WEBVTT - #508 - Troy Cartwright on Questioning Himself After Getting Dropped + Looking Like Jesus & Being the JV Ryan Hurd + Why Songwriting is Like Golfing

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<v Speaker 1>That is really hard because you are not aware of

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<v Speaker 1>all the things that they had to do to get there.

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<v Speaker 1>You're just on your first six months of your record

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<v Speaker 1>deal contract and you're trying to figure out, like why

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<v Speaker 1>you're not selling out a stadium yet.

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<v Speaker 2>Welcome to episode five oh eight Troy Cartwright. Troy has

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<v Speaker 2>a podcast called ten Year Town. That's how I was

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<v Speaker 2>introduced to him. It's a really good podcast. It's I

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<v Speaker 2>would say, a better version of this show.

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<v Speaker 3>You would say that, yeah, probably.

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<v Speaker 2>Yeah. He's like a legit songwriter. He's a legit artist,

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<v Speaker 2>and we talk a lot about that. But I was

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<v Speaker 2>drawn to his podcast because I was following it on

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<v Speaker 2>TikTok and the clips would come up and now I

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<v Speaker 2>was like, dang. And I went into his podcast and

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<v Speaker 2>I don't think it's as big yet, but I was like, yeah,

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<v Speaker 2>this is a better version of what I do in that.

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<v Speaker 3>While though you see something on TikTok and you think

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<v Speaker 3>it's massive, Like I've been seeing his clip for a

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<v Speaker 3>long time now, and it's weird seeing he's per inspected

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<v Speaker 3>from his side.

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<v Speaker 2>Yeah, yeah, I really like it. I like him a lot,

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<v Speaker 2>and so we'll talk to him coming up in just

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<v Speaker 2>a second. As we hop in to episode five O eight,

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<v Speaker 2>I was watching Speaking of TikTok, was watching clips from

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<v Speaker 2>your podcast, Mike Movie Mike's Movie Podcast, and I am

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<v Speaker 2>fascinated and have been fascinated with the Oklahoma City bombing.

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<v Speaker 3>I'm like so into That's kind of how I learned

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<v Speaker 3>about it. I just watched the Netflix documentary that just

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<v Speaker 3>came out.

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<v Speaker 2>Oh there is one, yeah, I saw so that's why

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<v Speaker 2>I saw you talking to I didn't know that was

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<v Speaker 2>on Netflix.

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<v Speaker 1>Yeah, director of the documentary, the director of it.

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<v Speaker 3>Because I was too young when it happened. I don't

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<v Speaker 3>really remember it, and watching that documentary is me learning

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<v Speaker 3>all the details for the first time.

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<v Speaker 1>Age Flex, I hear you, age Flex.

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<v Speaker 2>That story is crazy because there's like eight avenues of crazy,

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<v Speaker 2>meaning you could go there out of who really was he?

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<v Speaker 1>Who are they working for? There's all that. There's also

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<v Speaker 1>just how it was caught that's wild.

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<v Speaker 3>It was also crazy that when they didn't know it

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<v Speaker 3>was him, they started accusing other people. They were like, oh,

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<v Speaker 3>we saw Middle Eastern people coming out of that a building.

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<v Speaker 1>Yeah, it doesn't it show I mean, and that stuff

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<v Speaker 1>still happening to It just shows like.

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<v Speaker 3>Even back in the nineties, like that was just there.

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<v Speaker 2>And in the nineties there was nobody to speak out

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<v Speaker 2>against it because there wasn't social media or other forms

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<v Speaker 2>of tell or other or eighty networks to go, hey,

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<v Speaker 2>we don't think that's right. There were like three channels,

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<v Speaker 2>four channels. But so the bomb goes off, it's not

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<v Speaker 2>a spoiler because it's a relevant in the history. The

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<v Speaker 2>bomb goes off and the guy who set the bombs

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<v Speaker 2>drives away and his license plate the explosion actually shook

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<v Speaker 2>the car somebody, his license plate fell to the ground

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<v Speaker 2>and that they found the license plate.

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<v Speaker 3>Yeah, and he was driving like seventy miles from there,

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<v Speaker 3>got pulled over for another for.

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<v Speaker 2>Reason, Yeah, because he had no license plate, not because

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<v Speaker 2>they were like that's the guy they And then he

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<v Speaker 2>had a gun on him and no license plate. So

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<v Speaker 2>they put him in jail, but not because of the bombing.

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<v Speaker 2>And then he's in jail the whole time, and they're

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<v Speaker 2>looking for, like you said, a Middle Eastern guy. They're

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<v Speaker 2>looking for all these fake and he's sitting right there

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<v Speaker 2>in prison. It's a all. It's tragic, it's sad, and

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<v Speaker 2>he almost got ahead of.

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<v Speaker 3>Jail, like he was in court. They were like a

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<v Speaker 3>better let this guy go, Like wait a minute, yep.

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<v Speaker 2>So go check out Movie Mike's Movie podcast. I would

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<v Speaker 2>say if you love movies, it's a great podcast obviously,

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<v Speaker 2>but even if you want to learn more about that,

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<v Speaker 2>because you're talking with the director of that project.

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<v Speaker 3>Yeah, one of the retired FBI agents who was there

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<v Speaker 3>rescuing people.

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<v Speaker 2>I went to the building across the street because I

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<v Speaker 2>went and toward the whole thing, and so went up

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<v Speaker 2>and there's audio of from the building across the street

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<v Speaker 2>as they're having a city a town hall meeting because

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<v Speaker 2>they record all the town hall meetings, and you hear

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<v Speaker 2>it in the town hall meeting how loud the explosion

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<v Speaker 2>was to the people across the street.

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<v Speaker 1>Yeah.

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<v Speaker 3>I didn't realize how massive the destruction was too.

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<v Speaker 1>Yeah.

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<v Speaker 2>So, and again there are a lot of conspiracy lanes

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<v Speaker 2>to travel down if you choose.

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<v Speaker 1>But that's everything.

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<v Speaker 2>But yeah, you're right, check out that on Movie Mike's

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<v Speaker 2>Movie Podcast. And not so much just a plug about

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<v Speaker 2>Mike's podcast, which is great, but I'm super interested in that.

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<v Speaker 2>I'm super interested in songwriters and especially the viewpoints of songwriters,

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<v Speaker 2>which is what Troy does. He brings on others and

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<v Speaker 2>they have talks, and so this is my talk with him.

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<v Speaker 2>This is Troy Cartwright and again the ten year Town podcast.

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<v Speaker 2>I love it. Here's the episode. Enjoy Troy.

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<v Speaker 1>Good to see you, Good to see you. How you

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<v Speaker 1>I don't know, it's kind of like that, I don't know. Good.

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<v Speaker 2>Yeah, My days I think are layered a bit different

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<v Speaker 2>than yours. Yeah, just from the waking up part, right,

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<v Speaker 2>So I think we're When people ask me that question,

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<v Speaker 2>it's often like how you doing, I'm like, you know,

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<v Speaker 2>I think it's I'm at a different stage of my day,

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<v Speaker 2>so it's relative to what stage of the day you

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<v Speaker 2>know you're in.

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<v Speaker 1>Yeah.

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<v Speaker 2>I was gonna say before, I really like you, by

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<v Speaker 2>the way, and we spent time on your podcast, and

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<v Speaker 2>I definitely want to talk about that. Yeah, I didn't

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<v Speaker 2>know you, but i'd seen ten Yuretown on TikTok, saw

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<v Speaker 2>the clips. Yeah, and really had a great time on

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<v Speaker 2>your podcast, and I hope it was well received and

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<v Speaker 2>very You have to say that, so I don't want

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<v Speaker 2>you to say it. You have to say it. It's

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<v Speaker 2>an obligation to say that. But yeah, you do a

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<v Speaker 2>great job. And I left going man, that was fun

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<v Speaker 2>for me because I didn't feel like I had to

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<v Speaker 2>do what I feel like I often have to do,

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<v Speaker 2>which is take controls. So it's not a dude, and

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<v Speaker 2>I'm not right when I do that, but I didn't

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<v Speaker 2>have to do that with you.

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<v Speaker 1>You owned it.

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<v Speaker 2>And I hope people hear this and go, wow, maybe

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<v Speaker 2>if this interview is not terrible, I'll go check out

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<v Speaker 2>Troy's podcast.

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<v Speaker 1>Yeah, so, how are you enjoying that? I'm loving it still.

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<v Speaker 1>Oh yeah. It's one of those things right where if

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<v Speaker 1>I would have known how hard it was when I started,

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<v Speaker 1>I'm not sure I would have done it. That's this

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<v Speaker 1>whole career too.

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<v Speaker 2>I mean that's a microcosm for everything, this whole freaking city.

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<v Speaker 1>Yeah. So it's been a lot of work, but it's

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<v Speaker 1>you know, it's been really rewarding and I you know,

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<v Speaker 1>I enjoy getting to like to tell the stories, you know,

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<v Speaker 1>and I like talking to people. Yeah.

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<v Speaker 2>I think you like what people should like about podcasting

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<v Speaker 2>because I feel like you pay attention, you care, you

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<v Speaker 2>are interested and curious, like you have all the things

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<v Speaker 2>that I think I wish I cared about. Where I'm

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<v Speaker 2>just like, ah, god, it's a lot to say, and

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<v Speaker 2>there's another human in the room, and let's just see

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<v Speaker 2>what happens. Like That's what I liked about, because you're

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<v Speaker 2>very warm. I'll come back to the podcast. I wanted

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<v Speaker 2>to lead with that, though, because I do feel that way,

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<v Speaker 2>and I know we've texted on once. Yeah, once or twice,

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<v Speaker 2>But I wanted to say that at the beginning, so

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<v Speaker 2>I didn't forget.

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<v Speaker 1>But thank you.

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<v Speaker 2>What I didn't know a lot about as far as

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<v Speaker 2>your career was your music.

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<v Speaker 1>You're writing.

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<v Speaker 2>I knew you from doing the podcast, but I knew

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<v Speaker 2>you did the podcast because you were also a writer,

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<v Speaker 2>but I didn't really know what that story was. Yeah,

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<v Speaker 2>I'm seeing now on TikTok because I'm a psycho super

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<v Speaker 2>fan of yours.

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<v Speaker 1>Are you writing again?

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<v Speaker 2>Are you now writing and making content with what you're writing?

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<v Speaker 1>Because I'm seeing content? Yeah, So where are you in

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<v Speaker 1>that stage? Uh? So I am writing every day? Have

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<v Speaker 1>you always been writing every day? I've been writing every

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<v Speaker 1>day more or less since I moved to Nashville eight

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<v Speaker 1>years ago, almost nine years ago. Now I'm coming up

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<v Speaker 1>on the title of my podcast. You know, so some

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<v Speaker 1>Some's got a break soon.

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<v Speaker 2>You're about to be a millionaire then, because if you

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<v Speaker 2>make it ten years, you're automatically a Millionaire's how it works.

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<v Speaker 1>Yeah. Yeah, So I'm writing all the time, and I

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<v Speaker 1>have been working towards a new record for my my

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<v Speaker 1>artist project, and you know, in addition to that, I

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<v Speaker 1>am writing songs for other people.

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<v Speaker 2>So is that why I'm seeing you do you in

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<v Speaker 2>music content? Because you're working on you? Yeah, that would

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<v Speaker 2>make sense. Yeah, it's because.

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<v Speaker 1>If you're.

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<v Speaker 2>Writing and you have a publishing deal, you're writing independent

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<v Speaker 2>whatever you're doing, and you're writing for other people or

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<v Speaker 2>you're writing to be pitched, you're probably not putting a

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<v Speaker 2>lot of that content.

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<v Speaker 1>On social media. It makes sense if you're doing your

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<v Speaker 1>own project. Yes, and it is, you know it. It's

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<v Speaker 1>a it's a it's quite a long story and I'm

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<v Speaker 1>happy to go into it if you podcast wants stretch it,

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<v Speaker 1>string it. But it's kind of like what we talked

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<v Speaker 1>about on when you came on my podcast about like

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<v Speaker 1>there's this opportunity with making content, you know, which is

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<v Speaker 1>like the buzzword of the day, where you can really

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<v Speaker 1>get heard, you know, you can get discovered, you can

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<v Speaker 1>reach people, and when you're writing and making songs you're

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<v Speaker 1>trying to you hope that it can mean something to somebody.

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<v Speaker 2>Yeah, the environment is very different and also the same

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<v Speaker 2>in the way of what's great about now is the

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<v Speaker 2>finger quote gatekeepers have far less control. Yeah, but the

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<v Speaker 2>finger quote gatekeepers are now an algorithm.

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<v Speaker 1>That right, you don't even know who they are.

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<v Speaker 2>Well, at least you kind of knew the devil you

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<v Speaker 2>were dancing with before. H But the freedom now is

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<v Speaker 2>is that you have it, and it just takes the

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<v Speaker 2>right thing at the right time and the right algorithm

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<v Speaker 2>looking for the.

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<v Speaker 1>Right yeah, for it to hit right. There's something I

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<v Speaker 1>heard one time about like increasing your your luck surface

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<v Speaker 1>area so you you still got it. Like if you

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<v Speaker 1>go if you want to go viral, you know, it

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<v Speaker 1>takes a lot of luck, but can be more tries

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<v Speaker 1>lead to more luck. And that's hard work. And and

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<v Speaker 1>I've had, you know, some stuff go really viral.

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<v Speaker 2>What's really viral to a few reels last few years

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<v Speaker 2>define a number.

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<v Speaker 1>I think when I posted That's why, which was trying

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<v Speaker 1>to think if it was twenty three or twenty two.

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<v Speaker 1>I think it was twenty two. I posted it right

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<v Speaker 1>before Valentine's Day, and I went to bed. It wouldn't post.

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<v Speaker 2>It was weird it like I love. I went to

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<v Speaker 2>bed story and wake up and it was big. It's

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<v Speaker 2>like a Bailey's Donement type days. It was happening for

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<v Speaker 2>so many people.

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<v Speaker 1>Yeah, but literally, yeah, I posted this thing and I

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<v Speaker 1>was uncomfortable. I was singing to my camera, you know,

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<v Speaker 1>not really my it's really my vibe. Yeah, it feels

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<v Speaker 1>a little goofy. Yeah. I went to bed. I think

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<v Speaker 1>that one was many hundreds of thousands, if not close

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<v Speaker 1>to a million. The next day. The next day, and

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<v Speaker 1>I had just gotten dropped from my record deal, so

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<v Speaker 1>it was like, okay, here we go. You know, I

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<v Speaker 1>was right, Are you a god guy? Yeah? Yeah, in

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<v Speaker 1>my own way.

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<v Speaker 2>Yes, And and I and I think it's a great

0:11:04.440 --> 0:11:07.160
<v Speaker 2>answer in your own way, yes, because I am in

0:11:07.200 --> 0:11:08.120
<v Speaker 2>my own way as well.

0:11:08.160 --> 0:11:10.320
<v Speaker 1>I think we all are and we have our own.

0:11:10.160 --> 0:11:13.320
<v Speaker 2>Different But did that was that ever part of it

0:11:13.360 --> 0:11:16.400
<v Speaker 2>where it's like something It didn't have to be a

0:11:16.400 --> 0:11:23.200
<v Speaker 2>god thing, something bigger just showed me that whatever I

0:11:23.400 --> 0:11:28.000
<v Speaker 2>lost in that, hey you've now been dropped, that maybe it's.

0:11:27.840 --> 0:11:30.440
<v Speaker 1>Not all lost. What did that happen at all?

0:11:30.480 --> 0:11:30.680
<v Speaker 2>With you?

0:11:31.080 --> 0:11:33.720
<v Speaker 1>Yeah? You know, there's this. There's this quote I really

0:11:33.800 --> 0:11:37.000
<v Speaker 1>like that says opportunity is a strange beast that frequently

0:11:37.040 --> 0:11:40.800
<v Speaker 1>appears after a loss. And I and that has been

0:11:40.840 --> 0:11:44.640
<v Speaker 1>true for me a lot of times. And it was

0:11:45.120 --> 0:11:49.679
<v Speaker 1>it was an interesting time because I was dealing with

0:11:49.840 --> 0:11:53.360
<v Speaker 1>sort of a little bit of an identity crisis because

0:11:53.400 --> 0:11:56.320
<v Speaker 1>ever since I when I first moved to town, I

0:11:56.360 --> 0:12:00.720
<v Speaker 1>had some momentum coming when I came here from Texas,

0:12:01.320 --> 0:12:04.080
<v Speaker 1>momentum based on what based on some music I had

0:12:04.080 --> 0:12:06.800
<v Speaker 1>put out. And this was very very like, you know,

0:12:06.960 --> 0:12:10.440
<v Speaker 1>comparatively small, but it was there was something bubbling up

0:12:10.480 --> 0:12:12.800
<v Speaker 1>and I was doing something that I think, you know,

0:12:13.120 --> 0:12:15.960
<v Speaker 1>somebody somebody liked, and that your artist.

0:12:16.040 --> 0:12:19.400
<v Speaker 2>You're you're sick because you have different versions of your career. Yes,

0:12:19.559 --> 0:12:22.520
<v Speaker 2>I have performance, got it?

0:12:22.800 --> 0:12:26.600
<v Speaker 1>Yeah? Yes, I have kind of a songwriting an artist

0:12:26.720 --> 0:12:29.000
<v Speaker 1>and and now a podcast. You gotta do you want to.

0:12:29.160 --> 0:12:31.640
<v Speaker 2>Final like I'm five at times? Okay, So you move

0:12:31.720 --> 0:12:35.000
<v Speaker 2>here with some momentum, yes, based on your performance correct

0:12:35.040 --> 0:12:37.439
<v Speaker 2>performing I had started.

0:12:38.360 --> 0:12:41.199
<v Speaker 1>Up until that point, I was just living in Dallas, writing,

0:12:41.480 --> 0:12:44.000
<v Speaker 1>you know, in in my bedroom basically, and I had

0:12:44.040 --> 0:12:47.480
<v Speaker 1>made a record and I had put part of that

0:12:47.520 --> 0:12:52.439
<v Speaker 1>record out and somebody that worked as like an independent

0:12:52.520 --> 0:12:55.480
<v Speaker 1>radio promoter invited me. They said, you should come to

0:12:55.559 --> 0:12:58.800
<v Speaker 1>Nashville and you should meet some people. So that's how

0:12:58.800 --> 0:13:03.480
<v Speaker 1>I met a publisher named Jake Gear and then he

0:13:03.559 --> 0:13:06.120
<v Speaker 1>set me up on some co writs. Blah blah blah.

0:13:06.160 --> 0:13:12.000
<v Speaker 1>Like a year later, I moved to Nashville and I

0:13:12.040 --> 0:13:17.440
<v Speaker 1>got on the radar of somebody at the label and

0:13:17.600 --> 0:13:20.720
<v Speaker 1>they signed me. It happened pretty quick, you know, I

0:13:20.720 --> 0:13:22.480
<v Speaker 1>got I got a record deal, and that was that

0:13:22.600 --> 0:13:24.480
<v Speaker 1>was a dream at the time. It was a dream

0:13:24.480 --> 0:13:24.880
<v Speaker 1>come true.

0:13:25.000 --> 0:13:27.480
<v Speaker 2>It happened so quick that you didn't really got the

0:13:27.559 --> 0:13:30.520
<v Speaker 2>eyes and cross the t's and or even understand that

0:13:30.520 --> 0:13:31.120
<v Speaker 2>that was a thing.

0:13:31.640 --> 0:13:33.760
<v Speaker 1>You know, I've been thinking about this a little bit.

0:13:34.520 --> 0:13:39.680
<v Speaker 1>It's it was a perfectly fine deal. Yeah I was.

0:13:39.679 --> 0:13:43.160
<v Speaker 2>I'm not insinuating it was lu Pearlman shady right right right, Uh,

0:13:43.400 --> 0:13:43.880
<v Speaker 2>it was.

0:13:44.720 --> 0:13:47.960
<v Speaker 1>There's a lot of things looking back on that I

0:13:48.080 --> 0:13:51.839
<v Speaker 1>wasn't thinking about. Part of that was just like what

0:13:51.880 --> 0:13:54.480
<v Speaker 1>do I want to sound like? What do I want

0:13:54.520 --> 0:13:58.920
<v Speaker 1>to say? How old are you? I was twenty six.

0:13:59.760 --> 0:14:03.440
<v Speaker 2>You're just starting at that age to figure out what

0:14:03.559 --> 0:14:05.360
<v Speaker 2>You're just starting to figure out.

0:14:05.480 --> 0:14:06.920
<v Speaker 1>Yeah, I mean, you don't even know what you ask

0:14:07.000 --> 0:14:10.200
<v Speaker 1>to that crisis. I understand the cirl. Okay, so what

0:14:10.320 --> 0:14:14.120
<v Speaker 1>happens is you come to town. Here I go from writing.

0:14:15.000 --> 0:14:17.760
<v Speaker 1>I was very rigid with my schedule when I when

0:14:17.760 --> 0:14:20.280
<v Speaker 1>I was writing by myself, I woke up every day,

0:14:20.320 --> 0:14:22.640
<v Speaker 1>I started writing at eleven, and I wrote until two

0:14:22.760 --> 0:14:25.280
<v Speaker 1>or three in the afternoon every day. So when I

0:14:25.320 --> 0:14:27.600
<v Speaker 1>moved to Nashville, Okay, now I'm getting set up on

0:14:27.640 --> 0:14:31.560
<v Speaker 1>these co writes, and I'm writing with people, and now

0:14:31.680 --> 0:14:34.560
<v Speaker 1>there's these things called track guys. So now you're getting

0:14:35.320 --> 0:14:38.880
<v Speaker 1>like these almost basically you're ending the day with a

0:14:38.880 --> 0:14:41.640
<v Speaker 1>song that kind of sounds like a record, but you're

0:14:42.000 --> 0:14:46.280
<v Speaker 1>you're going through you know, maybe one hundred different combinations

0:14:46.480 --> 0:14:50.240
<v Speaker 1>of writers. So so over time, when you don't know

0:14:50.400 --> 0:14:53.160
<v Speaker 1>exactly what you want to say and what you want

0:14:53.200 --> 0:14:58.240
<v Speaker 1>to sound like, you can strangely lose your voice in

0:14:58.320 --> 0:15:00.520
<v Speaker 1>the in that process. Mind me up.

0:15:00.520 --> 0:15:02.280
<v Speaker 2>And it's not exactly the same that quote if you

0:15:02.280 --> 0:15:04.720
<v Speaker 2>don't stand for something, you'll stand for anything, Yeah, And

0:15:04.760 --> 0:15:08.720
<v Speaker 2>it's that you aren't for sure, yeah, And you're around

0:15:08.720 --> 0:15:10.480
<v Speaker 2>a lot of other people who kind of bar for sure,

0:15:11.880 --> 0:15:14.800
<v Speaker 2>and so you're kind of pulled in directions of what

0:15:14.840 --> 0:15:17.440
<v Speaker 2>you think might be the thing that works.

0:15:16.960 --> 0:15:20.360
<v Speaker 1>No doubt, And and what happens is then you get

0:15:20.360 --> 0:15:24.720
<v Speaker 1>a record deal. Well they're geniuses, they know, so I

0:15:24.800 --> 0:15:27.040
<v Speaker 1>want to do what they say. You know, I want

0:15:27.040 --> 0:15:30.960
<v Speaker 1>to be you know, I like, I want to be

0:15:31.400 --> 0:15:34.520
<v Speaker 1>a good artist and well liked and I'm a people pleaser.

0:15:34.640 --> 0:15:38.640
<v Speaker 1>So all of these things. It's nothing, nothing nefarious is happening.

0:15:38.840 --> 0:15:42.920
<v Speaker 1>It's just it start, it starts to slant towards the middle,

0:15:43.520 --> 0:15:48.360
<v Speaker 1>you know, and then I'm making music that sounds like

0:15:48.440 --> 0:15:51.480
<v Speaker 1>the radio, which is cool, but lost your edge though.

0:15:51.680 --> 0:15:54.680
<v Speaker 2>Yeah, the things that got you here you no longer

0:15:54.720 --> 0:15:57.280
<v Speaker 2>have one because you're now here and you're trying to

0:15:57.280 --> 0:16:01.480
<v Speaker 2>sound like here, which is very easy to do because yeah,

0:16:01.760 --> 0:16:05.080
<v Speaker 2>same anybody that moves to town and you're around quote

0:16:05.120 --> 0:16:08.720
<v Speaker 2>these geniuses, Yeah they're just us.

0:16:09.320 --> 0:16:13.200
<v Speaker 1>And when they moved here, they saw the geniuses. Yeah.

0:16:13.240 --> 0:16:15.960
<v Speaker 2>It's almost a cycle that everybody goes through, and you

0:16:16.480 --> 0:16:19.400
<v Speaker 2>have to do it wrong in order to fully understand

0:16:19.920 --> 0:16:21.120
<v Speaker 2>that no one's ever right.

0:16:22.080 --> 0:16:27.560
<v Speaker 1>Yeah, nobody knows anything. You just you do. Eventually have

0:16:27.640 --> 0:16:29.720
<v Speaker 1>to get back to a place where you go like,

0:16:30.240 --> 0:16:33.160
<v Speaker 1>what do I what do, I want to say, you know,

0:16:34.000 --> 0:16:37.800
<v Speaker 1>and and part of that is just learning the lessons

0:16:38.040 --> 0:16:41.720
<v Speaker 1>of taking the hits, you know. I mean, that's that's

0:16:41.760 --> 0:16:44.360
<v Speaker 1>a big part of it. Yeah.

0:16:44.600 --> 0:16:46.400
<v Speaker 2>To me, it was if I'm going to fail, because

0:16:46.400 --> 0:16:48.920
<v Speaker 2>I've already failed a bunch of times here doing different things,

0:16:49.120 --> 0:16:51.720
<v Speaker 2>at least I want to fail doing it my way,

0:16:51.760 --> 0:16:54.480
<v Speaker 2>because at least that feels like I honestly failed.

0:16:55.160 --> 0:16:57.840
<v Speaker 1>Yeah, and there's something there's a real truth to.

0:17:00.160 --> 0:17:04.320
<v Speaker 2>Success or failure when it's your truth, because you know

0:17:04.359 --> 0:17:06.840
<v Speaker 2>it's genuine either way. Where if I you know, there

0:17:06.840 --> 0:17:08.720
<v Speaker 2>were times my first couple of years here, I was hated.

0:17:08.960 --> 0:17:10.520
<v Speaker 2>I was hated because I was way different. So at

0:17:10.520 --> 0:17:16.800
<v Speaker 2>times I would manipulate or modify and it wouldn't go well.

0:17:16.880 --> 0:17:19.239
<v Speaker 2>And it got to the point where it was, if

0:17:19.240 --> 0:17:20.960
<v Speaker 2>it's not gonna go well, I'd rather it not go

0:17:21.080 --> 0:17:23.000
<v Speaker 2>well with me being exactly me, because then I know

0:17:23.040 --> 0:17:26.680
<v Speaker 2>it's me, it's not whatever I'm chasing.

0:17:27.200 --> 0:17:30.359
<v Speaker 1>Do you feel like you were you were modifying yourself

0:17:30.440 --> 0:17:33.000
<v Speaker 1>to like fit into like some mold that you thought

0:17:33.040 --> 0:17:34.160
<v Speaker 1>it was supposed to fit into.

0:17:34.600 --> 0:17:39.359
<v Speaker 2>My situations, as similar as it was to yours, was

0:17:39.400 --> 0:17:40.080
<v Speaker 2>different in that.

0:17:41.600 --> 0:17:44.480
<v Speaker 1>Mine was genuine I hate you.

0:17:44.520 --> 0:17:47.040
<v Speaker 2>The word hatred, it would I would say uneducated hatred

0:17:47.960 --> 0:17:52.240
<v Speaker 2>from the industry because I was so different in the

0:17:52.280 --> 0:17:54.520
<v Speaker 2>industry is a big evil man that doesn't have a face.

0:17:55.119 --> 0:18:00.560
<v Speaker 2>It's like when people can complain about the rady and

0:18:00.600 --> 0:18:03.560
<v Speaker 2>I'm not mister fight for radio either, but it's like

0:18:03.680 --> 0:18:07.879
<v Speaker 2>radio just won't. That's not a thing, right, It's so

0:18:08.160 --> 0:18:11.280
<v Speaker 2>when I say that. So it was an uneducated hatred

0:18:11.359 --> 0:18:15.080
<v Speaker 2>toward me because I was different and I challenged norms

0:18:15.720 --> 0:18:21.040
<v Speaker 2>and norms that felt comfortable then felt threatened, and after

0:18:21.080 --> 0:18:23.400
<v Speaker 2>a long time of it being difficult for me, I thought,

0:18:23.440 --> 0:18:24.960
<v Speaker 2>what can I do to make this not so difficult

0:18:24.960 --> 0:18:29.159
<v Speaker 2>for me? So it wasn't that I was going, I'm

0:18:29.200 --> 0:18:31.080
<v Speaker 2>going to do this to get better because I have

0:18:31.160 --> 0:18:34.159
<v Speaker 2>confidence in that area, but it was this sucks, like

0:18:35.440 --> 0:18:38.159
<v Speaker 2>I'm having articles written that aren't true about me, and

0:18:38.280 --> 0:18:44.480
<v Speaker 2>like local music industry magazines, I'm having four or five

0:18:44.520 --> 0:18:47.320
<v Speaker 2>different type of of of deal and I'm like, you

0:18:47.359 --> 0:18:49.040
<v Speaker 2>know what, I'm just I'm going to lose some of

0:18:49.040 --> 0:18:51.480
<v Speaker 2>my edge, so some of that edge is not given

0:18:51.520 --> 0:18:55.879
<v Speaker 2>back to me. So the parallels are from your story

0:18:55.880 --> 0:18:59.960
<v Speaker 2>of mine are similar, but the same thing it still.

0:18:59.720 --> 0:19:02.960
<v Speaker 1>Didn't go well. Once I changed and got a little softer.

0:19:03.240 --> 0:19:04.720
<v Speaker 2>Yeah, I was like, I'm just gonna be me and

0:19:04.760 --> 0:19:06.399
<v Speaker 2>then if I fail, at least the truth is I

0:19:06.440 --> 0:19:12.320
<v Speaker 2>failed because I failed with with who I was totally.

0:19:12.400 --> 0:19:15.640
<v Speaker 1>Yeah. You you almost think it's gonna be easier because

0:19:15.680 --> 0:19:18.520
<v Speaker 1>you give in to what you think you're supposed to do,

0:19:20.240 --> 0:19:26.280
<v Speaker 1>but the you know, the end result is uh. I

0:19:26.320 --> 0:19:29.240
<v Speaker 1>was just I was becoming very dissatisfied. I was waking

0:19:29.320 --> 0:19:32.120
<v Speaker 1>up and looking in the mirror and being like, I'm

0:19:32.119 --> 0:19:35.160
<v Speaker 1>not this feels out of sync.

0:19:35.640 --> 0:19:38.280
<v Speaker 4>Let's take a quick pause for a message from our sponsor,

0:19:47.119 --> 0:19:49.320
<v Speaker 4>and we're back on the Bobby Cast.

0:19:49.880 --> 0:19:55.320
<v Speaker 1>I bek you're losing yourself. Yeah, because what happens is

0:19:56.440 --> 0:20:02.879
<v Speaker 1>you are surrounded by the system that is holding you

0:20:03.359 --> 0:20:07.240
<v Speaker 1>are constantly standing in comparison to the most successful artists

0:20:07.240 --> 0:20:12.639
<v Speaker 1>on the planet, and that is really hard because you

0:20:12.760 --> 0:20:15.640
<v Speaker 1>are not aware of all the things that they had

0:20:15.680 --> 0:20:18.880
<v Speaker 1>to do to get there. You're just on your first

0:20:18.920 --> 0:20:21.320
<v Speaker 1>six months of your record deal contract and you're trying

0:20:21.320 --> 0:20:24.600
<v Speaker 1>to figure out, like why you're not selling out a

0:20:24.640 --> 0:20:27.920
<v Speaker 1>stadium yet. You know you've got to kind of like, okay,

0:20:28.119 --> 0:20:31.000
<v Speaker 1>well I'm going to reverse engineer this and try and

0:20:31.160 --> 0:20:35.320
<v Speaker 1>sound like this. And it's not even always intentional, it's

0:20:35.400 --> 0:20:38.240
<v Speaker 1>just sort of the way that the like I said,

0:20:38.280 --> 0:20:40.639
<v Speaker 1>the table is slanted towards the middle, so you just

0:20:40.800 --> 0:20:46.480
<v Speaker 1>kind of end up making stuff that is palatable to

0:20:46.600 --> 0:20:49.959
<v Speaker 1>this this middle. But in the in the process, you know,

0:20:50.640 --> 0:20:57.719
<v Speaker 1>I lost me in there, and that is you know,

0:20:57.800 --> 0:21:00.119
<v Speaker 1>it sucked and it was hard, and then it all

0:21:00.119 --> 0:21:01.640
<v Speaker 1>went away and that was hard.

0:21:02.000 --> 0:21:06.240
<v Speaker 2>So and that was my next question. Did it take

0:21:06.280 --> 0:21:09.560
<v Speaker 2>it all going away for you to realize nothing to lose,

0:21:09.800 --> 0:21:11.800
<v Speaker 2>got to get back, got to get back on my track?

0:21:12.400 --> 0:21:16.399
<v Speaker 1>Yeah? So, I mean it was so out of the

0:21:16.440 --> 0:21:19.240
<v Speaker 1>blue to me when they when they dropped you, Oh,

0:21:19.240 --> 0:21:21.360
<v Speaker 1>you had no idea it was coming, no idea I had.

0:21:21.520 --> 0:21:25.959
<v Speaker 1>I had a record coming out. It wasn't even out

0:21:26.040 --> 0:21:30.199
<v Speaker 1>yet when that happened, which which you know, what's the call?

0:21:30.280 --> 0:21:31.040
<v Speaker 1>What's that call? Then?

0:21:31.320 --> 0:21:33.960
<v Speaker 2>Uh, it's it's it's an ep No, no, no, what's

0:21:34.000 --> 0:21:36.000
<v Speaker 2>the call? When they call you or they in your

0:21:36.119 --> 0:21:38.000
<v Speaker 2>oh what's the call? What do they say to you?

0:21:38.040 --> 0:21:41.440
<v Speaker 2>Because that sounds like, yeah, well that's when something is underperforming.

0:21:41.560 --> 0:21:46.439
<v Speaker 1>But what's interesting is that no one ever called me, oh,

0:21:46.480 --> 0:21:49.560
<v Speaker 1>you're still signed. You have no idea, but you're still signed. Yeah,

0:21:49.600 --> 0:21:54.080
<v Speaker 1>my my manager, you were never dropped. Yeah, it's just

0:21:54.119 --> 0:21:56.840
<v Speaker 1>in Yeah. My manager asked me to go to lunch.

0:21:57.400 --> 0:21:58.800
<v Speaker 1>I was not writing that day.

0:21:59.560 --> 0:21:59.760
<v Speaker 2>Uh.

0:21:59.800 --> 0:22:01.920
<v Speaker 1>It was like a Monday or a Tuesday. We went

0:22:01.960 --> 0:22:05.760
<v Speaker 1>over to uh Ed Lee's in twelve South and we

0:22:05.760 --> 0:22:08.200
<v Speaker 1>were sitting outside on the patio and and he was like, look,

0:22:08.240 --> 0:22:09.760
<v Speaker 1>I had to tell you something and it's not good.

0:22:09.880 --> 0:22:14.240
<v Speaker 1>Oh God, And yeah, I mean, you know, I still

0:22:14.240 --> 0:22:14.760
<v Speaker 1>remember it.

0:22:15.040 --> 0:22:18.720
<v Speaker 2>What was his explanation? What was the justification? Because they

0:22:18.800 --> 0:22:22.720
<v Speaker 2>obviously saw something in you? Yeah, and then they didn't.

0:22:23.040 --> 0:22:26.159
<v Speaker 2>So something happened in the middle where Yeah, was there

0:22:26.160 --> 0:22:29.640
<v Speaker 2>a change in any sort of executive.

0:22:30.000 --> 0:22:33.920
<v Speaker 1>You know, I don't know. And and I've I've since

0:22:33.960 --> 0:22:37.640
<v Speaker 1>seen some of those those people, and and I've I've

0:22:37.640 --> 0:22:41.840
<v Speaker 1>asked the question many times, uh, you know from my manager,

0:22:41.960 --> 0:22:44.199
<v Speaker 1>and I don't know that there ever was like a

0:22:44.200 --> 0:22:47.720
<v Speaker 1>great answer, a great answer or a satisfying answer. Uh.

0:22:47.720 --> 0:22:51.120
<v Speaker 1>And the answer may just be like it came from

0:22:51.320 --> 0:22:54.440
<v Speaker 1>on high that they're spending this many dollars and they

0:22:54.440 --> 0:22:57.480
<v Speaker 1>need to spend this many dollars, Like I don't know,

0:22:59.760 --> 0:23:03.040
<v Speaker 1>but but yeah, it just it just it went away,

0:23:03.200 --> 0:23:05.080
<v Speaker 1>you know, And did you lose confidence?

0:23:06.640 --> 0:23:06.760
<v Speaker 2>Uh?

0:23:07.320 --> 0:23:13.879
<v Speaker 1>I had to. I had a really uh high wire

0:23:14.680 --> 0:23:19.240
<v Speaker 1>to walk because my record was still the songs that

0:23:19.240 --> 0:23:22.680
<v Speaker 1>I had done were still planning on coming out, even

0:23:22.680 --> 0:23:25.399
<v Speaker 1>though they had told me that they weren't going to

0:23:27.640 --> 0:23:30.000
<v Speaker 1>that they weren't going to move forward after that, so they.

0:23:29.920 --> 0:23:31.040
<v Speaker 2>Were going to put it out, but they were going

0:23:31.119 --> 0:23:33.280
<v Speaker 2>to put any money into promotion of it. Yeah.

0:23:33.280 --> 0:23:34.520
<v Speaker 1>It was sort of one of those things where like,

0:23:35.000 --> 0:23:39.160
<v Speaker 1>but maybe, hey, maybe if something happened to catch, then

0:23:39.160 --> 0:23:40.840
<v Speaker 1>maybe we're not going to best anything in it.

0:23:40.840 --> 0:23:43.320
<v Speaker 2>But if it happens to catch, yeah, so so now

0:23:43.480 --> 0:23:45.960
<v Speaker 2>so now I'm faced with this situation where I'm promoting

0:23:46.000 --> 0:23:46.640
<v Speaker 2>a record.

0:23:47.800 --> 0:23:52.840
<v Speaker 1>I'm my mask right is is full of of confidence

0:23:52.920 --> 0:23:57.800
<v Speaker 1>and and doing like some press stuff, you know. But

0:23:57.840 --> 0:24:02.360
<v Speaker 1>I'm just defeated, and I'm just waking up every morning wondering,

0:24:02.480 --> 0:24:05.120
<v Speaker 1>like what I'm gonna do for the rest of my life.

0:24:05.119 --> 0:24:07.880
<v Speaker 1>I mean, you think it's over, You think you think

0:24:07.880 --> 0:24:09.200
<v Speaker 1>that your dream is dead.

0:24:09.560 --> 0:24:11.719
<v Speaker 2>Did you have some money that to get you through

0:24:11.760 --> 0:24:14.439
<v Speaker 2>for a few months?

0:24:15.040 --> 0:24:17.640
<v Speaker 1>Yeah, I had a publishing deal. Okay, so you're still

0:24:17.640 --> 0:24:21.320
<v Speaker 1>writing in a pay Yeah, And then I knew that

0:24:21.400 --> 0:24:24.720
<v Speaker 1>when the so I basically didn't tell anyone, even though

0:24:24.760 --> 0:24:27.399
<v Speaker 1>I knew, I didn't tell anybody for like four months.

0:24:27.440 --> 0:24:30.359
<v Speaker 1>So that was very, very lonely because I didn't want

0:24:30.400 --> 0:24:35.560
<v Speaker 1>to say something. And then and then it changed, and

0:24:35.760 --> 0:24:38.280
<v Speaker 1>I wanted. I was worried that people wouldn't want to

0:24:38.280 --> 0:24:40.320
<v Speaker 1>write with me anymore if I wasn't as signed artist.

0:24:40.560 --> 0:24:43.280
<v Speaker 1>So I was like, I'm gonna let this play out

0:24:43.320 --> 0:24:45.439
<v Speaker 1>for as long as I can before I have to

0:24:45.760 --> 0:24:51.760
<v Speaker 1>say something, so you know it. It It went on,

0:24:52.080 --> 0:24:54.600
<v Speaker 1>and then the new year happened. I think this was

0:24:54.640 --> 0:24:59.160
<v Speaker 1>turning into twenty twenty two, and uh, and then by

0:24:59.200 --> 0:25:03.680
<v Speaker 1>publishing deal also went away, you know, and then you're

0:25:03.720 --> 0:25:07.240
<v Speaker 1>really faced with like, oh man, what am I gonna do?

0:25:08.000 --> 0:25:11.359
<v Speaker 1>You know? Somebody has I had this jinga tower and

0:25:11.400 --> 0:25:14.800
<v Speaker 1>somebody somebody kicked it over, you know, and I've got

0:25:14.840 --> 0:25:18.879
<v Speaker 1>to rebuild it. And then I thought I had a

0:25:19.000 --> 0:25:22.399
<v Speaker 1>single on an artist as a writer. I thought I

0:25:22.440 --> 0:25:26.960
<v Speaker 1>had their next single and got a call that that

0:25:27.160 --> 0:25:32.600
<v Speaker 1>wasn't happening. And that day is the day that I thought, well,

0:25:32.640 --> 0:25:34.919
<v Speaker 1>I got absolutely nothing to lose at this point, and

0:25:34.960 --> 0:25:37.960
<v Speaker 1>I sang this song called That's Why into my phone

0:25:38.480 --> 0:25:43.040
<v Speaker 1>and posted it and went to bed, and then you know,

0:25:43.440 --> 0:25:46.280
<v Speaker 1>it blew up and then my and then my life

0:25:47.200 --> 0:25:47.840
<v Speaker 1>changed again.

0:25:48.240 --> 0:25:52.040
<v Speaker 2>You know, the timeline of you being told that's not

0:25:52.080 --> 0:25:54.400
<v Speaker 2>going to be a single, but it's still cut by

0:25:54.400 --> 0:25:58.080
<v Speaker 2>the artist, so it's not gonna be the single. The

0:25:58.119 --> 0:26:01.560
<v Speaker 2>timeline of being told that and recording this was was.

0:26:01.640 --> 0:26:03.639
<v Speaker 1>What the song was recorded?

0:26:03.760 --> 0:26:05.760
<v Speaker 2>No, no, no, I'm trying to figure out when you're

0:26:05.760 --> 0:26:08.280
<v Speaker 2>told it's not the single anymore. And that's crushing because

0:26:08.760 --> 0:26:11.320
<v Speaker 2>that's where the money is. Yeah, So when you record

0:26:11.359 --> 0:26:13.479
<v Speaker 2>a song into your phone, is it same? You say

0:26:13.640 --> 0:26:15.560
<v Speaker 2>the same day, week and week?

0:26:15.800 --> 0:26:18.520
<v Speaker 1>Uh, I'm not. I'm not sure. I'm totally understanding the question.

0:26:18.600 --> 0:26:20.480
<v Speaker 1>Are you talking about this? I'm calling you right now.

0:26:20.600 --> 0:26:23.159
<v Speaker 2>Hey, I'm artist, I'm I'm Jimmy Jams, and we're not

0:26:23.280 --> 0:26:26.080
<v Speaker 2>I'm not cutting your song as a single and you're

0:26:26.119 --> 0:26:26.800
<v Speaker 2>now heartbroken.

0:26:26.840 --> 0:26:30.040
<v Speaker 1>When do you record the song that goes viral? Okay? Gotcha?

0:26:30.160 --> 0:26:35.480
<v Speaker 1>So the song that went viral I had I had

0:26:35.480 --> 0:26:37.800
<v Speaker 1>written just with some friends of mine, so it was

0:26:37.840 --> 0:26:40.679
<v Speaker 1>like it was like a demo. Uh, and I just

0:26:41.760 --> 0:26:43.760
<v Speaker 1>that's what I posted was just it was like a

0:26:43.800 --> 0:26:47.359
<v Speaker 1>piano vocal It wasn't even you singing. It was me singing.

0:26:47.400 --> 0:26:49.640
<v Speaker 1>But it wasn't like the fool. It wasn't a full

0:26:49.680 --> 0:26:53.320
<v Speaker 1>on record, right, I was it that night? Uh? That song?

0:26:53.560 --> 0:26:54.960
<v Speaker 1>I don't know. It was a few months old. No,

0:26:55.080 --> 0:26:56.840
<v Speaker 1>the song, the song had just been sitting with me.

0:26:57.320 --> 0:27:01.320
<v Speaker 2>I'm not asking the question right from being told you're

0:27:01.359 --> 0:27:03.320
<v Speaker 2>not the single to you getting on your phone and

0:27:03.359 --> 0:27:04.600
<v Speaker 2>recording that on TikTok.

0:27:05.240 --> 0:27:10.800
<v Speaker 1>Different songs, correct, Yeah, yeah, but what what's the what's

0:27:10.840 --> 0:27:12.760
<v Speaker 1>the time difference in them going up? This is not

0:27:12.800 --> 0:27:14.720
<v Speaker 1>a single, and you're going, okay, screwed, I'm just gonna

0:27:14.720 --> 0:27:18.240
<v Speaker 1>sing on TikTok two hours? That is my point.

0:27:18.440 --> 0:27:21.760
<v Speaker 2>Yeah, that was exactly what I was leading it up too,

0:27:22.200 --> 0:27:25.360
<v Speaker 2>freaking hours. Yeah, and that's I think that's also why

0:27:25.359 --> 0:27:29.879
<v Speaker 2>I was so confusing, because that's almost like alien abnormal.

0:27:29.400 --> 0:27:33.000
<v Speaker 1>Type stuff totally doesn't make sense, doesn't make sense, doesn't

0:27:33.040 --> 0:27:33.520
<v Speaker 1>make sense.

0:27:33.640 --> 0:27:36.320
<v Speaker 2>So you record it, Yeah, you go to bed, you

0:27:36.359 --> 0:27:38.439
<v Speaker 2>wake up, you're like, well how about that? Well I

0:27:38.440 --> 0:27:42.240
<v Speaker 2>guess like this what happens then? Does anybody like slide

0:27:42.280 --> 0:27:45.119
<v Speaker 2>into the DMS to go, hey, I like your sound,

0:27:45.320 --> 0:27:46.840
<v Speaker 2>or do you let it build for a again?

0:27:46.880 --> 0:27:52.000
<v Speaker 1>Because it doesn't just stop right. So at that point

0:27:52.200 --> 0:27:55.120
<v Speaker 1>I was like, all right, I gotta put this song out. Yea, yeah,

0:27:55.160 --> 0:27:57.119
<v Speaker 1>there's some like logistical things I gotta figure out to

0:27:57.160 --> 0:28:00.720
<v Speaker 1>do that. Maybe maybe three weeks later the song out

0:28:01.040 --> 0:28:05.080
<v Speaker 1>far and away like the biggest release of my career.

0:28:05.200 --> 0:28:10.359
<v Speaker 1>Did it stream dude like crazy? It was like you

0:28:10.400 --> 0:28:14.199
<v Speaker 1>know iTunes downloads, It was on the it was on

0:28:14.240 --> 0:28:16.479
<v Speaker 1>the chart. I mean, it was the thing I'd always

0:28:16.560 --> 0:28:21.760
<v Speaker 1>dreamed of happening, and here it is happening to me

0:28:22.000 --> 0:28:23.959
<v Speaker 1>and I and I owned it all. I mean that

0:28:24.040 --> 0:28:26.040
<v Speaker 1>was that was the craziest part. If this would have

0:28:26.119 --> 0:28:29.600
<v Speaker 1>happened six months earlier, it would have been it still

0:28:29.600 --> 0:28:34.119
<v Speaker 1>would have been life changing, but it was. It was

0:28:34.200 --> 0:28:38.560
<v Speaker 1>life changing to me financially when it happened, because it

0:28:38.880 --> 0:28:41.800
<v Speaker 1>I was, as we've just been over, like, I was

0:28:41.840 --> 0:28:46.760
<v Speaker 1>not necessarily in a great position to uh to uh

0:28:46.840 --> 0:28:49.720
<v Speaker 1>have a career in the music industry at that point,

0:28:49.760 --> 0:28:50.960
<v Speaker 1>What did you think your options were?

0:28:51.000 --> 0:28:52.920
<v Speaker 2>As soon as they said hey, because it feels like

0:28:53.320 --> 0:28:56.360
<v Speaker 2>your last life draft at that time was the single

0:28:56.400 --> 0:28:58.800
<v Speaker 2>that was probably going to be cut by artists, Well,

0:28:58.920 --> 0:29:01.480
<v Speaker 2>what did you think your option were once they said

0:29:01.480 --> 0:29:02.360
<v Speaker 2>that wasn't happening.

0:29:03.120 --> 0:29:06.400
<v Speaker 1>I think I'd gone through the thought work of being

0:29:07.680 --> 0:29:12.400
<v Speaker 1>so low for so long. You have moving home, No,

0:29:12.520 --> 0:29:18.400
<v Speaker 1>I didn't because my wife, I very vividly remember, we

0:29:18.440 --> 0:29:22.680
<v Speaker 1>went out to Utah. We went to like, what's the

0:29:22.680 --> 0:29:24.320
<v Speaker 1>one with the I think it's called Arches. I was

0:29:24.320 --> 0:29:27.880
<v Speaker 1>gonna say the one with the arches, but Arches? And uh,

0:29:28.000 --> 0:29:30.600
<v Speaker 1>you drive from Salt Lake, it's like a four hour drive.

0:29:31.080 --> 0:29:34.840
<v Speaker 1>And I was like, look, I don't know, like, I

0:29:34.880 --> 0:29:36.400
<v Speaker 1>don't know, I don't know if I can keep doing this,

0:29:36.640 --> 0:29:39.280
<v Speaker 1>Like I I don't know if I have it in

0:29:39.320 --> 0:29:44.959
<v Speaker 1>me to keep going. And uh. And she told me,

0:29:45.040 --> 0:29:47.960
<v Speaker 1>she was like, look, you're you're too good and you're

0:29:48.000 --> 0:29:50.720
<v Speaker 1>too close to give up. Now you you have to

0:29:50.800 --> 0:29:51.320
<v Speaker 1>keep going.

0:29:51.640 --> 0:29:53.840
<v Speaker 2>What's funny about you saying that is the fact that

0:29:53.840 --> 0:29:55.840
<v Speaker 2>she could see how close you were, but you felt

0:29:55.880 --> 0:29:59.680
<v Speaker 2>so far away at the exact same time.

0:30:00.160 --> 0:30:02.840
<v Speaker 1>Yeah, and and and there have been many times since

0:30:02.880 --> 0:30:08.160
<v Speaker 1>then where you know she's believed in me. You you

0:30:08.240 --> 0:30:13.240
<v Speaker 1>need you need that belief. I'm I'm so lucky to

0:30:13.360 --> 0:30:16.720
<v Speaker 1>have people in my in my life like that, and

0:30:16.720 --> 0:30:21.040
<v Speaker 1>and and ultimately, you know, you gotta believe in yourself

0:30:21.280 --> 0:30:23.120
<v Speaker 1>and that can be the hardest one. That can be

0:30:23.160 --> 0:30:24.920
<v Speaker 1>the hardest one to find of all. I think some

0:30:24.960 --> 0:30:30.160
<v Speaker 1>of it though, is that you look like Jesus. Get

0:30:30.200 --> 0:30:31.440
<v Speaker 1>It's like people are just like, you know what, the

0:30:31.480 --> 0:30:34.200
<v Speaker 1>guy looks like Jesus. Let's say, let's give a song

0:30:34.240 --> 0:30:37.680
<v Speaker 1>a stream. Yeah, I get, I get Jesus and uh

0:30:37.840 --> 0:30:43.440
<v Speaker 1>and diet Ryan heard a lot wish Yeah.

0:30:43.080 --> 0:30:46.000
<v Speaker 2>That's funny. I'm I'm really good friends of Ryan. I

0:30:46.000 --> 0:30:47.000
<v Speaker 2>was text about them last night.

0:30:47.120 --> 0:30:48.800
<v Speaker 1>Yeah. He just put out a record that's really good.

0:30:48.880 --> 0:30:51.600
<v Speaker 1>It's so great. Uh you wrote on did you write

0:30:51.640 --> 0:30:53.040
<v Speaker 1>in that one? I didn't write on that one. I

0:30:53.080 --> 0:30:55.080
<v Speaker 1>wrote in the one before. What'd you write for him before?

0:30:55.520 --> 0:30:56.200
<v Speaker 1>What are you drinking?

0:30:56.440 --> 0:30:58.600
<v Speaker 2>That's a good one too. I'm big Ryan fans, so yeah,

0:30:58.680 --> 0:31:01.320
<v Speaker 2>so same. I know all of ustuff just because we're friends.

0:31:01.320 --> 0:31:02.920
<v Speaker 2>And if I don't, he quiz me and then I'll

0:31:02.920 --> 0:31:03.440
<v Speaker 2>be a loser.

0:31:03.440 --> 0:31:06.360
<v Speaker 1>But that's a great song. Yeah.

0:31:06.680 --> 0:31:09.720
<v Speaker 2>So I was looking through some of the cuts Ryan

0:31:10.800 --> 0:31:18.080
<v Speaker 2>Don't don't don't don't tell me, okay, Cody Johnson, Yeah,

0:31:18.680 --> 0:31:19.560
<v Speaker 2>I don't know what was a song?

0:31:19.680 --> 0:31:21.960
<v Speaker 1>Wished it was you. It's some of the record that

0:31:22.040 --> 0:31:25.720
<v Speaker 1>just came out. How so not a single.

0:31:25.760 --> 0:31:30.120
<v Speaker 2>But how does Cody's albums, he's a big artist do well. Yeah, yeah, yeah,

0:31:30.240 --> 0:31:32.760
<v Speaker 2>And it's hard to make money if your song is

0:31:32.800 --> 0:31:35.320
<v Speaker 2>not a single. But are you are you seeing anything

0:31:35.360 --> 0:31:37.840
<v Speaker 2>off of that not being a single?

0:31:37.880 --> 0:31:39.640
<v Speaker 1>But because of Cody and Heed does stream so well,

0:31:40.320 --> 0:31:44.600
<v Speaker 1>I think I will. It's it's like for those people

0:31:44.640 --> 0:31:47.440
<v Speaker 1>that that don't know that there's a there's a long

0:31:47.520 --> 0:31:50.440
<v Speaker 1>there's a pretty a lot of lag time in between

0:31:50.720 --> 0:31:53.680
<v Speaker 1>when a song comes out. I think that record came

0:31:53.720 --> 0:31:57.200
<v Speaker 1>out in the fall, and so I haven't even seen

0:31:58.000 --> 0:32:02.560
<v Speaker 1>you know it had It'll be whatever June quarter is

0:32:02.880 --> 0:32:09.280
<v Speaker 1>before I see any other not Creed Nickelback, Nickelback, Yeah,

0:32:09.360 --> 0:32:13.800
<v Speaker 1>it's pretty crazy. That was a weird one. Please uh

0:32:15.360 --> 0:32:19.200
<v Speaker 1>long story short? I want I want long story mid

0:32:19.280 --> 0:32:23.920
<v Speaker 1>at least. Yeah. So I I my publisher at the time,

0:32:24.080 --> 0:32:28.560
<v Speaker 1>This guy named will Overton uh he uh was over

0:32:28.720 --> 0:32:31.920
<v Speaker 1>at Warner Chapel and he got an email from somebody

0:32:32.040 --> 0:32:35.760
<v Speaker 1>who was working with Nickelback and they were looking for songs.

0:32:36.520 --> 0:32:38.680
<v Speaker 1>I don't even remember what the prompt was. What the

0:32:38.720 --> 0:32:40.640
<v Speaker 1>prompt was was not what the song was about.

0:32:41.000 --> 0:32:43.800
<v Speaker 2>So you didn't have this song already to give them

0:32:43.880 --> 0:32:46.480
<v Speaker 2>they gave you the prompt for something they were looking

0:32:46.520 --> 0:32:48.080
<v Speaker 2>to have, so you went and wrote it.

0:32:48.600 --> 0:32:51.800
<v Speaker 1>No, the song was written. Somebody reached out to my

0:32:51.800 --> 0:32:54.680
<v Speaker 1>publisher and said, we're looking for songs like this, do

0:32:54.720 --> 0:32:57.400
<v Speaker 1>you have anything got it? So my publisher put together

0:32:58.280 --> 0:33:00.280
<v Speaker 1>a link of like I think it was a six

0:33:00.320 --> 0:33:02.640
<v Speaker 1>songs and just send it over. And this happens all

0:33:02.680 --> 0:33:05.640
<v Speaker 1>the time, and it never works. Never. It's like an audition.

0:33:05.760 --> 0:33:08.880
<v Speaker 1>It never happened. You never get the audition and projecting

0:33:08.880 --> 0:33:12.160
<v Speaker 1>because I never get the audition. Yeah, yeah, uh. And

0:33:12.240 --> 0:33:16.120
<v Speaker 1>I think it was probably six weeks later he gets

0:33:16.120 --> 0:33:22.240
<v Speaker 1>an email or a call and it says, hey, this song,

0:33:23.480 --> 0:33:28.360
<v Speaker 1>this is Chad's favorite song. He loves this song. And

0:33:28.720 --> 0:33:33.000
<v Speaker 1>so Will called me and told me that, and I'm like, okay,

0:33:33.800 --> 0:33:36.680
<v Speaker 1>like what what does this even mean? He's like, I

0:33:36.680 --> 0:33:38.840
<v Speaker 1>have no idea. Oh that was it.

0:33:38.880 --> 0:33:42.040
<v Speaker 2>There was no no other It was just his favorite song.

0:33:42.080 --> 0:33:43.120
<v Speaker 2>It's not like, hey, he's.

0:33:43.000 --> 0:33:44.720
<v Speaker 1>Gonna cut it. Hey Ha's cutting Yeah. I mean at

0:33:44.720 --> 0:33:46.600
<v Speaker 1>that point you're like, I think he's going to cut it. Yeah,

0:33:46.600 --> 0:33:48.360
<v Speaker 1>but it's just right now, just he likes it. He

0:33:48.520 --> 0:33:51.160
<v Speaker 1>likes it. Yeah, So all right, we're dancing we're at

0:33:51.160 --> 0:33:53.760
<v Speaker 1>the dance. It's a good spot to be. Two and

0:33:53.760 --> 0:33:57.080
<v Speaker 1>a half years ago, by holy so, I think I'm

0:33:57.520 --> 0:34:00.600
<v Speaker 1>you know, I've moved on. You know. I had this

0:34:00.600 --> 0:34:02.600
<v Speaker 1>this like jet ski in my mind that I was

0:34:02.640 --> 0:34:06.800
<v Speaker 1>going to buy with that money and and uh and uh,

0:34:07.120 --> 0:34:10.520
<v Speaker 1>you know that dream had died and then uh it

0:34:10.560 --> 0:34:15.319
<v Speaker 1>was Yeah, it was like after I was on the road.

0:34:15.360 --> 0:34:19.640
<v Speaker 1>I was driving back from a show in Houston, I think,

0:34:21.000 --> 0:34:24.719
<v Speaker 1>you know then like a Walmart and like, uh, little

0:34:24.800 --> 0:34:26.560
<v Speaker 1>rock or something, and I could just get a text

0:34:26.560 --> 0:34:30.080
<v Speaker 1>and it's the song the File Bady cut and they

0:34:30.080 --> 0:34:31.600
<v Speaker 1>sat the file had cut it, and then and he

0:34:31.840 --> 0:34:34.160
<v Speaker 1>and and Chad came in and like he he had

0:34:34.200 --> 0:34:37.640
<v Speaker 1>like tweaked a couple of things and uh and yeah

0:34:37.680 --> 0:34:39.520
<v Speaker 1>and then that was the song. And it was like,

0:34:39.600 --> 0:34:43.920
<v Speaker 1>I mean, it was crazy because uh, Nickelback's Silver Side

0:34:44.000 --> 0:34:46.920
<v Speaker 1>Up was the second record I ever bought, you know,

0:34:47.000 --> 0:34:51.600
<v Speaker 1>when I was twelve, and everybody had it. It was

0:34:51.719 --> 0:34:52.440
<v Speaker 1>it's a great record.

0:34:52.480 --> 0:34:53.280
<v Speaker 3>It's a great record.

0:34:53.440 --> 0:34:54.760
<v Speaker 1>Yeah, they have great songs.

0:34:54.800 --> 0:34:58.400
<v Speaker 2>And I am a hater of Nickelback haters.

0:34:58.600 --> 0:35:00.480
<v Speaker 1>You don't have to be Nickelback lover, but there's no

0:35:00.560 --> 0:35:02.359
<v Speaker 1>reason to being a Nickelback hater. It's just because they

0:35:02.400 --> 0:35:05.840
<v Speaker 1>make good freaking music. Dude, people hate stuff it's popular,

0:35:06.120 --> 0:35:08.080
<v Speaker 1>you know. I think that's all it is. I just

0:35:08.160 --> 0:35:11.600
<v Speaker 1>had I was just talking to h to a chief

0:35:11.600 --> 0:35:15.040
<v Speaker 1>who's who's was was their manager and is now their

0:35:15.080 --> 0:35:19.080
<v Speaker 1>manager again, and uh, and yeah, it's just it's just

0:35:19.080 --> 0:35:21.760
<v Speaker 1>one of those things. You know. Every everybody hated FGL

0:35:21.840 --> 0:35:24.160
<v Speaker 1>for a while for for some reason, you know, and

0:35:24.640 --> 0:35:27.080
<v Speaker 1>my personal reasons. But yes, I understood that.

0:35:27.200 --> 0:35:30.640
<v Speaker 2>Yeah, Coldplay, if you get so big, you get corny,

0:35:30.920 --> 0:35:31.560
<v Speaker 2>even if you're not.

0:35:31.920 --> 0:35:32.240
<v Speaker 1>Yeah.

0:35:32.280 --> 0:35:34.439
<v Speaker 2>My question has been and I've asked that a couple

0:35:34.440 --> 0:35:37.640
<v Speaker 2>of times to friends and even on this podcast, Like

0:35:38.160 --> 0:35:41.359
<v Speaker 2>I'm waiting for Morgan Wallen to get corny, even if

0:35:41.360 --> 0:35:44.720
<v Speaker 2>nothing changes with what he does. You reach a level

0:35:44.840 --> 0:35:49.200
<v Speaker 2>of popularity where it doesn't matter how great you can be,

0:35:49.480 --> 0:35:54.600
<v Speaker 2>sustained greatness. But once you hit this level of so

0:35:54.760 --> 0:35:58.319
<v Speaker 2>many people love you, then it's corny to also be

0:35:58.440 --> 0:36:01.040
<v Speaker 2>one of the people that loves you. Yeah, and so

0:36:01.120 --> 0:36:03.839
<v Speaker 2>it's I wonder when Morgan Walling gets corny And he's

0:36:03.880 --> 0:36:06.520
<v Speaker 2>not there yet. But if you it's just a popular

0:36:06.600 --> 0:36:09.080
<v Speaker 2>When you get so popular, yeah, you get a bit

0:36:09.160 --> 0:36:11.040
<v Speaker 2>corny only because you're so popular.

0:36:11.360 --> 0:36:15.320
<v Speaker 1>Yeah, well, it becomes the It almost like the potency

0:36:15.360 --> 0:36:17.479
<v Speaker 1>of what you're doing almost gets deluded because so many

0:36:17.520 --> 0:36:19.719
<v Speaker 1>people start doing it as well. I mean you see

0:36:19.760 --> 0:36:23.680
<v Speaker 1>you see it happening right now with Morgan, you know,

0:36:23.960 --> 0:36:26.280
<v Speaker 1>I mean a lot of people are chasing that sound

0:36:26.360 --> 0:36:29.480
<v Speaker 1>and it's a great sound. So so I understand it.

0:36:30.520 --> 0:36:42.960
<v Speaker 5>The Bobby cast will be right back. This is the

0:36:43.000 --> 0:36:44.960
<v Speaker 5>Bobby Cast.

0:36:44.480 --> 0:36:47.360
<v Speaker 2>And I could even understand why people would go out, Well,

0:36:47.560 --> 0:36:49.840
<v Speaker 2>that doesn't feel nice, like you're saying Morgan Wallan's corny. No,

0:36:49.880 --> 0:36:52.200
<v Speaker 2>I'm saying I'm using Morgan Wallen as the standard of

0:36:52.760 --> 0:36:56.120
<v Speaker 2>when you look at massive acts, Yeah, who got so

0:36:56.320 --> 0:36:58.759
<v Speaker 2>big and so many people love them that it was

0:36:58.800 --> 0:37:01.000
<v Speaker 2>no longer cool to be one of the people that

0:37:01.040 --> 0:37:03.840
<v Speaker 2>love them because so many people love them that you're

0:37:04.120 --> 0:37:05.520
<v Speaker 2>just part of the herd, and nobody wants to be

0:37:05.600 --> 0:37:08.920
<v Speaker 2>part of the herd. Yeah, And so it's cool to

0:37:08.920 --> 0:37:14.439
<v Speaker 2>see Morgan. It's cool to see like Zach Bryan. It's

0:37:14.480 --> 0:37:20.000
<v Speaker 2>cool to see Luke Combs not be corny yet and

0:37:20.400 --> 0:37:23.520
<v Speaker 2>be able to do stadiums. Yeah, because that's about the

0:37:23.560 --> 0:37:25.880
<v Speaker 2>time when you become so popular people feel like I

0:37:25.920 --> 0:37:28.399
<v Speaker 2>don't want to be a fan anymore because everybody loves them.

0:37:28.719 --> 0:37:30.840
<v Speaker 1>Yeah, it's kind of hard to imagine, Like, was Tom

0:37:30.880 --> 0:37:34.160
<v Speaker 1>Petty corny at some point? Did that happen?

0:37:34.480 --> 0:37:36.560
<v Speaker 2>It's dude, First of all, I love Tom Petty like

0:37:36.600 --> 0:37:38.600
<v Speaker 2>that is like my favorite. I was watching a TikTok

0:37:38.680 --> 0:37:41.719
<v Speaker 2>last night because I'm on Tom Petty TikTok like I

0:37:41.880 --> 0:37:42.279
<v Speaker 2>used to be.

0:37:42.880 --> 0:37:44.360
<v Speaker 1>It's one of the best places to be.

0:37:44.480 --> 0:37:47.440
<v Speaker 2>Yeah, and so, oh, we're gonna side really on this

0:37:47.480 --> 0:37:49.919
<v Speaker 2>one for a second. So Tom Petty to me top

0:37:49.960 --> 0:37:52.719
<v Speaker 2>three Grace American rock artists of all time. I say

0:37:52.719 --> 0:37:54.400
<v Speaker 2>American because you can go through the debate. I did

0:37:54.480 --> 0:37:56.200
<v Speaker 2>have Ringo Star here a few weeks ago. It was awesome.

0:37:56.200 --> 0:37:59.799
<v Speaker 1>Wow. Yeah, I hit with everybody rub that in there.

0:38:00.440 --> 0:38:06.839
<v Speaker 2>So Tom Petty was talking about how if he went

0:38:06.840 --> 0:38:11.760
<v Speaker 2>to watch Ray Charles, he would want to hear Ray Charles.

0:38:11.840 --> 0:38:11.920
<v Speaker 1>Do.

0:38:13.600 --> 0:38:17.000
<v Speaker 2>I forget what song he said specifically, but what I said,

0:38:17.360 --> 0:38:20.440
<v Speaker 2>whatever song it was, Yeah, and he said, I know

0:38:20.520 --> 0:38:23.600
<v Speaker 2>he started playing that thing after fifty years, but if

0:38:24.560 --> 0:38:27.719
<v Speaker 2>he doesn't play it, I'm disappointed. Yeah, And he said,

0:38:27.760 --> 0:38:31.480
<v Speaker 2>I have three songs that I feel that way about.

0:38:33.080 --> 0:38:36.640
<v Speaker 2>And so I paused it because I'm insane in my head,

0:38:36.840 --> 0:38:39.239
<v Speaker 2>and so I played a trivia game with myself. We're

0:38:39.280 --> 0:38:40.680
<v Speaker 2>the only person that could win or lose with me,

0:38:41.000 --> 0:38:43.239
<v Speaker 2>and so I tried to guess the three songs that

0:38:43.280 --> 0:38:45.440
<v Speaker 2>Tom Petty was about to say that they expect him

0:38:45.440 --> 0:38:48.120
<v Speaker 2>to play at every show, And before he even said

0:38:48.120 --> 0:38:50.360
<v Speaker 2>the songs, he said, I played them at every show.

0:38:51.480 --> 0:38:53.680
<v Speaker 2>I don't mess a lot with the melodies, but I

0:38:53.719 --> 0:38:55.520
<v Speaker 2>try to put them in places that excites me, and

0:38:55.560 --> 0:38:56.960
<v Speaker 2>I try to put them up as a part of

0:38:57.000 --> 0:38:58.839
<v Speaker 2>things that can still excite me because I don't get

0:38:58.880 --> 0:39:01.760
<v Speaker 2>excited about playing them because I've played him so many times.

0:39:01.960 --> 0:39:03.400
<v Speaker 1>Yeah, he wasn't the second.

0:39:03.160 --> 0:39:06.920
<v Speaker 2>They weren't great, and I can understand that. On like

0:39:06.960 --> 0:39:08.799
<v Speaker 2>the radio side, we do a segment. It's called tell

0:39:08.840 --> 0:39:10.480
<v Speaker 2>Me something Good. We've done our fifteen years, we'd it

0:39:10.480 --> 0:39:12.200
<v Speaker 2>four times a day. I can never do it again

0:39:12.239 --> 0:39:13.960
<v Speaker 2>to be the happiest person ever in my life. But

0:39:14.040 --> 0:39:17.279
<v Speaker 2>it tests so well, it researches so well. I go

0:39:17.400 --> 0:39:20.400
<v Speaker 2>places and people sing the jingle to me, and so

0:39:20.480 --> 0:39:23.040
<v Speaker 2>I owe it if people like it, to keep doing it.

0:39:23.200 --> 0:39:24.280
<v Speaker 1>Yeah, totally.

0:39:25.480 --> 0:39:29.160
<v Speaker 2>So I'm not Tom Petty close, No, not at all,

0:39:29.200 --> 0:39:31.319
<v Speaker 2>But I can understand in that way where it's like

0:39:31.640 --> 0:39:33.200
<v Speaker 2>one of the things that people say the most to

0:39:33.239 --> 0:39:35.399
<v Speaker 2>me and that they love the most. I don't really

0:39:35.440 --> 0:39:38.799
<v Speaker 2>like doing yeah, but I used to love doing it,

0:39:39.000 --> 0:39:41.600
<v Speaker 2>and I understand why people like it, and repetition is

0:39:41.640 --> 0:39:44.160
<v Speaker 2>going to warm me out. So with Tom Petty, what

0:39:44.200 --> 0:39:45.600
<v Speaker 2>do you think that three songs are?

0:39:46.000 --> 0:39:51.919
<v Speaker 1>Uh, American Girl, free fall In, and I'm gonna guess

0:39:51.920 --> 0:39:56.000
<v Speaker 1>won't back down all three? I would have said, probably

0:39:56.000 --> 0:39:58.160
<v Speaker 1>because he has so many songs. Yeah. The three that

0:39:58.239 --> 0:39:59.240
<v Speaker 1>he said were.

0:40:00.719 --> 0:40:06.040
<v Speaker 2>Last Dance, Mary Jane, Yeah, free Falling and Renegade Renegade,

0:40:06.920 --> 0:40:09.640
<v Speaker 2>and he said he just had no interest in playing

0:40:09.680 --> 0:40:12.480
<v Speaker 2>them anymore, and he thought they were great when he

0:40:12.520 --> 0:40:15.080
<v Speaker 2>wrote them, but when they would show up, people are like,

0:40:15.120 --> 0:40:15.600
<v Speaker 2>oh my god.

0:40:15.600 --> 0:40:18.160
<v Speaker 1>So we had to find ways to make it, could

0:40:18.239 --> 0:40:20.560
<v Speaker 1>keep it interesting, to keep it interesting to him. Yeah,

0:40:20.680 --> 0:40:21.680
<v Speaker 1>there would be times too.

0:40:22.320 --> 0:40:24.359
<v Speaker 2>By the way, this is why I enjoy you over

0:40:24.360 --> 0:40:25.919
<v Speaker 2>here because I feel like we can just talk music,

0:40:25.960 --> 0:40:26.680
<v Speaker 2>which is nice.

0:40:26.840 --> 0:40:27.120
<v Speaker 1>Yeah.

0:40:27.200 --> 0:40:29.759
<v Speaker 2>Also because you're like a savant like Berkeley, and then

0:40:29.760 --> 0:40:31.840
<v Speaker 2>you're like super genius and I'm not near smartest you,

0:40:31.840 --> 0:40:33.239
<v Speaker 2>so I can ask you things and get smarter like

0:40:33.239 --> 0:40:34.160
<v Speaker 2>I like being around.

0:40:33.920 --> 0:40:34.400
<v Speaker 1>People like that.

0:40:34.960 --> 0:40:41.080
<v Speaker 2>So there are artists that I love and have been

0:40:41.120 --> 0:40:43.520
<v Speaker 2>to their shows, and as similar thing has happened when

0:40:43.560 --> 0:40:45.200
<v Speaker 2>they've played a song so many times where they start

0:40:45.400 --> 0:40:48.360
<v Speaker 2>messing with the melodies and changing.

0:40:48.080 --> 0:40:50.920
<v Speaker 1>The words a little bit. I don't like that. Yeah,

0:40:51.000 --> 0:40:52.200
<v Speaker 1>I understand that.

0:40:52.560 --> 0:40:54.719
<v Speaker 2>And you can do like Creep from Radiohead, when they

0:40:54.760 --> 0:40:55.960
<v Speaker 2>just stop playing it for a decade.

0:40:56.280 --> 0:40:57.759
<v Speaker 1>Well, yeah, you get tired of it.

0:40:57.680 --> 0:41:00.959
<v Speaker 2>For sure, But it's to have the awareness like Tom

0:41:00.960 --> 0:41:05.799
<v Speaker 2>Petty's awareness of I'm so tired of this. But let

0:41:05.800 --> 0:41:09.080
<v Speaker 2>me put myself as a fan, and if I were

0:41:09.080 --> 0:41:11.440
<v Speaker 2>at a Ray Charles show, I would want to hear

0:41:11.480 --> 0:41:14.200
<v Speaker 2>that song even though I know he feels how I feel,

0:41:14.440 --> 0:41:15.399
<v Speaker 2>so he kept playing it.

0:41:15.520 --> 0:41:19.239
<v Speaker 1>Garth does the same thing. Yeah, Garth plays all the hits. Yeah,

0:41:19.960 --> 0:41:22.080
<v Speaker 1>you know he's tired of it. You know as an artist,

0:41:22.440 --> 0:41:28.200
<v Speaker 1>you being an artist, you want to play new, fun, creative, fulfilling,

0:41:29.040 --> 0:41:32.160
<v Speaker 1>exciting things. You want to go where that excitement is.

0:41:32.200 --> 0:41:35.400
<v Speaker 1>But but you think the thing that that that I

0:41:36.320 --> 0:41:39.880
<v Speaker 1>always try and remember with with That's why, for example,

0:41:39.880 --> 0:41:44.359
<v Speaker 1>I played that song so many times, but I know

0:41:45.160 --> 0:41:50.120
<v Speaker 1>I know that it means a lot to people. And

0:41:50.160 --> 0:41:52.520
<v Speaker 1>I know, I know that there are people coming to

0:41:52.560 --> 0:41:56.919
<v Speaker 1>that to my show because it was their first dance

0:41:56.960 --> 0:42:00.360
<v Speaker 1>at their wedding or or it was playing for you know,

0:42:00.400 --> 0:42:03.000
<v Speaker 1>when they got engaged or whatever that is. It's it's

0:42:03.040 --> 0:42:07.480
<v Speaker 1>their songs. So I know that I I, you know,

0:42:08.560 --> 0:42:14.040
<v Speaker 1>I'm super grateful for the opportunity to like have created

0:42:14.440 --> 0:42:15.400
<v Speaker 1>something meaningful.

0:42:15.960 --> 0:42:18.920
<v Speaker 2>I to remind myself to be grateful because I think

0:42:19.160 --> 0:42:20.640
<v Speaker 2>it's easy for me to forget. And it's not like

0:42:20.680 --> 0:42:22.560
<v Speaker 2>I'm working at the mill like my stepdad, But it's

0:42:22.600 --> 0:42:24.359
<v Speaker 2>easy to forget because we're in our own little world.

0:42:24.400 --> 0:42:27.040
<v Speaker 2>We're trying to create ten thousand things at once. And

0:42:27.120 --> 0:42:29.640
<v Speaker 2>is this good as as bad? Where all of our

0:42:29.719 --> 0:42:34.840
<v Speaker 2>insecurity security is based on the feedback of people by consuming.

0:42:35.760 --> 0:42:38.080
<v Speaker 2>It's a nutty world, right, Like a screw's got to

0:42:38.120 --> 0:42:39.080
<v Speaker 2>be off for us to do this.

0:42:39.200 --> 0:42:47.000
<v Speaker 1>Hopefully it's the right screw. And so the fact that.

0:42:48.400 --> 0:42:50.759
<v Speaker 2>Tom Petty had the awareness to make him a fan,

0:42:50.920 --> 0:42:53.520
<v Speaker 2>to keep him from being good to his fans was

0:42:53.600 --> 0:42:56.239
<v Speaker 2>so freaking cool to me because he is He's at

0:42:56.280 --> 0:42:57.080
<v Speaker 2>the top of the mountain.

0:42:57.640 --> 0:43:01.560
<v Speaker 1>Yeah, same man, I mean, he's he's the guy you know,

0:43:02.160 --> 0:43:06.640
<v Speaker 1>and like reading, uh, conversations with Tom Petty. I don't

0:43:06.640 --> 0:43:08.319
<v Speaker 1>know if you've you've ever picked that up, but it's

0:43:09.000 --> 0:43:12.080
<v Speaker 1>it's just a collection of things he said in interviews,

0:43:12.120 --> 0:43:15.600
<v Speaker 1>you know, and it's it's it's it's inspiring to read,

0:43:15.680 --> 0:43:17.839
<v Speaker 1>you know. I mean, he's just a guy like everybody else,

0:43:17.880 --> 0:43:20.160
<v Speaker 1>but he he was tapped into something.

0:43:20.320 --> 0:43:26.200
<v Speaker 2>R be hypocritical wrophin am when Bob Dylan went acoustic

0:43:26.320 --> 0:43:29.000
<v Speaker 2>to electric, Yeah, it's exact opposite, right.

0:43:29.239 --> 0:43:31.080
<v Speaker 1>Well, I was I was going to bring that up,

0:43:31.120 --> 0:43:35.200
<v Speaker 1>you know, you think about like, uh, somebody like a

0:43:35.320 --> 0:43:37.879
<v Speaker 1>uh like a like a Bob Dylan or and Neil

0:43:37.960 --> 0:43:40.440
<v Speaker 1>Young that just they're playing shows and they don't care,

0:43:40.840 --> 0:43:45.880
<v Speaker 1>and they're they're changing their songs completely. They're kind of

0:43:47.040 --> 0:43:49.000
<v Speaker 1>I think. I think a lot of creativity is just

0:43:49.040 --> 0:43:56.720
<v Speaker 1>sort of chasing, chasing this undefinable and attainable thing. And

0:43:56.760 --> 0:43:59.400
<v Speaker 1>maybe that's what they got to do to keep to

0:43:59.480 --> 0:44:04.160
<v Speaker 1>keep doing it. And uh, and that's that's what they've

0:44:04.239 --> 0:44:05.000
<v Speaker 1>chosen to do.

0:44:05.160 --> 0:44:09.480
<v Speaker 2>It's a courage and a confidence. Yeah, because I saw

0:44:09.480 --> 0:44:10.960
<v Speaker 2>Arim once. They never played a hit. It was the

0:44:10.960 --> 0:44:13.560
<v Speaker 2>worst experience in my life. And I love r Em. Yeah,

0:44:13.600 --> 0:44:17.880
<v Speaker 2>they played an entire new record. I hated that show.

0:44:18.880 --> 0:44:22.200
<v Speaker 2>I respect that show. Yeah, because they knew everybody was

0:44:22.239 --> 0:44:22.759
<v Speaker 2>gonna hate it.

0:44:22.880 --> 0:44:25.520
<v Speaker 1>That's tough. They had to do it, I guess.

0:44:25.640 --> 0:44:29.040
<v Speaker 2>But if Michael Stipe got famous, because again he has

0:44:29.080 --> 0:44:32.240
<v Speaker 2>a couple of screws loose, they're the right screws rim

0:44:32.800 --> 0:44:38.520
<v Speaker 2>you know, very late seventies, eighties, you know, in early

0:44:38.600 --> 0:44:42.840
<v Speaker 2>nineties were massive. Yeah, for a reason they were different.

0:44:44.360 --> 0:44:47.239
<v Speaker 2>I was pissed. I was like, this sucks. And it

0:44:47.360 --> 0:44:50.320
<v Speaker 2>still pisses me off that I saw a band that

0:44:50.360 --> 0:44:52.080
<v Speaker 2>I love not play a single song that I know.

0:44:52.360 --> 0:44:54.840
<v Speaker 2>But that doesn't mean I also can't respect the courage

0:44:55.239 --> 0:44:56.279
<v Speaker 2>and the confidence that.

0:44:56.239 --> 0:45:01.439
<v Speaker 1>It took to do that. Yeah, well they're u. It's

0:45:01.560 --> 0:45:05.080
<v Speaker 1>it's a fine line to walk. But uh, you know,

0:45:05.160 --> 0:45:08.640
<v Speaker 1>sometimes I just think of like Bob Dylan, and I'm like,

0:45:08.680 --> 0:45:11.600
<v Speaker 1>that is a that is a very free man. He

0:45:11.680 --> 0:45:16.240
<v Speaker 1>is he's walking through life playing only by the rules

0:45:16.280 --> 0:45:19.359
<v Speaker 1>that he wants to play at and uh, and it's

0:45:19.440 --> 0:45:22.960
<v Speaker 1>very tempting to want to do that. That's somebody who

0:45:22.960 --> 0:45:25.319
<v Speaker 1>knows who they are, and I'm jealous of that. Yeah,

0:45:25.360 --> 0:45:28.160
<v Speaker 1>It's it's it's a very uh you have you have

0:45:28.200 --> 0:45:31.520
<v Speaker 1>to have a very strong sense of self to be

0:45:31.640 --> 0:45:36.160
<v Speaker 1>able to operate that way, and you gotta be wildly irrational. Uh,

0:45:36.680 --> 0:45:39.239
<v Speaker 1>just all this business, well, I mean that is that

0:45:39.360 --> 0:45:42.360
<v Speaker 1>is the absurdity of life. You have to be so irrational.

0:45:42.520 --> 0:45:46.320
<v Speaker 2>Think about just even you thinking that you're good enough

0:45:46.560 --> 0:45:48.439
<v Speaker 2>to be able to record something and people will spend

0:45:48.480 --> 0:45:51.600
<v Speaker 2>three minutes of their day which they have limited time listenings,

0:45:52.080 --> 0:45:54.759
<v Speaker 2>or or spending a few bucks to come watch a

0:45:54.800 --> 0:45:59.280
<v Speaker 2>show that you're gonna play at, or like me thinking

0:45:59.280 --> 0:46:01.680
<v Speaker 2>I'm gonna go to a theater and people are gonna

0:46:01.719 --> 0:46:05.439
<v Speaker 2>buy a ticket or spend fifteen minutes or an hour.

0:46:07.000 --> 0:46:08.239
<v Speaker 1>That is such interrational.

0:46:09.120 --> 0:46:13.680
<v Speaker 2>Yeah, and a balance of I'm wildly insecure, yet I

0:46:13.680 --> 0:46:15.640
<v Speaker 2>still think everybody needs to listen to everything that I do.

0:46:16.800 --> 0:46:20.320
<v Speaker 1>Yeah, but I think what you're just what you're talking

0:46:20.320 --> 0:46:23.759
<v Speaker 1>about is are you familiar with this this idea of

0:46:23.800 --> 0:46:29.080
<v Speaker 1>like the absurd? Yes, So, like you know, like Albert Camus,

0:46:29.200 --> 0:46:34.839
<v Speaker 1>like the universe doesn't care about you, and the only

0:46:34.880 --> 0:46:37.160
<v Speaker 1>the way that we create value as a human being

0:46:37.360 --> 0:46:40.560
<v Speaker 1>is to like do it anyway, you know, And I

0:46:40.840 --> 0:46:44.200
<v Speaker 1>and I think exactly what you're describing, You're going to

0:46:44.239 --> 0:46:48.160
<v Speaker 1>show up to a theater and like, you know, hope

0:46:48.160 --> 0:46:50.320
<v Speaker 1>that people show up, which is it's absurd.

0:46:50.680 --> 0:46:53.400
<v Speaker 2>It's absurd that people would spend Yes, it's absurd to

0:46:53.480 --> 0:46:56.400
<v Speaker 2>think that I think I'm good enough for people to

0:46:56.440 --> 0:46:57.920
<v Speaker 2>dedicate their time and money to kind of do it.

0:46:57.960 --> 0:47:00.680
<v Speaker 1>But don't you feel like doing it? Do you feel

0:47:00.719 --> 0:47:02.759
<v Speaker 1>like that gives your life? Yeah?

0:47:02.960 --> 0:47:06.480
<v Speaker 2>At the same time, it's it's the dichotomy of all dichotomies. Yeah,

0:47:06.600 --> 0:47:12.680
<v Speaker 2>that I am a wildly insecure person. At the same time,

0:47:13.040 --> 0:47:16.799
<v Speaker 2>I can still have a massive ego m that I

0:47:16.840 --> 0:47:19.279
<v Speaker 2>think I manage healthily eighty eight percent of the time.

0:47:20.440 --> 0:47:24.279
<v Speaker 2>So yeah, it's an odd business, especially when you start

0:47:24.280 --> 0:47:27.120
<v Speaker 2>to diversifying two different things like you've done from being

0:47:27.120 --> 0:47:29.880
<v Speaker 2>an artist, yeah, being a songwriter.

0:47:30.640 --> 0:47:32.759
<v Speaker 1>Doing the podcast I did see.

0:47:33.800 --> 0:47:35.200
<v Speaker 2>I mean I didn't love it, but you know, I

0:47:35.239 --> 0:47:37.680
<v Speaker 2>got followed by two better podcasts, which was you had

0:47:37.719 --> 0:47:39.640
<v Speaker 2>Kip on you had Craig Wiseman, and I was like, god, dang,

0:47:39.680 --> 0:47:41.239
<v Speaker 2>if people forgot about me so quick on the A

0:47:41.280 --> 0:47:43.520
<v Speaker 2>ten Year Town podcast, that's a little bit, that's right,

0:47:43.560 --> 0:47:45.480
<v Speaker 2>you know, that was the opening act. You know, I

0:47:45.520 --> 0:47:47.400
<v Speaker 2>was a baby I was a baby act on theodcast.

0:47:49.360 --> 0:47:51.560
<v Speaker 1>I really enjoyed our conversation out there.

0:47:51.960 --> 0:47:55.080
<v Speaker 4>Let's take a quick pause for a message from our sponsor.

0:48:00.080 --> 0:48:06.279
<v Speaker 1>M HM, and we're back on the Bobby Cast. Wait

0:48:06.320 --> 0:48:09.040
<v Speaker 1>you think about Kip. I love Kip. I think Kip

0:48:09.160 --> 0:48:12.840
<v Speaker 1>is a is a is a real artist.

0:48:13.200 --> 0:48:17.240
<v Speaker 2>I think we talked about Bob Dylan like for different reasons.

0:48:17.280 --> 0:48:19.640
<v Speaker 2>I think Kip in the same way that Kip just

0:48:19.680 --> 0:48:22.120
<v Speaker 2>does his own freaking thing. And I think for a minute,

0:48:22.239 --> 0:48:26.200
<v Speaker 2>Kip would probably admit that. For a while he was like,

0:48:26.239 --> 0:48:28.960
<v Speaker 2>you know, I'll make kids, and finally he was like,

0:48:29.040 --> 0:48:30.360
<v Speaker 2>screw it, I'm just gonna do what I do.

0:48:31.400 --> 0:48:31.520
<v Speaker 1>Ki.

0:48:31.680 --> 0:48:33.680
<v Speaker 2>Kip and I got into a big fight once, and

0:48:33.960 --> 0:48:35.520
<v Speaker 2>it's the only artist I've ever done this with. And

0:48:35.560 --> 0:48:37.839
<v Speaker 2>I've been in many fights with many people just because

0:48:37.880 --> 0:48:40.000
<v Speaker 2>I say stuff, and I say stuff for five hours

0:48:40.000 --> 0:48:43.399
<v Speaker 2>a day, and sometimes I say stuff that's accurate, inaccurate,

0:48:44.680 --> 0:48:52.799
<v Speaker 2>overly opinionated, unfair, fair numbers, game right, right, And Kip

0:48:52.880 --> 0:48:54.480
<v Speaker 2>and I got into it pretty good about some stuff

0:48:54.480 --> 0:49:00.440
<v Speaker 2>that I said about him personally. Yeah, I actually think

0:49:00.480 --> 0:49:02.600
<v Speaker 2>it was about a parody of one of his songs

0:49:02.760 --> 0:49:04.879
<v Speaker 2>that I was doing just be funny, But it wasn't

0:49:04.880 --> 0:49:07.759
<v Speaker 2>about him and keeps a serious guy when it comes

0:49:07.800 --> 0:49:09.279
<v Speaker 2>to music in his art, and he deserves to be

0:49:09.760 --> 0:49:12.120
<v Speaker 2>And so he was upset, and so I was like,

0:49:12.320 --> 0:49:14.560
<v Speaker 2>screw it, I don't give a crap. I'll do it again.

0:49:15.680 --> 0:49:20.279
<v Speaker 2>And Kep was like, hey, will you meet me for breakfast? Like,

0:49:20.400 --> 0:49:23.200
<v Speaker 2>oh man, I don't want I want to do that.

0:49:23.680 --> 0:49:26.440
<v Speaker 2>I don't do anybody. I don't like hanging out with anybody,

0:49:26.680 --> 0:49:27.680
<v Speaker 2>not because I don't like people.

0:49:27.680 --> 0:49:28.360
<v Speaker 1>I just awkward.

0:49:28.400 --> 0:49:30.920
<v Speaker 2>I'm not This is the only place I thrive is

0:49:30.920 --> 0:49:32.920
<v Speaker 2>with a microphone. Like if I were to see you,

0:49:32.960 --> 0:49:34.960
<v Speaker 2>I'd be like, dude, it's so good to see you. Okay,

0:49:35.040 --> 0:49:37.320
<v Speaker 2>I want to like I'm not good as a human.

0:49:37.520 --> 0:49:38.360
<v Speaker 2>That's not my strength.

0:49:39.760 --> 0:49:40.400
<v Speaker 1>I relate to that.

0:49:41.200 --> 0:49:42.360
<v Speaker 2>And I was like, I did not want to do this.

0:49:42.400 --> 0:49:43.680
<v Speaker 2>And Kep when I set at a restaurant, I just

0:49:43.719 --> 0:49:49.080
<v Speaker 2>talked it out for like half an hour, and like

0:49:49.160 --> 0:49:54.080
<v Speaker 2>I respected that process with him because he asked for it,

0:49:54.640 --> 0:50:02.160
<v Speaker 2>expected it, and delivered his fairness to it. And I

0:50:02.200 --> 0:50:04.719
<v Speaker 2>love Kip because of that. Kip and I are not

0:50:04.760 --> 0:50:07.000
<v Speaker 2>alike in a lot of ways. We have our birthdays

0:50:07.000 --> 0:50:09.319
<v Speaker 2>one day apart. It's pretty cool, But I love Kip

0:50:09.360 --> 0:50:11.160
<v Speaker 2>and if people were like, hey, dude, can you come

0:50:11.200 --> 0:50:12.640
<v Speaker 2>pick me up six hours away? I will get in the

0:50:12.680 --> 0:50:14.279
<v Speaker 2>car and go get him. Yeah, but are we going

0:50:14.360 --> 0:50:16.560
<v Speaker 2>to hang out? Probably not because he like does muscle stuff.

0:50:16.560 --> 0:50:20.040
<v Speaker 2>He like climbs stuff and does man stuff. Craig Wiseman.

0:50:21.800 --> 0:50:23.400
<v Speaker 2>And you should go listen to the episode that you

0:50:23.400 --> 0:50:27.440
<v Speaker 2>did with Craig. Like the guy has done, seen and

0:50:27.640 --> 0:50:28.279
<v Speaker 2>worn it all.

0:50:28.960 --> 0:50:32.200
<v Speaker 1>He's done a lot of different stuff. Yeah, and he Uh,

0:50:32.960 --> 0:50:37.600
<v Speaker 1>it's still I think the most inspiring part of it

0:50:37.680 --> 0:50:40.760
<v Speaker 1>to me is with Craig. You know, it still comes

0:50:40.760 --> 0:50:45.200
<v Speaker 1>from this desire to be close to that, to that thing,

0:50:45.840 --> 0:50:49.080
<v Speaker 1>you know, to to where to Like we just want

0:50:49.080 --> 0:50:50.799
<v Speaker 1>to get as close as we can to like where

0:50:50.800 --> 0:50:53.520
<v Speaker 1>the magic is happening. Can you get to the magic? Though?

0:50:53.520 --> 0:50:55.560
<v Speaker 2>Because I don't feel like you actually can. I feel

0:50:55.560 --> 0:50:58.680
<v Speaker 2>like I can't. I'll never get to this place that

0:50:59.239 --> 0:51:02.520
<v Speaker 2>I am suing. That doesn't mean I've stopped or tried

0:51:02.560 --> 0:51:04.680
<v Speaker 2>anything less. I just don't know if that place exists.

0:51:06.120 --> 0:51:07.880
<v Speaker 2>But that doesn't mean it's not true. Can you get

0:51:07.920 --> 0:51:09.680
<v Speaker 2>to Is there a magic place that you can get

0:51:09.719 --> 0:51:10.760
<v Speaker 2>to and be fully fulfilled?

0:51:12.680 --> 0:51:15.520
<v Speaker 1>Uh? You have to ex For me, I can only

0:51:15.560 --> 0:51:20.440
<v Speaker 1>speak for my own self. I think you have to

0:51:20.520 --> 0:51:24.160
<v Speaker 1>fall in love with what the process is and not

0:51:24.960 --> 0:51:27.600
<v Speaker 1>what the result is. And so there's a there's a

0:51:27.680 --> 0:51:30.520
<v Speaker 1>moment that that there's a place that you can go

0:51:30.680 --> 0:51:33.800
<v Speaker 1>to when you were making when you were writing a song,

0:51:34.440 --> 0:51:38.239
<v Speaker 1>where you are Craig talked about it a little bit

0:51:39.200 --> 0:51:42.600
<v Speaker 1>on ten Year Town. But where it's like it's called

0:51:42.600 --> 0:51:46.200
<v Speaker 1>like a thin place where you are in the presence

0:51:47.080 --> 0:51:52.799
<v Speaker 1>of something of of like you know, the creator or

0:51:52.840 --> 0:51:55.799
<v Speaker 1>the universe, whatever you want to call it. And and

0:51:57.560 --> 0:52:02.040
<v Speaker 1>I have, I have been there a few times. Do

0:52:02.080 --> 0:52:07.960
<v Speaker 1>you know you're there when you're there a little bit?

0:52:08.200 --> 0:52:12.719
<v Speaker 1>But but but you it's kind of like, uh, you

0:52:12.760 --> 0:52:15.000
<v Speaker 1>don't want to think about it too much. It's it's

0:52:15.080 --> 0:52:18.560
<v Speaker 1>it's very surreal, and it's it's a very very hard

0:52:18.760 --> 0:52:22.160
<v Speaker 1>place to get to. It doesn't happen very often. But

0:52:22.800 --> 0:52:26.880
<v Speaker 1>I mean I think, uh, like I'm not a good golfer,

0:52:28.160 --> 0:52:30.200
<v Speaker 1>but I'll play a few times a year, and every

0:52:30.280 --> 0:52:33.200
<v Speaker 1>now and then you just you just hit one. You're like,

0:52:33.480 --> 0:52:37.720
<v Speaker 1>oh my gosh, I could go pro And it's songwritings.

0:52:39.000 --> 0:52:41.719
<v Speaker 1>It's it's similar. Man. It's just some days you you

0:52:41.800 --> 0:52:46.040
<v Speaker 1>know you're in the presence of something really powerful, and

0:52:46.080 --> 0:52:49.640
<v Speaker 1>that is uh, that is like worthy of for me,

0:52:49.719 --> 0:52:52.120
<v Speaker 1>It's worthy of like dedicating my life to chase.

0:52:53.400 --> 0:52:56.640
<v Speaker 2>My analogy would be playing crabs. M you ever play

0:52:56.640 --> 0:52:58.640
<v Speaker 2>craps at all? Because you know I love playing craps.

0:52:59.160 --> 0:53:05.680
<v Speaker 2>If I I'm writing for whatever book jokes, yeah, if

0:53:05.680 --> 0:53:06.560
<v Speaker 2>I'm just.

0:53:08.160 --> 0:53:10.480
<v Speaker 1>Live on the air of feeling it killing it.

0:53:11.480 --> 0:53:14.760
<v Speaker 2>If I'm at a table and I'm I'm just throwing

0:53:14.840 --> 0:53:19.640
<v Speaker 2>and I'm hitting points, I'm not crapping out. I'm not

0:53:19.760 --> 0:53:21.680
<v Speaker 2>in my head. I'm not going well, I wonder what

0:53:21.800 --> 0:53:23.560
<v Speaker 2>I'm gonna crap out. I wonder how long this isn't

0:53:23.560 --> 0:53:27.160
<v Speaker 2>gonna go. I'm I'm just in it, not thinking about

0:53:27.160 --> 0:53:28.640
<v Speaker 2>it too much because I think if I think about it,

0:53:28.640 --> 0:53:30.840
<v Speaker 2>it's gonna end. But then when it's over, I'm like,

0:53:30.880 --> 0:53:34.200
<v Speaker 2>holy crap, Like I was. We went forty minutes. I

0:53:34.680 --> 0:53:37.799
<v Speaker 2>didn't crap out for forty minutes. When I get in

0:53:37.840 --> 0:53:39.560
<v Speaker 2>those spaces, it feels like I had a great run

0:53:39.560 --> 0:53:42.080
<v Speaker 2>at the crab's table, and like I can't.

0:53:42.280 --> 0:53:44.000
<v Speaker 1>I can slightly.

0:53:43.480 --> 0:53:45.319
<v Speaker 2>Acknowledge it's happening, but I don't want to do it

0:53:45.360 --> 0:53:49.680
<v Speaker 2>too much because then I'm gonna roll freaking seven right, right.

0:53:49.680 --> 0:53:53.600
<v Speaker 1>You're you're you're in the I think what happens is

0:53:53.600 --> 0:53:58.040
<v Speaker 1>you're you're very, very present. And so when you're in

0:53:58.040 --> 0:54:01.520
<v Speaker 1>that creative place where with the crabs table, you're so

0:54:01.960 --> 0:54:04.719
<v Speaker 1>in the moment, there's a there's it's almost like a

0:54:04.960 --> 0:54:10.120
<v Speaker 1>like a bubble, right, You just don't something's gonna you know,

0:54:10.760 --> 0:54:13.400
<v Speaker 1>someone's gonna come along and pop the bubble. You just

0:54:13.800 --> 0:54:15.040
<v Speaker 1>trying not to think about it.

0:54:15.040 --> 0:54:18.000
<v Speaker 2>The bubble's never live forever, No, but the bubble's pretty

0:54:18.000 --> 0:54:19.600
<v Speaker 2>awesome to be in, and it's rare to get in it.

0:54:19.640 --> 0:54:21.040
<v Speaker 2>So when you get in it, you really want to

0:54:21.080 --> 0:54:28.680
<v Speaker 2>try to experience it without me having a complete inner

0:54:28.800 --> 0:54:32.000
<v Speaker 2>monologue of why I'm experiencing what I'm experiencing, what's this

0:54:32.000 --> 0:54:32.719
<v Speaker 2>experience going to end?

0:54:32.800 --> 0:54:34.360
<v Speaker 1>Is there ever gonna happen again? Yeah?

0:54:34.400 --> 0:54:37.080
<v Speaker 2>I run from that, Yeah, and just and just try

0:54:37.120 --> 0:54:39.640
<v Speaker 2>to live in it. But dude, it's so cool to

0:54:39.920 --> 0:54:42.120
<v Speaker 2>just see what you're doing.

0:54:42.960 --> 0:54:43.240
<v Speaker 1>Again.

0:54:43.280 --> 0:54:46.160
<v Speaker 2>I said that to you during the podcast, but then

0:54:46.200 --> 0:54:48.200
<v Speaker 2>even after, like, I enjoy talking with you afterwards too

0:54:48.200 --> 0:54:50.400
<v Speaker 2>because I was just like, hey, whatever you need, Like,

0:54:50.440 --> 0:54:53.680
<v Speaker 2>I see what you're doing and keep doing it, and

0:54:53.719 --> 0:54:56.920
<v Speaker 2>it sucks but so does everything else that's awesome. Like

0:54:56.960 --> 0:55:00.480
<v Speaker 2>everything that's awesome sucks because it's supposed to suck or

0:55:00.520 --> 0:55:01.560
<v Speaker 2>everybody will be doing it.

0:55:02.520 --> 0:55:04.880
<v Speaker 1>Yeah, it's hard, but it's rewarding.

0:55:05.000 --> 0:55:07.840
<v Speaker 2>Yeah, both and two things can be true. Yeah, it

0:55:07.880 --> 0:55:10.160
<v Speaker 2>can suck and be awesome at the same time. Yeah,

0:55:10.200 --> 0:55:12.319
<v Speaker 2>and sometimes not the exact same time. But sometimes things

0:55:12.360 --> 0:55:14.439
<v Speaker 2>can suck until they get awesome, until they suck again,

0:55:14.600 --> 0:55:18.840
<v Speaker 2>until they get awesome again. Yeah, and podcast is great.

0:55:19.239 --> 0:55:20.880
<v Speaker 2>What have you learned from the podcast?

0:55:21.760 --> 0:55:28.320
<v Speaker 1>Mmm? I think I've learned a lot about how much

0:55:28.480 --> 0:55:37.560
<v Speaker 1>everyone's journey is. When I think about all the twists

0:55:37.560 --> 0:55:39.920
<v Speaker 1>and turns in mind, I feel like an alien a

0:55:39.920 --> 0:55:42.080
<v Speaker 1>little bit, you know. I think I've always felt that

0:55:42.120 --> 0:55:43.520
<v Speaker 1>way my whole life, Like I'm a little bit of

0:55:43.560 --> 0:55:47.160
<v Speaker 1>an alien on the outside looking in. And so getting

0:55:47.840 --> 0:55:53.360
<v Speaker 1>getting to hear other people's stories, you start to understand likes.

0:55:53.480 --> 0:55:55.359
<v Speaker 1>That's kind of part of it, that's part of life.

0:55:55.600 --> 0:55:58.840
<v Speaker 1>I've learned a lot from that, and I've gained a

0:55:58.840 --> 0:56:03.520
<v Speaker 1>lot of inspiration from hearing other people's stories.

0:56:06.120 --> 0:56:15.000
<v Speaker 2>Other people's stories have made me not feel as alone

0:56:16.320 --> 0:56:19.239
<v Speaker 2>in my group of aliens. Yeah, there are there are

0:56:19.239 --> 0:56:22.000
<v Speaker 2>other aliens, like me use the I'll use alien too.

0:56:22.080 --> 0:56:23.799
<v Speaker 2>I didn't think there were. I didn't think there were

0:56:24.160 --> 0:56:25.880
<v Speaker 2>and no other aliens exactly like me. But there are,

0:56:25.920 --> 0:56:27.600
<v Speaker 2>there are other aliens like me. They go through the

0:56:27.600 --> 0:56:34.320
<v Speaker 2>same struggles, mental struggles, uh, imposter syndrome struggles, totally success struggles,

0:56:34.320 --> 0:56:35.960
<v Speaker 2>comparison struggles.

0:56:36.000 --> 0:56:37.879
<v Speaker 1>All of that's happening to all of us.

0:56:38.040 --> 0:56:39.600
<v Speaker 2>Yeah, but since we're not talking about it, we're not

0:56:39.640 --> 0:56:41.440
<v Speaker 2>seeing It's very a much social media culture as well,

0:56:41.480 --> 0:56:43.000
<v Speaker 2>right too. Like you cae only see the good stuff,

0:56:43.040 --> 0:56:44.799
<v Speaker 2>you don't only see the bad, so then you think, well,

0:56:44.800 --> 0:56:45.880
<v Speaker 2>my life's note as good as theirs.

0:56:46.680 --> 0:56:50.480
<v Speaker 1>Yeah, there's a there's a disconnect. I think that happens

0:56:50.520 --> 0:56:54.799
<v Speaker 1>on sometimes can happen on social media where it does

0:56:55.000 --> 0:57:00.360
<v Speaker 1>all look good, you know, And I think, uh, I

0:57:00.360 --> 0:57:02.759
<v Speaker 1>think there's a real opportunity right now, just like we're

0:57:02.800 --> 0:57:07.480
<v Speaker 1>having right now, for for for honest conversations and and

0:57:07.600 --> 0:57:14.080
<v Speaker 1>authenticity and and I'm you know, I'm I'm obviously like

0:57:14.600 --> 0:57:16.520
<v Speaker 1>trying to figure out figure it out as I go

0:57:16.800 --> 0:57:19.800
<v Speaker 1>and just trying to figure out how how all of

0:57:19.840 --> 0:57:24.640
<v Speaker 1>this stuff goes together, you know, And the beauteo is

0:57:24.680 --> 0:57:25.120
<v Speaker 1>you will.

0:57:24.920 --> 0:57:28.240
<v Speaker 2>Never figure it out it doesn't go together probably, I mean,

0:57:28.280 --> 0:57:30.600
<v Speaker 2>that's it. It doesn't go together and we'll never figure

0:57:30.600 --> 0:57:33.520
<v Speaker 2>it out. But that's what that's what's about it. Before

0:57:33.520 --> 0:57:37.000
<v Speaker 2>you came in, we talked about the podcast and what

0:57:37.000 --> 0:57:38.920
<v Speaker 2>do you want to say about about your music that's

0:57:38.960 --> 0:57:39.280
<v Speaker 2>coming out?

0:57:39.440 --> 0:57:40.880
<v Speaker 1>We talked a bit about it, but what do you

0:57:40.880 --> 0:57:46.760
<v Speaker 1>want to say? I think I'm just I I have.

0:57:47.160 --> 0:57:50.400
<v Speaker 1>We we went into it a little bit about that's why,

0:57:50.920 --> 0:57:56.480
<v Speaker 1>and you know, doing all of that music independently allowed

0:57:56.520 --> 0:58:02.120
<v Speaker 1>me a lot of latitude to with with income and

0:58:02.520 --> 0:58:05.960
<v Speaker 1>resources to like create some stuff that I've always dreamed

0:58:06.000 --> 0:58:08.480
<v Speaker 1>about making. The podcast is one of those that that

0:58:08.560 --> 0:58:12.680
<v Speaker 1>is an offshoot of of my successes as a recording artist,

0:58:12.760 --> 0:58:18.640
<v Speaker 1>and I wanted to make the record that I've always

0:58:18.680 --> 0:58:23.880
<v Speaker 1>wanted to make without any kind of, you know, stipulations

0:58:23.920 --> 0:58:28.400
<v Speaker 1>on what it needed to sound like, or it needed

0:58:28.400 --> 0:58:31.240
<v Speaker 1>to have this this hit or that hit or whatever.

0:58:31.280 --> 0:58:36.640
<v Speaker 1>I just wanted to make something that that I've worked

0:58:36.720 --> 0:58:38.600
<v Speaker 1>could work hard on and be very proud of and

0:58:38.640 --> 0:58:42.120
<v Speaker 1>be excited to like put out into the world that

0:58:42.200 --> 0:58:46.120
<v Speaker 1>I felt feel like is reflective of of of who

0:58:46.160 --> 0:58:50.320
<v Speaker 1>I am. You make any money on the podcast? Getting there,

0:58:50.880 --> 0:58:54.040
<v Speaker 1>I had, I had a lot. I had. You really

0:58:54.120 --> 0:58:54.640
<v Speaker 1>inspired me.

0:58:54.680 --> 0:58:57.200
<v Speaker 2>Actually, I actually asked you that question on your podcast

0:58:57.200 --> 0:58:58.200
<v Speaker 2>here and.

0:58:58.440 --> 0:59:00.480
<v Speaker 1>I said, and I said, I think I said no,

0:59:00.880 --> 0:59:01.640
<v Speaker 1>which was true.

0:59:02.160 --> 0:59:04.480
<v Speaker 2>But that's all I mean, it's it's impossible. But yes,

0:59:04.560 --> 0:59:06.200
<v Speaker 2>that's why I asked. I really wanted to know.

0:59:06.440 --> 0:59:10.120
<v Speaker 1>Well, you told me. I don't know if you remember this. Uh,

0:59:11.080 --> 0:59:14.720
<v Speaker 1>we were talking afterwards and you said, uh, you were

0:59:14.760 --> 0:59:19.200
<v Speaker 1>telling me about cold emailing people. And I'm like, okay,

0:59:20.600 --> 0:59:23.800
<v Speaker 1>well he's doing he's doing it. Why can't I like,

0:59:24.080 --> 0:59:26.520
<v Speaker 1>I mean, I feel awkward, but I'm just going to

0:59:26.600 --> 0:59:30.320
<v Speaker 1>do it. And I, yeah, I did. I literally just

0:59:30.360 --> 0:59:33.680
<v Speaker 1>copied you. I I went on LinkedIn and I found

0:59:33.720 --> 0:59:35.479
<v Speaker 1>some people that I thought might be a good fit.

0:59:35.560 --> 0:59:39.360
<v Speaker 1>And I and I did some combinations to figure out

0:59:39.440 --> 0:59:43.280
<v Speaker 1>this company's email format of this person's names so that

0:59:43.360 --> 0:59:49.080
<v Speaker 1>I could get into their inbox and uh, and it worked.

0:59:49.400 --> 0:59:50.040
<v Speaker 1>It's crazy.

0:59:50.240 --> 0:59:52.600
<v Speaker 2>It's actually not crazy, but it's crazy. It's crazy because

0:59:52.600 --> 0:59:56.320
<v Speaker 2>it's so simple. Yeah, and but it was awkward. It's

0:59:56.520 --> 0:59:59.240
<v Speaker 2>but so was recording that song. So was recording your

0:59:59.240 --> 1:00:01.720
<v Speaker 2>song after your single had been said, No, it was

1:00:01.760 --> 1:00:03.200
<v Speaker 2>awkward to put the phone up and sing a song.

1:00:03.240 --> 1:00:07.280
<v Speaker 2>Into a freaking camera. Yeah, and then it goes viral. Yeah.

1:00:07.400 --> 1:00:09.640
<v Speaker 2>You just do it anyway. You do it when you're uncomfortable.

1:00:10.280 --> 1:00:10.520
<v Speaker 1>Dude.

1:00:10.520 --> 1:00:12.720
<v Speaker 2>I'm I'm a big fan, you know. I was looking

1:00:12.720 --> 1:00:15.440
<v Speaker 2>forward to seeing you again. I'm rooting for you. I watched,

1:00:15.880 --> 1:00:16.840
<v Speaker 2>you know, watch your stuff.

1:00:17.080 --> 1:00:19.720
<v Speaker 1>Yeah, thank you. It's pretty cool. I don't even know

1:00:19.760 --> 1:00:22.920
<v Speaker 1>you as the artist. It's what's crazy.

1:00:22.960 --> 1:00:24.880
<v Speaker 2>That's it's weird because sometimes people will be like, I

1:00:24.920 --> 1:00:27.160
<v Speaker 2>don't really they don't listen to the radio show though

1:00:28.040 --> 1:00:29.600
<v Speaker 2>I've watched Idol.

1:00:29.320 --> 1:00:31.240
<v Speaker 1>For years or whatever it was. I'll know me for

1:00:31.280 --> 1:00:31.880
<v Speaker 1>these weird things.

1:00:31.880 --> 1:00:34.400
<v Speaker 2>And I'm like, oh, I don't really think that that's funny.

1:00:34.480 --> 1:00:38.760
<v Speaker 2>Is that disorienting at all? It's I wouldn't say disorienting.

1:00:38.800 --> 1:00:39.960
<v Speaker 2>There's just no orientation to.

1:00:39.920 --> 1:00:42.760
<v Speaker 1>It at all. Yeah, to any of it. It's just

1:00:42.840 --> 1:00:43.280
<v Speaker 1>all the.

1:00:43.920 --> 1:00:46.200
<v Speaker 2>It's all yeah, and it's awesome. It's great unless they

1:00:46.240 --> 1:00:51.240
<v Speaker 2>try to stab you. Otherwise it's it's great. And I'm famous,

1:00:51.280 --> 1:00:59.080
<v Speaker 2>so fractured mm hmm. Nobody's famous yet everybody's famous, and yeah,

1:00:59.560 --> 1:01:02.200
<v Speaker 2>boy like and like you said, there's a chance for

1:01:02.800 --> 1:01:06.320
<v Speaker 2>if you just do it enough. There are no gatekeepers

1:01:07.200 --> 1:01:10.600
<v Speaker 2>actual human form gatekeepers. There's an algorithm we can't figure out,

1:01:11.240 --> 1:01:14.120
<v Speaker 2>but it's a different gatekeeper, but it's at least it's

1:01:14.160 --> 1:01:18.800
<v Speaker 2>not one that is going to get you know, canceled

1:01:18.880 --> 1:01:20.920
<v Speaker 2>for doing inappropriate things in an office, you know.

1:01:21.320 --> 1:01:26.320
<v Speaker 1>Yeah, yeah, yeah, it's just it's it's pulled out under

1:01:28.240 --> 1:01:29.680
<v Speaker 1>beyond understanding algorithm.

1:01:29.840 --> 1:01:32.200
<v Speaker 2>Everybody has a chance though, yeah, and everybody didn't always

1:01:32.200 --> 1:01:34.680
<v Speaker 2>have a chance, right, and everybody has a chance now.

1:01:34.760 --> 1:01:37.080
<v Speaker 1>Yeah, it's it's an exciting time. Well, I'm a big fan.

1:01:37.560 --> 1:01:39.840
<v Speaker 2>We put all your information down in the notes as well,

1:01:39.960 --> 1:01:45.080
<v Speaker 2>and check out the podcast, and I'm going to go

1:01:45.120 --> 1:01:47.120
<v Speaker 2>in what Nickelback song was that.

1:01:47.080 --> 1:01:49.240
<v Speaker 1>I want to horizon? Okay, check it out.

1:01:49.320 --> 1:01:52.560
<v Speaker 2>That's my favorite Nickelback song ever. I know I don't

1:01:52.600 --> 1:01:54.120
<v Speaker 2>know what it is, but I wanna those do that.

1:01:54.120 --> 1:01:55.800
<v Speaker 2>That's pretty cool.

1:01:56.120 --> 1:01:58.240
<v Speaker 1>I believe you when you said it you got a skill.

1:01:59.400 --> 1:02:00.440
<v Speaker 1>There's no way I believe that.

1:02:01.080 --> 1:02:03.920
<v Speaker 2>But that's pretty cool to hear like somebody, like a

1:02:04.600 --> 1:02:08.360
<v Speaker 2>familiar voice singing something that you created in your brain regardless.

1:02:08.480 --> 1:02:12.920
<v Speaker 1>That's cool. Yeah, Like the feeling of when I just

1:02:12.960 --> 1:02:15.560
<v Speaker 1>press played the first time in the and the guitars

1:02:15.600 --> 1:02:19.240
<v Speaker 1>are playing, that's cool. Yeah, it's crazy. It doesn't you know,

1:02:19.320 --> 1:02:21.280
<v Speaker 1>it doesn't make sense, but but it did happen.

1:02:21.840 --> 1:02:24.120
<v Speaker 2>Check out ten Year Time podcast and everything else is

1:02:24.160 --> 1:02:26.520
<v Speaker 2>down in the notes. Good to see you, Troy, and

1:02:26.920 --> 1:02:28.120
<v Speaker 2>let's do this again soon, all

1:02:28.200 --> 1:02:31.160
<v Speaker 5>Right, Thank you for having me, Thanks for listening to

1:02:31.240 --> 1:02:32.600
<v Speaker 5>a Bobby Cast production