 --> 0:45:14.239
<v Speaker 1>and he was the kid that was really the punching bag, right,

0:45:14.719 --> 0:45:19.000
<v Speaker 1>and his parents never came to his aide, apparently, you know,

0:45:19.040 --> 0:45:22.319
<v Speaker 1>they never put a stop to it. They never helped him.

0:45:22.719 --> 0:45:26.080
<v Speaker 1>And he could have been like that, you know, a

0:45:26.160 --> 0:45:30.920
<v Speaker 1>helpless character who was brutalized. But he didn't stay that way.

0:45:30.960 --> 0:45:34.840
<v Speaker 1>He got into the Scouts, got into the boy Scouts,

0:45:34.840 --> 0:45:37.200
<v Speaker 1>and he found this is a place where he really

0:45:37.239 --> 0:45:42.719
<v Speaker 1>excelled doing things on his own solo time, not you know,

0:45:42.920 --> 0:45:46.040
<v Speaker 1>life saving techniques, how to get it around in the woods,

0:45:46.320 --> 0:45:50.600
<v Speaker 1>how to build things. This was a world where he

0:45:50.760 --> 0:45:55.719
<v Speaker 1>was gaining power, He was coming into another self, a

0:45:55.800 --> 0:46:00.560
<v Speaker 1>bigger and better William than he was before. And then

0:46:01.360 --> 0:46:07.320
<v Speaker 1>he is abused, sexually abused by his hero a counselor

0:46:08.680 --> 0:46:13.600
<v Speaker 1>that they were on a camping trip with. And that's

0:46:13.719 --> 0:46:18.160
<v Speaker 1>all William says about it. He doesn't go into detail

0:46:18.320 --> 0:46:22.719
<v Speaker 1>about the before for the after. He just goes on

0:46:22.800 --> 0:46:25.200
<v Speaker 1>to another humiliating moment in his life.

0:46:26.000 --> 0:46:29.320
<v Speaker 2>And all of the other humiliations are basically your garden

0:46:29.400 --> 0:46:32.719
<v Speaker 2>variety humiliations that everybody walks around with who's been on

0:46:32.760 --> 0:46:35.120
<v Speaker 2>the planet for any length of time. The sense of

0:46:35.640 --> 0:46:40.200
<v Speaker 2>private shame being that which you can't speak about because

0:46:40.239 --> 0:46:42.560
<v Speaker 2>you're afraid of being shunned. But that really is, in

0:46:42.600 --> 0:46:45.720
<v Speaker 2>fact no big deal as opposed to this piece of information,

0:46:45.760 --> 0:46:47.680
<v Speaker 2>which is a whole different holoax.

0:46:49.200 --> 0:46:53.960
<v Speaker 1>It's the only thing that is done to him in

0:46:54.000 --> 0:46:59.919
<v Speaker 1>this list of shame, which is not really a very

0:47:00.080 --> 0:47:03.120
<v Speaker 1>scary list, it is a very human list. But this

0:47:03.200 --> 0:47:06.840
<v Speaker 1>one thing that was done to him is included with

0:47:06.920 --> 0:47:11.279
<v Speaker 1>him stealing his grandfather's medals from World War two, you know,

0:47:12.080 --> 0:47:15.520
<v Speaker 1>and having read the journals and having been writing about

0:47:15.520 --> 0:47:20.040
<v Speaker 1>it for years. I realized that his path to this

0:47:20.120 --> 0:47:26.799
<v Speaker 1>other William was destroyed, then that he was not going

0:47:26.840 --> 0:47:30.400
<v Speaker 1>to become a full fledged William. There was no path

0:47:30.719 --> 0:47:31.200
<v Speaker 1>that way.

0:47:32.640 --> 0:47:37.319
<v Speaker 2>So did that go a long way for you to understand,

0:47:37.760 --> 0:47:40.120
<v Speaker 2>you know, to the degree forensically that you can, you

0:47:40.120 --> 0:47:43.680
<v Speaker 2>know after the fact, to understand more of what made

0:47:43.680 --> 0:47:44.760
<v Speaker 2>William William.

0:47:45.160 --> 0:47:52.480
<v Speaker 1>Yes, if everyone who had lost someone by suicide had

0:47:53.000 --> 0:47:56.560
<v Speaker 1>the opportunity to do what I had been able to

0:47:56.600 --> 0:48:02.560
<v Speaker 1>do reading his journals, families would feel differently about everything.

0:48:02.719 --> 0:48:05.600
<v Speaker 1>Most people who do this, who die in this way,

0:48:06.440 --> 0:48:10.799
<v Speaker 1>die mysteriously. Even people who leave notes, they leave more

0:48:11.120 --> 0:48:15.279
<v Speaker 1>questions than answers behind. I had a thousand pages of

0:48:15.640 --> 0:48:24.520
<v Speaker 1>journals to read and to understand William, and all of

0:48:24.560 --> 0:48:29.000
<v Speaker 1>this anger that I had for him toward him, and

0:48:29.160 --> 0:48:34.960
<v Speaker 1>for a time, this overwhelming hatred, all that diminished. And

0:48:35.440 --> 0:48:40.480
<v Speaker 1>when you can really understand somebody, you can't not forget them.

0:48:40.560 --> 0:48:42.360
<v Speaker 1>Understanding his life changed my life.

0:48:43.719 --> 0:48:48.520
<v Speaker 2>And I would imagine since Holly had also clearly had

0:48:48.560 --> 0:48:51.799
<v Speaker 2>read the List of Shame and never spoke about it

0:48:52.280 --> 0:48:54.440
<v Speaker 2>from the time that she would have read that until

0:48:54.480 --> 0:48:58.160
<v Speaker 2>the time that she died, that she must have also

0:48:58.320 --> 0:49:02.000
<v Speaker 2>had some greater sense of what made William William.

0:49:02.760 --> 0:49:07.319
<v Speaker 1>Yes, she did. I don't think that for her it

0:49:07.440 --> 0:49:12.359
<v Speaker 1>was enough. Sometimes understanding it's not enough, and I think

0:49:12.800 --> 0:49:17.759
<v Speaker 1>that forgiveness is possible, but her sense of being not

0:49:18.000 --> 0:49:23.479
<v Speaker 1>just abandoned but culpable, she felt in some ways for

0:49:23.719 --> 0:49:27.040
<v Speaker 1>the choice that he made, that she became too much

0:49:27.040 --> 0:49:30.640
<v Speaker 1>for him. Perhaps that's really really hard to let go of.

0:49:32.880 --> 0:49:39.360
<v Speaker 2>You talk about the nature of influence and the profound

0:49:39.480 --> 0:49:44.640
<v Speaker 2>influence that this man, your brother in law, William, had

0:49:45.239 --> 0:49:49.240
<v Speaker 2>in shaping your life, so much of your life now

0:49:49.719 --> 0:49:53.600
<v Speaker 2>more than ten years since Holly's death and more than

0:49:53.600 --> 0:49:57.120
<v Speaker 2>twenty years since William's Where does that sit with you?

0:49:58.600 --> 0:50:02.520
<v Speaker 1>This book is kind of a mystery story, right. It's

0:50:02.880 --> 0:50:06.279
<v Speaker 1>trying to figure out what happened with William, what led

0:50:06.360 --> 0:50:09.240
<v Speaker 1>him to do what he did, And through the course

0:50:09.280 --> 0:50:12.719
<v Speaker 1>of that, of my reading the journals and writing and

0:50:12.760 --> 0:50:15.680
<v Speaker 1>talking to people, I try to come to an answer

0:50:16.040 --> 0:50:21.239
<v Speaker 1>of a kind. But the other mystery is how all

0:50:21.280 --> 0:50:26.160
<v Speaker 1>of us become who we are, and this me that

0:50:26.280 --> 0:50:31.360
<v Speaker 1>I've become is its own mystery story. But through writing

0:50:31.400 --> 0:50:33.839
<v Speaker 1>this book, Through writing this book, which initially was all

0:50:33.880 --> 0:50:36.440
<v Speaker 1>about William, it really wasn't about much about me at all.

0:50:36.719 --> 0:50:42.919
<v Speaker 1>In the early drafts, I was able to understand not

0:50:43.120 --> 0:50:47.799
<v Speaker 1>just myself, but also what the nature of influence is,

0:50:48.000 --> 0:50:50.400
<v Speaker 1>or what I think it is, and how in the

0:50:50.440 --> 0:50:53.279
<v Speaker 1>same way that I didn't want to become William, I

0:50:53.360 --> 0:50:55.960
<v Speaker 1>wanted to become like William. I wanted to become my

0:50:56.160 --> 0:51:00.920
<v Speaker 1>version of William. I was able to take the bravery

0:51:00.960 --> 0:51:03.239
<v Speaker 1>that he had in his own life, but not take

0:51:03.280 --> 0:51:05.840
<v Speaker 1>it to a river. You know, I could do it

0:51:05.880 --> 0:51:09.759
<v Speaker 1>on the page. I had the ability to not be

0:51:10.120 --> 0:51:16.280
<v Speaker 1>overwhelmed and frightened by the idea of leaving behind something

0:51:17.000 --> 0:51:21.080
<v Speaker 1>like my father's business, which would have been the logical

0:51:21.280 --> 0:51:23.520
<v Speaker 1>choice for me to make, and it would have been,

0:51:23.640 --> 0:51:27.279
<v Speaker 1>you know, financially the better choice. But we're all little

0:51:27.320 --> 0:51:31.120
<v Speaker 1>Frankenstein monsters, you know, we're all made of different parts

0:51:31.160 --> 0:51:36.080
<v Speaker 1>of different people. I am and for that, you know,

0:51:36.160 --> 0:51:39.640
<v Speaker 1>I have so many people to think because it's not

0:51:39.680 --> 0:51:42.040
<v Speaker 1>just one person to so many people to think. But

0:51:42.080 --> 0:51:45.240
<v Speaker 1>William and to the degree that he is an influence

0:51:45.280 --> 0:51:48.799
<v Speaker 1>in my life, I didn't really fully understand until I

0:51:48.800 --> 0:51:49.480
<v Speaker 1>wrote about it.

0:51:55.360 --> 0:52:01.200
<v Speaker 2>Here's Daniel reading one more passage from his probing revolutory memoir.

0:52:02.960 --> 0:52:05.880
<v Speaker 1>Without William I wouldn't be who I am, but I

0:52:05.920 --> 0:52:10.040
<v Speaker 1>am not him, which is a blessing. Without William, I

0:52:10.040 --> 0:52:15.040
<v Speaker 1>would be something wholly different, possibly unrecognizable, a distant relative

0:52:15.120 --> 0:52:20.360
<v Speaker 1>of myself, writing invoices instead of novels. And though I

0:52:20.360 --> 0:52:22.960
<v Speaker 1>can't imagine what my life would be like if I

0:52:23.000 --> 0:52:27.759
<v Speaker 1>weren't a writer, being one is in a way, not

0:52:27.920 --> 0:52:31.640
<v Speaker 1>like living at all on a dark and stormy night.

0:52:32.239 --> 0:52:35.880
<v Speaker 1>A writer arrives at a way station between experience and

0:52:36.000 --> 0:52:41.160
<v Speaker 1>understanding and really never leaves it. But writing is better

0:52:41.200 --> 0:52:44.799
<v Speaker 1>than living in one way. At least, there are an

0:52:44.840 --> 0:52:48.640
<v Speaker 1>infinite number of opportunities to correct your worst mistakes.

0:53:02.600 --> 0:53:06.400
<v Speaker 2>Family Secrets is a production of iHeartRadio. Molly Zacour is

0:53:06.440 --> 0:53:09.600
<v Speaker 2>the story editor and Dylan Fagan is the executive producer.

0:53:10.840 --> 0:53:12.839
<v Speaker 2>If you have a family secret you'd like to share,

0:53:13.239 --> 0:53:15.680
<v Speaker 2>please leave us a voicemail and your story could appear

0:53:15.719 --> 0:53:19.120
<v Speaker 2>on an upcoming episode. Our number is one eight eight

0:53:19.120 --> 0:53:23.319
<v Speaker 2>eight Secret zero. That's the number zero. You can also

0:53:23.440 --> 0:53:28.279
<v Speaker 2>find me on Instagram at Danny Ryder. And if you'd

0:53:28.280 --> 0:53:30.759
<v Speaker 2>like to know more about the story that inspired this podcast,

0:53:31.160 --> 0:53:53.560
<v Speaker 2>check out my memoir Inheritance. For more podcasts from iHeartRadio,

0:53:53.719 --> 0:53:57.200
<v Speaker 2>visit the iHeartRadio app, Apple podcasts, or wherever you listen

0:53:57.239 --> 0:53:58.200
<v Speaker 2>to your favorite shows.