1 00:00:00,160 --> 00:00:03,600 Speaker 1: You see how the Peabody's trying to play me. News category, 2 00:00:03,840 --> 00:00:07,520 Speaker 1: news category. Man, what I do is harder than the news. 3 00:00:08,039 --> 00:00:11,200 Speaker 1: The news could never be me. Never they wish they 4 00:00:11,200 --> 00:00:13,560 Speaker 1: could be me. I'm on a whole other level, a 5 00:00:13,600 --> 00:00:17,439 Speaker 1: whole other level what I do. What I do is art, 6 00:00:18,520 --> 00:00:21,840 Speaker 1: and I am an artist, and I'm the best at it. 7 00:00:22,160 --> 00:00:26,400 Speaker 1: I'm the greatest. I'm the billy go yo, man. They 8 00:00:26,400 --> 00:00:29,320 Speaker 1: don't know, they don't know. I can make any news 9 00:00:29,360 --> 00:00:33,200 Speaker 1: story in the art. Any news story can be art. 10 00:00:33,320 --> 00:00:38,000 Speaker 1: All all news does it gives you what happened? I 11 00:00:38,159 --> 00:00:41,720 Speaker 1: make you feel something. I give you emotion. I make 12 00:00:41,760 --> 00:00:44,879 Speaker 1: you emote. I can make any news story in the art. 13 00:00:45,000 --> 00:00:47,199 Speaker 1: Give me a headline. Give me a headline, right now, Sampson, 14 00:00:47,320 --> 00:00:54,720 Speaker 1: give me a headline. Oh yeah, yeah, okay, headlines just 15 00:00:55,520 --> 00:00:59,520 Speaker 1: open up Apple News, Apple News head just in their 16 00:00:59,560 --> 00:01:05,840 Speaker 1: head any headline, any headline. Uh okay, our first headline, 17 00:01:07,480 --> 00:01:13,759 Speaker 1: headline number one little to no fraud reported among US 18 00:01:13,880 --> 00:01:23,520 Speaker 1: rental assistance programs, indicating huge cover up. Next, Oh yeah, 19 00:01:23,600 --> 00:01:28,319 Speaker 1: you're you're okay, okay, alright, let's see what okay, Yeah 20 00:01:28,640 --> 00:01:32,600 Speaker 1: you just said. Yeah, your broad definition of art. It's 21 00:01:32,640 --> 00:01:38,199 Speaker 1: just anything that makes you feel Stuffing news is just objectivity, 22 00:01:38,280 --> 00:01:40,520 Speaker 1: so you just put whatever you want in there to 23 00:01:40,600 --> 00:01:46,959 Speaker 1: make people feel angry. Okay, yeah. Headline number two minor 24 00:01:47,120 --> 00:01:53,760 Speaker 1: butterflies return to California so liberals can try to register 25 00:01:53,880 --> 00:01:59,800 Speaker 1: them as illegal voters. Next. Yeah, okay, that's alright. I 26 00:02:00,120 --> 00:02:06,160 Speaker 1: imagine that article right now. Headline number three, Bill Gates 27 00:02:06,240 --> 00:02:13,480 Speaker 1: says vaccines could improve child mortality free and parents and 28 00:02:13,639 --> 00:02:19,560 Speaker 1: underdeveloped nations to have less children. Bill Gates wishes ship 29 00:02:19,720 --> 00:02:25,520 Speaker 1: children with dead comma pushes baby killing vaccine. Yo. Yo, 30 00:02:25,840 --> 00:02:28,760 Speaker 1: the ship is too easy, son, The ship is too 31 00:02:28,800 --> 00:02:34,120 Speaker 1: easy for me. I'm the greatest boars. I ship gold bars, 32 00:02:34,240 --> 00:02:43,560 Speaker 1: baby gold bars. I should gold gold. Omar accurate his 33 00:02:43,639 --> 00:02:47,600 Speaker 1: reports kill Biden doesn't. White. The Christian pythologist from Laria 34 00:02:47,680 --> 00:02:51,000 Speaker 1: Crines claims of raising increasing earthquake is being correctly caused 35 00:02:51,040 --> 00:02:53,120 Speaker 1: by an increase of rock and roll. He is a eleven. 36 00:02:53,360 --> 00:02:56,240 Speaker 1: In a new interview with omar Acure News, Dr Fauci 37 00:02:56,360 --> 00:02:59,720 Speaker 1: refuses to take responsibility for nine eleven. He says it 38 00:02:59,840 --> 00:03:02,000 Speaker 1: me because he had nothing to do with it. Will 39 00:03:02,080 --> 00:03:11,680 Speaker 1: let you decide. Following his initial disappointment about having to 40 00:03:11,720 --> 00:03:15,720 Speaker 1: be placed in the news category for the peabodies. Amri 41 00:03:16,480 --> 00:03:20,079 Speaker 1: seems to have come around on the idea. After surveying 42 00:03:20,080 --> 00:03:24,760 Speaker 1: the landscape. He now feels that this actually gives him 43 00:03:24,760 --> 00:03:30,200 Speaker 1: an advanton the Washington Post PPS news out what everyone 44 00:03:30,360 --> 00:03:33,760 Speaker 1: circles around them. I want circles around him. They're so boring. 45 00:03:34,080 --> 00:03:36,200 Speaker 1: They'll be boring me to death. They bore my grandma 46 00:03:36,280 --> 00:03:39,640 Speaker 1: to death. I want circles around him. It's exactly, yo, 47 00:03:39,920 --> 00:03:41,840 Speaker 1: you know what this is like. You know what this 48 00:03:41,920 --> 00:03:45,640 Speaker 1: is like? Huh you know what this is like. It's 49 00:03:45,640 --> 00:03:50,120 Speaker 1: exactly the same thing as putting Nurse Jackie in the 50 00:03:50,240 --> 00:03:58,240 Speaker 1: comedy category at the Golden Globes. Oh what look, just 51 00:03:58,280 --> 00:04:01,760 Speaker 1: stay with me. You know about is Jackie? Nurse Jackie? 52 00:04:02,160 --> 00:04:06,560 Speaker 1: You know? Uh in the drama category? Is not necessarily 53 00:04:06,600 --> 00:04:11,119 Speaker 1: wanted to go up against the sopranos, you know, the Sopranos. 54 00:04:11,160 --> 00:04:14,520 Speaker 1: That's a heavy hitter. But you might feel more comfortable 55 00:04:14,960 --> 00:04:19,960 Speaker 1: going up against the big bank theory. So you know this, 56 00:04:19,960 --> 00:04:24,400 Speaker 1: this is exactly, This is exactly it. Yeah, yeah, yeah, 57 00:04:24,560 --> 00:04:27,800 Speaker 1: we ain't worry about New York Times winning the last 58 00:04:27,880 --> 00:04:31,839 Speaker 1: five years in a row. They wait, they did what? Yeah? 59 00:04:32,240 --> 00:04:35,920 Speaker 1: They always winning. We don't care about what everybody's say, 60 00:04:35,920 --> 00:04:38,760 Speaker 1: but they always winning, How they're a clear favorite to 61 00:04:38,800 --> 00:04:41,880 Speaker 1: win it again next year. How it's definitely a lock, 62 00:04:42,160 --> 00:04:45,560 Speaker 1: and how they can't look. We gotta change it. Oh yeah, 63 00:04:45,600 --> 00:04:47,800 Speaker 1: there's no way, there's no way we can Winsten. We 64 00:04:47,800 --> 00:04:51,160 Speaker 1: gotta get switched. Oh yeah, we gotta. We gotta get 65 00:04:51,160 --> 00:04:54,479 Speaker 1: switched into the Arts Care Corps. Yeah, yeah, we need 66 00:04:54,480 --> 00:04:58,680 Speaker 1: to get switched. After deciding not to settle for the 67 00:04:58,720 --> 00:05:03,520 Speaker 1: news Categories submission, Amari resorted back to his old tricks. 68 00:05:03,560 --> 00:05:07,480 Speaker 1: Similarly to how he tried to blackmail his old improv 69 00:05:07,600 --> 00:05:12,039 Speaker 1: group into letting him back in by publishing falsehoods I'm 70 00:05:12,040 --> 00:05:14,960 Speaker 1: are decided to use his power to run a smear 71 00:05:14,960 --> 00:05:20,400 Speaker 1: campaign against the Peabodies, except this time, instead of blogging lies, 72 00:05:21,520 --> 00:05:24,800 Speaker 1: he brought up billboards all over New York City claiming 73 00:05:24,880 --> 00:05:29,400 Speaker 1: that the Peabodies are stifling him. They don't say exactly 74 00:05:29,800 --> 00:05:34,800 Speaker 1: how they're stifling him, just that they are and that 75 00:05:34,880 --> 00:05:39,040 Speaker 1: they're ragged. We were with Amar as he checked Twitter 76 00:05:39,320 --> 00:05:51,040 Speaker 1: to gauge how the billboards were being received. Ship, Oh shit, son, 77 00:05:51,640 --> 00:05:55,440 Speaker 1: people leading this up? Son? Yeah, like a breaking and 78 00:05:55,520 --> 00:05:59,560 Speaker 1: egg sewich a bit? No not? What are you? Yeah? 79 00:05:59,720 --> 00:06:05,200 Speaker 1: Like the baking an egg. No, just all right, okay, 80 00:06:05,360 --> 00:06:10,200 Speaker 1: this one says peabodies are rigged. Yeah, okay, I'm loving 81 00:06:10,200 --> 00:06:16,359 Speaker 1: it all right. Let's see, let's see boycott the peabodies. 82 00:06:16,760 --> 00:06:20,880 Speaker 1: They go do a boycott just for me, AMRII accurate 83 00:06:21,040 --> 00:06:25,320 Speaker 1: news deserves a peabody. That's another tweet, yo, yo. I 84 00:06:25,320 --> 00:06:27,480 Speaker 1: gotta jump in here, right. I can't just let the 85 00:06:28,080 --> 00:06:31,720 Speaker 1: Twitter world just not not feel like I abandoned. I 86 00:06:31,760 --> 00:06:34,960 Speaker 1: gotta jump in there right, let them know that. Yeah, yeah, 87 00:06:35,000 --> 00:06:39,680 Speaker 1: you're right, yeah, yeah, Samon. You know You're not just 88 00:06:39,800 --> 00:06:46,440 Speaker 1: like yes man, right, yeah yeah, I'm not just yes man, 89 00:06:46,560 --> 00:06:50,000 Speaker 1: you're okay, because I can't handle yes man. Yeah. I 90 00:06:50,000 --> 00:06:54,800 Speaker 1: mean like I need people around me to be brutally honest. Okay, 91 00:06:55,160 --> 00:06:58,760 Speaker 1: so you know, just just tell me true, let me 92 00:06:59,160 --> 00:07:01,880 Speaker 1: you know, just you can speak up, speaking mind and 93 00:07:02,000 --> 00:07:05,400 Speaker 1: just you know, just tell me what it is. There 94 00:07:05,480 --> 00:07:08,680 Speaker 1: is a terrible idea and it's not gonna work, oh 95 00:07:09,760 --> 00:07:14,920 Speaker 1: unless you hit it with that Amori spinning year right 96 00:07:15,200 --> 00:07:18,320 Speaker 1: right now. That's what I was thinking too, That's what 97 00:07:18,400 --> 00:07:28,400 Speaker 1: I was thinking to Okay, alright, so Twitter, okay, let's 98 00:07:28,400 --> 00:07:34,160 Speaker 1: see what do I Alright, I'll tweet at Peabody's listen 99 00:07:34,920 --> 00:07:42,960 Speaker 1: two the people let Amari accurate News be acknowledged in 100 00:07:43,040 --> 00:07:51,840 Speaker 1: the arts category. Yeah, oh oh, ship people. People are 101 00:07:51,880 --> 00:07:58,240 Speaker 1: responding back. Okay, this one says it's not art, this 102 00:07:58,400 --> 00:08:04,080 Speaker 1: is real life. What no? All right? And I gotta 103 00:08:04,080 --> 00:08:08,840 Speaker 1: respond to that, right, all right? Reply no dot dot dot. 104 00:08:09,320 --> 00:08:21,600 Speaker 1: Amori accurate news is about artistic expression. What all right? 105 00:08:21,640 --> 00:08:25,400 Speaker 1: They just said? Wrong, Amari accurate news is the only 106 00:08:25,960 --> 00:08:32,120 Speaker 1: real news, are you Kidney? Look okay, tweet back. I 107 00:08:32,200 --> 00:08:45,040 Speaker 1: am Amori and I'm telling you it is art there. Okay, 108 00:08:45,480 --> 00:08:52,320 Speaker 1: if you were the real Amari, you know it wasn't. Okay, 109 00:08:52,360 --> 00:09:03,080 Speaker 1: all this is absolutely Amari. Look at my account and 110 00:09:03,480 --> 00:09:08,880 Speaker 1: check mark send ship man. Can you believe it's just 111 00:09:09,000 --> 00:09:11,760 Speaker 1: everybody's trying to play me? Nowaday, everybody's trying to get Okay, 112 00:09:11,840 --> 00:09:17,679 Speaker 1: here we go. Came back h S M D S 113 00:09:17,840 --> 00:09:23,160 Speaker 1: M D as M D s M d Oh so 114 00:09:23,160 --> 00:09:28,600 Speaker 1: so much drip, so much drip? Yeah, all right, to 115 00:09:28,600 --> 00:09:34,120 Speaker 1: be bad, you know it? Yeah? All right? That was 116 00:09:34,160 --> 00:09:40,280 Speaker 1: a positive interation. Not everybody stupid. After a while of this, 117 00:09:41,000 --> 00:09:44,160 Speaker 1: I'm are announced he needed to speak to his readers 118 00:09:44,679 --> 00:09:48,199 Speaker 1: face to face, all right, Samson set up a rally 119 00:09:48,200 --> 00:09:50,920 Speaker 1: in the city. I need to let people know that 120 00:09:51,000 --> 00:09:55,160 Speaker 1: a mari accurate news is not news. What's so hard 121 00:09:55,200 --> 00:09:57,520 Speaker 1: about that to understand? I mean, people are still coming 122 00:09:57,559 --> 00:10:00,719 Speaker 1: at me like the uh it's for real? Like this 123 00:10:00,800 --> 00:10:03,960 Speaker 1: is real ship. It's not real ship. You're not supposed 124 00:10:04,000 --> 00:10:05,960 Speaker 1: to take it. It's just supposed to make you feel 125 00:10:06,240 --> 00:10:09,560 Speaker 1: it's real as far as like the emotion that you feel. 126 00:10:10,160 --> 00:10:12,720 Speaker 1: But just just set the ship up, man, just set 127 00:10:12,720 --> 00:10:15,520 Speaker 1: the ship up. I gotta speak to the people directly 128 00:10:15,760 --> 00:10:19,959 Speaker 1: that read this ship. Uh. No, No, I can't do that. 129 00:10:20,760 --> 00:10:25,040 Speaker 1: I'm not gonna do that. What No, come home, man, 130 00:10:25,160 --> 00:10:28,360 Speaker 1: you got you have to do it, you, I have to. 131 00:10:28,480 --> 00:10:30,120 Speaker 1: I gotta speak to the people. You don't get it. 132 00:10:30,200 --> 00:10:33,160 Speaker 1: I gotta speak straight to the people. No, I can't 133 00:10:33,200 --> 00:10:37,040 Speaker 1: do it. Those fans are crazy and they will kill you. 134 00:10:38,400 --> 00:10:41,640 Speaker 1: Listen to what you just said. If their fans, why 135 00:10:41,640 --> 00:10:46,200 Speaker 1: would they kill me? They love me? Then my fans. Okay, 136 00:10:46,200 --> 00:10:51,439 Speaker 1: that would be a beautiful eulogy. But I'm not doing that. Samson. 137 00:10:52,360 --> 00:10:55,760 Speaker 1: You are going to do this or I Am going 138 00:10:55,800 --> 00:10:58,480 Speaker 1: to smash your dick in a phone book, rip it 139 00:10:58,480 --> 00:11:04,280 Speaker 1: off and use it as a book talk. Damn damn okay, 140 00:11:04,600 --> 00:11:10,920 Speaker 1: all right, yeah, yeah, thank you. Yeah. Only for the books, though, 141 00:11:13,080 --> 00:11:17,600 Speaker 1: what are you yeah? Because if you you ripped my 142 00:11:17,720 --> 00:11:22,280 Speaker 1: dick off and put it in a book, it's gonna 143 00:11:22,760 --> 00:11:24,840 Speaker 1: that book. You ain't gonna be able to read it. 144 00:11:24,880 --> 00:11:27,080 Speaker 1: You ain't gonna be able to read it. You ain't 145 00:11:27,120 --> 00:11:28,720 Speaker 1: gonna be able to read that book with all that 146 00:11:28,800 --> 00:11:36,520 Speaker 1: dick and blood and mm hmm oh, I'll say the books, whatever, man, 147 00:11:36,600 --> 00:11:40,640 Speaker 1: just just do it. Even though he eventually gave in, 148 00:11:41,120 --> 00:11:45,360 Speaker 1: Samson was never comfortable with the idea of addressing fans 149 00:11:45,800 --> 00:11:49,600 Speaker 1: in person and continuing to plead his case for calling 150 00:11:49,600 --> 00:11:55,360 Speaker 1: off the event. If you have any apprehension at all, 151 00:11:56,080 --> 00:12:00,240 Speaker 1: you know you don't have to do this. You out 152 00:12:00,240 --> 00:12:03,000 Speaker 1: of your mind. Look at the size of that crowd, 153 00:12:03,160 --> 00:12:06,120 Speaker 1: just to hear me, just to hear me speak. Yo. 154 00:12:06,600 --> 00:12:08,959 Speaker 1: We don't give them what they want, baby, we don't 155 00:12:09,040 --> 00:12:16,240 Speaker 1: give them what they want. Let's go. Let's go. No no, no, no, no, no, no, 156 00:12:16,240 --> 00:12:23,600 Speaker 1: no no no. Hello Mari Accurate News readers, Yo, what 157 00:12:23,800 --> 00:12:28,640 Speaker 1: a baby. It's me, your boy, as the founder and 158 00:12:28,800 --> 00:12:31,960 Speaker 1: editor in chief. I am real to see so much 159 00:12:31,960 --> 00:12:35,920 Speaker 1: support to have a Mari Accurate News acknowledged as the 160 00:12:36,040 --> 00:12:42,240 Speaker 1: artistic endeavor that it is a mare Accurate news is 161 00:12:42,320 --> 00:12:46,760 Speaker 1: not and will never be just straight news. We're not 162 00:12:46,840 --> 00:12:50,720 Speaker 1: just straight news. We are more than straight news, way 163 00:12:50,760 --> 00:12:55,840 Speaker 1: more than straight news. A Maori accurate news is and 164 00:12:56,000 --> 00:13:05,520 Speaker 1: always will be fake news. What excuse me? What the 165 00:13:05,520 --> 00:13:09,800 Speaker 1: heck are you talking about? Yeah? Yeah, we fake news, baby, 166 00:13:11,000 --> 00:13:15,079 Speaker 1: always have, always will be way better than news with 167 00:13:15,320 --> 00:13:19,480 Speaker 1: fake news? Are is this some sort of joke? No 168 00:13:19,679 --> 00:13:23,440 Speaker 1: jokes here, no joke. Now. We ain't the onion. We're 169 00:13:23,440 --> 00:13:27,360 Speaker 1: not the onion. This is a Marii accurate news. We 170 00:13:27,440 --> 00:13:30,720 Speaker 1: are accurate. We are Mari accurate news. Fake news, Amari 171 00:13:30,760 --> 00:13:33,520 Speaker 1: accurate news fake news. When you hear Mari accurate news, 172 00:13:33,880 --> 00:13:37,760 Speaker 1: you should think fake news. This ship only supposed to 173 00:13:37,880 --> 00:13:41,520 Speaker 1: make me feel something. Okay, all right, you know what. 174 00:13:42,240 --> 00:13:44,120 Speaker 1: I get it now because you said it so many 175 00:13:44,200 --> 00:13:47,200 Speaker 1: times in a row, so I know what's happening here, 176 00:13:47,400 --> 00:13:50,560 Speaker 1: because O Mari would never say these things. You're a 177 00:13:50,559 --> 00:13:54,280 Speaker 1: government clone sent to infiltrate our movement. Yep, you're a clone. 178 00:13:54,840 --> 00:13:57,000 Speaker 1: Look at me, he's a clone. That's a clone. Face, 179 00:13:57,160 --> 00:14:00,240 Speaker 1: not a clone. Now, you can never clone me. You 180 00:14:00,240 --> 00:14:02,520 Speaker 1: can never clone me. Come on, that's what a clone 181 00:14:02,520 --> 00:14:05,120 Speaker 1: would look at him. You can't clue. You can't clone me. 182 00:14:05,240 --> 00:14:07,760 Speaker 1: You can't speak. How could they clone me? Clue? You 183 00:14:07,880 --> 00:14:12,080 Speaker 1: never club clube what? No, No, don't believe her, Do 184 00:14:12,160 --> 00:14:14,280 Speaker 1: not believe her. Say it with me, clone, don't believe 185 00:14:14,280 --> 00:14:16,559 Speaker 1: you gotta believe me. Club You don't believe me. You're 186 00:14:16,559 --> 00:14:18,880 Speaker 1: not a fan of person. You're my fans, Yes they are. 187 00:14:18,880 --> 00:14:21,720 Speaker 1: They're my fans. Now, No, No, they're my fans. No, 188 00:14:21,800 --> 00:14:23,840 Speaker 1: they've always been my fans. I am a real person 189 00:14:23,880 --> 00:14:27,040 Speaker 1: and you are a clubb You're a clue. No, I'm 190 00:14:26,920 --> 00:14:29,080 Speaker 1: a I'm a real person. That's really I'm a real 191 00:14:29,120 --> 00:14:32,480 Speaker 1: person delivered faith news. I'm a real person delivered faith news. 192 00:14:32,600 --> 00:14:34,320 Speaker 1: And if he was a fake news fan, you would 193 00:14:34,400 --> 00:14:37,040 Speaker 1: know about that. Now look at him. Clones can cry too. 194 00:14:37,200 --> 00:14:42,000 Speaker 1: Don't let him believe you. No, no, these are real. No, hey, no, 195 00:14:42,240 --> 00:14:44,480 Speaker 1: do you know for me? You know for me? You 196 00:14:44,640 --> 00:14:48,600 Speaker 1: off the state? No? No clue, no clue, no clue. 197 00:14:51,040 --> 00:14:58,280 Speaker 1: No you know my nick you know my nicko sades 198 00:14:58,760 --> 00:15:17,760 Speaker 1: clap goo uh. Samthing was eventually able to save Mary 199 00:15:18,080 --> 00:15:21,920 Speaker 1: from the crowd with just a broken bone or two, 200 00:15:22,240 --> 00:15:28,440 Speaker 1: but um later at the hospital, Amri had a sober moment, 201 00:15:28,880 --> 00:15:38,520 Speaker 1: sober and somber. M hmm what oh am I? Ah, 202 00:15:38,960 --> 00:15:42,240 Speaker 1: all right, come on, Samthing, we gotta get to the rally. 203 00:15:42,960 --> 00:15:49,160 Speaker 1: We gotta go, We gotta get Uh yeah, no, you 204 00:15:49,200 --> 00:15:53,320 Speaker 1: don't want to do that again. Ah what do you 205 00:15:53,360 --> 00:16:00,760 Speaker 1: mean again? I'm at a hospital? Oh god, my ribs. Yeah, 206 00:16:00,800 --> 00:16:03,280 Speaker 1: what are you talking about again? We already go? What 207 00:16:03,280 --> 00:16:09,760 Speaker 1: what am I doing here? Uh? Yeah, So it didn't 208 00:16:09,880 --> 00:16:15,880 Speaker 1: go as uh plan. You didn't plan to get your 209 00:16:15,960 --> 00:16:24,440 Speaker 1: ass whooped? But uh, that's what happened. Ah, what are 210 00:16:24,440 --> 00:16:27,280 Speaker 1: you talking about? We went there? Why would I get 211 00:16:27,280 --> 00:16:32,160 Speaker 1: my ass? First of all, you're here, yeah yeah, and 212 00:16:32,160 --> 00:16:39,080 Speaker 1: then my fans. Yeah, well the fans got a little excited, 213 00:16:40,120 --> 00:16:46,160 Speaker 1: and uh they showed that excitement in violent ways. So 214 00:16:47,440 --> 00:16:52,000 Speaker 1: now you're a little dinged up and in the hospital 215 00:16:52,760 --> 00:16:58,080 Speaker 1: they said you can't leave, Jill. They get better sides, 216 00:16:59,560 --> 00:17:08,480 Speaker 1: uh as pertaining to your health. H ah, God damn it. Yeah, 217 00:17:09,040 --> 00:17:17,359 Speaker 1: I remember now, I remember what happened. Man. Where did 218 00:17:17,400 --> 00:17:22,160 Speaker 1: I go wrong? Samson? Uh? Probably with all the lies 219 00:17:23,200 --> 00:17:27,280 Speaker 1: and um, honestly, from day one, you know you took 220 00:17:27,320 --> 00:17:32,800 Speaker 1: one wrong step in and followed that up with many 221 00:17:32,880 --> 00:17:41,880 Speaker 1: more bad steps. Yeah, thank you. Samson. H h h all right, 222 00:17:43,520 --> 00:17:47,960 Speaker 1: I just I can't do this anymore. I can't do it. 223 00:17:48,960 --> 00:17:51,560 Speaker 1: I thought I was going on. I thought everybody understood. 224 00:17:53,480 --> 00:17:57,919 Speaker 1: I thought everybody understood. Why can't people just appreciate what 225 00:17:58,040 --> 00:18:02,280 Speaker 1: I do for what it is art. I can see it, 226 00:18:03,200 --> 00:18:06,560 Speaker 1: you can see it. Yeah, I can see it. I 227 00:18:06,600 --> 00:18:09,880 Speaker 1: can see it, But I can also see what they see, 228 00:18:10,640 --> 00:18:15,919 Speaker 1: uh as well? All right, just okay, I know you're 229 00:18:15,960 --> 00:18:19,960 Speaker 1: feeling bad about the yes man stuff from earlier, but 230 00:18:20,560 --> 00:18:27,520 Speaker 1: there is a little too real, buddy. Yeah, I don't know. Man, 231 00:18:28,920 --> 00:18:34,400 Speaker 1: this feels like a crossroads. I gotta I can either 232 00:18:34,560 --> 00:18:38,679 Speaker 1: keep going or give it all up. I think I 233 00:18:38,680 --> 00:18:47,840 Speaker 1: know what I gonna do. Yeah, I gotta give it up. No, no, no, 234 00:18:48,280 --> 00:18:52,040 Speaker 1: I gotta. I have to say. I gotta give it up. 235 00:18:53,840 --> 00:19:00,480 Speaker 1: The business, the the the the awards. Can't in pain, 236 00:19:01,160 --> 00:19:06,199 Speaker 1: the documentary. Uh, just all this, man, it's gotta go. 237 00:19:07,240 --> 00:19:10,560 Speaker 1: I can't keep doing this. This is really you know, 238 00:19:11,359 --> 00:19:15,320 Speaker 1: when it was hurting other people, uh you know, that 239 00:19:15,400 --> 00:19:23,960 Speaker 1: was fine, but ah, now I'm hurt and uh that's serious. 240 00:19:24,880 --> 00:19:32,440 Speaker 1: And uh we gotta take that seriously, don't we. Yeah, yeah, 241 00:19:32,520 --> 00:19:41,560 Speaker 1: we take injuries seriously. So damn man, damn. I know, 242 00:19:42,400 --> 00:19:45,520 Speaker 1: I know, but we'll make it. We'll make it through. 243 00:19:46,880 --> 00:19:51,719 Speaker 1: But for right now, I'm calling it. I'm calling it 244 00:19:51,840 --> 00:20:03,280 Speaker 1: right now. It's over. Oh no, the stop don't mm hmm, 245 00:20:09,320 --> 00:20:15,320 Speaker 1: all right, Sam, let's just let's just calm down next time. 246 00:20:16,359 --> 00:20:20,240 Speaker 1: So this documentary, all the footage, will use it to 247 00:20:20,320 --> 00:20:23,680 Speaker 1: produce an expose on me. Just saw you now it 248 00:20:23,920 --> 00:20:29,080 Speaker 1: would have to be a no holds bar documentary podcast expose. 249 00:20:29,320 --> 00:20:31,360 Speaker 1: No no, no, no no. I don't like that. So 250 00:20:31,880 --> 00:20:34,400 Speaker 1: you had a chance to listen to the whole thing, 251 00:20:34,680 --> 00:20:38,240 Speaker 1: and uh, I'm looking over your comment card, but I 252 00:20:38,280 --> 00:20:41,640 Speaker 1: wanted to hear from you. Uh what'd you think? What'd 253 00:20:41,680 --> 00:20:44,639 Speaker 1: you think? Um, I'm supposed to be honest, right. I 254 00:20:44,920 --> 00:20:45,320 Speaker 1: hated it.