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Speaker 1: Do it, bretat.

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Speaker 2: Bread, the songs almost over, Bread, Brett bad do it?

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Speaker 1: Brett? Hold On? What what are you talking? Brett? How

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Speaker 1: many times did we practice this before we started recording

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Speaker 1: there it's supposed to go over instead of just hearing

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Speaker 1: the whole song. And this is way too loud and

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Speaker 1: shine that's great, that's great. It's supposed to be it's

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Speaker 1: quiet at the beginning. That's loud, and many things don't

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Speaker 1: make it louder. Bread, it's supposed to be silent at

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Speaker 1: the beginning.

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Speaker 2: And then the bells are slowly getting louder, like Santa's coming.

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Speaker 1: Bells slow, it's just getting closer. Bread into fat. Hold On.

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Speaker 1: We want to build of the bells okay, and we

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Speaker 1: want the song to fade out as Santa gets in.

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Speaker 1: We don't have time. And then instead of whoa, we

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Speaker 1: want Santa saying ho ho, we don't have time. Why

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Speaker 1: is this so fast? We're never going to get it.

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Speaker 1: We spend too much time practicing. That's the thing is

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Speaker 1: we ran it so many times. You had it perfect.

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Speaker 1: I got nervous.

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Speaker 2: We should have told him that the practice was the

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Speaker 2: real thing that is so great, So get used to

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Speaker 2: doing the real thing.

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Speaker 1: I said. This is why Pete Holmes does it the

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Speaker 1: way he does it, where people go, hey, are we

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Speaker 1: recording right now? And he goes, yeah, we just go baby,

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Speaker 1: you know what I mean? And that's why you you

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Speaker 1: get the raw experience of people just going you, guys,

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Speaker 1: did that show? Have you made it weird at all?

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Speaker 3: Yeah?

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Speaker 1: He kept it twice. Oh wow, that's sick. Man. Did

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Speaker 1: you learn about like fucking bee pollen or supplements or

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Speaker 1: anything he was on at that time? Something he was

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Speaker 1: passionate about that week.

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Speaker 4: Are you are you mad at us?

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Speaker 1: I'm asking a question. No, but it would be okay

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Speaker 1: if he was.

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Speaker 4: If you were mad at me, it's my right to

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Speaker 4: be mad. I guess no. I don't think he was.

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Speaker 1: In the Constitution, Americas could be mad. I like that

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Speaker 1: theme song. I thought it was good. The bells.

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Speaker 2: You don't have your headphones on, and that's why you

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Speaker 2: can hear them. The bells are so wow.

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Speaker 1: They were a little loud, but I didn't hate it.

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Speaker 1: You could hear with your headphones on the table. They're

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Speaker 1: aimed at ye, people who don't wear their headphones.

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Speaker 5: That's a good way to listen to theme song. Actually,

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Speaker 5: if you just take off the headphone.

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Speaker 1: Hey, listen to the whole podcast without having Welcome to Hollywood.

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Speaker 1: Oh wait, I had a version. I wanted to do,

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Speaker 1: Welcome to Holliday, Welcome to Holly Jolly. That's good an

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Speaker 1: insiders gys box angelus. But Insider's Guide to getting presents

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Speaker 1: and and and and I don't want to be too

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Speaker 1: specific to anyone holiday is my issue. I know, I know,

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Speaker 1: but I was going to say, like decorating a tree

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Speaker 1: or something, but then then you also have to the

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Speaker 1: back half the decorated the other stuff.

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Speaker 2: The intires guide to getting presents and celebrating the Holidays

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Speaker 2: with your friends in.

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Speaker 1: The red yes, but Red is Santa. Yeah, so that's

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Speaker 1: also just everyone. Christmas is just Christmas. Yeah, I've never

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Speaker 1: had agnog Well, I.

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Speaker 5: Mean they still at Starbucks, but I guess that doesn't

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Speaker 5: make it anymore or less Christian.

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Speaker 1: Well, Starbucks is the one who initially started the war

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Speaker 1: on Christmas. Really, first shot because the cups.

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Speaker 2: Yeah, the first shot was the Cupid Happy Holidays.

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Speaker 1: It said the first time, and they used to they

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Speaker 1: used to say Merry Christmas and people, and then they

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Speaker 1: change it and that was happy Holidays. And that was

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Speaker 1: the initial was that assassination of Christmas addicts?

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Speaker 2: Yeah, and Halloween people were because they weren't doing a

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Speaker 2: Halloween one.

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Speaker 1: Mm hmmm. A lot of the Halloween people got mad

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Speaker 1: talking people talk about the war, the warren. Alloween has

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Speaker 1: gotten out of control. That's a bloody one. You're not

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Speaker 1: allowed to say happy, allowed to say it. We're not

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Speaker 1: allowed to ask trick or tree.

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Speaker 2: Yes, trick or treats is in our because the scared

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Speaker 2: people are offended now.

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Speaker 1: What they gave. They want to be in their safe space, everybody.

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Speaker 1: I'll tell you what, boys, I got a safe space

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Speaker 1: for him. Okay, about six feet underground, pretty safe down there.

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Speaker 1: So you're gonna kill them and kill them for what?

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Speaker 1: Kill and bury them for what? For being snowflakes?

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Speaker 4: You're going to kill someone for being fragile?

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Speaker 1: Hey, when you're starts starts bushing, brushing up against my comedy,

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Speaker 1: we got a problem, brak.

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Speaker 4: What if somebody thinks you're snuff?

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Speaker 1: Like?

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Speaker 4: What if people think you're fragile for saying that you're

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Speaker 4: gonna kill somebody?

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Speaker 1: Yeah, that's a good way to get killed, all right.

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Speaker 1: They want their safe space, Man, I got a space

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Speaker 1: of real damn safe. Yeah, inside a box we have

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Speaker 1: to do. Okay, so we'll do We'll keep in the

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Speaker 1: pine box cheap.

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Speaker 2: The holly Jolly handbook thing, will do a little bit

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Speaker 2: of the bells, just leave a little bit of that end.

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Speaker 1: Up again and then well, guys, can you guys be

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Speaker 1: making sort of like a what my theater teacher used

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Speaker 1: to call it, like a hugger mugger, where you're not talking,

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Speaker 1: but you're making it sound like there's sort of a party. Yeah, yeah,

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Speaker 1: it's not noise, you know. Uh, it's it's just I

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Speaker 1: don't want to be able to distinguish any words because

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Speaker 1: I don't want to be distracted from Hayes's thing. It's

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Speaker 1: still noise. Yeah yeah, but when you said ambient noise,

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Speaker 1: that sounds more like background noises that aren't supposed to

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Speaker 1: mimic kind of non specific dialogue. Okay, so like like

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Speaker 1: one step up from miming conversation, you know what you

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Speaker 1: could call it, which I already called it a hugger mugger,

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Speaker 1: which I need just.

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Speaker 4: Two words over and over.

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Speaker 1: Yeah yeah yeah, and also all right, that is also

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Speaker 1: a noise, but we could do that, yeah, okay, yeah,

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Speaker 1: is it ambient noise. Yes, I guess you're right. So wow,

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Speaker 1: I've never seen you admit defeat. No, the more not

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Speaker 1: its gonna go more I think about it. Yeah, we

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Speaker 1: do have to cut this out, but the more I

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Speaker 1: think about it is ambient noise.

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Speaker 2: Right, just a quick rundown on what we're doing. This

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Speaker 2: is our big Christmas episode.

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Speaker 1: We so and as long as we're going over this stuff,

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Speaker 1: this will be diegetic music. Right. What do you did?

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Speaker 4: You just take a film class? You're using You have

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Speaker 4: so many like little catchphrases and like terms news and

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Speaker 4: notes and like the diegetic the ambient noise.

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Speaker 1: I feel like.

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Speaker 4: You're making a very specific and conscious effort to cram

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Speaker 4: them into the conversation we're having.

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Speaker 1: Mm hmm. Yeah, No, I didn't just take a film class. Okay,

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Speaker 1: all right, smash cut too, alright, alright, iron graduating days earlier, Okay,

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Speaker 1: exterior graduation ceremony crash zoom on a handshake and a

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Speaker 1: diploma being given to our hero you late thirties.

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Speaker 4: I'm guessing your hero just graduated in his late thirties.

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Speaker 4: That's your hero.

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Speaker 1: Oh yeah, Well, it's not heroic to go back to

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Speaker 1: school when you're a little older. Yeah, let's let's condemn

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Speaker 1: people for that.

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Speaker 4: You tried to you wanted to kill people for saying

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Speaker 4: happy Halloween.

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Speaker 1: And now I've just ins I'm for saying happy Halloween,

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Speaker 1: for not allowing me to say Happy Halloween, and our

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Speaker 1: privacy of my home.

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Speaker 4: Okay, I'm just saying you might be a little more

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Speaker 4: fragile than you think.

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Speaker 1: You agree.

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Speaker 4: Oh yeah, all right?

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Speaker 1: Well were you saying? I was just gonna do a

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Speaker 1: quick rundown of what we are going to do on.

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Speaker 2: The show today. It's the Christmas episode comedy bang thing.

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Speaker 2: I don't listen to the show, but I can see

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Speaker 2: the little screen grab on the on the website, on

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Speaker 2: the home page.

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Speaker 4: Yeah, we've never done it, but I know what it is.

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Speaker 1: I know that's how why we have you. If if

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Speaker 1: you're on this show, pretty safe bet you haven't done comedy.

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Speaker 1: Otherwise you'd be doing that show now, right, Okay, that's

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Speaker 1: fair like everyone else seems to be so.

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Speaker 2: On the website they show a little picture of who

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Speaker 2: did the show, and I'm looking at it this week.

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Speaker 2: I hit our page over and over again to get

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Speaker 2: the stats up.

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Speaker 4: Just the pages. Are you listening to the podcast?

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Speaker 2: I have my A couple of my kids are just

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Speaker 2: running it over and over again on fast mode so

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Speaker 2: they can listen to it.

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Speaker 1: They could get more listen that's smart. Yes, And they're

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Speaker 1: downloading it on their different devices. Okay, and so you

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Speaker 1: believe some of these freaking devices. Yeah.

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Speaker 2: And so one of my kids, one of my kids,

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Speaker 2: calls me over and he's like, what's this show, Daddy?

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Speaker 1: Like that looks really fun. It looks like they had

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Speaker 1: a lot of fun on that show. I'm like, what

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Speaker 1: the fuck is this?

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Speaker 2: And there's like two hundred people on this Christmas episode

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Speaker 2: and like two different bands, and of course, like Paul F.

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Speaker 2: Tompkins is there, and like everybody all the like great

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Speaker 2: like all comedy.

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Speaker 1: People, all the funniest and the biggest stars.

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Speaker 2: And some might like mainstream comedy people right where we

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Speaker 2: are here now.

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Speaker 1: So it's a little insulting too, all right.

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Speaker 2: But anyway, Yeah, well you didn't think that it was No,

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Speaker 2: you're gonna be.

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Speaker 1: Like I didn't think it was gonna be. But I

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Speaker 1: just feel like you're like I would think that you

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Speaker 1: guys would know by now when we when Jake and

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Speaker 1: Emir called in to do a show, it's to do

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Speaker 1: impressions of other people. This is your thing, is.

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Speaker 4: Like, Okay, I don't necessarily know how to do impressions,

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Speaker 4: so I don't know where you got that impression.

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Speaker 1: But I'm not bad. Yeah, Jake's actually very good and

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Speaker 1: a mirror. I think you're selling yourself a little short,

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Speaker 1: you know.

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Speaker 6: Try.

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Speaker 1: Yeah, I can do I could do some, but the

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Speaker 1: fact that I don't want.

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Speaker 4: To Shirley Temple, Yeah, I don't want to.

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Speaker 1: I don't want to.

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Speaker 4: I don't want to, like hold, I don't want you

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Speaker 4: to hold.

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Speaker 1: That was cool. It was really cool. It's gonna be

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Speaker 1: good for us because you're getting more because even commy ban,

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Speaker 1: we've got a lot of people they don't have. Yeah,

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Speaker 1: they did. I mean I don't want to talk about

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Speaker 1: you know, some of this stuff that would be big.

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Speaker 1: So ours could be almost all women, okay, yeah, yeah,

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Speaker 1: get a little variety in here.

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Speaker 4: Yeah, God forbid, right, and Jake and I don't want

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Speaker 4: to offend anyone because my Yeah.

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Speaker 1: That's why we're doing all these women in here. Hey,

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Speaker 1: if you don't want to offend anyone, good.

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Speaker 5: Luck, because there's a good place and you can go

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Speaker 5: to not defend anybody under Yeah, I saw that in

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Speaker 5: a coffin.

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Speaker 4: You guys are planning on killing people a lot, I guess,

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Speaker 4: so fucked up?

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Speaker 1: Kill them or chain in your minds. You tell me

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Speaker 1: what the easier one is. Yeah, all right, we.

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Speaker 2: Don't want to work that hard is the thing we

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Speaker 2: want to do. You know, we only have we got

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Speaker 2: to do the show. We only have so much time.

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Speaker 2: It can't be changing all these people. It's easier to kill, like,

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Speaker 2: it's easier to kill and bury people.

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Speaker 4: Yeah, burying, I bet it's difficult.

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Speaker 1: Yeah, yeah, there's probably a tool or a machine that

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Speaker 1: would help.

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Speaker 2: And you have your hose going in your backyard, so

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Speaker 2: the ground is very soft.

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Speaker 1: Smart you want to saturated. A lot of these people

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Speaker 1: just sprinkle water on the top, but you do want

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Speaker 1: to get it in there so that the earth really

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Speaker 1: knows it's wet. This is how your garden.

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Speaker 5: This is how Yeah, this is growing your ready to

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Speaker 5: bury people.

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Speaker 1: It's a cemetery. It's more. It's more for burying and

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Speaker 1: also for swimming. See all right, wrastling.

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Speaker 5: All right, so you're burying people in your backyard and

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Speaker 5: then then mud wrestling on their on their graves.

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Speaker 1: That's correct, all right? Anyway, so we can have. We

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Speaker 1: should introduce that Jake and Emirror here is like part

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Speaker 1: of the show. You guys can be like get the

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Speaker 1: bump from being guessed on the shore. We're not gonna

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Speaker 1: bring you in here and then like not have you

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Speaker 1: be yourselves for like you'll do yourselves and then we'll

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Speaker 1: get into some of the other stuff that you wanted

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Speaker 1: to do, your impressions and stuff I didn't want to get.

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Speaker 4: Yeah, you guys, you surprised us with that part. But

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Speaker 4: we will do that impressions if you want.

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Speaker 1: Thank you. I just don't want it to be the

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Speaker 1: majority of the show. Thank you. No, okay, so we'll

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Speaker 1: do we can do your little thing. We'll do your thing.

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Speaker 1: So we'll do the thing is what we're here for.

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Speaker 4: But yeah, what we're here to do the thing, So

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Speaker 4: we want to do mostly us as Jacob emir and

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Speaker 4: then if you want, we could do the impressions.

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Speaker 1: But I don't want the whole thing to just be

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Speaker 1: what do you want the whole thing to be? Man?

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Speaker 1: What are you promoting?

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Speaker 4: Well, we have some projects and stuff we want to

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Speaker 4: talk about.

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Speaker 1: You don't have to.

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Speaker 4: Why don't we start the show then you can ask

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Speaker 4: us about it. It'll be more natural.

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Speaker 1: Okay, but we can do sure, great, that's offensive.

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Speaker 5: Just feels so can and try to just try to

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Speaker 5: like go along, I am, I said, bleeds.

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Speaker 1: Through in the thing. It's good to get it out now, Okay, Yeah,

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Speaker 1: it's better for me now I know the order. Thanks,

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Speaker 1: I'm all right.

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Speaker 2: So it's a Holly Jolly Handbook and we all are

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Speaker 2: are all our friends are here for the party.

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Speaker 1: Every year we have the big party. Did you start? Sorry,

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Speaker 1: I didn't hear the theme song is the Bigges said,

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Speaker 1: it's the Holly Jolly ham But we already are going

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Speaker 1: to do this song. No, we know that is you

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Speaker 1: might have mentioned doing the song again from the beginning.

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Speaker 2: No, I said, we use a little bit of what

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Speaker 2: we got, just the best part of what we got.

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Speaker 2: Light builds, so we'll we'll listen through for just the

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Speaker 2: best like and we just the best liked together. Yeah,

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Speaker 2: of the bells all right, and then I we already

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Speaker 2: said the first HOLI gam, can.

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Speaker 4: We take like a thirty second break because I feel

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Speaker 4: like everyone is super super mad and that will bleed

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Speaker 4: into the actual episode.

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Speaker 1: No, it like it's good to bring some energy because

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Speaker 1: a lot of times this show is everyone's very bored, okay,

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Speaker 1: and so.

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Speaker 4: Anger A lot of times everyone is bored during the show.

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Speaker 1: It's much better. It's sort of a one or the

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Speaker 1: other proposition, mad or bored.

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Speaker 4: Yes, no, happy, There's never been a happy episode when

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Speaker 4: you look at the comedy Bang.

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Speaker 1: I remember, I do remember having an happy episode.

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Speaker 2: Yeah, I remember you started being happy about how you

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Speaker 2: weren't bored because you were so mad.

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Speaker 1: Yeah, yeah, okay.

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Speaker 4: So if the two options are literally mad or bored,

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Speaker 4: which is really it's such a negative proposition, but I

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Speaker 4: guess mad is better.

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Speaker 1: We have to say if we are going to have

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Speaker 1: you guys do mostly female voices as the guests, which

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Speaker 1: I did. Yeah, I don't feel comfortable with, but it's fine,

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Speaker 1: it's their show. Just but if we are doing that,

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Speaker 1: you should know that our fans are very savvy and

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Speaker 1: they are able to determine that when we have female guests,

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Speaker 1: they're not in on the joke.

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Speaker 2: Yes, so this is something that we should actually clarify

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Speaker 2: for fans, and we can put this into any episode.

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Speaker 2: So lots of times women will come on the show.

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Speaker 2: We've had a few female guests recently, and fans will

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Speaker 2: post on our various message boards and sometimes tweet at

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Speaker 2: them it didn't seem like you were in on the joke.

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Speaker 1: Mm okay, which is always nice. It only happens with women,

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Speaker 1: and these women are generally professional comedians and actresses, and

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Speaker 1: they sound sometimes like they're trying to pretend like they're

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Speaker 1: in on the joke, or they'll be laughing or helping

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Speaker 1: the comedy out. But our fans are so sophisticated that

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Speaker 1: they're able to determine, Hey, these women aren't in on

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Speaker 1: the joke. Yeah, boys are doing the joke. So that's

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Speaker 1: what that is what we just wanted to clarify for everyone.

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Speaker 1: For an example, for you guys, recent example, Lauren Lapkis

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Speaker 1: did the show and people weren't sure if she was

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Speaker 1: in on the joke. Well, she got it, no kidding me,

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Speaker 1: you're crazy. She's very funny.

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Speaker 4: That's why we assumed that she wasn't on the joke.

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Speaker 4: But if nobody, if all your.

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Speaker 2: Fans, that was people's confusion. Some people's confusion. I think

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Speaker 2: you thought that she might have been because she's done

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Speaker 2: ten thousand podcasts, a.

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Speaker 1: Lot of comedy. Bank Bank has her own podcast.

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Speaker 2: Which is in proposition, she's done this show a bunch

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Speaker 2: of times we've done hers, so I think people were like, well,

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Speaker 2: probably she does understand what's happening, and anything she's doing

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Speaker 2: is a bit that she's participating in.

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Speaker 1: She's far more established comedian than either one of us.

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Speaker 1: I think is what made some people feel that she

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Speaker 1: might be in on the joke.

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Speaker 2: But the ones who were saying that she did not

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Speaker 2: get it right, that those were the right one.

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Speaker 1: Yeah. Thankfully there are a few true, you know, comedy

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Speaker 1: connoisseurs in the audience that could listen and go, wait

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Speaker 1: a minute, she and on the joke. Only Sean and

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Speaker 1: Hazer and on the joke.

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Speaker 2: So we have to let's do every time we're coming in,

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Speaker 2: you play the bells. Yeah, when we're coming in to

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Speaker 2: the real show. This is for the end. The piano,

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Speaker 2: that's the end music.

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Speaker 1: Yeah, when we're sad, that's me and Hayes are sweeping up.

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Speaker 1: Everyone's gone home. The party went great, Yeah, but there's

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Speaker 1: something bittersweet about the end of a party, isn't there?

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Speaker 1: I guess. And then we meet in the I'm sorry

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Speaker 1: that's controversial for you. There's something you're just being dismissive

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Speaker 1: of everything, you guess.

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Speaker 4: Yes, there's something bittersweet about the end of a party.

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Speaker 1: Yes there is.

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Speaker 2: Yeah, no guess work involved, all right, Can I say

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Speaker 2: what just to clarify what we do at the end.

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Speaker 2: We're both sweeping up. Our sweepers meet in the middle

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Speaker 2: of the room and we look up and there's missiletoe

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Speaker 2: and we pull a curtain down in front of the screen.

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Speaker 2: But we say we are not going to kiss behind

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Speaker 2: this curtain. Does to clarify for people who might think

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Speaker 2: that we are kissing when we pull the curtain down,

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Speaker 2: it's like it's just like a party and we are

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Speaker 2: not going to kiss.

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Speaker 1: But we do need the curtain down, yeah, for what

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Speaker 1: we are going to do, which is not kiss though.

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Speaker 1: Well yeah, so in any traditional way were the belt. Hey,

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Speaker 1: it's a holly jolly handbook. We're here with all our

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Speaker 1: friends for the big party. Can people hear me over this?

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Speaker 1: That's as quiet as I can make it. So we

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Speaker 1: got so many of our of our friends come around.

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Speaker 1: We have snacks and chips.

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Speaker 4: Uh.

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Speaker 2: And what was the thing you were saying before, Brett

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Speaker 2: the drink.

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Speaker 1: The oh OJ spice cider, oh nothing else? Yes, thank you?

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Speaker 2: And we have OJ and eggnog and Uh, let's introduce

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Speaker 2: like some of our friends who are here, Jake and Emir.

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Speaker 1: It's like great, Hey, hey guys, thanks for making it. Yeah,

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Speaker 1: thanks having we're excited to hear. So do you guys

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Speaker 1: like presents?

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Speaker 2: Uh?

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Speaker 1: Yeah, for sure. I love gifts. It's just the season,

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Speaker 1: so that could be there off that can be their thing.

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Speaker 1: That's like, that's like your like the Jakin Emir section

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Speaker 1: of the show. People are going to love that. Let's

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Speaker 1: talk about it because we do have.

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Speaker 4: Some stuff that we're working on. So I don't want

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Speaker 4: it to be that's the end, but we can start

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Speaker 4: with that.

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Speaker 1: Thing. I just want to say, what do you guys

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Speaker 1: get your agent? You have to introduce so many other guests.

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Speaker 1: What do you get your commercial agent for the holidays?

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Speaker 4: Commercial ation for the still?

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Speaker 1: Is this going to be part of the show right now?

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Speaker 1: Do you hear the bells? No?

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Speaker 4: I don't have We don't have a commercial agent specifically, but.

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Speaker 1: I like that. That was my guess. We could do that.

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00:19:35,080 --> 00:19:36,640
Speaker 1: Do you guys like giving gifts? And then we could

404
00:19:36,680 --> 00:19:41,280
Speaker 1: talk more about just like what I've been watching TV? Yeah, scene, Yeah,

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Speaker 1: I've got a lot of commercials. You've seen us in

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Speaker 1: commercials we have, and so that's why it does. It

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Speaker 1: makes sense. I was going to say, whatever you're getting them,

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Speaker 1: probably you can't.

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Speaker 4: No, you don't have a so you didn't get to

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Speaker 4: use that insult.

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Speaker 1: Right, we don't have a commercial because you can't get

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Speaker 1: signed that because we can't get sign for commercials. Okay, well,

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Speaker 1: we don't want to focus our energies on. Then you

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Speaker 1: have an.

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Speaker 2: Agent and you don't even have any good ideas for

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Speaker 2: presence you would get them if you did have one.

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Speaker 1: Yeah, I can see why they don't want.

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00:20:11,920 --> 00:20:15,359
Speaker 4: To sign you Amazon gift card or start get a

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Speaker 4: Wink subscription or something.

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Speaker 1: Yeah. Wine of the month? Yeah, can we talk about

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Speaker 1: our I got a wine of the month? Okay? Can

422
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Speaker 1: we talk about our podcast?

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Speaker 5: Okay, we have we have a lot of agents, we

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Speaker 5: have a lot of don't do there's yeah, that's perfect.

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Speaker 2: Yeah please Okay, so we don't do the and so

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Speaker 2: okay we're back at the party and we're doing the

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Speaker 2: show and you had something.

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Speaker 4: Yeah, well I was going to say that Jake and

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Speaker 4: I have a podcast called If I were you, I said.

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Speaker 1: Do not do the best? This isn't the fake?

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Speaker 4: Yes, So is this part going to be in because yes,

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Speaker 4: because the bells are plagued.

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Speaker 1: Those are the real bells.

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Speaker 5: Yeah, all right, we have a we have our own

435
00:21:04,200 --> 00:21:06,840
Speaker 5: we have a podcast that I'm here and I host.

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00:21:07,280 --> 00:21:08,760
Speaker 4: It's like an advice show. And if you wanted to

437
00:21:08,760 --> 00:21:09,439
Speaker 4: hear more from.

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00:21:09,359 --> 00:21:11,560
Speaker 1: Us, you can, okay it there and you guys have

439
00:21:11,600 --> 00:21:14,240
Speaker 1: guests on that one. Yep. Sometimes I have guests sometimes

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Speaker 1: just us two. It's fun times.

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Speaker 4: And I did hear you say those are the fake belts?

442
00:21:18,280 --> 00:21:19,800
Speaker 1: Why is it just you? Sometimes?

443
00:21:20,080 --> 00:21:23,760
Speaker 4: Because we don't want to be holden to getting a

444
00:21:23,800 --> 00:21:26,399
Speaker 4: fun guest for every episode, and your two people. You

445
00:21:26,400 --> 00:21:28,480
Speaker 4: don't need a guest for every episode if you're funny enough.

446
00:21:28,920 --> 00:21:33,159
Speaker 1: Mm hmm yeah, okay, Well people like guess and it

447
00:21:33,200 --> 00:21:34,720
Speaker 1: could be a good way to get attention to the

448
00:21:34,760 --> 00:21:36,760
Speaker 1: show we do. You don't have to go. We do

449
00:21:36,800 --> 00:21:43,359
Speaker 1: have once in a while. Yeah, we just don't need guests.

450
00:21:44,200 --> 00:21:52,840
Speaker 1: Do the guests come in funk up the show? Not really?

451
00:21:53,840 --> 00:21:57,440
Speaker 1: That sounds great. I'd love to do a show like that.

452
00:21:58,960 --> 00:22:03,400
Speaker 1: All right, cool cheers, Yeah, yeah, we'll have it to you.

453
00:22:03,440 --> 00:22:04,760
Speaker 1: Maybe we can have you guys on some time.

454
00:22:05,000 --> 00:22:07,760
Speaker 2: So a couple of people we should Brett Butler should

455
00:22:07,920 --> 00:22:10,359
Speaker 2: be here. And that's a good first one for you guys.

456
00:22:10,640 --> 00:22:14,479
Speaker 2: Today's blare the actress. The actress, as I said, we

457
00:22:14,520 --> 00:22:15,199
Speaker 2: are this is.

458
00:22:16,680 --> 00:22:17,520
Speaker 1: Women on the show.

459
00:22:18,160 --> 00:22:22,800
Speaker 2: But Brett Butler deep husky voice, sound like a man,

460
00:22:24,320 --> 00:22:28,400
Speaker 2: So good first one for you guys to do.

461
00:22:28,560 --> 00:22:30,320
Speaker 5: I'll kick that to a mirror because I don't actually

462
00:22:30,400 --> 00:22:32,880
Speaker 5: I don't think I know she is she was Grace

463
00:22:32,920 --> 00:22:33,680
Speaker 5: and Grace under fire.

464
00:22:33,760 --> 00:22:38,640
Speaker 1: Yeah, she's under she was Grace underfire. Yeah, oh I was. Yeah,

465
00:22:38,680 --> 00:22:41,520
Speaker 1: I was thinking of Deborah Messing. You can be here.

466
00:22:42,040 --> 00:22:44,359
Speaker 1: Seems like you kind of want to be Messing.

467
00:22:44,840 --> 00:22:47,600
Speaker 4: I could do it, Deborah Messing. You obviously can't because

468
00:22:47,600 --> 00:22:49,199
Speaker 4: you brought it up. I don't know where it seems like.

469
00:22:49,280 --> 00:22:52,200
Speaker 2: Okay, so that that can actually be that's a good

470
00:22:52,200 --> 00:22:52,880
Speaker 2: idea for the bit.

471
00:22:52,920 --> 00:22:53,200
Speaker 1: Actually.

472
00:22:53,240 --> 00:22:58,320
Speaker 2: Okay, so you're Dever Messing and you're uh and Brett Butler, Yes, right,

473
00:22:58,400 --> 00:22:59,879
Speaker 2: the two grosses. I couldn't see you.

474
00:22:59,880 --> 00:23:02,119
Speaker 1: I got scared. How is it? That's what I don't

475
00:23:02,160 --> 00:23:04,480
Speaker 1: blow it, That's what I was. How is it? The

476
00:23:04,480 --> 00:23:08,439
Speaker 1: two kinds connect? Grace and that's why you said like

477
00:23:08,480 --> 00:23:15,600
Speaker 1: out of nowhere. That's not out of nowhere. But okay, oh,

478
00:23:15,720 --> 00:23:17,520
Speaker 1: look who it is. Grace is here?

479
00:23:18,640 --> 00:23:22,320
Speaker 4: So these are different bells though we're talking. Are these

480
00:23:22,320 --> 00:23:24,919
Speaker 4: the real bells? Are the fake bells because when we

481
00:23:24,920 --> 00:23:25,879
Speaker 4: were talking earlier.

482
00:23:26,320 --> 00:23:28,399
Speaker 1: I didn't know there is something wrong with these belts.

483
00:23:28,440 --> 00:23:31,120
Speaker 1: These once are fucked up. Yeah, all right, these are

484
00:23:31,119 --> 00:23:33,800
Speaker 1: the bullshit bells when we want the real belt.

485
00:23:34,160 --> 00:23:39,080
Speaker 2: Sometimes Brett likes to let us know and like very

486
00:23:39,160 --> 00:23:41,280
Speaker 2: mean ways that he thinks the show is bullshit.

487
00:23:41,800 --> 00:23:45,159
Speaker 1: Got it? This is like it's funny because my character

488
00:23:45,240 --> 00:23:45,679
Speaker 1: is Brett.

489
00:23:47,720 --> 00:23:51,159
Speaker 2: Right, that's confusing. Yeah, I wouldn't. It's funny. It is

490
00:23:51,200 --> 00:23:54,160
Speaker 2: confusing for us who are trying to host the show.

491
00:23:54,200 --> 00:23:56,840
Speaker 1: All right, ready, one thing that's cool? Okay, just gives

492
00:23:56,840 --> 00:23:59,120
Speaker 1: me an idea. Go ahead, And can I just say

493
00:23:59,640 --> 00:24:02,680
Speaker 1: before or when I was trying to do like the

494
00:24:03,040 --> 00:24:05,800
Speaker 1: funny idea, I say, oh, look who is Grace is here?

495
00:24:05,880 --> 00:24:08,680
Speaker 4: And then we'll both start you both start talking.

496
00:24:08,840 --> 00:24:13,040
Speaker 2: You both say like like respond like you think you're

497
00:24:13,160 --> 00:24:13,919
Speaker 2: Grace and then.

498
00:24:13,800 --> 00:24:16,800
Speaker 1: You are, and then you argue over who is the

499
00:24:16,840 --> 00:24:21,160
Speaker 1: real Grace. Okay, but I have a joke. Yeah, okay,

500
00:24:21,160 --> 00:24:25,560
Speaker 1: So with the bells, with the bells, thank you, the

501
00:24:25,600 --> 00:24:28,679
Speaker 1: real bells, Yes, the real ones thank thank you. Different

502
00:24:28,800 --> 00:24:29,200
Speaker 1: than the one.

503
00:24:29,359 --> 00:24:34,000
Speaker 2: We have a little louder place, and oh look who

504
00:24:34,000 --> 00:24:36,399
Speaker 2: it is. Come to the party. Grace is here.

505
00:24:36,680 --> 00:24:41,119
Speaker 4: Oh hey, yes, nice to have you. I'm Brett Butler.

506
00:24:41,840 --> 00:24:45,960
Speaker 2: Okay, stop, you said nice to have you. But it's

507
00:24:46,040 --> 00:24:48,840
Speaker 2: not your party, got it. It is our party. You

508
00:24:48,880 --> 00:24:51,440
Speaker 2: are the guest. Okay, you said nice. You did say

509
00:24:51,480 --> 00:24:52,119
Speaker 2: nice to have you.

510
00:24:52,320 --> 00:24:54,320
Speaker 4: Okay, do you look like.

511
00:24:54,280 --> 00:24:55,920
Speaker 1: Did I say that? You did say? It's like nice,

512
00:24:56,000 --> 00:24:57,480
Speaker 1: you would say like nice to be here, nice to

513
00:24:57,520 --> 00:25:00,640
Speaker 1: be messing. Yeah, I noticed that you did talk at all.

514
00:25:00,720 --> 00:25:01,080
Speaker 1: I didn't.

515
00:25:01,119 --> 00:25:04,480
Speaker 5: It was yeah, I had which a little bit fights

516
00:25:04,480 --> 00:25:09,560
Speaker 5: the idea, right, I got thrown and second idea?

517
00:25:09,640 --> 00:25:11,480
Speaker 1: Okay, we got You need me to say something. I

518
00:25:11,480 --> 00:25:12,480
Speaker 1: can't wait to hear this joke.

519
00:25:12,560 --> 00:25:14,080
Speaker 4: And you keep bringing up that you have a really

520
00:25:14,080 --> 00:25:14,560
Speaker 4: good joke.

521
00:25:14,760 --> 00:25:18,080
Speaker 1: Well I'm really excited to ever characterized it as really good.

522
00:25:18,440 --> 00:25:19,320
Speaker 1: But I do have.

523
00:25:19,320 --> 00:25:22,320
Speaker 4: It, so excited to say it. All right, let's do

524
00:25:22,400 --> 00:25:25,919
Speaker 4: the bells the end. Tell me that, okay, and then

525
00:25:25,920 --> 00:25:29,360
Speaker 4: we'll take it from.

526
00:25:28,080 --> 00:25:31,480
Speaker 2: Oh hi, and then coming into the party. It's it's

527
00:25:31,640 --> 00:25:32,720
Speaker 2: Grace is here.

528
00:25:33,520 --> 00:25:37,280
Speaker 1: Thanks for having Okay, hang on, don't both of you talk,

529
00:25:37,720 --> 00:25:45,520
Speaker 1: not you, Grace, just you talk Brett to Teas or

530
00:25:45,560 --> 00:25:51,640
Speaker 1: one tea her name is with Teas. Yeah, yeah, so

531
00:25:51,840 --> 00:25:52,640
Speaker 1: that's important.

532
00:25:52,680 --> 00:25:55,400
Speaker 4: Well, we've been doing bell's the entire through the whole

533
00:25:55,560 --> 00:25:56,400
Speaker 4: entire show.

534
00:25:56,200 --> 00:25:58,119
Speaker 1: When it's for the Christmas party.

535
00:25:57,880 --> 00:26:01,640
Speaker 2: When when the show is actually recording, Yes, the bells.

536
00:26:01,840 --> 00:26:03,480
Speaker 1: Okay, so how many? How many?

537
00:26:03,800 --> 00:26:04,000
Speaker 5: Yeah?

538
00:26:04,040 --> 00:26:06,000
Speaker 4: How long do you think we've had for just bells

539
00:26:06,080 --> 00:26:08,200
Speaker 4: to usable podcasts so far? Because we've been here for

540
00:26:08,240 --> 00:26:10,480
Speaker 4: about thirty minutes? How much of it was bells? Do

541
00:26:10,520 --> 00:26:12,280
Speaker 4: you think we have so far? We can't use all

542
00:26:12,320 --> 00:26:15,520
Speaker 4: the best stuff a minute.

543
00:26:15,560 --> 00:26:17,000
Speaker 1: Some of the bell stuff is going to have to

544
00:26:17,000 --> 00:26:21,119
Speaker 1: be cut, so we have a minute and a half. Yeah, yeah,

545
00:26:21,200 --> 00:26:22,800
Speaker 1: and you want you don't even want to use all that?

546
00:26:23,920 --> 00:26:26,200
Speaker 1: I don't think so no, so far. A couple of times,

547
00:26:26,280 --> 00:26:29,080
Speaker 1: you guys are the seconds of the podcast? All right?

548
00:26:29,119 --> 00:26:33,520
Speaker 2: And I will say Jake for you. Your first line was, Hey,

549
00:26:33,600 --> 00:26:35,000
Speaker 2: which Grace are you talking about?

550
00:26:35,040 --> 00:26:39,840
Speaker 1: Which kind of spells out the joke. I didn't love that. Yeah,

551
00:26:39,960 --> 00:26:44,520
Speaker 1: okay to me, Grace. Part of the idea is that

552
00:26:44,680 --> 00:26:46,959
Speaker 1: you both start talking as if you're sure that you

553
00:26:47,119 --> 00:26:47,960
Speaker 1: assume that.

554
00:26:47,960 --> 00:26:55,560
Speaker 2: You are, and then you're thrown by another grace, okay, responding, Yeah,

555
00:26:56,119 --> 00:26:57,359
Speaker 2: I realized.

556
00:26:56,960 --> 00:26:58,440
Speaker 5: That I messed up the joke, but I just don't

557
00:26:58,440 --> 00:27:00,280
Speaker 5: even know if it's that strong to begetting, then I

558
00:27:00,280 --> 00:27:02,119
Speaker 5: don't know if it's worth I'll do.

559
00:27:02,200 --> 00:27:03,360
Speaker 1: And that's what I would say too.

560
00:27:03,400 --> 00:27:05,199
Speaker 2: If I had fucked it up twice, then probably what

561
00:27:05,280 --> 00:27:08,000
Speaker 2: I would say is that it's it's just a bad joke.

562
00:27:08,000 --> 00:27:09,600
Speaker 1: I feel like I didn't fuck it up twice. I

563
00:27:09,600 --> 00:27:11,720
Speaker 1: a mere fucked it up the first time. No, well no,

564
00:27:11,760 --> 00:27:13,520
Speaker 1: you didn't speak it all the first time. Yeah, but

565
00:27:13,600 --> 00:27:16,760
Speaker 1: you're also fucked it up. I'm not here to apologize

566
00:27:16,760 --> 00:27:18,879
Speaker 1: for a mere's behavior. You'll never catch me doing that.

567
00:27:19,600 --> 00:27:19,719
Speaker 4: Uh.

568
00:27:20,160 --> 00:27:22,879
Speaker 1: He definitely fucked it up, but he got wasn't alone.

569
00:27:22,880 --> 00:27:24,960
Speaker 1: If he had nailed it on that take, it still

570
00:27:24,960 --> 00:27:25,840
Speaker 1: would have been fucked up.

571
00:27:25,840 --> 00:27:28,640
Speaker 5: And you know why, because he wasn't talking. Because because

572
00:27:28,680 --> 00:27:30,200
Speaker 5: you weren't talking, Well, there's a reason I didn't. I

573
00:27:30,240 --> 00:27:31,520
Speaker 5: just feel like we got off on like a really

574
00:27:31,520 --> 00:27:32,360
Speaker 5: bad foot this time.

575
00:27:32,480 --> 00:27:34,159
Speaker 2: I love that Kevin is here. We can get some

576
00:27:34,240 --> 00:27:36,760
Speaker 2: fresh eyes on this. Kevin, can you sit down please?

577
00:27:37,040 --> 00:27:37,480
Speaker 1: Yeah.

578
00:27:37,560 --> 00:27:39,879
Speaker 2: I don't love the just coming in and standing, but

579
00:27:39,960 --> 00:27:45,679
Speaker 2: I do love the fresh eyes okay, so just pretend

580
00:27:45,720 --> 00:27:48,959
Speaker 2: you're listening to the big Holiday episode.

581
00:27:50,160 --> 00:27:53,160
Speaker 1: Sure, hey guys, No, that's not that's what you say

582
00:27:53,200 --> 00:28:00,040
Speaker 1: when you're listening to the okay weird Rich.

583
00:28:02,720 --> 00:28:07,160
Speaker 2: Is that what you our podcast?

584
00:28:10,600 --> 00:28:16,760
Speaker 1: Wow? Hey guys, what a sad guy. God. I think

585
00:28:16,760 --> 00:28:18,800
Speaker 1: he was just saying, hey guys in real life, not

586
00:28:18,840 --> 00:28:19,400
Speaker 1: as part of the.

587
00:28:19,400 --> 00:28:24,480
Speaker 6: Chef, but just hey, guy, Chef Kevin here, chief junior producer,

588
00:28:24,840 --> 00:28:26,159
Speaker 6: listening to a podcast.

589
00:28:28,040 --> 00:28:30,560
Speaker 1: Yeah, so it's confirmed that this is what he does.

590
00:28:30,760 --> 00:28:33,720
Speaker 1: Is he's keeping sort of a cow you Yeah, and

591
00:28:33,760 --> 00:28:37,200
Speaker 1: he's you tried to defend him. I think he's clarifying

592
00:28:37,240 --> 00:28:42,160
Speaker 1: that you were wrong. He finished, right, got it?

593
00:28:42,760 --> 00:28:45,760
Speaker 5: You check in just and you announced listening to a podcast.

594
00:28:46,480 --> 00:28:47,440
Speaker 1: So it's not even like.

595
00:28:47,400 --> 00:28:49,400
Speaker 5: A sad thing where you like to pretend you're hanging

596
00:28:49,400 --> 00:28:51,080
Speaker 5: out with people like, oh, it's just me and my

597
00:28:51,120 --> 00:28:53,480
Speaker 5: friends listening to this podcast. It feels like I'm with

598
00:28:53,520 --> 00:28:57,120
Speaker 5: my buddies. It's your You acknowledge that you're listening.

599
00:28:57,320 --> 00:28:59,280
Speaker 1: Who are you telling that Chef Kevin is.

600
00:28:59,240 --> 00:29:03,120
Speaker 6: Here, myself and everyone around me so that they know

601
00:29:04,040 --> 00:29:06,840
Speaker 6: this is on like a bus or something, yeah, or

602
00:29:06,880 --> 00:29:10,680
Speaker 6: a boat. Mm hmmm, yeah, it's a bus take the

603
00:29:10,720 --> 00:29:17,240
Speaker 6: ferry to work. Okay, so you're listening.

604
00:29:17,320 --> 00:29:20,160
Speaker 2: We did the we called the show Holly Jolly Handbook

605
00:29:20,200 --> 00:29:20,840
Speaker 2: for this episode.

606
00:29:22,000 --> 00:29:27,640
Speaker 1: Uh, and feel free to laugh and the party has are.

607
00:29:27,880 --> 00:29:30,040
Speaker 4: But also feel free not to laugh. If that was

608
00:29:30,080 --> 00:29:33,160
Speaker 4: your natural reaction, that's fine too, okay. Uh.

609
00:29:33,200 --> 00:29:34,880
Speaker 2: And Jake and me are already did like a thing.

610
00:29:35,040 --> 00:29:37,080
Speaker 2: You know, we introduced them and they got to do

611
00:29:37,160 --> 00:29:37,680
Speaker 2: like their bit.

612
00:29:37,840 --> 00:29:40,840
Speaker 1: I don't know if they crushed this. I think we might.

613
00:29:41,000 --> 00:29:42,760
Speaker 5: We might have to redo that too, if we're redoing

614
00:29:42,760 --> 00:29:46,120
Speaker 5: all the Deborah uh and the different things.

615
00:29:47,120 --> 00:29:49,800
Speaker 1: That felt good to me? Yeah? What Yeah, the way

616
00:29:49,840 --> 00:29:51,760
Speaker 1: it is. I just feel like if we're redoing everything,

617
00:29:51,800 --> 00:29:53,680
Speaker 1: we could redo that too. But do you want you

618
00:29:53,680 --> 00:29:57,000
Speaker 1: have a different take on liking presents? If you're gonna

619
00:29:57,440 --> 00:29:59,760
Speaker 1: like presents, I gotta say I strongly recommend you don't

620
00:29:59,800 --> 00:30:00,560
Speaker 1: say that we.

621
00:30:00,440 --> 00:30:02,080
Speaker 4: Were going to talk about some stuff we were working

622
00:30:02,120 --> 00:30:04,480
Speaker 4: on and then do it over the real bells. You

623
00:30:04,520 --> 00:30:06,720
Speaker 4: called those the bells when we were talking to fake bells.

624
00:30:07,160 --> 00:30:09,200
Speaker 1: I will say, Jake, what do we did the present

625
00:30:09,240 --> 00:30:12,080
Speaker 1: thing before? Amir did sort of chew up a lot

626
00:30:12,120 --> 00:30:12,600
Speaker 1: of that time.

627
00:30:12,680 --> 00:30:15,840
Speaker 2: Really, Yeah, that's true, he did this whole thing about

628
00:30:15,880 --> 00:30:17,920
Speaker 2: like it's the is the season and.

629
00:30:17,880 --> 00:30:20,479
Speaker 1: Stuff, and he said we like present.

630
00:30:21,680 --> 00:30:25,080
Speaker 5: No, he'll steamroll me sometimes.

631
00:30:23,000 --> 00:30:23,240
Speaker 1: That's all.

632
00:30:23,280 --> 00:30:23,680
Speaker 4: I said.

633
00:30:25,120 --> 00:30:27,800
Speaker 1: Something to work out between you guys. Yeah, and it's

634
00:30:27,840 --> 00:30:29,560
Speaker 1: not something we need to work out now, but it is, like,

635
00:30:29,840 --> 00:30:32,520
Speaker 1: it's true. I'm glad that you mentioned. May I clarify something?

636
00:30:32,480 --> 00:30:36,480
Speaker 1: He talks over me a lot. Amirror keeps accusing Hayes

637
00:30:36,760 --> 00:30:40,680
Speaker 1: of saying fake bells, But I think what really happened

638
00:30:40,720 --> 00:30:43,880
Speaker 1: is Hayes was commenting to Brett that he hopes lake

639
00:30:43,960 --> 00:30:47,000
Speaker 1: Bell is in attendance at this party. Oh okay, it's

640
00:30:47,160 --> 00:30:50,480
Speaker 1: very easy to confuse. They sound very similar. He's hoping

641
00:30:50,520 --> 00:30:53,120
Speaker 1: that one of you has a killer lake Bell. Lake Bell. Yeah,

642
00:30:53,240 --> 00:30:54,160
Speaker 1: I think one of us does.

643
00:30:56,000 --> 00:30:58,680
Speaker 4: Okay, I can try. I don't think it's killer, but

644
00:30:58,880 --> 00:30:59,360
Speaker 4: I can try.

645
00:30:59,480 --> 00:31:02,400
Speaker 2: And she's a good step on the like from the

646
00:31:02,520 --> 00:31:04,960
Speaker 2: on the Brett Butler continuum, because she has kind of

647
00:31:04,960 --> 00:31:11,000
Speaker 2: a deep voice and like a man as well. Okay, America, Yes,

648
00:31:11,040 --> 00:31:12,280
Speaker 2: how to make it in America.

649
00:31:13,840 --> 00:31:16,160
Speaker 1: That's like on comedy banking, they do a lot of this.

650
00:31:16,800 --> 00:31:18,600
Speaker 1: Got it all right?

651
00:31:18,680 --> 00:31:21,080
Speaker 2: Okay, So Kevin, Kevin, No, I'm sorry, Kevin is not

652
00:31:21,080 --> 00:31:25,440
Speaker 2: paying attention. He's doing the pictures, so you know, don't

653
00:31:25,760 --> 00:31:27,640
Speaker 2: don't reset if you have to.

654
00:31:27,720 --> 00:31:28,880
Speaker 1: I guess okay, you guys.

655
00:31:28,760 --> 00:31:32,280
Speaker 6: Che Kevin here, chief junior producer, listening to a podcast.

656
00:31:32,920 --> 00:31:36,200
Speaker 1: Yes, okay, and the Bell. Oh and look at this.

657
00:31:36,400 --> 00:31:40,200
Speaker 2: Come into the party and welcome to Grace is here.

658
00:31:41,080 --> 00:31:44,720
Speaker 1: Thanks for having me. Okay, no, not both of you,

659
00:31:44,880 --> 00:31:56,560
Speaker 1: Graces and just you Brett, both of you, Brett. I'm

660
00:31:56,640 --> 00:31:57,720
Speaker 1: like Belle.

661
00:32:01,000 --> 00:32:03,120
Speaker 4: The orange Juice or the egg nuggus.

662
00:32:03,120 --> 00:32:07,720
Speaker 1: Well, I'm sorry, I turn off who said hubbahaba I did, Brett.

663
00:32:07,720 --> 00:32:12,320
Speaker 2: That is exactly the opposite of what we're trying to

664
00:32:12,320 --> 00:32:15,160
Speaker 2: do with this party. This party is a place where

665
00:32:15,240 --> 00:32:22,160
Speaker 2: lake Bell can come and not worry about being Yeah that.

666
00:32:22,160 --> 00:32:23,760
Speaker 1: She is a person.

667
00:32:25,000 --> 00:32:30,480
Speaker 2: And not like someone for you to do googleize that right.

668
00:32:30,760 --> 00:32:34,400
Speaker 1: It's just a party of Lake Bell, Deborah Messing, and Brett.

669
00:32:34,400 --> 00:32:38,640
Speaker 1: But well, don't. I just wanted to know if Kevin

670
00:32:38,720 --> 00:32:41,160
Speaker 1: was picking up on that, I was picking up on it.

671
00:32:41,600 --> 00:32:45,400
Speaker 1: I would walk me through what happened, sure through Brett

672
00:32:45,400 --> 00:32:48,720
Speaker 1: googling Lake Bell or just a podcast in general? Don't

673
00:32:48,720 --> 00:32:49,600
Speaker 1: include that part.

674
00:32:49,720 --> 00:32:52,360
Speaker 4: Well start yeah, but start with start with your general

675
00:32:52,400 --> 00:32:54,800
Speaker 4: impression of the podcast, I think as a.

676
00:32:54,720 --> 00:32:56,040
Speaker 1: Whole very upbeat.

677
00:32:56,120 --> 00:32:58,160
Speaker 6: The jingle bells made me feel like it was definitely

678
00:32:58,160 --> 00:33:01,600
Speaker 6: a holiday episode and and I like the energy coming

679
00:33:01,640 --> 00:33:05,000
Speaker 6: into it seems like a gathering of sorts. So it

680
00:33:05,080 --> 00:33:07,560
Speaker 6: made me feel that, you know, at home for the holidays.

681
00:33:07,600 --> 00:33:11,720
Speaker 1: Okay. But plot wise, oh, plot wise, yeah.

682
00:33:11,440 --> 00:33:14,040
Speaker 4: We're like nine seconds into this episode. You're taking it,

683
00:33:14,160 --> 00:33:15,360
Speaker 4: you're stopping to get well.

684
00:33:15,440 --> 00:33:18,680
Speaker 2: I daily if we have this, we could continue, if

685
00:33:19,960 --> 00:33:21,960
Speaker 2: we go back and do the Jacob of your bit thing.

686
00:33:22,400 --> 00:33:23,360
Speaker 1: I will say, just for me.

687
00:33:23,560 --> 00:33:26,720
Speaker 2: We have a time marker on the like on the file,

688
00:33:26,800 --> 00:33:28,320
Speaker 2: we can see how many seconds we are and so

689
00:33:28,400 --> 00:33:31,239
Speaker 2: you don't have to keep saying how much time did

690
00:33:31,280 --> 00:33:31,760
Speaker 2: we have?

691
00:33:32,000 --> 00:33:36,640
Speaker 1: And I appreciate that it actually takes time. Yeah, you

692
00:33:36,680 --> 00:33:38,840
Speaker 1: know what I mean. Sure, that's true. Sorry.

693
00:33:39,040 --> 00:33:42,200
Speaker 6: Plot Wise, we've introduced some of the characters, so I

694
00:33:42,200 --> 00:33:44,240
Speaker 6: feel like we're in a good direction.

695
00:33:44,280 --> 00:33:47,120
Speaker 1: Okay, but what characters. We're in the good place. We're

696
00:33:47,120 --> 00:33:51,200
Speaker 1: in the good place, Okay, characters. Is lake Bell gonna

697
00:33:51,200 --> 00:33:54,520
Speaker 1: be yeah? So lake Bell? Yeah, she said that before

698
00:33:54,560 --> 00:33:56,040
Speaker 1: that when I was like, Grace is here?

699
00:33:56,080 --> 00:34:01,400
Speaker 6: Great and Grace okay, And there was a few graces.

700
00:34:00,320 --> 00:34:06,920
Speaker 1: Okay, yes, really really close. There's a few. Was there

701
00:34:06,960 --> 00:34:07,840
Speaker 1: supposed to be just one?

702
00:34:07,840 --> 00:34:11,160
Speaker 2: Well they sort of thought so, right, So there were

703
00:34:11,160 --> 00:34:13,960
Speaker 2: two of them and they were I was kind of

704
00:34:14,000 --> 00:34:16,160
Speaker 2: expecting that they would both say hey and then be like, hey,

705
00:34:16,200 --> 00:34:19,839
Speaker 2: what gives to each other at the same time. You

706
00:34:20,080 --> 00:34:22,080
Speaker 2: but then you had to come in. I understand Sean

707
00:34:22,080 --> 00:34:23,960
Speaker 2: that you had to come in because you could tell

708
00:34:24,000 --> 00:34:24,839
Speaker 2: that wasn't gonna happen.

709
00:34:24,920 --> 00:34:28,120
Speaker 1: You had to shoo string catch yes.

710
00:34:30,400 --> 00:34:33,000
Speaker 2: But so though two graces were like, hey, we're both here,

711
00:34:33,080 --> 00:34:35,920
Speaker 2: but one was Butler, who's grace underfire?

712
00:34:36,560 --> 00:34:40,600
Speaker 1: Sure? And one was de mistic And did that sound

713
00:34:40,680 --> 00:34:43,040
Speaker 1: like them to you? Yeah, now that you say it,

714
00:34:43,040 --> 00:34:44,440
Speaker 1: it's pretty obvious.

715
00:34:44,440 --> 00:34:46,920
Speaker 5: Like there's no way that anybody listening that doesn't know

716
00:34:46,960 --> 00:34:49,440
Speaker 5: this going in would understand.

717
00:34:51,760 --> 00:34:52,040
Speaker 1: Ken.

718
00:34:52,520 --> 00:34:55,000
Speaker 2: And I think that's a repetitive on your like on

719
00:34:55,040 --> 00:34:57,760
Speaker 2: your impression more than more than anything.

720
00:34:57,880 --> 00:35:00,760
Speaker 1: It's pretty damning, right, And it's.

721
00:35:00,680 --> 00:35:03,480
Speaker 5: Yeah, I mean, I don't I never said I did

722
00:35:03,520 --> 00:35:05,280
Speaker 5: have a good Deborah Messing impression.

723
00:35:05,320 --> 00:35:07,440
Speaker 1: I don't think you guys, you were the one who

724
00:35:07,440 --> 00:35:11,080
Speaker 1: brought Deborah Messing up. The entire reason we're doing Debora

725
00:35:11,120 --> 00:35:13,520
Speaker 1: Messing is, because you don't you think we would have

726
00:35:13,640 --> 00:35:15,920
Speaker 1: rather done Grayson Frankie. Don't you think that would have

727
00:35:15,920 --> 00:35:19,200
Speaker 1: been our friend? Grace said Frankie. Yeah, Grace and Frankie,

728
00:35:19,200 --> 00:35:22,360
Speaker 1: Grace from Grace Franky like, you don't know what? Please,

729
00:35:23,480 --> 00:35:26,120
Speaker 1: oh my god, don't you say that in your wolf

730
00:35:26,120 --> 00:35:28,080
Speaker 1: You can get freaking hauled out by your ear by

731
00:35:28,160 --> 00:35:34,040
Speaker 1: June Day and Rafael straight up, I just feel like.

732
00:35:35,840 --> 00:35:38,719
Speaker 5: We like backed into the two Grace things and she's

733
00:35:38,760 --> 00:35:41,799
Speaker 5: going to kill you. Okay, you think you think we

734
00:35:41,920 --> 00:35:45,360
Speaker 5: like you like people, June, Diane Ravio, you sit.

735
00:35:45,160 --> 00:35:47,880
Speaker 1: Here and say you don't know what Grace and Frankie is.

736
00:35:48,800 --> 00:35:51,759
Speaker 1: I'm a big you got the biggest podcast on the network.

737
00:35:52,160 --> 00:35:55,359
Speaker 1: And by the way, she's done Grace and Frankie. So, yeah,

738
00:35:55,440 --> 00:35:58,960
Speaker 1: you don't exactly want to say that here. Don't we

739
00:35:59,000 --> 00:36:02,680
Speaker 1: have like twenty characters to do? Yes, yes, yes.

740
00:36:02,719 --> 00:36:04,800
Speaker 4: So I've been here for an hour and I've said

741
00:36:05,600 --> 00:36:08,440
Speaker 4: less than two sentences as me and then half a

742
00:36:08,520 --> 00:36:10,240
Speaker 4: sentence as Brett Butler.

743
00:36:10,360 --> 00:36:13,040
Speaker 2: Well, and meanwhile, Jake didn't get to say any sentences

744
00:36:13,080 --> 00:36:15,640
Speaker 2: at all as himself because you spoke for him and

745
00:36:15,680 --> 00:36:19,720
Speaker 2: said that he liked presence yeah, you took his his

746
00:36:19,719 --> 00:36:20,200
Speaker 2: his time.

747
00:36:20,239 --> 00:36:24,040
Speaker 1: Who else is at this party? Well, well, you know,

748
00:36:24,800 --> 00:36:27,440
Speaker 1: I had some good ideas. Okay, let's go.

749
00:36:27,560 --> 00:36:31,120
Speaker 5: Let's let's try to reinvigorate the energy here.

750
00:36:31,200 --> 00:36:33,399
Speaker 1: Let's get through friends. Let's know, let's let's not get

751
00:36:33,400 --> 00:36:33,560
Speaker 1: through it.

752
00:36:33,600 --> 00:36:35,560
Speaker 4: Let's have fun. All right, let's we'll keep on doing

753
00:36:35,600 --> 00:36:36,960
Speaker 4: the party. We can get through it and have fun.

754
00:36:37,000 --> 00:36:38,120
Speaker 4: Let's get through it in a fun way.

755
00:36:39,600 --> 00:36:41,600
Speaker 1: Yeah. I mean, if it's just about getting home, it's

756
00:36:41,640 --> 00:36:45,880
Speaker 1: not about getting held, it's about it's about doing it.

757
00:36:45,960 --> 00:36:49,080
Speaker 4: So far, we only have three pretty pretty obscure acts

758
00:36:49,239 --> 00:36:49,800
Speaker 4: at this party.

759
00:36:50,280 --> 00:36:54,160
Speaker 1: I think let's maybe secure. They both were on the

760
00:36:54,280 --> 00:36:57,960
Speaker 1: number one comedy on televide at a time when that matters.

761
00:36:58,200 --> 00:37:00,279
Speaker 2: One of them was a number one comedy. If you

762
00:37:00,320 --> 00:37:02,840
Speaker 2: actually read the news, it's the number one comedy again.

763
00:37:03,080 --> 00:37:06,120
Speaker 1: And they're all back, and you're not. You're nexcept The

764
00:37:06,200 --> 00:37:12,120
Speaker 1: maid did not come back. I realized, Rosario, they killed her.

765
00:37:12,360 --> 00:37:12,960
Speaker 1: It's their show.

766
00:37:13,000 --> 00:37:15,759
Speaker 4: So let's just okay, I'm down, let's do it.

767
00:37:15,920 --> 00:37:19,279
Speaker 1: Who else is at this party? Well, I was going

768
00:37:19,360 --> 00:37:21,120
Speaker 1: to say that Lily Tumbelin and Jane Fonder were at

769
00:37:21,120 --> 00:37:24,560
Speaker 1: the party, but Jake has a problem with that. That's

770
00:37:24,640 --> 00:37:29,799
Speaker 1: all right, that's great. Break that's right, that's right. Do

771
00:37:29,840 --> 00:37:30,880
Speaker 1: you have anyone.

772
00:37:30,520 --> 00:37:35,759
Speaker 4: That's more of the moment, like maybe like Taylor Swift

773
00:37:35,800 --> 00:37:36,040
Speaker 4: is here?

774
00:37:36,040 --> 00:37:43,399
Speaker 1: Frank Shaw? Who this? Mill? This mill? Sure I could

775
00:37:43,400 --> 00:37:51,920
Speaker 1: do her? And who else? Who else? I guess? Do

776
00:37:51,960 --> 00:37:54,680
Speaker 1: we want Jane the Virgin to show up? Yeah, that'd

777
00:37:54,719 --> 00:37:57,120
Speaker 1: be good, could be pretty shick. All right.

778
00:37:57,160 --> 00:37:59,399
Speaker 4: So who's who's entering the party at this point? Well, Brett,

779
00:37:59,400 --> 00:38:02,520
Speaker 4: we need a door knock sound okay, so no bells

780
00:38:02,560 --> 00:38:03,000
Speaker 4: this time?

781
00:38:03,480 --> 00:38:13,600
Speaker 1: No, we need bell lake bell, Okay, let me in, Okay, Okay,

782
00:38:13,760 --> 00:38:16,480
Speaker 1: I'm coming. I'm just holding all these drinks.

783
00:38:16,760 --> 00:38:20,280
Speaker 4: Orange juice and eggnog.

784
00:38:21,480 --> 00:38:22,880
Speaker 1: You don't know how to drink. You don't know what

785
00:38:22,960 --> 00:38:26,719
Speaker 1: drinks is. I'm sorry, my hands are full. Who is this?

786
00:38:26,920 --> 00:38:28,920
Speaker 1: Who is it? I'm trying to open the door with

787
00:38:28,960 --> 00:38:31,440
Speaker 1: like my elbows when I'm holding like a tray to

788
00:38:31,520 --> 00:38:34,080
Speaker 1: my chin and I'm smushing the art dirves into my chin.

789
00:38:34,680 --> 00:38:37,000
Speaker 1: Put the put it the tray down and let us in.

790
00:38:37,160 --> 00:38:40,280
Speaker 1: I can't. There's no clear surfaces, not even the ground.

791
00:38:40,719 --> 00:38:46,360
Speaker 1: I wonder. Okay, there's so many feet.

792
00:38:46,719 --> 00:38:49,080
Speaker 2: Okay, I'm putting all the drinks down and I'm putting

793
00:38:49,080 --> 00:38:50,439
Speaker 2: around like right next to the door.

794
00:38:50,719 --> 00:38:53,240
Speaker 1: Okay, I'm gonna balance your dirs on top of the drinks.

795
00:38:53,560 --> 00:38:58,160
Speaker 2: Okay, okay, come on in and it's me and it's

796
00:38:58,200 --> 00:38:58,680
Speaker 2: me too.

797
00:38:58,920 --> 00:39:02,480
Speaker 4: Youre oh I spilled the which one of us slipped,

798
00:39:02,480 --> 00:39:04,000
Speaker 4: because like you guys are giving.

799
00:39:05,719 --> 00:39:09,280
Speaker 1: Sorry my hand is what happened. What happened.

800
00:39:09,360 --> 00:39:12,000
Speaker 4: What happened was I think you guys put like a

801
00:39:12,440 --> 00:39:14,400
Speaker 4: food and drinks next to the door, and then we

802
00:39:14,440 --> 00:39:17,439
Speaker 4: opened the door and we didn't know that we both

803
00:39:17,480 --> 00:39:18,000
Speaker 4: had to slip.

804
00:39:18,040 --> 00:39:20,239
Speaker 2: Builder Yeah, well yeah, but you had to slip, and

805
00:39:20,239 --> 00:39:24,960
Speaker 2: you just said, oh I spilled, which.

806
00:39:24,840 --> 00:39:29,960
Speaker 1: He took a spill. Yeah right, m okay. The way

807
00:39:30,000 --> 00:39:34,160
Speaker 1: you delivered that was so I forgot what we're supposed

808
00:39:34,160 --> 00:39:35,839
Speaker 1: to be. I think we can touch that up. I mean,

809
00:39:35,880 --> 00:39:37,279
Speaker 1: I think we can touch that up. And I think

810
00:39:37,320 --> 00:39:38,960
Speaker 1: that's salvagable. I was talking.

811
00:39:39,080 --> 00:39:40,839
Speaker 5: I didn't even know was I supposed to be at

812
00:39:40,840 --> 00:39:43,399
Speaker 5: the door yet as Jane the Virgin or no?

813
00:39:44,320 --> 00:39:48,160
Speaker 2: Yes, well I imagine that this meal fin Jane the

814
00:39:48,239 --> 00:39:49,600
Speaker 2: Virgin would have a lot to talk about.

815
00:39:50,600 --> 00:39:53,719
Speaker 1: Who am I again? This You remember we mentioned her

816
00:39:53,719 --> 00:39:55,000
Speaker 1: and you were like, yes, me.

817
00:39:56,760 --> 00:39:59,279
Speaker 4: Frankie Shaw. She has a show on showtime. Now, yeah,

818
00:39:59,320 --> 00:40:03,640
Speaker 4: this mill, it's just smell fucking. We'll get to we'll

819
00:40:03,640 --> 00:40:04,600
Speaker 4: get into that a party.

820
00:40:05,920 --> 00:40:08,439
Speaker 1: Okay, I'm coming. Just let me put the drinks down

821
00:40:08,520 --> 00:40:12,839
Speaker 1: right next to the door. All right, hang on, I'm

822
00:40:12,840 --> 00:40:15,560
Speaker 1: gonna try to answer the door. God damn it. Hold on,

823
00:40:15,640 --> 00:40:20,440
Speaker 1: hold on, hold on, I'm trying to do with my elbows.

824
00:40:20,440 --> 00:40:25,239
Speaker 1: But we already got this part. You know what. I'm

825
00:40:25,280 --> 00:40:28,000
Speaker 1: just gonna put the our dirts down right on top

826
00:40:28,040 --> 00:40:33,080
Speaker 1: of the drinks and they're down. Okay, come on in.

827
00:40:33,600 --> 00:40:36,440
Speaker 1: Oh hi, how are you? WHOA?

828
00:40:37,640 --> 00:40:41,080
Speaker 4: I slipped too? I'm Frankie Shaw from Smith And I

829
00:40:41,719 --> 00:40:42,239
Speaker 4: slipped too.

830
00:40:42,360 --> 00:40:45,400
Speaker 1: And I'm Gina Rodriguez. I'm I'm on the ground now

831
00:40:45,600 --> 00:40:48,359
Speaker 1: having slipped. Why are you in a pain? What happened

832
00:40:48,400 --> 00:40:51,760
Speaker 1: to you? Mucuz I'm freaking that hurt?

833
00:40:55,160 --> 00:40:58,440
Speaker 2: Sorry, sorry, sorry. If we cannot like selfishly like be

834
00:40:58,600 --> 00:41:00,640
Speaker 2: like this slipping bit is just for us, and let

835
00:41:00,640 --> 00:41:04,399
Speaker 2: Sean do that as well. When he sees people like.

836
00:41:04,360 --> 00:41:06,080
Speaker 1: Good luck doing that with a mirror, he takes a

837
00:41:06,120 --> 00:41:09,200
Speaker 1: lot of it. See this is what I'm seeing. I'm

838
00:41:09,239 --> 00:41:12,320
Speaker 1: seeing this now. He took a play out yeah, huge

839
00:41:12,360 --> 00:41:14,480
Speaker 1: bite out of that scene. I think. I'm like, you

840
00:41:14,520 --> 00:41:17,759
Speaker 1: made a lot of meat on the bone for old Jake.

841
00:41:17,920 --> 00:41:20,200
Speaker 4: No, I didn't. I honestly didn't talk. You did like

842
00:41:20,239 --> 00:41:21,720
Speaker 4: a huge prap thing.

843
00:41:21,840 --> 00:41:23,560
Speaker 1: And you tried to get in on it, Sean and

844
00:41:23,600 --> 00:41:24,800
Speaker 1: the mirrors like what are you doing?

845
00:41:25,280 --> 00:41:27,120
Speaker 4: Yeah, and that happens a lot like well that was

846
00:41:27,160 --> 00:41:30,640
Speaker 4: confusing just because you didn't have to slip and you said, al.

847
00:41:30,880 --> 00:41:33,640
Speaker 1: Yeah, because that kilt. That hurt. It hurt you Yeah

848
00:41:33,680 --> 00:41:35,960
Speaker 1: in the scene. Yeah, okay.

849
00:41:36,320 --> 00:41:38,560
Speaker 4: And we're having a hard time visualizing this because it's

850
00:41:38,600 --> 00:41:41,160
Speaker 4: such a bizarre party so far with well.

851
00:41:41,080 --> 00:41:43,600
Speaker 1: It's funny. It's like we're yeah, it's like it's not

852
00:41:43,640 --> 00:41:45,960
Speaker 1: like a normal party. You want just like people, just

853
00:41:46,239 --> 00:41:48,319
Speaker 1: if it's a normal party, it's not worth putting on

854
00:41:48,400 --> 00:41:50,560
Speaker 1: a hit podcast. I agree, you know what I mean.

855
00:41:50,560 --> 00:41:52,520
Speaker 2: It's like a comedy bang bang, It's like a funny,

856
00:41:52,600 --> 00:41:54,680
Speaker 2: crazy party just slipping around.

857
00:41:54,680 --> 00:41:55,400
Speaker 1: How do they do that with?

858
00:41:55,640 --> 00:41:57,560
Speaker 4: How many microphones do they have when they record those

859
00:41:57,760 --> 00:42:00,000
Speaker 4: is like twenty microphones where people are in and out?

860
00:42:00,080 --> 00:42:03,360
Speaker 1: Brett, did you do that one? Yeah? So mad I

861
00:42:03,520 --> 00:42:06,560
Speaker 1: was on a podcast. You were on it? Okay, perfect?

862
00:42:07,200 --> 00:42:11,960
Speaker 1: How many microphones. Did they have oh twelve wow? Was

863
00:42:11,960 --> 00:42:12,520
Speaker 1: it this room?

864
00:42:13,280 --> 00:42:19,960
Speaker 4: No, that's really cool, another room, bigger room, yeah, twelve

865
00:42:20,000 --> 00:42:20,880
Speaker 4: mics damn.

866
00:42:21,160 --> 00:42:25,640
Speaker 1: And that because they had a band too, right, Yeah,

867
00:42:25,680 --> 00:42:28,880
Speaker 1: it actually was my band really yeah, but that's not

868
00:42:28,960 --> 00:42:33,400
Speaker 1: the only band they had. That was the only one. Okay,

869
00:42:33,480 --> 00:42:39,920
Speaker 1: that's not my recollection. But and I was like, my band. Really,

870
00:42:40,640 --> 00:42:44,200
Speaker 1: you're like, yeah, part of that band, you're in it. Yeah,

871
00:42:44,200 --> 00:42:45,279
Speaker 1: it's like a supergroup.

872
00:42:45,280 --> 00:42:48,040
Speaker 4: But I'm kind of to say I played with if

873
00:42:48,040 --> 00:42:49,799
Speaker 4: he's in the band, I played bass just on tour

874
00:42:49,920 --> 00:42:50,319
Speaker 4: for them.

875
00:42:50,560 --> 00:42:52,160
Speaker 1: You don't have to do not on the album. But

876
00:42:52,440 --> 00:42:57,239
Speaker 1: what's the band's name, Mister Heavenly, and that's you. You're mister.

877
00:42:57,560 --> 00:42:59,720
Speaker 4: You'd say that he's in the band.

878
00:43:00,640 --> 00:43:03,200
Speaker 1: It doesn't matter what you know. That I agree with.

879
00:43:03,920 --> 00:43:09,000
Speaker 1: But he's like, oh yeah, he's subbing in as mister Heavenly.

880
00:43:10,640 --> 00:43:18,480
Speaker 1: That's debatable. Brett objection mischaracterizes the evidence, calls for speculation,

881
00:43:20,280 --> 00:43:26,360
Speaker 1: lax foundation. It was at a law film school. I

882
00:43:26,400 --> 00:43:29,600
Speaker 1: went to law film school just to write a few

883
00:43:29,600 --> 00:43:34,359
Speaker 1: good men. That's already a movie. Of course, why would

884
00:43:34,480 --> 00:43:34,920
Speaker 1: write that.

885
00:43:36,480 --> 00:43:39,680
Speaker 4: Just trying to add.

886
00:43:41,000 --> 00:43:47,200
Speaker 1: To the joke? Man, I like you man like, that's

887
00:43:47,239 --> 00:43:49,160
Speaker 1: what's so fucked up, you know what I mean?

888
00:43:49,360 --> 00:43:52,320
Speaker 4: Why why ship like that?

889
00:43:52,320 --> 00:43:57,279
Speaker 1: That's what's so frustrating. What is It's like don't meet

890
00:43:57,320 --> 00:43:59,160
Speaker 1: your heroes or something, you know what I mean? Because

891
00:43:59,160 --> 00:44:01,719
Speaker 1: then you go in and you see how the sausage

892
00:44:01,719 --> 00:44:04,080
Speaker 1: gets made. And I realized that Jake must be holding

893
00:44:04,120 --> 00:44:07,400
Speaker 1: your hand through literally every second of every day in

894
00:44:07,480 --> 00:44:10,520
Speaker 1: order to get anything usable out of you. Just a

895
00:44:10,600 --> 00:44:15,080
Speaker 1: permanent problem. I don't know how we got here. Don't

896
00:44:15,120 --> 00:44:20,319
Speaker 1: holy shit, don't take the bait. It's fine. Let's just

897
00:44:20,840 --> 00:44:23,719
Speaker 1: there's more people at the party, all right, I get it. Man,

898
00:44:23,760 --> 00:44:25,400
Speaker 1: Hayes is the host of this show. I'm just a

899
00:44:25,440 --> 00:44:27,560
Speaker 1: side kid, you know, like we all need a hand

900
00:44:27,600 --> 00:44:30,120
Speaker 1: every now and then. But it's just there's a level

901
00:44:30,120 --> 00:44:32,080
Speaker 1: of it. But we yeah, we make it.

902
00:44:32,360 --> 00:44:34,720
Speaker 4: And this is based on what what what? What broke

903
00:44:34,760 --> 00:44:36,839
Speaker 4: the camel's back here? Because I said the fuge mint thing.

904
00:44:39,360 --> 00:44:42,160
Speaker 1: That didn't help. That didn't help. That was the big

905
00:44:42,160 --> 00:44:47,359
Speaker 1: one though, right, it certainly did not help. We got

906
00:44:47,360 --> 00:44:48,080
Speaker 1: to get through this.

907
00:44:48,680 --> 00:44:52,280
Speaker 2: Let's we we need the music part not yet, okay,

908
00:44:53,120 --> 00:44:57,200
Speaker 2: the music, Yes, we need a band. What band should

909
00:44:57,239 --> 00:45:02,520
Speaker 2: we have bigger than this? Band bigger than mister having.

910
00:45:02,680 --> 00:45:03,040
Speaker 5: Like a band.

911
00:45:03,040 --> 00:45:04,399
Speaker 1: We could actually get her a band that we could

912
00:45:04,440 --> 00:45:07,840
Speaker 1: do an impression of. Yeah, so we get the Pussycat

913
00:45:07,920 --> 00:45:10,840
Speaker 1: Dolls or something that is a great idea. Brett. Okay,

914
00:45:11,360 --> 00:45:15,080
Speaker 1: what's their song? What's their main song? The main one?

915
00:45:15,160 --> 00:45:18,000
Speaker 1: I don't know? I mean to me, don't Yeah. They're

916
00:45:18,040 --> 00:45:21,280
Speaker 1: also good, don't you? Yeah? Don't you? Will you search?

917
00:45:21,360 --> 00:45:24,440
Speaker 1: Don't you instrumental? Yes? Thank you?

918
00:45:24,560 --> 00:45:27,319
Speaker 4: I if we have to do the song, I don't

919
00:45:27,360 --> 00:45:27,799
Speaker 4: know the song.

920
00:45:28,440 --> 00:45:30,000
Speaker 1: Do we have it? Yes?

921
00:45:30,280 --> 00:45:30,440
Speaker 4: You know?

922
00:45:30,440 --> 00:45:33,160
Speaker 1: Okay, I have it? You know it. I don't know.

923
00:45:33,040 --> 00:45:36,800
Speaker 1: You know, Okay, I don't know it. You do well? Okay,

924
00:45:36,840 --> 00:45:38,480
Speaker 1: so we'll do the battles in one second night.

925
00:45:38,560 --> 00:45:42,960
Speaker 4: Yet, if you don't want me to sing, well.

926
00:45:42,760 --> 00:45:44,640
Speaker 1: And you guys will kind of dance in.

927
00:45:46,320 --> 00:45:48,200
Speaker 4: The dance, I can do. I'm not I'm telling you

928
00:45:48,239 --> 00:45:49,880
Speaker 4: right now, I don't know the song. Don't ask me

929
00:45:49,920 --> 00:45:50,120
Speaker 4: to sing.

930
00:45:50,160 --> 00:45:52,480
Speaker 1: It's cool because we left the door open because everybody

931
00:45:52,480 --> 00:45:55,520
Speaker 1: slips everyone, we don't have to necessarily do the knocking.

932
00:45:55,680 --> 00:45:57,080
Speaker 1: And what are they going to do? Unless do we

933
00:45:57,120 --> 00:46:01,840
Speaker 1: want to have the knocking for this one? Uh? I

934
00:46:01,840 --> 00:46:03,799
Speaker 1: could do a casual. I don't yeah, I don't hit

935
00:46:04,480 --> 00:46:05,960
Speaker 1: on the way in. You know you're not going to

936
00:46:06,719 --> 00:46:10,760
Speaker 1: You're nodding. It is making me think it's a good idea.

937
00:46:10,880 --> 00:46:13,239
Speaker 2: I just think, should it be harder because there are

938
00:46:13,320 --> 00:46:17,800
Speaker 2: so many of them? Should because there's like twenty.

939
00:46:17,480 --> 00:46:20,400
Speaker 1: Of the Pussycat Dolls. Yeah, oh and hitch one of

940
00:46:20,400 --> 00:46:22,920
Speaker 1: them knocking on their way in? Yeah? Cool? And so

941
00:46:23,000 --> 00:46:26,640
Speaker 1: they're all knocking in, it's like in rhythm, or is it?

942
00:46:26,800 --> 00:46:29,640
Speaker 4: Or should we have them come in with another group?

943
00:46:30,080 --> 00:46:32,600
Speaker 4: It's already twenty people entering jay Ca and I have

944
00:46:32,680 --> 00:46:36,439
Speaker 4: to do twenty people will layer your voices, all right?

945
00:46:38,040 --> 00:46:40,040
Speaker 4: So what other how many other people do you imagine

946
00:46:40,080 --> 00:46:42,000
Speaker 4: we should be right now at the second at the

947
00:46:42,000 --> 00:46:42,480
Speaker 4: same time?

948
00:46:42,560 --> 00:46:48,080
Speaker 1: Who else is there? Oh? The ones that did Lady Marmalade? Yeah,

949
00:46:48,320 --> 00:46:49,799
Speaker 1: Maya Pink.

950
00:46:50,040 --> 00:46:55,279
Speaker 5: Pink Pink, Christina Aguilera, not a little kids, miss Yeah,

951
00:46:55,360 --> 00:46:56,440
Speaker 5: Missy did the beginning.

952
00:46:56,680 --> 00:47:01,399
Speaker 1: Yeah, Kevin could be Saint Vincent. Yeah that could be cool. Great,

953
00:47:01,480 --> 00:47:04,200
Speaker 1: I love Saint Vincent. No, well you have to be

954
00:47:04,360 --> 00:47:06,360
Speaker 1: Saint Vina. It's not about whether.

955
00:47:06,360 --> 00:47:10,319
Speaker 4: Like sure, Patty LaBelle did the original Lady Marmalade, and.

956
00:47:10,400 --> 00:47:13,919
Speaker 1: It's like he's like a music fifth Harmony, could be here,

957
00:47:15,360 --> 00:47:20,120
Speaker 1: Fifth Harmony, Fifth Harmony. Okay, so which song do we

958
00:47:20,160 --> 00:47:23,280
Speaker 1: want to do? Don't you? Or Lady Marmalade, Lady Marmalade instrumental,

959
00:47:23,400 --> 00:47:26,080
Speaker 1: Lady Marmalade instrumental? You know that one? Yeah, that was

960
00:47:26,120 --> 00:47:27,959
Speaker 1: harder that one in French? How do you know that one?

961
00:47:28,120 --> 00:47:32,360
Speaker 4: Because it's I it's like little kim is.

962
00:47:33,920 --> 00:47:36,560
Speaker 1: I don't think so. But for this, she should, she

963
00:47:36,680 --> 00:47:40,120
Speaker 1: should be that, she should finally get in there. Okay,

964
00:47:40,440 --> 00:47:45,200
Speaker 1: tattoo your breast? Okay, right, Brett Brett again with this?

965
00:47:45,480 --> 00:47:46,840
Speaker 1: Holy shit, man.

966
00:47:48,120 --> 00:47:53,600
Speaker 2: This is tour changed him. Brett, Please, you know what's right?

967
00:47:53,640 --> 00:47:55,520
Speaker 2: And I hate and I hate to give it up

968
00:47:55,520 --> 00:47:56,799
Speaker 2: to Kevin, but he is right.

969
00:47:56,960 --> 00:47:58,799
Speaker 4: Why do you hate to give it up to him?

970
00:47:59,080 --> 00:48:01,080
Speaker 2: Because you know the next time we do that, you

971
00:48:01,080 --> 00:48:03,279
Speaker 2: don't have to do the next show with him where

972
00:48:03,320 --> 00:48:05,200
Speaker 2: he's like, oh now I'm doing all this.

973
00:48:06,719 --> 00:48:09,919
Speaker 1: Part of it now. Yeah, it's really here. I come.

974
00:48:10,800 --> 00:48:13,759
Speaker 4: Seems like if you're doing the character of Eve, you

975
00:48:13,840 --> 00:48:15,080
Speaker 4: want to really lean into.

976
00:48:15,120 --> 00:48:18,360
Speaker 1: It's just disgusting and the red Bell thing. We don't

977
00:48:18,400 --> 00:48:21,080
Speaker 1: sexualize women on this show. What we do with women

978
00:48:21,120 --> 00:48:27,360
Speaker 1: on this show is he said, you humiliate by proving

979
00:48:28,040 --> 00:48:30,759
Speaker 1: that we understand comedy on a level that they just

980
00:48:30,840 --> 00:48:37,399
Speaker 1: can't even find. That's worse, I think than sexualizing. I mean,

981
00:48:37,640 --> 00:48:40,080
Speaker 1: they're all bad. Okay, well you heard it here first

982
00:48:40,239 --> 00:48:43,640
Speaker 1: a mere thinks sexualizing them is good. No, I did

983
00:48:43,680 --> 00:48:45,960
Speaker 1: not say that. Yeah, basically you did.

984
00:48:46,040 --> 00:48:53,399
Speaker 2: Can we Okay? The bells? Wait, what's that sound? And

985
00:48:53,440 --> 00:48:54,560
Speaker 2: now the instrumental?

986
00:48:55,320 --> 00:48:59,440
Speaker 1: Yeah, it's.

987
00:49:01,080 --> 00:49:02,399
Speaker 4: This plays as they walk in.

988
00:49:04,600 --> 00:49:07,480
Speaker 1: Nice. Do you want to be knocking? Yeah? More knocking

989
00:49:07,800 --> 00:49:21,120
Speaker 1: as their coming Christina Litill Kim Yeah, oh yeah, Missy Elliott.

990
00:49:21,560 --> 00:49:32,920
Speaker 1: The more bells? Oh, Gucci, Gucci? Yeah, yea god, mocha choco. Yeah,

991
00:49:33,400 --> 00:49:35,160
Speaker 1: if everyone does three?

992
00:49:36,640 --> 00:49:36,839
Speaker 5: Yeah?

993
00:49:37,040 --> 00:49:39,880
Speaker 1: Yeah, put their kids on? Really lazy?

994
00:49:39,960 --> 00:49:45,440
Speaker 5: Don't your girlfriend was like, don't you wish your girlfriend

995
00:49:45,600 --> 00:49:46,240
Speaker 5: was a freak?

996
00:49:46,600 --> 00:49:53,799
Speaker 1: Like, don't you wish your girlfriend was cool like me? Don't?

997
00:49:54,160 --> 00:49:55,160
Speaker 1: I don't know. I'm sorry.

998
00:49:55,160 --> 00:49:57,839
Speaker 4: I'm gonna keep playing these kids out like Guitaris, Hi,

999
00:49:57,960 --> 00:50:01,080
Speaker 4: He'll choose no love, No Jack's.

1000
00:50:03,360 --> 00:50:06,759
Speaker 1: Sister yet, sister.

1001
00:50:07,560 --> 00:50:11,160
Speaker 4: Wine in the glass, Okatie, the meaning of expense?

1002
00:50:13,400 --> 00:50:14,680
Speaker 1: You know a lot of that song?

1003
00:50:14,760 --> 00:50:15,000
Speaker 3: Yeah?

1004
00:50:16,400 --> 00:50:20,680
Speaker 2: Really okay, okay, and now everything else turns down except

1005
00:50:20,719 --> 00:50:21,640
Speaker 2: for the sad music.

1006
00:50:22,040 --> 00:50:28,920
Speaker 1: Okay, this is okay, wow, Wow, what a wild party.

1007
00:50:29,239 --> 00:50:32,479
Speaker 1: That's it? And really what's going good? And it was fun.

1008
00:50:32,600 --> 00:50:34,920
Speaker 1: It was nice to see Jake and Emir. We were

1009
00:50:34,920 --> 00:50:40,239
Speaker 1: barely there. I guess we got to sweep up all

1010
00:50:40,280 --> 00:50:43,800
Speaker 1: this clutter, especially from where the smell spilled.

1011
00:50:44,280 --> 00:50:46,799
Speaker 2: Oh that's part of having a party is afterwards you

1012
00:50:46,800 --> 00:50:49,839
Speaker 2: have to clean up all the mess. H Yeah, but

1013
00:50:50,000 --> 00:50:53,320
Speaker 2: I still want to do it again next year, and hold.

1014
00:50:53,080 --> 00:50:55,480
Speaker 1: On, just for geography's sake, I'm going to start in

1015
00:50:55,520 --> 00:50:57,200
Speaker 1: this corner and then do you want to start in

1016
00:50:57,200 --> 00:51:00,000
Speaker 1: that corner. We sort of work intard each other throughout this, yeah,

1017
00:51:00,040 --> 00:51:01,000
Speaker 1: and then we'll get everything.

1018
00:51:01,880 --> 00:51:04,240
Speaker 2: And so that was why we didn't do the comedy

1019
00:51:04,280 --> 00:51:06,440
Speaker 2: Bang Bang holiday parties.

1020
00:51:06,040 --> 00:51:07,840
Speaker 1: Because we had to do this on our own that

1021
00:51:07,960 --> 00:51:12,080
Speaker 1: was even bigger and arguably better. Not a competition, but

1022
00:51:12,120 --> 00:51:14,279
Speaker 1: at the end of the day, we had freaking the whole.

1023
00:51:14,320 --> 00:51:18,680
Speaker 1: Lady Marmel, sorry, your broom is that's getting Sorry, I'm

1024
00:51:18,719 --> 00:51:21,360
Speaker 1: kind of your mind. I wasn't even looking. Our brooms

1025
00:51:21,360 --> 00:51:27,160
Speaker 1: are are tangling and you are gone. Okay, sorry. We

1026
00:51:27,200 --> 00:51:30,600
Speaker 1: do have a podcast. It is called Just Like the Mist.

1027
00:51:31,200 --> 00:51:33,680
Speaker 1: Just try to help the window if.

1028
00:51:33,440 --> 00:51:35,279
Speaker 4: I were you, it's an advice show Jack and I.

1029
00:51:38,000 --> 00:51:40,040
Speaker 2: And then you guys come back in your marching back

1030
00:51:40,080 --> 00:51:43,480
Speaker 2: then for credits and the curtain come for the end

1031
00:51:43,480 --> 00:51:45,600
Speaker 2: credits as.

1032
00:51:44,920 --> 00:51:46,400
Speaker 1: Me, who do you do you think?

1033
00:51:46,920 --> 00:51:49,839
Speaker 4: Lady Marmelote probably bre Lady.

1034
00:51:49,560 --> 00:51:52,600
Speaker 2: Mart dude, and but everyone is there. Brett Butler is

1035
00:51:52,600 --> 00:51:54,120
Speaker 2: coming back for she's singing the.

1036
00:51:54,120 --> 00:51:59,600
Speaker 1: Song wake Bell Catherine Bell, who we call her sister

1037
00:51:59,640 --> 00:52:02,480
Speaker 1: at some point. She's from JAG. We talked about over

1038
00:52:02,560 --> 00:52:06,279
Speaker 1: the credits. You're feel Saying, You're feel Saying, written by

1039
00:52:06,280 --> 00:52:12,960
Speaker 1: Sean and Hayes, Yeah, starring obviously us and then Kevin

1040
00:52:13,000 --> 00:52:18,279
Speaker 1: as well. Junior produced by Kevin Yeah, chief junior producer Kevin.

1041
00:52:18,080 --> 00:52:20,920
Speaker 2: Executive produced by Scott Ackerman, but he didn't had no

1042
00:52:21,080 --> 00:52:22,720
Speaker 2: creative involvement in the show.

1043
00:52:22,800 --> 00:52:27,799
Speaker 1: Jeff Ulrich gave a lot of notes, uh oh, and

1044
00:52:28,200 --> 00:52:30,960
Speaker 1: my main man Brett on the ones and twos.

1045
00:52:31,719 --> 00:52:34,000
Speaker 3: Okay, and then anything for the guests and then what

1046
00:52:35,120 --> 00:52:41,840
Speaker 3: more more more sty is at homework and night five?

1047
00:52:43,040 --> 00:52:44,759
Speaker 1: Did it is it? Did this?

1048
00:52:45,920 --> 00:52:46,120
Speaker 4: Yeah?

1049
00:52:46,239 --> 00:52:46,879
Speaker 1: Yeah?

1050
00:52:47,320 --> 00:52:52,799
Speaker 4: Lax at and jeans there not jeans good good gie?

1051
00:52:53,200 --> 00:52:59,640
Speaker 1: Yeah, I think that's where the mark goes. Yeah, Okay,

1052
00:53:00,000 --> 00:53:04,360
Speaker 1: I think we got it. Yeah, that's good. What are

1053
00:53:04,360 --> 00:53:05,719
Speaker 1: you guys doing after this? I mean you want to

1054
00:53:06,040 --> 00:53:06,480
Speaker 1: chill out?

1055
00:53:06,760 --> 00:53:10,399
Speaker 4: I gotta get into some ship plans. I got dinner plans. Okay,

1056
00:53:10,480 --> 00:53:13,360
Speaker 4: so dinner time yet, Yeah, it's pretty close.

1057
00:53:15,480 --> 00:53:18,560
Speaker 1: Early birds. That's really early to have dinner yet it's

1058
00:53:18,640 --> 00:53:19,960
Speaker 1: for early birds special.

1059
00:53:20,040 --> 00:53:29,280
Speaker 4: Twenty around five around What are you talking about about?

1060
00:53:29,280 --> 00:53:30,800
Speaker 1: Six? Funny?

1061
00:53:30,800 --> 00:53:32,279
Speaker 4: Man? No, I don't have to get to bed by

1062
00:53:32,280 --> 00:53:33,959
Speaker 4: sick to eat around six.

1063
00:53:34,840 --> 00:53:37,160
Speaker 1: You should be like, feel free to do more of

1064
00:53:37,200 --> 00:53:40,560
Speaker 1: that stuff and you I love seeing that would have

1065
00:53:40,719 --> 00:53:42,839
Speaker 1: really been good in the presence thing when we were

1066
00:53:42,840 --> 00:53:49,359
Speaker 1: talking about the presence. That's why he characters I can

1067
00:53:49,480 --> 00:53:49,879
Speaker 1: do it.

1068
00:53:50,000 --> 00:53:55,720
Speaker 4: Yeah, yeah, this is fun sick.

1069
00:53:55,800 --> 00:53:58,280
Speaker 1: Okay, So we got the show recorded and you're getting

1070
00:53:58,320 --> 00:54:00,600
Speaker 1: dinner where it's what's where's dinner? What's for dinner?

1071
00:54:01,080 --> 00:54:04,160
Speaker 4: I might get like pizza in Oh.

1072
00:54:04,080 --> 00:54:06,120
Speaker 1: You said it like it's like you were like, oh,

1073
00:54:06,160 --> 00:54:10,879
Speaker 1: I haven't like that, he said, He said, Oh yeah,

1074
00:54:11,600 --> 00:54:15,680
Speaker 1: plans like a pizza.

1075
00:54:15,880 --> 00:54:18,360
Speaker 4: Who what's your what's your endgame here? You want me

1076
00:54:18,400 --> 00:54:19,360
Speaker 4: to have dinner with you?

1077
00:54:19,400 --> 00:54:22,080
Speaker 1: Do you want to force? Man? No? Man, I don't.

1078
00:54:22,960 --> 00:54:25,440
Speaker 1: What I said was let's hang out you said I

1079
00:54:25,480 --> 00:54:28,040
Speaker 1: have dinner plans, and then I showed an interest. It's

1080
00:54:28,080 --> 00:54:31,360
Speaker 1: too early for a conversation. Pretty typical for anyone to

1081
00:54:31,360 --> 00:54:34,960
Speaker 1: have dinner. No, it's not four, it's four.

1082
00:54:35,080 --> 00:54:39,320
Speaker 4: It's it's for it's funny time I go home, Shane

1083
00:54:39,360 --> 00:54:41,400
Speaker 4: Shower go it'll be six.

1084
00:54:41,800 --> 00:54:43,920
Speaker 1: It's four twenty. Hey, guys, And he doesn't even know

1085
00:54:43,960 --> 00:54:44,680
Speaker 1: why that's funny.

1086
00:54:44,680 --> 00:54:47,840
Speaker 6: It's not like, yeah, chef Kevin Chief junior producer, is

1087
00:54:47,840 --> 00:54:50,560
Speaker 6: this still part of the Holly Jolly episode?

1088
00:54:51,080 --> 00:54:51,640
Speaker 1: It can be?

1089
00:54:51,840 --> 00:54:55,719
Speaker 4: Yeah, good vibes, yahoopers, you want to use this part

1090
00:54:55,760 --> 00:54:57,440
Speaker 4: where you just insult me.

1091
00:54:57,520 --> 00:54:59,719
Speaker 1: I was hoping if we got some good vibes going.

1092
00:55:00,040 --> 00:55:03,160
Speaker 1: He's insulting for people that stick around, we're asking questions.

1093
00:55:03,320 --> 00:55:06,040
Speaker 1: It's like for after the credits. Yeah, who's dinner with

1094
00:55:06,680 --> 00:55:10,960
Speaker 1: dinners with my girlfriend? Nice man? Thank you? Why are

1095
00:55:11,800 --> 00:55:14,400
Speaker 1: dude appreciate it? Six pm? Dinner time? I don't know

1096
00:55:14,360 --> 00:55:17,799
Speaker 1: if it's six thirty? I really? What's your girlfriend? Seventy eight? Yeah?

1097
00:55:18,160 --> 00:55:20,799
Speaker 1: What's your girlfriend? The Golden Girls? She gotta go to

1098
00:55:20,800 --> 00:55:24,680
Speaker 1: bed so she can wake up at three am? Right? Nay,

1099
00:55:25,600 --> 00:55:28,560
Speaker 1: come on, man, No, she's not seventy eight? Is your

1100
00:55:28,560 --> 00:55:30,640
Speaker 1: girlfriend the Golden Girls. She's not the Golden Girls. No,

1101
00:55:30,719 --> 00:55:35,680
Speaker 1: obviously she's not for what's that? Well, who said be Arthur?

1102
00:55:35,760 --> 00:55:35,800
Speaker 3: Me?

1103
00:55:36,360 --> 00:55:39,440
Speaker 1: I think it was Brett, That was me, man, So

1104
00:55:39,520 --> 00:55:40,759
Speaker 1: it's spreading b Arthur?

1105
00:55:40,800 --> 00:55:44,439
Speaker 4: I feel like, what's the all right? Yeah, she's b Arthur?

1106
00:55:44,480 --> 00:55:47,319
Speaker 4: Then ning, what.

1107
00:55:47,200 --> 00:55:52,160
Speaker 1: Would you say? It's like, yuck? Can we? Are we done? Yeah?

1108
00:55:52,200 --> 00:55:55,359
Speaker 1: We're really close? Yeah yeah close, Yeah, we're wrapping up.

1109
00:55:58,320 --> 00:55:59,680
Speaker 1: All right, okay.

1110
00:55:59,360 --> 00:56:07,800
Speaker 2: Bye point I'm.

1111
00:56:04,160 --> 00:56:07,240
Speaker 1: A horny girl. Wolf. This has been an Earwolf production,

1112
00:56:07,600 --> 00:56:11,480
Speaker 1: executive produced by Scott Ackerman, Colin Anderson, and Chris Bannon.

1113
00:56:11,600 --> 00:56:16,040
Speaker 2: For more information and content, visit earwolf dot com ow