WEBVTT - Timothy Scott: Death of a Dancer

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<v Speaker 1>Growing up in the Maryland suburbs outside of d C,

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<v Speaker 1>Broadway was just far enough away to seem like another world,

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<v Speaker 1>a magical one. So it's no surprise that some of

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<v Speaker 1>my fondest memories are of the train trips i'd take

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<v Speaker 1>with my parents to go and see Broadway shows. First

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<v Speaker 1>was the musical Barnum starring Jim Dale. Joined the third

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<v Speaker 1>just like hi Wan when I was a killed. After that,

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<v Speaker 1>I think it was Annie. I don't mean anything by you.

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<v Speaker 1>Both were great shows, but the trip we took in

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<v Speaker 1>February was next level. We were going to see a

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<v Speaker 1>show that was nothing short of an event. I loved

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<v Speaker 1>Andrew Lloyd Webber's musical Cats even before I saw it,

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<v Speaker 1>and not in an ironic way. I played that original

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<v Speaker 1>Broadway cast album until the vinyl almost melted. The song

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<v Speaker 1>memory instantly unforgettable junior Face. My friend Mario and I

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<v Speaker 1>would listen to it over and over on the stereo

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<v Speaker 1>in his family room, and when Betty Buckley would hit

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<v Speaker 1>that big note, I would grab the nearest sofa pello

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<v Speaker 1>and bite it. Look, I was only thirteen years old.

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<v Speaker 1>I honestly didn't know how else to channel the urges

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<v Speaker 1>it tapped into. When I finally saw the show as

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<v Speaker 1>a much more sophisticated four year old, my expectations were

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<v Speaker 1>actually exceeded. That's set, the costumes, and that dancing. My

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<v Speaker 1>parents and I sat in the very last row of

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<v Speaker 1>the balcony, so the cats who came into the audience

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<v Speaker 1>didn't come anywhere near us. But so what, It was

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<v Speaker 1>still impossibly exciting. Afterwards, I went back home to Bethesda,

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<v Speaker 1>Maryland with an official cat's sweatshirt, the one with the

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<v Speaker 1>two yellow cat eyes on the back. I wore that

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<v Speaker 1>sweatshirt to Pile Junior High almost every day for the

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<v Speaker 1>rest of the winter. I ended up writing a letter

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<v Speaker 1>to every member of the cast twice. I only received

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<v Speaker 1>a couple of responses, but I was absolutely thrilled that

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<v Speaker 1>one of them was from Mr Mustaphel's himself, Tim Scott,

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<v Speaker 1>this dancer. When he did twenty four consecutive weets, he

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<v Speaker 1>took my breath away. I didn't know that those wild

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<v Speaker 1>spins were called forwetas, or even how spell the word.

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<v Speaker 1>All I knew was that I was watching someone defy

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<v Speaker 1>the laws of physics. Tim Scott's letter to me was short,

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<v Speaker 1>but gracious. I was just so happy that he answered.

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<v Speaker 1>But back then I had no idea of the offstage

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<v Speaker 1>drama that was quietly building for Tim Scott and for

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<v Speaker 1>many in the cast of Cats, for the Broadway community

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<v Speaker 1>at large, and especially for the gay men who were

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<v Speaker 1>in essential part of that community. AIDS was discovered first

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<v Speaker 1>and young homosexual meant there is no cure and it

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<v Speaker 1>is often fatal. By the fall of two when Cats

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<v Speaker 1>opened on Broadway, AIDS had become a health crisis. By

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<v Speaker 1>the end of the decade, it would claim the lives

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<v Speaker 1>of over one hundred thousand Americans and would devastate the

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<v Speaker 1>arts world. In the original cast of Cats alone, AIDS

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<v Speaker 1>would cut down four dancers at the very top of

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<v Speaker 1>their careers and in peak physical form. The tragedy of

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<v Speaker 1>the whole thing, isn't it. That's a microcosm of the

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<v Speaker 1>big picture. You've got to show that's about youth and vitality,

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<v Speaker 1>and these are people who were taken down in the

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<v Speaker 1>prime of their lives. This is the story of one

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<v Speaker 1>of those dancers. It's a story of talent, beautiful, beautiful dancer.

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<v Speaker 1>You can't imagine all of the tricks that he did.

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<v Speaker 1>It was just absolutely incredible. It's a story of dreams

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<v Speaker 1>I'll never begin, he said, you know what, I just

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<v Speaker 1>want to be the best dance so I could possibly

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<v Speaker 1>be and be on Broadway. Most of all, it's a

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<v Speaker 1>love story. One night he turned and looked at me,

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<v Speaker 1>and I looked back at him, and there was this long,

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<v Speaker 1>meaningful moment. So I like to say that I fell

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<v Speaker 1>in love with him when he was dressed as a

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<v Speaker 1>cat from CBS Sunday Morning and I heart I'm Morocca

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<v Speaker 1>and this is mobituaries, this moment. Timothy Scott, February eight,

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<v Speaker 1>death of a dancer. My parents splurged and they brought

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<v Speaker 1>me the five dollar souvenir programs and inside there's an

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<v Speaker 1>autograph best Ken page. Oh my goodness, oh wonderful look

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<v Speaker 1>at that. And I had to thank you for stopping

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<v Speaker 1>on Seventh Avenue when it was really cold in February

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<v Speaker 1>signing my souvenir program. Uh, we'll see, we didn't know it,

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<v Speaker 1>but this day was gonna happen. I'm talking to well,

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<v Speaker 1>really gushing over actor Ken Paige, who played the role

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<v Speaker 1>of Old Deuteronomy in the original Broadway cast of Cats.

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<v Speaker 1>When I saw Ken Paige and Cats, I was already

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<v Speaker 1>a fan of his from the musical review ain't misbehaving.

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<v Speaker 1>I'm going right now and write you might know Ken

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<v Speaker 1>Paige best as the voice of the evil Oogie Boogie

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<v Speaker 1>in Tim Burton's The Nightmare Before Christmas. It's good book

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<v Speaker 1>and attention now, bogie Man. But I'm talking to Ken

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<v Speaker 1>today because of his connection to CATS co star Timothy Scott.

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<v Speaker 1>You see, Cats wasn't the first time Ken and Tim

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<v Speaker 1>worked together. They both began their professional stage careers as

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<v Speaker 1>teenagers at the legendary St. Louis Municipal Opera Theater commonly

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<v Speaker 1>known as the Muni, the oldest and largest outdoor musical

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<v Speaker 1>theater in North America. He was in the dance ensemble

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<v Speaker 1>and I was in the singing ensemble. He danced. I

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<v Speaker 1>don't say I moved well, and I will never be

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<v Speaker 1>At this day. There's a beautiful fountain between a rehearsal

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<v Speaker 1>space and the backstage, and he was sitting up at

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<v Speaker 1>the top and the water was sort of running through

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<v Speaker 1>his feet and everything. And he said to me, he said,

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<v Speaker 1>you know what, I just want to be the best

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<v Speaker 1>dance so I could possibly be and be on Broadway.

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<v Speaker 1>And I said, yeah, me too. I want to be

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<v Speaker 1>I want to be on Broadway too. You know, I

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<v Speaker 1>was eighteen, so he must have been probably seventeen. As

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<v Speaker 1>it turns out, their dreams of Broadway were not far fetched.

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<v Speaker 1>Timothy Scott Schnell was born on September in Morton Grove, Illinois,

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<v Speaker 1>a suburb of Chicago. Tim had something of a late start.

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<v Speaker 1>A lot of dancers start training as early as four

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<v Speaker 1>years old. Tim Scott didn't start taking dance lessons until

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<v Speaker 1>he was a teenager, but it was clear from the

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<v Speaker 1>get go he was un natural. He went straight from

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<v Speaker 1>high school into show business. After the Muni, Tim Scot

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<v Speaker 1>moved to New York City. Success came quickly. Broadway impressario

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<v Speaker 1>Michael Bennett cast Tim in the first international company of

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<v Speaker 1>a chorus line. Soon after, Tim was touring nationally in

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<v Speaker 1>Bob Fosse's smash musical review Dance Him. We Got Spent

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<v Speaker 1>Sleeps joke Scott Whils another incredible bonny gigs, but I

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<v Speaker 1>am not allowed to mention on television. Tim was what's

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<v Speaker 1>called an ensemble dancer. Back then, they were called gypsies,

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<v Speaker 1>which actress Bonnie Franklin defined at the nine Tony Awards

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<v Speaker 1>maybe I'd better explain to the audience at home and

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<v Speaker 1>that the term gypsy lovingly applies to all danswers in

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<v Speaker 1>the Broadway theater. They were called that because they traveled

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<v Speaker 1>from company to company, from chorus line to chorus line,

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<v Speaker 1>constantly auditioning for their next gig. This was and is

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<v Speaker 1>the life of a dance sir. In Tim toured with

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<v Speaker 1>the popular comedy Mine duo Shields and Yarnell. Yes, and

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<v Speaker 1>this was the time when mimes could be superstars. To

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<v Speaker 1>be a Pepper Pepper all you gotta do. The next year,

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<v Speaker 1>Tim danced on a ceiling in a big Dr Pepper commercial. Yeah.

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<v Speaker 1>Then in came the casting call for Cats. I think

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<v Speaker 1>we all had a sense that it was a really

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<v Speaker 1>big deal. We didn't really know what the show is about,

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<v Speaker 1>you know. I asked my agent, so, what can you

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<v Speaker 1>tell me what it's about? And she goes, Cats, and

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<v Speaker 1>I'm like, yeah, but what's the store And she goes,

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<v Speaker 1>it's about cats. That, my friends, is the one and

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<v Speaker 1>only Betty Buckley, the woman who caused me to bite

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<v Speaker 1>that sofa pillow all those years ago when she hit

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<v Speaker 1>that note, Oh I love that. When I first met

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<v Speaker 1>you and you told me that story. I was so

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<v Speaker 1>touched by that. That's amazing to me, so great. She

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<v Speaker 1>was called in for the pivotal role of Grizabella the

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<v Speaker 1>Bedraggle to pass her prime glamour cat. And so I

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<v Speaker 1>went into audition and they told my agent that they

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<v Speaker 1>weren't going to consider me because I radiated health and

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<v Speaker 1>well being and they wanted someone who radiated death and dying.

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<v Speaker 1>Lucky for us, she got the role, joining a cast

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<v Speaker 1>that included Ken Paige and Tim Scott. So the first

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<v Speaker 1>day of Cats, I walked up to him and I said, well,

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<v Speaker 1>I guess you're officially one of the great best dances

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<v Speaker 1>on Broadway, and particularly in that role. That was a very,

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<v Speaker 1>very coveted role. Tim was cast as Mr Mustapheles, the

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<v Speaker 1>conjuring cat. Here he is singing, we can die like

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<v Speaker 1>a flying tuck me. In a show that was focused

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<v Speaker 1>on spectacular musical numbers and not a whole lot on plot,

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<v Speaker 1>Tim's role was one of the most challenging. It required

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<v Speaker 1>a dancer with extraordinary technique, but Tim had something more

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<v Speaker 1>than that. He had presence. He had these amazing eyes.

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<v Speaker 1>His eyes were like blue beans. He also had this

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<v Speaker 1>sort of mysterious nous about him and he was always there.

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<v Speaker 1>The first time I saw him dance, I found it

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<v Speaker 1>un Kenny that I had this rush of joy through

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<v Speaker 1>my body that was completely spontaneous and it was not

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<v Speaker 1>an intellectual experience of like, oh that guy dances really well.

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<v Speaker 1>It was like this kind of breathless, exquisite joy watching

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<v Speaker 1>him and I was like, who's that kid, you know,

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<v Speaker 1>I mean, why is he able to do that? Okay?

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<v Speaker 1>Sidebar Cats is more than anything a dance show for

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<v Speaker 1>the actors who had limited background and dance, like Betty

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<v Speaker 1>Buckley and Ken Paige. Rehearsing for Cats was like Marine

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<v Speaker 1>Corps basic training. The Winter Garden Theater was there Paris Island.

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<v Speaker 1>There were five of us that were like normal people,

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<v Speaker 1>you know, and the rest of them were like amazing.

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<v Speaker 1>Betty and I both had to do the full on

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<v Speaker 1>dance class, you know, and you had to do it.

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<v Speaker 1>I had to do cart wheels across the floor in

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<v Speaker 1>front of this incredible company of dancers and Cats and

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<v Speaker 1>Campaige and I just clung to each other and I

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<v Speaker 1>was like I'm going to die and he was like,

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<v Speaker 1>I'm right with you. And it was like so humiliating

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<v Speaker 1>old Deuteronomy and Chris Sabella are not cartwheeling cats we

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<v Speaker 1>should be clear about. No, that's we should be clear. Well,

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<v Speaker 1>you have no idea now. When the show finally opened

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<v Speaker 1>in October two, it didn't get great reviews, But so

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<v Speaker 1>what reviews are about? The here and now cats? As

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<v Speaker 1>the commercial tagline pointed out, was now and forever. Catch

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<v Speaker 1>now and forever At the Window Garden Theater, it was

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<v Speaker 1>the show to see and be seen at Andy Warhol,

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<v Speaker 1>Diana Ross, Frank Zappa, Carrie Grant, Mary Tyler Moore. Those

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<v Speaker 1>are just a few of the big names who showed up.

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<v Speaker 1>Then it swept the Tony's Betty Buckley one for Best

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<v Speaker 1>Featured Actress in a Musical. I want to thank my

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<v Speaker 1>mom and my dad and my brother no him and

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<v Speaker 1>my other brothers and that brother. She thanked Norman, even

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<v Speaker 1>though he wasn't in the show, his life was about

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<v Speaker 1>to be changed by it. Oh. I was very much

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<v Speaker 1>a country boy. I probably still am at heart, you know,

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<v Speaker 1>my most essential self. It was an exciting time for me,

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<v Speaker 1>but I was also a little lost amongst all the hubbub.

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<v Speaker 1>On the other side of the break, Grizabella's younger brother

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<v Speaker 1>and Mr Mustaphile's meat. What was it like having your

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<v Speaker 1>little brother backstage with you at Cats? Well? At first,

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<v Speaker 1>I mean I was really happy that he was there.

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<v Speaker 1>And my brother and I, you know, have been at

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<v Speaker 1>points in our lives very close. That's Betty Buckley talking

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<v Speaker 1>about her little brother, Norman Buckley back in the early

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<v Speaker 1>eighties when she was starring in Cats. Norman was new

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<v Speaker 1>to New York. Sister and brother may have been close,

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<v Speaker 1>but Betty didn't know that Norman was gay. We grew

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<v Speaker 1>up in Texas with a military father, and you know,

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<v Speaker 1>it wasn't something that was certainly discussed or we even considered.

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<v Speaker 1>So he was staying at my apartment when he first

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<v Speaker 1>came to New York and was coming out as a

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<v Speaker 1>gay person, and I didn't know what was going on.

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<v Speaker 1>So he left some of his journals out for me

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<v Speaker 1>to see, and I read some entries and was shocked,

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<v Speaker 1>was like, what is this? And so there was some

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<v Speaker 1>big confrontations between he and I, and I can freely

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<v Speaker 1>admit that I don't think I handled those very well.

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<v Speaker 1>Norman describes himself as a country boy back then. What

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<v Speaker 1>was he like? Was he innocent? Was he very boyish,

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<v Speaker 1>totally innocent. Oh my god, that's why I was scared,

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<v Speaker 1>wet behind the ears, delicate artistic boy. Yeah, I knew

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<v Speaker 1>he was twenty seven, but still to me, he was

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<v Speaker 1>always my little baby brother who was a vulnerable, sweet kid. Today,

0:15:40.000 --> 0:15:44.000
<v Speaker 1>Norman Buckley is an accomplished TV director, having worked on

0:15:44.040 --> 0:15:48.040
<v Speaker 1>over forty shows, including The o C, Gossip Girl, and

0:15:48.160 --> 0:15:53.680
<v Speaker 1>Pretty Little Liars? Does It Not Really? But the Sluttier

0:15:53.720 --> 0:15:57.640
<v Speaker 1>than Better? Back then, Norman was working as an editing

0:15:57.720 --> 0:16:01.680
<v Speaker 1>room assistant on the movie Easy Money, just across the

0:16:01.760 --> 0:16:05.760
<v Speaker 1>street from the Winter Garden Theater. I would generally, uh,

0:16:06.040 --> 0:16:08.680
<v Speaker 1>just visit with her earn her dressing room until she

0:16:08.760 --> 0:16:11.920
<v Speaker 1>had to go back on stage. Norman's favorite place in

0:16:11.960 --> 0:16:15.000
<v Speaker 1>the theater was the cat walk high above the stage.

0:16:15.400 --> 0:16:17.800
<v Speaker 1>That's where he'd watched the end of the show when

0:16:17.840 --> 0:16:21.840
<v Speaker 1>Grizabella ascends on a giant tire to the heavy side

0:16:21.920 --> 0:16:25.800
<v Speaker 1>layer the equivalent of cat Heaven, at least I think

0:16:25.840 --> 0:16:28.680
<v Speaker 1>that's what it is. That's actually the first time I

0:16:28.760 --> 0:16:31.680
<v Speaker 1>had an encounter with Tim Scott, because that was where

0:16:31.760 --> 0:16:35.280
<v Speaker 1>he would make his big entrance for his big number

0:16:35.320 --> 0:16:38.640
<v Speaker 1>as Mr Mustapoles. He was lowered on a rope from

0:16:38.680 --> 0:16:41.840
<v Speaker 1>that same cat walk. For a long period of time,

0:16:41.920 --> 0:16:45.360
<v Speaker 1>he didn't even register that I was up there with him.

0:16:45.440 --> 0:16:48.000
<v Speaker 1>And then one night he turned and looked at me,

0:16:48.080 --> 0:16:50.760
<v Speaker 1>and I looked back at him, and there was this long,

0:16:50.880 --> 0:16:54.560
<v Speaker 1>meaningful moment. Tim may have been dressed as a cat

0:16:54.800 --> 0:16:59.440
<v Speaker 1>with lots of cat makeup, but Norman was spellbound. He

0:16:59.480 --> 0:17:04.360
<v Speaker 1>had very intense eyes. He was kind of otherworldly looking.

0:17:04.680 --> 0:17:07.640
<v Speaker 1>I was much taller than him. Norman was six one,

0:17:07.920 --> 0:17:11.159
<v Speaker 1>Tim seven. We looked a little bit like Mutt and Jeff.

0:17:12.040 --> 0:17:15.280
<v Speaker 1>Some days later, after the show, Norman and his sister

0:17:15.359 --> 0:17:19.040
<v Speaker 1>Betty shared a big Checker taxi cab with Tim. During

0:17:19.040 --> 0:17:24.400
<v Speaker 1>the ride, Norman and Tim experienced another wordless moment of connection.

0:17:25.840 --> 0:17:29.240
<v Speaker 1>This was a much more profound encounter. At that moment,

0:17:29.280 --> 0:17:31.879
<v Speaker 1>I thought, oh, this person is going to be significant

0:17:31.920 --> 0:17:35.840
<v Speaker 1>in your life. You really thought that there very much,

0:17:35.880 --> 0:17:38.639
<v Speaker 1>so I can remember it as though it happened yesterday.

0:17:38.800 --> 0:17:41.679
<v Speaker 1>I looked at him, I took him in, he was

0:17:41.720 --> 0:17:45.280
<v Speaker 1>taking me in, and I thought, this is it. The

0:17:45.400 --> 0:17:49.520
<v Speaker 1>very next night, Norman mustered his courage and stood in

0:17:49.520 --> 0:17:53.120
<v Speaker 1>the doorway of Tim's dressing room at intermission, and I said,

0:17:53.160 --> 0:17:54.680
<v Speaker 1>do you want to have dinner, and he said, yes,

0:17:55.320 --> 0:17:58.240
<v Speaker 1>it was like great, and that was it? Is that

0:17:58.320 --> 0:18:00.320
<v Speaker 1>the kind of thing you could have imagined your self

0:18:00.359 --> 0:18:04.240
<v Speaker 1>doing even six months before. I can't even imagine myself

0:18:04.280 --> 0:18:08.560
<v Speaker 1>doing that now. So it's I think I met him

0:18:08.600 --> 0:18:10.919
<v Speaker 1>the next night on the corner. I still didn't want

0:18:10.960 --> 0:18:13.520
<v Speaker 1>to tell my sister that I was seeing somebody in

0:18:13.600 --> 0:18:18.280
<v Speaker 1>her show. Norman says. The chemistry was instant. Was he funny,

0:18:18.920 --> 0:18:20.919
<v Speaker 1>very funny. He had a great sense of humor. I

0:18:21.040 --> 0:18:24.960
<v Speaker 1>laughed a lot his jokes. It's got to be at

0:18:25.040 --> 0:18:29.359
<v Speaker 1>least one laugher in the relationship. But Betty was concerned.

0:18:29.840 --> 0:18:33.760
<v Speaker 1>In New York City, the whole gay scene in the nighties,

0:18:33.840 --> 0:18:37.600
<v Speaker 1>you know, was wild, and I was terrified for him.

0:18:37.960 --> 0:18:41.200
<v Speaker 1>I was just basically scared, and we didn't know what

0:18:41.320 --> 0:18:45.159
<v Speaker 1>AIDS was quite yet. In fact, when AIDS was first reported,

0:18:45.359 --> 0:18:48.719
<v Speaker 1>it wasn't even called AIDS. A mystery disease known as

0:18:48.760 --> 0:18:52.159
<v Speaker 1>the gay plague has become an epidemic unprecedented in the

0:18:52.280 --> 0:18:56.640
<v Speaker 1>history of American medicine. The lifestyle of some male homosexuals

0:18:56.960 --> 0:18:59.840
<v Speaker 1>has triggered an epidemic of a rare form of cancer.

0:19:00.000 --> 0:19:04.720
<v Speaker 1>A mysterious, newly discovered disease, which affects mostly homosexual men.

0:19:05.320 --> 0:19:09.000
<v Speaker 1>When did the disease become real to you? Well, you know,

0:19:09.160 --> 0:19:12.119
<v Speaker 1>it's that trajectory that you see so wonderfully portrayed in

0:19:12.240 --> 0:19:14.879
<v Speaker 1>Long Time Companion. It really was the thing where people

0:19:14.880 --> 0:19:18.280
<v Speaker 1>started whispering, and things started popping up from the newspaper,

0:19:18.880 --> 0:19:21.679
<v Speaker 1>and people started making calls saying, did you hear about

0:19:21.680 --> 0:19:25.800
<v Speaker 1>this thing that's going around? That's ken page again. He's

0:19:25.840 --> 0:19:31.520
<v Speaker 1>referring to the nine movie Longtime Companion, directed by Norman Renee,

0:19:31.560 --> 0:19:35.280
<v Speaker 1>who ultimately died from AIDS himself. The film opens on

0:19:35.320 --> 0:19:39.679
<v Speaker 1>the morning of July three. The characters wake up to

0:19:39.720 --> 0:19:43.120
<v Speaker 1>the ominous New York Times article by Lawrence k Altman,

0:19:43.600 --> 0:19:46.800
<v Speaker 1>the first in a mainstream publication to make reference to

0:19:46.880 --> 0:19:50.560
<v Speaker 1>the disease that would be called AIDS. They immediately begin

0:19:50.640 --> 0:19:54.600
<v Speaker 1>phoning each other, Hello, have you seen the paper? Oh?

0:19:54.640 --> 0:19:58.320
<v Speaker 1>I was just shipped to help. Have you got it? Yeah,

0:19:58.800 --> 0:20:03.439
<v Speaker 1>the page, you can't miss it. Did you see the paper?

0:20:04.000 --> 0:20:08.920
<v Speaker 1>I missed that? Oh well, just listen. Rare cants are

0:20:08.960 --> 0:20:13.080
<v Speaker 1>seen in forty one Homosexuals. By the time Cats was

0:20:13.119 --> 0:20:18.119
<v Speaker 1>in rehearsal, concern was burgeoning into a sense of alarm.

0:20:18.240 --> 0:20:20.679
<v Speaker 1>Then you started to hear did you know so? And

0:20:20.760 --> 0:20:22.919
<v Speaker 1>so I heard they're not well, they have they have

0:20:23.000 --> 0:20:27.200
<v Speaker 1>that gay cancer. Right. There was fear everywhere. Ken remembers

0:20:27.240 --> 0:20:29.840
<v Speaker 1>when early in the epidemic he was working in Los

0:20:29.920 --> 0:20:32.600
<v Speaker 1>Angeles and went to pick up a friend at the airport.

0:20:33.359 --> 0:20:36.720
<v Speaker 1>Ken was stunned by the friend's appearance. He was a

0:20:36.760 --> 0:20:39.800
<v Speaker 1>good twenty five pounds lighter and blessing. He was saying, well,

0:20:39.840 --> 0:20:41.560
<v Speaker 1>I got this rash. I want to get in the

0:20:41.600 --> 0:20:43.879
<v Speaker 1>sun so I can get rid of this rash. And

0:20:43.960 --> 0:20:46.919
<v Speaker 1>I feel bad about it to this very day, thinking

0:20:46.960 --> 0:20:49.240
<v Speaker 1>to myself, I don't know do I want him staying

0:20:49.280 --> 0:20:52.960
<v Speaker 1>in my house. He came to me for solace and comfort,

0:20:53.320 --> 0:20:56.760
<v Speaker 1>but I was afraid of what that all meant. And

0:20:56.800 --> 0:20:59.320
<v Speaker 1>I can honestly say that I don't think I handled

0:20:59.359 --> 0:21:01.159
<v Speaker 1>it as well as I could have. But it was

0:21:01.240 --> 0:21:07.920
<v Speaker 1>typical for what everybody was experiencing. Even after the generic

0:21:08.000 --> 0:21:13.480
<v Speaker 1>sounding acronym AIDS Acquired immunodeficiency syndrome was coined in September

0:21:13.520 --> 0:21:16.879
<v Speaker 1>of two, it felt like the full force of blame

0:21:16.960 --> 0:21:20.520
<v Speaker 1>for the disease was being placed squarely on gay men.

0:21:21.000 --> 0:21:25.840
<v Speaker 1>Of course, being gay was already stigmatized. The American Psychiatric

0:21:25.840 --> 0:21:30.719
<v Speaker 1>Association had only removed homosexuality from its list of mental

0:21:30.840 --> 0:21:37.119
<v Speaker 1>disorders in ninety three, and in two only one state, Wisconsin,

0:21:37.400 --> 0:21:39.919
<v Speaker 1>had a law on the books making it illegal to

0:21:40.040 --> 0:21:44.320
<v Speaker 1>fire people simply for being gay. Coming out of the closet,

0:21:44.720 --> 0:21:47.679
<v Speaker 1>never easy to begin with, was even scarier when it

0:21:47.720 --> 0:21:51.800
<v Speaker 1>seemed to carry a death sentence for me. Just realizing

0:21:51.800 --> 0:21:54.160
<v Speaker 1>I was gay at the time. I was twelve years

0:21:54.200 --> 0:21:58.280
<v Speaker 1>old when AIDS was first being widely reported, wasn't just fraught,

0:21:58.760 --> 0:22:02.320
<v Speaker 1>it was frightening. I vividly remember a day in eighth

0:22:02.400 --> 0:22:05.439
<v Speaker 1>grade when a teacher finally talked to us about AIDS.

0:22:06.080 --> 0:22:08.359
<v Speaker 1>The girl who sat in front of me turned around,

0:22:08.640 --> 0:22:11.600
<v Speaker 1>looked straight at me, and said, that's what you're going

0:22:11.680 --> 0:22:14.800
<v Speaker 1>to get. Many years later she reached out to me

0:22:14.840 --> 0:22:18.040
<v Speaker 1>on social media to apologize. Of course I forgave her.

0:22:18.119 --> 0:22:20.960
<v Speaker 1>It was junior high. We were all incredibly mean to

0:22:21.000 --> 0:22:25.119
<v Speaker 1>each other. Once Norman and Tim were officially a couple,

0:22:25.600 --> 0:22:29.840
<v Speaker 1>Betty gave her blessing, so I was really relieved in

0:22:29.920 --> 0:22:32.720
<v Speaker 1>so many ways that Tim was his first great love.

0:22:33.359 --> 0:22:35.920
<v Speaker 1>When she did find out about the relationship with Tim,

0:22:36.320 --> 0:22:39.639
<v Speaker 1>she was very approving, I told her, and she hesitated

0:22:39.680 --> 0:22:41.560
<v Speaker 1>for a moment, thought about it, and she said, well,

0:22:42.040 --> 0:22:44.520
<v Speaker 1>you picked the right one. She said, I can see this.

0:22:45.200 --> 0:22:47.639
<v Speaker 1>I loved Tim, and of course I love my brother,

0:22:47.840 --> 0:22:52.320
<v Speaker 1>so ultimately I was like, well, it's not money of

0:22:52.320 --> 0:22:55.000
<v Speaker 1>my business, and I have to say I love them both.

0:22:55.080 --> 0:22:58.719
<v Speaker 1>So there we go. But while Betty may have been relieved,

0:22:59.119 --> 0:23:03.320
<v Speaker 1>Tim Scott him self was increasingly worried. Dates was always

0:23:03.359 --> 0:23:07.000
<v Speaker 1>a specter that kind of hung over our relationship. Tim

0:23:07.040 --> 0:23:09.560
<v Speaker 1>had actually been involved with someone who was one of

0:23:09.600 --> 0:23:14.280
<v Speaker 1>the really early AIDS cases that young man was dying.

0:23:14.960 --> 0:23:18.639
<v Speaker 1>During previews of Cats, Tim would go from the theater

0:23:18.800 --> 0:23:22.240
<v Speaker 1>sometimes to his hospital room and sit with him. Now

0:23:22.359 --> 0:23:27.080
<v Speaker 1>bear in mind, in AIDS test was still three years

0:23:27.080 --> 0:23:32.280
<v Speaker 1>away and any life saving treatment was fourteen years away.

0:23:32.560 --> 0:23:34.680
<v Speaker 1>We had a hair dresser named Paul Lopez who worked

0:23:34.680 --> 0:23:38.520
<v Speaker 1>on eight Misbehavior, and he got sick and he wasn't

0:23:38.560 --> 0:23:42.000
<v Speaker 1>feeling well, like on Wednesday, Mattnee. He wasn't doing well.

0:23:42.440 --> 0:23:44.600
<v Speaker 1>Thursday he came in. They said, you really aren't well.

0:23:44.600 --> 0:23:48.240
<v Speaker 1>You should go home. Friday he went into the hospital Saturday,

0:23:48.280 --> 0:23:52.920
<v Speaker 1>Sunday he was unconscious by Monday, and he died on Tuesday,

0:23:53.040 --> 0:23:56.280
<v Speaker 1>and that was from Wednesday. Not even a week later,

0:23:56.359 --> 0:23:59.639
<v Speaker 1>he was gone. The federal government wasn't slow to act.

0:24:00.240 --> 0:24:05.119
<v Speaker 1>It didn't act at all. On October fifteenth, two, just

0:24:05.240 --> 0:24:09.840
<v Speaker 1>a week after CATS opened, President Reagan's Press Secretary Larry Speaks,

0:24:10.320 --> 0:24:14.160
<v Speaker 1>was asked about AIDS by a reporter named Lester King, Solving.

0:24:14.720 --> 0:24:19.240
<v Speaker 1>Here's how that exchange went. Have any reactions with the

0:24:19.280 --> 0:24:23.159
<v Speaker 1>announce from the Center for Disease Control Atlanta that a

0:24:23.600 --> 0:24:29.400
<v Speaker 1>d S is now an epidemic in six six hundred cases.

0:24:32.280 --> 0:24:37.080
<v Speaker 1>It's known as gay play. Yes, I mean, it's a

0:24:37.080 --> 0:24:39.800
<v Speaker 1>pretty serious thing that one and every three people again

0:24:39.880 --> 0:24:42.280
<v Speaker 1>this have died. And I wondered if the president where

0:24:43.320 --> 0:24:46.160
<v Speaker 1>I don't have it? Are you do you? You don't

0:24:46.280 --> 0:24:51.000
<v Speaker 1>have it? Well, I'm relieved to hear that you don't

0:24:51.000 --> 0:24:54.640
<v Speaker 1>answer my question. How do you know? That's right? Speaks

0:24:54.760 --> 0:24:57.600
<v Speaker 1>and much of the White House Press Corps, we're treating

0:24:57.640 --> 0:25:02.520
<v Speaker 1>AIDS and its victims as a joke. President Reagan himself

0:25:02.680 --> 0:25:06.280
<v Speaker 1>didn't utter the word AIDS, and then only in response

0:25:06.320 --> 0:25:11.520
<v Speaker 1>to a reporter's question, until the fall of over four

0:25:11.600 --> 0:25:17.920
<v Speaker 1>years into the devastation. When Tim's contract with CATS ended

0:25:18.000 --> 0:25:21.320
<v Speaker 1>that same year, the couple decided to move west and

0:25:21.400 --> 0:25:25.080
<v Speaker 1>begin a new chapter in Los Angeles. Not long after

0:25:25.119 --> 0:25:28.679
<v Speaker 1>their move, they drove up to Malibu. We went out

0:25:28.720 --> 0:25:31.399
<v Speaker 1>to Zuma Beach one day and he said to me,

0:25:31.560 --> 0:25:35.600
<v Speaker 1>very tentatively, I really can't imagine my life without you,

0:25:35.640 --> 0:25:37.280
<v Speaker 1>and I want to stay with you for the rest

0:25:37.280 --> 0:25:40.080
<v Speaker 1>of my life. And I responded, I want to stay

0:25:40.119 --> 0:25:41.760
<v Speaker 1>with you for the rest of my life. It was

0:25:41.840 --> 0:25:45.159
<v Speaker 1>this really solemn moment. I like to think of it

0:25:45.200 --> 0:25:49.400
<v Speaker 1>as a vows. I considered myself married to Tim. There

0:25:49.480 --> 0:25:52.119
<v Speaker 1>was no legal way to do that at the time,

0:25:52.200 --> 0:25:56.439
<v Speaker 1>and it was a commitment. And I'm so happy that

0:25:56.560 --> 0:26:01.320
<v Speaker 1>had happened before he became ill, because there was no

0:26:01.400 --> 0:26:04.760
<v Speaker 1>question but that I would see him through it. And

0:26:04.800 --> 0:26:07.320
<v Speaker 1>I think he felt that on the other side of

0:26:07.320 --> 0:26:12.119
<v Speaker 1>the break. Tim Scott's last show, the Ultimate tribute to

0:26:12.240 --> 0:26:21.840
<v Speaker 1>the dancer What I did doing what we Love. That's

0:26:21.880 --> 0:26:35.080
<v Speaker 1>her anthem, what I did for love. I'm visiting tonight

0:26:35.119 --> 0:26:38.439
<v Speaker 1>at the home of Tim Scott. I'll knock on the

0:26:38.440 --> 0:26:45.199
<v Speaker 1>door now, Hello, Hello, would you like to come in?

0:26:45.359 --> 0:26:49.840
<v Speaker 1>I would like to come in. I'm watching home video

0:26:50.040 --> 0:26:54.160
<v Speaker 1>of Norman Buckley and Tim Scott. It's sometime in late

0:26:55.400 --> 0:26:59.480
<v Speaker 1>or early and they're joking around giving a tour of

0:26:59.520 --> 0:27:03.640
<v Speaker 1>their so me two bedroom apartment in West Hollywood. Here

0:27:03.920 --> 0:27:08.959
<v Speaker 1>is Kennedy. Here we meet their cat, who just happens

0:27:09.040 --> 0:27:18.400
<v Speaker 1>to be named more. Look at the cat's eyes. Really

0:27:18.480 --> 0:27:20.919
<v Speaker 1>looked like the eyes on the back of my cat sweatshirt.

0:27:21.520 --> 0:27:25.040
<v Speaker 1>Tim and Norman seem happy. Why shouldn't they be. They're young,

0:27:25.280 --> 0:27:29.000
<v Speaker 1>thirty years old. They make each other laugh, and career wise,

0:27:29.240 --> 0:27:31.960
<v Speaker 1>things are going well for both of them. At the time,

0:27:32.119 --> 0:27:35.200
<v Speaker 1>Norman was working as an assistant editor on a horror

0:27:35.240 --> 0:27:39.040
<v Speaker 1>movie called Trick or Treat starring Gene Simmons of Kiss

0:27:39.840 --> 0:27:43.800
<v Speaker 1>He's a rook and Roll and during this period, Tim

0:27:43.960 --> 0:27:47.320
<v Speaker 1>scored two film gigs. He was cast in the four

0:27:47.440 --> 0:27:53.359
<v Speaker 1>D spectacular Captain Eo, shown exclusively at Disney Parks. This was,

0:27:53.520 --> 0:27:57.600
<v Speaker 1>at the time the most expensive film per minute ever made.

0:27:58.080 --> 0:28:00.720
<v Speaker 1>Tim is part of the enormous On so Bold, dancing

0:28:00.840 --> 0:28:10.359
<v Speaker 1>behind Michael Jackson. Tim was also cast in the movie

0:28:10.520 --> 0:28:14.200
<v Speaker 1>version of the musical A chorus Line. It's a bit part.

0:28:14.480 --> 0:28:18.840
<v Speaker 1>He plays boy with headband. Seriously, that's his screen credit.

0:28:19.160 --> 0:28:21.359
<v Speaker 1>But so what? It was a job on a movie

0:28:23.160 --> 0:28:28.120
<v Speaker 1>up We even get to hear him sing briefly, God,

0:28:28.160 --> 0:28:31.840
<v Speaker 1>I really blew it, I really blew it. What I

0:28:31.920 --> 0:28:34.520
<v Speaker 1>love about it is that it's very brief, but it

0:28:34.680 --> 0:28:40.080
<v Speaker 1>very much captures Tim's spirit. It's a short, lovely cameo.

0:28:40.880 --> 0:28:45.640
<v Speaker 1>And then, ten years after he toured internationally in the

0:28:45.720 --> 0:28:48.920
<v Speaker 1>stage production of A chorus Line, Tim was cast in

0:28:49.000 --> 0:28:52.400
<v Speaker 1>a European tour of the show. Okay, since it's come

0:28:52.480 --> 0:28:54.720
<v Speaker 1>up a couple of times, let's talk for a moment

0:28:54.800 --> 0:28:59.000
<v Speaker 1>about a chorus line. This musical is the ultimate tribute

0:28:59.240 --> 0:29:04.360
<v Speaker 1>to dancers just like Tim, not stars, not household names,

0:29:04.760 --> 0:29:08.640
<v Speaker 1>dancers struggling and auditioning for roles in the chorus, not

0:29:08.840 --> 0:29:11.560
<v Speaker 1>doing it with the expectation of becoming rich and famous,

0:29:11.960 --> 0:29:15.200
<v Speaker 1>but doing it for the love of dancing. Tim was

0:29:15.320 --> 0:29:17.959
<v Speaker 1>cast in the role of Mike, a dancer who's up

0:29:18.040 --> 0:29:21.800
<v Speaker 1>for any challenge. Perfect for Tim. I mean to have

0:29:22.480 --> 0:29:27.280
<v Speaker 1>Tim's technique, his splits and jumps and turns and all

0:29:27.360 --> 0:29:32.880
<v Speaker 1>of that quite spectacular. This is Broadway legend. Bi orch Lee,

0:29:33.720 --> 0:29:39.720
<v Speaker 1>you are in the original King and I Yes, How

0:29:39.800 --> 0:29:43.560
<v Speaker 1>old were you? I was five, by the way, I

0:29:43.680 --> 0:29:47.320
<v Speaker 1>was fired at eight because I outgrew my costume. By

0:29:47.400 --> 0:29:50.040
<v Speaker 1>York went on to play Connie in the original Broadway

0:29:50.120 --> 0:29:53.880
<v Speaker 1>cast of A chorus Line. A good ten, cak what ten?

0:29:54.560 --> 0:29:59.000
<v Speaker 1>That's the story of my life. A chorus Line was

0:29:59.120 --> 0:30:03.719
<v Speaker 1>conceived by the legendary dancer turned director Michael Bennett, who

0:30:03.760 --> 0:30:07.240
<v Speaker 1>would himself die from aids by orc. The keeper of

0:30:07.280 --> 0:30:10.760
<v Speaker 1>the chorus Line Flame has been directing revivals and road

0:30:10.800 --> 0:30:14.080
<v Speaker 1>companies of the show for decades. It is a tribute

0:30:14.120 --> 0:30:17.080
<v Speaker 1>to the dancer. The audience comes in, and what Michael

0:30:17.160 --> 0:30:20.760
<v Speaker 1>wanted to convey was that they were peeking in on

0:30:21.000 --> 0:30:24.800
<v Speaker 1>an audition, because no one has ever seen an audition

0:30:25.000 --> 0:30:29.560
<v Speaker 1>outside of the people who are involved. One song that

0:30:29.680 --> 0:30:33.000
<v Speaker 1>Tim Scott sang many times as part of the ensemble

0:30:33.080 --> 0:30:35.800
<v Speaker 1>of A chorus Line is what I Did for Love.

0:30:36.360 --> 0:30:39.880
<v Speaker 1>It's a song about the short and sometimes painful careers

0:30:40.040 --> 0:30:42.840
<v Speaker 1>of dancers. It pops up towards the end of the

0:30:42.880 --> 0:30:45.840
<v Speaker 1>show after one of the dancers has had a serious

0:30:45.920 --> 0:30:49.280
<v Speaker 1>accident and has to drop out of the industry altogether.

0:30:49.840 --> 0:30:53.320
<v Speaker 1>The director asks the remaining dancers what they would say

0:30:53.480 --> 0:30:56.920
<v Speaker 1>if they learned that they could never dance again. The

0:30:57.080 --> 0:31:01.800
<v Speaker 1>character of Morales starts the song off kiss Today You

0:31:01.880 --> 0:31:15.440
<v Speaker 1>could love The suitetness and the sorrow. Wish me luck

0:31:15.840 --> 0:31:27.440
<v Speaker 1>the same to you. But I can't regret what I

0:31:27.760 --> 0:31:34.680
<v Speaker 1>did for love. What I did for love the message

0:31:34.720 --> 0:31:38.600
<v Speaker 1>of the song. Whatever life throws at these artists, they'll

0:31:38.640 --> 0:31:42.800
<v Speaker 1>face the future with the same bravery and undefeated optimism

0:31:43.120 --> 0:31:46.960
<v Speaker 1>with which they pursued their careers, however short they may be.

0:31:47.720 --> 0:31:52.600
<v Speaker 1>It's about survival, but also doing what we love. That's

0:31:52.640 --> 0:31:55.520
<v Speaker 1>her anthem, what I did for love. To do it

0:31:55.640 --> 0:31:58.880
<v Speaker 1>because you love it. Whether you're dancing, singing, acting, or

0:31:58.960 --> 0:32:01.560
<v Speaker 1>whatever you do, we do it because we love it.

0:32:02.400 --> 0:32:05.560
<v Speaker 1>I think there's something really special about Tim Scott's last

0:32:05.720 --> 0:32:10.240
<v Speaker 1>show being the show that pays tribute to the dancer. Yeah.

0:32:15.200 --> 0:32:18.600
<v Speaker 1>A few weeks into their European tour, by Orc noticed

0:32:18.880 --> 0:32:22.720
<v Speaker 1>that Tim Scott was losing stamina. At the time, I

0:32:22.880 --> 0:32:26.160
<v Speaker 1>did not know that he was ill. I think we

0:32:26.240 --> 0:32:30.880
<v Speaker 1>were in Surich and he wasn't feeling well. He had

0:32:30.920 --> 0:32:35.120
<v Speaker 1>no energy at all. Tim was having holistic medications mailed

0:32:35.160 --> 0:32:39.400
<v Speaker 1>to him on the road. He'd tried crystals, meditation and

0:32:39.640 --> 0:32:44.880
<v Speaker 1>other alternative remedies. They weren't working. He eventually left the tour,

0:32:45.320 --> 0:32:47.480
<v Speaker 1>left the tour and he called me and he said,

0:32:47.800 --> 0:32:49.680
<v Speaker 1>you know, I don't want to do this anymore. He said,

0:32:49.680 --> 0:32:52.920
<v Speaker 1>I'm too old. I don't want to be the dancer anymore.

0:32:53.160 --> 0:32:56.680
<v Speaker 1>I want to come home. Tim was still only thirty one.

0:32:57.560 --> 0:32:59.880
<v Speaker 1>He went to the doctor and they did an indoscap.

0:33:00.360 --> 0:33:03.920
<v Speaker 1>He had a very light case of pneumacist this pneumonia,

0:33:04.080 --> 0:33:07.200
<v Speaker 1>which was one of the ways that they diagnosed aids

0:33:07.240 --> 0:33:10.560
<v Speaker 1>at the time. And I said, okay, well, we'll take

0:33:10.600 --> 0:33:13.040
<v Speaker 1>it a step at a time. But we essentially knew

0:33:13.400 --> 0:33:16.080
<v Speaker 1>that it was a death sentence. The question was just

0:33:16.480 --> 0:33:21.240
<v Speaker 1>how long we hoped for some type of miraculous cure.

0:33:21.520 --> 0:33:26.560
<v Speaker 1>We hoped something would happen, As with so many terminal conditions,

0:33:26.680 --> 0:33:31.200
<v Speaker 1>though Tim's illness didn't move in a straight line. By December,

0:33:32.480 --> 0:33:36.360
<v Speaker 1>he was experiencing an upswing. On Christmas Eve that year,

0:33:36.600 --> 0:33:40.040
<v Speaker 1>he and Norman, underneath their Christmas tree in their West

0:33:40.120 --> 0:33:46.200
<v Speaker 1>Hollywood apartment, take turns opening Presence. What is it? It's

0:33:46.200 --> 0:33:54.600
<v Speaker 1>a book from from Norma, the Great Towns of California,

0:33:56.960 --> 0:34:14.000
<v Speaker 1>Oh great, Oh, the best American short Stories more Slacks.

0:34:16.920 --> 0:34:19.359
<v Speaker 1>I don't want to sentimentalize it, and I don't want

0:34:19.440 --> 0:34:24.400
<v Speaker 1>to romanticize it, but it was a wonderful period of time.

0:34:24.920 --> 0:34:27.360
<v Speaker 1>It sounds counterintuitive to say that, but it was a

0:34:27.440 --> 0:34:30.600
<v Speaker 1>wonderful period of time because we were so deeply connected

0:34:30.680 --> 0:34:33.719
<v Speaker 1>at that point. The next morning they celebrate at a

0:34:33.800 --> 0:34:40.000
<v Speaker 1>friend's home. Tim teaches the friends three daughters a dance. Okay, there,

0:34:46.440 --> 0:34:49.719
<v Speaker 1>but I have to say, the girls don't seem all

0:34:49.800 --> 0:34:52.279
<v Speaker 1>that focused, and I kind of want to jump into

0:34:52.360 --> 0:34:54.919
<v Speaker 1>the video tape and tell them you're getting a free

0:34:55.080 --> 0:34:59.239
<v Speaker 1>dance lesson from the original broad White. Mr Mustapholes. Pull

0:34:59.320 --> 0:35:04.400
<v Speaker 1>it together. Okay, I'm back now. Not long after that Christmas,

0:35:04.680 --> 0:35:07.920
<v Speaker 1>Tim and Norman took a road trip. We drove across

0:35:07.920 --> 0:35:10.000
<v Speaker 1>the Southwest and we went to the Grand Canyon and

0:35:10.440 --> 0:35:13.359
<v Speaker 1>he went out on this rock. It was very precarious.

0:35:13.840 --> 0:35:15.440
<v Speaker 1>I was like, oh, please, don't go out so far.

0:35:15.440 --> 0:35:17.000
<v Speaker 1>I don't go out so far. And he went out

0:35:17.080 --> 0:35:19.280
<v Speaker 1>on the end of this rock and did this pirouet.

0:35:21.880 --> 0:35:25.799
<v Speaker 1>But after returning to Los Angeles and especially virulent case

0:35:25.840 --> 0:35:29.440
<v Speaker 1>of pneumonia sent Tim to the hospital. It was at

0:35:29.520 --> 0:35:32.000
<v Speaker 1>that point I said, we have to tell your parents,

0:35:32.600 --> 0:35:35.920
<v Speaker 1>we have to let them know. And his mother immediately

0:35:36.040 --> 0:35:40.360
<v Speaker 1>flew out. She was this wonderful Italian woman who was

0:35:40.440 --> 0:35:44.760
<v Speaker 1>a wonderful cook. And took care of us. Tim's parents,

0:35:44.960 --> 0:35:49.240
<v Speaker 1>Richard and Rosemary, stayed at a motel nearby. Tim's father,

0:35:49.560 --> 0:35:53.000
<v Speaker 1>Richard Schnell, was still working as a technical writer for Motorola.

0:35:53.680 --> 0:35:57.560
<v Speaker 1>Rosemary Schnell was a homemaker. Tim was their only child.

0:35:58.640 --> 0:36:03.400
<v Speaker 1>When he gave his parents the news about his diagnosis.

0:36:03.920 --> 0:36:08.160
<v Speaker 1>Do you think that his mother suspected in any way

0:36:08.800 --> 0:36:11.560
<v Speaker 1>they knew something was up? They couldn't have been better

0:36:11.640 --> 0:36:15.200
<v Speaker 1>though in their response. They were lovely people, and I

0:36:15.600 --> 0:36:22.040
<v Speaker 1>feel enormous gratitude to them. They accepted me, they loved me.

0:36:22.920 --> 0:36:26.600
<v Speaker 1>They remained close to me for the rest of their lives.

0:36:27.480 --> 0:36:29.640
<v Speaker 1>So many people during that period of time did not

0:36:29.800 --> 0:36:33.400
<v Speaker 1>have the support of their parents. For many people in

0:36:33.480 --> 0:36:37.319
<v Speaker 1>the theater, it was their chosen family, not their biological one,

0:36:37.680 --> 0:36:41.160
<v Speaker 1>that rallied around them. The community had to help themselves.

0:36:41.960 --> 0:36:45.080
<v Speaker 1>Women like bi orch Lee, who had grown up performing

0:36:45.160 --> 0:36:48.040
<v Speaker 1>with so many gay men who were like brothers to her,

0:36:48.440 --> 0:36:52.840
<v Speaker 1>played a special role. He became angels when we started

0:36:52.960 --> 0:36:57.440
<v Speaker 1>hearing about all of these people. We started taking care

0:36:57.520 --> 0:37:00.600
<v Speaker 1>of them, just being with them to go to get

0:37:00.640 --> 0:37:06.200
<v Speaker 1>their medicine or to feed them, helping them. They because

0:37:06.239 --> 0:37:10.360
<v Speaker 1>people were afraid these were our friends, and so we

0:37:10.440 --> 0:37:14.760
<v Speaker 1>didn't have any fear. My best friends all died of AIDS.

0:37:15.440 --> 0:37:18.359
<v Speaker 1>Most of my closest male friends that I met doing

0:37:18.400 --> 0:37:21.479
<v Speaker 1>Guys and Dolls and Pearly and the Whiz and so forth,

0:37:21.800 --> 0:37:25.680
<v Speaker 1>they all died. They all died. This is can Paige again.

0:37:26.400 --> 0:37:30.279
<v Speaker 1>It was devastating, and many many other friends who to

0:37:30.440 --> 0:37:34.640
<v Speaker 1>bury degree. Some went home just disappeared. Others had no

0:37:34.760 --> 0:37:37.840
<v Speaker 1>home to go to because their families rejected them. Some

0:37:38.080 --> 0:37:40.360
<v Speaker 1>of us as friend group at that time, which is

0:37:40.480 --> 0:37:43.720
<v Speaker 1>something else I'll always treasure those of us who gathered

0:37:43.760 --> 0:37:47.279
<v Speaker 1>and rallied and supported each other, and if someone fell ill,

0:37:47.880 --> 0:37:50.080
<v Speaker 1>you just gathered around them and did whatever you needed

0:37:50.120 --> 0:37:55.719
<v Speaker 1>to do, including burial. Burial became a terrible challenge for

0:37:55.840 --> 0:38:00.279
<v Speaker 1>the bereaved. Early on in Manhattan, only one funeral home,

0:38:00.680 --> 0:38:04.560
<v Speaker 1>Reddens on Fourteenth Street, was willing to accept the remains

0:38:04.719 --> 0:38:07.920
<v Speaker 1>of the victims of AIDS. Now, it's hard to know

0:38:08.200 --> 0:38:13.480
<v Speaker 1>how many people died during the early years of the epidemic. Families, churches,

0:38:13.840 --> 0:38:17.359
<v Speaker 1>hospitals often lied about the cause of death. That's how

0:38:17.440 --> 0:38:21.239
<v Speaker 1>deep the stigma was. And as David France, author of

0:38:21.320 --> 0:38:24.640
<v Speaker 1>How to Survive a Plague, has reported some gay men,

0:38:24.960 --> 0:38:28.440
<v Speaker 1>when they detected a lesion or another symptom of infection,

0:38:28.920 --> 0:38:32.440
<v Speaker 1>would kill themselves. Many of the dead ended up in

0:38:32.600 --> 0:38:36.759
<v Speaker 1>unmarked Potter's fields like Heart Island off the Bronx, the

0:38:36.880 --> 0:38:42.120
<v Speaker 1>final resting place for the ostracized and abandoned. When Tim

0:38:42.200 --> 0:38:45.440
<v Speaker 1>Scott wasn't in the hospital for an infection, he was

0:38:45.480 --> 0:38:53.200
<v Speaker 1>at home. Betty Buckley was just down the street. I

0:38:53.280 --> 0:38:56.200
<v Speaker 1>don't remember that. I that I was as supportive as

0:38:56.280 --> 0:38:59.799
<v Speaker 1>I aspired to be. There wasn't a lot I could do. Yeah,

0:38:59.800 --> 0:39:03.640
<v Speaker 1>I remember finding this puppy, this beautiful little ducks and

0:39:03.719 --> 0:39:06.279
<v Speaker 1>puppy that I thought would be great to give to Tim.

0:39:06.760 --> 0:39:09.000
<v Speaker 1>I gave him this puppy and he didn't want a puppy,

0:39:10.080 --> 0:39:13.800
<v Speaker 1>so I was I thought I was doing something to

0:39:14.000 --> 0:39:16.640
<v Speaker 1>make him feel, you know, really comforted and engaged. But

0:39:17.080 --> 0:39:19.440
<v Speaker 1>it was a wrong choice. I don't know. He had

0:39:19.520 --> 0:39:22.400
<v Speaker 1>lost a lot of weight, but I didn't see that.

0:39:22.640 --> 0:39:24.920
<v Speaker 1>I didn't see that at the time. While I was

0:39:25.000 --> 0:39:26.960
<v Speaker 1>there with him, he was just the person I loved,

0:39:27.000 --> 0:39:29.120
<v Speaker 1>and I never really took in the fact that he

0:39:29.360 --> 0:39:35.600
<v Speaker 1>was vanishing right before my eyes. Finally, on Halloween, while

0:39:35.680 --> 0:39:38.839
<v Speaker 1>Norman was driving him home from his latest hospital visit

0:39:38.920 --> 0:39:43.000
<v Speaker 1>for pneumonia. Tim made an announcement and he said, that's it.

0:39:43.160 --> 0:39:44.880
<v Speaker 1>I don't want to go back to the hospital again.

0:39:45.440 --> 0:39:49.160
<v Speaker 1>Tim would spend his remaining days at home. I've always

0:39:49.280 --> 0:39:53.600
<v Speaker 1>felt that there was a beautiful symmetry to the relationship

0:39:53.719 --> 0:39:56.560
<v Speaker 1>that Tim and I had. We were together for five years,

0:39:56.680 --> 0:39:58.600
<v Speaker 1>and during the first two and a half years, I

0:39:58.640 --> 0:40:00.760
<v Speaker 1>would say that he was the one who was taking

0:40:00.800 --> 0:40:03.280
<v Speaker 1>care of me. He was the one that was helping

0:40:03.360 --> 0:40:06.920
<v Speaker 1>me come into my own and during the second too

0:40:06.920 --> 0:40:10.799
<v Speaker 1>and a half years of our relationship, I became the caretaker.

0:40:11.760 --> 0:40:16.680
<v Speaker 1>During those weeks, Norman rarely left Tim side. If you're

0:40:16.680 --> 0:40:18.879
<v Speaker 1>going to go through some major life trial, you would

0:40:18.920 --> 0:40:21.080
<v Speaker 1>want to go through with my brother, Norman. It was

0:40:21.160 --> 0:40:26.080
<v Speaker 1>incredibly admirable and inspiring watching him be there for this

0:40:26.360 --> 0:40:28.920
<v Speaker 1>person that he loved so much. In the middle of

0:40:29.000 --> 0:40:32.720
<v Speaker 1>one night, Norman woke up to find Tim sitting bolt

0:40:32.840 --> 0:40:37.440
<v Speaker 1>upright in bed, wide awake, staring out into the distance,

0:40:38.080 --> 0:40:40.520
<v Speaker 1>and I said, what's going on. He said nothing. He said,

0:40:40.520 --> 0:40:43.440
<v Speaker 1>I'm just trying to measure where we are relative to

0:40:43.560 --> 0:40:46.279
<v Speaker 1>that space out there. And I said, well, what space

0:40:46.400 --> 0:40:48.200
<v Speaker 1>you're talking about? And he said, Oh, it's not anything

0:40:48.239 --> 0:40:50.560
<v Speaker 1>I could explain to you. It's just a lot more

0:40:50.640 --> 0:40:54.320
<v Speaker 1>than we know. And I said, well, I'm sure that

0:40:54.440 --> 0:40:57.160
<v Speaker 1>that's so. And he said, so are you ready for

0:40:57.239 --> 0:41:00.719
<v Speaker 1>your big test? And I said, well, I really know

0:41:00.800 --> 0:41:02.680
<v Speaker 1>what you mean by that, but I guess I'm as

0:41:02.719 --> 0:41:06.360
<v Speaker 1>ready as I ever will be. And he said, okay,

0:41:06.440 --> 0:41:08.400
<v Speaker 1>we'll go back to sleep, and he patted me on

0:41:08.480 --> 0:41:10.440
<v Speaker 1>the arm and I went back to sleep. And then

0:41:10.480 --> 0:41:12.080
<v Speaker 1>when I woke up, he was in a coma and

0:41:12.160 --> 0:41:15.120
<v Speaker 1>he never woke up again. That was the last time

0:41:15.120 --> 0:41:17.880
<v Speaker 1>I ever spoke to him. As difficult as that period

0:41:17.920 --> 0:41:22.360
<v Speaker 1>of time was, it was also extraordinary. I felt deeply

0:41:22.480 --> 0:41:30.520
<v Speaker 1>loved by him, and I deeply loved him. And it's funny,

0:41:30.600 --> 0:41:34.600
<v Speaker 1>you know, you don't think about these things for a

0:41:34.680 --> 0:41:37.360
<v Speaker 1>long time, and then you talk about them and suddenly

0:41:37.440 --> 0:41:42.200
<v Speaker 1>the emotion comes back over you again. What do you

0:41:42.400 --> 0:41:45.920
<v Speaker 1>think he meant by are you ready for your big test?

0:41:47.040 --> 0:41:49.880
<v Speaker 1>Are you ready to be on your own? Are you

0:41:50.000 --> 0:41:53.840
<v Speaker 1>ready to except that you have to let go of me?

0:41:55.719 --> 0:41:58.680
<v Speaker 1>Who knows? You know? I mean he was also on

0:41:58.880 --> 0:42:03.560
<v Speaker 1>pain killers. You know, there's there's all kinds of possibilities

0:42:03.600 --> 0:42:06.719
<v Speaker 1>that maybe he was just hallucinating, but at least he

0:42:06.920 --> 0:42:12.920
<v Speaker 1>was hallucinating in a particularly profound poetic way. Tim's parents

0:42:13.040 --> 0:42:16.839
<v Speaker 1>and friends gathered and took visuals as he remained comatose

0:42:17.040 --> 0:42:20.040
<v Speaker 1>for about ten days. It was Norman who was with

0:42:20.280 --> 0:42:24.840
<v Speaker 1>Tim during his final moments. He took his last breath,

0:42:25.080 --> 0:42:28.080
<v Speaker 1>I could see like his eyes, his eyes were very blue,

0:42:28.719 --> 0:42:30.080
<v Speaker 1>and then all of a sudden, there was just this

0:42:30.200 --> 0:42:33.000
<v Speaker 1>point of life, that swimp. It was almost like I

0:42:33.040 --> 0:42:35.839
<v Speaker 1>saw the life force leave him. And he died at

0:42:35.840 --> 0:42:41.920
<v Speaker 1>six thirty in the morning on February Is it for

0:42:42.120 --> 0:42:46.719
<v Speaker 1>gay men your age particularly difficult that a lot of

0:42:46.800 --> 0:42:51.080
<v Speaker 1>your contemporaries are no longer with us? Died many years ago? Kin,

0:42:51.239 --> 0:42:55.560
<v Speaker 1>Paige and I were sitting together sometime years after Timid died,

0:42:55.719 --> 0:42:59.480
<v Speaker 1>and I said, Uh, where's all the game in my age?

0:43:00.120 --> 0:43:03.080
<v Speaker 1>And Kin said to me, Norman, they all died. Were

0:43:03.719 --> 0:43:08.160
<v Speaker 1>a small number of survivors, the people our age, they're gone.

0:43:08.800 --> 0:43:10.879
<v Speaker 1>It really hit me like a ton of bricks when

0:43:10.920 --> 0:43:14.719
<v Speaker 1>he said that four from the original Broadway cast of

0:43:14.840 --> 0:43:20.000
<v Speaker 1>Cats died from aids. Tim was thirty two, Stephen Guelfer

0:43:20.200 --> 0:43:24.239
<v Speaker 1>was thirty nine. Read Jones, who was wonderful in the

0:43:24.360 --> 0:43:28.600
<v Speaker 1>role of Skimble, Shanks was thirty five and Renee Clemente

0:43:28.920 --> 0:43:33.280
<v Speaker 1>was thirty eight. As a successful TV director of popular

0:43:33.360 --> 0:43:37.440
<v Speaker 1>shows featuring picture perfect teens and people in their twenties,

0:43:38.280 --> 0:43:42.080
<v Speaker 1>Norman Buckley regularly works with young people who have little

0:43:42.200 --> 0:43:45.839
<v Speaker 1>knowledge of the outbreak of the AIDS crisis. It's hard

0:43:45.920 --> 0:43:49.960
<v Speaker 1>to explain to the younger generations just what a hollacious

0:43:50.200 --> 0:43:52.600
<v Speaker 1>period of time that was in terms of the loss.

0:43:53.200 --> 0:43:57.000
<v Speaker 1>I'm very aware that when I talk about my experiences,

0:43:57.200 --> 0:44:01.880
<v Speaker 1>that people can only understand certain things when they've experienced

0:44:01.920 --> 0:44:05.800
<v Speaker 1>those things themselves, and I have compassion for that, so

0:44:06.000 --> 0:44:10.719
<v Speaker 1>I try to just be patient. Ken Paige has a

0:44:10.840 --> 0:44:14.520
<v Speaker 1>tougher message for younger generations. What I want to say

0:44:14.600 --> 0:44:19.120
<v Speaker 1>to them is, don't be stupid. It's not gone. There's

0:44:19.160 --> 0:44:23.000
<v Speaker 1>just ways of handling it. Don't be cavalier. Don't take

0:44:23.040 --> 0:44:25.160
<v Speaker 1>it for granted that you're well and you're gonna be well,

0:44:25.239 --> 0:44:26.920
<v Speaker 1>and there's a pill and as this is that you

0:44:26.960 --> 0:44:30.040
<v Speaker 1>can do anything you want. Don't be stupid. People paid

0:44:30.200 --> 0:44:34.520
<v Speaker 1>for what you know. People paid for the cocktails and

0:44:34.600 --> 0:44:37.160
<v Speaker 1>the pills and the things that you have that make

0:44:37.239 --> 0:44:40.480
<v Speaker 1>you able to not worry about how you have sex.

0:44:40.920 --> 0:44:45.320
<v Speaker 1>Someone paid literally their lives for that. Don't forget that.

0:44:46.160 --> 0:44:52.520
<v Speaker 1>Never forget. When Cats returned to Broadway in ken Paige

0:44:52.640 --> 0:44:55.319
<v Speaker 1>was in the audience on opening night, but for him

0:44:55.640 --> 0:44:59.040
<v Speaker 1>it wasn't as much a revival as it was a remembrance.

0:44:59.680 --> 0:45:02.279
<v Speaker 1>M I went to the opening night. Rosie O'Donnell was

0:45:02.320 --> 0:45:05.520
<v Speaker 1>sitting there to night left, and I said, oh god,

0:45:05.640 --> 0:45:07.880
<v Speaker 1>she goes. What's it like for you, she asked me.

0:45:07.960 --> 0:45:10.480
<v Speaker 1>I said, I just see ghosts. I said, there's so

0:45:10.520 --> 0:45:12.440
<v Speaker 1>many people up there with the makeup and all. It

0:45:12.560 --> 0:45:16.000
<v Speaker 1>was pretty much the same. I said, I see Renee Clamente,

0:45:16.760 --> 0:45:20.640
<v Speaker 1>I see Read Jones, I see Tim Scott, I see

0:45:20.680 --> 0:45:25.680
<v Speaker 1>Stephen Guelfer right there in front of me on the stage.

0:45:26.239 --> 0:45:28.320
<v Speaker 1>I was happy they were doing it, and I supported

0:45:28.360 --> 0:45:30.719
<v Speaker 1>the revival and on no no, But it was also

0:45:30.880 --> 0:45:34.000
<v Speaker 1>very difficult to sit and watch because you couldn't not

0:45:34.320 --> 0:45:40.759
<v Speaker 1>go through the memory. Tim Scott was cremated. For his

0:45:40.880 --> 0:45:45.279
<v Speaker 1>final resting place, Tim's parents and Norman decided on that

0:45:45.560 --> 0:45:49.800
<v Speaker 1>very spot in Arizona where Tim had once pirouetted, and

0:45:49.920 --> 0:45:54.319
<v Speaker 1>so we went out to the Grand Canyon, the five

0:45:54.440 --> 0:45:56.120
<v Speaker 1>or six of us, and we went out on the

0:45:56.239 --> 0:45:59.720
<v Speaker 1>end of that rock, which in retrospect is totally crazy,

0:46:00.080 --> 0:46:02.000
<v Speaker 1>is uh. I look at pictures of it now and

0:46:02.040 --> 0:46:04.000
<v Speaker 1>I think, oh my god, we can have all fallen

0:46:04.040 --> 0:46:09.960
<v Speaker 1>off and joined him with this episode. I wanted to

0:46:10.000 --> 0:46:13.520
<v Speaker 1>pay tribute to all those artists whose names didn't make

0:46:13.600 --> 0:46:17.520
<v Speaker 1>headlines when they died, and so I wrote to Tom Viola,

0:46:17.880 --> 0:46:21.040
<v Speaker 1>the head of Broadway Cares Equity Fights AIDS. It's one

0:46:21.080 --> 0:46:24.280
<v Speaker 1>of the oldest and largest groups raising money to support

0:46:24.400 --> 0:46:27.880
<v Speaker 1>artists living with HIV AIDS. I wanted to know what

0:46:28.040 --> 0:46:31.560
<v Speaker 1>he might have to say about Tim Scott. I didn't

0:46:31.600 --> 0:46:35.000
<v Speaker 1>know Tim Scott well, he wrote, but with Cats being

0:46:35.120 --> 0:46:37.879
<v Speaker 1>such a smash hit when it opened, and Tim being

0:46:37.960 --> 0:46:41.759
<v Speaker 1>so blazing hot as the original Mr Mustopheles, he was

0:46:41.880 --> 0:46:45.320
<v Speaker 1>one of the eighties most beautiful and popular Broadway dancers.

0:46:46.080 --> 0:46:49.759
<v Speaker 1>Plus he was a very sweet guy. Tim's passing from

0:46:49.800 --> 0:46:54.440
<v Speaker 1>AIDS was truly one of the deaths that galvanized to

0:46:54.520 --> 0:46:57.760
<v Speaker 1>the community into the very early efforts to do something

0:46:58.120 --> 0:47:01.560
<v Speaker 1>that culminated in the founding of Equity Fights AIDS and

0:47:01.719 --> 0:47:08.080
<v Speaker 1>Broadway Cares. Will let Ken Page the wise old deuteronomy

0:47:08.160 --> 0:47:12.239
<v Speaker 1>of Cats have the final word. Those of us who

0:47:12.280 --> 0:47:16.360
<v Speaker 1>have survived aids this that the other even whatever, just age.

0:47:16.880 --> 0:47:20.279
<v Speaker 1>If we don't tell the story, who does? Because you

0:47:20.360 --> 0:47:22.600
<v Speaker 1>can only tell it if you were there. And if

0:47:22.680 --> 0:47:25.440
<v Speaker 1>we are not responsible in telling it and passing it

0:47:25.520 --> 0:47:28.560
<v Speaker 1>on when people ask like you have, then it dies

0:47:29.080 --> 0:47:32.800
<v Speaker 1>literally and it's too valuable a story, whether it's in

0:47:32.920 --> 0:47:35.680
<v Speaker 1>one person named Tim Scott or in any of the

0:47:35.800 --> 0:47:38.240
<v Speaker 1>number of people we named from cats, or the greater

0:47:38.400 --> 0:47:40.439
<v Speaker 1>number that we're in the theater New York at the time,

0:47:40.600 --> 0:47:43.440
<v Speaker 1>or the even greater number that was the world population

0:47:43.520 --> 0:47:46.520
<v Speaker 1>that we lost. We who have survived have to tell

0:47:46.600 --> 0:48:01.720
<v Speaker 1>the story. I hope you've enjoyed seas and three of Mobituaries.

0:48:02.239 --> 0:48:05.120
<v Speaker 1>If you were with us the first two seasons, thanks

0:48:05.160 --> 0:48:08.680
<v Speaker 1>for sticking around. If you haven't heard our previous seasons,

0:48:09.080 --> 0:48:12.040
<v Speaker 1>I hope you'll do a little delving. Either way, feel

0:48:12.080 --> 0:48:15.399
<v Speaker 1>free to spread the word about mobids me. I ask

0:48:15.440 --> 0:48:18.120
<v Speaker 1>you to please rate and review this podcast. You can

0:48:18.160 --> 0:48:21.799
<v Speaker 1>also follow Mobituaries on Facebook and Instagram, and you can

0:48:21.880 --> 0:48:26.200
<v Speaker 1>follow me on Twitter at morocco and check out Mobituaries.

0:48:26.280 --> 0:48:30.080
<v Speaker 1>Great Lives Worth Reliving the New York Times best selling book,

0:48:30.360 --> 0:48:34.279
<v Speaker 1>now available in paperback and audiobook. It includes plenty of

0:48:34.400 --> 0:48:39.160
<v Speaker 1>stories not in the podcast. This episode of Mobituaries was

0:48:39.239 --> 0:48:44.240
<v Speaker 1>produced by Francisco Robina. Our team of producers also includes

0:48:44.360 --> 0:48:49.800
<v Speaker 1>Aaron Shrink, Wilco, Martinezcaceto, and me Morocca. It was edited

0:48:49.840 --> 0:48:53.520
<v Speaker 1>by Moral Wolves and engineered by Josh Hahn, with fact

0:48:53.600 --> 0:48:57.880
<v Speaker 1>checking by Naomi bar Our production company is Neon Houm Media.

0:48:58.840 --> 0:49:02.759
<v Speaker 1>Our archival produce sir is Jamie Benson. Our theme music

0:49:02.880 --> 0:49:07.960
<v Speaker 1>is written by Daniel Hart. Indispensable support from Craig Swaggler,

0:49:08.320 --> 0:49:13.080
<v Speaker 1>Dustin Gervais, Alan Pang, Reggie Basio and everyone at CBS

0:49:13.160 --> 0:49:18.439
<v Speaker 1>News Radio. Special thanks to David France, Tom Biola, Bill

0:49:18.600 --> 0:49:24.440
<v Speaker 1>Keith Richard, j Alexander, Megan Marcus, Molly Raleigh, Steven Spanbauer,

0:49:24.600 --> 0:49:29.920
<v Speaker 1>and Alberto Robina. The Invincible. Aaron Shrank is our senior producer.

0:49:30.360 --> 0:49:35.360
<v Speaker 1>Executive producers for Mobituaries include Steve Raizys and Morocca. The

0:49:35.520 --> 0:49:39.720
<v Speaker 1>series is created by Yours Truly and as always, thanks

0:49:39.800 --> 0:49:43.800
<v Speaker 1>to Rant Morrison and John carp for helping breathe life

0:49:44.200 --> 0:49:45.880
<v Speaker 1>into Mobituaries