WEBVTT - Mini Crush #127

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>All right, hey, everybody, welcome to Mini Crush Monday. This

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<v Speaker 1>is number two for us of the day, but for

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<v Speaker 1>you it's a week later. How does that work? It's

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<v Speaker 1>time travel, my friend, the magic of podcasting. Um. I

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<v Speaker 1>like the idea of a two for Tuesday, but it's

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<v Speaker 1>a Wednesday, so don't don't, don't hold up? Does not

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<v Speaker 1>hold up? We could do a threefa Wednesday. Oh, I'd

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<v Speaker 1>never mind. I just like the sound. Are you how

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<v Speaker 1>are you doing? You doing about the same, the same

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<v Speaker 1>we were two minutes ago. Yeah, but she dialed me

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<v Speaker 1>back up on Skype. So I feel like there was

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<v Speaker 1>a reset because as as as folks may have may

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<v Speaker 1>recall from last on last week on Mini Crush, Chuck's

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<v Speaker 1>video was out of sync with his audio, really fucking

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<v Speaker 1>with Nol's mind. Man, I requested a reset, and now

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<v Speaker 1>it's beautiful. That's right. Now we are we are in sync.

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<v Speaker 1>Like J C. Chaz what's his name? I don't think

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<v Speaker 1>was he in in sync? Or was he in uh?

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<v Speaker 1>J C? J C chaw Do you see chess? Yeah right,

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<v Speaker 1>I don't even know. I had a zoom call with

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<v Speaker 1>a Backstreet Boy a couple of weeks ago. Pretty cool. Yeah,

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<v Speaker 1>it was a j um. I was able to pass

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<v Speaker 1>his project onto somebody else who was better suited to it.

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<v Speaker 1>But it was a real trip. I'm collecting some real

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<v Speaker 1>cool zoom screenshots, Chuck, it's fine. I had one yesterday

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<v Speaker 1>with the guy's name is Byron Scott. He used to

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<v Speaker 1>play for the l A Lations Byron Scott, just like Legendary.

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<v Speaker 1>He played with Kareem Abdul Jabbar and Ship and like

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<v Speaker 1>coached a bunch as well. He really loved his pitch.

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<v Speaker 1>Just I'm not I can't get into it, but it's like,

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<v Speaker 1>what a cool guy. He was so humble and kind

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<v Speaker 1>and and then I had a call later with Bill Flanagan,

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<v Speaker 1>who was like Bob Dylan's biographer, and it's like written

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<v Speaker 1>all these amazing like rock kind of you know, um

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<v Speaker 1>journalists kind of pieces and books over the years and amazing,

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<v Speaker 1>really really interesting dude, that's so cool. No, I missed

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<v Speaker 1>those days when I was doing more development, but we've

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<v Speaker 1>been so busy with the stuff you should know book

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<v Speaker 1>uh that you can pre order now. Everyone just go

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<v Speaker 1>to stuff you should read books dot com. It's awesome.

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<v Speaker 1>You can preorder it there and get your pre order gift,

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<v Speaker 1>which is a cool custom poster illustrated by our great

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<v Speaker 1>illustrator for the book, Carlie Minardo. And it's coming together nicely. No,

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<v Speaker 1>it looks really fucking great. You're gonna gonah, Yeah, I

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<v Speaker 1>think I told you. We're doing one too for stuff

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<v Speaker 1>they don't you know. It's early, early, early, early early stages.

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<v Speaker 1>But we we we were included in that whole whole rollout,

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<v Speaker 1>which I'm excited about. It's a lot of work, nol.

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<v Speaker 1>I can only imagine turns out right in the books.

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<v Speaker 1>A lot of work, even if you have help writing

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<v Speaker 1>the book, and we do. We have a co author

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<v Speaker 1>named Nils Parker, who is awesome, and it's still a

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<v Speaker 1>lot of work. Yep, I've met Nels, but yeah, you

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<v Speaker 1>met Nels. He's great. Love that guy. He does a

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<v Speaker 1>movie writing and stuff too. Movie writing, yeah, like punch

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<v Speaker 1>ups and rewrites, and I'm sure he has his own

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<v Speaker 1>originals out there as well. But book writing and movie writing,

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<v Speaker 1>book writing and movie right, and he's a real two

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<v Speaker 1>for I love it. So No, we're gonna go ahead

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<v Speaker 1>and jump in because we have a few pieces of

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<v Speaker 1>material to deliver to the masses, the small masses. I

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<v Speaker 1>asked the crushers what movie b I O, P I

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<v Speaker 1>C biopic? Biopic? What movie biopic would you most like

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<v Speaker 1>to see? And who plays the leads? You got anyone

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<v Speaker 1>that you can think of, nol that you'd like to

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<v Speaker 1>see a movie about that. I think I've said on

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<v Speaker 1>the show before. That's I don't really, that's not my thing.

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<v Speaker 1>That's right, you people, I don't. I don't hate it

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<v Speaker 1>just takes a lot for me to really get into

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<v Speaker 1>one of those. I really did like Bohemian Rhapsody quite

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<v Speaker 1>a lot though, actually despite this this terrible gaudy teeth

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<v Speaker 1>that he had rocking. But I really enjoyed the movie

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<v Speaker 1>a lot. And you know, it doesn't have to be music.

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<v Speaker 1>It can be a like do you hate all of history?

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<v Speaker 1>Do you hate h do you hate every historical figure? Goodness, Chuck, Um,

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<v Speaker 1>I really liked Downfall, which was the great Bruno Ganz

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<v Speaker 1>playing Adolph Hitler. Um, that's a real good yeah, man,

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<v Speaker 1>I still need to I need to see that. Oh

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<v Speaker 1>that one is good, dude. It's right. So you like

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<v Speaker 1>the only biopics you like her about Hitler? Okay, that's

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<v Speaker 1>exactly what I said. And cool. Isn't there a Bowie

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<v Speaker 1>one coming out that's like like like a real deal,

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<v Speaker 1>like like a weak thing. I don't know I'd be

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<v Speaker 1>into that. Yeah, I mean I'll see all those I

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<v Speaker 1>like biopics. They cast somebody that would looked interesting. I

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<v Speaker 1>can't remember who he was, but he was somebody had

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<v Speaker 1>seen another stuff. Speaking of that, we're doing in developing

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<v Speaker 1>currently a biopod series about the the Space Invader himself,

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<v Speaker 1>Mr Mr David Bowie. He's not the space Invader. I

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<v Speaker 1>made that up. He's the what do they call him? Think?

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<v Speaker 1>He started us? Zink he started us? But like the

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<v Speaker 1>man who felt, yeah, whatever, it's just it's no. He

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<v Speaker 1>kind of says that doesn't he say I'm a space invade. Okay,

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<v Speaker 1>my mama, Papa coming for you, he says, it doesn't say.

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<v Speaker 1>A show about it is a single voice narrative biopod series.

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<v Speaker 1>It's gonna be about sixteen episodes, roughly um hosted and

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<v Speaker 1>narrated and written by the amazing Jordan run Tug, who

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<v Speaker 1>does our show Rivals, which, if you haven't listened to

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<v Speaker 1>Chuck you you gotta check it out. Rivals is about

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<v Speaker 1>the greatest beefs in music history. And like the last

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<v Speaker 1>episode they did was about Billy Corgan versus Stephen Malcolmus

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<v Speaker 1>because of that line in Range Life it's dude, listen

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<v Speaker 1>to because it's it's him and he's great. And then

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<v Speaker 1>his co host on that as this guy Steve Hayden,

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<v Speaker 1>who wrote the book literally on music Rivalry is called

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<v Speaker 1>your favorite band is killing You. Um. He also is

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<v Speaker 1>the guy who did that would Stock ninety nine series

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<v Speaker 1>on luminary Um. But yeah, they're fantastic, great chemistry. But

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<v Speaker 1>Jordan is just doing this. Um. It's sort of like

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<v Speaker 1>the Disgrace Land and there's a single voice kind of narrative,

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<v Speaker 1>you know, story about a musician with no music license

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<v Speaker 1>from the actual musician. It's all original music that we

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<v Speaker 1>did ourselves on our team. I'll send you the pilot.

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<v Speaker 1>I think you would really like it. This is bow

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<v Speaker 1>We too, Bowie exactly. All right. We're gonna start off

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<v Speaker 1>here with Patrick James Bradway. He says, I want to

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<v Speaker 1>see a movie version of King of Kong where Matt

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<v Speaker 1>Damon plays Steve Weeby and Keanu Reeves plays Billy Mitchell.

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<v Speaker 1>That is a great idea that's a totally great is

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<v Speaker 1>that casting is perfect? I think, Hollywood, if you're listening,

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<v Speaker 1>these are some pretty good ideas here. Jamie Power says

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<v Speaker 1>a movie about Salvador Dali. Totally. I want to see

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<v Speaker 1>that movie. He said. It's a live action film with

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<v Speaker 1>the exception of the Dolly character, who was animated and

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<v Speaker 1>voiced by Antonio Bandetas. Wow, that could be interesting. That

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<v Speaker 1>could be I would go more of like, uh, maybe

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<v Speaker 1>there's animated sequences. You know, there's a real actor playing,

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<v Speaker 1>but maybe it goes into dreamy kind of psychedelic animation

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<v Speaker 1>every now and then. Yeah. Cool, if it's psychedelic, I

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<v Speaker 1>know you'll like it. You know, I love some psychedelia.

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<v Speaker 1>Chuck because you eat drugs for breakfast. Uh huh, I

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<v Speaker 1>told you about my new ice coffee fetish, right, Yeah,

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<v Speaker 1>it's basically drugs. Sure. Our old friend Genevan Valen, coolest

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<v Speaker 1>name in the podcast listener business. This is a great idea.

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<v Speaker 1>I want to see this movie, Jenna, a biopic about

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<v Speaker 1>Harry Nilson played by James McAvoy. I could see that. Yep. Yeah,

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<v Speaker 1>similar kind of bone structure. I love these Yeah, I

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<v Speaker 1>love these casting games. YEA super fun Sometimes people have

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<v Speaker 1>a real knack for picking out Uh, all right, here

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<v Speaker 1>we go, Debbie Franka Dacas, one of our oldest friends, says,

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<v Speaker 1>LORI Lightfoot. Don't know about Lorie Um. She's the first

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<v Speaker 1>mayor of Chicago that is a black, female, lesbian. I

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<v Speaker 1>suspect she had numerous obstacles coming up through politics, and

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<v Speaker 1>she's still pretty funny and has so much sincere personality

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<v Speaker 1>compared to some politicians. Could be played by Robin Gibbons.

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<v Speaker 1>She the current mayor of Chicago. I don't know much

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<v Speaker 1>about Chicago politics. I know that it was very corrupt.

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<v Speaker 1>Well maybe it's gotten less so by that it's notoriously

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<v Speaker 1>corrupt political city. Uh. She served as uh oh since

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<v Speaker 1>may served us a fifty six mayor of Chicago. All right,

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<v Speaker 1>she looks great. I got a good one that just

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<v Speaker 1>came up. Actually, we did an episode of Ridiculous History

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<v Speaker 1>UM with Joe Piazza, who does our show UM on

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<v Speaker 1>the network, Committed and Unconventional Marriages, and she's like a

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<v Speaker 1>best selling author about relationships and she's a fantastic, lovely,

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<v Speaker 1>lovely person. But we did a two part series about

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<v Speaker 1>Kate Warrene, who was the first female Pinkerton Detective Um,

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<v Speaker 1>and she basically like watches into the Pinkerton Detective Agency

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<v Speaker 1>and says she wants a job, and Pinkerton is like

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<v Speaker 1>when it was just like one office in Chicago. Actually uh.

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<v Speaker 1>He says, okay, we're not we're not hiring for secretaries

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<v Speaker 1>love you know, and she's like, no, sir, I want

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<v Speaker 1>to be a detective. And then she explains to him

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<v Speaker 1>how she can get into places as a woman that

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<v Speaker 1>a man could and get and she could talk secrets

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<v Speaker 1>out of like the wives of criminals and stuff. And

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<v Speaker 1>sure enough, she was just like a smash and she

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<v Speaker 1>totally killed it. And she ended up like protecting Lincoln

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<v Speaker 1>uh during his first assassination attempt where they had to

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<v Speaker 1>smuggle him like on this train as he was going

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<v Speaker 1>through Baltimore, which was like super huh, you know, anti

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<v Speaker 1>Lincoln and he um there was a plot to kill him.

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<v Speaker 1>But Joe conjectured it would be great to do a

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<v Speaker 1>TV series on her where you kind of fictionalized it

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<v Speaker 1>a little bit, like because there's a lot people don't

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<v Speaker 1>know about her, but she's a total badass like female detective. Dude,

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<v Speaker 1>I love that they'd be good uh stuff. You sho

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<v Speaker 1>episode or short stuff maybe totally let me see here.

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<v Speaker 1>Caitlin Callaghan says no idea he would cast but uh.

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<v Speaker 1>A biopic on Fleetwood mac Con centered on the making

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<v Speaker 1>the Rumors album would be so great. Yes, so down

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<v Speaker 1>with that. You know, the Rumors album noll one of

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<v Speaker 1>the great records of all time. And they hated each

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<v Speaker 1>other's guts when they made it. It's so crazy. I

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<v Speaker 1>mean they you know that there they did. There's a

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<v Speaker 1>rivals episode on on that feud um and I gotta

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<v Speaker 1>listen to that show. Dude, I'm telling you, you're right one.

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<v Speaker 1>You're really going to dig it. But I didn't realize

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<v Speaker 1>any of that that they like stayed together in the

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<v Speaker 1>band for like years and years and just couldn't stand

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<v Speaker 1>each other. Yeah, it was tough. I mean, two divorces

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<v Speaker 1>happening and then various affairs with Mick while it was

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<v Speaker 1>all going on. It was it was tough. And lots

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<v Speaker 1>of drugs, which always seems to calm things. Dound piles

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<v Speaker 1>of cocaine. Uh. Our old buddy Jimmy Kakandal says, oh boy,

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<v Speaker 1>this would be great. Frank Woyd Wright uh and cast

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<v Speaker 1>Leonardo DiCaprio, you can pull off younger and older. And

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<v Speaker 1>then it was such a dumb dumb Was he an

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<v Speaker 1>architect or what was the who was Frank Woyd right? Yes, yeah, yes,

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<v Speaker 1>one of the one of the great American architects, really

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<v Speaker 1>really fantastic stuff and and holly unusual his his style.

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<v Speaker 1>He was uh. He was noted for having some of

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<v Speaker 1>his places not be so structurally not sound, but like

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<v Speaker 1>you know, some of his roofs would leak sometimes, and

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<v Speaker 1>he was he worried about how it looked. And there

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<v Speaker 1>was a very famous story about one of his very

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<v Speaker 1>rich clients who had a leak in his office and

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<v Speaker 1>said that he called him up and said that he

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<v Speaker 1>has water dripping on his desk, and Frank Ladwright says,

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<v Speaker 1>then move your desk. Burn. I don't know if that's

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<v Speaker 1>true or not, but it's a great story. Becca Loo says,

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<v Speaker 1>Elizabeth Blackwell deserves a damn movie. I think Dakota Fanning

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<v Speaker 1>could play her well young and uh in the older version.

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<v Speaker 1>Maybe Christina Applegate. Elizabeth Blackwell, Yeah, Um, she's great. We

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<v Speaker 1>just did a podcast on her not too long ago.

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<v Speaker 1>She was the first the first woman to get a

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<v Speaker 1>medical degree and like basically the first UM licensed a

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<v Speaker 1>medical doctor, uh, female medical doctor in the United States.

0:12:51.880 --> 0:12:55.199
<v Speaker 1>I knew it rung a bell and more she was

0:12:55.360 --> 0:12:58.680
<v Speaker 1>she was something else, Marilyn Monroe that comes from Molly

0:12:58.920 --> 0:13:02.559
<v Speaker 1>Thibodeau and get Emma Stone. Yeah, I could see that.

0:13:04.200 --> 0:13:06.199
<v Speaker 1>Surprised that hasn't been done yet. I wonder if it

0:13:06.320 --> 0:13:09.160
<v Speaker 1>has to do with like life rights or a state

0:13:09.280 --> 0:13:11.840
<v Speaker 1>or something. I'm really surprised there hasn't been a proper

0:13:12.600 --> 0:13:18.080
<v Speaker 1>Maryland doc or biopic. Yeah. I agree, Um, I would

0:13:18.120 --> 0:13:19.480
<v Speaker 1>have thought that would have been happened because it's a

0:13:20.160 --> 0:13:23.040
<v Speaker 1>rags to riches to tragedy. You know, it's got all

0:13:23.080 --> 0:13:28.680
<v Speaker 1>the markers of great drama, the whole jf K thing.

0:13:28.920 --> 0:13:31.679
<v Speaker 1>And then like was she was married to Henry Miller, right,

0:13:32.280 --> 0:13:37.880
<v Speaker 1>the playwright, and they had like a notoriously kind of marriage. Yeah,

0:13:38.440 --> 0:13:42.959
<v Speaker 1>lots of interesting historical uh intersections with that story. She

0:13:43.160 --> 0:13:47.839
<v Speaker 1>championed Elephantzgerald's career. UM. One of our books that we read,

0:13:47.880 --> 0:13:51.080
<v Speaker 1>A Ruby is a book on Elephatezgerald and Marilyn Monroe

0:13:51.160 --> 0:13:53.880
<v Speaker 1>and their friendship and Marilyn Monroe really putting her neck

0:13:53.920 --> 0:13:56.000
<v Speaker 1>on the line and going to club owners and saying,

0:13:56.400 --> 0:13:58.480
<v Speaker 1>you need to put this black woman in your club,

0:13:58.559 --> 0:14:01.079
<v Speaker 1>even though you're not supposed to do that, because I

0:14:01.160 --> 0:14:03.520
<v Speaker 1>will show up and the press will show up if

0:14:03.559 --> 0:14:06.000
<v Speaker 1>I show up. And so they did, and she she

0:14:06.120 --> 0:14:08.199
<v Speaker 1>really gave her a kickstart and they were really really

0:14:08.240 --> 0:14:11.520
<v Speaker 1>good friends. It's a very sweet story. Really quickly, a

0:14:11.679 --> 0:14:16.360
<v Speaker 1>new Maryland Monroe biopic is in the works, depicting her

0:14:16.480 --> 0:14:22.480
<v Speaker 1>last months, based on the final the Keith badmin Um

0:14:22.840 --> 0:14:25.960
<v Speaker 1>book I think the Final years of Marilyn Monroe. Does

0:14:26.000 --> 0:14:30.520
<v Speaker 1>it say who they cast? Let's see, Oh, this is

0:14:30.520 --> 0:14:34.240
<v Speaker 1>actually a series. It's going to be a series, not

0:14:34.440 --> 0:14:39.960
<v Speaker 1>not a movie. And they cast done? Who do they cast?

0:14:40.120 --> 0:14:49.080
<v Speaker 1>It's it's oh ah, this is a great radio nol

0:14:49.280 --> 0:14:54.040
<v Speaker 1>fuck man, Anna are I'm sorry. There's like there's two things.

0:14:54.600 --> 0:14:56.560
<v Speaker 1>There's a there's a series, and then there's a Netflix

0:14:56.640 --> 0:15:00.200
<v Speaker 1>movie that Brad Pitt produced and it's oh, it's Anna

0:15:00.680 --> 0:15:04.880
<v Speaker 1>arm Us. Who was who? Who was the kind of

0:15:04.960 --> 0:15:08.000
<v Speaker 1>the protagonist I guess and knives out? And she was

0:15:08.080 --> 0:15:13.800
<v Speaker 1>also the sexy hologram and blade runner? Yeah yeah, yeah, okay,

0:15:14.280 --> 0:15:25.560
<v Speaker 1>all right, I'll buy that. Interesting. All right, Now we're

0:15:25.560 --> 0:15:28.160
<v Speaker 1>gonna move on to a new category. I'm gonna leave

0:15:28.200 --> 0:15:31.560
<v Speaker 1>that up though, because it's fun playing casting games. I'm saying,

0:15:31.640 --> 0:15:34.600
<v Speaker 1>best her favorite kids performance, and I said, anyone you

0:15:34.680 --> 0:15:38.200
<v Speaker 1>know kind of under thirteen, not not not teenage performance,

0:15:38.240 --> 0:15:41.040
<v Speaker 1>but a true kid performance because it's tough man. So

0:15:41.160 --> 0:15:46.560
<v Speaker 1>many bad ones, so many precocious, precocious little assholes throughout

0:15:46.600 --> 0:15:50.760
<v Speaker 1>movie history. You know it's tough. Uh. We're gonna start

0:15:50.800 --> 0:15:57.440
<v Speaker 1>though with Jenny Gernon Keller with Ivana Backro and Pan's Labyrinth. No,

0:15:57.720 --> 0:16:02.280
<v Speaker 1>you can comment you've seen that movie. Wonderful, wonderful, heartbreaking performance. Yeah,

0:16:03.480 --> 0:16:06.120
<v Speaker 1>that one's a toughie. That one's almost like Dancer in

0:16:06.200 --> 0:16:10.400
<v Speaker 1>the Dark level like like upsetting. It's it's it's beautiful,

0:16:10.440 --> 0:16:13.200
<v Speaker 1>but it's like it really twists the knife because it

0:16:14.120 --> 0:16:18.760
<v Speaker 1>mixes like fantasy and just like brutal reality and such

0:16:18.840 --> 0:16:22.960
<v Speaker 1>a such a oh gosh, it's just such an artful

0:16:23.000 --> 0:16:25.640
<v Speaker 1>way interesting. And you know they covered that on Friendly

0:16:25.720 --> 0:16:30.440
<v Speaker 1>Fire as a war movie. Well it is, it absolutely is. Yeah,

0:16:30.880 --> 0:16:33.920
<v Speaker 1>good question about it. Check that out. Our old friend

0:16:33.960 --> 0:16:39.000
<v Speaker 1>Jeff Clark's is Hayley Stansfield and true grit totally. Yeah,

0:16:39.040 --> 0:16:43.560
<v Speaker 1>she was great. Um, slightly old for this question, but

0:16:43.680 --> 0:16:47.320
<v Speaker 1>not really kind of right on the edge. Um. Sierra

0:16:47.440 --> 0:16:51.760
<v Speaker 1>rain On, one of our oldest friends, says, ah, someone

0:16:51.840 --> 0:16:54.680
<v Speaker 1>reminded me of the young Robert Downey Jr. Was the

0:16:54.800 --> 0:16:57.600
<v Speaker 1>kid in Heart and Souls. Such a cute little ham

0:16:57.720 --> 0:17:01.160
<v Speaker 1>and so sweet. I don't know that movie. I don't think.

0:17:01.560 --> 0:17:07.760
<v Speaker 1>M hmm. I nominate all the kids in the Florida Project. Yeah,

0:17:10.040 --> 0:17:13.240
<v Speaker 1>they're all like non actors, just like, get that. What

0:17:13.400 --> 0:17:17.280
<v Speaker 1>a fucking movie. Man, that's that's one of the great anyone.

0:17:17.560 --> 0:17:20.320
<v Speaker 1>It's streaming now on either Netflix or Hulu or one

0:17:20.320 --> 0:17:22.800
<v Speaker 1>of the one of the ones, one of the ones. Um,

0:17:22.960 --> 0:17:25.000
<v Speaker 1>but I think it's I think it's Netflix. But if

0:17:25.040 --> 0:17:29.200
<v Speaker 1>you haven't seen that, get ye to a streaming equipped television,

0:17:29.680 --> 0:17:32.560
<v Speaker 1>my friends. It is. It will break your heart and

0:17:32.640 --> 0:17:35.400
<v Speaker 1>then lift you up and then it's so good. It's

0:17:35.440 --> 0:17:39.760
<v Speaker 1>not it's not like total misery or it's it really

0:17:39.840 --> 0:17:42.000
<v Speaker 1>has like a silver lining in a weird way. It's

0:17:42.040 --> 0:17:44.960
<v Speaker 1>sort of like a dire situation where it's these kids

0:17:45.000 --> 0:17:47.240
<v Speaker 1>and and then this you know mother who lives in

0:17:47.320 --> 0:17:53.119
<v Speaker 1>this uh seedy um motel I guess in Orlando. But

0:17:53.240 --> 0:17:57.200
<v Speaker 1>it's something about it's just not in total depression, you know,

0:17:57.240 --> 0:17:58.800
<v Speaker 1>what I mean, Like I think about it, that has

0:17:58.840 --> 0:18:01.399
<v Speaker 1>like a little glimmer of maj to it. It just

0:18:01.520 --> 0:18:04.959
<v Speaker 1>makes it's uplifting a little bit too for sure. Well,

0:18:05.040 --> 0:18:07.320
<v Speaker 1>since we're on that note, No, I'm gonna say maybe

0:18:07.359 --> 0:18:09.840
<v Speaker 1>one of my favorites of all time is the Young

0:18:09.920 --> 0:18:13.119
<v Speaker 1>Girl and Beasts of the Southern Wild. I don't know

0:18:13.160 --> 0:18:15.040
<v Speaker 1>how to pronounce her first name, but it is. I'm

0:18:15.080 --> 0:18:21.480
<v Speaker 1>gonna try, uh kuban Zanni Wallace perhaps boy. She was good,

0:18:22.200 --> 0:18:27.080
<v Speaker 1>just adorable and um, I don't know if that director's uh,

0:18:29.800 --> 0:18:33.800
<v Speaker 1>I think it was him that made that movie called Wendy,

0:18:34.960 --> 0:18:36.480
<v Speaker 1>And I don't know if that that was I think

0:18:36.560 --> 0:18:40.520
<v Speaker 1>that was supposed to come out this year, and was

0:18:40.600 --> 0:18:42.360
<v Speaker 1>it pushed back or did it come out. I think

0:18:42.400 --> 0:18:44.159
<v Speaker 1>it came out and it did. It's sort of like,

0:18:44.520 --> 0:18:47.440
<v Speaker 1>did it not do well? Didn't do really well? And

0:18:47.800 --> 0:18:52.119
<v Speaker 1>it was pretty pretty panned. Actually, I don't know, because

0:18:52.200 --> 0:18:58.320
<v Speaker 1>the trailer makes me literally cry. It looks so good. Interesting. Yeah,

0:18:58.760 --> 0:19:01.280
<v Speaker 1>that's just it his pointing because it was years and

0:19:01.440 --> 0:19:05.280
<v Speaker 1>years between that and Beasts. Uh. Let's see when you

0:19:05.359 --> 0:19:07.040
<v Speaker 1>know what I'm reading right here at thirty eight percent

0:19:07.080 --> 0:19:10.000
<v Speaker 1>on Rotten Tomatoes and it says, Wendy dares to do

0:19:10.160 --> 0:19:12.679
<v Speaker 1>something different with its classic source material. You know it's

0:19:12.680 --> 0:19:16.080
<v Speaker 1>based on Peter Pan. Unfortunately, the breath taking visuals are

0:19:16.080 --> 0:19:18.920
<v Speaker 1>at odds with the flawed take on the story. Interesting.

0:19:19.520 --> 0:19:23.080
<v Speaker 1>That's really disappointing because it looked so magical. It looks amazing.

0:19:23.160 --> 0:19:28.640
<v Speaker 1>Even the poster is really striking. Yeah, um, well, hopefully

0:19:28.720 --> 0:19:31.040
<v Speaker 1>comes back with something else. I'll watch it here. Jade

0:19:31.040 --> 0:19:34.960
<v Speaker 1>Anna Rosenberg says a Florida Project nol so. She said

0:19:35.000 --> 0:19:38.560
<v Speaker 1>the girl who plays the main daughter, Brooklyn Prince, is incredible.

0:19:38.760 --> 0:19:41.880
<v Speaker 1>Yes she is. Alicia Deats, one of our old friends,

0:19:41.880 --> 0:19:45.359
<v Speaker 1>says the kids from a Quiet Place crush it. Facial

0:19:45.400 --> 0:19:47.760
<v Speaker 1>expressions and emotions are so well played. Yeah, they were good.

0:19:47.920 --> 0:19:50.280
<v Speaker 1>I thought it did a really good job in that movie.

0:19:52.480 --> 0:19:56.080
<v Speaker 1>Uh favorites Henry, Henry Thomas and et that comes from

0:19:56.119 --> 0:19:58.640
<v Speaker 1>Philip Ashworth. Yeah, he was great. So it was Drew

0:19:58.680 --> 0:20:01.520
<v Speaker 1>barrymore h I told you my Henry Thomas story right,

0:20:01.560 --> 0:20:04.880
<v Speaker 1>saw him an aerial Pink show. He's that guy because

0:20:04.880 --> 0:20:06.639
<v Speaker 1>he's like, you know, you can't put your finger on

0:20:06.720 --> 0:20:10.080
<v Speaker 1>it when he's like forty yeah, and I I feel

0:20:10.080 --> 0:20:11.920
<v Speaker 1>like I know that guy. And then there as someone

0:20:11.960 --> 0:20:14.240
<v Speaker 1>pointed out that it was Elliott for me to he's

0:20:14.240 --> 0:20:17.680
<v Speaker 1>around a lot because he was in that show The

0:20:17.760 --> 0:20:20.679
<v Speaker 1>Haunting of Hill House and then they shot that all

0:20:20.880 --> 0:20:25.080
<v Speaker 1>here back when you know movies were a thing. Okay,

0:20:25.160 --> 0:20:27.879
<v Speaker 1>so here look, someone pronounces it for me, Ashley Crowley,

0:20:28.000 --> 0:20:33.560
<v Speaker 1>thank you with the pronunciation. It's actually pronounced uh quabn

0:20:33.880 --> 0:20:38.560
<v Speaker 1>uh quabin. Johnny Wallace and Beast of the Southern Wild.

0:20:38.640 --> 0:20:41.360
<v Speaker 1>That's the girl from from Beasts. Okay, great, you saw

0:20:41.440 --> 0:20:43.760
<v Speaker 1>that right when it came out. I need to see

0:20:43.760 --> 0:20:45.840
<v Speaker 1>it again. That's the one with like the big pig. Right,

0:20:46.280 --> 0:20:49.360
<v Speaker 1>it's not a pig, but it's like a kind of creature. Yeah,

0:20:49.600 --> 0:20:52.760
<v Speaker 1>it's like a ward hog, yeah or something. Uh. The

0:20:52.880 --> 0:20:55.240
<v Speaker 1>kids in Monroi's Kingdom, that's from D. C. Hoover. Yeah.

0:20:55.320 --> 0:20:57.920
<v Speaker 1>They were good too, and you got to throw Jojo

0:20:58.040 --> 0:21:00.760
<v Speaker 1>Rabbit in there. Yep. Some of the best kid acting

0:21:00.800 --> 0:21:03.000
<v Speaker 1>I've seen it in a long long time. It's so

0:21:03.560 --> 0:21:06.640
<v Speaker 1>subtle too, Like the the Chubby Kid. I loved him.

0:21:06.960 --> 0:21:10.840
<v Speaker 1>He's just really really good timing, really good comedic comedic timing.

0:21:11.000 --> 0:21:16.479
<v Speaker 1>He was hysterical. Oh here's our old friends. Stellin Carlson Hey, Stellan,

0:21:16.520 --> 0:21:20.560
<v Speaker 1>how you doing, Bud Hayley, Joel Osmonton six cents yeah,

0:21:21.560 --> 0:21:24.600
<v Speaker 1>nowal Iportan Apportman and the Professional that's from Heidi Lauman,

0:21:25.920 --> 0:21:28.040
<v Speaker 1>Dakota Fanning and I Am Sam that's from or old

0:21:28.040 --> 0:21:32.679
<v Speaker 1>friend Javonne Boudette. Charles Martin Aaker is one of our

0:21:32.680 --> 0:21:34.879
<v Speaker 1>good friends, says Elijah Wood. And McAuley Culkin and the

0:21:34.920 --> 0:21:38.760
<v Speaker 1>good Son. Yeah. M macauley Culkin. He's a little precocious,

0:21:38.800 --> 0:21:41.920
<v Speaker 1>but ultimately likable. I think, well, the good Son was

0:21:42.000 --> 0:21:44.520
<v Speaker 1>creepfest man, that was good with him. A little little

0:21:44.520 --> 0:21:47.280
<v Speaker 1>Elijah would uh. He's sort of like he's like a

0:21:47.760 --> 0:21:52.240
<v Speaker 1>like a demon child, kind of murderous, little little little bastard. Yeah.

0:21:52.440 --> 0:21:54.840
<v Speaker 1>And Elijah Wood is kind of the sweet one, and

0:21:55.160 --> 0:21:58.520
<v Speaker 1>he has to contend with his evil. I think it's

0:21:58.560 --> 0:22:00.240
<v Speaker 1>like his cousin or something he goes to live with,

0:22:00.480 --> 0:22:02.000
<v Speaker 1>Like his mother passes away and he has to go

0:22:02.119 --> 0:22:07.119
<v Speaker 1>live with McCauley culkin and his mom. Christian Bale and

0:22:07.160 --> 0:22:09.960
<v Speaker 1>Empire of the Sun. That's from Kevin Hurban, our old friend.

0:22:10.640 --> 0:22:13.440
<v Speaker 1>That's right. I always forget how long he's been in

0:22:13.480 --> 0:22:15.520
<v Speaker 1>the game, dude, it's crazy. Yeah, boy, he was that

0:22:15.640 --> 0:22:17.760
<v Speaker 1>that movie was so good? I think that was Spielberg too, right?

0:22:18.800 --> 0:22:20.560
<v Speaker 1>Where did he just produce that? No? I think you're

0:22:20.560 --> 0:22:25.399
<v Speaker 1>all right, Seth Nixon says, all the goonies yo, okay.

0:22:25.640 --> 0:22:29.600
<v Speaker 1>More votes for Beats of the Southern Wild. Yeah. Boy,

0:22:29.680 --> 0:22:31.840
<v Speaker 1>she was so good at that Hushpuppy. What a cute,

0:22:31.880 --> 0:22:35.199
<v Speaker 1>cute character and just heartbreaking. Many many votes for her

0:22:35.280 --> 0:22:41.639
<v Speaker 1>nol quickly, quickly, quickly unrelated. Have you seen Hamilton? Did

0:22:41.680 --> 0:22:45.920
<v Speaker 1>you see it on Broadway? Or when? When? Like? Live? Uh? No,

0:22:46.160 --> 0:22:48.440
<v Speaker 1>but I'm excited to see the Disney thing here in

0:22:48.440 --> 0:22:50.840
<v Speaker 1>a couple of days. So excited. I'm glad I still

0:22:50.880 --> 0:22:52.920
<v Speaker 1>have my account. I've been really wanted to see it,

0:22:53.000 --> 0:22:55.280
<v Speaker 1>and I'm looking and apparently it's just it's getting rave reviews.

0:22:55.320 --> 0:22:57.800
<v Speaker 1>Like the way it's filmed, apparently really captures like the

0:22:57.920 --> 0:23:00.440
<v Speaker 1>maliaic of kind of seeing it live. Uh, we'll be

0:23:00.520 --> 0:23:04.640
<v Speaker 1>watching that this weekend for the fourth of July, which

0:23:04.720 --> 0:23:07.159
<v Speaker 1>is a week ago in real time or in in

0:23:07.359 --> 0:23:09.760
<v Speaker 1>podcast time. Did you know that Quest Love was one

0:23:09.800 --> 0:23:13.760
<v Speaker 1>of the producers of the Broadway show? No, but it

0:23:13.800 --> 0:23:17.080
<v Speaker 1>doesn't surprise me. He is got his finger on the pulse.

0:23:17.200 --> 0:23:19.360
<v Speaker 1>My friend he's the Quest Love. Boy. Did you see

0:23:19.400 --> 0:23:23.239
<v Speaker 1>the b ET Awards the other night when they did

0:23:23.320 --> 0:23:27.760
<v Speaker 1>the sort of modern version of Fight the Power. No,

0:23:28.480 --> 0:23:30.479
<v Speaker 1>they had Chuck d and Flavor Flavor, and they had

0:23:30.480 --> 0:23:35.720
<v Speaker 1>a bunch of guests doing uh, updated verses about you know,

0:23:35.760 --> 0:23:40.919
<v Speaker 1>the current situation and the Quest Love the DJ and boy,

0:23:41.040 --> 0:23:43.960
<v Speaker 1>oh boy, he was doing the scratch and knoll so good.

0:23:44.040 --> 0:23:47.320
<v Speaker 1>That song is still so powerful. Yeah, man, he does Um.

0:23:47.840 --> 0:23:50.080
<v Speaker 1>He does these DJ sets on Instagram like almost every

0:23:50.160 --> 0:23:52.399
<v Speaker 1>night of the week. Uh, and they're all the and

0:23:52.520 --> 0:23:55.560
<v Speaker 1>I highly recommend anybody check them out because he talks

0:23:55.640 --> 0:23:57.320
<v Speaker 1>during them and he gives you like he's he's just

0:23:57.359 --> 0:24:00.320
<v Speaker 1>like encyclopedic music brain, so he gives all this act story.

0:24:00.359 --> 0:24:03.000
<v Speaker 1>He did a whole series, uh, for a whole week

0:24:03.359 --> 0:24:07.000
<v Speaker 1>just with the Jackson's, and I didn't realize how fucking awesome,

0:24:07.240 --> 0:24:10.800
<v Speaker 1>Like the Lesser Jackson's solo records are like Tito and

0:24:11.119 --> 0:24:14.440
<v Speaker 1>the Lesser Germaine, like their solo records are really strong

0:24:14.480 --> 0:24:16.280
<v Speaker 1>and there's some great great songs on those, and they're

0:24:16.320 --> 0:24:17.960
<v Speaker 1>just such deep cuts because you don't really think of

0:24:18.000 --> 0:24:21.120
<v Speaker 1>him as having hits per se. But um, he turned

0:24:21.119 --> 0:24:23.320
<v Speaker 1>me onto a lot of that stuff, and uh I

0:24:23.400 --> 0:24:26.879
<v Speaker 1>got to interview him. Uh two weeks ago for the

0:24:27.160 --> 0:24:31.120
<v Speaker 1>internal sales thing. Um, yeah, they've got a nerd out

0:24:31.240 --> 0:24:33.639
<v Speaker 1>and it was really fun. Yeah, that's cool. I did

0:24:33.720 --> 0:24:38.160
<v Speaker 1>one of those with Jake with our buddy Jake Disgrace

0:24:38.280 --> 0:24:40.720
<v Speaker 1>Land and check that out. Yes, yes, Jake is a

0:24:40.760 --> 0:24:50.959
<v Speaker 1>good guy. So here we go in all with our

0:24:51.000 --> 0:24:56.399
<v Speaker 1>final segment today. What movie scene just rex you emotionally

0:24:56.680 --> 0:24:59.760
<v Speaker 1>every time you see it? Like, how many times can

0:24:59.800 --> 0:25:02.440
<v Speaker 1>you fry about the same scene? And my answer is

0:25:02.600 --> 0:25:05.480
<v Speaker 1>every time if it's if it's that good. Yeah, yeah,

0:25:05.760 --> 0:25:07.920
<v Speaker 1>you got one. I'm gonna think on it for a second. Alright,

0:25:07.960 --> 0:25:10.080
<v Speaker 1>think on it. We'll start with Luke Harkell Roade, one

0:25:10.119 --> 0:25:12.240
<v Speaker 1>of our old friends. Is not a scene, but during

0:25:12.280 --> 0:25:14.320
<v Speaker 1>the credits of Last Jedi when they dedicated the movie

0:25:14.359 --> 0:25:18.600
<v Speaker 1>to carry Fisher with the line for our princess, she

0:25:18.720 --> 0:25:21.320
<v Speaker 1>was an absolute treasure. Never been so affected by a

0:25:21.359 --> 0:25:24.800
<v Speaker 1>celebrity death in my life. Yeah, that was It's very

0:25:25.280 --> 0:25:28.520
<v Speaker 1>when you way to end that film, let me see here,

0:25:28.600 --> 0:25:31.560
<v Speaker 1>Joshua Green says Interstellar when Matthew McConaughey is watching his

0:25:31.680 --> 0:25:34.560
<v Speaker 1>daughter on a video after they were on the water Planet,

0:25:35.240 --> 0:25:38.800
<v Speaker 1>his emotion when she's talking to him as an adult woman. Yeah, man,

0:25:39.080 --> 0:25:41.399
<v Speaker 1>that was It was one of the few parts of

0:25:41.440 --> 0:25:46.000
<v Speaker 1>that movie. I loved. Let me see here. I've never

0:25:46.080 --> 0:25:49.400
<v Speaker 1>heard of this, Lisa Millner or Millar says the Brave

0:25:49.520 --> 0:25:52.440
<v Speaker 1>Little Toaster when he jumps in the machinery to save

0:25:52.480 --> 0:25:56.200
<v Speaker 1>his friend. I don't know that movie older you. Yeah,

0:25:56.320 --> 0:25:59.160
<v Speaker 1>it's like a kid's movie from the nineties. I want

0:25:59.160 --> 0:26:01.479
<v Speaker 1>to say the name. The name says it all. It's

0:26:01.480 --> 0:26:03.520
<v Speaker 1>about a brave little toaster and a bunch of other

0:26:03.600 --> 0:26:07.080
<v Speaker 1>kitchen appliances that go on an adventure. I've never seen it. Actually,

0:26:08.040 --> 0:26:11.720
<v Speaker 1>our old friend Honeu the Suri says Coco, basically the

0:26:11.800 --> 0:26:20.320
<v Speaker 1>whole movie. Yeah, remembered me. Oh yeah, oh yeah, so good. God,

0:26:20.400 --> 0:26:22.640
<v Speaker 1>that movie so good. I'm having a hard time thinking

0:26:22.680 --> 0:26:26.600
<v Speaker 1>of one. That's because you're heartless. No, that's true. As

0:26:26.720 --> 0:26:29.760
<v Speaker 1>my kid, I cry to drop of a hat my

0:26:29.880 --> 0:26:34.720
<v Speaker 1>friend and she mocks me, uh brutally. Yeah. Well that's

0:26:34.760 --> 0:26:36.479
<v Speaker 1>just how it goes. You get older, you get more emotional.

0:26:37.800 --> 0:26:41.400
<v Speaker 1>Leah Bush says The Green Mile with this line of dialogue.

0:26:42.000 --> 0:26:45.160
<v Speaker 1>Please boss, don't put that thing over my face. Please

0:26:45.160 --> 0:26:47.000
<v Speaker 1>don't put me in the dark, don't make me go

0:26:47.240 --> 0:26:51.800
<v Speaker 1>into the dark. Eyes afraid of the dark. And she said, Oh,

0:26:51.920 --> 0:26:55.240
<v Speaker 1>I'm gonna cry just thinking about it. Yeah. I only

0:26:55.280 --> 0:26:59.040
<v Speaker 1>saw that once, me too, in the theater when it

0:26:59.119 --> 0:27:01.960
<v Speaker 1>came out. Yeah, the one time, or for me. Jeff

0:27:02.000 --> 0:27:04.240
<v Speaker 1>halperin one of our oldest of friends, says, the ending

0:27:04.280 --> 0:27:07.280
<v Speaker 1>of a rival, Oh boy, you and me both brother,

0:27:07.400 --> 0:27:10.520
<v Speaker 1>culmination of the choices she made and will make are

0:27:10.560 --> 0:27:14.680
<v Speaker 1>so powerful and painful. Can't stop the tears. God, that movie,

0:27:14.760 --> 0:27:21.960
<v Speaker 1>rex me, rex me. It's a good one. Uh. Beaches

0:27:22.119 --> 0:27:24.360
<v Speaker 1>when Barbara Hershey's character is dying and Bette Miller takes

0:27:24.400 --> 0:27:26.639
<v Speaker 1>her to the beach one last time. That's from Jennifer

0:27:26.680 --> 0:27:33.080
<v Speaker 1>Hoke Kramer. Yeah, or our old friend Alec Glasnovitch. This

0:27:33.240 --> 0:27:36.119
<v Speaker 1>is the ending of the Florida Project. The well of

0:27:36.160 --> 0:27:40.000
<v Speaker 1>emotions on Mooney's face when she sees Jancy even before

0:27:40.080 --> 0:27:41.960
<v Speaker 1>she starts tearing up, but puts me right on the

0:27:42.080 --> 0:27:45.159
<v Speaker 1>edge of being an original bottle. I actually saw that

0:27:45.320 --> 0:27:50.080
<v Speaker 1>one only once. Um, and I absolutely was crying at

0:27:50.119 --> 0:27:52.159
<v Speaker 1>the end of that movie when she's running away and like,

0:27:53.680 --> 0:27:55.200
<v Speaker 1>but it was, like I was saying earlier, it was

0:27:55.600 --> 0:27:59.480
<v Speaker 1>a kind of cathartic cry. It wasn't like, oh my gosh,

0:27:59.520 --> 0:28:02.280
<v Speaker 1>this is oh dire. It was just like it had

0:28:02.359 --> 0:28:05.680
<v Speaker 1>this powerful uplift inside of me that I felt just

0:28:06.160 --> 0:28:09.119
<v Speaker 1>and it just you know, converted into water works. That

0:28:09.200 --> 0:28:11.879
<v Speaker 1>makes sense, you know what I mean? Yeah? God, what

0:28:12.119 --> 0:28:16.200
<v Speaker 1>was the movie thunder Road. I've talked about this on

0:28:16.520 --> 0:28:22.040
<v Speaker 1>the show before. Jim Cummings as the police officer who's

0:28:22.080 --> 0:28:24.520
<v Speaker 1>dealing with the death of his mother and sort of

0:28:25.359 --> 0:28:29.080
<v Speaker 1>just losing his mind a little bit. Uh, the ending

0:28:29.160 --> 0:28:33.240
<v Speaker 1>of that movie, knol I And maybe it was something

0:28:33.320 --> 0:28:37.440
<v Speaker 1>I was going through at the time, but I was inconsolable.

0:28:37.600 --> 0:28:40.959
<v Speaker 1>I was crying so hard. I was like I couldn't

0:28:41.040 --> 0:28:43.360
<v Speaker 1>get my breath. I was crying so hard at the

0:28:43.440 --> 0:28:47.200
<v Speaker 1>end of the movie. Um, you did mention this film

0:28:47.240 --> 0:28:50.080
<v Speaker 1>and I'm not aware of it, but it sounds powerful.

0:28:50.760 --> 0:28:54.520
<v Speaker 1>So good. H Let me see here a J. Middlesteat

0:28:54.640 --> 0:28:58.800
<v Speaker 1>the end of Iron Giant. Oh Man, Superman destroys you

0:28:58.880 --> 0:29:02.040
<v Speaker 1>and teaches you so much God, Iron Giants so good?

0:29:03.320 --> 0:29:05.640
<v Speaker 1>You saw that, right? No? I did. Yeah, I've seen

0:29:05.640 --> 0:29:09.640
<v Speaker 1>it a couple of times and it's beautiful, classic old

0:29:09.680 --> 0:29:13.720
<v Speaker 1>school animation. Yeah, let me see here inside out from

0:29:13.760 --> 0:29:16.400
<v Speaker 1>Katie Thomas, the whole damn movie. Yeah, that was a

0:29:16.480 --> 0:29:21.120
<v Speaker 1>tough one. Dancer in the Dark, Oh boy, Oh yeah,

0:29:21.160 --> 0:29:23.400
<v Speaker 1>that's yes, that's yeah, that that's definitely up there. That's

0:29:23.480 --> 0:29:26.600
<v Speaker 1>from Hannah ha. She said. I saw it twice, once

0:29:26.640 --> 0:29:28.920
<v Speaker 1>because I wanted to see it and once because I

0:29:28.920 --> 0:29:30.600
<v Speaker 1>wanted to show it to someone. The first time I

0:29:30.680 --> 0:29:33.400
<v Speaker 1>cried hysterically towards the end. The second time, I cried

0:29:33.520 --> 0:29:37.480
<v Speaker 1>hysterically pretty much right from the beginning. Man, I haven't

0:29:37.480 --> 0:29:38.960
<v Speaker 1>seen that in a long time. Emily and I saw

0:29:39.000 --> 0:29:41.280
<v Speaker 1>that on it one of our early dates in l

0:29:41.360 --> 0:29:45.800
<v Speaker 1>a uh, and I haven't seen it since. That's a

0:29:45.880 --> 0:29:49.440
<v Speaker 1>tough one. Yeah. My friends do a movie podcast called

0:29:49.520 --> 0:29:53.120
<v Speaker 1>Video Drum Cinema and they recently I was a guest

0:29:53.160 --> 0:29:55.920
<v Speaker 1>on it talking about there to be phenomenon this horror movie.

0:29:55.960 --> 0:29:59.080
<v Speaker 1>But they recently discussed that movie and I I just

0:29:59.320 --> 0:30:01.560
<v Speaker 1>messaged him. I was like, Nope, I don't ever need

0:30:01.600 --> 0:30:04.080
<v Speaker 1>to see that one again. Like it's it's wonderful. It

0:30:04.200 --> 0:30:08.600
<v Speaker 1>is a damn perfect movie, but it's just so sad,

0:30:08.920 --> 0:30:11.360
<v Speaker 1>and it just gets worse and worse for this character

0:30:11.600 --> 0:30:14.360
<v Speaker 1>and it's just you you want her to succeed and

0:30:14.480 --> 0:30:16.280
<v Speaker 1>you want things to turn around for her, but they

0:30:16.360 --> 0:30:21.920
<v Speaker 1>just don't. And it's yeah tough, be about to cry. No,

0:30:24.960 --> 0:30:28.080
<v Speaker 1>Sidney Wolford says, two scenes in movies spoiler spoiler for

0:30:28.240 --> 0:30:31.040
<v Speaker 1>terms of endearment. Uh, you know that movie wrecked me

0:30:31.080 --> 0:30:32.960
<v Speaker 1>When Debra Winger has to say goodbye to her kids.

0:30:34.160 --> 0:30:37.680
<v Speaker 1>Oh Jesus, I can't even take that scene. And then

0:30:37.760 --> 0:30:40.200
<v Speaker 1>it's Steel Magnolians when Sally Field is screaming after the

0:30:40.280 --> 0:30:46.640
<v Speaker 1>funeral about her daughter being dead. Uh yeah, yes, yes, yes, yes,

0:30:46.960 --> 0:30:50.200
<v Speaker 1>all those things. No, there's something about it though, that's

0:30:50.240 --> 0:30:53.520
<v Speaker 1>really cathartic for me. I love I love being wrecked

0:30:53.520 --> 0:30:57.400
<v Speaker 1>by a movie. Not always, but it feels good in

0:30:57.480 --> 0:31:01.040
<v Speaker 1>a way. Yeah, it is weird, And like I said,

0:31:01.200 --> 0:31:05.360
<v Speaker 1>I mean most times, you know, when my kids catches

0:31:05.440 --> 0:31:08.840
<v Speaker 1>me crying, it's because I'm just loving something. It's because

0:31:08.880 --> 0:31:12.080
<v Speaker 1>I I'm moved by it, not because I'm sad or

0:31:12.080 --> 0:31:14.720
<v Speaker 1>because it makes me, like you know, feel bad. It's

0:31:14.760 --> 0:31:16.960
<v Speaker 1>it really is like a very human feeling. And that

0:31:17.080 --> 0:31:20.320
<v Speaker 1>think that's that's that's what connects us all and then

0:31:20.400 --> 0:31:22.480
<v Speaker 1>and then when we really connect with a character with

0:31:22.640 --> 0:31:25.040
<v Speaker 1>something that you can relate to, that's just that's what

0:31:25.160 --> 0:31:27.880
<v Speaker 1>triggers it sometimes for me, you know. Yeah, I see

0:31:27.920 --> 0:31:31.680
<v Speaker 1>Sally Fields uh and Steel Magnolia's is getting a lot

0:31:31.880 --> 0:31:35.760
<v Speaker 1>of love here. Stephanie Munden says the same thing. Oh boy,

0:31:35.800 --> 0:31:38.840
<v Speaker 1>here's the one for you know from Fox Rayne Matthews

0:31:39.360 --> 0:31:41.560
<v Speaker 1>top fan and old friend, the movie Lion. Did you

0:31:41.640 --> 0:31:44.240
<v Speaker 1>see that yet? No, I've heard nothing but amazing things

0:31:44.240 --> 0:31:47.400
<v Speaker 1>about it. Though. Boy man, I'm not gonna even say

0:31:47.440 --> 0:31:51.920
<v Speaker 1>what happens then, but it's uh. Fox Rayne Matthew says,

0:31:51.920 --> 0:31:54.360
<v Speaker 1>I grew up in foster care, so it tugs it

0:31:54.440 --> 0:31:58.000
<v Speaker 1>some deep emotional roots and destroys me every time. You

0:31:58.160 --> 0:32:05.840
<v Speaker 1>ain't kidding, brother, that is a deeply affecting film. Uh.

0:32:06.360 --> 0:32:08.880
<v Speaker 1>Amy Ball says the endo Barmageddon when Harry saying goodbye

0:32:08.880 --> 0:32:11.360
<v Speaker 1>to Grace and he rips oxygen out pushes a j

0:32:11.520 --> 0:32:15.480
<v Speaker 1>back in. I saw that on my brother's first date. Yes,

0:32:15.600 --> 0:32:18.720
<v Speaker 1>I tagged along with his now wife. That's really sweet.

0:32:18.800 --> 0:32:23.240
<v Speaker 1>That's a very cute story, Matt Dent says. Jesse Song

0:32:23.320 --> 0:32:28.520
<v Speaker 1>and Toy story two yep. Maddie Baldwin says the Fight

0:32:28.720 --> 0:32:31.360
<v Speaker 1>and a Marriage story is too real, brings me to tears.

0:32:31.440 --> 0:32:33.840
<v Speaker 1>Just thinking about it. Yeah, that's when we talked about this, Chuck.

0:32:33.920 --> 0:32:36.240
<v Speaker 1>That's when I haven't brought myself to watch yet, because

0:32:37.080 --> 0:32:40.560
<v Speaker 1>you know, I went through a divorce and all that

0:32:40.640 --> 0:32:42.840
<v Speaker 1>stuff is a little too real for me, and I

0:32:42.880 --> 0:32:45.520
<v Speaker 1>don't know that I want. I'm sure it's really really

0:32:45.560 --> 0:32:48.160
<v Speaker 1>well done, but it's just not something that I feel

0:32:48.240 --> 0:32:51.840
<v Speaker 1>compelled to want to experience again. If that makes sense now,

0:32:51.880 --> 0:32:54.240
<v Speaker 1>I hear you. It's a It could be very triggering.

0:32:54.280 --> 0:32:58.160
<v Speaker 1>I imagine another vote for Arrival from Jason Wallace James

0:32:58.280 --> 0:33:02.200
<v Speaker 1>Baker the first scenes of Up. A bunch of people

0:33:02.280 --> 0:33:07.440
<v Speaker 1>mentioned that, but this is from Curtis James H. Calch Thaler.

0:33:09.400 --> 0:33:13.080
<v Speaker 1>Cool name. Let's do a couple of more Janna Maria.

0:33:13.160 --> 0:33:16.320
<v Speaker 1>The ending of The Notebook, when Ali briefly remembers her

0:33:16.360 --> 0:33:19.440
<v Speaker 1>love with Noah again and then her Alzheimer's kicks back

0:33:19.480 --> 0:33:22.560
<v Speaker 1>in and elderly Noah makes that saddest cry face and history,

0:33:23.280 --> 0:33:25.720
<v Speaker 1>Oh god, the end of the Notebook is so sad, nol.

0:33:27.240 --> 0:33:28.760
<v Speaker 1>I haven't seen I haven't seen The Notebook. I think

0:33:28.760 --> 0:33:32.680
<v Speaker 1>I unfairly thought of it as like a teen kind

0:33:32.720 --> 0:33:35.680
<v Speaker 1>of movie, and I mean, you know, it's Nicholas sparks.

0:33:35.720 --> 0:33:37.640
<v Speaker 1>It is what it is, but it's very well acted.

0:33:37.720 --> 0:33:41.080
<v Speaker 1>And you know, Ryan Gosling and Rachel McAdams were falling

0:33:41.120 --> 0:33:43.560
<v Speaker 1>in love in real life, so that always is pretty

0:33:43.600 --> 0:33:47.320
<v Speaker 1>impactful on screen. You know, it's good stuff. It seems

0:33:47.360 --> 0:33:50.360
<v Speaker 1>like good chemistry. All right, let's do a couple of

0:33:50.400 --> 0:33:54.080
<v Speaker 1>more because this is getting sort of sad. A movie

0:33:54.120 --> 0:33:59.400
<v Speaker 1>I haven't seen yet, Babel Audrey Arizoza since the Nanny

0:33:59.480 --> 0:34:01.280
<v Speaker 1>Lost in the as It with the kids kills me.

0:34:02.680 --> 0:34:04.800
<v Speaker 1>Did you ever see Babe? I did. It's been a

0:34:04.880 --> 0:34:07.200
<v Speaker 1>long time. Um, it's great. It's it's it's sort of

0:34:07.240 --> 0:34:10.319
<v Speaker 1>like a shortcuts type movie where it's like a big

0:34:10.600 --> 0:34:14.719
<v Speaker 1>ensemble cast and different intersecting storylines and stuff. And is

0:34:14.760 --> 0:34:18.320
<v Speaker 1>it it's one of those um Mexican directors that's like

0:34:18.360 --> 0:34:21.880
<v Speaker 1>sort of in that click with like Alfonso Koran and

0:34:22.160 --> 0:34:24.560
<v Speaker 1>in a re too. And I forget which one actually,

0:34:24.680 --> 0:34:27.239
<v Speaker 1>I think it's the one that did twenty one grahams. Yeah, yeah,

0:34:27.280 --> 0:34:29.720
<v Speaker 1>that's who it is. I always get those guys confused,

0:34:29.760 --> 0:34:32.160
<v Speaker 1>which is my bad. Well, no, I mean it's they

0:34:32.200 --> 0:34:34.399
<v Speaker 1>all came out kind of at the same time here

0:34:34.480 --> 0:34:36.440
<v Speaker 1>in the States, and they all knew each other though

0:34:36.480 --> 0:34:38.800
<v Speaker 1>it was definitely like a little kind of collect collective

0:34:38.800 --> 0:34:41.000
<v Speaker 1>almost you know. Okay, well then good I don't feel

0:34:41.040 --> 0:34:45.480
<v Speaker 1>so bad. Let me see here seven pounds. It's from

0:34:45.520 --> 0:34:47.400
<v Speaker 1>Peter Fisher, right at the end when the character he

0:34:47.480 --> 0:34:52.200
<v Speaker 1>gave his life for they find each other. Uh, and

0:34:52.320 --> 0:34:57.640
<v Speaker 1>let's finish up with um let me find a good

0:34:57.680 --> 0:35:00.800
<v Speaker 1>one here. Oh, here we go, we'll rivera at the

0:35:00.880 --> 0:35:03.120
<v Speaker 1>very end of calling me by your name, I've been

0:35:03.160 --> 0:35:06.759
<v Speaker 1>in that emotional place and it's devastating. Yeah, well that's

0:35:06.800 --> 0:35:12.319
<v Speaker 1>a good one. Goodwin, Goodwin. Alright, uh nol, I think

0:35:12.520 --> 0:35:16.319
<v Speaker 1>that I'm thoroughly bummed out now. And uh I mean

0:35:16.680 --> 0:35:18.400
<v Speaker 1>you to leave us on a down er. No like this,

0:35:18.760 --> 0:35:23.040
<v Speaker 1>I'm gonna go uh walk into traffic. Oh no, but

0:35:23.120 --> 0:35:24.640
<v Speaker 1>this makes me want to This makes me want to

0:35:24.680 --> 0:35:28.719
<v Speaker 1>see a sad movie. Actually, just rewatch thunder Road. I

0:35:28.800 --> 0:35:32.520
<v Speaker 1>gotta see this thunder Road, Chuck. This sounds like medicine

0:35:32.560 --> 0:35:35.920
<v Speaker 1>for the soul. It's really good man. He's uh, he's

0:35:35.920 --> 0:35:37.520
<v Speaker 1>a very talented guy. I can't wait to see what

0:35:37.560 --> 0:35:40.719
<v Speaker 1>he does next. This is his first picture. Yeah that

0:35:40.840 --> 0:35:46.440
<v Speaker 1>he you know, micro budget written, directed, starring uh you know,

0:35:46.480 --> 0:35:50.480
<v Speaker 1>it's two dollar budget. It's one of those crazy it's

0:35:50.560 --> 0:35:53.719
<v Speaker 1>great all right, nol. That wraps it up for me.

0:35:55.080 --> 0:35:56.360
<v Speaker 1>You gotta get up on out of here and do

0:35:56.440 --> 0:35:59.239
<v Speaker 1>other work. Yeah man, same, get working on that book.

0:36:00.160 --> 0:36:03.080
<v Speaker 1>Get your book, get your book right and on. Uh So,

0:36:03.320 --> 0:36:06.640
<v Speaker 1>have a good week, everybody hanging there, Be kind to

0:36:06.719 --> 0:36:09.360
<v Speaker 1>one another, do your best, and we'll be thinking about you.

0:36:09.560 --> 0:36:26.800
<v Speaker 1>See you next week. For more podcasts for my heart Radio,

0:36:27.000 --> 0:36:29.640
<v Speaker 1>visit the i heart Radio app, Apple Podcasts, or wherever

0:36:29.760 --> 0:36:31.040
<v Speaker 1>you listen to your favorite shows.