1
00:00:03,600 --> 00:00:05,760
Speaker 1: Do so good. We're about to do something wacky on

2
00:00:05,760 --> 00:00:10,240
Speaker 1: the Wacky Morning Show. Good Bye, good morning. Yeah, I

3
00:00:10,240 --> 00:00:13,200
Speaker 1: had sex with him so great? Do you want if

4
00:00:13,200 --> 00:00:15,239
Speaker 1: I put my toe on your ankle, look at the

5
00:00:15,280 --> 00:00:21,960
Speaker 1: table wood, I would most certainly come back as a

6
00:00:22,000 --> 00:00:23,720
Speaker 1: straight female so I can have sex with all the

7
00:00:23,760 --> 00:00:28,320
Speaker 1: hot straight boys. Say it's a song. All this burping

8
00:00:28,480 --> 00:00:38,960
Speaker 1: is turning me on. Do so great, Elvis Duran in

9
00:00:39,000 --> 00:00:41,559
Speaker 1: the Morning Show. Yeah. Yeah, one morning you wake up

10
00:00:41,560 --> 00:00:45,559
Speaker 1: and you realize you're on the one yard line. Who

11
00:00:46,080 --> 00:00:48,320
Speaker 1: Welcome to the game, kids, Welcome to the game. It

12
00:00:48,479 --> 00:00:51,800
Speaker 1: is Friday is who knows what month or day it is.

13
00:00:51,800 --> 00:00:55,360
Speaker 1: It's fine, it's on the matter. Welcome today. Hill. We'll

14
00:00:55,360 --> 00:00:58,600
Speaker 1: start with Danielle Hi. Danielle go In, Good morning, Gondhi,

15
00:00:58,840 --> 00:01:02,240
Speaker 1: Good morning, Elvis, Good morning, Producer, Sam. Welcome to the show.

16
00:01:02,280 --> 00:01:05,840
Speaker 1: Good morning. And they're scary and massy control and of

17
00:01:05,880 --> 00:01:08,480
Speaker 1: course there's Scotty be all right, all masked up and

18
00:01:08,520 --> 00:01:11,679
Speaker 1: ready for safety, Diamond taking your calls at eight hundred

19
00:01:11,680 --> 00:01:16,720
Speaker 1: two two zero, one hundreds. And of course, as you know,

20
00:01:16,840 --> 00:01:19,440
Speaker 1: travel during the summer can be kind of tricky, so

21
00:01:19,600 --> 00:01:22,480
Speaker 1: uh Froggy had to take off for a vacation early

22
00:01:22,520 --> 00:01:26,680
Speaker 1: today because they changed his hairline. Time. What are you

23
00:01:26,720 --> 00:01:29,520
Speaker 1: gonna do? Anyway? This is a big day. We have

24
00:01:29,560 --> 00:01:32,240
Speaker 1: so much going on. Basi Lerman and Mark Ronson calling

25
00:01:32,319 --> 00:01:36,360
Speaker 1: up to talk about Elvis the Movie that you need

26
00:01:36,440 --> 00:01:39,120
Speaker 1: to go see. It's out today. Charlie Pooth has new

27
00:01:39,200 --> 00:01:42,480
Speaker 1: music with jun Cook. Jake Miller has new music. We

28
00:01:42,560 --> 00:01:44,800
Speaker 1: have a thousand dollars free money phone time. But you know,

29
00:01:44,880 --> 00:01:46,760
Speaker 1: let's go back to Elvis for just a moment. Do

30
00:01:46,800 --> 00:01:49,960
Speaker 1: you dare me to push this button? Yea, do it?

31
00:01:51,240 --> 00:01:55,440
Speaker 1: Here we go. If you don't see Elvis this weekend,

32
00:01:59,000 --> 00:02:03,920
Speaker 1: the King my favorite line, you ranged my favorite line. Yeah,

33
00:02:06,920 --> 00:02:13,120
Speaker 1: the flames are licking my body. Can hear that? Oh

34
00:02:13,160 --> 00:02:20,200
Speaker 1: my god, the flame, the flames licking my body. You

35
00:02:20,280 --> 00:02:23,240
Speaker 1: know's just something really cool about waking up, come into work,

36
00:02:23,840 --> 00:02:26,840
Speaker 1: pushing a button and you played Elvis Preshley song on

37
00:02:26,880 --> 00:02:29,680
Speaker 1: your show. I always gotta tear in my eye now.

38
00:02:29,800 --> 00:02:32,280
Speaker 1: Of course, the reason why we're playing Elvis Presley. Elvis

39
00:02:32,320 --> 00:02:34,440
Speaker 1: the Movie is out today. A few of us have

40
00:02:34,520 --> 00:02:37,120
Speaker 1: seen it, and I'm telling you you gotta go see

41
00:02:37,120 --> 00:02:40,240
Speaker 1: this movie. It is so much fun. It is so

42
00:02:40,360 --> 00:02:44,560
Speaker 1: great to learn about the king. Yeah, Priscilla even said

43
00:02:44,600 --> 00:02:49,400
Speaker 1: it's okay. It really is good. Let's go talk to

44
00:02:49,480 --> 00:02:54,440
Speaker 1: line three. Nathan. Today's birthday. Oh my god, happy birthday, Nathan. Oh,

45
00:02:54,440 --> 00:02:57,280
Speaker 1: thank you so much, Elvis. I am here with the

46
00:02:58,360 --> 00:03:03,480
Speaker 1: best person I've ever met, my stepmother, Beth. We're driving

47
00:03:03,480 --> 00:03:07,360
Speaker 1: to work to our awesome job. I don't even know

48
00:03:07,360 --> 00:03:09,160
Speaker 1: what to say. I can't believe I got through today,

49
00:03:09,360 --> 00:03:12,160
Speaker 1: and I'm glad you did. It's your birthday. We started

50
00:03:12,520 --> 00:03:15,280
Speaker 1: your birthday show with Burne and Love by Elvis Presley.

51
00:03:15,400 --> 00:03:19,160
Speaker 1: It's gonna be a weird day, man, it's gonna be cosmic. Well,

52
00:03:19,360 --> 00:03:22,400
Speaker 1: what's up? Nothing? Hey, look, I want you to have

53
00:03:22,440 --> 00:03:23,880
Speaker 1: a great day. What are you gonna do to celebrate

54
00:03:23,919 --> 00:03:26,680
Speaker 1: your birthday other than go to work? I am going

55
00:03:26,760 --> 00:03:30,840
Speaker 1: to the zoo with my new girlfriend. Um. I won't

56
00:03:30,880 --> 00:03:33,040
Speaker 1: say her name. She's a little bit shy, but okay,

57
00:03:33,440 --> 00:03:36,720
Speaker 1: I'm doing a little call out to her. If you're listening.

58
00:03:37,360 --> 00:03:40,280
Speaker 1: Oh that's so cool man, you know, day at the zoo.

59
00:03:40,640 --> 00:03:42,560
Speaker 1: What's the Where are you coming from in? What part

60
00:03:42,560 --> 00:03:47,000
Speaker 1: of Jersey are you from? We are from Sicklerville. Okay,

61
00:03:47,120 --> 00:03:52,280
Speaker 1: So how's your weather? Get how's his Sicklerville. Weather today scary, Yeah,

62
00:03:53,280 --> 00:03:55,920
Speaker 1: eighty degrees in sunshine. Oh my god, it's the perfect

63
00:03:55,960 --> 00:03:57,800
Speaker 1: zoo day. You have the best day to day, Nathan,

64
00:03:57,840 --> 00:04:01,800
Speaker 1: you promise. Thank you so much, Alvis, I'm such a bit.

65
00:04:01,880 --> 00:04:03,960
Speaker 1: We listen to you guys like every morning. I'm sure

66
00:04:04,000 --> 00:04:06,120
Speaker 1: you guys get this like all the time. Oh no,

67
00:04:06,200 --> 00:04:11,760
Speaker 1: you're the only one. Sure No, I appreciate it. And

68
00:04:11,920 --> 00:04:14,240
Speaker 1: happy birthday to your to you and have a great

69
00:04:14,280 --> 00:04:16,960
Speaker 1: time at the zoo. Thanks for supporting the zoo. That's

70
00:04:17,160 --> 00:04:19,000
Speaker 1: that's the bottom line. Have a great day, Nathan. Hold

71
00:04:19,040 --> 00:04:21,240
Speaker 1: on one second, hold on, hey, there you go. It's

72
00:04:21,279 --> 00:04:25,440
Speaker 1: his birthday. He's going to the zoo. Happy birthday. How

73
00:04:25,520 --> 00:04:28,320
Speaker 1: nice is that? Oh my gosh. Anyway, we've got lots

74
00:04:28,360 --> 00:04:31,080
Speaker 1: to do. Shall we get moving forward here? Yeah? All right,

75
00:04:31,160 --> 00:04:33,840
Speaker 1: let's go our own very own hunka hunka burning love.

76
00:04:33,880 --> 00:04:36,760
Speaker 1: Gandhi is in the air chair ready for the news.

77
00:04:37,839 --> 00:04:39,479
Speaker 1: I don't know where this is coming from. I'm talking

78
00:04:39,560 --> 00:04:43,760
Speaker 1: like a DJ from nineteen seventy two, when Elvis Preshley

79
00:04:43,920 --> 00:04:46,400
Speaker 1: was given us hit after hit. All right, Gandhi, what

80
00:04:46,480 --> 00:04:49,640
Speaker 1: is going on? All right? And expected ruling on abortion

81
00:04:49,720 --> 00:04:52,000
Speaker 1: rights has all eyes on the Supreme Court. It also

82
00:04:52,040 --> 00:04:55,440
Speaker 1: has law enforcement on high alert across the country. Fences

83
00:04:55,480 --> 00:04:58,080
Speaker 1: are already up outside the High Court in advanced in

84
00:04:58,200 --> 00:05:02,000
Speaker 1: advance of planned demonstration. The Department of Homeland Security has

85
00:05:02,040 --> 00:05:04,800
Speaker 1: issued warnings about the potential for violence from people on

86
00:05:04,839 --> 00:05:07,920
Speaker 1: both sides of the issue. The case in question before

87
00:05:07,960 --> 00:05:10,719
Speaker 1: the Court is one out of Mississippi that elite draft

88
00:05:10,760 --> 00:05:14,320
Speaker 1: opinion shows the justices ruling to overturn Roe v. Wade,

89
00:05:14,600 --> 00:05:17,440
Speaker 1: that decade's old decision led to the legalization of abortion

90
00:05:17,440 --> 00:05:21,400
Speaker 1: in America. The House January sixth committee is naming six

91
00:05:21,440 --> 00:05:25,039
Speaker 1: Republican lawmakers who sought pardons from Donald Trump following the

92
00:05:25,080 --> 00:05:29,119
Speaker 1: Capitol riot. Former Trump aids gave testimony during yesterday's hearing

93
00:05:29,279 --> 00:05:32,200
Speaker 1: and said at least six GOP representatives sought those pardons

94
00:05:32,200 --> 00:05:34,880
Speaker 1: for their role in trying to overturn election results on

95
00:05:34,960 --> 00:05:38,080
Speaker 1: January sixth of last year. The House members include Matt

96
00:05:38,160 --> 00:05:41,480
Speaker 1: Gates of Florida, Andy Biggs of Arizona, Mo Brooks of Alabama,

97
00:05:41,560 --> 00:05:45,080
Speaker 1: Louis Gomeyer from Texas, and Scott Perry of Pennsylvania. One

98
00:05:45,160 --> 00:05:48,440
Speaker 1: aid also testified that Congresswoman Marjorie Taylor Green of Georgia

99
00:05:48,520 --> 00:05:51,880
Speaker 1: had asked about a pardon as well. And finally something

100
00:05:52,120 --> 00:05:56,560
Speaker 1: very interesting. Researchers at Michigan State University say they've discovered

101
00:05:56,600 --> 00:06:00,839
Speaker 1: that locusts can smell cancer. The scientists say the insects

102
00:06:00,920 --> 00:06:03,240
Speaker 1: could different Yeah, apparently, I don't even know how you

103
00:06:03,240 --> 00:06:06,320
Speaker 1: begin to investigate this, but they did. They say these

104
00:06:06,320 --> 00:06:09,000
Speaker 1: insects could actually tell the difference between three types of

105
00:06:09,040 --> 00:06:12,599
Speaker 1: mouth cancer and normal cells, offering a very fast way

106
00:06:12,680 --> 00:06:15,599
Speaker 1: to detect it. There have been other studies using everything

107
00:06:15,640 --> 00:06:18,520
Speaker 1: from dogs to ants, but research hasn't really moved forward

108
00:06:18,680 --> 00:06:21,720
Speaker 1: because scientists can't find a commercial benefit to doing this.

109
00:06:21,800 --> 00:06:23,800
Speaker 1: I feel like there are a million reasons. Oh my god,

110
00:06:23,800 --> 00:06:28,960
Speaker 1: absolutely said locusts or locusts. I mean, they're terrifying. But

111
00:06:29,000 --> 00:06:32,719
Speaker 1: if they're cancer scouting, that's great. The research has yet

112
00:06:32,760 --> 00:06:35,440
Speaker 1: to be peer reviewed or checked for errors, but they're saying,

113
00:06:35,440 --> 00:06:38,000
Speaker 1: all of these early test results are pretty fascinating, and

114
00:06:38,080 --> 00:06:40,360
Speaker 1: those are your three things. You know what else is fascinating,

115
00:06:40,400 --> 00:06:42,440
Speaker 1: Gandhi The fact that someone was smart enough to figure

116
00:06:42,440 --> 00:06:45,599
Speaker 1: out that locusts can smell cancers. Who was the first

117
00:06:45,640 --> 00:06:47,640
Speaker 1: person that picked one up and said, let's just try this.

118
00:06:47,960 --> 00:06:53,840
Speaker 1: Look at you cancer sniffing locusts. Wow, there's some very

119
00:06:53,960 --> 00:06:56,080
Speaker 1: very smart people out there. Let's dedicate our show to them.

120
00:06:56,080 --> 00:06:59,400
Speaker 1: You guys ready for your Friday? Yeah? Who loves a

121
00:06:59,400 --> 00:07:03,080
Speaker 1: good jerky? Elvis Duran. In The Morning Show from Warner

122
00:07:03,080 --> 00:07:06,960
Speaker 1: Brothers Pictures, comes visionary director Baz Lerman's highly anticipated big

123
00:07:07,000 --> 00:07:10,760
Speaker 1: screen spectacle Elvis. Austin Butler lights up the screen as

124
00:07:10,800 --> 00:07:14,280
Speaker 1: the larger than life icon Elvis Presley, alongside Tom Hanks

125
00:07:14,320 --> 00:07:18,000
Speaker 1: as his infamous manager, Colonel Tom Parker, now playing only

126
00:07:18,040 --> 00:07:22,680
Speaker 1: in theaters rated PG thirteen. In The Morning Show, I

127
00:07:22,720 --> 00:07:25,120
Speaker 1: don't know what's going on, Garrett is saying that people

128
00:07:25,360 --> 00:07:30,000
Speaker 1: are trying to read into yesterday's show, thinking that today's

129
00:07:30,000 --> 00:07:35,360
Speaker 1: show is recorded. Oh, believe me. We woke our asses

130
00:07:35,440 --> 00:07:38,360
Speaker 1: up and we're here. Yeah. Don't you ever accuse us

131
00:07:38,360 --> 00:07:41,240
Speaker 1: of being recorded when we woke our asses up to coming. Yeah, No,

132
00:07:41,400 --> 00:07:43,320
Speaker 1: we were here. The only casualty we have today is

133
00:07:43,720 --> 00:07:46,800
Speaker 1: Froggy's flight. Yeah, because they had to change the time

134
00:07:46,840 --> 00:07:48,600
Speaker 1: so he had to leave for vacation early. No. No,

135
00:07:48,640 --> 00:07:51,400
Speaker 1: we're here, We're here. It's all good. It's all good

136
00:07:51,400 --> 00:07:54,320
Speaker 1: in the hood. Hey, that was great starting our show

137
00:07:54,360 --> 00:07:56,840
Speaker 1: off with Elvis Presley. I think we should play Elvis

138
00:07:56,920 --> 00:07:59,960
Speaker 1: all all day long, all morning long. Don't tip me

139
00:08:00,000 --> 00:08:03,320
Speaker 1: a day, Yale, do it, do it? I don't know.

140
00:08:03,360 --> 00:08:06,120
Speaker 1: We're all excited. Elvis the film is out in theaters today.

141
00:08:06,160 --> 00:08:07,880
Speaker 1: You've got to go see it. We'll be talking to

142
00:08:07,920 --> 00:08:11,680
Speaker 1: Basi Lurman and Mark Ronson who has a big, huge

143
00:08:11,720 --> 00:08:14,640
Speaker 1: Elvis hit coming out on the soundtrack next week. As

144
00:08:14,640 --> 00:08:17,200
Speaker 1: a matter of fact, So that's happening today. Charlie Pooth

145
00:08:17,200 --> 00:08:21,160
Speaker 1: has new music with Junkuk Yep from BTS, and Jake

146
00:08:21,200 --> 00:08:23,160
Speaker 1: Milner has new music. It's gonna be a busy day, guys.

147
00:08:23,240 --> 00:08:25,600
Speaker 1: I hope you're like, can you keep up? Yeah? Sam

148
00:08:25,680 --> 00:08:28,520
Speaker 1: Hunts has new music too. Hello, Oh, I didn't know that.

149
00:08:28,600 --> 00:08:30,360
Speaker 1: Thank you for letting me know. How was your night

150
00:08:30,440 --> 00:08:32,400
Speaker 1: last night, Danielle? Would you do in fun? It was good.

151
00:08:32,400 --> 00:08:33,960
Speaker 1: I did a lot of shopping. My mother in laws

152
00:08:34,000 --> 00:08:36,000
Speaker 1: in from France, so we had a fun shopping day

153
00:08:36,000 --> 00:08:38,600
Speaker 1: and then we went out to a nice Italian for dinner.

154
00:08:38,800 --> 00:08:41,760
Speaker 1: Was delicious. It was a beautiful day. Beautiful Gandhi, you're

155
00:08:41,760 --> 00:08:43,120
Speaker 1: in Detroit now, what's going on there? What'd you do

156
00:08:43,280 --> 00:08:45,360
Speaker 1: last night? And then good? Um, I just hung out

157
00:08:45,360 --> 00:08:47,400
Speaker 1: with a boyfriend because I haven't seen him in a

158
00:08:47,480 --> 00:08:49,560
Speaker 1: really long time. So we laid low and you know,

159
00:08:49,679 --> 00:08:52,600
Speaker 1: just enjoyed each other's company. And my fish tank is

160
00:08:52,640 --> 00:08:56,200
Speaker 1: in shambles. So yeah, there's something awful going on in

161
00:08:56,200 --> 00:08:58,280
Speaker 1: that fish tank. I mean it's it's bloody. I mean

162
00:08:58,320 --> 00:09:03,440
Speaker 1: it's a bloody mess in there. Yeah, apparently I don't know.

163
00:09:03,920 --> 00:09:05,920
Speaker 1: The one fish I think is just too big now

164
00:09:06,040 --> 00:09:08,080
Speaker 1: for the tank and must go. I have to find

165
00:09:08,080 --> 00:09:09,800
Speaker 1: a new home for him. So if anybody would like

166
00:09:09,840 --> 00:09:13,040
Speaker 1: a massive placo, let me know, because he seems to

167
00:09:13,080 --> 00:09:19,800
Speaker 1: have murdered my snail and my green fish Yoshiet very upset. Yeah, yeah,

168
00:09:20,040 --> 00:09:24,880
Speaker 1: murdered sail, murdered ate him right out of his shell. Well,

169
00:09:24,880 --> 00:09:27,680
Speaker 1: the thing about snails, they're not very fast, they can't run,

170
00:09:28,080 --> 00:09:35,760
Speaker 1: could escape apparently, Yeah with butter. Oh my god, if

171
00:09:35,760 --> 00:09:40,040
Speaker 1: I find out Brandon gave him butter, it's over. It's

172
00:09:40,040 --> 00:09:44,040
Speaker 1: a buttery little jewel from the sea. I would can

173
00:09:44,080 --> 00:09:47,040
Speaker 1: you let that go? Well, apparently Bandit did not want

174
00:09:47,080 --> 00:09:49,600
Speaker 1: to let it go, so he enjoyed him. Well, you,

175
00:09:49,640 --> 00:09:51,880
Speaker 1: first of all, you named your fish bandit. You know,

176
00:09:52,040 --> 00:09:55,680
Speaker 1: there's you're started starting trouble out of the shoot. Okay,

177
00:09:55,800 --> 00:09:57,840
Speaker 1: I know, he just he looked like a little criminal.

178
00:09:58,000 --> 00:09:59,839
Speaker 1: He just blends right in with things, and he was

179
00:10:00,000 --> 00:10:01,520
Speaker 1: scaring the other fish in the beginning. But they have

180
00:10:01,640 --> 00:10:05,640
Speaker 1: all co existed together for two years. They've been buddies.

181
00:10:05,760 --> 00:10:07,920
Speaker 1: The snail used to ride around on his back. Then

182
00:10:08,000 --> 00:10:11,360
Speaker 1: Bandit eats them? What planet is this? Bandit is on

183
00:10:11,400 --> 00:10:14,320
Speaker 1: my list? Man? You know the world is a frightening place, Gandhi,

184
00:10:14,320 --> 00:10:16,040
Speaker 1: and it's all represented right there in a fish tank

185
00:10:16,040 --> 00:10:18,920
Speaker 1: in your living room. Yeah, there you go, Britisher sand

186
00:10:18,920 --> 00:10:20,760
Speaker 1: which you have for dinner last night? Anything good? Oh? Yeah?

187
00:10:20,800 --> 00:10:23,840
Speaker 1: I'm going away on vacation starting Sunday. I'm going to Sandals.

188
00:10:23,840 --> 00:10:25,840
Speaker 1: So we were just eating everything out of the fridge

189
00:10:26,000 --> 00:10:28,080
Speaker 1: that we didn't want to go bad. Now I think

190
00:10:28,080 --> 00:10:30,640
Speaker 1: I had a bad potato croquet, but I'm okay now,

191
00:10:30,960 --> 00:10:33,680
Speaker 1: oh god, yeah, Okay, Well, who you're doing horsecopes with?

192
00:10:34,080 --> 00:10:36,560
Speaker 1: Let's finish the week together, Elvis. Why don't you do

193
00:10:36,600 --> 00:10:40,120
Speaker 1: them with me me too? Okay? All right. Celebrity birthdays.

194
00:10:40,160 --> 00:10:42,800
Speaker 1: If you share our birthday with these celebrities, happy birthday

195
00:10:42,840 --> 00:10:47,120
Speaker 1: to you. Use celebrities sharing birthday person Mindy Kaling, Happy birthday,

196
00:10:47,160 --> 00:10:50,679
Speaker 1: so long knows don't hang out with her. No elevator,

197
00:10:51,559 --> 00:10:56,640
Speaker 1: Oh my god, you kick one person and one elevator

198
00:10:56,920 --> 00:10:59,240
Speaker 1: and from the rest of your life. That was vicious.

199
00:10:59,400 --> 00:11:03,080
Speaker 1: That was attack. I'm sorry you know what it was.

200
00:11:03,280 --> 00:11:04,880
Speaker 1: But if somebody mess with my sister, I might kick

201
00:11:04,920 --> 00:11:08,000
Speaker 1: him in an old I don't know, yeah, kick him

202
00:11:08,000 --> 00:11:11,559
Speaker 1: in the elevator anyway, Capricorn, we'll start with you, Capricorn.

203
00:11:11,679 --> 00:11:14,400
Speaker 1: Old business needs to be saddled before you go forward.

204
00:11:14,840 --> 00:11:17,560
Speaker 1: What could that be, Capricorn? Your days of seven Aquarious,

205
00:11:17,720 --> 00:11:19,839
Speaker 1: don't worry about what others think of you. It's only

206
00:11:19,920 --> 00:11:23,280
Speaker 1: limiting your potential. Your days of six, Hey, Pisces, Some

207
00:11:23,360 --> 00:11:25,840
Speaker 1: home repairs will allow you to breathe new life into

208
00:11:25,880 --> 00:11:29,040
Speaker 1: an old space. Your days in eight aries. Read between

209
00:11:29,080 --> 00:11:31,080
Speaker 1: the lines to see what it is a friend of

210
00:11:31,880 --> 00:11:34,040
Speaker 1: of a family member is trying to tell you. How

211
00:11:34,080 --> 00:11:37,160
Speaker 1: specific your days of nine, Hey Taurus. Old business will

212
00:11:37,200 --> 00:11:40,240
Speaker 1: be easily finished as you transition to something new. How

213
00:11:40,240 --> 00:11:42,440
Speaker 1: fun your days of nine stem and I and odd

214
00:11:42,440 --> 00:11:44,920
Speaker 1: remark could have you rethinking of friendship, Try not to

215
00:11:44,960 --> 00:11:47,480
Speaker 1: eat into it too much. Your Days in eight, Hey Cancer,

216
00:11:47,559 --> 00:11:50,120
Speaker 1: some excellent research on your part will open an entire

217
00:11:50,240 --> 00:11:54,360
Speaker 1: new branch of possibilities open. Yes, your day cancer is

218
00:11:54,360 --> 00:12:00,760
Speaker 1: a ten, juicy ten day. Hello ten. Talk with your

219
00:12:00,800 --> 00:12:05,240
Speaker 1: friends about Hello. Okay, go ahead, up with your friends

220
00:12:05,240 --> 00:12:09,079
Speaker 1: about some nostalgic memories. Reminiscing will only make your bonds stronger.

221
00:12:09,200 --> 00:12:11,560
Speaker 1: Your days of nine, Hey, Virgo, it's time to emerge

222
00:12:11,559 --> 00:12:17,120
Speaker 1: from your self isolating cocoon and reintegrate into your personal

223
00:12:17,120 --> 00:12:20,080
Speaker 1: and professional lives. Come on out of your shell, Virgo.

224
00:12:20,280 --> 00:12:22,400
Speaker 1: Your days of five. I'm not coming out of my

225
00:12:22,520 --> 00:12:25,839
Speaker 1: shell after a five. Geez not Libras, some travel de

226
00:12:25,920 --> 00:12:28,600
Speaker 1: lease could have you thinking of canceling. Don't let minor

227
00:12:28,679 --> 00:12:31,480
Speaker 1: hiccups throw you off track. Your days of six, Hey, Scorpio,

228
00:12:31,600 --> 00:12:33,640
Speaker 1: create a plan of action and get all the work

229
00:12:33,640 --> 00:12:37,240
Speaker 1: around you done today your days and eight and finally, Sagittarius,

230
00:12:37,280 --> 00:12:39,560
Speaker 1: an old friend from your past might pop up again.

231
00:12:39,760 --> 00:12:42,520
Speaker 1: Be cautious about what their intentions are. Your days of

232
00:12:42,600 --> 00:12:44,719
Speaker 1: seven and those are your Friday morning oriscopes. All right,

233
00:12:44,720 --> 00:12:46,720
Speaker 1: the first report of the Friday on the way, Danielle,

234
00:12:46,720 --> 00:12:48,320
Speaker 1: what do you have coming up? Well, we're gonna talk

235
00:12:48,360 --> 00:12:52,080
Speaker 1: about an interesting new show coming to Netflix, and also

236
00:12:52,720 --> 00:12:55,920
Speaker 1: somebody little Masax is the little pissed off at the

237
00:12:55,960 --> 00:12:59,800
Speaker 1: bat Awards. Oh boy, he's gonna need to start getting

238
00:13:00,240 --> 00:13:03,240
Speaker 1: He's gonna have to it didn't look like it right. Well,

239
00:13:03,480 --> 00:13:04,840
Speaker 1: let's hear what he has to say. All that and

240
00:13:04,880 --> 00:13:10,599
Speaker 1: more on the way are more texting and saying that

241
00:13:10,720 --> 00:13:13,280
Speaker 1: they do love to sniff their underwear. You no get

242
00:13:13,280 --> 00:13:18,120
Speaker 1: out of here, my god, all the text'll be stranded.

243
00:13:18,120 --> 00:13:21,160
Speaker 1: In the morning show, you know, ten points goes to

244
00:13:21,320 --> 00:13:24,120
Speaker 1: producer Sam, she's going on vacation tomorrow. Rather than going

245
00:13:24,120 --> 00:13:26,800
Speaker 1: out and buying new food, they're going to clean out

246
00:13:26,800 --> 00:13:29,640
Speaker 1: the fridge and make sure they don't waste one ounce

247
00:13:29,679 --> 00:13:31,480
Speaker 1: of food in the refrigerator. And that's what's kind of

248
00:13:31,520 --> 00:13:34,400
Speaker 1: cool about our friends at Hello Fresh. They're all about

249
00:13:34,559 --> 00:13:37,960
Speaker 1: ending food waste. That's why when they send you fresh

250
00:13:38,040 --> 00:13:42,120
Speaker 1: delicious produce from the farm and meats and eggs and

251
00:13:42,160 --> 00:13:44,600
Speaker 1: things like that. Uh, they only send you what you

252
00:13:44,640 --> 00:13:46,360
Speaker 1: need for the recipes. If they can cook for you,

253
00:13:46,520 --> 00:13:49,200
Speaker 1: there's no food waste. I love that you do the chopping,

254
00:13:49,200 --> 00:13:51,680
Speaker 1: you do the sauteg and then you will look like

255
00:13:51,720 --> 00:13:53,920
Speaker 1: it was a hero because I'm telling you these quick

256
00:13:53,920 --> 00:13:57,640
Speaker 1: and easy and family friendly recipes with preportioned ingredients, making

257
00:13:57,640 --> 00:14:01,120
Speaker 1: dinner on the table, a breeze, so nastic. And another

258
00:14:01,120 --> 00:14:03,520
Speaker 1: great thing about Hello Fresh they have flexible plans that

259
00:14:03,600 --> 00:14:05,760
Speaker 1: work with your schedule. You can change your address for

260
00:14:05,840 --> 00:14:08,240
Speaker 1: delivery or a delivery date, or skip a week or

261
00:14:08,679 --> 00:14:11,199
Speaker 1: whatever right there on the Hollo Fresh app. I want

262
00:14:11,200 --> 00:14:13,160
Speaker 1: you to try them out. You'll see what we've been

263
00:14:13,160 --> 00:14:15,480
Speaker 1: talking about all along year is talking about them. Now

264
00:14:15,520 --> 00:14:18,839
Speaker 1: it's your turn, Hello Fresh dot com slash Elvis. If

265
00:14:18,840 --> 00:14:20,800
Speaker 1: you do that, you get sixteen free meals when you

266
00:14:20,840 --> 00:14:24,040
Speaker 1: sign up, and three gifts as well. That's Hello Fresh

267
00:14:24,160 --> 00:14:28,200
Speaker 1: dot com slash Elvis. Get and do it. I actually

268
00:14:28,760 --> 00:14:31,640
Speaker 1: was driving by Wendies yesterday and I was like, wait

269
00:14:31,680 --> 00:14:35,000
Speaker 1: a minute, we've been talking about those strawberry frosties. I

270
00:14:35,040 --> 00:14:37,520
Speaker 1: want to try one. So I had zipped over through

271
00:14:37,560 --> 00:14:43,000
Speaker 1: the drive through. I got the Wendy's Strawberry strawberry frosty.

272
00:14:43,240 --> 00:14:46,800
Speaker 1: It's fabulous. I haven't had a strawberry ice creamy thing

273
00:14:46,840 --> 00:14:49,920
Speaker 1: in such a long time. It was good, it was great.

274
00:14:49,920 --> 00:14:52,440
Speaker 1: I got some fries with that too. By the way,

275
00:14:52,480 --> 00:14:55,000
Speaker 1: did you dip the fries and the frosty? I did not.

276
00:14:55,480 --> 00:14:57,040
Speaker 1: I didn't take the lid off the frost. You know

277
00:14:57,080 --> 00:15:00,640
Speaker 1: I should? I should? Yeah, which remind me It's like

278
00:15:00,680 --> 00:15:02,880
Speaker 1: every time Alex is walking behind me, he'll look at

279
00:15:02,920 --> 00:15:04,520
Speaker 1: my butt and say, hey, do you want some fries

280
00:15:04,560 --> 00:15:08,480
Speaker 1: with that shake? And I did? I fried with that shake?

281
00:15:08,560 --> 00:15:11,840
Speaker 1: So anyway, is it if you guys tried the Wendy

282
00:15:11,880 --> 00:15:16,160
Speaker 1: strawberry frost. Froggy tried it? Yeah, And I've never wanted to.

283
00:15:16,520 --> 00:15:18,560
Speaker 1: When Froggy eats something, and I know he's not here

284
00:15:18,680 --> 00:15:22,520
Speaker 1: right now, When Froggy eats something, doesn't it look particularly good.

285
00:15:22,560 --> 00:15:25,720
Speaker 1: I don't know why. Like when he eats something, I

286
00:15:25,760 --> 00:15:29,440
Speaker 1: want to eat it too. Does food news? Froggy does

287
00:15:29,480 --> 00:15:31,800
Speaker 1: food news. He hovers over his food, and I think

288
00:15:31,840 --> 00:15:34,200
Speaker 1: it's like it's a protection thing. He's got a good,

289
00:15:34,280 --> 00:15:38,000
Speaker 1: yummy face, you know what. I'm protecting his food. Hey, Um,

290
00:15:38,000 --> 00:15:40,560
Speaker 1: so I know, believe it or not. There's still some

291
00:15:40,680 --> 00:15:42,960
Speaker 1: kids in school. I mean there are some schools that

292
00:15:43,000 --> 00:15:45,400
Speaker 1: have not let out for summery yet, so there's finals

293
00:15:45,400 --> 00:15:48,440
Speaker 1: time going on. We were talking about this last night.

294
00:15:48,440 --> 00:15:51,840
Speaker 1: Did you ever cheat? By the way, I'll have this conversation,

295
00:15:51,960 --> 00:15:58,760
Speaker 1: but I'm not advocating cheating on VI? Did you ever cheat? Like, okay,

296
00:15:59,040 --> 00:16:01,280
Speaker 1: but it was this one time and I was an

297
00:16:01,280 --> 00:16:06,600
Speaker 1: idiot because at the beginning of the exam was oral questions,

298
00:16:06,640 --> 00:16:08,920
Speaker 1: like the teacher asked you the questions and then you

299
00:16:08,960 --> 00:16:11,400
Speaker 1: had to write the answer down. I missed that part.

300
00:16:11,440 --> 00:16:13,760
Speaker 1: I was late for the class. So what does dumb

301
00:16:13,760 --> 00:16:16,320
Speaker 1: asked me do? She goes and cheats and gets the

302
00:16:16,320 --> 00:16:18,600
Speaker 1: answers to those questions and the teacher knew I wasn't there,

303
00:16:18,600 --> 00:16:20,680
Speaker 1: and he goes, oop, Danielle, you weren't even here for

304
00:16:20,760 --> 00:16:24,880
Speaker 1: this part. So how did you get that? Got a zero? Better?

305
00:16:25,280 --> 00:16:28,640
Speaker 1: It wasn't good? Wasn't good. Something tells me that Gandhi

306
00:16:28,760 --> 00:16:32,240
Speaker 1: was the person people cheated off of. Oh, I was

307
00:16:32,360 --> 00:16:34,560
Speaker 1: actually so yes in that way, I was part of

308
00:16:34,560 --> 00:16:36,960
Speaker 1: the cheating cycle. I used to laugh so hard. You

309
00:16:37,000 --> 00:16:38,640
Speaker 1: know those kids who would like put the folder up, like,

310
00:16:38,680 --> 00:16:41,240
Speaker 1: don't look at my answers. I always put the folder down,

311
00:16:41,240 --> 00:16:43,520
Speaker 1: and anybody who wanted to have it at it could

312
00:16:43,600 --> 00:16:45,640
Speaker 1: have at it whatever. I hated the fact that they

313
00:16:45,680 --> 00:16:49,800
Speaker 1: made us raise our folders. They didn't do that. It

314
00:16:49,920 --> 00:16:54,720
Speaker 1: was wrong. They were no. No, but uh, Nate, you

315
00:16:54,880 --> 00:16:57,560
Speaker 1: were you a cheater in school? Uh? Only off of

316
00:16:57,560 --> 00:17:00,200
Speaker 1: Steve Selene and calculus because I couldn't understand calcul was

317
00:17:00,240 --> 00:17:03,680
Speaker 1: but I would help my friend will Rose occasionally and

318
00:17:03,720 --> 00:17:06,200
Speaker 1: we had this multiple choice test where he didn't study,

319
00:17:06,800 --> 00:17:08,840
Speaker 1: and so we had this little thing set up where

320
00:17:08,880 --> 00:17:12,240
Speaker 1: I would tap his foot once for A, twice for B,

321
00:17:13,640 --> 00:17:17,040
Speaker 1: three times so on. But at some point he skipped

322
00:17:17,040 --> 00:17:22,040
Speaker 1: a question and then the sequence was totally off. He

323
00:17:22,119 --> 00:17:30,399
Speaker 1: had all the correct answers one question later. Right, scary

324
00:17:30,480 --> 00:17:32,400
Speaker 1: you were you? Were you a cheater? You weren't? Yeah

325
00:17:32,480 --> 00:17:34,359
Speaker 1: we were, Yeah, I was on the cheater. Yes. We

326
00:17:34,400 --> 00:17:36,879
Speaker 1: had a cheating scam going with Paul Zilla the Brainiac,

327
00:17:36,960 --> 00:17:39,240
Speaker 1: where we would he had the four corners of the

328
00:17:39,280 --> 00:17:43,320
Speaker 1: desk representing the multiple choice ABCD and he would tap

329
00:17:43,440 --> 00:17:45,480
Speaker 1: that caught with a pencil that part of the desk

330
00:17:45,760 --> 00:17:48,520
Speaker 1: with the question number. It was amazing. But then one

331
00:17:48,520 --> 00:17:50,679
Speaker 1: time we got caught cheating off of the vets Sosa

332
00:17:50,760 --> 00:17:53,359
Speaker 1: for the final Me and and the bald freak Rannie.

333
00:17:53,560 --> 00:17:57,040
Speaker 1: We had to take the final over again um after

334
00:17:57,160 --> 00:18:01,719
Speaker 1: afterwards because we were caught red handed. Did you know

335
00:18:01,280 --> 00:18:05,560
Speaker 1: I don't recall ever cheating on an exam ever? Really

336
00:18:05,600 --> 00:18:09,120
Speaker 1: good for you? Really? I don't, I don't I think.

337
00:18:09,119 --> 00:18:12,240
Speaker 1: I remember, I remember thinking about doing it once because

338
00:18:12,240 --> 00:18:14,480
Speaker 1: it was such a tough, tough it was a calculus thing,

339
00:18:14,560 --> 00:18:17,720
Speaker 1: absolutely absolutely was, and I'm like, I can't, I can't

340
00:18:17,760 --> 00:18:20,600
Speaker 1: do it. I couldn't because you know what, I wasn't

341
00:18:21,119 --> 00:18:24,440
Speaker 1: worried about cheating. I was worried about getting caught. It's

342
00:18:24,880 --> 00:18:27,600
Speaker 1: it's very hard to cheat on math because they always

343
00:18:27,600 --> 00:18:29,800
Speaker 1: want to show your work. Yeah, so if it's a

344
00:18:29,920 --> 00:18:33,480
Speaker 1: very crazy like calculus type of problem, it's very hard

345
00:18:33,520 --> 00:18:38,040
Speaker 1: to cheat. Cheez all right, well enough of that inside

346
00:18:38,080 --> 00:18:41,680
Speaker 1: of your palm or something. No, you know the thing

347
00:18:41,720 --> 00:18:43,600
Speaker 1: the videos that make me laugh now are when the

348
00:18:43,600 --> 00:18:46,000
Speaker 1: teachers leave the room and of course, you know, don't cheat,

349
00:18:46,040 --> 00:18:47,760
Speaker 1: do what you're doing, and they come back in and

350
00:18:47,800 --> 00:18:50,280
Speaker 1: shut the lights off at everybody's iPhones light up because

351
00:18:50,280 --> 00:18:53,560
Speaker 1: they're using them. That is the favorite. God. See, we

352
00:18:53,560 --> 00:18:57,399
Speaker 1: didn't have iPhones school, damn it. Yeah, now you can

353
00:18:57,440 --> 00:18:58,600
Speaker 1: have them. And if you can hide, you know, like

354
00:18:58,640 --> 00:19:00,080
Speaker 1: I have a lot of hair on my head, I

355
00:19:00,119 --> 00:19:04,040
Speaker 1: could easily hide an AirPod. God is Tennisia Lanch twenty four.

356
00:19:04,080 --> 00:19:06,800
Speaker 1: Let's go to talk to Tunisia Hi Tanisha. Welcome to Friday.

357
00:19:06,920 --> 00:19:11,000
Speaker 1: What's going on with you. Good morning. So I'm a teacher. Also,

358
00:19:11,280 --> 00:19:15,359
Speaker 1: I'm a teacher, and whenever a kid is helping the cheater,

359
00:19:15,760 --> 00:19:22,080
Speaker 1: I give them a zero. Also, if you're a part

360
00:19:22,119 --> 00:19:24,280
Speaker 1: of the process, this is you know what, this is

361
00:19:24,320 --> 00:19:26,680
Speaker 1: one of the last lessons. You know, going to school

362
00:19:26,760 --> 00:19:29,919
Speaker 1: isn't only about you know, working out problems and memorizing

363
00:19:30,720 --> 00:19:33,359
Speaker 1: quotes and things. That's also about learning about life. But

364
00:19:33,440 --> 00:19:35,520
Speaker 1: on the other hand, yeah, exactly, don't you have any

365
00:19:35,560 --> 00:19:38,280
Speaker 1: like relief somebody has to go down with them. Don't

366
00:19:38,320 --> 00:19:40,240
Speaker 1: you have any like wise ass kids? And there you know,

367
00:19:40,320 --> 00:19:42,760
Speaker 1: they're gonna, they're gonna, they're gonna succeed at life because

368
00:19:42,800 --> 00:19:47,080
Speaker 1: they're so they're such little swindlers. Oh yeah, I have

369
00:19:47,200 --> 00:19:53,840
Speaker 1: a classroom full of those. Seriously, I mean, even go ahead,

370
00:19:53,960 --> 00:19:56,800
Speaker 1: I was absent when they took their final exam, and

371
00:19:57,200 --> 00:20:00,200
Speaker 1: as I was greeting them, everyone in the class the

372
00:20:00,280 --> 00:20:03,200
Speaker 1: same exact answers. So everyone in the class got the

373
00:20:03,280 --> 00:20:06,399
Speaker 1: same exact agreed. Yeah, so you see it. I mean,

374
00:20:06,880 --> 00:20:08,719
Speaker 1: but let me let me ask you this, Tanisia. As

375
00:20:08,760 --> 00:20:11,359
Speaker 1: a teacher, if there's a student in your class that

376
00:20:11,640 --> 00:20:16,280
Speaker 1: is more engaging with you, that actually has conversations with you,

377
00:20:16,400 --> 00:20:19,600
Speaker 1: look at you in the eye. Is always polite, always

378
00:20:20,520 --> 00:20:23,560
Speaker 1: I'm almost buttering you up a little bit like playing

379
00:20:23,640 --> 00:20:27,160
Speaker 1: the game. Do they do they have a slight edge

380
00:20:27,200 --> 00:20:31,920
Speaker 1: over other students that don't do that. Of course they do. Yeah, yeah,

381
00:20:32,640 --> 00:20:36,040
Speaker 1: it's a life lessons right. Yeah. I think you should

382
00:20:36,080 --> 00:20:38,600
Speaker 1: always go every morning into your classroom and say good

383
00:20:38,720 --> 00:20:41,280
Speaker 1: morning to whatever teacher that is, or good afternoon when

384
00:20:41,320 --> 00:20:43,159
Speaker 1: you first entered the classroom. I think that is so

385
00:20:43,440 --> 00:20:47,440
Speaker 1: important exactly. Look, thank you for being a teacher, Tanisia.

386
00:20:47,480 --> 00:20:49,239
Speaker 1: You were fabulous and knowing that you're listening to us

387
00:20:49,320 --> 00:20:52,359
Speaker 1: is even twice as fabulous. You have a fantastic summer. Okay,

388
00:20:53,320 --> 00:20:55,960
Speaker 1: thank you so much. Today is actually going to be

389
00:20:56,119 --> 00:20:59,320
Speaker 1: my last day. They want us to go until next Tuesday,

390
00:20:59,480 --> 00:21:05,240
Speaker 1: but playing hookie. Yeah, and you deserve every second of it.

391
00:21:05,359 --> 00:21:08,280
Speaker 1: Thank you, Tanisha. Have a great weekend. Let's see, we've

392
00:21:08,320 --> 00:21:10,520
Speaker 1: got a lot of calls here, guys, um, do you

393
00:21:10,560 --> 00:21:13,280
Speaker 1: want John or Chris? I can do one John online

394
00:21:13,320 --> 00:21:17,840
Speaker 1: twenty Hello John, what's going on? Good morning? So back

395
00:21:17,960 --> 00:21:20,679
Speaker 1: in two thousand and one, when I was in school,

396
00:21:20,960 --> 00:21:24,040
Speaker 1: me and my entire class handed in the same regent's

397
00:21:24,200 --> 00:21:28,760
Speaker 1: essay Unfortunately, our teacher left the classroom and they proctored

398
00:21:28,800 --> 00:21:32,359
Speaker 1: their own exam, which is absolutely a big no no.

399
00:21:33,119 --> 00:21:36,960
Speaker 1: And we all cheated off of each other. Nobody said

400
00:21:37,040 --> 00:21:39,800
Speaker 1: that they cheated. Everybody said that they were their original author.

401
00:21:40,240 --> 00:21:43,600
Speaker 1: We explained, our teacher left, and unfortunately, when we came

402
00:21:43,640 --> 00:21:46,200
Speaker 1: back the next year, the teacher was no longer there,

403
00:21:46,359 --> 00:21:51,520
Speaker 1: and everybody passed their exam. Wow, there you go. Yeah,

404
00:21:53,960 --> 00:21:57,920
Speaker 1: looking looking back, especially being in education, I absolutely feel

405
00:21:58,040 --> 00:22:02,400
Speaker 1: horrible for that teacher. I really do feel bad. We're good, yeah,

406
00:22:02,560 --> 00:22:04,600
Speaker 1: and so you should, you know. But at least, you know,

407
00:22:04,640 --> 00:22:07,080
Speaker 1: I bet some people in that class couldn't care less,

408
00:22:07,160 --> 00:22:09,000
Speaker 1: you know what it's like. At least we got you John.

409
00:22:09,080 --> 00:22:11,159
Speaker 1: All right, John, have a good weekend, and thanks for

410
00:22:11,240 --> 00:22:15,280
Speaker 1: listening to us. Chris real quick on lawn twenty three, Yes, Chris,

411
00:22:15,680 --> 00:22:17,359
Speaker 1: he hung up. What was what was this trick? So

412
00:22:17,520 --> 00:22:20,040
Speaker 1: he said, if you needed an eraser, right, you would

413
00:22:20,040 --> 00:22:22,320
Speaker 1: write the answers on the eraser and ask your friend, hey,

414
00:22:22,359 --> 00:22:24,560
Speaker 1: can I borrow an eraser? And then all of the

415
00:22:24,680 --> 00:22:26,840
Speaker 1: answers are written on you. How do you how big

416
00:22:29,720 --> 00:22:31,960
Speaker 1: those big rubber ones? Yeah? Right, big ones? Not the

417
00:22:32,040 --> 00:22:34,119
Speaker 1: one on the end of a pencil anyway. All right,

418
00:22:34,160 --> 00:22:37,560
Speaker 1: I feel so dirty talking about cheating. This isn't good. No,

419
00:22:37,800 --> 00:22:41,800
Speaker 1: we should we should change this subject. Right. It'll only

420
00:22:41,880 --> 00:22:43,280
Speaker 1: serve you when you're in school and you need to

421
00:22:43,280 --> 00:22:44,840
Speaker 1: pass an example. When it comes to life and you

422
00:22:44,880 --> 00:22:47,560
Speaker 1: actually need the knowledge, it's probably very important to learn it.

423
00:22:48,000 --> 00:22:50,360
Speaker 1: So learn it. There you go, So go go learn something.

424
00:22:50,400 --> 00:22:52,480
Speaker 1: Would you anyway? Enjoy your summer teachers? We love to

425
00:22:55,680 --> 00:22:59,000
Speaker 1: show in the morning shower. Hey is anyone and you're

426
00:22:59,040 --> 00:23:03,560
Speaker 1: going camping this summer? Like outdoor ten camping? Oh, I

427
00:23:03,640 --> 00:23:05,320
Speaker 1: have all kinds of plans to do things like that.

428
00:23:05,920 --> 00:23:07,320
Speaker 1: I want to get into this in a second. I

429
00:23:07,359 --> 00:23:11,960
Speaker 1: think tomorrow tomorrow it's International camp Outside Day or something

430
00:23:12,040 --> 00:23:15,720
Speaker 1: like that. I think it's camp it's a camping weekend.

431
00:23:16,440 --> 00:23:19,439
Speaker 1: Are you are you going camping soon? Gandhi? Where are

432
00:23:19,440 --> 00:23:21,199
Speaker 1: you going? What are you doing? So? I'm doing more

433
00:23:21,240 --> 00:23:23,320
Speaker 1: of like a hiking thing instead of camping. But when

434
00:23:23,359 --> 00:23:24,840
Speaker 1: I get to hike on these trails, then I can

435
00:23:24,880 --> 00:23:27,840
Speaker 1: scout out places other other spots if I actually want

436
00:23:27,920 --> 00:23:30,440
Speaker 1: to camp, because I use a trail link app, which

437
00:23:30,560 --> 00:23:33,720
Speaker 1: we've talked about it before. It's awesome. You can get

438
00:23:33,760 --> 00:23:36,200
Speaker 1: it and it gives you the trails that are around you.

439
00:23:36,560 --> 00:23:39,080
Speaker 1: There are forty thousand trails across the country that people

440
00:23:39,080 --> 00:23:41,399
Speaker 1: don't even know are there, and you can walk on them.

441
00:23:41,440 --> 00:23:43,760
Speaker 1: It's a nonprofit organization that has like rehabbed all of

442
00:23:43,800 --> 00:23:46,119
Speaker 1: these spaces to make them nice for people to go.

443
00:23:46,280 --> 00:23:49,360
Speaker 1: Check out. And right now, if you download that app again,

444
00:23:49,400 --> 00:23:52,080
Speaker 1: it's the trail Link app, it's going to nudge you

445
00:23:52,280 --> 00:23:54,239
Speaker 1: once a week. It'll know where you are and tell

446
00:23:54,280 --> 00:23:56,760
Speaker 1: you to get out and go explore the area around

447
00:23:56,880 --> 00:23:58,840
Speaker 1: you all the way through Labor Day. So it's really

448
00:23:58,920 --> 00:24:00,639
Speaker 1: exciting and it gives you really fun stuff to do

449
00:24:00,680 --> 00:24:08,600
Speaker 1: in summertime. Keep you acting. Here in Santa Fe, I

450
00:24:08,640 --> 00:24:11,680
Speaker 1: mean even I mean within walking distance of my house,

451
00:24:11,960 --> 00:24:15,680
Speaker 1: there are multiple trailheads and uh, it's it's a big,

452
00:24:15,840 --> 00:24:18,200
Speaker 1: big trail community here, and I would love to have

453
00:24:18,320 --> 00:24:20,960
Speaker 1: this app. What's hold on? What's it calling again? Trail Link,

454
00:24:21,280 --> 00:24:25,280
Speaker 1: the trail Link app. Yeah. And you know, interestingly enough, Elvis,

455
00:24:25,359 --> 00:24:27,679
Speaker 1: when I was at your place last time, I did

456
00:24:27,800 --> 00:24:29,320
Speaker 1: pull it up and we used it, and there's one

457
00:24:29,600 --> 00:24:32,840
Speaker 1: directly across the street from you. Yes, no, I'm surrounding

458
00:24:32,840 --> 00:24:35,520
Speaker 1: about trailheads and if you don't. If you've never experienced trailheads,

459
00:24:35,520 --> 00:24:42,119
Speaker 1: you should give that a whirl. Anyway, anyone anyway, So

460
00:24:43,520 --> 00:24:46,920
Speaker 1: trail link. All right, I'm in. I'm in. Danielle is

461
00:24:46,920 --> 00:24:49,000
Speaker 1: gonna go see the movie Elvis this weekend. And I

462
00:24:49,080 --> 00:24:50,600
Speaker 1: know we've been talking a lot about it, and we

463
00:24:50,720 --> 00:24:52,840
Speaker 1: have bas Lerman coming up in a few minutes to

464
00:24:52,880 --> 00:24:56,679
Speaker 1: talk about directing this incredible, incredible piece of art. Uh,

465
00:24:56,960 --> 00:25:00,320
Speaker 1: you gotta see this. Elvis is tremendous. I I saw

466
00:25:00,359 --> 00:25:03,440
Speaker 1: it on a laptop screen originally. So I'm going to

467
00:25:03,480 --> 00:25:05,399
Speaker 1: do myself a favor and try to get into the

468
00:25:05,480 --> 00:25:07,119
Speaker 1: theater and see it this weekend. I want to see it.

469
00:25:07,280 --> 00:25:09,000
Speaker 1: And we're going to the theater that the seats go

470
00:25:09,119 --> 00:25:10,840
Speaker 1: back and they bring the food to you. I love

471
00:25:10,920 --> 00:25:15,640
Speaker 1: that place. We get you, I go home. Uh yeah,

472
00:25:15,680 --> 00:25:18,320
Speaker 1: So the weekend is here. I had a list. Where's

473
00:25:18,400 --> 00:25:19,879
Speaker 1: my list? I had a list. What we're gonna talk

474
00:25:19,880 --> 00:25:22,520
Speaker 1: about here? We had something to go too? Oh yeah,

475
00:25:22,960 --> 00:25:25,240
Speaker 1: we were talking without songs. We do this. Oh you

476
00:25:25,280 --> 00:25:28,320
Speaker 1: know what, let's talk about sampling. I had a spirited

477
00:25:28,400 --> 00:25:34,120
Speaker 1: debate with someone several years ago about artists that sample

478
00:25:34,240 --> 00:25:37,920
Speaker 1: other artists music in their music and it's it's this

479
00:25:38,040 --> 00:25:39,480
Speaker 1: is nothing new. This has been going on for years

480
00:25:39,520 --> 00:25:42,680
Speaker 1: and years and years, right. Um. But the debate back,

481
00:25:42,840 --> 00:25:46,040
Speaker 1: especially back in the old days of sampling other artists

482
00:25:46,119 --> 00:25:48,560
Speaker 1: music to incorporate it into your own music was well,

483
00:25:49,920 --> 00:25:53,480
Speaker 1: there's no creative process there. They created that that song

484
00:25:53,600 --> 00:25:56,879
Speaker 1: that you're using, They created those lyrics, they created that beat,

485
00:25:57,119 --> 00:26:00,760
Speaker 1: and now you're incorporating it into your song and you're

486
00:26:01,080 --> 00:26:03,840
Speaker 1: it's under your name. I'm like, well, wait a minute.

487
00:26:04,080 --> 00:26:08,000
Speaker 1: Sampling is an art is it not. Yea, And it's

488
00:26:08,000 --> 00:26:10,560
Speaker 1: a new way to use that music. Maybe you hear

489
00:26:11,040 --> 00:26:14,480
Speaker 1: something in your song that kind of matches that song

490
00:26:14,560 --> 00:26:16,240
Speaker 1: and you feel like they could help each other out,

491
00:26:16,320 --> 00:26:20,840
Speaker 1: you know, and make it sound better exactly. I mean, yeah,

492
00:26:21,960 --> 00:26:23,960
Speaker 1: a whole new life to an old song by Robin

493
00:26:24,080 --> 00:26:26,080
Speaker 1: S called show Me Love. Yeah, Now Robin S has

494
00:26:26,119 --> 00:26:28,280
Speaker 1: people like knocking on our door or wanting to work

495
00:26:28,359 --> 00:26:31,359
Speaker 1: with her. It's crazy. I mean we do it with

496
00:26:31,480 --> 00:26:34,120
Speaker 1: everything else, right. We learn things and then you build

497
00:26:34,200 --> 00:26:36,320
Speaker 1: upon the facts that you've got and you keep getting

498
00:26:36,359 --> 00:26:38,760
Speaker 1: more information until you have, you know, better answers. Why

499
00:26:38,760 --> 00:26:41,000
Speaker 1: can't we do that with music? Yeah, So you know,

500
00:26:41,560 --> 00:26:45,120
Speaker 1: i'd say thirty forty years ago. Music in creating music

501
00:26:45,280 --> 00:26:49,640
Speaker 1: was about writing notes and performing singing along. And then

502
00:26:49,960 --> 00:26:53,560
Speaker 1: the DJ in the clubs became an artist by by

503
00:26:53,880 --> 00:26:57,960
Speaker 1: you know, manipulating the vinyl, right, and then the sampling

504
00:26:58,040 --> 00:27:00,600
Speaker 1: becomes a part of the the art as well. So no,

505
00:27:00,800 --> 00:27:05,200
Speaker 1: it's very legit. For instance, let's pick a song we

506
00:27:05,280 --> 00:27:07,760
Speaker 1: hear every day, First Class by Jack Harlow. Yeah, of

507
00:27:07,880 --> 00:27:11,280
Speaker 1: course scary, play me a little bit of glamorous. He sampled.

508
00:27:18,359 --> 00:27:22,959
Speaker 1: Of course he slowed it down a lot. It's much slower.

509
00:27:23,080 --> 00:27:25,400
Speaker 1: And okay, play play Jack Harlow here, you can turn

510
00:27:25,400 --> 00:27:26,840
Speaker 1: that off. Here we go, let me just play it.

511
00:27:27,480 --> 00:27:29,840
Speaker 1: Listen to this song from a whole different point of

512
00:27:29,920 --> 00:27:35,159
Speaker 1: view from the sample sex. What a great interview he

513
00:27:35,320 --> 00:27:38,680
Speaker 1: was too. But then, you know, there are songs that

514
00:27:39,000 --> 00:27:44,359
Speaker 1: sample another song that already sampled another song like what's

515
00:27:44,480 --> 00:27:49,360
Speaker 1: uh Mariah Carey? And was it Fantasy? Yeah, a Lotto's

516
00:27:49,359 --> 00:27:53,919
Speaker 1: Big Energy samples Mariah Carries Fantasy, which which samples Genius

517
00:27:54,000 --> 00:27:57,520
Speaker 1: of Love right exactly the Tom Tom Club betteryone says, oh,

518
00:27:57,560 --> 00:27:59,720
Speaker 1: did she ripped off Mariah Carry? Well, Mariah carry ripped

519
00:27:59,720 --> 00:28:01,920
Speaker 1: off Tom Club? No one ripped anyone off it's just

520
00:28:02,000 --> 00:28:03,760
Speaker 1: a it's a part of the art form. No borrow,

521
00:28:03,880 --> 00:28:06,560
Speaker 1: we'd borrow exactly. Hey, let's get into the three things

522
00:28:06,600 --> 00:28:10,120
Speaker 1: we need to know. Also, if you have seen Elvis,

523
00:28:10,880 --> 00:28:13,080
Speaker 1: I'd love to hear a review. Texts me now fifty five,

524
00:28:13,119 --> 00:28:16,440
Speaker 1: one hundred. All right, gandhi, what's going on man? There's

525
00:28:16,480 --> 00:28:18,520
Speaker 1: a lot happening in the country right now. The House

526
00:28:18,720 --> 00:28:22,640
Speaker 1: January sixth Committee has named six Republican lawmakers who sought

527
00:28:22,720 --> 00:28:26,160
Speaker 1: pardons from Donald Trump following that Capital riot. Former Trump

528
00:28:26,240 --> 00:28:29,440
Speaker 1: aids gave testimony during yesterday's hearing and said at least

529
00:28:29,520 --> 00:28:33,040
Speaker 1: six GOP representatives sought presidential pardons for their role in

530
00:28:33,200 --> 00:28:36,400
Speaker 1: trying to overturn the election results on January sixth last year.

531
00:28:36,920 --> 00:28:39,880
Speaker 1: The House members include Matt Gates of Florida, Andy Biggs

532
00:28:39,920 --> 00:28:42,920
Speaker 1: of Arizona, Mo Brooks of Alabama, Luie Gomer from Texas,

533
00:28:43,000 --> 00:28:45,840
Speaker 1: and Scott Perry from Pennsylvania. One eid is also saying

534
00:28:45,880 --> 00:28:48,800
Speaker 1: that Congresswoman Marjorie Taylor Green of Georgia asked about a

535
00:28:48,880 --> 00:28:51,920
Speaker 1: pardon as well. As the Nation sets its sides on

536
00:28:52,000 --> 00:28:54,600
Speaker 1: the Supreme Court today in anticipation of that leaked draft

537
00:28:54,680 --> 00:28:58,080
Speaker 1: opinion showing justices ready to rule to overturn Roe v. Wade.

538
00:28:58,360 --> 00:29:01,120
Speaker 1: House Democrats are rushing to protect service members who want

539
00:29:01,160 --> 00:29:04,360
Speaker 1: access to abortions. This week, Democrats pass a measure that

540
00:29:04,400 --> 00:29:08,240
Speaker 1: would essentially bar commanders from denying leave or service members

541
00:29:08,320 --> 00:29:11,200
Speaker 1: who are either seeking an abortion or helping others get

542
00:29:11,240 --> 00:29:14,240
Speaker 1: an abortion. The move comes ahead of an expected Supreme

543
00:29:14,280 --> 00:29:16,840
Speaker 1: Court decision to strike down the nineteen seventy three Roe v.

544
00:29:17,000 --> 00:29:20,080
Speaker 1: Wade ruling that protects a woman's right to choose. One

545
00:29:20,120 --> 00:29:23,080
Speaker 1: Republican congressman tried to have the provision removed from the

546
00:29:23,120 --> 00:29:25,760
Speaker 1: bill and called it interfering with the military. So we'll

547
00:29:25,800 --> 00:29:28,640
Speaker 1: see how that one works out as well. And finally,

548
00:29:29,040 --> 00:29:31,840
Speaker 1: let's give a big round of applause to Claire Bowman,

549
00:29:31,960 --> 00:29:35,320
Speaker 1: who is ninety four years old in Cherry Hill, New Jersey,

550
00:29:35,640 --> 00:29:39,600
Speaker 1: which apparently she is giving up her fifty seven year

551
00:29:39,680 --> 00:29:42,160
Speaker 1: career as a crossing guard. She's been doing it for

552
00:29:42,200 --> 00:29:45,680
Speaker 1: a really long time. She's ninety four years old, now, wow, yeah,

553
00:29:46,000 --> 00:29:49,240
Speaker 1: and she's all done. So everybody gathered to celebrate her

554
00:29:49,280 --> 00:29:52,040
Speaker 1: commitment to ensuring those little kids cross the street safely

555
00:29:52,320 --> 00:29:54,320
Speaker 1: on school grounds. We just wanted to give her some

556
00:29:54,400 --> 00:29:58,320
Speaker 1: love as well love you, Claire to Ben Franklin over

557
00:29:58,360 --> 00:30:00,840
Speaker 1: in Cherry Hill. She's that close. I love that she's

558
00:30:00,880 --> 00:30:03,120
Speaker 1: listening to us. Hey. Line twenty four is Eric, he

559
00:30:03,240 --> 00:30:05,760
Speaker 1: went to see the movie Elvis. It's good to talk

560
00:30:05,800 --> 00:30:08,080
Speaker 1: to someone else who's who's actually seen it. What did

561
00:30:08,120 --> 00:30:12,600
Speaker 1: you think of Elvis? Eric, Well, the actor that played

562
00:30:12,640 --> 00:30:15,360
Speaker 1: Elvis was great. Good morning guys, by the way, in

563
00:30:15,480 --> 00:30:17,840
Speaker 1: good morning. What about the whole film was it? Was

564
00:30:17,880 --> 00:30:22,040
Speaker 1: it beautiful to watch? Um, it is pretty intense to

565
00:30:22,120 --> 00:30:25,240
Speaker 1: watch because I'm I'm an Elvis fan, but I'm not

566
00:30:25,320 --> 00:30:28,840
Speaker 1: a diehard Elvis fan. And uh, there's still things that

567
00:30:29,400 --> 00:30:31,520
Speaker 1: I saw that I was like, oh wow, you know,

568
00:30:31,600 --> 00:30:35,360
Speaker 1: I haven't known that or things, and especially the part

569
00:30:35,440 --> 00:30:41,000
Speaker 1: because um where his manager, Colonel Parker, you know, uh

570
00:30:41,200 --> 00:30:44,960
Speaker 1: in the background. You know everybody knows him more or less,

571
00:30:45,080 --> 00:30:47,680
Speaker 1: but I don't know where he's coming from. And he

572
00:30:47,760 --> 00:30:51,680
Speaker 1: also a part of the movie turned out to be yeah,

573
00:30:51,720 --> 00:30:53,680
Speaker 1: don't yeah, don't spoil too much. The thing is is

574
00:30:54,080 --> 00:30:56,600
Speaker 1: I went in watching Elvis as I mean, just a

575
00:30:56,720 --> 00:30:59,600
Speaker 1: minimal Elvis Presley fan. I never really was a huge

576
00:30:59,600 --> 00:31:02,640
Speaker 1: of a fan. I understood his legacy, I understood his

577
00:31:03,080 --> 00:31:05,960
Speaker 1: star power, but you learned so much about this guy

578
00:31:06,200 --> 00:31:09,040
Speaker 1: Elvis and his family and the way he got into

579
00:31:09,560 --> 00:31:13,040
Speaker 1: his huge superstar career. It's really great. I'm so glad

580
00:31:13,080 --> 00:31:14,960
Speaker 1: that you you let us talk to you. Eric. I'm

581
00:31:15,480 --> 00:31:17,320
Speaker 1: I'm happy you saw the movie and you you enjoyed it.

582
00:31:17,440 --> 00:31:20,120
Speaker 1: It's great. Yeah, it's all funny because I heard you

583
00:31:20,160 --> 00:31:22,680
Speaker 1: guys yesterday about talking about it that it is revealing

584
00:31:22,720 --> 00:31:24,600
Speaker 1: today and I was like, okay, but yesterday it was

585
00:31:24,640 --> 00:31:28,440
Speaker 1: twenty three. I already have tickets. Look something that's a

586
00:31:28,520 --> 00:31:31,320
Speaker 1: different in different states though, But yeah, it's a great movie.

587
00:31:31,400 --> 00:31:34,000
Speaker 1: It's actually we were in the cinema and they called

588
00:31:34,040 --> 00:31:37,200
Speaker 1: us before that that the the AC was dropped down.

589
00:31:37,280 --> 00:31:40,000
Speaker 1: It was if we would reschedule for another time, and

590
00:31:40,080 --> 00:31:42,600
Speaker 1: it were like yes, no, yes, Well let me tell

591
00:31:42,640 --> 00:31:44,200
Speaker 1: you it was worth sitting there in the two and

592
00:31:44,200 --> 00:31:47,200
Speaker 1: a half three hours even without AC. So all right,

593
00:31:49,080 --> 00:31:50,440
Speaker 1: I love it. You gotta go see it. I see

594
00:31:50,440 --> 00:31:53,720
Speaker 1: I would rather see it in a hot theater. And

595
00:31:53,800 --> 00:31:55,640
Speaker 1: We're gonna talk to bes Lerman in a few minutes,

596
00:31:55,640 --> 00:31:58,240
Speaker 1: and I've heard him explain that this movie is a

597
00:31:58,400 --> 00:32:02,680
Speaker 1: concert film. You act actually enjoy the performances. It's a

598
00:32:02,760 --> 00:32:05,160
Speaker 1: performance film. It's great anyway, So yeah, go see Elvis.

599
00:32:05,200 --> 00:32:08,800
Speaker 1: It's got worried. The money phone tap is coming up next.

600
00:32:09,000 --> 00:32:13,400
Speaker 1: You are caller one hundred excited or the elvister in

601
00:32:13,440 --> 00:32:15,760
Speaker 1: in the Morning Show Free money phone Tap, No purchase necessary,

602
00:32:15,840 --> 00:32:18,360
Speaker 1: boyd in Canada, Montana, New Mexico, Washington and where we're

603
00:32:18,360 --> 00:32:20,880
Speaker 1: inhibiting for more filling rules for to elsterran dot com

604
00:32:20,920 --> 00:32:26,760
Speaker 1: slash contests. Stran in the Morning Show, You got any money? No,

605
00:32:26,920 --> 00:32:29,680
Speaker 1: we're not on vacation. Froggy is We're not. We're here.

606
00:32:30,000 --> 00:32:32,480
Speaker 1: Peop were wondering like, oh, is this a recorded show? No? No,

607
00:32:33,280 --> 00:32:35,600
Speaker 1: uh not yet anyway, we should just record this and

608
00:32:35,680 --> 00:32:37,560
Speaker 1: play the same show back every day for the rest

609
00:32:37,600 --> 00:32:40,960
Speaker 1: of our lives. Let's get into the free money phone tap,

610
00:32:41,000 --> 00:32:46,800
Speaker 1: you know, our our partners over at UM. I'm gonna

611
00:32:46,800 --> 00:32:50,200
Speaker 1: pull my screen up. Halo Halo. The Halo caller is

612
00:32:50,280 --> 00:32:53,000
Speaker 1: kind of amazing, especially on today Today's take your dog

613
00:32:53,080 --> 00:32:57,720
Speaker 1: to work day. You know you have that invisible fence wire,

614
00:32:57,800 --> 00:33:00,960
Speaker 1: that old school dog fence going on at your house.

615
00:33:01,040 --> 00:33:03,080
Speaker 1: But if you take your dog to work, you can't

616
00:33:03,120 --> 00:33:05,760
Speaker 1: just put one of those babies in at your office. No,

617
00:33:06,440 --> 00:33:09,240
Speaker 1: but with a Halo collar system. All you do is

618
00:33:09,320 --> 00:33:11,680
Speaker 1: pull up the map, but where you are, make a

619
00:33:11,760 --> 00:33:14,680
Speaker 1: circle and the dog will never leave that circle. It's

620
00:33:14,760 --> 00:33:18,160
Speaker 1: it's just it's amazing. The old school, the bearing wires

621
00:33:18,200 --> 00:33:20,960
Speaker 1: in your yard, that's goodbye. No, you don't need that.

622
00:33:21,440 --> 00:33:24,560
Speaker 1: You can do up to twenty wireless fences, all in

623
00:33:24,760 --> 00:33:26,840
Speaker 1: your memory on your phone at the same time, whether

624
00:33:26,920 --> 00:33:28,560
Speaker 1: it's at home in the yard, or a dog park

625
00:33:28,680 --> 00:33:30,840
Speaker 1: or a beach. At work today, I take your dog

626
00:33:30,920 --> 00:33:33,720
Speaker 1: to work day. Halo. It's not just a smart collar.

627
00:33:33,760 --> 00:33:37,600
Speaker 1: It's this next generation dog safety system. It's got built

628
00:33:37,640 --> 00:33:40,720
Speaker 1: in training by Saso made long as you know. He's

629
00:33:40,760 --> 00:33:42,880
Speaker 1: the dog whisper or and I gave him a fancy

630
00:33:43,000 --> 00:33:46,400
Speaker 1: little flare to his name. The Halo smart fence will

631
00:33:46,480 --> 00:33:50,440
Speaker 1: replace your outdated dog fence instantly, creating these wireless GPS

632
00:33:50,520 --> 00:33:53,120
Speaker 1: fences at the touch of a finger in your Halo

633
00:33:53,200 --> 00:33:55,280
Speaker 1: app either. It's the way to go, and you can

634
00:33:55,320 --> 00:33:57,200
Speaker 1: save three hundred dollars per system. Right now if you

635
00:33:57,240 --> 00:34:01,400
Speaker 1: go to Halo collar dot com that's Halo caller dot

636
00:34:01,440 --> 00:34:04,600
Speaker 1: com to say three hundred dollars off your Halo callarm.

637
00:34:04,600 --> 00:34:06,600
Speaker 1: Speaking of Halo, they're gonna give you a thousand dollars

638
00:34:06,760 --> 00:34:08,480
Speaker 1: if you're called on one hundred right now. It's the

639
00:34:08,520 --> 00:34:11,479
Speaker 1: free money phone tap one eight hundred two two zero

640
00:34:11,600 --> 00:34:13,439
Speaker 1: one hundred. All right, who does the phone taps? Gary?

641
00:34:13,800 --> 00:34:18,800
Speaker 1: Got right here we go, Helvis, Elvis ran the Elvis

642
00:34:18,920 --> 00:34:21,279
Speaker 1: Grand phone tap. All right, Garrett, what's your phone tap?

643
00:34:21,320 --> 00:34:23,560
Speaker 1: All about? Set it up? So Sara Sarah wants to

644
00:34:23,600 --> 00:34:26,480
Speaker 1: play a phone tap on her husband Seth. Now, Sarah

645
00:34:26,640 --> 00:34:29,919
Speaker 1: knows how much Seth loves this tree in their front yard.

646
00:34:30,000 --> 00:34:32,960
Speaker 1: It's been there forever and Seth just loves the tree.

647
00:34:33,280 --> 00:34:35,319
Speaker 1: So she thought it'd be funny. Let's call up Seth

648
00:34:35,840 --> 00:34:38,960
Speaker 1: and I'll be the bad landscaper doing something to do

649
00:34:39,080 --> 00:34:41,560
Speaker 1: something to his favorite tree. All right, let's see what

650
00:34:41,600 --> 00:34:45,480
Speaker 1: happens in Garrett's phone tap. Hey, how are you? Hey? Um,

651
00:34:46,200 --> 00:34:51,480
Speaker 1: did you talk to the landscapers today? No? What, I've

652
00:34:51,520 --> 00:34:53,160
Speaker 1: got some guy here. He came over to do the

653
00:34:53,360 --> 00:34:57,320
Speaker 1: regular landscaping and he's um cutting down the oak tree

654
00:34:58,680 --> 00:35:01,759
Speaker 1: cutting down? Yeah, did dude? He didn't tell him to

655
00:35:01,800 --> 00:35:05,319
Speaker 1: do that? No, No, old problem. Okay, I mean he's

656
00:35:05,320 --> 00:35:07,080
Speaker 1: in the middle of it now because he'll know him there,

657
00:35:07,760 --> 00:35:09,480
Speaker 1: go out there and get to go out to stop

658
00:35:09,600 --> 00:35:15,560
Speaker 1: him right now? Okay, thanks dearing feeling. Yes, yeah, no,

659
00:35:15,719 --> 00:35:17,640
Speaker 1: I have I have my husband on the phone, and

660
00:35:18,800 --> 00:35:20,759
Speaker 1: we don't want you to cut down the tree. What

661
00:35:21,680 --> 00:35:24,600
Speaker 1: we don't want you to cut down the tree? Cut

662
00:35:24,680 --> 00:35:29,400
Speaker 1: down the tree. You don't, don't stop stop cutting, stop cutting.

663
00:35:29,800 --> 00:35:31,600
Speaker 1: Put him on the phone. Some people turn on the

664
00:35:31,640 --> 00:35:34,120
Speaker 1: phone on my husband. He don't don't cut down the tree,

665
00:35:34,200 --> 00:35:38,000
Speaker 1: stop cutting it down. Hello, Yeah, what are you doing, Bud?

666
00:35:38,320 --> 00:35:42,800
Speaker 1: Who is this? This is a homeowner? Oh Seth? Hello, Hi? Yeah, no,

667
00:35:42,840 --> 00:35:45,239
Speaker 1: I send over by Steve. He said to come to

668
00:35:45,360 --> 00:35:48,440
Speaker 1: the lawn, and I'm pretty sure he had a feeling

669
00:35:48,480 --> 00:35:50,120
Speaker 1: you were going to ask him to cut down the tree.

670
00:35:50,160 --> 00:35:52,000
Speaker 1: So I just went ahead and started to cut it down.

671
00:35:52,800 --> 00:35:56,160
Speaker 1: My grandfather planted that tree after his first date with

672
00:35:56,320 --> 00:35:58,759
Speaker 1: my grandmother. All right, that that that tree has been

673
00:35:58,800 --> 00:36:02,440
Speaker 1: in the backyard of this family home for generation. Okay, um,

674
00:36:02,600 --> 00:36:04,440
Speaker 1: so yeah, no, it looks pretty old. So I just

675
00:36:04,480 --> 00:36:06,440
Speaker 1: figure out to take it down now before you asked

676
00:36:06,520 --> 00:36:08,920
Speaker 1: us to do it. So that's no big problem wrong

677
00:36:09,000 --> 00:36:11,319
Speaker 1: with the tree. There's no reason to take the tree down. Well,

678
00:36:11,360 --> 00:36:14,719
Speaker 1: I just had a feeling that, you know, maybe eventually

679
00:36:14,920 --> 00:36:16,960
Speaker 1: soon you might say, hey, you want you take down

680
00:36:17,000 --> 00:36:18,920
Speaker 1: the tree? I had nothing going on today. No, no,

681
00:36:19,080 --> 00:36:25,200
Speaker 1: but could you put back what you've done? Or no?

682
00:36:25,640 --> 00:36:28,160
Speaker 1: What I could do is um? I mean, if you

683
00:36:28,280 --> 00:36:30,200
Speaker 1: really want a tree, I can. I can put a

684
00:36:30,239 --> 00:36:32,520
Speaker 1: new tree there, and if you want. I don't want

685
00:36:32,520 --> 00:36:35,360
Speaker 1: a new tree. I want this my family tree. You

686
00:36:35,400 --> 00:36:38,239
Speaker 1: can't replace the tree. Well I could. I could get

687
00:36:38,360 --> 00:36:41,359
Speaker 1: my grandfather to come over and help plant the tree

688
00:36:41,440 --> 00:36:43,400
Speaker 1: if it just if you need a little backstory for that.

689
00:36:43,480 --> 00:36:44,640
Speaker 1: I don't know if you're trying to be a smart

690
00:36:44,640 --> 00:36:46,520
Speaker 1: ass or what. But get the my lawn. I'm calling

691
00:36:46,560 --> 00:36:48,480
Speaker 1: the cop. No need to do that. This is only

692
00:36:48,520 --> 00:36:50,360
Speaker 1: my first day on the job here, all right. I

693
00:36:50,400 --> 00:36:53,040
Speaker 1: don't need any trouble like that. Um. I'm gonna go

694
00:36:53,360 --> 00:36:56,000
Speaker 1: finish the job, okay and get out. No, you don't.

695
00:36:56,080 --> 00:36:59,160
Speaker 1: Don't finish the job. Hey, he's he's all good. I'm

696
00:36:59,200 --> 00:37:02,759
Speaker 1: gonna get finished up on the tree. Hello you I

697
00:37:02,760 --> 00:37:04,879
Speaker 1: thought you didn't want the tree chopped down. I don't

698
00:37:04,960 --> 00:37:06,799
Speaker 1: want the tree chop down. I don't know what's wrong

699
00:37:06,840 --> 00:37:09,120
Speaker 1: with this guy. He won't listen to me. Do whatever

700
00:37:09,200 --> 00:37:10,960
Speaker 1: it takes to keep it from cutting down the tree.

701
00:37:11,400 --> 00:37:15,319
Speaker 1: You know the dangerous the hand. Well, do you want

702
00:37:15,360 --> 00:37:17,200
Speaker 1: to keep? What do you want hauling him up? It

703
00:37:17,239 --> 00:37:18,680
Speaker 1: looks like he's getting in the truck. It looks like

704
00:37:18,719 --> 00:37:20,520
Speaker 1: he's done. Don't let it gets Don't let him get

705
00:37:20,560 --> 00:37:22,360
Speaker 1: in the truck. Don't let him leave. Now, would you

706
00:37:22,400 --> 00:37:26,279
Speaker 1: want block? Ain't the truck? Tell me, don't want the

707
00:37:26,320 --> 00:37:28,680
Speaker 1: truck if you have to, don't want you to go yet?

708
00:37:28,760 --> 00:37:30,480
Speaker 1: We need I gotta get out of here. I got it.

709
00:37:30,480 --> 00:37:32,279
Speaker 1: I got things to do. Okay, I'll be back to

710
00:37:32,360 --> 00:37:34,320
Speaker 1: make sure the job I don't. Doesn't want you to go.

711
00:37:34,560 --> 00:37:36,640
Speaker 1: This is not what you were asked to do. I

712
00:37:37,120 --> 00:37:42,120
Speaker 1: need I need to sting up in ninety four cutting

713
00:37:42,160 --> 00:37:45,400
Speaker 1: down a family tree and right back down. It's not

714
00:37:45,600 --> 00:37:51,959
Speaker 1: up theorized garret. He's he's he's trying to cut Seth, Seth,

715
00:37:52,320 --> 00:37:54,600
Speaker 1: you say that, buddy the top throw on the way.

716
00:37:54,600 --> 00:37:56,320
Speaker 1: I'm there, I'm getting I'm getting on him on the

717
00:37:56,360 --> 00:37:58,520
Speaker 1: phone right now, Seth. My name is actually Gare from

718
00:37:58,520 --> 00:38:00,520
Speaker 1: elvist In in the morning show. And you just got

719
00:38:00,560 --> 00:38:04,920
Speaker 1: phone taps? Are you talking to the police right now?

720
00:38:07,680 --> 00:38:09,640
Speaker 1: All right? Another phone t happened to a thousand dollars?

721
00:38:09,719 --> 00:38:12,840
Speaker 1: Just give it away. Line one is Glenn and Glenn

722
00:38:12,920 --> 00:38:14,799
Speaker 1: just one a thousand dollars with the free money phone tap,

723
00:38:14,880 --> 00:38:18,960
Speaker 1: good going Glenn, Yeah Glenn. Now everyone's gonna want to

724
00:38:19,000 --> 00:38:22,799
Speaker 1: play with Glenn now he's the thousand air. Thanks very much.

725
00:38:22,800 --> 00:38:25,120
Speaker 1: I really appreciate I've been I've been listening for like

726
00:38:25,239 --> 00:38:27,560
Speaker 1: ten years, having my kids calling room in the car

727
00:38:27,680 --> 00:38:30,360
Speaker 1: with them, and obviously never gotten through till today. So

728
00:38:30,600 --> 00:38:32,080
Speaker 1: I like, how you put your camps to work? Get

729
00:38:32,120 --> 00:38:34,160
Speaker 1: to work, kid, give me get dad some money? Well,

730
00:38:34,200 --> 00:38:36,200
Speaker 1: so did they? Did they call us to win this money?

731
00:38:36,360 --> 00:38:38,959
Speaker 1: Is this partially? Actually? Yeah, they're a little bit older

732
00:38:39,040 --> 00:38:40,800
Speaker 1: now so they're still sleeping. I'm on going way to

733
00:38:41,120 --> 00:38:43,719
Speaker 1: run my camp in the summer, and just finished up

734
00:38:43,760 --> 00:38:47,960
Speaker 1: school on Wednesday, so it's just running my camp yesterday.

735
00:38:48,040 --> 00:38:50,640
Speaker 1: So I'm off and going. Well, hold on a second,

736
00:38:50,680 --> 00:38:52,440
Speaker 1: mister thousand air, let's go back to this camp. What

737
00:38:52,600 --> 00:38:55,360
Speaker 1: kind of camp are you running? That's just a small

738
00:38:55,400 --> 00:38:57,840
Speaker 1: camper for forty year olds. It's about fifty kids or

739
00:38:57,880 --> 00:39:02,480
Speaker 1: so and in long walk. That's awesome camp. Wait did

740
00:39:02,560 --> 00:39:05,000
Speaker 1: I miss you're running a camp for forty eight year

741
00:39:05,040 --> 00:39:11,399
Speaker 1: old between Yeah? Baby, they're between four and end dates

742
00:39:11,640 --> 00:39:17,480
Speaker 1: so God, it was all sad. You're giving me a

743
00:39:17,560 --> 00:39:21,600
Speaker 1: good idea. Maybe I'm missing out another demographic. You can

744
00:39:21,680 --> 00:39:24,120
Speaker 1: only come to camp if you are forty eight years

745
00:39:24,800 --> 00:39:28,960
Speaker 1: approaching fifty. Anyway, Well, thousand dollars come in your way,

746
00:39:28,960 --> 00:39:30,640
Speaker 1: and I hope you have a great summer and you

747
00:39:30,760 --> 00:39:32,359
Speaker 1: tell all the kids at camp. We said, hey, yo,

748
00:39:32,440 --> 00:39:35,560
Speaker 1: what's up? All right? Thanks so much, don't hang up,

749
00:39:35,560 --> 00:39:38,320
Speaker 1: hold on one second, and thanks to Halo Caller. You

750
00:39:38,400 --> 00:39:40,800
Speaker 1: know what, It's the perfect gift for you because it

751
00:39:40,880 --> 00:39:42,400
Speaker 1: gives you the peace of mind you need to know

752
00:39:42,520 --> 00:39:45,919
Speaker 1: when your dog is outside running around. Halo Caller dot com.

753
00:39:46,440 --> 00:39:49,160
Speaker 1: Go there now and save three hundred dollars for each

754
00:39:49,239 --> 00:39:52,920
Speaker 1: system you purchase. It's Halo Caller dot com. Love them.

755
00:39:53,200 --> 00:39:54,560
Speaker 1: Danielle has a report on the way. What do you

756
00:39:54,600 --> 00:39:57,000
Speaker 1: have coming up, Danielle, Well, the reason Megan the Stallion

757
00:39:57,120 --> 00:40:00,279
Speaker 1: actually signed with Rock Nation. All right, we have a

758
00:40:00,360 --> 00:40:02,600
Speaker 1: lot of people to talk to today. Bas Lerman, the

759
00:40:02,680 --> 00:40:05,200
Speaker 1: director of Elvis, which comes up today. When are we

760
00:40:05,239 --> 00:40:09,920
Speaker 1: gonna talk to baths next? Next we're doing Danielle and

761
00:40:10,040 --> 00:40:12,520
Speaker 1: bas Lerman. We're doing daniel Ye. Danielle can talk for

762
00:40:12,640 --> 00:40:16,279
Speaker 1: like a minute now, but I'm more excited about Bass. God,

763
00:40:16,520 --> 00:40:18,840
Speaker 1: you've been shoving up your auth name. Oh my god,

764
00:40:19,400 --> 00:40:25,960
Speaker 1: but it's Bass Danielle's family. But it's Danielle family. She

765
00:40:26,200 --> 00:40:29,040
Speaker 1: is family. Nate. I like how you kind of smile

766
00:40:29,120 --> 00:40:31,799
Speaker 1: and giggle while you're saying the meanest, crudest thing. Oh

767
00:40:31,920 --> 00:40:34,560
Speaker 1: you know, Danielle does the same thing. She'll she'll insult

768
00:40:34,640 --> 00:40:35,880
Speaker 1: me to my face and then she'll come over and

769
00:40:36,000 --> 00:40:37,319
Speaker 1: hug me and go, you know, I love you, Baked.

770
00:40:39,680 --> 00:40:42,680
Speaker 1: You can't you can't even apologize. You just keep going.

771
00:40:43,120 --> 00:40:45,840
Speaker 1: I don't apologize for that. It's bas Lerman for God's

772
00:40:45,920 --> 00:40:52,240
Speaker 1: He's like royalty. Oh my, just keep going, Jess King, Danielle,

773
00:40:52,600 --> 00:41:00,040
Speaker 1: you're trash. There's no you ain't Nothelle Danielle. Anyways, So

774
00:41:00,520 --> 00:41:04,640
Speaker 1: a moment with Danielle and several with Baz luament. You

775
00:41:04,719 --> 00:41:07,680
Speaker 1: gotta see Elvis. It's out today. It's such a great

776
00:41:07,800 --> 00:41:13,120
Speaker 1: way to start your day. Welcome to the show. Welcome

777
00:41:13,120 --> 00:41:16,960
Speaker 1: to the Show's Yeah, he's a big deal. Elvis Duran

778
00:41:17,080 --> 00:41:20,319
Speaker 1: in the Morning show. Don't let breakfast be boring when

779
00:41:20,360 --> 00:41:23,120
Speaker 1: it could be better? Wendy's breakfast bacon eater. Well, have

780
00:41:23,200 --> 00:41:25,560
Speaker 1: you feeling great? All day long. Wake up to fresh

781
00:41:25,640 --> 00:41:29,480
Speaker 1: cracked eggs, savory sausage, and oven baked bacon. Order it

782
00:41:29,560 --> 00:41:32,680
Speaker 1: and start looking forward to tomorrow morning. At participating us

783
00:41:32,719 --> 00:41:37,200
Speaker 1: Wendy's during breakfast hours only, do so, We're about to

784
00:41:37,239 --> 00:41:42,359
Speaker 1: do something wacky on the Wacky Morning Showy Good Morning. Yeah,

785
00:41:42,360 --> 00:41:45,400
Speaker 1: I had sex with him. Yeah do you want if

786
00:41:45,400 --> 00:41:47,760
Speaker 1: I put my toe on your ankle? Look at the table.

787
00:41:52,800 --> 00:41:54,800
Speaker 1: I would most certainly come back as a straight female.

788
00:41:54,840 --> 00:41:56,720
Speaker 1: So I gotta have sex with all the hot straight boys.

789
00:41:56,800 --> 00:42:01,480
Speaker 1: Say a song. All the burping is turning me on.

790
00:42:09,040 --> 00:42:11,960
Speaker 1: Do so good at Elvin Story in the Morning Show.

791
00:42:12,280 --> 00:42:14,760
Speaker 1: You know what? Sometimes you know what's in the wrapped

792
00:42:14,800 --> 00:42:16,920
Speaker 1: gift and you can't wait for them to open it

793
00:42:17,080 --> 00:42:19,600
Speaker 1: and watch what We watch the excitement in their eyes

794
00:42:19,640 --> 00:42:23,560
Speaker 1: when they see what they get. I've seen Elvis the movie,

795
00:42:23,719 --> 00:42:26,279
Speaker 1: so I'm excited about what you're going to experience when

796
00:42:26,280 --> 00:42:28,200
Speaker 1: you go see it. Maybe this weekend or next week,

797
00:42:28,560 --> 00:42:31,440
Speaker 1: whenever you gotta go see it. Bas Lerman the director,

798
00:42:31,800 --> 00:42:35,080
Speaker 1: one of my favorite directors of all time Hours as well.

799
00:42:35,640 --> 00:42:36,840
Speaker 1: He will be on in a few minutes in the

800
00:42:37,000 --> 00:42:40,960
Speaker 1: Mercedes Interview Lounge along with Mark Ronson, who has produced

801
00:42:41,000 --> 00:42:43,600
Speaker 1: a version of Elvis's song Can't Help Falling in Love

802
00:42:43,680 --> 00:42:45,560
Speaker 1: with You, and we're gonna talk to him about that,

803
00:42:45,600 --> 00:42:47,399
Speaker 1: even though he can't play it Today's sign for another week.

804
00:42:47,520 --> 00:42:50,719
Speaker 1: So this film is still being made even though it's

805
00:42:50,719 --> 00:42:53,240
Speaker 1: in the theaters. It's kind of crazy. Is the soundtrack

806
00:42:53,280 --> 00:42:55,480
Speaker 1: out today too? I think it soundtracks that I already

807
00:42:55,480 --> 00:42:59,239
Speaker 1: downloaded it. So yes, it's just amazing. All right, So

808
00:42:59,320 --> 00:43:02,359
Speaker 1: a conversation with Bez and our buddy Mark ronson coming up.

809
00:43:02,400 --> 00:43:05,360
Speaker 1: But first, Danielle, all right, well, we know Megan the

810
00:43:05,440 --> 00:43:08,560
Speaker 1: Stallion loves her flaming hot Cheetos, but did you know

811
00:43:08,840 --> 00:43:11,920
Speaker 1: that they're the reason she signed with Rock Nation. She

812
00:43:12,080 --> 00:43:15,560
Speaker 1: was telling the story from If You're Not First your

813
00:43:15,640 --> 00:43:19,160
Speaker 1: last panel, and she said that she was meeting with

814
00:43:19,360 --> 00:43:22,200
Speaker 1: jay Z. He walked into the room and he had

815
00:43:22,680 --> 00:43:25,960
Speaker 1: like six platters of hot Cheetos and he's like, I

816
00:43:26,160 --> 00:43:29,080
Speaker 1: heard you like hot Cheetos, and she said she was sold.

817
00:43:29,480 --> 00:43:32,279
Speaker 1: That's what side. That's all it took. How about that

818
00:43:32,920 --> 00:43:34,920
Speaker 1: Ed Sheeran, You know he's on his mathematics tour and

819
00:43:34,960 --> 00:43:38,440
Speaker 1: it sounds like the schmoozing that he does before the

820
00:43:38,480 --> 00:43:40,880
Speaker 1: show is kind of gets to him because he wants

821
00:43:40,920 --> 00:43:43,840
Speaker 1: to tell people that his dressing room is under the

822
00:43:43,920 --> 00:43:46,080
Speaker 1: stage and that they really can't get to it. He

823
00:43:46,200 --> 00:43:48,879
Speaker 1: said he really wanted to build a dressing room under

824
00:43:48,920 --> 00:43:50,879
Speaker 1: the stage. He says, you know, I have to tell

825
00:43:50,960 --> 00:43:53,279
Speaker 1: people that, you know, you gotta leave, I gotta get ready,

826
00:43:53,320 --> 00:43:55,640
Speaker 1: and he goes, it's a lot because as you get older,

827
00:43:56,000 --> 00:43:58,319
Speaker 1: you're still catching up with this person you haven't seen

828
00:43:58,360 --> 00:44:00,239
Speaker 1: in a while, and that person you haven't seen it while.

829
00:44:00,400 --> 00:44:02,000
Speaker 1: Then you got to do the show. So if his

830
00:44:02,120 --> 00:44:04,160
Speaker 1: dressing room was under the stage, I guess lest people

831
00:44:04,200 --> 00:44:06,560
Speaker 1: would have access. I don't know. I think it would

832
00:44:06,600 --> 00:44:08,800
Speaker 1: be cool to go see the dressing room up but

833
00:44:09,000 --> 00:44:11,440
Speaker 1: ed here and he just wears. He just wears a

834
00:44:11,520 --> 00:44:15,160
Speaker 1: T shirt and jeans. He doesn't really need to get ready. Well,

835
00:44:15,280 --> 00:44:17,120
Speaker 1: I think I guess there's a there's a process you

836
00:44:17,239 --> 00:44:21,680
Speaker 1: need to go through. Okay, Now I had space new

837
00:44:21,800 --> 00:44:24,640
Speaker 1: Game up Thrown spinoff. This is for you. Nate Kid Harrington,

838
00:44:24,719 --> 00:44:26,360
Speaker 1: who you know plays John Snow, will be in it.

839
00:44:26,680 --> 00:44:29,880
Speaker 1: He also came up with a concept for this spinoff

840
00:44:29,880 --> 00:44:32,920
Speaker 1: show and it is not a prequel like other shows.

841
00:44:33,000 --> 00:44:36,719
Speaker 1: It will be a sequel to Game of Throw h

842
00:44:37,280 --> 00:44:40,040
Speaker 1: post Malone landed a new milestone rock star with twenty

843
00:44:40,080 --> 00:44:42,799
Speaker 1: one Savage hit the one billion views on YouTube. That's

844
00:44:42,840 --> 00:44:45,040
Speaker 1: the third track of his to Do So, So congratulations.

845
00:44:45,040 --> 00:44:47,640
Speaker 1: Sam Britney Spears is on the cover and of an

846
00:44:47,680 --> 00:44:51,239
Speaker 1: Iranian magazine. You know that Sam her Man was born

847
00:44:51,320 --> 00:44:54,440
Speaker 1: there and it's so funny because it says on the cover,

848
00:44:54,600 --> 00:44:58,919
Speaker 1: once you go Persian, there's no other version. Oh yeah,

849
00:44:59,840 --> 00:45:04,799
Speaker 1: I'm Hunter Shaffer, who you know plays Jewels on Euphoria

850
00:45:05,160 --> 00:45:09,120
Speaker 1: and Euphoria. She is just signing to the prequel of

851
00:45:09,600 --> 00:45:12,400
Speaker 1: the Hunger Games. She will play Tigers Snow and that

852
00:45:12,560 --> 00:45:15,279
Speaker 1: is coming out in November of twenty twenty three. And

853
00:45:15,400 --> 00:45:17,719
Speaker 1: of course we're talking all about Elvis out in your

854
00:45:17,760 --> 00:45:20,680
Speaker 1: theaters today. The soundtrack is out and Lisa Marie was

855
00:45:20,719 --> 00:45:23,759
Speaker 1: talking about Austin Butler getting it right. In my life,

856
00:45:23,960 --> 00:45:26,279
Speaker 1: it's been one disappointment after the other in terms of

857
00:45:26,320 --> 00:45:31,160
Speaker 1: people portraying my father in various films or attempts to

858
00:45:31,800 --> 00:45:36,600
Speaker 1: bless their hearts. I'm sure they meant, well, let me

859
00:45:36,680 --> 00:45:40,120
Speaker 1: just tell you something. It's at this point I tell

860
00:45:40,200 --> 00:45:42,040
Speaker 1: you this with all my heart, Neil only that's the

861
00:45:42,080 --> 00:45:48,560
Speaker 1: reason I'm here it's been done right. I love it.

862
00:45:49,200 --> 00:45:52,200
Speaker 1: Stanley Cup Finals tonight. You have the Daytime Emmy Awards,

863
00:45:52,239 --> 00:45:55,080
Speaker 1: this weekend be Et Awards. This weekend. Netflix gives you

864
00:45:55,160 --> 00:45:58,840
Speaker 1: Man versus b that's Rowan Atkinson, mister Bean. Also Disney

865
00:45:58,880 --> 00:46:01,600
Speaker 1: plus Trevor the Musical and Rise and again. Go to

866
00:46:01,640 --> 00:46:04,520
Speaker 1: the movies see Elvis. That's my Danielle report. All right,

867
00:46:04,640 --> 00:46:07,920
Speaker 1: are they ready to go? Lan and Mark Ronson or

868
00:46:07,960 --> 00:46:10,960
Speaker 1: in the Mercedes I'm just perfect. Uh yeah, the movies

869
00:46:11,000 --> 00:46:13,400
Speaker 1: out today, that Danielle. We can't say it enough. I

870
00:46:13,440 --> 00:46:16,680
Speaker 1: want everyone to go see Elvis and uh and the

871
00:46:16,840 --> 00:46:18,839
Speaker 1: music the soundtrack is out today too, but there's one

872
00:46:18,880 --> 00:46:22,319
Speaker 1: song on it. It's still being produced by Mark Ronson.

873
00:46:22,320 --> 00:46:23,960
Speaker 1: We're gonna talk about all of that right now. Let's

874
00:46:24,000 --> 00:46:27,600
Speaker 1: go in. Let's five from the Mercedes Bands interview Lounge.

875
00:46:28,800 --> 00:46:30,759
Speaker 1: Bes Lerman and Mark Ronson are here. And there's a

876
00:46:30,800 --> 00:46:34,720
Speaker 1: reason because well, first of all, I love them both. Secondly,

877
00:46:35,320 --> 00:46:38,439
Speaker 1: this film is just amazing. You know, I was looking

878
00:46:38,520 --> 00:46:40,839
Speaker 1: enough as I was lucky enough to see it at home,

879
00:46:41,239 --> 00:46:43,880
Speaker 1: you know, on my little screen. Uh, and I was

880
00:46:44,000 --> 00:46:46,360
Speaker 1: just blown away. I was a little upset. I couldn't

881
00:46:46,400 --> 00:46:48,880
Speaker 1: be in the theater. I wanted to see it on

882
00:46:48,960 --> 00:46:52,080
Speaker 1: the screen. Yeah, you know what it was. I make

883
00:46:52,200 --> 00:46:55,840
Speaker 1: theatrical movies, and I make theatrical movies for the theater.

884
00:46:56,200 --> 00:46:58,239
Speaker 1: You know it's meant to be getting out. It was

885
00:46:58,280 --> 00:46:59,920
Speaker 1: strangers and feel like you're at a rock show. That

886
00:47:00,000 --> 00:47:02,359
Speaker 1: it's a theater show. I could feel, that's for sure,

887
00:47:02,520 --> 00:47:05,239
Speaker 1: in the quiet of my own little apartment. I needed

888
00:47:05,280 --> 00:47:07,719
Speaker 1: to be with people. Now there's okay, the reason why

889
00:47:08,080 --> 00:47:10,080
Speaker 1: other than we love Mark Rons and the reason Mark

890
00:47:10,160 --> 00:47:12,600
Speaker 1: is here because this really this is also about the music.

891
00:47:12,960 --> 00:47:16,839
Speaker 1: This soundtrack is just incredible, and I guess you could.

892
00:47:17,080 --> 00:47:19,600
Speaker 1: It's open for argument if you want, but can't help

893
00:47:19,680 --> 00:47:24,359
Speaker 1: Falling in Love arguably the most favorite Elvis Preshley song,

894
00:47:24,560 --> 00:47:27,520
Speaker 1: and Mark did it, but we haven't heard it yet.

895
00:47:27,719 --> 00:47:31,240
Speaker 1: We haven't heard no Marks. I tell you what's interesting

896
00:47:31,719 --> 00:47:35,520
Speaker 1: the soundtrack itself. I mean INtime movie, Austin Butler sings

897
00:47:36,000 --> 00:47:38,080
Speaker 1: the first all the young Elvis, and I have to

898
00:47:38,080 --> 00:47:40,239
Speaker 1: actually put a screen test out there to prove that

899
00:47:40,280 --> 00:47:42,760
Speaker 1: he was actually singing it. Then you hear classic Elvis.

900
00:47:42,920 --> 00:47:44,800
Speaker 1: Then I've got a lot of guests, artists weaving things in.

901
00:47:44,920 --> 00:47:47,560
Speaker 1: Everyone from like you know, Eminem's done a piece too.

902
00:47:48,000 --> 00:47:51,239
Speaker 1: You know, there's there's the Doja Cat who's translating the

903
00:47:51,400 --> 00:47:54,040
Speaker 1: language of what Big Mama Thornton is singing in hound Dog,

904
00:47:54,120 --> 00:47:56,719
Speaker 1: you know, And it's that kind of weave. But but

905
00:47:56,840 --> 00:47:59,839
Speaker 1: it is the most classic love song, perhaps of all time,

906
00:48:00,440 --> 00:48:03,440
Speaker 1: and people do that in many different ways and in

907
00:48:03,480 --> 00:48:05,680
Speaker 1: many different interprelations. I thought, I don't really have an

908
00:48:05,719 --> 00:48:08,160
Speaker 1: Elvis version, seeing it in a way in which it's

909
00:48:08,200 --> 00:48:11,680
Speaker 1: both contains its nostalgic and its honest roots, but somehow

910
00:48:11,680 --> 00:48:14,200
Speaker 1: it feels fresh. And then I thought, who could do that?

911
00:48:14,320 --> 00:48:15,759
Speaker 1: Who do I like? And who do I know who

912
00:48:15,800 --> 00:48:19,279
Speaker 1: actually has that particular magic boom Mark ronson? So I

913
00:48:19,360 --> 00:48:21,400
Speaker 1: ran Mark and Mark you do what happened? Yeah? You

914
00:48:21,480 --> 00:48:23,400
Speaker 1: get a call with that? And how do you respond

915
00:48:23,520 --> 00:48:28,080
Speaker 1: to bas learning online what I know? Well, basically, I

916
00:48:28,480 --> 00:48:30,840
Speaker 1: Bass came with an amazing idea. He was like, I

917
00:48:31,000 --> 00:48:34,840
Speaker 1: imagine this is some kind of epic seventies Philly soul

918
00:48:35,040 --> 00:48:40,000
Speaker 1: Diana Ross beautiful disco record, And I started, I was like, listen,

919
00:48:40,080 --> 00:48:41,880
Speaker 1: this is like what bad said, this is one of

920
00:48:41,960 --> 00:48:43,719
Speaker 1: the greatest songs of all time. Like I need to

921
00:48:43,840 --> 00:48:45,560
Speaker 1: live with this for a day to even see if

922
00:48:45,600 --> 00:48:48,239
Speaker 1: I can do anything worthwhile to the you know, the

923
00:48:48,400 --> 00:48:50,279
Speaker 1: legend of the song. So I spent a bit of

924
00:48:50,360 --> 00:48:52,279
Speaker 1: time and I got really excited. I call bad sons

925
00:48:52,320 --> 00:48:54,959
Speaker 1: like I think I have it. I have this this line.

926
00:48:55,000 --> 00:48:57,160
Speaker 1: I just had this little demo and then we started

927
00:48:57,200 --> 00:48:59,800
Speaker 1: to build the track and got the strings and turned

928
00:48:59,840 --> 00:49:03,920
Speaker 1: it into this beautiful like disco anthem that sort of

929
00:49:04,000 --> 00:49:07,080
Speaker 1: sounds like you could have imagined Elvis singing it in

930
00:49:07,360 --> 00:49:09,960
Speaker 1: seventy one. This way by the time he was covering

931
00:49:10,000 --> 00:49:12,160
Speaker 1: it on on the Road. So that that was the

932
00:49:12,440 --> 00:49:14,960
Speaker 1: that was the reason. But Baz just does some of

933
00:49:15,040 --> 00:49:18,279
Speaker 1: the most incredible, brilliant kind of reinvention of music from

934
00:49:18,360 --> 00:49:21,120
Speaker 1: his films since Rowme on Juliet. So he really came

935
00:49:21,200 --> 00:49:23,560
Speaker 1: with the idea and it was just kind of glorious

936
00:49:23,640 --> 00:49:26,239
Speaker 1: getting to work on it with the original Elvis vocal,

937
00:49:26,400 --> 00:49:29,840
Speaker 1: just like living it with it on Luke. Look, you

938
00:49:29,880 --> 00:49:34,479
Speaker 1: know what this entire project, the film, the music, there's

939
00:49:34,520 --> 00:49:36,760
Speaker 1: a lot of permission needed here. And I'm not talking

940
00:49:36,800 --> 00:49:40,279
Speaker 1: about you know, attorneys signing off. I'm talking about the

941
00:49:40,400 --> 00:49:44,040
Speaker 1: Pressley family. Yeah, and you're talking about Elvis Preshley fans.

942
00:49:45,000 --> 00:49:48,399
Speaker 1: You're messing around with music. You know, I the deal

943
00:49:48,560 --> 00:49:50,520
Speaker 1: was going in. I could do anything I want because

944
00:49:50,640 --> 00:49:53,000
Speaker 1: the estate is one thing. But of course I met

945
00:49:53,080 --> 00:49:56,640
Speaker 1: with Priscilla, Lisa, Marie Riley early on, but the pandemic

946
00:49:56,719 --> 00:49:58,840
Speaker 1: kept as a part, so I was locked in a

947
00:49:58,920 --> 00:50:01,200
Speaker 1: stratia for two years. I didn't leave Queensland for two years.

948
00:50:01,239 --> 00:50:03,919
Speaker 1: And they were so terrifying when I had to actually show,

949
00:50:03,960 --> 00:50:06,879
Speaker 1: because understandably Priscilla was concerned, what will this bas guy

950
00:50:06,960 --> 00:50:09,880
Speaker 1: do with my life, my husband's life, the legacy and

951
00:50:10,200 --> 00:50:13,800
Speaker 1: the scariest screening I've ever given in my life is

952
00:50:14,360 --> 00:50:16,279
Speaker 1: when I was on the plane and Priscilla was seeing

953
00:50:16,440 --> 00:50:20,560
Speaker 1: the movie and I texted the plane's late. I texted forward.

954
00:50:20,600 --> 00:50:22,640
Speaker 1: There was a female security guard and she was crying

955
00:50:23,239 --> 00:50:26,560
Speaker 1: and I said, what happened? Did Priscilla leave? She said, no,

956
00:50:26,680 --> 00:50:29,040
Speaker 1: she's still in in it, but her emotions have moved me.

957
00:50:29,840 --> 00:50:34,359
Speaker 1: And the letter that Priscilla wrote, which basically said, all

958
00:50:34,440 --> 00:50:37,960
Speaker 1: these years everyone's tried, but with Austin Butler, not a move,

959
00:50:38,120 --> 00:50:40,160
Speaker 1: not an eye wink. And most importantly, if my husband

960
00:50:40,200 --> 00:50:42,520
Speaker 1: was here, he would say, hot, damn it, you are me.

961
00:50:43,120 --> 00:50:46,560
Speaker 1: From that moment on. From that moment on, the entire

962
00:50:46,600 --> 00:50:52,840
Speaker 1: family had become just honestly the most incredibly wonderful the music.

963
00:50:53,239 --> 00:50:56,800
Speaker 1: I think the fans understand that there are classic Elves

964
00:50:56,840 --> 00:51:00,239
Speaker 1: tracks in here. I mean, he sings absolute classics. It's

965
00:51:00,320 --> 00:51:03,719
Speaker 1: like a young person won't really know how lurid the

966
00:51:03,760 --> 00:51:06,440
Speaker 1: words of hound Dog are. So when Dojakat sings, you know,

967
00:51:06,520 --> 00:51:09,040
Speaker 1: get out of hit Dog, you know it's a gateway.

968
00:51:09,239 --> 00:51:10,880
Speaker 1: It's just opening a gate or do a bit of that,

969
00:51:11,040 --> 00:51:13,520
Speaker 1: you know. So they're embracing every thing. And as you

970
00:51:13,800 --> 00:51:15,640
Speaker 1: do in all of your movies, Bas, you have this

971
00:51:15,719 --> 00:51:17,839
Speaker 1: way of taking the classics and you fold them into

972
00:51:17,880 --> 00:51:20,480
Speaker 1: the story so beautifully as you do in Elvis. It's

973
00:51:20,520 --> 00:51:23,200
Speaker 1: amazing we're talking about the movie Elvis. Everyone's talking about it.

974
00:51:23,280 --> 00:51:26,080
Speaker 1: Bas Lurhman is here. Mark ronson the reason Mark is here.

975
00:51:26,200 --> 00:51:30,440
Speaker 1: Mark reimagined that famous Elvis song Can't Help Falling in Love. Yeah,

976
00:51:30,560 --> 00:51:32,520
Speaker 1: that must have been a weird call when Bas Lurhman

977
00:51:32,600 --> 00:51:34,120
Speaker 1: calls you and says, hey, can you be a part

978
00:51:34,160 --> 00:51:37,240
Speaker 1: of this? How weighty was That's That's why I needed

979
00:51:37,320 --> 00:51:39,320
Speaker 1: I was like, I want to say yes, but I

980
00:51:39,400 --> 00:51:42,600
Speaker 1: can't say anything until I just like make this demo

981
00:51:42,719 --> 00:51:44,680
Speaker 1: to know that I even have a you know, a

982
00:51:44,800 --> 00:51:47,520
Speaker 1: snowballs chance, and how I was making something worthy of

983
00:51:47,600 --> 00:51:49,800
Speaker 1: this legacy of this film. All it was so I

984
00:51:49,920 --> 00:51:52,560
Speaker 1: think that we did something that is just like it

985
00:51:52,719 --> 00:51:55,480
Speaker 1: brings a beautiful vibe. It's it's a different interpretation. It

986
00:51:55,560 --> 00:51:57,960
Speaker 1: brings it to the Dansk floor and it's kind of like, yeah,

987
00:51:58,000 --> 00:52:01,479
Speaker 1: has this disco timeless disco field. Yeah. You know something

988
00:52:01,760 --> 00:52:05,759
Speaker 1: I find very interesting about this entire process, bas and Mark,

989
00:52:06,360 --> 00:52:09,520
Speaker 1: you actually said you spent more time putting this film

990
00:52:09,600 --> 00:52:13,640
Speaker 1: together than most people spend in high school. Yes, it's

991
00:52:13,680 --> 00:52:15,719
Speaker 1: true except for me, of course. You know I was

992
00:52:15,920 --> 00:52:18,759
Speaker 1: held back many many times. But I mean so, I

993
00:52:18,840 --> 00:52:22,880
Speaker 1: mean because of COVID, because of just mechanics what what

994
00:52:23,160 --> 00:52:27,359
Speaker 1: was research? Research? Tons of research. Yeah. I worked out

995
00:52:27,400 --> 00:52:30,440
Speaker 1: that the first time I went and stayed at Graceland,

996
00:52:30,480 --> 00:52:33,360
Speaker 1: I had a creative space At Graceland. I lived at

997
00:52:33,480 --> 00:52:35,400
Speaker 1: I met people who knew Elvis. It was when I

998
00:52:35,480 --> 00:52:39,479
Speaker 1: met this older gentleman who was he was in the movie.

999
00:52:39,560 --> 00:52:43,000
Speaker 1: There's a scene where Elvis has this group of pals

1000
00:52:43,400 --> 00:52:45,239
Speaker 1: in uh in a time of segregation, one of the

1001
00:52:45,280 --> 00:52:47,080
Speaker 1: few white houses, and they go to a gospel tent

1002
00:52:47,440 --> 00:52:50,640
Speaker 1: and the preacher puts his hand and stops the boy

1003
00:52:50,719 --> 00:52:54,000
Speaker 1: from pulling Elvis away from dancing to all the music.

1004
00:52:54,000 --> 00:52:56,240
Speaker 1: He says, leave him be. He is with the spirit.

1005
00:52:56,480 --> 00:52:58,640
Speaker 1: That man told me that verbat him. And that's how

1006
00:52:58,719 --> 00:53:00,440
Speaker 1: I do it. I was. I lived the things. I

1007
00:53:00,560 --> 00:53:04,720
Speaker 1: live these movies, and they just don't happm quickly. It's truly, truly,

1008
00:53:04,800 --> 00:53:09,719
Speaker 1: truly a site. And you can taste the music in

1009
00:53:09,800 --> 00:53:11,560
Speaker 1: your ears. I don't know if that makes sense. It

1010
00:53:11,680 --> 00:53:14,480
Speaker 1: might high or no, you can. You can just the

1011
00:53:14,560 --> 00:53:17,680
Speaker 1: film has so much texture and taste and uh and

1012
00:53:18,200 --> 00:53:22,759
Speaker 1: honestly respect for Elvis Presley. So yeah, when you go

1013
00:53:23,920 --> 00:53:28,719
Speaker 1: take this track, can't help falling in love and a

1014
00:53:28,880 --> 00:53:31,480
Speaker 1: story like you took, and you treat it with such respect,

1015
00:53:31,760 --> 00:53:34,640
Speaker 1: you can feel it and you actually I left watching

1016
00:53:34,719 --> 00:53:38,839
Speaker 1: that film feeling more respect and love for Elvis Presley. Yes,

1017
00:53:38,960 --> 00:53:41,440
Speaker 1: I really was a fan until I saw your film.

1018
00:53:41,760 --> 00:53:44,560
Speaker 1: Really was well, so I need to he's your namesake.

1019
00:53:44,640 --> 00:53:47,759
Speaker 1: But you know what, I a very very well known

1020
00:53:47,840 --> 00:53:50,880
Speaker 1: musician friend of mine said, look, I don't if with Elvis.

1021
00:53:51,160 --> 00:53:53,839
Speaker 1: He's not my thing. And he saw the film he said,

1022
00:53:53,920 --> 00:53:57,160
Speaker 1: I feel like I just met someone I didn't know,

1023
00:53:57,640 --> 00:53:59,399
Speaker 1: and his name just happened to be Elvis, and that's

1024
00:53:59,400 --> 00:54:02,880
Speaker 1: because I've done some compression of time. But everything in

1025
00:54:02,960 --> 00:54:05,480
Speaker 1: that movie happened. Everything is true, and I think you

1026
00:54:05,600 --> 00:54:08,400
Speaker 1: realized in his forty two years what an extraordinary like

1027
00:54:08,560 --> 00:54:10,960
Speaker 1: he lived. And of course there's this big drama between

1028
00:54:11,280 --> 00:54:13,640
Speaker 1: Colonel Tom Parker never Colonel never Tom never a Parker

1029
00:54:13,760 --> 00:54:15,840
Speaker 1: bump bump bump, you know, plot twist, you know, the

1030
00:54:15,960 --> 00:54:19,279
Speaker 1: manager who's actually you know, the business and the show,

1031
00:54:19,840 --> 00:54:22,640
Speaker 1: and that's the drama of it. And I think we've

1032
00:54:22,680 --> 00:54:25,520
Speaker 1: forgotten what he was in terms of the fabric of

1033
00:54:25,600 --> 00:54:28,359
Speaker 1: this country and in fact, music and culture. The last

1034
00:54:28,400 --> 00:54:32,440
Speaker 1: statement in the film is his influence on music and

1035
00:54:32,640 --> 00:54:35,840
Speaker 1: culture remains. And Eminem was very quick to say, I

1036
00:54:35,960 --> 00:54:38,319
Speaker 1: want to do a song about my relationship with Elvis.

1037
00:54:38,440 --> 00:54:42,239
Speaker 1: You know, everyone has a plug into some point in Elvis,

1038
00:54:42,320 --> 00:54:45,280
Speaker 1: because it's really about America in the fifties, the sixties

1039
00:54:45,320 --> 00:54:48,840
Speaker 1: and the seventies through the prism of this extraordinary life. Also,

1040
00:54:49,440 --> 00:54:51,880
Speaker 1: a friend of mine put it very well. He said, basically,

1041
00:54:52,120 --> 00:54:56,719
Speaker 1: Elvis Pressley invented the teenagers, correct corrected, and of course

1042
00:54:56,920 --> 00:54:59,359
Speaker 1: that that was the very beginning of fangirling. I mean,

1043
00:54:59,680 --> 00:55:02,840
Speaker 1: how did you sit there as a teenager and not

1044
00:55:03,120 --> 00:55:05,759
Speaker 1: squirm in your seat when Elvis is up there doing

1045
00:55:05,800 --> 00:55:08,360
Speaker 1: this thing? I was squirrel. Well, you're right, You're actually right.

1046
00:55:08,400 --> 00:55:11,920
Speaker 1: I'm just thinking about what Elvis really was is that

1047
00:55:12,560 --> 00:55:15,759
Speaker 1: he was the first ever global teen idol. And we

1048
00:55:15,840 --> 00:55:18,200
Speaker 1: see it in a Harry or we see it in BTS.

1049
00:55:18,239 --> 00:55:20,719
Speaker 1: I've been at a BTS concert and that noise that

1050
00:55:20,920 --> 00:55:23,800
Speaker 1: masses of girls make it's called keening, and it's not screaming.

1051
00:55:23,880 --> 00:55:25,840
Speaker 1: It's keening, and I like loud, but I had, but

1052
00:55:25,960 --> 00:55:27,879
Speaker 1: my fingers in me is it's a very particular kind

1053
00:55:27,920 --> 00:55:30,520
Speaker 1: of screaming. I would love to see Basilorman at a

1054
00:55:30,560 --> 00:55:33,920
Speaker 1: BTS concert next time I be invited to this. It

1055
00:55:34,040 --> 00:55:36,080
Speaker 1: was cool that, I mean, that's cool. If you haven't

1056
00:55:36,120 --> 00:55:38,840
Speaker 1: seen Elvis, you have to it. Really, it's it's a

1057
00:55:38,960 --> 00:55:41,720
Speaker 1: mandatory for It's just like reading Moby Dick in high school.

1058
00:55:41,880 --> 00:55:44,560
Speaker 1: You gotta see Elvis. It's out today. We have to

1059
00:55:44,600 --> 00:55:47,399
Speaker 1: wait up until Cam Help falling in Love is out right,

1060
00:55:48,280 --> 00:55:50,320
Speaker 1: I think, yeah, you know what I was. There's a

1061
00:55:50,520 --> 00:55:53,239
Speaker 1: Casey Musgrave's version in the film that's been done as

1062
00:55:53,280 --> 00:55:56,280
Speaker 1: sort of the inner thoughts of Priscilla and that defines

1063
00:55:56,360 --> 00:55:58,960
Speaker 1: to me a true classic, like this is the six

1064
00:55:59,080 --> 00:56:02,239
Speaker 1: Drinks in at the Wedding version, And I just know Mark,

1065
00:56:02,239 --> 00:56:03,960
Speaker 1: I haven't told you to you this yet, Mark, but

1066
00:56:04,040 --> 00:56:06,400
Speaker 1: I put it on and it just makes you happy.

1067
00:56:06,680 --> 00:56:09,319
Speaker 1: It just makes you joyous. It's a love song, lifts

1068
00:56:09,360 --> 00:56:11,320
Speaker 1: you up, but it just shows you. You can interpret

1069
00:56:11,360 --> 00:56:14,240
Speaker 1: a song like this in so many different ways depending

1070
00:56:14,320 --> 00:56:16,960
Speaker 1: on you know, well the artist is just just defines

1071
00:56:17,000 --> 00:56:18,840
Speaker 1: classic to me in cases is to walk down the

1072
00:56:18,840 --> 00:56:21,800
Speaker 1: Aisle version. And then Mark's actual Elvis. It just feels

1073
00:56:21,800 --> 00:56:24,080
Speaker 1: like he actually recorded this, Like I never told you that,

1074
00:56:24,120 --> 00:56:25,400
Speaker 1: but that's what I feel like. It feels like he

1075
00:56:25,480 --> 00:56:28,239
Speaker 1: really did record this song. You know. Wow, nice to hear.

1076
00:56:29,200 --> 00:56:31,440
Speaker 1: I could just keep you on all day and talk

1077
00:56:31,480 --> 00:56:35,160
Speaker 1: about well I love it on your show. Um, I

1078
00:56:35,200 --> 00:56:36,960
Speaker 1: want to ask each of you to answer this, Baz

1079
00:56:37,200 --> 00:56:39,560
Speaker 1: and Mark. You know, with all the talent you work with,

1080
00:56:39,920 --> 00:56:45,440
Speaker 1: you produce and you direct, uh and of course Elvis Pressley,

1081
00:56:45,560 --> 00:56:48,879
Speaker 1: the someone would say the ultimate talent of all time?

1082
00:56:50,000 --> 00:56:53,279
Speaker 1: What does Elvis mean to you Elvis Presley? Like as

1083
00:56:53,400 --> 00:56:56,080
Speaker 1: as a talent or yeah, as at one time a

1084
00:56:56,120 --> 00:56:59,680
Speaker 1: contemporary you know in the music business, you know. You know,

1085
00:56:59,760 --> 00:57:02,680
Speaker 1: when I was growing up, you know Elvis, we had

1086
00:57:02,760 --> 00:57:06,000
Speaker 1: a small gas station, a farm, and at a certain

1087
00:57:06,040 --> 00:57:08,480
Speaker 1: time we had the local cinema and that's when Elvis

1088
00:57:08,560 --> 00:57:10,360
Speaker 1: was doing all those movies and he was the matinee.

1089
00:57:10,640 --> 00:57:12,960
Speaker 1: So as a kid, I just thought, oh, well, you know,

1090
00:57:13,280 --> 00:57:15,080
Speaker 1: easy come, easy go calls me in the world. But

1091
00:57:15,280 --> 00:57:17,840
Speaker 1: later on I probably was doing ballroom dancing to Burning

1092
00:57:17,880 --> 00:57:19,760
Speaker 1: Love in the seventies. But later on I very quickly

1093
00:57:20,120 --> 00:57:23,200
Speaker 1: moved on into Bowie and you know, all kinds of

1094
00:57:23,240 --> 00:57:25,800
Speaker 1: other music, you know, dance music, all those things, and

1095
00:57:25,880 --> 00:57:28,080
Speaker 1: Elvis was there, but he wasn't. I wasn't this sort

1096
00:57:28,120 --> 00:57:31,640
Speaker 1: of relentless fan. But I realized that when I looked back,

1097
00:57:31,800 --> 00:57:34,400
Speaker 1: I wasn't really doing a biopick. I just thought, if

1098
00:57:34,400 --> 00:57:36,160
Speaker 1: you want to explore America in the fifties and the

1099
00:57:36,240 --> 00:57:38,280
Speaker 1: sixties and the seventies and now where we are now,

1100
00:57:38,840 --> 00:57:41,520
Speaker 1: he's just his vast canvas. He was there at the

1101
00:57:41,520 --> 00:57:43,720
Speaker 1: crossroads of it for the good, the badly ugly, you know.

1102
00:57:43,960 --> 00:57:47,320
Speaker 1: And when I started researching, I just kept finding someone

1103
00:57:47,360 --> 00:57:51,320
Speaker 1: I had no idea existed. In the end, Elvis, above

1104
00:57:51,400 --> 00:57:54,400
Speaker 1: and beyond everything else, loved gospel music, and you know,

1105
00:57:55,000 --> 00:57:58,439
Speaker 1: like he'd do two shows a night in Vegas, could

1106
00:57:58,520 --> 00:58:01,560
Speaker 1: barely stand up with get with the Sweet Inspirations, go

1107
00:58:01,640 --> 00:58:04,800
Speaker 1: around the piano until the sun came up, and seeing gospel.

1108
00:58:04,840 --> 00:58:07,000
Speaker 1: You know, one of the sweet inspirations mother was a

1109
00:58:07,080 --> 00:58:09,840
Speaker 1: mother of a singer called Whitney Houston. You know, like

1110
00:58:09,960 --> 00:58:13,560
Speaker 1: he was a spiritual guy. And I just think he

1111
00:58:13,800 --> 00:58:16,840
Speaker 1: just becomes someone through which, as I try to use

1112
00:58:16,920 --> 00:58:19,200
Speaker 1: in the film, you know, he's a doors through which

1113
00:58:19,200 --> 00:58:21,200
Speaker 1: you can really understand where we've come from, the kind

1114
00:58:21,240 --> 00:58:22,880
Speaker 1: of where we're going through. That's what he means to me.

1115
00:58:23,880 --> 00:58:27,960
Speaker 1: And Mark, has anyone left a legacy like Elvis Presley

1116
00:58:28,120 --> 00:58:30,520
Speaker 1: or did you see anyone in the making right now

1117
00:58:30,800 --> 00:58:34,200
Speaker 1: or ten years ago that could have I mean, I

1118
00:58:34,320 --> 00:58:39,720
Speaker 1: guess the pillars form mere Elvis, the Beatles, Stevie Wonder,

1119
00:58:40,560 --> 00:58:42,840
Speaker 1: Ray Charles, like they're all in that pantem. But if

1120
00:58:42,880 --> 00:58:45,000
Speaker 1: you think about all the bands that go back and

1121
00:58:45,120 --> 00:58:47,280
Speaker 1: say we started a band because we saw the Beatles

1122
00:58:47,320 --> 00:58:50,000
Speaker 1: on Ed Sullivan, Then the Beatles started a band because

1123
00:58:50,000 --> 00:58:53,200
Speaker 1: they discovered Elvis, It's like somehow he is like all

1124
00:58:53,320 --> 00:58:56,440
Speaker 1: the roads kind of lead up to the Wow And

1125
00:58:56,640 --> 00:59:00,360
Speaker 1: why now forty two years after his passing. Why why

1126
00:59:00,400 --> 00:59:03,240
Speaker 1: not ten years ago? Bad? What is it about now

1127
00:59:03,560 --> 00:59:08,480
Speaker 1: that this? Yeah, that's a great question of us, because

1128
00:59:08,800 --> 00:59:10,160
Speaker 1: he's sort of been sitting on my shelf. You know,

1129
00:59:10,280 --> 00:59:13,120
Speaker 1: do films so rarely. I didn't want to do a biopic,

1130
00:59:13,240 --> 00:59:15,919
Speaker 1: but I always looked at a film like Amadeus, which

1131
00:59:16,040 --> 00:59:18,320
Speaker 1: is apparently about Mozar, but really it's about a guy

1132
00:59:18,360 --> 00:59:21,320
Speaker 1: called Sally Airy who was the greatest composer of his time.

1133
00:59:21,440 --> 00:59:25,240
Speaker 1: Ever heard of him? No, well, that's what the film's about, jealousy.

1134
00:59:25,680 --> 00:59:28,800
Speaker 1: But about five or six years ago, I felt the

1135
00:59:28,920 --> 00:59:32,360
Speaker 1: relationship between the big cell, which is Colonel Tom Parker,

1136
00:59:32,880 --> 00:59:36,040
Speaker 1: and the art. I mean, he's a carnie who's able

1137
00:59:36,080 --> 00:59:38,880
Speaker 1: to pull the wool over people's eyes, and you kind

1138
00:59:38,920 --> 00:59:41,440
Speaker 1: of like it. You like being deluded, you know, you

1139
00:59:41,560 --> 00:59:44,040
Speaker 1: like being tricked into big tent. And I thought, Wow,

1140
00:59:44,120 --> 00:59:46,920
Speaker 1: that's the way in. It's about the relationship between the

1141
00:59:47,080 --> 00:59:51,320
Speaker 1: big carnival huckster, the snake oil salesman. And he's incredibly pure,

1142
00:59:51,440 --> 00:59:54,560
Speaker 1: sensitive soul who's father and born of a twin. How

1143
00:59:54,600 --> 00:59:57,520
Speaker 1: about that who dies, father, goes to jail. How about

1144
00:59:57,560 --> 00:59:59,480
Speaker 1: that lives in one of the few white houses in

1145
00:59:59,520 --> 01:00:02,640
Speaker 1: the black community. How about that has all these relationships,

1146
01:00:02,680 --> 01:00:04,640
Speaker 1: is then pulled away from that, sent to the army

1147
01:00:04,720 --> 01:00:07,440
Speaker 1: the day his mother dies. Basically turned into a sort

1148
01:00:07,480 --> 01:00:12,280
Speaker 1: of Hollywood you know. Bubble loses himself, finds himself, almost escapes,

1149
01:00:12,360 --> 01:00:14,320
Speaker 1: but then the colonel it's caught in a trap and

1150
01:00:14,400 --> 01:00:16,800
Speaker 1: he can't get out by locking him in Vegas. I mean,

1151
01:00:16,800 --> 01:00:20,680
Speaker 1: the colonel is a genius. They invent the residency, he

1152
01:00:20,800 --> 01:00:25,400
Speaker 1: invents the satellite broadcast, he invents the best of records.

1153
01:00:25,520 --> 01:00:27,680
Speaker 1: So it's an amazing story that I think talks to

1154
01:00:27,760 --> 01:00:30,400
Speaker 1: a lot about where we are now. I love it, guys,

1155
01:00:30,440 --> 01:00:32,439
Speaker 1: Thank you so much. I thank you for this film.

1156
01:00:32,560 --> 01:00:35,840
Speaker 1: Thanks for the music. Mark. I mean, I can't wait

1157
01:00:35,880 --> 01:00:38,400
Speaker 1: to see it again in a real theater. I'm gonna

1158
01:00:38,560 --> 01:00:41,520
Speaker 1: watch it this week. It's the theater show. Thanks Elvis,

1159
01:00:41,720 --> 01:00:43,320
Speaker 1: you guys, thanks so much for your time today. You

1160
01:00:43,320 --> 01:00:48,520
Speaker 1: appreciate it very much. Always seeing you both. Take care, guys.

1161
01:00:50,480 --> 01:00:55,720
Speaker 1: What his penis is detachable? It's Gary Jones. The good

1162
01:00:55,720 --> 01:00:58,000
Speaker 1: neighbors at State Farm. Believe you don't have to give

1163
01:00:58,080 --> 01:01:01,160
Speaker 1: up what you love for great insurance, surprisingly great rates,

1164
01:01:01,360 --> 01:01:03,960
Speaker 1: Like a good neighbor, State Farm is there, call or

1165
01:01:04,000 --> 01:01:05,960
Speaker 1: go to state farm dot com to get a quote. Today.

1166
01:01:06,320 --> 01:01:08,760
Speaker 1: It's in about Elvis, which is in theaters today. So

1167
01:01:08,880 --> 01:01:10,640
Speaker 1: many people were texting and saying, Hi, I had no

1168
01:01:10,760 --> 01:01:12,840
Speaker 1: interest in seeing this film until that interview, and now

1169
01:01:12,840 --> 01:01:15,400
Speaker 1: they're all gonna go see it. Wow, I love it.

1170
01:01:15,520 --> 01:01:17,840
Speaker 1: I love it. We got sound up with Garrett. Maybe

1171
01:01:17,840 --> 01:01:19,960
Speaker 1: a little more Elvis music. I don't know, Burning Love,

1172
01:01:20,080 --> 01:01:21,560
Speaker 1: Teddy Bear? What do you want to hear? I want

1173
01:01:21,600 --> 01:01:23,360
Speaker 1: to hear Teddy Bear? What do you want to hear you?

1174
01:01:23,480 --> 01:01:29,680
Speaker 1: My hunk hunk burning Love? Whoa? What's teddy? I meant

1175
01:01:31,520 --> 01:01:38,120
Speaker 1: hunk huncle hunc hunc. I don't know if that was him.

1176
01:01:38,160 --> 01:01:40,320
Speaker 1: We'll listen to it. We'll listen to it. Let's get

1177
01:01:40,360 --> 01:01:42,360
Speaker 1: into sound with Garrett. All right, Garrett, what do you

1178
01:01:42,960 --> 01:01:45,000
Speaker 1: Let's start? What are you going on? Let's start with

1179
01:01:45,120 --> 01:01:48,400
Speaker 1: some new music that came out last night, Little nozas

1180
01:01:48,480 --> 01:01:52,320
Speaker 1: Late to the party. Sounds like this, Don't tire me

1181
01:01:53,280 --> 01:02:00,880
Speaker 1: your betest sitting for somebody, Don't tire me baby, light

1182
01:02:01,040 --> 01:02:04,280
Speaker 1: suit body, You're gonna go. New music from a Little Nazis.

1183
01:02:04,320 --> 01:02:06,760
Speaker 1: We'll move on to Megan Trainer and a ballad call

1184
01:02:07,040 --> 01:02:18,400
Speaker 1: bad for me, I got we love you, Megan, Yeah,

1185
01:02:18,720 --> 01:02:20,480
Speaker 1: such a great, great woman. I love her. And of

1186
01:02:20,520 --> 01:02:24,080
Speaker 1: course imagine dragons bringing their sound and this is called sharks.

1187
01:02:24,720 --> 01:02:30,640
Speaker 1: So let it go, let it go, bring it out

1188
01:02:30,840 --> 01:02:34,800
Speaker 1: and body. Actually, all right, we all know Leah Kit

1189
01:02:34,840 --> 01:02:37,520
Speaker 1: who's at our beach bash just a few weeks weeks

1190
01:02:37,560 --> 01:02:40,000
Speaker 1: ago at the Jersey Shore. And we all know the

1191
01:02:40,080 --> 01:02:45,440
Speaker 1: song Twinkle Twinkle Little Star, right, wonderful song, well, wonderful song, great,

1192
01:02:45,560 --> 01:02:47,640
Speaker 1: great song you sing to kids. Lea Kate has her

1193
01:02:47,720 --> 01:02:59,760
Speaker 1: version Twinkle Twinkle Little so I don't go twinkle little bitch,

1194
01:03:00,280 --> 01:03:13,520
Speaker 1: just mother Narcissia. Can you imagine if you had written

1195
01:03:13,640 --> 01:03:17,280
Speaker 1: twin could Twin Could Little Star? You asked for the

1196
01:03:17,400 --> 01:03:19,440
Speaker 1: rights for that. I want to change the lyrics up

1197
01:03:19,440 --> 01:03:21,480
Speaker 1: a little bit. I'm assuming whoever wrote that song is

1198
01:03:21,600 --> 01:03:23,840
Speaker 1: no longer with us, Yes, all right now? And now

1199
01:03:23,880 --> 01:03:26,920
Speaker 1: we've been talking about Elvis the movie out today, including

1200
01:03:26,960 --> 01:03:31,120
Speaker 1: the soundtrack where Austin Butler, who plays Elvis, does a

1201
01:03:31,160 --> 01:03:33,520
Speaker 1: lot of Elvis's songs in the movie, which a lot

1202
01:03:33,560 --> 01:03:35,360
Speaker 1: of people don't know. They thought they were just using

1203
01:03:35,400 --> 01:03:38,880
Speaker 1: Elvis's voice, But I mean Elvis Preshley's own daughter thought

1204
01:03:38,920 --> 01:03:41,560
Speaker 1: it was her dad exactly, so it wasn't. Let's play

1205
01:03:41,560 --> 01:03:43,439
Speaker 1: a little game. So I have the song hound Dog

1206
01:03:43,800 --> 01:03:46,080
Speaker 1: from Elvis and Austin Butler. Let's see if we could

1207
01:03:46,080 --> 01:03:48,600
Speaker 1: tell the difference. Here's the first one. You are nothing

1208
01:03:48,680 --> 01:03:56,280
Speaker 1: but all right, Austin Butler or Elvis? Well that was Elvis,

1209
01:03:56,360 --> 01:03:59,120
Speaker 1: of course. All right, now Austin Butler or Elvis doing

1210
01:03:59,360 --> 01:04:16,040
Speaker 1: hound Dog you. So Austin was saying that he had

1211
01:04:16,080 --> 01:04:19,080
Speaker 1: to live this life for two years. He was He

1212
01:04:19,320 --> 01:04:21,520
Speaker 1: lived the life of Elvis Presley for two years, and

1213
01:04:21,600 --> 01:04:23,919
Speaker 1: it took him over four years to make this film

1214
01:04:24,000 --> 01:04:27,320
Speaker 1: because because at the very beginning and investigating and reading

1215
01:04:27,720 --> 01:04:31,560
Speaker 1: and it's unbelievable film. I love it, and the pandemic too.

1216
01:04:31,640 --> 01:04:33,360
Speaker 1: So imagine you get into that role and then you're

1217
01:04:33,360 --> 01:04:35,560
Speaker 1: stuck in it because you're not filming anything. So he's

1218
01:04:35,800 --> 01:04:39,160
Speaker 1: he literally is stuck in Elvis exactly. And who hasn't been.

1219
01:04:41,560 --> 01:04:45,920
Speaker 1: You're a good American, Garry, thank you. I'm lost here

1220
01:04:46,000 --> 01:04:48,840
Speaker 1: broad later early, I don't even know where you are, okay,

1221
01:04:48,960 --> 01:04:52,480
Speaker 1: So it's one or the other. We're on time, believing,

1222
01:04:55,640 --> 01:04:57,640
Speaker 1: so this is week where we could do Danielle, you

1223
01:04:57,720 --> 01:05:00,720
Speaker 1: also wanted to play some Elvis music. I also wanted

1224
01:05:00,720 --> 01:05:03,400
Speaker 1: to bring up I have a question for Gandhi. Okay, Gandhi,

1225
01:05:03,440 --> 01:05:05,400
Speaker 1: I don't know how you saw what you saw and

1226
01:05:05,560 --> 01:05:09,800
Speaker 1: you didn't say something. What were you? Where were you

1227
01:05:09,880 --> 01:05:12,760
Speaker 1: when you saw someone looking over someone else's shoulder while

1228
01:05:12,760 --> 01:05:16,720
Speaker 1: they were texting someone. I was at the Gracie's luncheon

1229
01:05:16,840 --> 01:05:21,720
Speaker 1: the other day. Oh my god. Yeah. It was so

1230
01:05:22,320 --> 01:05:25,440
Speaker 1: We're all sitting at a round table and one person

1231
01:05:25,600 --> 01:05:27,360
Speaker 1: was texting on their phone and the person who was

1232
01:05:27,360 --> 01:05:30,000
Speaker 1: sitting next to her the entire time she was texting

1233
01:05:30,160 --> 01:05:33,920
Speaker 1: was legitimately looking over her shoulder at everything she was texting,

1234
01:05:34,080 --> 01:05:36,600
Speaker 1: like a complete creep. And I was just sitting there

1235
01:05:36,680 --> 01:05:39,520
Speaker 1: like that is so rude and so invasive, what are

1236
01:05:39,520 --> 01:05:41,680
Speaker 1: you doing? And I wanted to bust out my phone

1237
01:05:41,720 --> 01:05:43,920
Speaker 1: and take a picture of the person creeping. And then

1238
01:05:43,960 --> 01:05:46,480
Speaker 1: I was like, well, I'm now creeping too, but I'm

1239
01:05:46,560 --> 01:05:48,600
Speaker 1: seeing what's happening. And I thought I should have said

1240
01:05:48,720 --> 01:05:52,120
Speaker 1: something about it because that could be private information. Personal

1241
01:05:52,320 --> 01:05:54,240
Speaker 1: I have no idea. I would like if Danielle saw

1242
01:05:54,320 --> 01:05:56,240
Speaker 1: somebody doing that to me, I would want her to

1243
01:05:56,240 --> 01:05:58,680
Speaker 1: be like, hey, just so you know, scary's looking over

1244
01:05:58,760 --> 01:06:00,720
Speaker 1: your shoulder at every since I think you text you

1245
01:06:00,920 --> 01:06:05,280
Speaker 1: you would do that, right, Danielle, course would You're supposed to, right,

1246
01:06:05,360 --> 01:06:07,480
Speaker 1: But what were they friend me? Did you know them?

1247
01:06:07,520 --> 01:06:09,880
Speaker 1: Were they friends or oh? We all know both of

1248
01:06:09,960 --> 01:06:11,520
Speaker 1: the people who were doing it. But I can't be

1249
01:06:12,080 --> 01:06:15,280
Speaker 1: on the air because the one no, no, I'll tell

1250
01:06:15,320 --> 01:06:18,280
Speaker 1: you guys off here and hold it up. Okay, how

1251
01:06:18,320 --> 01:06:20,520
Speaker 1: can you can't tell us? Because the person who was

1252
01:06:20,640 --> 01:06:23,880
Speaker 1: being creeped upon, if she knew she was being creeped upon,

1253
01:06:24,400 --> 01:06:26,280
Speaker 1: she is the type who would flip a table and

1254
01:06:26,360 --> 01:06:29,080
Speaker 1: it would become a thing, like an issue. So it

1255
01:06:29,240 --> 01:06:31,040
Speaker 1: was a hold your tongue, don't cause, you know, don't

1256
01:06:31,080 --> 01:06:32,800
Speaker 1: cause a scene. But I did after the fact, I

1257
01:06:32,880 --> 01:06:34,920
Speaker 1: did say something to the creeper and I was like,

1258
01:06:35,000 --> 01:06:36,720
Speaker 1: I just want you to know that I watched that

1259
01:06:36,800 --> 01:06:39,920
Speaker 1: whole thing and you're a creep Oh my god. Actually

1260
01:06:40,120 --> 01:06:46,440
Speaker 1: confronted her and said, yeah, that was so creepy. Wow wow, yeah, yeah, yeah,

1261
01:06:46,480 --> 01:06:48,720
Speaker 1: it's creepy. I would hope that if I was on

1262
01:06:48,840 --> 01:06:50,880
Speaker 1: my phone and someone was watching me, someone would tap

1263
01:06:50,960 --> 01:06:52,760
Speaker 1: in while and then go, hey, by the way, as

1264
01:06:52,840 --> 01:06:56,960
Speaker 1: we speak, as you're texting, Bill is behind you creeping right,

1265
01:06:57,440 --> 01:07:00,600
Speaker 1: just looking over your shoulder like a little Weirdoh stop it.

1266
01:07:00,920 --> 01:07:02,560
Speaker 1: I'm not saying we haven't all been in that situation,

1267
01:07:02,640 --> 01:07:04,440
Speaker 1: Like when you're on a plane and the person next

1268
01:07:04,440 --> 01:07:06,920
Speaker 1: to you starts texting something. Yes, I get that you

1269
01:07:07,080 --> 01:07:10,080
Speaker 1: want to look over, but it just feels so invasive.

1270
01:07:10,120 --> 01:07:13,919
Speaker 1: I don't think I would do it. All right, Yeah,

1271
01:07:14,040 --> 01:07:15,680
Speaker 1: tell me. I want to know. I want to know

1272
01:07:15,680 --> 01:07:17,840
Speaker 1: if anyone I want to know if anyone's looking over

1273
01:07:17,960 --> 01:07:22,240
Speaker 1: my stuff, and I love it. This person would have

1274
01:07:22,240 --> 01:07:24,720
Speaker 1: flipped a table. Oh yeah, when I tell you guys

1275
01:07:24,720 --> 01:07:26,160
Speaker 1: who it was to be like, yeah, I have a

1276
01:07:26,200 --> 01:07:30,320
Speaker 1: feeling I know just by you saying I'm saving my guests. No,

1277
01:07:31,800 --> 01:07:53,400
Speaker 1: all right, some Elvis. What do you want to hear? Yeah? Yeah, yeah,

1278
01:07:55,920 --> 01:08:02,320
Speaker 1: the show enough. Step on my blue Sway shoe. You

1279
01:08:02,400 --> 01:08:06,520
Speaker 1: gotta see this. You can do anything over my blue

1280
01:08:06,560 --> 01:08:11,120
Speaker 1: Sway shoes. Well, you can knock me down, step in

1281
01:08:11,200 --> 01:08:14,680
Speaker 1: my face, slowing to my knayhall over the place. We're

1282
01:08:14,760 --> 01:08:18,280
Speaker 1: doing a thing that you're gonna do, but not, honey,

1283
01:08:18,360 --> 01:08:21,560
Speaker 1: they are blue. Shoot, and don't you step on my

1284
01:08:21,600 --> 01:08:26,120
Speaker 1: blue Sway shoes. Well you can do anything, but all right,

1285
01:08:26,280 --> 01:08:35,439
Speaker 1: over my blue sway shoes, return to cindern Toda don't

1286
01:08:35,439 --> 01:08:37,560
Speaker 1: even go step means an I gave a letter to

1287
01:08:37,840 --> 01:08:42,400
Speaker 1: the poles man. He pulled it in his sick and

1288
01:08:42,479 --> 01:08:48,360
Speaker 1: he sat riding. Early next morning he brought my letter.

1289
01:08:49,720 --> 01:08:54,760
Speaker 1: She rode about it. Return let's let Elvis sing. It's

1290
01:08:54,760 --> 01:09:05,080
Speaker 1: one of anything that no such There we go, we go,

1291
01:09:06,800 --> 01:09:08,880
Speaker 1: this is it, this is the one, This is it?

1292
01:09:11,120 --> 01:09:13,840
Speaker 1: All right? How come we don't live in a day

1293
01:09:13,880 --> 01:09:16,559
Speaker 1: and age now where we can like all dances at

1294
01:09:16,600 --> 01:09:26,360
Speaker 1: the jailhouse. Yeah, they're tiktoking anyway. These are the old classics.

1295
01:09:26,439 --> 01:09:29,839
Speaker 1: These are the real Elvis Presley classics. The movie soundtrack

1296
01:09:29,960 --> 01:09:33,080
Speaker 1: is out today where you'll always see you'll hear Dojakat.

1297
01:09:33,479 --> 01:09:35,519
Speaker 1: You're gonna hear all sorts of artists that we love

1298
01:09:35,760 --> 01:09:38,920
Speaker 1: right now doing their interpretation of many Elvis songs, and

1299
01:09:39,040 --> 01:09:41,599
Speaker 1: it's just really cool. Make sure you go see the movie. Um,

1300
01:09:41,960 --> 01:09:44,120
Speaker 1: I like that number forty seven said to number three,

1301
01:09:44,160 --> 01:09:47,920
Speaker 1: you're the cutest jail bird I ever did see. These

1302
01:09:47,960 --> 01:09:51,639
Speaker 1: are the lyrics people with that fly today. I don't

1303
01:09:51,640 --> 01:09:55,760
Speaker 1: know what was the other one about being licked by flames? Yeah, yeah,

1304
01:09:55,920 --> 01:09:58,000
Speaker 1: that that was in burd and love. I feel, I

1305
01:09:58,120 --> 01:10:01,160
Speaker 1: feel of being licked by flames. Kerry, somebody just had

1306
01:10:01,160 --> 01:10:03,200
Speaker 1: a mind blown moment and Eric co two or three

1307
01:10:03,240 --> 01:10:05,920
Speaker 1: he said, I just realized now Elvis Presley was saying

1308
01:10:06,240 --> 01:10:08,240
Speaker 1: return to sender and it was about a piece of

1309
01:10:08,320 --> 01:10:13,800
Speaker 1: mail that was returned. That's right, people, they have these

1310
01:10:13,880 --> 01:10:16,680
Speaker 1: moments exactly. Anyway, go see the movie this Way. Jar

1311
01:10:16,760 --> 01:10:20,280
Speaker 1: In Bold. Another moment from the Mercedes Benz Interview Lounge.

1312
01:10:20,520 --> 01:10:24,160
Speaker 1: Glynn Manuel Miranda, I heard that Bruno was one of

1313
01:10:24,240 --> 01:10:26,879
Speaker 1: the names that you were gonna go with. Yeah, originally

1314
01:10:27,000 --> 01:10:34,280
Speaker 1: his name was Oscar Um. We talk about Oscar style

1315
01:10:34,439 --> 01:10:38,120
Speaker 1: runs in the family, athleticism runs in the family, extraordinary

1316
01:10:38,320 --> 01:10:41,080
Speaker 1: runs in the family. The twenty twenty two Mercedes Benz

1317
01:10:41,160 --> 01:10:44,360
Speaker 1: Ranger Bestu Beats. Learn more at mbusa dot com or

1318
01:10:44,439 --> 01:10:47,280
Speaker 1: test drive one at your local Zemer. Elvis Duran in

1319
01:10:47,320 --> 01:10:50,479
Speaker 1: the Morning Show, Duran in the Morning Show. Wow, It's

1320
01:10:50,560 --> 01:10:55,120
Speaker 1: rainbows everywhere in New York City, Pride Weekend, gosh today

1321
01:10:55,360 --> 01:10:58,519
Speaker 1: with the Big Rally going on and in the Drag March,

1322
01:10:59,479 --> 01:11:03,679
Speaker 1: and then tomorrow the Big Broadway Disco to Times Square

1323
01:11:04,240 --> 01:11:06,880
Speaker 1: and then Pride Fest tomorrow and then Sunday of course

1324
01:11:07,000 --> 01:11:10,120
Speaker 1: of the fifty third New York City Pride March, beginning

1325
01:11:10,160 --> 01:11:13,640
Speaker 1: at noon. That's this Sunday. And uh, it's just a

1326
01:11:13,800 --> 01:11:15,559
Speaker 1: festive time of the year to be in New York City,

1327
01:11:15,640 --> 01:11:18,439
Speaker 1: truly is I think did Madonna throw I could surprise

1328
01:11:18,560 --> 01:11:20,960
Speaker 1: concert last night? I think it was in Hill's kitchen.

1329
01:11:23,160 --> 01:11:26,080
Speaker 1: There you go, Surpride's concerts Madonna. Where else would this

1330
01:11:26,200 --> 01:11:29,720
Speaker 1: happen other than New York From Pride weekend? Um, and

1331
01:11:29,840 --> 01:11:32,240
Speaker 1: Scary's gonna celebrate Pride weekend going down to the Jersey

1332
01:11:32,320 --> 01:11:40,320
Speaker 1: Shore where there's absolutely no Pride whatsoever. I'm kidding, Shame weekend,

1333
01:11:40,760 --> 01:11:42,840
Speaker 1: not at all. Come on, No, no Asbury Park, you

1334
01:11:42,960 --> 01:11:44,799
Speaker 1: kid me. It's it's gonna be a full of rainbows

1335
01:11:44,800 --> 01:11:48,400
Speaker 1: down the shore weekend. We do have Charlie Pooth coming

1336
01:11:48,520 --> 01:11:50,840
Speaker 1: up in a second. We're gonna talk to him about

1337
01:11:50,840 --> 01:11:53,040
Speaker 1: his brand new music, but first let's do a little

1338
01:11:53,120 --> 01:11:57,519
Speaker 1: Daniellow Danielle Oh, yes, going on. Well, Netflix is given

1339
01:11:57,600 --> 01:12:00,200
Speaker 1: us a different type of show. It's a call how

1340
01:12:00,280 --> 01:12:02,680
Speaker 1: to build a sex room? Man. Yeah, it's exactly what

1341
01:12:02,840 --> 01:12:06,679
Speaker 1: you're thinking. It premieres July eighth, and there's an interior

1342
01:12:06,760 --> 01:12:10,479
Speaker 1: designer who is going to visit with couples, find out

1343
01:12:10,520 --> 01:12:12,880
Speaker 1: what kind of freaky things they're into. Build them a

1344
01:12:12,960 --> 01:12:15,320
Speaker 1: room they can get nasty in. Would you have in

1345
01:12:15,439 --> 01:12:17,800
Speaker 1: your in your sex room, Daniel, I don't even have

1346
01:12:17,880 --> 01:12:24,519
Speaker 1: to think about it. Your food burger cheeseburgers. Oh, that's

1347
01:12:24,560 --> 01:12:26,559
Speaker 1: an interesting thing. I don't answer now, but thinking about

1348
01:12:26,600 --> 01:12:29,920
Speaker 1: how would you design your sex room? Yeah, Texas. Now,

1349
01:12:31,280 --> 01:12:34,640
Speaker 1: Oh my gosh. So Dulifa is being sued over a

1350
01:12:34,800 --> 01:12:38,680
Speaker 1: picture of herself. It's so ridiculous. This New York photographer

1351
01:12:39,080 --> 01:12:41,719
Speaker 1: had taken this picture of her from like twenty eighteen,

1352
01:12:42,080 --> 01:12:45,719
Speaker 1: and she recently posted it, and now that person suing

1353
01:12:45,800 --> 01:12:48,639
Speaker 1: her because she didn't get permission to post this picture

1354
01:12:48,640 --> 01:12:51,479
Speaker 1: of herself. But apparently that's how it works, even if

1355
01:12:51,520 --> 01:12:53,280
Speaker 1: it's a picture of yourself. If someone else took it

1356
01:12:53,360 --> 01:12:55,400
Speaker 1: and you don't have the rights, you can't post it.

1357
01:12:55,720 --> 01:12:59,720
Speaker 1: That's so stupid. Don't you think it's weird if I

1358
01:13:00,080 --> 01:13:01,880
Speaker 1: take a picture of you, Daniel, I own that picture,

1359
01:13:02,040 --> 01:13:05,559
Speaker 1: I guess. So that's crazy. It's like when tattoo Bob

1360
01:13:06,160 --> 01:13:10,479
Speaker 1: does his renderings of us. Yeah, he owns those, I guess,

1361
01:13:10,520 --> 01:13:14,320
Speaker 1: so yeah, absolutely, all right, Okay, Dave Chappelle recently bought

1362
01:13:14,320 --> 01:13:16,720
Speaker 1: at least nineteen acres of land in his hometown of

1363
01:13:16,840 --> 01:13:20,880
Speaker 1: Yellow Springs, Ohio. Why he's trying to keep this land

1364
01:13:20,960 --> 01:13:24,840
Speaker 1: developer away. They were gonna build this huge, this huge

1365
01:13:24,960 --> 01:13:27,639
Speaker 1: subdivision that was going to chew up like fifty two

1366
01:13:27,680 --> 01:13:30,240
Speaker 1: acres of the village. He didn't want that to happen,

1367
01:13:30,479 --> 01:13:32,280
Speaker 1: so he did what he needed to do and he

1368
01:13:32,400 --> 01:13:34,920
Speaker 1: bought some land there. That's pretty cool. You want to

1369
01:13:34,960 --> 01:13:37,160
Speaker 1: save the place that you love so much. I think

1370
01:13:37,200 --> 01:13:40,120
Speaker 1: that's a very special thing. So Little Nazexa still pissed

1371
01:13:40,160 --> 01:13:42,920
Speaker 1: off at the Beet Awards going down this weekend, so

1372
01:13:43,520 --> 01:13:46,240
Speaker 1: he took to social and he posted the cover image

1373
01:13:46,240 --> 01:13:49,360
Speaker 1: of his new single Late at a party. It shows somebody,

1374
01:13:49,520 --> 01:13:52,320
Speaker 1: probably him, peeing on a Beet Award in a toilet,

1375
01:13:52,720 --> 01:13:55,960
Speaker 1: and I guess it's a reference to Kanye's social media

1376
01:13:56,080 --> 01:13:58,240
Speaker 1: video back in twenty twenty of him peeing on a

1377
01:13:58,280 --> 01:14:00,519
Speaker 1: Grammy Award because he was pissed off at them, if

1378
01:14:00,560 --> 01:14:03,679
Speaker 1: you remember so. Yeah. Interesting, Anna Dale is gonna headline

1379
01:14:03,720 --> 01:14:06,759
Speaker 1: the Bst Hyde Park in London July first and second.

1380
01:14:06,960 --> 01:14:09,800
Speaker 1: She's announced an all female lineup that's going to open

1381
01:14:09,920 --> 01:14:12,479
Speaker 1: the for her. I mean, there's tons of really cool

1382
01:14:12,520 --> 01:14:15,200
Speaker 1: people that's gonna be there, so that's gonna be something awesome,

1383
01:14:15,320 --> 01:14:19,080
Speaker 1: especially some lady power there. Selling Sunset renewed season six

1384
01:14:19,160 --> 01:14:21,519
Speaker 1: and seven over on Netflix. James Gordon going to be

1385
01:14:21,600 --> 01:14:24,000
Speaker 1: taking the Late Late Show to the UK Special weekest

1386
01:14:24,000 --> 01:14:26,880
Speaker 1: shows Tuesday to Friday. He's got President, Joe Biden and

1387
01:14:26,960 --> 01:14:30,679
Speaker 1: Ben Dizol, Billie Eilish, Ed Sheeran and David Harbor, Alanis

1388
01:14:30,760 --> 01:14:33,120
Speaker 1: morrisset Lizzo. I mean, the list goes on and on.

1389
01:14:33,560 --> 01:14:37,240
Speaker 1: And Denise Richards started an only fans page as well,

1390
01:14:37,720 --> 01:14:40,519
Speaker 1: because you know, she was supporting her daughter Sammy, who

1391
01:14:40,640 --> 01:14:44,000
Speaker 1: opened her own only fans page and people were thinking

1392
01:14:44,080 --> 01:14:46,280
Speaker 1: she was crazy and yelling at her and saying how

1393
01:14:46,360 --> 01:14:48,240
Speaker 1: could you support your daughter and doing this and blah

1394
01:14:48,240 --> 01:14:51,040
Speaker 1: blah blah. So now Denise has she has her own

1395
01:14:51,160 --> 01:14:54,719
Speaker 1: only fans page, so big. Let's see Stanley Cup Finals.

1396
01:14:55,040 --> 01:14:57,519
Speaker 1: Come dance with me the finale. You've got the Emmy Awards,

1397
01:14:57,520 --> 01:15:00,599
Speaker 1: You've got the Beet Awards over on Netflix and versus

1398
01:15:00,680 --> 01:15:03,040
Speaker 1: b Rowan Atkinson you know him as mister Bean. He's

1399
01:15:03,040 --> 01:15:05,960
Speaker 1: got a new one out. Also, Disney Plus gives you

1400
01:15:06,040 --> 01:15:09,840
Speaker 1: Trevor the musical and Rise and Elvis in your theaters today.

1401
01:15:10,040 --> 01:15:12,320
Speaker 1: Please go and see it, and don't forget the soundtrack

1402
01:15:12,400 --> 01:15:14,080
Speaker 1: is out as well. You're gonna want that. And that

1403
01:15:14,280 --> 01:15:16,400
Speaker 1: is my Danielle Report. We're about to talk to Charlie

1404
01:15:16,439 --> 01:15:18,320
Speaker 1: Pooth about new music. Hold on a second. People are

1405
01:15:18,360 --> 01:15:22,679
Speaker 1: texting in what they're going f installed in their sex rooms. Elvis.

1406
01:15:22,760 --> 01:15:24,600
Speaker 1: My room would have one of those rides at the

1407
01:15:24,640 --> 01:15:31,519
Speaker 1: playground that has that spring on it, lots of whip cream,

1408
01:15:31,640 --> 01:15:35,519
Speaker 1: chains and straps, a swing in my sex room. I'm

1409
01:15:35,560 --> 01:15:39,320
Speaker 1: taping pictures of Robert Pattinson on the walls. Oh red

1410
01:15:39,439 --> 01:15:42,479
Speaker 1: room pillows. People have got their imaginations going. All right,

1411
01:15:42,520 --> 01:15:45,120
Speaker 1: when does this build my Sex Room show on? And

1412
01:15:45,600 --> 01:15:48,880
Speaker 1: it's coming out in July. Let me see the exact date, July.

1413
01:15:49,920 --> 01:15:53,960
Speaker 1: Wait a minute, okay, I don't know what's the name

1414
01:15:54,000 --> 01:15:56,360
Speaker 1: of it. It's called How to Build a Sex Room? Okay,

1415
01:15:56,400 --> 01:15:59,479
Speaker 1: all right, ask for it by name. I will this.

1416
01:15:59,600 --> 01:16:02,559
Speaker 1: One person said, I'm in my sex room mirrors everywhere.

1417
01:16:02,640 --> 01:16:08,800
Speaker 1: I'm like, no, ju Julian's okay? All right. Is Charlie

1418
01:16:08,800 --> 01:16:11,120
Speaker 1: Pooth ready to go? Yeah, Well, let's get in there.

1419
01:16:11,200 --> 01:16:19,280
Speaker 1: Come on live from the Mercedesans interview lounge. There's Charles Pooth. Hello, Hi,

1420
01:16:19,439 --> 01:16:22,400
Speaker 1: Charles Pooth, Welcome to the show. Thank you for having me.

1421
01:16:23,520 --> 01:16:27,040
Speaker 1: We're acting weird? R Are you acting weird? Because I

1422
01:16:27,200 --> 01:16:30,800
Speaker 1: just I did just realize that I am right down

1423
01:16:30,960 --> 01:16:34,040
Speaker 1: the street from you. We'll see I know where you are.

1424
01:16:34,200 --> 01:16:37,280
Speaker 1: I can I recognize the hotel room. Yeah, it's just

1425
01:16:37,439 --> 01:16:40,920
Speaker 1: right up the street from where we are. Okay, I

1426
01:16:41,000 --> 01:16:44,320
Speaker 1: don't know. I just really like, sorry, my morning brain.

1427
01:16:44,360 --> 01:16:47,040
Speaker 1: I'm like, wait a minute, okay, fine, well zoom. You know,

1428
01:16:47,320 --> 01:16:49,400
Speaker 1: I'll give you a better one. You know, Mariah Carey's

1429
01:16:49,400 --> 01:16:53,000
Speaker 1: apartment building is literally two doors down from the radio

1430
01:16:53,040 --> 01:16:56,160
Speaker 1: station and it takes three SUV's for her to load up.

1431
01:16:56,280 --> 01:17:01,360
Speaker 1: It come too belongs. So that's because Queen Mariah there

1432
01:17:01,479 --> 01:17:04,799
Speaker 1: is What what are you eating? I'm eating a fujie

1433
01:17:04,880 --> 01:17:10,920
Speaker 1: red apple. Those are my favorites. I requested a plate

1434
01:17:10,960 --> 01:17:14,160
Speaker 1: of fruit only because they always seem to give me.

1435
01:17:14,760 --> 01:17:18,479
Speaker 1: Have you ever had a Charleston show before? One time

1436
01:17:18,520 --> 01:17:21,799
Speaker 1: they gave me the variety pack of the banana flavored,

1437
01:17:21,880 --> 01:17:24,720
Speaker 1: the chocolate flavored, the vanilla flavored, and I was just

1438
01:17:24,920 --> 01:17:29,400
Speaker 1: snacking and just adding the lbs. So now I'm eating

1439
01:17:29,400 --> 01:17:34,599
Speaker 1: an apple. Why are we talking to Charlie Poothday. Yeah,

1440
01:17:35,520 --> 01:17:39,280
Speaker 1: there's something. I have a song called Left and Right

1441
01:17:40,360 --> 01:17:44,040
Speaker 1: coming out with John Cook of BTS, and I'm very

1442
01:17:44,160 --> 01:17:51,000
Speaker 1: excited because it's his first technical venture um while he

1443
01:17:51,120 --> 01:17:55,640
Speaker 1: takes a hiatus from out of BTS. So it's and

1444
01:17:55,800 --> 01:17:58,960
Speaker 1: and we've had musical chemistry for years, so it feels

1445
01:17:59,080 --> 01:18:02,960
Speaker 1: really natural and exciting to be doing this with him.

1446
01:18:03,280 --> 01:18:05,519
Speaker 1: It let's be very, very very transparent. They are not

1447
01:18:05,720 --> 01:18:08,720
Speaker 1: breaking up. BTS is just taking a moment. This is

1448
01:18:08,760 --> 01:18:11,679
Speaker 1: not a breakup thing, because we have to remind people

1449
01:18:11,680 --> 01:18:13,679
Speaker 1: of that every single time we talk about them, because

1450
01:18:13,680 --> 01:18:16,759
Speaker 1: if people get really really passionate about BTS, they definitely

1451
01:18:17,120 --> 01:18:20,639
Speaker 1: just they're just taking a moment um. But I'm quite

1452
01:18:20,720 --> 01:18:24,679
Speaker 1: excited about this song, and of all the TikTok teasers

1453
01:18:24,720 --> 01:18:28,719
Speaker 1: I've put up, there are certain vocals that people haven't

1454
01:18:28,760 --> 01:18:31,799
Speaker 1: heard from me or or him that I've been purposely

1455
01:18:31,880 --> 01:18:34,240
Speaker 1: hiding away. So when you hear the record on the radio,

1456
01:18:34,280 --> 01:18:36,160
Speaker 1: it feels like this like fresh new thing. But I'm

1457
01:18:36,280 --> 01:18:39,560
Speaker 1: very very excited about it. That's the We're gonna play this,

1458
01:18:39,720 --> 01:18:43,920
Speaker 1: We're gonna play this thing. We're gonna play it. Wait,

1459
01:18:44,000 --> 01:18:46,200
Speaker 1: but just click can I can I give a disclaimer

1460
01:18:46,320 --> 01:18:49,000
Speaker 1: before you play it? Is there someone else in that

1461
01:18:49,120 --> 01:18:56,320
Speaker 1: room with you? Uh? No, they're who's in that room?

1462
01:18:57,080 --> 01:18:59,120
Speaker 1: Let's play a game. Let's play who's in that room

1463
01:18:59,120 --> 01:19:03,000
Speaker 1: with Charlie? So okay, before we play Left and Right.

1464
01:19:03,560 --> 01:19:05,040
Speaker 1: But we're not done with this interview, by the way,

1465
01:19:05,040 --> 01:19:08,640
Speaker 1: don't think you can give it your give your disclaimer

1466
01:19:08,640 --> 01:19:10,720
Speaker 1: and then like hang up on us? What is your

1467
01:19:10,720 --> 01:19:14,760
Speaker 1: disclaimer before we play it? Though? So, um, who's in

1468
01:19:14,880 --> 01:19:21,480
Speaker 1: that room? I'm sorry? Okay, okay, what is your disclaiming?

1469
01:19:22,600 --> 01:19:25,360
Speaker 1: So when you listen to this song, when you hear

1470
01:19:25,400 --> 01:19:27,000
Speaker 1: it in your car wherever you listen to if you're

1471
01:19:27,000 --> 01:19:30,120
Speaker 1: listening with headphones like we all are, right, the lead

1472
01:19:30,280 --> 01:19:35,160
Speaker 1: vocal goes from the absolute most left point of the

1473
01:19:35,320 --> 01:19:40,240
Speaker 1: song literally to the absolute most right portion of the song,

1474
01:19:40,600 --> 01:19:44,880
Speaker 1: hence the title Left and Right. And it's about me

1475
01:19:45,040 --> 01:19:47,320
Speaker 1: singing about the inside of my brain, how you know

1476
01:19:47,479 --> 01:19:49,840
Speaker 1: these memories will haunt me from the left side of

1477
01:19:49,920 --> 01:19:51,439
Speaker 1: my brain to the right side of my brain. And

1478
01:19:51,479 --> 01:19:54,040
Speaker 1: then you hear it in an audio sense, and it

1479
01:19:54,160 --> 01:19:58,760
Speaker 1: sounds exactly how the lyrics sounds. So it's trippy when

1480
01:19:58,800 --> 01:20:01,080
Speaker 1: people people have described when you listen to the headphones

1481
01:20:01,120 --> 01:20:03,200
Speaker 1: it almost like tickles your brain, and when you listen

1482
01:20:03,280 --> 01:20:06,600
Speaker 1: to in your car, maybe it will do that. The

1483
01:20:06,800 --> 01:20:09,680
Speaker 1: issue though, and I have with this and even though

1484
01:20:09,720 --> 01:20:13,120
Speaker 1: it's stereo stereophonically it sounds like a great idea. But

1485
01:20:13,880 --> 01:20:16,640
Speaker 1: if someone's like drive around in a jangety car that

1486
01:20:16,720 --> 01:20:20,200
Speaker 1: only has like the left speaker working, they're gonna miss

1487
01:20:20,320 --> 01:20:26,400
Speaker 1: half of the lyrics. Yeah they will. And I've taken

1488
01:20:26,479 --> 01:20:29,320
Speaker 1: that into it an account because I've actually I tested

1489
01:20:29,400 --> 01:20:34,160
Speaker 1: this song on a variety of vehicles and most of

1490
01:20:34,240 --> 01:20:36,360
Speaker 1: the time, nine times out of ten it all worked.

1491
01:20:36,520 --> 01:20:39,759
Speaker 1: There was one car that had a busted sound system.

1492
01:20:40,080 --> 01:20:43,000
Speaker 1: It was like monophonic that you really couldn't tell. But

1493
01:20:43,160 --> 01:20:45,920
Speaker 1: then just at some point you're maybe going to hear

1494
01:20:45,960 --> 01:20:49,559
Speaker 1: it somewhere else. Maybe just use your imagination. Also, those

1495
01:20:49,680 --> 01:20:52,360
Speaker 1: tiny little portable speakers like the one over here on

1496
01:20:52,479 --> 01:20:58,640
Speaker 1: my floor next to nobody is. No, it's not going

1497
01:20:58,680 --> 01:21:02,479
Speaker 1: to give you the stereo on experience, but it's gonna

1498
01:21:02,479 --> 01:21:04,840
Speaker 1: be everyone's just like, let's just hear the damn song,

1499
01:21:05,040 --> 01:21:09,240
Speaker 1: Like shut up already. Well, this is like why I

1500
01:21:09,320 --> 01:21:12,040
Speaker 1: like following you on TikTok too, because you this all

1501
01:21:12,080 --> 01:21:15,000
Speaker 1: this stuff. You explained like you had him there singing

1502
01:21:15,080 --> 01:21:17,000
Speaker 1: into one side of the microphone and then you made

1503
01:21:17,040 --> 01:21:18,840
Speaker 1: him move to the other side of the microphone so

1504
01:21:18,880 --> 01:21:21,280
Speaker 1: you get to see the whole. Yeah. Well we judged

1505
01:21:21,320 --> 01:21:24,560
Speaker 1: that a little bit. That was for the TikTok experience.

1506
01:21:24,640 --> 01:21:27,800
Speaker 1: But he did when he was recording it, record only

1507
01:21:27,840 --> 01:21:30,120
Speaker 1: on the left side and then on the right side.

1508
01:21:30,600 --> 01:21:34,800
Speaker 1: A microphone is just it's not omni directional. I mean

1509
01:21:34,840 --> 01:21:37,400
Speaker 1: it could be. I don't know, maybe, but it's not

1510
01:21:37,479 --> 01:21:43,280
Speaker 1: gonna pad left right. I learned so much from Charlie.

1511
01:21:44,360 --> 01:21:47,679
Speaker 1: Charlie poo is in a room with a Kardashian about

1512
01:21:47,720 --> 01:21:54,759
Speaker 1: thinking he's only two blocks away? Are you with Chloe?

1513
01:21:55,640 --> 01:21:59,120
Speaker 1: Oh my god, keep trying to look in that TV

1514
01:21:59,280 --> 01:22:01,040
Speaker 1: over to the right. See if I see a reflection

1515
01:22:01,080 --> 01:22:07,479
Speaker 1: and I haven't see. Are you gonna show us the room? No,

1516
01:22:07,680 --> 01:22:11,599
Speaker 1: we don't need to see the room more away from

1517
01:22:11,640 --> 01:22:14,080
Speaker 1: whatever people to see. I thought at this point, and

1518
01:22:14,280 --> 01:22:16,800
Speaker 1: I thought, at this point in my career, I would

1519
01:22:16,840 --> 01:22:20,559
Speaker 1: be uh at that thirty years old, and you're like, Okay,

1520
01:22:20,640 --> 01:22:23,519
Speaker 1: we won't care about that stuff anymore. It's just about

1521
01:22:24,040 --> 01:22:31,240
Speaker 1: the crafts. All right, Well, look, it's been a lot

1522
01:22:31,280 --> 01:22:38,080
Speaker 1: of fun. I know you all too well. You know what,

1523
01:22:38,280 --> 01:22:40,200
Speaker 1: we don't even want to. We don't care about who's

1524
01:22:40,200 --> 01:22:42,320
Speaker 1: in that room with you. We don't want to. We

1525
01:22:42,400 --> 01:22:48,760
Speaker 1: don't spend, We don't I don't know whether you like

1526
01:22:48,840 --> 01:22:50,639
Speaker 1: it or not. We're gonna pay, We're gonna play left

1527
01:22:50,680 --> 01:22:53,360
Speaker 1: and right. Yeah, and the majority of people listen. You're

1528
01:22:53,360 --> 01:22:57,479
Speaker 1: gonna hear all the lyrics, but some people won't. Oh yeah, exactly.

1529
01:22:57,560 --> 01:23:00,599
Speaker 1: You have to have to have a good, pensive car

1530
01:23:00,720 --> 01:23:05,919
Speaker 1: to listen to this is really, it's exclusion. It's finest.

1531
01:23:06,120 --> 01:23:09,080
Speaker 1: It's true. It's true. If you don't really, if you

1532
01:23:09,120 --> 01:23:11,519
Speaker 1: don't really have money in the bank, we don't care.

1533
01:23:11,640 --> 01:23:13,600
Speaker 1: We don't want you to have. You can't listen to this.

1534
01:23:17,280 --> 01:23:18,800
Speaker 1: What are you doing a while in New York? Tell me?

1535
01:23:18,960 --> 01:23:21,519
Speaker 1: Tell me more? What are you doing in our fair city? Um?

1536
01:23:22,000 --> 01:23:27,599
Speaker 1: Just working, having fun, seeing friends, And I just honestly,

1537
01:23:27,640 --> 01:23:30,320
Speaker 1: I had a couple of days to I haven't had

1538
01:23:30,360 --> 01:23:36,559
Speaker 1: a vacation, and I just love spending the two days

1539
01:23:36,600 --> 01:23:39,680
Speaker 1: of vacation I allowed myself. I love spending it in

1540
01:23:39,960 --> 01:23:43,479
Speaker 1: my favorite city of all time. Oh look at all right,

1541
01:23:43,960 --> 01:23:46,080
Speaker 1: it's a love letter to the city. Why don't you

1542
01:23:46,160 --> 01:23:49,320
Speaker 1: write a song about New York? I don't know if

1543
01:23:49,360 --> 01:23:56,320
Speaker 1: that's ever been done. Always it's always a rip, roaring,

1544
01:23:56,840 --> 01:24:01,200
Speaker 1: snot slinging time with Charlie. I want to play this song.

1545
01:24:01,320 --> 01:24:03,040
Speaker 1: I want to play Left and Right. I want people

1546
01:24:03,080 --> 01:24:06,599
Speaker 1: to experience it in the in the headphones, in your buds.

1547
01:24:06,720 --> 01:24:08,680
Speaker 1: All right, I think that should if everyone's listening for

1548
01:24:08,720 --> 01:24:12,360
Speaker 1: the first time, just wear a nice pair of headphones,

1549
01:24:12,479 --> 01:24:15,360
Speaker 1: get your headphones ready and or just go in your car.

1550
01:24:15,840 --> 01:24:18,080
Speaker 1: Try not to listen to it on just one speaker.

1551
01:24:18,560 --> 01:24:20,720
Speaker 1: And if you are listening to on speaker, just use

1552
01:24:20,760 --> 01:24:24,880
Speaker 1: your imagination. Yeah, there's there's some lyrics missing. Charlie. It's

1553
01:24:24,880 --> 01:24:26,760
Speaker 1: always a pleasure to have you on, even though you're

1554
01:24:26,960 --> 01:24:29,040
Speaker 1: next door and you could have basically just walked on over.

1555
01:24:29,640 --> 01:24:32,280
Speaker 1: But that's okay. We can take that up with with

1556
01:24:32,439 --> 01:24:36,000
Speaker 1: the radio team. That's all good. It's all good, Charlie

1557
01:24:36,439 --> 01:24:39,599
Speaker 1: Pooth along with jun Cook. Am I saying I always

1558
01:24:40,080 --> 01:24:42,640
Speaker 1: I want to say without a little French how you

1559
01:24:42,720 --> 01:24:47,360
Speaker 1: said it? Just Cook is Left and Right. Charlie. We

1560
01:24:47,439 --> 01:24:54,240
Speaker 1: love you, Come see us on. Hi. This is this

1561
01:24:54,439 --> 01:24:58,720
Speaker 1: is Iana Grande It's Chased Rules with Elvis Duran in

1562
01:24:58,760 --> 01:25:03,200
Speaker 1: the morning show. Summertime needs to be stressed free. That's

1563
01:25:03,240 --> 01:25:07,080
Speaker 1: why you need Hello Fresh. Hello Fresh. They deliver chef crafted,

1564
01:25:07,320 --> 01:25:11,080
Speaker 1: foolproof recipes featuring the season's ripest fruits and veggies straight

1565
01:25:11,160 --> 01:25:14,240
Speaker 1: to your door. Get sixteen free meals plus three free

1566
01:25:14,320 --> 01:25:19,720
Speaker 1: gifts at Hello fresh dot com slash Elvis Hey, Um.

1567
01:25:19,960 --> 01:25:23,840
Speaker 1: What a busy day, bas Lerman and Mark Ronson. We

1568
01:25:24,000 --> 01:25:27,439
Speaker 1: had Charlie Poof with new music and now standing in

1569
01:25:27,520 --> 01:25:31,600
Speaker 1: his front yard somewhere in Hollywood. Jake Miller is on

1570
01:25:31,680 --> 01:25:33,439
Speaker 1: the phone. Why are you in your yard? What are

1571
01:25:33,479 --> 01:25:36,800
Speaker 1: you doing? Are you mowing? I know, I just wanted

1572
01:25:36,800 --> 01:25:39,439
Speaker 1: to tell you know, get outside and get some fresh airs,

1573
01:25:39,560 --> 01:25:42,639
Speaker 1: enjoy the beautiful day and celebrate talking to you guys,

1574
01:25:42,840 --> 01:25:44,800
Speaker 1: you send a liar. You don't want to wake your

1575
01:25:44,840 --> 01:25:50,000
Speaker 1: girlfriend up. Come on right, exactly right? How did you

1576
01:25:50,160 --> 01:25:53,080
Speaker 1: know that? It's really funny because we had we had

1577
01:25:53,200 --> 01:25:56,040
Speaker 1: Charlie Poof on from his hotel room a few minutes ago,

1578
01:25:56,479 --> 01:25:58,280
Speaker 1: and we could tell there was someone else in the room.

1579
01:25:58,320 --> 01:26:00,760
Speaker 1: He wouldn't turn the camera and we we ken't be

1580
01:26:00,840 --> 01:26:03,320
Speaker 1: giving him crap, And I bet he had knowing Charlie,

1581
01:26:03,320 --> 01:26:05,240
Speaker 1: he had no one in the room. Doesn't haven't anyone

1582
01:26:05,280 --> 01:26:07,719
Speaker 1: in that room. He just wanted us to think he did. Anyway,

1583
01:26:07,760 --> 01:26:10,200
Speaker 1: we were Jake before we got to play eight Tattoos.

1584
01:26:10,240 --> 01:26:14,400
Speaker 1: It's my new favorite song. Before we played really No, no, No,

1585
01:26:14,680 --> 01:26:20,120
Speaker 1: your lyrics are always really really fresh. I love I

1586
01:26:20,240 --> 01:26:22,400
Speaker 1: just love how you how you write a song. Um,

1587
01:26:22,720 --> 01:26:25,080
Speaker 1: thank you so much. So Gandhi and I were here

1588
01:26:25,200 --> 01:26:29,679
Speaker 1: going through your TikTok videos. You really are, You're really

1589
01:26:29,760 --> 01:26:31,600
Speaker 1: you have a lot of content coming at you and

1590
01:26:31,640 --> 01:26:35,880
Speaker 1: your girlfriend, and yeah, TikTok is fun, such a fun

1591
01:26:35,960 --> 01:26:38,439
Speaker 1: way to from a music these days. Well, no, you

1592
01:26:38,479 --> 01:26:40,280
Speaker 1: were trying to figure out what that was in your hand,

1593
01:26:40,360 --> 01:26:45,439
Speaker 1: like these are all women's products, right, Yeah. I saw

1594
01:26:45,600 --> 01:26:48,120
Speaker 1: was him trying to guess what the girly product was,

1595
01:26:48,240 --> 01:26:50,920
Speaker 1: and I was dying because one of them was like

1596
01:26:51,000 --> 01:26:53,920
Speaker 1: a birth control device, and I don't know as teeth.

1597
01:26:54,200 --> 01:27:00,680
Speaker 1: It was for a little separator, a nail salon that

1598
01:27:00,760 --> 01:27:05,800
Speaker 1: keeps your toes apart. He thought it was, doesn't you know.

1599
01:27:06,120 --> 01:27:09,479
Speaker 1: I'm proud to not know those things. I just want

1600
01:27:09,520 --> 01:27:11,240
Speaker 1: to tell you something, and we've we talk about your

1601
01:27:11,280 --> 01:27:12,920
Speaker 1: career and your music a lot, and we we've known

1602
01:27:13,000 --> 01:27:14,720
Speaker 1: each other for many years and you've been always been

1603
01:27:14,760 --> 01:27:17,760
Speaker 1: a member of our of our family here. Um, you

1604
01:27:18,200 --> 01:27:22,080
Speaker 1: are a fantastic example of an artist in the music

1605
01:27:22,200 --> 01:27:25,639
Speaker 1: business who basically kind of does it his own way.

1606
01:27:25,760 --> 01:27:28,920
Speaker 1: I mean you do agree with that statement, right, I yeah,

1607
01:27:29,000 --> 01:27:31,599
Speaker 1: I appreciate that, and I definitely pride myself on as

1608
01:27:32,000 --> 01:27:34,360
Speaker 1: been through you know, all the ups and downs in

1609
01:27:34,439 --> 01:27:36,599
Speaker 1: the in the industry for the last decade, a lot

1610
01:27:36,640 --> 01:27:39,200
Speaker 1: of labels, a lot of managers, and I've realized that

1611
01:27:39,280 --> 01:27:40,720
Speaker 1: the best way to do it is to do it

1612
01:27:40,840 --> 01:27:43,800
Speaker 1: myself and have some great friends and people around me

1613
01:27:43,840 --> 01:27:46,880
Speaker 1: that I trust and great supporters like you guys. So yeah,

1614
01:27:47,120 --> 01:27:48,680
Speaker 1: how I'm doing it is how I always want to

1615
01:27:48,720 --> 01:27:50,559
Speaker 1: do it. And look at all these fans. I mean,

1616
01:27:50,600 --> 01:27:53,479
Speaker 1: if if Jake Millner comes to town and he's gonna

1617
01:27:53,479 --> 01:27:56,000
Speaker 1: go do a four thousand person venue, it's it sells out.

1618
01:27:56,160 --> 01:27:58,599
Speaker 1: I mean, it's it's gone. You have rabid fans. They

1619
01:27:58,640 --> 01:28:00,519
Speaker 1: love your music. They understand what I'm talking about as

1620
01:28:00,560 --> 01:28:02,960
Speaker 1: far as your lyrics and everything goes. So you just

1621
01:28:03,200 --> 01:28:05,320
Speaker 1: resaw you just signed to a new a new label,

1622
01:28:05,400 --> 01:28:07,040
Speaker 1: a new family, and you're gonna have to teach them

1623
01:28:07,080 --> 01:28:09,920
Speaker 1: how to do it. To Jake Millerway, Yeah, no, I

1624
01:28:10,000 --> 01:28:13,360
Speaker 1: just signed the Empire records. I'm extremely excited. Great people

1625
01:28:13,400 --> 01:28:16,120
Speaker 1: over there, and yeah, just as we just talked about,

1626
01:28:16,160 --> 01:28:18,320
Speaker 1: they're not there to tell me what to do obviously.

1627
01:28:18,400 --> 01:28:21,640
Speaker 1: I'm you know, I'm a veteran now, I think in

1628
01:28:21,720 --> 01:28:23,519
Speaker 1: this industry, I've been doing it for a long time.

1629
01:28:23,560 --> 01:28:25,400
Speaker 1: And you know, I kind of sat down with them

1630
01:28:25,439 --> 01:28:27,640
Speaker 1: at the very beginning and said, you know, if you

1631
01:28:27,680 --> 01:28:29,280
Speaker 1: guys want to get in business, this is how it's

1632
01:28:29,280 --> 01:28:31,080
Speaker 1: going to be. You guys, I would love your health

1633
01:28:31,200 --> 01:28:33,599
Speaker 1: or support your advice, but you know, at the end

1634
01:28:33,600 --> 01:28:35,920
Speaker 1: of the day, I'm the captain, and um, I think

1635
01:28:35,960 --> 01:28:39,439
Speaker 1: they respect that. And wow, you know, yeah, that's that's

1636
01:28:39,479 --> 01:28:40,800
Speaker 1: how it's got to be. It's that's the only way

1637
01:28:40,800 --> 01:28:44,160
Speaker 1: it's got to be these days. You know what, I'm inspired.

1638
01:28:44,160 --> 01:28:46,679
Speaker 1: I'm going to march down to the carpet of office

1639
01:28:46,680 --> 01:28:49,400
Speaker 1: in the corner and tell them I'm a veteran. Damn it,

1640
01:28:49,520 --> 01:28:52,000
Speaker 1: I heart. Let me do what I want to do

1641
01:28:52,960 --> 01:28:58,320
Speaker 1: the captain. Now I'm captain. Remember during pandemic, didn't you

1642
01:28:58,400 --> 01:29:01,360
Speaker 1: do a video about opting a puppy or something? Well,

1643
01:29:02,439 --> 01:29:05,800
Speaker 1: am I imagining that. No, you did not imagine that.

1644
01:29:05,880 --> 01:29:07,760
Speaker 1: We did a whole serious It was so much fun.

1645
01:29:07,920 --> 01:29:10,080
Speaker 1: We called them Quarum tunes, and it was just a

1646
01:29:10,120 --> 01:29:12,320
Speaker 1: bunch of homemade songs that me and my family made.

1647
01:29:12,560 --> 01:29:14,840
Speaker 1: I think that was the last one, just about you know,

1648
01:29:15,160 --> 01:29:18,000
Speaker 1: the pandemic is still going on, We're getting bored, and

1649
01:29:18,240 --> 01:29:20,240
Speaker 1: me and my sister were begging my parents to get

1650
01:29:20,280 --> 01:29:22,360
Speaker 1: a little puppy. We weren't really serious. It was more

1651
01:29:22,439 --> 01:29:24,639
Speaker 1: just for the song, but it was a good time.

1652
01:29:25,040 --> 01:29:27,120
Speaker 1: It's it's so funny because a lot of artists came

1653
01:29:27,160 --> 01:29:30,640
Speaker 1: out with a mega ton of content during during the

1654
01:29:30,720 --> 01:29:34,000
Speaker 1: heavy COVID days and it lives on forever. Thank you. TikTok.

1655
01:29:34,040 --> 01:29:36,760
Speaker 1: It's all right there. Talk to me about Talk to

1656
01:29:36,800 --> 01:29:40,160
Speaker 1: me about eight Tattoos. Tell everyone basically where it came from.

1657
01:29:41,479 --> 01:29:43,400
Speaker 1: Eight Tattoos is a song I made with two of

1658
01:29:43,479 --> 01:29:45,680
Speaker 1: my friends here in La It's really just about like

1659
01:29:45,800 --> 01:29:49,240
Speaker 1: the change and growth that I've seen in my life

1660
01:29:49,280 --> 01:29:52,720
Speaker 1: over the past you know, decade, really kind of kind

1661
01:29:52,720 --> 01:29:54,519
Speaker 1: of going all the way back to high school. It

1662
01:29:54,600 --> 01:29:56,720
Speaker 1: kind of you know, it's not even about really an

1663
01:29:56,760 --> 01:29:59,720
Speaker 1: ex relationship. It's more just about talking to the kids

1664
01:29:59,760 --> 01:30:01,840
Speaker 1: that grew up with in my hometown that you know,

1665
01:30:01,960 --> 01:30:04,439
Speaker 1: haven't seen me in over ten years, and all the

1666
01:30:04,520 --> 01:30:06,360
Speaker 1: ways that I've changed, in the good ways in the

1667
01:30:06,400 --> 01:30:08,879
Speaker 1: bad ways. So I really like the song. The production

1668
01:30:09,040 --> 01:30:12,240
Speaker 1: is so crazy. It's kind of like John Bellian inspired.

1669
01:30:12,360 --> 01:30:17,800
Speaker 1: I think, you guys know, yeah, so yeah, that's I'm

1670
01:30:17,840 --> 01:30:19,280
Speaker 1: really excited for it to be, you know, like the

1671
01:30:19,360 --> 01:30:21,760
Speaker 1: first song from from this new era, and I'm really

1672
01:30:21,800 --> 01:30:25,080
Speaker 1: excited to play it on tour. We're excited to play it, Jake.

1673
01:30:25,479 --> 01:30:32,519
Speaker 1: You can go back inside now. His neighbors are away.

1674
01:30:33,120 --> 01:30:35,800
Speaker 1: There's a guy on the phone, like pacing. What's he doing?

1675
01:30:36,360 --> 01:30:39,240
Speaker 1: Should we call the police anyway? Jake, thank you so

1676
01:30:39,439 --> 01:30:41,559
Speaker 1: much for being on with us the single of course

1677
01:30:42,120 --> 01:30:44,360
Speaker 1: at twos we're gonna play it now. But is there

1678
01:30:44,560 --> 01:30:48,840
Speaker 1: an album coming out? Um, in the process of making one.

1679
01:30:48,880 --> 01:30:52,160
Speaker 1: It's probably halfway done. Got a lot of great songs, um.

1680
01:30:52,680 --> 01:30:55,200
Speaker 1: But yeah, And before I go, I want to let

1681
01:30:55,240 --> 01:30:57,599
Speaker 1: you guys know I'll be playing in New York in August,

1682
01:30:57,680 --> 01:30:58,960
Speaker 1: the first show the tour. I would love for you

1683
01:30:59,040 --> 01:31:02,639
Speaker 1: guys to I'll be August fifth. Is it the elvis

1684
01:31:02,760 --> 01:31:06,040
Speaker 1: or in Birthday show? I can't wait. Thanks for dedicating. Yeah,

1685
01:31:06,439 --> 01:31:08,360
Speaker 1: it's not it's not on your birthday, but we can

1686
01:31:08,400 --> 01:31:12,439
Speaker 1: celebrate your birthday. We will. I'll be there. I tell

1687
01:31:12,479 --> 01:31:14,479
Speaker 1: Scott someone just to give me, give me some info

1688
01:31:14,520 --> 01:31:17,800
Speaker 1: because we want to come see you. And you're unbelievably cool, Jake.

1689
01:31:17,880 --> 01:31:20,599
Speaker 1: We love talking to you. Go back to bed. Okay, okay,

1690
01:31:20,760 --> 01:31:22,400
Speaker 1: thank you guys for having me. I love you, guys,

1691
01:31:22,720 --> 01:31:25,240
Speaker 1: Love you too, Jake. Have a great sleep. There you go.

1692
01:31:25,640 --> 01:31:27,800
Speaker 1: A great guy. He really is such a nice guy.

1693
01:31:28,080 --> 01:31:30,880
Speaker 1: He's always been just the greatest guy from the greatest family.

1694
01:31:31,160 --> 01:31:34,120
Speaker 1: And of course a song eight tattoos, where the tattoos

1695
01:31:34,640 --> 01:31:38,720
Speaker 1: that you have on your body represent growth. Interesting concept, right,

1696
01:31:38,800 --> 01:31:41,800
Speaker 1: let's let's hear here's Jake Miller eight tattoos. There you go,

1697
01:31:41,920 --> 01:31:46,160
Speaker 1: Jake Miller eight tattoos. Isn't that cool? He just has

1698
01:31:46,240 --> 01:31:49,519
Speaker 1: the most playful way of writing lyrics. He always has

1699
01:31:49,880 --> 01:31:52,400
Speaker 1: and I think he has it in h in a

1700
01:31:52,960 --> 01:31:55,519
Speaker 1: relation with John Belli and the same thing. They're very

1701
01:31:55,680 --> 01:31:58,680
Speaker 1: playful with the lyrics and the rhythm. And I don't

1702
01:31:58,680 --> 01:32:01,200
Speaker 1: I can't explain. I'm not immediate. And it's so meaningful too,

1703
01:32:01,280 --> 01:32:03,639
Speaker 1: because legitimately why he was talking about in that song

1704
01:32:03,760 --> 01:32:06,559
Speaker 1: he doesn't want to go to a reunion. Same. We're

1705
01:32:06,600 --> 01:32:11,040
Speaker 1: different people than we were then. Yeah, there are a

1706
01:32:11,040 --> 01:32:12,519
Speaker 1: lot of people go in the reunion who got rid

1707
01:32:12,560 --> 01:32:16,000
Speaker 1: of eight tattoos. A little different. Let's go round the room.

1708
01:32:16,040 --> 01:32:17,599
Speaker 1: I'm gonna see what's on your mind before we run

1709
01:32:17,600 --> 01:32:21,240
Speaker 1: for our lives. We'll start with you, scary. What's going on? Well?

1710
01:32:21,360 --> 01:32:23,639
Speaker 1: I actually, could you just give me for a quick

1711
01:32:23,680 --> 01:32:26,800
Speaker 1: second because I I had something to say. You have notes, okay,

1712
01:32:26,880 --> 01:32:29,640
Speaker 1: Danielle's all right. So I was doing the laundry and

1713
01:32:30,160 --> 01:32:33,200
Speaker 1: I found twenty dollars in the dryer that is yours,

1714
01:32:33,720 --> 01:32:37,320
Speaker 1: thank you in one of my kids hants. So I said, oh,

1715
01:32:37,800 --> 01:32:39,680
Speaker 1: I'm keeping it and the kids will look. What do

1716
01:32:39,720 --> 01:32:42,120
Speaker 1: you mean you're supposed to check the pockets? I said, no, no, no,

1717
01:32:42,439 --> 01:32:45,240
Speaker 1: You're supposed to put the laundry in the wash without

1718
01:32:45,400 --> 01:32:47,559
Speaker 1: the money in the pocket. You check your own pockets.

1719
01:32:47,600 --> 01:32:50,040
Speaker 1: I'm not checking your pockets. You're lucky. I do your laundry.

1720
01:32:50,240 --> 01:32:53,080
Speaker 1: What the hell? So finders keepers in my house? Twenty bucks?

1721
01:32:53,160 --> 01:32:57,200
Speaker 1: Thank you very much. That's right, Danielle, thank you. You're

1722
01:32:57,240 --> 01:33:02,800
Speaker 1: so evil. But I agree, losers, what's up, Scary. You know.

1723
01:33:03,400 --> 01:33:06,760
Speaker 1: Somehow in the room, conversation came up about wearing gym

1724
01:33:06,880 --> 01:33:09,680
Speaker 1: clothes under your regular clothes when you were a kid,

1725
01:33:10,200 --> 01:33:13,040
Speaker 1: and it brought back this horrible, horrible memory of a

1726
01:33:13,120 --> 01:33:15,840
Speaker 1: picture that was taken of me in gym class. My

1727
01:33:16,040 --> 01:33:19,040
Speaker 1: gym shorts were so short in the seventh grade that

1728
01:33:19,280 --> 01:33:25,360
Speaker 1: my uher was hanging out of the left side when

1729
01:33:25,400 --> 01:33:28,840
Speaker 1: I was sitting criss crossed apple sauce. And that picture

1730
01:33:28,880 --> 01:33:32,280
Speaker 1: still exists somewhere today and I think my mother father gonna,

1731
01:33:32,640 --> 01:33:35,120
Speaker 1: you know, frame me with it or something. But it

1732
01:33:35,240 --> 01:33:38,120
Speaker 1: was an awful, awful moment of for sharing that moment

1733
01:33:38,160 --> 01:33:41,639
Speaker 1: from childhood chandelier issues with your gym shorts, you wouldn't

1734
01:33:41,680 --> 01:33:45,759
Speaker 1: be talking about him on the show. Is Her producer

1735
01:33:45,840 --> 01:33:48,240
Speaker 1: Sam around. I'm gonna say I gotta say a personal

1736
01:33:48,320 --> 01:33:51,400
Speaker 1: thank you to producer Sam. This morning we had a

1737
01:33:51,680 --> 01:33:56,040
Speaker 1: fantastic interview with a bas lerman and it was an incredible,

1738
01:33:56,120 --> 01:34:00,680
Speaker 1: incredible job and Sam went over and beyond to make

1739
01:34:00,720 --> 01:34:06,400
Speaker 1: sure it sounded great. Full throttle. Thanks, thank you Sam. That's,

1740
01:34:07,600 --> 01:34:09,880
Speaker 1: of course, I mean, Scary took credit for it, but

1741
01:34:10,080 --> 01:34:13,479
Speaker 1: we all expect what you can expect, you know, a

1742
01:34:13,600 --> 01:34:17,719
Speaker 1: scary standing than what's on your mind. I love painting

1743
01:34:17,800 --> 01:34:20,360
Speaker 1: photos in my brain of what real scenarios were happening.

1744
01:34:20,400 --> 01:34:21,960
Speaker 1: So this morning, I was walking down the street and

1745
01:34:21,960 --> 01:34:25,520
Speaker 1: there's an entire pile of mail laundry on the sidewalk,

1746
01:34:26,000 --> 01:34:29,439
Speaker 1: and it's also dripped over the fence where I found it. Though,

1747
01:34:29,560 --> 01:34:33,600
Speaker 1: I'm fully sure that some couple went crazy and he

1748
01:34:33,840 --> 01:34:36,439
Speaker 1: or she kicked him out to get the hell out

1749
01:34:36,520 --> 01:34:39,479
Speaker 1: of here. So if the clothes still there on the sidewalk,

1750
01:34:39,520 --> 01:34:40,760
Speaker 1: I think I'm just gonna, like, you know, have a

1751
01:34:40,840 --> 01:34:43,240
Speaker 1: lemonade on my porch or something like, you know, stake out,

1752
01:34:43,280 --> 01:34:45,839
Speaker 1: wait till something happens, because that looked like a juicy

1753
01:34:45,960 --> 01:34:48,040
Speaker 1: happening to me. I love a good story, you know what.

1754
01:34:48,160 --> 01:34:50,760
Speaker 1: You can just see something, You're like, there's a story here. Okay,

1755
01:34:50,760 --> 01:34:52,360
Speaker 1: when we get back from vacation, I want to talk

1756
01:34:52,400 --> 01:34:55,720
Speaker 1: about people who have had their clothing literally thrown out

1757
01:34:55,800 --> 01:34:58,160
Speaker 1: of the second or third story window in a fight.

1758
01:34:58,280 --> 01:34:59,720
Speaker 1: Always the story. Yeah, I was just wanting to talk

1759
01:34:59,720 --> 01:35:02,320
Speaker 1: about a story that's going around here in New York where,

1760
01:35:03,160 --> 01:35:08,479
Speaker 1: because of the cost of rent skyrocketing, people are forcing

1761
01:35:08,800 --> 01:35:13,160
Speaker 1: relationships faster than they would otherwise it's turning into quite

1762
01:35:13,240 --> 01:35:15,760
Speaker 1: a story here. People are like, well, maybe this is

1763
01:35:15,800 --> 01:35:17,800
Speaker 1: going to work out. Let's rent a place together, here

1764
01:35:17,840 --> 01:35:19,320
Speaker 1: we go. I'm want to get into that. Can you

1765
01:35:19,400 --> 01:35:21,439
Speaker 1: write these things down? Nate? Since euch her job? All right?

1766
01:35:21,479 --> 01:35:25,240
Speaker 1: Thank you, Gandhi, what's up with you today? So yesterday

1767
01:35:25,439 --> 01:35:28,320
Speaker 1: I experienced something that I always wanted to happen, and

1768
01:35:28,400 --> 01:35:30,479
Speaker 1: then I realized it was terrible that it was happening.

1769
01:35:30,560 --> 01:35:33,000
Speaker 1: So I was on the plane, which, by the way, update,

1770
01:35:33,080 --> 01:35:35,200
Speaker 1: it did take off and land when they said it

1771
01:35:35,360 --> 01:35:37,880
Speaker 1: was going to, so that was exciting. But there was

1772
01:35:37,960 --> 01:35:40,559
Speaker 1: like a pack of children on this flight. Whatever kids

1773
01:35:40,560 --> 01:35:42,639
Speaker 1: are gonna yell, they're gonna scream. But the one behind

1774
01:35:42,720 --> 01:35:46,120
Speaker 1: me stayed kicking my seat the whole flight. And we

1775
01:35:46,200 --> 01:35:49,040
Speaker 1: always say, I wish a parent would do something, would intervene.

1776
01:35:49,560 --> 01:35:52,000
Speaker 1: But her dad was sitting next to me, so he

1777
01:35:52,200 --> 01:35:55,640
Speaker 1: kept turning around and screaming at her to stop. But

1778
01:35:55,840 --> 01:35:58,400
Speaker 1: now she's not stopping. So I have her kicking my

1779
01:35:58,479 --> 01:36:02,800
Speaker 1: seat and her dad's screaming. The time trips sounds like

1780
01:36:02,840 --> 01:36:04,679
Speaker 1: a lot of fun. I know. I was like, careful

1781
01:36:04,720 --> 01:36:07,479
Speaker 1: what you wished for, because it might be worse. God

1782
01:36:08,640 --> 01:36:10,920
Speaker 1: that guy for trying. The parent and the kid are

1783
01:36:10,960 --> 01:36:14,320
Speaker 1: like in a competition to drive you nuts. It was

1784
01:36:14,360 --> 01:36:22,759
Speaker 1: literally this stop stop stop stop it God. Yeah, all right, senior,

1785
01:36:22,880 --> 01:36:25,320
Speaker 1: straight nate, what are you thinking about? Okay, so we're

1786
01:36:25,400 --> 01:36:27,439
Speaker 1: going on vacation here a couple of weeks. And if

1787
01:36:27,560 --> 01:36:29,599
Speaker 1: you are and you have some time off that you're

1788
01:36:29,640 --> 01:36:32,280
Speaker 1: not in your normal routine, it's the perfect time to

1789
01:36:32,400 --> 01:36:36,120
Speaker 1: start a good habit. Maybe start walk taking a walk,

1790
01:36:36,320 --> 01:36:39,519
Speaker 1: doing some exercise, start taking vitamins or getting into a

1791
01:36:39,600 --> 01:36:42,560
Speaker 1: better sleep pattern. Use this opportunity that you're not in

1792
01:36:42,640 --> 01:36:45,400
Speaker 1: your normal routine to get the routine you want. I'm

1793
01:36:45,439 --> 01:36:47,000
Speaker 1: gonna do that. I'm gonna start reading a book. I'm

1794
01:36:47,000 --> 01:36:49,680
Speaker 1: gonna read a book today, perfect, perfect, and then go

1795
01:36:49,800 --> 01:36:51,640
Speaker 1: for every day, go for a hike. I'm going for

1796
01:36:51,640 --> 01:36:55,040
Speaker 1: a hike and I'm going to read a book and eats,

1797
01:36:55,080 --> 01:36:57,080
Speaker 1: and tomorrow I'll be back to my old slothy self.

1798
01:37:00,320 --> 01:37:03,920
Speaker 1: Suggest doesn't work that way, but yeah, thanks for the reminder,

1799
01:37:05,920 --> 01:37:09,280
Speaker 1: sen A text to what you were texting and saying

1800
01:37:09,320 --> 01:37:11,519
Speaker 1: that they do love to sniff their underwear. You no

1801
01:37:11,840 --> 01:37:14,160
Speaker 1: get out of here home. Stanner Data investaging rates may

1802
01:37:14,200 --> 01:37:15,880
Speaker 1: apply to oh my god, look at all the text

1803
01:37:15,960 --> 01:37:17,639
Speaker 1: Elvistrand in the morning show