WEBVTT - Not Lost Chat: Road Work (Andrew Sean Greer & Jay Pharoah)

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<v Speaker 1>Pushkin. So the other week I was staying in a

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<v Speaker 1>hotel on Hollywood Boulevard for a few days. It was

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<v Speaker 1>a fine hotel, if not a fine hotel. Its most

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<v Speaker 1>compelling feature was the pool area, which looked exactly like

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<v Speaker 1>how people think Hollywood looks. A shimmering blue roushak plot

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<v Speaker 1>surrounded by lounge chairs, each holding a yellow and white

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<v Speaker 1>striped towel rolled up like a Swiss cake made of

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<v Speaker 1>terry cloth. Attractive staff flitted to and fro trays of

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<v Speaker 1>champagne and potato chips. I was at a cafe by

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<v Speaker 1>the pool, eating a salad. Shakespeare once described someone's youth

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<v Speaker 1>as their salad days, a time of carefree innocence. But

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<v Speaker 1>my salad days didn't begin until I reached middle age

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<v Speaker 1>and realized if I didn't start pounding vegetables, my body

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<v Speaker 1>would molt into a piece of uncooked dough. The sandwich

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<v Speaker 1>days would be a better phrase for my care for youth.

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<v Speaker 1>So there I was pool side, virtuously eating my raw vegetables,

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<v Speaker 1>as well as reading a book. It was a novel

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<v Speaker 1>about a formerly successful, newly middle aged man, recently single,

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<v Speaker 1>who decides to travel to find himself. Yeah, if it

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<v Speaker 1>had been a podcast, I'd have a copyright claim. Palm

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<v Speaker 1>Trees Swede American songbook music dribbled out some invisible speakers.

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<v Speaker 1>Two young couples entered the pool area, and they looked

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<v Speaker 1>as if they were from Central Casting, which, considering this

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<v Speaker 1>was LA, might have been the case. They were all slim, smiling,

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<v Speaker 1>and wearing black bathing suits, the men in trunks, the

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<v Speaker 1>women in bikinis. They called over the waiter and ordered

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<v Speaker 1>a round of spritzes. I looked down at my long

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<v Speaker 1>sleeved sweater and corduroy slacks, forked a tiddley wink of

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<v Speaker 1>radish into my mouth and went back to my book.

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<v Speaker 1>Earlier that day, I'd walked along Hollywood boulevards, concrete galaxy

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<v Speaker 1>of stars floating amidst the Milky Way of celebrities for tourists,

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<v Speaker 1>street merchants, and unhoused people. Soon I found myself in

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<v Speaker 1>front of the famous Hollywood landmark, Gramin's Chinese Theater, built

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<v Speaker 1>in nineteen twenty seven by Sid Grammin. Built to look

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<v Speaker 1>like a Chinese pagoda, It's set back from the street

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<v Speaker 1>and has kind of a courtyard outfront. The story goes

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<v Speaker 1>that when they were completing construction on it. Sid was

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<v Speaker 1>inspecting things with an actress who stepped into the wet

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<v Speaker 1>pavement by mistake. Instead of getting upset, Sid got an idea.

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<v Speaker 1>He decided he would invite celebrities to dip their hands

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<v Speaker 1>and feet into the pavement on purpose, and it would

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<v Speaker 1>serve as sort of a monument to Hollywood, the town

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<v Speaker 1>that lined his pockets. So the area is covered with

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<v Speaker 1>the feet and hands of the many famous Hollywood stars

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<v Speaker 1>that have come before. You can see Shirley Temple's little feet.

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<v Speaker 1>You can see Carrie Grants also kind of little feet.

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<v Speaker 1>When I was there, I saw a German tourist try

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<v Speaker 1>to fit her hand into scarlet to a Hanson's hand.

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<v Speaker 1>If you look closely, you can see the Melbrook's right

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<v Speaker 1>hand has an extra finger. The comedian secretly wore prosthetic

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<v Speaker 1>when he pressed his hand into the wet concrete. But

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<v Speaker 1>a keen observer would realize that for a place that's

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<v Speaker 1>been around since nineteen twenty seven, there really aren't that

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<v Speaker 1>many slabs, which is odd because stars have been dipping

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<v Speaker 1>their extremities in the concrete at Grammins for nearly a century.

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<v Speaker 1>It turns out the theater removes slabs of sidewalk from

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<v Speaker 1>time to time when a celebrity star is faded, or

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<v Speaker 1>if they just need space to make room for the

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<v Speaker 1>new kid in town, then the imprints of the formerly

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<v Speaker 1>famous are stored somewhere in the theater. I imagine that

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<v Speaker 1>inside Grummins is a room filled with hands and footprints

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<v Speaker 1>that looks like an archaeological dick stacks of concrete indentations

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<v Speaker 1>of people who made their literal mark on the landscape

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<v Speaker 1>of Hollywood and never imagined that the ground could be

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<v Speaker 1>pulled out from under them and they would be replaced

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<v Speaker 1>by someone else. Later, as I'm dutifully eating my salad

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<v Speaker 1>poolside at the hotel, I noticed one of the women

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<v Speaker 1>from the blackclad foursome emerged from the pool, and I

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<v Speaker 1>noticed someone else watching her. It's a silver haired stranger

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<v Speaker 1>who selected a lounge chair one seat away from the couples,

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<v Speaker 1>despite the many other available chairs around the pool. He

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<v Speaker 1>looks to be what would be called a silver fox,

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<v Speaker 1>gray hair, lean tan body, his white teeth flashed in

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<v Speaker 1>the sun. He smiles and appears to start talking to

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<v Speaker 1>the woman, while she looks on with that kind of

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<v Speaker 1>grimace of someone who doesn't want to be rude, but

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<v Speaker 1>is thinking what's going on here? Finally, her partner stands

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<v Speaker 1>up and puts his arm around her, and they turned

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<v Speaker 1>back to the other couple. The fox keeps chatting with them,

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<v Speaker 1>even though their body language their backs mostly turned towards

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<v Speaker 1>him indicate that they'd rather he didn't. At last, he

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<v Speaker 1>took a hint, stood up and jumped in the pool,

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<v Speaker 1>did a lap, and returned to his lounge chair. I

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<v Speaker 1>closed my book. As I returned to my room, I

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<v Speaker 1>walked by the couples and the silver Fox, and that's

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<v Speaker 1>when I recognized him. He was an actor who started

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<v Speaker 1>Who's the Boss, one of the most popular sitcoms of

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<v Speaker 1>the eighties. When I was a kid, it was on

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<v Speaker 1>all the time, and yet that hit shows last season

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<v Speaker 1>was in nineteen ninety two, which is probably before the

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<v Speaker 1>couple he'd been chatting with We're even born to them.

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<v Speaker 1>He was just a guy interrupting their pool day. As

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<v Speaker 1>I passed, I noticed the footprints he'd made stepping out

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<v Speaker 1>of the pool, evaporating in the sun. All that is

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<v Speaker 1>to say that novel I was reading by the pool

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<v Speaker 1>really good. It was called Less. It won a Pulitzer

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<v Speaker 1>and today I'm gonna be talking with the author. I'm

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<v Speaker 1>Brendan Francis Newnham. This is Not Lost, and I'll be

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<v Speaker 1>right back after this break. Welcome back to episode one

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<v Speaker 1>of Not Lost Chat, my series of conversations with fellow travelers.

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<v Speaker 1>I'm Brendan Francis Nunham, audio producer, journalist, dinner freeloader, and

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<v Speaker 1>for the next half dozen or so episodes, I'm going

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<v Speaker 1>to be doing something a little bit different. I will

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<v Speaker 1>be in a studio speaking with writers, musicians, actors, and

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<v Speaker 1>others about their journeys. Someday in the future I'll be

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<v Speaker 1>out in the field going on more journeys on my own.

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<v Speaker 1>But until then, we have this to enjoy. Also, since

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<v Speaker 1>so many of you have been asking me for practical

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<v Speaker 1>travel information, which if you've listened to the show, I

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<v Speaker 1>clearly don't have a lot of. In each of these episodes,

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<v Speaker 1>I've invited a frequent traveler of some renown. We will

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<v Speaker 1>help answer your questions. But first, about that book I

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<v Speaker 1>was reading by the pool in Hollywood. Less is named

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<v Speaker 1>after its protagonist, Arthur Less, who is a mildly successful

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<v Speaker 1>author who was surprised to find himself middle aged and

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<v Speaker 1>a Drift. The author of Less is Andrew shown Grier,

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<v Speaker 1>who coincidentally, I'm sure is also a novelist and travel

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<v Speaker 1>writer probably definitely not a drift. After he won a

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<v Speaker 1>Poulter for Less, he wrote a sequel called Less is Lost,

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<v Speaker 1>and I wanted to talk with him about these books.

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<v Speaker 1>So I decided to reach out Andrew Shan Greer, thanks

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<v Speaker 1>for green to chat with me. I'm happy to be here.

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<v Speaker 1>And also it seems like a perfect fit for maybe

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<v Speaker 1>able to be on this podcast. It, I mean, it

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<v Speaker 1>really is in fact, so I'm not to be a

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<v Speaker 1>modest but you know, recently New York Magazine named Not

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<v Speaker 1>Lost one of the best podcasts of twenty twenty two,

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<v Speaker 1>and in the review describing Not Losses said, quote kind

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<v Speaker 1>of has the slight energy of Andrew Shong Grier's Less,

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<v Speaker 1>But let's not oversell it. What right I think that?

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<v Speaker 1>To make you read that correctly? I think I think

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<v Speaker 1>I think I was nagged by the reporter. But anyway,

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<v Speaker 1>nonetheless he piqued my interest. But yes, for better or worse,

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<v Speaker 1>I feel like the journey I took on this show,

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<v Speaker 1>at least for season one, mirrored that of your part

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<v Speaker 1>agonist Arthur lest Essentially, you know, he's a mildly successful

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<v Speaker 1>novelist in the throes of middle age who in the

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<v Speaker 1>first book goes on a journey to avoid the agony

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<v Speaker 1>of attending the marriage of his ex boyfriend. And yes,

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<v Speaker 1>all that does, except for the last part, sound eerily familiar.

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<v Speaker 1>And in the first book he goes from San Francisco

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<v Speaker 1>to New York to Mexico City, to Berlin, to Paris,

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<v Speaker 1>to Morocco and then India. And in the most recent

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<v Speaker 1>book he's in need of money and he ends up

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<v Speaker 1>traveling around the US. And so I guess, just stepping

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<v Speaker 1>way back, why is Arthur Less always traveling? I would

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<v Speaker 1>say it started off as a very practical reason, which

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<v Speaker 1>is that I was in order to make a buck,

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<v Speaker 1>because I'm just a novelist. I was pitching myself as

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<v Speaker 1>a travel writer, and I would pitch ideas to in

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<v Speaker 1>flight magazines for United and stuff like that. Yeah, so

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<v Speaker 1>I was already finding myself traveling around. And I was

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<v Speaker 1>working on a novel about a sad, sack, middle aged

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<v Speaker 1>game a man in San Francisco, and the novel was

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<v Speaker 1>just a drag and I thought, what if I make

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<v Speaker 1>him travel? What if I have memories of travel because

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<v Speaker 1>I have all these notes, because if you're a travel

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<v Speaker 1>writer or sitting alone in a restaurant in Saigon for

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<v Speaker 1>hours just writing down what dog walks in, And so

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<v Speaker 1>I thought, I will, I'll use my notes. And I

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<v Speaker 1>enjoyed writing the travels so much that I ditched the

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<v Speaker 1>other part of the novel and I made it a

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<v Speaker 1>comedy about him traveling and it was great fun. And

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<v Speaker 1>I started pitching ideas to fit the novel, not to

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<v Speaker 1>fit where I wanted to go. Yeah, can we talk

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<v Speaker 1>about that for a moment, because, as you just said,

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<v Speaker 1>to help support your creative writing, you work as a

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<v Speaker 1>travel writer. In other words, it's a job. Yeah. Now

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<v Speaker 1>I'm someone who's done some travel writing. I have a

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<v Speaker 1>travel show, and I find that my friends and people

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<v Speaker 1>I meet often forget the fact that it's actually work.

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<v Speaker 1>Does that happen to you? Like, I feel like people

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<v Speaker 1>think it's all Margarita's and cha cha cha. Yeah. People

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<v Speaker 1>people get very envious of my being able to travel.

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<v Speaker 1>But I will tell them like, well, like I just

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<v Speaker 1>took a trip to Australia and I was there for

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<v Speaker 1>three days and then I flew back, And that sounds

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<v Speaker 1>fun to people, and I know how to enjoy it,

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<v Speaker 1>but it is madness, you know. And I'm still suffering

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<v Speaker 1>the jet leg from that for three days in Australia.

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<v Speaker 1>And it was, you know, the first time I went

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<v Speaker 1>to Japan, in fact to research for Less, I was

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<v Speaker 1>only in Kyoto for four days, and you can't do

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<v Speaker 1>very much, especially if you're having to gather information about

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<v Speaker 1>three hotels and five restaurants in that time. You can't

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<v Speaker 1>do much else but eat the same meal five times

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<v Speaker 1>in a row and sleep in very similar hotels. So

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<v Speaker 1>you have to get used to that tedium. You mentioned

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<v Speaker 1>that you drew from your notebook in many of Arthur's misadventures.

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<v Speaker 1>So what about the most recent book, where Less is

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<v Speaker 1>traveling across the United States. As I understand it, you

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<v Speaker 1>yourself also drove across the United States in an RV.

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<v Speaker 1>Kind of things occurred on your journey that ended up

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<v Speaker 1>making it in the book. Yeah. I took two different

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<v Speaker 1>RV trips. One was like a big Cruise America RV

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<v Speaker 1>through the Southwest, and the second was these handmade little

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<v Speaker 1>camper vans this guy makes out of Atlanta. What never

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<v Speaker 1>made it in was when I would get the story

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<v Speaker 1>of the diner cook who would tell me your life story.

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<v Speaker 1>I didn't put anything like that in, but I would

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<v Speaker 1>put in things like when I went to a rural

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<v Speaker 1>bar outside of Muscle Show's, Alabama and it was kind

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<v Speaker 1>of like a Peewee Herman movie where I walk in

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<v Speaker 1>and the jukebox stops and everyone stares at me. I

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<v Speaker 1>put that down verbatim in the novel because I thought

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<v Speaker 1>it was so funny. I did not belong in that

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<v Speaker 1>bar and they were awfully nice to me. Well, you

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<v Speaker 1>allude to this a little bit in Definitely Less is Lost.

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<v Speaker 1>But you know, traveling across the United States as a

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<v Speaker 1>gay man is I'm assuming different than it was for

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<v Speaker 1>me as just a straight white guy. First of all,

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<v Speaker 1>I was saying, I don't think it's different at all.

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<v Speaker 1>I don't know anything about you, but I bet the

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<v Speaker 1>awkwardness of feeling foreign in your own country is something

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<v Speaker 1>a lot of people share, and that it's most apparent

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<v Speaker 1>for me that people can sense something different about me,

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<v Speaker 1>but they can't quit put their finger on it. And

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<v Speaker 1>that's what happened when I showed up at the RV

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<v Speaker 1>park and there was a woman who said, now you're

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<v Speaker 1>not from here are you? And I said I was

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<v Speaker 1>from Maryland and she said, now, I thought you're from

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<v Speaker 1>the Netherlands. There was just something about me she couldn't

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<v Speaker 1>quite name that was not what she would call American,

0:13:43.756 --> 0:13:47.116
<v Speaker 1>and I knew what it was. But that was actually

0:13:47.316 --> 0:13:49.916
<v Speaker 1>the real surprise to me going around is that as

0:13:49.996 --> 0:13:52.396
<v Speaker 1>much as I dressed myself up in Walmart when I

0:13:52.436 --> 0:13:55.476
<v Speaker 1>thought was straight guyed clothing, everybody knew I was gay yea,

0:13:55.676 --> 0:13:57.636
<v Speaker 1>whether they knew that's what they were talking about or not.

0:13:57.956 --> 0:14:01.556
<v Speaker 1>And it was not dangerous for me. Yeah. So maybe

0:14:01.596 --> 0:14:04.196
<v Speaker 1>stepping back to Arthur, and I guess I am asking

0:14:04.196 --> 0:14:07.436
<v Speaker 1>this about you too, Like what is the appeal of travel?

0:14:08.316 --> 0:14:11.076
<v Speaker 1>I think it's two things, and I don't share necessarily

0:14:11.116 --> 0:14:14.636
<v Speaker 1>both of them. One is the sense of being wrong

0:14:14.996 --> 0:14:18.356
<v Speaker 1>all the time. And if you are wrong at home

0:14:18.396 --> 0:14:20.676
<v Speaker 1>all the time about like how to order a bagel,

0:14:20.916 --> 0:14:23.836
<v Speaker 1>you're kind of like a loser. But when you travel,

0:14:24.276 --> 0:14:26.676
<v Speaker 1>being wrong is like the name of the game, Like

0:14:26.836 --> 0:14:30.756
<v Speaker 1>that's part of the experience, is to challenge yourself with

0:14:30.796 --> 0:14:34.436
<v Speaker 1>There are other ways to get onto a subway or

0:14:35.316 --> 0:14:37.236
<v Speaker 1>the different people around the world have a different idea

0:14:37.276 --> 0:14:40.676
<v Speaker 1>of what a sidewalk is you start to realize that

0:14:40.756 --> 0:14:43.916
<v Speaker 1>it's arbitrary the system you thought should always be in place,

0:14:43.916 --> 0:14:48.116
<v Speaker 1>and that's eye opening and liberating because if you make mistakes,

0:14:48.196 --> 0:14:51.596
<v Speaker 1>that's normal. Yeah, so that's good for him. He is

0:14:51.636 --> 0:14:57.516
<v Speaker 1>a character who is utterly innocent about the sort of

0:14:57.596 --> 0:15:00.876
<v Speaker 1>dangers of the world or the problems he himself is causing.

0:15:01.196 --> 0:15:03.716
<v Speaker 1>And then at the end of each he keeps choosing

0:15:04.236 --> 0:15:07.516
<v Speaker 1>doubling down on innocence. You know, like, the next town

0:15:07.596 --> 0:15:09.236
<v Speaker 1>is going to be better. I'm going to get it

0:15:09.316 --> 0:15:12.436
<v Speaker 1>right this time. I'm sure. I'm sure it's going to improve,

0:15:12.876 --> 0:15:15.756
<v Speaker 1>which I found really sweet to write about and which

0:15:15.756 --> 0:15:18.196
<v Speaker 1>I think is part of travel too. You're like, well,

0:15:18.556 --> 0:15:21.196
<v Speaker 1>let's try the next town. You know, who knows what's

0:15:21.236 --> 0:15:24.476
<v Speaker 1>going to happen there. I consider travel kind of the

0:15:24.556 --> 0:15:27.596
<v Speaker 1>laziest form of learning in that sense too, where you

0:15:27.716 --> 0:15:30.036
<v Speaker 1>arrive in a place and just waking up, getting breakfast,

0:15:30.476 --> 0:15:33.756
<v Speaker 1>getting somewhere, getting a cup of coffee. You're learning all across,

0:15:33.916 --> 0:15:36.596
<v Speaker 1>you know, just by survival, because you know you're in

0:15:36.596 --> 0:15:39.796
<v Speaker 1>a different place. You might be a better traveler than

0:15:39.836 --> 0:15:41.956
<v Speaker 1>I am, though I already have that sense that I

0:15:42.876 --> 0:15:45.436
<v Speaker 1>am quite incompetent at those but I agree it's it's

0:15:45.476 --> 0:15:50.356
<v Speaker 1>a great learning experience. Now, when I've done traditional travel writing,

0:15:50.596 --> 0:15:54.076
<v Speaker 1>I've found that the frame is too limiting, like you

0:15:54.116 --> 0:15:56.716
<v Speaker 1>have to leave out all the stuff that's the best

0:15:56.716 --> 0:15:59.396
<v Speaker 1>part of traveling. Oh yeah, random meeting of people, Yeah

0:15:59.476 --> 0:16:03.316
<v Speaker 1>yeah yeah, misadventures, romance, whatever. And when I was making

0:16:03.356 --> 0:16:05.196
<v Speaker 1>this show, I tried to make it in a way

0:16:05.236 --> 0:16:08.196
<v Speaker 1>where I could include all of that stuff. And I'm

0:16:08.196 --> 0:16:10.996
<v Speaker 1>wondering if you kind of viewed your novels in a

0:16:11.036 --> 0:16:13.916
<v Speaker 1>similar fashion, like that they were a place you could

0:16:13.956 --> 0:16:16.116
<v Speaker 1>open up about what it's really like to go somewhere.

0:16:16.236 --> 0:16:19.956
<v Speaker 1>I think you're totally right. Like I in the books,

0:16:20.036 --> 0:16:23.756
<v Speaker 1>I don't have to put in every restaurant that I've

0:16:23.796 --> 0:16:27.196
<v Speaker 1>been assigned, or sit down with the manager for two

0:16:27.196 --> 0:16:29.116
<v Speaker 1>hours as they take you on a hotel to where

0:16:29.116 --> 0:16:30.756
<v Speaker 1>you're never going to put in the article, you know,

0:16:30.836 --> 0:16:35.756
<v Speaker 1>all those really important parts when they need a sidebar

0:16:35.996 --> 0:16:38.236
<v Speaker 1>of like you know, five places to get a great

0:16:38.236 --> 0:16:40.676
<v Speaker 1>bond me in ho Chi Min City. I didn't have

0:16:40.756 --> 0:16:44.076
<v Speaker 1>to do that for the book, but for less everything

0:16:44.116 --> 0:16:47.516
<v Speaker 1>else got put into the book because you're right, you

0:16:47.556 --> 0:16:50.996
<v Speaker 1>can't put things that are too personal. So when you're

0:16:51.036 --> 0:16:53.076
<v Speaker 1>you know this is your second this is the follow

0:16:53.156 --> 0:16:55.836
<v Speaker 1>up to Less. When you're touring for these books or

0:16:55.836 --> 0:16:57.756
<v Speaker 1>people are talking about them, why do you think they

0:16:58.396 --> 0:17:03.596
<v Speaker 1>enjoy them so much? I people tell me. I can

0:17:03.596 --> 0:17:07.036
<v Speaker 1>only report what people tell me. They find them to

0:17:07.156 --> 0:17:10.916
<v Speaker 1>be like a big, warm hug, that's what everyone says. Now.

0:17:11.156 --> 0:17:13.196
<v Speaker 1>I don't know if I wrote them as a hug,

0:17:13.636 --> 0:17:16.716
<v Speaker 1>but I do think that it's because I'm not making

0:17:16.716 --> 0:17:19.996
<v Speaker 1>fun of the places I'm going to. They're not cruel.

0:17:20.676 --> 0:17:23.716
<v Speaker 1>People are, especially after being trapped inside so much that

0:17:23.716 --> 0:17:29.276
<v Speaker 1>they're enjoying this sort of fantasy of travel as trouble,

0:17:29.316 --> 0:17:32.196
<v Speaker 1>where everything certainly is going to turn out okay. Because

0:17:32.236 --> 0:17:35.236
<v Speaker 1>I think in a comedy you have there's a tacit

0:17:35.316 --> 0:17:37.756
<v Speaker 1>understanding with the author that it's not funny unless it

0:17:37.836 --> 0:17:41.316
<v Speaker 1>turns out okay. So we're going to laugh assuming that's

0:17:41.356 --> 0:17:44.116
<v Speaker 1>how it's going to be, and when you're actually traveling,

0:17:44.476 --> 0:17:47.716
<v Speaker 1>you're not sure that's how it's going to be. Yeah,

0:17:47.756 --> 0:17:51.476
<v Speaker 1>that's where the panic comes in. Like these books aren't

0:17:51.516 --> 0:17:54.556
<v Speaker 1>simply hugs, Like they contain a certain amount of pathos.

0:17:54.796 --> 0:17:57.676
<v Speaker 1>Arthur is a little heartbroken and a drift. You know,

0:17:57.756 --> 0:17:59.796
<v Speaker 1>he's single at middle age, while most of his friends

0:17:59.796 --> 0:18:03.316
<v Speaker 1>are in couples. And actually, on that point in particular,

0:18:03.916 --> 0:18:06.996
<v Speaker 1>I have a question for you. Yeah, absolutely, How would

0:18:06.996 --> 0:18:11.596
<v Speaker 1>you describe the difference between traveling when single versus traveling

0:18:11.596 --> 0:18:15.196
<v Speaker 1>while in a relationship. Oooh, that is a juicy question.

0:18:16.316 --> 0:18:18.796
<v Speaker 1>I'm not sure I get in there and that liberty

0:18:18.876 --> 0:18:24.476
<v Speaker 1>to answer that fully. Well, they're definitely very different. I

0:18:24.516 --> 0:18:28.796
<v Speaker 1>think when you're single, you're looking for an experience. You

0:18:28.836 --> 0:18:31.556
<v Speaker 1>have the kind of person you would never meet anywhere else,

0:18:31.796 --> 0:18:34.956
<v Speaker 1>and you might find that if you're open to it

0:18:35.036 --> 0:18:37.476
<v Speaker 1>in these in these in places where you go, you're

0:18:37.476 --> 0:18:41.116
<v Speaker 1>open to it. But if you're not single, it's you

0:18:41.156 --> 0:18:43.556
<v Speaker 1>have it. You're open to something different, which is that

0:18:43.636 --> 0:18:45.916
<v Speaker 1>you can't sit at a bar and just talk with

0:18:45.916 --> 0:18:48.396
<v Speaker 1>the locals for hours because you're not trying to pick

0:18:48.436 --> 0:18:51.796
<v Speaker 1>anyone up. Yeah, but so you're never going to get

0:18:51.836 --> 0:18:56.236
<v Speaker 1>that intimate pillow talk from around the world, but you

0:18:56.316 --> 0:19:00.876
<v Speaker 1>do get the bud light talk. Each is different. They

0:19:00.916 --> 0:19:03.396
<v Speaker 1>both had their pros and columns. Yeah, I also think

0:19:03.436 --> 0:19:06.356
<v Speaker 1>I've done both, and I do feel like traveling for

0:19:06.436 --> 0:19:08.476
<v Speaker 1>better worse is a little bit of a narcotic in

0:19:08.556 --> 0:19:11.796
<v Speaker 1>that you're on you know, it is a little bit fantasy,

0:19:11.916 --> 0:19:14.236
<v Speaker 1>and part of the allure is that anything can happen,

0:19:14.716 --> 0:19:18.636
<v Speaker 1>whereas when you're with someone, even if they're not with you,

0:19:18.876 --> 0:19:21.676
<v Speaker 1>there is a ballast, which is a good thing but

0:19:21.796 --> 0:19:25.196
<v Speaker 1>also changes the experience. Couldn't you get close enough to

0:19:25.236 --> 0:19:29.076
<v Speaker 1>the fire where there's a little vibration of possibility and

0:19:29.116 --> 0:19:31.476
<v Speaker 1>you're like, actually, I don't have to push the button.

0:19:31.516 --> 0:19:33.156
<v Speaker 1>I can't push the button, so I don't have to,

0:19:33.236 --> 0:19:35.516
<v Speaker 1>but I can just still imagine what might have happened.

0:19:35.836 --> 0:19:42.556
<v Speaker 1>Good Night, everybody, you know, well, Andy, thank you so

0:19:42.636 --> 0:19:45.476
<v Speaker 1>much for coming to chat with me, and thanks for

0:19:45.596 --> 0:19:49.956
<v Speaker 1>making these books. They're they're just wonderful and inspiring me

0:19:50.076 --> 0:19:51.876
<v Speaker 1>to want to go hit the road for me too,

0:19:52.476 --> 0:19:54.556
<v Speaker 1>And I've just left the road. Thanks so much for

0:19:54.636 --> 0:19:58.276
<v Speaker 1>chatting with me today. Thank you for having me. Andrew

0:19:58.316 --> 0:20:02.236
<v Speaker 1>Sean Greer's most recent book is called Less's Lost. I

0:20:02.276 --> 0:20:04.116
<v Speaker 1>saw it at the airport when I was returning from

0:20:04.276 --> 0:20:08.076
<v Speaker 1>la which to me that means you've made it. Forget

0:20:08.076 --> 0:20:10.596
<v Speaker 1>the Pulitzer. If they're selling your book next to the

0:20:10.836 --> 0:20:13.916
<v Speaker 1>neck Pillows and Peanut M and M's, you are a

0:20:13.916 --> 0:20:18.036
<v Speaker 1>popular author. And speaking of airports, it's almost time for

0:20:18.116 --> 0:20:20.516
<v Speaker 1>us to talk about the less sexy parts of traveling.

0:20:20.876 --> 0:20:23.836
<v Speaker 1>So after a quick break, comedian and master of impressions,

0:20:23.916 --> 0:20:27.836
<v Speaker 1>Jay Farrow channels a former president to help me answer

0:20:27.876 --> 0:20:30.236
<v Speaker 1>some of your travel questions. If I'm sitting in the

0:20:30.316 --> 0:20:35.476
<v Speaker 1>seat and the person beside me is acting our rate,

0:20:35.596 --> 0:20:39.516
<v Speaker 1>I'm going to call a flight attendant before I stick

0:20:39.596 --> 0:20:45.156
<v Speaker 1>my size thirteen foot up there, tiny ass, not lost,

0:20:45.316 --> 0:20:58.956
<v Speaker 1>We'll be right back. So I asked some of you

0:20:59.116 --> 0:21:02.996
<v Speaker 1>to send me travel etiquete questions via my small but

0:21:03.236 --> 0:21:08.796
<v Speaker 1>mighty social media channels. BF Newnham on Twitter. Thank you,

0:21:09.716 --> 0:21:13.476
<v Speaker 1>I asked because during my recent excursion to La I

0:21:13.596 --> 0:21:16.116
<v Speaker 1>realized that I've kind of forgotten how to be with

0:21:16.156 --> 0:21:22.556
<v Speaker 1>other people in public, specifically in airports, in shuttles, in hotels. Anyway,

0:21:22.796 --> 0:21:25.556
<v Speaker 1>you gave me some great questions, and today I have

0:21:25.716 --> 0:21:29.276
<v Speaker 1>actor and comedian Jay Farrow here to answer some of them.

0:21:29.916 --> 0:21:32.316
<v Speaker 1>Jay is best known as being that guy on Saturday

0:21:32.436 --> 0:21:37.076
<v Speaker 1>Night Live who did amazing impressions of Barack Obama, Kendrick Lamar,

0:21:37.276 --> 0:21:41.036
<v Speaker 1>Kevin Hart, and countless others. He has gone on to

0:21:41.076 --> 0:21:45.436
<v Speaker 1>work on a number of TV shows and movies, including Unsane, White, Famous,

0:21:45.716 --> 0:21:49.316
<v Speaker 1>and most recently comedy centrals out of office, and he

0:21:49.356 --> 0:21:52.076
<v Speaker 1>also does stand up, which is where he started. And

0:21:52.116 --> 0:21:54.716
<v Speaker 1>he's currently on tour all over the world, which means

0:21:54.916 --> 0:21:58.916
<v Speaker 1>he's traveling a lot. And Jay, welcome, glad you're here.

0:21:59.516 --> 0:22:01.916
<v Speaker 1>Tell me how do you feel about all this traveling.

0:22:02.516 --> 0:22:04.556
<v Speaker 1>It's only a pain in the ass if I have

0:22:04.676 --> 0:22:07.756
<v Speaker 1>to ride air lines because they're trash. You know what

0:22:07.796 --> 0:22:11.156
<v Speaker 1>I mean. They really not a good airline. It was

0:22:11.196 --> 0:22:14.436
<v Speaker 1>messed up. That was so bad. One time I ended

0:22:14.516 --> 0:22:18.956
<v Speaker 1>up getting the mechanical problems and um, we took off

0:22:18.996 --> 0:22:21.836
<v Speaker 1>from Texas and then we got stuck in Portland and

0:22:21.956 --> 0:22:25.716
<v Speaker 1>my destination was Virginia, Like what, why do we go back?

0:22:26.436 --> 0:22:30.036
<v Speaker 1>Why do we go back here? Yeah, that's the wrong direction. Absolutely.

0:22:30.316 --> 0:22:32.116
<v Speaker 1>I like it when it's a straight flight, and I

0:22:32.236 --> 0:22:34.796
<v Speaker 1>like when I have my bag. That's the only listen.

0:22:34.836 --> 0:22:37.236
<v Speaker 1>As long as I can get my bag back. I'm

0:22:37.316 --> 0:22:39.676
<v Speaker 1>good man, because I got oils and stuff in there

0:22:39.756 --> 0:22:41.916
<v Speaker 1>that I need for my hair, you know what I mean.

0:22:42.036 --> 0:22:44.796
<v Speaker 1>I've got I've got essentials that I need for the

0:22:44.876 --> 0:22:48.036
<v Speaker 1>Jay Ferrell package. Are you a carry on guy or

0:22:48.076 --> 0:22:50.756
<v Speaker 1>you or check? I got? I have so much stuff

0:22:50.796 --> 0:22:53.236
<v Speaker 1>I have to check in check. I'm a check in guy.

0:22:53.516 --> 0:22:56.156
<v Speaker 1>I feel like it's underrated frankly because you once you

0:22:56.236 --> 0:22:58.276
<v Speaker 1>drop off your big bag, It's like life is a

0:22:58.276 --> 0:23:01.436
<v Speaker 1>lot easier when you're gonna in and around the airport. Yeah, man,

0:23:01.476 --> 0:23:03.636
<v Speaker 1>I got a question. Do you fit when you travel?

0:23:03.796 --> 0:23:06.116
<v Speaker 1>Do you still put your mask on? Because I kind

0:23:06.116 --> 0:23:08.356
<v Speaker 1>of feel like the only sub zero out here? What

0:23:08.356 --> 0:23:09.916
<v Speaker 1>do you mean by sub era that you do wear

0:23:09.956 --> 0:23:13.356
<v Speaker 1>your mask? Yeah? I wear my mask. I The only

0:23:13.356 --> 0:23:15.956
<v Speaker 1>reason I don't recently is because I had COVID, So

0:23:15.996 --> 0:23:18.156
<v Speaker 1>I feel like I'm in that sixty day window where

0:23:18.156 --> 0:23:20.516
<v Speaker 1>I get to like do whatever I want. You know,

0:23:20.556 --> 0:23:23.076
<v Speaker 1>even if the pandemic didn't exist. A mask in an airplane,

0:23:23.116 --> 0:23:25.556
<v Speaker 1>isn't it bad? I don't like like being so close

0:23:25.596 --> 0:23:28.236
<v Speaker 1>to all these strangers in the recycled error me neither.

0:23:28.396 --> 0:23:31.516
<v Speaker 1>I still do a social distancing. I'm like your backup

0:23:31.556 --> 0:23:34.436
<v Speaker 1>six feet or I'm a stone Coast stunning, stone Coat stunning.

0:23:34.556 --> 0:23:36.956
<v Speaker 1>Is that is that a move? Like? What is that move? Oh?

0:23:37.036 --> 0:23:39.316
<v Speaker 1>You don't even know. It's a wrestling move from the

0:23:39.356 --> 0:23:42.836
<v Speaker 1>Attitude era WWF. Stone Coast. Steve Auston does this thing

0:23:42.876 --> 0:23:45.996
<v Speaker 1>where he flicks you off, he kicks you and he

0:23:46.036 --> 0:23:49.676
<v Speaker 1>grabs your neck with his arm and like go like

0:23:49.796 --> 0:23:52.916
<v Speaker 1>this and my knees hit the ground and you bounce

0:23:53.036 --> 0:23:55.876
<v Speaker 1>up and do a flip. That that doesn't seem like something,

0:23:56.316 --> 0:23:59.036
<v Speaker 1>um that would be acceptable in an airport. Jay, you

0:23:59.116 --> 0:24:00.636
<v Speaker 1>don't think it. You don't think it is. Well, I

0:24:00.636 --> 0:24:04.076
<v Speaker 1>think I should try it and report back to you. Okay,

0:24:04.436 --> 0:24:06.436
<v Speaker 1>I think I should do it. Yeah, let me know.

0:24:07.156 --> 0:24:09.036
<v Speaker 1>Do you get recognized at airport? It's like do people

0:24:09.196 --> 0:24:11.316
<v Speaker 1>come up to you and do the thing? You know what? Man?

0:24:11.476 --> 0:24:14.276
<v Speaker 1>Even with a mask on, I get recognized. It just

0:24:14.356 --> 0:24:16.956
<v Speaker 1>it blows my mind. I'm like, how the hell do

0:24:17.036 --> 0:24:19.556
<v Speaker 1>you know? Like my nose is covered, how do you

0:24:19.676 --> 0:24:22.756
<v Speaker 1>know who I am? And then looking at them, it's

0:24:22.796 --> 0:24:24.556
<v Speaker 1>I think it's just the eyes. It was the eyes

0:24:24.596 --> 0:24:27.036
<v Speaker 1>of the window window to the soul right. Like I'm

0:24:27.076 --> 0:24:29.396
<v Speaker 1>just chilling and people still come up to me, and

0:24:29.396 --> 0:24:31.476
<v Speaker 1>its just like Jack, I'm like, oh, I got a

0:24:31.516 --> 0:24:34.636
<v Speaker 1>mask on, I fist bumped you. It's like seventies all

0:24:34.716 --> 0:24:36.436
<v Speaker 1>day with me? Hey, what up? Brother? You know what

0:24:36.516 --> 0:24:39.636
<v Speaker 1>I'm saying? Because I easily get sick, Like for instance,

0:24:39.676 --> 0:24:43.236
<v Speaker 1>I was I traveled to Raleigh on North Carolina. I

0:24:43.316 --> 0:24:45.996
<v Speaker 1>got sick. I got sick because this dude he was

0:24:46.076 --> 0:24:48.356
<v Speaker 1>his hand. He came up to me and I normally like,

0:24:48.396 --> 0:24:50.796
<v Speaker 1>I said, I like doing this, but he wouldn't take

0:24:50.876 --> 0:24:54.196
<v Speaker 1>this for an answer, and so I like, I took

0:24:54.276 --> 0:24:57.036
<v Speaker 1>him and I gave him my hand, and his hand

0:24:57.156 --> 0:25:03.516
<v Speaker 1>was so freaking sweaty. Up, it was slipping, slick hand sweaty.

0:25:03.676 --> 0:25:06.196
<v Speaker 1>So I touched. I was like, oh god, I'm sitting

0:25:06.236 --> 0:25:07.996
<v Speaker 1>and I'm and I don't even know if it was

0:25:08.036 --> 0:25:11.756
<v Speaker 1>from him. Yeah, but I got sick that following day.

0:25:11.956 --> 0:25:13.756
<v Speaker 1>All right, well, look it sounds like you are. You're

0:25:13.796 --> 0:25:17.636
<v Speaker 1>well traveled on tour, so you're perfectly prepared to help

0:25:17.716 --> 0:25:20.996
<v Speaker 1>our audience. They submitted some traveling questions. Okay, can you

0:25:20.996 --> 0:25:23.156
<v Speaker 1>help us with these? Absolutely what we're doing, all right.

0:25:23.196 --> 0:25:26.356
<v Speaker 1>So the first question comes from Lee, and the question

0:25:26.476 --> 0:25:29.556
<v Speaker 1>is what's a polite way to let a chatty seat

0:25:29.596 --> 0:25:32.316
<v Speaker 1>neighbor on a plane know that you're not in the

0:25:32.356 --> 0:25:37.276
<v Speaker 1>mood to talk. Oh oh wow wow, just um admit conversation.

0:25:37.356 --> 0:25:38.996
<v Speaker 1>Just look at them and just put your head down

0:25:39.076 --> 0:25:42.356
<v Speaker 1>like this. So look at them and close your eyes

0:25:42.396 --> 0:25:45.476
<v Speaker 1>and fall asleep while they're talking. In yep, that's exactly

0:25:45.476 --> 0:25:49.716
<v Speaker 1>what you do. Because and I feel like that's so yo, bro, Like,

0:25:49.796 --> 0:25:53.556
<v Speaker 1>you know, I have put my headphones on, right, why

0:25:53.556 --> 0:25:55.956
<v Speaker 1>are you trying to talk to me? I have put

0:25:56.036 --> 0:25:59.316
<v Speaker 1>them on. You watched me put them on. Read the

0:25:59.396 --> 0:26:04.236
<v Speaker 1>room broad Yeah, you know, if you could, I would

0:26:04.276 --> 0:26:06.876
<v Speaker 1>love to hear how Kevin Hart might react if someone

0:26:06.916 --> 0:26:10.236
<v Speaker 1>started to talk to him like this on an airplane. Listen,

0:26:10.276 --> 0:26:13.916
<v Speaker 1>God damn it, listen, listen. I'm not on this. I'm

0:26:13.956 --> 0:26:15.916
<v Speaker 1>not sitting here to talk to you. Listen. I've had

0:26:16.076 --> 0:26:20.716
<v Speaker 1>I've had a very rough, long, long shooting day. I'm

0:26:20.756 --> 0:26:22.636
<v Speaker 1>not here to talk. Listen. I should be on a

0:26:22.716 --> 0:26:25.516
<v Speaker 1>private jet. I don't understand why the hell I am

0:26:25.676 --> 0:26:29.436
<v Speaker 1>on frontier airlines. I don't even know, fam, I don't

0:26:29.436 --> 0:26:31.836
<v Speaker 1>know why I'm up here. Listen, Listen, this wappen, This wappen.

0:26:32.276 --> 0:26:34.836
<v Speaker 1>I have mechanical problems and a plane couldn't take off,

0:26:34.876 --> 0:26:36.876
<v Speaker 1>couldn't get another to seat. Everything was sold out to

0:26:36.996 --> 0:26:39.276
<v Speaker 1>the only damn option. So I need you to shut

0:26:39.316 --> 0:26:41.476
<v Speaker 1>the hell up and let me sleep. God damn it,

0:26:42.156 --> 0:26:44.756
<v Speaker 1>that is uncanny. All right, I think we got the answer.

0:26:44.916 --> 0:26:48.276
<v Speaker 1>I will say addendum to that, we're just as equally

0:26:48.316 --> 0:26:50.956
<v Speaker 1>as bad as when you're in the aisle seat. You're

0:26:50.996 --> 0:26:53.796
<v Speaker 1>finally situated, you got your headphones, your bag, maybe your

0:26:53.836 --> 0:26:55.836
<v Speaker 1>books out, every you know, you kind of checked around,

0:26:56.916 --> 0:26:58.916
<v Speaker 1>and then they want to go to the bathroom. Oh man,

0:26:58.956 --> 0:27:01.636
<v Speaker 1>it's like after your table's down, after the drink is out.

0:27:01.756 --> 0:27:03.916
<v Speaker 1>It's like we had this whole twenty minute pre am,

0:27:03.996 --> 0:27:07.196
<v Speaker 1>but you could have gone. But now I'm sure your

0:27:07.276 --> 0:27:10.156
<v Speaker 1>bladder was was was on fun percent, but not now

0:27:10.276 --> 0:27:12.236
<v Speaker 1>it's old. It's one hundred point one. I have to

0:27:12.316 --> 0:27:16.236
<v Speaker 1>get up, Like, come on, broxactly exactly do you do you?

0:27:16.316 --> 0:27:18.236
<v Speaker 1>Are you the person that gets up? Or do you

0:27:18.396 --> 0:27:20.916
<v Speaker 1>just take your feet and just move move in a

0:27:20.956 --> 0:27:22.796
<v Speaker 1>seat like this, I stay in the seat and I

0:27:22.916 --> 0:27:25.076
<v Speaker 1>just move my feet to the side and let them walk.

0:27:25.276 --> 0:27:26.916
<v Speaker 1>I can't do that, but I might give a look

0:27:26.956 --> 0:27:31.436
<v Speaker 1>of I might do an exhalation, like throw my headphones down,

0:27:31.956 --> 0:27:34.516
<v Speaker 1>slam up the table, and then stand there and just

0:27:34.676 --> 0:27:38.476
<v Speaker 1>not look them in the eye. This shit. I don't know.

0:27:38.596 --> 0:27:40.516
<v Speaker 1>I don't know what. That doesn't do anybody any good,

0:27:40.556 --> 0:27:43.356
<v Speaker 1>but I do it anyone? All right? We got another question.

0:27:43.436 --> 0:27:46.716
<v Speaker 1>This one comes from the shell from State College, Pennsylvania.

0:27:47.036 --> 0:27:49.996
<v Speaker 1>So our question is when checking into a hotel Is

0:27:50.036 --> 0:27:53.076
<v Speaker 1>it acceptable to lie about a special occasion to try

0:27:53.116 --> 0:27:56.316
<v Speaker 1>to get a room upgrade? Why or why not? Um?

0:27:57.716 --> 0:27:59.196
<v Speaker 1>I feel like if you want to have fun with

0:27:59.316 --> 0:28:01.676
<v Speaker 1>your partner, like sometimes you might do that. You know,

0:28:01.796 --> 0:28:03.876
<v Speaker 1>you just be hey, you know this is such and

0:28:03.956 --> 0:28:05.996
<v Speaker 1>such as bird. Oh it's a special occasion where you

0:28:06.036 --> 0:28:08.476
<v Speaker 1>can't say birthday because they got your license. You know

0:28:08.516 --> 0:28:10.996
<v Speaker 1>what I'm saying. What they look down like, Wait a second,

0:28:11.036 --> 0:28:13.676
<v Speaker 1>Wait a second. It's just your birthdays in August. It

0:28:13.836 --> 0:28:16.916
<v Speaker 1>can't be anything sprasial. You have to But if you say, oh,

0:28:17.036 --> 0:28:19.916
<v Speaker 1>it's our anniversary or something like that, or you know somebody,

0:28:19.916 --> 0:28:21.916
<v Speaker 1>we just got a job promotion and something like, I

0:28:21.956 --> 0:28:24.196
<v Speaker 1>don't think anything's wrong with that. I mean, if you're

0:28:24.236 --> 0:28:28.676
<v Speaker 1>just trying to you know, I think like concierge's are

0:28:28.756 --> 0:28:32.196
<v Speaker 1>one of the few people in modern capitalism that have

0:28:32.276 --> 0:28:33.996
<v Speaker 1>the ability to upgrade you or not. Right Like, they

0:28:34.036 --> 0:28:35.876
<v Speaker 1>have a bunch of rooms, they know who's filling them

0:28:35.956 --> 0:28:38.396
<v Speaker 1>up or not, and they have a little bit of latitude.

0:28:38.516 --> 0:28:40.716
<v Speaker 1>So why not pour on the charm a little bit,

0:28:40.756 --> 0:28:43.156
<v Speaker 1>give them a little wink. I think I think it's fun,

0:28:43.356 --> 0:28:45.596
<v Speaker 1>That's what I say. I mean, even like when you

0:28:45.716 --> 0:28:48.316
<v Speaker 1>go into restaurants sometime. Now you can use the birthday

0:28:48.396 --> 0:28:51.076
<v Speaker 1>thing at restaurants. And then my sister went into one

0:28:51.196 --> 0:28:54.556
<v Speaker 1>restaurant and had a birthday five times in the span

0:28:54.636 --> 0:28:56.716
<v Speaker 1>of two and a half months. They were like, wait

0:28:56.756 --> 0:28:59.956
<v Speaker 1>a minute's birthday again. I feel sorry for the people

0:28:59.956 --> 0:29:02.636
<v Speaker 1>who have to sing the song. Yeah, like at the restaurant,

0:29:02.996 --> 0:29:04.836
<v Speaker 1>because you know, like they will be in the middle

0:29:04.876 --> 0:29:06.916
<v Speaker 1>of some doing some other shit and they gotta drop

0:29:07.036 --> 0:29:09.556
<v Speaker 1>everything they're doing to come out saying happy birthday to you.

0:29:09.956 --> 0:29:13.036
<v Speaker 1>Fucking hands are hurting, hands are hurting, You're exhausted, You're

0:29:13.116 --> 0:29:15.836
<v Speaker 1>like just broke up with Kennedy the dishwasher, and now

0:29:15.836 --> 0:29:20.796
<v Speaker 1>you're gonna singing a happy birthday, Like I don't want

0:29:20.796 --> 0:29:23.716
<v Speaker 1>to do no, I'm not singing no. All right, So

0:29:23.796 --> 0:29:26.396
<v Speaker 1>this is our last question, uh, and maybe you can

0:29:26.476 --> 0:29:31.036
<v Speaker 1>answer this as former President Barack Obama, And the question

0:29:31.196 --> 0:29:34.036
<v Speaker 1>is when is it okay to push the flight attendant

0:29:34.076 --> 0:29:38.516
<v Speaker 1>call button? Like what need qualifies as urgent enough to

0:29:38.596 --> 0:29:42.156
<v Speaker 1>push it? What would make you push it? Well, if

0:29:42.276 --> 0:29:46.196
<v Speaker 1>I'm if I'm sitting in the seat and the person

0:29:46.316 --> 0:29:52.756
<v Speaker 1>beside me um is acting, I rate irrascible. What I'm

0:29:52.756 --> 0:29:57.436
<v Speaker 1>gonna do is Um, I'm gonna call flight attendant before

0:29:57.796 --> 0:30:01.676
<v Speaker 1>I stick my size thirteen foot up there kind of

0:30:01.716 --> 0:30:04.636
<v Speaker 1>ass And that's when you call him when you have

0:30:04.676 --> 0:30:06.716
<v Speaker 1>a problem. If you have a problem with the seat

0:30:07.036 --> 0:30:09.316
<v Speaker 1>or you can't get the seat belt out the them

0:30:09.476 --> 0:30:14.516
<v Speaker 1>and the buckle is caught in the back and you

0:30:14.556 --> 0:30:16.716
<v Speaker 1>don't want to touch that because it's COVID down there,

0:30:16.756 --> 0:30:18.796
<v Speaker 1>so you don't want to get it, so you want

0:30:18.836 --> 0:30:20.636
<v Speaker 1>them to get it for you. So you're like, hey,

0:30:21.316 --> 0:30:24.276
<v Speaker 1>you put your hands down there and you get my

0:30:24.356 --> 0:30:27.956
<v Speaker 1>belt because I'm not gonna get COVID. You are ensured

0:30:28.076 --> 0:30:31.556
<v Speaker 1>by Belta me I'm not. So they might have Obamacare,

0:30:31.636 --> 0:30:34.756
<v Speaker 1>though they might have Obamacare. I mean I think Trump

0:30:34.876 --> 0:30:37.956
<v Speaker 1>pretty much, uh, try to get that shit out of it. So, um,

0:30:38.836 --> 0:30:40.676
<v Speaker 1>you know they might have it, but it's it's not

0:30:40.796 --> 0:30:44.236
<v Speaker 1>active if they do, right, Jay, do you want to

0:30:44.316 --> 0:30:47.196
<v Speaker 1>imitate my voice and say goodbye to Jay Farah? Thanks

0:30:47.236 --> 0:30:50.596
<v Speaker 1>for coming on to not lost. Um you know, I'm

0:30:50.956 --> 0:30:53.676
<v Speaker 1>i pot rose with my impressions. They're not microwavable, so

0:30:53.796 --> 0:30:57.676
<v Speaker 1>that's not that ain't fair enough? Well, look, thank you

0:30:57.716 --> 0:30:59.116
<v Speaker 1>so much for coming by. Good luck at the rest

0:30:59.156 --> 0:31:01.476
<v Speaker 1>of your tour. If anyone sees Jay farre on the airport,

0:31:01.916 --> 0:31:05.756
<v Speaker 1>do not approach him. It's just just stay six feet

0:31:05.796 --> 0:31:08.476
<v Speaker 1>away or I will stone cold stun your punk ass. Okay,

0:31:15.076 --> 0:31:19.196
<v Speaker 1>that was Jay Farrow, honest, it was not someone impersonating

0:31:19.396 --> 0:31:22.556
<v Speaker 1>Jay Farrow, I promise you. Which come to think of it,

0:31:22.716 --> 0:31:25.956
<v Speaker 1>he could totally make a bundle just impersonating other people

0:31:25.996 --> 0:31:29.076
<v Speaker 1>for podcasts. So if you hear Barack Obama on a

0:31:29.156 --> 0:31:32.636
<v Speaker 1>future episode of the show, you are right to be suspicious.

0:31:35.156 --> 0:31:37.596
<v Speaker 1>If you have travel questions that you one answered in

0:31:37.676 --> 0:31:40.556
<v Speaker 1>a future episode, you can email them to me at

0:31:40.676 --> 0:31:44.396
<v Speaker 1>not Lost at Pushkin dot fm or ping me at

0:31:44.516 --> 0:31:48.476
<v Speaker 1>b F Newnham on Twitter. Not Lost Chat could not

0:31:48.596 --> 0:31:52.356
<v Speaker 1>have been made without ACE producer Jordan Belly, who honestly

0:31:52.436 --> 0:31:55.036
<v Speaker 1>travels a lot more than me, so maybe she should

0:31:55.076 --> 0:31:57.436
<v Speaker 1>be hosting this. The show is written and hosted by

0:31:57.476 --> 0:32:01.956
<v Speaker 1>me Brendan Francis Nunham. We receive top notch booking assistance

0:32:02.076 --> 0:32:06.716
<v Speaker 1>from Laura Morgan, who always has the nicest zoom background around. Laura,

0:32:07.036 --> 0:32:10.636
<v Speaker 1>please book your interior designer for me some day. This

0:32:10.836 --> 0:32:13.836
<v Speaker 1>episode was edited by the Great Julia Barton with assistance

0:32:13.876 --> 0:32:17.756
<v Speaker 1>from our managing producer Jacob Smith, our mix engineer who

0:32:17.876 --> 0:32:21.196
<v Speaker 1>has the patience of job is the unflappable Sarah Brugere

0:32:22.516 --> 0:32:25.476
<v Speaker 1>Not Lost as a co production of Pushkin Industries, Topic

0:32:25.556 --> 0:32:29.516
<v Speaker 1>Studios and iHeartMedia. It was developed at Topic Studios and

0:32:29.916 --> 0:32:33.636
<v Speaker 1>in case you're wondering, this show has some executive producers

0:32:34.076 --> 0:32:39.156
<v Speaker 1>including me Brendan, Francis Nunham, Christy Gressman, Maria Zuckerman, Lisa

0:32:39.276 --> 0:32:42.916
<v Speaker 1>lang Gang and Lata Mulad. If you dig what you here,

0:32:43.076 --> 0:32:45.676
<v Speaker 1>please tell a friend to make a comment at Apple Podcast,

0:32:45.836 --> 0:32:48.156
<v Speaker 1>get a tattoo, whatever it takes to spread the word,

0:32:48.556 --> 0:32:51.876
<v Speaker 1>it's appreciated. And if your inboxes lonely, you can sign

0:32:51.996 --> 0:32:55.196
<v Speaker 1>up for the Pushkin newsletter at Pushkin dot fm, slash

0:32:55.276 --> 0:32:59.196
<v Speaker 1>Newsletter and to find more pushin podcasts. And I really

0:32:59.236 --> 0:33:01.836
<v Speaker 1>mean this, there are some pretty great podcasts bipping and

0:33:01.876 --> 0:33:04.716
<v Speaker 1>bopping around here these days. You can listen and find

0:33:04.756 --> 0:33:08.516
<v Speaker 1>them on the iHeartRadio app, Apple Podcast, or you know

0:33:08.596 --> 0:33:12.796
<v Speaker 1>where wherever you listen to podcasts. That is all for

0:33:12.916 --> 0:33:27.556
<v Speaker 1>this episode. Thanks everybody. We'll definitely do Robbie Downey Junior Listen, Listen.

0:33:27.636 --> 0:33:30.516
<v Speaker 1>It's it's just bro It's so arduous when you sit

0:33:30.636 --> 0:33:33.116
<v Speaker 1>down beside somebody and they're just you know, falling asleep,

0:33:33.196 --> 0:33:35.276
<v Speaker 1>and they're spitting all over your arm, and you know

0:33:35.356 --> 0:33:36.916
<v Speaker 1>you're just like, you know, I don't want your DNA

0:33:37.036 --> 0:33:38.276
<v Speaker 1>or me, And and what you're what you're gonna do.

0:33:38.316 --> 0:33:39.516
<v Speaker 1>You're gonna stone close, stun them