WEBVTT - BONUS EP: 'Avengers: Endgame' Review **SPOILERS**

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<v Speaker 1>Hello, and welcome to a special edition of Nerdificent. We

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<v Speaker 1>are going to be covering Endgame. So if you haven't

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<v Speaker 1>seen Avengers Endgame, you might want to not listen to

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<v Speaker 1>this episode on Endgame. I am one half of your

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<v Speaker 1>Hostdanny fernandezon sitting across from me. Yeah, if you want

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<v Speaker 1>away ready to talk about in game. I know you

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<v Speaker 1>really wanted to talk about this last week. Yeah, like

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<v Speaker 1>I was just excited for people to know it's about

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<v Speaker 1>to happen. And we are joined by pop culture critic.

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<v Speaker 1>You have seen her words on Playboy Polygone The Hollywood

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<v Speaker 1>Reporter teen Vogue. She was here for our Captain Marvel episode.

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<v Speaker 1>It is Joel Monique. O, what's up. I'm so excited

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<v Speaker 1>to talk about this movie critic. Yes, you've been through

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<v Speaker 1>it for a few We did Aunt Man in the

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<v Speaker 1>Wash Marvel. Yeah, we've did all the movies after Infinity

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<v Speaker 1>War up until it's true I mean your Marvel person,

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<v Speaker 1>and I feel really special about that. Yeah, so when

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<v Speaker 1>I have many times have you have you seen it

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<v Speaker 1>once now? Or I have seen it once? Okay, but

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<v Speaker 1>it was a lasting experience and I haven't talked about

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<v Speaker 1>I haven't stopped talking about it since like even Game

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<v Speaker 1>of Thrones day, I was still talking about Avengers. So

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<v Speaker 1>I feel good about it. I know it really sat

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<v Speaker 1>I mean it also sat with me as well. It

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<v Speaker 1>was something that honestly, even though it was three hours,

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<v Speaker 1>didn't feel like it not at all, didn't feel like

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<v Speaker 1>three hours. UM. So I guess we could just dive

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<v Speaker 1>right into it. How did you feel? How did you

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<v Speaker 1>feel about it? Compared to all the other m c

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<v Speaker 1>U films. So I went back and watched most of

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<v Speaker 1>the m c U films before, and then every film

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<v Speaker 1>that was very specifically inside of this film I watched

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<v Speaker 1>again afterwards, and I felt, so this movie has we're

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<v Speaker 1>wrapping up so many storylines that it has like this

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<v Speaker 1>very like lovely prominent place, like it's the end of

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<v Speaker 1>like the Great Tony Stark, like um emotional daddy drama saga,

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<v Speaker 1>and then also you get the end of Captain Marvel's

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<v Speaker 1>like sacrificial journey. Um. But in the same way that

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<v Speaker 1>I feel like Ultron left people with a lot of questions,

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<v Speaker 1>this movie left me with a lot of questions. However,

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<v Speaker 1>I will say I rewatched Ultron and I have those

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<v Speaker 1>questions anymore because Ultron is setting up questions to be

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<v Speaker 1>answered later. It's hard to judge a series in the middle,

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<v Speaker 1>like as an end of a chapter, you're like so good,

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<v Speaker 1>Like I feel like we got where we needed to be,

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<v Speaker 1>you know, have questions about some of the deaths, but

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<v Speaker 1>overall it's like, you know, this is a really solid

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<v Speaker 1>place to land. Um, we'll have to see where they

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<v Speaker 1>pick up some of the strands some of the questions later.

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<v Speaker 1>It's hard to sort of judge the film in a

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<v Speaker 1>series when you don't know how it's going to end.

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<v Speaker 1>I think it did a great job closing the book

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<v Speaker 1>on just kind of the the original MCU crew, like

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<v Speaker 1>you know, Cat you know, wrapped that story, which is

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<v Speaker 1>was beautiful to me as a fan of the comics

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<v Speaker 1>because that doesn't happen in the comics. In the comics,

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<v Speaker 1>Cap just keeps fighting, you never he he never gets

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<v Speaker 1>that back. So for him to be able to get

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<v Speaker 1>that back in the movies was like an extra surprise

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<v Speaker 1>it didn't see coming, uh, and that it makes sense

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<v Speaker 1>for him to rest the decision Captain in America to

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<v Speaker 1>make Iron Man, you know, finally getting wrapped up, which

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<v Speaker 1>you know was great. I think I called that, I

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<v Speaker 1>said they were both couldn't die. I mean, they both

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<v Speaker 1>didn't die, but they both kind of got wrapped, their

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<v Speaker 1>stories wrapped. And you know, it seems like they're gonna

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<v Speaker 1>kind of bunch thor with Guardians maybe, which is which

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<v Speaker 1>is the interesting thing? Uh Black Widow Dad, I think

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<v Speaker 1>she's gone. I think they they smoked her. The the

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<v Speaker 1>movie that's on the docket as a prequel, Like that's

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<v Speaker 1>so they're just gonna do the prequel. It it does

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<v Speaker 1>seem to do a prequel, yes, but I mean I

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<v Speaker 1>feel like a prequel coming after time travel, knowing that

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<v Speaker 1>the zones soul stone is an exchange, and that Captain

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<v Speaker 1>went to place all the stones back exactly where they

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<v Speaker 1>picked them up, she could easily pop back up. I

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<v Speaker 1>just don't think that it's necessary, though sometimes I feel

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<v Speaker 1>I sometimes I feel like it's okay too. It's like

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<v Speaker 1>real life. It's okay sometimes to retire or lose our heroes.

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<v Speaker 1>That happened in real life. We lose people that we

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<v Speaker 1>care about in real life. And um, it's funny that

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<v Speaker 1>you I know that you wrote for um Playboy. I

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<v Speaker 1>just wrote a thing, a piece for them on how

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<v Speaker 1>Endgame tackles failure. And mortality and mainly how I when

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<v Speaker 1>I watched this movie, I watched it as someone that

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<v Speaker 1>has depression, seeing how they were put into this bleak

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<v Speaker 1>world where they suddenly found themselves purposeless. They suddenly had

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<v Speaker 1>no purpose anymore. They were so lost and didn't did

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<v Speaker 1>know how to carry How do you carry on when

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<v Speaker 1>you feel like you have no more purpose? How do

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<v Speaker 1>you carry on after grief? How do you carry on

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<v Speaker 1>after loss? And so that to me when I walked

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<v Speaker 1>out and everyone's like, how do you like? How did

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<v Speaker 1>you like it? And to me it was like, oh

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<v Speaker 1>my gosh, it spoke to me from that place of

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<v Speaker 1>it was the most vulnerable I had ever seen them.

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<v Speaker 1>That to me is decide that I that I wanted

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<v Speaker 1>to see And yeah, they've all we've had Lost and

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<v Speaker 1>other and other films, but this was the first time

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<v Speaker 1>where it was really like this might not work out.

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<v Speaker 1>A five year jump is what really kind of screws

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<v Speaker 1>with your head at the beginning, because at first it's like, Okay,

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<v Speaker 1>well we're picking up and we're gonna find oh, like

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<v Speaker 1>there's nothing. That was a great moment, and there were

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<v Speaker 1>just lots of good bread crumbs within all that be

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<v Speaker 1>like you know Cap saying how he this is a

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<v Speaker 1>second loss firm because he had that loss, and it

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<v Speaker 1>really did. There were a lot of setups that were great.

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<v Speaker 1>There was some little heavy handed like I don't think

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<v Speaker 1>Tony Stark needed to say and don't die in the process.

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<v Speaker 1>It was like, all right, this is this is but

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<v Speaker 1>but I always say those ones are for the people

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<v Speaker 1>in the back or what's gonna happen. It's like, oh uh,

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<v Speaker 1>there's something that's been making ways recently that didn't ping

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<v Speaker 1>for me. But it seems like a lot of people

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<v Speaker 1>feel a certain way and it's about fat thor I

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<v Speaker 1>love person. I love that that's and that's my thing too,

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<v Speaker 1>is like you know, I saw no problem because they

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<v Speaker 1>didn't have any fat jokes. And then at the end

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<v Speaker 1>of the like really him being fat felt like it

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<v Speaker 1>was an effect of his like depression which he had.

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<v Speaker 1>He was depressed because he felt that he couldn't save people.

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<v Speaker 1>And then when he gets good, he doesn't get skinny.

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<v Speaker 1>It's not like he gets lightning zapp his body and

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<v Speaker 1>then they're saying like, oh, fat is depressed. It just

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<v Speaker 1>was an effect of it, and he just was totally

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<v Speaker 1>He gets to say the line like I'm still worthy

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<v Speaker 1>while he's fat, Like he gets his back, like it's

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<v Speaker 1>not and it's not anything that anybody makes fun of

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<v Speaker 1>him for, you know, they're mostly just concerned about like

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<v Speaker 1>so you're drinking a lot and that needs you to

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<v Speaker 1>come back to earth and like that's your job. I

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<v Speaker 1>pointed that out in Candy Dinner, that there there was

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<v Speaker 1>no like direct fat jokes. It was just all his

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<v Speaker 1>drinking like that's and yet like there seems to be

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<v Speaker 1>this big, you know thing, and I can't control how

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<v Speaker 1>anybody feels about it. But it gets to the point

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<v Speaker 1>where it's like people are kind of like, you know,

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<v Speaker 1>him being fat as a fat joke, as like at

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<v Speaker 1>some point it's like you're almost like not allowing people

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<v Speaker 1>to show people larger on screen. I don't know. I

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<v Speaker 1>split hairs with it and say this, On the one hand,

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<v Speaker 1>like you have to be media literate, you need to

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<v Speaker 1>like look at things and see like how they're portraying

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<v Speaker 1>it and and to that effect, like no, I I

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<v Speaker 1>personally don't think that anybody's making fun of Thor's body.

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<v Speaker 1>On the other hand, I know there's a lot of

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<v Speaker 1>frustration as we watch a lot of very thin people

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<v Speaker 1>put on body suits and portray fat people. And there

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<v Speaker 1>are a lot of factors who could be doing these roles. Um,

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<v Speaker 1>this is not one of them, though, Like we couldn't

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<v Speaker 1>replace You're not gonna this is never gonna happen. So,

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<v Speaker 1>um did the body Sily greet? No, we don't see

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<v Speaker 1>a lot of fat bodies. I think we're still trying

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<v Speaker 1>to figure out how to portray them in a way

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<v Speaker 1>that with dignity essentially and not play it for jokes.

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<v Speaker 1>They got pretty close for for someone who hit to

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<v Speaker 1>eighty and hit two eighty muscular, that was that was

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<v Speaker 1>one thing that people are like, oh, that looks weird.

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<v Speaker 1>It's like, no, that's like I have a picture in

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<v Speaker 1>my phone of my body looking but look kind of plastic.

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<v Speaker 1>That I feel like that's just the limitations of like

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<v Speaker 1>the Uncanny Valley with like we make alien faces, we

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<v Speaker 1>should be able to make believable that. I think. I

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<v Speaker 1>think he the one that I've saw people point out

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<v Speaker 1>was that his mom told him to eat a salad.

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<v Speaker 1>You know, at some she was, I can please an

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<v Speaker 1>a salad, but for me also he just she said

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<v Speaker 1>like when she looks at him, because he is depressed.

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<v Speaker 1>Like you said, if he's intoxicated, he is has become

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<v Speaker 1>an alcoholic, like he as someone that has depression. He

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<v Speaker 1>hasn't showered like and so to me, it's almost like

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<v Speaker 1>she when she cresses his face and she's like, you know,

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<v Speaker 1>the future hasn't been good to you. I think she's

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<v Speaker 1>just looking at the hardship that he is, you know,

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<v Speaker 1>not necessarily his body, but just him as like your

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<v Speaker 1>soul has been crushed. You're intoxicated. My child here is

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<v Speaker 1>like severely depressed, you know, like please take care of yourself.

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<v Speaker 1>I think like that might be the commentary more there.

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<v Speaker 1>It's a very mom thing to say, like take care

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<v Speaker 1>of yourself, please don't down a bunch of corps. Like

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<v Speaker 1>it certainly wasn't like, oh my god, no one's gonna

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<v Speaker 1>love him still, And the thing was that she still,

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<v Speaker 1>she loved him so much. She knew like this is

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<v Speaker 1>my son, you know, and you're not and you would

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<v Speaker 1>never you know. It was interesting because she did say

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<v Speaker 1>you are a failure, but and he was like that's harsh.

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<v Speaker 1>But it was so fascinating the way that it's like

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<v Speaker 1>it's okay to fail. It's okay to fail you know,

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<v Speaker 1>that doesn't mean you're not worthy, and that's why when

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<v Speaker 1>he reached for Milnoir, he was still able to get

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<v Speaker 1>it like you are still valid definitely. I mean, like

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<v Speaker 1>I think I've made this comment before, like aren't always

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<v Speaker 1>is going to affect people differently. People are gonna get

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<v Speaker 1>it differently, and you know, no one knows the intent,

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<v Speaker 1>and you just sometimes you just see something a certain

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<v Speaker 1>way and you know that's how you feel about and

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<v Speaker 1>I can't argue that. But that did kind of like

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<v Speaker 1>shake me a bit because I I think it shook

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<v Speaker 1>me more, like maybe it feels something that I just

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<v Speaker 1>was like hunt and moved. I think it shook me

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<v Speaker 1>more because I came out of it thinking like, oh

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<v Speaker 1>they they did a good job with not doing the

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<v Speaker 1>hacky thing and really kind of really letting it be

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<v Speaker 1>the effect of his depression and not have it. But

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<v Speaker 1>I think Joel just knocked it out the park on that,

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<v Speaker 1>uh story wise, you know, yeah, I think just hidden,

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<v Speaker 1>like everyone said, didn't feel like three hours. It really

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<v Speaker 1>just flowed. It kept giving us everything we needed, and

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<v Speaker 1>as a like finale to eleven years of movies, I

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<v Speaker 1>gotta say I love that, just like as a writer.

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<v Speaker 1>It was kind of like almost just storytelling point that

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<v Speaker 1>you ind the you You go back to one of

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<v Speaker 1>the most prolific moments in The Avengers two thousand twelve

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<v Speaker 1>The New York when we first meet the Avengers and

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<v Speaker 1>we just have essentially these developed characters, but like having

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<v Speaker 1>Steve Rogers from two thousand twelve fights Steve Rogers now

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<v Speaker 1>so you can actively see but the way they tease

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<v Speaker 1>like this isn't like I talked to a bunch of

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<v Speaker 1>people who are like, well, I've seen all the movies

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<v Speaker 1>and I still feel them like this is a movie

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<v Speaker 1>designed for people who watch these movies like six times,

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<v Speaker 1>because the little like when Steve gets in the elevator

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<v Speaker 1>and you're like, are we gonna point to they build

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<v Speaker 1>that tension for fans of being like, we know what

0:11:43.360 --> 0:11:45.079
<v Speaker 1>you want to see. Now he learned his lesson. It's

0:11:45.120 --> 0:11:46.880
<v Speaker 1>just a simple hale Hydra and he thought. I was like,

0:11:46.920 --> 0:11:50.520
<v Speaker 1>this is so effing good. And a thousand little moments

0:11:50.559 --> 0:11:53.440
<v Speaker 1>like that word like one of the coming. One of

0:11:53.480 --> 0:11:55.880
<v Speaker 1>my favorite things was getting to see Bruce first, like

0:11:56.000 --> 0:12:00.160
<v Speaker 1>how much the Hulk has changed? He out of every one,

0:12:00.200 --> 0:12:04.000
<v Speaker 1>I would say him and Nebula's story arc are my favorite.

0:12:04.160 --> 0:12:07.679
<v Speaker 1>Like Bruce so to have the fact that he went

0:12:07.720 --> 0:12:09.559
<v Speaker 1>back in that time when we first saw the Avengers,

0:12:09.640 --> 0:12:12.040
<v Speaker 1>and now he has rectified this part of himself that

0:12:12.120 --> 0:12:15.200
<v Speaker 1>he hated so much that he has now learned to

0:12:16.000 --> 0:12:18.720
<v Speaker 1>live with and and seeing as now a strength something

0:12:18.760 --> 0:12:20.200
<v Speaker 1>that he and I don't know if you remember, in

0:12:20.240 --> 0:12:22.120
<v Speaker 1>the first Avengers he actually said that he tried to

0:12:22.200 --> 0:12:24.760
<v Speaker 1>kill himself. I mean, that's really dark. He says that

0:12:24.800 --> 0:12:27.280
<v Speaker 1>he shot a bullet in his mouth and that the

0:12:27.360 --> 0:12:31.120
<v Speaker 1>whole spit it out. And now, um, there's a scene

0:12:31.120 --> 0:12:33.920
<v Speaker 1>it's so it's so pretty where nat is like you

0:12:33.960 --> 0:12:38.680
<v Speaker 1>know where Natasha where Black Widow, where he Um, Bruce

0:12:38.840 --> 0:12:41.880
<v Speaker 1>is nervous about the time travel and she says, well, um,

0:12:41.960 --> 0:12:44.040
<v Speaker 1>you did this. And she's talking about him being able

0:12:44.080 --> 0:12:45.839
<v Speaker 1>to be Bruce and the Hulk at the same time,

0:12:45.840 --> 0:12:47.520
<v Speaker 1>and she says, I remember a time when that was

0:12:47.559 --> 0:12:50.760
<v Speaker 1>almost impossible. And so for me it's like, oh my gosh,

0:12:50.800 --> 0:12:53.280
<v Speaker 1>the fact that this man has finally been able this

0:12:53.360 --> 0:12:56.400
<v Speaker 1>like tormented soul has finally been able to come to

0:12:56.600 --> 0:12:58.319
<v Speaker 1>terms and like be both of these things at the

0:12:58.360 --> 0:13:01.160
<v Speaker 1>same time, and you're really able to see that by

0:13:01.200 --> 0:13:06.920
<v Speaker 1>these flashbacks, like how how much of our heroes have evolved. Well, also,

0:13:07.000 --> 0:13:10.000
<v Speaker 1>it's great because it's just such a metaphor with so

0:13:10.040 --> 0:13:13.520
<v Speaker 1>many things where you try and fight this part of you,

0:13:13.640 --> 0:13:15.680
<v Speaker 1>just try and fight you use like I want to be,

0:13:16.000 --> 0:13:18.679
<v Speaker 1>not this I this part of me I don't want

0:13:18.720 --> 0:13:21.720
<v Speaker 1>to be. And finally learning to love that part of

0:13:21.760 --> 0:13:24.760
<v Speaker 1>yourself and be one with it and see how it

0:13:24.800 --> 0:13:27.440
<v Speaker 1>complements you as a human. That is just a beautiful

0:13:27.480 --> 0:13:32.720
<v Speaker 1>message within itself. And I mean this The time stuff

0:13:32.840 --> 0:13:36.280
<v Speaker 1>was real cool, mostly because the pacing of it was great.

0:13:36.280 --> 0:13:38.200
<v Speaker 1>We got the fun of the two thousand and twelve

0:13:38.880 --> 0:13:42.600
<v Speaker 1>and then we almost forget that they went to Vormier

0:13:42.880 --> 0:13:47.160
<v Speaker 1>Vormier or with Vormier. Yeah, we almost forget. They time

0:13:47.200 --> 0:13:50.000
<v Speaker 1>it so perfectly for it to be the last one.

0:13:50.320 --> 0:13:53.080
<v Speaker 1>We forget the one thing that they taught us about

0:13:53.120 --> 0:13:55.520
<v Speaker 1>Vormier in the last movie, because we had all this

0:13:55.559 --> 0:13:59.280
<v Speaker 1>stuff happened. And then you see red Skull and you're like, oh,

0:14:00.120 --> 0:14:02.840
<v Speaker 1>oh no, see I didn't forget and I knew immediately.

0:14:03.360 --> 0:14:06.240
<v Speaker 1>So one of these two people is going to have

0:14:06.360 --> 0:14:11.000
<v Speaker 1>to die. And I feel like it is really challenging

0:14:11.040 --> 0:14:14.320
<v Speaker 1>because like if we look at the way um Houlka

0:14:14.520 --> 0:14:17.720
<v Speaker 1>like Hulk is the exact opposite mental space as literally

0:14:17.760 --> 0:14:20.720
<v Speaker 1>everyone else. The writers did a really great interview with

0:14:20.760 --> 0:14:22.920
<v Speaker 1>The New York Times where they took everybody's like most

0:14:22.920 --> 0:14:25.720
<v Speaker 1>pressing questions asked the writers and they responded. So one

0:14:25.760 --> 0:14:28.160
<v Speaker 1>of them was talking about, like, you know, when did

0:14:28.200 --> 0:14:29.840
<v Speaker 1>you guys decide to take this route with the Hulk

0:14:29.840 --> 0:14:31.680
<v Speaker 1>because his story he hasn't had a solo story. It's

0:14:31.720 --> 0:14:34.640
<v Speaker 1>chopped up amongst like about four different stories to make

0:14:34.760 --> 0:14:37.520
<v Speaker 1>this arc happen for him. And if you remember any

0:14:37.560 --> 0:14:41.000
<v Speaker 1>trailers for Infinity Wars, you have Hulk in the Hulk

0:14:41.040 --> 0:14:43.920
<v Speaker 1>Buster running around instead of just Bruce Banner inside of

0:14:43.920 --> 0:14:46.480
<v Speaker 1>the Hulk Bolster with his tiny head, giant metal body

0:14:46.480 --> 0:14:49.080
<v Speaker 1>thing going on. Originally they were going to put that

0:14:49.120 --> 0:14:51.320
<v Speaker 1>storyline at the end of this movie, at the end

0:14:51.360 --> 0:14:54.240
<v Speaker 1>of Infinity Wars. He was going to have that transformation

0:14:54.360 --> 0:14:57.640
<v Speaker 1>and be kind of like reached this equilibrium. Then the

0:14:57.680 --> 0:14:59.200
<v Speaker 1>snap would have happened, and then we would have come

0:14:59.200 --> 0:15:01.200
<v Speaker 1>back here, but she wouldn't given his character a lot

0:15:01.280 --> 0:15:02.760
<v Speaker 1>to do. So it's really smart of them to put

0:15:02.760 --> 0:15:05.240
<v Speaker 1>it here. I really wish we had had more of

0:15:05.240 --> 0:15:08.400
<v Speaker 1>that formation, that thought process with Nat who was also

0:15:08.440 --> 0:15:10.200
<v Speaker 1>a character who has yet to have a solo movie,

0:15:10.200 --> 0:15:13.840
<v Speaker 1>who hasn't had her story really spread out, She hasn't

0:15:13.880 --> 0:15:16.560
<v Speaker 1>had a great arc across Like you're introduced to her

0:15:17.080 --> 0:15:20.239
<v Speaker 1>in uh iron Man Too, Tony hires her as an assistant.

0:15:20.560 --> 0:15:22.840
<v Speaker 1>Then you know she's in Avengers and we get a

0:15:22.840 --> 0:15:24.480
<v Speaker 1>lot more of her backstory. We get a little bit

0:15:24.560 --> 0:15:26.280
<v Speaker 1>of a teaser of like what her life was like

0:15:26.640 --> 0:15:30.960
<v Speaker 1>in Ultron. Then she's kind of hanging out with Cap

0:15:31.040 --> 0:15:33.040
<v Speaker 1>and being like, you should date again, that would be

0:15:33.080 --> 0:15:34.960
<v Speaker 1>fun for you, right, and we hear kicked total ass,

0:15:34.960 --> 0:15:38.520
<v Speaker 1>which is awesome. Nothing happens to her and all this time,

0:15:38.760 --> 0:15:40.440
<v Speaker 1>and the writer said that in this one, she's supposed

0:15:40.440 --> 0:15:43.320
<v Speaker 1>to be reclusive. Did you get that kind of I

0:15:43.360 --> 0:15:46.400
<v Speaker 1>mean she did. I felt like she has out of everyone,

0:15:46.480 --> 0:15:48.880
<v Speaker 1>she's the one that had her walls up, that she

0:15:48.880 --> 0:15:51.280
<v Speaker 1>she felt like she had to remain strong because remember,

0:15:51.320 --> 0:15:53.840
<v Speaker 1>like it was clear everybody was like are you okay?

0:15:54.120 --> 0:15:56.640
<v Speaker 1>Everyone kept like, you know, like checking in on her

0:15:56.720 --> 0:15:58.520
<v Speaker 1>and for and I remember there was a scene where

0:15:58.560 --> 0:16:00.800
<v Speaker 1>Cap was like she was like if I don't do this,

0:16:00.840 --> 0:16:02.640
<v Speaker 1>who's going to do this? And he was like, maybe

0:16:03.160 --> 0:16:05.680
<v Speaker 1>no one needs to do this, you know, And for

0:16:05.760 --> 0:16:09.520
<v Speaker 1>me it was just like she I know what you're

0:16:09.560 --> 0:16:14.440
<v Speaker 1>saying though, and I feel like, um should I just

0:16:14.480 --> 0:16:17.160
<v Speaker 1>lost my train of thought, but um, I soon say.

0:16:17.200 --> 0:16:21.560
<v Speaker 1>As they've explored other like mental disorders or disabilities, and

0:16:21.560 --> 0:16:23.600
<v Speaker 1>and they've explored them so well in such a short

0:16:23.600 --> 0:16:27.000
<v Speaker 1>amount of time, agoraphobia is presented in a lot of

0:16:27.040 --> 0:16:29.160
<v Speaker 1>different ways, and they sort of hinted at it, but again,

0:16:29.440 --> 0:16:31.360
<v Speaker 1>they didn't give not anything to do. They had all

0:16:31.400 --> 0:16:34.400
<v Speaker 1>these characters sort of reacting to her. But I'm sorry, yeah,

0:16:34.440 --> 0:16:37.760
<v Speaker 1>no not but like, let's see her try to maybe

0:16:37.760 --> 0:16:39.840
<v Speaker 1>go after Clan because that's the only really clue I

0:16:39.880 --> 0:16:42.440
<v Speaker 1>got was when they're like, someone's going should go after

0:16:42.520 --> 0:16:43.880
<v Speaker 1>him and I'm like, well, it's name was like something

0:16:44.040 --> 0:16:45.360
<v Speaker 1>back what I should be able to take care of

0:16:45.360 --> 0:16:47.680
<v Speaker 1>pretty easily. Like that's sort of how they met. It's

0:16:47.680 --> 0:16:49.360
<v Speaker 1>weird that she's not doing it, but it to me,

0:16:49.440 --> 0:16:52.240
<v Speaker 1>it never got to that again, that fully fleshed out point.

0:16:52.240 --> 0:16:54.000
<v Speaker 1>And I feel like that's her whole problem in the

0:16:54.200 --> 0:16:56.880
<v Speaker 1>entire saga Infinity saga is that we never get to

0:16:56.920 --> 0:17:00.320
<v Speaker 1>know her as a person. Well, I was going to say.

0:17:00.320 --> 0:17:03.040
<v Speaker 1>One of the saddest scenes when she does pass and

0:17:03.040 --> 0:17:04.600
<v Speaker 1>and Cap it was like, how do your friends not

0:17:04.680 --> 0:17:06.280
<v Speaker 1>even know you? Because Cap was like does she have

0:17:06.320 --> 0:17:10.080
<v Speaker 1>any family? And they said, yeah, us And I was

0:17:10.119 --> 0:17:11.920
<v Speaker 1>just like, how do you not know if she has?

0:17:12.040 --> 0:17:14.160
<v Speaker 1>But that I mean it did up in that with

0:17:14.200 --> 0:17:17.800
<v Speaker 1>the soul Stone when Clint says something about her dad's

0:17:17.880 --> 0:17:19.920
<v Speaker 1>name and she's like, I didn't know it, you know,

0:17:20.160 --> 0:17:22.800
<v Speaker 1>So it's clear that she I know what you're saying.

0:17:22.880 --> 0:17:24.800
<v Speaker 1>It seems like maybe she was the one that she

0:17:24.840 --> 0:17:29.520
<v Speaker 1>didn't really get. Her death is probably one of the

0:17:29.560 --> 0:17:32.320
<v Speaker 1>saddest because it was like she didn't really get to

0:17:33.200 --> 0:17:36.560
<v Speaker 1>reconcile a lot of that or you know, the funeral.

0:17:38.000 --> 0:17:40.680
<v Speaker 1>I feel like the I kind of feel the same

0:17:40.720 --> 0:17:42.800
<v Speaker 1>way there. But now it's kind of fun now now

0:17:42.840 --> 0:17:45.280
<v Speaker 1>that you pointed out that exchange thing and she might

0:17:45.320 --> 0:17:47.680
<v Speaker 1>be back. I'm like, oh, that that's a good point.

0:17:48.160 --> 0:17:50.520
<v Speaker 1>But there is like that element where I was hoping

0:17:50.600 --> 0:17:53.760
<v Speaker 1>Clint would go because I'm like, Clint is wrapped up.

0:17:53.800 --> 0:17:56.119
<v Speaker 1>He had his rown in. We showed how cool he is.

0:17:56.840 --> 0:17:59.760
<v Speaker 1>He has you know, his family. Yeah, they're gone, they'll

0:17:59.800 --> 0:18:05.080
<v Speaker 1>be they'll be fine, you know. It's so like so

0:18:05.160 --> 0:18:07.640
<v Speaker 1>like when it was like her getting smoked, it was

0:18:07.800 --> 0:18:10.400
<v Speaker 1>because I was like, damn that, even though we did

0:18:10.400 --> 0:18:14.040
<v Speaker 1>get more back before, before we got that moment, uh,

0:18:14.160 --> 0:18:16.359
<v Speaker 1>that real moment of having her back, I was like, damn,

0:18:16.359 --> 0:18:19.960
<v Speaker 1>we lost two women in this same thing. Um, but

0:18:20.160 --> 0:18:23.480
<v Speaker 1>you know that, you know, I totally forget that when

0:18:23.480 --> 0:18:27.639
<v Speaker 1>we have that super you know, dope woman moment uh

0:18:27.720 --> 0:18:31.480
<v Speaker 1>in the final battle, which I was like, oh y'all,

0:18:31.560 --> 0:18:33.879
<v Speaker 1>y'all did it like it was like when it was

0:18:33.920 --> 0:18:36.240
<v Speaker 1>when it went super fan service E And I was like,

0:18:36.480 --> 0:18:38.399
<v Speaker 1>oh man, I don't care how many people are going

0:18:38.440 --> 0:18:41.720
<v Speaker 1>to complain online about this. This is what I needed

0:18:42.080 --> 0:18:45.679
<v Speaker 1>is just seeing all of this action pop off and

0:18:45.720 --> 0:18:50.359
<v Speaker 1>then just that anime style fight with Captain Marvel and

0:18:50.440 --> 0:18:52.960
<v Speaker 1>Than I was just the anime like I'm a headbutt

0:18:53.000 --> 0:18:56.320
<v Speaker 1>you was like, that didn't do anything. But then also

0:18:56.359 --> 0:18:58.160
<v Speaker 1>that I thought it was a cool sequence of even

0:18:58.200 --> 0:18:59.920
<v Speaker 1>than I was doing the switch up of grabbing the

0:19:00.040 --> 0:19:03.160
<v Speaker 1>power stone to punch her like he needs. Yeah, it's

0:19:03.240 --> 0:19:06.680
<v Speaker 1>just so much the fight sequence all that. Uh. Yeah,

0:19:06.720 --> 0:19:10.040
<v Speaker 1>this was you know, big big moments if you if

0:19:10.080 --> 0:19:12.720
<v Speaker 1>you have a daughter, man that they really came at you.

0:19:12.760 --> 0:19:14.959
<v Speaker 1>It was like boom right at the top with Scott

0:19:15.000 --> 0:19:18.160
<v Speaker 1>Lang and his daughters like ouch boom. Then you see

0:19:18.480 --> 0:19:21.800
<v Speaker 1>Iron Man with his daughter's like oh this moment, ouch boom.

0:19:21.840 --> 0:19:24.800
<v Speaker 1>Then you get the moment, uh you know Clint when

0:19:24.800 --> 0:19:27.879
<v Speaker 1>he misses his daughter out just back to bed and

0:19:27.960 --> 0:19:33.000
<v Speaker 1>his daughter on you just oh, kill me now, like

0:19:33.160 --> 0:19:35.320
<v Speaker 1>how how how do you miss it? How do you

0:19:35.359 --> 0:19:38.520
<v Speaker 1>miss And you tore her literally apart like it was crazy.

0:19:38.760 --> 0:19:40.639
<v Speaker 1>But to go back to your earlier point about like

0:19:40.720 --> 0:19:43.720
<v Speaker 1>the female and how like just Gimla Wilson is really

0:19:43.720 --> 0:19:46.199
<v Speaker 1>that doll? If you is probably inappropriate to call her,

0:19:46.320 --> 0:19:49.239
<v Speaker 1>but I'm so sorry. But she she was awesome. Uh.

0:19:49.480 --> 0:19:51.919
<v Speaker 1>She created the eight Fource, which is the all female

0:19:51.960 --> 0:19:55.760
<v Speaker 1>Marvel team Super Dope. She Hulk has a really prominent

0:19:55.840 --> 0:19:57.280
<v Speaker 1>role in a lot of characters that we haven't yet

0:19:57.280 --> 0:20:00.679
<v Speaker 1>gotten to in the Marvel universe. But seeing these women

0:20:00.840 --> 0:20:03.360
<v Speaker 1>that we've been like traveling with, and especially you kind

0:20:03.359 --> 0:20:05.360
<v Speaker 1>of got like a little moment of this Infinity War

0:20:05.600 --> 0:20:10.880
<v Speaker 1>with the Natalie Adkia fight scene. Um, no Scarlett Witch

0:20:11.520 --> 0:20:14.840
<v Speaker 1>fight scene, but here like seeing all like six eight

0:20:14.840 --> 0:20:19.240
<v Speaker 1>of them like just tearing ship down. It was amazing.

0:20:19.760 --> 0:20:21.879
<v Speaker 1>They were wonderful. I would see that moment, like I

0:20:21.920 --> 0:20:23.800
<v Speaker 1>really just want to see the fight over and over again.

0:20:24.040 --> 0:20:27.520
<v Speaker 1>I mean, just that mom We're like, Scarlet Witch is

0:20:27.720 --> 0:20:32.440
<v Speaker 1>straight up about to murder who you are? Just he

0:20:32.560 --> 0:20:35.119
<v Speaker 1>was about to die. He was about to die until

0:20:35.640 --> 0:20:38.560
<v Speaker 1>it and but it was so funny because like this

0:20:38.640 --> 0:20:40.680
<v Speaker 1>is where the nerve brain gets in my way again,

0:20:40.720 --> 0:20:44.480
<v Speaker 1>because I'm like, you're still so much stronger in the comets.

0:20:44.560 --> 0:20:48.879
<v Speaker 1>You can literally be you. You can snap without at

0:20:50.400 --> 0:20:52.280
<v Speaker 1>which is why they didn't do it in the movies,

0:20:52.320 --> 0:20:54.680
<v Speaker 1>because that's that's what they do an X men. They

0:20:54.680 --> 0:20:57.000
<v Speaker 1>make their women too powerful and then they have to come.

0:20:58.480 --> 0:21:00.640
<v Speaker 1>They're always like, oh man, we made the too powerful,

0:21:00.680 --> 0:21:03.119
<v Speaker 1>we have to kill them. But I feel like the

0:21:03.160 --> 0:21:05.200
<v Speaker 1>cool thing about the way the m c you set

0:21:05.240 --> 0:21:08.520
<v Speaker 1>up is that we could get that snap eventually, Like yeah,

0:21:08.920 --> 0:21:17.720
<v Speaker 1>give it like ten to fifty Scarlett Witch, Okay, that's

0:21:17.720 --> 0:21:19.760
<v Speaker 1>at one point, and it eliminates like all of everybody

0:21:19.760 --> 0:21:22.520
<v Speaker 1>with the ex GENA. Yeah, she she doesn't even she

0:21:22.600 --> 0:21:26.000
<v Speaker 1>says no more mutants, just speaks the word and no

0:21:26.119 --> 0:21:30.080
<v Speaker 1>more mutants, and almost all of mutants are so good.

0:21:30.160 --> 0:21:32.000
<v Speaker 1>Read House of Him if you haven't read it, yet

0:21:32.240 --> 0:21:34.480
<v Speaker 1>it leads up to that it's so good because it

0:21:35.160 --> 0:21:37.360
<v Speaker 1>and that's kind of why, like everyone's like, I don't

0:21:37.400 --> 0:21:40.159
<v Speaker 1>know why you need the X Men, uh, but like

0:21:40.520 --> 0:21:43.280
<v Speaker 1>the stuff like House of Him and Avengers versus x

0:21:43.359 --> 0:21:46.120
<v Speaker 1>Men is you have these two super teams like so far,

0:21:46.359 --> 0:21:48.920
<v Speaker 1>and what we've learned in this movie is the Avengers

0:21:49.000 --> 0:21:52.159
<v Speaker 1>go uncontested, but in a world where X Men exists,

0:21:52.200 --> 0:21:54.480
<v Speaker 1>there's a whole another team that if they feel like

0:21:54.560 --> 0:21:57.359
<v Speaker 1>the Avengers step outline could go toe to toe with him.

0:21:57.520 --> 0:21:59.440
<v Speaker 1>And that's what House of m was about, is want

0:21:59.480 --> 0:22:02.639
<v Speaker 1>of maximum off. She has this break from reality and

0:22:03.600 --> 0:22:10.280
<v Speaker 1>just like, yo, we gotta do something about that, and

0:22:10.440 --> 0:22:13.440
<v Speaker 1>we have to kill someone. And they're basically having this

0:22:13.480 --> 0:22:15.040
<v Speaker 1>discussion of whether or not to kill her in the

0:22:15.280 --> 0:22:18.080
<v Speaker 1>X Men or like, she's our people, so this is

0:22:18.160 --> 0:22:21.400
<v Speaker 1>our decision and they're having this fight, and the fight

0:22:21.720 --> 0:22:24.880
<v Speaker 1>eventually it's it's it's very beautiful. It's the rising tensions

0:22:24.960 --> 0:22:28.159
<v Speaker 1>with that pisses Wanda off so much that she's just

0:22:28.280 --> 0:22:31.080
<v Speaker 1>like you you all these problems and everyone's trying to

0:22:31.240 --> 0:22:33.840
<v Speaker 1>have control over her. It's like, like, really looking back

0:22:33.920 --> 0:22:36.920
<v Speaker 1>on it, it's really just a kind of interesting look

0:22:37.000 --> 0:22:39.280
<v Speaker 1>like she's just tired of all these like people in

0:22:39.359 --> 0:22:40.639
<v Speaker 1>her life trying to tell her what to do, and

0:22:40.720 --> 0:22:44.040
<v Speaker 1>she's like, no more mutants and people lose their powers.

0:22:44.119 --> 0:22:46.399
<v Speaker 1>I want to say it was so I think. I

0:22:46.560 --> 0:22:48.120
<v Speaker 1>was like, yeah, I think that they're going to introduce

0:22:48.240 --> 0:22:50.440
<v Speaker 1>new characters. And then when I saw the roster, like

0:22:50.520 --> 0:22:53.600
<v Speaker 1>when that final scene happened, of just how many characters

0:22:53.640 --> 0:22:55.639
<v Speaker 1>they had to bring back to really wrap this up,

0:22:55.680 --> 0:22:57.719
<v Speaker 1>I'm like, oh, yeah, so it makes sense that they

0:22:57.760 --> 0:23:00.440
<v Speaker 1>didn't introduce and because like maybe they'll I didn't. I

0:23:00.480 --> 0:23:02.920
<v Speaker 1>don't know, maybe one of the new Avengers, like maybe

0:23:03.200 --> 0:23:05.040
<v Speaker 1>I don't know who at the times, don't bring back

0:23:05.080 --> 0:23:07.879
<v Speaker 1>Quick Silver, who we really need, Yeah, Aaron Taylor Johnson

0:23:08.000 --> 0:23:10.440
<v Speaker 1>back to them. But I wasn't even like, I don't know,

0:23:10.520 --> 0:23:12.920
<v Speaker 1>maybe America Chavis will show up in here. They're trying

0:23:12.920 --> 0:23:16.159
<v Speaker 1>to get more you know, um, queer representation, and I

0:23:16.320 --> 0:23:18.240
<v Speaker 1>was like maybe, And I just now when I looked

0:23:18.280 --> 0:23:20.000
<v Speaker 1>at the whole I was like, I don't think they

0:23:20.040 --> 0:23:24.200
<v Speaker 1>were going to do that in endgame. Being unrightfully dragged

0:23:24.280 --> 0:23:27.200
<v Speaker 1>by Hector in our previous U episode when he pointed

0:23:27.200 --> 0:23:30.480
<v Speaker 1>out I was complaining about the civil war fight. This

0:23:30.720 --> 0:23:33.240
<v Speaker 1>is what I wanted. That fight when they rushed towards

0:23:33.280 --> 0:23:36.159
<v Speaker 1>each other looked like a comic book spread. I was like,

0:23:36.800 --> 0:23:39.560
<v Speaker 1>this is it. I almost like I had all those

0:23:39.640 --> 0:23:42.240
<v Speaker 1>dad tears and I almost burst into tears of just

0:23:42.520 --> 0:23:47.119
<v Speaker 1>pure nerd happiness, because you know, you're the theater of

0:23:47.160 --> 0:23:51.040
<v Speaker 1>your mind when you read these comics, you make something

0:23:51.600 --> 0:23:54.360
<v Speaker 1>so exciting when you see these pictures come to life

0:23:54.400 --> 0:23:56.000
<v Speaker 1>in your head, and you would think, you're like, this

0:23:56.080 --> 0:23:57.760
<v Speaker 1>would be so cool as a movie, but they would

0:23:57.800 --> 0:24:00.359
<v Speaker 1>never be able to do it. And to see it,

0:24:00.840 --> 0:24:04.200
<v Speaker 1>like to think ten years ago that Fanos like like, look,

0:24:04.480 --> 0:24:07.400
<v Speaker 1>I know Fanos is a household dame now, but Thanos,

0:24:07.760 --> 0:24:11.000
<v Speaker 1>even in comics, was this cosmic level hero. Like I

0:24:11.119 --> 0:24:15.159
<v Speaker 1>was explaining like the levels to like Marvel heroes to

0:24:15.200 --> 0:24:17.480
<v Speaker 1>someone because they're because I was like, it's crazy because

0:24:17.960 --> 0:24:20.080
<v Speaker 1>Thanos is a cosmic hero and they're like, what, cousin.

0:24:20.119 --> 0:24:21.840
<v Speaker 1>I was like, oh, yeah, no, you have cosmic Marvel.

0:24:21.920 --> 0:24:23.680
<v Speaker 1>That's all space stuff. I was like, you get a

0:24:23.720 --> 0:24:25.720
<v Speaker 1>taste of that from Guardians, but there's a whole level

0:24:25.760 --> 0:24:27.840
<v Speaker 1>of that. Then you got your Avengers level, and then

0:24:27.840 --> 0:24:30.040
<v Speaker 1>you got your street level, which was cool because they

0:24:30.080 --> 0:24:32.159
<v Speaker 1>were building it out with all their Netflix shows. You

0:24:32.240 --> 0:24:34.480
<v Speaker 1>had your street level heroes, then you had the Defenders,

0:24:34.720 --> 0:24:37.239
<v Speaker 1>and now we're gonna see what happens with that. You know, uh,

0:24:38.000 --> 0:24:41.000
<v Speaker 1>Disney Plus in five years, so totally in a different form.

0:24:41.119 --> 0:24:43.920
<v Speaker 1>But Disney Plus about to take over well, and I

0:24:43.960 --> 0:24:48.520
<v Speaker 1>guess now Sony too, because um, Chris Miller and Philip

0:24:48.600 --> 0:24:51.560
<v Speaker 1>Lord are now doing Marvel TV series with Sony. Yeah,

0:24:51.560 --> 0:24:53.520
<v Speaker 1>they just create like a nine figure deal. I'm hearing

0:24:53.600 --> 0:24:55.480
<v Speaker 1>rumors that there's gonna be starting whole new departments of

0:24:55.560 --> 0:24:59.159
<v Speaker 1>things over there for that. It's going to be wild.

0:24:59.440 --> 0:25:02.960
<v Speaker 1>I'm so cited. But like, looking to your earlier point

0:25:03.000 --> 0:25:06.080
<v Speaker 1>about introducing new characters, when Peter went back to high school,

0:25:06.080 --> 0:25:08.040
<v Speaker 1>I swear I was looking for Kamalic, like where are you?

0:25:10.520 --> 0:25:12.920
<v Speaker 1>Maybe she's start. Well, I feel like they've really started

0:25:12.920 --> 0:25:16.280
<v Speaker 1>to establish a group of young people you can start

0:25:16.359 --> 0:25:18.960
<v Speaker 1>taking the lead in the next arc. So it'll be

0:25:19.000 --> 0:25:23.520
<v Speaker 1>interesting to see. Well, that's what I feel like Monica

0:25:24.080 --> 0:25:26.200
<v Speaker 1>Rambo was. That's what I feel like she's going to be.

0:25:26.240 --> 0:25:28.280
<v Speaker 1>When they introduced her, I mean she has to be

0:25:30.920 --> 0:25:34.520
<v Speaker 1>five year time jump to yeah, because she's she's an

0:25:34.560 --> 0:25:37.639
<v Speaker 1>adult now it's been If it was the nineties, then

0:25:37.680 --> 0:25:40.880
<v Speaker 1>she would be we have to take a really quick break.

0:25:40.960 --> 0:25:43.520
<v Speaker 1>We're going to hop back into endgame in just a minute,

0:25:48.480 --> 0:25:54.439
<v Speaker 1>and we're back. Yeah. So I also loved seeing um

0:25:55.840 --> 0:25:59.520
<v Speaker 1>that moment between Peter Parker and Tony Start. That was

0:25:59.520 --> 0:26:03.119
<v Speaker 1>another two your moment for me. And honestly getting to

0:26:03.280 --> 0:26:07.240
<v Speaker 1>have Pepper have her moment in the suit, like truly

0:26:07.320 --> 0:26:11.280
<v Speaker 1>loved having Rescue finally show up. That was beautiful. I

0:26:11.320 --> 0:26:13.800
<v Speaker 1>mean there was so much, oh my gosh, there was

0:26:13.880 --> 0:26:18.160
<v Speaker 1>so much just dope moments sprinkled in, but I think

0:26:18.240 --> 0:26:20.359
<v Speaker 1>rescue is one of the biggest moments because I remember

0:26:20.440 --> 0:26:22.800
<v Speaker 1>that meme going around before the movie where they're like,

0:26:22.880 --> 0:26:25.719
<v Speaker 1>what is Pepper Pot's going to do? Because yeah, up

0:26:25.760 --> 0:26:28.480
<v Speaker 1>until this point, we've totally forgot about Rescue if you

0:26:28.520 --> 0:26:31.440
<v Speaker 1>think about how long ago Iron Man three was, so

0:26:31.560 --> 0:26:32.920
<v Speaker 1>for her to show up, it's like, I'm gonna show

0:26:32.960 --> 0:26:36.200
<v Speaker 1>y'all what I'm gonna do. Yeah, They're like dual moment

0:26:36.280 --> 0:26:39.800
<v Speaker 1>on the battlefield was really dope. That was beautiful. I

0:26:39.920 --> 0:26:44.879
<v Speaker 1>like the door combo with Iron Man's suit, and of

0:26:45.000 --> 0:26:48.600
<v Speaker 1>course the scene that everybody can't stop talking about the

0:26:48.680 --> 0:26:51.159
<v Speaker 1>scene that I was at the press screen and you

0:26:51.240 --> 0:26:53.399
<v Speaker 1>know how I have you know how people try and

0:26:53.480 --> 0:26:58.119
<v Speaker 1>be there. I was there at one okay, I was

0:26:58.160 --> 0:27:00.119
<v Speaker 1>at the nine o'clock. But you know, you know how

0:27:00.240 --> 0:27:02.560
<v Speaker 1>people at press green is trying to be all professional.

0:27:02.680 --> 0:27:05.040
<v Speaker 1>They never never laugh. That did not happen at this

0:27:09.880 --> 0:27:12.439
<v Speaker 1>because in mind, there was no like all the funny moments.

0:27:12.520 --> 0:27:15.359
<v Speaker 1>There was just like like really, yeah, there was a

0:27:15.440 --> 0:27:18.280
<v Speaker 1>dude next to me clacking loud on his keyboard like

0:27:18.359 --> 0:27:20.480
<v Speaker 1>it was like straight up, yeah, you're typing the reveal

0:27:20.560 --> 0:27:24.960
<v Speaker 1>in the movie. Yes, yeah, so but everyone's trying to

0:27:25.000 --> 0:27:27.800
<v Speaker 1>be professional. When I say Cap got that hammer and

0:27:27.880 --> 0:27:32.800
<v Speaker 1>everyone just erupted, it just made it more I'm glad

0:27:32.840 --> 0:27:34.600
<v Speaker 1>people were trying to keep it together because it made

0:27:34.680 --> 0:27:38.240
<v Speaker 1>that more powerful. That everyone forgot that they were trying to,

0:27:38.480 --> 0:27:41.000
<v Speaker 1>you know, out here trying to pretend like they're professional.

0:27:41.560 --> 0:27:47.160
<v Speaker 1>We went wild. Cap grabbing the hammer is something It's

0:27:47.160 --> 0:27:49.159
<v Speaker 1>crazy to me because I feel like I'm working on

0:27:49.280 --> 0:27:51.480
<v Speaker 1>article right now about what changed and Cap that made

0:27:51.560 --> 0:27:54.000
<v Speaker 1>him worthy to carry the hammer versus in a vender's wine.

0:27:54.040 --> 0:27:55.600
<v Speaker 1>When they all tried to pick up the ham, right,

0:27:55.640 --> 0:27:58.119
<v Speaker 1>it was only Thor who was worthy, which sort of

0:27:58.280 --> 0:28:01.800
<v Speaker 1>makes Thor like the only pure hero from the start,

0:28:01.880 --> 0:28:04.960
<v Speaker 1>which really changed your perspective, Like Thor changed so much

0:28:05.040 --> 0:28:07.840
<v Speaker 1>from Ragnarok to write the f now that I feel

0:28:07.880 --> 0:28:11.440
<v Speaker 1>like there's so much more. The character has blossomed so

0:28:11.600 --> 0:28:15.160
<v Speaker 1>beautifully into himself. And now we've had three people carry

0:28:15.240 --> 0:28:19.159
<v Speaker 1>the hammer, Thor Captain America, and then Vision carrying it

0:28:19.840 --> 0:28:23.159
<v Speaker 1>for a brief moment in Ultron. I think, Um, so

0:28:23.280 --> 0:28:26.560
<v Speaker 1>what what what is your If you don't mind what changed?

0:28:26.880 --> 0:28:29.679
<v Speaker 1>What do you think changed? He was honest with Tony

0:28:30.440 --> 0:28:34.200
<v Speaker 1>the fact because he knew about Um the Winter Soldier

0:28:34.720 --> 0:28:38.360
<v Speaker 1>and killing Tony's parents, and so he was lying and

0:28:38.480 --> 0:28:40.840
<v Speaker 1>keeping a secret. And I think that I'm not even

0:28:40.880 --> 0:28:42.480
<v Speaker 1>sure if the Hammer had a problem with it, but

0:28:42.520 --> 0:28:44.880
<v Speaker 1>I think the Cap had a problem with it, and

0:28:44.920 --> 0:28:48.480
<v Speaker 1>could would never have seen himself truly worthy Um because

0:28:48.520 --> 0:28:49.920
<v Speaker 1>it was the only it was his only secret from

0:28:49.960 --> 0:28:52.240
<v Speaker 1>the Avengers. It was really his only betrayal of the

0:28:52.280 --> 0:28:54.479
<v Speaker 1>Avengers ever, and every time after that he's just very

0:28:54.520 --> 0:28:57.960
<v Speaker 1>straightforward with him. It literally caused the Civil War between that,

0:28:58.800 --> 0:29:01.680
<v Speaker 1>so that was mess. I think him coming clean about that,

0:29:02.000 --> 0:29:04.080
<v Speaker 1>him kind of restoring things with Bucky, which we'll get

0:29:04.080 --> 0:29:08.480
<v Speaker 1>to that in a minute. I think that his conscience

0:29:08.560 --> 0:29:10.440
<v Speaker 1>is clear and he's good to move forward now. Nice

0:29:11.040 --> 0:29:13.480
<v Speaker 1>I felt it was. My thought was that he's prideful.

0:29:13.640 --> 0:29:16.479
<v Speaker 1>I feel like, yeah, I feel like Captain America has

0:29:16.480 --> 0:29:19.560
<v Speaker 1>a lot of pride because it takes a certain level

0:29:19.640 --> 0:29:23.440
<v Speaker 1>of pride for him to just like anything. I think

0:29:23.680 --> 0:29:26.960
<v Speaker 1>he like, you know how you can be prideful and

0:29:27.040 --> 0:29:29.240
<v Speaker 1>that's fine, but you just have too much pride. There's

0:29:29.440 --> 0:29:32.160
<v Speaker 1>a confidence. And he never took an owl, you know,

0:29:32.280 --> 0:29:35.240
<v Speaker 1>he never took an owl frozen and ice for eighty years.

0:29:36.720 --> 0:29:40.000
<v Speaker 1>That's more. That's more of a pause. Like I mean,

0:29:40.080 --> 0:29:42.600
<v Speaker 1>he like as far as for him fighting for justice,

0:29:42.680 --> 0:29:45.360
<v Speaker 1>never took an owl, and Thanos handed him that l

0:29:45.440 --> 0:29:48.440
<v Speaker 1>and it made him reevaluate everything he is. But I

0:29:48.560 --> 0:29:52.120
<v Speaker 1>like yours better. I didn't like seeing Tony at the

0:29:52.160 --> 0:29:55.280
<v Speaker 1>top in group therapy. The idea of like a man

0:29:55.480 --> 0:29:58.000
<v Speaker 1>from that generation, and especially a guy that like a

0:29:58.120 --> 0:30:00.920
<v Speaker 1>lot of maybe less well man kind of feels like

0:30:01.040 --> 0:30:03.600
<v Speaker 1>the manliest man for him to be like and therapy

0:30:03.680 --> 0:30:05.360
<v Speaker 1>talking to dudes about feelings and being like, you know,

0:30:05.440 --> 0:30:06.680
<v Speaker 1>we should open up and talk and this is what

0:30:06.800 --> 0:30:11.120
<v Speaker 1>I'm going to process my grief at those point and important. Yeah,

0:30:11.160 --> 0:30:13.520
<v Speaker 1>speaking of which, I'm gonna touch on that moment, like,

0:30:13.680 --> 0:30:15.440
<v Speaker 1>for a hot second, it was real. For for a

0:30:15.520 --> 0:30:17.680
<v Speaker 1>hot second for me, it was real cool that, you know,

0:30:17.920 --> 0:30:20.720
<v Speaker 1>one of the Russo's did that cameo and openly talked

0:30:20.720 --> 0:30:24.160
<v Speaker 1>about a gay relationship, and then it fizzled out when

0:30:24.160 --> 0:30:29.200
<v Speaker 1>I was like, oh, that's just another off screen gay relationship. Okay.

0:30:29.240 --> 0:30:31.840
<v Speaker 1>So I have two really strong feelings about So. As

0:30:31.840 --> 0:30:35.160
<v Speaker 1>a queer person, I think any attempt to celebrate this

0:30:35.280 --> 0:30:37.959
<v Speaker 1>moment like it's our first gay character, sit, sit your

0:30:38.000 --> 0:30:41.000
<v Speaker 1>whole last down. Uh. Netflix has had gay characters in

0:30:41.040 --> 0:30:43.840
<v Speaker 1>your Marvel series, and to overlook them is a travesty.

0:30:43.920 --> 0:30:46.120
<v Speaker 1>They did really awesome work. They had on screen relationships,

0:30:46.160 --> 0:30:48.560
<v Speaker 1>They were complicated, They were much more than just being

0:30:48.640 --> 0:30:51.560
<v Speaker 1>gay in a five second moment. However, I think that

0:30:51.920 --> 0:30:54.560
<v Speaker 1>by the one of the User brothers playing the character

0:30:54.720 --> 0:30:57.200
<v Speaker 1>himself is making a statement of like, we would really

0:30:57.240 --> 0:31:00.880
<v Speaker 1>like to make strides in this. This is a global company.

0:31:01.040 --> 0:31:05.280
<v Speaker 1>Disney has to please many, many, many, many many markets. Uh,

0:31:05.520 --> 0:31:07.680
<v Speaker 1>you can still be killed for being queer in some places.

0:31:07.680 --> 0:31:09.600
<v Speaker 1>A lot of places will not screen your movie if

0:31:09.640 --> 0:31:12.560
<v Speaker 1>there is even one gay character in it. It's not

0:31:12.720 --> 0:31:14.920
<v Speaker 1>it doesn't feel like a win here, but this movie

0:31:15.000 --> 0:31:18.880
<v Speaker 1>screening everywhere. I feel like it's a win other places.

0:31:19.040 --> 0:31:22.720
<v Speaker 1>And so yeah, I definitely people were like, no, it's great.

0:31:22.760 --> 0:31:25.240
<v Speaker 1>It's like breaking down boundaries, like be excited. I'm not

0:31:25.400 --> 0:31:28.240
<v Speaker 1>excited about it. But as far as Rouster Brothers being like,

0:31:28.320 --> 0:31:29.640
<v Speaker 1>you know, we want to do more of this and

0:31:29.760 --> 0:31:31.680
<v Speaker 1>we think it was important to try to fit something

0:31:31.800 --> 0:31:34.760
<v Speaker 1>somewhere in here, like hats off to that, and yeah,

0:31:34.760 --> 0:31:36.960
<v Speaker 1>and I definitely don't want to take anyone's double away,

0:31:37.120 --> 0:31:39.760
<v Speaker 1>like if you feel great, by great, I just you know,

0:31:40.080 --> 0:31:41.760
<v Speaker 1>I just want to hold the bar up a little

0:31:41.840 --> 0:31:46.400
<v Speaker 1>hot welcome. I will welcome, I will welcome any you know,

0:31:46.600 --> 0:31:48.800
<v Speaker 1>anything like this. I do want to say that we've

0:31:48.840 --> 0:31:51.600
<v Speaker 1>talked about men crying in media, and I did appreciate

0:31:51.720 --> 0:31:54.000
<v Speaker 1>how much they had of that, not only that scene

0:31:54.040 --> 0:31:56.440
<v Speaker 1>with Joe Ruso talking about how he cried, and to me,

0:31:56.560 --> 0:31:58.080
<v Speaker 1>it was like not even sad, it was kind of

0:31:58.120 --> 0:32:01.960
<v Speaker 1>a beautiful thing to have someone you know sitting across

0:32:01.960 --> 0:32:03.480
<v Speaker 1>from you that cries and then you cry too, and

0:32:03.560 --> 0:32:04.960
<v Speaker 1>it's kind of like, this is just a state of

0:32:05.040 --> 0:32:07.520
<v Speaker 1>where we're at and I feel like it is relatable

0:32:07.560 --> 0:32:10.000
<v Speaker 1>to our world sometimes today with some of the horrors

0:32:10.040 --> 0:32:13.360
<v Speaker 1>going on. But then Thor repeatedly crying like you know,

0:32:13.440 --> 0:32:15.800
<v Speaker 1>getting to see and he's cried before, but just so openly,

0:32:15.920 --> 0:32:18.280
<v Speaker 1>like you said, like the god of Thunder, this like

0:32:19.160 --> 0:32:22.640
<v Speaker 1>super hyper masculine person, and that moment that he has

0:32:22.760 --> 0:32:25.480
<v Speaker 1>with Hulk where Hulk is even like, um, you know

0:32:25.560 --> 0:32:27.959
<v Speaker 1>you're in a rough spot and I've been there too,

0:32:28.040 --> 0:32:29.680
<v Speaker 1>and you know who pulled me out of it? You did.

0:32:29.800 --> 0:32:31.720
<v Speaker 1>I saw this movie yesterday. That's why I remember so

0:32:31.840 --> 0:32:34.480
<v Speaker 1>much of these lines. Um. But it's seen these two

0:32:34.720 --> 0:32:37.920
<v Speaker 1>super hyper masculine like men that are saying it's okay

0:32:37.960 --> 0:32:40.040
<v Speaker 1>to cry, dude, I'm here for you. And I feel

0:32:40.080 --> 0:32:44.560
<v Speaker 1>like a really I mean, they're super broly, especially with

0:32:45.160 --> 0:32:48.680
<v Speaker 1>especially with Bruce and his new like, um, you know

0:32:49.000 --> 0:32:53.400
<v Speaker 1>Haynes fitted teas and uh, which was funny. We got

0:32:53.480 --> 0:32:58.200
<v Speaker 1>to we got two super hulked out men in essentially

0:32:58.280 --> 0:33:02.000
<v Speaker 1>like Calvin Klein um soft cotton shirts which was fanos

0:33:02.120 --> 0:33:05.400
<v Speaker 1>in his little cottage. I'm like, what is he doing?

0:33:05.480 --> 0:33:10.720
<v Speaker 1>He's wearing this like Target brand whatever soft material loom

0:33:10.880 --> 0:33:14.520
<v Speaker 1>h Someone pointed it out and It is hilarious when

0:33:14.560 --> 0:33:16.600
<v Speaker 1>you think about it this way. But yet man's was

0:33:16.720 --> 0:33:22.360
<v Speaker 1>just trying to make breakfast. He has spices, he has

0:33:22.400 --> 0:33:26.000
<v Speaker 1>at Okay, I laughed out loud when he took the

0:33:26.080 --> 0:33:29.360
<v Speaker 1>little salt and spices. I like laughed. It's such a

0:33:29.480 --> 0:33:33.080
<v Speaker 1>nice touch. And also like this idea of what I

0:33:33.160 --> 0:33:35.440
<v Speaker 1>like most about Thanos as a villain, and I think

0:33:35.520 --> 0:33:37.840
<v Speaker 1>what steered some people in a weird direction on Ultron,

0:33:37.960 --> 0:33:41.080
<v Speaker 1>Like Ultron is born to do one thing and immediately

0:33:41.640 --> 0:33:44.040
<v Speaker 1>like corrupts that And it's just really basic for a

0:33:44.160 --> 0:33:47.000
<v Speaker 1>robot to be like, does not compute destroy all humans.

0:33:47.480 --> 0:33:49.480
<v Speaker 1>But for Thanos, it was really like I've seen a

0:33:49.560 --> 0:33:52.680
<v Speaker 1>lot of terrible crap, and there were less people we

0:33:52.720 --> 0:33:55.360
<v Speaker 1>would have to deal with, less of this crap. It's

0:33:55.400 --> 0:34:00.440
<v Speaker 1>an awful utilitarian view of the galaxy. But it's also

0:34:00.840 --> 0:34:04.320
<v Speaker 1>so justified in his mind that as a villain, you're like, crap. Yeah.

0:34:04.360 --> 0:34:06.720
<v Speaker 1>Someone described to get away with this. Someone tweeted this

0:34:06.800 --> 0:34:10.200
<v Speaker 1>and it made so much sense. Is Dan is a

0:34:10.360 --> 0:34:14.840
<v Speaker 1>simple solution for a complex problem, which is essentially fascism.

0:34:15.040 --> 0:34:17.280
<v Speaker 1>Like that and that is that he is a metaphor

0:34:17.360 --> 0:34:20.759
<v Speaker 1>for fascism, a simple solution for a complex problem. Oh

0:34:21.000 --> 0:34:22.880
<v Speaker 1>there's too many people. Just kill half of them, and

0:34:22.960 --> 0:34:26.680
<v Speaker 1>I'm not gonna look so I'm being fair, are you? Yeah,

0:34:26.840 --> 0:34:29.840
<v Speaker 1>it's because you're not. You're not allowing yourself to be

0:34:29.920 --> 0:34:32.880
<v Speaker 1>selected in that you're not allowing any of your daughters

0:34:32.920 --> 0:34:34.560
<v Speaker 1>to be selected. As a matter of fact, you didn't

0:34:34.560 --> 0:34:36.960
<v Speaker 1>allow any of your homies to get snapped. You just

0:34:37.120 --> 0:34:40.040
<v Speaker 1>said half of anyone except me. Although I think his

0:34:40.120 --> 0:34:43.560
<v Speaker 1>homies all he would have their civilization and then pick

0:34:43.680 --> 0:34:45.719
<v Speaker 1>his favorites. Yeah, yeah, I trually, I don't think that

0:34:45.840 --> 0:34:49.360
<v Speaker 1>he cares. I mean, and also like sacrificing Gomra, he

0:34:49.480 --> 0:34:52.720
<v Speaker 1>clearly doesn't. I mean, he does. He he has essentially

0:34:52.800 --> 0:34:54.920
<v Speaker 1>had to care for that to work well. But it's

0:34:54.960 --> 0:34:57.760
<v Speaker 1>so interesting that part of it, because I was thinking

0:34:57.800 --> 0:35:02.480
<v Speaker 1>that too. It was like sacrifice what you love? Um.

0:35:02.640 --> 0:35:05.920
<v Speaker 1>The fact that Nat and Clint like that was so one.

0:35:05.960 --> 0:35:10.680
<v Speaker 1>That could have been really awkward. Yeah no, but like

0:35:10.840 --> 0:35:13.040
<v Speaker 1>what if one of them didn't like and it was like, oh,

0:35:13.200 --> 0:35:15.440
<v Speaker 1>you didn't actually love them, so you didn't get the

0:35:15.520 --> 0:35:20.400
<v Speaker 1>stone Hella awkward? That was wow. I would have been

0:35:20.440 --> 0:35:23.120
<v Speaker 1>Florida something like that happened. But it's also crazy to

0:35:23.200 --> 0:35:25.920
<v Speaker 1>me because in Nat and Clint, the sacrifice was a

0:35:25.920 --> 0:35:30.200
<v Speaker 1>self sacrifice. Yeah? Really did that work? No, I'm that's

0:35:30.320 --> 0:35:32.320
<v Speaker 1>exactly what I mean though, is about like how because

0:35:32.320 --> 0:35:33.799
<v Speaker 1>I was weighing this in my head, I was trying

0:35:33.840 --> 0:35:36.359
<v Speaker 1>to understand this part, like what if they had done

0:35:36.480 --> 0:35:39.279
<v Speaker 1>roads and Nebula had switched, Like what if they were

0:35:39.360 --> 0:35:42.520
<v Speaker 1>the ones that we're going to the soul stone? Right?

0:35:42.680 --> 0:35:44.160
<v Speaker 1>So I was trying to like wagh that in my

0:35:44.239 --> 0:35:46.239
<v Speaker 1>head of like how is this working? And essentially Nat

0:35:46.640 --> 0:35:50.279
<v Speaker 1>pushed herself off although he saves her and she says

0:35:50.360 --> 0:35:53.160
<v Speaker 1>let me go, right, and so he does have to

0:35:53.239 --> 0:35:58.280
<v Speaker 1>physically do the letting go. No, she she like twisted

0:35:58.320 --> 0:36:01.200
<v Speaker 1>her hand out of him and she kicked herself off.

0:36:01.280 --> 0:36:04.320
<v Speaker 1>Of Anyways, we're getting really specific before and there's a

0:36:04.360 --> 0:36:07.080
<v Speaker 1>lot of like little I was thinking of that exactly

0:36:07.160 --> 0:36:09.279
<v Speaker 1>that like thought was in my head of like, oh,

0:36:09.600 --> 0:36:11.080
<v Speaker 1>how is this going to work? And does it need

0:36:11.120 --> 0:36:14.200
<v Speaker 1>to be someone like as in Clint's wife, for somebody

0:36:14.280 --> 0:36:16.320
<v Speaker 1>like his child or I guess it's just like a

0:36:16.400 --> 0:36:19.719
<v Speaker 1>friend that he loves. Um, I think it's anyone you'd

0:36:19.760 --> 0:36:23.719
<v Speaker 1>say I love you. It doesn't have to be I think.

0:36:23.719 --> 0:36:26.200
<v Speaker 1>But also there's no relationship with anybody he has like

0:36:26.400 --> 0:36:28.799
<v Speaker 1>he has with Nat, like his wife is his wife

0:36:28.840 --> 0:36:31.120
<v Speaker 1>and that's his his life partner. But not and him

0:36:31.160 --> 0:36:34.360
<v Speaker 1>had both been through the grime, and he essentially turned

0:36:34.440 --> 0:36:37.800
<v Speaker 1>into that after the Snap what she was doing like

0:36:37.920 --> 0:36:39.920
<v Speaker 1>before she got into the Avengers, right, And so I

0:36:40.000 --> 0:36:41.960
<v Speaker 1>think that they're the only ones who could fully understand

0:36:42.040 --> 0:36:46.960
<v Speaker 1>each other's entire stories. Here's something that someone brought up

0:36:47.040 --> 0:36:49.480
<v Speaker 1>in the discord that was something I did. Note. I

0:36:49.560 --> 0:36:51.560
<v Speaker 1>even mentioned it in the Candy Dinner episode, so I'm

0:36:51.600 --> 0:36:54.719
<v Speaker 1>just gonna mention it again. It was kind of weird

0:36:54.760 --> 0:36:58.239
<v Speaker 1>he was only going after major people of color. It's

0:36:58.360 --> 0:37:00.880
<v Speaker 1>like like it was it was the card tell and

0:37:00.960 --> 0:37:03.400
<v Speaker 1>then it was no, that's that for life. I was like,

0:37:03.560 --> 0:37:06.000
<v Speaker 1>we have like homegrown white national care exactly. I'm like

0:37:07.680 --> 0:37:11.160
<v Speaker 1>in Mexico, my guy Japan just killed people. But but

0:37:11.280 --> 0:37:12.960
<v Speaker 1>in the end it was like those are like the

0:37:13.120 --> 0:37:17.000
<v Speaker 1>media cooler like ones. And obviously that's by design because

0:37:17.040 --> 0:37:19.200
<v Speaker 1>of things like this, but it's like we all know

0:37:19.360 --> 0:37:22.960
<v Speaker 1>Sicario and we all know Yakuza, and it's like all right,

0:37:23.040 --> 0:37:24.920
<v Speaker 1>but I feel like they were like Japan makes a

0:37:25.000 --> 0:37:31.000
<v Speaker 1>really cool backdrop. That's his total aesthetic because he's Ronan, remember,

0:37:31.080 --> 0:37:34.360
<v Speaker 1>and he has let's have him have this samurai sword battle,

0:37:35.360 --> 0:37:37.719
<v Speaker 1>my guy, you know, go toe to toe a little

0:37:37.760 --> 0:37:40.080
<v Speaker 1>bit and not get sliced up. Listen, here's my other

0:37:40.160 --> 0:37:43.600
<v Speaker 1>problem is, like I don't feel like Jeremy Renner embodied

0:37:43.840 --> 0:37:47.560
<v Speaker 1>like a Ronan very well, like even his like sword movements.

0:37:47.640 --> 0:37:50.520
<v Speaker 1>I've just watched way too much like anime and like

0:37:51.120 --> 0:37:53.200
<v Speaker 1>Japanese shows to be like this just doesn't feel right.

0:37:53.280 --> 0:37:55.839
<v Speaker 1>It's like really stiff. I just don't. I didn't care

0:37:55.880 --> 0:37:58.719
<v Speaker 1>for the storyline at all. I just don't. It might

0:37:58.960 --> 0:38:01.120
<v Speaker 1>just be my issues with Jeremy. I just didn't like it.

0:38:01.200 --> 0:38:04.160
<v Speaker 1>I didn't care Jeremy. I don't even have beef a

0:38:04.239 --> 0:38:08.640
<v Speaker 1>Jeremy Renner. I just don't enjoy him very much. If

0:38:08.640 --> 0:38:10.640
<v Speaker 1>I'm kind of bland, how I thought Hawkeye had a

0:38:10.680 --> 0:38:12.960
<v Speaker 1>lot of the same problems as Black Widow. It's just

0:38:13.080 --> 0:38:15.440
<v Speaker 1>never really gotten fleshed out, and they get you with

0:38:15.640 --> 0:38:18.120
<v Speaker 1>like it's his family, so it's going to be painful

0:38:18.160 --> 0:38:20.760
<v Speaker 1>and everybody can identify that most people have a family,

0:38:21.280 --> 0:38:26.400
<v Speaker 1>um except for Natasha. Natasha, So yeah, I don't know

0:38:26.520 --> 0:38:29.040
<v Speaker 1>it well. I honestly thought like a part of me

0:38:29.400 --> 0:38:31.080
<v Speaker 1>was like, that's why she has to That's why they

0:38:31.160 --> 0:38:33.560
<v Speaker 1>killed her because she doesn't have a family, you know.

0:38:33.800 --> 0:38:35.800
<v Speaker 1>And so I thought that that was really fascinating not

0:38:35.920 --> 0:38:37.320
<v Speaker 1>to go back to that scene. But I just I

0:38:37.360 --> 0:38:39.200
<v Speaker 1>don't know why. It really just stuck out to me

0:38:39.320 --> 0:38:41.960
<v Speaker 1>as like who's going to die? And Clinton was like

0:38:42.040 --> 0:38:43.320
<v Speaker 1>it should be me, but he was the one that

0:38:43.400 --> 0:38:45.600
<v Speaker 1>had kids and a wife and kids. And then it

0:38:45.680 --> 0:38:48.000
<v Speaker 1>was kind of a bad commentary about us that aren't

0:38:48.080 --> 0:38:52.640
<v Speaker 1>married with kids, and it's like, yeah, and I'm not

0:38:52.760 --> 0:38:54.320
<v Speaker 1>saying that, it was just was like something that I

0:38:54.400 --> 0:38:56.480
<v Speaker 1>took as an unmarried woman of like, oh if I

0:38:56.640 --> 0:38:58.480
<v Speaker 1>you know, when you're watching these scenarios, are like, oh,

0:38:58.560 --> 0:39:00.960
<v Speaker 1>I guess if if it were us, I guess I

0:39:01.000 --> 0:39:08.120
<v Speaker 1>should sacrifice myself because you have a family that um.

0:39:08.480 --> 0:39:10.920
<v Speaker 1>And so that but honestly, like it wasn't even a

0:39:10.960 --> 0:39:13.160
<v Speaker 1>bad It was just like, you know, you put yourself

0:39:13.200 --> 0:39:16.440
<v Speaker 1>in this scenario of this apocalyptic scenario of what I

0:39:16.560 --> 0:39:18.560
<v Speaker 1>do this? Um, you have to go back to the

0:39:18.600 --> 0:39:20.759
<v Speaker 1>New York Times articles the writers were talking about how

0:39:20.760 --> 0:39:22.440
<v Speaker 1>they're like it would have just been way too melodramatic

0:39:22.560 --> 0:39:29.400
<v Speaker 1>to introduces watch watch his family disappear and having like

0:39:29.600 --> 0:39:32.480
<v Speaker 1>dark rage and die. Yeah, They're like it was just

0:39:32.560 --> 0:39:36.160
<v Speaker 1>too melodramatic. And you know the way they hit set

0:39:36.239 --> 0:39:39.440
<v Speaker 1>up with you know, her being like a reclusive and

0:39:39.560 --> 0:39:41.200
<v Speaker 1>like this is your only family, Like, it makes sense

0:39:41.239 --> 0:39:43.040
<v Speaker 1>for her to want to do like one good thing.

0:39:43.400 --> 0:39:46.960
<v Speaker 1>And I guess, for my money, I understood what nat

0:39:47.160 --> 0:39:49.480
<v Speaker 1>was doing like this whole time. The only thing we

0:39:49.520 --> 0:39:51.360
<v Speaker 1>had seen about her doing is constantly trying to be

0:39:52.080 --> 0:39:54.320
<v Speaker 1>a part of the team, and it seems consistent that

0:39:54.440 --> 0:39:56.800
<v Speaker 1>she was trying to convince herself more than anyone that

0:39:56.920 --> 0:40:00.080
<v Speaker 1>she was belonged here and part of the team. We

0:40:00.080 --> 0:40:02.399
<v Speaker 1>saw Tryo and Nick when she was like you're gone,

0:40:02.440 --> 0:40:04.719
<v Speaker 1>and that's not cool. You're essentially my surrogate father. I

0:40:04.800 --> 0:40:07.120
<v Speaker 1>don't like that. Then we saw with Cap and she

0:40:07.200 --> 0:40:08.680
<v Speaker 1>was like, no, we're gonna help get you acclimated this

0:40:08.760 --> 0:40:10.160
<v Speaker 1>new world. You don't need to worry. We saw her

0:40:10.520 --> 0:40:13.120
<v Speaker 1>all the time with Hawkeye, and so for her to

0:40:13.200 --> 0:40:15.400
<v Speaker 1>be like, no, this is something I want to do,

0:40:15.920 --> 0:40:18.200
<v Speaker 1>it makes sense for her character. I wasn't too upset

0:40:18.880 --> 0:40:20.759
<v Speaker 1>at her death. I just wish we had more of

0:40:20.840 --> 0:40:23.959
<v Speaker 1>her before it happened. We have to take another break

0:40:24.160 --> 0:40:26.400
<v Speaker 1>and then we're going to hop into the rest of

0:40:26.560 --> 0:40:38.040
<v Speaker 1>endgame right after that. And we're back and I know

0:40:38.200 --> 0:40:42.440
<v Speaker 1>that everyone has talked about time travel. I've seen a

0:40:42.560 --> 0:40:45.920
<v Speaker 1>lot of conversations about it. To me, I think if

0:40:46.080 --> 0:40:48.440
<v Speaker 1>we were talking to the discord, it kind of follows me,

0:40:49.120 --> 0:40:54.439
<v Speaker 1>uh dbz time travel laws where you could just pop

0:40:54.600 --> 0:40:56.359
<v Speaker 1>up and leave as you no no no where if

0:40:56.440 --> 0:40:58.360
<v Speaker 1>you go into a different It was kind of what

0:40:58.680 --> 0:41:03.360
<v Speaker 1>um about her name? Who's um the bald? Yeah, the

0:41:03.440 --> 0:41:06.200
<v Speaker 1>ancient one was kind of what the ancient one was saying, Um,

0:41:06.400 --> 0:41:09.920
<v Speaker 1>if you affect this timeline like you're not. You might

0:41:09.960 --> 0:41:13.000
<v Speaker 1>be helping your timeline, but you're gonna forever change the

0:41:13.080 --> 0:41:16.520
<v Speaker 1>following the other timelines. Um. So this was my main

0:41:16.680 --> 0:41:19.680
<v Speaker 1>question with even though cap win back and put all

0:41:19.719 --> 0:41:24.720
<v Speaker 1>this the stones back, Gomra okay, so Gomra is dead

0:41:25.560 --> 0:41:30.720
<v Speaker 1>in the current timeline. The one that we have is Gomra.

0:41:31.400 --> 0:41:35.120
<v Speaker 1>So that timeline that Peter Quill that we saw get

0:41:35.160 --> 0:41:39.800
<v Speaker 1>punched out, he will never fall in love with Gomra

0:41:40.640 --> 0:41:43.160
<v Speaker 1>and she stays in our time, which I think she will.

0:41:43.200 --> 0:41:44.720
<v Speaker 1>I think she's going to be in the next Guardians.

0:41:44.760 --> 0:41:46.799
<v Speaker 1>I think she's gonna I think Peter is gonna fall

0:41:47.000 --> 0:41:48.960
<v Speaker 1>like I think she's gonna fall in love with Peter again.

0:41:49.320 --> 0:41:51.680
<v Speaker 1>I think that she has no reason to go back

0:41:51.719 --> 0:41:54.920
<v Speaker 1>to her sister is dead, her dad is dead. I

0:41:55.000 --> 0:41:58.760
<v Speaker 1>think Nebula the current. Nebulas in this time, so current

0:42:00.040 --> 0:42:01.360
<v Speaker 1>and go more. I think is going to stay in

0:42:01.400 --> 0:42:03.400
<v Speaker 1>this time. But what I'm saying is it's kind of

0:42:03.520 --> 0:42:07.360
<v Speaker 1>sad for that Peter Quill who broke this down for me.

0:42:07.400 --> 0:42:09.520
<v Speaker 1>So there's two There's two timeline theories they give you

0:42:09.640 --> 0:42:11.880
<v Speaker 1>in the film, and that's why it's confusing and you

0:42:11.920 --> 0:42:13.919
<v Speaker 1>had to be paying really close attention. So the first

0:42:13.920 --> 0:42:16.680
<v Speaker 1>timeline theories when you projected the ancient one was like, listen,

0:42:16.840 --> 0:42:18.640
<v Speaker 1>if you remove things, you're gonna f up and create

0:42:18.680 --> 0:42:21.040
<v Speaker 1>a second timeline. That's what I was thinking about the

0:42:21.040 --> 0:42:23.560
<v Speaker 1>whole movie. But Ash Croftsman was like, yeah, okay, but

0:42:23.640 --> 0:42:27.080
<v Speaker 1>remember when Banner is having the conversation about time travel,

0:42:27.120 --> 0:42:30.880
<v Speaker 1>where essentially he says, whatever you change just makes a change.

0:42:30.960 --> 0:42:35.560
<v Speaker 1>So like, if your past self comes to the future,

0:42:36.200 --> 0:42:40.320
<v Speaker 1>then your future becomes your past, and now you've created

0:42:40.360 --> 0:42:42.240
<v Speaker 1>a new arc for yourself. So it's the same reason

0:42:42.640 --> 0:42:46.840
<v Speaker 1>why Nebula isn't dead. Right now, which makes me upset

0:42:46.880 --> 0:42:49.040
<v Speaker 1>because I cannot an astrophysicists and I can't quite write

0:42:49.040 --> 0:42:51.160
<v Speaker 1>in my mind, you killed yourself, so you should be dead,

0:42:51.760 --> 0:42:55.120
<v Speaker 1>both of you. But no, she created a different timeline. Well,

0:42:55.200 --> 0:42:58.160
<v Speaker 1>it's even more so, it's not necessarily creating a different

0:42:58.160 --> 0:43:00.760
<v Speaker 1>timeline because that that is what I is gonna quote

0:43:01.239 --> 0:43:05.279
<v Speaker 1>is basically what Hulk was saying, was this idea of

0:43:05.400 --> 0:43:08.160
<v Speaker 1>you going back in time changing things and it affecting

0:43:08.239 --> 0:43:11.279
<v Speaker 1>your future isn't true because that moment where you go

0:43:11.400 --> 0:43:15.000
<v Speaker 1>back in time is now your future. So so it

0:43:15.160 --> 0:43:17.880
<v Speaker 1>is not necessarily creating a new timeline. It's almost as

0:43:17.920 --> 0:43:20.800
<v Speaker 1>if you started it and went back and added it

0:43:20.880 --> 0:43:24.040
<v Speaker 1>to your current timeline. So you experienced everything up until

0:43:24.080 --> 0:43:27.719
<v Speaker 1>that point and came but everything that changes is just

0:43:28.160 --> 0:43:31.880
<v Speaker 1>new if that makes But that timeline is still affected,

0:43:32.040 --> 0:43:34.600
<v Speaker 1>the one that you have already lifted. No, the one

0:43:34.640 --> 0:43:38.000
<v Speaker 1>that you pulled Gomra out of, she doesn't exist. She's

0:43:38.040 --> 0:43:41.480
<v Speaker 1>not in anymore. If she stays in the present day,

0:43:42.640 --> 0:43:46.600
<v Speaker 1>is there's not still a Gomra according to the Hulk,

0:43:46.760 --> 0:43:50.800
<v Speaker 1>the way he said, it already happened. So you're just

0:43:50.960 --> 0:43:54.880
<v Speaker 1>pulling go more into two thousand nineteen, but twen, all

0:43:54.960 --> 0:43:58.880
<v Speaker 1>the events are almost destined, they've already happened, so you

0:43:58.920 --> 0:44:03.319
<v Speaker 1>don't interrupt that. So so basically my only question was, Okay,

0:44:03.400 --> 0:44:06.279
<v Speaker 1>so Peter will still get to have a Goma, and

0:44:06.400 --> 0:44:09.400
<v Speaker 1>he probably will also get this go more like. So,

0:44:09.640 --> 0:44:11.440
<v Speaker 1>I do think that she's gonna This is my thing

0:44:11.480 --> 0:44:14.160
<v Speaker 1>that I'm gonna project that we've talked a little bit

0:44:14.239 --> 0:44:16.359
<v Speaker 1>in discord. I do think she's going to pop back

0:44:16.400 --> 0:44:19.480
<v Speaker 1>up in Guardians. I think that was a a little

0:44:19.520 --> 0:44:21.719
<v Speaker 1>easter egg that they showed when it said searching for

0:44:21.920 --> 0:44:24.279
<v Speaker 1>Gama at the very end, when you know, when Thor

0:44:24.440 --> 0:44:27.279
<v Speaker 1>came onto the ship, um, when Peter was looking that

0:44:27.440 --> 0:44:30.520
<v Speaker 1>was it said searching for he was looking for Goma.

0:44:30.600 --> 0:44:32.000
<v Speaker 1>And I think that was an easter egg of she's

0:44:32.000 --> 0:44:33.880
<v Speaker 1>going to pop up. She might not be leaving the

0:44:34.000 --> 0:44:37.000
<v Speaker 1>ship with them with Nebula and Thor and Quill and

0:44:37.160 --> 0:44:39.359
<v Speaker 1>Uh and Rocket and group, but I think that she will.

0:44:40.680 --> 0:44:42.600
<v Speaker 1>I think that was the best way for them to

0:44:42.680 --> 0:44:44.080
<v Speaker 1>be like, she's not dead, how are we going to

0:44:44.160 --> 0:44:45.719
<v Speaker 1>get her back in here? How are we gonna, you know,

0:44:45.840 --> 0:44:48.919
<v Speaker 1>finish out this franchise? And I think that was the way. Also,

0:44:48.960 --> 0:44:51.640
<v Speaker 1>i'd imagine like Goma, if you went back to two

0:44:51.719 --> 0:44:56.360
<v Speaker 1>thousand and fourteen Gomre and she just got realized that

0:44:56.440 --> 0:44:59.279
<v Speaker 1>she's in the future and she's into this guy. She's

0:44:59.320 --> 0:45:01.160
<v Speaker 1>not gonna just go back on the ship. I think

0:45:01.200 --> 0:45:06.520
<v Speaker 1>she's like, I'm gonna leave, right, don't because like if

0:45:06.600 --> 0:45:09.320
<v Speaker 1>you I go back and watch the Guardians, Like in

0:45:09.400 --> 0:45:11.360
<v Speaker 1>the first one, it's all about, like we could be

0:45:11.440 --> 0:45:12.680
<v Speaker 1>a team, and you know, if you want to go

0:45:12.719 --> 0:45:14.480
<v Speaker 1>after your father, that's the thing we could do to like,

0:45:14.719 --> 0:45:16.080
<v Speaker 1>but like, let's just try to figure this out. And

0:45:16.080 --> 0:45:17.800
<v Speaker 1>then part two was all about, like we just have

0:45:17.880 --> 0:45:19.759
<v Speaker 1>to admit that we love each other, Like can we

0:45:19.840 --> 0:45:21.880
<v Speaker 1>just say the words and believe it it will be okay.

0:45:22.200 --> 0:45:23.840
<v Speaker 1>And so I think the next one will be about

0:45:24.160 --> 0:45:26.000
<v Speaker 1>him trying to figure out how to get her in

0:45:26.040 --> 0:45:28.480
<v Speaker 1>a way that isn't brought together by tragedy, which will

0:45:28.480 --> 0:45:31.600
<v Speaker 1>be really interesting because More's entire life has just been

0:45:31.680 --> 0:45:34.920
<v Speaker 1>like one long tragic event and now she's on her

0:45:34.960 --> 0:45:37.239
<v Speaker 1>own and she's got this level of independence, and I

0:45:37.320 --> 0:45:39.480
<v Speaker 1>think that Peter's gonna have to come to terms with

0:45:39.520 --> 0:45:41.040
<v Speaker 1>that and give her like space and time to figure

0:45:41.080 --> 0:45:43.000
<v Speaker 1>out what she wants before she could even possibly begin

0:45:43.080 --> 0:45:45.400
<v Speaker 1>to be in a relationship, Like what a crazy thing

0:45:45.480 --> 0:45:47.600
<v Speaker 1>we pulled out of time, meet your sister, kind of

0:45:47.680 --> 0:45:50.440
<v Speaker 1>become sisters, kill your father together, and then find out

0:45:50.480 --> 0:45:52.439
<v Speaker 1>you have this entire life that you can't remember. It's

0:45:52.480 --> 0:45:54.560
<v Speaker 1>just I just realized that we had two women that

0:45:54.719 --> 0:45:58.240
<v Speaker 1>killed themselves, because Natasha killed herself and Nebula killed herself

0:45:58.360 --> 0:46:00.600
<v Speaker 1>even though it wasn't like her, but she killed the

0:46:00.680 --> 0:46:03.560
<v Speaker 1>other version of herself. I thought the saddest part of

0:46:03.680 --> 0:46:05.920
<v Speaker 1>that when they were like, you know, you can change,

0:46:06.000 --> 0:46:08.160
<v Speaker 1>and she was like, he won't let me, and it

0:46:08.320 --> 0:46:12.720
<v Speaker 1>was just so her her character arc is just so tragic,

0:46:12.960 --> 0:46:16.279
<v Speaker 1>it really is, And so it's at least exciting even

0:46:16.320 --> 0:46:19.759
<v Speaker 1>though that Nebula didn't survive that this new Nebula with

0:46:19.920 --> 0:46:22.840
<v Speaker 1>the next Guardians, I'm excited to see what will become

0:46:22.880 --> 0:46:25.800
<v Speaker 1>of her character. Yeah, it's cool. It's exciting because like,

0:46:26.200 --> 0:46:27.880
<v Speaker 1>even though she died, she was really just killing off

0:46:27.880 --> 0:46:30.120
<v Speaker 1>a part of herself she never liked anyway. And it's

0:46:30.200 --> 0:46:33.359
<v Speaker 1>to me, it's so much less tragic because it's something

0:46:33.440 --> 0:46:36.280
<v Speaker 1>that she always wanted to shed. Even even the self

0:46:36.320 --> 0:46:40.320
<v Speaker 1>who's like I can't change, desires to once to and

0:46:40.400 --> 0:46:42.600
<v Speaker 1>so for her to be like, you know, this is

0:46:42.640 --> 0:46:44.160
<v Speaker 1>gone and I'm just gonna be whoever I want to be.

0:46:44.520 --> 0:46:46.520
<v Speaker 1>It's exciting and I hope we like I really like

0:46:46.719 --> 0:46:49.319
<v Speaker 1>her in Guardians too, and she's like finally on her

0:46:49.360 --> 0:46:51.239
<v Speaker 1>own and I'm gonna just sell these people and I'm

0:46:51.280 --> 0:46:53.359
<v Speaker 1>over it. She's so badass, and I think we're gonna

0:46:53.400 --> 0:46:55.600
<v Speaker 1>get a lot of that kind of like fun, badass

0:46:55.719 --> 0:46:57.200
<v Speaker 1>Nebula that we haven't had a lot of time with.

0:46:57.320 --> 0:46:59.400
<v Speaker 1>I love, aside from the cap first cap fight, the

0:46:59.520 --> 0:47:03.719
<v Speaker 1>Nebula Nebula fight and then when she smacks her and um,

0:47:03.920 --> 0:47:06.120
<v Speaker 1>she's like you're weak and she's like I'm you and

0:47:06.200 --> 0:47:09.120
<v Speaker 1>I was like, oh, that's such a good lie. That

0:47:09.320 --> 0:47:13.880
<v Speaker 1>was so like such a put in your face. So

0:47:14.080 --> 0:47:17.279
<v Speaker 1>many of those. It was so good too, because there

0:47:17.320 --> 0:47:20.840
<v Speaker 1>were so many like fun bread crumbs that are just

0:47:22.440 --> 0:47:25.399
<v Speaker 1>you're basically a lot of decisions were made based off

0:47:25.480 --> 0:47:28.920
<v Speaker 1>of as things established way long, like the fact like

0:47:29.480 --> 0:47:32.080
<v Speaker 1>you can sit there and be like, why was it

0:47:32.200 --> 0:47:35.320
<v Speaker 1>so easy for Gomorra to just switch sides? Or you

0:47:35.400 --> 0:47:37.200
<v Speaker 1>can go back and watch the movies and know that

0:47:37.320 --> 0:47:40.680
<v Speaker 1>she never was on his side was so eat, Like

0:47:41.000 --> 0:47:45.000
<v Speaker 1>the moment like she was like, Yo, Dan is trash.

0:47:45.320 --> 0:47:47.719
<v Speaker 1>You knew, like, oh, she's gonna turn like there was

0:47:47.800 --> 0:47:50.040
<v Speaker 1>no and I like that they did honor that there

0:47:50.160 --> 0:47:53.000
<v Speaker 1>there they didn't. They didn't add no extra convincing. She

0:47:53.160 --> 0:47:55.720
<v Speaker 1>just needs to hear that one line from the future

0:47:56.080 --> 0:47:58.840
<v Speaker 1>to confirm like every yeah, it's bad if he wins,

0:47:59.080 --> 0:48:02.120
<v Speaker 1>because every all the other movies have confirmed that Goamrea

0:48:02.239 --> 0:48:04.319
<v Speaker 1>never really was rocking with him, and Nebula has figured

0:48:04.320 --> 0:48:05.920
<v Speaker 1>out how to talk to her sister in such a

0:48:05.920 --> 0:48:07.400
<v Speaker 1>way that she would be able to convince her in

0:48:07.440 --> 0:48:08.920
<v Speaker 1>a couple of shorts. It did her so long to

0:48:08.960 --> 0:48:11.040
<v Speaker 1>figure out, like how do I say I want to

0:48:11.080 --> 0:48:13.000
<v Speaker 1>be your sister? You know you've hurt me so much.

0:48:13.000 --> 0:48:14.320
<v Speaker 1>I don't know how to forgive you for that and

0:48:14.440 --> 0:48:17.360
<v Speaker 1>also seek this relationship. But she's already lived on that

0:48:17.400 --> 0:48:19.000
<v Speaker 1>and gotten over it, so she can just meet her

0:48:19.080 --> 0:48:21.520
<v Speaker 1>like right where she is, which is great. Yeah, sorry,

0:48:21.520 --> 0:48:24.799
<v Speaker 1>I didn't mean to just so excited about the good storytelling,

0:48:24.920 --> 0:48:27.880
<v Speaker 1>but just also the simple fact that all she needed

0:48:28.200 --> 0:48:30.200
<v Speaker 1>to get Gamara on her side is to be like

0:48:31.040 --> 0:48:34.120
<v Speaker 1>in the future, we're good because and that all that

0:48:34.440 --> 0:48:37.560
<v Speaker 1>honors that. That's all Gamora wanting god Moa. It was.

0:48:38.000 --> 0:48:40.879
<v Speaker 1>That's one thing I do like about Gamara Nebulous there

0:48:41.080 --> 0:48:45.160
<v Speaker 1>because it's such a relatable sibling storyline of like, y'all

0:48:45.239 --> 0:48:47.680
<v Speaker 1>both kind of want the same thing, but you're manag

0:48:47.719 --> 0:48:49.919
<v Speaker 1>each other and you don't know why. And you see

0:48:49.960 --> 0:48:52.440
<v Speaker 1>so many siblings pitted together that way. You know, if

0:48:52.760 --> 0:48:55.560
<v Speaker 1>you were the sibling that got better grades your sister,

0:48:56.120 --> 0:48:59.839
<v Speaker 1>your little sibling hates you and you don't know why.

0:49:00.080 --> 0:49:02.239
<v Speaker 1>You're just trying to be good and you're trying to

0:49:02.280 --> 0:49:04.600
<v Speaker 1>connect and they don't want to connect with you because

0:49:04.719 --> 0:49:06.799
<v Speaker 1>and it's all because of just how the parents kind

0:49:06.800 --> 0:49:10.000
<v Speaker 1>of treat that. But you don't have any of that info,

0:49:10.120 --> 0:49:12.919
<v Speaker 1>so you're just trying to communicate until you finally break through.

0:49:13.400 --> 0:49:16.240
<v Speaker 1>So the fact that like Nebula came into this movie

0:49:16.360 --> 0:49:18.840
<v Speaker 1>with the information of like, oh, she does love me,

0:49:19.320 --> 0:49:21.680
<v Speaker 1>she just doesn't know why I do not like her.

0:49:22.040 --> 0:49:24.560
<v Speaker 1>So if I just tell her we're it was I

0:49:24.719 --> 0:49:29.000
<v Speaker 1>just like that. It's just such a product of good storytelling,

0:49:29.080 --> 0:49:32.040
<v Speaker 1>speaking a good storytelling and complicated siblings. Can we talk

0:49:32.040 --> 0:49:38.160
<v Speaker 1>about Loki sneak Off? It was so it was, like

0:49:38.280 --> 0:49:40.640
<v Speaker 1>I said, there's a lot of fan service in this movie,

0:49:40.719 --> 0:49:43.239
<v Speaker 1>and that was the most low key fan service you

0:49:43.280 --> 0:49:45.680
<v Speaker 1>can do. And seeing him do be like okay, like

0:49:45.800 --> 0:49:49.800
<v Speaker 1>the classic like oh my gosh, Bob Billion like creeper

0:49:49.880 --> 0:49:52.440
<v Speaker 1>stock Off, like he's on tippy toes, hunched over, like

0:49:52.880 --> 0:49:55.720
<v Speaker 1>sneaking out of frame. I'm like, this is comedic gold

0:49:56.200 --> 0:49:58.360
<v Speaker 1>and it sets up so perfect, Like I feel like

0:49:58.400 --> 0:50:00.560
<v Speaker 1>the way they left little threads for the Disney plus

0:50:00.600 --> 0:50:05.759
<v Speaker 1>theory that give it give mels like even Scarlett, which

0:50:05.840 --> 0:50:09.120
<v Speaker 1>is big moment we know that it should Is it

0:50:09.239 --> 0:50:12.120
<v Speaker 1>Wanda Vision? Why didn't you call it Scarlet Vision? Disney?

0:50:12.160 --> 0:50:16.080
<v Speaker 1>I never understand your decisions, but one division is coming,

0:50:16.080 --> 0:50:17.839
<v Speaker 1>and I feel like with the stones being placed back,

0:50:17.920 --> 0:50:20.400
<v Speaker 1>we could be very close to having the like the

0:50:20.520 --> 0:50:24.160
<v Speaker 1>resurrection of vision. Um. She had such a great line

0:50:24.239 --> 0:50:26.440
<v Speaker 1>of just you know you've ruined my life. I know

0:50:26.600 --> 0:50:31.000
<v Speaker 1>you have taken everything, and you know before we were

0:50:31.040 --> 0:50:32.680
<v Speaker 1>getting towards the end of this and I do want

0:50:32.680 --> 0:50:35.840
<v Speaker 1>to wrap up one last thing. Another relationship thing that

0:50:35.920 --> 0:50:38.680
<v Speaker 1>I thought closed up years almost got me in my

0:50:38.840 --> 0:50:44.719
<v Speaker 1>fields was Tony and his dad, because that was it,

0:50:45.239 --> 0:50:49.279
<v Speaker 1>like he just it was years of everything he thought

0:50:49.400 --> 0:50:52.480
<v Speaker 1>about his father being cleared up. The moment he was like,

0:50:52.840 --> 0:50:55.960
<v Speaker 1>I will do anything for that kid, and I'm just

0:50:56.120 --> 0:50:59.920
<v Speaker 1>so consumed by my work that i cannot focus on them,

0:51:00.040 --> 0:51:03.160
<v Speaker 1>but I do love that kid. I was like, oh

0:51:03.239 --> 0:51:05.400
<v Speaker 1>my god, he needed to hear that. You re watched

0:51:05.400 --> 0:51:08.360
<v Speaker 1>the scene from Civil War at the top where he creates.

0:51:08.520 --> 0:51:11.000
<v Speaker 1>He creates a thing called BARF, which is a binary

0:51:11.080 --> 0:51:14.320
<v Speaker 1>automated something or other. Basically, it's the thing he creates

0:51:14.360 --> 0:51:17.200
<v Speaker 1>that connects with his hippocampus and it projects his parents,

0:51:17.640 --> 0:51:20.239
<v Speaker 1>and he gets to tell his parents it's the last

0:51:20.280 --> 0:51:21.880
<v Speaker 1>time he saw his parents. It's when they do the

0:51:21.960 --> 0:51:25.359
<v Speaker 1>young Robert Downey jr. Uh And he gets to tell

0:51:25.400 --> 0:51:27.200
<v Speaker 1>his parents like what he always wanted to say before

0:51:27.239 --> 0:51:30.360
<v Speaker 1>they died, which was essentially Tony's actual words him were like,

0:51:31.480 --> 0:51:33.920
<v Speaker 1>it's okay, dad, you did the best you could. Right,

0:51:34.440 --> 0:51:36.120
<v Speaker 1>We're getting here. The last line he says to his

0:51:36.239 --> 0:51:38.799
<v Speaker 1>dad is almost identical, but instead of just to walk off,

0:51:38.920 --> 0:51:41.480
<v Speaker 1>his dad gets to respond. And if that doesn't just

0:51:41.560 --> 0:51:43.960
<v Speaker 1>give you the shivers, Like, I just wrote this article

0:51:43.960 --> 0:51:46.719
<v Speaker 1>about the legacy of Tony Stark because it didn't strike

0:51:46.760 --> 0:51:49.120
<v Speaker 1>me how much I liked the character until his journey ended.

0:51:49.160 --> 0:51:53.160
<v Speaker 1>Because to me, I'm like rich entitled white douchebag, Like okay,

0:51:53.200 --> 0:51:56.000
<v Speaker 1>it's fine, Like Robert Downey juniors is Junior is infectious.

0:51:56.080 --> 0:51:58.000
<v Speaker 1>Like you love his performance, you want to watch him.

0:51:58.040 --> 0:52:01.960
<v Speaker 1>He's like a wonderful performer. But Tony Stark is constantly

0:52:02.040 --> 0:52:05.000
<v Speaker 1>just running headlong into decisions and making giant mistakes and

0:52:05.040 --> 0:52:08.160
<v Speaker 1>then really getting mad when people are like he wants

0:52:08.200 --> 0:52:09.839
<v Speaker 1>to clean up his own mistakes, but he doesn't want

0:52:09.840 --> 0:52:12.760
<v Speaker 1>to really take responsibility ever. You know, he's he's sorry

0:52:12.800 --> 0:52:14.680
<v Speaker 1>that it happened, but like, I'll correct it and I'll

0:52:14.719 --> 0:52:16.400
<v Speaker 1>do it by myself and it'll all be fine. And

0:52:16.440 --> 0:52:20.480
<v Speaker 1>that constant like tripping over himself is always causing problems,

0:52:20.520 --> 0:52:24.000
<v Speaker 1>and it's what makes his final snap so peak perfect,

0:52:24.400 --> 0:52:27.680
<v Speaker 1>because one he's got the assurance that this is the

0:52:27.880 --> 0:52:30.839
<v Speaker 1>only way. And we've seen Tony constantly through every Iron

0:52:30.920 --> 0:52:33.320
<v Speaker 1>Man movie, through every Avengers movie, put his body on

0:52:33.400 --> 0:52:35.719
<v Speaker 1>the line. He's willing to die for this cause, but

0:52:35.800 --> 0:52:37.640
<v Speaker 1>it's never really been worth it. You didn't ever really

0:52:37.719 --> 0:52:39.759
<v Speaker 1>have to You were never going to be the leader

0:52:39.840 --> 0:52:42.000
<v Speaker 1>that Captain America just naturally was, but you didn't need

0:52:42.040 --> 0:52:43.960
<v Speaker 1>to be. You are rebel in a patriot and that

0:52:44.200 --> 0:52:46.440
<v Speaker 1>is so American and so close to the ideals that

0:52:46.480 --> 0:52:48.279
<v Speaker 1>Captain America holds. Who was heart, It's so close to

0:52:48.360 --> 0:52:50.600
<v Speaker 1>what your dad was always trying to achieve. Like all

0:52:50.640 --> 0:52:53.000
<v Speaker 1>these heroes that he felt were so far away from

0:52:53.120 --> 0:52:55.320
<v Speaker 1>him gave him the respect. I mean, the fact that

0:52:55.600 --> 0:52:57.840
<v Speaker 1>what Cap does with his life after is just value

0:52:58.400 --> 0:53:00.680
<v Speaker 1>Tony's message and Tony's agenda, and it's like, I'm just

0:53:00.719 --> 0:53:03.319
<v Speaker 1>gonna go and live a simple life because we all

0:53:03.360 --> 0:53:05.880
<v Speaker 1>deserve to have that at some point. It is the

0:53:06.000 --> 0:53:09.080
<v Speaker 1>most miraculous arc like it is. I hope that eventually

0:53:09.120 --> 0:53:11.200
<v Speaker 1>we can get this with all of the characters. But

0:53:11.560 --> 0:53:13.919
<v Speaker 1>the way they did it with Tony was perfect the most.

0:53:14.080 --> 0:53:16.160
<v Speaker 1>I think the thing that made it the most perfect,

0:53:16.480 --> 0:53:19.760
<v Speaker 1>the icing on the top, is the fact that Tony

0:53:20.040 --> 0:53:22.719
<v Speaker 1>ends the way the m C You started. The m

0:53:22.800 --> 0:53:25.600
<v Speaker 1>C you started at the end of iron Man when

0:53:25.680 --> 0:53:29.080
<v Speaker 1>he says, I am iron Man, and the last line

0:53:29.719 --> 0:53:33.600
<v Speaker 1>that Tony Stark says in the m C You is

0:53:33.760 --> 0:53:38.120
<v Speaker 1>I am iron Man. Just all just who I got

0:53:38.239 --> 0:53:41.160
<v Speaker 1>to breathe a second or I'm a just reaction, Okay,

0:53:41.239 --> 0:53:46.040
<v Speaker 1>you could just go. Let's talk about that performance. I

0:53:47.120 --> 0:53:51.680
<v Speaker 1>I compared this this performance akin to Jaggie Oh during

0:53:51.920 --> 0:53:55.759
<v Speaker 1>Kennedy's death, which if you don't remember or she don't,

0:53:56.000 --> 0:53:57.600
<v Speaker 1>you don't have to go look it up. I will

0:53:57.680 --> 0:54:00.279
<v Speaker 1>explain what happens as she jumps to the back of

0:54:00.360 --> 0:54:03.520
<v Speaker 1>the car and to grab a piece of his head.

0:54:04.080 --> 0:54:06.000
<v Speaker 1>And when asked why, I was like, I didn't know.

0:54:06.120 --> 0:54:07.759
<v Speaker 1>I just went into mode and I just thought it

0:54:07.760 --> 0:54:10.880
<v Speaker 1>would help. And there's something about seeing Pepper Potts just

0:54:11.400 --> 0:54:15.359
<v Speaker 1>everyone's freaking out, and she's like goes into puts all

0:54:15.440 --> 0:54:18.360
<v Speaker 1>her emotions aside because she's like, this is all he

0:54:18.480 --> 0:54:21.120
<v Speaker 1>needs to hear right now, and the moment she passed away,

0:54:21.239 --> 0:54:24.640
<v Speaker 1>then her real emotion comes in that performance and just

0:54:24.840 --> 0:54:27.320
<v Speaker 1>the realness of that of just like yeah, in a

0:54:27.480 --> 0:54:31.239
<v Speaker 1>crisis time, you're like, no, first business then me. Yeah.

0:54:31.600 --> 0:54:33.399
<v Speaker 1>And she has to stay strong because that's the last

0:54:33.480 --> 0:54:35.839
<v Speaker 1>face that he saw, you know, she put her face

0:54:35.920 --> 0:54:38.200
<v Speaker 1>like she moved Not that I don't love Peter Parker,

0:54:38.280 --> 0:54:40.399
<v Speaker 1>but she moved Peter Parker to this side very much

0:54:40.480 --> 0:54:42.680
<v Speaker 1>like gave him over, Like someone needs to take care

0:54:42.719 --> 0:54:44.680
<v Speaker 1>of this kid. This is my time to be with

0:54:44.800 --> 0:54:46.200
<v Speaker 1>my husband, Like this is my time to be with

0:54:46.280 --> 0:54:47.880
<v Speaker 1>the one to be here right now. Peter like this

0:54:48.000 --> 0:54:50.360
<v Speaker 1>is you don't see your mentor die. Yeah, this is,

0:54:50.480 --> 0:54:52.960
<v Speaker 1>And so she made sure that is like so important.

0:54:53.000 --> 0:54:55.200
<v Speaker 1>She was like this, she is the last face he's

0:54:55.200 --> 0:54:57.080
<v Speaker 1>going to see and in order for him to rest

0:54:57.160 --> 0:54:59.279
<v Speaker 1>and or he can't see her crying and feeling like

0:54:59.320 --> 0:55:01.279
<v Speaker 1>everything is going to go, you know, he needs to

0:55:01.360 --> 0:55:03.480
<v Speaker 1>see her okay, and she says we're going to be okay.

0:55:03.600 --> 0:55:05.960
<v Speaker 1>But also in going in this great writing and constantly

0:55:06.040 --> 0:55:09.160
<v Speaker 1>flipping the script, every single time that Tony has put

0:55:09.239 --> 0:55:11.439
<v Speaker 1>his life on the line, he calls Pepper, and every

0:55:11.480 --> 0:55:13.560
<v Speaker 1>single time she can't pick up the phone because she's

0:55:13.560 --> 0:55:15.960
<v Speaker 1>always trying to save him. She's always trying to get

0:55:16.160 --> 0:55:18.480
<v Speaker 1>back to him to save him. So this idea of

0:55:18.640 --> 0:55:20.080
<v Speaker 1>this is the last time we even see at the

0:55:20.120 --> 0:55:22.040
<v Speaker 1>top of this film, and even after he dies, he

0:55:22.160 --> 0:55:24.280
<v Speaker 1>leaves her a message. He's always trying to reach Pepper,

0:55:24.320 --> 0:55:26.279
<v Speaker 1>and so this idea that as he's dying, he doesn't

0:55:26.280 --> 0:55:28.319
<v Speaker 1>have to teach her he's right. She's right there for him,

0:55:28.480 --> 0:55:30.440
<v Speaker 1>and she's one giving him the message of it's going

0:55:30.480 --> 0:55:31.880
<v Speaker 1>to be okay, and you can be strong and you

0:55:31.920 --> 0:55:33.920
<v Speaker 1>can do what you need to do. It's it's just

0:55:34.040 --> 0:55:37.239
<v Speaker 1>really beautiful, like their relationship as minimal as it's been his,

0:55:37.719 --> 0:55:41.080
<v Speaker 1>it's been really lovely to watch. Yeah, And the thing,

0:55:41.200 --> 0:55:44.560
<v Speaker 1>the last tiny thing I'm gonna say about Marvel in

0:55:44.640 --> 0:55:47.640
<v Speaker 1>the m c U is just how awesome and dynamic

0:55:47.760 --> 0:55:49.800
<v Speaker 1>not was it not only as a story of what

0:55:49.920 --> 0:55:54.359
<v Speaker 1>it told, but also for Robert Downey Jr's career. Yeah,

0:55:55.160 --> 0:55:59.680
<v Speaker 1>this m c YOU changed his life. He was like

0:56:00.120 --> 0:56:07.680
<v Speaker 1>the laughing stock burnout in Hollywood. And I mean he

0:56:07.800 --> 0:56:10.080
<v Speaker 1>was on the rise, but but like he was, but

0:56:10.360 --> 0:56:14.080
<v Speaker 1>he definitely like you know, and not not like trying

0:56:14.120 --> 0:56:16.560
<v Speaker 1>to trash him. I'm just saying like that that's just

0:56:16.719 --> 0:56:21.000
<v Speaker 1>where he was to like this untouchable superstar who seems

0:56:21.040 --> 0:56:24.399
<v Speaker 1>like he might be getting ready to retire. He can

0:56:24.520 --> 0:56:27.200
<v Speaker 1>if he wants, or he can do whatever movie he wants.

0:56:27.280 --> 0:56:31.279
<v Speaker 1>I just love just someone getting a second chance, like

0:56:31.400 --> 0:56:34.640
<v Speaker 1>doing the work, getting a second chance and really showing

0:56:34.760 --> 0:56:38.160
<v Speaker 1>us just how great he was, because not only was

0:56:38.239 --> 0:56:40.680
<v Speaker 1>this a great movie, but his performance from when he's

0:56:40.760 --> 0:56:44.680
<v Speaker 1>malnourished and this to coming back like you really it

0:56:44.880 --> 0:56:47.640
<v Speaker 1>was great. And I didn't get to tweet this out,

0:56:47.680 --> 0:56:50.560
<v Speaker 1>but what I wanted to say is in game felt

0:56:50.640 --> 0:56:54.440
<v Speaker 1>like everyone saw Black Panther get that Oscar nob and

0:56:54.600 --> 0:57:01.440
<v Speaker 1>was like, oh all right, because everyone brought their acting

0:57:01.520 --> 0:57:05.440
<v Speaker 1>game like it's it transcended a quote unquote superhero movie

0:57:05.719 --> 0:57:09.560
<v Speaker 1>to like as an actor, it inspired me, I would.

0:57:09.680 --> 0:57:11.960
<v Speaker 1>I also love the fact that UM, Tony is so

0:57:12.160 --> 0:57:15.120
<v Speaker 1>much of Robert Downey Jr. Like um, the fact that

0:57:15.200 --> 0:57:17.959
<v Speaker 1>this man did get a second chance at life, Robert

0:57:18.000 --> 0:57:20.240
<v Speaker 1>Downey Jr. Who was an alcoholic and he played an

0:57:20.240 --> 0:57:23.320
<v Speaker 1>alcoholic and Tony Stark and like a man who's tormented

0:57:23.360 --> 0:57:25.360
<v Speaker 1>do is pushed people away in his life to then

0:57:25.440 --> 0:57:27.000
<v Speaker 1>come full circle in the way that I feel like,

0:57:27.480 --> 0:57:30.320
<v Speaker 1>you know, Robert Downey Jr. Has UM I was told

0:57:30.520 --> 0:57:32.400
<v Speaker 1>that and I didn't know one. He had to like

0:57:32.520 --> 0:57:35.919
<v Speaker 1>fight to audition for this, and I know that John

0:57:35.960 --> 0:57:38.120
<v Speaker 1>Favre really believed in him. So he was a huge win.

0:57:38.280 --> 0:57:40.720
<v Speaker 1>At the premier, John Favre when they announced him, like

0:57:40.840 --> 0:57:43.960
<v Speaker 1>everybody like gave him a roaring applause because without him,

0:57:43.960 --> 0:57:46.840
<v Speaker 1>I don't think that we would have UM. I didn't

0:57:46.840 --> 0:57:51.360
<v Speaker 1>know that, and it makes happy and relationship UM. And

0:57:51.480 --> 0:57:54.080
<v Speaker 1>then UM, I think that they wanted to go Marvel

0:57:54.120 --> 0:57:56.960
<v Speaker 1>wanted to go with them, Tom Cruise, so that one

0:57:59.560 --> 0:58:04.440
<v Speaker 1>man Um. I had this argument with Mark Ellis, who

0:58:04.760 --> 0:58:06.000
<v Speaker 1>is a good friend of mine. He was on our

0:58:06.040 --> 0:58:08.600
<v Speaker 1>Infinity War review. I believe Um he's the one that

0:58:08.680 --> 0:58:11.040
<v Speaker 1>told me that and um he was like what, no,

0:58:11.200 --> 0:58:14.520
<v Speaker 1>don't try and I'm like, no, Mark. It was so funny.

0:58:14.560 --> 0:58:17.640
<v Speaker 1>Someone tweeted and was like, the characters are not the

0:58:18.160 --> 0:58:22.760
<v Speaker 1>the actors, like, um, Chris Hemsworth is not Thor and

0:58:23.320 --> 0:58:27.880
<v Speaker 1>Mark Ruffalo is not Hulk, but Robert Downey Jr. Is Yeah,

0:58:28.400 --> 0:58:32.240
<v Speaker 1>like he is him. Everybody else is just but he

0:58:32.680 --> 0:58:37.400
<v Speaker 1>is he is one with Yeah. I mean I can't

0:58:37.440 --> 0:58:41.840
<v Speaker 1>imagine anyone. And yeah, Marvel made all of their all

0:58:41.920 --> 0:58:44.720
<v Speaker 1>the royalty in the world we know people of color.

0:58:44.840 --> 0:58:46.840
<v Speaker 1>Actually they're all black people. And it made me want

0:58:46.880 --> 0:58:51.680
<v Speaker 1>to cry. H Valkyrie is King of Asgard right now. Uh.

0:58:52.000 --> 0:58:54.840
<v Speaker 1>Nay More with a Koya was like, we're not worrying

0:58:54.840 --> 0:58:57.120
<v Speaker 1>about those earthquakes. We don't do anything about earthquakes, don't

0:58:57.160 --> 0:58:59.240
<v Speaker 1>check them out, don't look. I was like, Naymore is

0:58:59.360 --> 0:59:03.280
<v Speaker 1>coming the Mariners here, like the way again. They just

0:59:03.320 --> 0:59:05.280
<v Speaker 1>set up so many like little threads and little things

0:59:05.320 --> 0:59:07.000
<v Speaker 1>for us to be so excited about and then for

0:59:07.080 --> 0:59:09.280
<v Speaker 1>them to not give us anything at the end just

0:59:09.360 --> 0:59:12.160
<v Speaker 1>tells me that they are cooking and you cannot wait

0:59:12.240 --> 0:59:14.520
<v Speaker 1>to see what the next phase is going to bring,

0:59:14.600 --> 0:59:16.800
<v Speaker 1>where their focus is going to be. But I think

0:59:17.240 --> 0:59:20.360
<v Speaker 1>even as small as the queer representation was, uh, the

0:59:20.400 --> 0:59:26.560
<v Speaker 1>amount of POC that had really like monumental positions in

0:59:26.960 --> 0:59:31.440
<v Speaker 1>the Avengers now uh, including Sam getting Captain Shield, I

0:59:31.520 --> 0:59:33.520
<v Speaker 1>feel like they're making a very strong statement at the

0:59:33.680 --> 0:59:36.959
<v Speaker 1>end of the Infinity saga of like, yeah, we're coming

0:59:37.200 --> 0:59:40.720
<v Speaker 1>for like disenfranchised people next minute. Our first half was

0:59:40.960 --> 0:59:44.640
<v Speaker 1>very Caucasian, was very straight, but we see you and

0:59:44.760 --> 0:59:47.880
<v Speaker 1>we're going to expand. So I really look forward to it. Yeah,

0:59:53.160 --> 0:59:59.320
<v Speaker 1>I think I think that's our that's it. Um, what

0:59:59.480 --> 1:00:02.480
<v Speaker 1>did you have? Tweet? Adams? You know, in the discord

1:00:02.560 --> 1:00:05.480
<v Speaker 1>were already got the conversation going, so Discord do g

1:00:05.800 --> 1:00:09.440
<v Speaker 1>slash Salt Squad, spoiler chat. Danny was getting it in.

1:00:09.600 --> 1:00:11.360
<v Speaker 1>I knew I miss. I think I came back to

1:00:11.600 --> 1:00:14.920
<v Speaker 1>two messages. It was about the time travel thing. Yeah,

1:00:15.000 --> 1:00:16.680
<v Speaker 1>everybody went it was good. More I was like, no,

1:00:16.880 --> 1:00:20.000
<v Speaker 1>she's coming back, trust me, even though my original question

1:00:20.080 --> 1:00:21.640
<v Speaker 1>was like is she coming back? And then I was like,

1:00:21.960 --> 1:00:24.400
<v Speaker 1>I thought y'all were gonna say she was, and this

1:00:24.600 --> 1:00:26.560
<v Speaker 1>is why I need to prove to you that she is.

1:00:27.160 --> 1:00:31.040
<v Speaker 1>Danny had charts and everything. Um, but yeah, you know me.

1:00:31.240 --> 1:00:32.960
<v Speaker 1>If you want anyway, I F Y n W A

1:00:33.080 --> 1:00:36.120
<v Speaker 1>D I D B E on Twitter and Instagram. This

1:00:36.360 --> 1:00:39.640
<v Speaker 1>is out this week, So this Saturday, if you are

1:00:39.760 --> 1:00:42.560
<v Speaker 1>in the Phoenix area, uh Me and the White Women

1:00:42.600 --> 1:00:44.959
<v Speaker 1>guys will be performing at the Phoenix and Pro Fest,

1:00:45.280 --> 1:00:48.600
<v Speaker 1>So deaf pull up for that. As always, catch a

1:00:48.680 --> 1:00:50.880
<v Speaker 1>boy on Twitch if D S, I F D E

1:00:51.040 --> 1:00:53.720
<v Speaker 1>e Z. We're always doing some fun stuff in there.

1:00:53.960 --> 1:00:56.480
<v Speaker 1>Carl has popped on for sports game Carl Tart of

1:00:56.560 --> 1:00:59.000
<v Speaker 1>Culture King's comedy Bank Band all that you know, you

1:00:59.080 --> 1:01:01.760
<v Speaker 1>never know. Danny's own pop on soon and you before

1:01:01.760 --> 1:01:03.680
<v Speaker 1>you even know it, you'll be chatting with us when

1:01:03.720 --> 1:01:07.600
<v Speaker 1>we play some Vigia games. But yeah, come through, drop

1:01:07.680 --> 1:01:09.760
<v Speaker 1>that sub. Remember to which prime stubs You gotta come

1:01:09.800 --> 1:01:13.000
<v Speaker 1>back every month unless you upgraded to a regular sub,

1:01:13.280 --> 1:01:15.080
<v Speaker 1>which we'll just do it automatically. If you're just like

1:01:15.120 --> 1:01:16.680
<v Speaker 1>I want to support if you but I ain't got

1:01:16.760 --> 1:01:19.040
<v Speaker 1>time to see you sit up yelling at the screen.

1:01:19.080 --> 1:01:21.360
<v Speaker 1>I feel like there were a few people who stopped

1:01:21.400 --> 1:01:24.000
<v Speaker 1>by and followed while I was in the middle of

1:01:24.240 --> 1:01:28.720
<v Speaker 1>yelling about again. It was just me yelling mad. I

1:01:28.760 --> 1:01:30.880
<v Speaker 1>think it was the final boss for far crying New

1:01:30.960 --> 1:01:36.640
<v Speaker 1>dawnsting so mad. I was so mad. I was cursing,

1:01:37.720 --> 1:01:39.520
<v Speaker 1>which you know if you listen to nartives and that's

1:01:39.520 --> 1:01:42.320
<v Speaker 1>a whole new side of me that you're getting to learn.

1:01:43.120 --> 1:01:44.480
<v Speaker 1>People coming to my chat and they're like, can we

1:01:44.560 --> 1:01:48.520
<v Speaker 1>curse here? It was like, yeah, yeah, sorry, I went

1:01:48.600 --> 1:01:52.000
<v Speaker 1>on a huge tangent. Get again. That's okay. Um. The

1:01:52.080 --> 1:01:53.600
<v Speaker 1>only thing that I was going to plug is I

1:01:53.720 --> 1:01:57.320
<v Speaker 1>wrote a really personal piece on how Endgame tackled um failure,

1:01:57.600 --> 1:02:00.080
<v Speaker 1>lost in depression as someone that has depression, and that

1:02:00.240 --> 1:02:03.280
<v Speaker 1>is up on Playboy that you can check out and read. Um.

1:02:04.440 --> 1:02:07.400
<v Speaker 1>I met miss Danny Fernandez, Joel. Where can everyone catch you? Yes?

1:02:07.560 --> 1:02:10.120
<v Speaker 1>So many places. Colm join me on Twitter. I'm there

1:02:10.200 --> 1:02:14.000
<v Speaker 1>sixteen hours a day. I've addicted. I lived there Twitter. Yes,

1:02:15.000 --> 1:02:16.920
<v Speaker 1>it's agile. Money gets so easy to find us. We're

1:02:16.920 --> 1:02:20.320
<v Speaker 1>always there. Uh yeah. And also I'll be in Ontario,

1:02:20.440 --> 1:02:23.800
<v Speaker 1>California doing uh commic Con Revolution. It's gonna be really awesome.

1:02:23.840 --> 1:02:26.080
<v Speaker 1>I have four panels there. It's like Ladies of the

1:02:26.160 --> 1:02:29.120
<v Speaker 1>Dark Side. We're doing a tribute to Stanley. I'm interviewing

1:02:29.160 --> 1:02:33.120
<v Speaker 1>the guys of Um Samurai Jack and then also the

1:02:33.240 --> 1:02:36.160
<v Speaker 1>voice of Darth Maul. So it's gonna be like a

1:02:36.240 --> 1:02:38.960
<v Speaker 1>whole stacked Saturday. You could just calm follow me panel

1:02:39.000 --> 1:02:41.479
<v Speaker 1>to panel. Uh. It's a really great con. It's super

1:02:41.560 --> 1:02:44.160
<v Speaker 1>small and most of the creators like hang out afterwards

1:02:44.200 --> 1:02:46.960
<v Speaker 1>and talk to people. It's intimate and lovely. So if

1:02:47.000 --> 1:02:49.040
<v Speaker 1>you see there, say if you're there, say hi, yeah,

1:02:49.960 --> 1:02:53.800
<v Speaker 1>and that's it, Like we always say, stay nerdy, fade