WEBVTT - Heathers with Paige Weldon

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<v Speaker 1>On the Doe Cast, the questions asked if movies have

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<v Speaker 1>women in um, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy and best start

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<v Speaker 1>changing it with the Betel Cast. Welcome to the Bechtel Cast.

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<v Speaker 1>Here we are again. We're talking about movies about girls.

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<v Speaker 1>My name is Jamie, my name is Caitlin. Here we are, here,

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<v Speaker 1>we are Thanks for tuning in. I don't think we've

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<v Speaker 1>ever introduced it that way before. That wasn't the right

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<v Speaker 1>way to do it well, or talk about girls in movies.

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<v Speaker 1>And sometimes they're treated real mean. Sometimes they are, sometimes

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<v Speaker 1>they're not. Usually though they are usually that they are,

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<v Speaker 1>but sometimes they get to wear a tank top and

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<v Speaker 1>you can see the shape of their nipples. This podcast

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<v Speaker 1>is inspired by the Bechtel Test. If you don't know

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<v Speaker 1>what it is, I'll try to say it really really fast. Sorry,

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<v Speaker 1>I yell, you're like clenching. I loves Yes, I am

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<v Speaker 1>like we're in a ludicrous video. Or I'm going to

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<v Speaker 1>reward myself with a swig of it as soon as

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<v Speaker 1>I do a very good job describing what The Bechdel

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<v Speaker 1>test is is a test that is applied to movies.

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<v Speaker 1>A thing will pass the test if there are two

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<v Speaker 1>women talking to each other about something other than a man.

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<v Speaker 1>I have to have names. Yes, Oh yeah, we change.

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<v Speaker 1>Actors have to have changed the rules. We used to

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<v Speaker 1>be like we're but then we're like, we're firm this rule.

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<v Speaker 1>Now we're firm all right here? That do you hear that?

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<v Speaker 1>This is the lid going on? God, you're so brave.

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<v Speaker 1>I do feel like we should maybe like just rehash

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<v Speaker 1>the date we went on over the weekend. Yes, really quick,

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<v Speaker 1>let's do that. Oh, you also have to tell your

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<v Speaker 1>bus story? Oh, because this is yes. And I also

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<v Speaker 1>wanted to say that I bought uh tickets to a

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<v Speaker 1>monster truck rally for just me on Saturday. I'm gonna

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<v Speaker 1>treat myself very nice. I never been to a monster

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<v Speaker 1>truck rally. Is it like for work or do you

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<v Speaker 1>have to write a piece on it or you just Yeah,

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<v Speaker 1>I had to get someone to pay. I want to

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<v Speaker 1>pay for it, but I was like, I could drive

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<v Speaker 1>to Anna. I'm not got the time. I'm going to

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<v Speaker 1>go see a monster truck rally. That's terrific. Yeah, I

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<v Speaker 1>think I'll probably get a new boyfriend there. He's like

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<v Speaker 1>that he's like a good place to scout. Yeah, but

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<v Speaker 1>we did go to a place in it where what

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<v Speaker 1>was in Korea Town okay, called Cafe Jack on Saturday night. Yes, yes,

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<v Speaker 1>I've been there. You've been there? Really? Oh? It is sorry? Okay?

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<v Speaker 1>Can we can we bring her guests into the discussion

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<v Speaker 1>because I would love to hear. Okay, So our guest

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<v Speaker 1>today is Paige Weld, and she's wonderful. She's a writer,

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<v Speaker 1>she's a comedian, and she's band a Cafe Jack. Yeah, hello,

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<v Speaker 1>thanks for being here. What's going on? You went to a

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<v Speaker 1>a Cafe Jack? Yeah, we did, because we did, uh

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<v Speaker 1>the Titanic episode last week, because you heard it was

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<v Speaker 1>about we didn't know. I did not know that part

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<v Speaker 1>about it. I thought it was like a swanky, cool

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<v Speaker 1>like lounge. E. It's none of those words describe what

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<v Speaker 1>it at all. It is. It's like even worse than

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<v Speaker 1>a dive. Somehow, were there other people there when you went?

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<v Speaker 1>There were very few other people there? Okay? Same? It

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<v Speaker 1>was Yeah, I think that there might have been people there,

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<v Speaker 1>but they also might have worked there. It wasn't clear.

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<v Speaker 1>I thought it was freezing in there. It was freezing.

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<v Speaker 1>There was one other group of diners there with us.

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<v Speaker 1>It's like an Asian fusion restaurant that's shaped like Titanic

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<v Speaker 1>and it there's a lot of laser jet printer pictures

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<v Speaker 1>from the Titanic movie framed around the restaurant. My favorite

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<v Speaker 1>part was they have if you're if, it's like an

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<v Speaker 1>intimate like we started in one of these intimate boots,

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<v Speaker 1>but it was like sticky everywhere, so we moved um

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<v Speaker 1>to a much greasier greasier but they're Leonardo. But they

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<v Speaker 1>had these little like rooms, those little weird compartments, and

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<v Speaker 1>then there was one of them where there was just

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<v Speaker 1>like an unfinished wall, it is just like drywall, and

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<v Speaker 1>then nailed to it was a poster for Curious George,

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<v Speaker 1>like the one that came out in two thousands six,

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<v Speaker 1>and it was framed and that was my favorite one.

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<v Speaker 1>I went there on a date because we heard there

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<v Speaker 1>was frozen yogurt. I have received a text that was

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<v Speaker 1>would you like to get from you on this at

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<v Speaker 1>this restaurant that shaped like a boat, And I was like,

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<v Speaker 1>I would love to. And then we got there and

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<v Speaker 1>we went into one of they like led us into

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<v Speaker 1>one of those rooms. It was like huge and there

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<v Speaker 1>was just two of us and we were very uncomfortable.

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<v Speaker 1>And then we moved out into another area and I

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<v Speaker 1>felt like the woman was upset that we did. But

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<v Speaker 1>there was no frozen yogurt and stuff. We got sushi.

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<v Speaker 1>Theories that they ordered sushi from a different restaurant and

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<v Speaker 1>bring it deep because the pictures did not line up.

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<v Speaker 1>We got the Titanic role and the Jack Rose role.

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<v Speaker 1>The Titanic role in the picture was blue. What we

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<v Speaker 1>ate was not blue. I could have also just been

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<v Speaker 1>like poor the printed menus. It was totally coloration. Really,

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<v Speaker 1>we would even be blue on a sushi roll. I

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<v Speaker 1>thought maybe sprinkles. Well, either way, we went on a

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<v Speaker 1>fun little date to Cafe Jack. We did. We had

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<v Speaker 1>a great time. Good date. Um, we are here to

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<v Speaker 1>talk about another movie that's not Titanic. Unfortunately, I just

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<v Speaker 1>wish we could talk about it for every episode we might.

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<v Speaker 1>There's more to be said. Uh yeah, there's a bunch

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<v Speaker 1>of things that I wanted to say and I didn't say.

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<v Speaker 1>But we'll get to that later on another Titanic episode.

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<v Speaker 1>For now, we are here with Page and we're talking

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<v Speaker 1>about the movie. Heathers. Yeah, so Paige tell us about like,

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<v Speaker 1>why why did you pick this movie? What it means

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<v Speaker 1>to you? When did you first see it? I picked

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<v Speaker 1>it because I've seen it like a zillion times. Is

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<v Speaker 1>one of my favorite movies in high school growing up.

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<v Speaker 1>I just always loved it and it was just one

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<v Speaker 1>of the first ones that came to mind. Yeah, when

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<v Speaker 1>so you first saw when you were in high school

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<v Speaker 1>maybe middle school? I was pretty cool. Yeah, yeah, I

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<v Speaker 1>think I saw it first in like early high school,

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<v Speaker 1>and I remember thinking it was like the coolest movie ever.

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<v Speaker 1>I thought I had also seen it before, and then

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<v Speaker 1>I rewatched it and nothing was familiar about it at all,

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<v Speaker 1>Like part of me things that I might have seen

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<v Speaker 1>an episode of that cartoon I think it's called Recess

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<v Speaker 1>where they have all the different Ashley's, and I think

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<v Speaker 1>I was confusing that for the movie Heathers. It was

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<v Speaker 1>very different than I remembered like watching it. However, I

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<v Speaker 1>guess almost ten years later is like it was like

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<v Speaker 1>watching a totally different movie, and I didn't like it

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<v Speaker 1>as much this time. It's like it made me feel weird.

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<v Speaker 1>I don't know, but if I used to think it

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<v Speaker 1>was the dopest thing ever that I wanted to, you know,

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<v Speaker 1>in mouth. Yeah, I can kill my oppressors the whole day.

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<v Speaker 1>Christians later is very charming. Yes, he's terrifying. He is

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<v Speaker 1>so scary. Uh. And so when's the last time you

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<v Speaker 1>saw it? I probably would have watched it, like maybe

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<v Speaker 1>a couple of years ago, but I feel like I've

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<v Speaker 1>watched it so many times in my life. But I

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<v Speaker 1>don't think I ever really even had a chance to

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<v Speaker 1>get enough distance from it that i'd rewatch it and

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<v Speaker 1>feel differently. I just always felt that, right, this is

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<v Speaker 1>the best. Caitlin did not like, I don't like. Oh now,

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<v Speaker 1>I don't know, because I started rewatching it again and

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<v Speaker 1>I was like, you know, it's the first like half,

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<v Speaker 1>isn't I feel like it falls apart at a certain

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<v Speaker 1>point and then I have a really hard time connecting

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<v Speaker 1>with any of the characters, and by the end, like

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<v Speaker 1>no one is redeemable for me. But there are some

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<v Speaker 1>like specific things I like about it. For example, I

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<v Speaker 1>like that there's the running joke that any time someone

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<v Speaker 1>is like addressing a Heather, they all know exactly which

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<v Speaker 1>one she's talking about. Uh. I like that. I like

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<v Speaker 1>a few different lines of dialogue, like yeah, the dial

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<v Speaker 1>guess so fun. Has its own slang. Yeah, that's cool,

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<v Speaker 1>it'll be very very what just very? But you know

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<v Speaker 1>what they mean. Yeah, I know exactly what they mean.

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<v Speaker 1>I very know what they mean. Good job, thank you

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<v Speaker 1>you did it. One of my favorite lines of dialogue

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<v Speaker 1>is did you have a brain tumor? For breakfast? So fun?

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<v Speaker 1>So I like a few different like some of the

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<v Speaker 1>running jokes are good and fun, but overall, I think

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<v Speaker 1>my main problem with it is that I just don't

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<v Speaker 1>find any of the characters redeemable enough for me to

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<v Speaker 1>connect to the story, which I know is kind of

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<v Speaker 1>the point. Like everyone's terrible in this movie, and the

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<v Speaker 1>terrible see I think she is. And I know that

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<v Speaker 1>I'm probably wrong about this. And I took to Facebook

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<v Speaker 1>and I said, Hey, why people hated I was? And

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<v Speaker 1>I tried to pose the question sincerely, and I think

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<v Speaker 1>did not come off soundings sincere. But I was like, hey,

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<v Speaker 1>just curious, why do you like this movie? Idiots? Uh? Yeah,

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<v Speaker 1>I think that that was the part where you lost Um,

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<v Speaker 1>I know I left out the idiots part. I was

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<v Speaker 1>just like, why do you like this movie? And then

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<v Speaker 1>I think it probably sounded very snarky, and then everyone

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<v Speaker 1>got very mad. At me and they're like it's so brilliant. Well,

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<v Speaker 1>I don't think that Veronica is a bad person. She

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<v Speaker 1>just made me very sad a lot of the movie.

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<v Speaker 1>And I think that I think she's like not, she's

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<v Speaker 1>like dumb. She like there are so many parts of

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<v Speaker 1>this movie where it's like, Okay, this this script has

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<v Speaker 1>it's a very specific logic of how this world works.

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<v Speaker 1>But there were some times where I'm like this, this

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<v Speaker 1>girl is keeping an active diary of a number of melodies.

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<v Speaker 1>What an insane thing to do. She could not be

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<v Speaker 1>acting more guilty in school. Yeah, I think that's why

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<v Speaker 1>high school is the ideal time to watch it, because

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<v Speaker 1>you're like, I am also the dumb That's what I

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<v Speaker 1>would do too. And I feel like that's like that's

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<v Speaker 1>maybe why it's hard to like her, because she's a

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<v Speaker 1>stupid teenager. Yeah, it's someone who has Like when I

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<v Speaker 1>watched it in high school, I didn't think she was

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<v Speaker 1>dumb at all. I thought she was like awesome. It

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<v Speaker 1>was like, of course she's keeping a diary, yeah, want

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<v Speaker 1>not only that she's seeing these other these friends of

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<v Speaker 1>hers who are behaving horribly. They're like really mean, they're bullies.

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<v Speaker 1>Basically not. Oh my god. There are parts when I

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<v Speaker 1>think they're being mean to each other, but because I

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<v Speaker 1>don't have a very good understanding of how croquet works,

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<v Speaker 1>I'm like, I think they're being mean, but I don't

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<v Speaker 1>know how this. Hey, can I try the summery this time? Yeah?

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<v Speaker 1>Please do? Okay, okay, okay. So Heather's is a movie

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<v Speaker 1>about four friends, three Heathers. One Veronica. Veronica is our

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<v Speaker 1>pro tag She's she's not like the other girls. She's

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<v Speaker 1>brunette and uh she but she hangs out with them.

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<v Speaker 1>But she's isn't Shannon Darty. She's like technically like a

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<v Speaker 1>red she's auburn. Yeah, and she's also like the most beliemic.

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<v Speaker 1>Which that scene where when the writer makes she had

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<v Speaker 1>a Darty throw up, I almost wish we got to

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<v Speaker 1>see it. Anyways, Um, so they're like the most popular

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<v Speaker 1>girls in school. They they you know, own everybody. And

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<v Speaker 1>then Veronica meets Christians later don't remember his name, j

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<v Speaker 1>D j D of course, who is like pretty much

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<v Speaker 1>a standard uh nineties trench code killer who draws her

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<v Speaker 1>into a very toxic, weird relationship and they start to

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<v Speaker 1>kill everyone they don't like at the high school and

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<v Speaker 1>it's a metaphor for something. Yeah, when they're framing it

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<v Speaker 1>as suicides though, so they have to keep up this

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<v Speaker 1>idea that the people are murdering have actually committed suicide. Right.

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<v Speaker 1>There's one thing I thought was interesting, just to like,

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<v Speaker 1>for just jump right into the gender stuff, is that

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<v Speaker 1>the girls and boys at this high school are all

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<v Speaker 1>equally stupid, which is nice because it would be very

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<v Speaker 1>easy to be like, oh, like, you know, the heathers

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<v Speaker 1>are so vapid and and secure and all this stuff,

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<v Speaker 1>but like the the guys, like at any high school,

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<v Speaker 1>are just as bad, uh, and just express it in

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<v Speaker 1>different ways. So I liked that that was cool. Yeah,

0:12:22.840 --> 0:12:27.800
<v Speaker 1>everyone's dumb, everyone, including the adults. Yeah, the adults are

0:12:27.920 --> 0:12:30.560
<v Speaker 1>very dumb. They're those a few scenes where like the

0:12:30.600 --> 0:12:34.719
<v Speaker 1>faculty are meeting about what to do about these students suicides,

0:12:34.760 --> 0:12:37.480
<v Speaker 1>and the ones like let's just all hold hands and

0:12:37.600 --> 0:12:40.319
<v Speaker 1>sing about love, and then everyone else is like, shut up,

0:12:40.320 --> 0:12:43.560
<v Speaker 1>you're dumb, hippie. Yeah, yeah, yeah, that was that was weird.

0:12:44.200 --> 0:12:46.840
<v Speaker 1>The reason that I don't really like Veronica is that

0:12:46.880 --> 0:12:51.840
<v Speaker 1>she's seeing her friends display like this horrible behavior being

0:12:51.880 --> 0:12:55.839
<v Speaker 1>bullies and like the Martha Dunstock character. They're very mean

0:12:55.880 --> 0:12:59.640
<v Speaker 1>to her, and she sees this happening and you can

0:12:59.640 --> 0:13:02.440
<v Speaker 1>tell she is uncomfortable with it, but she still is

0:13:02.559 --> 0:13:06.199
<v Speaker 1>very like complicit in this behavior. And just like high schools,

0:13:06.520 --> 0:13:10.440
<v Speaker 1>school is that you decide who is going to give

0:13:10.480 --> 0:13:14.280
<v Speaker 1>you the most like social cachet. So like it reminds

0:13:14.280 --> 0:13:17.240
<v Speaker 1>me sort of sort of similar to like freaks and geeks,

0:13:17.280 --> 0:13:20.960
<v Speaker 1>like how Lindsay we Are starts hanging out with those

0:13:21.040 --> 0:13:23.480
<v Speaker 1>cool kids and stops talking to her friend and she

0:13:23.880 --> 0:13:26.720
<v Speaker 1>knows that, like she doesn't really know if it's like

0:13:26.800 --> 0:13:29.440
<v Speaker 1>the morally right thing to do. Obviously, this is a

0:13:29.480 --> 0:13:33.920
<v Speaker 1>more like cartoonish extreme version, but I get that of

0:13:34.040 --> 0:13:37.000
<v Speaker 1>like you have people maybe you're friends with when you're younger,

0:13:37.040 --> 0:13:39.600
<v Speaker 1>and you know that it's wrong to ditch them, but

0:13:39.679 --> 0:13:43.520
<v Speaker 1>you also desperately want to be cool, and being friends

0:13:43.520 --> 0:13:46.120
<v Speaker 1>with the Heather's allows Veronica to be cool and go

0:13:46.200 --> 0:13:50.280
<v Speaker 1>to college parties and do whatever she thinks she's supposed

0:13:50.320 --> 0:13:52.880
<v Speaker 1>to be doing to be like a cool kid. Yeah,

0:13:52.960 --> 0:13:56.680
<v Speaker 1>Like watching those scenes with Martha, those are like so

0:13:56.760 --> 0:13:59.440
<v Speaker 1>hard to watch because I don't know, like there is

0:13:59.440 --> 0:14:03.360
<v Speaker 1>definitely a time and my high school experience where I

0:14:03.400 --> 0:14:06.440
<v Speaker 1>could see myself doing that, and even though it's like

0:14:06.480 --> 0:14:09.680
<v Speaker 1>I don't think I'm a bad person, but I think that,

0:14:09.760 --> 0:14:11.840
<v Speaker 1>you know, if any I don't know, I just go

0:14:11.920 --> 0:14:15.440
<v Speaker 1>back and like, man, if Samantha Honeywell's approval was on

0:14:15.480 --> 0:14:19.440
<v Speaker 1>the line, I might be a real jackass to someone. Yeah,

0:14:19.480 --> 0:14:21.920
<v Speaker 1>and he might even regret it immediately, but you would

0:14:21.920 --> 0:14:25.200
<v Speaker 1>do it right right, because it's like the immediate social

0:14:25.240 --> 0:14:29.080
<v Speaker 1>survival or whatever. Um. Yeah, that that was hard to watch,

0:14:29.080 --> 0:14:31.880
<v Speaker 1>but I think it for me, it was like because

0:14:31.920 --> 0:14:36.720
<v Speaker 1>it was real. Yeah, it hurt my feelings. I don't know.

0:14:36.880 --> 0:14:41.200
<v Speaker 1>Maybe I'm just a wonderful person who's never been mean anyone.

0:14:43.240 --> 0:14:51.280
<v Speaker 1>That's definitely not true, but like I've been a dick

0:14:51.600 --> 0:14:55.960
<v Speaker 1>to people, but I don't. I still just despite what

0:14:56.000 --> 0:14:57.680
<v Speaker 1>I know about like people wanting to fit in and

0:14:57.720 --> 0:15:00.320
<v Speaker 1>be with the popular kids and do anything to to

0:15:00.360 --> 0:15:03.600
<v Speaker 1>elevate their social status, especially in high school, I just

0:15:03.840 --> 0:15:08.640
<v Speaker 1>couldn't find Veronica to be redeemable at all. And maybe

0:15:08.640 --> 0:15:11.440
<v Speaker 1>it's just because I hadn't seen it as a younger

0:15:11.440 --> 0:15:15.600
<v Speaker 1>person and like just watched it recently. But god, she's

0:15:15.600 --> 0:15:17.960
<v Speaker 1>supposed to be at sixteen or seventeen. Yeah, I think

0:15:17.960 --> 0:15:20.800
<v Speaker 1>they're juniors. I think, yeah, I don't know. I I

0:15:21.000 --> 0:15:24.760
<v Speaker 1>felt for Veronica. I mean, she's an idiot. She's the

0:15:24.840 --> 0:15:29.720
<v Speaker 1>dumbest at certain parts, like that when when j D is,

0:15:30.000 --> 0:15:32.280
<v Speaker 1>you know, convincing her to kill a second set of

0:15:32.280 --> 0:15:34.880
<v Speaker 1>people they've already killed Heather and he's like, no, but

0:15:35.000 --> 0:15:37.960
<v Speaker 1>this one is that these are German, but it's like

0:15:37.960 --> 0:15:40.880
<v Speaker 1>the first one. He also makes it look like he

0:15:41.000 --> 0:15:43.960
<v Speaker 1>was kidding and it was an accident too, right, it

0:15:44.240 --> 0:15:47.280
<v Speaker 1>does she really It's well, it's two things. That's one.

0:15:47.400 --> 0:15:50.920
<v Speaker 1>I think she probably at least partially knows that it's

0:15:50.960 --> 0:15:56.640
<v Speaker 1>it's real, but like it's allowing her to have like

0:15:56.680 --> 0:16:00.680
<v Speaker 1>an excuse like I didn't know. Yeah, I feel like

0:16:00.720 --> 0:16:02.880
<v Speaker 1>she does kind of play dumb because I think she

0:16:02.960 --> 0:16:06.120
<v Speaker 1>does potentially maybe want them dead, or at least she

0:16:06.120 --> 0:16:08.760
<v Speaker 1>said so in her diary. She's also doing the same

0:16:08.800 --> 0:16:11.240
<v Speaker 1>thing with j D that she does with the Heathers,

0:16:11.320 --> 0:16:13.960
<v Speaker 1>where it's just next day or like now, this is

0:16:14.000 --> 0:16:15.640
<v Speaker 1>what I think is cool, So I'm going to do

0:16:15.680 --> 0:16:18.520
<v Speaker 1>whatever this person wants so I can keep hanging out

0:16:18.520 --> 0:16:22.120
<v Speaker 1>with this person. And she does kind of hate them

0:16:23.000 --> 0:16:26.520
<v Speaker 1>all my friends. It's one of my favorite I don't

0:16:26.520 --> 0:16:30.680
<v Speaker 1>really like my friends. There's that, and right after the

0:16:30.720 --> 0:16:34.440
<v Speaker 1>first Heather dies, she's like, oh my god, I killed

0:16:34.480 --> 0:16:37.200
<v Speaker 1>my best friend, and Jad's like Andrew worst enemy, and

0:16:37.200 --> 0:16:43.480
<v Speaker 1>she's like same difference, drama. I don't know. I feel

0:16:43.480 --> 0:16:45.400
<v Speaker 1>like I was reading through my notes on the way

0:16:45.440 --> 0:16:49.160
<v Speaker 1>over here and I was like, oh, I was slowly

0:16:49.280 --> 0:16:52.160
<v Speaker 1>unraveling as I watched this movie, because I did watch

0:16:52.240 --> 0:16:57.960
<v Speaker 1>this movie in a bus station, so that the WiFi

0:16:58.040 --> 0:17:00.840
<v Speaker 1>in the bus station was great. Oh, but I didn't

0:17:00.920 --> 0:17:03.320
<v Speaker 1>have my I you know, you know, like you look

0:17:03.360 --> 0:17:05.840
<v Speaker 1>at something you wrote and you're like, oh, my butt

0:17:05.880 --> 0:17:10.160
<v Speaker 1>was really sore when I was writing this. Um so there.

0:17:10.720 --> 0:17:13.719
<v Speaker 1>I don't know, Like, this movie came out in nineteen eight,

0:17:15.119 --> 0:17:18.080
<v Speaker 1>and it's weird. I don't know. There's like, there were

0:17:18.119 --> 0:17:20.159
<v Speaker 1>a lot of parts of this movie that really like

0:17:20.560 --> 0:17:25.399
<v Speaker 1>made me feel terrible and dare I say trigger triggered?

0:17:26.160 --> 0:17:28.280
<v Speaker 1>I could see how many scenes in this movie would

0:17:28.280 --> 0:17:31.040
<v Speaker 1>be triggering. I hate using that word seriously, but I

0:17:31.080 --> 0:17:34.960
<v Speaker 1>think that might view then what was happening, because there's well,

0:17:35.000 --> 0:17:37.800
<v Speaker 1>it's like two things. This came out in eight eight,

0:17:37.840 --> 0:17:41.199
<v Speaker 1>and Christians Later is pretty much playing me. I dealized

0:17:41.480 --> 0:17:45.320
<v Speaker 1>school shooter, like the fucking crazy, full on wearing a

0:17:45.359 --> 0:17:50.840
<v Speaker 1>trench coat talking about you know this psychotic bullshit about

0:17:51.600 --> 0:17:55.119
<v Speaker 1>you know, society and why everyone should just be fucking

0:17:55.119 --> 0:17:59.880
<v Speaker 1>eradicated man whatever. And it's not anyone's fault, but it's

0:18:00.080 --> 0:18:03.800
<v Speaker 1>is weird to watch this movie and and see um

0:18:03.840 --> 0:18:07.639
<v Speaker 1>and like with the knowledge of how many similar things

0:18:07.840 --> 0:18:11.640
<v Speaker 1>happened in like the twenty years after that movie came out,

0:18:12.119 --> 0:18:14.399
<v Speaker 1>and like there were plenty of movies I feel like

0:18:14.480 --> 0:18:18.479
<v Speaker 1>that came out that were very like teenager destructive stuff

0:18:18.520 --> 0:18:20.600
<v Speaker 1>like that in like the eighties and nineties. But it

0:18:20.680 --> 0:18:22.399
<v Speaker 1>was just I don't know, like certain things that he

0:18:22.480 --> 0:18:26.080
<v Speaker 1>was saying. I was like, this feels like some Columbine ship,

0:18:26.200 --> 0:18:28.520
<v Speaker 1>Like it just didn't At the time, it was like

0:18:28.800 --> 0:18:31.720
<v Speaker 1>it's funny, but I didn't. I don't know, it was

0:18:31.800 --> 0:18:36.320
<v Speaker 1>just weird to think about. I well, the scenes that

0:18:36.400 --> 0:18:39.000
<v Speaker 1>I thought that you were maybe going to talk about

0:18:39.280 --> 0:18:47.119
<v Speaker 1>regarding being triggered, the multiple scenes where a man is

0:18:47.400 --> 0:18:51.240
<v Speaker 1>forcing himself on a woman and she's like violently fighting

0:18:51.240 --> 0:18:54.359
<v Speaker 1>back and he's just like very aggressively trying to kiss

0:18:54.359 --> 0:18:57.760
<v Speaker 1>her and or have sex with her. It happens I

0:18:57.760 --> 0:19:00.480
<v Speaker 1>think at least three times with like three different sounds

0:19:00.480 --> 0:19:04.639
<v Speaker 1>of characters. Um, that's see where Heather gives the blowjob

0:19:04.720 --> 0:19:08.680
<v Speaker 1>to impress the college boys. So sad, sad, and then

0:19:08.760 --> 0:19:11.240
<v Speaker 1>afterwards she like takes a drink of water and spits

0:19:11.240 --> 0:19:15.160
<v Speaker 1>it on the mirror and it's like, oh dude, uck. Yeah,

0:19:15.840 --> 0:19:18.200
<v Speaker 1>but that that one was dinner. I was just like, oh,

0:19:18.480 --> 0:19:22.440
<v Speaker 1>I'll be sad. I know she's going to die. I'm

0:19:22.480 --> 0:19:26.400
<v Speaker 1>having a really hard time processing this movie in terms

0:19:26.480 --> 0:19:29.240
<v Speaker 1>of like what we talk about on this podcast. Usually

0:19:29.840 --> 0:19:32.880
<v Speaker 1>so far the movies have been very like, oh, this

0:19:32.920 --> 0:19:36.520
<v Speaker 1>movie objectively treats the women bad, like there's pretty much

0:19:36.520 --> 0:19:39.199
<v Speaker 1>no question about it, or like this movie does a

0:19:39.200 --> 0:19:42.360
<v Speaker 1>pretty good job. This one. I like don't really know

0:19:42.840 --> 0:19:44.960
<v Speaker 1>how to what to say about it or how to

0:19:45.000 --> 0:19:46.560
<v Speaker 1>discuss it because part of me is like, Okay, it

0:19:46.600 --> 0:19:50.760
<v Speaker 1>boils down to this group of women who are very

0:19:50.840 --> 0:19:53.119
<v Speaker 1>terrible to each other. They're best friends, but they also

0:19:53.240 --> 0:19:56.360
<v Speaker 1>like hate each other and they bully each other. So

0:19:56.440 --> 0:19:58.719
<v Speaker 1>that's like not a fun thing to see on screen,

0:19:58.800 --> 0:20:00.520
<v Speaker 1>or like that's not a great way for women to

0:20:00.520 --> 0:20:03.640
<v Speaker 1>be portrayed, because that is a huge trope where women

0:20:04.000 --> 0:20:07.960
<v Speaker 1>are like women on women crime or hatred or violent

0:20:08.400 --> 0:20:12.600
<v Speaker 1>or just like meanness is like never great. But I

0:20:12.640 --> 0:20:17.000
<v Speaker 1>also think I'm missing the point when I watch this. Yeah,

0:20:17.160 --> 0:20:20.879
<v Speaker 1>it's shitty and everyone in this movie is mean, Like

0:20:20.920 --> 0:20:23.280
<v Speaker 1>I don't know. That didn't bother me too much, like

0:20:23.320 --> 0:20:25.639
<v Speaker 1>the and and I feel like I don't know, like

0:20:25.680 --> 0:20:28.320
<v Speaker 1>the scene where Heather goes down in the college boy,

0:20:28.480 --> 0:20:31.760
<v Speaker 1>like it's written so that we know that it's not

0:20:31.880 --> 0:20:35.120
<v Speaker 1>being endorsed, Like it looks wrong. Like nothing anyone does

0:20:35.119 --> 0:20:37.680
<v Speaker 1>in this movie is being endorsed as the right thing

0:20:37.760 --> 0:20:41.400
<v Speaker 1>to do, except maybe the ending that she cuts him

0:20:41.400 --> 0:20:47.040
<v Speaker 1>out of her life, and like which is out to Martha, Um,

0:20:47.040 --> 0:20:56.000
<v Speaker 1>oh my god when Martha speaks what happened? I guess

0:20:56.400 --> 0:20:59.120
<v Speaker 1>part of why I don't I mean, just like watching

0:20:59.200 --> 0:21:02.240
<v Speaker 1>so any like scene after scene, it's just hard to

0:21:02.280 --> 0:21:05.520
<v Speaker 1>watch of like people being horrible at each other. I

0:21:05.560 --> 0:21:07.120
<v Speaker 1>think it's just a big part of why I don't

0:21:07.119 --> 0:21:08.879
<v Speaker 1>like this movie, just because I don't like that type

0:21:08.880 --> 0:21:10.639
<v Speaker 1>of here's the fun thing they do a lot in

0:21:10.680 --> 0:21:13.760
<v Speaker 1>this movie that made me laugh constantly. When Veronica and

0:21:13.840 --> 0:21:16.399
<v Speaker 1>j D are about to kill someone, Uh, it's usually

0:21:16.400 --> 0:21:19.480
<v Speaker 1>in the dead to night, and they're always yelling like

0:21:20.800 --> 0:21:24.000
<v Speaker 1>kitchen someone they're about to murder. It happens like three

0:21:24.040 --> 0:21:27.199
<v Speaker 1>separate times, and one time it's a dream. But for

0:21:27.240 --> 0:21:30.960
<v Speaker 1>the most part they just walk in speaking at full volume, like,

0:21:31.040 --> 0:21:32.880
<v Speaker 1>so what should we do? Do you want to put

0:21:32.920 --> 0:21:34.919
<v Speaker 1>bleach in the coffee? What you want to do? And

0:21:35.920 --> 0:21:40.639
<v Speaker 1>they immediately like that genuinely maybe laugh. Also steampunk alert,

0:21:41.200 --> 0:21:44.920
<v Speaker 1>Oh I didn't notice, uh this, well, it's a reach.

0:21:45.480 --> 0:21:47.560
<v Speaker 1>But when note rider wears a monocle for a lot

0:21:47.640 --> 0:21:52.720
<v Speaker 1>of this movie, yes, that is pretty steam. This is

0:21:52.720 --> 0:21:56.679
<v Speaker 1>our this is our episode. Lee. Reminder that we do

0:21:56.760 --> 0:22:00.200
<v Speaker 1>not enduse steampunk or steampunk culture for yourself, Jamie, I

0:22:00.240 --> 0:22:04.320
<v Speaker 1>love it. We I told you about. Okay, So this

0:22:04.400 --> 0:22:06.280
<v Speaker 1>was actually the weekend when I saw this movie, when

0:22:06.280 --> 0:22:11.000
<v Speaker 1>I saw that steampunk demonstration taking place in San Francisco,

0:22:11.160 --> 0:22:14.520
<v Speaker 1>and I almost killed myself on the street. I was

0:22:14.600 --> 0:22:17.560
<v Speaker 1>so mad. I think I've already mentioned this in another episode.

0:22:17.800 --> 0:22:20.359
<v Speaker 1>But he was. The guy was wearing like a suede

0:22:20.520 --> 0:22:24.800
<v Speaker 1>vest and goggles and he had these accordion stilts. It

0:22:24.920 --> 0:22:28.320
<v Speaker 1>was horrifying. You did mention that. I know, I know,

0:22:28.520 --> 0:22:31.320
<v Speaker 1>but this was it was really bad. I've got picks.

0:22:32.480 --> 0:22:35.920
<v Speaker 1>I've got picks. But that was upsetting. It another trigger

0:22:36.680 --> 0:22:40.760
<v Speaker 1>I'm so trigger hashtag trigger, but I do I This

0:22:40.800 --> 0:22:44.120
<v Speaker 1>is a tough movie because you don't want to overthink

0:22:44.320 --> 0:22:48.080
<v Speaker 1>what is very clearly like a satire black so many

0:22:48.160 --> 0:22:51.960
<v Speaker 1>kind of thing. But I mean Veronic and j D's

0:22:52.000 --> 0:22:56.919
<v Speaker 1>relationship is insane, like the way that it unfold and

0:22:56.960 --> 0:23:00.639
<v Speaker 1>like how close it is to like real life abusive,

0:23:00.720 --> 0:23:04.119
<v Speaker 1>horrible relationships. Like there were some points in the movie

0:23:04.240 --> 0:23:07.280
<v Speaker 1>where because the guy who wrote this his name is

0:23:07.320 --> 0:23:10.560
<v Speaker 1>Daniel Waters, straight white man, uh, and he was pretty

0:23:10.560 --> 0:23:12.080
<v Speaker 1>young when he wrote it. He's like in his twenties,

0:23:12.119 --> 0:23:14.760
<v Speaker 1>to the point where I'm like, does he fully realize

0:23:14.800 --> 0:23:18.679
<v Speaker 1>like what he's doing? Like by there were certain lines

0:23:18.720 --> 0:23:20.960
<v Speaker 1>that you know, I was just like, oh my god,

0:23:21.000 --> 0:23:22.480
<v Speaker 1>Like it just is like a punch in the gut

0:23:22.480 --> 0:23:26.920
<v Speaker 1>where Christians later saying things like you'll be back and

0:23:26.920 --> 0:23:30.000
<v Speaker 1>and ship like that. What else is there? Oh where

0:23:30.160 --> 0:23:34.119
<v Speaker 1>he basically says like you knew or like deep down

0:23:34.280 --> 0:23:37.159
<v Speaker 1>what we were doing, which arguably could be true but

0:23:37.280 --> 0:23:41.600
<v Speaker 1>also could be an extremely high level gaslight move. Um.

0:23:42.080 --> 0:23:45.480
<v Speaker 1>Also upsetting is that you you realize that he's just

0:23:45.560 --> 0:23:48.680
<v Speaker 1>been doing this for like his entire adolescence. Just going

0:23:48.680 --> 0:23:50.800
<v Speaker 1>to different high schools, and that's why he's like, you'll

0:23:50.840 --> 0:23:53.720
<v Speaker 1>be back because he's probably done that to other girls

0:23:53.760 --> 0:23:56.920
<v Speaker 1>at other high schools right right. And it's like it's oh,

0:23:56.920 --> 0:23:59.480
<v Speaker 1>there's another allusion to that too, where when they're writing

0:23:59.520 --> 0:24:02.479
<v Speaker 1>the first us I note for Heather, he says something

0:24:02.560 --> 0:24:05.040
<v Speaker 1>and she's like, oh, that's good. Have you done this before?

0:24:05.480 --> 0:24:08.679
<v Speaker 1>And first the audience is like wow, but I don't know,

0:24:08.760 --> 0:24:11.360
<v Speaker 1>and then we're like, oh, yeah, he probably has well.

0:24:11.400 --> 0:24:13.399
<v Speaker 1>I think also a really interesting scene in the movie

0:24:13.480 --> 0:24:15.919
<v Speaker 1>that I've forgot about us when you you meet his

0:24:16.119 --> 0:24:19.760
<v Speaker 1>dad when she goes over to their house and you're like, fun,

0:24:20.920 --> 0:24:27.600
<v Speaker 1>straight up like mom, like that that is a weird reveal. Yeah,

0:24:27.640 --> 0:24:30.520
<v Speaker 1>oh yeah, you find out I think the next scene

0:24:30.520 --> 0:24:34.040
<v Speaker 1>where you meet him that he is like basically coming

0:24:34.040 --> 0:24:36.600
<v Speaker 1>in his pants about the demolition of a hotel that

0:24:36.680 --> 0:24:40.920
<v Speaker 1>he really wanted to be demolished, and he's like, we

0:24:41.040 --> 0:24:45.080
<v Speaker 1>got those bitches, and then he like shows a VHS

0:24:45.119 --> 0:24:48.120
<v Speaker 1>tape of the hotel falling over and he's like, oh,

0:24:48.160 --> 0:24:51.600
<v Speaker 1>this guy is also a crazy person, all right, which

0:24:51.640 --> 0:24:54.840
<v Speaker 1>is an interesting movie move to be like. Listen, Christians

0:24:54.920 --> 0:24:58.919
<v Speaker 1>later comes by this honestly, maybe give him a chance.

0:24:59.040 --> 0:25:02.000
<v Speaker 1>It's like, no, he's still terrible. But well, but that's

0:25:02.000 --> 0:25:04.919
<v Speaker 1>what makes the movie interesting is that you know, objectively,

0:25:04.920 --> 0:25:07.280
<v Speaker 1>you're obviously like, run away from this guy. But it

0:25:07.280 --> 0:25:10.800
<v Speaker 1>wouldn't be interesting if there were no intriguing qualities about

0:25:10.880 --> 0:25:13.879
<v Speaker 1>him that make her like keep going back for sure.

0:25:14.119 --> 0:25:16.320
<v Speaker 1>For instance, his dad is crazy and he is hot.

0:25:17.200 --> 0:25:21.280
<v Speaker 1>Sometimes that it also was a motorcycle, doesn't That's pretty crucial.

0:25:21.400 --> 0:25:24.000
<v Speaker 1>There's one line where he says all I need is

0:25:24.400 --> 0:25:27.720
<v Speaker 1>like tequila in my sax. I wrote that down because

0:25:27.720 --> 0:25:29.640
<v Speaker 1>I was like, if someone said that to me, I'd

0:25:29.640 --> 0:25:33.399
<v Speaker 1>be very wet, would come immediately, especially in high school,

0:25:33.480 --> 0:25:35.919
<v Speaker 1>would have really got me. Tequila in my sax. Come on.

0:25:37.240 --> 0:25:41.680
<v Speaker 1>He loves classical music, he's a great guy, weird, he's

0:25:41.720 --> 0:25:44.280
<v Speaker 1>not like the other boys. Well, and that's what like,

0:25:44.760 --> 0:25:47.080
<v Speaker 1>part of what divides her from her friends is that

0:25:47.240 --> 0:25:50.240
<v Speaker 1>they're all like he's weird, and she's like, yeah, that's cool.

0:25:51.320 --> 0:25:54.920
<v Speaker 1>You guys just don't get it. And he's poised as

0:25:55.000 --> 0:26:00.200
<v Speaker 1>being until he demonstrates these like very homicidal qualities part

0:26:00.240 --> 0:26:02.679
<v Speaker 1>way through the movie. Before then you're like, yeah, I

0:26:02.720 --> 0:26:07.920
<v Speaker 1>can totally see why she likes him. Think that if

0:26:07.960 --> 0:26:10.240
<v Speaker 1>she didn't meet j D, she would have just wrote

0:26:10.240 --> 0:26:13.360
<v Speaker 1>out the rest of high school being friends with the others,

0:26:13.760 --> 0:26:16.000
<v Speaker 1>I would imagine, So I don't know, I mean, I

0:26:16.000 --> 0:26:18.760
<v Speaker 1>could see her getting She seems pretty frustrated at the

0:26:18.800 --> 0:26:21.240
<v Speaker 1>beginning of the movie, but maybe she would have found

0:26:21.240 --> 0:26:26.359
<v Speaker 1>a less destructive She seems like so willing to go

0:26:26.400 --> 0:26:29.359
<v Speaker 1>with whoever's influence that if she met someone who was

0:26:29.400 --> 0:26:32.119
<v Speaker 1>like not a psychopath that she connected with, maybe things

0:26:32.160 --> 0:26:34.040
<v Speaker 1>would have turned out fine. But I seem like she's

0:26:34.119 --> 0:26:35.760
<v Speaker 1>kind of done with her friends at the beginning. I

0:26:35.760 --> 0:26:38.720
<v Speaker 1>don't know. Yeah, she was in a vulnerable place where

0:26:39.280 --> 0:26:42.040
<v Speaker 1>this guy showing up it was really easy to just

0:26:42.520 --> 0:26:45.000
<v Speaker 1>right like that could have been anyone, Like yeah, I mean,

0:26:45.040 --> 0:26:47.600
<v Speaker 1>the thing is, I feel like, you know, when you

0:26:47.640 --> 0:26:49.800
<v Speaker 1>watch high school movies or you think about high school

0:26:49.800 --> 0:26:52.040
<v Speaker 1>in general, you think about like the groups, like people

0:26:52.080 --> 0:26:54.680
<v Speaker 1>who actually did things as opposed to like I really

0:26:54.680 --> 0:26:57.320
<v Speaker 1>relate to Veronica because I like didn't I didn't do

0:26:57.359 --> 0:26:59.280
<v Speaker 1>anything in high school. I just was like a person.

0:27:00.760 --> 0:27:03.280
<v Speaker 1>So you're that's the person that's super easy to just

0:27:03.560 --> 0:27:06.960
<v Speaker 1>like latch onto different groups or people and make that

0:27:07.040 --> 0:27:10.200
<v Speaker 1>your personality. I think that that's a really interesting thing.

0:27:11.400 --> 0:27:14.000
<v Speaker 1>But I also I do think that if she didn't

0:27:14.000 --> 0:27:16.119
<v Speaker 1>meet j D, she probably would have just stayed friends

0:27:16.119 --> 0:27:18.680
<v Speaker 1>with them and been miserable until she graduated. Well, if

0:27:18.680 --> 0:27:22.560
<v Speaker 1>it's anything like the movie Mean Girls, which is basically

0:27:22.600 --> 0:27:27.080
<v Speaker 1>a two thousand's version of this movie, Uh, they're all juniors,

0:27:27.480 --> 0:27:31.160
<v Speaker 1>but when they become seniors, they're like, oh, we're better

0:27:31.200 --> 0:27:34.600
<v Speaker 1>than this now. I remember when we're not plastic. I

0:27:34.680 --> 0:27:37.920
<v Speaker 1>was like, you, guys, this is just Heathers. You guys

0:27:37.960 --> 0:27:41.280
<v Speaker 1>don't know. I thought it was very cool. There's another

0:27:41.400 --> 0:27:43.800
<v Speaker 1>movie that came out in between the two draw Breaker

0:27:44.040 --> 0:27:46.280
<v Speaker 1>that I feel like it's quite similar to us. Did

0:27:46.320 --> 0:27:49.520
<v Speaker 1>you see it? It's about a movie, a movie about

0:27:50.000 --> 0:27:52.359
<v Speaker 1>It's about a movie. How do you Talk again? Um?

0:27:52.400 --> 0:27:57.560
<v Speaker 1>And apparently already a little drunk from this Hennessey. It's about, uh,

0:27:57.920 --> 0:28:02.359
<v Speaker 1>this group of girlfriends who like pretend kidnapped their friend

0:28:02.400 --> 0:28:04.439
<v Speaker 1>and like put a jawbreaker in her mouth and like

0:28:04.560 --> 0:28:06.760
<v Speaker 1>tape it so that she doesn't talk because they're like

0:28:07.040 --> 0:28:08.879
<v Speaker 1>playing some trick on her or something. But it's all

0:28:08.960 --> 0:28:12.760
<v Speaker 1>very benign until she chokes on the jawbreaker and dies,

0:28:12.840 --> 0:28:14.959
<v Speaker 1>and then they'll have to figure out what to do

0:28:15.119 --> 0:28:18.199
<v Speaker 1>with her. Dude, I don't remember what happens after that,

0:28:18.200 --> 0:28:20.520
<v Speaker 1>because it's been a very long time since I've seen it.

0:28:20.560 --> 0:28:25.639
<v Speaker 1>Has anyone seen the Slenderman documentary yet? No, you gotta

0:28:25.680 --> 0:28:29.359
<v Speaker 1>watch it. We can't do a factel test episode on

0:28:29.440 --> 0:28:32.680
<v Speaker 1>it because it really happened. But it's about these two

0:28:33.080 --> 0:28:36.840
<v Speaker 1>twelve year old girls who are like, we believe in

0:28:36.880 --> 0:28:39.560
<v Speaker 1>Slenderman and they murder their friends. Oh, I know the

0:28:39.560 --> 0:28:42.760
<v Speaker 1>story and the name of Slenderman. It, you know, for

0:28:42.800 --> 0:28:46.320
<v Speaker 1>all its faults, it absolutely passes the vactel test, you know,

0:28:46.440 --> 0:28:49.880
<v Speaker 1>because there's a lot of police interviews or they're just

0:28:49.920 --> 0:28:54.880
<v Speaker 1>talking about the Slenderman murders. Slenderman as a man, but

0:28:55.040 --> 0:28:57.560
<v Speaker 1>is he a real man? Does a count of peas

0:28:57.960 --> 0:29:00.800
<v Speaker 1>of made up mythological man? I don't know. But I

0:29:00.840 --> 0:29:04.240
<v Speaker 1>didn't realize that young girls were horny for slender Man

0:29:04.320 --> 0:29:06.200
<v Speaker 1>and that's part of why they killed for him, which

0:29:06.280 --> 0:29:10.440
<v Speaker 1>I was like, that's a whole another level. And also

0:29:10.480 --> 0:29:13.000
<v Speaker 1>that all these murders tie back to a website called

0:29:13.080 --> 0:29:17.280
<v Speaker 1>Creepy Pasta. That's great that I like, I didn't know

0:29:17.320 --> 0:29:21.320
<v Speaker 1>that detail about him. I've seen the documentary twice. It's crazy.

0:29:21.440 --> 0:29:24.600
<v Speaker 1>It's very good. Um Anyways, Oh, I wanted to talk

0:29:24.640 --> 0:29:28.600
<v Speaker 1>about the guy who wrote the movie, um, because he

0:29:28.880 --> 0:29:32.480
<v Speaker 1>weirdly has not done a lot since. Um. Hen There's

0:29:32.520 --> 0:29:35.360
<v Speaker 1>was the first movie he ever wrote. He's written some

0:29:35.400 --> 0:29:39.560
<v Speaker 1>other stuff. The biggest it got was Batman Returns in

0:29:39.680 --> 0:29:42.560
<v Speaker 1>ninety two, and that is the one of the Tim

0:29:42.600 --> 0:29:46.560
<v Speaker 1>Burton ones. Yeah, which is one which I would like

0:29:46.600 --> 0:29:51.120
<v Speaker 1>to say is one degree removed from Joel Schumacher turned

0:29:51.160 --> 0:29:54.320
<v Speaker 1>another Batman movies. That's our Schumacher check for this episode.

0:29:54.840 --> 0:29:57.080
<v Speaker 1>I like how each episode we're piling on more and

0:29:57.160 --> 0:30:00.720
<v Speaker 1>more more ritual things. We got him at and Titanic

0:30:00.760 --> 0:30:05.840
<v Speaker 1>we got to mention. There's a lot of things. The

0:30:05.960 --> 0:30:08.840
<v Speaker 1>last thing he wrote and directed was in two thousand

0:30:08.880 --> 0:30:14.280
<v Speaker 1>fourteen and it was called Vampire, so sort of a

0:30:14.320 --> 0:30:18.440
<v Speaker 1>fault from Grace for our pal Dan Waters, which is

0:30:18.480 --> 0:30:22.280
<v Speaker 1>interesting because it's like there's such a specific movie and

0:30:22.320 --> 0:30:24.360
<v Speaker 1>like the way it's written, it almost seems like he

0:30:24.400 --> 0:30:27.920
<v Speaker 1>could have had like a John Hughesy kind of career

0:30:27.960 --> 0:30:29.880
<v Speaker 1>where it's like, oh, this is the guy that writes

0:30:30.640 --> 0:30:35.000
<v Speaker 1>the subversive teens dark comedy. Yeah, yeah, yeah, and but

0:30:35.600 --> 0:30:38.840
<v Speaker 1>you know, and then the endgame is Vampire Academy, which,

0:30:38.880 --> 0:30:40.840
<v Speaker 1>you know, maybe I shouldn't be talking. Maybe it's an

0:30:40.880 --> 0:30:44.840
<v Speaker 1>amazing film. It could be here. Here's the thing, it

0:30:45.400 --> 0:30:50.400
<v Speaker 1>most likely is not. Okay, well there wasn't a point

0:30:50.400 --> 0:30:52.840
<v Speaker 1>to that. But except for I don't know, I'm always

0:30:52.880 --> 0:30:56.200
<v Speaker 1>like a little bit leary of a straight white guy

0:30:56.280 --> 0:31:00.960
<v Speaker 1>writing a movie about young women. UM, for sure, just

0:31:01.000 --> 0:31:04.920
<v Speaker 1>because it's so easy to conflict fact fact in fiction.

0:31:04.960 --> 0:31:07.960
<v Speaker 1>If you're returning to you know, the horny ist, most

0:31:07.960 --> 0:31:10.640
<v Speaker 1>horrible part of your life, uh, and then trying to

0:31:10.680 --> 0:31:13.040
<v Speaker 1>put yourself in the mind of the people you wanted

0:31:13.080 --> 0:31:15.880
<v Speaker 1>to have sex with. Um, it just seems like a

0:31:15.920 --> 0:31:20.520
<v Speaker 1>real challenge. But I I don't know, how did you feel?

0:31:20.680 --> 0:31:23.480
<v Speaker 1>I mean, I felt like he did. I don't know.

0:31:23.640 --> 0:31:25.960
<v Speaker 1>Like this movie is hard. It's very hard to talk

0:31:26.000 --> 0:31:29.440
<v Speaker 1>about in this context. It is. I am also very

0:31:29.440 --> 0:31:34.960
<v Speaker 1>wary of any like straight man who thinks that they

0:31:34.960 --> 0:31:37.840
<v Speaker 1>can I mean, most of the main characters in this

0:31:37.880 --> 0:31:40.840
<v Speaker 1>movie are women. I'm raising my hands because I found

0:31:40.840 --> 0:31:45.840
<v Speaker 1>out something crazy. Tell Us Daniel Waters wrote Heathers. His

0:31:46.000 --> 0:31:49.840
<v Speaker 1>brother Mark Waters directed Mean Girls in two thousand four.

0:31:51.280 --> 0:31:55.880
<v Speaker 1>What the hell that's so weird? He also directed Freaky Friday,

0:31:55.960 --> 0:32:00.880
<v Speaker 1>So he's just a low hand head wild There you go, guys.

0:32:01.040 --> 0:32:04.080
<v Speaker 1>I mean I don't feel like to me, I don't

0:32:04.080 --> 0:32:08.000
<v Speaker 1>think that the characters feel poorly written because they're written,

0:32:09.480 --> 0:32:13.000
<v Speaker 1>especially because it's like, I mean, they're not really like

0:32:13.520 --> 0:32:20.240
<v Speaker 1>women their children. Yeah, well they're also caricatures. And it's

0:32:20.240 --> 0:32:22.640
<v Speaker 1>not just the women that are caricatures, it's everyone in

0:32:22.680 --> 0:32:25.080
<v Speaker 1>a movie, right, And I think that that's why it

0:32:25.160 --> 0:32:27.840
<v Speaker 1>ends up not really being a problem, because it's not

0:32:28.240 --> 0:32:32.680
<v Speaker 1>like a deeply honest depiction of literally anyone. I think

0:32:32.680 --> 0:32:35.720
<v Speaker 1>he sort of ends up being fine, although I will

0:32:35.720 --> 0:32:37.640
<v Speaker 1>say if you look at a picture of him, now,

0:32:38.160 --> 0:32:42.160
<v Speaker 1>crazy come over, insane, like who are you getting? That's

0:32:42.200 --> 0:32:47.240
<v Speaker 1>very unfortunately, very bad Daniels, very very long. Yeah, not

0:32:47.280 --> 0:32:51.000
<v Speaker 1>worth it. Oh boy. Oh there's a bunch of really

0:32:51.040 --> 0:32:56.520
<v Speaker 1>fun Yellie thesis statement kind of dialogue lines, and towards

0:32:56.520 --> 0:32:58.520
<v Speaker 1>the end of this movie is every other thing Christians

0:32:58.560 --> 0:33:01.320
<v Speaker 1>later says is like, Okay, we get it, like you're

0:33:02.040 --> 0:33:06.320
<v Speaker 1>you're a fucking angry young man. The society not to

0:33:06.440 --> 0:33:09.800
<v Speaker 1>any horror the American teenager thinks to bring upon itself

0:33:10.080 --> 0:33:14.720
<v Speaker 1>like grow up and uh what else like because the

0:33:14.760 --> 0:33:17.880
<v Speaker 1>school is society and like that how everything is a

0:33:17.920 --> 0:33:21.000
<v Speaker 1>fucking metaphor for It's it's very tenth grade English, the

0:33:21.000 --> 0:33:25.280
<v Speaker 1>way he interprets the world and why I'm like, this

0:33:25.360 --> 0:33:29.680
<v Speaker 1>is not a fucking Joyce Carol out short story, you

0:33:29.880 --> 0:33:32.800
<v Speaker 1>nut bag. But I love them that. It's it's him

0:33:32.880 --> 0:33:36.080
<v Speaker 1>saying all this ship to a girl who's just looking

0:33:36.080 --> 0:33:39.640
<v Speaker 1>at him like he's a fucking idiot. Like like, if

0:33:39.680 --> 0:33:42.120
<v Speaker 1>he was just saying that and we were just watching it,

0:33:42.120 --> 0:33:45.840
<v Speaker 1>it would be like, maybe not great. But when it's

0:33:46.000 --> 0:33:48.120
<v Speaker 1>posed like that where Veronica is just looking at him,

0:33:48.160 --> 0:33:51.240
<v Speaker 1>like realizing that he has been this idiot the whole time,

0:33:51.920 --> 0:33:54.840
<v Speaker 1>it's is pretty powerful. What's the line? The line what

0:33:54.960 --> 0:33:56.960
<v Speaker 1>do I you know what I need? JD? Cool guys

0:33:57.000 --> 0:34:00.320
<v Speaker 1>like you out of my life or whatever? This is

0:34:00.400 --> 0:34:02.720
<v Speaker 1>just I love that. I love the like, yeah, you're

0:34:02.760 --> 0:34:06.960
<v Speaker 1>a real cool guy. Dude, Like he knows about convenience

0:34:06.960 --> 0:34:10.960
<v Speaker 1>store snacks. That's like what gets Veronica to like him.

0:34:11.040 --> 0:34:14.920
<v Speaker 1>She's like, you know your convenience stores speech because he's

0:34:15.120 --> 0:34:17.680
<v Speaker 1>been a lot of places. Yeah, that's like a like

0:34:17.760 --> 0:34:20.600
<v Speaker 1>his motorcycle. He's a little riff raff, straight rat. I

0:34:20.719 --> 0:34:30.160
<v Speaker 1>like it like he um, no, yeah, I got convenience

0:34:30.160 --> 0:34:32.120
<v Speaker 1>Sturf food on my way over here. Guys, when I

0:34:32.120 --> 0:34:36.640
<v Speaker 1>was getting my card lemonade and stopped at silver Lake

0:34:36.640 --> 0:34:40.040
<v Speaker 1>seven eleven, did they know me there? And I got

0:34:40.239 --> 0:34:42.439
<v Speaker 1>I ordered pizza so bad they didn't make me pay

0:34:42.440 --> 0:34:46.640
<v Speaker 1>for it, like disgusting, and it was disgusting, And he

0:34:46.760 --> 0:34:50.440
<v Speaker 1>was like, on the house, take it, congratulations, you look

0:34:50.520 --> 0:34:53.920
<v Speaker 1>like you really need I need. It's like you look hungry,

0:34:54.000 --> 0:34:59.120
<v Speaker 1>my friends. Going back to the relationship that Veronica and

0:34:59.239 --> 0:35:02.160
<v Speaker 1>j D have, the way it starts is that like

0:35:02.239 --> 0:35:05.759
<v Speaker 1>he just crawls into her window having met her. I

0:35:05.800 --> 0:35:11.279
<v Speaker 1>think prince from a fairy tale. I was like, okay,

0:35:11.320 --> 0:35:14.000
<v Speaker 1>I would have loved that. I would have left that.

0:35:14.320 --> 0:35:16.960
<v Speaker 1>You know, when you're a teenager, nothing is cooler than

0:35:17.000 --> 0:35:20.000
<v Speaker 1>sneaking through a window. They do it in Gilmore Girl.

0:35:20.080 --> 0:35:22.960
<v Speaker 1>I think I had a very different high school experience

0:35:23.000 --> 0:35:28.360
<v Speaker 1>than most people than Gilmore Girls. And also my parents

0:35:28.360 --> 0:35:31.440
<v Speaker 1>didn't dislike any of my high school boyfriends, so there

0:35:31.480 --> 0:35:33.839
<v Speaker 1>was no there was no window climbing. Also, we didn't

0:35:33.840 --> 0:35:35.800
<v Speaker 1>have doors in my house for some reason, so window

0:35:35.800 --> 0:35:38.759
<v Speaker 1>climbing would not have gone well. But you didn't have doors.

0:35:38.800 --> 0:35:40.439
<v Speaker 1>There were no doors. I mean there was a front

0:35:40.440 --> 0:35:42.640
<v Speaker 1>door and a back door, but no one's bedrooms had doors,

0:35:43.560 --> 0:35:45.799
<v Speaker 1>even like doors to your bedrooms, there was like no

0:35:45.880 --> 0:35:49.759
<v Speaker 1>door open bathrooms, no doors bathrooms. There were doors, but

0:35:49.760 --> 0:35:52.759
<v Speaker 1>they were broken. You had to jam something up against them.

0:35:53.760 --> 0:35:57.080
<v Speaker 1>That is crazy, I know, especially because when my little

0:35:57.120 --> 0:36:00.000
<v Speaker 1>brother did learn how to masturbate, he did not exercise

0:36:00.040 --> 0:36:02.640
<v Speaker 1>is any discretion in spite of the fact that there

0:36:02.680 --> 0:36:04.960
<v Speaker 1>were no doors, So he would just be going at

0:36:04.960 --> 0:36:06.719
<v Speaker 1>it and you'd walk past. And that was a hard

0:36:06.760 --> 0:36:10.960
<v Speaker 1>summer for me, like my first summer back from college

0:36:11.080 --> 0:36:13.800
<v Speaker 1>and my brother had hit puberty. Why were there doors

0:36:13.840 --> 0:36:16.200
<v Speaker 1>in your house? There were no doors. I don't know.

0:36:16.800 --> 0:36:20.000
<v Speaker 1>I don't there's to this day, there's no doors. Wow,

0:36:20.040 --> 0:36:23.400
<v Speaker 1>there was no I mean my parents weren't fucking so

0:36:23.480 --> 0:36:25.840
<v Speaker 1>there were no doors. I don't know. I'm baffled. I

0:36:25.880 --> 0:36:29.759
<v Speaker 1>don't know if anyone's ever had sex in my house. Um,

0:36:29.800 --> 0:36:32.920
<v Speaker 1>I mean I started to like pause to think about it.

0:36:32.920 --> 0:36:36.800
<v Speaker 1>I'm like, why would I know the Actually, Okay, i'd

0:36:36.800 --> 0:36:39.759
<v Speaker 1>a house, Jamie, I've gotten to I met your mom.

0:36:39.800 --> 0:36:42.279
<v Speaker 1>I was like, hey, wait, what's her name again? Jill?

0:36:42.680 --> 0:36:44.640
<v Speaker 1>I was like, hey, Jill, do you mind if I

0:36:44.719 --> 0:36:46.600
<v Speaker 1>come over and hang out. I didn't have sex with

0:36:46.640 --> 0:36:49.440
<v Speaker 1>your mom, but I brought someone else sex with someone,

0:36:51.719 --> 0:36:53.560
<v Speaker 1>and she did walk in on us because there were

0:36:53.560 --> 0:36:56.640
<v Speaker 1>no doors. But well I got walked in on once

0:36:56.719 --> 0:37:00.239
<v Speaker 1>in my house. My brother almost caught me like trying

0:37:00.280 --> 0:37:03.400
<v Speaker 1>to lose my virginity, and obviously we had to stop,

0:37:03.440 --> 0:37:09.400
<v Speaker 1>and then he threw up. He was so upset. It

0:37:09.480 --> 0:37:12.600
<v Speaker 1>was just no more running card, no more Runnington parties

0:37:12.640 --> 0:37:15.680
<v Speaker 1>for you know, if my brother was used like, I

0:37:15.760 --> 0:37:17.839
<v Speaker 1>just wanted to root here and then he threw up

0:37:17.880 --> 0:37:22.720
<v Speaker 1>on the floor. I know, it's like, that's a little dramatic, Jamie,

0:37:22.760 --> 0:37:25.240
<v Speaker 1>this isn't insane. I need to talk to your parents

0:37:25.280 --> 0:37:28.040
<v Speaker 1>about whether or no doors to bedrooms. We were like

0:37:28.440 --> 0:37:30.560
<v Speaker 1>in my living room because it didn't matter there were

0:37:30.560 --> 0:37:33.800
<v Speaker 1>no doors. Trying to lose your riginity anywhere and you

0:37:33.800 --> 0:37:39.080
<v Speaker 1>already equal risk. Oh anyway, so he crowls through a

0:37:39.239 --> 0:37:43.200
<v Speaker 1>door and they have they play strip croquet. I don't

0:37:43.239 --> 0:37:45.839
<v Speaker 1>know why croquet is such again, it's probably another like

0:37:46.840 --> 0:37:51.440
<v Speaker 1>maybe it's just a mote for me clueless. Yeah, yeah,

0:37:51.680 --> 0:37:53.440
<v Speaker 1>I don't know what. Yeah, that's just like a thing

0:37:53.520 --> 0:37:56.400
<v Speaker 1>that popular girls did it seems to exist in a

0:37:56.480 --> 0:37:59.200
<v Speaker 1>very specific period of movies. Yeah. I certainly didn't relate

0:37:59.200 --> 0:38:02.239
<v Speaker 1>to the croquet spect Yeah, but it seemed to go

0:38:02.280 --> 0:38:05.920
<v Speaker 1>with their jackets. It totally worked with their outfits. It

0:38:05.960 --> 0:38:08.520
<v Speaker 1>did color coordinate. That was what most of their decisions

0:38:08.520 --> 0:38:14.200
<v Speaker 1>were based on. Is what whatever whatever one with her outfits? Um,

0:38:14.480 --> 0:38:18.000
<v Speaker 1>all right, what else do we say about this? Though?

0:38:18.360 --> 0:38:20.000
<v Speaker 1>I don't even know if I have anything else to

0:38:20.000 --> 0:38:23.600
<v Speaker 1>say about it, just that he It was just jarring

0:38:23.640 --> 0:38:26.160
<v Speaker 1>to me that he He's introduced as this like cool

0:38:26.239 --> 0:38:30.000
<v Speaker 1>subversive guy who's like gonna take her out of this

0:38:30.120 --> 0:38:32.040
<v Speaker 1>click that she's in and she doesn't have to be

0:38:32.040 --> 0:38:34.479
<v Speaker 1>with these horrible heathers anymore. And then that's not where

0:38:34.480 --> 0:38:37.400
<v Speaker 1>the story goes at all. He helps smart, helps her

0:38:37.480 --> 0:38:40.640
<v Speaker 1>murder people that she doesn't like. I do like that

0:38:40.719 --> 0:38:44.799
<v Speaker 1>the weird rape jot guys um get murdered because I

0:38:44.800 --> 0:38:46.759
<v Speaker 1>feel like they had it coming. I like that too.

0:38:46.800 --> 0:38:48.359
<v Speaker 1>And we got to talk about I love my dad

0:38:48.440 --> 0:38:54.040
<v Speaker 1>gay son. That's a great line. How beautiful that the

0:38:54.400 --> 0:38:59.840
<v Speaker 1>dad accepts him. Yeah, that was a fun one. I

0:39:00.040 --> 0:39:03.759
<v Speaker 1>like the nerd who spits out milk, and almost every

0:39:03.800 --> 0:39:09.879
<v Speaker 1>scene that he's in remember that guy there, you see

0:39:09.880 --> 0:39:13.439
<v Speaker 1>it once whenever, like the main Heather, the red Heather.

0:39:13.480 --> 0:39:14.799
<v Speaker 1>I'm going to call her the red I don't know

0:39:14.840 --> 0:39:18.799
<v Speaker 1>their last names. Shannon, that's shand Alardy No, that's uh no,

0:39:19.080 --> 0:39:23.480
<v Speaker 1>there not the red head wear, the red wearing alf

0:39:23.840 --> 0:39:29.200
<v Speaker 1>the one that dies. Yes, yes, she wouldn't have done that.

0:39:30.400 --> 0:39:32.520
<v Speaker 1>She looks at this nerd guy and then they make

0:39:32.760 --> 0:39:35.200
<v Speaker 1>contact and he spits out all this milk and then

0:39:35.239 --> 0:39:37.960
<v Speaker 1>it happens again later on. I forget what prompts him

0:39:37.960 --> 0:39:40.960
<v Speaker 1>that time, but he um just spews milk everywhere. Was

0:39:41.000 --> 0:39:44.120
<v Speaker 1>anyone else like really surprised In the first scene Christian

0:39:44.200 --> 0:39:47.160
<v Speaker 1>Slaters in where you like fall in love with him

0:39:47.200 --> 0:39:49.480
<v Speaker 1>in a very short amount of time and then he

0:39:49.560 --> 0:39:53.279
<v Speaker 1>has a gun. Yeah, She's like, whoa this guy? He

0:39:53.400 --> 0:39:56.000
<v Speaker 1>just said like all I need is tequila in my sacks.

0:39:56.080 --> 0:39:58.239
<v Speaker 1>I'm like, I'm ready to marry him. And then he

0:39:58.320 --> 0:40:02.399
<v Speaker 1>pulls out a gun and shoots two people, presumably dead,

0:40:02.480 --> 0:40:04.479
<v Speaker 1>until the next scene when they're like, oh, he used

0:40:04.520 --> 0:40:07.560
<v Speaker 1>blanks and that's why she's always like, oh, he probably

0:40:07.600 --> 0:40:10.279
<v Speaker 1>always used blanks. Yeah, I guess I got it. I

0:40:10.360 --> 0:40:14.160
<v Speaker 1>got it. I think there's just too many moments like

0:40:14.239 --> 0:40:18.560
<v Speaker 1>that where my my disbelief cannot be suspended. I think

0:40:18.560 --> 0:40:21.080
<v Speaker 1>that's another problem why I just like, there are things

0:40:21.080 --> 0:40:23.160
<v Speaker 1>about this movie I like, but I can't like it

0:40:23.200 --> 0:40:28.239
<v Speaker 1>as a whole because of those few reasons, the characters,

0:40:28.400 --> 0:40:31.000
<v Speaker 1>and then like, there's so many things I can't suspend

0:40:31.000 --> 0:40:34.080
<v Speaker 1>my disbelief for. And yeah, it's a satire, it's a

0:40:34.160 --> 0:40:38.800
<v Speaker 1>dark comedy, it's not meant to be taken so seriously,

0:40:39.080 --> 0:40:42.200
<v Speaker 1>but I can't. I still don't enjoy watching it. I

0:40:42.200 --> 0:40:44.520
<v Speaker 1>think it's also tough if you are watching it for

0:40:44.560 --> 0:40:47.359
<v Speaker 1>the first time. Now, yes, and my own as woman.

0:40:47.520 --> 0:40:52.759
<v Speaker 1>It's one of those things that, like she says, I

0:40:52.760 --> 0:40:54.520
<v Speaker 1>think there are certain things that you grow up with

0:40:54.560 --> 0:40:57.919
<v Speaker 1>that you hesitate to always fully recommend to people because

0:40:57.960 --> 0:41:00.480
<v Speaker 1>you're like, well, I have a very specific like I

0:41:00.560 --> 0:41:02.839
<v Speaker 1>think about, like I loved I also loved the movie

0:41:02.880 --> 0:41:06.440
<v Speaker 1>ghost World, and so I always love that movie. But

0:41:06.600 --> 0:41:08.080
<v Speaker 1>I don't know if I would be like, you have

0:41:08.160 --> 0:41:10.879
<v Speaker 1>to see ghost World, where even though I love it's

0:41:10.880 --> 0:41:13.640
<v Speaker 1>like how I you know, I love supe Plantation, but

0:41:13.680 --> 0:41:15.560
<v Speaker 1>I don't expect anyone else too. It's just because I

0:41:15.560 --> 0:41:17.920
<v Speaker 1>grew up with it, you know, Well, this movie is

0:41:17.960 --> 0:41:22.959
<v Speaker 1>such like a cult. But also I think that's as good. Yeah,

0:41:23.040 --> 0:41:25.600
<v Speaker 1>but I think it it's sort of like Okay, it's like, um,

0:41:25.640 --> 0:41:28.200
<v Speaker 1>like I don't really feel affected when I watched Monty

0:41:28.200 --> 0:41:30.560
<v Speaker 1>Python because I never was like a teenage boy who

0:41:30.640 --> 0:41:34.399
<v Speaker 1>watched it. I'll never feel like I've got a big

0:41:34.440 --> 0:41:37.439
<v Speaker 1>old herd on for Monty Python the Holy Grail. Yeah,

0:41:37.480 --> 0:41:39.520
<v Speaker 1>I just never watched it growing up, so I don't

0:41:39.560 --> 0:41:41.719
<v Speaker 1>feel anything for it now. Like I'm like, I can

0:41:41.760 --> 0:41:45.120
<v Speaker 1>see objectively like this is a value, but I don't

0:41:45.880 --> 0:41:48.200
<v Speaker 1>connect to it. I feel that way about Pepe's Playhous

0:41:48.360 --> 0:41:49.759
<v Speaker 1>And then I'm like, I'm not going to make you

0:41:49.760 --> 0:41:54.120
<v Speaker 1>watch Pepe's Playhouse, but like you should watch it. I

0:41:54.160 --> 0:41:57.960
<v Speaker 1>tried to launch. I got thirty seconds into it and

0:41:57.960 --> 0:42:01.320
<v Speaker 1>had to shut it off. His voice is so grating

0:42:05.120 --> 0:42:08.600
<v Speaker 1>about friends. You just you just couldn't be more wrong.

0:42:08.680 --> 0:42:13.600
<v Speaker 1>But it's you're my friend. I mean, yeah, we all

0:42:13.680 --> 0:42:16.880
<v Speaker 1>have movies that we like. I mean, I like the

0:42:16.920 --> 0:42:22.520
<v Speaker 1>movie Stomp the Yard. Is it a good movie? But

0:42:22.600 --> 0:42:24.680
<v Speaker 1>there are movies that like if like, I'm not mad

0:42:24.719 --> 0:42:27.200
<v Speaker 1>at you for not liking Heathers. There are movies that

0:42:27.239 --> 0:42:31.359
<v Speaker 1>I'd be like, what the funk is wrong with you? Yeah,

0:42:31.400 --> 0:42:33.600
<v Speaker 1>I guess what others. It depends on, like what point

0:42:33.640 --> 0:42:36.600
<v Speaker 1>in your life it arrived to you. I also think

0:42:37.239 --> 0:42:39.759
<v Speaker 1>when I took to the internet and most people were

0:42:39.760 --> 0:42:42.880
<v Speaker 1>slaughtering me, a lot of people were like, okay, I

0:42:42.920 --> 0:42:45.680
<v Speaker 1>can see it. Like the time that it came out,

0:42:45.800 --> 0:42:48.960
<v Speaker 1>it was sort of the first movie if it's kind

0:42:49.920 --> 0:42:55.239
<v Speaker 1>like there hadn't really been a dark teen comedy like that,

0:42:55.680 --> 0:42:58.640
<v Speaker 1>Like they don't others that you can point to afterwards.

0:42:58.640 --> 0:43:00.279
<v Speaker 1>That's something I was thinking about, how you said that

0:43:00.320 --> 0:43:02.759
<v Speaker 1>he didn't really make anything else afterwards. I wonder if

0:43:02.800 --> 0:43:06.759
<v Speaker 1>people we're not interested and more well, I think like

0:43:06.840 --> 0:43:09.560
<v Speaker 1>we said kind of alluded to before, like mean Girls

0:43:09.560 --> 0:43:13.200
<v Speaker 1>and job Breakers were influenced by Heathers. I imagine I

0:43:13.239 --> 0:43:15.920
<v Speaker 1>Mean Girls is like in so many ways a copy

0:43:15.960 --> 0:43:19.000
<v Speaker 1>of Heathers. Yeah. Just okay, wait, I'm looking for this

0:43:19.120 --> 0:43:21.880
<v Speaker 1>status you made about Heathers because I would really okay,

0:43:22.960 --> 0:43:26.200
<v Speaker 1>this is you. I'm sorry. I was about to Can

0:43:26.320 --> 0:43:29.400
<v Speaker 1>someone explain the movie Heathers to me? Why do people

0:43:29.520 --> 0:43:32.719
<v Speaker 1>like it? Is there an extended metaphor that I'm missing?

0:43:33.360 --> 0:43:36.640
<v Speaker 1>There's Okay, that's probably how people read it. Here's how

0:43:36.680 --> 0:43:39.719
<v Speaker 1>I meant it. That's how I interpreted it. I think

0:43:39.719 --> 0:43:41.960
<v Speaker 1>that's how everyone entered. I did not like or comment

0:43:42.280 --> 0:43:46.960
<v Speaker 1>it makes sense. I'm usually like very mean and snarky

0:43:47.000 --> 0:43:51.280
<v Speaker 1>on my Facebook posts. But the way I actually intended

0:43:51.320 --> 0:43:56.080
<v Speaker 1>it was, Hey, guys, friends, can so you meant it

0:43:56.160 --> 0:44:00.960
<v Speaker 1>like I'm sorry to bother you? But why do people

0:44:01.000 --> 0:44:04.360
<v Speaker 1>like it? Is there an extended metaphor missing? Exactly? That's

0:44:04.680 --> 0:44:11.480
<v Speaker 1>not happy? Can you want? Someone explained them. That's honestly, wow?

0:44:11.520 --> 0:44:14.799
<v Speaker 1>Is it got oh? How many? Just one? Just the one?

0:44:14.880 --> 0:44:20.239
<v Speaker 1>But one while eighteen or nineteen likes, which honestly some

0:44:20.280 --> 0:44:24.799
<v Speaker 1>people well, some people were on board with you, slater sucks, uh,

0:44:25.120 --> 0:44:28.480
<v Speaker 1>said one person. Some one person said the musical is fun?

0:44:28.520 --> 0:44:32.000
<v Speaker 1>Did another was some musical? There's one really probably didn't

0:44:32.040 --> 0:44:34.279
<v Speaker 1>need to be. But there was no need to write

0:44:34.360 --> 0:44:38.880
<v Speaker 1>multiple paragraphs about this movie. I will say. Someone said,

0:44:38.920 --> 0:44:42.319
<v Speaker 1>you're wrong and you're being awful about it. Oh my god,

0:44:43.080 --> 0:44:47.359
<v Speaker 1>because their name had there No, it was a man.

0:44:47.760 --> 0:44:52.040
<v Speaker 1>It was a Boston comic who Oh well, I guarantee

0:44:52.080 --> 0:44:54.600
<v Speaker 1>I could beat him up and kill him musing only

0:44:54.680 --> 0:44:57.680
<v Speaker 1>my hands and make it look like a suicide exactly.

0:44:59.000 --> 0:45:02.840
<v Speaker 1>All starcull bade be Um, I don't know. Lots of

0:45:02.840 --> 0:45:07.360
<v Speaker 1>people seem to People say it's funny, it's funny. I

0:45:07.600 --> 0:45:11.760
<v Speaker 1>laughed at moments there at three likes. It's funny, it's funny.

0:45:11.880 --> 0:45:15.319
<v Speaker 1>There's good dialogue. Is it sloppily written? Yeah, yeah it is.

0:45:15.640 --> 0:45:17.879
<v Speaker 1>I would have taken another pass to the screenplay. That's

0:45:17.960 --> 0:45:21.759
<v Speaker 1>just me. Oh can I read something else he wrote?

0:45:22.480 --> 0:45:26.040
<v Speaker 1>But like in the way I interpreted it. Okay, So,

0:45:26.360 --> 0:45:29.440
<v Speaker 1>a very nice, straight white man who we both know

0:45:29.600 --> 0:45:33.040
<v Speaker 1>a great guy, wrote out a very measured explanation of

0:45:33.080 --> 0:45:36.440
<v Speaker 1>why he felt people liked Heather, and then you said,

0:45:37.120 --> 0:45:40.399
<v Speaker 1>I mainly don't like it because for me, there isn't

0:45:40.400 --> 0:45:44.680
<v Speaker 1>a single likable or redeemable, redeemable character in the whole movie.

0:45:45.400 --> 0:45:49.440
<v Speaker 1>Like maybe that's the point, and it's like, Caitlin, calm down.

0:45:50.800 --> 0:45:56.520
<v Speaker 1>This comment has no likes. Yeah, people really did not

0:45:57.120 --> 0:46:02.759
<v Speaker 1>care from you keep going. I don't like most modern comedies.

0:46:03.120 --> 0:46:05.919
<v Speaker 1>I do appreciate that this movie is dark and more

0:46:05.960 --> 0:46:10.160
<v Speaker 1>subversive than most key cutter modity. This is fun. I

0:46:10.160 --> 0:46:15.000
<v Speaker 1>do sound like a no. If you read anyone's Facebook

0:46:15.040 --> 0:46:17.279
<v Speaker 1>comment that way, it would be fun. I'm going to

0:46:17.400 --> 0:46:19.920
<v Speaker 1>start doing that just to keep myself honest about my

0:46:19.960 --> 0:46:23.440
<v Speaker 1>thoughts and feelings. Yeah, reading that voice before you post it.

0:46:23.880 --> 0:46:26.759
<v Speaker 1>Something I've had fun doing is reading Bible versus really

0:46:26.760 --> 0:46:32.520
<v Speaker 1>sarcastically like they're super still, like reading psalms like, um,

0:46:32.560 --> 0:46:36.480
<v Speaker 1>if you start any psalm with um, actually, I've take

0:46:36.600 --> 0:46:40.040
<v Speaker 1>on a whole new meeting. Cool. Well, do you guys

0:46:40.080 --> 0:46:44.840
<v Speaker 1>think ultimately that it does pass? Definitely passed, almost the

0:46:44.880 --> 0:46:48.400
<v Speaker 1>first scene with all the heathers that passes. It passes,

0:46:49.520 --> 0:46:52.719
<v Speaker 1>especially the first like in the first act, especially when

0:46:52.760 --> 0:46:57.520
<v Speaker 1>they're all still hanging out a lot before people start dying. Uh,

0:46:57.719 --> 0:46:59.920
<v Speaker 1>there's a bunch of scenes where it passes. They're talking.

0:47:00.160 --> 0:47:02.520
<v Speaker 1>There's somewhere they're talking that women are talking, but it's

0:47:02.560 --> 0:47:07.319
<v Speaker 1>it is about uh j D or someone. But um, Yeah,

0:47:07.320 --> 0:47:09.759
<v Speaker 1>they talk about all kinds of things. They talk about bulimia.

0:47:10.160 --> 0:47:16.360
<v Speaker 1>They talk about the lunchtime pole, which is a classic.

0:47:16.440 --> 0:47:18.840
<v Speaker 1>I did like the lunchtime Pole. I remember seeing that

0:47:18.880 --> 0:47:20.520
<v Speaker 1>in high school and being like, we should do that.

0:47:20.600 --> 0:47:23.239
<v Speaker 1>It seems fun. The question that they posed, though, is

0:47:23.320 --> 0:47:27.320
<v Speaker 1>so stupid it's infurious, And I wrote it down because

0:47:27.360 --> 0:47:28.880
<v Speaker 1>I was like, well, that's a pretty well thought out

0:47:28.960 --> 0:47:33.800
<v Speaker 1>question for someone so young. You inherit a million dollars

0:47:33.840 --> 0:47:35.960
<v Speaker 1>two days before the aliens blow the world up? What

0:47:36.000 --> 0:47:41.600
<v Speaker 1>do you do? Yeah? I think that Oh what would

0:47:41.600 --> 0:47:43.759
<v Speaker 1>you do? Oh? Wait, I was I wrote down what

0:47:44.160 --> 0:47:48.360
<v Speaker 1>everyone answered that question with the concept was that you

0:47:48.360 --> 0:47:51.840
<v Speaker 1>win the money. But you know, you know the world's

0:47:51.840 --> 0:47:54.560
<v Speaker 1>gonna end and you have the money, so Calin will

0:47:54.560 --> 0:47:56.920
<v Speaker 1>pose it to you first, because I just read all

0:47:56.920 --> 0:48:00.440
<v Speaker 1>your Facebook stays is very rudely. You inher a million

0:48:00.440 --> 0:48:03.239
<v Speaker 1>dollars two days before aliens blow the world up, and like,

0:48:03.360 --> 0:48:05.080
<v Speaker 1>you know that the world's going to blow up in

0:48:05.080 --> 0:48:06.960
<v Speaker 1>two days? What do you do it? First of all,

0:48:07.040 --> 0:48:11.200
<v Speaker 1>it's five million dollars. Sorry to be I'm sorry. I

0:48:11.239 --> 0:48:15.919
<v Speaker 1>was in a bus station. What a certain damage fund?

0:48:16.000 --> 0:48:24.200
<v Speaker 1>Me gently with the chainsaws? I guess with only two

0:48:24.320 --> 0:48:27.919
<v Speaker 1>days to live, I don't know. I would just kill

0:48:28.000 --> 0:48:33.000
<v Speaker 1>myself knowing that things would from the aliens. Oh, that

0:48:33.040 --> 0:48:37.719
<v Speaker 1>hadn't even occurred to me. I guess if like with

0:48:37.960 --> 0:48:41.640
<v Speaker 1>five million dollars, that was somehow enough resources to stop

0:48:41.640 --> 0:48:44.480
<v Speaker 1>the aliens, sure I would do that. But if if

0:48:44.480 --> 0:48:46.960
<v Speaker 1>it's like if certain death is coming, I would just

0:48:47.000 --> 0:48:49.479
<v Speaker 1>get it over with right away, and I or maybe

0:48:49.560 --> 0:48:51.759
<v Speaker 1>I'd be like, hey, does anyone want to commit a murder?

0:48:51.760 --> 0:48:54.200
<v Speaker 1>And then you can frame it as my suicide if

0:48:54.200 --> 0:49:00.400
<v Speaker 1>you want page what JD. I don't know. I mean, like,

0:49:00.480 --> 0:49:02.399
<v Speaker 1>what can you really do a value because it's like,

0:49:02.840 --> 0:49:04.319
<v Speaker 1>you know, you want to say like you'd give it

0:49:04.360 --> 0:49:06.880
<v Speaker 1>to charity or whatever, but it's like charity cancering with

0:49:06.880 --> 0:49:09.279
<v Speaker 1>it in two days, like you like you're going to

0:49:09.360 --> 0:49:12.520
<v Speaker 1>feed the hungry, like they're just gonna die anyway. Like

0:49:12.840 --> 0:49:15.000
<v Speaker 1>I guess you try and maybe give people some sense

0:49:15.000 --> 0:49:18.759
<v Speaker 1>of joy before they nice, but like, how do you

0:49:18.840 --> 0:49:24.000
<v Speaker 1>do that? Like what would you do? Jamie? I would

0:49:24.400 --> 0:49:27.880
<v Speaker 1>invest it all and then be like, guys, we should

0:49:27.920 --> 0:49:32.320
<v Speaker 1>really invest in these companies as a joke because I

0:49:32.400 --> 0:49:34.320
<v Speaker 1>would know what they don't. I think it's her former

0:49:34.360 --> 0:49:39.400
<v Speaker 1>friend Betty Finn, poor Betty Finn. I feel like the

0:49:39.520 --> 0:49:45.680
<v Speaker 1>character and freakin geks, Like really, man, I've been on

0:49:45.760 --> 0:49:49.799
<v Speaker 1>both sides of that. Yeah, yeah, I guess we all have. Yeah, man,

0:49:50.040 --> 0:49:53.040
<v Speaker 1>that people grow out of each other. It's sad, it's gross,

0:49:53.280 --> 0:49:55.680
<v Speaker 1>and that's like the high school. I feel like it's

0:49:55.719 --> 0:49:58.200
<v Speaker 1>the primary time for that. You don't know who you

0:49:58.200 --> 0:50:01.040
<v Speaker 1>want to bring together forever? Cardless of whether we like

0:50:01.120 --> 0:50:02.480
<v Speaker 1>each other or not. You can only do that if

0:50:02.480 --> 0:50:05.399
<v Speaker 1>you're in band. I don't understand. Yeah, that's true. Yeah,

0:50:05.560 --> 0:50:07.239
<v Speaker 1>we gotta bring up your O bow. That's another thing

0:50:07.280 --> 0:50:08.759
<v Speaker 1>that we have to talk about it talking about with

0:50:08.880 --> 0:50:12.080
<v Speaker 1>my band friends today. Sent her a letter in the mail.

0:50:12.440 --> 0:50:14.520
<v Speaker 1>Um said, you used to play the clarinet as a joke.

0:50:14.560 --> 0:50:18.919
<v Speaker 1>I know she doesn't. That's nice though, he reached out.

0:50:19.600 --> 0:50:23.399
<v Speaker 1>Can I read a psalm? Yes? Oh, But the reason

0:50:23.440 --> 0:50:26.160
<v Speaker 1>I brought up Betty Finn is that, Um, the answer

0:50:26.239 --> 0:50:28.080
<v Speaker 1>she gives is to just like spend the money on

0:50:28.160 --> 0:50:31.520
<v Speaker 1>throwing a big bash right before everyone dies. And that's

0:50:31.560 --> 0:50:34.319
<v Speaker 1>probably the best way which is to do it. I mean,

0:50:34.320 --> 0:50:37.359
<v Speaker 1>if you're all gonna die, just like have like have fun.

0:50:37.680 --> 0:50:41.000
<v Speaker 1>There was no drunk And maybe this is like reductive

0:50:41.080 --> 0:50:43.359
<v Speaker 1>of me, but I was like, there was nothing like

0:50:44.560 --> 0:50:47.840
<v Speaker 1>that looked wrong with her. She seemed like a normal

0:50:48.880 --> 0:50:52.480
<v Speaker 1>I don't know, she even knows how to play. Definitely,

0:50:52.480 --> 0:50:55.920
<v Speaker 1>nothing wrong with her. She's just just like, yeah, she

0:50:56.040 --> 0:50:59.080
<v Speaker 1>just doesn't like cool in the right way. Right. Yeah,

0:50:59.120 --> 0:51:02.799
<v Speaker 1>there there's just been missing. Poor Betty. She lived, but

0:51:02.880 --> 0:51:06.520
<v Speaker 1>also she's fine ultimately not poor Betty. I'll probably grew

0:51:06.600 --> 0:51:10.439
<v Speaker 1>up to be you know, she has a PhD. Now, Yeah,

0:51:10.440 --> 0:51:14.319
<v Speaker 1>she didn't have any crazy traumatic experiences because she wasn't

0:51:14.320 --> 0:51:16.560
<v Speaker 1>trying to be cool. She's a woman in stem now

0:51:17.280 --> 0:51:20.560
<v Speaker 1>and it's wild because we need more of those. Um. Okay,

0:51:20.600 --> 0:51:23.520
<v Speaker 1>I just wanted to But you're reading a psalm? Is

0:51:23.520 --> 0:51:26.080
<v Speaker 1>that how you say it? Salm? Yeah? I've never been

0:51:26.120 --> 0:51:31.120
<v Speaker 1>to church of a palm. I'm sorry. The s is

0:51:31.360 --> 0:51:34.920
<v Speaker 1>silent um? Are we Is there anything else we need

0:51:35.000 --> 0:51:36.600
<v Speaker 1>to talk about before I read a psalm? Maybe this

0:51:36.640 --> 0:51:39.239
<v Speaker 1>will be a fun new way to close this show. Yeah,

0:51:39.800 --> 0:51:44.120
<v Speaker 1>all the hands and closed her eyes. Please not ever again,

0:51:44.200 --> 0:51:47.200
<v Speaker 1>but this time I permit you. Okay, just that if

0:51:47.239 --> 0:51:51.240
<v Speaker 1>we all calm down a little bit impossible, but okay,

0:51:51.520 --> 0:51:57.440
<v Speaker 1>and we're gonna pray. Okay. So um, the Lord is

0:51:57.600 --> 0:52:03.279
<v Speaker 1>my shepherd. He leads me in the paths of righteousness.

0:52:03.719 --> 0:52:06.880
<v Speaker 1>I will fear no evil. I will dwell in the

0:52:06.920 --> 0:52:14.640
<v Speaker 1>house of the Lord forever. That's great, Jesus, thank you

0:52:14.680 --> 0:52:21.120
<v Speaker 1>so much. That was wonderful. Thank you. Yeah, do we

0:52:21.160 --> 0:52:25.680
<v Speaker 1>need to cover anything else? Welded that it does pass

0:52:25.719 --> 0:52:27.880
<v Speaker 1>the BacT to test a bunch of different times for

0:52:27.920 --> 0:52:31.680
<v Speaker 1>sure on that. But it's just a confusing movie in

0:52:31.719 --> 0:52:34.520
<v Speaker 1>general to analyze. It's just it's a tricky one. Well

0:52:34.560 --> 0:52:37.239
<v Speaker 1>it's like I mean, because it's like, you know, it

0:52:37.280 --> 0:52:40.960
<v Speaker 1>portrays these girls realistically, but it's not in a nice way.

0:52:41.760 --> 0:52:44.680
<v Speaker 1>So that's tough. Like, obviously, ideally you want something that

0:52:44.719 --> 0:52:50.520
<v Speaker 1>portrays women behaving maturely and cool. I think it portrays

0:52:50.600 --> 0:52:54.640
<v Speaker 1>certain aspects of certain people realistically, but the characters still

0:52:54.680 --> 0:52:59.840
<v Speaker 1>are so they're pretty one dimensional. And so it's definitely

0:52:59.840 --> 0:53:05.239
<v Speaker 1>like an uncanny valley of like everyone's bad traits, regardless

0:53:05.239 --> 0:53:08.200
<v Speaker 1>of gender come out way faster and wave like in

0:53:08.200 --> 0:53:10.600
<v Speaker 1>a more obvious way than it would in real life.

0:53:10.680 --> 0:53:13.920
<v Speaker 1>But well, don't know, it's not really a gender issue

0:53:13.920 --> 0:53:18.239
<v Speaker 1>in this movie. Terrible. High schoolers are dumb. Yeah, I

0:53:18.280 --> 0:53:21.600
<v Speaker 1>think we can all agree on that they suck. Sorry,

0:53:21.600 --> 0:53:23.320
<v Speaker 1>if we have any high school fans, shout out to

0:53:23.400 --> 0:53:26.440
<v Speaker 1>high schoolers. Yeah, if you're listening to this, then you

0:53:26.520 --> 0:53:32.000
<v Speaker 1>are cool. What stay cool? What is up? Yeah? You

0:53:32.680 --> 0:53:35.400
<v Speaker 1>get some you get a lot to look forward to.

0:53:35.560 --> 0:53:38.200
<v Speaker 1>You got a lot of life to live my friends. Yeah,

0:53:38.280 --> 0:53:42.759
<v Speaker 1>tweet at us, tweet tweet and faith. Thank you high

0:53:42.800 --> 0:53:49.239
<v Speaker 1>school there. So uh, once again, page, thanks for being here.

0:53:49.280 --> 0:53:52.640
<v Speaker 1>Thanks for having me. I love talking about Heathers. We

0:53:52.719 --> 0:53:56.640
<v Speaker 1>conclude each episode by rating the movie in the context

0:53:56.680 --> 0:54:00.719
<v Speaker 1>of its portrayal of the women in it. Boy do

0:54:00.800 --> 0:54:03.759
<v Speaker 1>we do we do? This is a hard one. It's

0:54:03.760 --> 0:54:07.200
<v Speaker 1>a really hard one, and my judgment is going to

0:54:07.280 --> 0:54:09.160
<v Speaker 1>be clouded because I just don't really like this movie.

0:54:09.200 --> 0:54:13.600
<v Speaker 1>But because we've had some hennessy and yeah, well not

0:54:13.640 --> 0:54:16.600
<v Speaker 1>that much. I finished my Mike's hard good. Yeah, well,

0:54:16.600 --> 0:54:21.480
<v Speaker 1>thank you. Um, I'm going to give it two and

0:54:21.520 --> 0:54:24.520
<v Speaker 1>a half stars. And here's why do we have what

0:54:25.480 --> 0:54:37.279
<v Speaker 1>oh my god, I'm drunk goes stars that we read

0:54:37.320 --> 0:54:40.200
<v Speaker 1>it on a scale of zero to five nipples. We

0:54:40.320 --> 0:54:45.280
<v Speaker 1>described the nipples yeah, um, two and a half because

0:54:47.520 --> 0:54:50.239
<v Speaker 1>I like that it's like a movie about women and

0:54:50.280 --> 0:54:53.600
<v Speaker 1>the women are the driving force largely. But I just

0:54:53.640 --> 0:54:56.560
<v Speaker 1>don't like any of them. But so let me just

0:54:56.600 --> 0:54:59.719
<v Speaker 1>feel very conflicted. I don't know. Maybe I'll change my

0:54:59.800 --> 0:55:02.560
<v Speaker 1>mind later, but right now, it's two and a half nipples.

0:55:02.719 --> 0:55:06.160
<v Speaker 1>Two of them belong to I think his name is Ram,

0:55:06.280 --> 0:55:10.480
<v Speaker 1>one of the football jocks, very very very small, tiny nipples.

0:55:11.280 --> 0:55:16.359
<v Speaker 1>Great name for high school jock. And then the other

0:55:16.400 --> 0:55:20.520
<v Speaker 1>one belongs to Christians. Later. The other half nipples is

0:55:21.080 --> 0:55:28.040
<v Speaker 1>Christians Laters and it's smooth and it's nice nice. Okay, Um,

0:55:28.160 --> 0:55:31.760
<v Speaker 1>I guess it is. It is tough to rate because

0:55:32.280 --> 0:55:37.520
<v Speaker 1>they are children, not really like women, but so I

0:55:37.560 --> 0:55:39.480
<v Speaker 1>guess I would even though I love this movie, I

0:55:39.520 --> 0:55:43.080
<v Speaker 1>would probably give it like three nipples, but they're like

0:55:43.560 --> 0:55:49.759
<v Speaker 1>it's like one of um, they're like brown, like nice nipples. Yeah,

0:55:49.920 --> 0:55:54.840
<v Speaker 1>I give it three nipples and one song. Um. Okay,

0:55:54.960 --> 0:55:57.120
<v Speaker 1>can I say what the song is? You can? I

0:55:57.200 --> 0:56:00.920
<v Speaker 1>just want to do another Okay, Okay. My soul waits

0:56:00.960 --> 0:56:05.000
<v Speaker 1>for God alone. He alone is my rock and my salvation.

0:56:05.239 --> 0:56:09.200
<v Speaker 1>Trust in Him at all times. Oh, people, power and

0:56:09.239 --> 0:56:12.399
<v Speaker 1>love belong to God. Indeed, as we bray, I give

0:56:12.440 --> 0:56:15.880
<v Speaker 1>a three nipples, they all belong to the dad who's

0:56:15.920 --> 0:56:19.520
<v Speaker 1>proud of his gay son. Oh, I want mine to

0:56:19.560 --> 0:56:24.600
<v Speaker 1>belong to the dad who says I don't patronize bunny rabbits. Well,

0:56:24.640 --> 0:56:29.439
<v Speaker 1>we forgot about that dad. That's Veronica's dad. Veronica's parents.

0:56:29.480 --> 0:56:31.839
<v Speaker 1>We did not talk about their what was going on

0:56:31.880 --> 0:56:37.439
<v Speaker 1>with They have no personality. I like when when her

0:56:37.520 --> 0:56:41.120
<v Speaker 1>mom thinks that Veronica has committed suicide and she walks

0:56:41.160 --> 0:56:43.239
<v Speaker 1>in the first thing she says is I wish I'd

0:56:43.280 --> 0:56:46.920
<v Speaker 1>let you get that joke at the mall whoever. And

0:56:47.320 --> 0:56:50.000
<v Speaker 1>I'm just like, really, this is how you're reacting to

0:56:50.120 --> 0:56:52.120
<v Speaker 1>the That's the other thing. No one reacts in a

0:56:52.160 --> 0:56:54.080
<v Speaker 1>way that I can believe at all, Like, no one

0:56:54.280 --> 0:56:59.080
<v Speaker 1>is devastated by or feeling guilt about having committed these murders.

0:56:59.120 --> 0:57:01.919
<v Speaker 1>It's just sing to me. Yeah, it's weird that it's

0:57:01.960 --> 0:57:04.080
<v Speaker 1>like elevated to like, oh, the Heathers are everything, but

0:57:04.120 --> 0:57:06.040
<v Speaker 1>then one of them does and like no one cares.

0:57:06.600 --> 0:57:10.279
<v Speaker 1>But but that's the point. Yeah, everyone's just like, who's

0:57:10.320 --> 0:57:13.920
<v Speaker 1>going to be the new one? Right? She wasn't important?

0:57:13.960 --> 0:57:18.360
<v Speaker 1>Is important? Yeah? Maybe that's why they're all named Heather.

0:57:19.400 --> 0:57:22.960
<v Speaker 1>Does matter who you are as an individual, It just

0:57:23.040 --> 0:57:27.800
<v Speaker 1>matters that you are a Heather. Deep. I love it.

0:57:27.960 --> 0:57:37.560
<v Speaker 1>I'm very smart. I'm sweating. It's so hot I am. Yeah. Um, well,

0:57:38.160 --> 0:57:46.480
<v Speaker 1>I think that it's time to go a song like

0:57:46.600 --> 0:57:49.800
<v Speaker 1>a psalm A psalm. I think we've done enough psalms

0:57:49.840 --> 0:57:52.840
<v Speaker 1>for today, unless you'd like another, I've got more. Let's

0:57:52.840 --> 0:57:54.280
<v Speaker 1>gave it for the next time. I think I'll let

0:57:54.320 --> 0:57:59.360
<v Speaker 1>another one happen. Really yeah, um, hey, pages there anything

0:58:00.080 --> 0:58:01.840
<v Speaker 1>you want to plug or where can people find you

0:58:02.040 --> 0:58:04.840
<v Speaker 1>on the internet. Um, you can follow me on Twitter

0:58:05.240 --> 0:58:08.800
<v Speaker 1>at page Weldon, and you can visit my website at

0:58:08.880 --> 0:58:11.920
<v Speaker 1>higgs ballon dot com. We have fun comedy articles and stuff,

0:58:12.360 --> 0:58:14.760
<v Speaker 1>and we have a show at the Improv Lab febr

0:58:15.760 --> 0:58:20.160
<v Speaker 1>ten pm yea for love it. You can follow us

0:58:20.240 --> 0:58:23.320
<v Speaker 1>at becktel Cast on Twitter. You can write to us

0:58:23.600 --> 0:58:27.400
<v Speaker 1>via email. Has never done that, not yet, so I

0:58:27.520 --> 0:58:32.120
<v Speaker 1>really encourage people to email us at the Bechtel Cast

0:58:32.200 --> 0:58:35.680
<v Speaker 1>at gmail dot com just about anything about anything, anything

0:58:35.720 --> 0:58:38.920
<v Speaker 1>you want. And then, um, we also have a Facebook.

0:58:39.560 --> 0:58:43.320
<v Speaker 1>We can check that out and like it. So there

0:58:43.360 --> 0:58:46.040
<v Speaker 1>you go. Alright, guys, keep reading that Bible and I

0:58:46.120 --> 0:58:49.240
<v Speaker 1>keep doing the right thing. Yeah, so yeah bye