WEBVTT - Episode 473 | 75 Bodies

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<v Speaker 1>No Willian Doctor.

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<v Speaker 2>Welcome back. End of the week. We're sponsored by Boost.

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<v Speaker 2>This Saturday we have our pop up shop for our

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<v Speaker 2>merch Come through one to six.

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<v Speaker 3>Cafe Cole Model. Yes, eady six Broome Street. Pull up

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<v Speaker 3>on us, We'll be there.

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<v Speaker 2>Ryan has been practicing all week on his DJ set.

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<v Speaker 3>You Ryan, it's a lot of pressure on you Saturday.

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<v Speaker 3>I've been telling I've been telling everybody. I'm like, yo, Ryan,

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<v Speaker 3>this is his first gig. It's not his first, I

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<v Speaker 3>mean New York. This first gig in New York. Okay,

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<v Speaker 3>fair first gig. I mean it's the only gig that

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<v Speaker 3>matters and the only only New York for your first

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<v Speaker 3>in your last first gig in New York City. Say,

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<v Speaker 3>eybody's looking forward to your to your set. Not to

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<v Speaker 3>put a lot I want too much pressure on you,

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<v Speaker 3>all right. I don't want to put too much pressure

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<v Speaker 3>on you. But the players Trim was good. You said

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<v Speaker 3>them something see Zip gonna send you too much. It's

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<v Speaker 3>it's gonna be thirty minutes to mob. I was about

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<v Speaker 3>to say it's gonna be sing, it's gonna be.

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<v Speaker 2>They play Coolie rap at that cafe anyways.

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<v Speaker 1>No, that's cafe co model.

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<v Speaker 3>They definitely a hip hop friendly establishment, so it won't

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<v Speaker 3>be too too far out the out the warehouse.

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<v Speaker 1>But we are doing shuffle on that playlist.

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<v Speaker 3>There's no skips on the playlist said, there's not a skip.

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<v Speaker 3>Send me to send me to send me the playlist

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<v Speaker 3>that Zip sent you, because I I don't know, man,

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<v Speaker 3>because Zip Zip told me one definitely got who album

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<v Speaker 3>you said was a classic and I looked at you

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<v Speaker 3>like mob Deep the War Report.

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<v Speaker 4>No, it wasn't that one. I wouldn't give you too much.

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<v Speaker 4>You should get rid. Trying is not a classic, So.

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<v Speaker 2>There's that that doesn't exist.

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<v Speaker 1>All right?

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<v Speaker 3>Is a classic album if it's two skips on the

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<v Speaker 3>classic albums at?

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<v Speaker 1>A classic?

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<v Speaker 4>Is ready to Die classic album? Yes, yes, there's two

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<v Speaker 4>skips on it. I can skip through ships, right. I

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<v Speaker 4>live for the funk. I'm down for the Let me

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<v Speaker 4>get that out of here.

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<v Speaker 1>Not a skip to me. You was gonna say, like.

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<v Speaker 3>Because because but now you making it a thing like

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<v Speaker 3>this is the second time you win that Big.

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<v Speaker 1>No, I'm just saying and like, but why he disrespected you?

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<v Speaker 4>Know what I'm saying what I'm saying, But what is

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<v Speaker 4>it about Big in particular because you go right the

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<v Speaker 4>big because those is the classics, Like we know the classics.

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<v Speaker 1>That's okay, we.

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<v Speaker 4>Know the classic. After a while, you're gonna skip some

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<v Speaker 4>ship on the classic is what was the name of

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<v Speaker 4>that ship? I think get rich of do trying? Because

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<v Speaker 4>of it all lies on me. It's all lives on me.

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<v Speaker 1>A classic. Yes, yes, that's Parks classic. Is there not

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<v Speaker 1>five skips on that album? I don't know about. Baby.

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<v Speaker 1>Let me give you a call.

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<v Speaker 5>How much will it take to break you if you

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<v Speaker 5>really want it? Yo?

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<v Speaker 4>Man?

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<v Speaker 3>But looks, but that's another one of the grates that

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<v Speaker 3>we lost, Like what is it what you going at

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<v Speaker 3>the greats that we lost that's no longer here, Like

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<v Speaker 3>people deem that to be, like, come on, that's a

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<v Speaker 3>little disrespectful. You can't go at the grace that's not here.

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<v Speaker 4>So if I see an ugly ass Michelangelo painting and

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<v Speaker 4>I say that's ugly, they're gonna say.

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<v Speaker 1>Oh, y'all, you can't go out the greats. She's no

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<v Speaker 1>longer here.

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<v Speaker 3>But that's not our that's not our culture. That's a

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<v Speaker 3>little different. That's not our colture. We're talking about our

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<v Speaker 3>culture hip hop because you win that big, then pop.

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<v Speaker 4>Listen, I spend money on these niggas. These niggas ain't

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<v Speaker 4>never spend money on me. I could say, what the

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<v Speaker 4>fuck I want to say about it? Y'all spend my

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<v Speaker 4>money on this shit.

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<v Speaker 1>That's the fact. Five skips all eyes on me. So

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<v Speaker 1>I got to go back and listen to it. I'm looking.

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<v Speaker 1>I don't know if it's double CD.

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<v Speaker 4>Definitely five skips on that shit in two thousand, okay,

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<v Speaker 4>but if it's a double that came out thirty years ago,

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<v Speaker 4>thirty one years years ago, thirty years ago.

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<v Speaker 2>But you you just said machine gun Funk is a skip,

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<v Speaker 2>and that's crazy to me.

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<v Speaker 1>All I want this bitch, big body chairs Pat got Yeah.

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<v Speaker 2>Well, when I went to Big Big kids are opening

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<v Speaker 2>up a restaurant. So I went to like the tasting

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<v Speaker 2>for the ship, and when I walked in, I I

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<v Speaker 2>was like, man, Zip just called their father gay yesterday.

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<v Speaker 1>So I don't know I should be walking in and

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<v Speaker 1>laughing like what's up with you. I didn't call him gay.

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<v Speaker 1>I just say he was the king of the gay raps.

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<v Speaker 1>He just he just don't want to say a little bit, okay,

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<v Speaker 1>just say nasty ship you say mad nasty. I respect that.

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<v Speaker 1>I mean you ain't. I ain't saying the niggas. They

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<v Speaker 1>had a nice little bit, but he just had some

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<v Speaker 1>a little bit. He had some bars that he said.

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<v Speaker 1>It was kind of like what you what you said?

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<v Speaker 1>Why you? Why? How you landed on that big? That's

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<v Speaker 1>so I understand that, but it's it's classic. Some skips

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<v Speaker 1>skips on it.

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<v Speaker 4>When that ship furgured come out, I think if it's

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<v Speaker 4>more than two then it can't be. It can be

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<v Speaker 4>a good And that's the thing I think people why

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<v Speaker 4>we just can't say that album is dope butmless. It

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<v Speaker 4>ain't time niggas get caught up in when when it

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<v Speaker 4>come out, this ship is fire, we bumping this.

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<v Speaker 1>We jacking it. And then five years lady, you don't

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<v Speaker 1>hit the same no more. It's not timeless.

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<v Speaker 4>Like like I always say it, Big got the best

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<v Speaker 4>rap album all time than me Life after Death. I

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<v Speaker 4>don't think nobody made a better album than that Me personally,

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<v Speaker 4>I don't think nobody made a more complete album than

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<v Speaker 4>Life after Death. I feel like that shit got every

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<v Speaker 4>kind of song on it. It got fun shit, they

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<v Speaker 4>got shit. He just bullshitting around.

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<v Speaker 1>Play he got every type of like, every type of

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<v Speaker 1>vibe is on that album.

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<v Speaker 3>So that, to you, Life after Death would be the

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<v Speaker 3>best hip hop album. Yes, I don't know if I

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<v Speaker 3>share that sentiment with you, but that is one of

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<v Speaker 3>my favorite albums, though I don't know if.

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<v Speaker 1>It's like what you think is better than that take care.

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<v Speaker 3>I think Reasonable Doll is a better album than that

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<v Speaker 3>than Life after Death top to bottom. Like, if you

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<v Speaker 3>listen to Reasonable Doubts to there's no skips on there.

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<v Speaker 2>I don't think there's any skips on Life after Death today. Yeah,

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<v Speaker 2>but I'm just crazy. It's a double disk like, but.

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<v Speaker 4>I mean the music is better on I think the

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<v Speaker 4>music is better on Life after That. I think it's

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<v Speaker 4>way better production on Life after Death than Reasonable Doubt.

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<v Speaker 2>Yeah, yeah, the production is definitely better Reasonaly great production,

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<v Speaker 2>don't get it, but it's better beat Life after Death.

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<v Speaker 2>On beat selection is you could make a case it's

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<v Speaker 2>like the best produced hip hop album until you get

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<v Speaker 2>to some Kanye shit.

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<v Speaker 1>But Life after Death has the best beats out of

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<v Speaker 1>them two albums for sure, you know what I'm saying.

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<v Speaker 4>And I like I came outside of them ships like

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<v Speaker 4>that Reasonable Doubt, like I was really hustling to that shit.

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<v Speaker 4>I knew that I knew what he was saying. A

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<v Speaker 4>lot of that shit was fine over my idea, but

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<v Speaker 4>I understand that you could listen to that ship right

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<v Speaker 4>now here. Some shitn't be like reason that ship thirty

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<v Speaker 4>years ago.

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<v Speaker 1>Bro Reasonable Doubt.

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<v Speaker 3>Yeah, yeah, I mean that's why you know what Jay

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<v Speaker 3>doing the shows that Yankee Stadium. You know, I'm laughing

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<v Speaker 3>looking at everybody on the internet that's like in their

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<v Speaker 3>you know, early thirties, late twenties, and they raving about this,

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<v Speaker 3>and I'm just like, y'all, don't even y'all think it

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<v Speaker 3>wasn't even y'all was either just born or you know

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<v Speaker 3>what I'm saying, Like it was three years old when

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<v Speaker 3>that album came out. But to see people thirty years later,

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<v Speaker 3>it's still like so much excitement and energy around the

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<v Speaker 3>idea that Jay is doing a show based on that album.

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<v Speaker 3>I think it's dope, but it's just funny to see

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<v Speaker 3>like younger cats like really raving and going crazy to

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<v Speaker 3>get tickets for it.

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<v Speaker 2>I hate you ages because I was six years old

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<v Speaker 2>when Reasonable Doubt came out. But no, I don't know

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<v Speaker 2>what the experience of walking outside when reasonable doubt was

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<v Speaker 2>was going on, and even that was it wasn't like

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<v Speaker 2>a big release. Ain't no ten all that experience that nah,

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<v Speaker 2>I ain't no nigga. We all went back to reasonable doubt.

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<v Speaker 2>Ain't ain't going on. That shit went gold bro. Going

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<v Speaker 2>gold in ninety.

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<v Speaker 1>Six was a big deal. Reasonable doubt went gold bro.

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<v Speaker 4>Like people try to take that away from home, like, yo,

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<v Speaker 4>it ain't really doing nothing because it ain't gonna platinum

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<v Speaker 4>in ninety six.

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<v Speaker 1>Platinum wasn't the standing.

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<v Speaker 4>Gold was the standy and that ship went gold, and

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<v Speaker 4>then he re released it and it went platinum two

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<v Speaker 4>or three years later.

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<v Speaker 1>How long did it take to go go though? Probably

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<v Speaker 1>the a lot of.

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<v Speaker 4>The amount of time that it used to take them

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<v Speaker 4>ships to go gold, because I'm sure he got the

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<v Speaker 4>he got the checks for that ship.

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<v Speaker 2>I think it sold like twenty seven thousand first week,

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<v Speaker 2>which isn't bad, but like I mean, it was independence

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<v Speaker 2>like he.

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<v Speaker 1>Was still back then. It was written solar first week.

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<v Speaker 2>Back then, that ship might have went gold the first week,

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<v Speaker 2>because now went gol first.

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<v Speaker 1>A star at that point, Naves was a star.

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<v Speaker 4>But I don't think it went gold of first week

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<v Speaker 4>because because the three to me, those are the three big.

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<v Speaker 1>Albums that came out that song with Yeah, all eyes

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<v Speaker 1>on me.

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<v Speaker 4>It was written in reasonable doubt. Those are the three

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<v Speaker 4>Hello ears came out that year that went gold in

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<v Speaker 4>three months.

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<v Speaker 1>That's crazy. Yeah, that's a lot of time out here

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<v Speaker 1>to get out your check. That used to get you

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<v Speaker 1>your check right there.

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<v Speaker 2>I'm just saying that it was like jay Z wasn't

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<v Speaker 2>a star at that point. I've had heard out of

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<v Speaker 2>his own mouth in interviews where he's like, I would

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<v Speaker 2>go to the grocery store, like no one knew what

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<v Speaker 2>the fuck I was when reasonable doalcutt.

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<v Speaker 1>But it was different back then.

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<v Speaker 4>At three thousand, first week on the debut in ninety six,

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<v Speaker 4>they buying physical copies of the ship and like you said,

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<v Speaker 4>nobody know who he is.

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<v Speaker 1>That's flying. Oh no, I think it's incredible. I'm not

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<v Speaker 1>a nigga. Ain't no nigga was.

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<v Speaker 4>Rocking for like a whole year before the album came out. Yeah,

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<v Speaker 4>it was fox Yeah, him and Foxy that it was.

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<v Speaker 3>Right, that's when, that's when, that's the when, that's how

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<v Speaker 3>they used to break artists on the soundtrack. Yeah, the

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<v Speaker 3>first time you would hear a lot of artists would

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<v Speaker 3>be on the soundtrack from movies. It's like, oh, who's

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<v Speaker 3>that and you're gonna look and be like okay, and

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<v Speaker 3>then eventually the label like, okay, that song caught. Now

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<v Speaker 3>let's start working this artist because obviously this is people's

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<v Speaker 3>favorite song off the soundtrack, and like that.

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<v Speaker 4>My favorite pot shit is on the soundtrack, which one

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<v Speaker 4>above above the rim is so much pain Ship.

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<v Speaker 2>Yeah, that's probably that's probably the top. They never take

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<v Speaker 2>me a love year with my full five cock?

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<v Speaker 4>Is that?

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<v Speaker 3>That's my favorite part ship. That's a classic soundtrack. Above

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<v Speaker 3>the room above the rim Ship was Death Road did

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<v Speaker 3>the Sugar Ship?

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<v Speaker 1>About the rooms? The classical sounds, right, that's what I think.

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<v Speaker 1>That's what's missing.

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<v Speaker 3>We need moments like that, like to attach songs, like

0:10:09.160 --> 0:10:11.840
<v Speaker 3>specifically to movies where it's like.

0:10:11.960 --> 0:10:14.240
<v Speaker 4>Niggas just punching their homie. They ain't write rhymes no more.

0:10:14.280 --> 0:10:15.600
<v Speaker 4>It's never gonna be like that no more.

0:10:15.679 --> 0:10:18.280
<v Speaker 2>Bro. I mean they kind of they try to do

0:10:18.320 --> 0:10:22.559
<v Speaker 2>it sometimes, like Black Panther Kendrick did that that soundtrack.

0:10:24.480 --> 0:10:26.360
<v Speaker 2>I think Cold did uh Ship. I was at the

0:10:26.440 --> 0:10:28.480
<v Speaker 2>right in session. I forgot what movie that was dream

0:10:28.559 --> 0:10:30.920
<v Speaker 2>Bell did a whole movie sounds they've been trying. It's

0:10:30.920 --> 0:10:33.599
<v Speaker 2>not like songs anymore though, it's just much. It's just

0:10:33.679 --> 0:10:34.800
<v Speaker 2>full projects that they try to.

0:10:34.800 --> 0:10:37.040
<v Speaker 4>Put with You see these albums that we talk about,

0:10:37.160 --> 0:10:40.480
<v Speaker 4>like the classics and shit like that. These albums sat

0:10:40.520 --> 0:10:42.679
<v Speaker 4>with us for mad long before we got other music.

0:10:42.760 --> 0:10:42.880
<v Speaker 2>Bro.

0:10:43.160 --> 0:10:45.120
<v Speaker 1>Yeah, of course, yeah. We get music way too fast.

0:10:45.160 --> 0:10:46.920
<v Speaker 1>It's too much shit coming. It's too much. It's too

0:10:46.960 --> 0:10:49.360
<v Speaker 1>much music coming down the pipeline pulls like we get.

0:10:49.240 --> 0:10:51.280
<v Speaker 3>Too much music for that ship. But it's the same

0:10:51.320 --> 0:10:56.439
<v Speaker 3>thing even with It's funny. I saw somebody on Instagram video.

0:10:56.520 --> 0:11:00.320
<v Speaker 3>He said, y'all remember when you would only see maybe

0:11:00.480 --> 0:11:04.079
<v Speaker 3>eight bad women in your life, Like only eight, it

0:11:04.120 --> 0:11:04.360
<v Speaker 3>will be.

0:11:04.440 --> 0:11:08.360
<v Speaker 1>No bad bitches as soon as you press scroll.

0:11:08.440 --> 0:11:11.400
<v Speaker 4>It's like, yo, homie, I told my men and that ship,

0:11:11.440 --> 0:11:14.240
<v Speaker 4>I say, your son back in the day's son, it

0:11:14.400 --> 0:11:16.000
<v Speaker 4>was ten bad bros out here.

0:11:16.080 --> 0:11:19.840
<v Speaker 1>Bro. It was ten bad bros out here.

0:11:19.920 --> 0:11:20.040
<v Speaker 2>Bro.

0:11:20.559 --> 0:11:27.080
<v Speaker 1>That's it, just ten bad bro, not only ce ten Bro.

0:11:27.240 --> 0:11:29.120
<v Speaker 1>It's so many bad bases in the world. I don't

0:11:29.120 --> 0:11:30.920
<v Speaker 1>do that. Nigga wasn't supposed to know it was that.

0:11:30.960 --> 0:11:33.240
<v Speaker 4>Many of them at all, because now It's like, how

0:11:33.400 --> 0:11:36.560
<v Speaker 4>how can I like commit to this ship right here?

0:11:37.280 --> 0:11:40.280
<v Speaker 1>Why would better than would I? I saw some ship.

0:11:40.320 --> 0:11:43.000
<v Speaker 4>I don't know if she's better than you, like spiritually

0:11:43.120 --> 0:11:49.640
<v Speaker 4>and mentally, but physically she's better. It's a lot of them. Yeah,

0:11:49.800 --> 0:11:54.439
<v Speaker 4>every day I see them. Oh they got filters on.

0:11:54.559 --> 0:11:57.839
<v Speaker 4>I saw you with filters on you with the is

0:11:57.880 --> 0:12:00.959
<v Speaker 4>you talking about? Oh she got come and filed on you.

0:12:01.000 --> 0:12:01.880
<v Speaker 4>You'll be doing that too.

0:12:02.679 --> 0:12:05.000
<v Speaker 2>So I know you look different. I know she looks different,

0:12:05.040 --> 0:12:06.800
<v Speaker 2>but I want to find out right.

0:12:06.960 --> 0:12:07.920
<v Speaker 1>Yeah, I think it's just too much.

0:12:07.960 --> 0:12:10.200
<v Speaker 4>It's just too much, way too much pick and choose

0:12:10.760 --> 0:12:13.280
<v Speaker 4>for the bruhs tudo because they ain't used to know.

0:12:13.360 --> 0:12:15.320
<v Speaker 4>It was all of these niggas jinking in the world.

0:12:15.360 --> 0:12:17.079
<v Speaker 4>They see you in the hood, you're doing your day.

0:12:17.200 --> 0:12:19.640
<v Speaker 4>But even it was a bitch ticket. Yeah, you're doing

0:12:19.720 --> 0:12:21.679
<v Speaker 4>your day. Use a bitch ticket out the hoods. So

0:12:21.800 --> 0:12:25.240
<v Speaker 4>she now it's like, don't even speak in the street.

0:12:25.960 --> 0:12:28.040
<v Speaker 4>Some girls don't speak in the streets. Son, they won't

0:12:28.240 --> 0:12:30.959
<v Speaker 4>act like but get on the internet and put the

0:12:31.080 --> 0:12:33.640
<v Speaker 4>whole ass on the internet. Don't want say one word

0:12:33.679 --> 0:12:34.160
<v Speaker 4>in the street.

0:12:34.720 --> 0:12:36.360
<v Speaker 3>But you know, but but but but me and Rory

0:12:36.440 --> 0:12:38.760
<v Speaker 3>talk about that, like you can't even you almost can't

0:12:38.760 --> 0:12:40.560
<v Speaker 3>even approach women and say hello, no more.

0:12:40.679 --> 0:12:43.599
<v Speaker 4>No, it's better to just give them your phone in

0:12:43.679 --> 0:12:45.120
<v Speaker 4>the Instagram spot to search.

0:12:45.600 --> 0:12:47.680
<v Speaker 1>Just it be better off to just pass your phone

0:12:47.760 --> 0:12:51.880
<v Speaker 1>like that. That's your business. Don't say nothing. Yeah, she

0:12:52.080 --> 0:12:53.480
<v Speaker 1>just put us in and.

0:12:53.520 --> 0:12:55.880
<v Speaker 4>Then you start dming the bit of hit follow for

0:12:56.000 --> 0:12:59.439
<v Speaker 4>you and all that, and I'm saying, yeah, bitch of

0:12:59.520 --> 0:13:01.760
<v Speaker 4>hit file going all that, like I was doing that.

0:13:02.080 --> 0:13:04.319
<v Speaker 2>But it's better than trusting the girl. I don't say

0:13:04.320 --> 0:13:06.120
<v Speaker 2>a word and just handing my phone with the search.

0:13:06.240 --> 0:13:08.280
<v Speaker 1>I've seen that, and she do it. I've seen. That's

0:13:08.320 --> 0:13:11.240
<v Speaker 1>a red flag. That's what you gotta do, nig I've

0:13:11.280 --> 0:13:14.000
<v Speaker 1>seen it. Though I've seen it. I've seen it. That's

0:13:14.040 --> 0:13:16.079
<v Speaker 1>how I go, Homie, I'm dead ass, That's how I go.

0:13:16.320 --> 0:13:18.520
<v Speaker 2>But to your point with that, the same with the women,

0:13:19.080 --> 0:13:22.959
<v Speaker 2>the ability and access women have to millionaires.

0:13:23.920 --> 0:13:25.480
<v Speaker 1>Yeah, it's so crazy.

0:13:25.559 --> 0:13:28.000
<v Speaker 2>Like a girl like the same way you only see

0:13:28.000 --> 0:13:30.520
<v Speaker 2>the ten chicks that was there, she probably see one

0:13:30.679 --> 0:13:32.559
<v Speaker 2>rich guy her whole life.

0:13:34.360 --> 0:13:37.439
<v Speaker 3>And did not even like SuperM fifty millionaires. But it

0:13:37.559 --> 0:13:39.319
<v Speaker 3>was like he wasn't even like super riches that he

0:13:39.400 --> 0:13:40.360
<v Speaker 3>owned the corner store.

0:13:41.120 --> 0:13:41.280
<v Speaker 1>Fun.

0:13:41.679 --> 0:13:43.079
<v Speaker 4>He was like he only bean in front of the

0:13:43.160 --> 0:13:45.959
<v Speaker 4>corner store with a big shame take it out the

0:13:46.000 --> 0:13:46.599
<v Speaker 4>hood like this.

0:13:47.480 --> 0:13:48.440
<v Speaker 1>He ain't own ship.

0:13:48.640 --> 0:13:54.000
<v Speaker 4>He had an Audi saying he had an audis a.

0:13:54.080 --> 0:13:58.360
<v Speaker 1>Nice little condo. And watch that was it. She think, oh, yeah,

0:13:58.440 --> 0:14:01.160
<v Speaker 1>he's the richest nigga in the hoo. Yeah. But now

0:14:01.240 --> 0:14:03.160
<v Speaker 1>she put her phone on it. She see these niggas

0:14:03.160 --> 0:14:03.920
<v Speaker 1>everywhere in the country.

0:14:03.960 --> 0:14:07.160
<v Speaker 4>Niggas they got all the domins, the Cali niggas, they

0:14:07.280 --> 0:14:10.320
<v Speaker 4>looking like they're stacking all of the money. The athlete niggas,

0:14:10.440 --> 0:14:14.400
<v Speaker 4>the actors. The athlete niggas is telling brous their whole name.

0:14:15.760 --> 0:14:17.480
<v Speaker 1>Why not they know they they know what They're gonna

0:14:17.480 --> 0:14:21.320
<v Speaker 1>donna google that the media. Yeah, what's it? He just

0:14:21.400 --> 0:14:24.720
<v Speaker 1>signed for what they saying their whole name. You're standing

0:14:24.760 --> 0:14:26.840
<v Speaker 1>no chance fas staying no chance.

0:14:26.880 --> 0:14:28.920
<v Speaker 4>Regular niggas stand no chances with them niggas, them niggas

0:14:28.920 --> 0:14:30.080
<v Speaker 4>giveing their whole name out shait.

0:14:30.880 --> 0:14:32.920
<v Speaker 2>We thought the rich athletes were the final boss we

0:14:33.080 --> 0:14:35.240
<v Speaker 2>have to compete with like Saudi princes.

0:14:36.440 --> 0:14:39.480
<v Speaker 4>They fucking regular chicks from the neighborhood. This is what

0:14:39.600 --> 0:14:42.280
<v Speaker 4>I'm saying, your homie, do you know how they say

0:14:42.280 --> 0:14:44.800
<v Speaker 4>the world is big. That ship is the side of.

0:14:44.840 --> 0:14:45.360
<v Speaker 1>Your phone home.

0:14:45.640 --> 0:14:48.440
<v Speaker 4>Yeah, yeah, the world's size of your phone, homie, that

0:14:48.480 --> 0:14:51.480
<v Speaker 4>ship is smallest. You can see all the brothers in Brazil.

0:14:51.600 --> 0:14:53.920
<v Speaker 4>If you want everywhere, you could go wherever you want

0:14:53.960 --> 0:14:54.640
<v Speaker 4>to go on that phone.

0:14:54.680 --> 0:14:54.800
<v Speaker 5>Bro.

0:14:55.440 --> 0:14:55.600
<v Speaker 1>Yeah.

0:14:55.640 --> 0:14:57.440
<v Speaker 3>So that's what I'm saying. Even with music and art

0:14:57.480 --> 0:14:59.840
<v Speaker 3>and shit that we consume, it's like it's just too much.

0:15:00.200 --> 0:15:02.760
<v Speaker 3>It's tough because by the time I'm really settling in

0:15:02.880 --> 0:15:06.880
<v Speaker 3>with this album and this artist, Thursday comes around again.

0:15:07.040 --> 0:15:10.640
<v Speaker 3>Thursday night. We got a whole new batch coming into

0:15:10.720 --> 0:15:12.920
<v Speaker 3>new music and things like that, and sometimes.

0:15:13.040 --> 0:15:15.240
<v Speaker 4>A lot of this you're talking about label all this stove.

0:15:15.680 --> 0:15:19.880
<v Speaker 4>I'm saying, every day somebody is putting some shit out.

0:15:20.320 --> 0:15:24.800
<v Speaker 3>Yeah, yeah, yeah, yeah, that's something because everybody, anybody could upload, right.

0:15:24.960 --> 0:15:26.640
<v Speaker 3>The dude that just that working the you know, in

0:15:26.640 --> 0:15:28.240
<v Speaker 3>the pizza shop, he could upload, right.

0:15:28.320 --> 0:15:30.440
<v Speaker 4>You hear some shit, nigga, you you vibitism shit, you

0:15:30.560 --> 0:15:32.840
<v Speaker 4>scroll another nigga put a freestyle and what the fuck

0:15:32.920 --> 0:15:33.040
<v Speaker 4>is this?

0:15:33.120 --> 0:15:33.400
<v Speaker 1>Nigga?

0:15:33.400 --> 0:15:35.960
<v Speaker 4>Click on his ship? Now you overhead, but you forgot

0:15:36.000 --> 0:15:38.680
<v Speaker 4>about the other person. You was listening to it's over.

0:15:38.880 --> 0:15:41.480
<v Speaker 3>But it's also but it's also advantageous too though, because

0:15:41.560 --> 0:15:44.080
<v Speaker 3>now it's easier, you know, like if you go viral,

0:15:44.240 --> 0:15:46.880
<v Speaker 3>Like if a kid from a random city puts out

0:15:46.920 --> 0:15:49.720
<v Speaker 3>a record and you know, it takes off, and you know,

0:15:49.800 --> 0:15:51.800
<v Speaker 3>he's never been to LA, he's never been to New York,

0:15:51.840 --> 0:15:54.280
<v Speaker 3>he's never been to Chicago, Miami, he's never been outside

0:15:54.320 --> 0:15:56.840
<v Speaker 3>of his hood. But he did a freestyle in his

0:15:56.960 --> 0:16:01.480
<v Speaker 3>homeboys basement, uploaded it to instagramn it goes viral, everybody

0:16:01.560 --> 0:16:05.920
<v Speaker 3>starts sharing it. You get real rappers and successful artists

0:16:05.960 --> 0:16:08.840
<v Speaker 3>underneath the post, you know, comment and things like that.

0:16:09.360 --> 0:16:13.960
<v Speaker 1>So the access so it goes both ways. That there's

0:16:14.000 --> 0:16:14.680
<v Speaker 1>a gift inner Curt.

0:16:14.720 --> 0:16:16.680
<v Speaker 2>We got AI now, and I feel like AI needs

0:16:16.720 --> 0:16:19.360
<v Speaker 2>to come up with some type of program for Spotify

0:16:20.240 --> 0:16:22.160
<v Speaker 2>that it has to run through when you upload and

0:16:22.240 --> 0:16:24.560
<v Speaker 2>it can say like, nah, we're not wasting data.

0:16:25.200 --> 0:16:26.520
<v Speaker 1>As far as the song is good enough.

0:16:26.520 --> 0:16:28.400
<v Speaker 2>If it's trash, I don't think your man at the

0:16:28.400 --> 0:16:30.440
<v Speaker 2>Piece of Shop should have that the ability to just

0:16:30.520 --> 0:16:32.680
<v Speaker 2>upload his song at any point, like we're wasting a

0:16:32.720 --> 0:16:34.520
<v Speaker 2>lot of it. But if they check, but the whole

0:16:34.520 --> 0:16:36.840
<v Speaker 2>bottle of water to create a snare with AI right now.

0:16:36.960 --> 0:16:39.240
<v Speaker 2>But we're wasting water on people's broken dreams.

0:16:39.560 --> 0:16:42.360
<v Speaker 4>But what if I say, I'm gonna go back and

0:16:42.400 --> 0:16:44.280
<v Speaker 4>I'm gonna look at a bunch of songs that they

0:16:44.480 --> 0:16:46.880
<v Speaker 4>good throughout history to hold it to that level.

0:16:47.320 --> 0:16:51.360
<v Speaker 1>And so now you break that, boy, you break that?

0:16:52.200 --> 0:16:52.520
<v Speaker 4>Do that.

0:16:55.680 --> 0:16:56.240
<v Speaker 1>Here's the thing.

0:16:58.920 --> 0:17:02.000
<v Speaker 4>We don't but it should have not passed the AI

0:17:02.360 --> 0:17:06.119
<v Speaker 4>test be uploaded. But it's a legend a past data though.

0:17:06.160 --> 0:17:08.720
<v Speaker 4>If it's going off for past data songs that did good.

0:17:09.280 --> 0:17:11.800
<v Speaker 4>If it don't, we think about songs that did good.

0:17:12.200 --> 0:17:14.200
<v Speaker 4>If it do that, ship, it might start laying mad

0:17:14.280 --> 0:17:16.160
<v Speaker 4>bullshit come through like no, this did good?

0:17:16.280 --> 0:17:19.959
<v Speaker 3>What's anyone could upload shit? Yeah, but it's still used

0:17:19.960 --> 0:17:21.680
<v Speaker 3>to have to break through though. There's still a certain

0:17:21.800 --> 0:17:24.800
<v Speaker 3>level that the music has to be at in order

0:17:24.880 --> 0:17:25.920
<v Speaker 3>for it to really break through.

0:17:26.000 --> 0:17:27.080
<v Speaker 1>Like we'll sit here and.

0:17:27.119 --> 0:17:30.080
<v Speaker 3>Talk about ship that goes viral and debated whether or

0:17:30.080 --> 0:17:32.200
<v Speaker 3>not like this is an artist that has longevity and

0:17:32.320 --> 0:17:34.840
<v Speaker 3>have fun with it. But we know the ones that's like, bro,

0:17:34.960 --> 0:17:36.640
<v Speaker 3>this he just caught a moment or she just caught

0:17:36.640 --> 0:17:38.360
<v Speaker 3>a moment, Like this ain't gonna be around for two

0:17:38.440 --> 0:17:40.520
<v Speaker 3>years or even a year like you, I think we

0:17:40.640 --> 0:17:44.600
<v Speaker 3>still can feel if an artist has that type of

0:17:44.680 --> 0:17:46.240
<v Speaker 3>talent level where they're gonna sustain that.

0:17:46.520 --> 0:17:49.400
<v Speaker 2>That nigga from Queen's Bridge be going viral all the time.

0:17:49.840 --> 0:17:55.359
<v Speaker 2>Who the turking with your friends? Somebody quings Bridge doing

0:17:55.400 --> 0:17:55.880
<v Speaker 2>Quirk music.

0:17:55.960 --> 0:18:00.920
<v Speaker 1>That's that nigga. Man, what's his name? Bro tylell? He's

0:18:00.920 --> 0:18:06.320
<v Speaker 1>a good Is he a streamer? Zeddi will zi about

0:18:06.359 --> 0:18:07.720
<v Speaker 1>say was a streamer? He will?

0:18:08.040 --> 0:18:10.240
<v Speaker 4>Now you're in the club working with your friend the

0:18:10.480 --> 0:18:13.520
<v Speaker 4>turking with your friend that heard that he he every

0:18:13.640 --> 0:18:16.639
<v Speaker 4>trip viral, every trip he'd be wilding on TikTok with

0:18:16.720 --> 0:18:17.000
<v Speaker 4>that ship.

0:18:17.080 --> 0:18:19.040
<v Speaker 1>Bro, Like he's be on Vernon doing that ship.

0:18:19.400 --> 0:18:21.040
<v Speaker 4>I don't know where he'd be like he just be

0:18:21.520 --> 0:18:24.040
<v Speaker 4>lit like he's not knowing this ship is not regular,

0:18:24.200 --> 0:18:25.520
<v Speaker 4>Like he's got I'm not here.

0:18:26.320 --> 0:18:30.200
<v Speaker 1>One million followers on Instagram. I love that and probably

0:18:30.760 --> 0:18:37.280
<v Speaker 1>I'm here for and ship. He's lit. Listen, sometimes I'm

0:18:37.320 --> 0:18:40.680
<v Speaker 1>out of touch. You never heard that friend and didn't

0:18:40.680 --> 0:18:42.000
<v Speaker 1>even know I think I heard that song. I definitely

0:18:42.000 --> 0:18:42.480
<v Speaker 1>heard that song.

0:18:43.160 --> 0:18:44.800
<v Speaker 2>But you think he'll have like a follow up. Actually,

0:18:44.840 --> 0:18:46.399
<v Speaker 2>I have seen this ship before the two of them,

0:18:46.800 --> 0:18:48.080
<v Speaker 2>and he's the one that's.

0:18:47.760 --> 0:18:48.439
<v Speaker 1>On the mic now right.

0:18:48.600 --> 0:18:52.920
<v Speaker 2>Yeah, And Queensbridge told I've seen this on the radar

0:18:52.960 --> 0:18:55.760
<v Speaker 2>ship before. But you think he'll have like a follow

0:18:55.880 --> 0:18:57.560
<v Speaker 2>up or is it one of those moments.

0:18:57.520 --> 0:18:59.440
<v Speaker 4>Because he got some more ships, he got he got

0:18:59.480 --> 0:19:00.800
<v Speaker 4>like is he got like you got to have at

0:19:00.880 --> 0:19:03.399
<v Speaker 4>least three viral songs, But.

0:19:03.520 --> 0:19:06.200
<v Speaker 2>I mean even that becomes like artists and songs have

0:19:06.359 --> 0:19:08.520
<v Speaker 2>just become like products in the way, like remember them

0:19:08.560 --> 0:19:10.880
<v Speaker 2>little widget things that spun like it's just the trend

0:19:10.920 --> 0:19:12.360
<v Speaker 2>for the second and it moves on to the next,

0:19:13.160 --> 0:19:16.600
<v Speaker 2>the next drink camp for the album. Why would they

0:19:17.359 --> 0:19:20.280
<v Speaker 2>if you don't have to just viral songs and just

0:19:20.359 --> 0:19:22.960
<v Speaker 2>go song to song like damn near run it up

0:19:23.000 --> 0:19:25.760
<v Speaker 2>over everything. Well, why would you even bother doing an album?

0:19:26.119 --> 0:19:28.119
<v Speaker 1>Yeah? At this point and also you.

0:19:28.160 --> 0:19:31.280
<v Speaker 2>Got to like dedicate so much time because you wouldn't

0:19:31.320 --> 0:19:33.440
<v Speaker 2>be a musician if it wasn't for this to that

0:19:33.600 --> 0:19:37.000
<v Speaker 2>one song and all the marketing around it. You can't

0:19:37.040 --> 0:19:39.240
<v Speaker 2>do that with twenty fucking songs. You're not that talented

0:19:39.320 --> 0:19:42.320
<v Speaker 2>or have that much time. But I'm never mad at that.

0:19:42.640 --> 0:19:44.119
<v Speaker 2>The kids that are just trying to go vout for

0:19:44.200 --> 0:19:46.359
<v Speaker 2>each song. Just stay out of the album lane. It's

0:19:46.440 --> 0:19:48.080
<v Speaker 2>kind of pointless. Like I get it, you just want

0:19:48.119 --> 0:19:51.960
<v Speaker 2>to make bread, get it out you live. But an album.

0:19:51.680 --> 0:19:54.920
<v Speaker 1>Microwave is a microwave society. But even some music is

0:19:55.200 --> 0:19:58.280
<v Speaker 1>meant for that. Yeah, I think it's I think it's

0:19:58.280 --> 0:19:59.680
<v Speaker 1>a lane for that. I think it's a lane for

0:20:00.440 --> 0:20:00.639
<v Speaker 1>you know.

0:20:00.800 --> 0:20:04.480
<v Speaker 3>Just the viral artists, the viral you know guy, the

0:20:04.600 --> 0:20:06.800
<v Speaker 3>viral girl that just every now and then they'll put

0:20:06.800 --> 0:20:09.560
<v Speaker 3>a record out and you know there'll be some success.

0:20:09.600 --> 0:20:10.119
<v Speaker 1>But we not.

0:20:10.240 --> 0:20:12.720
<v Speaker 3>We can't look at them with the same lens of

0:20:13.760 --> 0:20:16.959
<v Speaker 3>jay Z or nas or Oh no, we can't look

0:20:17.000 --> 0:20:17.119
<v Speaker 3>at that.

0:20:17.160 --> 0:20:17.800
<v Speaker 1>Shit is over.

0:20:17.880 --> 0:20:21.280
<v Speaker 4>They they punch it in Broven. Even the niggas who

0:20:21.280 --> 0:20:23.840
<v Speaker 4>we say got balls, They going in the booth. They

0:20:23.920 --> 0:20:26.160
<v Speaker 4>giving a nigga six balls. They tell they hold a hold,

0:20:26.200 --> 0:20:28.320
<v Speaker 4>hold away right there. They think about it, go out,

0:20:28.320 --> 0:20:30.520
<v Speaker 4>smokes your weed, drank some niggas that go back in there.

0:20:31.040 --> 0:20:33.560
<v Speaker 1>I got six mall. You know what I'm saying. They

0:20:33.880 --> 0:20:35.159
<v Speaker 1>shelled for a while. That shit is.

0:20:35.240 --> 0:20:38.000
<v Speaker 4>That's that's why I feel like, that's why the music

0:20:38.080 --> 0:20:41.040
<v Speaker 4>ain't ain't lasting.

0:20:42.440 --> 0:20:44.800
<v Speaker 1>I watched that ship myself as a nigga that I

0:20:45.600 --> 0:20:47.159
<v Speaker 1>went to the stool with these niggas. I see these

0:20:47.200 --> 0:20:49.480
<v Speaker 1>niggas in the stool punching in, like to me, that

0:20:49.560 --> 0:20:49.919
<v Speaker 1>shit is.

0:20:50.000 --> 0:20:53.200
<v Speaker 4>Mad corny, Like as a rap nigga, like reading off

0:20:53.240 --> 0:20:56.520
<v Speaker 4>your phone freestyling, you mad corny. You know what I'm saying,

0:20:56.640 --> 0:20:59.480
<v Speaker 4>Like in the booth punching in, that shit is mad corny.

0:20:59.480 --> 0:21:01.440
<v Speaker 4>I don't kill who you is, and I don't care

0:21:01.480 --> 0:21:03.240
<v Speaker 4>who like who. I don't care who said, Oh I

0:21:03.320 --> 0:21:04.720
<v Speaker 4>did that, oh such and such as to do that,

0:21:04.880 --> 0:21:08.280
<v Speaker 4>I don't care. That's corny. Know your raps, go in there,

0:21:08.359 --> 0:21:10.560
<v Speaker 4>spit your wraps, and get up out of there. That's

0:21:10.600 --> 0:21:12.080
<v Speaker 4>how you're gonna be able to freak the beat.

0:21:12.119 --> 0:21:12.960
<v Speaker 1>Homey, you ain't gonna be.

0:21:12.920 --> 0:21:15.200
<v Speaker 4>Able to freak that beat not knowing your raps. Reading

0:21:15.320 --> 0:21:17.720
<v Speaker 4>off your phone and shit is mad monotorne. You're reading

0:21:17.760 --> 0:21:18.360
<v Speaker 4>it off your phone.

0:21:18.400 --> 0:21:18.800
<v Speaker 1>You don't know that.

0:21:19.160 --> 0:21:22.680
<v Speaker 3>Yeah, I mean, there are some some artists that still

0:21:22.680 --> 0:21:25.080
<v Speaker 3>write pin the paper and we'll read the paper. But

0:21:25.119 --> 0:21:27.920
<v Speaker 3>I do I do understand what you're saying. Where you

0:21:28.080 --> 0:21:30.879
<v Speaker 3>need to live with the music and the beat and

0:21:30.920 --> 0:21:34.240
<v Speaker 3>your and your lyrics so that it becomes natural rapping

0:21:34.359 --> 0:21:37.720
<v Speaker 3>and they don't feel so like very likely right on

0:21:37.880 --> 0:21:38.440
<v Speaker 3>top of the beat.

0:21:38.480 --> 0:21:39.440
<v Speaker 1>It has to feel like it's in.

0:21:40.000 --> 0:21:42.120
<v Speaker 4>You had this beat in your cred for a month.

0:21:42.200 --> 0:21:44.560
<v Speaker 4>You've been in your bathroom and shower with this shit.

0:21:44.960 --> 0:21:48.280
<v Speaker 4>Oh then when you wald so now when when you're

0:21:48.280 --> 0:21:50.840
<v Speaker 4>in the booth with it style, use an instrument on

0:21:50.920 --> 0:21:53.119
<v Speaker 4>the beat. That's what you're doing to the beat. But

0:21:53.200 --> 0:21:55.600
<v Speaker 4>these niggas don't got that. These niggas going to the studio,

0:21:56.040 --> 0:21:58.840
<v Speaker 4>you'll find a beat. You'll find a beat, all right,

0:21:58.920 --> 0:21:59.840
<v Speaker 4>boom yo, you'll like that.

0:22:00.240 --> 0:22:02.359
<v Speaker 1>We liked the a right. The rhyme they type of

0:22:02.400 --> 0:22:04.240
<v Speaker 1>a rhyme on like that. We like that.

0:22:04.440 --> 0:22:06.679
<v Speaker 4>Yeah, yeah, they typed the rhyme on the phone. Then

0:22:06.720 --> 0:22:08.720
<v Speaker 4>they go on to booth and do that ship that's

0:22:08.880 --> 0:22:12.000
<v Speaker 4>corny rap. I don't care who it is. That's corny rap.

0:22:12.240 --> 0:22:13.840
<v Speaker 4>You can tell what someone is just read. That's why

0:22:13.960 --> 0:22:16.280
<v Speaker 4>nobody know these niggas rhymes. That's why you can hear

0:22:16.280 --> 0:22:18.399
<v Speaker 4>these niggas and be like that ship was fire. But

0:22:18.520 --> 0:22:20.320
<v Speaker 4>you don't know that rhyme. He didn't know that rhyme.

0:22:20.760 --> 0:22:22.800
<v Speaker 4>I don't want to know, right right, he didn't know

0:22:22.880 --> 0:22:25.560
<v Speaker 4>that rhyme? You know, I feel that definitely makes sense.

0:22:25.680 --> 0:22:28.800
<v Speaker 4>That's what happened, is that's they should have kept the

0:22:28.840 --> 0:22:31.080
<v Speaker 4>studio prices mad high.

0:22:33.920 --> 0:22:34.920
<v Speaker 1>That hurt the rap game.

0:22:35.240 --> 0:22:37.879
<v Speaker 4>I'm trying to find that stopped getting to the studio

0:22:38.000 --> 0:22:40.040
<v Speaker 4>back in the days. That ship was madd E Spencial.

0:22:40.200 --> 0:22:41.080
<v Speaker 1>What I ain't got that?

0:22:41.400 --> 0:22:43.879
<v Speaker 4>Yeah, whatever it was, I don't care. I never had

0:22:43.960 --> 0:22:45.120
<v Speaker 4>money for the studio.

0:22:45.320 --> 0:22:48.040
<v Speaker 1>In my life. Ability, yes, I never. But once I

0:22:48.160 --> 0:22:50.560
<v Speaker 1>came home and that ship was, Nigga, tell you like

0:22:51.000 --> 0:22:54.840
<v Speaker 1>forty dollars an hour? What we end it all that?

0:22:55.040 --> 0:22:57.439
<v Speaker 2>That's a good point because then you're just chilling, whereas

0:22:57.560 --> 0:22:59.960
<v Speaker 2>when you had five of the bucks, you could be

0:23:00.119 --> 0:23:01.240
<v Speaker 2>there for hours.

0:23:01.320 --> 0:23:05.600
<v Speaker 1>You're taking the whole weekend. No your r You a nigga, Yo,

0:23:05.640 --> 0:23:09.640
<v Speaker 1>we're gonna do seven joys. What you mean watch rapping

0:23:09.920 --> 0:23:11.400
<v Speaker 1>for two weeks? Nigga? Know these rhymes?

0:23:11.440 --> 0:23:13.280
<v Speaker 4>You put the beat on, Nigga, gonna make no mistakes on.

0:23:13.480 --> 0:23:16.800
<v Speaker 4>Take this, nigga like this, niggas load the next one up?

0:23:17.280 --> 0:23:21.160
<v Speaker 1>Fuck? You mean we on a Tom Cray five hundred hour?

0:23:21.320 --> 0:23:23.600
<v Speaker 1>That's done? Load the next one up? Nigga?

0:23:23.640 --> 0:23:23.800
<v Speaker 4>Fuck?

0:23:23.880 --> 0:23:24.879
<v Speaker 1>Is you talking about.

0:23:26.480 --> 0:23:26.760
<v Speaker 5>The hour?

0:23:26.880 --> 0:23:26.960
<v Speaker 1>Ye?

0:23:27.080 --> 0:23:27.240
<v Speaker 5>Yeah?

0:23:27.280 --> 0:23:28.760
<v Speaker 1>Yeah, you can't go in there. Happen.

0:23:28.840 --> 0:23:30.959
<v Speaker 4>You couldn't go in there bullshit. But now no one

0:23:31.040 --> 0:23:32.920
<v Speaker 4>play for two hours hours for you can put any

0:23:32.920 --> 0:23:36.080
<v Speaker 4>one of your man's in there that looks experiment. Yo

0:23:36.320 --> 0:23:40.119
<v Speaker 4>yo yoah. You come in here the corner, your one twenty,

0:23:41.119 --> 0:23:43.520
<v Speaker 4>get this nigga one twenty. You'll get these niggas off

0:23:43.560 --> 0:23:46.879
<v Speaker 4>the corner. Man niggas in it saying anything. Niggas just

0:23:46.960 --> 0:23:47.720
<v Speaker 4>going and say anything.

0:23:47.800 --> 0:23:48.919
<v Speaker 1>Man. No, that's one.

0:23:49.920 --> 0:23:52.520
<v Speaker 2>That's what's going on with the games. They putting mattresses

0:23:52.560 --> 0:23:53.840
<v Speaker 2>in Quad. People just sleeping there.

0:23:54.280 --> 0:23:56.320
<v Speaker 4>When I went to Quads and I didn't understand it,

0:23:57.080 --> 0:23:59.520
<v Speaker 4>but I ain't gonna lie. Buster was acting. Ain't's the

0:23:59.560 --> 0:24:01.280
<v Speaker 4>only squad Buss is probably right now. I don't even

0:24:01.280 --> 0:24:01.879
<v Speaker 4>want to get into that.

0:24:02.080 --> 0:24:02.399
<v Speaker 2>I did it.

0:24:02.920 --> 0:24:05.560
<v Speaker 1>I did a joint, right, I did a joint. I

0:24:05.600 --> 0:24:08.639
<v Speaker 1>don't know, But I don't know. Buster is top floor.

0:24:08.840 --> 0:24:12.760
<v Speaker 1>Quad is his ship. I don't notice. All I know

0:24:12.920 --> 0:24:15.639
<v Speaker 1>is I'm going to Quad. I'm just fresh out of jail.

0:24:15.760 --> 0:24:16.400
<v Speaker 1>You know what I'm saying.

0:24:16.520 --> 0:24:22.000
<v Speaker 4>I'm going to call to do some ship. So one

0:24:22.040 --> 0:24:24.000
<v Speaker 4>of my men's out of nowhere. He's like yo, Buster

0:24:24.119 --> 0:24:26.440
<v Speaker 4>rhymes used to be this nigga favorite rapper bag of

0:24:26.480 --> 0:24:26.800
<v Speaker 4>the days.

0:24:26.840 --> 0:24:28.240
<v Speaker 1>I was like, get the fuck out of here.

0:24:28.160 --> 0:24:31.280
<v Speaker 4>But yo, put that what's the name beat on? Put

0:24:31.320 --> 0:24:33.120
<v Speaker 4>your hands with my eyes see it, or to put

0:24:33.119 --> 0:24:33.520
<v Speaker 4>that beat on.

0:24:33.600 --> 0:24:34.920
<v Speaker 1>I'm going in there. I got some ship for that,

0:24:35.400 --> 0:24:36.800
<v Speaker 1>So I go. I got some dope shit for that,

0:24:36.920 --> 0:24:38.520
<v Speaker 1>talking about solling dope and all that. I go in there.

0:24:38.520 --> 0:24:43.639
<v Speaker 1>I spent that shit. So now that nigga farns that

0:24:43.840 --> 0:24:47.680
<v Speaker 1>be with Buster rhymes, Nigga fawns figures he in the studio.

0:24:48.000 --> 0:24:49.960
<v Speaker 4>I was up north with this nigga for like, oh ship.

0:24:50.040 --> 0:24:52.199
<v Speaker 4>So he's sitting there, he and the little shit. Now

0:24:52.240 --> 0:24:54.400
<v Speaker 4>you be in the studio, you shiit niggas filming. He's

0:24:54.440 --> 0:24:56.600
<v Speaker 4>sitting there here doing that. When we come out, Buster

0:25:01.480 --> 0:25:03.200
<v Speaker 4>look at this nigg You know, I'm kind of drunk,

0:25:03.280 --> 0:25:08.520
<v Speaker 4>man like looking like you mad niggas just like yeah yeah.

0:25:08.920 --> 0:25:10.560
<v Speaker 4>So my man told him, like, yo, take a picture.

0:25:10.600 --> 0:25:12.600
<v Speaker 1>He was like nah. I was like, you're men. Fuck

0:25:12.720 --> 0:25:13.240
<v Speaker 1>this nigga.

0:25:14.040 --> 0:25:15.680
<v Speaker 4>Fuck you mean you don't take no picture. I don't

0:25:15.720 --> 0:25:18.840
<v Speaker 4>take pictures with niggas like you. Nigga like hell to

0:25:18.840 --> 0:25:20.359
<v Speaker 4>take a picture with you, I don't know.

0:25:20.600 --> 0:25:23.200
<v Speaker 1>He was mad. He was I think so. I think

0:25:23.240 --> 0:25:23.720
<v Speaker 1>he was mad.

0:25:23.800 --> 0:25:25.600
<v Speaker 4>I was rapping on that beat and I was smoking

0:25:25.680 --> 0:25:28.560
<v Speaker 4>that ship like I was really smoking a beat, and

0:25:28.640 --> 0:25:29.480
<v Speaker 4>I swear to God.

0:25:29.359 --> 0:25:32.040
<v Speaker 1>That nigga was standing there. He was like, no, no picture.

0:25:32.080 --> 0:25:34.080
<v Speaker 1>I was like, you're men, fuck this snigger man. My

0:25:34.200 --> 0:25:35.919
<v Speaker 1>man was like, Yo, chill Yo. He was like, yo,

0:25:36.000 --> 0:25:39.280
<v Speaker 1>my man just did twenty years. He was like, you're

0:25:39.320 --> 0:25:41.480
<v Speaker 1>welcome home. I was like, fuck all that.

0:25:41.960 --> 0:25:44.679
<v Speaker 4>Welcome home. Shi you know what I'm saying. He was like, Yo,

0:25:44.720 --> 0:25:46.800
<v Speaker 4>hopefully you stay here. I was like, yo, inshaw law.

0:25:46.880 --> 0:25:52.680
<v Speaker 4>He hit me with the no inshaw law. No my mouth,

0:25:53.160 --> 0:25:58.280
<v Speaker 4>I'm getting out, got shot man, Get out here. Ain't

0:25:58.320 --> 0:25:59.000
<v Speaker 4>no guard here.

0:25:59.640 --> 0:26:02.280
<v Speaker 1>Niggas said no when Charlotte this got shot?

0:26:03.720 --> 0:26:06.760
<v Speaker 2>Poster Robinson is a song called The Founder of the

0:26:06.880 --> 0:26:09.840
<v Speaker 2>Nation of Isla is a song with the full name Yo, sir.

0:26:12.200 --> 0:26:17.760
<v Speaker 1>Island, I've heard yo. One of my mens was like yo.

0:26:18.400 --> 0:26:22.000
<v Speaker 2>He was like Yo, it's like my older nigga, right

0:26:24.359 --> 0:26:31.440
<v Speaker 2>he said yo that He said no said, oh yeah, no, God,

0:26:31.520 --> 0:26:32.040
<v Speaker 2>don't look.

0:26:31.920 --> 0:26:32.159
<v Speaker 5>At you.

0:26:35.560 --> 0:26:39.160
<v Speaker 1>Up there. Give me the funk out of here, man, cash.

0:26:41.119 --> 0:26:44.639
<v Speaker 3>Oh my god, that's funny. And I said, no is

0:26:44.760 --> 0:26:47.639
<v Speaker 3>Charlotte I've never heard that before. That's crazy, y'all saw

0:26:47.680 --> 0:26:49.520
<v Speaker 3>what Joey Badass says. It's kind of what you talk

0:26:49.560 --> 0:26:52.399
<v Speaker 3>about it. He tweeted out, think about it.

0:26:52.560 --> 0:26:56.000
<v Speaker 2>If somebody at the top gave somebody coming up an

0:26:56.040 --> 0:26:58.520
<v Speaker 2>opportunity to come after them on a record, you know

0:26:58.640 --> 0:27:01.320
<v Speaker 2>what happened. They would get their food a ranters, due

0:27:01.359 --> 0:27:02.640
<v Speaker 2>bills and paid expedience whatever.

0:27:02.680 --> 0:27:03.040
<v Speaker 1>He's saying.

0:27:03.080 --> 0:27:06.119
<v Speaker 2>Public perception of who's the best would be drastically different

0:27:06.200 --> 0:27:08.199
<v Speaker 2>if this were a regular occurrence. This is exactly why

0:27:08.240 --> 0:27:10.400
<v Speaker 2>you didn't see Jid on the fall off. He would

0:27:10.400 --> 0:27:12.720
<v Speaker 2>have overstood the assignment. To me, personally, it makes no

0:27:12.840 --> 0:27:13.600
<v Speaker 2>sense he wasn't on it.

0:27:14.520 --> 0:27:15.320
<v Speaker 1>But maybe that's just me.

0:27:15.600 --> 0:27:18.200
<v Speaker 2>He's saying that a lot of bigger rappers, like in

0:27:18.520 --> 0:27:21.280
<v Speaker 2>your situation of being in the studio with Bus and

0:27:21.359 --> 0:27:23.359
<v Speaker 2>you're saying like, oh, you probably hate this because I'm

0:27:23.359 --> 0:27:28.320
<v Speaker 2>smoking your shit, But I don't feel like that's the

0:27:28.440 --> 0:27:29.440
<v Speaker 2>case all of the time.

0:27:30.080 --> 0:27:32.400
<v Speaker 4>You know what I'm saying, Like, you gotta stay exclusive.

0:27:32.720 --> 0:27:35.359
<v Speaker 4>We see what's happening to these niggas when they losing

0:27:35.440 --> 0:27:37.240
<v Speaker 4>their exclusivity that's a word.

0:27:37.720 --> 0:27:40.520
<v Speaker 1>They losing that shit with this internet. So we don't like.

0:27:40.640 --> 0:27:43.399
<v Speaker 1>It's like before you used to hear these niggas.

0:27:43.560 --> 0:27:46.080
<v Speaker 4>Is read about these niggas once every two years in

0:27:46.119 --> 0:27:48.840
<v Speaker 4>the xxxale. Maybe he come in the source that same

0:27:48.960 --> 0:27:51.000
<v Speaker 4>year if he got to roll out going. But we

0:27:51.080 --> 0:27:53.240
<v Speaker 4>don't know these niggas really. We know they're giving me

0:27:53.400 --> 0:27:56.320
<v Speaker 4>this much quotes from the niggas, and then the nigga

0:27:56.359 --> 0:27:58.600
<v Speaker 4>that's doing the article we hear from them. We don't

0:27:58.640 --> 0:28:01.040
<v Speaker 4>know these niggas back in the days. Now we know everything.

0:28:01.359 --> 0:28:03.240
<v Speaker 4>You niggas be on the internet too much.

0:28:03.320 --> 0:28:03.960
<v Speaker 1>We know everything.

0:28:04.080 --> 0:28:06.280
<v Speaker 4>But you call you a corny nigga at a rap,

0:28:06.960 --> 0:28:09.119
<v Speaker 4>we say it you all corny nigga at most of

0:28:09.160 --> 0:28:11.600
<v Speaker 4>these niggas. Right, So with Joey chucking about, he acting

0:28:11.720 --> 0:28:14.879
<v Speaker 4>like all these new niggas or niggas will be smoking

0:28:14.920 --> 0:28:16.920
<v Speaker 4>these old nigga. Nigga, you'll get on the track with Kiss.

0:28:16.920 --> 0:28:19.920
<v Speaker 4>You're not smoking Kiss. You not smoking Fab, You not

0:28:20.119 --> 0:28:23.080
<v Speaker 4>smoking Jay. You might smoke some of these niggas, but

0:28:23.119 --> 0:28:25.840
<v Speaker 4>you're not just gonna be smoking niggas. I remember Vodo

0:28:26.000 --> 0:28:28.480
<v Speaker 4>was doing this big one on almost every song he

0:28:28.640 --> 0:28:29.320
<v Speaker 4>was on with Ken.

0:28:29.680 --> 0:28:30.520
<v Speaker 1>He was going off.

0:28:30.600 --> 0:28:35.040
<v Speaker 4>I was saying Votto was trash because of him fucking

0:28:35.119 --> 0:28:37.880
<v Speaker 4>up on Hot ninety seven. My shit is you from

0:28:38.040 --> 0:28:41.880
<v Speaker 4>New York City, nigga, Ain't I don't want to go

0:28:42.040 --> 0:28:44.000
<v Speaker 4>platinum more than I want to go to flex and

0:28:44.080 --> 0:28:46.600
<v Speaker 4>get busy as a rap nigga from New York.

0:28:46.680 --> 0:28:48.680
<v Speaker 1>It's a different year, it's a different stand you understand what.

0:28:48.720 --> 0:28:50.480
<v Speaker 4>I want to go up there and have this nigga

0:28:50.480 --> 0:28:52.480
<v Speaker 4>play this shit for the next ten to fifteen years.

0:28:52.600 --> 0:28:54.840
<v Speaker 1>Like on one of his good nights, here come my shit,

0:28:55.240 --> 0:28:56.120
<v Speaker 1>like fuck platinum.

0:28:56.160 --> 0:28:58.160
<v Speaker 4>And I'm saying, like, that's what that's like in every

0:28:58.240 --> 0:29:01.000
<v Speaker 4>New York Nigga's like that, you was up there fucking up,

0:29:01.040 --> 0:29:02.600
<v Speaker 4>back to back to back like he was up there

0:29:02.640 --> 0:29:04.600
<v Speaker 4>sucking up. So I used to think the nigga was trashed.

0:29:05.240 --> 0:29:07.000
<v Speaker 4>So I'm telling the nigga that ship one time on

0:29:07.120 --> 0:29:09.440
<v Speaker 4>the gate. I'm telling that ship that to the mac

0:29:09.480 --> 0:29:11.640
<v Speaker 4>Baller nigga. He like, nigga, you bugging that nigga had

0:29:11.680 --> 0:29:14.640
<v Speaker 4>all of the mixtapes with Kim and Vidal, Yeah, guns

0:29:14.680 --> 0:29:17.840
<v Speaker 4>and butter Guns and butter Ship son. I had that

0:29:17.880 --> 0:29:19.960
<v Speaker 4>ship on the keyboard blast and that ship, and I'm

0:29:20.000 --> 0:29:22.880
<v Speaker 4>like this little nigga going off on everything.

0:29:23.040 --> 0:29:24.200
<v Speaker 1>Yeah, he is nice like that.

0:29:24.440 --> 0:29:26.600
<v Speaker 4>You know, he was going off on everything. I'm talking

0:29:26.640 --> 0:29:29.400
<v Speaker 4>about every song. I'm like, Yo, this nigga is wildent.

0:29:29.640 --> 0:29:31.840
<v Speaker 1>I feel like is one of the most underrated I've

0:29:31.920 --> 0:29:33.000
<v Speaker 1>seen that nigga I met.

0:29:33.040 --> 0:29:34.640
<v Speaker 4>When I met that nigga, I told that nigga said,

0:29:34.640 --> 0:29:36.280
<v Speaker 4>ain't gonna lie home. I gotta tell you this man,

0:29:36.320 --> 0:29:37.440
<v Speaker 4>I feel like you one of them ones.

0:29:38.200 --> 0:29:39.840
<v Speaker 1>I always felt like that. I always felt like, I

0:29:39.880 --> 0:29:43.120
<v Speaker 1>feel like if he could make a better hook songs, if.

0:29:43.080 --> 0:29:46.160
<v Speaker 4>He could make better songs rapping bars, ball of ball,

0:29:46.440 --> 0:29:48.280
<v Speaker 4>not a lot of niggas from the y Hall of

0:29:48.360 --> 0:29:50.320
<v Speaker 4>the topic styling on you he got, he got, he

0:29:50.400 --> 0:29:51.160
<v Speaker 4>got bars like.

0:29:51.520 --> 0:29:53.480
<v Speaker 3>But it's but a lot of a lot of the

0:29:53.560 --> 0:29:56.320
<v Speaker 3>guys that love Vado will say like they just wish

0:29:56.400 --> 0:29:58.440
<v Speaker 3>he would make better songs, but rapping.

0:29:58.680 --> 0:30:01.400
<v Speaker 1>A lot of these niggas can'trap. That's why I don't if.

0:30:01.440 --> 0:30:02.840
<v Speaker 2>I would love to have Bottle up here to ask

0:30:02.920 --> 0:30:06.000
<v Speaker 2>him about the Kalid situation because it was weird with

0:30:06.120 --> 0:30:08.040
<v Speaker 2>him and Cam at the time, and I'm with y'all,

0:30:08.280 --> 0:30:10.680
<v Speaker 2>Bottle was just smoking versus but there was no real

0:30:10.760 --> 0:30:13.959
<v Speaker 2>record yet. When he signed with kal it I was like, Oh,

0:30:14.000 --> 0:30:17.680
<v Speaker 2>that's the perfect and then perfect d Like I.

0:30:17.760 --> 0:30:20.719
<v Speaker 1>Was like, get him to a place where he had one.

0:30:20.760 --> 0:30:21.280
<v Speaker 1>I don't know what.

0:30:21.720 --> 0:30:23.720
<v Speaker 2>Caldill gifts him a bunch of hit records and Bottle

0:30:23.840 --> 0:30:25.480
<v Speaker 2>just has to fill in the piece. He wasn't doing

0:30:25.560 --> 0:30:27.640
<v Speaker 2>that ship, which is kind of crazy, Like I really

0:30:27.960 --> 0:30:30.640
<v Speaker 2>think he was drive like he was on bag.

0:30:30.800 --> 0:30:33.520
<v Speaker 1>He was saying like it wasn't really giving him know

0:30:33.520 --> 0:30:36.320
<v Speaker 1>what I'm saying. Yeah, but as far as skills, like

0:30:37.080 --> 0:30:39.080
<v Speaker 1>Va is one of the best in New York for

0:30:39.200 --> 0:30:42.880
<v Speaker 1>sure when ball football, absolutely.

0:30:42.400 --> 0:30:44.960
<v Speaker 2>But I mean I don't really agree with with Joey

0:30:45.080 --> 0:30:49.240
<v Speaker 2>on this entire thing because even how Cole not Cole

0:30:49.360 --> 0:30:49.640
<v Speaker 2>got on.

0:30:49.800 --> 0:30:52.000
<v Speaker 1>But a big moment for Cole early.

0:30:51.840 --> 0:30:53.640
<v Speaker 2>In his career was when Kanye was doing the Good

0:30:54.400 --> 0:30:56.480
<v Speaker 2>Music Friday ship, Like Good Friday, he put out a

0:30:56.520 --> 0:30:59.320
<v Speaker 2>record every Friday. He put Cole at the end of

0:31:00.080 --> 0:31:02.680
<v Speaker 2>looking for Trouble with the name of the record and

0:31:02.840 --> 0:31:05.800
<v Speaker 2>he just left left the end for cold to smoke

0:31:05.880 --> 0:31:09.360
<v Speaker 2>of fucking thirty two and completely stood out and killed everybody.

0:31:10.440 --> 0:31:13.560
<v Speaker 2>Every time I've seen Jay bring State property up to

0:31:13.680 --> 0:31:16.160
<v Speaker 2>flex Jay rapt, he wasn't.

0:31:16.080 --> 0:31:18.800
<v Speaker 1>Like, I just don't believe that. So niggas don't always

0:31:18.920 --> 0:31:20.640
<v Speaker 1>kill the nigga like you always like like I.

0:31:22.440 --> 0:31:27.400
<v Speaker 4>In my opinion, Jay got busier than Big on Brooklyn's finess.

0:31:27.440 --> 0:31:29.239
<v Speaker 4>I think Big got him back on the next when

0:31:29.280 --> 0:31:30.840
<v Speaker 4>we were talking about the Hayes suite, I love it,

0:31:30.920 --> 0:31:34.840
<v Speaker 4>du classes. I used to project off like shit flashes.

0:31:34.600 --> 0:31:36.240
<v Speaker 1>But I feel like he got him back. And I'm saying,

0:31:36.320 --> 0:31:39.000
<v Speaker 1>but he had to because this nigga, you know what

0:31:39.000 --> 0:31:39.640
<v Speaker 1>I'm saying.

0:31:39.440 --> 0:31:42.240
<v Speaker 4>Like he got he got record after But niggas normally

0:31:43.000 --> 0:31:45.520
<v Speaker 4>don't really wile out like when you put him on.

0:31:45.680 --> 0:31:47.720
<v Speaker 1>They don't really would out on the niggas that put

0:31:47.800 --> 0:31:47.960
<v Speaker 1>him on.

0:31:48.160 --> 0:31:50.160
<v Speaker 3>Yeah, and my thing with with Joe you're saying is

0:31:50.200 --> 0:31:53.440
<v Speaker 3>this too though, Yeah, you can be hungry, right, So

0:31:53.640 --> 0:31:56.040
<v Speaker 3>if the top dog is given one of the young

0:31:56.080 --> 0:31:57.800
<v Speaker 3>pups a look like all right, come on, you're gonna

0:31:57.800 --> 0:32:01.400
<v Speaker 3>get on this joint, you could hungry for like, But

0:32:01.480 --> 0:32:03.920
<v Speaker 3>then it's also the side where you find out there's

0:32:03.960 --> 0:32:05.840
<v Speaker 3>a big gap difference when the talent.

0:32:06.080 --> 0:32:08.120
<v Speaker 4>I know, Pop, you can't stand it because we cocked

0:32:08.120 --> 0:32:11.080
<v Speaker 4>the mammas running your crib no prisoners, Pop your grima.

0:32:11.520 --> 0:32:15.120
<v Speaker 4>That ship made niggas understand jay was a few notches

0:32:15.160 --> 0:32:18.480
<v Speaker 4>above niggas, right, and I feel like everybody got busy

0:32:18.600 --> 0:32:22.080
<v Speaker 4>on that Song's for sure. But when you started talking,

0:32:22.160 --> 0:32:24.480
<v Speaker 4>it was like, what the fuck? You find out that

0:32:24.880 --> 0:32:27.400
<v Speaker 4>it's still a It's still it's still a gap. It's

0:32:27.480 --> 0:32:32.000
<v Speaker 4>like your best. It's good if you're talking to somebody

0:32:32.040 --> 0:32:32.880
<v Speaker 4>else other than me.

0:32:33.400 --> 0:32:37.160
<v Speaker 1>I said, that is the nicest nigga me personally, I

0:32:37.320 --> 0:32:39.680
<v Speaker 1>like kiss and Fad more than j Sorry to hear

0:32:39.720 --> 0:32:41.000
<v Speaker 1>that you like Fad more than jay Z.

0:32:41.240 --> 0:32:44.160
<v Speaker 4>Yes, but if you're gonna ask me who's the greatest

0:32:44.280 --> 0:32:48.400
<v Speaker 4>MC jay Z, jay Z is Muhammad Ali. But you're

0:32:48.400 --> 0:32:51.280
<v Speaker 4>talking about what you like personally, my I like. The

0:32:51.440 --> 0:32:54.080
<v Speaker 4>nicest nigga to me is kiss in Fat Them niggas

0:32:54.120 --> 0:32:54.760
<v Speaker 4>is nicer than you.

0:32:55.240 --> 0:32:56.960
<v Speaker 1>I don't care who you are. They could rap better

0:32:57.000 --> 0:32:58.480
<v Speaker 1>than you. You know what I'm saying.

0:32:58.480 --> 0:33:00.400
<v Speaker 4>They could rap better than you, bro sing butter than

0:33:00.520 --> 0:33:03.440
<v Speaker 4>jay Z. Yeah, okay, and what I'm saying, yeah, you

0:33:03.480 --> 0:33:05.760
<v Speaker 4>know what I'm saying. That time you heard jay Z,

0:33:05.880 --> 0:33:08.200
<v Speaker 4>I ain't heard jay Z spend no nice shit in

0:33:08.320 --> 0:33:12.000
<v Speaker 4>ten years. It been ten years he.

0:33:12.120 --> 0:33:16.360
<v Speaker 2>Did the God did versus fucking insane The last.

0:33:16.240 --> 0:33:18.480
<v Speaker 1>Time you heard whole fire, God did.

0:33:19.920 --> 0:33:21.760
<v Speaker 4>I feel like even but not what I'm saying. One

0:33:21.840 --> 0:33:23.800
<v Speaker 4>verse we give a nigga one version, But how many

0:33:23.880 --> 0:33:26.320
<v Speaker 4>verses he really? I mean even though four four fourth verse, Yeah,

0:33:26.360 --> 0:33:29.320
<v Speaker 4>that was crazy. Ten years he got crazy verses everything

0:33:29.640 --> 0:33:32.720
<v Speaker 4>his love four four four ten years ago. Wait, written

0:33:32.800 --> 0:33:35.240
<v Speaker 4>testimony was five years ago. He has crazy verses on

0:33:35.280 --> 0:33:37.360
<v Speaker 4>written testimony, crazy verses.

0:33:37.400 --> 0:33:39.240
<v Speaker 1>No, written testimony might have been more than five years ago.

0:33:39.480 --> 0:33:41.520
<v Speaker 2>We just did the vinyl press for five year aniversary.

0:33:41.840 --> 0:33:44.640
<v Speaker 2>It was COVID, so it'll be now six years. But

0:33:44.720 --> 0:33:45.920
<v Speaker 2>last year was a five year anniversary.

0:33:46.320 --> 0:33:47.520
<v Speaker 1>I ain't got that.

0:33:47.600 --> 0:33:50.240
<v Speaker 4>I'm not saying Whole can't go on the booth and

0:33:50.440 --> 0:33:52.479
<v Speaker 4>act bad. I'm not saying he can't do that right,

0:33:52.960 --> 0:33:56.600
<v Speaker 4>But I'm saying I've heard way more fab and way

0:33:56.680 --> 0:34:00.440
<v Speaker 4>more kiss in the last ten years, way more. And

0:34:00.520 --> 0:34:02.480
<v Speaker 4>I started hearing all your niggas around the same time.

0:34:03.080 --> 0:34:04.400
<v Speaker 1>Mm hmm. This is what I'm saying.

0:34:04.920 --> 0:34:06.600
<v Speaker 4>I heard all that, I started hearting all your niggas

0:34:06.600 --> 0:34:08.800
<v Speaker 4>around the same time. But I've been hearing these niggas

0:34:08.840 --> 0:34:11.000
<v Speaker 4>way more for these last ten years.

0:34:11.920 --> 0:34:14.759
<v Speaker 2>I mean, this has been more active the last the

0:34:14.840 --> 0:34:18.279
<v Speaker 2>last time I felt Fab was really really in shape.

0:34:18.320 --> 0:34:21.600
<v Speaker 1>Was the Freddie versus Jason Kiss sometime shootouts?

0:34:22.800 --> 0:34:22.960
<v Speaker 4>Was there?

0:34:23.000 --> 0:34:24.960
<v Speaker 2>Sometimes shoot off that Fab hasn't been as act.

0:34:25.200 --> 0:34:29.160
<v Speaker 1>I think you think Shootout three is twenty twenty right, okay,

0:34:29.200 --> 0:34:30.160
<v Speaker 1>yeah that was around COVID.

0:34:30.400 --> 0:34:32.600
<v Speaker 2>Okay, right, yeah, yeah, I'm saying I remember you know,

0:34:32.680 --> 0:34:35.080
<v Speaker 2>no that that that tape is fire. But I'm still

0:34:35.160 --> 0:34:40.400
<v Speaker 2>in no way co signing that I whole God Did

0:34:40.520 --> 0:34:43.239
<v Speaker 2>Verse could compete with the fucking some Shootout three. Like

0:34:43.400 --> 0:34:46.360
<v Speaker 2>as far as rapping goes, you gotta go back and

0:34:46.400 --> 0:34:48.760
<v Speaker 2>listen to that God Didverse. That shit is is unreal.

0:34:49.600 --> 0:34:50.239
<v Speaker 1>I actually think you.

0:34:50.200 --> 0:34:52.440
<v Speaker 3>Want to be saying sometimes Shootout three came out before COVID.

0:34:52.920 --> 0:34:54.719
<v Speaker 3>It's twenty years ready for it, so you know, seven

0:34:54.800 --> 0:34:55.839
<v Speaker 3>years that's unready to tape.

0:34:55.880 --> 0:34:58.600
<v Speaker 1>Though that's right for COVID. No, Fab is one of

0:34:58.640 --> 0:35:03.120
<v Speaker 1>my things. COVID nineteen started right there. Yeah, that's the fact.

0:35:04.000 --> 0:35:05.600
<v Speaker 3>You know, Fab is Fab to me is one of

0:35:05.680 --> 0:35:08.319
<v Speaker 3>the He's one of the underrated ones too though that's

0:35:08.400 --> 0:35:10.879
<v Speaker 3>my top five. I don't think people talk about Fab

0:35:10.960 --> 0:35:13.440
<v Speaker 3>and and respect Fab as much as they should.

0:35:13.320 --> 0:35:16.080
<v Speaker 1>But he's to me, he's definitely. But I don't.

0:35:16.160 --> 0:35:18.239
<v Speaker 4>I don't think he's a better rap my preference. I

0:35:18.280 --> 0:35:20.280
<v Speaker 4>don't like that's what once you said that. I respect

0:35:20.280 --> 0:35:22.400
<v Speaker 4>that alight. So look, fab albums ain't all act to me.

0:35:22.520 --> 0:35:25.520
<v Speaker 4>I don't really fuck with FAB albums like that. The

0:35:25.640 --> 0:35:28.360
<v Speaker 4>soul tapes, the Young O G, Freddy Versus Jason was

0:35:28.640 --> 0:35:34.000
<v Speaker 4>Freddy Versus Jason, Summertime shootouts, that's the that's the fab.

0:35:34.080 --> 0:35:36.279
<v Speaker 1>You like, the core, Like, if you're gonna give me

0:35:36.320 --> 0:35:39.120
<v Speaker 1>some fab, give me that fab. The funeral fabs and

0:35:39.160 --> 0:35:40.879
<v Speaker 1>all that. I can miss me with the ship. I'm

0:35:40.920 --> 0:35:43.160
<v Speaker 1>good with some ship on funeral. But I'm but that's

0:35:43.200 --> 0:35:44.080
<v Speaker 1>not who I'm talking about.

0:35:44.080 --> 0:35:48.280
<v Speaker 4>Okay, I'm talking about the soul tape Nigga shootout nigga,

0:35:48.360 --> 0:35:51.440
<v Speaker 4>Like you know what I'm saying, Like Jason Young Young

0:35:51.480 --> 0:35:52.440
<v Speaker 4>O G Fab.

0:35:52.360 --> 0:35:53.880
<v Speaker 1>That's that niggas.

0:35:54.080 --> 0:35:55.759
<v Speaker 3>I think that's probably one of his best. That's probably

0:35:55.800 --> 0:35:58.439
<v Speaker 3>his best project, Young O G. Freddy Versus.

0:35:58.640 --> 0:36:01.839
<v Speaker 1>That's his best album. It's up there for me. Yeah,

0:36:02.760 --> 0:36:05.040
<v Speaker 1>for me, it's up there. He got plattin the albums,

0:36:05.080 --> 0:36:07.240
<v Speaker 1>though you're no for sure he got He had big records,

0:36:07.719 --> 0:36:10.839
<v Speaker 1>a big, big fucking records. So yeah, but I'm saying

0:36:10.880 --> 0:36:12.360
<v Speaker 1>like that I could really go back to and that

0:36:12.440 --> 0:36:14.160
<v Speaker 1>all like listen to him like he was getting going

0:36:14.239 --> 0:36:16.319
<v Speaker 1>crazy on this young Og.

0:36:16.440 --> 0:36:18.759
<v Speaker 3>I think it's overlooked and fab discography. I don't think

0:36:18.760 --> 0:36:20.040
<v Speaker 3>people talk about that album.

0:36:19.880 --> 0:36:23.799
<v Speaker 1>Cover situationn't a leguation. Yeah it's some ship on there.

0:36:24.200 --> 0:36:28.279
<v Speaker 1>WHOA yeah, yeah, maybe Real Talk or Young o G.

0:36:28.600 --> 0:36:30.680
<v Speaker 1>Now I'm looking at catalog Real Talk.

0:36:30.800 --> 0:36:32.480
<v Speaker 2>That that that ship with all of the features. That

0:36:32.560 --> 0:36:35.200
<v Speaker 2>can't be the best one. Listen, I was fourteen when

0:36:35.200 --> 0:36:36.800
<v Speaker 2>that ship came out. It just that it's a different

0:36:36.840 --> 0:36:38.960
<v Speaker 2>it's a nostalgic ship for me with Real Talk.

0:36:39.239 --> 0:36:39.920
<v Speaker 1>So what year was that?

0:36:40.280 --> 0:36:43.200
<v Speaker 2>Two thousand and four? That's not that's not there's a

0:36:43.239 --> 0:36:47.800
<v Speaker 2>ship on the features. It was his second album, right, No,

0:36:47.920 --> 0:36:50.239
<v Speaker 2>it was his third because it was ghetto fabulous. Oh

0:36:50.280 --> 0:36:52.839
<v Speaker 2>one Street Dreams two thousand and three, Real Talk two

0:36:52.840 --> 0:36:53.319
<v Speaker 2>thousand and four.

0:36:55.480 --> 0:36:57.040
<v Speaker 1>All of them ships went platinum right there?

0:36:57.640 --> 0:37:01.000
<v Speaker 2>Yeah, probably mean, I'm sure platinum on nine to eleven

0:37:02.239 --> 0:37:03.720
<v Speaker 2>mm hm, which is crazy.

0:37:03.960 --> 0:37:06.040
<v Speaker 1>He dropped nine to eleven to win platinum on a debut.

0:37:07.480 --> 0:37:11.880
<v Speaker 2>Yet, maul I heard you talking in the lounge earlier

0:37:11.960 --> 0:37:14.640
<v Speaker 2>that you feel like you have to overpay for great Wireless.

0:37:14.840 --> 0:37:16.440
<v Speaker 1>It's like a big thing that you preach all the time.

0:37:16.840 --> 0:37:18.120
<v Speaker 1>But I can preached that all the time.

0:37:18.360 --> 0:37:20.760
<v Speaker 2>But Maul, you can get off your soapbox because boost

0:37:20.840 --> 0:37:23.640
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0:37:23.800 --> 0:37:27.200
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0:37:35.600 --> 0:37:37.280
<v Speaker 2>out you got to pay all this extra money.

0:37:37.200 --> 0:37:39.680
<v Speaker 3>Stop overpaying and switch to a fair price at boostmobile

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0:37:42.400 --> 0:37:44.640
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0:37:44.840 --> 0:37:46.799
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0:37:46.840 --> 0:37:48.120
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<v Speaker 1>Full off of details, visit boostmobile dot com.

0:37:56.600 --> 0:38:01.000
<v Speaker 2>Yeah, but so Joey, I guess, explaining himself further in

0:38:01.120 --> 0:38:02.839
<v Speaker 2>that tweet, moll you in my eyes of it if

0:38:02.840 --> 0:38:03.680
<v Speaker 2>you want to read that all.

0:38:03.640 --> 0:38:04.319
<v Speaker 1>Right, what do you say? He said?

0:38:04.360 --> 0:38:06.359
<v Speaker 3>My sentiment is this type of thing happens all the time.

0:38:06.440 --> 0:38:08.839
<v Speaker 3>This is just a recent example that I think is clear.

0:38:08.920 --> 0:38:11.960
<v Speaker 3>By the way, the topic was about sparring in hip hop.

0:38:12.080 --> 0:38:15.480
<v Speaker 3>Regarding the whole interview. This is not just about J Cole,

0:38:15.560 --> 0:38:19.360
<v Speaker 3>This is about lyrical rap as a subgenre period. My

0:38:19.480 --> 0:38:23.440
<v Speaker 3>sentiment is that there's a scarcity mindset in the subgenre,

0:38:23.520 --> 0:38:26.160
<v Speaker 3>and usually the top guys don't invite other hungry spinners

0:38:26.200 --> 0:38:29.120
<v Speaker 3>onto their own tracks. Let me give Coles Flowers real quick,

0:38:29.200 --> 0:38:31.200
<v Speaker 3>just to be clear, because I loved the album and

0:38:31.280 --> 0:38:33.440
<v Speaker 3>I've always loved him as an MC and person.

0:38:34.320 --> 0:38:35.359
<v Speaker 1>But I stand on what I'm saying.

0:38:35.400 --> 0:38:37.800
<v Speaker 3>The evidence is there there's a difference between doing features

0:38:37.840 --> 0:38:40.719
<v Speaker 3>for niggas and featuring niggas on your own work. And

0:38:40.800 --> 0:38:43.200
<v Speaker 3>for the record, if niggas whole heartily thought Jed didn't

0:38:43.239 --> 0:38:46.120
<v Speaker 3>fit on the fall Off, that's your opinion, but he's

0:38:46.160 --> 0:38:48.240
<v Speaker 3>also not featured on any other J Cole album.

0:38:49.080 --> 0:38:52.120
<v Speaker 1>Didn't J Cole just say hip hop was dead? Jid?

0:38:52.200 --> 0:38:54.719
<v Speaker 3>If hip hop was dead, Jed would be platinum on

0:38:54.800 --> 0:38:56.960
<v Speaker 3>a throwaway mixtape, by the way, but then not feature

0:38:57.000 --> 0:39:00.839
<v Speaker 3>him at all on the mixtape or the album when

0:39:01.160 --> 0:39:03.840
<v Speaker 3>either or would have made sense. All I'm saying is

0:39:03.920 --> 0:39:08.440
<v Speaker 3>noticed the trend in this specific subgenre. I mean, I

0:39:08.600 --> 0:39:10.360
<v Speaker 3>get that, I understand that, I.

0:39:10.440 --> 0:39:12.920
<v Speaker 4>Get that they've rapped all right, I know, I know

0:39:12.960 --> 0:39:14.160
<v Speaker 4>I understand what he's Why do we.

0:39:14.160 --> 0:39:16.799
<v Speaker 1>Think Jid wasn't on the mixtape or the album though?

0:39:18.200 --> 0:39:20.520
<v Speaker 1>Do we think it's because like that.

0:39:20.640 --> 0:39:23.480
<v Speaker 2>No, because they've wrapped together and on. On top of that,

0:39:23.640 --> 0:39:28.840
<v Speaker 2>Dreamville as a label has put out so many group

0:39:28.960 --> 0:39:33.040
<v Speaker 2>projects that Cole has anchored that has has let j

0:39:33.160 --> 0:39:38.640
<v Speaker 2>I d Sean Brennan, I'm with you that it would

0:39:38.719 --> 0:39:41.479
<v Speaker 2>be cool to have Jid on an actual J Cole album,

0:39:41.520 --> 0:39:43.960
<v Speaker 2>but one he stings you with features to begin with. Two,

0:39:44.200 --> 0:39:48.440
<v Speaker 2>Not every single artist has the same mindset as jay Z.

0:39:48.800 --> 0:39:52.080
<v Speaker 2>Where if I got you signed, you're gonna be on

0:39:52.280 --> 0:39:56.200
<v Speaker 2>my album to the point like Memphis Bleak on your album,

0:39:56.239 --> 0:39:58.240
<v Speaker 2>I'm gonna give you a whole song called Deer Summer

0:39:58.640 --> 0:40:00.799
<v Speaker 2>like he. I think Jaj has a different mind state

0:40:00.880 --> 0:40:03.120
<v Speaker 2>with the people he signs. It's a business one. Cole,

0:40:03.160 --> 0:40:04.319
<v Speaker 2>I think the artistic one.

0:40:06.840 --> 0:40:09.040
<v Speaker 3>I understand what Rory was saying, But Rory, where, I'm

0:40:09.040 --> 0:40:10.600
<v Speaker 3>gonna give you a little bit of push back before

0:40:10.640 --> 0:40:15.279
<v Speaker 3>you finish your point. Jed was just Grammy nominated. Yeah,

0:40:15.360 --> 0:40:18.279
<v Speaker 3>you have an artist that's Grammy nominated. Currently, you put

0:40:18.320 --> 0:40:20.960
<v Speaker 3>out a mixtape before your most anticipated album.

0:40:22.040 --> 0:40:23.880
<v Speaker 1>He can't get a look on nothing.

0:40:24.760 --> 0:40:27.640
<v Speaker 3>He's doing him like Jay did him. I'm not yes,

0:40:27.760 --> 0:40:30.279
<v Speaker 3>j I did. I'm not saying Jed needs it. I'm

0:40:30.680 --> 0:40:32.640
<v Speaker 3>saying it would be a good Dame. Cole was doing

0:40:32.719 --> 0:40:34.520
<v Speaker 3>the same thing jay Z did them.

0:40:34.920 --> 0:40:35.440
<v Speaker 1>He gave him.

0:40:35.520 --> 0:40:37.680
<v Speaker 2>I mean what you mean Cole picked the wrong song

0:40:38.040 --> 0:40:41.040
<v Speaker 2>was given. J was giving cold features like yeah, his

0:40:41.120 --> 0:40:44.600
<v Speaker 2>first his first album, a host feature on mister Nice

0:40:44.640 --> 0:40:46.080
<v Speaker 2>watch the song stinks but yeah.

0:40:46.360 --> 0:40:50.200
<v Speaker 4>But on j cole album, Yeah, his first Cole whole

0:40:50.280 --> 0:40:55.200
<v Speaker 4>album was boring, right, which which he gave him a

0:40:55.320 --> 0:40:57.399
<v Speaker 4>platform to rap.

0:40:58.960 --> 0:41:02.399
<v Speaker 3>But but saying, don't get Grammy nominated right now when

0:41:02.440 --> 0:41:03.480
<v Speaker 3>this album is coming out.

0:41:04.440 --> 0:41:06.960
<v Speaker 1>He not on your album and that's your artist. Maybe

0:41:06.960 --> 0:41:07.640
<v Speaker 1>you don't like him.

0:41:07.840 --> 0:41:13.640
<v Speaker 2>Maybe he just said on the mixtape that Maybe maybe

0:41:13.680 --> 0:41:16.120
<v Speaker 2>I'm saying because because Jid should be platinum of his

0:41:16.239 --> 0:41:18.040
<v Speaker 2>talent level, like he shadowed him out on that record.

0:41:18.080 --> 0:41:19.600
<v Speaker 1>But also where I will.

0:41:19.480 --> 0:41:22.240
<v Speaker 2>Get pushback is Coles explained this as a concept album

0:41:22.280 --> 0:41:25.399
<v Speaker 2>with being twenty nine driving a Fairville. Uh, then it's

0:41:26.719 --> 0:41:30.200
<v Speaker 2>twenty whatever fucking agency picked. Where does Jid fit in

0:41:30.280 --> 0:41:32.640
<v Speaker 2>that story? Like I could get Future to sing a

0:41:32.680 --> 0:41:33.520
<v Speaker 2>hook that makes sense.

0:41:33.560 --> 0:41:34.359
<v Speaker 1>We're doing in top.

0:41:34.480 --> 0:41:38.359
<v Speaker 4>We're big and pock fitted in that story, which, huh,

0:41:39.000 --> 0:41:40.640
<v Speaker 4>we're big and pock fitted in that story.

0:41:41.080 --> 0:41:42.200
<v Speaker 1>This is what I'm saying. I can't sell.

0:41:42.960 --> 0:41:45.759
<v Speaker 2>I know she would have left that chapter out big

0:41:45.920 --> 0:41:46.920
<v Speaker 2>and pop fitting.

0:41:46.680 --> 0:41:50.440
<v Speaker 1>That twenty nine old you know, big pops, you know what.

0:41:50.920 --> 0:41:56.000
<v Speaker 1>I'm humble enough to say, you got me. You're right.

0:41:56.040 --> 0:41:59.719
<v Speaker 4>That was weird because trying to say, oh my yo, yo,

0:41:59.800 --> 0:42:02.080
<v Speaker 4>ma man yo, we was doing this, he fits how.

0:42:02.000 --> 0:42:04.520
<v Speaker 1>The biggie pot fit in. That's scenarioda.

0:42:05.840 --> 0:42:07.799
<v Speaker 2>Because that's what he was so he was thinking when

0:42:07.840 --> 0:42:10.319
<v Speaker 2>he was driving, right, not.

0:42:10.480 --> 0:42:14.640
<v Speaker 1>Yo, I'm gonna sign a nigga, get filthy richal for this. Nigga.

0:42:16.000 --> 0:42:17.880
<v Speaker 1>I'm saying, if every nigga richie your clink, then your

0:42:17.880 --> 0:42:19.920
<v Speaker 1>clink is running. Yeah, he ain't digging that.

0:42:21.520 --> 0:42:24.000
<v Speaker 2>But I don't like that because Cole, like what what

0:42:24.120 --> 0:42:28.320
<v Speaker 2>he does with the Revenge of the Dreamers projects, like

0:42:29.080 --> 0:42:30.520
<v Speaker 2>or even at that camp that they did in that

0:42:30.640 --> 0:42:34.400
<v Speaker 2>campaign where they had everyone in Atlanta, like, they definitely

0:42:34.560 --> 0:42:36.759
<v Speaker 2>pushed their artists the best they can. I actually think

0:42:36.800 --> 0:42:42.640
<v Speaker 2>it's whack when a label entire game plan is, oh,

0:42:42.800 --> 0:42:45.560
<v Speaker 2>I'll just do a feature for you that's where the

0:42:45.600 --> 0:42:48.160
<v Speaker 2>shit be failing. Anytime a rapper gets big and starts

0:42:48.200 --> 0:42:50.400
<v Speaker 2>to sign people, a lot of them have the stupid

0:42:50.440 --> 0:42:52.160
<v Speaker 2>mindset of all I have to do is just be

0:42:52.239 --> 0:42:54.279
<v Speaker 2>a feature on their ship and they'll pop instead of

0:42:54.320 --> 0:42:56.000
<v Speaker 2>trying to develop them and do what what dream but

0:42:56.120 --> 0:42:56.680
<v Speaker 2>has done with you?

0:42:58.360 --> 0:43:00.640
<v Speaker 1>If you is not gonna do this is what I'm saying.

0:43:00.640 --> 0:43:03.000
<v Speaker 4>If you already did the develop the artist development with

0:43:03.040 --> 0:43:06.399
<v Speaker 4>the nigga and you say he's Grammy nominated Holley, I'm

0:43:06.440 --> 0:43:09.799
<v Speaker 4>getting on his song, bro, you was getting.

0:43:09.520 --> 0:43:10.839
<v Speaker 1>On his song. Yeah, it ain't.

0:43:11.239 --> 0:43:14.000
<v Speaker 3>It ain't like three songs. It ain't like Jed is

0:43:14.000 --> 0:43:15.400
<v Speaker 3>still on the come up. He still got to make

0:43:15.440 --> 0:43:19.480
<v Speaker 3>his bones Grammy nominated. He's Grammy nominated for a rap album.

0:43:20.840 --> 0:43:22.520
<v Speaker 3>Maybe Cole's looking like, what do you need me for?

0:43:22.880 --> 0:43:25.279
<v Speaker 3>It's not a need, it's not let's take that word

0:43:25.320 --> 0:43:28.040
<v Speaker 3>out of it. Jed doesn't need the look from j Cole.

0:43:28.200 --> 0:43:30.719
<v Speaker 3>J Cole doesn't need the look from Jed. I'm saying

0:43:30.800 --> 0:43:35.480
<v Speaker 3>Jid's skill set, his success, his energy right now around

0:43:35.560 --> 0:43:40.160
<v Speaker 3>him and his project that warrants a look from his

0:43:40.440 --> 0:43:43.360
<v Speaker 3>peer now one of the tap peer now has j

0:43:43.520 --> 0:43:45.719
<v Speaker 3>Cole never been Grammy nominated for Rap Album.

0:43:45.560 --> 0:43:48.560
<v Speaker 2>To you probably, I don't know if the top top

0:43:48.600 --> 0:43:50.480
<v Speaker 2>of my yeah, he's that that famous meme where he's

0:43:50.480 --> 0:43:52.080
<v Speaker 2>sitting there tight when he lost.

0:43:52.520 --> 0:43:55.759
<v Speaker 1>So that's his peer. We're both Grammy nominated artists. Now

0:43:56.360 --> 0:43:59.520
<v Speaker 1>it's not it's nice peer. If I'm Grammy nominated and

0:43:59.560 --> 0:44:02.360
<v Speaker 1>you Grammy nominated me, not peers, come on, so everybody

0:44:02.400 --> 0:44:05.560
<v Speaker 1>would it Grammy on me, not Piers. I'm not saying that.

0:44:05.800 --> 0:44:07.719
<v Speaker 4>The kid that just got a viral song is j

0:44:07.880 --> 0:44:10.759
<v Speaker 4>Co I agreed to singing on the train gott a

0:44:10.800 --> 0:44:11.480
<v Speaker 4>Grammy homie.

0:44:11.480 --> 0:44:12.920
<v Speaker 1>He ain't nominated. He got it.

0:44:14.480 --> 0:44:18.719
<v Speaker 2>The station, Kendrick Drake, Future Nikki. Those are his peers.

0:44:18.520 --> 0:44:20.560
<v Speaker 3>Because of you talking about because of time in the

0:44:20.680 --> 0:44:23.000
<v Speaker 3>in the game. I'm saying he's just peer, meaning my

0:44:23.160 --> 0:44:26.600
<v Speaker 3>skill set, my audience, my fucking I.

0:44:26.600 --> 0:44:27.200
<v Speaker 1>Don't to find that.

0:44:27.280 --> 0:44:29.680
<v Speaker 4>To me, if you nominated that, that don't make you

0:44:29.760 --> 0:44:33.480
<v Speaker 4>the trash people is nominated for for rap albums that

0:44:33.560 --> 0:44:34.719
<v Speaker 4>don't make them away.

0:44:34.760 --> 0:44:36.480
<v Speaker 1>Holdo, wait, holda hold on, hold on.

0:44:36.920 --> 0:44:40.960
<v Speaker 3>If I'm nominated for a Rap Album of the Year, okay,

0:44:41.040 --> 0:44:44.520
<v Speaker 3>and I'm your artist, you wouldn't think that.

0:44:44.760 --> 0:44:47.000
<v Speaker 1>Okay, I'm artist.

0:44:47.160 --> 0:44:51.080
<v Speaker 2>I'm st Yeah, it's j Cole and I love Jid,

0:44:51.160 --> 0:44:53.160
<v Speaker 2>but Jid would say he's beneath Cole.

0:44:53.239 --> 0:44:54.440
<v Speaker 1>I don't know if you I don't know if Jim

0:44:54.440 --> 0:44:55.480
<v Speaker 1>would say that. Well.

0:44:55.560 --> 0:44:57.480
<v Speaker 2>As a rapper, he would say when it's time to

0:44:57.520 --> 0:44:57.960
<v Speaker 2>get that busy.

0:44:58.200 --> 0:44:59.280
<v Speaker 1>So that's what I'm talking saying.

0:44:59.080 --> 0:45:02.400
<v Speaker 4>Peer wise, and I'm talking as far as rappers, it

0:45:02.480 --> 0:45:06.239
<v Speaker 4>is Maclamore, coles Per, I mean all of them, not

0:45:06.320 --> 0:45:06.799
<v Speaker 4>skill set.

0:45:07.160 --> 0:45:08.120
<v Speaker 1>But we know what that was about.

0:45:08.200 --> 0:45:10.560
<v Speaker 4>I'm talking about. I'm talking about Jid being a rapper

0:45:10.640 --> 0:45:15.040
<v Speaker 4>that Cold signed. Glorilla was nominated, but Gloriala got so

0:45:15.480 --> 0:45:18.040
<v Speaker 4>Cold give Glorilla the verse. The funny shit is I

0:45:18.080 --> 0:45:21.560
<v Speaker 4>could see Cold giving Glooriala verse. That's the funny ship.

0:45:21.920 --> 0:45:24.160
<v Speaker 4>I could see J Cole doing the song with Glorilla

0:45:24.239 --> 0:45:27.160
<v Speaker 4>before before Jed. But are you guys keep failing to

0:45:27.200 --> 0:45:30.719
<v Speaker 4>mist that they've done records together. Understand that I'm doing

0:45:30.920 --> 0:45:37.880
<v Speaker 4>multiple j I DJ y whole album though, bro, even then,

0:45:38.120 --> 0:45:38.600
<v Speaker 4>even if.

0:45:38.480 --> 0:45:41.640
<v Speaker 1>It's not the al even if it's not the album.

0:45:41.920 --> 0:45:45.279
<v Speaker 4>He put out a mixtape right before the album, and

0:45:45.320 --> 0:45:46.120
<v Speaker 4>ain't put them on there.

0:45:46.239 --> 0:45:46.719
<v Speaker 5>This is just a.

0:45:46.760 --> 0:45:49.560
<v Speaker 4>Mixtape, This is just your every nigga, every nigga who

0:45:49.600 --> 0:45:52.200
<v Speaker 4>you could think about that had the crew them niggas

0:45:52.320 --> 0:45:53.680
<v Speaker 4>was on their album sign.

0:45:55.800 --> 0:46:00.160
<v Speaker 3>Cameron had on the album. To me, big Ship is

0:46:00.200 --> 0:46:02.040
<v Speaker 3>a peer of j Cole. He has his skill set,

0:46:02.520 --> 0:46:04.440
<v Speaker 3>his his artistry, his.

0:46:05.000 --> 0:46:07.680
<v Speaker 1>I love sh it is nice. But he's not.

0:46:07.840 --> 0:46:08.080
<v Speaker 2>He's not.

0:46:08.280 --> 0:46:10.400
<v Speaker 1>He can't eventually get to be his peer, but he's not.

0:46:10.600 --> 0:46:11.080
<v Speaker 1>I'm not gonna.

0:46:11.360 --> 0:46:13.440
<v Speaker 4>I'm not gonna look the word peer of me because

0:46:13.440 --> 0:46:15.000
<v Speaker 4>I like you. I like to know the kid I said,

0:46:15.040 --> 0:46:17.480
<v Speaker 4>I didn't like the other week that Rory said he was,

0:46:21.520 --> 0:46:22.040
<v Speaker 4>But it's peer.

0:46:23.200 --> 0:46:25.040
<v Speaker 1>Look look keenly. Oh no, that's nothing.

0:46:25.040 --> 0:46:27.200
<v Speaker 4>I don't know what peer peer me like peering is

0:46:27.320 --> 0:46:30.480
<v Speaker 4>something that looked keenly right. That means it's to give

0:46:30.560 --> 0:46:34.480
<v Speaker 4>us the other year, give us the other definition something

0:46:34.520 --> 0:46:37.280
<v Speaker 4>that now Ireland Now Rory is a here Ireland's.

0:46:36.960 --> 0:46:37.640
<v Speaker 1>Up there, huh.

0:46:40.080 --> 0:46:44.319
<v Speaker 3>A person of the same age, status, or ability as

0:46:44.360 --> 0:46:45.720
<v Speaker 3>another specified person.

0:46:46.320 --> 0:46:51.120
<v Speaker 2>So status status little key he said I didn't like

0:46:51.200 --> 0:46:53.560
<v Speaker 2>he put an album out, said he liked it. Who

0:46:54.160 --> 0:46:55.200
<v Speaker 2>look Little Keith.

0:46:55.080 --> 0:46:55.760
<v Speaker 1>With his name.

0:46:58.120 --> 0:47:02.239
<v Speaker 2>Baby King okay Jit and Baby Keeam is pizzed man.

0:47:03.320 --> 0:47:05.879
<v Speaker 1>No they're not. Why not? I think?

0:47:06.120 --> 0:47:08.000
<v Speaker 2>Uh Jid.

0:47:09.920 --> 0:47:13.759
<v Speaker 1>J is just say it, Jed is a better artist

0:47:13.760 --> 0:47:15.480
<v Speaker 1>than Baby King, Like, oh, I know, I feel that way.

0:47:15.480 --> 0:47:16.120
<v Speaker 1>I feel that way.

0:47:16.239 --> 0:47:19.120
<v Speaker 2>I'm saying they're not pis though I think has been

0:47:19.200 --> 0:47:21.200
<v Speaker 2>way more active. Keem, I think is about to get

0:47:21.239 --> 0:47:23.880
<v Speaker 2>to that place. But it has been so active the

0:47:25.160 --> 0:47:27.239
<v Speaker 2>right where King took a lot of time off. And

0:47:28.040 --> 0:47:29.800
<v Speaker 2>I don't think that their peers in that regard, just

0:47:29.840 --> 0:47:31.840
<v Speaker 2>because I think Jed has put out more stuff. But

0:47:32.000 --> 0:47:35.200
<v Speaker 2>now that Keem has this other project, he said he

0:47:35.239 --> 0:47:36.640
<v Speaker 2>has two more on the tuck, he's going on to it.

0:47:36.680 --> 0:47:38.520
<v Speaker 2>I think Kim is about to get there because he's

0:47:38.719 --> 0:47:41.200
<v Speaker 2>focused on his career. He took five years off.

0:47:41.560 --> 0:47:45.839
<v Speaker 1>About Joey Badass, you see a pier of who Jid?

0:47:47.719 --> 0:47:47.839
<v Speaker 4>Uh?

0:47:48.480 --> 0:47:51.240
<v Speaker 2>Yeah, I mean ud, Joey's a little bit more established

0:47:51.239 --> 0:47:53.239
<v Speaker 2>than Jid in my opinion, because Joey's been around here

0:47:53.440 --> 0:47:55.440
<v Speaker 2>for over a decade.

0:47:56.000 --> 0:47:57.439
<v Speaker 1>More than that way, more.

0:47:57.360 --> 0:47:59.520
<v Speaker 2>Than that is a better is a better artist, and

0:48:00.040 --> 0:48:03.600
<v Speaker 2>Joy bad so so so I don't know if if

0:48:03.719 --> 0:48:05.880
<v Speaker 2>jad has has a better project than nineteen ninety nine.

0:48:08.120 --> 0:48:11.320
<v Speaker 2>And you guys know I love Jid. I don't know

0:48:11.360 --> 0:48:12.960
<v Speaker 2>if he has a better project than that.

0:48:14.800 --> 0:48:16.719
<v Speaker 1>I think jad is a better artist. I think he's

0:48:16.719 --> 0:48:18.000
<v Speaker 1>a better Is he a better rapper.

0:48:17.760 --> 0:48:22.920
<v Speaker 2>If we're talking about right now? So so so, like

0:48:23.760 --> 0:48:27.239
<v Speaker 2>Ji's ounds better than Joey's last one. But I'm still

0:48:27.280 --> 0:48:29.480
<v Speaker 2>on the status side of like you do have to

0:48:29.520 --> 0:48:33.239
<v Speaker 2>take longevity to some account when you're using here. I

0:48:33.480 --> 0:48:37.000
<v Speaker 2>like that Joey is is differently because he's been around.

0:48:36.800 --> 0:48:39.440
<v Speaker 4>For so high so to both of y'all's arguments, So

0:48:39.719 --> 0:48:42.359
<v Speaker 4>Noriega would be jad Kiss's bid.

0:48:43.440 --> 0:48:48.239
<v Speaker 3>Yeah, you say no, because the ability is not the same, well,

0:48:48.320 --> 0:48:51.399
<v Speaker 3>not not just ability, but the status. Like Norway has

0:48:51.480 --> 0:48:54.960
<v Speaker 3>classic songs, he has in my opinion, a classic album

0:48:56.239 --> 0:48:59.520
<v Speaker 3>full go albums, Yeah none, So yeah, I would, I

0:48:59.520 --> 0:49:00.520
<v Speaker 3>would degree there.

0:49:01.320 --> 0:49:04.320
<v Speaker 1>The skill set is not. The skill set is different.

0:49:04.440 --> 0:49:08.680
<v Speaker 3>But as far as you know, just discography and and

0:49:08.880 --> 0:49:13.359
<v Speaker 3>and and longevity and time in the game and accomplishments

0:49:13.400 --> 0:49:16.800
<v Speaker 3>and things like that, bodies of work. Yeah, he's a PJ.

0:49:17.280 --> 0:49:21.120
<v Speaker 2>I think Jacob can rap circles around Future, but I

0:49:21.160 --> 0:49:25.200
<v Speaker 2>still think Future is is peer just as far as accomplishments,

0:49:25.239 --> 0:49:27.520
<v Speaker 2>what they've they've contributed, how they've changed music, that's his

0:49:27.800 --> 0:49:30.680
<v Speaker 2>future is Jacob's peer. But the ability as far as

0:49:30.760 --> 0:49:33.520
<v Speaker 2>rapping is is obviously different. Future would say the same.

0:49:34.040 --> 0:49:36.279
<v Speaker 2>But when it comes to just creating music, that's where

0:49:36.320 --> 0:49:41.000
<v Speaker 2>I say with with peers like I listen Travis Travis.

0:49:41.120 --> 0:49:43.920
<v Speaker 2>Travis can't rap like Nikki, but there are peers in

0:49:44.000 --> 0:49:48.000
<v Speaker 2>some degree if you want to start getting to status albums.

0:49:48.040 --> 0:49:50.120
<v Speaker 3>Ji's album. It's just last album better than the Fallow.

0:49:51.840 --> 0:49:53.360
<v Speaker 1>Yeah, I think so.

0:49:54.040 --> 0:49:57.800
<v Speaker 2>Yeah, I'm I'm not mad at all. It fell off already,

0:49:58.400 --> 0:50:02.040
<v Speaker 2>all right, see the fall Off. Listen to the first disc.

0:50:02.040 --> 0:50:04.279
<v Speaker 2>The first disc is great, really good.

0:50:07.080 --> 0:50:10.040
<v Speaker 1>Half the album is good. Now it's two albums. It's

0:50:10.080 --> 0:50:12.640
<v Speaker 1>the Fall and order like half the album like After Project. No,

0:50:13.920 --> 0:50:14.080
<v Speaker 1>like the.

0:50:15.800 --> 0:50:19.080
<v Speaker 2>Fall, the first one, I like my favorite time is.

0:50:20.320 --> 0:50:22.120
<v Speaker 2>I like the first one, and I like a few

0:50:22.200 --> 0:50:24.840
<v Speaker 2>joints on the second one. But again I'm not I

0:50:24.960 --> 0:50:26.880
<v Speaker 2>don't like double disc to begin with. That's something that

0:50:27.080 --> 0:50:29.640
<v Speaker 2>I don't like when artists do. Unless you have a

0:50:29.719 --> 0:50:31.160
<v Speaker 2>life after death, which is impossible.

0:50:31.200 --> 0:50:33.520
<v Speaker 1>You gotta go crazy on a double dish, bro.

0:50:34.000 --> 0:50:36.600
<v Speaker 2>But I'm just saying I don't understand, like, see the

0:50:36.680 --> 0:50:41.640
<v Speaker 2>point of everything that Cole has done FORGID, whether it

0:50:41.719 --> 0:50:43.560
<v Speaker 2>be in the public eye or behind the scenes.

0:50:44.320 --> 0:50:46.800
<v Speaker 1>I don't know if you're just old not old. But

0:50:46.880 --> 0:50:47.239
<v Speaker 1>I don't know.

0:50:47.320 --> 0:50:52.080
<v Speaker 2>If I'm putting together my project that's about my history

0:50:52.160 --> 0:50:54.239
<v Speaker 2>in life and this is my last album, I don't

0:50:54.239 --> 0:50:55.480
<v Speaker 2>know if my mind state is just like I have

0:50:55.560 --> 0:50:59.359
<v Speaker 2>to place Jids somewhere in this story just because now

0:50:59.520 --> 0:51:03.520
<v Speaker 2>this is the Yeah, I don't like making excuses for him,

0:51:04.400 --> 0:51:07.800
<v Speaker 2>like I don't want to make any Drake that this,

0:51:07.920 --> 0:51:10.800
<v Speaker 2>but I mean, yeah, Drake does a lot of features

0:51:10.800 --> 0:51:14.840
<v Speaker 2>for people that he signs. But when it's time for

0:51:15.000 --> 0:51:18.120
<v Speaker 2>Drake to make an album, Bro, I'm going I'm gonna

0:51:18.160 --> 0:51:19.959
<v Speaker 2>hit future, I'm gonna hit a little baby, I'm gonna

0:51:20.000 --> 0:51:24.160
<v Speaker 2>hit people. I'm not putting Roy Woods. And of course

0:51:24.200 --> 0:51:26.200
<v Speaker 2>he put division on views and and all that. I'm

0:51:26.200 --> 0:51:28.320
<v Speaker 2>not saying he hasn't done that for you to say that,

0:51:28.800 --> 0:51:31.200
<v Speaker 2>oh no, he's he's had party. I'm just saying it's.

0:51:32.600 --> 0:51:33.480
<v Speaker 1>A hit me out.

0:51:33.719 --> 0:51:35.360
<v Speaker 2>Well a lot of stuff with with the party stuff.

0:51:35.360 --> 0:51:38.600
<v Speaker 2>And I mean this respectfully. Party and him are great

0:51:38.640 --> 0:51:43.640
<v Speaker 2>collaborators when they write music together, whereas that's different between

0:51:43.800 --> 0:51:45.960
<v Speaker 2>J I D. And J Cole because they're not collaborating

0:51:46.040 --> 0:51:48.480
<v Speaker 2>to write with each other or create melodies. And this

0:51:48.560 --> 0:51:51.759
<v Speaker 2>and that like the intro to if you're reading It's

0:51:51.800 --> 0:51:54.919
<v Speaker 2>Too Late, was originally a party demo. Then that Drake

0:51:54.960 --> 0:51:57.719
<v Speaker 2>flipped and figured out that's different album.

0:51:57.800 --> 0:51:58.360
<v Speaker 1>That's my favorite.

0:51:58.840 --> 0:52:01.480
<v Speaker 2>At that's time she.

0:52:01.600 --> 0:52:03.160
<v Speaker 1>Reading this is too late. Now we're in the basement

0:52:03.200 --> 0:52:04.280
<v Speaker 1>that we're working on their phones.

0:52:04.920 --> 0:52:06.840
<v Speaker 2>He was tracking on that. He was traveling on that

0:52:07.000 --> 0:52:09.480
<v Speaker 2>album to the album he was trapped off Bro. He

0:52:10.239 --> 0:52:13.360
<v Speaker 2>shift happened where he went from like soft to aggressive.

0:52:13.600 --> 0:52:15.880
<v Speaker 2>He was trapping bro like they was getting money. But

0:52:16.040 --> 0:52:19.160
<v Speaker 2>to me, he does that with his artists more on

0:52:19.239 --> 0:52:22.400
<v Speaker 2>their projects than he does on his own. Not every

0:52:22.560 --> 0:52:26.080
<v Speaker 2>single Drake album is like just a fleet odo teacher.

0:52:26.360 --> 0:52:28.320
<v Speaker 4>I get what you say, because they might not anybody

0:52:29.200 --> 0:52:32.759
<v Speaker 4>get on one joint. You know my game on you

0:52:33.200 --> 0:52:35.560
<v Speaker 4>you didn't hear around. But for the most part, Drake

0:52:35.680 --> 0:52:37.239
<v Speaker 4>is on that ship a lot is.

0:52:37.760 --> 0:52:39.839
<v Speaker 2>J Cole on a lot of dig I mean, even

0:52:40.040 --> 0:52:42.479
<v Speaker 2>even if you go through everything, you get the guys

0:52:42.560 --> 0:52:44.800
<v Speaker 2>the album, you don't get the whole rock my album?

0:52:45.040 --> 0:52:47.400
<v Speaker 1>Did J Cole? Was he on JID album?

0:52:47.680 --> 0:52:47.719
<v Speaker 2>No?

0:52:48.719 --> 0:52:50.759
<v Speaker 1>No, he was supposed to be. If he's not going

0:52:50.840 --> 0:52:53.279
<v Speaker 1>to have Jid on his album, you gotta get on

0:52:53.440 --> 0:52:54.200
<v Speaker 1>son album bro.

0:52:54.320 --> 0:52:57.160
<v Speaker 3>But you know why he wasn't through Why I think

0:52:57.200 --> 0:52:59.359
<v Speaker 3>that Jake Cole didn't want nobody to really hit him

0:52:59.400 --> 0:53:02.800
<v Speaker 3>like that until because everything the time and he was

0:53:03.320 --> 0:53:04.600
<v Speaker 3>finishing up his project and the.

0:53:04.640 --> 0:53:06.799
<v Speaker 1>Rap game is too I ain't gonna lie. I don't.

0:53:06.800 --> 0:53:07.880
<v Speaker 1>I don't like.

0:53:08.000 --> 0:53:10.600
<v Speaker 4>I like niggas not talk about I was selling drugs.

0:53:10.680 --> 0:53:13.799
<v Speaker 4>Only now these other niggas, these other niggas is too

0:53:13.960 --> 0:53:16.960
<v Speaker 4>weig bro y'all too fucking wig y'all got too much

0:53:17.400 --> 0:53:18.200
<v Speaker 4>like what ain't said?

0:53:18.200 --> 0:53:20.920
<v Speaker 1>What what you're doing? You need the perfect beat. I

0:53:21.000 --> 0:53:25.160
<v Speaker 1>need the perfect on fuck out of here, y'all.

0:53:25.239 --> 0:53:27.320
<v Speaker 4>Niggas need to I like the niggas that it seemed

0:53:27.320 --> 0:53:29.880
<v Speaker 4>like the niggas that's selling drugs, Benny the Butcher and

0:53:30.000 --> 0:53:32.200
<v Speaker 4>them kind of niggas. Get him niggas a beat, they're

0:53:32.200 --> 0:53:33.960
<v Speaker 4>gonna go in there, talk about this ship and get

0:53:34.000 --> 0:53:34.239
<v Speaker 4>it over.

0:53:34.760 --> 0:53:37.759
<v Speaker 1>Oh. I knew he wasn't gonna get on there. He

0:53:37.760 --> 0:53:40.960
<v Speaker 1>ain't want to be heard. What nigga. But the more

0:53:41.000 --> 0:53:43.160
<v Speaker 1>nigga used to want to be hurt every fucking chance

0:53:43.239 --> 0:53:43.520
<v Speaker 1>he got.

0:53:43.760 --> 0:53:45.480
<v Speaker 3>Yeah, but coming off of everything that cold, you know

0:53:45.560 --> 0:53:48.359
<v Speaker 3>obviously the last two years and then you know, right,

0:53:48.760 --> 0:53:51.000
<v Speaker 3>very calculated niggas deleting songs.

0:53:51.400 --> 0:53:53.840
<v Speaker 1>Where the fuck is this ship? Yeah, I don't like this.

0:53:54.360 --> 0:53:56.520
<v Speaker 4>I like the niggas that selling drugs. They ain't deleting

0:53:56.560 --> 0:53:59.080
<v Speaker 4>that ship. They need that, They need the DSPs and

0:53:59.080 --> 0:54:01.719
<v Speaker 4>send him niggas a few. They ain't gonna delete that shit, man,

0:54:02.280 --> 0:54:04.800
<v Speaker 4>straight up. The niggas didn't got all this money and change.

0:54:04.920 --> 0:54:05.080
<v Speaker 5>Man.

0:54:05.560 --> 0:54:07.520
<v Speaker 1>No, niggas don't even like rapping no more.

0:54:07.560 --> 0:54:10.120
<v Speaker 4>The shit is more about instead of rapping, the shit

0:54:10.239 --> 0:54:11.920
<v Speaker 4>is like it seems like it's more about.

0:54:11.840 --> 0:54:13.640
<v Speaker 1>What it's business. With J Cole. It has to be

0:54:14.120 --> 0:54:15.680
<v Speaker 1>the type of artisty is. He has to think more

0:54:15.719 --> 0:54:16.319
<v Speaker 1>business than.

0:54:16.360 --> 0:54:19.319
<v Speaker 3>Just It's always been a business though, Yeah, but when

0:54:19.360 --> 0:54:22.080
<v Speaker 3>you at the level of J Cole, especially right now

0:54:22.120 --> 0:54:25.040
<v Speaker 3>and everything going, you know, from twenty twenty four currently,

0:54:26.080 --> 0:54:29.560
<v Speaker 3>everything had to be very meticulous. Everything had to be

0:54:29.719 --> 0:54:32.719
<v Speaker 3>very intentional, Everything had to be calculated like it was,

0:54:32.760 --> 0:54:34.560
<v Speaker 3>just it was a little different. So I'm not I'm

0:54:34.600 --> 0:54:35.360
<v Speaker 3>not looking at you.

0:54:36.280 --> 0:54:39.279
<v Speaker 1>I don't feel like J Cole will ever be as

0:54:39.400 --> 0:54:44.160
<v Speaker 1>big as whole was in oh four. I don't think.

0:54:44.360 --> 0:54:45.440
<v Speaker 1>I don't think for you all right.

0:54:45.960 --> 0:54:48.960
<v Speaker 4>Jay Z was on HOGH ninety seven Step aside the

0:54:49.040 --> 0:54:52.320
<v Speaker 4>move Superman is alive, Like we can still get shipped

0:54:52.400 --> 0:54:55.560
<v Speaker 4>like that from jay Z when he was jay Z Nigga.

0:54:56.400 --> 0:54:58.560
<v Speaker 4>We could get these niggas getting on the radio giving

0:54:58.640 --> 0:55:01.640
<v Speaker 4>us fire free styles all like the top Dog is

0:55:01.680 --> 0:55:04.520
<v Speaker 4>the greatest of the greatest, and y'all niggas be acting

0:55:04.600 --> 0:55:05.280
<v Speaker 4>like y'all too.

0:55:05.200 --> 0:55:06.880
<v Speaker 2>Good to get off a ship like this because Cole,

0:55:06.960 --> 0:55:10.000
<v Speaker 2>I mean, it was a while ago coded Leakers his

0:55:10.160 --> 0:55:10.840
<v Speaker 2>leakers freestyle.

0:55:11.960 --> 0:55:13.840
<v Speaker 1>I'm not I heard that she was I.

0:55:14.120 --> 0:55:16.440
<v Speaker 4>She was I, And I'm saying I'm just saying, though,

0:55:16.520 --> 0:55:19.120
<v Speaker 4>light you niggas is just too tom though too, because

0:55:19.160 --> 0:55:21.600
<v Speaker 4>like niggas is too batmanaged with this ship man.

0:55:22.120 --> 0:55:24.120
<v Speaker 2>But that was always a marketing plan too. When anytime

0:55:24.200 --> 0:55:28.200
<v Speaker 2>Hove went up to Flex or was bringing someone, it

0:55:28.320 --> 0:55:30.480
<v Speaker 2>wasn't for the love of the game random, it was

0:55:30.600 --> 0:55:32.440
<v Speaker 2>for an intention of something that we're doing. It was

0:55:32.480 --> 0:55:35.759
<v Speaker 2>a tool and that tool isn't the way it was

0:55:36.000 --> 0:55:39.040
<v Speaker 2>before when it comes to rappers like j Cole. Of course,

0:55:39.440 --> 0:55:41.400
<v Speaker 2>it's great when Drake goes to on the radar. I

0:55:41.480 --> 0:55:43.120
<v Speaker 2>love that type of ship. I love when rappers that

0:55:43.160 --> 0:55:45.160
<v Speaker 2>are that established do that, but it's not the tool

0:55:45.239 --> 0:55:48.399
<v Speaker 2>it was before where you gotta get your whole crew

0:55:48.520 --> 0:55:50.640
<v Speaker 2>up to the radio because we need to hear all

0:55:50.719 --> 0:55:53.359
<v Speaker 2>them rap because we're about to put something out. It's

0:55:53.560 --> 0:55:55.840
<v Speaker 2>like when when people like Cole or Drake do that,

0:55:56.239 --> 0:55:59.200
<v Speaker 2>that's actually because they love the sport, Like that's not

0:55:59.320 --> 0:56:03.719
<v Speaker 2>really the biggest marketing plan on earth. Like Drake didn't

0:56:03.760 --> 0:56:05.759
<v Speaker 2>need to do the the on the radar shit.

0:56:05.960 --> 0:56:08.480
<v Speaker 4>He did it because he likes that platform and wanted

0:56:08.480 --> 0:56:12.200
<v Speaker 4>to rap with Central C and like that shit Cole loves.

0:56:12.480 --> 0:56:14.160
<v Speaker 4>I'm sure Cole loves the l a Leaker ship and

0:56:14.280 --> 0:56:16.080
<v Speaker 4>was like I got to get up there. Co didn't

0:56:16.160 --> 0:56:19.160
<v Speaker 4>need to do that, but Jay needed to go to

0:56:19.239 --> 0:56:21.040
<v Speaker 4>flex as a marketing player, he needed to.

0:56:21.640 --> 0:56:22.160
<v Speaker 1>It was different.

0:56:22.200 --> 0:56:25.240
<v Speaker 2>You had to go up if radio was controlling everything,

0:56:25.320 --> 0:56:27.719
<v Speaker 2>so you have to go up there, and you got

0:56:27.840 --> 0:56:29.719
<v Speaker 2>to make a moment like you got it has to

0:56:29.800 --> 0:56:31.319
<v Speaker 2>be a thing when you go up there, like y'all

0:56:31.360 --> 0:56:33.560
<v Speaker 2>got my mans that could wrap too. People calling in

0:56:33.719 --> 0:56:34.319
<v Speaker 2>like it's a thing.

0:56:34.520 --> 0:56:37.640
<v Speaker 4>You know what I'm saying. What I'm saying, is this right?

0:56:37.920 --> 0:56:44.120
<v Speaker 4>If everybody's saying like rap was better when ship like

0:56:44.200 --> 0:56:47.600
<v Speaker 4>this was going on, why do you why getting this

0:56:47.760 --> 0:56:50.080
<v Speaker 4>old ass hall there ride around like you want some

0:56:50.280 --> 0:56:54.120
<v Speaker 4>throwback ship, but you ain't doing the throwback ship. Could

0:56:54.200 --> 0:56:57.560
<v Speaker 4>Joey Badass has said this, if j Cole would have

0:56:57.600 --> 0:57:01.320
<v Speaker 4>got the Dreamville niggas together and packed the sprint of

0:57:01.400 --> 0:57:03.280
<v Speaker 4>van and went to New York City like your flexs,

0:57:03.280 --> 0:57:04.520
<v Speaker 4>we're about to fuck this ship.

0:57:04.400 --> 0:57:05.359
<v Speaker 1>Up a bit. Nah.

0:57:05.520 --> 0:57:09.000
<v Speaker 4>But see, could he have said that though this is

0:57:09.040 --> 0:57:11.239
<v Speaker 4>my last quote unquote last album, why can't I make

0:57:11.239 --> 0:57:11.640
<v Speaker 4>it about me?

0:57:12.880 --> 0:57:14.799
<v Speaker 2>The only the only thing, the only thing? When when

0:57:14.880 --> 0:57:16.360
<v Speaker 2>what album didn't you make about you?

0:57:16.560 --> 0:57:21.520
<v Speaker 1>Jay Gold? It's his fucking yeah.

0:57:21.560 --> 0:57:23.760
<v Speaker 3>But that's what Zipp is saying, like when it didn't

0:57:23.800 --> 0:57:25.720
<v Speaker 3>you make about you? When is it not you said

0:57:25.720 --> 0:57:27.040
<v Speaker 3>the Revenge of the Nerves? Should we get all that?

0:57:27.120 --> 0:57:29.400
<v Speaker 3>So he does make way for the guys that he has,

0:57:29.880 --> 0:57:31.560
<v Speaker 3>you know, under his umbrella and things like that. But

0:57:32.520 --> 0:57:35.400
<v Speaker 3>what Zipp is saying is if you the top dog,

0:57:35.480 --> 0:57:37.600
<v Speaker 3>when you think you're the top dog and you have

0:57:37.760 --> 0:57:40.320
<v Speaker 3>this certain you know, aesthetic you're trying to keep like

0:57:40.360 --> 0:57:41.960
<v Speaker 3>you know, we're taking it back old school, we really

0:57:42.000 --> 0:57:43.880
<v Speaker 3>hitting the streets and all that, why you ain't got

0:57:43.880 --> 0:57:44.440
<v Speaker 3>your team with you?

0:57:44.520 --> 0:57:45.400
<v Speaker 1>Why you ain't giving them that.

0:57:45.560 --> 0:57:47.320
<v Speaker 2>Done that before? Why does he have to do it

0:57:47.400 --> 0:57:50.280
<v Speaker 2>every time? My last album, I want.

0:57:50.160 --> 0:57:51.400
<v Speaker 1>To make this about your name too.

0:57:51.520 --> 0:57:51.840
<v Speaker 5>I get that.

0:57:52.240 --> 0:57:53.000
<v Speaker 1>Like, I get that too.

0:57:53.360 --> 0:57:55.240
<v Speaker 2>If it's the middle of your career, yeah, like if

0:57:55.280 --> 0:57:56.760
<v Speaker 2>you want to start a label and take take on

0:57:56.920 --> 0:57:59.840
<v Speaker 2>that responsibility. Yeah, you should pack the whole sprint of

0:57:59.840 --> 0:58:03.480
<v Speaker 2>event with all of dream Bill, which he's done every

0:58:03.520 --> 0:58:07.880
<v Speaker 2>single dream bell Fest. You could, you could have a

0:58:07.960 --> 0:58:10.840
<v Speaker 2>thousand streams. If you're signed to Dreamville, you are are

0:58:10.920 --> 0:58:11.720
<v Speaker 2>on the main stage.

0:58:12.080 --> 0:58:12.280
<v Speaker 1>Yeah.

0:58:12.360 --> 0:58:15.320
<v Speaker 2>And on top of that, when Cold closed, he brings

0:58:15.440 --> 0:58:17.920
<v Speaker 2>he brings all of Dreamville on stage with him for

0:58:18.000 --> 0:58:18.480
<v Speaker 2>half the set.

0:58:19.040 --> 0:58:23.520
<v Speaker 1>I'm like, like that for that, I understand that's that's their.

0:58:22.760 --> 0:58:26.120
<v Speaker 2>Festival's biggest first single. He's on Shade by the Baby

0:58:26.240 --> 0:58:28.400
<v Speaker 2>like he did his Why you have to do that

0:58:28.520 --> 0:58:29.439
<v Speaker 2>every single time?

0:58:29.520 --> 0:58:31.440
<v Speaker 3>I'm not saying every time. I'm just saying that j

0:58:31.600 --> 0:58:34.440
<v Speaker 3>I D had a very successful year. He had a

0:58:34.480 --> 0:58:37.120
<v Speaker 3>lot of energy around surrounding his last his last project

0:58:37.160 --> 0:58:40.560
<v Speaker 3>he just put out. I'm just saying, I think we

0:58:40.640 --> 0:58:43.480
<v Speaker 3>could have found we could have hit spaceball somewhere on

0:58:43.520 --> 0:58:44.360
<v Speaker 3>the mixtape for him.

0:58:44.360 --> 0:58:45.080
<v Speaker 1>It's all I'm saying.

0:58:45.920 --> 0:58:48.000
<v Speaker 3>I think we could have found somewhere we could have

0:58:48.040 --> 0:58:50.080
<v Speaker 3>found a loop somewhere on on.

0:58:50.440 --> 0:58:52.080
<v Speaker 1>The what was the name of the the mixtape?

0:58:52.800 --> 0:58:54.640
<v Speaker 2>It was called Birthday, but it was his birthday, man,

0:58:58.240 --> 0:58:58.520
<v Speaker 2>So for.

0:58:58.560 --> 0:59:00.000
<v Speaker 1>Your birthday, you don't invite none of the whole.

0:59:00.360 --> 0:59:02.240
<v Speaker 2>Me and Jid don't get to blow the candles out.

0:59:02.280 --> 0:59:04.600
<v Speaker 2>It's my motherfucking birthday. But I'm the only one blowing

0:59:04.640 --> 0:59:06.960
<v Speaker 2>the candles out. Me and Jed are not blowing out

0:59:07.040 --> 0:59:09.240
<v Speaker 2>our birthday candles. To God, don't want Jude to blow

0:59:09.280 --> 0:59:10.720
<v Speaker 2>out Jao's candles.

0:59:11.720 --> 0:59:14.200
<v Speaker 4>It's his birthday. I don't even want to think about that.

0:59:14.560 --> 0:59:16.160
<v Speaker 4>I'm just saying I feel.

0:59:16.000 --> 0:59:20.360
<v Speaker 3>Like Cole could have found somewhere on that birthday blizzard

0:59:20.400 --> 0:59:23.080
<v Speaker 3>mikes tape to let Jig get his ship off.

0:59:23.480 --> 0:59:26.600
<v Speaker 1>That's all the album. We understand the thing.

0:59:27.160 --> 0:59:30.200
<v Speaker 2>Jid's birthday is on Halloween. Nah wait, you have to

0:59:30.240 --> 0:59:33.160
<v Speaker 2>wait till October. If I put a mix about them,

0:59:33.200 --> 0:59:35.000
<v Speaker 2>then we could do Spooky Season together.

0:59:35.160 --> 0:59:37.560
<v Speaker 3>All right, But just so we can close this, would

0:59:37.600 --> 0:59:40.600
<v Speaker 3>we find it surprising at all if a year from

0:59:40.680 --> 0:59:43.240
<v Speaker 3>now we hear Jed throwing shots at Cold.

0:59:44.040 --> 0:59:46.880
<v Speaker 1>I just said, maybe they don't like each other, okay, yo.

0:59:47.920 --> 0:59:50.560
<v Speaker 2>Usually I'm the one that has the terrible conspiracy theories.

0:59:50.640 --> 0:59:52.400
<v Speaker 1>I'm a conspiracy theory.

0:59:52.520 --> 0:59:54.880
<v Speaker 2>I'm saying the way Jed and Jake Cole don't like

0:59:54.960 --> 0:59:57.320
<v Speaker 2>each other or have relationship, I'm not saying I don't

0:59:57.360 --> 0:59:58.240
<v Speaker 2>think he feels a way either.

0:59:58.280 --> 0:59:59.920
<v Speaker 3>I'm not saying they don't like each other. But if

1:00:00.080 --> 1:00:03.720
<v Speaker 3>we hear Jed write a ball, spit a ball saying like,

1:00:03.920 --> 1:00:06.120
<v Speaker 3>you know you want to, you want to. You know

1:00:06.160 --> 1:00:07.560
<v Speaker 3>if you wanted to keep me out of that light,

1:00:07.600 --> 1:00:09.440
<v Speaker 3>you ain't really want me to shine in that moment.

1:00:09.240 --> 1:00:12.560
<v Speaker 1>Which you don't want me in that hone though, accord, it.

1:00:12.600 --> 1:00:14.520
<v Speaker 4>Ain't gotta it ain't got to be rooted in beef.

1:00:14.640 --> 1:00:17.040
<v Speaker 4>It's just like, yeah, you ain't wanna you ain't want

1:00:17.080 --> 1:00:17.720
<v Speaker 4>to pass.

1:00:17.560 --> 1:00:21.920
<v Speaker 2>Over fucking When they started with him and Eve and

1:00:21.960 --> 1:00:25.360
<v Speaker 2>the Honda driving the Florida College, Jid was in in

1:00:25.920 --> 1:00:27.160
<v Speaker 2>junior high at that time.

1:00:27.360 --> 1:00:29.440
<v Speaker 4>Ay so, shorty, that's the little nigga in the back.

1:00:31.600 --> 1:00:34.880
<v Speaker 4>They just weading me your head, shorty, what you gotta.

1:00:34.640 --> 1:00:38.040
<v Speaker 1>Spit that ship? I spin my little rhymes and ship. Yeah.

1:00:38.160 --> 1:00:40.360
<v Speaker 1>I think I think it's just you know, I get it.

1:00:40.440 --> 1:00:42.640
<v Speaker 4>I'm just saying, like all of the big dog niggas

1:00:42.920 --> 1:00:46.400
<v Speaker 4>is supposed to have their young niggas on their album

1:00:47.400 --> 1:00:49.680
<v Speaker 4>because that's historically, that's how I went.

1:00:51.000 --> 1:00:53.480
<v Speaker 1>And you're supposed to get on the album.

1:00:54.360 --> 1:00:57.840
<v Speaker 4>A double disc. Jig can't get on none of that

1:00:57.920 --> 1:01:00.440
<v Speaker 4>ship and all that boring one song. Let's get to

1:01:00.480 --> 1:01:02.960
<v Speaker 4>that that ship was boring. You put out mad boring.

1:01:03.040 --> 1:01:05.400
<v Speaker 4>Shout out to Joey Badass for pointing that out. You

1:01:05.520 --> 1:01:09.360
<v Speaker 4>put out thirty boring songs. Joey Badas said he liked that,

1:01:09.560 --> 1:01:11.160
<v Speaker 4>he loved that. I don't care what he said about.

1:01:11.160 --> 1:01:14.640
<v Speaker 4>I'm talking about the the jit it references. You put

1:01:14.680 --> 1:01:17.600
<v Speaker 4>out thirty boring ass on album nobody listening to today,

1:01:18.400 --> 1:01:19.840
<v Speaker 4>and you ain't even put your man on it. You

1:01:19.880 --> 1:01:22.720
<v Speaker 4>couldn't put your man on it. Maybe niggas would feel

1:01:22.720 --> 1:01:26.120
<v Speaker 4>like how many tracks that nigga damn?

1:01:26.200 --> 1:01:26.280
<v Speaker 5>Now?

1:01:26.360 --> 1:01:27.960
<v Speaker 2>See, I thought I was about to get your off

1:01:28.280 --> 1:01:29.040
<v Speaker 2>version of that, but but.

1:01:29.040 --> 1:01:31.360
<v Speaker 3>I'm put up jay z discography and he didn't put

1:01:31.360 --> 1:01:31.800
<v Speaker 3>nobody And.

1:01:31.800 --> 1:01:33.160
<v Speaker 1>I'm looking on Blueprint too.

1:01:33.280 --> 1:01:36.280
<v Speaker 2>Yeah, and I forgot Memphis Bleek, BBC, Freeway, Young Gus

1:01:36.320 --> 1:01:41.439
<v Speaker 2>p D Krag Christ like us. And I'm obviously somehow

1:01:41.480 --> 1:01:45.000
<v Speaker 2>somewhere smoked this out Kanye was Kanye, but but don't

1:01:45.040 --> 1:01:47.640
<v Speaker 2>act like Jay with some of the artists that he

1:01:47.720 --> 1:01:49.920
<v Speaker 2>signed later, not people like Bleak that he grew up with.

1:01:50.400 --> 1:01:53.120
<v Speaker 2>You got to earn a verse from me, like you

1:01:53.160 --> 1:01:58.760
<v Speaker 2>gotta put some of your own ranges. Yeah, they've already

1:01:58.800 --> 1:01:59.479
<v Speaker 2>had songs together.

1:01:59.720 --> 1:02:02.880
<v Speaker 3>I'm onto my own Cole's album. I'm not saying don't

1:02:02.880 --> 1:02:07.040
<v Speaker 3>have songs together Cole's album. How many features does does

1:02:07.120 --> 1:02:09.600
<v Speaker 3>Cole have in his whole career on his album? Not much,

1:02:10.160 --> 1:02:12.920
<v Speaker 3>But he needs someth like it might add some bizazz

1:02:13.600 --> 1:02:15.360
<v Speaker 3>and it might add a little sparkle. What I'm saying

1:02:15.400 --> 1:02:17.960
<v Speaker 3>sometimes you need the motherfucking dim the lights and add

1:02:18.000 --> 1:02:19.120
<v Speaker 3>some ambiance to make the.

1:02:19.120 --> 1:02:22.280
<v Speaker 1>Party lit just because you gotta.

1:02:22.280 --> 1:02:24.760
<v Speaker 3>You know what I'm saying, A ballroom, a big space

1:02:25.280 --> 1:02:27.240
<v Speaker 3>and DJ equipment don't mean the party gonna be lit.

1:02:30.680 --> 1:02:32.960
<v Speaker 1>And not saying that the streets matter. But I don't

1:02:33.040 --> 1:02:35.160
<v Speaker 1>think J. Cole is real big in the streets.

1:02:37.000 --> 1:02:39.240
<v Speaker 2>I think he's like, we all have to define the

1:02:39.280 --> 1:02:40.360
<v Speaker 2>streets in twenty twenty six.

1:02:40.440 --> 1:02:42.440
<v Speaker 1>Well, seven eleven is the streets right at the back

1:02:42.480 --> 1:02:43.880
<v Speaker 1>of seven eleven. I think that's what a lot of J.

1:02:44.000 --> 1:02:47.919
<v Speaker 1>Cole fans hang out. No, they hang out any store

1:02:48.040 --> 1:02:49.840
<v Speaker 1>next to that where they got the laptop.

1:02:50.240 --> 1:02:53.280
<v Speaker 3>Old fans in front of seven eleven, part the mom's car,

1:02:54.160 --> 1:02:57.040
<v Speaker 3>listening to his ship eating twizzlers and ship eating eating

1:02:57.240 --> 1:02:58.560
<v Speaker 3>sour straws.

1:02:58.160 --> 1:03:02.000
<v Speaker 1>And dabbing smoking weed out of pipe. Great Saturday.

1:03:02.120 --> 1:03:04.120
<v Speaker 3>No, I'm not saying it's not I'm saying, but that's

1:03:04.160 --> 1:03:07.120
<v Speaker 3>where his fans are. Those type of fans. They have basements.

1:03:07.520 --> 1:03:11.040
<v Speaker 4>They don't have cracks, they don't have cracked any cragg

1:03:11.120 --> 1:03:11.600
<v Speaker 4>of the ash.

1:03:14.160 --> 1:03:17.360
<v Speaker 1>Trying to wait for somebody to say, seven year basement.

1:03:18.480 --> 1:03:20.480
<v Speaker 1>Everyone in Queen's got a basement. Not everyone.

1:03:21.720 --> 1:03:24.520
<v Speaker 4>I'm from Queens. I did not have a basement, not everywhere.

1:03:24.560 --> 1:03:26.560
<v Speaker 4>Well I know what you mean though, but not everyone

1:03:26.600 --> 1:03:27.560
<v Speaker 4>in Queen's got a basement.

1:03:27.640 --> 1:03:29.960
<v Speaker 2>Me a zips upbrings were probably a little bit different,

1:03:30.040 --> 1:03:30.240
<v Speaker 2>just a.

1:03:30.240 --> 1:03:33.080
<v Speaker 4>Little I'm gonna just go on the limits. Say you

1:03:33.720 --> 1:03:35.360
<v Speaker 4>grew up slightly different.

1:03:35.600 --> 1:03:41.160
<v Speaker 2>It was a little different, different quality Queens, different different Queen.

1:03:41.680 --> 1:03:44.960
<v Speaker 2>A lot of basements over there around the corner they

1:03:45.040 --> 1:03:45.640
<v Speaker 2>had basements.

1:03:46.120 --> 1:03:47.880
<v Speaker 1>You didn't want to go in there though where you

1:03:48.000 --> 1:03:49.400
<v Speaker 1>was at, you didn't want to go in the basements.

1:03:50.280 --> 1:03:52.040
<v Speaker 1>I'm saying the basement of my building. Let me think

1:03:52.120 --> 1:03:53.200
<v Speaker 1>you ain't want to go in the basement of you.

1:03:53.560 --> 1:03:55.160
<v Speaker 1>I think I've been in the basement of my building.

1:03:55.240 --> 1:03:57.200
<v Speaker 1>Maybe one time. I'm not going to the launchry. They're

1:03:57.200 --> 1:03:59.400
<v Speaker 1>not gonnaven ask you why you was in the laundry. Listen,

1:03:59.560 --> 1:04:02.440
<v Speaker 1>I'm I don't know. See he look, you don't do

1:04:02.520 --> 1:04:06.240
<v Speaker 1>launch Why drop la the laund is down the blind Yeah,

1:04:07.360 --> 1:04:08.680
<v Speaker 1>on the corner. You don't know what it is to

1:04:08.720 --> 1:04:09.640
<v Speaker 1>push a shopping car.

1:04:09.840 --> 1:04:12.000
<v Speaker 2>I mean I do know, but that's actually when I

1:04:12.080 --> 1:04:13.480
<v Speaker 2>left my mom's I had to figure that out.

1:04:13.600 --> 1:04:17.040
<v Speaker 1>Okay, yeah, but no, but J Coley, No, it's not.

1:04:17.200 --> 1:04:19.840
<v Speaker 1>It's not a streat element with J Coles.

1:04:19.960 --> 1:04:20.160
<v Speaker 2>Yeah.

1:04:20.560 --> 1:04:22.480
<v Speaker 3>Like, I don't think Jake Cole is a He's an

1:04:22.520 --> 1:04:26.040
<v Speaker 3>incredible MC's, incredible rapper, incredible artist.

1:04:26.160 --> 1:04:28.280
<v Speaker 1>Smart niggas. Land Base is just a small nigga.

1:04:28.320 --> 1:04:30.200
<v Speaker 3>Small you gotta have some like smart, but I mean

1:04:30.280 --> 1:04:32.800
<v Speaker 3>smart smart small cats like a lot of like Jada,

1:04:33.080 --> 1:04:33.760
<v Speaker 3>like fab.

1:04:33.760 --> 1:04:37.360
<v Speaker 4>J Cole is like sin Feil to me, you had

1:04:37.400 --> 1:04:40.120
<v Speaker 4>to have some level of intelligence to understand that ship.

1:04:41.160 --> 1:04:44.400
<v Speaker 1>Okay, is not for the like the layman.

1:04:44.840 --> 1:04:48.000
<v Speaker 3>Okay, all right, I'm not mad at that, not saying

1:04:48.000 --> 1:04:50.800
<v Speaker 3>there's anything wrong with that, but you just identifying his

1:04:50.960 --> 1:04:51.439
<v Speaker 3>fan base.

1:04:51.760 --> 1:04:56.160
<v Speaker 1>Yeah, like I agree and don't agree. Jed got what

1:04:58.600 --> 1:04:59.560
<v Speaker 1>is George Costanzo?

1:04:59.640 --> 1:05:03.280
<v Speaker 2>Everybody like, no, he cra cramery next door and that

1:05:03.360 --> 1:05:07.640
<v Speaker 2>they can't stand on. No, I think Seinfeld and people

1:05:07.760 --> 1:05:09.480
<v Speaker 2>say this about Cold. I don't believe it's about Cole,

1:05:09.560 --> 1:05:12.440
<v Speaker 2>But why that is actually good analogy? People think Seinfeld

1:05:13.280 --> 1:05:16.360
<v Speaker 2>that show is is it's not as smart as people

1:05:16.400 --> 1:05:20.760
<v Speaker 2>think it is, Like, like, it's really not like, oh,

1:05:20.840 --> 1:05:22.080
<v Speaker 2>it's just it's too intelligent.

1:05:22.120 --> 1:05:23.520
<v Speaker 1>You have to be a certain type. No, you don't.

1:05:23.520 --> 1:05:27.000
<v Speaker 1>It's just not that funny. That ship was hilarious to me.

1:05:27.120 --> 1:05:31.000
<v Speaker 1>What are you bugging? You thought was hilarious? Hell yeah?

1:05:31.720 --> 1:05:34.960
<v Speaker 2>I like Feld like she's my mom and every day

1:05:35.120 --> 1:05:38.360
<v Speaker 2>I grew up on Seinfeld. First of all, it's just

1:05:38.480 --> 1:05:39.640
<v Speaker 2>not as great as people say.

1:05:39.640 --> 1:05:43.520
<v Speaker 4>It's really about to say some bullshit, No, real real ship.

1:05:44.480 --> 1:05:50.120
<v Speaker 4>I beat a body. I beat a body. This is

1:05:50.200 --> 1:05:53.280
<v Speaker 4>real ship you're worried about. Right, I beat a body. Right,

1:05:54.440 --> 1:05:56.280
<v Speaker 4>I can't hold My grandmother said, yo, you got to

1:05:56.280 --> 1:05:59.440
<v Speaker 4>come to the house to the clock. I look that

1:05:59.560 --> 1:06:01.640
<v Speaker 4>that lady man. I wanted to say, I just beat

1:06:01.640 --> 1:06:04.640
<v Speaker 4>the motherfucking body. What is he talking about coming outs

1:06:04.640 --> 1:06:07.200
<v Speaker 4>at ten o'clock. I couldn't say nothing to come down

1:06:07.240 --> 1:06:07.880
<v Speaker 4>at ten o'clock.

1:06:08.120 --> 1:06:10.000
<v Speaker 1>She was trying to keep the streets.

1:06:11.040 --> 1:06:19.040
<v Speaker 4>Yeah, get this minute block, she said, Yo, she said, yo,

1:06:19.080 --> 1:06:20.560
<v Speaker 4>you gotta come in the house at ten o'clock.

1:06:20.600 --> 1:06:23.120
<v Speaker 1>I looked at it. Yeah, I think I'm growing down.

1:06:23.160 --> 1:06:26.600
<v Speaker 1>Then the body, Yeah, I'm outside. That was your ba

1:06:26.720 --> 1:06:30.960
<v Speaker 1>mitz ten o'clock. Yeah, I get. I was like, all right, man,

1:06:32.080 --> 1:06:35.560
<v Speaker 1>I was so fucking pas. I used to you every day.

1:06:35.640 --> 1:06:37.360
<v Speaker 1>Every day I shut it down at the same time,

1:06:37.440 --> 1:06:40.280
<v Speaker 1>like nine forty five, I start counting my money, clean

1:06:40.360 --> 1:06:42.440
<v Speaker 1>it up it all. I'll be looking around it. We

1:06:42.560 --> 1:06:45.360
<v Speaker 1>want to make niggas go in the house like corny

1:06:45.440 --> 1:06:49.800
<v Speaker 1>ass things out here. I gotta go out. Yeah, I

1:06:49.920 --> 1:06:52.120
<v Speaker 1>got these niggas get to stay out.

1:06:53.400 --> 1:06:53.600
<v Speaker 5>Yeah.

1:06:53.600 --> 1:06:56.920
<v Speaker 4>I learned about its crazy. I used to look, I'm

1:06:56.960 --> 1:06:59.760
<v Speaker 4>going to the house. I watch the news. Yeah, then

1:06:59.800 --> 1:07:01.480
<v Speaker 4>I to watch sign Fell after.

1:07:01.360 --> 1:07:05.880
<v Speaker 1>That, after terrorizic, after terrorizing the community for about my day,

1:07:06.360 --> 1:07:11.360
<v Speaker 1>I'm going up right early. Yeah. Yeah, ain't no time

1:07:11.440 --> 1:07:17.200
<v Speaker 1>living on six. Yeah, I'm out of here. What's what's

1:07:17.280 --> 1:07:18.280
<v Speaker 1>the deal with selling crack.

1:07:20.000 --> 1:07:24.520
<v Speaker 4>I'm out of here. I'm definitely not staying high at

1:07:24.560 --> 1:07:25.800
<v Speaker 4>ten o'clock eleven o'clock.

1:07:26.200 --> 1:07:29.480
<v Speaker 1>I'm not me. I gotta be in that ten year.

1:07:31.160 --> 1:07:36.000
<v Speaker 4>Work. What everybody I've seen every day, I see every

1:07:36.080 --> 1:07:38.960
<v Speaker 4>day happening, Yo, that is at ten o'clock.

1:07:38.960 --> 1:07:40.440
<v Speaker 1>I gotta go to I gotta take it up. I

1:07:40.480 --> 1:07:42.520
<v Speaker 1>gotta take it in time, yo. But that is such

1:07:42.560 --> 1:07:43.120
<v Speaker 1>a hood thing.

1:07:43.280 --> 1:07:45.480
<v Speaker 3>Like no matter what niggas was doing in the streets,

1:07:45.560 --> 1:07:49.520
<v Speaker 3>how fair niggas was terrorizing. If Granny said something that

1:07:49.760 --> 1:07:54.960
<v Speaker 3>was Lord, get your ass upstairs. Ten o'clock clock, nigga

1:07:55.040 --> 1:07:55.560
<v Speaker 3>getting home.

1:07:55.680 --> 1:07:58.960
<v Speaker 1>I'm sixteen. Ye, you got to be in the house

1:07:59.000 --> 1:08:01.400
<v Speaker 1>at ten o'clock. Did you have did you have you?

1:08:01.480 --> 1:08:06.120
<v Speaker 4>Granny had the latch on the door. Nah, Now you

1:08:06.360 --> 1:08:10.960
<v Speaker 4>just keep Grandma will come down the block with the

1:08:11.080 --> 1:08:14.840
<v Speaker 4>long coat. Grandma would come down the block. Grandma came

1:08:14.880 --> 1:08:18.880
<v Speaker 4>down that block, mad time, let's go, let's go. It's

1:08:18.960 --> 1:08:23.679
<v Speaker 4>just like that, come on, wrap all this up. Only

1:08:23.760 --> 1:08:27.080
<v Speaker 4>time that nigga rolling dice. She just said she said

1:08:27.120 --> 1:08:28.599
<v Speaker 4>she was going to stock. She was going to get

1:08:28.640 --> 1:08:32.040
<v Speaker 4>something with you. When she come out, she knows she

1:08:32.120 --> 1:08:35.439
<v Speaker 4>gonna look at you. She's you you know what times the.

1:08:35.439 --> 1:08:38.320
<v Speaker 1>Nigga look at his wheel. Yeah, you're like, oh no,

1:08:38.479 --> 1:08:40.160
<v Speaker 1>wonder she front.

1:08:40.000 --> 1:08:41.519
<v Speaker 4>Like she gotta get some front of the store. She

1:08:41.520 --> 1:08:44.560
<v Speaker 4>don't need nothing front of the store. She had the

1:08:44.640 --> 1:08:45.560
<v Speaker 4>dice she loot that go.

1:08:47.560 --> 1:08:51.800
<v Speaker 1>Yeah. But other than that, it's Toma roll back it up.

1:08:51.840 --> 1:08:55.439
<v Speaker 2>I'm still crying that if didn't realize after you beat

1:08:55.479 --> 1:08:57.040
<v Speaker 2>the body at sixteen that you gotta go.

1:08:57.120 --> 1:09:01.000
<v Speaker 1>Home win the street lights is on. You know I've

1:09:01.000 --> 1:09:02.759
<v Speaker 1>done that. It's so minutesku that my mom.

1:09:02.760 --> 1:09:04.880
<v Speaker 2>Was like, now you can't be you can't go outside anymore.

1:09:04.880 --> 1:09:06.160
<v Speaker 1>I got to wrap it up ten a clock. You

1:09:06.200 --> 1:09:07.439
<v Speaker 1>look at it great, like this is what I do

1:09:08.400 --> 1:09:11.240
<v Speaker 1>that home? You know why in the yo? Look this

1:09:11.320 --> 1:09:14.920
<v Speaker 1>the l ship. Hm. When I caught the body, I

1:09:15.000 --> 1:09:18.040
<v Speaker 1>had to be in the house at ten o'clock. Right,

1:09:18.280 --> 1:09:19.759
<v Speaker 1>curfew should have been earlier for everyone.

1:09:19.960 --> 1:09:23.519
<v Speaker 4>Look, no, it's summertime. It's July like July. Look boom,

1:09:23.600 --> 1:09:26.000
<v Speaker 4>so it's summertime. And ship, you know niggas outside listening

1:09:26.000 --> 1:09:27.200
<v Speaker 4>to that nah ship That ship had just.

1:09:27.240 --> 1:09:31.040
<v Speaker 1>Came out ninety six. Yeah, it was rare. It just

1:09:31.120 --> 1:09:33.720
<v Speaker 1>came out right. So the ship happened boom.

1:09:35.240 --> 1:09:41.160
<v Speaker 4>So well, what happened was when I went upstairs, she said, Yo,

1:09:41.200 --> 1:09:42.600
<v Speaker 4>you want to go back outside.

1:09:43.439 --> 1:09:49.360
<v Speaker 1>I said, yeah, hell yeah, let's go. I went back

1:09:49.400 --> 1:09:55.280
<v Speaker 1>out there and caught a body. She wasn't going for

1:09:55.360 --> 1:09:58.160
<v Speaker 1>that ship. No more, no never, no more. You want

1:09:58.200 --> 1:10:01.040
<v Speaker 1>to go back outside? No no, no, ten o'clock. You

1:10:01.120 --> 1:10:04.439
<v Speaker 1>got to be ten o'clock. You remember the last time

1:10:04.479 --> 1:10:13.400
<v Speaker 1>what happened. Shen't have to say that. A niggas were

1:10:13.439 --> 1:10:14.400
<v Speaker 1>scared of the grandmother.

1:10:15.439 --> 1:10:15.640
<v Speaker 5>I was.

1:10:15.800 --> 1:10:17.360
<v Speaker 1>I was scared to death of my grandmother. And my

1:10:17.400 --> 1:10:21.240
<v Speaker 1>grandmother had the big arms. You supposed the backhand was

1:10:21.439 --> 1:10:27.599
<v Speaker 1>mad fast or never see it coming, got the backhand

1:10:27.640 --> 1:10:29.040
<v Speaker 1>like Marty supreme sign you are you.

1:10:29.120 --> 1:10:31.360
<v Speaker 4>Never see that she coming like you see like she

1:10:31.800 --> 1:10:33.599
<v Speaker 4>she don't talk with her hands and none of that. Yeah,

1:10:34.080 --> 1:10:36.080
<v Speaker 4>you just never saw that shit coming next to you, know,

1:10:36.160 --> 1:10:39.920
<v Speaker 4>your teeth and all that lips and nose ring shut.

1:10:39.960 --> 1:10:40.559
<v Speaker 1>You know what I'm saying.

1:10:40.840 --> 1:10:50.120
<v Speaker 4>Yeah, pop fire, imagine your grandmother popping you. You just

1:10:50.280 --> 1:10:56.559
<v Speaker 4>beat a body like you outside you outside the game, nigga.

1:10:56.600 --> 1:10:59.320
<v Speaker 2>I think she was like pretty liberal and nice to

1:10:59.400 --> 1:11:09.920
<v Speaker 2>give you a ten pm curse after beating no body yo. Oh,

1:11:10.120 --> 1:11:13.360
<v Speaker 2>but the minute school he got sucked up at at sixteen, like, nah,

1:11:13.400 --> 1:11:14.679
<v Speaker 2>you're not going outside anymore.

1:11:14.760 --> 1:11:16.760
<v Speaker 1>Oh shit, I feel like we all lived the same

1:11:16.800 --> 1:11:19.240
<v Speaker 1>life somehow. Man, that shit is fun. Definitely not that one,

1:11:19.479 --> 1:11:24.280
<v Speaker 1>but definitely not that. Definitely not that. But being scared

1:11:24.320 --> 1:11:27.280
<v Speaker 1>of your grandmother, you're that's a real thing. Get your

1:11:27.360 --> 1:11:28.519
<v Speaker 1>ass in the house off, Mike.

1:11:28.640 --> 1:11:32.120
<v Speaker 2>Zip was sting the funniest story of reading somebody's paperwork

1:11:32.640 --> 1:11:34.960
<v Speaker 2>in jail. That's whose grandmother should have had them in

1:11:35.040 --> 1:11:35.760
<v Speaker 2>at six pm.

1:11:36.360 --> 1:11:37.280
<v Speaker 1>That she was talking about.

1:11:38.840 --> 1:11:43.040
<v Speaker 2>Oo when you looked at homies paperwork and with the pop.

1:11:43.520 --> 1:11:45.840
<v Speaker 4>So look right, so me and my men, me and

1:11:45.920 --> 1:11:48.320
<v Speaker 4>my men veto from Poughkeepsie. Right, we're talking about some

1:11:48.360 --> 1:11:50.080
<v Speaker 4>shit on the gate. We're trying to out tough each

1:11:50.080 --> 1:11:53.439
<v Speaker 4>other on the gate. So he talking about shit, I'm

1:11:53.479 --> 1:11:56.760
<v Speaker 4>talking about ship. So this old East New York nigger,

1:11:56.760 --> 1:11:58.559
<v Speaker 4>he like, yo, zim, I'm about to send something down

1:11:58.640 --> 1:12:02.000
<v Speaker 4>and pull the line. And so grab the line, pull

1:12:02.040 --> 1:12:04.360
<v Speaker 4>it in and all that ship man heavy is this man?

1:12:04.400 --> 1:12:05.360
<v Speaker 1>I was hoping it was some weed.

1:12:05.400 --> 1:12:08.880
<v Speaker 4>I was gonna keep the ship, pull it down, mad

1:12:09.000 --> 1:12:11.840
<v Speaker 4>legal working ship. So when I pull it out, the

1:12:12.000 --> 1:12:14.400
<v Speaker 4>when I pull it out the envelopes, it's like you

1:12:14.520 --> 1:12:16.360
<v Speaker 4>could tell what the nigga wants you to read. Like

1:12:16.479 --> 1:12:20.000
<v Speaker 4>the nigga got like the fold of red, green, blue

1:12:20.040 --> 1:12:22.120
<v Speaker 4>and all that he wants you to read some ship. Yeah,

1:12:22.760 --> 1:12:25.240
<v Speaker 4>opening ship up. I start reading the day. It's the

1:12:25.320 --> 1:12:28.760
<v Speaker 4>nigga trial minutes. Okay, nigga talking to a detective that

1:12:29.040 --> 1:12:32.439
<v Speaker 4>they questioned it a detective. So they asked the detective,

1:12:32.479 --> 1:12:37.040
<v Speaker 4>They like, Yo, what made you start investigating this such

1:12:37.080 --> 1:12:42.000
<v Speaker 4>and such for these two homicides? Said well, we was

1:12:42.080 --> 1:12:44.400
<v Speaker 4>already investigating them for seventy five.

1:12:47.280 --> 1:12:52.479
<v Speaker 1>I close that ship, put that ship in get more.

1:12:52.600 --> 1:12:58.640
<v Speaker 4>While I'm reading, I read call that nigga like an

1:12:58.640 --> 1:13:00.639
<v Speaker 4>hour of yup, shit.

1:13:00.560 --> 1:13:05.200
<v Speaker 1>A line down, shit, Hollo the line, yeah, hollow the line,

1:13:05.400 --> 1:13:09.200
<v Speaker 1>pull a line and you read that. Yeah you read everything? Yeah,

1:13:11.600 --> 1:13:13.360
<v Speaker 1>I read one page of that ship.

1:13:13.479 --> 1:13:13.759
<v Speaker 2>Nigga.

1:13:14.200 --> 1:13:14.760
<v Speaker 1>Fuck got it.

1:13:14.880 --> 1:13:20.800
<v Speaker 4>Nigga talk about we was for seventy five, bitch, Rose,

1:13:23.479 --> 1:13:26.799
<v Speaker 4>that ain't no way. Who an't investigating you for seventy

1:13:26.880 --> 1:13:29.800
<v Speaker 4>five and you ain't doing none of them that the

1:13:31.080 --> 1:13:34.240
<v Speaker 4>street that don't work, like niggas ain't telling niggas the

1:13:34.320 --> 1:13:36.760
<v Speaker 4>police is investigating somebody told him you did that shit.

1:13:37.040 --> 1:13:40.360
<v Speaker 1>Niggas ain't telling you that seventy five and you.

1:13:40.400 --> 1:13:43.840
<v Speaker 4>Ain't do nothing. Niggas ain't lying on you like that. No, homie,

1:13:44.200 --> 1:13:46.439
<v Speaker 4>the fuck I said, I was scared of that nigga

1:13:46.439 --> 1:13:49.960
<v Speaker 4>after that, that man nigga was that nigga was smooth,

1:13:50.520 --> 1:13:52.360
<v Speaker 4>He ain't raising his voice, none of that.

1:13:52.880 --> 1:13:55.519
<v Speaker 1>I used to get that nigga pound to be scared, like, yeah, whatever,

1:13:55.600 --> 1:13:58.960
<v Speaker 1>bro I at about saying my mothers nigga's dangerous on

1:14:00.600 --> 1:14:02.920
<v Speaker 1>I was, what if if I read that first thing.

1:14:03.040 --> 1:14:05.360
<v Speaker 2>Just said investigating for seventy five, I would close that ship.

1:14:05.400 --> 1:14:06.800
<v Speaker 1>The less the less I know, the better.

1:14:07.080 --> 1:14:07.280
<v Speaker 5>Yeah.

1:14:07.320 --> 1:14:09.640
<v Speaker 2>I would send that ship back up and be like, Yo,

1:14:09.680 --> 1:14:11.160
<v Speaker 2>I think the thing you got a shot of beating it.

1:14:11.320 --> 1:14:11.439
<v Speaker 1>You know.

1:14:11.479 --> 1:14:17.840
<v Speaker 4>So I didn't want to rip no ego perfn't look

1:14:17.840 --> 1:14:19.800
<v Speaker 4>at the nigga that I was downstairs talking to, right,

1:14:20.280 --> 1:14:25.960
<v Speaker 4>I said, Yo, son committed. I said, Yo, Son, pull

1:14:26.040 --> 1:14:30.639
<v Speaker 4>up boom. You're like, Yo, what up? I said, y'all son,

1:14:31.600 --> 1:14:33.640
<v Speaker 4>I said that nigga is a killer. I said, we

1:14:33.720 --> 1:14:43.559
<v Speaker 4>can't fuck. I said, we can't fuck with that ship.

1:14:43.600 --> 1:14:46.880
<v Speaker 4>We were talking about it about nothing, straight up, nigga.

1:14:49.600 --> 1:14:52.120
<v Speaker 1>We well, we're gonna be seventy. We'll be seventy six

1:14:52.360 --> 1:14:57.920
<v Speaker 1>over here. There's no no, oh no, I don't have

1:14:58.120 --> 1:15:03.200
<v Speaker 1>no plans on ever. Like, yeah, he got me, he

1:15:03.360 --> 1:15:08.479
<v Speaker 1>got me, yea to the marine. Don't let me go

1:15:08.520 --> 1:15:10.360
<v Speaker 1>to the Marines. When I get out of here. That's

1:15:10.360 --> 1:15:12.320
<v Speaker 1>the only I can can catch that ship nigga I

1:15:12.560 --> 1:15:14.400
<v Speaker 1>got in. Yeah, let's leave him below.

1:15:14.560 --> 1:15:14.680
<v Speaker 4>Man.

1:15:16.240 --> 1:15:18.519
<v Speaker 1>I'm not taking the weed from this nigga because I

1:15:18.600 --> 1:15:22.960
<v Speaker 1>always pay on time. Yeah, I always paid time, yo,

1:15:23.040 --> 1:15:25.720
<v Speaker 1>you know I got. I'm good, I got what's the

1:15:25.800 --> 1:15:30.000
<v Speaker 1>name of the nigga? Yeah, Yo'll holler at me. You

1:15:30.040 --> 1:15:33.000
<v Speaker 1>should have never let me read that. Oh myar.

1:15:33.200 --> 1:15:35.200
<v Speaker 2>There's no way you could get to seventy five for

1:15:35.240 --> 1:15:38.559
<v Speaker 2>the reasons like somebody was page.

1:15:38.760 --> 1:15:40.280
<v Speaker 1>I don't care what was going on out here to

1:15:40.360 --> 1:15:43.920
<v Speaker 1>get to seventy five. That's what fucked up, though, Yo.

1:15:44.160 --> 1:15:47.000
<v Speaker 4>If nigga could look at the number they used to be,

1:15:47.040 --> 1:15:49.160
<v Speaker 4>having one hundred and fifty hundred and seventy murders and

1:15:49.160 --> 1:15:50.760
<v Speaker 4>ship like that a year in East New York, just

1:15:50.840 --> 1:15:54.360
<v Speaker 4>one neighborhood like now, when New York City be four

1:15:54.400 --> 1:15:56.320
<v Speaker 4>or five hundred murders a year in one neighborhood that

1:15:56.400 --> 1:15:58.080
<v Speaker 4>used to be having one hundred and fifty hundred, seventy

1:15:58.120 --> 1:15:58.559
<v Speaker 4>five murders.

1:15:58.560 --> 1:16:01.200
<v Speaker 1>The nigga said, we was investigating him for seventy five,

1:16:02.520 --> 1:16:03.840
<v Speaker 1>so she nig's doing about seventy.

1:16:03.920 --> 1:16:09.840
<v Speaker 4>Yeah, yeah, he wanted them. He wanted the ones going

1:16:09.880 --> 1:16:14.800
<v Speaker 4>crazy out here like they had Yo man some wordboy,

1:16:14.920 --> 1:16:18.320
<v Speaker 4>the only resting peace. The nigga puzzled the niggas. Cougie

1:16:18.360 --> 1:16:21.479
<v Speaker 4>Rap made a song he had. He mentioned son in

1:16:21.520 --> 1:16:23.160
<v Speaker 4>the verse, and I'm saying, I remember Puzzle was in

1:16:23.240 --> 1:16:25.519
<v Speaker 4>my hood telling me he killed ten people like I

1:16:25.680 --> 1:16:27.640
<v Speaker 4>killed ten people like we used to be.

1:16:27.720 --> 1:16:29.479
<v Speaker 1>The use little niggas looking up this niggas like you

1:16:29.680 --> 1:16:31.840
<v Speaker 1>lying your nigga. Nigga had the rusty mac like nigga.

1:16:31.840 --> 1:16:36.400
<v Speaker 1>I'm not lying. I haven't thrown this thing away yet.

1:16:37.000 --> 1:16:39.759
<v Speaker 1>That nigga had the rusty mac. Nigga, I'm not lying.

1:16:41.720 --> 1:16:43.880
<v Speaker 4>He died, he got killed. You know, I'm saying a

1:16:43.920 --> 1:16:46.000
<v Speaker 4>long time ago. I don't know who did that. Like

1:16:46.040 --> 1:16:49.000
<v Speaker 4>he g Rapp brought that nigga firehood, I can assume

1:16:49.240 --> 1:16:53.000
<v Speaker 4>he had tenus. He killed ten niggas. The niggas from

1:16:53.040 --> 1:16:56.000
<v Speaker 4>East New York say that's a light number.

1:16:57.760 --> 1:17:00.360
<v Speaker 1>You help me. This is the line there, that's the

1:17:00.400 --> 1:17:02.360
<v Speaker 1>start of no. Like he'll tell you about puzzle, like

1:17:02.400 --> 1:17:03.360
<v Speaker 1>he told me about puzzle.

1:17:03.479 --> 1:17:04.960
<v Speaker 4>Like oh nah, I know for a fact he got

1:17:05.040 --> 1:17:07.560
<v Speaker 4>more than that, like when you was with him, like

1:17:07.760 --> 1:17:09.960
<v Speaker 4>oh ah, yeah, yeah, maybe he had ten then, Like.

1:17:14.439 --> 1:17:16.200
<v Speaker 1>Like, I ain't gonna lie that. That group of niggas

1:17:16.240 --> 1:17:20.080
<v Speaker 1>before us. Oh you know it was the eighties, wasn't

1:17:20.120 --> 1:17:23.000
<v Speaker 1>He was born in the eighty The niggas born in

1:17:23.080 --> 1:17:23.760
<v Speaker 1>seventy five.

1:17:23.840 --> 1:17:28.160
<v Speaker 4>That was outside seventy I was outside fourteen, fifteen and

1:17:28.280 --> 1:17:28.680
<v Speaker 4>eighty eight.

1:17:28.880 --> 1:17:30.639
<v Speaker 1>It was different, man, it was different.

1:17:31.120 --> 1:17:33.240
<v Speaker 4>There was a little nigga from named Shorty from my hood.

1:17:33.320 --> 1:17:35.560
<v Speaker 4>He wasn't from my herd. He was from forty projects.

1:17:36.240 --> 1:17:39.000
<v Speaker 4>He came to my hood and nigga shot everybody bro.

1:17:42.360 --> 1:17:48.800
<v Speaker 4>That nigga shot everybody bro. That nigga shot Mike. He

1:17:48.880 --> 1:17:51.519
<v Speaker 4>shot Mike. He tried to shoot Bill one time. He

1:17:51.640 --> 1:17:54.240
<v Speaker 4>chose Bill Duck. Bill's fastest nigga the world. Nigga Bill

1:17:54.320 --> 1:17:57.960
<v Speaker 4>Duck the bullet nigga fast nigga faster than Leroy. Leroy

1:17:58.000 --> 1:18:00.360
<v Speaker 4>caught the shit with his teeth built up. He gotta

1:18:00.400 --> 1:18:04.120
<v Speaker 4>wait work mother nigga in the big Apple.

1:18:04.560 --> 1:18:06.400
<v Speaker 1>You know, they trying to shit in the crown fry lady,

1:18:07.080 --> 1:18:08.000
<v Speaker 1>but it was called a big Apple.

1:18:08.280 --> 1:18:10.360
<v Speaker 4>Nigga Shorty, Nigga Shorty tried to buck the nigga bill

1:18:10.360 --> 1:18:12.240
<v Speaker 4>a nigga bill duck. That shit got a body on that.

1:18:13.080 --> 1:18:14.960
<v Speaker 4>But he shot everybody, you know, he shot. He shot

1:18:15.000 --> 1:18:17.240
<v Speaker 4>one of my men's in the ass, shot White Mic

1:18:17.320 --> 1:18:19.680
<v Speaker 4>in the foot. Nigga was shooting everybody.

1:18:19.880 --> 1:18:21.080
<v Speaker 1>It's a marksman was.

1:18:21.160 --> 1:18:25.280
<v Speaker 4>Like fourteen, Yeah, it was like fourteen fifteen. It was

1:18:25.320 --> 1:18:28.479
<v Speaker 4>shooting everybody. Another little nigga said, another little nigga from

1:18:28.479 --> 1:18:29.240
<v Speaker 4>my whole put him down.

1:18:30.040 --> 1:18:32.200
<v Speaker 3>It's always like that though. I feel like the ones

1:18:32.240 --> 1:18:34.200
<v Speaker 3>that be outside, like really, it's always like the most

1:18:34.360 --> 1:18:37.679
<v Speaker 3>random young no, not a random nothing or nothing little niggas.

1:18:37.680 --> 1:18:38.840
<v Speaker 3>I was doing the same kind of shit.

1:18:39.280 --> 1:18:42.479
<v Speaker 1>We got him. He was waiting for him. Yeah, oh

1:18:42.560 --> 1:18:43.880
<v Speaker 1>my god, that shit was crazy.

1:18:43.960 --> 1:18:46.800
<v Speaker 4>I ain't gonna lie they be saying that shit, man,

1:18:46.840 --> 1:18:49.080
<v Speaker 4>I don't care when nobody say that. That violent shit

1:18:49.120 --> 1:18:50.840
<v Speaker 4>they be talking about these days. This shit is a

1:18:50.920 --> 1:18:52.120
<v Speaker 4>good place to raise kids.

1:18:52.240 --> 1:18:52.360
<v Speaker 5>Man.

1:18:52.439 --> 1:18:54.599
<v Speaker 1>That shit we went through. Yeah, it's different now.

1:18:54.920 --> 1:18:58.080
<v Speaker 3>I mean, it's still a lot of shit going on,

1:18:58.320 --> 1:19:00.800
<v Speaker 3>random unnecessary shit. But I tell people all the time,

1:19:00.880 --> 1:19:04.519
<v Speaker 3>no comparison, it's New York, New York wise. Everywhere else

1:19:04.640 --> 1:19:06.519
<v Speaker 3>is a fucking night no New York. In the eighties,

1:19:07.200 --> 1:19:09.479
<v Speaker 3>I took you all the time. I vividly remember seeing

1:19:09.479 --> 1:19:12.679
<v Speaker 3>shit that now. I'm just like, you'll have no idea

1:19:13.760 --> 1:19:15.800
<v Speaker 3>with this block y'all standing on It used to look

1:19:15.880 --> 1:19:18.200
<v Speaker 3>like in eighty seven, in eighty eight and eighty nine,

1:19:18.320 --> 1:19:20.479
<v Speaker 3>like you wouldn't want to be standing over here, like

1:19:20.560 --> 1:19:22.799
<v Speaker 3>it was abandoned buildings everywhere.

1:19:22.960 --> 1:19:25.559
<v Speaker 1>Centen year old kids don't go to the store by themself, bro,

1:19:26.800 --> 1:19:28.960
<v Speaker 1>no more. No, I was six.

1:19:29.040 --> 1:19:31.160
<v Speaker 4>They used to just go to change here, go get

1:19:31.160 --> 1:19:33.360
<v Speaker 4>me some cigarettes. You just go get a ship to

1:19:33.400 --> 1:19:36.160
<v Speaker 4>the Spanish. Nigga, yoh, my mother, you know your mom,

1:19:36.240 --> 1:19:38.160
<v Speaker 4>give me whatever. You smoke one of in the w

1:19:38.160 --> 1:19:41.960
<v Speaker 4>all way, take the rights up stairs. Yeah, that's how

1:19:42.000 --> 1:19:45.000
<v Speaker 4>I want six. This is first was smoking at six

1:19:45.479 --> 1:19:48.760
<v Speaker 4>first grade. Nigga, did smoke half of this cigarette, Get

1:19:48.760 --> 1:19:50.880
<v Speaker 4>that ship to your man, come back down and shit

1:19:50.960 --> 1:19:51.320
<v Speaker 4>is bright.

1:19:52.400 --> 1:19:58.120
<v Speaker 1>Yeah, we out smoking cigarettes and six absolutely so this

1:19:58.240 --> 1:19:59.120
<v Speaker 1>is what was going on.

1:20:00.040 --> 1:20:03.320
<v Speaker 4>Nigga used to take do you not used to come

1:20:03.360 --> 1:20:05.200
<v Speaker 4>through with the Q pongs, put them on the fences

1:20:05.240 --> 1:20:09.040
<v Speaker 4>and ship take those niggas in the back yard, putting

1:20:09.120 --> 1:20:11.160
<v Speaker 4>leaves in the rolling up like were smoking weed and

1:20:11.240 --> 1:20:14.880
<v Speaker 4>all that ship burning up a nigga chests and all that.

1:20:16.000 --> 1:20:17.519
<v Speaker 1>We actually said that the exact same thing.

1:20:18.160 --> 1:20:20.120
<v Speaker 2>Finally, if we found something from our childhood that we

1:20:20.160 --> 1:20:23.120
<v Speaker 2>can we can relate to outside.

1:20:23.439 --> 1:20:23.720
<v Speaker 1>I don't know.

1:20:24.479 --> 1:20:27.640
<v Speaker 2>We was rolling the fucking like notebook paper and just

1:20:27.680 --> 1:20:28.720
<v Speaker 2>try to smoke it, like.

1:20:30.000 --> 1:20:31.799
<v Speaker 1>Yeah, I feel like that's white boys shit, just smoking

1:20:32.040 --> 1:20:34.720
<v Speaker 1>notebook paper. I was the only white person. Oh yeah,

1:20:34.720 --> 1:20:36.400
<v Speaker 1>I forgot you broke you brow with us?

1:20:36.960 --> 1:20:37.240
<v Speaker 5>With us?

1:20:37.320 --> 1:20:41.040
<v Speaker 1>Yeah, I forgot. Rory? Was that was Jerome? God Man?

1:20:41.120 --> 1:20:44.400
<v Speaker 1>He said that was Jerome accurate name.

1:20:48.280 --> 1:20:50.559
<v Speaker 2>Today's show is brought to you by our presenting sponsor,

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<v Speaker 2>All right, before we get out of here, though, what

1:22:39.240 --> 1:22:45.280
<v Speaker 2>does puff have on everybody? Pauls listen. I hope to

1:22:45.320 --> 1:22:46.639
<v Speaker 2>god we don't have to talk about a J. Cole

1:22:46.680 --> 1:22:48.320
<v Speaker 2>interview for a while.

1:22:48.520 --> 1:22:48.880
<v Speaker 1>And why not.

1:22:49.040 --> 1:22:50.599
<v Speaker 2>I don't mean that in a bad way. I love Cole,

1:22:51.200 --> 1:22:51.800
<v Speaker 2>love J Cole.

1:22:51.840 --> 1:22:52.040
<v Speaker 1>Watch.

1:22:52.240 --> 1:22:54.560
<v Speaker 2>I think all of us are just exhausted with a

1:22:54.600 --> 1:22:58.120
<v Speaker 2>lot of this stuff. But either way, Cole mentioned in

1:22:58.160 --> 1:23:05.040
<v Speaker 2>the Cameron interview that he had a podcast episode where

1:23:05.080 --> 1:23:06.760
<v Speaker 2>he was going to explain the entire fight he had

1:23:06.800 --> 1:23:09.439
<v Speaker 2>with Diddy, which which has been rumored for quite some time,

1:23:09.479 --> 1:23:11.160
<v Speaker 2>but he did confirm it did happen. They did get

1:23:11.280 --> 1:23:14.040
<v Speaker 2>in some type of a scuffle, but he said hedn't

1:23:14.040 --> 1:23:16.439
<v Speaker 2>want to put it out because he didn't want to

1:23:16.520 --> 1:23:17.439
<v Speaker 2>kick him while he was down.

1:23:19.040 --> 1:23:20.479
<v Speaker 1>He didn't want to kick Diddy while he was down,

1:23:20.720 --> 1:23:22.400
<v Speaker 1>and he said everything was piling on. He want to

1:23:22.400 --> 1:23:24.680
<v Speaker 1>add that to it. You ever seen did he kick

1:23:24.720 --> 1:23:25.680
<v Speaker 1>somebody when they was down?

1:23:26.040 --> 1:23:28.360
<v Speaker 2>I've seen did he kick a woman while she was

1:23:28.560 --> 1:23:31.519
<v Speaker 2>down and out a little dainty joint. I don't know

1:23:31.560 --> 1:23:33.280
<v Speaker 2>if I might have the grace to not kick someone

1:23:33.280 --> 1:23:34.800
<v Speaker 2>when they down when I've watched him kick a woman

1:23:34.840 --> 1:23:36.600
<v Speaker 2>while they're down. Yeah, you won't want me to do

1:23:36.760 --> 1:23:42.240
<v Speaker 2>it figuratively or literally. Figuratively, I've seen you literally woman

1:23:42.320 --> 1:23:44.560
<v Speaker 2>when she was down, a little dainty joint when she

1:23:44.720 --> 1:23:46.400
<v Speaker 2>was down. But we can't kick him when he down.

1:23:46.560 --> 1:23:47.640
<v Speaker 2>I don't care about none of that.

1:23:48.120 --> 1:23:51.519
<v Speaker 1>I think I think we we we we. It's just

1:23:51.560 --> 1:23:53.200
<v Speaker 1>too much politically correct talk.

1:23:53.320 --> 1:23:56.120
<v Speaker 4>Like I'm not saying. I'm not saying, say the same

1:23:56.160 --> 1:23:59.639
<v Speaker 4>ship even him. I used to live with him, though

1:23:59.640 --> 1:24:02.360
<v Speaker 4>it should difference. It's a difference between j Cole and Diddy.

1:24:03.280 --> 1:24:05.080
<v Speaker 4>Did he have a different us? She used to live

1:24:05.120 --> 1:24:06.519
<v Speaker 4>with him when he was a child, You know what

1:24:06.520 --> 1:24:09.040
<v Speaker 4>I'm saying, like some kind of like he helped raise

1:24:09.120 --> 1:24:11.920
<v Speaker 4>him a little bit. He stayed, Yeah, that was his

1:24:12.040 --> 1:24:15.120
<v Speaker 4>mentor that's big bro to him. You understand all unk whatever.

1:24:15.439 --> 1:24:16.880
<v Speaker 4>You know what I'm saying, J Cole, you don't have

1:24:17.040 --> 1:24:18.679
<v Speaker 4>that relationship with Diddy.

1:24:19.320 --> 1:24:22.320
<v Speaker 2>I mean maybe optics of like, it may look like

1:24:22.400 --> 1:24:25.559
<v Speaker 2>I'm conveniently putting this episode out during the Diddy thing,

1:24:25.960 --> 1:24:28.640
<v Speaker 2>But that's not how Cole worded it. He worded it

1:24:28.800 --> 1:24:31.280
<v Speaker 2>as if everyone was following on. Uh, I didn't want

1:24:31.360 --> 1:24:32.880
<v Speaker 2>kick him. He didn't want to add to that, add

1:24:32.920 --> 1:24:34.800
<v Speaker 2>to it as but I could see the point of like,

1:24:34.960 --> 1:24:37.360
<v Speaker 2>so what that means? This would look like weird time

1:24:37.520 --> 1:24:39.439
<v Speaker 2>like the way we talk we talked five times a week.

1:24:39.680 --> 1:24:41.960
<v Speaker 2>If Coles wasting on a podcast episode right around that time,

1:24:42.000 --> 1:24:45.080
<v Speaker 2>it could look exploitive, like, Okay, this is weird. But

1:24:45.200 --> 1:24:46.800
<v Speaker 2>that's not what he said. So we just said he

1:24:46.840 --> 1:24:47.800
<v Speaker 2>want to kick him while he's down?

1:24:47.840 --> 1:24:49.400
<v Speaker 3>Okay, So when would be the right time to do it?

1:24:49.760 --> 1:24:51.240
<v Speaker 3>When is it not gonna look like kick him cause

1:24:51.240 --> 1:24:51.920
<v Speaker 3>hes gonna be down forever?

1:24:52.040 --> 1:24:54.320
<v Speaker 2>No after this, I don't I mean the world we

1:24:54.360 --> 1:24:56.160
<v Speaker 2>live in, and I don't think Puff's gonna be down. Unfortunately,

1:24:56.360 --> 1:24:58.559
<v Speaker 2>I just don't think that nobody cares.

1:24:59.600 --> 1:25:00.559
<v Speaker 1>I don't clearly.

1:25:01.880 --> 1:25:04.920
<v Speaker 2>J Cole is the compass of morality in the hip

1:25:04.960 --> 1:25:08.559
<v Speaker 2>hop game. Is not like, nah, I wanted to protect Diddy.

1:25:09.040 --> 1:25:09.960
<v Speaker 1>Now I don't think. I don't.

1:25:10.000 --> 1:25:12.479
<v Speaker 4>I'm saying like so bullmed, but not protect. I'm not

1:25:12.560 --> 1:25:15.160
<v Speaker 4>saying Diddy is not gonna keep getting money, right. I

1:25:15.240 --> 1:25:18.160
<v Speaker 4>think he's gonna get money, but a lot of ship

1:25:18.280 --> 1:25:20.320
<v Speaker 4>that was going on is not gonna be able to

1:25:20.439 --> 1:25:23.080
<v Speaker 4>go on. That girl got on stand and say he

1:25:23.360 --> 1:25:25.559
<v Speaker 4>like mayonnaise rubbed on his nippoos.

1:25:26.560 --> 1:25:29.880
<v Speaker 2>And then once that come like, I'm not like, it's

1:25:29.920 --> 1:25:32.000
<v Speaker 2>this many like you know what I'm saying, the king

1:25:32.520 --> 1:25:34.599
<v Speaker 2>with the comfort, it's the com shit, That's what I'm saying.

1:25:34.600 --> 1:25:36.040
<v Speaker 2>It was like, that's what I'm saying, That's what he's saying.

1:25:36.520 --> 1:25:37.680
<v Speaker 2>But I just don't want to say, come, you know

1:25:37.680 --> 1:25:39.280
<v Speaker 2>what I'm saying because they said did he had a

1:25:39.320 --> 1:25:39.960
<v Speaker 2>lot of things rubbed?

1:25:39.960 --> 1:25:41.519
<v Speaker 1>I wasn't sure if he was actually saying.

1:25:41.320 --> 1:25:45.120
<v Speaker 4>No, it was I'm saying, you another like another nigga

1:25:45.200 --> 1:25:47.040
<v Speaker 4>busting your bro. You want her to take it out

1:25:47.080 --> 1:25:50.040
<v Speaker 4>and put it on your chest like no niggas looking

1:25:50.120 --> 1:25:52.280
<v Speaker 4>at you the saying that like like niggas might have

1:25:52.320 --> 1:25:54.679
<v Speaker 4>thought you was freaky before, like, oh they heard some ship,

1:25:55.000 --> 1:25:58.040
<v Speaker 4>but now we heard the specifics that nigga looking at

1:25:58.080 --> 1:26:02.360
<v Speaker 4>you like, let me ask you this, Like Nigga, I said,

1:26:02.360 --> 1:26:03.400
<v Speaker 4>I said, nobody, nobody cares.

1:26:03.720 --> 1:26:07.800
<v Speaker 2>Right, you think it's over for Diddy based off that

1:26:08.320 --> 1:26:11.320
<v Speaker 2>more than all of us watching him kick a woman. Yes,

1:26:11.920 --> 1:26:13.760
<v Speaker 2>that's fucked up. And I don't think you think, but

1:26:13.800 --> 1:26:16.479
<v Speaker 2>I agree with you. That's how society. I think society

1:26:16.560 --> 1:26:19.960
<v Speaker 2>thinks it's crazier that he's on the nipples than kicking

1:26:20.000 --> 1:26:20.280
<v Speaker 2>a woman.

1:26:20.439 --> 1:26:22.679
<v Speaker 4>My thing is the reason why I didn't care about

1:26:22.680 --> 1:26:25.320
<v Speaker 4>people palding on with Diddy is because I seen him

1:26:25.400 --> 1:26:28.479
<v Speaker 4>kicking the bro like it was like once you like

1:26:28.640 --> 1:26:29.120
<v Speaker 4>like like like.

1:26:32.120 --> 1:26:34.080
<v Speaker 1>I don't know mad niggas that have fights with girls.

1:26:35.040 --> 1:26:38.640
<v Speaker 1>Mm hmm. I don't fuck with niggas. You know what

1:26:38.640 --> 1:26:38.960
<v Speaker 1>I'm saying.

1:26:39.000 --> 1:26:40.519
<v Speaker 4>Once I know you be beating Shorty's up and the

1:26:40.560 --> 1:26:42.559
<v Speaker 4>I don't fuck with you, homie, Like, yeah, I don't

1:26:42.560 --> 1:26:42.920
<v Speaker 4>want none to.

1:26:42.960 --> 1:26:43.240
<v Speaker 5>Do with you.

1:26:43.360 --> 1:26:46.680
<v Speaker 1>Right, We watched this nigga do that.

1:26:47.240 --> 1:26:49.240
<v Speaker 4>Then he catch a case and they say he was

1:26:49.280 --> 1:26:51.479
<v Speaker 4>doing all this nasty ship, all this nasty shit coming

1:26:51.520 --> 1:26:53.519
<v Speaker 4>out of child mad baby, all your ship shay.

1:26:53.400 --> 1:26:54.639
<v Speaker 1>And they saying, with what it tapes.

1:26:55.120 --> 1:26:56.920
<v Speaker 4>Maybe this is why everybody's sticking up for Diddy because

1:26:56.920 --> 1:26:58.720
<v Speaker 4>they an't put them tapes out. They said it was

1:26:58.840 --> 1:27:04.320
<v Speaker 4>tapes cameras everywhere, and no tapes came out. So maybe

1:27:04.360 --> 1:27:06.559
<v Speaker 4>he still got them tapes. Maybe they said you could

1:27:06.640 --> 1:27:07.200
<v Speaker 4>keep your tapes.

1:27:09.600 --> 1:27:14.519
<v Speaker 1>You know, everybody like YO about it.

1:27:15.120 --> 1:27:17.600
<v Speaker 4>Should the fans put the fucking tapes so out. The

1:27:17.800 --> 1:27:21.080
<v Speaker 4>fans put the tapes out, and yours ain't dead. It

1:27:21.160 --> 1:27:25.880
<v Speaker 4>ain't exhibit sea know I'm saying, that's what the that's

1:27:25.880 --> 1:27:26.439
<v Speaker 4>what they wave for.

1:27:26.760 --> 1:27:27.720
<v Speaker 1>I don't get it.

1:27:27.960 --> 1:27:30.120
<v Speaker 2>Yeah, I just think that like Diddy will be home

1:27:30.200 --> 1:27:33.640
<v Speaker 2>relatively soon. And I say, and he's watching all of

1:27:33.720 --> 1:27:35.599
<v Speaker 2>the ship and I don't think there's anything with cold

1:27:35.600 --> 1:27:37.680
<v Speaker 2>in that regard. But and I don't want to put

1:27:37.720 --> 1:27:39.840
<v Speaker 2>anything on usher either. I don't want to like make

1:27:39.960 --> 1:27:44.560
<v Speaker 2>accusations with no anything. But I could see if I

1:27:44.600 --> 1:27:47.479
<v Speaker 2>did some freaky ship with Diddy that I didn't want out.

1:27:47.680 --> 1:27:49.560
<v Speaker 2>And it's time for me to sit down. And I

1:27:49.720 --> 1:27:53.760
<v Speaker 2>know he's in jail with nothing, but tom I might

1:27:53.880 --> 1:27:54.240
<v Speaker 2>I might.

1:27:54.160 --> 1:27:56.040
<v Speaker 1>Watch my words. And when I say about somebody.

1:27:55.960 --> 1:27:58.120
<v Speaker 4>Man, don't watch you if you feel like your close

1:27:58.240 --> 1:28:01.200
<v Speaker 4>you got some in Yeah, I'm like, but the ones

1:28:01.280 --> 1:28:03.080
<v Speaker 4>that know that they ain't got but those are the ones.

1:28:03.160 --> 1:28:07.760
<v Speaker 4>But the fifties where they feel like that whatever, it's like, Nigga,

1:28:07.800 --> 1:28:09.439
<v Speaker 4>that's what. But that's what people dont understand about fifty

1:28:09.439 --> 1:28:12.479
<v Speaker 4>Why he could talk like that is because he knows, like, bro, I.

1:28:12.479 --> 1:28:14.800
<v Speaker 1>Don't got I don't gotten of that on me, Like that,

1:28:14.880 --> 1:28:16.240
<v Speaker 1>ain't that ain't who I am. I ain't got that

1:28:16.280 --> 1:28:18.400
<v Speaker 1>on my jacket. And like again, I don't want to

1:28:18.400 --> 1:28:19.599
<v Speaker 1>push it on Usher.

1:28:20.040 --> 1:28:23.439
<v Speaker 2>But everything Usher said on the first part, of course,

1:28:24.120 --> 1:28:26.240
<v Speaker 2>I don't need Usher or anyone else to tell us

1:28:26.240 --> 1:28:29.719
<v Speaker 2>that Diddy is an icon and has changed music, changed everything.

1:28:30.200 --> 1:28:31.760
<v Speaker 1>I never heard of a remix until Paul.

1:28:32.840 --> 1:28:34.760
<v Speaker 2>I don't need Usher to say that and then be like, well,

1:28:34.760 --> 1:28:36.519
<v Speaker 2>that's why I'm not saying all right, but you could

1:28:36.560 --> 1:28:40.280
<v Speaker 2>say you watched him literally punt a woman in a hallway,

1:28:41.120 --> 1:28:42.880
<v Speaker 2>like what does one have to do with the other?

1:28:43.120 --> 1:28:45.479
<v Speaker 2>But it's fucked that. Of course we know he's icon.

1:28:46.560 --> 1:28:49.400
<v Speaker 2>Do I need to tell you that Ignition remix is incredible? No,

1:28:50.520 --> 1:28:54.240
<v Speaker 2>he also fucked kids. That's where I'm lost with this

1:28:54.280 --> 1:28:55.800
<v Speaker 2>whole Usher I don't get those points.

1:28:56.280 --> 1:28:58.479
<v Speaker 1>Yeah, I get it.

1:28:58.640 --> 1:29:02.479
<v Speaker 2>Yes, Like Puff has done amazing things for you and

1:29:02.600 --> 1:29:05.240
<v Speaker 2>for other people. I'm not saying Puff has not done

1:29:05.280 --> 1:29:06.080
<v Speaker 2>good things in his life.

1:29:06.200 --> 1:29:08.439
<v Speaker 1>Right, Well, once you see that, once we see.

1:29:08.360 --> 1:29:10.280
<v Speaker 2>That, why can't you just be like, well no, it's

1:29:10.280 --> 1:29:11.320
<v Speaker 2>still like what the fuck?

1:29:11.439 --> 1:29:11.479
<v Speaker 1>No?

1:29:11.760 --> 1:29:13.479
<v Speaker 3>Yeah, Like, once you see that, you can be my

1:29:13.600 --> 1:29:15.360
<v Speaker 3>mentor as a kid. And I'm a grown man now

1:29:15.360 --> 1:29:17.519
<v Speaker 3>and I see you doing something but like kicking a woman,

1:29:17.560 --> 1:29:19.200
<v Speaker 3>I'm gonna be like, Yo, that's absolutely fun.

1:29:19.360 --> 1:29:21.400
<v Speaker 4>But I'm gonna say this though, Right, I'm gonna say this, right,

1:29:22.439 --> 1:29:25.760
<v Speaker 4>I should got a relationship with Diddy that niggas don't got.

1:29:26.320 --> 1:29:27.800
<v Speaker 1>So now he could have been like, Yo, what was

1:29:27.880 --> 1:29:28.559
<v Speaker 1>going on there?

1:29:28.920 --> 1:29:29.040
<v Speaker 2>Yo?

1:29:29.600 --> 1:29:31.680
<v Speaker 1>Bro, that's the day I found out she gave me.

1:29:31.800 --> 1:29:35.519
<v Speaker 1>That was it it all? That's the day a hundred

1:29:35.560 --> 1:29:37.599
<v Speaker 1>thousand in that bag trying to run out that hotel

1:29:37.720 --> 1:29:38.680
<v Speaker 1>room or we don't know.

1:29:39.439 --> 1:29:41.559
<v Speaker 4>You know what I'm saying, whatever it is, though, if

1:29:41.600 --> 1:29:43.760
<v Speaker 4>you grab her, you can't say whatever it is. Listen,

1:29:44.000 --> 1:29:45.479
<v Speaker 4>what's what I'm saying. So if she burnt you, what

1:29:45.560 --> 1:29:47.680
<v Speaker 4>if she burned the way she slipped in the package.

1:29:47.439 --> 1:29:50.360
<v Speaker 3>Well, my thing is my thing is you're still kicking

1:29:50.400 --> 1:29:52.600
<v Speaker 3>the while she's on the floor, though you grabbing the

1:29:52.680 --> 1:29:56.040
<v Speaker 3>thrown on the floor. You know, like, Okay, if you're saying,

1:29:56.160 --> 1:29:58.680
<v Speaker 3>let's say the situation is what you say, any man

1:29:58.680 --> 1:30:01.320
<v Speaker 3>would lose his mind and go what you would do, right,

1:30:01.680 --> 1:30:02.519
<v Speaker 3>But what I'm saying is.

1:30:03.760 --> 1:30:06.640
<v Speaker 1>What is that gonna do? Though at that point, you

1:30:07.640 --> 1:30:09.280
<v Speaker 1>to the ground, You're saying to yourself, you just gave

1:30:09.360 --> 1:30:10.400
<v Speaker 1>me some ship that I can't get.

1:30:10.360 --> 1:30:11.360
<v Speaker 4>Rid of for the rest of my I got to

1:30:11.360 --> 1:30:12.479
<v Speaker 4>have this ship for the rest of my life.

1:30:12.520 --> 1:30:18.200
<v Speaker 1>I wore incredible, hope. Everything that every makes me madder

1:30:18.280 --> 1:30:20.960
<v Speaker 1>in that case. In that case, maybe I kind of

1:30:21.000 --> 1:30:24.040
<v Speaker 1>be like, you understand what I Yeah, but if it

1:30:24.080 --> 1:30:25.240
<v Speaker 1>ain't something like but if it.

1:30:25.240 --> 1:30:26.760
<v Speaker 4>Ain't that, it's just you trying to leave and you

1:30:26.920 --> 1:30:29.760
<v Speaker 4>doing that said something slick to you and you mad.

1:30:30.200 --> 1:30:33.680
<v Speaker 4>You you're a bitch ass hit But yeah, right, it's

1:30:33.680 --> 1:30:35.479
<v Speaker 4>some shot seen shit happened in the hood, like I do.

1:30:36.240 --> 1:30:41.160
<v Speaker 4>It's I know, abroad to eighty thousand from a nigga.

1:30:41.400 --> 1:30:47.439
<v Speaker 1>Yeah, gave it to her brother, right, Yeah, you can

1:30:47.560 --> 1:30:50.080
<v Speaker 1>expect that if he was to run into her, if

1:30:50.120 --> 1:30:54.400
<v Speaker 1>they would have found her in the trunk for it's warranted. Yeah,

1:30:54.680 --> 1:30:55.080
<v Speaker 1>I get it.

1:30:55.240 --> 1:30:58.280
<v Speaker 4>Yeah, absolutely, nigga stood out here all these days doing

1:30:58.320 --> 1:30:59.240
<v Speaker 4>what he's doing whatever.

1:31:00.000 --> 1:31:02.240
<v Speaker 1>But what he did to get this money and you're

1:31:02.240 --> 1:31:06.240
<v Speaker 1>gonna get that ship to your brother, No, I get it.

1:31:06.439 --> 1:31:09.320
<v Speaker 1>You understand what I'm saying. So nothing like that.

1:31:09.479 --> 1:31:12.920
<v Speaker 4>If we just saw him stop out the nigga, we

1:31:13.040 --> 1:31:14.680
<v Speaker 4>kind of understand that. You understand what I'm saying. So,

1:31:14.800 --> 1:31:17.000
<v Speaker 4>but from the looks of it, it looked like she

1:31:17.160 --> 1:31:19.719
<v Speaker 4>just was trying to leave, right, you know what I'm saying.

1:31:20.120 --> 1:31:21.880
<v Speaker 4>He just was trying to leave and you wasn't trying

1:31:21.880 --> 1:31:23.559
<v Speaker 4>to let her leave, and you put hands and feet

1:31:23.600 --> 1:31:25.920
<v Speaker 4>on her and that's going and we ain't jacking that,

1:31:26.600 --> 1:31:27.960
<v Speaker 4>you know what I'm saying. Then we hear all these

1:31:28.000 --> 1:31:32.120
<v Speaker 4>stories about you watching you, you shaking our wild another

1:31:32.200 --> 1:31:33.680
<v Speaker 4>niggas is jelling and all of that.

1:31:33.840 --> 1:31:35.760
<v Speaker 1>That's nasty. Like we don't like.

1:31:35.920 --> 1:31:38.959
<v Speaker 4>I'm not like once you got a case against ladies.

1:31:39.080 --> 1:31:42.439
<v Speaker 4>Once it's a case against ladies, and we don't give

1:31:42.479 --> 1:31:42.880
<v Speaker 4>a fuck.

1:31:42.920 --> 1:31:46.200
<v Speaker 1>Ain't no yo, yo yo, that nigga snitched on that nigga.

1:31:46.200 --> 1:31:47.880
<v Speaker 1>What he did, Yo used to be beating up his

1:31:48.000 --> 1:31:50.040
<v Speaker 1>girl and his kids. And ship your call the police.

1:31:50.080 --> 1:31:51.639
<v Speaker 1>That niggas a rat. No, he ain't no rat.

1:31:52.040 --> 1:31:54.000
<v Speaker 4>You ain't gonna get me to call that nigga, no rat.

1:31:54.560 --> 1:31:56.400
<v Speaker 4>You know what I'm saying with you to call the police. No,

1:31:57.040 --> 1:31:58.040
<v Speaker 4>But i'd have told my bitch.

1:31:58.439 --> 1:32:03.559
<v Speaker 1>Yeah, I know she was gonna You know what I'm saying,

1:32:05.600 --> 1:32:08.000
<v Speaker 1>I ain't calling the police or nobody. He's still my car.

1:32:08.040 --> 1:32:10.120
<v Speaker 4>I got a reported stolen. You know what I'm saying,

1:32:10.160 --> 1:32:13.600
<v Speaker 4>But just calling police? What I know, I tell it

1:32:13.640 --> 1:32:15.240
<v Speaker 4>to a bitch. I know what the bitch is gonna do.

1:32:16.240 --> 1:32:18.840
<v Speaker 2>I'll get it all right before again, before we get

1:32:18.840 --> 1:32:22.800
<v Speaker 2>out of here. New music that's out right now, maybe

1:32:23.120 --> 1:32:27.559
<v Speaker 2>we're recording this Thursday night. Maybe Kanye West Bully is out.

1:32:27.640 --> 1:32:29.200
<v Speaker 1>I don't know. I don't think so, I don't think.

1:32:29.280 --> 1:32:30.519
<v Speaker 1>I don't think we get a Bully tonight.

1:32:30.600 --> 1:32:33.439
<v Speaker 2>He already pushed back all the listening sessions because his

1:32:33.560 --> 1:32:35.439
<v Speaker 2>own team put out a message said, you know, all

1:32:35.479 --> 1:32:37.840
<v Speaker 2>the listening sessions tonight are canceled because he hates the Master.

1:32:38.320 --> 1:32:40.080
<v Speaker 2>So I don't think we have Bully right now. If

1:32:40.080 --> 1:32:41.640
<v Speaker 2>you're listening to this, I don't think Bully's here.

1:32:41.760 --> 1:32:42.559
<v Speaker 1>No, it's not happening.

1:32:43.360 --> 1:32:46.320
<v Speaker 2>But I mean, yet, that's that's that's your favorite artist.

1:32:46.600 --> 1:32:55.040
<v Speaker 2>Shut eighty l that's a choice. Okay, listen, I'm gonna

1:32:55.040 --> 1:32:59.160
<v Speaker 2>save that from my own my own podcast. I'm gonna

1:32:59.160 --> 1:33:01.720
<v Speaker 2>start some some paywall ship that not to make money,

1:33:01.760 --> 1:33:03.679
<v Speaker 2>but you have to pay a lot so you can't

1:33:03.720 --> 1:33:05.439
<v Speaker 2>cancel you on my with certain things.

1:33:06.760 --> 1:33:10.240
<v Speaker 1>Oh I wish I interested the songs interesting, album title interesting,

1:33:10.479 --> 1:33:12.559
<v Speaker 1>Just leave it at that. Very interesting. What's she's real name?

1:33:19.840 --> 1:33:25.559
<v Speaker 1>Noah Olivia Smith? Okay, Olivia Smith, Noah Olivia. Oh good man.

1:33:27.320 --> 1:33:30.200
<v Speaker 2>Uh, congrats to Fetti. Everything Fetti went through that that

1:33:30.320 --> 1:33:32.599
<v Speaker 2>I don't think he deserved whatsoever. I think that entire

1:33:32.720 --> 1:33:35.800
<v Speaker 2>case is bullshit and I think it's awful that he

1:33:35.880 --> 1:33:37.360
<v Speaker 2>had to do the time that he did. So I'm

1:33:38.360 --> 1:33:40.639
<v Speaker 2>this album could stink, and I'm still here to support

1:33:41.479 --> 1:33:44.040
<v Speaker 2>everything that he does. I'm not saying or think it's

1:33:44.080 --> 1:33:46.240
<v Speaker 2>going to be bad, but it's tough.

1:33:46.160 --> 1:33:48.360
<v Speaker 1>To album coming out right now.

1:33:48.520 --> 1:33:50.840
<v Speaker 2>Yeah, That's why I'm saying it's quick. It's really quick.

1:33:51.840 --> 1:33:54.680
<v Speaker 4>I feel like I'm gonna say this right as a

1:33:54.720 --> 1:33:57.600
<v Speaker 4>nigga that did mad time a jail came home. He

1:33:57.680 --> 1:34:00.160
<v Speaker 4>didn't do a lot of time A Yeah, you know

1:34:00.200 --> 1:34:02.880
<v Speaker 4>what I'm saying. So he probably was like in ray

1:34:02.960 --> 1:34:05.160
<v Speaker 4>Brook or one of these shits close the way you're from.

1:34:05.200 --> 1:34:07.040
<v Speaker 4>You know what I'm saying, probably wasn't that far away

1:34:07.320 --> 1:34:09.599
<v Speaker 4>he was. He was here, right, So we're in New

1:34:09.680 --> 1:34:10.640
<v Speaker 4>York and the New Year.

1:34:10.880 --> 1:34:12.720
<v Speaker 2>I think he was in the actual affairs. I don't

1:34:12.720 --> 1:34:14.040
<v Speaker 2>think he was in so.

1:34:14.120 --> 1:34:16.720
<v Speaker 4>Like ray Brook or Otisville is the New York does

1:34:16.720 --> 1:34:18.720
<v Speaker 4>the FEN spots in New York. So I'm saying like

1:34:18.800 --> 1:34:20.479
<v Speaker 4>he probably could have had a post on what was

1:34:20.520 --> 1:34:23.320
<v Speaker 4>going on. But even with people telling you was you

1:34:23.439 --> 1:34:26.240
<v Speaker 4>imagine and what's happening in the streets? Like they could

1:34:26.280 --> 1:34:28.439
<v Speaker 4>tell you, like they could tell you your best friend

1:34:28.840 --> 1:34:31.280
<v Speaker 4>did something, and you have to imagine this shit.

1:34:31.400 --> 1:34:33.240
<v Speaker 1>You ain't see it. You gotta imagine the shit.

1:34:33.640 --> 1:34:35.600
<v Speaker 4>Five people could tell you the story, you still have

1:34:35.760 --> 1:34:38.040
<v Speaker 4>to imagine in your brain what happened.

1:34:38.080 --> 1:34:41.800
<v Speaker 1>You understand what I'm saying to come home that nigga

1:34:41.880 --> 1:34:43.719
<v Speaker 1>just got here to have a whole album. Ready.

1:34:48.560 --> 1:34:51.639
<v Speaker 4>You ever see the like niggas on the internet come

1:34:51.680 --> 1:34:54.920
<v Speaker 4>home from jail and they be rhyming like the blood niggas,

1:34:55.280 --> 1:34:56.840
<v Speaker 4>And I don't want to like single them out, but

1:34:57.120 --> 1:35:01.040
<v Speaker 4>specifically them because they the big gang in York. And

1:35:01.160 --> 1:35:03.040
<v Speaker 4>so you see these niggas come home and they be

1:35:03.160 --> 1:35:06.719
<v Speaker 4>rhyming on the internet and they be trash, but they swagger.

1:35:06.720 --> 1:35:08.679
<v Speaker 1>It's like, how the fuck this nigga think this ship

1:35:08.760 --> 1:35:11.760
<v Speaker 1>sound fire? Because I'm gonna tell you.

1:35:12.120 --> 1:35:14.439
<v Speaker 4>I'm gonna tell you how to have the look they

1:35:14.560 --> 1:35:16.400
<v Speaker 4>on a day in a in a in a dorm

1:35:16.680 --> 1:35:18.320
<v Speaker 4>or or or or sell black.

1:35:18.400 --> 1:35:21.479
<v Speaker 1>It's mad blood den Okay, they're gonna cheer you on home.

1:35:23.000 --> 1:35:28.200
<v Speaker 4>They niggas fit that trash shit niggas Like, whoa nigga

1:35:28.240 --> 1:35:29.320
<v Speaker 4>think this ship is fired?

1:35:29.439 --> 1:35:35.760
<v Speaker 5>For ten years? Meanwhile, yeah, all the netral niggas they

1:35:35.840 --> 1:35:39.679
<v Speaker 5>sound like you know what I'm saying.

1:35:40.360 --> 1:35:42.120
<v Speaker 4>So now when you see these niggas on the internet,

1:35:42.479 --> 1:35:45.760
<v Speaker 4>they like you like, nigga, what the fuck like, why

1:35:45.800 --> 1:35:47.800
<v Speaker 4>would you be thinking that you getting it in right there?

1:35:48.000 --> 1:35:52.519
<v Speaker 4>Just because he was in jail with the homies and

1:35:52.600 --> 1:35:54.200
<v Speaker 4>they got him feeling like he's nice.

1:35:56.000 --> 1:35:57.880
<v Speaker 1>I'm telling you it be like that.

1:35:58.560 --> 1:36:01.920
<v Speaker 2>It should be happening like that. I mean ship, I'm neutral.

1:36:01.920 --> 1:36:03.560
<v Speaker 2>I'd still be like, Yo, that's crazy.

1:36:03.320 --> 1:36:04.680
<v Speaker 1>Bro that.

1:36:12.840 --> 1:36:15.120
<v Speaker 4>You don't even hear nothing else. He's saying niggas banging

1:36:15.160 --> 1:36:16.720
<v Speaker 4>on the walls and all that. He thought he just

1:36:16.800 --> 1:36:18.840
<v Speaker 4>got busy me.

1:36:19.320 --> 1:36:21.400
<v Speaker 1>So much stuff to rhyme with Mac Baller. You killing that?

1:36:22.640 --> 1:36:24.880
<v Speaker 3>Oh my god, man, I am looking forward to the

1:36:24.920 --> 1:36:27.240
<v Speaker 3>Stove Guard and Swiss Beats album. All this for me

1:36:27.600 --> 1:36:29.519
<v Speaker 3>saying how you feel about Stove like Stove.

1:36:30.280 --> 1:36:33.160
<v Speaker 4>I gotta start listening to Stove more, man, because I'm

1:36:33.200 --> 1:36:36.000
<v Speaker 4>fucking with these upstate niggas, man, you know, and they

1:36:36.080 --> 1:36:38.200
<v Speaker 4>selling mad drugs and the music and they seem like

1:36:38.240 --> 1:36:39.160
<v Speaker 4>they don't own the niggas.

1:36:39.200 --> 1:36:41.479
<v Speaker 1>That's consistent. I think you're like, you need to listen

1:36:41.479 --> 1:36:44.880
<v Speaker 1>to reasonable Drought. Reasonable Drought? Is you never Stove girl?

1:36:45.360 --> 1:36:47.080
<v Speaker 4>I might have heard it. Man, I'm telling I don't

1:36:47.080 --> 1:36:48.639
<v Speaker 4>really like he got some ship. He got some ship

1:36:48.720 --> 1:36:50.920
<v Speaker 4>on the Fuego based ship that I was doing that

1:36:50.960 --> 1:36:53.240
<v Speaker 4>ship you like Fego Though he got some ship. I'm

1:36:53.280 --> 1:36:56.280
<v Speaker 4>plugged in, superduper plugged. Dean.

1:36:56.520 --> 1:36:58.479
<v Speaker 3>You gotta listen to Reasonable Drought though. That's Stove to me,

1:36:58.560 --> 1:36:59.920
<v Speaker 3>that's a classic mix tape.

1:37:00.120 --> 1:37:02.400
<v Speaker 2>Yeah, I was gonna say it's probably the last classic

1:37:02.479 --> 1:37:04.080
<v Speaker 2>mixtape that I can think of. I mean, I know,

1:37:04.120 --> 1:37:07.839
<v Speaker 2>I guess it's it's a mixtape to me, classic mixtape.

1:37:07.920 --> 1:37:09.679
<v Speaker 1>Rock Marshon executive produced.

1:37:10.560 --> 1:37:14.040
<v Speaker 4>You like rock Mossy love Ro I'm not a real

1:37:14.080 --> 1:37:18.040
<v Speaker 4>big rock Mossy fan what not. I just I'm not

1:37:18.880 --> 1:37:20.360
<v Speaker 4>have you like, really like listened to him?

1:37:20.400 --> 1:37:24.519
<v Speaker 1>I got into the music. Yeah, but what don't you

1:37:24.600 --> 1:37:25.599
<v Speaker 1>like about is the music?

1:37:25.760 --> 1:37:26.639
<v Speaker 4>Is that the rhymes?

1:37:27.200 --> 1:37:30.680
<v Speaker 1>It's like it ain't my eyes. I don't know it.

1:37:30.760 --> 1:37:36.120
<v Speaker 1>Ship seemed like a little like I don't really know

1:37:36.200 --> 1:37:37.280
<v Speaker 1>how to put it, but it ain't.

1:37:37.439 --> 1:37:40.400
<v Speaker 4>You gotta really like, No, I really I really did, really,

1:37:41.080 --> 1:37:44.639
<v Speaker 4>because niggas are saying rock Moss I listened to rock Massy,

1:37:44.760 --> 1:37:47.880
<v Speaker 4>Rock Massy, his man Arrow from Long Island. It's something

1:37:47.960 --> 1:37:52.679
<v Speaker 4>right rock lost Ever from all of them, I shoot

1:37:52.720 --> 1:37:54.720
<v Speaker 4>the best friend. I don't funk with like that. Neither

1:37:55.520 --> 1:37:56.000
<v Speaker 4>they nice.

1:37:56.040 --> 1:37:59.000
<v Speaker 1>I ain't saying. I ain't saying one of the best

1:37:59.040 --> 1:38:03.479
<v Speaker 1>players in the city right now, Like you know that's

1:38:03.479 --> 1:38:05.719
<v Speaker 1>that old he round like a real nineties nigga.

1:38:05.800 --> 1:38:09.760
<v Speaker 4>Like that's that, that's that flow. I know your personal

1:38:09.800 --> 1:38:12.479
<v Speaker 4>is like ball for ball in New York. I just

1:38:12.880 --> 1:38:19.160
<v Speaker 4>he better than Shooter, I think, so, yeah, that's ill. Yeah,

1:38:19.439 --> 1:38:24.120
<v Speaker 4>they like best friends. It's errors it's his flow. I

1:38:24.280 --> 1:38:28.200
<v Speaker 4>love his flow like it's that it's theMIND be everywhere

1:38:28.320 --> 1:38:28.639
<v Speaker 4>some time.

1:38:28.720 --> 1:38:32.320
<v Speaker 3>But but but it's it's it's if you just listening,

1:38:32.720 --> 1:38:35.080
<v Speaker 3>it kind of feels like it's everywhere, but it's not.

1:38:35.320 --> 1:38:38.080
<v Speaker 3>Though it's not I know what you mean by that,

1:38:38.240 --> 1:38:39.840
<v Speaker 3>because like if you first listen to it, it's like

1:38:40.400 --> 1:38:42.000
<v Speaker 3>it's like he's saying like he off the out the

1:38:42.080 --> 1:38:45.519
<v Speaker 3>pocket a little bit, but he's not though. He just

1:38:45.640 --> 1:38:48.600
<v Speaker 3>on a different downbeat, like he's not on the the

1:38:48.760 --> 1:38:49.719
<v Speaker 3>nicest in the city.

1:38:50.120 --> 1:38:52.840
<v Speaker 1>He's one of them. To me, yeah, he's one of them.

1:38:53.040 --> 1:38:54.559
<v Speaker 1>He's one of the best nigga in New York right now.

1:38:54.600 --> 1:38:58.240
<v Speaker 1>For sure, you should make songs. He can make songs.

1:38:59.560 --> 1:39:03.519
<v Speaker 1>I'm just skill straight rapping. I'm just gonna if he's

1:39:03.560 --> 1:39:08.280
<v Speaker 1>better than don Q, I'm gonna I'm gonna say, yes,

1:39:10.720 --> 1:39:11.840
<v Speaker 1>I fuck with Donk.

1:39:12.120 --> 1:39:15.679
<v Speaker 4>Don is nice. If my son could make songs better

1:39:16.080 --> 1:39:20.000
<v Speaker 4>and he can make better, just give him to him.

1:39:20.080 --> 1:39:23.320
<v Speaker 4>But do that, Okay, you know what it is. I

1:39:23.400 --> 1:39:27.920
<v Speaker 4>think Errol will say some ship like don is nice,

1:39:27.960 --> 1:39:29.280
<v Speaker 4>and he's gonna be like, yo, he smoked that.

1:39:29.800 --> 1:39:31.960
<v Speaker 3>But Erro gonna say some ship make you think about

1:39:31.960 --> 1:39:33.640
<v Speaker 3>it and you're gonna it's the type of ship that

1:39:33.720 --> 1:39:35.040
<v Speaker 3>you'll you'll repeat.

1:39:35.000 --> 1:39:38.120
<v Speaker 1>Like the next day, Like Yo, the nigga said, like

1:39:38.200 --> 1:39:39.120
<v Speaker 1>he said to me.

1:39:39.240 --> 1:39:41.599
<v Speaker 3>That's the difference in erroor it's like you're gonna you're

1:39:41.600 --> 1:39:44.679
<v Speaker 3>gonna walk away from listening to him and you're gonna

1:39:44.680 --> 1:39:47.000
<v Speaker 3>repeat what he said, or you're gonna like revisit what

1:39:47.040 --> 1:39:49.000
<v Speaker 3>he said in your head more than what Don said.

1:39:49.000 --> 1:39:50.799
<v Speaker 3>But you're gonna know Don is nice. You hear Donkey

1:39:50.960 --> 1:39:54.040
<v Speaker 3>rap that niggas nice. But Errod just got a way

1:39:54.080 --> 1:39:55.719
<v Speaker 3>of saying. It's the way he says.

1:39:55.720 --> 1:39:58.679
<v Speaker 1>Ship. That's gonna I think live with you a little longer.

1:40:00.840 --> 1:40:02.400
<v Speaker 1>Just tappen with it though, just tapping on the little

1:40:02.560 --> 1:40:04.080
<v Speaker 1>nah I fu, I funk, I know who that is.

1:40:04.200 --> 1:40:05.800
<v Speaker 1>Like niggas put me on the soun. Niggas put me

1:40:05.800 --> 1:40:07.760
<v Speaker 1>on the sun. They told me that was They told

1:40:07.760 --> 1:40:09.599
<v Speaker 1>me that was shooting best friend, growing up and ship.

1:40:09.600 --> 1:40:10.840
<v Speaker 1>And I'm saying, you know, I was locked up with

1:40:10.840 --> 1:40:12.880
<v Speaker 1>shooting sh What I'm saying, shout out the shooting punch,

1:40:12.960 --> 1:40:16.120
<v Speaker 1>my man. I'm saying, mad ciphers with that nigga growing

1:40:16.200 --> 1:40:18.360
<v Speaker 1>up and ship. What I'm saying, you know what I mean.

1:40:19.040 --> 1:40:23.240
<v Speaker 1>So I passed him with saying he nice. Yeah, I'm

1:40:23.280 --> 1:40:26.519
<v Speaker 1>sure see like me personally, niggas could be nice. But

1:40:26.600 --> 1:40:29.040
<v Speaker 1>I don't be listening to that ship though. I'm saying.

1:40:29.400 --> 1:40:30.800
<v Speaker 1>You know what I'm saying, like a lot of nice.

1:40:30.840 --> 1:40:34.479
<v Speaker 1>But that's not like you know, it ain't my bot.

1:40:34.800 --> 1:40:37.439
<v Speaker 1>I'm saying saying one, I totally get it. There'd be

1:40:37.479 --> 1:40:38.240
<v Speaker 1>a lot of ship like that.

1:40:38.360 --> 1:40:39.600
<v Speaker 4>I'll be like, there's a lot of ship like that

1:40:39.680 --> 1:40:42.599
<v Speaker 4>going on right, Like I'm telling these the niggas selling drugs,

1:40:42.640 --> 1:40:44.080
<v Speaker 4>maybe you ain't selling drugs. I don't really want to

1:40:44.120 --> 1:40:46.479
<v Speaker 4>hear that ship right now, not like E s TG.

1:40:47.320 --> 1:40:50.439
<v Speaker 1>Just Stove is gonna be your guy. Yeah, no, Flames

1:40:50.600 --> 1:40:56.000
<v Speaker 1>not molk count me like flames. Yeah you don't funk

1:40:56.040 --> 1:40:58.200
<v Speaker 1>with that. I do. Yeah, I like Flames.

1:40:58.560 --> 1:41:01.880
<v Speaker 2>It's not something I throwing all the time. Plaines make

1:41:01.920 --> 1:41:03.840
<v Speaker 2>better music though, Stove makes way better music.

1:41:04.240 --> 1:41:09.599
<v Speaker 1>And it's but yeah, it make better songs. I'm saying.

1:41:09.960 --> 1:41:10.559
<v Speaker 1>I'm saying.

1:41:12.280 --> 1:41:17.599
<v Speaker 4>Melodic ship like like for instance, right Stove said talk

1:41:17.760 --> 1:41:22.200
<v Speaker 4>to the plug Monday came on Friday, see me a

1:41:22.360 --> 1:41:28.960
<v Speaker 4>hundred of I need a hundred off. Right, you found

1:41:28.960 --> 1:41:32.439
<v Speaker 4>a hunded niggas in the hood. Out of them honey niggas.

1:41:33.280 --> 1:41:38.880
<v Speaker 4>None of them niggas had a honey. You found a

1:41:38.960 --> 1:41:41.080
<v Speaker 4>hunding niggas in the hood. Not am not one of

1:41:41.120 --> 1:41:45.760
<v Speaker 4>the niggas had a honey. Flames Domali said, what you

1:41:45.920 --> 1:41:49.360
<v Speaker 4>doing sitting in my bagging up some batas, sitting in

1:41:49.439 --> 1:41:51.200
<v Speaker 4>my whip crack on my hands.

1:41:51.280 --> 1:41:53.320
<v Speaker 1>I can't hit the blunt they put it to my lips.

1:41:53.400 --> 1:41:57.840
<v Speaker 1>I did this ship. It's it's a big difference, you know,

1:41:59.360 --> 1:42:04.400
<v Speaker 1>I'm bagging up the relate. You can't touch that blood.

1:42:05.240 --> 1:42:13.479
<v Speaker 1>You can't touch that blood all the all, like wording

1:42:13.600 --> 1:42:17.479
<v Speaker 1>up like that's autoble s I did that. Yeah, I'm saying,

1:42:18.280 --> 1:42:23.439
<v Speaker 1>send me a hundred of them. It's more relatable, just.

1:42:27.200 --> 1:42:27.360
<v Speaker 4>Like that.

1:42:28.680 --> 1:42:31.320
<v Speaker 1>Yeah, yeah, I get it. It's more. It's way more related.

1:42:31.360 --> 1:42:32.720
<v Speaker 1>I get what you're saying. I get what you say,

1:42:32.840 --> 1:42:35.200
<v Speaker 1>and it's like I'm saying, like I just but.

1:42:35.280 --> 1:42:37.000
<v Speaker 3>That don't mean it's still ain't hard though, Like just

1:42:37.040 --> 1:42:39.960
<v Speaker 3>because you I'm saying, you could identify and relate to

1:42:40.080 --> 1:42:43.200
<v Speaker 3>it more because that's something identify with.

1:42:43.240 --> 1:42:43.560
<v Speaker 1>I get it.

1:42:44.160 --> 1:42:46.519
<v Speaker 4>That nigga flaint everything you know, I like him he

1:42:46.640 --> 1:42:48.960
<v Speaker 4>talked about that like that. Yeah, that's like nice. But

1:42:49.080 --> 1:42:54.000
<v Speaker 4>Stove God Wago basis the plainest is hard Sho talking

1:42:54.040 --> 1:42:57.240
<v Speaker 4>that ship. Yeah, he's definitely talking Stove God. Swiss beats

1:42:57.240 --> 1:42:58.720
<v Speaker 4>all this for me. I'm looking forward to this joint.

1:42:58.720 --> 1:43:00.639
<v Speaker 4>I'm gonna check it out though, Yeah, to check that out.

1:43:01.000 --> 1:43:03.439
<v Speaker 2>That's my first click and I'm gonna stay up for

1:43:03.479 --> 1:43:05.280
<v Speaker 2>the Stove gotsh I'm excited for this.

1:43:05.439 --> 1:43:06.200
<v Speaker 1>Yeah, I want to hear that.

1:43:06.960 --> 1:43:09.400
<v Speaker 2>And my sister Jozzie, she's putting out her album soundtrack

1:43:09.479 --> 1:43:12.840
<v Speaker 2>to get her back. Josy, that's you know how you

1:43:12.920 --> 1:43:16.400
<v Speaker 2>have like sisters in Christ. She's my sister in toxicity. Okay,

1:43:16.520 --> 1:43:19.519
<v Speaker 2>nobody's more toxic than Jozzi even though she she's actually

1:43:19.520 --> 1:43:21.920
<v Speaker 2>gonna come up next week. She's one of the coolest

1:43:21.920 --> 1:43:25.920
<v Speaker 2>shicks ever. She's a sniper. You think young Amazon sniper

1:43:26.880 --> 1:43:27.599
<v Speaker 2>be a sniper.

1:43:28.680 --> 1:43:31.240
<v Speaker 1>Don't put Jozzy out there like Jossi is a sweetheart.

1:43:31.400 --> 1:43:33.680
<v Speaker 1>She's a sweetheart. We ain't gonna put Jozzy business out

1:43:33.680 --> 1:43:34.560
<v Speaker 1>there like that. We ain'tna do that.

1:43:34.640 --> 1:43:36.639
<v Speaker 3>We're gonna talk to her. But Josey is super talented,

1:43:36.680 --> 1:43:37.880
<v Speaker 3>one of the best pins in the game.

1:43:39.520 --> 1:43:41.200
<v Speaker 1>Yeah, she sings. Yeah, she was.

1:43:41.920 --> 1:43:43.840
<v Speaker 2>I hate with the puff shit that happened. Outside of

1:43:43.880 --> 1:43:46.920
<v Speaker 2>the obvious she was. The last album was incredible. She

1:43:47.040 --> 1:43:48.960
<v Speaker 2>was like she smoked that whole project.

1:43:49.080 --> 1:43:51.320
<v Speaker 1>Yeah, but even her project that she put out though,

1:43:52.080 --> 1:43:53.920
<v Speaker 1>oh yeah, that was that was to me was one

1:43:53.960 --> 1:43:56.080
<v Speaker 1>of the best projects that year that she put out. Absolutely.

1:43:56.640 --> 1:43:58.920
<v Speaker 1>So Yeah, I'm excited to have Jossy up here next week.

1:43:59.120 --> 1:44:02.759
<v Speaker 2>But yeah, we're out of here. We'll see y'all on Saturday.

1:44:02.800 --> 1:44:04.720
<v Speaker 2>Actually Saturday in New York City.

1:44:04.880 --> 1:44:07.080
<v Speaker 3>If you're in New York, Cafe Comodol to eighty six

1:44:07.120 --> 1:44:08.840
<v Speaker 3>Broome Street, come kick with us one to six.

1:44:09.680 --> 1:44:13.680
<v Speaker 1>We'll be there selling some merchs. You're coming through offfee ubes.

1:44:13.520 --> 1:44:16.920
<v Speaker 2>Pops you got you gotta you gotta monitor the playlist

1:44:17.000 --> 1:44:18.719
<v Speaker 2>that that you sent over to Ryan.

1:44:18.880 --> 1:44:20.960
<v Speaker 3>You gotta just stand outside with the All he gotta

1:44:21.000 --> 1:44:22.479
<v Speaker 3>do is his shuffle on that ship.

1:44:23.200 --> 1:44:27.639
<v Speaker 4>As long as the crowd is a New York centric crowd,

1:44:27.960 --> 1:44:29.000
<v Speaker 4>he's gonna be good money.

1:44:29.680 --> 1:44:32.040
<v Speaker 2>Ryan doesn't know his intern hazing yet. He's gonna have

1:44:32.040 --> 1:44:33.920
<v Speaker 2>to babysit my daughter for five hours. He doesn't he

1:44:33.920 --> 1:44:38.960
<v Speaker 2>has He does not know that, man, He doesn't know

1:44:39.120 --> 1:44:41.120
<v Speaker 2>that he's about to say the backyard.

1:44:41.400 --> 1:44:44.360
<v Speaker 1>She's three, and she's like a terror three. She's not

1:44:44.520 --> 1:44:50.120
<v Speaker 1>like a regular three. Five hours. I would tell you,

1:44:50.400 --> 1:44:52.920
<v Speaker 1>I would tell like, I don't know, ten years older

1:44:52.960 --> 1:44:56.800
<v Speaker 1>than your genie. He's a genie.

1:44:58.479 --> 1:45:02.040
<v Speaker 4>In that back that backyard behind the cafe, they just.

1:45:02.040 --> 1:45:05.040
<v Speaker 1>Figure out things. Had this nigga going to get his

1:45:05.120 --> 1:45:05.880
<v Speaker 1>nigga's a genie.

1:45:07.360 --> 1:45:09.400
<v Speaker 2>She's gonna say, chase me for six hours with him.

1:45:09.840 --> 1:45:10.599
<v Speaker 1>Oh my god.

1:45:10.760 --> 1:45:12.120
<v Speaker 3>But either way, if you're in the city, come by,

1:45:12.160 --> 1:45:14.960
<v Speaker 3>come check us our cafe Comodol Toy street Man will

1:45:15.000 --> 1:45:17.320
<v Speaker 3>be there for a few hours, one to six having

1:45:17.360 --> 1:45:20.200
<v Speaker 3>fun this Saturday. So yeah, if you're in the city,

1:45:20.280 --> 1:45:22.559
<v Speaker 3>we'll see you then. If not, we'll talk to you soon.

1:45:22.680 --> 1:45:24.559
<v Speaker 3>Be safe, Be blessed them. That nigga, he's a ginger.

1:45:24.960 --> 1:45:25.880
<v Speaker 3>That's netflix it.

1:45:26.640 --> 1:45:27.160
<v Speaker 1>Let's get to that