WEBVTT - S2E22 Southern Gentlemen Prefer Blondes with Zuzanna Szadkowski

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<v Speaker 1>Hi and Susanna Chekhovski I played Corota on Gossip Girl,

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<v Speaker 1>and we are rewatching Southern Gentleman Prefer Blonds. Welcome back,

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<v Speaker 1>listeners to your one and only source into all things

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<v Speaker 1>gossip Grow. You know you love it. XO x O.

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<v Speaker 1>Hey guys, I'm so happy that you're joining me for

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<v Speaker 1>another episode of XO XL. I'm your host Jessica's or

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<v Speaker 1>so we're picking up today with the rewatch of season two,

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<v Speaker 1>episode twenty two, Southern Gentlemen Prefer Blondes. This is a

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<v Speaker 1>big one for love triangles. We have Serena dating Gabriel

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<v Speaker 1>who might also be dating Poppy, and of course our

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<v Speaker 1>classic Blair Nate Chuck affair. Plus none other than Georgina

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<v Speaker 1>Sparks is back with a surprising change in character, or

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<v Speaker 1>so we think, and joining me yet again is the

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<v Speaker 1>credible A Susanna Sharkovski also known as Gossip Girls de Roda.

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<v Speaker 1>We just had such a fun time with our deep dive,

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<v Speaker 1>so we thought might as well keep it going, And

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<v Speaker 1>just like her character always listening in and hearing the

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<v Speaker 1>Upper east Side drama, Susana knows it all and has

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<v Speaker 1>plenty to share about this episode. So we're both very excited.

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<v Speaker 1>Let's hop right in and we're live. Susannah, Hello, Hi,

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<v Speaker 1>are you okay? I I still when I the countdown

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<v Speaker 1>comes on, I like still have like a little bit

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<v Speaker 1>of anxiety, like am I ready? Did I watch the episode?

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<v Speaker 1>Are my notes? Here is the guest on the other line?

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<v Speaker 1>And every time it's all fine, but I still get

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<v Speaker 1>like this, like, oh my god, there's like pressure. Oh

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<v Speaker 1>I know, it's a little nerve wracking. It's actually funny

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<v Speaker 1>because Blake Lively always had did a thing on set

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<v Speaker 1>that I always think of whenever I act, whenever anybody

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<v Speaker 1>says rolling or has a copdown, or I think she

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<v Speaker 1>used to. She used to always say, everybody tends up,

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<v Speaker 1>and it made me laugh because I was like, that's

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<v Speaker 1>what happens. Everybody's all loose and ready to go, but

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<v Speaker 1>in the minute they start rolling, it's like everything you know,

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<v Speaker 1>those nerves come and it's like funny to call it

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<v Speaker 1>out and then everybody would loosen up and have a moment.

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<v Speaker 1>Yeah feel remember her saying that that it's true though

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<v Speaker 1>it's all of a sudden like yeah, oh you gotta

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<v Speaker 1>shake shake it out. Anyways, maybe I'm just so excited

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<v Speaker 1>and nervous and like Pump that you're here. It's like

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<v Speaker 1>all the fields and vibes. I'm I'm so excited to

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<v Speaker 1>talk to you again, I know. And the rewatch. How

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<v Speaker 1>was it going back to watch? Oh man? It was

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<v Speaker 1>so funny because I haven't watched the show in the years,

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<v Speaker 1>so it's like, I, like we talked about before, I

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<v Speaker 1>did watch the show, you know, when it was on,

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<v Speaker 1>when we were working on it, so I was like,

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<v Speaker 1>you know, I was tracking it, I was a fan,

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<v Speaker 1>and then now it's been so long, so turning it

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<v Speaker 1>back on, I had exactly the experience that you just

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<v Speaker 1>that you discussed, which is I'm in love with that.

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<v Speaker 1>Like I was so into it, and then when the

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<v Speaker 1>episode was over, I wanted to watch the next one immediately,

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<v Speaker 1>and I was like, you know, this is so funny

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<v Speaker 1>because it really got me. I was like, oh yeah,

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<v Speaker 1>back to the fan mode. They really leave every episode

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<v Speaker 1>just when even sometimes now I'm like, oh, there's this

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<v Speaker 1>is going to happen, and then this and this, and

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<v Speaker 1>then they still bring you some sort of bomb at

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<v Speaker 1>the end where I'm like, what like this one with

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<v Speaker 1>the whole Poppy and Gabriel situation. I'm like, wait, where's

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<v Speaker 1>what's going to go down here? You know what I mean? Um? Okay,

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<v Speaker 1>well let's should we get into it? Yeah? Absolutely. We

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<v Speaker 1>are on to season two, episode twenty two, Southern Gentleman

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<v Speaker 1>Prefer Blondes, which is based on a movie Gentleman Prefer

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<v Speaker 1>Blonde starring Marilyn Monroe, which I just saw Blonde recently

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<v Speaker 1>and you definitely need to go and see it. It's

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<v Speaker 1>that's going to be hu see another side yeah of

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<v Speaker 1>Marilyn Monroe that I didn't really know a lot of

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<v Speaker 1>these things, but it's it's great. So, yes, have these

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<v Speaker 1>blonde icons of our time. And then I guess Serena

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<v Speaker 1>is another one. So yeah, this is true, very true.

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<v Speaker 1>And this episode with her is just I'm like nervous

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<v Speaker 1>for her because I feel like there's some shady stuff

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<v Speaker 1>about to come out. Oh man, so much. Yeah, she's

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<v Speaker 1>really in a don't you think vulnerable place in this episode. Yes, yeah,

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<v Speaker 1>her heart is just right out there. It is, Oh

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<v Speaker 1>my god. Um okay, So here's where we left off.

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<v Speaker 1>Drama came to Cyrus's passover Seder. Dan signed up to

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<v Speaker 1>cater the event to earn some money for Yale, while

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<v Speaker 1>Serena sought after Cyrus's legal advice for maybe accidentally getting married.

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<v Speaker 1>Blair tried to negotiate with Nate's grandfather to further her

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<v Speaker 1>social standing, while Nate realized his family scheming was more

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<v Speaker 1>than he could handle. Wow, yep, so and we are

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<v Speaker 1>right and then up what we're looking at to is

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<v Speaker 1>this fantastic episode where Georgina Sparks returns to the Upper

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<v Speaker 1>east Side, which is always exciting, always undergone a major transformation,

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<v Speaker 1>which I feel like there's a surprise every time Georgina

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<v Speaker 1>is back in our midst first um and in this episode,

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<v Speaker 1>Check and Nate find themselves a pretty major crossroads in

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<v Speaker 1>their friendship as it pertains to their mutual interest in

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<v Speaker 1>Blair and Serena has some complications in her relationship with Gabriel,

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<v Speaker 1>So those are she has some some big stakes here

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<v Speaker 1>as she's a I guess, semi married woman but not

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<v Speaker 1>not really doesn't count. I guess, yeah, yeah, she's like

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<v Speaker 1>married but not married. He's with Poppy, but he's not

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<v Speaker 1>with Poppy, And yeah, you kind of said it perfectly.

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<v Speaker 1>She's just super vulnerable in this because he's obviously like

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<v Speaker 1>playing her or there's some sort of secret because where

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<v Speaker 1>is he always going? Like where is Gabriel always going?

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<v Speaker 1>It's so hard to watch somebody, you know, like in

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<v Speaker 1>love going in committing and then everyone kind of sees

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<v Speaker 1>something that that person doesn't see. And I feel like

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<v Speaker 1>that's a play in this episode, and it has that

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<v Speaker 1>like it makes me really like empathetic with Serena, and

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<v Speaker 1>it just feels like she's in such a vulnerable place

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<v Speaker 1>compared to a lot of times she's more of the

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<v Speaker 1>powerhouse character, right, and here she's her feelings are sort

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<v Speaker 1>of laid bare, and she's she's not in control really

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<v Speaker 1>of the situation. Yeah, And you know, like when you're

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<v Speaker 1>in love or in a relationship, you kind of are

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<v Speaker 1>blinded by certain things just because your lens are different,

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<v Speaker 1>you know. And I do feel like when Chuck and

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<v Speaker 1>Blair are trying to like figure you know, they're digging

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<v Speaker 1>in and trying to figure out, like what does this

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<v Speaker 1>guy have up his sleeve because they're seeing it from

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<v Speaker 1>another lens and they, you know, Blair again is looking

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<v Speaker 1>out for Serena, which is like so funny because she's

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<v Speaker 1>always like, you guys, I'm fine, I got it. And

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<v Speaker 1>then she needs her little buddy. Yeah, They're friendship is

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<v Speaker 1>like so funny to me because they always always in

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<v Speaker 1>the end come through for each other, which I love. Yeah,

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<v Speaker 1>and I think a friendship really has taken to task

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<v Speaker 1>in this episode because you have these kind of two

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<v Speaker 1>best friendships. You have the Blair Serena and then the

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<v Speaker 1>Chuck and Nate. So they're kind of contrasted in a

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<v Speaker 1>way because you have this It's like they're giving each

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<v Speaker 1>other tough love and they're like stepping on each other's

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<v Speaker 1>toes and it's like these two central relationships are like

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<v Speaker 1>really like brought to the flour here in this particular episode,

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<v Speaker 1>so totally it's nerve wracking. It is. It is because

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<v Speaker 1>to like I don't know if I would say like

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<v Speaker 1>the tug of war, but the whole like triangle between Nate,

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<v Speaker 1>Blair and Chuck in this episode. There's like times where

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<v Speaker 1>I'm like, I feel I'm feeling bad for Nate, and

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<v Speaker 1>then there's times I see her with Chuck and I'm like, oh,

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<v Speaker 1>but I kind of maybe want her back with Chuck.

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<v Speaker 1>But are they right for each other? But yeah, you

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<v Speaker 1>want them together. Yeah, you know, it's crazy because when

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<v Speaker 1>we last spoke. We spoke so much about de Roda

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<v Speaker 1>being a team chair if you will, and you know

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<v Speaker 1>this this kind of relationship for the Ages that is

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<v Speaker 1>Chuck and Blair, and watching this episode, I really got

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<v Speaker 1>into the Nate Blair thing, and it was something about

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<v Speaker 1>how sweet it was and how there was I don't know,

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<v Speaker 1>the kind of the chemistry between the two characters. It

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<v Speaker 1>really like kind of sold me. So I was I

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<v Speaker 1>found myself in a weird place as de Road I've

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<v Speaker 1>always been in the end sort of walked away with

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<v Speaker 1>this I love Chuck energy, and then in this episode

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<v Speaker 1>I kind of was, I was kind of getting out

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<v Speaker 1>down with the Nate Blair situation. I kind of agree

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<v Speaker 1>with you. There was like moments I'm like, wow, it's

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<v Speaker 1>I'm not saying I don't know if I'm seeing another

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<v Speaker 1>side of Nate because he's always kind of that sweet,

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<v Speaker 1>nice guy. I always feel like he's just such a sweetheart.

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<v Speaker 1>But there's something else that is like pulling me like yeah,

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<v Speaker 1>for them in a way, it's it's wild, it's awfully romantic.

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<v Speaker 1>It is. They have a couple of scenes in this

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<v Speaker 1>episode where they're facing off and he it's just it's

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<v Speaker 1>just sweet. It's just straight up sweet and like really

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<v Speaker 1>charming and um, the way they look at each other,

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<v Speaker 1>and you know, it has like a real kind of

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<v Speaker 1>fairytale quality. And I mean as we kind of go

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<v Speaker 1>through the episode, I think, you know, that's one of

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<v Speaker 1>the things that comes up to is like I feel

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<v Speaker 1>like it's these two warring sides of Blair's personality that

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<v Speaker 1>that's kind of tug of war whether she writes a

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<v Speaker 1>fairytale or she wants a challenge. You know. So it's

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<v Speaker 1>like right, like so that kind of but the fairytale

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<v Speaker 1>is romantic with me because he's there's something about him

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<v Speaker 1>me personally. I've always just thought Chase Crawford was the

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<v Speaker 1>cutest and so I was really sold on those moments.

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<v Speaker 1>I was like always, wow, he's he's just such a doll.

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<v Speaker 1>But and you know, like there was like a New

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<v Speaker 1>York City vibe that I haven't felt. And I mean

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<v Speaker 1>I always feel the vibe of the city and the show,

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<v Speaker 1>but they were definitely filming like more downtown in this

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<v Speaker 1>Like there was a lot of soho maybe like almost

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<v Speaker 1>West Village. I was connected to like the city at

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<v Speaker 1>another level in this one. Did you feel that or no, yeah,

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<v Speaker 1>And I feel like the episode kind of opens with

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<v Speaker 1>the down the tour of downtown and going to n

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<v Speaker 1>y U and this kind of conversation that um Nate

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<v Speaker 1>and Blair have about the subway. So it's, oh my god,

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<v Speaker 1>she's like down there, which is so so funny and

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<v Speaker 1>so cute and um yeah. So I feel like New

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<v Speaker 1>York is really the full island does that play here?

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<v Speaker 1>And it's funny since I since I last spoke to you,

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<v Speaker 1>I really had the gossip girl in the brain. You know.

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<v Speaker 1>It's like kind of woke up my inner gospel spirit.

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<v Speaker 1>And part of that I realized is like my love

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<v Speaker 1>for New York. So I've lived here for you know,

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<v Speaker 1>a long time, and it's very easy to get, you know,

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<v Speaker 1>to kind of be over it and to have that

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<v Speaker 1>feeling of, oh, you know, everything's kind of difficult in

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<v Speaker 1>the city. And when I have my my sort of

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<v Speaker 1>gossip girl energy up, I started looking around. Oh no,

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<v Speaker 1>it is really glamorous and it is fun, and there's

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<v Speaker 1>so much promise and it's a beautiful time of year.

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<v Speaker 1>Now it's ball is coming. And so I've been really

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<v Speaker 1>like in a New York state of mind too. Um

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<v Speaker 1>So when So this episode kind of reminded me of

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<v Speaker 1>why that is, because in this episode you have a

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<v Speaker 1>lot of glint in the downtown and the uptown coming together,

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<v Speaker 1>and it's funny because it's like, um, yes, we don't

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<v Speaker 1>see them outdoors so often either with like just out

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<v Speaker 1>in nature. Yeah, and Upper East Side, it's it's just

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<v Speaker 1>a different vibe. It's like very structured. There's not a

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<v Speaker 1>ton of people, right. Um, did you ever have like

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<v Speaker 1>the experience of what that they're going through with college,

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<v Speaker 1>like Dan trying to with financial stuff or like Blair

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<v Speaker 1>not getting in. I mean, I know you went to

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<v Speaker 1>a wonderful school, but like, do you have anything similar

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<v Speaker 1>to any of anyone of the characters going on? Yeah,

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<v Speaker 1>I have kind of like a personal relationship actually to

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<v Speaker 1>the n y U Columbia debate, which is that I

0:11:37.880 --> 0:11:40.400
<v Speaker 1>grew up in Indiana. Um, you know, I came from

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<v Speaker 1>Poland when I was a little kid, and I grew

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<v Speaker 1>up in the Midwest, and so I wanted to go

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<v Speaker 1>to New York City. That was that was all that

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<v Speaker 1>I wanted. So I was like, whatever college looks at

0:11:48.480 --> 0:11:49.960
<v Speaker 1>me in New York, That's where I'm going. And I

0:11:50.000 --> 0:11:52.679
<v Speaker 1>was like, you know, it was a diligent student and

0:11:52.720 --> 0:11:55.040
<v Speaker 1>I wanted to get into a good place, but most

0:11:55.040 --> 0:11:57.120
<v Speaker 1>important to me was location. And I got in at

0:11:57.120 --> 0:12:00.080
<v Speaker 1>Barnard College, which is the Women's College of Columbia. But

0:12:00.120 --> 0:12:01.599
<v Speaker 1>I really wanted to go to n y U. And

0:12:01.640 --> 0:12:03.640
<v Speaker 1>I didn't get in there, and it was like, and

0:12:03.800 --> 0:12:05.640
<v Speaker 1>why you just seem so much cooler to me because

0:12:05.640 --> 0:12:08.760
<v Speaker 1>it was downtown, and so I went so I would

0:12:08.920 --> 0:12:10.800
<v Speaker 1>like on that side of the point so that I

0:12:11.000 --> 0:12:12.880
<v Speaker 1>you know, I really loved my experience there. But when

0:12:12.880 --> 0:12:14.640
<v Speaker 1>I was there, I did spend a lot of time.

0:12:15.200 --> 0:12:18.280
<v Speaker 1>I would take the subway and go down to astor

0:12:18.360 --> 0:12:20.840
<v Speaker 1>place in a street, and you know, I had to

0:12:20.840 --> 0:12:23.840
<v Speaker 1>get my downtown n y U vibes in order to

0:12:24.160 --> 0:12:28.400
<v Speaker 1>feel like I was getting my full experience. But you know,

0:12:28.440 --> 0:12:31.000
<v Speaker 1>the financial aid question too, is huge, especially now. I

0:12:31.000 --> 0:12:35.559
<v Speaker 1>mean in our current political environments, all this talk about

0:12:35.920 --> 0:12:39.439
<v Speaker 1>loans and loan forgiveness, and you know, watching those guys

0:12:39.480 --> 0:12:42.760
<v Speaker 1>make those decisions about walking into these financial decisions that

0:12:42.800 --> 0:12:44.520
<v Speaker 1>the whole effects the whole family. And you know, I

0:12:44.600 --> 0:12:48.520
<v Speaker 1>felt for Dan in this UM episode because you know,

0:12:48.559 --> 0:12:50.640
<v Speaker 1>it's like, already so hard, You're already making this huge

0:12:50.679 --> 0:12:53.720
<v Speaker 1>life jump and kind of deciding what your future will be.

0:12:53.760 --> 0:12:55.520
<v Speaker 1>And then on top of it, you're you know, you

0:12:55.520 --> 0:12:58.280
<v Speaker 1>have to deal with your parents and their financial cap

0:12:58.559 --> 0:13:02.280
<v Speaker 1>address like that so stressful, crazy, And I do kind

0:13:02.280 --> 0:13:05.240
<v Speaker 1>of feel like at that age and that time in

0:13:05.280 --> 0:13:10.079
<v Speaker 1>your life, you don't really comprehend what the loans are

0:13:10.120 --> 0:13:11.920
<v Speaker 1>and what the money is because it's the first time

0:13:11.960 --> 0:13:15.440
<v Speaker 1>in your life that you really are seeing and having

0:13:15.440 --> 0:13:17.080
<v Speaker 1>to deal with it, so you you don't really know

0:13:17.120 --> 0:13:19.160
<v Speaker 1>the scope of like how long it's going to take

0:13:19.200 --> 0:13:21.720
<v Speaker 1>and what you have to earn to like make the payments.

0:13:22.440 --> 0:13:24.760
<v Speaker 1>It's like it is a lot, you know, and nobody's

0:13:24.800 --> 0:13:26.200
<v Speaker 1>like looking down the barrel of how I was thinking,

0:13:26.200 --> 0:13:29.240
<v Speaker 1>I'm gonna be paying these until I'm six years old,

0:13:30.800 --> 0:13:32.320
<v Speaker 1>That's what I mean. It's like all of a sudden,

0:13:32.320 --> 0:13:35.520
<v Speaker 1>you're like leaving home, leaving your parents, taking on all

0:13:35.600 --> 0:13:39.240
<v Speaker 1>of this huge load for the next chapter of your life.

0:13:39.360 --> 0:13:42.200
<v Speaker 1>And then so yeah, and I actually really love that

0:13:42.240 --> 0:13:44.520
<v Speaker 1>they are kind of touching on that and showing the

0:13:44.520 --> 0:13:47.040
<v Speaker 1>struggle of it and so that it doesn't always feel

0:13:47.080 --> 0:13:49.000
<v Speaker 1>like you know in movies and TV, like oh, I

0:13:49.040 --> 0:13:50.559
<v Speaker 1>just I got accepted and I go and here it

0:13:50.600 --> 0:13:52.920
<v Speaker 1>is like, because it's not like that, not for everything

0:13:52.960 --> 0:13:54.240
<v Speaker 1>I should say, you know what I mean, Like, I

0:13:54.520 --> 0:13:57.040
<v Speaker 1>like that they're kind of shining light. Also, I think

0:13:57.040 --> 0:13:59.600
<v Speaker 1>it's kind of cool in this show, like versus other

0:14:00.040 --> 0:14:02.400
<v Speaker 1>of shows where you begin in a high school genre,

0:14:02.880 --> 0:14:05.320
<v Speaker 1>is the fact that they let the writers and creators

0:14:05.400 --> 0:14:08.600
<v Speaker 1>let the cast grow up, you know, so that I

0:14:08.640 --> 0:14:10.400
<v Speaker 1>feel like some shows you kind of get mired downey

0:14:10.440 --> 0:14:12.839
<v Speaker 1>people if we leave high school, we won't have a show,

0:14:13.559 --> 0:14:16.839
<v Speaker 1>whereas on this show, we watched them transition and move

0:14:16.920 --> 0:14:19.560
<v Speaker 1>into this these college years and kind of you know,

0:14:19.600 --> 0:14:22.840
<v Speaker 1>become adults. So it's nice because it has that feeling

0:14:22.840 --> 0:14:24.280
<v Speaker 1>of like we can go in a journey with them.

0:14:24.320 --> 0:14:26.920
<v Speaker 1>I think. So that's kind of bold. Um. Yeah, I

0:14:27.400 --> 0:14:30.560
<v Speaker 1>think it's great too. It's also so funny because when

0:14:30.600 --> 0:14:32.800
<v Speaker 1>you play high school, a lot of times the people

0:14:32.840 --> 0:14:35.440
<v Speaker 1>the actors playing high school are not in high school, right.

0:14:36.440 --> 0:14:39.800
<v Speaker 1>And I remember like seeing someone from nine O two

0:14:39.800 --> 0:14:41.400
<v Speaker 1>an O or something in l A And I'm like,

0:14:41.680 --> 0:14:43.560
<v Speaker 1>how come they look so much older? And it was

0:14:43.600 --> 0:14:45.240
<v Speaker 1>because you know, the show was ten years later and

0:14:45.320 --> 0:14:49.760
<v Speaker 1>then they were really like playing seventeen. But you don't

0:14:49.800 --> 0:14:51.600
<v Speaker 1>like when you're in your living room watching it. If

0:14:51.640 --> 0:14:56.080
<v Speaker 1>you're not like thinking about that, it's really like through me. Yeah,

0:14:56.120 --> 0:14:58.520
<v Speaker 1>and you guys were all young but not you know,

0:14:58.800 --> 0:15:03.760
<v Speaker 1>but we were twenty yeah, except for Taylor Taylor who

0:15:04.400 --> 0:15:07.520
<v Speaker 1>also you know, I haven't seen the show in a minute,

0:15:07.600 --> 0:15:10.520
<v Speaker 1>like I said, and I was struck again by how

0:15:11.360 --> 0:15:14.920
<v Speaker 1>just freaking good Taylor is. She's she's so incredible, and

0:15:14.960 --> 0:15:17.480
<v Speaker 1>those scenes with Ruth was in this episode are so heartwarming.

0:15:17.480 --> 0:15:19.640
<v Speaker 1>There's such a connection with them, and it's like her

0:15:19.640 --> 0:15:21.600
<v Speaker 1>face is just so I don't know, she just has

0:15:21.640 --> 0:15:23.840
<v Speaker 1>that love that Jenny, Yeah, it's in her eyes, and

0:15:24.000 --> 0:15:26.560
<v Speaker 1>you know, she's just a tremendous actor. And I remember

0:15:26.560 --> 0:15:28.240
<v Speaker 1>working with her, not I didn't get to do it

0:15:28.320 --> 0:15:30.400
<v Speaker 1>very often, but I remember working with her on a

0:15:30.480 --> 0:15:33.720
<v Speaker 1>scene where I can't remember what the context was, but

0:15:33.800 --> 0:15:35.560
<v Speaker 1>we were in and out of a limousine and she

0:15:35.680 --> 0:15:38.880
<v Speaker 1>was crying, like Jenny was really upset, and she brought

0:15:38.920 --> 0:15:42.240
<v Speaker 1>it every single take, from every single angle, and I

0:15:42.280 --> 0:15:44.400
<v Speaker 1>just remember thinking, for a young woman, she's such an

0:15:44.400 --> 0:15:47.240
<v Speaker 1>accomplished actor and so she had already had such depth

0:15:47.320 --> 0:15:50.360
<v Speaker 1>of you know, she was able to access all of

0:15:50.400 --> 0:15:53.240
<v Speaker 1>that emotional life and it was really something so I

0:15:53.240 --> 0:15:55.960
<v Speaker 1>always admired her and I'm reminded by how good she

0:15:56.080 --> 0:15:59.440
<v Speaker 1>is and everyone else to watch and you know this episode, Yeah,

0:15:59.720 --> 0:16:03.080
<v Speaker 1>you're totally right to be as young as she was

0:16:03.240 --> 0:16:05.960
<v Speaker 1>and to like have the emotional roller coaster that she

0:16:06.080 --> 0:16:08.280
<v Speaker 1>goes on and we go with her because she's so

0:16:08.440 --> 0:16:11.120
<v Speaker 1>dialed in is like, first of all, not easy, and

0:16:11.160 --> 0:16:13.240
<v Speaker 1>second of all, when you're that young and you don't

0:16:13.280 --> 0:16:15.760
<v Speaker 1>even have some of the life experiences to kind of

0:16:16.320 --> 0:16:20.640
<v Speaker 1>dig into to find those like moments, is like what

0:16:20.680 --> 0:16:22.760
<v Speaker 1>you said, it's pretty rad that she just had that.

0:16:22.960 --> 0:16:37.960
<v Speaker 1>You know, she's extraordinary. What do you think about this

0:16:37.960 --> 0:16:41.440
<v Speaker 1>whole engagement thing with with Rufus with Lily, Like they

0:16:41.480 --> 0:16:44.120
<v Speaker 1>they're at the antique shop, they see the ring, or

0:16:44.320 --> 0:16:46.840
<v Speaker 1>Dan sees Rufus looking at the ring, Well, how do

0:16:46.880 --> 0:16:49.560
<v Speaker 1>you feel about that? I mean, it is it's always

0:16:49.600 --> 0:16:52.480
<v Speaker 1>weird all of the kind of cross pollination that happens

0:16:52.480 --> 0:16:55.320
<v Speaker 1>in this show in terms of you know that your

0:16:55.400 --> 0:16:57.680
<v Speaker 1>parents getting married and you're used to date your sister

0:16:57.760 --> 0:16:59.880
<v Speaker 1>and all that stuff. So of course that is that

0:17:00.040 --> 0:17:02.280
<v Speaker 1>comes to mind, But it also was so sweet and

0:17:02.320 --> 0:17:04.520
<v Speaker 1>kind of heartbreaking that he's looking at that little that

0:17:04.640 --> 0:17:07.600
<v Speaker 1>ring was pretty cool. I mean it was very cool. Yeah,

0:17:07.720 --> 0:17:09.399
<v Speaker 1>and like it's not what I expected when they like

0:17:09.480 --> 0:17:11.199
<v Speaker 1>zoomed in on it, like when they do when they

0:17:11.240 --> 0:17:13.040
<v Speaker 1>see it, I was like, wait, that is not but

0:17:13.080 --> 0:17:16.320
<v Speaker 1>it's also brilliant because like that he can't get Lily,

0:17:17.280 --> 0:17:20.080
<v Speaker 1>you know, the kind of diamond that would be Lily style,

0:17:20.160 --> 0:17:24.679
<v Speaker 1>but he can get something really cool and artistics what

0:17:24.720 --> 0:17:29.160
<v Speaker 1>they like about each other, you know. Yeah, But I'm

0:17:29.200 --> 0:17:30.480
<v Speaker 1>like still in the back of my mind and like,

0:17:30.720 --> 0:17:33.480
<v Speaker 1>but where's Bart, Like is he really dad? Like I

0:17:33.520 --> 0:17:37.840
<v Speaker 1>can't believe he's gone art I mean, I'm still like

0:17:38.040 --> 0:17:40.600
<v Speaker 1>not over that. So for me, I'm like I don't.

0:17:40.600 --> 0:17:42.600
<v Speaker 1>Even as much as I love Rufus and Lily and

0:17:42.640 --> 0:17:45.639
<v Speaker 1>I really am I like them, I'm still like, wait,

0:17:46.000 --> 0:17:49.000
<v Speaker 1>Chuck's dad died, you know what I mean. Yeah, it's

0:17:49.040 --> 0:17:51.440
<v Speaker 1>it's a real big thing that happened, and like when

0:17:51.520 --> 0:17:54.639
<v Speaker 1>and then he just got to move on forward. But

0:17:54.680 --> 0:17:57.600
<v Speaker 1>it is, it's it's a little bit shocking, it is.

0:17:57.760 --> 0:17:59.840
<v Speaker 1>And in this episode, Dan and Serena aren't together, so

0:18:00.119 --> 0:18:01.920
<v Speaker 1>kind of like okay, if you guys, if Lily and

0:18:02.000 --> 0:18:05.720
<v Speaker 1>Rufus want to try, okay, we have a moment here. Yeah,

0:18:05.760 --> 0:18:08.439
<v Speaker 1>and it's nice that they kind of immediately rally and

0:18:08.480 --> 0:18:10.800
<v Speaker 1>she has those great moments where she's basically like it's

0:18:10.840 --> 0:18:12.919
<v Speaker 1>like reverse parenting or they're like kind of giving him

0:18:12.920 --> 0:18:15.440
<v Speaker 1>permission to have his feelings, you know, which is so sweet.

0:18:15.800 --> 0:18:17.399
<v Speaker 1>But you know this is to like for me, was

0:18:17.480 --> 0:18:20.240
<v Speaker 1>like about Rufus and Serena both being kind of laid

0:18:20.240 --> 0:18:23.280
<v Speaker 1>bare because like he also it's like he goes through

0:18:23.320 --> 0:18:26.880
<v Speaker 1>this financial vulnerability and then that whole whether he has

0:18:26.880 --> 0:18:29.639
<v Speaker 1>the capacity to even make these choices like right forward

0:18:29.680 --> 0:18:32.320
<v Speaker 1>with Lily. So I think the two of them really

0:18:33.400 --> 0:18:37.920
<v Speaker 1>just like tugged my heartstrings in this storyline here for sure.

0:18:38.040 --> 0:18:41.480
<v Speaker 1>And also like, is there a better proposal as of yet?

0:18:41.880 --> 0:18:45.040
<v Speaker 1>They're all later right, right, and there were so many,

0:18:45.480 --> 0:18:47.520
<v Speaker 1>but I feel that there's a lot, but honestly, I

0:18:47.520 --> 0:18:51.760
<v Speaker 1>couldn't tell you one other than Lily and the Roda

0:18:51.840 --> 0:18:55.120
<v Speaker 1>had one from Vania in coming up in in season three,

0:18:55.560 --> 0:18:57.920
<v Speaker 1>so okay, that's right. It's very cute because he does

0:18:57.960 --> 0:19:01.520
<v Speaker 1>the whole one knee thing, and then there's there's definitely

0:19:01.760 --> 0:19:04.600
<v Speaker 1>a big proposal moment towards the end of the whole

0:19:04.600 --> 0:19:10.040
<v Speaker 1>season series. That's what that's Chuck and Blair for sure. Blair, Yeah, okay,

0:19:10.119 --> 0:19:11.680
<v Speaker 1>but I don't know about like all the other people

0:19:11.720 --> 0:19:14.720
<v Speaker 1>that get married, like when Lara gets married to the

0:19:14.720 --> 0:19:18.600
<v Speaker 1>prince a month ago and all that. But yeah, And

0:19:18.600 --> 0:19:20.840
<v Speaker 1>the thing it's funny is like this episode reminds me

0:19:20.920 --> 0:19:24.040
<v Speaker 1>too of how many people kind of came into the

0:19:24.160 --> 0:19:26.680
<v Speaker 1>orbit of you know, it's like you have this sort

0:19:26.680 --> 0:19:30.320
<v Speaker 1>of principal group of friends and then all of these

0:19:30.359 --> 0:19:33.399
<v Speaker 1>outsiders kind of come in and like lay claim on

0:19:33.440 --> 0:19:36.040
<v Speaker 1>people's hearts and like cause all the sad havoc and

0:19:36.080 --> 0:19:38.439
<v Speaker 1>then plot twists and sue and then they kind of

0:19:38.640 --> 0:19:40.560
<v Speaker 1>get you know, get dealt with and move out. And

0:19:40.600 --> 0:19:42.640
<v Speaker 1>so over the course of six seasons, we had so

0:19:42.760 --> 0:19:46.800
<v Speaker 1>many different love interests and boyfriends and and schemers and

0:19:47.520 --> 0:19:49.359
<v Speaker 1>right right, so it's like when you kind of think

0:19:49.400 --> 0:19:52.320
<v Speaker 1>of it, and on the whole it's overwhelming, but each

0:19:52.359 --> 0:19:54.320
<v Speaker 1>episode it kind of you know, you just gotta go

0:19:54.359 --> 0:19:58.680
<v Speaker 1>for the ride, for sure. Absolutely. Yeah, And like Poppy

0:19:59.000 --> 0:20:01.159
<v Speaker 1>is a great sample of like I mean I remember

0:20:01.240 --> 0:20:04.280
<v Speaker 1>Poppy from watching the show, but like I never, uh,

0:20:04.480 --> 0:20:06.440
<v Speaker 1>you know, ran into Poppy on set because it's like

0:20:06.480 --> 0:20:10.480
<v Speaker 1>these different worlds and here's just like messing up Serena's

0:20:10.600 --> 0:20:13.880
<v Speaker 1>life and you know, so it's interesting how many kind

0:20:13.880 --> 0:20:16.560
<v Speaker 1>of actors came in and out and how you know

0:20:16.600 --> 0:20:19.480
<v Speaker 1>you have Serena in this in this extreme situation, and

0:20:19.480 --> 0:20:21.920
<v Speaker 1>then by season three will have forgotten all about what's

0:20:21.920 --> 0:20:27.840
<v Speaker 1>his name, Gabriel Gabriel, Yeah, exactly. But certain relationships hold

0:20:28.160 --> 0:20:30.880
<v Speaker 1>hold true for sure. And then I feel like when

0:20:30.880 --> 0:20:33.679
<v Speaker 1>people pop back in, like the Georgina coming back in here,

0:20:33.680 --> 0:20:36.320
<v Speaker 1>I'm like, oh, ship, what is what is going on?

0:20:36.880 --> 0:20:40.080
<v Speaker 1>But let me ask you this. So when Vanessa's talking

0:20:40.080 --> 0:20:42.680
<v Speaker 1>to Rufus about like how she's kind of sad about

0:20:42.680 --> 0:20:45.040
<v Speaker 1>the sale that you know, and he's saying they might

0:20:45.040 --> 0:20:48.000
<v Speaker 1>not have a buyer for a while, he really is

0:20:48.040 --> 0:20:51.399
<v Speaker 1>willing to do whatever for this for his kids. Like

0:20:51.680 --> 0:20:53.840
<v Speaker 1>he's like, if Dan wants to do this, I'll sell

0:20:53.880 --> 0:20:57.119
<v Speaker 1>the loft, I'll sell the gallery, I'll you know, his

0:20:57.240 --> 0:21:02.640
<v Speaker 1>Lincoln Hawk catalog. So like hot log, which is just

0:21:02.760 --> 0:21:05.919
<v Speaker 1>so lovely. I just love that he's like willing to

0:21:05.920 --> 0:21:08.359
<v Speaker 1>do that because it's for his son's future. And I

0:21:08.400 --> 0:21:11.480
<v Speaker 1>just think that's very very sweet, and it's just the

0:21:11.560 --> 0:21:15.000
<v Speaker 1>way he plays Rufus to like did you ever you had?

0:21:15.760 --> 0:21:17.719
<v Speaker 1>I mean you had more scenes with with Matthew than

0:21:17.760 --> 0:21:19.840
<v Speaker 1>you did me. You know, I can't even remember having

0:21:19.840 --> 0:21:22.040
<v Speaker 1>really a scene with Matthew. I definitely worked, I mean

0:21:22.040 --> 0:21:24.280
<v Speaker 1>I was definitely in the larger group scenes with him

0:21:24.560 --> 0:21:27.439
<v Speaker 1>and also with Lily. Um it was like the vander

0:21:27.440 --> 0:21:30.639
<v Speaker 1>Woodson's and Droda rarely ran into each other. But um,

0:21:30.960 --> 0:21:32.480
<v Speaker 1>I guess that's right, he's not really good. I'm going

0:21:32.520 --> 0:21:34.200
<v Speaker 1>to ask you. I mean, you had an awful lot

0:21:34.200 --> 0:21:37.440
<v Speaker 1>of scenes with Matthew. And in this episode, I think

0:21:37.520 --> 0:21:39.679
<v Speaker 1>Vanessa has such a she's such a moral center in

0:21:39.680 --> 0:21:42.480
<v Speaker 1>this episode, like she's kind of reminding everyone, like encourage

0:21:42.520 --> 0:21:46.560
<v Speaker 1>each other, give each other's you know, It's like she's

0:21:46.600 --> 0:21:48.919
<v Speaker 1>there for his hard moments. And then she breaks that

0:21:48.960 --> 0:21:51.560
<v Speaker 1>news to Dan. And so what was it like working

0:21:51.880 --> 0:21:54.440
<v Speaker 1>do you remember this sort of storyline and working with

0:21:54.520 --> 0:21:57.640
<v Speaker 1>matt as who I honestly didn't, But watching some things

0:21:57.680 --> 0:21:59.439
<v Speaker 1>will be like, oh yeah, I remember that green sweater

0:21:59.440 --> 0:22:02.520
<v Speaker 1>and I remember hang on the ground with pen you know,

0:22:02.600 --> 0:22:06.560
<v Speaker 1>after we just like I told each other's secrets. Um.

0:22:06.600 --> 0:22:08.960
<v Speaker 1>But Matthew was always so interesting and fun to work

0:22:08.960 --> 0:22:12.119
<v Speaker 1>with because he's quite a character and like very funny,

0:22:12.400 --> 0:22:16.360
<v Speaker 1>but just he's got this real like laid back kind

0:22:16.400 --> 0:22:20.040
<v Speaker 1>of like hippie ish in a way. Yes, yes, in

0:22:20.080 --> 0:22:23.639
<v Speaker 1>the best way, but just very like calm and cool

0:22:24.280 --> 0:22:27.600
<v Speaker 1>and funny and like he just kind of calms you

0:22:27.680 --> 0:22:30.080
<v Speaker 1>down because he's just yeah, he's very zen, very like

0:22:31.000 --> 0:22:33.359
<v Speaker 1>I don't know, and I really always liked that about him. Yeah,

0:22:33.359 --> 0:22:35.679
<v Speaker 1>we we worked together a lot, and there was actually

0:22:35.680 --> 0:22:38.520
<v Speaker 1>a moment where I'm like, are they going to have

0:22:38.760 --> 0:22:42.239
<v Speaker 1>nut something happened with Vanessa and Rufus. I don't, And

0:22:42.400 --> 0:22:46.080
<v Speaker 1>I really liked they're like dynamic, but I definitely was like,

0:22:46.119 --> 0:22:48.160
<v Speaker 1>please don't tell me it goes there, and it never did,

0:22:48.240 --> 0:22:51.760
<v Speaker 1>so I'm super proke that it didn't. Yeah, I agree,

0:22:51.280 --> 0:22:54.600
<v Speaker 1>I agree. Yeah, it's funny because like Kelly Rutherford was

0:22:54.800 --> 0:22:58.320
<v Speaker 1>also as a human was way more zen obviously than Lily.

0:22:58.440 --> 0:23:00.720
<v Speaker 1>And I remember like often I would run into Kelly

0:23:00.760 --> 0:23:02.359
<v Speaker 1>and we would be like relaxing on some of the

0:23:02.400 --> 0:23:07.200
<v Speaker 1>couches on the sets or you also had a very grounding,

0:23:07.600 --> 0:23:11.399
<v Speaker 1>uh grounding energy. So I think between the two of them,

0:23:11.440 --> 0:23:13.600
<v Speaker 1>you know, and then kind of playing these characters, they

0:23:13.640 --> 0:23:16.879
<v Speaker 1>had like a good um connected in an interesting way,

0:23:17.560 --> 0:23:19.760
<v Speaker 1>and that relationship is off like cute and I thought

0:23:19.800 --> 0:23:23.320
<v Speaker 1>that scene UM that it was in this episode where

0:23:23.880 --> 0:23:27.400
<v Speaker 1>Serena basically brings Gabriel over to the house and it's

0:23:27.400 --> 0:23:30.159
<v Speaker 1>like a double date moment and they're they're having Chinese

0:23:30.240 --> 0:23:34.120
<v Speaker 1>food and they're discussing this co op meeting and cocktail

0:23:34.160 --> 0:23:37.560
<v Speaker 1>party to come, and I guess Serena is kind of introducing, uh,

0:23:37.600 --> 0:23:39.879
<v Speaker 1>you know, this idea to Gabriel that he could maybe

0:23:39.880 --> 0:23:43.560
<v Speaker 1>get some more investors for his endeavor at this cocktail party,

0:23:43.560 --> 0:23:46.359
<v Speaker 1>and you know, Lily seems on board, and uh, it

0:23:46.480 --> 0:23:48.720
<v Speaker 1>was cute because the mirroring of the two couples and

0:23:48.720 --> 0:23:51.320
<v Speaker 1>they're both sitting with their like hands on each other's knees,

0:23:52.359 --> 0:23:56.720
<v Speaker 1>Like I never sat with a boyfriend like that. But

0:23:56.720 --> 0:23:58.480
<v Speaker 1>but you know, it's a different world on the Upper

0:23:58.520 --> 0:24:02.840
<v Speaker 1>East Side. But you know what that scene actually made

0:24:02.880 --> 0:24:05.080
<v Speaker 1>me think of. I have this ultimate petfeeve when I

0:24:05.119 --> 0:24:08.320
<v Speaker 1>watch UM movies and television, which is it happens all

0:24:08.359 --> 0:24:11.600
<v Speaker 1>the time, is people are always eating Chinese food out

0:24:11.640 --> 0:24:14.800
<v Speaker 1>of the container and TV and film they're always have

0:24:14.920 --> 0:24:16.760
<v Speaker 1>the chopsticks and they're eating the Chinese food right out

0:24:16.760 --> 0:24:18.400
<v Speaker 1>of the container and I'm like, you have to put

0:24:18.400 --> 0:24:20.120
<v Speaker 1>it on the plate. And mix it up the right,

0:24:20.400 --> 0:24:23.280
<v Speaker 1>that's right. And they were eating Chinese food off of

0:24:23.320 --> 0:24:25.800
<v Speaker 1>plates off of nice China, and I was like, oh,

0:24:25.840 --> 0:24:31.320
<v Speaker 1>there you go, there you go that, yes, But yeah,

0:24:31.640 --> 0:24:34.359
<v Speaker 1>what's you're like speaking of like drinking and eating in

0:24:34.359 --> 0:24:36.639
<v Speaker 1>a scene? What's you're like drink of choice? Like do

0:24:36.680 --> 0:24:38.399
<v Speaker 1>you just do water? Do you do tea? Do you

0:24:38.440 --> 0:24:43.000
<v Speaker 1>do coffee? I feel like drinking um anything when they

0:24:43.040 --> 0:24:44.840
<v Speaker 1>try to make it like a certain color so it

0:24:44.920 --> 0:24:48.280
<v Speaker 1>looks like, you know, brown, like red wine or red

0:24:48.280 --> 0:24:50.560
<v Speaker 1>wine or something, that's always a little bit freaky because

0:24:50.560 --> 0:24:54.400
<v Speaker 1>it's not has that weird flat sweet taste. So right, totally,

0:24:54.440 --> 0:24:56.239
<v Speaker 1>I was I got lucky in Gospel because I think

0:24:56.240 --> 0:24:58.359
<v Speaker 1>the only time a Dirotor ever drink any think was vodka,

0:24:58.480 --> 0:25:02.240
<v Speaker 1>and so it was it was just water, just water. Yeah,

0:25:02.720 --> 0:25:07.240
<v Speaker 1>I noticed Vanessa was drinking. Vanessa was drinking a six

0:25:07.280 --> 0:25:11.399
<v Speaker 1>pack in this episode of playing it. And then also

0:25:11.440 --> 0:25:14.240
<v Speaker 1>there was that weird arrant bottle of vodka sitting next

0:25:14.320 --> 0:25:16.080
<v Speaker 1>door too, and I was like, was that that was

0:25:16.119 --> 0:25:22.159
<v Speaker 1>a backup? What's she doing? She's just coming undone this

0:25:22.280 --> 0:25:24.159
<v Speaker 1>okay by the way in the loft too when he

0:25:24.200 --> 0:25:25.840
<v Speaker 1>gets there and she's sitting there by herself, because I

0:25:25.840 --> 0:25:27.560
<v Speaker 1>had so many scenes in that loft. I mean the

0:25:27.600 --> 0:25:29.960
<v Speaker 1>first time you see Vanessa, it's up the fire escape there,

0:25:30.080 --> 0:25:32.680
<v Speaker 1>and she's always there eating waffles with Rufus and they're

0:25:32.720 --> 0:25:37.639
<v Speaker 1>with I'm like, that's my favorite apartment or loft or set.

0:25:37.880 --> 0:25:39.400
<v Speaker 1>I mean like when I'm watching it, I'm like, that's

0:25:39.400 --> 0:25:42.040
<v Speaker 1>where I would want to live. What about you? Like, Yeah,

0:25:42.080 --> 0:25:43.399
<v Speaker 1>I see, I was going to ask you about that

0:25:43.400 --> 0:25:45.880
<v Speaker 1>stet because I had never I never set foot in it.

0:25:46.200 --> 0:25:48.560
<v Speaker 1>I guess I saw from the distance on the sound stage,

0:25:48.600 --> 0:25:51.080
<v Speaker 1>but you guys were really in there in this episode

0:25:51.080 --> 0:25:54.520
<v Speaker 1>because we were laying on that rug and that fantastic. Yeah.

0:25:54.880 --> 0:25:58.680
<v Speaker 1>Never have I ever slept with Chuck Bass. Remember after

0:25:58.720 --> 0:26:00.439
<v Speaker 1>how they shot the scene when you guys on a carpet,

0:26:00.480 --> 0:26:02.080
<v Speaker 1>But they were just like in a little above you

0:26:02.119 --> 0:26:05.000
<v Speaker 1>and yeah, and I remember going really really slow, and

0:26:05.080 --> 0:26:09.000
<v Speaker 1>I do remember my earrings like falling like that. Yeah,

0:26:09.119 --> 0:26:11.280
<v Speaker 1>And it was like really much like you couldn't move

0:26:11.359 --> 0:26:13.360
<v Speaker 1>because my it would like get caught on the rug

0:26:13.440 --> 0:26:15.800
<v Speaker 1>or caught on my hair. So it was like I'm

0:26:15.800 --> 0:26:19.000
<v Speaker 1>just gonna not move. And you clearly see that in there,

0:26:19.000 --> 0:26:21.040
<v Speaker 1>and you are like, how drunk is Vanessa right now?

0:26:22.080 --> 0:26:25.280
<v Speaker 1>But she do? You don't like she was really holding

0:26:25.320 --> 0:26:28.119
<v Speaker 1>on to this whole thing with Chuck, And I guess

0:26:28.119 --> 0:26:32.159
<v Speaker 1>it's probably just because there's been I'm assuming so many

0:26:32.160 --> 0:26:35.760
<v Speaker 1>conversations that Vanessa and Dan have had about what they

0:26:35.800 --> 0:26:37.960
<v Speaker 1>don't like about Chuck, Because I'm like, why do you

0:26:37.960 --> 0:26:39.560
<v Speaker 1>feel the need that you have to tell Dan that

0:26:39.680 --> 0:26:41.200
<v Speaker 1>right now? You know what I mean, But I guess

0:26:41.200 --> 0:26:43.440
<v Speaker 1>they're they're best friends. But I'm like, I don't really

0:26:43.440 --> 0:26:45.159
<v Speaker 1>know that you needed to tell Dan that right It's

0:26:45.200 --> 0:26:48.359
<v Speaker 1>such an interesting confessional quality to it, and the fact

0:26:48.359 --> 0:26:50.080
<v Speaker 1>that she comes out with it so quickly and it

0:26:50.119 --> 0:26:51.879
<v Speaker 1>was such a funny scene and so well played by

0:26:51.920 --> 0:26:53.840
<v Speaker 1>the two of you, And I feel like your friendship

0:26:54.160 --> 0:26:57.720
<v Speaker 1>Vanessa Dan friendship really resonates with me. I really like

0:26:57.760 --> 0:27:00.000
<v Speaker 1>identify with it, and I feel like you got something

0:27:00.000 --> 0:27:02.120
<v Speaker 1>and really right there, which is like that feeling of

0:27:02.240 --> 0:27:04.720
<v Speaker 1>you know, having each other's backs in a world that's

0:27:04.760 --> 0:27:07.320
<v Speaker 1>like a big, mean world and the two if you

0:27:07.359 --> 0:27:10.440
<v Speaker 1>can always come together. Um so having to cop to him,

0:27:10.480 --> 0:27:13.159
<v Speaker 1>I think that you had done something that was kind

0:27:13.160 --> 0:27:16.000
<v Speaker 1>of humiliating really that really read to me, and I

0:27:16.040 --> 0:27:17.960
<v Speaker 1>felt like it was so nice because he took it

0:27:18.000 --> 0:27:20.800
<v Speaker 1>so easily, you know, and then he kind of came

0:27:20.840 --> 0:27:23.000
<v Speaker 1>back with his own Cogina confession, so it felt like

0:27:23.000 --> 0:27:25.560
<v Speaker 1>a really nice you know, as far as confessions go,

0:27:25.720 --> 0:27:29.360
<v Speaker 1>you didn't, um, I mean had a good result, right right,

0:27:29.960 --> 0:27:31.840
<v Speaker 1>you know what I wonder to like because I'm like, well,

0:27:31.880 --> 0:27:34.480
<v Speaker 1>I'm like the fact that you were holding onto this

0:27:34.520 --> 0:27:38.840
<v Speaker 1>and felt the need so much to tell him, um,

0:27:38.880 --> 0:27:40.679
<v Speaker 1>And I do. I do like their friendship and I

0:27:40.720 --> 0:27:43.880
<v Speaker 1>do like that she she really does tell Dan everything

0:27:44.040 --> 0:27:46.720
<v Speaker 1>there there. She doesn't keep anything from him. Um. But

0:27:46.760 --> 0:27:48.800
<v Speaker 1>I'm wondering if they had to also tie it in

0:27:48.880 --> 0:27:51.600
<v Speaker 1>because Georgina does come back in this episode, so that

0:27:51.640 --> 0:27:53.040
<v Speaker 1>all of a sudden it wasn't just like her at

0:27:53.040 --> 0:27:56.879
<v Speaker 1>the like we would just hear her name that yeah,

0:27:57.640 --> 0:28:01.280
<v Speaker 1>because also he didn't sleep with her. Almost sleeping with

0:28:01.359 --> 0:28:05.119
<v Speaker 1>someone isn't sleeping with them, right right right right? You

0:28:05.160 --> 0:28:09.639
<v Speaker 1>know she slept with Chuck right twice, which white. I know.

0:28:10.800 --> 0:28:12.720
<v Speaker 1>It's such a cute way to do the reveal to

0:28:12.840 --> 0:28:14.879
<v Speaker 1>it the I never game and the Chugen yet real

0:28:15.000 --> 0:28:19.560
<v Speaker 1>chugging and I remember that being water because I remember

0:28:19.640 --> 0:28:22.400
<v Speaker 1>I was drinking so much water, and in between set ups,

0:28:22.400 --> 0:28:23.720
<v Speaker 1>I'd be like, I have to run, I have to

0:28:23.760 --> 0:28:26.840
<v Speaker 1>go to the bathroom. I'm drinking too much water. I'm sure. Yeah,

0:28:26.920 --> 0:28:28.760
<v Speaker 1>you guys played it nicely too, because it's always that

0:28:28.840 --> 0:28:31.359
<v Speaker 1>complication of like we're having some booze and then the

0:28:31.359 --> 0:28:33.439
<v Speaker 1>second scene you have all the empty bottles, so you're like,

0:28:33.840 --> 0:28:37.399
<v Speaker 1>you know, how how loose do we feel? How you know,

0:28:37.480 --> 0:28:39.200
<v Speaker 1>how tipsy are we? And you guys it was very

0:28:39.200 --> 0:28:42.360
<v Speaker 1>believable and had that nice energy of like time has

0:28:42.400 --> 0:28:47.440
<v Speaker 1>passed and many right had totally in an acting class

0:28:47.440 --> 0:28:50.600
<v Speaker 1>ones Howard Fine, there was like a scene where in

0:28:50.680 --> 0:28:53.320
<v Speaker 1>a scene study where the actor was supposed to be

0:28:53.360 --> 0:28:55.560
<v Speaker 1>really drunk, and I will never forget. One of his

0:28:55.680 --> 0:29:00.239
<v Speaker 1>notes after to the actor was like, I a lot

0:29:00.320 --> 0:29:02.560
<v Speaker 1>of actors make the mistake of when you're supposed to

0:29:02.600 --> 0:29:05.720
<v Speaker 1>be drunk, playing into the drunk right, And he kind

0:29:05.720 --> 0:29:08.080
<v Speaker 1>of said something along the lines, I mean, you can't

0:29:08.120 --> 0:29:10.680
<v Speaker 1>quote it was so long ago, something along the lines

0:29:10.680 --> 0:29:12.240
<v Speaker 1>of like, well, you know, when you go out and

0:29:12.240 --> 0:29:15.240
<v Speaker 1>you have drinks and you may be getting a little tipsy,

0:29:15.480 --> 0:29:18.840
<v Speaker 1>you don't lean into that. Usually you're trying to not

0:29:18.920 --> 0:29:21.800
<v Speaker 1>be drunk, do you know what I mean. So for actors,

0:29:22.520 --> 0:29:25.280
<v Speaker 1>I always find that they're they're lean into being drunk

0:29:25.320 --> 0:29:28.120
<v Speaker 1>instead of feel that that but like do what you

0:29:28.160 --> 0:29:31.200
<v Speaker 1>would do in life, trying to be sober right, right,

0:29:31.240 --> 0:29:33.680
<v Speaker 1>trying to keep your composure and keep it together. And

0:29:33.720 --> 0:29:38.480
<v Speaker 1>I always found that very interesting because it's it's true. Yeah,

0:29:38.520 --> 0:29:41.000
<v Speaker 1>that's great. Yeah, because it's like fighting for sobriety makes

0:29:41.000 --> 0:29:44.400
<v Speaker 1>you look more drunk, right, And then it's it's also

0:29:44.480 --> 0:29:46.800
<v Speaker 1>like even in life, if I'm telling a story to

0:29:46.840 --> 0:29:49.680
<v Speaker 1>someone and it's going to make me sad or cry,

0:29:50.000 --> 0:29:52.920
<v Speaker 1>I'm trying not to cry, you know what I mean. Usually,

0:29:53.240 --> 0:29:55.360
<v Speaker 1>and it's freeing because it's like now you can focus

0:29:55.400 --> 0:29:57.880
<v Speaker 1>on sort of the reality of playing that instead of

0:29:57.920 --> 0:30:02.680
<v Speaker 1>trying to conjure something the beyond conjuring. Yeah, that's great, right, Yeah.

0:30:02.760 --> 0:30:05.040
<v Speaker 1>Sometimes it's it's funny because sometimes acting is it's like

0:30:05.800 --> 0:30:08.800
<v Speaker 1>it's not easier. Sometimes it's simpler than it seems, like,

0:30:08.880 --> 0:30:10.000
<v Speaker 1>you know what I mean, And it's like when you

0:30:10.000 --> 0:30:11.680
<v Speaker 1>can track it and you're like, oh, if I just

0:30:11.680 --> 0:30:13.280
<v Speaker 1>have to kind of be real and like it's almost

0:30:13.320 --> 0:30:15.480
<v Speaker 1>like the study of the human life and behavior, you know.

0:30:15.560 --> 0:30:18.760
<v Speaker 1>So it's mule questions like how do we how do

0:30:18.800 --> 0:30:21.360
<v Speaker 1>we get through a moment, you know, And it's yeah,

0:30:21.440 --> 0:30:24.320
<v Speaker 1>it's interesting. Yeah, it's so crazy what we do. And

0:30:24.320 --> 0:30:25.960
<v Speaker 1>I feel like we're lucky because part of our job

0:30:26.040 --> 0:30:28.280
<v Speaker 1>is like studying or being at least being present in

0:30:28.360 --> 0:30:30.320
<v Speaker 1>our world so that we can kind of be collectors

0:30:30.320 --> 0:30:32.800
<v Speaker 1>of experience, you know. So it's like basically we're just

0:30:32.880 --> 0:30:37.280
<v Speaker 1>tasked with like being really alive. You know, you got

0:30:37.360 --> 0:30:39.160
<v Speaker 1>to go out there and like keep your eyes open

0:30:39.200 --> 0:30:41.000
<v Speaker 1>and your ears open, and so it's a nice um,

0:30:41.000 --> 0:30:43.520
<v Speaker 1>it's a nice challenge, I think, to take in all

0:30:43.560 --> 0:30:46.520
<v Speaker 1>different kinds of people who may need to access that stuff.

0:30:47.120 --> 0:30:50.280
<v Speaker 1>I think it's well well represented in this episode in

0:30:51.000 --> 0:30:55.480
<v Speaker 1>um Michelle Trapton Burgh's work, because she creates such broad

0:30:55.680 --> 0:30:59.160
<v Speaker 1>characters and then makes a huge swing here when it's

0:30:59.200 --> 0:31:02.960
<v Speaker 1>also real and just fantastic. The fact that you see

0:31:02.960 --> 0:31:06.760
<v Speaker 1>this crazy, conniving villainists Georgina that we know so well,

0:31:06.840 --> 0:31:08.560
<v Speaker 1>and then then she comes popping out at the end

0:31:08.600 --> 0:31:11.080
<v Speaker 1>of this episode and they go to visit her at

0:31:11.080 --> 0:31:14.240
<v Speaker 1>the Christian camp. Yet the Christian camp and the way

0:31:14.280 --> 0:31:17.480
<v Speaker 1>she comes at Chuck and she's like all smiles and hugs.

0:31:17.480 --> 0:31:20.960
<v Speaker 1>It's like, you know, this extraordinary range, that's all within

0:31:21.080 --> 0:31:23.640
<v Speaker 1>one human, you know, and she had she did that

0:31:23.720 --> 0:31:26.160
<v Speaker 1>so brilliantly because it's like, you know all the faces

0:31:26.160 --> 0:31:30.440
<v Speaker 1>of Georgina, right, absolutely, and I do. I've also she's

0:31:30.520 --> 0:31:32.720
<v Speaker 1>just for me. I love when when I know she's

0:31:32.720 --> 0:31:35.280
<v Speaker 1>coming back on or like obviously now she's probably going

0:31:35.320 --> 0:31:37.320
<v Speaker 1>to be here for a minute because she just starts

0:31:37.440 --> 0:31:40.239
<v Speaker 1>the pot and the way she plays Georgina, like what

0:31:40.280 --> 0:31:42.200
<v Speaker 1>you were just saying is just so fun to watch

0:31:42.240 --> 0:31:48.160
<v Speaker 1>because she's absurd. Oh yeah, oh yeah, it's yeah, it's extraordinary. Yeah,

0:31:48.160 --> 0:31:49.920
<v Speaker 1>and I feel like the sort of the secrets in

0:31:49.960 --> 0:31:52.920
<v Speaker 1>this episode are kind of absurd, but also you go,

0:31:53.080 --> 0:31:54.840
<v Speaker 1>you go with it and it feels real, Like I

0:31:54.840 --> 0:31:57.400
<v Speaker 1>guess the whole kind of plot crux in this particular

0:31:57.440 --> 0:32:00.280
<v Speaker 1>episode is that you have Gabriel who's not come itting

0:32:00.320 --> 0:32:04.680
<v Speaker 1>and he's always kind of he's kind of leaving, not forthcoming, right. Yeah,

0:32:04.720 --> 0:32:06.400
<v Speaker 1>It's like there's a great thing where she asked him

0:32:06.400 --> 0:32:07.960
<v Speaker 1>to go to the movies and he won't, he's too

0:32:07.960 --> 0:32:10.160
<v Speaker 1>busy to go to the movies. And then towards the

0:32:10.200 --> 0:32:11.680
<v Speaker 1>end of the episode, she asked somebody else to go

0:32:11.760 --> 0:32:13.960
<v Speaker 1>to movies and she says to it, why won't anybody

0:32:14.000 --> 0:32:17.440
<v Speaker 1>just go to the movie, And I was like, so fantastic.

0:32:17.800 --> 0:32:19.440
<v Speaker 1>I was like, no one on the every side can

0:32:19.480 --> 0:32:22.240
<v Speaker 1>go to the movies because she's talking. She's talking to

0:32:22.280 --> 0:32:24.120
<v Speaker 1>Blair on the phone, and I think Blair is like

0:32:24.200 --> 0:32:26.680
<v Speaker 1>following Gabriel run. What do you feel about like Blair

0:32:26.720 --> 0:32:29.720
<v Speaker 1>and Chuck's hole plan here. I like that they're trying

0:32:29.720 --> 0:32:31.600
<v Speaker 1>to get to the bottom of it for Serena because

0:32:31.600 --> 0:32:33.520
<v Speaker 1>they're just looking out for her. Yeah, it feels like

0:32:33.560 --> 0:32:36.560
<v Speaker 1>a good combo of like, yes, of course it serves

0:32:36.600 --> 0:32:39.040
<v Speaker 1>you know, Chuck's ends, I guess because he wants to

0:32:39.040 --> 0:32:40.800
<v Speaker 1>hold on to, you know, a little bit of Blair.

0:32:41.240 --> 0:32:43.800
<v Speaker 1>But there is a fundamental like watching out for their

0:32:43.840 --> 0:32:46.840
<v Speaker 1>friend kind of seeing that she's not seeing everything. Yeah,

0:32:46.880 --> 0:32:50.000
<v Speaker 1>and so they're basically they don't believe that Gabriel is

0:32:50.040 --> 0:32:53.240
<v Speaker 1>who is is forth right, and they believe that the

0:32:53.320 --> 0:32:56.400
<v Speaker 1>mystery can be unlocked if they can figure out the

0:32:56.480 --> 0:32:58.280
<v Speaker 1>sort of the story of how he has Serena met

0:32:58.280 --> 0:33:01.360
<v Speaker 1>because he's claiming one thing and they find out that

0:33:01.360 --> 0:33:04.200
<v Speaker 1>that is impossible, so that it's this issue of whether

0:33:04.280 --> 0:33:07.239
<v Speaker 1>or not they met at the restaurant. Butter Butter and

0:33:07.400 --> 0:33:09.479
<v Speaker 1>Butter may or may not have been closed, right, And

0:33:09.520 --> 0:33:11.440
<v Speaker 1>by the way, do you remember Butter. I was going

0:33:11.480 --> 0:33:14.000
<v Speaker 1>to ask you to remind me because I think, is

0:33:14.000 --> 0:33:16.400
<v Speaker 1>it not Butter is Isn't that an Alex Corners Shelley

0:33:16.400 --> 0:33:19.240
<v Speaker 1>restaurant in New York City? Yeah, It's like, I feel

0:33:19.240 --> 0:33:21.120
<v Speaker 1>like there's a restaurant upstairs. And then it turned into

0:33:21.160 --> 0:33:23.440
<v Speaker 1>kind of a night the night and I feel like

0:33:23.480 --> 0:33:27.240
<v Speaker 1>the night was Monday's okay, okay, but I also feel

0:33:27.280 --> 0:33:29.640
<v Speaker 1>like it was maybe on the way out while we

0:33:29.640 --> 0:33:32.160
<v Speaker 1>were doing the show. But I do remember like there

0:33:32.200 --> 0:33:35.320
<v Speaker 1>was a buzz about it, like about it, and it's

0:33:35.360 --> 0:33:36.960
<v Speaker 1>great in this episode because I was a little bit

0:33:36.960 --> 0:33:39.920
<v Speaker 1>like Gabriel because at the end he goes, what's butter Butter?

0:33:40.000 --> 0:33:46.720
<v Speaker 1>I was like, that's fantastic. But he's claiming that he

0:33:47.200 --> 0:33:51.120
<v Speaker 1>met Serena at Butter the night before the s A

0:33:51.200 --> 0:33:54.600
<v Speaker 1>t s right right, and Chuck and Blair put it

0:33:54.640 --> 0:33:57.560
<v Speaker 1>together that that can't be possible because Blair had hired

0:33:57.560 --> 0:34:01.440
<v Speaker 1>a bartender from Butter that night for a party. She

0:34:01.520 --> 0:34:04.400
<v Speaker 1>was probably that you probably actually through de Rota probably,

0:34:04.560 --> 0:34:07.120
<v Speaker 1>I'm sure I was. I was doing the heavy lifting

0:34:08.080 --> 0:34:10.200
<v Speaker 1>um for I think she said it was the Nelly

0:34:10.280 --> 0:34:12.799
<v Speaker 1>Yuki sabotage party, which, by the way, just even hearing

0:34:12.840 --> 0:34:16.640
<v Speaker 1>that line, I'm like, that's such a blair line. It's fantastic.

0:34:17.600 --> 0:34:20.040
<v Speaker 1>And she did always whenever she was throwing something, she'd

0:34:20.040 --> 0:34:21.799
<v Speaker 1>always like get on the phone and called Rondo, I

0:34:21.800 --> 0:34:23.399
<v Speaker 1>need this, this, this and this, and like you would

0:34:23.440 --> 0:34:26.880
<v Speaker 1>make it happen, like you would have like these amazing

0:34:26.960 --> 0:34:30.480
<v Speaker 1>musicians like playing the harp and like it's wild and

0:34:30.480 --> 0:34:32.279
<v Speaker 1>then she's like, we need more people, and then like

0:34:32.520 --> 0:34:34.520
<v Speaker 1>you would just you would just make it happen. De

0:34:34.600 --> 0:34:37.000
<v Speaker 1>Rota made it happen. Oh yeah, I was. I was

0:34:37.080 --> 0:34:40.080
<v Speaker 1>very happy to see Derota torontoa like name dropped twice

0:34:40.080 --> 0:34:43.439
<v Speaker 1>in this episode. Once was for having a Grassland spy

0:34:43.480 --> 0:34:47.200
<v Speaker 1>equipment and once was as a Mets fan, which was

0:34:47.239 --> 0:34:50.440
<v Speaker 1>fundy to rote that she said I saw drone and

0:34:50.440 --> 0:34:52.800
<v Speaker 1>her Mets hat this morning. Is that what she said?

0:34:53.000 --> 0:34:57.680
<v Speaker 1>I loved it? H Yeah. So it's like, so they

0:34:57.719 --> 0:35:00.840
<v Speaker 1>know that he's lying and they have to basically convinced

0:35:00.880 --> 0:35:04.640
<v Speaker 1>Serena and she's consistently standing up for the guy she's saying.

0:35:04.640 --> 0:35:07.000
<v Speaker 1>And trust is a big issue in this episode because

0:35:07.040 --> 0:35:09.799
<v Speaker 1>she's saying, I trust I trust him, And you have

0:35:09.880 --> 0:35:11.960
<v Speaker 1>Blair and Nate who are having an issue about trust

0:35:12.000 --> 0:35:13.799
<v Speaker 1>as well, and so they're kind of all everybody's throwing

0:35:13.840 --> 0:35:16.480
<v Speaker 1>up their trust and kind of having a trust competition,

0:35:16.920 --> 0:35:21.440
<v Speaker 1>I guess, And so that's that's why I think eventually

0:35:21.520 --> 0:35:24.600
<v Speaker 1>Chuck realizes that the only way they can get to

0:35:24.600 --> 0:35:28.080
<v Speaker 1>the truth about Gabriel is to ask Georgina because she

0:35:28.200 --> 0:35:33.080
<v Speaker 1>was present in that mysterious because Serena and can't remember.

0:35:33.120 --> 0:35:34.880
<v Speaker 1>That's why Serena se I don't I really don't know

0:35:35.080 --> 0:35:50.520
<v Speaker 1>Georgina Rufia. Yeah, So basically Chuck says, we need to

0:35:50.520 --> 0:35:54.239
<v Speaker 1>go to the source, and then our other plotline or

0:35:54.239 --> 0:35:56.239
<v Speaker 1>the episode really rears its head there because it's like

0:35:56.280 --> 0:35:58.799
<v Speaker 1>you have a Nate and Chuck who are attempting to

0:35:58.840 --> 0:36:01.279
<v Speaker 1>move forward with their friendship. But Nate, you know, has

0:36:01.320 --> 0:36:03.839
<v Speaker 1>it locked down with Blair, but he's a little bit

0:36:03.840 --> 0:36:06.359
<v Speaker 1>worried that Chuck is still present in her mind and

0:36:06.440 --> 0:36:08.480
<v Speaker 1>still you know, it's still a draw. And so the

0:36:08.520 --> 0:36:10.920
<v Speaker 1>fact that Chuck and Blair are on a mission to

0:36:10.960 --> 0:36:14.479
<v Speaker 1>help Serena together is a little bit unnerving for Nate.

0:36:14.560 --> 0:36:16.719
<v Speaker 1>So you have that kind of fourth and there's that

0:36:16.800 --> 0:36:19.879
<v Speaker 1>great moment they basically have this cocktail party kind of

0:36:20.200 --> 0:36:24.480
<v Speaker 1>climactic moment when Chuck says Blair, let's go and crack

0:36:24.600 --> 0:36:27.359
<v Speaker 1>this mystery for Serena and Nate says, no, let's go

0:36:27.400 --> 0:36:31.439
<v Speaker 1>to the apartment. I just thought you because now Nate

0:36:31.600 --> 0:36:33.799
<v Speaker 1>is asked Blair to move in with him, which is

0:36:33.800 --> 0:36:36.920
<v Speaker 1>a big moment. I mean, that's a big moment. It's

0:36:36.920 --> 0:36:40.319
<v Speaker 1>a big moment when you're forty five, I mean when

0:36:40.320 --> 0:36:43.920
<v Speaker 1>you're just leaving high school and just getting back together

0:36:43.960 --> 0:36:46.719
<v Speaker 1>not that long ago. Like that's a big moment. And

0:36:46.719 --> 0:36:49.959
<v Speaker 1>I don't believe I don't remember this apartment ever having

0:36:49.960 --> 0:36:53.439
<v Speaker 1>a life. Is I don't either, right. I think it's

0:36:53.480 --> 0:36:55.239
<v Speaker 1>like one of those things that kind of comes in

0:36:55.320 --> 0:36:59.560
<v Speaker 1>and goes out. And that's another like kind of fun

0:36:59.640 --> 0:37:03.480
<v Speaker 1>fact in our world and entertainment. Like I think you're right,

0:37:03.480 --> 0:37:05.839
<v Speaker 1>I don't think there's a life in this apartment. But

0:37:05.880 --> 0:37:08.520
<v Speaker 1>like they had to like rent that place for that

0:37:08.600 --> 0:37:11.279
<v Speaker 1>one scene or two scenes because I don't think she

0:37:11.320 --> 0:37:13.359
<v Speaker 1>ever ended up going to it, did she or did

0:37:13.360 --> 0:37:15.360
<v Speaker 1>she end yet? I'm pretty sure it's like one of

0:37:15.360 --> 0:37:18.200
<v Speaker 1>those things. It's a mystery that we have this and

0:37:18.200 --> 0:37:20.520
<v Speaker 1>then he must offloaded it on the in between episodes,

0:37:20.560 --> 0:37:24.080
<v Speaker 1>because that's it's you know, she does come over and

0:37:24.120 --> 0:37:26.640
<v Speaker 1>say that she doesn't like murray Hill. Well, that's right,

0:37:26.680 --> 0:37:28.640
<v Speaker 1>that's so maybe that's just so maybe he just went

0:37:28.680 --> 0:37:32.840
<v Speaker 1>and sold it so Chuck. He brings Chuck to that apartment,

0:37:32.880 --> 0:37:34.799
<v Speaker 1>and then he brings Blair, so that was probably. Yeah,

0:37:34.840 --> 0:37:37.720
<v Speaker 1>they rented the place for a day, shot the two scenes,

0:37:37.760 --> 0:37:41.000
<v Speaker 1>and then it was done. But that's to me, that's like,

0:37:41.200 --> 0:37:42.960
<v Speaker 1>you know, you don't think about that stuff when you're

0:37:42.960 --> 0:37:47.520
<v Speaker 1>watching when you're watching it, so tell me, like, that's wild. Absolutely,

0:37:47.800 --> 0:37:50.319
<v Speaker 1>and that's just one There was two minutes of the

0:37:50.320 --> 0:37:53.080
<v Speaker 1>whole show, not even Yeah, it's also rare. I think

0:37:53.080 --> 0:37:54.760
<v Speaker 1>that's maybe one of the things you were saying earlier

0:37:54.760 --> 0:37:56.600
<v Speaker 1>about the New York five in this episode is that

0:37:56.840 --> 0:38:00.480
<v Speaker 1>you get that fantastic like view from midtown in that

0:38:00.520 --> 0:38:04.520
<v Speaker 1>particular apartment that usually you're either uptown or in Brooklyn,

0:38:04.640 --> 0:38:06.799
<v Speaker 1>and here you had this like feeling of like, wow,

0:38:07.360 --> 0:38:12.759
<v Speaker 1>look at how huge overwhelming, and Blair needs to chill

0:38:12.880 --> 0:38:16.480
<v Speaker 1>because murray Hill is nice, really nice, and it was

0:38:16.560 --> 0:38:17.960
<v Speaker 1>very sweet at him. And you know the other thing

0:38:18.000 --> 0:38:19.839
<v Speaker 1>is that he had he brought those Like when she

0:38:20.160 --> 0:38:23.200
<v Speaker 1>brought her in, there were paeonies, her favorite peonies and

0:38:23.239 --> 0:38:26.160
<v Speaker 1>all this stuff, and it was like so cute. So

0:38:26.280 --> 0:38:28.880
<v Speaker 1>for me, it's that thing, like it's the two sides

0:38:28.920 --> 0:38:30.799
<v Speaker 1>of Blair. It's like, do you want this to be

0:38:30.840 --> 0:38:34.040
<v Speaker 1>treated like this and have this kind of steady, you know,

0:38:35.320 --> 0:38:38.600
<v Speaker 1>nice easy romance or do you want to keep Chase

0:38:38.680 --> 0:38:42.480
<v Speaker 1>and Chuck around and you know and limas and into

0:38:42.600 --> 0:38:45.120
<v Speaker 1>into you know, for lack of better word, into danger.

0:38:45.200 --> 0:38:47.320
<v Speaker 1>And I feel like that's what we grapple with throughout

0:38:47.320 --> 0:38:49.200
<v Speaker 1>the series with Blair. It's like who is she and

0:38:49.239 --> 0:38:52.600
<v Speaker 1>who does she want to be? Right? Gossip Girl even

0:38:52.640 --> 0:38:55.719
<v Speaker 1>says Netflix night with Nate or battling a beast with

0:38:55.800 --> 0:39:02.680
<v Speaker 1>Bass that think like when Nate, when Nate was presented

0:39:02.719 --> 0:39:05.160
<v Speaker 1>with this conundrum at the party and where's like I

0:39:05.200 --> 0:39:07.960
<v Speaker 1>want to go with Chuck to do this thing? Do

0:39:08.000 --> 0:39:10.799
<v Speaker 1>you think Nate sort of makes the right call? Is

0:39:10.840 --> 0:39:13.200
<v Speaker 1>he fault in any way for kind of what what

0:39:13.239 --> 0:39:15.400
<v Speaker 1>am I saying? Go? Yeah, but kind of not Like

0:39:15.440 --> 0:39:18.279
<v Speaker 1>to me, it seemed like maybe one thing that he

0:39:18.360 --> 0:39:21.439
<v Speaker 1>could have done is to be like, let me help

0:39:21.480 --> 0:39:24.400
<v Speaker 1>you guys, But you know, there's this feeling of like

0:39:24.560 --> 0:39:27.360
<v Speaker 1>it's me or it's him, and it's like, who's fault

0:39:27.440 --> 0:39:30.879
<v Speaker 1>is that? I guess it's my question. Yeah, I just

0:39:31.360 --> 0:39:34.120
<v Speaker 1>I feel like it was like very big of him

0:39:34.280 --> 0:39:38.440
<v Speaker 1>and very trustworthy to be like, yeah, go with Chuck overnight,

0:39:38.680 --> 0:39:41.200
<v Speaker 1>because wasn't it overnight. Well I don't think he knew

0:39:41.200 --> 0:39:43.600
<v Speaker 1>that at the time, but when outside, Chuck was like

0:39:43.640 --> 0:39:47.239
<v Speaker 1>tell eleanor you're not coming home right right, But even

0:39:47.280 --> 0:39:50.520
<v Speaker 1>if it wasn't overnight, that's still like very sweet and

0:39:50.640 --> 0:39:52.319
<v Speaker 1>nice and trustworthy of him to be like, yeah, go

0:39:52.360 --> 0:39:53.880
<v Speaker 1>with the guy that you were just hooking up with

0:39:53.960 --> 0:39:56.319
<v Speaker 1>not that long ago, that's clearly still in love with you.

0:39:56.640 --> 0:39:58.319
<v Speaker 1>And I give him credit for doing that. I don't

0:39:58.320 --> 0:39:59.960
<v Speaker 1>I don't know a lot of people that would just

0:40:00.000 --> 0:40:03.480
<v Speaker 1>to be like okay with that, you know what I mean. Right.

0:40:03.600 --> 0:40:06.040
<v Speaker 1>It's interesting because when they were playing basketball kind of

0:40:06.040 --> 0:40:08.680
<v Speaker 1>one on one, Nate and Chuck, it's like they spoke

0:40:08.719 --> 0:40:10.520
<v Speaker 1>to each other in a very sort of rough way.

0:40:10.560 --> 0:40:15.920
<v Speaker 1>It's like their relationship at this stage is very complicated. Yeah,

0:40:16.080 --> 0:40:18.360
<v Speaker 1>it's very complicated to what I was actually just in,

0:40:18.880 --> 0:40:20.399
<v Speaker 1>Like I said, I don't know a lot of people

0:40:20.440 --> 0:40:22.440
<v Speaker 1>that would maybe do that. You got to remember in

0:40:22.480 --> 0:40:24.799
<v Speaker 1>high school, there's so many that always happens. There's so

0:40:24.800 --> 0:40:27.640
<v Speaker 1>many crossovers and things going on, people dating and breaking

0:40:27.719 --> 0:40:29.560
<v Speaker 1>up one day and then two days later dating someone

0:40:29.600 --> 0:40:32.480
<v Speaker 1>else that just dated the other person last week. So

0:40:32.520 --> 0:40:35.799
<v Speaker 1>I guess maybe Nate being okay with going that's just

0:40:35.880 --> 0:40:38.000
<v Speaker 1>kind of that age and like whatever, I'm not meaning

0:40:38.120 --> 0:40:40.400
<v Speaker 1>later on it would have been bad for them to

0:40:40.440 --> 0:40:44.560
<v Speaker 1>go together. I'm just meaning he's been so uptight about

0:40:45.080 --> 0:40:48.160
<v Speaker 1>them being together. So then to finally be like, yeah,

0:40:48.239 --> 0:40:50.160
<v Speaker 1>just go was kind of funny to me because I'm like,

0:40:50.160 --> 0:40:52.560
<v Speaker 1>you've been you admit that you were jealous that they

0:40:52.600 --> 0:40:55.560
<v Speaker 1>were together, and that right, and now you're like, yeah,

0:40:55.600 --> 0:40:57.719
<v Speaker 1>go on a mission like Chuck and Blair on a

0:40:57.760 --> 0:41:00.719
<v Speaker 1>mission together that you're you're playing a fire, you know

0:41:00.760 --> 0:41:02.760
<v Speaker 1>what I mean with those two. Yeah, And he basically

0:41:02.840 --> 0:41:05.160
<v Speaker 1>like bought that apartment in part to show Chuck how

0:41:05.200 --> 0:41:07.720
<v Speaker 1>serious he was to be like, don't write you know, really,

0:41:07.760 --> 0:41:12.799
<v Speaker 1>we're really our boyfriend and girlfriend now leap for um. Yeah,

0:41:12.840 --> 0:41:14.920
<v Speaker 1>It's it's interesting, and yeah, I think you're right that

0:41:15.040 --> 0:41:17.600
<v Speaker 1>like that time of life, I mean, especially in this show,

0:41:17.680 --> 0:41:21.120
<v Speaker 1>there's so much overlapping, and it's like how much history

0:41:21.160 --> 0:41:23.920
<v Speaker 1>does everybody have in every interaction and you know, what

0:41:23.960 --> 0:41:26.760
<v Speaker 1>do they take with them, you know, into each relationships.

0:41:26.960 --> 0:41:30.800
<v Speaker 1>All these echoes of the x is they're right there totally.

0:41:31.080 --> 0:41:33.200
<v Speaker 1>And it's similar in the conversation that Serena and Blair

0:41:33.239 --> 0:41:36.719
<v Speaker 1>have two and that when they're trying addresses like jealousy

0:41:36.719 --> 0:41:39.240
<v Speaker 1>and trust come up there too, or Serena's like everybody

0:41:39.239 --> 0:41:41.399
<v Speaker 1>loves you, but nobody can love me. You know. It's

0:41:41.440 --> 0:41:46.640
<v Speaker 1>like they've shared from the same boyfriend table for sure.

0:41:46.840 --> 0:41:49.200
<v Speaker 1>And even Serena kind of says that, like about something

0:41:49.200 --> 0:41:52.040
<v Speaker 1>about he's kind of messed up before. I feel like

0:41:52.080 --> 0:41:54.239
<v Speaker 1>she said something because I remember thinking, well, yeah, because

0:41:54.280 --> 0:41:56.839
<v Speaker 1>it was with you, Like I wouldn't be bringing that up.

0:41:56.840 --> 0:42:00.359
<v Speaker 1>Serena like, yeah, keep it in the past. We we've

0:42:00.400 --> 0:42:02.319
<v Speaker 1>all moved on from it now, like, don't bring that up.

0:42:02.360 --> 0:42:05.640
<v Speaker 1>And then that was a Crimson Yeah, I'm like, oh god,

0:42:06.800 --> 0:42:11.439
<v Speaker 1>oh man. Yeah. How about when Blair called Gabriel North

0:42:11.480 --> 0:42:18.680
<v Speaker 1>Carolina her Like that was my favorite. It's so speaks

0:42:18.680 --> 0:42:22.080
<v Speaker 1>to that really fun writing that's like so smart and

0:42:22.120 --> 0:42:23.719
<v Speaker 1>it's so just right out of the mouth of Blair

0:42:23.760 --> 0:42:27.520
<v Speaker 1>and Laton delivers. It's so well committed, so well North Carolina.

0:42:27.600 --> 0:42:30.520
<v Speaker 1>That was my favorite. I like committed that one to memory. Yeah,

0:42:30.600 --> 0:42:34.319
<v Speaker 1>that was amazing. My other part that stuck out to

0:42:34.360 --> 0:42:37.200
<v Speaker 1>me was when Chuck runs into her and she's spying

0:42:37.239 --> 0:42:39.280
<v Speaker 1>on Gabriel and he says, oh, you have your spying

0:42:39.360 --> 0:42:43.200
<v Speaker 1>beret on, right? I have? Yes, I thought the same thing.

0:42:43.760 --> 0:42:45.879
<v Speaker 1>And that's to what you were saying before, like they

0:42:45.920 --> 0:42:48.719
<v Speaker 1>know each other that well that he knows that when

0:42:48.760 --> 0:42:50.640
<v Speaker 1>she has that on there like something's going on, like

0:42:50.640 --> 0:42:52.799
<v Speaker 1>what's going down? Who are you spying? Because she has

0:42:52.880 --> 0:42:55.280
<v Speaker 1>this beret on, which also, by the way, she rocks

0:42:55.320 --> 0:42:58.360
<v Speaker 1>it so well, it looks so good. Her so little

0:42:59.000 --> 0:43:01.640
<v Speaker 1>outfit was just so rad. I'm like, you go, Blair

0:43:02.000 --> 0:43:04.120
<v Speaker 1>a lot of good hair on this episode two, and

0:43:04.239 --> 0:43:06.480
<v Speaker 1>I remember that the hair was always fantastic, but like

0:43:07.000 --> 0:43:09.399
<v Speaker 1>even Serena's like ponytail, there was like a real cool

0:43:09.480 --> 0:43:12.360
<v Speaker 1>detail about it. Yeah, saw it was great messy and

0:43:12.440 --> 0:43:16.680
<v Speaker 1>nobody does a messy pony as well as Serena not

0:43:16.880 --> 0:43:21.080
<v Speaker 1>definitely speaking of hair, um, I know that Poppy had

0:43:21.120 --> 0:43:25.759
<v Speaker 1>a hair transformation, Yeah she did, and then here she

0:43:25.960 --> 0:43:29.000
<v Speaker 1>was in this episode and it was so interesting to

0:43:29.040 --> 0:43:31.520
<v Speaker 1>me because I forgot what was going to happen. Basically,

0:43:31.560 --> 0:43:35.000
<v Speaker 1>it was like, so Chuck and Blair orchestrate Meat, they

0:43:35.120 --> 0:43:37.080
<v Speaker 1>kind of bring Poppy in the room, and you have

0:43:37.120 --> 0:43:40.000
<v Speaker 1>Gabriel and Poppy and Serena and Blair and Chuck and

0:43:40.200 --> 0:43:42.400
<v Speaker 1>the idea being too expose that Gabriel has been with

0:43:42.440 --> 0:43:45.160
<v Speaker 1>Poppy this whole time and that Poppy doesn't know about Serena,

0:43:45.760 --> 0:43:49.520
<v Speaker 1>and it was like this crazy um everybody's kind of

0:43:49.520 --> 0:43:51.439
<v Speaker 1>piling on Poppy in this way that I felt really

0:43:51.440 --> 0:43:53.520
<v Speaker 1>badly for her. So she came in the room and

0:43:53.520 --> 0:43:56.239
<v Speaker 1>all of a sudden discovers that, you know, her boyfriend

0:43:56.320 --> 0:43:58.000
<v Speaker 1>is with someone else. And then he, you know, he

0:43:58.080 --> 0:43:59.560
<v Speaker 1>puts his foot down and says, you know, I'm in

0:43:59.600 --> 0:44:01.440
<v Speaker 1>love a Surrey and I don't care about your contacts.

0:44:01.440 --> 0:44:03.600
<v Speaker 1>Get out of here. And I was kind of heartbroken

0:44:03.640 --> 0:44:06.160
<v Speaker 1>for her. And then the reveal to me the bitch

0:44:06.360 --> 0:44:08.799
<v Speaker 1>that Poppy and Gabriel were really together and that they

0:44:08.880 --> 0:44:13.440
<v Speaker 1>were speaking. I was mind blood because he even in

0:44:13.480 --> 0:44:16.840
<v Speaker 1>that moment says something like, oh, you steal my boyfriend,

0:44:16.920 --> 0:44:19.440
<v Speaker 1>and Gabriel says, she didn't steal me, she swept me away.

0:44:19.640 --> 0:44:21.879
<v Speaker 1>I'm like, that's such a line for something to say

0:44:21.920 --> 0:44:25.080
<v Speaker 1>about Serena right at all. And she was so happy

0:44:25.080 --> 0:44:28.479
<v Speaker 1>about it too. They cut to Serena and her little

0:44:28.520 --> 0:44:33.759
<v Speaker 1>face lit up. Yeah, she was like sweet, yeah, amazing. Yeah.

0:44:33.800 --> 0:44:36.399
<v Speaker 1>So then the reveal, Wow, I agree with you. I'm

0:44:36.440 --> 0:44:39.600
<v Speaker 1>like I was shocked. She's like well done. I'm like

0:44:39.680 --> 0:44:41.799
<v Speaker 1>what Yeah. When he came in the room and I

0:44:41.840 --> 0:44:43.680
<v Speaker 1>was like, they've been play acting this whole time. And

0:44:43.680 --> 0:44:46.319
<v Speaker 1>then she has to hide the closet when Rufus comes over,

0:44:46.360 --> 0:44:51.319
<v Speaker 1>it gives him all all his money. Wait, yeah, you

0:44:51.400 --> 0:44:54.200
<v Speaker 1>have Rufus who's gonna lose everything the check and then

0:44:54.200 --> 0:44:57.719
<v Speaker 1>he leaves, oh my god. Yeah. And then at the end,

0:44:57.760 --> 0:45:01.160
<v Speaker 1>we have that lovely scene where U, Jenny and Dan

0:45:01.600 --> 0:45:05.000
<v Speaker 1>basically by the engagement ring for Rufus and they kind

0:45:05.000 --> 0:45:07.440
<v Speaker 1>of give him their support and say go ahead and

0:45:07.680 --> 0:45:10.560
<v Speaker 1>propose to Lily. We're all for it, and don't worry

0:45:10.600 --> 0:45:12.640
<v Speaker 1>that we don't have any money, and you know, Dan's like,

0:45:12.960 --> 0:45:15.040
<v Speaker 1>who needs Yale anyway? And then Rufus is like, it's

0:45:15.080 --> 0:45:17.280
<v Speaker 1>all going to work out because I made this great investment,

0:45:17.760 --> 0:45:22.759
<v Speaker 1>so heartbreaking my go you know, and and he just

0:45:22.880 --> 0:45:25.680
<v Speaker 1>leaves like Gabriel was kind of like nothing with Poppy too,

0:45:25.840 --> 0:45:29.000
<v Speaker 1>like he was in it for himself. Whatever. Yeah, so

0:45:29.000 --> 0:45:31.160
<v Speaker 1>he basically when he left, he left Poppy high and dry.

0:45:31.239 --> 0:45:36.279
<v Speaker 1>Also right, yeah, Sarina, right took Rufus's money. What an asshole, man?

0:45:36.480 --> 0:45:40.080
<v Speaker 1>What an asshole? O my god? Yeah? And where does

0:45:40.120 --> 0:45:41.920
<v Speaker 1>he go? Does he like go to an island and

0:45:41.920 --> 0:45:44.759
<v Speaker 1>he's with like Carter Basin or something like, yes, exactly,

0:45:44.840 --> 0:45:48.080
<v Speaker 1>you must be because it's a Christian camp with the

0:45:48.120 --> 0:45:51.920
<v Speaker 1>Georgia Artina speaking of. Then we go to them. She's

0:45:51.960 --> 0:45:55.840
<v Speaker 1>at this Christian camp like rediscovering herself, and like you

0:45:55.880 --> 0:45:59.200
<v Speaker 1>said before, just the way she plays this completely other

0:45:59.280 --> 0:46:03.640
<v Speaker 1>person was it was amazing. But like the fact that

0:46:03.840 --> 0:46:07.320
<v Speaker 1>she's like walking out with Chuck and then he mentions

0:46:07.440 --> 0:46:10.640
<v Speaker 1>Blair's name and like wheels start spinning and Georgina's like

0:46:10.719 --> 0:46:14.640
<v Speaker 1>head like wait, Blair, she just wants I know. And

0:46:14.680 --> 0:46:17.600
<v Speaker 1>then the song it was by the Kills You Are

0:46:17.640 --> 0:46:20.719
<v Speaker 1>a Fever by the Kills and it's so sick. I

0:46:20.760 --> 0:46:22.960
<v Speaker 1>actually like hadn't heard that song in forever, but just

0:46:23.000 --> 0:46:25.480
<v Speaker 1>the like screech in the beginning of the song of

0:46:25.520 --> 0:46:30.200
<v Speaker 1>like watching Georgina line turns yes it was not it

0:46:30.280 --> 0:46:33.399
<v Speaker 1>was tremendous underscoring. Yeah, and it's and then you see

0:46:33.400 --> 0:46:34.920
<v Speaker 1>the car going off into the distance, and then you

0:46:35.000 --> 0:46:36.400
<v Speaker 1>just want to know. You just have to watch the

0:46:36.400 --> 0:46:38.839
<v Speaker 1>next episode, and it's like, how did we watch How

0:46:38.880 --> 0:46:40.879
<v Speaker 1>did people watch this show back in the day when

0:46:40.880 --> 0:46:42.919
<v Speaker 1>they had to wait a whole week? You know, That's

0:46:43.000 --> 0:46:48.839
<v Speaker 1>that's really always a mystery to me, absolutely, because now

0:46:48.880 --> 0:46:52.440
<v Speaker 1>it's like Rufus goes there being this wonderful sweet man

0:46:52.520 --> 0:46:54.799
<v Speaker 1>that he is, gives the check to Gabriel, Gabriel leaves

0:46:54.800 --> 0:46:59.000
<v Speaker 1>Poppy hanging, Serena hanging. Blair's torn with Chuck and Nate.

0:46:59.480 --> 0:47:02.680
<v Speaker 1>I mean, yeah, there's there's many many things that they

0:47:02.760 --> 0:47:05.879
<v Speaker 1>left us with at the end here right, many threats. Yeah,

0:47:06.520 --> 0:47:09.480
<v Speaker 1>where are we uh with Vanessa at the end of

0:47:09.480 --> 0:47:12.560
<v Speaker 1>this episode, she's she still has the gallery to work in,

0:47:13.239 --> 0:47:16.800
<v Speaker 1>and yeah, she's been a good friend to Dan and

0:47:17.000 --> 0:47:24.359
<v Speaker 1>she's she's been a great fan. She's about Chuck. Um.

0:47:24.400 --> 0:47:26.600
<v Speaker 1>I feel like there's got to be something coming up

0:47:26.600 --> 0:47:29.160
<v Speaker 1>with her. I know she just her Nate kind of

0:47:29.200 --> 0:47:31.000
<v Speaker 1>just ended. But I do feel like there's got to

0:47:31.040 --> 0:47:36.479
<v Speaker 1>be some sort of love boyfriend situation coming up for her. Right,

0:47:36.840 --> 0:47:40.279
<v Speaker 1>just because yeah, I do. There's a lot that goes

0:47:40.320 --> 0:47:42.600
<v Speaker 1>on with all because obviously we're all going to our

0:47:42.640 --> 0:47:48.480
<v Speaker 1>next chapter in life, like all of our college moments. Um,

0:47:48.520 --> 0:47:50.719
<v Speaker 1>that's huge. You know. I always thought that if I

0:47:50.840 --> 0:47:53.120
<v Speaker 1>were to, you know what, other part and the show

0:47:53.160 --> 0:47:55.440
<v Speaker 1>is so attractive to me, you know, as an actor,

0:47:55.800 --> 0:47:59.000
<v Speaker 1>And I always think of Georgina because of the extremes.

0:47:59.080 --> 0:48:02.960
<v Speaker 1>You know, it's like somebody so sort of nasty and

0:48:03.040 --> 0:48:05.239
<v Speaker 1>bad and then you know who can just turn on

0:48:05.239 --> 0:48:07.880
<v Speaker 1>a dime and have then like wholesome and sweet and

0:48:07.920 --> 0:48:13.319
<v Speaker 1>like carrying, caring. What about you azer character that you

0:48:13.360 --> 0:48:15.840
<v Speaker 1>think like it's like an opposite of Vanessa and it

0:48:15.960 --> 0:48:19.319
<v Speaker 1>would just fun to plu I feel like. And I

0:48:19.360 --> 0:48:21.760
<v Speaker 1>just feel like even in South Carolina when when Jason

0:48:21.880 --> 0:48:23.560
<v Speaker 1>Ed did their panel, I think they got asked that

0:48:23.680 --> 0:48:25.480
<v Speaker 1>question and I think they're both of their answers was

0:48:25.560 --> 0:48:27.759
<v Speaker 1>de rode up. Yeah, it was just like, I mean,

0:48:28.239 --> 0:48:31.399
<v Speaker 1>it's a fun one because the most comfortable outfit. Yeah,

0:48:31.719 --> 0:48:35.319
<v Speaker 1>not a lot of wardrobe changes. I don't know. I

0:48:35.320 --> 0:48:38.040
<v Speaker 1>I just also really always loved what Jenny's got going

0:48:38.080 --> 0:48:41.240
<v Speaker 1>on because I think she has a big heart means well, Um,

0:48:41.480 --> 0:48:43.960
<v Speaker 1>she's always got a lot going on. When you really

0:48:44.000 --> 0:48:48.279
<v Speaker 1>see Jenny grow a lot throughout the series. I think

0:48:48.320 --> 0:48:50.839
<v Speaker 1>there's like so many things about everyone that I like

0:48:50.960 --> 0:48:52.759
<v Speaker 1>and that also kind of get to me at times. Two.

0:48:52.840 --> 0:48:54.960
<v Speaker 1>I don't know, because I also really do De Rode

0:48:55.000 --> 0:48:56.640
<v Speaker 1>up would be really fun to play too, because I

0:48:56.680 --> 0:48:59.200
<v Speaker 1>just think, you you, how many secrets do you think

0:48:59.239 --> 0:49:02.239
<v Speaker 1>De Roda is her overheard with with Blair oh Man,

0:49:02.280 --> 0:49:05.160
<v Speaker 1>I mean, you know everything about everyone? Yeah, I feel

0:49:05.200 --> 0:49:08.160
<v Speaker 1>like Grota, although Groda it was not Gospel in the end.

0:49:08.400 --> 0:49:11.839
<v Speaker 1>I was just gonna say, but I do think that

0:49:12.080 --> 0:49:15.200
<v Speaker 1>Doroda would have kept some kind of like fantastic, like

0:49:15.320 --> 0:49:20.120
<v Speaker 1>fabulous secret journal of her own with the intentions of

0:49:20.160 --> 0:49:27.480
<v Speaker 1>maybe someday writing a memoir and all the secrets and

0:49:27.520 --> 0:49:30.480
<v Speaker 1>all the schemes and all the dark side of the

0:49:30.480 --> 0:49:33.040
<v Speaker 1>Waldorf household. I think maybe she noted all of that

0:49:33.080 --> 0:49:35.719
<v Speaker 1>for herself for like her big great American novel that

0:49:35.760 --> 0:49:38.680
<v Speaker 1>she was writing her memoir. I mean, De Roda, it

0:49:38.760 --> 0:49:42.520
<v Speaker 1>might be gossip. I'm just saying, well, I should definitely

0:49:42.560 --> 0:49:46.279
<v Speaker 1>have the access to the secrets at least and the

0:49:46.280 --> 0:49:48.719
<v Speaker 1>Waldor household. But you know, I think everybody's in each

0:49:48.719 --> 0:49:50.759
<v Speaker 1>other's business so much that I think Roda had a

0:49:50.760 --> 0:49:54.839
<v Speaker 1>good ear and like really knew it was up. Oh

0:49:54.880 --> 0:49:57.840
<v Speaker 1>my god, I love it. Speaking of the gossip girl

0:49:57.960 --> 0:49:59.800
<v Speaker 1>of Gossip Girl, do you want to do the gossip

0:49:59.840 --> 0:50:02.719
<v Speaker 1>Girl closing quote for this episode? Yes, I would love to.

0:50:03.000 --> 0:50:04.920
<v Speaker 1>I don't know if I will do it justice, but

0:50:06.000 --> 0:50:09.239
<v Speaker 1>here it goes, Oh, dear queen, heeds the words of

0:50:09.280 --> 0:50:12.320
<v Speaker 1>a king, looks like an angel, talks like an angel,

0:50:12.520 --> 0:50:17.840
<v Speaker 1>the devil in disguise, excell xcel gossip Girl. Who I

0:50:18.000 --> 0:50:23.920
<v Speaker 1>love it crazy because I also it's kind of like powerful. Hey,

0:50:24.040 --> 0:50:26.719
<v Speaker 1>oh yeah, I love it. Yeah, And I always can't

0:50:26.719 --> 0:50:29.040
<v Speaker 1>wait now when I'm watching to hear hear them because

0:50:29.040 --> 0:50:32.240
<v Speaker 1>they're always like witty and wise and funny and clever

0:50:32.520 --> 0:50:34.799
<v Speaker 1>and they should you pull them up. That and those

0:50:34.840 --> 0:50:38.080
<v Speaker 1>titles of the episodes like such smart writing, and you know,

0:50:38.280 --> 0:50:39.759
<v Speaker 1>so many they had to come up with, and I

0:50:39.760 --> 0:50:42.320
<v Speaker 1>always marvel. But yeah, it's great, and it like leaves

0:50:42.360 --> 0:50:44.800
<v Speaker 1>it um just the sound of Christen Bell's voice and

0:50:44.880 --> 0:50:47.680
<v Speaker 1>the and the little music. You know, I watched the

0:50:47.680 --> 0:50:49.360
<v Speaker 1>show in so long it brought me back and it

0:50:49.440 --> 0:50:53.319
<v Speaker 1>was such a comforting feeling of you know, uh, just

0:50:53.400 --> 0:50:55.360
<v Speaker 1>at a time of my life that was really fun

0:50:55.400 --> 0:50:57.359
<v Speaker 1>and a show that I really always liked, and I'm

0:50:57.360 --> 0:50:59.759
<v Speaker 1>so glad to be back in its midst, you know.

0:51:00.239 --> 0:51:03.760
<v Speaker 1>I know, I'm loving having you here. It's really exciting

0:51:03.800 --> 0:51:05.480
<v Speaker 1>for me, and I can't wait to see, like what

0:51:05.560 --> 0:51:09.319
<v Speaker 1>happens in the next what's going to happen because it's

0:51:09.320 --> 0:51:14.360
<v Speaker 1>also coming to this the season finale. There's only episodes

0:51:14.640 --> 0:51:16.719
<v Speaker 1>or six. Yeah, when you when you're coming to the

0:51:16.719 --> 0:51:20.040
<v Speaker 1>season finale, I feel like writers and networks and everyone,

0:51:20.480 --> 0:51:22.200
<v Speaker 1>you know, they want to make this big moment. But

0:51:22.239 --> 0:51:25.920
<v Speaker 1>I feel like almost every episode I've been watching it

0:51:25.960 --> 0:51:28.200
<v Speaker 1>could be a series or not a serious of season

0:51:28.239 --> 0:51:31.680
<v Speaker 1>finale right now, just because there's so many cliffhangers and

0:51:31.760 --> 0:51:33.319
<v Speaker 1>so many things going on. So I think they did

0:51:33.360 --> 0:51:35.200
<v Speaker 1>a great job. And that's what I'm saying. I don't

0:51:35.239 --> 0:51:36.840
<v Speaker 1>I can't even imagine what's going to happen at the

0:51:36.880 --> 0:51:39.799
<v Speaker 1>end of season two, what will happen. It's nice. It's

0:51:39.880 --> 0:51:43.200
<v Speaker 1>nice to have all that sort of time went by

0:51:42.600 --> 0:51:45.200
<v Speaker 1>and the kind of shady memories to live it all

0:51:45.200 --> 0:51:49.279
<v Speaker 1>over again. I know, I'm glad. I'm getting old and

0:51:49.320 --> 0:51:52.680
<v Speaker 1>I forgot everything, so I know it's been so fun

0:51:52.800 --> 0:51:55.520
<v Speaker 1>and and to like the playlists and like I haven't

0:51:55.520 --> 0:51:58.600
<v Speaker 1>heard that kill song and forever and it was so good,

0:51:58.880 --> 0:52:02.879
<v Speaker 1>perfect choice, and it's just like I'll go jam out

0:52:02.880 --> 0:52:05.880
<v Speaker 1>to that right now. Thank you so much for coming

0:52:05.880 --> 0:52:09.319
<v Speaker 1>out and doing this. This is so fun. Yes, and

0:52:09.760 --> 0:52:12.239
<v Speaker 1>I will. I'll go out into the streets of New

0:52:12.320 --> 0:52:14.880
<v Speaker 1>York now and give it a big hug for me

0:52:15.480 --> 0:52:19.319
<v Speaker 1>and have my gossip girl heart on folks play out there.

0:52:19.360 --> 0:52:22.480
<v Speaker 1>And I'm in Brooklyn, so I'm like the I'm the

0:52:22.560 --> 0:52:28.040
<v Speaker 1>damn home free yeah, the Vanessa right so representing for Brooklyn.

0:52:29.000 --> 0:52:31.359
<v Speaker 1>Thank you for having me. I really had a great

0:52:31.400 --> 0:52:33.640
<v Speaker 1>time chatting. I know you're the best, and you're just

0:52:33.680 --> 0:52:37.560
<v Speaker 1>like I like your thoughts on it and and um

0:52:37.600 --> 0:52:39.600
<v Speaker 1>just your opinion and you're You're just so fun and

0:52:39.640 --> 0:52:42.239
<v Speaker 1>funny and this has just been so great. I'm like

0:52:42.480 --> 0:52:50.680
<v Speaker 1>so happy right now. Thank you me too, Susanna. Okay, girl,

0:52:50.760 --> 0:52:53.840
<v Speaker 1>I'm so happy you could join me today for another episode.

0:52:54.440 --> 0:52:57.239
<v Speaker 1>You're just the sweetest and it is so fun to

0:52:57.400 --> 0:53:01.360
<v Speaker 1>just chat and reminisce and take a walk down memory

0:53:01.440 --> 0:53:03.959
<v Speaker 1>lane with you. I'll see all the listeners next week

0:53:03.960 --> 0:53:07.719
<v Speaker 1>for our rewatch of season two, Episode three. I keep

0:53:07.760 --> 0:53:10.440
<v Speaker 1>saying it, but I cannot believe how close we are

0:53:10.520 --> 0:53:15.000
<v Speaker 1>to finishing season two. You know what they say, time flies.

0:53:15.040 --> 0:53:18.359
<v Speaker 1>If you're having fun, I'll see you next week. XL

0:53:18.520 --> 0:53:25.719
<v Speaker 1>x O x O x O is produced by Propagate

0:53:25.760 --> 0:53:29.160
<v Speaker 1>Content and Meet Jessica's Or. Our show is executive produced

0:53:29.160 --> 0:53:33.560
<v Speaker 1>by Langley. Our producers are Diego Tapia, Christin Vermilia, Emily Carr,

0:53:33.600 --> 0:53:36.759
<v Speaker 1>and Hannah Harris. Original music by Moxie and Lune, and

0:53:36.800 --> 0:53:41.200
<v Speaker 1>the episode was mixed by Sethi Landscape