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Speaker 1: Welcome back to another episode Alchemy. The scope of this show,

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Speaker 1: I'm your host, Kevin Pollock. Yest that Kevin. No, No,

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Speaker 1: I've not been vaccinated, as much as I'm desperate to be. Yes,

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Speaker 1: I'm sure you did. Just walk in wherever and they

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Speaker 1: put a shot in your arm, and you have no

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Speaker 1: idea how fucking happy I am for you. Let's meet

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Speaker 1: our chemist Shallery no particular orders. Say hello to James

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Speaker 1: Ceney Carney, Jim, have you ever hunted something or someone? No,

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Speaker 1: I've never hunted anyone or anything. I guess. I guess

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Speaker 1: I've got to add it to my bucket list. I

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Speaker 1: didn't even know how much I wanted to do that.

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Speaker 1: You don't need to add that to your bucket list.

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Speaker 1: That's well, I don't want to kill it. I would

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Speaker 1: just like to hunt it, hunt and then harm it

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Speaker 1: in some way. I'm guessing. No, No, but just just track. Okay,

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Speaker 1: we call that. Keep an eye on something. Following, Chris,

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Speaker 1: it's all right, yeah, you don't stalk please. And now,

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Speaker 1: Chris Alvarado, I've some the Blue Lagoon. When money is

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Speaker 1: truly no object? What kind of car are you splurging?

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Speaker 1: Fucking kidding me? To look at it every night before

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Speaker 1: I go to bed. You already have one. It's a

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Speaker 1: fucking Tesla, dog, It's a fucking tesla. And I keep

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Speaker 1: trying to tell myself that success isn't measured in things

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Speaker 1: that Craig Stockings don't affect me personally. Even though Kevin

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Speaker 1: has your dream car, it's Casualty has it, and it's

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Speaker 1: your full dream that that you're on your own path,

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Speaker 1: you know what I mean, You're on your own journey.

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Speaker 1: And so yeah, and I was technically fifty two when

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Speaker 1: I got my first one. It's fine, fine, No, no,

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Speaker 1: fifty two though fifty two come one, Okay, yep, it's

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Speaker 1: it's not it's not a great age. That's really old.

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Speaker 1: A friend of mine pulled him in one the other day.

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Speaker 1: I said, what are you bawling out of control? He's like,

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Speaker 1: I just you know, I figured I'm gonna splurt. He

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Speaker 1: just got the windows tinted. It look gore. I was like,

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Speaker 1: what the fuck? He said? He said, thinks five minutes

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Speaker 1: order one online. I went online. I'm like, I don't

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Speaker 1: have any thousand dollars. You know, it's just had. The

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Speaker 1: Patreon isn't going as well as I alone. Can I

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Speaker 1: do that? I'm gonna do that. Hey, well, thank you

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Speaker 1: for sharing. Hey there's Craig Kakowski. Kakao. Are you an

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Speaker 1: early riser and if so, what time do you rise?

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Speaker 1: And if not, what time do you rise when you're

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Speaker 1: on your own and no one else is in the house. Yeah,

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Speaker 1: that's a good question, because lately I've been woken up

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Speaker 1: by my aging chihuahua who has a bad cough, so

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Speaker 1: she usually starts coughing nonstopper of five am, so they

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Speaker 1: usually when I've been getting up. I was a night

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Speaker 1: owl from most of my life, and over the last

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Speaker 1: like ten years, I become more and more. I'm not

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Speaker 1: a morning person because I'm cranky and I don't like

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Speaker 1: to talk to anyone until about nine p nine. But

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Speaker 1: but I usually am awake alan average at six am. Yeah,

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Speaker 1: alone or together. I think he did just write a

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Speaker 1: joke though, So I'm just gonna make some notes here.

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Speaker 1: I'm not a morning person. I normally don't like to

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Speaker 1: talk to anyone's about nine pm. Um, what the hell

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Speaker 1: it's Caroline Connor dancers with wool. Have you been able

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Speaker 1: to console j low j Lo Jennifer Lopitt. Yeah, good, good,

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Speaker 1: good good. I was hoping something you would be able

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Speaker 1: to and last, but no more Jello if you think

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Speaker 1: him least it's Joey Greer last night's fish. What food

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Speaker 1: repulsed you as a child that you simply cannot get

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Speaker 1: enough of? Now? Oh? Oh uh? Think's going on? I

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Speaker 1: think it might have been. Um, that's a great question.

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Speaker 1: I know it's like something bitter. I can't coffee. I'd

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Speaker 1: say it's coffee, even though it's like it's put it

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Speaker 1: in the pantheon of food. Um. But and you just

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Speaker 1: wrote the name the Great a great title for a

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Speaker 1: new coffee shop. Something better, something, Yeah, I remember I

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Speaker 1: had it once as a child, Like Cubans love coffee.

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Speaker 1: So it's just all right, hey, dude, I'll say it, dude,

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Speaker 1: I'll say it. And the pork like dancing and music? Now,

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Speaker 1: all right, come on, a bird is canceled. At least

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Speaker 1: do a damn show. All of our scene suggestions are

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Speaker 1: gathered from listener emails or from our patron v I

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Speaker 1: p s to become a patron. Support of the show

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Speaker 1: and to enjoy exclusive content that no one else can

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Speaker 1: have also comes with the vaccine shot. Just head on

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Speaker 1: over to Patrio dot com slash alchemy this. If you'd

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Speaker 1: like to sumit a scene suggestion via email, please write

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Speaker 1: to the podcast your name here at alcumy this dot

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Speaker 1: com name here. See number one comes to patron v

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Speaker 1: I P. David the joho who wrote I thought I

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Speaker 1: pressed send on this, but apparently not. Welcome to old age,

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Speaker 1: my friends. Here's the scene suggestion. Someone is surprised to

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Speaker 1: win the Best Supporting Actor or Actress oscar because they

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Speaker 1: didn't know they were in a film. Also sorry, I

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Speaker 1: murder wasp. Scene suggestion lead you all to committing to

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Speaker 1: all those buzzing sounds, so I kind of enjoyed that. Um.

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Speaker 1: On the other hand, that whole episode was hilarious as usual.

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Speaker 1: By the way, have any of you seen my glasses?

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Speaker 1: David W in Boston? Pardon me, I'm about to do

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Speaker 1: this real quickly because I loved you. Because I loved you,

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Speaker 1: and I thought that wasn't enough, and you telling me

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Speaker 1: it's not enough. I'm sorry, Hey, I'm look where this

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Speaker 1: is a coffee shop. Anyone could do whatever, obviously, but

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Speaker 1: you guys have been rehearsing the scene over and over

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Speaker 1: for a long time. And it's just like really grading

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Speaker 1: on me right now. It's not rehearsal. It's not a rehearsal.

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Speaker 1: Not a rehearsal. And when breaking up and what we're

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Speaker 1: grading on you should affect us. How okay? Well, sir,

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Speaker 1: I found your glasses, did you? They were in the

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Speaker 1: toilet when I left it. They were in they were

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Speaker 1: inside the bathroom, and then they were not in the

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Speaker 1: where I left them. Thank you, Glenn, great name tech.

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Speaker 1: We're just gonna go ahead and finish break it up now,

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Speaker 1: if that's cool with you, my man? Yeah, you got it.

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Speaker 1: What were you saying? Sweeter? Because I loved you and

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Speaker 1: I thought you loved me. I did, And now that

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Speaker 1: I'm learning that the love is lost right from a

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Speaker 1: life coach. You're learning love is lost from a life coach.

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Speaker 1: I don't know. I fucking go on. I'm so sorry?

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Speaker 1: Um are you? Is this like a scene study class?

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Speaker 1: Is this what this is? Are we that bad as humans?

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Speaker 1: And behavior? From Boston? And I like my dream is

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Speaker 1: to be on the screen and I just like see

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Speaker 1: what's happening here? Like I want to jump in and

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Speaker 1: like I feel like you two are just like just again,

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Speaker 1: I feel the energy. It's like so rich and all that.

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Speaker 1: Let me ask you a question. Has somebody ever broken

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Speaker 1: your heart? I guess yeah? Can you imagine that person

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Speaker 1: on him, in in me, my face, me, in on you,

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Speaker 1: breaking up with you, after getting some thing on you? Um,

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Speaker 1: let's see. I guess can you move your eyes closer together? Oh?

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Speaker 1: My god? There he is? Well, Reggie, how are you?

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Speaker 1: You know? I'm okay. I guess you're okay. Well, I'm great,

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Speaker 1: you piece of ship? You know what? Screw this? Well?

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Speaker 1: That went very well. Excuse there's something bitter? I mean,

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Speaker 1: what's going on between the two of you? Um? I

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Speaker 1: mean it feels that way to him? Yes? To me? Yes, yes,

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Speaker 1: it used to be bitter sweet. It used to be sweet,

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Speaker 1: went to bitter sweet. Now it's a bitter well. I

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Speaker 1: think you know, as your relationship moves around the tongue,

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Speaker 1: I'm a I'm an epicurean uh love coach, And if

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Speaker 1: you've moved all the way to bitter uh that, then

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Speaker 1: it is probably time to call it quits. Time to

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Speaker 1: call it quits, time to call it quits. Vocal warm ups. Yes, yes, yes,

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Speaker 1: I anncate properly all right, And I tend to speak

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Speaker 1: too quickly, and he has problem understanding me and we

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Speaker 1: This is a big part of the problem. What do

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Speaker 1: you want is your mommy relationship? I ear relationships that

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Speaker 1: that's hitting all four quadrants of the tongue to mommy burger. Oh,

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Speaker 1: those are what I'm talking about. What I'm talking about,

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Speaker 1: this is what I'm talking about. I'm searching for the

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Speaker 1: you mommy. Hi, I'm sorry, I just heard you say searching.

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Speaker 1: I'm searching. I lost my piece of ship. Like it's

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Speaker 1: a piece of ship. I'm looking for it. Has anyone

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Speaker 1: seen it? I mean I I think we would have

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Speaker 1: noticed human ship. Dude, I'm telling you right now, this

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Speaker 1: is high quality human ship. All right now, I know

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Speaker 1: what you're thinking. You probably got enough ship already. But

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Speaker 1: like this one, this piece right here. I mean, you

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Speaker 1: smell this thing, alright, look that natural alright? Tucks hundred

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Speaker 1: hundred bucks. Tell me this piece of ship? Yeah, I

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Speaker 1: mean you google? Why not? Just you know? I mean,

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Speaker 1: just you know what I mean. It's a piece of

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Speaker 1: ship in a glasses case. Why are you trying to

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Speaker 1: I don't want this, dude, the glasses case. Come on

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Speaker 1: that that comes. I'll take the glasses case. Um, Hi,

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Speaker 1: I'm the manager at Something Bitter and I the coffee

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Speaker 1: shop on island, and I am here to pitch. I'm

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Speaker 1: here to pitch. You obviously, are the head of this studio,

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Speaker 1: and I'm here to pitch a project. You're gonna know

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Speaker 1: where do I How do I start? Well, I say,

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Speaker 1: start by taking a seat in the leather chair there,

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Speaker 1: And did you bring a portfolio? I brought. I brought

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Speaker 1: a sizzle real sizzle sizzle. Yes, this is a VHS tape.

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Speaker 1: What do you What the hell am I supposed to

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Speaker 1: do with this? Well? Um, I brought that in case,

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Speaker 1: I figured, okay, I also have it on my phone.

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Speaker 1: Now what you're gonna see is a found footage of

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Speaker 1: sorts projects. That's that's a fairy. That's okay. Can I

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Speaker 1: can I hold your phone? I'd rather you didn't. I'll

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Speaker 1: just hold it up for you. So that's pretty small.

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Speaker 1: So if I can't get my face up close to

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Speaker 1: it as soon as I start when I pressed played,

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Speaker 1: So I have a found footage coach. But these are

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Speaker 1: all actors, um, all Union actors. So I think it

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Speaker 1: could be submitted for all the festivals, including submitted to

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Speaker 1: the Academy for Academy Award. I'm sorry, you're telling me

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Speaker 1: that you have found footage of a whole bunch of

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Speaker 1: Union actors. Yes, I gotta see this. I gotta give

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Speaker 1: me that phone. Let me see that. Fine, hold the phone,

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Speaker 1: just don't don't swipe anywhere. It's Oh my god, who

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Speaker 1: look at that? I know? So she so she had

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Speaker 1: just lost her husband that morning, that morning. That's devastating.

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Speaker 1: This is a person's private, human life. But she's also

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Speaker 1: a SAG member. That's the actors she on her dues. Yeah,

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Speaker 1: she's okay, that's okay. I look at these were here.

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Speaker 1: So look at those two right there. Oh my god,

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Speaker 1: people filming them. It's just legal. Well but they you know,

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Speaker 1: under SAG number one Golden rule. Uh huh, leanne. Look,

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Speaker 1: there's not much I can do with you. Okay. The

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Speaker 1: legal is pretty clear. You are a SAG member and

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Speaker 1: this is CCTV footage within your own home. I understand

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Speaker 1: that it's your ring camera on your own system. But

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Speaker 1: you're SAG, so they can't use this footage as any means. No,

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Speaker 1: I don't think that is not that's never been in issue,

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Speaker 1: you know what I mean. It's like, who is doing this?

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Speaker 1: Who is doing this? I don't expect you to understand

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Speaker 1: the stuff. You're an actor, Okay, it's okay. Just calm down.

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Speaker 1: You want some milk or some milk. Milk is the

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Speaker 1: only thing that can calm me down. So get me

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Speaker 1: some milk. Please? Can we get some milk? Please? Do

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Speaker 1: you want that pulpy or non pulp? Yes, I want

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Speaker 1: chunky milk, season pulp milk. And the best thing you

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Speaker 1: can do right now is just ride this out. Okay. Now,

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Speaker 1: look a shift? Did you wait? No? Stop, don't go

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Speaker 1: to your shift. I'm an actor. I pay my sag dudes,

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Speaker 1: I go on auditions. No one books me for anything.

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Speaker 1: And now you're telling me people want to produce the

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Speaker 1: CCTV footage of me? Would not just you a whole

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Speaker 1: bunch of people. Apparently it's going tons of all these actors.

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Speaker 1: All right, it's not reality TV. The Oscar nominations are

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Speaker 1: out and something Bitter found footage the movie Cleaning Up

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Speaker 1: with fourteen nominations. Uh. Then, if you're not familiar with it,

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Speaker 1: this is CCTV footage of Union acts breaking up, making up,

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Speaker 1: drinking coffee. Um, it's got an a nomination for Best

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Speaker 1: Original Song from j LO. That's Jennifer Lopez nominations in

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Speaker 1: all acting categories. I'm here with the owner of the

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Speaker 1: coffee shop and the credited director. Uh tell me your name, sir,

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Speaker 1: Eli Funk? Okay, great, because it wasn't on the movie

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Speaker 1: anywhere and I couldn't find it IMDb. I'm I'm just

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Speaker 1: now petitioning to join the d G A um, so

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Speaker 1: I'm not, you know, so I kept my name off

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Speaker 1: the project like officially professionally. Fourteen knoms today, including for

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Speaker 1: Best Sound, which is interesting because the sound is just very,

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Speaker 1: very tinny and distant but real. Right, so people spend

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Speaker 1: thousands millions of dollars trying to recreate the sounds of

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Speaker 1: real life. Right fully, arcist, what have you? I just scuppered.

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Speaker 1: If you just let this sad speakers in the coffee

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Speaker 1: shop do the work for you, You're good. You're good. Now.

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Speaker 1: I've heard that of the uh twenty eight credited actors

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Speaker 1: in this movie, only three of them have found out

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Speaker 1: there in it so far. Yes, that's right, and um,

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Speaker 1: mixed emotions, mixed feelings from their part. But that's what

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Speaker 1: art does. That's what art does, and at the end

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Speaker 1: of at the end of the day, I said, you're

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Speaker 1: in a movie. Now, it's possible the ones that don't

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Speaker 1: know just have not paid their dues yet and maybe

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Speaker 1: they're not current with the union. That's that's correct. Um.

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Speaker 1: So we are reaching out to them individually, uh to

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Speaker 1: make sure that they are up to date on their dues,

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Speaker 1: but also recognize that they have been nominated. No, you

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Speaker 1: meet them in a movie. What, Glarry, You're in a

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Speaker 1: film and you're nominated for an Academy Award. The hell, man,

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Speaker 1: I haven't talked to you forever. Man, hold on one segment. Look, dude,

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Speaker 1: this is a nice piece of ship. It's a nice

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Speaker 1: piece of ship. I'm on the phone. Give me a second.

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Speaker 1: Al Right, what what's going on? What what do you

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Speaker 1: mean you're talking to me now? I am Yeah, okay,

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Speaker 1: So you're in this film and then this morning it

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Speaker 1: was announced were on it for Academy or congratulations. I've

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Speaker 1: got uh meetings lined up for you. One at CIA,

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Speaker 1: which is where? Yeah, where can I go? I got

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Speaker 1: some from the sellem. Well I told them that you

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Speaker 1: weren't available. That's the way. Let me go, man, I

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Speaker 1: got I got some. If we both know you're the

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Speaker 1: very definition of available, but you tell these people that

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Speaker 1: you're not in order to drive up interest. Now, Cia

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Speaker 1: can just relax their crack. But I can get you

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Speaker 1: over at Warner Brothers today at noon, Henry. Let's do

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Speaker 1: it right. I mean, I'm I could walk there now

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Speaker 1: to you. The way to get there, yes, so the

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Speaker 1: way that these meetings generally work as you just kind

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Speaker 1: of we love you already, we love you. We all

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Speaker 1: here want to sign you, produce your we love you,

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Speaker 1: so just um, don't talk about that. Stop trying to

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Speaker 1: sell us, Stop trying to make a spice things. Okay,

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Speaker 1: Well I got I mean I got some ship. I

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Speaker 1: want to sell you outside of the room because honestly, distracted,

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Speaker 1: you're not gonna get this away from my person Alright'm

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Speaker 1: not gonna from we haven't. Um, I don't know if

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Speaker 1: you saw. Maybe our assistant didn't do her job. We

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Speaker 1: have a restroom in the lobby. It's part of the lobby,

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Speaker 1: so now I know how the sports just trying to

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Speaker 1: steal my ship. You're gonna come in here just snake

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Speaker 1: my ship out of We're not snake anything out snake.

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Speaker 1: I don't know where you got that from this is

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Speaker 1: my ship. I'd like to talk to Eli. I don't

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Speaker 1: really need to order any coffees. ELI is ELI available?

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Speaker 1: Somebody call me? Somebody called for me. Thank you, one

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Speaker 1: said give me sorry, just give me one. Yes, no,

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Speaker 1: I want the studios there, I want coverage. Hello, Yes,

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Speaker 1: I can help you. Hi. Hi, Hi, I'm James Heeney.

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Speaker 1: I paid my I just I just paid up. I

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Speaker 1: just paid my dues. And this is a little receipt that.

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Speaker 1: What's this in regards to I'm so sorry I got

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Speaker 1: cut out of the film. I've been coming to this

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Speaker 1: coffee shop since before the shame. I have many different

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Speaker 1: projects in various stages of development, you know the one

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Speaker 1: that already aired. Something bitter I was. I'm sure I

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Speaker 1: got cut out of it, but I just wanted to

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Speaker 1: show you. Maybe there's a director's cutter. Well there is. Now.

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Speaker 1: Let me ask you a question. How did you sign

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Speaker 1: your contract? Was it ceremoniously by any chance? Was there?

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Speaker 1: Absolutely yes, it was a big deal. It was very ceremonious.

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Speaker 1: Theial a special pen. I used the tom Cruise pen,

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Speaker 1: and I wore the robes, and I there was candle lights.

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Speaker 1: And you say that can you say that whole thing again? Slower?

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Speaker 1: You kind of look over there to your left. I'll

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Speaker 1: cue you up again. Were there any special pins? Of

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Speaker 1: course there was this, Vans. We have some breaking news

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Speaker 1: apparently uh in this fantastic uh alive funk guys, a

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Speaker 1: new hit movie. There's a deleted scene apparently has been

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Speaker 1: going around YouTube, and it is insane actor James. He

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Speaker 1: need apparently admitted to some kind of a cult ritual.

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Speaker 1: I don't know you have, Vans. I mean, this is

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Speaker 1: all the information I'm getting. But are we thinking that

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Speaker 1: James is gonna be canceled? I mean it looks like

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Speaker 1: I mean all of the cases, yes, I mean just

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Speaker 1: the cold practices in general. Who knows what he was

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Speaker 1: sacrificing for what purposes, what kind of portal he was

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Speaker 1: trying to rip open? In my book, that's a no note. No,

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Speaker 1: we um, we're not trying to make a competitive movie

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Speaker 1: with you. We're police officers, so we need the footage

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Speaker 1: for evidence and so and so answer me this, send

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Speaker 1: to me. This is that not a camera on your chest? Yeah,

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Speaker 1: it's a body camera? So you also an artist? No,

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Speaker 1: I'm a police officer and I've got into a lot

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Speaker 1: of trouble before, so I have to wear a body cam. Okay,

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Speaker 1: I'll have you know. I was after us, I was

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Speaker 1: grandfather into the process. I don't care. I don't care.

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Speaker 1: I don't know what sag means. But you keep yeah good.

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Speaker 1: And I'm gonna get in trouble for that later too,

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Speaker 1: because I got the damn body count. I mean yeah,

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Speaker 1: I guess whatever. Look, Mr Scorsese, this is all fun

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Speaker 1: and dandy, but I'm just trying to get my ship

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Speaker 1: so old, all right, you know it? So let me

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Speaker 1: tell you something. It's incredibly so would you mind wearing

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Speaker 1: this body cam? I call it a tip cam, but

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Speaker 1: I don't want to get canceled. Do you want to

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Speaker 1: mind wearing this? Yeah? Sure, you got it. Yeah, I

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Speaker 1: mean whatever. But now you can shoot me talking to

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Speaker 1: you as I'm directing you in the picture. That's a

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Speaker 1: whole other thing that I can sell to the studios. Yeah, welcome,

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Speaker 1: walks around my office. Let me see how comfortable you look. Yeah,

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Speaker 1: it's not great. It's not great. No, I don't feel good.

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Speaker 1: I remember when I'm here on the red carpet with

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Speaker 1: Oscar nominee, Larry de Mellow and Larry, what are you holding?

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Speaker 1: I'm holding right here, just a nast piece of ship.

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Speaker 1: And that's what I thought. I cannot hear piece of

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Speaker 1: ship one more time. That is the end of seeing.

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Speaker 1: Oh my god, what is happening to my face? Seen

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Speaker 1: two comes from from Well who wrote up Alchemists. I've

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Speaker 1: been seeing Craig everywhere these days in the shows i'm watching,

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Speaker 1: not like from the Business or anything. Most recently I

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Speaker 1: saw him for like four seconds Center commercial. I'm pretty

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Speaker 1: sure he had a snuggy and a boyfriend. I don't know.

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Speaker 1: It all happened so fast. Anyway. My scene suggestion is

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Speaker 1: this the maker of Snuggy the blanket with sleeves pitching

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Speaker 1: adding sleeves to more things. Craig is my dad. Will

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Speaker 1: uh just a second, can I say, Who's who's calling Jeremy?

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Speaker 1: It's Jeremy, Okay, Jeremy, Jeremy Lukas. Sorry, that's the last

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Speaker 1: name limb Kiss lud Kiss, Jeremy Stephen lud Kiss. Okay,

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Speaker 1: I'm okay. Can I put you on a brief hold

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Speaker 1: on Jeremy Stephen Lucas Junior, And yeah, I can be

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Speaker 1: at hold. I'm just gonna make sure he's available to

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Speaker 1: talk to you. Okay, thank you, Okay, fuck me in

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Speaker 1: the eyeball like me green, Hi, Carl, I'm sorry to

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Speaker 1: bother you. Actually it's still me and I heard it's me.

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Speaker 1: Jeremy Stephen Lukas Jr. Are Are here your eyes? Okay, yes, Jeremy.

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Speaker 1: I'm so sorry. It's been a really tough day. My

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Speaker 1: my dog woke me up at five with cramps apparently,

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Speaker 1: and I had to take him out for another five

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Speaker 1: am walk and uh, you know when you know what?

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Speaker 1: He just pooped. He pooped into a pair of sunglasses

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Speaker 1: I had, and everything's fine. So that's been my day.

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Speaker 1: And now you have lots of names and I can't

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Speaker 1: seem to hear any of them. It's Jeremy Stephen blood kiss.

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Speaker 1: But if you just say Jeremy, I'm sure that that's enough. No,

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Speaker 1: like when Jeremy calls. Okay, I want everyone to be professional,

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Speaker 1: all right. He's ononderful biggest clients. All right. Now we

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Speaker 1: know the success of the Snuggi Again, he has some

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Speaker 1: idea everybody sucks. Its weird. Yeah, I know it sucks too,

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Speaker 1: okayle Genius sometimes comes in strange packages, all right, And

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Speaker 1: I'm tired of that excuse, by the way, so he

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Speaker 1: gets to come in here and run him up because

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Speaker 1: he's a genius, because it's a thin line between genius

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Speaker 1: and crazy. Well what if it is acting crazy? Huh?

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Speaker 1: What if I is acting crazy? Car to bother you

383
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Speaker 1: and your team. But Jeremy is here, he'd like to commend. See,

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Speaker 1: that's that's the genius of him. You don't know if

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Speaker 1: I'm a genius or not. Do your cute test and

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00:24:42,119 --> 00:24:46,760
Speaker 1: you got like fifteen, very very stupid. It was from

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Speaker 1: the i Q official place, the fifteen Carl, Can I

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Speaker 1: send Jeremy? And now I don't think it's cool by

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00:25:01,960 --> 00:25:03,680
Speaker 1: the way, that everybody in the office knows each other's

390
00:25:03,680 --> 00:25:07,320
Speaker 1: like you scores, thank you, And I don't think they

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00:25:07,320 --> 00:25:09,440
Speaker 1: should be posted on the wall. What's easy for you?

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Speaker 1: We all know how smart you are, us the opportunity

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Speaker 1: a little crazy. Okay, coffee or water? Yeah, I'll have

394
00:25:24,720 --> 00:25:28,960
Speaker 1: coffee and water. I'll have coffee and water. Okay, Hello everyone,

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00:25:29,040 --> 00:25:35,080
Speaker 1: this is Jeremy's had one great idea years ago. We

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Speaker 1: took it all the way to the bank and now

397
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Speaker 1: you know he's he's here for his annual meeting to

398
00:25:39,080 --> 00:25:43,640
Speaker 1: pitch us more things with sleeves. Well, honestly, that's what

399
00:25:43,680 --> 00:25:47,679
Speaker 1: my original intention was. But there was some serious unprofessional

400
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Speaker 1: behavior by the phone receptionist. So I figured I would

401
00:25:52,440 --> 00:25:55,120
Speaker 1: just come down and talk to you, and the door

402
00:25:55,320 --> 00:25:57,600
Speaker 1: was open when I heard you all talking about how

403
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Speaker 1: much you hated Jeremy, Steve and Lokas JUNR. So now

404
00:26:02,160 --> 00:26:04,880
Speaker 1: I'm a little upset with the whole team. O sir

405
00:26:05,000 --> 00:26:07,880
Speaker 1: hole Mr is just just a clear exact the stupidest

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00:26:07,960 --> 00:26:10,240
Speaker 1: number right here said that. Okay, So so just to

407
00:26:10,280 --> 00:26:14,359
Speaker 1: be clear, that wasn't the No. One really defended my

408
00:26:14,400 --> 00:26:17,600
Speaker 1: honor very much. And the receptionist talked about sucking his

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Speaker 1: own eye ball. I could still hear him on the phone, okay,

410
00:26:23,680 --> 00:26:27,880
Speaker 1: has anything to do with you? Also, sometimes it doesn't matter.

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Speaker 1: I asked for a professional relationship, and then after I

412
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Speaker 1: called him out on it, they started talking about how

413
00:26:33,840 --> 00:26:37,520
Speaker 1: his dog took a dump that morning. Are you gonna

414
00:26:37,680 --> 00:26:42,480
Speaker 1: unveil that? That easel? It depends on how your attitudes

415
00:26:42,960 --> 00:26:46,840
Speaker 1: go forward from here. A very smart guy. A smart

416
00:26:46,880 --> 00:26:49,800
Speaker 1: guy doesn't share his great ideas with people that don't

417
00:26:49,840 --> 00:26:52,359
Speaker 1: really respect him. How smart are you? Like? What are

418
00:26:52,359 --> 00:26:59,920
Speaker 1: we talking about? Number one? Ven? I slightly above average,

419
00:27:00,200 --> 00:27:04,920
Speaker 1: but it is above ambranche. And so that's what was

420
00:27:05,000 --> 00:27:20,879
Speaker 1: your guys is like Q okay, okay, that means that

421
00:27:20,880 --> 00:27:27,040
Speaker 1: means I'm crazy because I'm on the other side of down. Okay, okay, Well,

422
00:27:27,119 --> 00:27:30,160
Speaker 1: so here's what I was. This is I'm just gonna

423
00:27:30,240 --> 00:27:32,880
Speaker 1: open up the easel. You guys have won me over again.

424
00:27:33,359 --> 00:27:37,200
Speaker 1: And you know how popular snuggies have been in your

425
00:27:37,240 --> 00:27:42,080
Speaker 1: home and in cuddling scenarios. But what if I told

426
00:27:42,160 --> 00:27:48,040
Speaker 1: you there was formal snuggy were Let me just it's

427
00:27:48,080 --> 00:27:51,080
Speaker 1: like a suit jacket, but it's the material of a

428
00:27:51,160 --> 00:27:56,639
Speaker 1: snugg ee and and it's got legs, which are the

429
00:27:57,359 --> 00:28:00,640
Speaker 1: it's got well there, it's like it's like sleep eaves

430
00:28:00,680 --> 00:28:06,760
Speaker 1: for your legs pants. Yes, the pitching that you're adding

431
00:28:06,760 --> 00:28:09,639
Speaker 1: more sleeves to things, You're taking things that have slaves

432
00:28:09,640 --> 00:28:15,200
Speaker 1: and making them more like blankets. I'm sorry, you're talking

433
00:28:15,240 --> 00:28:18,119
Speaker 1: down to me from a genius level. Could Zack please

434
00:28:18,200 --> 00:28:21,200
Speaker 1: explain that to me? What's what is what is going

435
00:28:21,280 --> 00:28:23,679
Speaker 1: on here? Yeah? He just saying like we thought you

436
00:28:23,680 --> 00:28:27,880
Speaker 1: were gonna do one thing, you did another. Well, there,

437
00:28:30,560 --> 00:28:33,600
Speaker 1: I understand Zact very well. What I'm saying is these

438
00:28:33,600 --> 00:28:40,920
Speaker 1: are what you would consider leg sleeves. And for three payments,

439
00:28:41,040 --> 00:28:44,440
Speaker 1: you right now can get your own formal snuggy wear

440
00:28:44,760 --> 00:28:46,440
Speaker 1: right off the rack, right into your house. They got

441
00:28:46,440 --> 00:28:49,880
Speaker 1: three sizes, all sizes fit everybody, the fantastic. You can

442
00:28:49,880 --> 00:28:51,480
Speaker 1: take it anywhere, you can take it onto a plane,

443
00:28:51,480 --> 00:28:54,800
Speaker 1: you can take in fact, I told you about how yes,

444
00:28:54,840 --> 00:28:56,640
Speaker 1: I wore this to the met gal And that's the

445
00:28:56,680 --> 00:28:59,160
Speaker 1: costume that I'm sorry, the snuggy that I'm wearing right now,

446
00:28:59,160 --> 00:29:02,640
Speaker 1: I called a conte. I feel so freaking fabulous in it. Well, yeah,

447
00:29:02,920 --> 00:29:05,440
Speaker 1: the theme was comfy, cozy, and it is and that's

448
00:29:05,440 --> 00:29:09,080
Speaker 1: exactly look happy you are there, I am. Yeah. And

449
00:29:09,200 --> 00:29:12,280
Speaker 1: so um, this is a splash shale. It's only going

450
00:29:12,280 --> 00:29:18,080
Speaker 1: on for one one. Okay, we have a call. Let's

451
00:29:18,080 --> 00:29:21,479
Speaker 1: put him on speaker. Hello, you're calling Snuggy Snuggy snug

452
00:29:22,440 --> 00:29:26,240
Speaker 1: I just want to say I think the suit looks great. Also,

453
00:29:27,920 --> 00:29:34,240
Speaker 1: tell us tell us a scoop about YouTube. Oh well, um,

454
00:29:34,680 --> 00:29:38,480
Speaker 1: this one got past, this one got on air. So um,

455
00:29:39,560 --> 00:29:42,320
Speaker 1: we're just both co hosts, you know, to co host.

456
00:29:43,720 --> 00:29:48,760
Speaker 1: You know we kiss, No, we can't kiss. We look

457
00:29:49,040 --> 00:29:53,560
Speaker 1: siblings that we look like siblings we kiss. Yeah, we

458
00:29:53,600 --> 00:29:57,200
Speaker 1: look like siblings and we know that. Wait, you look

459
00:29:57,240 --> 00:30:09,040
Speaker 1: like what can you hear me? Thank you? Okay, hey,

460
00:30:09,040 --> 00:30:11,760
Speaker 1: thank you too for coming in to see me today.

461
00:30:11,920 --> 00:30:13,960
Speaker 1: I know it's never a fun trip down to HR.

462
00:30:14,400 --> 00:30:16,440
Speaker 1: I don't know why they always put us in the basement,

463
00:30:16,480 --> 00:30:19,120
Speaker 1: but here we are. Did you do? Did you? Are?

464
00:30:19,160 --> 00:30:20,840
Speaker 1: You trying to cover the smell, but you're trying to

465
00:30:20,840 --> 00:30:23,440
Speaker 1: make it worse because it smells like it's a new

466
00:30:23,600 --> 00:30:29,920
Speaker 1: smells candle. Something awoke when we opened that door and

467
00:30:29,920 --> 00:30:32,720
Speaker 1: it took what's kind of glorious that everyone that comes

468
00:30:32,760 --> 00:30:35,040
Speaker 1: down here to see me gives it a different name,

469
00:30:35,120 --> 00:30:38,200
Speaker 1: and I'm I'm still searching for the perfect one. So

470
00:30:38,760 --> 00:30:42,840
Speaker 1: your thoughts are a cat I do? And is it

471
00:30:42,920 --> 00:30:47,000
Speaker 1: still alive because it smells like a die? They're both alive? Yes, yeah,

472
00:30:47,040 --> 00:30:52,080
Speaker 1: I mean they Okay, So let's get back to YouTube

473
00:30:52,080 --> 00:30:56,400
Speaker 1: for a second. A couple of things regarding your last

474
00:30:57,040 --> 00:31:00,240
Speaker 1: live appearance on tell them. I am, I I am

475
00:31:00,240 --> 00:31:02,240
Speaker 1: seeing what looks like black mold right up there in

476
00:31:02,240 --> 00:31:05,160
Speaker 1: the corner. Oh look at that. And I'm sorry, my

477
00:31:05,160 --> 00:31:08,920
Speaker 1: my shoes are wet and they were dying when I

478
00:31:08,960 --> 00:31:12,360
Speaker 1: walked in the room. So that's interesting something to keep

479
00:31:12,400 --> 00:31:19,480
Speaker 1: in mind my ankles. Hey Jeremy, it's it's me, Zach.

480
00:31:20,840 --> 00:31:24,560
Speaker 1: Oh my gosh, Zach, what are you doing here? Sorry?

481
00:31:24,600 --> 00:31:28,040
Speaker 1: I know I should have made an appointment. And no, no, Zach,

482
00:31:28,240 --> 00:31:32,240
Speaker 1: I care a lot about you. You have a huge

483
00:31:32,280 --> 00:31:36,400
Speaker 1: gate and you have them up. Yeah, I mean rich. Well,

484
00:31:36,440 --> 00:31:42,120
Speaker 1: of course I'm rich. I created the Snuggies. Actually I

485
00:31:42,280 --> 00:31:46,760
Speaker 1: lied about my i Q. It's only eleven. Put the

486
00:31:46,800 --> 00:31:49,800
Speaker 1: extra one just to get people to give me the

487
00:31:49,840 --> 00:31:52,320
Speaker 1: time of day. That makes you? What? That makes you

488
00:31:52,360 --> 00:31:55,800
Speaker 1: smarter than those kids? Right? I know? Have you considered

489
00:31:55,840 --> 00:31:59,160
Speaker 1: putting a one in front of your fifteen? What would

490
00:31:59,160 --> 00:32:02,560
Speaker 1: that do for me? Doors that they give you one?

491
00:32:02,720 --> 00:32:05,920
Speaker 1: I Q, that's what it would do, Zach. Well, Zach,

492
00:32:05,960 --> 00:32:09,440
Speaker 1: that's a fantastic I mean, I love the private sector,

493
00:32:09,480 --> 00:32:12,520
Speaker 1: all right. Uh, and I'm also this is the job

494
00:32:12,560 --> 00:32:14,960
Speaker 1: offer for the private sector as well. Warner Brothers loves

495
00:32:15,000 --> 00:32:18,280
Speaker 1: people from different different businesses before they come in. Right,

496
00:32:18,360 --> 00:32:19,720
Speaker 1: and if you're going to be a producer here, if

497
00:32:19,720 --> 00:32:21,520
Speaker 1: you're gonna be one of the big dougs, we just

498
00:32:21,560 --> 00:32:26,400
Speaker 1: gotta know what's rck you. Oh please, no need to

499
00:32:26,400 --> 00:32:32,400
Speaker 1: ask that. I have to oh, it's okay, thank you.

500
00:32:34,720 --> 00:32:37,680
Speaker 1: If you must know, it's wait, is it put the

501
00:32:37,720 --> 00:32:42,680
Speaker 1: one before, put the one after four? Or put one

502
00:32:42,800 --> 00:32:52,880
Speaker 1: after it's one five? What? Oh? I thought you're gonna

503
00:32:52,880 --> 00:32:59,040
Speaker 1: say fifteen for a second, d hundred fifty? What sack?

504
00:32:59,440 --> 00:33:02,400
Speaker 1: That's what one five one is? Right? Wows o bows os,

505
00:33:03,040 --> 00:33:08,520
Speaker 1: you're crazies. I speak that language too. You know we

506
00:33:08,600 --> 00:33:11,640
Speaker 1: got a new project. Actually there's a director eli funk.

507
00:33:11,640 --> 00:33:13,120
Speaker 1: I don't know if you know who. Just want a

508
00:33:13,160 --> 00:33:20,880
Speaker 1: big dog, okay, big dog, let me you know he

509
00:33:21,040 --> 00:33:24,640
Speaker 1: just you're smart. I'm I don't you know, I'm honestly,

510
00:33:24,720 --> 00:33:32,120
Speaker 1: I'm kinda shook. But do you ever think about adding

511
00:33:32,120 --> 00:33:39,480
Speaker 1: a one after it? And what that would do to you? Okay?

512
00:33:39,520 --> 00:33:42,120
Speaker 1: So if I could just so caush you two back

513
00:33:42,200 --> 00:33:45,840
Speaker 1: up a little. Um, we're okay with siblings. It was

514
00:33:45,920 --> 00:33:53,440
Speaker 1: really the conversation right there. Thank you, Steve. If you

515
00:33:53,480 --> 00:33:59,440
Speaker 1: could just come back in yep, thank you. Um. Yeah,

516
00:33:59,440 --> 00:34:02,680
Speaker 1: that things dripping, there's so much conversation that it's dripping

517
00:34:02,720 --> 00:34:11,359
Speaker 1: onto my face, my mouth, my mouth. I'll be floor

518
00:34:11,480 --> 00:34:15,600
Speaker 1: on the wall. I've just got to sprayish wall stone. Holy,

519
00:34:16,200 --> 00:34:19,600
Speaker 1: don't march me. I'll be all of the word. So, Steve,

520
00:34:19,680 --> 00:34:22,719
Speaker 1: the problem really occurred when you, Uh, how should I

521
00:34:22,719 --> 00:34:28,680
Speaker 1: put this? Went for second base on air? Um, it

522
00:34:28,760 --> 00:34:31,600
Speaker 1: was on my person. I did it to myself, so right, Yes,

523
00:34:31,719 --> 00:34:35,920
Speaker 1: I didn't suggest otherwise. Still is such a funny way

524
00:34:35,920 --> 00:34:39,160
Speaker 1: of putting it, Vans. I'm very happy to be on

525
00:34:39,200 --> 00:34:42,719
Speaker 1: your show. You're like the cooler TMZ for insiders who

526
00:34:42,760 --> 00:34:49,160
Speaker 1: know what the scoop is. Well, it's great to have you.

527
00:34:49,320 --> 00:34:52,440
Speaker 1: It's great to have you. Sorry, I was checking my messages.

528
00:34:56,400 --> 00:34:59,240
Speaker 1: It's okay, thank you for having me on. You obviously

529
00:34:59,280 --> 00:35:02,080
Speaker 1: know I'm a very important person with very big projects

530
00:35:02,920 --> 00:35:06,160
Speaker 1: and very smart. You know. Uh, one of the more

531
00:35:06,680 --> 00:35:11,000
Speaker 1: you know, genius people, an idea person working on in Hollywood.

532
00:35:11,080 --> 00:35:15,640
Speaker 1: Right now, tell us about siblings, your new project. Yeah,

533
00:35:15,680 --> 00:35:19,759
Speaker 1: so siblings, um, come from a real life interaction that

534
00:35:19,800 --> 00:35:23,239
Speaker 1: happened on real life air. So siblings are people who

535
00:35:23,239 --> 00:35:26,760
Speaker 1: are have the same parents and also multiple personality disorder. Right,

536
00:35:26,880 --> 00:35:34,839
Speaker 1: and that's the scene too. Seen three comes to us

537
00:35:34,840 --> 00:35:40,760
Speaker 1: some Patreon alcmania Nicholas Makauer, who wrote Hi keV the Chef.

538
00:35:41,520 --> 00:35:44,280
Speaker 1: In one of the previous episodes, Craig asked us fans

539
00:35:44,320 --> 00:35:47,520
Speaker 1: to get some cheddar going on Reddit to promote the

540
00:35:47,560 --> 00:35:51,479
Speaker 1: show Food for Thought by Craig Craig the Kakowski. He's

541
00:35:51,520 --> 00:35:55,840
Speaker 1: the funny one, I say, unsurpassed with battling with cheese

542
00:35:55,880 --> 00:36:02,680
Speaker 1: related sentiment, A giant of utter brilliance and incurred anyhow

543
00:36:03,040 --> 00:36:08,359
Speaker 1: seen please stand it? Backed by two Germans and one

544
00:36:08,520 --> 00:36:14,000
Speaker 1: goat takes Broadway by storm best Nicholas. We're going to

545
00:36:14,120 --> 00:36:19,720
Speaker 1: see the act at some point. Yeah, just the goat.

546
00:36:19,920 --> 00:36:23,879
Speaker 1: We just need to get the goat right and when

547
00:36:23,920 --> 00:36:26,920
Speaker 1: with that security stop us from bringing the goat in.

548
00:36:27,040 --> 00:36:29,680
Speaker 1: So we just need to get that. If you better

549
00:36:29,960 --> 00:36:34,240
Speaker 1: get our goat inside, why don't you just pretend? Yeah,

550
00:36:34,280 --> 00:36:38,879
Speaker 1: how much is the goat really contributing houdibly? I mean,

551
00:36:38,880 --> 00:36:42,520
Speaker 1: it's a lot to go so much I can pretend

552
00:36:42,520 --> 00:36:45,600
Speaker 1: to be a goal I took a movement. I was

553
00:36:45,920 --> 00:36:48,800
Speaker 1: I was gonna say that for myself, and now you

554
00:36:48,840 --> 00:36:50,320
Speaker 1: said it first, so I guess that you're ideas. So

555
00:36:50,360 --> 00:36:53,520
Speaker 1: now you're on Broadway. Okay, Kenny, are you mad at me?

556
00:36:53,600 --> 00:37:01,560
Speaker 1: He's mad at me? First? Just a freaking idea that

557
00:37:01,680 --> 00:37:09,600
Speaker 1: was sounded like a dog opening or maybe some kind

558
00:37:09,600 --> 00:37:12,560
Speaker 1: of I'm sorry, listen, this production has brought a lot

559
00:37:12,640 --> 00:37:15,920
Speaker 1: of stress to the entire production team here. Okay, I'll

560
00:37:15,960 --> 00:37:17,680
Speaker 1: be the first to say it. I know you guys

561
00:37:17,719 --> 00:37:19,359
Speaker 1: are a smash hit all over the world, but this

562
00:37:19,440 --> 00:37:27,800
Speaker 1: is Broadway, this is New York City. Okay, okay, should

563
00:37:27,880 --> 00:37:30,640
Speaker 1: we do something? You know, you guys are great, You're

564
00:37:30,680 --> 00:37:34,799
Speaker 1: doing great. Um, I just need a second to take

565
00:37:34,840 --> 00:37:41,239
Speaker 1: a second. And that was okay. Uh, Fellas, We're gonna

566
00:37:41,320 --> 00:37:44,600
Speaker 1: let Lydia do the goat part, and then I don't

567
00:37:44,640 --> 00:37:47,399
Speaker 1: know that we can have Lydia be the gold Why not,

568
00:37:48,719 --> 00:37:50,960
Speaker 1: let's try. Don't see what it's like. I'll get on

569
00:37:50,960 --> 00:37:56,440
Speaker 1: all fours far because this is what I'm talking too.

570
00:37:56,520 --> 00:37:59,680
Speaker 1: Does no one know what the goat is? This is crazy?

571
00:38:00,120 --> 00:38:02,160
Speaker 1: That man is makes just sound like a dows opening

572
00:38:02,320 --> 00:38:07,120
Speaker 1: and you're going to park like a dog. Just okay,

573
00:38:07,960 --> 00:38:16,200
Speaker 1: bar the goat scream? They scream here. That's not a

574
00:38:16,280 --> 00:38:20,680
Speaker 1: goat sound. It's like a siren sound. Okay, let's get

575
00:38:20,680 --> 00:38:23,920
Speaker 1: everybody alright, production, Let's get ready. Let's get places where

576
00:38:23,920 --> 00:38:26,719
Speaker 1: gonna go. Teas and bees. Okay, teas and bees, that's

577
00:38:26,760 --> 00:38:30,600
Speaker 1: tops and bottoms. Everybody noticed that. Yeah, okay, that's for

578
00:38:30,640 --> 00:38:35,600
Speaker 1: everybody here. That fellow, Bay, I just need a little

579
00:38:35,640 --> 00:38:38,040
Speaker 1: bit of the act. Yeah, but the goat is a

580
00:38:38,080 --> 00:38:42,839
Speaker 1: huge again, this is you know, we have a huge

581
00:38:43,200 --> 00:38:46,880
Speaker 1: I'm ready to go. I need to talk to my

582
00:38:46,920 --> 00:38:49,359
Speaker 1: partner for a second before begin. I just talked to

583
00:38:49,360 --> 00:38:53,600
Speaker 1: talk about this specifically, how much of the act is

584
00:38:53,640 --> 00:38:56,640
Speaker 1: the goat not speaking? And can we see even if

585
00:38:56,680 --> 00:39:03,320
Speaker 1: it's a minute, can we see that gunta the whole

586
00:39:03,320 --> 00:39:05,640
Speaker 1: time the goat is talking. I wish they would just

587
00:39:05,719 --> 00:39:08,319
Speaker 1: let us bring the goat in. The goat is a

588
00:39:08,320 --> 00:39:10,120
Speaker 1: really big part of it. I mean, I don't think

589
00:39:10,160 --> 00:39:12,160
Speaker 1: BP here if it wasn't about the are we talking

590
00:39:12,160 --> 00:39:14,960
Speaker 1: to YouTube? Apparently the goats the fucking star of the show.

591
00:39:15,239 --> 00:39:17,800
Speaker 1: Good luck looking with the fucking goal because well, the

592
00:39:17,880 --> 00:39:21,080
Speaker 1: ones trained goat, I bet you you'd get in real

593
00:39:21,120 --> 00:39:23,440
Speaker 1: big trouble. And first of all, this is a conversation

594
00:39:23,560 --> 00:39:30,080
Speaker 1: with me and my friend, So maybe listen. I understand

595
00:39:30,160 --> 00:39:33,439
Speaker 1: that you are customs, Okay, you are this whole thing

596
00:39:33,520 --> 00:39:37,240
Speaker 1: and whatever. I'm a Broadway producer. Does that mean anything

597
00:39:37,239 --> 00:39:42,560
Speaker 1: to you? Uh? Yeah? Yeah, I mean I I see

598
00:39:42,560 --> 00:39:45,200
Speaker 1: some Broadway shows. You don't you know what's the last

599
00:39:45,200 --> 00:39:50,600
Speaker 1: show you saw? I like the jukebox musicals. Yeah, those

600
00:39:50,600 --> 00:39:53,680
Speaker 1: are those are important. Those are important. I took my

601
00:39:53,760 --> 00:39:56,960
Speaker 1: daughter to say beautiful the Carol King's Story, Oh yeah,

602
00:39:56,960 --> 00:40:00,920
Speaker 1: oh yeah, yeah yeah. So I imagine, imagine you were

603
00:40:00,920 --> 00:40:03,759
Speaker 1: going to see a production of Jersey Boys. Let's say, okay,

604
00:40:04,719 --> 00:40:07,000
Speaker 1: but one of the one of the four seasons, Frankie

605
00:40:07,040 --> 00:40:08,759
Speaker 1: Valley in the four seasons, big fan, So what if

606
00:40:08,760 --> 00:40:13,480
Speaker 1: Frankie Valley wasn't there, but the show still go on? No? Well,

607
00:40:13,520 --> 00:40:16,200
Speaker 1: I mean it's a guy playing Freaky Valley. Is that

608
00:40:16,320 --> 00:40:21,400
Speaker 1: you're saying? Well, what I'm saying is this goat Frankie Valley.

609
00:40:22,239 --> 00:40:28,759
Speaker 1: I'm just saying the goat. Is this acts Frankie? You're

610
00:40:28,760 --> 00:40:34,399
Speaker 1: giving out the Tony Awards right now? Yeah, I got

611
00:40:34,400 --> 00:40:39,320
Speaker 1: the Tony. I thought you said Burtis not Burtis. No,

612
00:40:39,480 --> 00:40:41,440
Speaker 1: I mean you can know too. I mean, I'm screaming

613
00:40:41,440 --> 00:40:45,120
Speaker 1: into the void here, but I'm talking to Curtis Burtis

614
00:40:45,239 --> 00:40:48,160
Speaker 1: to Burtis. Enjoy your break, man, I don't know. You

615
00:40:48,200 --> 00:40:53,080
Speaker 1: guys always talked about the best stuff when I'm on break. So, Burtish,

616
00:40:53,080 --> 00:40:55,520
Speaker 1: you have two hours for luncheon. You just hang around here.

617
00:40:55,520 --> 00:41:03,000
Speaker 1: What are you doing? Damn thing? What do you say?

618
00:41:03,400 --> 00:41:05,040
Speaker 1: What do you say? Can I get that goat? Can

619
00:41:05,040 --> 00:41:08,600
Speaker 1: we get Richie Valley the goat out of there? Well? Look,

620
00:41:09,160 --> 00:41:13,000
Speaker 1: every farm animal that crosses into this country has to

621
00:41:13,080 --> 00:41:16,879
Speaker 1: undergo a mandatory two week quarantine. Well what what if?

622
00:41:16,960 --> 00:41:20,439
Speaker 1: What if this goat made you laugh or made you cry?

623
00:41:20,520 --> 00:41:29,760
Speaker 1: This is a performing goat? Well yeah, yeah, have you

624
00:41:30,120 --> 00:41:33,319
Speaker 1: so reasonable about this? I love this. I mean I'd

625
00:41:33,440 --> 00:41:38,000
Speaker 1: rather laugh than cry, to be honest. All right, Okay,

626
00:41:38,040 --> 00:41:42,000
Speaker 1: so you want some light some light material that you're saying, yeah, okay,

627
00:41:42,200 --> 00:41:44,840
Speaker 1: I'll tell you what. I'll give this got thirty seconds

628
00:41:44,880 --> 00:41:47,960
Speaker 1: to make me laugh. And I'm not talking just like

629
00:41:48,120 --> 00:41:52,640
Speaker 1: mild chuckle or a smile. I'm talking to belly laugh. Okay, okay,

630
00:41:53,120 --> 00:41:55,960
Speaker 1: all right, I'm unlocking the cage. Okay, Well, let me

631
00:41:56,000 --> 00:42:00,400
Speaker 1: get his his two is partners, gentlemen, gentlemen, Wait, so

632
00:42:00,440 --> 00:42:03,680
Speaker 1: he needs the partners in order to be funny. I

633
00:42:03,760 --> 00:42:09,839
Speaker 1: just want to make sure he's saying, no, he's got it. Okay,

634
00:42:09,920 --> 00:42:17,160
Speaker 1: all right, releasing goat cage. Hey, tough guy who works

635
00:42:17,600 --> 00:42:22,840
Speaker 1: here and customers, you're a badass. What do you think

636
00:42:23,080 --> 00:42:39,680
Speaker 1: of me? He sounded just like William Shatter that's incredible.

637
00:42:39,880 --> 00:42:43,560
Speaker 1: Did you say We did not say Paris, We said shatter.

638
00:42:46,280 --> 00:42:52,319
Speaker 1: Take your break. Okay, um, how many room? How many

639
00:42:52,320 --> 00:42:55,640
Speaker 1: beds did you need in this room? I um for

640
00:42:55,760 --> 00:42:59,279
Speaker 1: going to need um two beds and then like a

641
00:42:59,320 --> 00:43:07,160
Speaker 1: bail of hay, bail of hey, terrific, enjoy your day.

642
00:43:08,480 --> 00:43:10,400
Speaker 1: If we don't even know that work room. I was

643
00:43:10,480 --> 00:43:15,399
Speaker 1: going to the ball boy that can bring a lugga

644
00:43:15,520 --> 00:43:19,560
Speaker 1: up stairs. Hi, sorry for the delay. Can I help you?

645
00:43:19,560 --> 00:43:28,200
Speaker 1: Gentlemen the front from the front desk manager got you

646
00:43:28,520 --> 00:43:32,960
Speaker 1: get out of here, you freaky creep. Just sorry, No, no,

647
00:43:34,480 --> 00:43:36,640
Speaker 1: there's this pervert who wants to know how many how

648
00:43:36,640 --> 00:43:45,000
Speaker 1: many beds people in the room? Okay, everything security, security,

649
00:43:45,800 --> 00:43:48,480
Speaker 1: stop that PV that coat. Okay, Well we gotta get out.

650
00:43:48,520 --> 00:43:53,560
Speaker 1: We've got to get downstairs. First, don't, don't, don't, don't, don't,

651
00:43:53,600 --> 00:44:05,480
Speaker 1: don't don't. Which way do you go? World, I'm going

652
00:44:06,840 --> 00:44:10,239
Speaker 1: you're working too many jobs. I thought it was a

653
00:44:10,360 --> 00:44:14,920
Speaker 1: break here security, You're not a break. You're working on

654
00:44:15,719 --> 00:44:19,240
Speaker 1: what's going on in God? Just stolen? Please? Okay? Which

655
00:44:19,520 --> 00:44:29,000
Speaker 1: way did it? Though I don't speak the speaking English,

656
00:44:29,000 --> 00:44:35,040
Speaker 1: curtise German actions and my partner has some of Norwegian German.

657
00:44:35,480 --> 00:44:39,880
Speaker 1: I don't understand a word coming out of his. Seriously,

658
00:44:39,920 --> 00:44:42,720
Speaker 1: you don't just speak any other language. I speak twenty

659
00:44:42,760 --> 00:44:45,319
Speaker 1: other languages. I work in customs, thank you very much.

660
00:44:45,360 --> 00:44:48,440
Speaker 1: But that's how it goes. So you'd understand me if

661
00:44:48,440 --> 00:44:51,160
Speaker 1: I spoke German. Got me through a moment, got to

662
00:44:51,200 --> 00:44:58,240
Speaker 1: go New York City, Go to New York. See that's

663
00:44:58,239 --> 00:45:06,600
Speaker 1: a cab. I'm walking here. That that's stereotype. I wanted

664
00:45:06,680 --> 00:45:14,480
Speaker 1: to Okay, this is my apartment. Goat. Yeah right, it's

665
00:45:14,520 --> 00:45:17,840
Speaker 1: a little baby. What are you doing here with the gun?

666
00:45:21,320 --> 00:45:23,960
Speaker 1: Will you marry me? Yeah? And you want me to

667
00:45:24,000 --> 00:45:30,960
Speaker 1: wear this goat on my finger somewhere. I don't mean

668
00:45:31,000 --> 00:45:39,399
Speaker 1: they interrupt, but she's fine. You couldn't take a fucking walk.

669
00:45:39,600 --> 00:45:44,879
Speaker 1: That's hilarious. Arious, okay, so funny. So who was that?

670
00:45:45,200 --> 00:45:47,680
Speaker 1: I think you should leave. I think you should leave.

671
00:45:47,760 --> 00:45:50,920
Speaker 1: This goat seems like he has personality, he has style,

672
00:45:51,040 --> 00:45:58,720
Speaker 1: he has class. Who are who is that? Okay, honey,

673
00:45:58,760 --> 00:46:01,040
Speaker 1: I can't promise this will be as good as beautiful

674
00:46:01,120 --> 00:46:04,360
Speaker 1: the Carol King's story. But two Germans, one goat is

675
00:46:04,400 --> 00:46:06,759
Speaker 1: the hottest ticket in town. And you know it was

676
00:46:06,800 --> 00:46:09,960
Speaker 1: a free gift I got at the customs desk. So Dad,

677
00:46:10,040 --> 00:46:13,400
Speaker 1: I'm just happy to spend time with you, honestly. Yeah,

678
00:46:13,719 --> 00:46:18,800
Speaker 1: going okay with your Sorry, guys, this is about to start.

679
00:46:19,160 --> 00:46:21,680
Speaker 1: It's about this start. That's the boy that hasn't started.

680
00:46:21,719 --> 00:46:28,080
Speaker 1: My God, please Jesus fucking Christ. Going okay with your

681
00:46:28,320 --> 00:46:32,720
Speaker 1: your mom and your stepfather. Yeah, everything's great. They're actually

682
00:46:32,760 --> 00:46:36,560
Speaker 1: like planning this whole two months trip to Italy and whatnot,

683
00:46:36,760 --> 00:46:39,839
Speaker 1: so it's it's gonna be really exciting for them. It's

684
00:46:39,880 --> 00:46:47,719
Speaker 1: their tenure. Anniverse to two German one go at the

685
00:46:47,800 --> 00:46:53,879
Speaker 1: forty second Street Theater. We can't go on. We don't

686
00:46:53,920 --> 00:46:56,520
Speaker 1: have a goat and don't know what to do. Maybe

687
00:46:56,560 --> 00:46:58,399
Speaker 1: we should take that girl up and being the bark

688
00:46:58,480 --> 00:47:04,800
Speaker 1: and silence the show, right, This is just like the

689
00:47:04,800 --> 00:47:07,919
Speaker 1: pre show announcement, so I can keep connecting with my daughter.

690
00:47:08,400 --> 00:47:11,680
Speaker 1: Ye connect I can't, That's what he said. I don't

691
00:47:11,680 --> 00:47:17,880
Speaker 1: wrote street wrong. You're talking to freaking loud. The announcement

692
00:47:17,880 --> 00:47:19,840
Speaker 1: that the people do before the show starts, like sound

693
00:47:19,880 --> 00:47:22,120
Speaker 1: your phone, stop talking, unwrap your candy. And now I

694
00:47:22,160 --> 00:47:23,160
Speaker 1: don't know what to do. I don't know how to

695
00:47:23,160 --> 00:47:25,000
Speaker 1: do because I couldn't here because you guys are screaming

696
00:47:25,000 --> 00:47:30,200
Speaker 1: in front of me theater, that famous Broadway theater. Not

697
00:47:30,239 --> 00:47:33,640
Speaker 1: the same when you say a piece of ship. Well relax,

698
00:47:34,040 --> 00:47:40,560
Speaker 1: shut the funk up, you young bitch. The show alright,

699
00:47:43,120 --> 00:47:49,680
Speaker 1: that is literally our show today. I just think the

700
00:47:49,760 --> 00:47:54,719
Speaker 1: listeners are much better off never seeing this show. Let's

701
00:47:54,719 --> 00:47:57,080
Speaker 1: take all of our alchemists. You're starting with the fabulous

702
00:47:57,080 --> 00:48:04,000
Speaker 1: Caroline Cutter. Yeah, thank you, thank you so much. How's

703
00:48:04,080 --> 00:48:07,840
Speaker 1: the podcast going that you were? Sure? Um, pretty bad

704
00:48:07,880 --> 00:48:10,480
Speaker 1: and kind of crazy, so you guys should listen to it.

705
00:48:10,480 --> 00:48:18,480
Speaker 1: It's called Carter core m. It is called that yep, okay,

706
00:48:19,440 --> 00:48:24,399
Speaker 1: and please enjoy the rest of your Wednesday. Thank you. Yeah,

707
00:48:25,280 --> 00:48:31,840
Speaker 1: Chris Alvarado, how's your new podcast going? Great? Really fun? Um? Sure,

708
00:48:32,040 --> 00:48:36,279
Speaker 1: I think who knows? Right? Yeah, that's that's right. There's

709
00:48:36,280 --> 00:48:40,840
Speaker 1: no way to find out. No, um. The comedy is

710
00:48:40,880 --> 00:48:45,759
Speaker 1: the name the Comedy Fix, Comedy Fix where I want

711
00:48:45,760 --> 00:48:50,440
Speaker 1: to think? I wanna listen to the Carolines podcast today. Yeah,

712
00:48:50,960 --> 00:48:53,960
Speaker 1: apparently it's really hard to find, but yeah, good luck.

713
00:48:55,680 --> 00:48:58,799
Speaker 1: I need to find that. I can hit up Joey Joey. Yeah,

714
00:48:58,840 --> 00:49:01,360
Speaker 1: he's got the deets for me. M I hope you

715
00:49:01,640 --> 00:49:03,879
Speaker 1: speaking of Joey, thank you. How's your new podcast going?

716
00:49:05,040 --> 00:49:07,719
Speaker 1: It's great. It's actually a combination of Caroline and Chris Is.

717
00:49:08,560 --> 00:49:12,920
Speaker 1: It's the comedy core and uh we get down right

718
00:49:12,920 --> 00:49:14,400
Speaker 1: into the mix of stuff that we don't really give

719
00:49:14,400 --> 00:49:19,200
Speaker 1: a shit about and uh yeah, who cares? It's great.

720
00:49:19,640 --> 00:49:23,919
Speaker 1: Who gives its great great pitch? So yeah, what's that stitcher? Yeah,

721
00:49:24,080 --> 00:49:27,200
Speaker 1: he'll be with you in a second. James Heeney, thank you.

722
00:49:27,280 --> 00:49:32,120
Speaker 1: How's your new podcast going? My podcast is going really good.

723
00:49:34,520 --> 00:49:36,719
Speaker 1: But if if it's not too much trouble, I'd like

724
00:49:36,760 --> 00:49:39,400
Speaker 1: to promote something that's not a podcast. Well it is

725
00:49:39,400 --> 00:49:45,200
Speaker 1: a podcast office, but it's our podcast. April, it's five

726
00:49:45,400 --> 00:49:51,239
Speaker 1: thirty Pacific time. We're gonna be in the Austin Sketch Fest. Now.

727
00:49:51,280 --> 00:49:54,480
Speaker 1: I'm sure that Austin Sketch Fest has amazing other shows

728
00:49:54,480 --> 00:49:56,560
Speaker 1: that you can check out, and I suggest that you do.

729
00:49:56,760 --> 00:50:01,560
Speaker 1: But on aprim a big time helped me. This is

730
00:50:01,600 --> 00:50:04,640
Speaker 1: going to be doing a live show. Yeah, it's our

731
00:50:04,680 --> 00:50:10,319
Speaker 1: first second, excuse me, second festival. Yeah, uh yeah, very

732
00:50:10,360 --> 00:50:14,319
Speaker 1: cool and thanks that helps me. Segway right to the

733
00:50:14,480 --> 00:50:18,600
Speaker 1: fine fellow who brought us to or we'll be bringing

734
00:50:18,680 --> 00:50:21,399
Speaker 1: us to Austin. That's right. I got the show biz

735
00:50:21,480 --> 00:50:29,800
Speaker 1: connections literally wire to get us into a midsized comedy

736
00:50:29,840 --> 00:50:35,520
Speaker 1: festival in the midsize city. Yeah. Also one jab down,

737
00:50:35,920 --> 00:50:37,960
Speaker 1: one more jab to go by the time this podcast

738
00:50:38,040 --> 00:50:42,040
Speaker 1: come out, and would have gotten both facts. And so

739
00:50:42,160 --> 00:50:44,319
Speaker 1: happy for you man getting the fights are in the

740
00:50:44,320 --> 00:50:47,719
Speaker 1: one arm. Darn in the think it works that way,

741
00:50:47,960 --> 00:50:53,040
Speaker 1: j J up to Schnooker. All right, well let's uh

742
00:50:53,880 --> 00:50:56,399
Speaker 1: tell our producer and engineer of the stars, Mr Doug Bam,

743
00:50:56,400 --> 00:51:01,239
Speaker 1: how much we missed him. I'm hearing a horrible echo,

744
00:51:01,400 --> 00:51:04,960
Speaker 1: so I definitely missed him. And for those of you

745
00:51:05,000 --> 00:51:07,000
Speaker 1: who joined us, thank you so much. Please tell everyone

746
00:51:07,000 --> 00:51:08,959
Speaker 1: you ever met right a review rate the damn show.

747
00:51:09,000 --> 00:51:10,880
Speaker 1: We just love to hear from you. I loved reading

748
00:51:10,920 --> 00:51:15,719
Speaker 1: your emails. Please stay involved with the show. We we

749
00:51:16,040 --> 00:51:18,160
Speaker 1: greatly appreciate it. And by well, of course, I mean

750
00:51:19,120 --> 00:51:21,960
Speaker 1: me until next time. Please wear amasking and be kind

751
00:51:22,000 --> 00:51:23,839
Speaker 1: to everyone you know and