Speaker 1: No Willian Doctor.
Speaker 2: Welcome back. End of the week. We're sponsored by Boost.
Speaker 2: This Saturday we have our pop up shop for our
Speaker 2: merch Come through one to six.
Speaker 3: Cafe Cole Model. Yes, eady six Broome Street. Pull up
Speaker 3: on us, We'll be there.
Speaker 2: Ryan has been practicing all week on his DJ set.
Speaker 3: You Ryan, it's a lot of pressure on you Saturday.
Speaker 3: I've been telling I've been telling everybody. I'm like, yo, Ryan,
Speaker 3: this is his first gig. It's not his first, I
Speaker 3: mean New York. This first gig in New York. Okay,
Speaker 3: fair first gig. I mean it's the only gig that
Speaker 3: matters and the only only New York for your first
Speaker 3: in your last first gig in New York City. Say,
Speaker 3: eybody's looking forward to your to your set. Not to
Speaker 3: put a lot I want too much pressure on you,
Speaker 3: all right. I don't want to put too much pressure
Speaker 3: on you. But the players Trim was good. You said
Speaker 3: them something see Zip gonna send you too much. It's
Speaker 3: it's gonna be thirty minutes to mob. I was about
Speaker 3: to say it's gonna be sing, it's gonna be.
Speaker 2: They play Coolie rap at that cafe anyways.
Speaker 1: No, that's cafe co model.
Speaker 3: They definitely a hip hop friendly establishment, so it won't
Speaker 3: be too too far out the out the warehouse.
Speaker 1: But we are doing shuffle on that playlist.
Speaker 3: There's no skips on the playlist said, there's not a skip.
Speaker 3: Send me to send me to send me the playlist
Speaker 3: that Zip sent you, because I I don't know, man,
Speaker 3: because Zip Zip told me one definitely got who album
Speaker 3: you said was a classic and I looked at you
Speaker 3: like mob Deep the War Report.
Speaker 4: No, it wasn't that one. I wouldn't give you too much.
Speaker 4: You should get rid. Trying is not a classic, So.
Speaker 2: There's that that doesn't exist.
Speaker 1: All right?
Speaker 3: Is a classic album if it's two skips on the
Speaker 3: classic albums at?
Speaker 1: A classic?
Speaker 4: Is ready to Die classic album? Yes, yes, there's two
Speaker 4: skips on it. I can skip through ships, right. I
Speaker 4: live for the funk. I'm down for the Let me
Speaker 4: get that out of here.
Speaker 1: Not a skip to me. You was gonna say, like.
Speaker 3: Because because but now you making it a thing like
Speaker 3: this is the second time you win that Big.
Speaker 1: No, I'm just saying and like, but why he disrespected you?
Speaker 4: Know what I'm saying what I'm saying, But what is
Speaker 4: it about Big in particular because you go right the
Speaker 4: big because those is the classics, Like we know the classics.
Speaker 1: That's okay, we.
Speaker 4: Know the classic. After a while, you're gonna skip some
Speaker 4: ship on the classic is what was the name of
Speaker 4: that ship? I think get rich of do trying? Because
Speaker 4: of it all lies on me. It's all lives on me.
Speaker 1: A classic. Yes, yes, that's Parks classic. Is there not
Speaker 1: five skips on that album? I don't know about. Baby.
Speaker 1: Let me give you a call.
Speaker 5: How much will it take to break you if you
Speaker 5: really want it? Yo?
Speaker 4: Man?
Speaker 3: But looks, but that's another one of the grates that
Speaker 3: we lost, Like what is it what you going at
Speaker 3: the greats that we lost that's no longer here, Like
Speaker 3: people deem that to be, like, come on, that's a
Speaker 3: little disrespectful. You can't go at the grace that's not here.
Speaker 4: So if I see an ugly ass Michelangelo painting and
Speaker 4: I say that's ugly, they're gonna say.
Speaker 1: Oh, y'all, you can't go out the greats. She's no
Speaker 1: longer here.
Speaker 3: But that's not our that's not our culture. That's a
Speaker 3: little different. That's not our colture. We're talking about our
Speaker 3: culture hip hop because you win that big, then pop.
Speaker 4: Listen, I spend money on these niggas. These niggas ain't
Speaker 4: never spend money on me. I could say, what the
Speaker 4: fuck I want to say about it? Y'all spend my
Speaker 4: money on this shit.
Speaker 1: That's the fact. Five skips all eyes on me. So
Speaker 1: I got to go back and listen to it. I'm looking.
Speaker 1: I don't know if it's double CD.
Speaker 4: Definitely five skips on that shit in two thousand, okay,
Speaker 4: but if it's a double that came out thirty years ago,
Speaker 4: thirty one years years ago, thirty years ago.
Speaker 2: But you you just said machine gun Funk is a skip,
Speaker 2: and that's crazy to me.
Speaker 1: All I want this bitch, big body chairs Pat got Yeah.
Speaker 2: Well, when I went to Big Big kids are opening
Speaker 2: up a restaurant. So I went to like the tasting
Speaker 2: for the ship, and when I walked in, I I
Speaker 2: was like, man, Zip just called their father gay yesterday.
Speaker 1: So I don't know I should be walking in and
Speaker 1: laughing like what's up with you. I didn't call him gay.
Speaker 1: I just say he was the king of the gay raps.
Speaker 1: He just he just don't want to say a little bit, okay,
Speaker 1: just say nasty ship you say mad nasty. I respect that.
Speaker 1: I mean you ain't. I ain't saying the niggas. They
Speaker 1: had a nice little bit, but he just had some
Speaker 1: a little bit. He had some bars that he said.
Speaker 1: It was kind of like what you what you said?
Speaker 1: Why you? Why? How you landed on that big? That's
Speaker 1: so I understand that, but it's it's classic. Some skips
Speaker 1: skips on it.
Speaker 4: When that ship furgured come out, I think if it's
Speaker 4: more than two then it can't be. It can be
Speaker 4: a good And that's the thing I think people why
Speaker 4: we just can't say that album is dope butmless. It
Speaker 4: ain't time niggas get caught up in when when it
Speaker 4: come out, this ship is fire, we bumping this.
Speaker 1: We jacking it. And then five years lady, you don't
Speaker 1: hit the same no more. It's not timeless.
Speaker 4: Like like I always say it, Big got the best
Speaker 4: rap album all time than me Life after Death. I
Speaker 4: don't think nobody made a better album than that Me personally,
Speaker 4: I don't think nobody made a more complete album than
Speaker 4: Life after Death. I feel like that shit got every
Speaker 4: kind of song on it. It got fun shit, they
Speaker 4: got shit. He just bullshitting around.
Speaker 1: Play he got every type of like, every type of
Speaker 1: vibe is on that album.
Speaker 3: So that, to you, Life after Death would be the
Speaker 3: best hip hop album. Yes, I don't know if I
Speaker 3: share that sentiment with you, but that is one of
Speaker 3: my favorite albums, though I don't know if.
Speaker 1: It's like what you think is better than that take care.
Speaker 3: I think Reasonable Doll is a better album than that
Speaker 3: than Life after Death top to bottom. Like, if you
Speaker 3: listen to Reasonable Doubts to there's no skips on there.
Speaker 2: I don't think there's any skips on Life after Death today. Yeah,
Speaker 2: but I'm just crazy. It's a double disk like, but.
Speaker 4: I mean the music is better on I think the
Speaker 4: music is better on Life after That. I think it's
Speaker 4: way better production on Life after Death than Reasonable Doubt.
Speaker 2: Yeah, yeah, the production is definitely better Reasonaly great production,
Speaker 2: don't get it, but it's better beat Life after Death.
Speaker 2: On beat selection is you could make a case it's
Speaker 2: like the best produced hip hop album until you get
Speaker 2: to some Kanye shit.
Speaker 1: But Life after Death has the best beats out of
Speaker 1: them two albums for sure, you know what I'm saying.
Speaker 4: And I like I came outside of them ships like
Speaker 4: that Reasonable Doubt, like I was really hustling to that shit.
Speaker 4: I knew that I knew what he was saying. A
Speaker 4: lot of that shit was fine over my idea, but
Speaker 4: I understand that you could listen to that ship right
Speaker 4: now here. Some shitn't be like reason that ship thirty
Speaker 4: years ago.
Speaker 1: Bro Reasonable Doubt.
Speaker 3: Yeah, yeah, I mean that's why you know what Jay
Speaker 3: doing the shows that Yankee Stadium. You know, I'm laughing
Speaker 3: looking at everybody on the internet that's like in their
Speaker 3: you know, early thirties, late twenties, and they raving about this,
Speaker 3: and I'm just like, y'all, don't even y'all think it
Speaker 3: wasn't even y'all was either just born or you know
Speaker 3: what I'm saying, Like it was three years old when
Speaker 3: that album came out. But to see people thirty years later,
Speaker 3: it's still like so much excitement and energy around the
Speaker 3: idea that Jay is doing a show based on that album.
Speaker 3: I think it's dope, but it's just funny to see
Speaker 3: like younger cats like really raving and going crazy to
Speaker 3: get tickets for it.
Speaker 2: I hate you ages because I was six years old
Speaker 2: when Reasonable Doubt came out. But no, I don't know
Speaker 2: what the experience of walking outside when reasonable doubt was
Speaker 2: was going on, and even that was it wasn't like
Speaker 2: a big release. Ain't no ten all that experience that nah,
Speaker 2: I ain't no nigga. We all went back to reasonable doubt.
Speaker 2: Ain't ain't going on. That shit went gold bro. Going
Speaker 2: gold in ninety.
Speaker 1: Six was a big deal. Reasonable doubt went gold bro.
Speaker 4: Like people try to take that away from home, like, yo,
Speaker 4: it ain't really doing nothing because it ain't gonna platinum
Speaker 4: in ninety six.
Speaker 1: Platinum wasn't the standing.
Speaker 4: Gold was the standy and that ship went gold, and
Speaker 4: then he re released it and it went platinum two
Speaker 4: or three years later.
Speaker 1: How long did it take to go go though? Probably
Speaker 1: the a lot of.
Speaker 4: The amount of time that it used to take them
Speaker 4: ships to go gold, because I'm sure he got the
Speaker 4: he got the checks for that ship.
Speaker 2: I think it sold like twenty seven thousand first week,
Speaker 2: which isn't bad, but like I mean, it was independence
Speaker 2: like he.
Speaker 1: Was still back then. It was written solar first week.
Speaker 2: Back then, that ship might have went gold the first week,
Speaker 2: because now went gol first.
Speaker 1: A star at that point, Naves was a star.
Speaker 4: But I don't think it went gold of first week
Speaker 4: because because the three to me, those are the three big.
Speaker 1: Albums that came out that song with Yeah, all eyes
Speaker 1: on me.
Speaker 4: It was written in reasonable doubt. Those are the three
Speaker 4: Hello ears came out that year that went gold in
Speaker 4: three months.
Speaker 1: That's crazy. Yeah, that's a lot of time out here
Speaker 1: to get out your check. That used to get you
Speaker 1: your check right there.
Speaker 2: I'm just saying that it was like jay Z wasn't
Speaker 2: a star at that point. I've had heard out of
Speaker 2: his own mouth in interviews where he's like, I would
Speaker 2: go to the grocery store, like no one knew what
Speaker 2: the fuck I was when reasonable doalcutt.
Speaker 1: But it was different back then.
Speaker 4: At three thousand, first week on the debut in ninety six,
Speaker 4: they buying physical copies of the ship and like you said,
Speaker 4: nobody know who he is.
Speaker 1: That's flying. Oh no, I think it's incredible. I'm not
Speaker 1: a nigga. Ain't no nigga was.
Speaker 4: Rocking for like a whole year before the album came out. Yeah,
Speaker 4: it was fox Yeah, him and Foxy that it was.
Speaker 3: Right, that's when, that's when, that's the when, that's how
Speaker 3: they used to break artists on the soundtrack. Yeah, the
Speaker 3: first time you would hear a lot of artists would
Speaker 3: be on the soundtrack from movies. It's like, oh, who's
Speaker 3: that and you're gonna look and be like okay, and
Speaker 3: then eventually the label like, okay, that song caught. Now
Speaker 3: let's start working this artist because obviously this is people's
Speaker 3: favorite song off the soundtrack, and like that.
Speaker 4: My favorite pot shit is on the soundtrack, which one
Speaker 4: above above the rim is so much pain Ship.
Speaker 2: Yeah, that's probably that's probably the top. They never take
Speaker 2: me a love year with my full five cock?
Speaker 4: Is that?
Speaker 3: That's my favorite part ship. That's a classic soundtrack. Above
Speaker 3: the room above the rim Ship was Death Road did
Speaker 3: the Sugar Ship?
Speaker 1: About the rooms? The classical sounds, right, that's what I think.
Speaker 1: That's what's missing.
Speaker 3: We need moments like that, like to attach songs, like
Speaker 3: specifically to movies where it's like.
Speaker 4: Niggas just punching their homie. They ain't write rhymes no more.
Speaker 4: It's never gonna be like that no more.
Speaker 2: Bro. I mean they kind of they try to do
Speaker 2: it sometimes, like Black Panther Kendrick did that that soundtrack.
Speaker 2: I think Cold did uh Ship. I was at the
Speaker 2: right in session. I forgot what movie that was dream
Speaker 2: Bell did a whole movie sounds they've been trying. It's
Speaker 2: not like songs anymore though, it's just much. It's just
Speaker 2: full projects that they try to.
Speaker 4: Put with You see these albums that we talk about,
Speaker 4: like the classics and shit like that. These albums sat
Speaker 4: with us for mad long before we got other music.
Speaker 2: Bro.
Speaker 1: Yeah, of course, yeah. We get music way too fast.
Speaker 1: It's too much shit coming. It's too much. It's too
Speaker 1: much music coming down the pipeline pulls like we get.
Speaker 3: Too much music for that ship. But it's the same
Speaker 3: thing even with It's funny. I saw somebody on Instagram video.
Speaker 3: He said, y'all remember when you would only see maybe
Speaker 3: eight bad women in your life, Like only eight, it
Speaker 3: will be.
Speaker 1: No bad bitches as soon as you press scroll.
Speaker 4: It's like, yo, homie, I told my men and that ship,
Speaker 4: I say, your son back in the day's son, it
Speaker 4: was ten bad bros out here.
Speaker 1: Bro. It was ten bad bros out here.
Speaker 2: Bro.
Speaker 1: That's it, just ten bad bro, not only ce ten Bro.
Speaker 1: It's so many bad bases in the world. I don't
Speaker 1: do that. Nigga wasn't supposed to know it was that.
Speaker 4: Many of them at all, because now It's like, how
Speaker 4: how can I like commit to this ship right here?
Speaker 1: Why would better than would I? I saw some ship.
Speaker 4: I don't know if she's better than you, like spiritually
Speaker 4: and mentally, but physically she's better. It's a lot of them. Yeah,
Speaker 4: every day I see them. Oh they got filters on.
Speaker 4: I saw you with filters on you with the is
Speaker 4: you talking about? Oh she got come and filed on you.
Speaker 4: You'll be doing that too.
Speaker 2: So I know you look different. I know she looks different,
Speaker 2: but I want to find out right.
Speaker 1: Yeah, I think it's just too much.
Speaker 4: It's just too much, way too much pick and choose
Speaker 4: for the bruhs tudo because they ain't used to know.
Speaker 4: It was all of these niggas jinking in the world.
Speaker 4: They see you in the hood, you're doing your day.
Speaker 4: But even it was a bitch ticket. Yeah, you're doing
Speaker 4: your day. Use a bitch ticket out the hoods. So
Speaker 4: she now it's like, don't even speak in the street.
Speaker 4: Some girls don't speak in the streets. Son, they won't
Speaker 4: act like but get on the internet and put the
Speaker 4: whole ass on the internet. Don't want say one word
Speaker 4: in the street.
Speaker 3: But you know, but but but but me and Rory
Speaker 3: talk about that, like you can't even you almost can't
Speaker 3: even approach women and say hello, no more.
Speaker 4: No, it's better to just give them your phone in
Speaker 4: the Instagram spot to search.
Speaker 1: Just it be better off to just pass your phone
Speaker 1: like that. That's your business. Don't say nothing. Yeah, she
Speaker 1: just put us in and.
Speaker 4: Then you start dming the bit of hit follow for
Speaker 4: you and all that, and I'm saying, yeah, bitch of
Speaker 4: hit file going all that, like I was doing that.
Speaker 2: But it's better than trusting the girl. I don't say
Speaker 2: a word and just handing my phone with the search.
Speaker 1: I've seen that, and she do it. I've seen. That's
Speaker 1: a red flag. That's what you gotta do, nig I've
Speaker 1: seen it. Though I've seen it. I've seen it. That's
Speaker 1: how I go, Homie, I'm dead ass, That's how I go.
Speaker 2: But to your point with that, the same with the women,
Speaker 2: the ability and access women have to millionaires.
Speaker 1: Yeah, it's so crazy.
Speaker 2: Like a girl like the same way you only see
Speaker 2: the ten chicks that was there, she probably see one
Speaker 2: rich guy her whole life.
Speaker 3: And did not even like SuperM fifty millionaires. But it
Speaker 3: was like he wasn't even like super riches that he
Speaker 3: owned the corner store.
Speaker 1: Fun.
Speaker 4: He was like he only bean in front of the
Speaker 4: corner store with a big shame take it out the
Speaker 4: hood like this.
Speaker 1: He ain't own ship.
Speaker 4: He had an Audi saying he had an audis a.
Speaker 1: Nice little condo. And watch that was it. She think, oh, yeah,
Speaker 1: he's the richest nigga in the hoo. Yeah. But now
Speaker 1: she put her phone on it. She see these niggas
Speaker 1: everywhere in the country.
Speaker 4: Niggas they got all the domins, the Cali niggas, they
Speaker 4: looking like they're stacking all of the money. The athlete niggas,
Speaker 4: the actors. The athlete niggas is telling brous their whole name.
Speaker 1: Why not they know they they know what They're gonna
Speaker 1: donna google that the media. Yeah, what's it? He just
Speaker 1: signed for what they saying their whole name. You're standing
Speaker 1: no chance fas staying no chance.
Speaker 4: Regular niggas stand no chances with them niggas, them niggas
Speaker 4: giveing their whole name out shait.
Speaker 2: We thought the rich athletes were the final boss we
Speaker 2: have to compete with like Saudi princes.
Speaker 4: They fucking regular chicks from the neighborhood. This is what
Speaker 4: I'm saying, your homie, do you know how they say
Speaker 4: the world is big. That ship is the side of.
Speaker 1: Your phone home.
Speaker 4: Yeah, yeah, the world's size of your phone, homie, that
Speaker 4: ship is smallest. You can see all the brothers in Brazil.
Speaker 4: If you want everywhere, you could go wherever you want
Speaker 4: to go on that phone.
Speaker 5: Bro.
Speaker 1: Yeah.
Speaker 3: So that's what I'm saying. Even with music and art
Speaker 3: and shit that we consume, it's like it's just too much.
Speaker 3: It's tough because by the time I'm really settling in
Speaker 3: with this album and this artist, Thursday comes around again.
Speaker 3: Thursday night. We got a whole new batch coming into
Speaker 3: new music and things like that, and sometimes.
Speaker 4: A lot of this you're talking about label all this stove.
Speaker 4: I'm saying, every day somebody is putting some shit out.
Speaker 3: Yeah, yeah, yeah, yeah, that's something because everybody, anybody could upload, right.
Speaker 3: The dude that just that working the you know, in
Speaker 3: the pizza shop, he could upload, right.
Speaker 4: You hear some shit, nigga, you you vibitism shit, you
Speaker 4: scroll another nigga put a freestyle and what the fuck
Speaker 4: is this?
Speaker 1: Nigga?
Speaker 4: Click on his ship? Now you overhead, but you forgot
Speaker 4: about the other person. You was listening to it's over.
Speaker 3: But it's also but it's also advantageous too though, because
Speaker 3: now it's easier, you know, like if you go viral,
Speaker 3: Like if a kid from a random city puts out
Speaker 3: a record and you know, it takes off, and you know,
Speaker 3: he's never been to LA, he's never been to New York,
Speaker 3: he's never been to Chicago, Miami, he's never been outside
Speaker 3: of his hood. But he did a freestyle in his
Speaker 3: homeboys basement, uploaded it to instagramn it goes viral, everybody
Speaker 3: starts sharing it. You get real rappers and successful artists
Speaker 3: underneath the post, you know, comment and things like that.
Speaker 1: So the access so it goes both ways. That there's
Speaker 1: a gift inner Curt.
Speaker 2: We got AI now, and I feel like AI needs
Speaker 2: to come up with some type of program for Spotify
Speaker 2: that it has to run through when you upload and
Speaker 2: it can say like, nah, we're not wasting data.
Speaker 1: As far as the song is good enough.
Speaker 2: If it's trash, I don't think your man at the
Speaker 2: Piece of Shop should have that the ability to just
Speaker 2: upload his song at any point, like we're wasting a
Speaker 2: lot of it. But if they check, but the whole
Speaker 2: bottle of water to create a snare with AI right now.
Speaker 2: But we're wasting water on people's broken dreams.
Speaker 4: But what if I say, I'm gonna go back and
Speaker 4: I'm gonna look at a bunch of songs that they
Speaker 4: good throughout history to hold it to that level.
Speaker 1: And so now you break that, boy, you break that?
Speaker 4: Do that.
Speaker 1: Here's the thing.
Speaker 4: We don't but it should have not passed the AI
Speaker 4: test be uploaded. But it's a legend a past data though.
Speaker 4: If it's going off for past data songs that did good.
Speaker 4: If it don't, we think about songs that did good.
Speaker 4: If it do that, ship, it might start laying mad
Speaker 4: bullshit come through like no, this did good?
Speaker 3: What's anyone could upload shit? Yeah, but it's still used
Speaker 3: to have to break through though. There's still a certain
Speaker 3: level that the music has to be at in order
Speaker 3: for it to really break through.
Speaker 1: Like we'll sit here and.
Speaker 3: Talk about ship that goes viral and debated whether or
Speaker 3: not like this is an artist that has longevity and
Speaker 3: have fun with it. But we know the ones that's like, bro,
Speaker 3: this he just caught a moment or she just caught
Speaker 3: a moment, Like this ain't gonna be around for two
Speaker 3: years or even a year like you, I think we
Speaker 3: still can feel if an artist has that type of
Speaker 3: talent level where they're gonna sustain that.
Speaker 2: That nigga from Queen's Bridge be going viral all the time.
Speaker 2: Who the turking with your friends? Somebody quings Bridge doing
Speaker 2: Quirk music.
Speaker 1: That's that nigga. Man, what's his name? Bro tylell? He's
Speaker 1: a good Is he a streamer? Zeddi will zi about
Speaker 1: say was a streamer? He will?
Speaker 4: Now you're in the club working with your friend the
Speaker 4: turking with your friend that heard that he he every
Speaker 4: trip viral, every trip he'd be wilding on TikTok with
Speaker 4: that ship.
Speaker 1: Bro, Like he's be on Vernon doing that ship.
Speaker 4: I don't know where he'd be like he just be
Speaker 4: lit like he's not knowing this ship is not regular,
Speaker 4: Like he's got I'm not here.
Speaker 1: One million followers on Instagram. I love that and probably
Speaker 1: I'm here for and ship. He's lit. Listen, sometimes I'm
Speaker 1: out of touch. You never heard that friend and didn't
Speaker 1: even know I think I heard that song. I definitely
Speaker 1: heard that song.
Speaker 2: But you think he'll have like a follow up. Actually,
Speaker 2: I have seen this ship before the two of them,
Speaker 2: and he's the one that's.
Speaker 1: On the mic now right.
Speaker 2: Yeah, And Queensbridge told I've seen this on the radar
Speaker 2: ship before. But you think he'll have like a follow
Speaker 2: up or is it one of those moments.
Speaker 4: Because he got some more ships, he got he got
Speaker 4: like is he got like you got to have at
Speaker 4: least three viral songs, But.
Speaker 2: I mean even that becomes like artists and songs have
Speaker 2: just become like products in the way, like remember them
Speaker 2: little widget things that spun like it's just the trend
Speaker 2: for the second and it moves on to the next,
Speaker 2: the next drink camp for the album. Why would they
Speaker 2: if you don't have to just viral songs and just
Speaker 2: go song to song like damn near run it up
Speaker 2: over everything. Well, why would you even bother doing an album?
Speaker 1: Yeah? At this point and also you.
Speaker 2: Got to like dedicate so much time because you wouldn't
Speaker 2: be a musician if it wasn't for this to that
Speaker 2: one song and all the marketing around it. You can't
Speaker 2: do that with twenty fucking songs. You're not that talented
Speaker 2: or have that much time. But I'm never mad at that.
Speaker 2: The kids that are just trying to go vout for
Speaker 2: each song. Just stay out of the album lane. It's
Speaker 2: kind of pointless. Like I get it, you just want
Speaker 2: to make bread, get it out you live. But an album.
Speaker 1: Microwave is a microwave society. But even some music is
Speaker 1: meant for that. Yeah, I think it's I think it's
Speaker 1: a lane for that. I think it's a lane for
Speaker 1: you know.
Speaker 3: Just the viral artists, the viral you know guy, the
Speaker 3: viral girl that just every now and then they'll put
Speaker 3: a record out and you know there'll be some success.
Speaker 1: But we not.
Speaker 3: We can't look at them with the same lens of
Speaker 3: jay Z or nas or Oh no, we can't look
Speaker 3: at that.
Speaker 1: Shit is over.
Speaker 4: They they punch it in Broven. Even the niggas who
Speaker 4: we say got balls, They going in the booth. They
Speaker 4: giving a nigga six balls. They tell they hold a hold,
Speaker 4: hold away right there. They think about it, go out,
Speaker 4: smokes your weed, drank some niggas that go back in there.
Speaker 1: I got six mall. You know what I'm saying. They
Speaker 1: shelled for a while. That shit is.
Speaker 4: That's that's why I feel like, that's why the music
Speaker 4: ain't ain't lasting.
Speaker 1: I watched that ship myself as a nigga that I
Speaker 1: went to the stool with these niggas. I see these
Speaker 1: niggas in the stool punching in, like to me, that
Speaker 1: shit is.
Speaker 4: Mad corny, Like as a rap nigga, like reading off
Speaker 4: your phone freestyling, you mad corny. You know what I'm saying,
Speaker 4: Like in the booth punching in, that shit is mad corny.
Speaker 4: I don't kill who you is, and I don't care
Speaker 4: who like who. I don't care who said, Oh I
Speaker 4: did that, oh such and such as to do that,
Speaker 4: I don't care. That's corny. Know your raps, go in there,
Speaker 4: spit your wraps, and get up out of there. That's
Speaker 4: how you're gonna be able to freak the beat.
Speaker 1: Homey, you ain't gonna be.
Speaker 4: Able to freak that beat not knowing your raps. Reading
Speaker 4: off your phone and shit is mad monotorne. You're reading
Speaker 4: it off your phone.
Speaker 1: You don't know that.
Speaker 3: Yeah, I mean, there are some some artists that still
Speaker 3: write pin the paper and we'll read the paper. But
Speaker 3: I do I do understand what you're saying. Where you
Speaker 3: need to live with the music and the beat and
Speaker 3: your and your lyrics so that it becomes natural rapping
Speaker 3: and they don't feel so like very likely right on
Speaker 3: top of the beat.
Speaker 1: It has to feel like it's in.
Speaker 4: You had this beat in your cred for a month.
Speaker 4: You've been in your bathroom and shower with this shit.
Speaker 4: Oh then when you wald so now when when you're
Speaker 4: in the booth with it style, use an instrument on
Speaker 4: the beat. That's what you're doing to the beat. But
Speaker 4: these niggas don't got that. These niggas going to the studio,
Speaker 4: you'll find a beat. You'll find a beat, all right,
Speaker 4: boom yo, you'll like that.
Speaker 1: We liked the a right. The rhyme they type of
Speaker 1: a rhyme on like that. We like that.
Speaker 4: Yeah, yeah, they typed the rhyme on the phone. Then
Speaker 4: they go on to booth and do that ship that's
Speaker 4: corny rap. I don't care who it is. That's corny rap.
Speaker 4: You can tell what someone is just read. That's why
Speaker 4: nobody know these niggas rhymes. That's why you can hear
Speaker 4: these niggas and be like that ship was fire. But
Speaker 4: you don't know that rhyme. He didn't know that rhyme.
Speaker 4: I don't want to know, right right, he didn't know
Speaker 4: that rhyme? You know, I feel that definitely makes sense.
Speaker 4: That's what happened, is that's they should have kept the
Speaker 4: studio prices mad high.
Speaker 1: That hurt the rap game.
Speaker 4: I'm trying to find that stopped getting to the studio
Speaker 4: back in the days. That ship was madd E Spencial.
Speaker 1: What I ain't got that?
Speaker 4: Yeah, whatever it was, I don't care. I never had
Speaker 4: money for the studio.
Speaker 1: In my life. Ability, yes, I never. But once I
Speaker 1: came home and that ship was, Nigga, tell you like
Speaker 1: forty dollars an hour? What we end it all that?
Speaker 2: That's a good point because then you're just chilling, whereas
Speaker 2: when you had five of the bucks, you could be
Speaker 2: there for hours.
Speaker 1: You're taking the whole weekend. No your r You a nigga, Yo,
Speaker 1: we're gonna do seven joys. What you mean watch rapping
Speaker 1: for two weeks? Nigga? Know these rhymes?
Speaker 4: You put the beat on, Nigga, gonna make no mistakes on.
Speaker 4: Take this, nigga like this, niggas load the next one up?
Speaker 1: Fuck? You mean we on a Tom Cray five hundred hour?
Speaker 1: That's done? Load the next one up? Nigga?
Speaker 4: Fuck?
Speaker 1: Is you talking about.
Speaker 5: The hour?
Speaker 1: Ye?
Speaker 5: Yeah?
Speaker 1: Yeah, you can't go in there. Happen.
Speaker 4: You couldn't go in there bullshit. But now no one
Speaker 4: play for two hours hours for you can put any
Speaker 4: one of your man's in there that looks experiment. Yo
Speaker 4: yo yoah. You come in here the corner, your one twenty,
Speaker 4: get this nigga one twenty. You'll get these niggas off
Speaker 4: the corner. Man niggas in it saying anything. Niggas just
Speaker 4: going and say anything.
Speaker 1: Man. No, that's one.
Speaker 2: That's what's going on with the games. They putting mattresses
Speaker 2: in Quad. People just sleeping there.
Speaker 4: When I went to Quads and I didn't understand it,
Speaker 4: but I ain't gonna lie. Buster was acting. Ain't's the
Speaker 4: only squad Buss is probably right now. I don't even
Speaker 4: want to get into that.
Speaker 2: I did it.
Speaker 1: I did a joint, right, I did a joint. I
Speaker 1: don't know, But I don't know. Buster is top floor.
Speaker 1: Quad is his ship. I don't notice. All I know
Speaker 1: is I'm going to Quad. I'm just fresh out of jail.
Speaker 1: You know what I'm saying.
Speaker 4: I'm going to call to do some ship. So one
Speaker 4: of my men's out of nowhere. He's like yo, Buster
Speaker 4: rhymes used to be this nigga favorite rapper bag of
Speaker 4: the days.
Speaker 1: I was like, get the fuck out of here.
Speaker 4: But yo, put that what's the name beat on? Put
Speaker 4: your hands with my eyes see it, or to put
Speaker 4: that beat on.
Speaker 1: I'm going in there. I got some ship for that,
Speaker 1: So I go. I got some dope shit for that,
Speaker 1: talking about solling dope and all that. I go in there.
Speaker 1: I spent that shit. So now that nigga farns that
Speaker 1: be with Buster rhymes, Nigga fawns figures he in the studio.
Speaker 4: I was up north with this nigga for like, oh ship.
Speaker 4: So he's sitting there, he and the little shit. Now
Speaker 4: you be in the studio, you shiit niggas filming. He's
Speaker 4: sitting there here doing that. When we come out, Buster
Speaker 4: look at this nigg You know, I'm kind of drunk,
Speaker 4: man like looking like you mad niggas just like yeah yeah.
Speaker 4: So my man told him, like, yo, take a picture.
Speaker 1: He was like nah. I was like, you're men. Fuck
Speaker 1: this nigga.
Speaker 4: Fuck you mean you don't take no picture. I don't
Speaker 4: take pictures with niggas like you. Nigga like hell to
Speaker 4: take a picture with you, I don't know.
Speaker 1: He was mad. He was I think so. I think
Speaker 1: he was mad.
Speaker 4: I was rapping on that beat and I was smoking
Speaker 4: that ship like I was really smoking a beat, and
Speaker 4: I swear to God.
Speaker 1: That nigga was standing there. He was like, no, no picture.
Speaker 1: I was like, you're men, fuck this snigger man. My
Speaker 1: man was like, Yo, chill Yo. He was like, yo,
Speaker 1: my man just did twenty years. He was like, you're
Speaker 1: welcome home. I was like, fuck all that.
Speaker 4: Welcome home. Shi you know what I'm saying. He was like, Yo,
Speaker 4: hopefully you stay here. I was like, yo, inshaw law.
Speaker 4: He hit me with the no inshaw law. No my mouth,
Speaker 4: I'm getting out, got shot man, Get out here. Ain't
Speaker 4: no guard here.
Speaker 1: Niggas said no when Charlotte this got shot?
Speaker 2: Poster Robinson is a song called The Founder of the
Speaker 2: Nation of Isla is a song with the full name Yo, sir.
Speaker 1: Island, I've heard yo. One of my mens was like yo.
Speaker 2: He was like Yo, it's like my older nigga, right
Speaker 2: he said yo that He said no said, oh yeah, no, God,
Speaker 2: don't look.
Speaker 5: At you.
Speaker 1: Up there. Give me the funk out of here, man, cash.
Speaker 3: Oh my god, that's funny. And I said, no is
Speaker 3: Charlotte I've never heard that before. That's crazy, y'all saw
Speaker 3: what Joey Badass says. It's kind of what you talk
Speaker 3: about it. He tweeted out, think about it.
Speaker 2: If somebody at the top gave somebody coming up an
Speaker 2: opportunity to come after them on a record, you know
Speaker 2: what happened. They would get their food a ranters, due
Speaker 2: bills and paid expedience whatever.
Speaker 1: He's saying.
Speaker 2: Public perception of who's the best would be drastically different
Speaker 2: if this were a regular occurrence. This is exactly why
Speaker 2: you didn't see Jid on the fall off. He would
Speaker 2: have overstood the assignment. To me, personally, it makes no
Speaker 2: sense he wasn't on it.
Speaker 1: But maybe that's just me.
Speaker 2: He's saying that a lot of bigger rappers, like in
Speaker 2: your situation of being in the studio with Bus and
Speaker 2: you're saying like, oh, you probably hate this because I'm
Speaker 2: smoking your shit, But I don't feel like that's the
Speaker 2: case all of the time.
Speaker 4: You know what I'm saying, Like, you gotta stay exclusive.
Speaker 4: We see what's happening to these niggas when they losing
Speaker 4: their exclusivity that's a word.
Speaker 1: They losing that shit with this internet. So we don't like.
Speaker 1: It's like before you used to hear these niggas.
Speaker 4: Is read about these niggas once every two years in
Speaker 4: the xxxale. Maybe he come in the source that same
Speaker 4: year if he got to roll out going. But we
Speaker 4: don't know these niggas really. We know they're giving me
Speaker 4: this much quotes from the niggas, and then the nigga
Speaker 4: that's doing the article we hear from them. We don't
Speaker 4: know these niggas back in the days. Now we know everything.
Speaker 4: You niggas be on the internet too much.
Speaker 1: We know everything.
Speaker 4: But you call you a corny nigga at a rap,
Speaker 4: we say it you all corny nigga at most of
Speaker 4: these niggas. Right, So with Joey chucking about, he acting
Speaker 4: like all these new niggas or niggas will be smoking
Speaker 4: these old nigga. Nigga, you'll get on the track with Kiss.
Speaker 4: You're not smoking Kiss. You not smoking Fab, You not
Speaker 4: smoking Jay. You might smoke some of these niggas, but
Speaker 4: you're not just gonna be smoking niggas. I remember Vodo
Speaker 4: was doing this big one on almost every song he
Speaker 4: was on with Ken.
Speaker 1: He was going off.
Speaker 4: I was saying Votto was trash because of him fucking
Speaker 4: up on Hot ninety seven. My shit is you from
Speaker 4: New York City, nigga, Ain't I don't want to go
Speaker 4: platinum more than I want to go to flex and
Speaker 4: get busy as a rap nigga from New York.
Speaker 1: It's a different year, it's a different stand you understand what.
Speaker 4: I want to go up there and have this nigga
Speaker 4: play this shit for the next ten to fifteen years.
Speaker 1: Like on one of his good nights, here come my shit,
Speaker 1: like fuck platinum.
Speaker 4: And I'm saying, like, that's what that's like in every
Speaker 4: New York Nigga's like that, you was up there fucking up,
Speaker 4: back to back to back like he was up there
Speaker 4: sucking up. So I used to think the nigga was trashed.
Speaker 4: So I'm telling the nigga that ship one time on
Speaker 4: the gate. I'm telling that ship that to the mac
Speaker 4: Baller nigga. He like, nigga, you bugging that nigga had
Speaker 4: all of the mixtapes with Kim and Vidal, Yeah, guns
Speaker 4: and butter Guns and butter Ship son. I had that
Speaker 4: ship on the keyboard blast and that ship, and I'm
Speaker 4: like this little nigga going off on everything.
Speaker 1: Yeah, he is nice like that.
Speaker 4: You know, he was going off on everything. I'm talking
Speaker 4: about every song. I'm like, Yo, this nigga is wildent.
Speaker 1: I feel like is one of the most underrated I've
Speaker 1: seen that nigga I met.
Speaker 4: When I met that nigga, I told that nigga said,
Speaker 4: ain't gonna lie home. I gotta tell you this man,
Speaker 4: I feel like you one of them ones.
Speaker 1: I always felt like that. I always felt like, I
Speaker 1: feel like if he could make a better hook songs, if.
Speaker 4: He could make better songs rapping bars, ball of ball,
Speaker 4: not a lot of niggas from the y Hall of
Speaker 4: the topic styling on you he got, he got, he
Speaker 4: got bars like.
Speaker 3: But it's but a lot of a lot of the
Speaker 3: guys that love Vado will say like they just wish
Speaker 3: he would make better songs, but rapping.
Speaker 1: A lot of these niggas can'trap. That's why I don't if.
Speaker 2: I would love to have Bottle up here to ask
Speaker 2: him about the Kalid situation because it was weird with
Speaker 2: him and Cam at the time, and I'm with y'all,
Speaker 2: Bottle was just smoking versus but there was no real
Speaker 2: record yet. When he signed with kal it I was like, Oh,
Speaker 2: that's the perfect and then perfect d Like I.
Speaker 1: Was like, get him to a place where he had one.
Speaker 1: I don't know what.
Speaker 2: Caldill gifts him a bunch of hit records and Bottle
Speaker 2: just has to fill in the piece. He wasn't doing
Speaker 2: that ship, which is kind of crazy, Like I really
Speaker 2: think he was drive like he was on bag.
Speaker 1: He was saying like it wasn't really giving him know
Speaker 1: what I'm saying. Yeah, but as far as skills, like
Speaker 1: Va is one of the best in New York for
Speaker 1: sure when ball football, absolutely.
Speaker 2: But I mean I don't really agree with with Joey
Speaker 2: on this entire thing because even how Cole not Cole
Speaker 2: got on.
Speaker 1: But a big moment for Cole early.
Speaker 2: In his career was when Kanye was doing the Good
Speaker 2: Music Friday ship, Like Good Friday, he put out a
Speaker 2: record every Friday. He put Cole at the end of
Speaker 2: looking for Trouble with the name of the record and
Speaker 2: he just left left the end for cold to smoke
Speaker 2: of fucking thirty two and completely stood out and killed everybody.
Speaker 2: Every time I've seen Jay bring State property up to
Speaker 2: flex Jay rapt, he wasn't.
Speaker 1: Like, I just don't believe that. So niggas don't always
Speaker 1: kill the nigga like you always like like I.
Speaker 4: In my opinion, Jay got busier than Big on Brooklyn's finess.
Speaker 4: I think Big got him back on the next when
Speaker 4: we were talking about the Hayes suite, I love it,
Speaker 4: du classes. I used to project off like shit flashes.
Speaker 1: But I feel like he got him back. And I'm saying,
Speaker 1: but he had to because this nigga, you know what
Speaker 1: I'm saying.
Speaker 4: Like he got he got record after But niggas normally
Speaker 4: don't really wile out like when you put him on.
Speaker 1: They don't really would out on the niggas that put
Speaker 1: him on.
Speaker 3: Yeah, and my thing with with Joe you're saying is
Speaker 3: this too though, Yeah, you can be hungry, right, So
Speaker 3: if the top dog is given one of the young
Speaker 3: pups a look like all right, come on, you're gonna
Speaker 3: get on this joint, you could hungry for like, But
Speaker 3: then it's also the side where you find out there's
Speaker 3: a big gap difference when the talent.
Speaker 4: I know, Pop, you can't stand it because we cocked
Speaker 4: the mammas running your crib no prisoners, Pop your grima.
Speaker 4: That ship made niggas understand jay was a few notches
Speaker 4: above niggas, right, and I feel like everybody got busy
Speaker 4: on that Song's for sure. But when you started talking,
Speaker 4: it was like, what the fuck? You find out that
Speaker 4: it's still a It's still it's still a gap. It's
Speaker 4: like your best. It's good if you're talking to somebody
Speaker 4: else other than me.
Speaker 1: I said, that is the nicest nigga me personally, I
Speaker 1: like kiss and Fad more than j Sorry to hear
Speaker 1: that you like Fad more than jay Z.
Speaker 4: Yes, but if you're gonna ask me who's the greatest
Speaker 4: MC jay Z, jay Z is Muhammad Ali. But you're
Speaker 4: talking about what you like personally, my I like. The
Speaker 4: nicest nigga to me is kiss in Fat Them niggas
Speaker 4: is nicer than you.
Speaker 1: I don't care who you are. They could rap better
Speaker 1: than you. You know what I'm saying.
Speaker 4: They could rap better than you, bro sing butter than
Speaker 4: jay Z. Yeah, okay, and what I'm saying, yeah, you
Speaker 4: know what I'm saying. That time you heard jay Z,
Speaker 4: I ain't heard jay Z spend no nice shit in
Speaker 4: ten years. It been ten years he.
Speaker 2: Did the God did versus fucking insane The last.
Speaker 1: Time you heard whole fire, God did.
Speaker 4: I feel like even but not what I'm saying. One
Speaker 4: verse we give a nigga one version, But how many
Speaker 4: verses he really? I mean even though four four fourth verse, Yeah,
Speaker 4: that was crazy. Ten years he got crazy verses everything
Speaker 4: his love four four four ten years ago. Wait, written
Speaker 4: testimony was five years ago. He has crazy verses on
Speaker 4: written testimony, crazy verses.
Speaker 1: No, written testimony might have been more than five years ago.
Speaker 2: We just did the vinyl press for five year aniversary.
Speaker 2: It was COVID, so it'll be now six years. But
Speaker 2: last year was a five year anniversary.
Speaker 1: I ain't got that.
Speaker 4: I'm not saying Whole can't go on the booth and
Speaker 4: act bad. I'm not saying he can't do that right,
Speaker 4: But I'm saying I've heard way more fab and way
Speaker 4: more kiss in the last ten years, way more. And
Speaker 4: I started hearing all your niggas around the same time.
Speaker 1: Mm hmm. This is what I'm saying.
Speaker 4: I heard all that, I started hearting all your niggas
Speaker 4: around the same time. But I've been hearing these niggas
Speaker 4: way more for these last ten years.
Speaker 2: I mean, this has been more active the last the
Speaker 2: last time I felt Fab was really really in shape.
Speaker 1: Was the Freddie versus Jason Kiss sometime shootouts?
Speaker 4: Was there?
Speaker 2: Sometimes shoot off that Fab hasn't been as act.
Speaker 1: I think you think Shootout three is twenty twenty right, okay,
Speaker 1: yeah that was around COVID.
Speaker 2: Okay, right, yeah, yeah, I'm saying I remember you know,
Speaker 2: no that that that tape is fire. But I'm still
Speaker 2: in no way co signing that I whole God Did
Speaker 2: Verse could compete with the fucking some Shootout three. Like
Speaker 2: as far as rapping goes, you gotta go back and
Speaker 2: listen to that God Didverse. That shit is is unreal.
Speaker 1: I actually think you.
Speaker 3: Want to be saying sometimes Shootout three came out before COVID.
Speaker 3: It's twenty years ready for it, so you know, seven
Speaker 3: years that's unready to tape.
Speaker 1: Though that's right for COVID. No, Fab is one of
Speaker 1: my things. COVID nineteen started right there. Yeah, that's the fact.
Speaker 3: You know, Fab is Fab to me is one of
Speaker 3: the He's one of the underrated ones too though that's
Speaker 3: my top five. I don't think people talk about Fab
Speaker 3: and and respect Fab as much as they should.
Speaker 1: But he's to me, he's definitely. But I don't.
Speaker 4: I don't think he's a better rap my preference. I
Speaker 4: don't like that's what once you said that. I respect
Speaker 4: that alight. So look, fab albums ain't all act to me.
Speaker 4: I don't really fuck with FAB albums like that. The
Speaker 4: soul tapes, the Young O G, Freddy Versus Jason was
Speaker 4: Freddy Versus Jason, Summertime shootouts, that's the that's the fab.
Speaker 1: You like, the core, Like, if you're gonna give me
Speaker 1: some fab, give me that fab. The funeral fabs and
Speaker 1: all that. I can miss me with the ship. I'm
Speaker 1: good with some ship on funeral. But I'm but that's
Speaker 1: not who I'm talking about.
Speaker 4: Okay, I'm talking about the soul tape Nigga shootout nigga,
Speaker 4: Like you know what I'm saying, Like Jason Young Young
Speaker 4: O G Fab.
Speaker 1: That's that niggas.
Speaker 3: I think that's probably one of his best. That's probably
Speaker 3: his best project, Young O G. Freddy Versus.
Speaker 1: That's his best album. It's up there for me. Yeah,
Speaker 1: for me, it's up there. He got plattin the albums,
Speaker 1: though you're no for sure he got He had big records,
Speaker 1: a big, big fucking records. So yeah, but I'm saying
Speaker 1: like that I could really go back to and that
Speaker 1: all like listen to him like he was getting going
Speaker 1: crazy on this young Og.
Speaker 3: I think it's overlooked and fab discography. I don't think
Speaker 3: people talk about that album.
Speaker 1: Cover situationn't a leguation. Yeah it's some ship on there.
Speaker 1: WHOA yeah, yeah, maybe Real Talk or Young o G.
Speaker 1: Now I'm looking at catalog Real Talk.
Speaker 2: That that that ship with all of the features. That
Speaker 2: can't be the best one. Listen, I was fourteen when
Speaker 2: that ship came out. It just that it's a different
Speaker 2: it's a nostalgic ship for me with Real Talk.
Speaker 1: So what year was that?
Speaker 2: Two thousand and four? That's not that's not there's a
Speaker 2: ship on the features. It was his second album, right, No,
Speaker 2: it was his third because it was ghetto fabulous. Oh
Speaker 2: one Street Dreams two thousand and three, Real Talk two
Speaker 2: thousand and four.
Speaker 1: All of them ships went platinum right there?
Speaker 2: Yeah, probably mean, I'm sure platinum on nine to eleven
Speaker 2: mm hm, which is crazy.
Speaker 1: He dropped nine to eleven to win platinum on a debut.
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Speaker 2: Yeah, but so Joey, I guess, explaining himself further in
Speaker 2: that tweet, moll you in my eyes of it if
Speaker 2: you want to read that all.
Speaker 1: Right, what do you say? He said?
Speaker 3: My sentiment is this type of thing happens all the time.
Speaker 3: This is just a recent example that I think is clear.
Speaker 3: By the way, the topic was about sparring in hip hop.
Speaker 3: Regarding the whole interview. This is not just about J Cole,
Speaker 3: This is about lyrical rap as a subgenre period. My
Speaker 3: sentiment is that there's a scarcity mindset in the subgenre,
Speaker 3: and usually the top guys don't invite other hungry spinners
Speaker 3: onto their own tracks. Let me give Coles Flowers real quick,
Speaker 3: just to be clear, because I loved the album and
Speaker 3: I've always loved him as an MC and person.
Speaker 1: But I stand on what I'm saying.
Speaker 3: The evidence is there there's a difference between doing features
Speaker 3: for niggas and featuring niggas on your own work. And
Speaker 3: for the record, if niggas whole heartily thought Jed didn't
Speaker 3: fit on the fall Off, that's your opinion, but he's
Speaker 3: also not featured on any other J Cole album.
Speaker 1: Didn't J Cole just say hip hop was dead? Jid?
Speaker 3: If hip hop was dead, Jed would be platinum on
Speaker 3: a throwaway mixtape, by the way, but then not feature
Speaker 3: him at all on the mixtape or the album when
Speaker 3: either or would have made sense. All I'm saying is
Speaker 3: noticed the trend in this specific subgenre. I mean, I
Speaker 3: get that, I understand that, I.
Speaker 4: Get that they've rapped all right, I know, I know
Speaker 4: I understand what he's Why do we.
Speaker 1: Think Jid wasn't on the mixtape or the album though?
Speaker 1: Do we think it's because like that.
Speaker 2: No, because they've wrapped together and on. On top of that,
Speaker 2: Dreamville as a label has put out so many group
Speaker 2: projects that Cole has anchored that has has let j
Speaker 2: I d Sean Brennan, I'm with you that it would
Speaker 2: be cool to have Jid on an actual J Cole album,
Speaker 2: but one he stings you with features to begin with. Two,
Speaker 2: Not every single artist has the same mindset as jay Z.
Speaker 2: Where if I got you signed, you're gonna be on
Speaker 2: my album to the point like Memphis Bleak on your album,
Speaker 2: I'm gonna give you a whole song called Deer Summer
Speaker 2: like he. I think Jaj has a different mind state
Speaker 2: with the people he signs. It's a business one. Cole,
Speaker 2: I think the artistic one.
Speaker 3: I understand what Rory was saying, But Rory, where, I'm
Speaker 3: gonna give you a little bit of push back before
Speaker 3: you finish your point. Jed was just Grammy nominated. Yeah,
Speaker 3: you have an artist that's Grammy nominated. Currently, you put
Speaker 3: out a mixtape before your most anticipated album.
Speaker 1: He can't get a look on nothing.
Speaker 3: He's doing him like Jay did him. I'm not yes,
Speaker 3: j I did. I'm not saying Jed needs it. I'm
Speaker 3: saying it would be a good Dame. Cole was doing
Speaker 3: the same thing jay Z did them.
Speaker 1: He gave him.
Speaker 2: I mean what you mean Cole picked the wrong song
Speaker 2: was given. J was giving cold features like yeah, his
Speaker 2: first his first album, a host feature on mister Nice
Speaker 2: watch the song stinks but yeah.
Speaker 4: But on j cole album, Yeah, his first Cole whole
Speaker 4: album was boring, right, which which he gave him a
Speaker 4: platform to rap.
Speaker 3: But but saying, don't get Grammy nominated right now when
Speaker 3: this album is coming out.
Speaker 1: He not on your album and that's your artist. Maybe
Speaker 1: you don't like him.
Speaker 2: Maybe he just said on the mixtape that Maybe maybe
Speaker 2: I'm saying because because Jid should be platinum of his
Speaker 2: talent level, like he shadowed him out on that record.
Speaker 1: But also where I will.
Speaker 2: Get pushback is Coles explained this as a concept album
Speaker 2: with being twenty nine driving a Fairville. Uh, then it's
Speaker 2: twenty whatever fucking agency picked. Where does Jid fit in
Speaker 2: that story? Like I could get Future to sing a
Speaker 2: hook that makes sense.
Speaker 1: We're doing in top.
Speaker 4: We're big and pock fitted in that story, which, huh,
Speaker 4: we're big and pock fitted in that story.
Speaker 1: This is what I'm saying. I can't sell.
Speaker 2: I know she would have left that chapter out big
Speaker 2: and pop fitting.
Speaker 1: That twenty nine old you know, big pops, you know what.
Speaker 1: I'm humble enough to say, you got me. You're right.
Speaker 4: That was weird because trying to say, oh my yo, yo,
Speaker 4: ma man yo, we was doing this, he fits how.
Speaker 1: The biggie pot fit in. That's scenarioda.
Speaker 2: Because that's what he was so he was thinking when
Speaker 2: he was driving, right, not.
Speaker 1: Yo, I'm gonna sign a nigga, get filthy richal for this. Nigga.
Speaker 1: I'm saying, if every nigga richie your clink, then your
Speaker 1: clink is running. Yeah, he ain't digging that.
Speaker 2: But I don't like that because Cole, like what what
Speaker 2: he does with the Revenge of the Dreamers projects, like
Speaker 2: or even at that camp that they did in that
Speaker 2: campaign where they had everyone in Atlanta, like, they definitely
Speaker 2: pushed their artists the best they can. I actually think
Speaker 2: it's whack when a label entire game plan is, oh,
Speaker 2: I'll just do a feature for you that's where the
Speaker 2: shit be failing. Anytime a rapper gets big and starts
Speaker 2: to sign people, a lot of them have the stupid
Speaker 2: mindset of all I have to do is just be
Speaker 2: a feature on their ship and they'll pop instead of
Speaker 2: trying to develop them and do what what dream but
Speaker 2: has done with you?
Speaker 1: If you is not gonna do this is what I'm saying.
Speaker 4: If you already did the develop the artist development with
Speaker 4: the nigga and you say he's Grammy nominated Holley, I'm
Speaker 4: getting on his song, bro, you was getting.
Speaker 1: On his song. Yeah, it ain't.
Speaker 3: It ain't like three songs. It ain't like Jed is
Speaker 3: still on the come up. He still got to make
Speaker 3: his bones Grammy nominated. He's Grammy nominated for a rap album.
Speaker 3: Maybe Cole's looking like, what do you need me for?
Speaker 3: It's not a need, it's not let's take that word
Speaker 3: out of it. Jed doesn't need the look from j Cole.
Speaker 3: J Cole doesn't need the look from Jed. I'm saying
Speaker 3: Jid's skill set, his success, his energy right now around
Speaker 3: him and his project that warrants a look from his
Speaker 3: peer now one of the tap peer now has j
Speaker 3: Cole never been Grammy nominated for Rap Album.
Speaker 2: To you probably, I don't know if the top top
Speaker 2: of my yeah, he's that that famous meme where he's
Speaker 2: sitting there tight when he lost.
Speaker 1: So that's his peer. We're both Grammy nominated artists. Now
Speaker 1: it's not it's nice peer. If I'm Grammy nominated and
Speaker 1: you Grammy nominated me, not peers, come on, so everybody
Speaker 1: would it Grammy on me, not Piers. I'm not saying that.
Speaker 4: The kid that just got a viral song is j
Speaker 4: Co I agreed to singing on the train gott a
Speaker 4: Grammy homie.
Speaker 1: He ain't nominated. He got it.
Speaker 2: The station, Kendrick Drake, Future Nikki. Those are his peers.
Speaker 3: Because of you talking about because of time in the
Speaker 3: in the game. I'm saying he's just peer, meaning my
Speaker 3: skill set, my audience, my fucking I.
Speaker 1: Don't to find that.
Speaker 4: To me, if you nominated that, that don't make you
Speaker 4: the trash people is nominated for for rap albums that
Speaker 4: don't make them away.
Speaker 1: Holdo, wait, holda hold on, hold on.
Speaker 3: If I'm nominated for a Rap Album of the Year, okay,
Speaker 3: and I'm your artist, you wouldn't think that.
Speaker 1: Okay, I'm artist.
Speaker 2: I'm st Yeah, it's j Cole and I love Jid,
Speaker 2: but Jid would say he's beneath Cole.
Speaker 1: I don't know if you I don't know if Jim
Speaker 1: would say that. Well.
Speaker 2: As a rapper, he would say when it's time to
Speaker 2: get that busy.
Speaker 1: So that's what I'm talking saying.
Speaker 4: Peer wise, and I'm talking as far as rappers, it
Speaker 4: is Maclamore, coles Per, I mean all of them, not
Speaker 4: skill set.
Speaker 1: But we know what that was about.
Speaker 4: I'm talking about. I'm talking about Jid being a rapper
Speaker 4: that Cold signed. Glorilla was nominated, but Gloriala got so
Speaker 4: Cold give Glorilla the verse. The funny shit is I
Speaker 4: could see Cold giving Glooriala verse. That's the funny ship.
Speaker 4: I could see J Cole doing the song with Glorilla
Speaker 4: before before Jed. But are you guys keep failing to
Speaker 4: mist that they've done records together. Understand that I'm doing
Speaker 4: multiple j I DJ y whole album though, bro, even then,
Speaker 4: even if.
Speaker 1: It's not the al even if it's not the album.
Speaker 4: He put out a mixtape right before the album, and
Speaker 4: ain't put them on there.
Speaker 5: This is just a.
Speaker 4: Mixtape, This is just your every nigga, every nigga who
Speaker 4: you could think about that had the crew them niggas
Speaker 4: was on their album sign.
Speaker 3: Cameron had on the album. To me, big Ship is
Speaker 3: a peer of j Cole. He has his skill set,
Speaker 3: his his artistry, his.
Speaker 1: I love sh it is nice. But he's not.
Speaker 2: He's not.
Speaker 1: He can't eventually get to be his peer, but he's not.
Speaker 1: I'm not gonna.
Speaker 4: I'm not gonna look the word peer of me because
Speaker 4: I like you. I like to know the kid I said,
Speaker 4: I didn't like the other week that Rory said he was,
Speaker 4: But it's peer.
Speaker 1: Look look keenly. Oh no, that's nothing.
Speaker 4: I don't know what peer peer me like peering is
Speaker 4: something that looked keenly right. That means it's to give
Speaker 4: us the other year, give us the other definition something
Speaker 4: that now Ireland Now Rory is a here Ireland's.
Speaker 1: Up there, huh.
Speaker 3: A person of the same age, status, or ability as
Speaker 3: another specified person.
Speaker 2: So status status little key he said I didn't like
Speaker 2: he put an album out, said he liked it. Who
Speaker 2: look Little Keith.
Speaker 1: With his name.
Speaker 2: Baby King okay Jit and Baby Keeam is pizzed man.
Speaker 1: No they're not. Why not? I think?
Speaker 2: Uh Jid.
Speaker 1: J is just say it, Jed is a better artist
Speaker 1: than Baby King, Like, oh, I know, I feel that way.
Speaker 1: I feel that way.
Speaker 2: I'm saying they're not pis though I think has been
Speaker 2: way more active. Keem, I think is about to get
Speaker 2: to that place. But it has been so active the
Speaker 2: right where King took a lot of time off. And
Speaker 2: I don't think that their peers in that regard, just
Speaker 2: because I think Jed has put out more stuff. But
Speaker 2: now that Keem has this other project, he said he
Speaker 2: has two more on the tuck, he's going on to it.
Speaker 2: I think Kim is about to get there because he's
Speaker 2: focused on his career. He took five years off.
Speaker 1: About Joey Badass, you see a pier of who Jid?
Speaker 4: Uh?
Speaker 2: Yeah, I mean ud, Joey's a little bit more established
Speaker 2: than Jid in my opinion, because Joey's been around here
Speaker 2: for over a decade.
Speaker 1: More than that way, more.
Speaker 2: Than that is a better is a better artist, and
Speaker 2: Joy bad so so so I don't know if if
Speaker 2: jad has has a better project than nineteen ninety nine.
Speaker 2: And you guys know I love Jid. I don't know
Speaker 2: if he has a better project than that.
Speaker 1: I think jad is a better artist. I think he's
Speaker 1: a better Is he a better rapper.
Speaker 2: If we're talking about right now? So so so, like
Speaker 2: Ji's ounds better than Joey's last one. But I'm still
Speaker 2: on the status side of like you do have to
Speaker 2: take longevity to some account when you're using here. I
Speaker 2: like that Joey is is differently because he's been around.
Speaker 4: For so high so to both of y'all's arguments, So
Speaker 4: Noriega would be jad Kiss's bid.
Speaker 3: Yeah, you say no, because the ability is not the same, well,
Speaker 3: not not just ability, but the status. Like Norway has
Speaker 3: classic songs, he has in my opinion, a classic album
Speaker 3: full go albums, Yeah none, So yeah, I would, I
Speaker 3: would degree there.
Speaker 1: The skill set is not. The skill set is different.
Speaker 3: But as far as you know, just discography and and
Speaker 3: and and longevity and time in the game and accomplishments
Speaker 3: and things like that, bodies of work. Yeah, he's a PJ.
Speaker 2: I think Jacob can rap circles around Future, but I
Speaker 2: still think Future is is peer just as far as accomplishments,
Speaker 2: what they've they've contributed, how they've changed music, that's his
Speaker 2: future is Jacob's peer. But the ability as far as
Speaker 2: rapping is is obviously different. Future would say the same.
Speaker 2: But when it comes to just creating music, that's where
Speaker 2: I say with with peers like I listen Travis Travis.
Speaker 2: Travis can't rap like Nikki, but there are peers in
Speaker 2: some degree if you want to start getting to status albums.
Speaker 3: Ji's album. It's just last album better than the Fallow.
Speaker 1: Yeah, I think so.
Speaker 2: Yeah, I'm I'm not mad at all. It fell off already,
Speaker 2: all right, see the fall Off. Listen to the first disc.
Speaker 2: The first disc is great, really good.
Speaker 1: Half the album is good. Now it's two albums. It's
Speaker 1: the Fall and order like half the album like After Project. No,
Speaker 1: like the.
Speaker 2: Fall, the first one, I like my favorite time is.
Speaker 2: I like the first one, and I like a few
Speaker 2: joints on the second one. But again I'm not I
Speaker 2: don't like double disc to begin with. That's something that
Speaker 2: I don't like when artists do. Unless you have a
Speaker 2: life after death, which is impossible.
Speaker 1: You gotta go crazy on a double dish, bro.
Speaker 2: But I'm just saying I don't understand, like, see the
Speaker 2: point of everything that Cole has done FORGID, whether it
Speaker 2: be in the public eye or behind the scenes.
Speaker 1: I don't know if you're just old not old. But
Speaker 1: I don't know.
Speaker 2: If I'm putting together my project that's about my history
Speaker 2: in life and this is my last album, I don't
Speaker 2: know if my mind state is just like I have
Speaker 2: to place Jids somewhere in this story just because now
Speaker 2: this is the Yeah, I don't like making excuses for him,
Speaker 2: like I don't want to make any Drake that this,
Speaker 2: but I mean, yeah, Drake does a lot of features
Speaker 2: for people that he signs. But when it's time for
Speaker 2: Drake to make an album, Bro, I'm going I'm gonna
Speaker 2: hit future, I'm gonna hit a little baby, I'm gonna
Speaker 2: hit people. I'm not putting Roy Woods. And of course
Speaker 2: he put division on views and and all that. I'm
Speaker 2: not saying he hasn't done that for you to say that,
Speaker 2: oh no, he's he's had party. I'm just saying it's.
Speaker 1: A hit me out.
Speaker 2: Well a lot of stuff with with the party stuff.
Speaker 2: And I mean this respectfully. Party and him are great
Speaker 2: collaborators when they write music together, whereas that's different between
Speaker 2: J I D. And J Cole because they're not collaborating
Speaker 2: to write with each other or create melodies. And this
Speaker 2: and that like the intro to if you're reading It's
Speaker 2: Too Late, was originally a party demo. Then that Drake
Speaker 2: flipped and figured out that's different album.
Speaker 1: That's my favorite.
Speaker 2: At that's time she.
Speaker 1: Reading this is too late. Now we're in the basement
Speaker 1: that we're working on their phones.
Speaker 2: He was tracking on that. He was traveling on that
Speaker 2: album to the album he was trapped off Bro. He
Speaker 2: shift happened where he went from like soft to aggressive.
Speaker 2: He was trapping bro like they was getting money. But
Speaker 2: to me, he does that with his artists more on
Speaker 2: their projects than he does on his own. Not every
Speaker 2: single Drake album is like just a fleet odo teacher.
Speaker 4: I get what you say, because they might not anybody
Speaker 4: get on one joint. You know my game on you
Speaker 4: you didn't hear around. But for the most part, Drake
Speaker 4: is on that ship a lot is.
Speaker 2: J Cole on a lot of dig I mean, even
Speaker 2: even if you go through everything, you get the guys
Speaker 2: the album, you don't get the whole rock my album?
Speaker 1: Did J Cole? Was he on JID album?
Speaker 2: No?
Speaker 1: No, he was supposed to be. If he's not going
Speaker 1: to have Jid on his album, you gotta get on
Speaker 1: son album bro.
Speaker 3: But you know why he wasn't through Why I think
Speaker 3: that Jake Cole didn't want nobody to really hit him
Speaker 3: like that until because everything the time and he was
Speaker 3: finishing up his project and the.
Speaker 1: Rap game is too I ain't gonna lie. I don't.
Speaker 1: I don't like.
Speaker 4: I like niggas not talk about I was selling drugs.
Speaker 4: Only now these other niggas, these other niggas is too
Speaker 4: weig bro y'all too fucking wig y'all got too much
Speaker 4: like what ain't said?
Speaker 1: What what you're doing? You need the perfect beat. I
Speaker 1: need the perfect on fuck out of here, y'all.
Speaker 4: Niggas need to I like the niggas that it seemed
Speaker 4: like the niggas that's selling drugs, Benny the Butcher and
Speaker 4: them kind of niggas. Get him niggas a beat, they're
Speaker 4: gonna go in there, talk about this ship and get
Speaker 4: it over.
Speaker 1: Oh. I knew he wasn't gonna get on there. He
Speaker 1: ain't want to be heard. What nigga. But the more
Speaker 1: nigga used to want to be hurt every fucking chance
Speaker 1: he got.
Speaker 3: Yeah, but coming off of everything that cold, you know
Speaker 3: obviously the last two years and then you know, right,
Speaker 3: very calculated niggas deleting songs.
Speaker 1: Where the fuck is this ship? Yeah, I don't like this.
Speaker 4: I like the niggas that selling drugs. They ain't deleting
Speaker 4: that ship. They need that, They need the DSPs and
Speaker 4: send him niggas a few. They ain't gonna delete that shit, man,
Speaker 4: straight up. The niggas didn't got all this money and change.
Speaker 5: Man.
Speaker 1: No, niggas don't even like rapping no more.
Speaker 4: The shit is more about instead of rapping, the shit
Speaker 4: is like it seems like it's more about.
Speaker 1: What it's business. With J Cole. It has to be
Speaker 1: the type of artisty is. He has to think more
Speaker 1: business than.
Speaker 3: Just It's always been a business though, Yeah, but when
Speaker 3: you at the level of J Cole, especially right now
Speaker 3: and everything going, you know, from twenty twenty four currently,
Speaker 3: everything had to be very meticulous. Everything had to be
Speaker 3: very intentional, Everything had to be calculated like it was,
Speaker 3: just it was a little different. So I'm not I'm
Speaker 3: not looking at you.
Speaker 1: I don't feel like J Cole will ever be as
Speaker 1: big as whole was in oh four. I don't think.
Speaker 1: I don't think for you all right.
Speaker 4: Jay Z was on HOGH ninety seven Step aside the
Speaker 4: move Superman is alive, Like we can still get shipped
Speaker 4: like that from jay Z when he was jay Z Nigga.
Speaker 4: We could get these niggas getting on the radio giving
Speaker 4: us fire free styles all like the top Dog is
Speaker 4: the greatest of the greatest, and y'all niggas be acting
Speaker 4: like y'all too.
Speaker 2: Good to get off a ship like this because Cole,
Speaker 2: I mean, it was a while ago coded Leakers his
Speaker 2: leakers freestyle.
Speaker 1: I'm not I heard that she was I.
Speaker 4: She was I, And I'm saying I'm just saying, though,
Speaker 4: light you niggas is just too tom though too, because
Speaker 4: like niggas is too batmanaged with this ship man.
Speaker 2: But that was always a marketing plan too. When anytime
Speaker 2: Hove went up to Flex or was bringing someone, it
Speaker 2: wasn't for the love of the game random, it was
Speaker 2: for an intention of something that we're doing. It was
Speaker 2: a tool and that tool isn't the way it was
Speaker 2: before when it comes to rappers like j Cole. Of course,
Speaker 2: it's great when Drake goes to on the radar. I
Speaker 2: love that type of ship. I love when rappers that
Speaker 2: are that established do that, but it's not the tool
Speaker 2: it was before where you gotta get your whole crew
Speaker 2: up to the radio because we need to hear all
Speaker 2: them rap because we're about to put something out. It's
Speaker 2: like when when people like Cole or Drake do that,
Speaker 2: that's actually because they love the sport, Like that's not
Speaker 2: really the biggest marketing plan on earth. Like Drake didn't
Speaker 2: need to do the the on the radar shit.
Speaker 4: He did it because he likes that platform and wanted
Speaker 4: to rap with Central C and like that shit Cole loves.
Speaker 4: I'm sure Cole loves the l a Leaker ship and
Speaker 4: was like I got to get up there. Co didn't
Speaker 4: need to do that, but Jay needed to go to
Speaker 4: flex as a marketing player, he needed to.
Speaker 1: It was different.
Speaker 2: You had to go up if radio was controlling everything,
Speaker 2: so you have to go up there, and you got
Speaker 2: to make a moment like you got it has to
Speaker 2: be a thing when you go up there, like y'all
Speaker 2: got my mans that could wrap too. People calling in
Speaker 2: like it's a thing.
Speaker 4: You know what I'm saying. What I'm saying, is this right?
Speaker 4: If everybody's saying like rap was better when ship like
Speaker 4: this was going on, why do you why getting this
Speaker 4: old ass hall there ride around like you want some
Speaker 4: throwback ship, but you ain't doing the throwback ship. Could
Speaker 4: Joey Badass has said this, if j Cole would have
Speaker 4: got the Dreamville niggas together and packed the sprint of
Speaker 4: van and went to New York City like your flexs,
Speaker 4: we're about to fuck this ship.
Speaker 1: Up a bit. Nah.
Speaker 4: But see, could he have said that though this is
Speaker 4: my last quote unquote last album, why can't I make
Speaker 4: it about me?
Speaker 2: The only the only thing, the only thing? When when
Speaker 2: what album didn't you make about you?
Speaker 1: Jay Gold? It's his fucking yeah.
Speaker 3: But that's what Zipp is saying, like when it didn't
Speaker 3: you make about you? When is it not you said
Speaker 3: the Revenge of the Nerves? Should we get all that?
Speaker 3: So he does make way for the guys that he has,
Speaker 3: you know, under his umbrella and things like that. But
Speaker 3: what Zipp is saying is if you the top dog,
Speaker 3: when you think you're the top dog and you have
Speaker 3: this certain you know, aesthetic you're trying to keep like
Speaker 3: you know, we're taking it back old school, we really
Speaker 3: hitting the streets and all that, why you ain't got
Speaker 3: your team with you?
Speaker 1: Why you ain't giving them that.
Speaker 2: Done that before? Why does he have to do it
Speaker 2: every time? My last album, I want.
Speaker 1: To make this about your name too.
Speaker 5: I get that.
Speaker 1: Like, I get that too.
Speaker 2: If it's the middle of your career, yeah, like if
Speaker 2: you want to start a label and take take on
Speaker 2: that responsibility. Yeah, you should pack the whole sprint of
Speaker 2: event with all of dream Bill, which he's done every
Speaker 2: single dream bell Fest. You could, you could have a
Speaker 2: thousand streams. If you're signed to Dreamville, you are are
Speaker 2: on the main stage.
Speaker 1: Yeah.
Speaker 2: And on top of that, when Cold closed, he brings
Speaker 2: he brings all of Dreamville on stage with him for
Speaker 2: half the set.
Speaker 1: I'm like, like that for that, I understand that's that's their.
Speaker 2: Festival's biggest first single. He's on Shade by the Baby
Speaker 2: like he did his Why you have to do that
Speaker 2: every single time?
Speaker 3: I'm not saying every time. I'm just saying that j
Speaker 3: I D had a very successful year. He had a
Speaker 3: lot of energy around surrounding his last his last project
Speaker 3: he just put out. I'm just saying, I think we
Speaker 3: could have found we could have hit spaceball somewhere on
Speaker 3: the mixtape for him.
Speaker 1: It's all I'm saying.
Speaker 3: I think we could have found somewhere we could have
Speaker 3: found a loop somewhere on on.
Speaker 1: The what was the name of the the mixtape?
Speaker 2: It was called Birthday, but it was his birthday, man,
Speaker 2: So for.
Speaker 1: Your birthday, you don't invite none of the whole.
Speaker 2: Me and Jid don't get to blow the candles out.
Speaker 2: It's my motherfucking birthday. But I'm the only one blowing
Speaker 2: the candles out. Me and Jed are not blowing out
Speaker 2: our birthday candles. To God, don't want Jude to blow
Speaker 2: out Jao's candles.
Speaker 4: It's his birthday. I don't even want to think about that.
Speaker 4: I'm just saying I feel.
Speaker 3: Like Cole could have found somewhere on that birthday blizzard
Speaker 3: mikes tape to let Jig get his ship off.
Speaker 1: That's all the album. We understand the thing.
Speaker 2: Jid's birthday is on Halloween. Nah wait, you have to
Speaker 2: wait till October. If I put a mix about them,
Speaker 2: then we could do Spooky Season together.
Speaker 3: All right, But just so we can close this, would
Speaker 3: we find it surprising at all if a year from
Speaker 3: now we hear Jed throwing shots at Cold.
Speaker 1: I just said, maybe they don't like each other, okay, yo.
Speaker 2: Usually I'm the one that has the terrible conspiracy theories.
Speaker 1: I'm a conspiracy theory.
Speaker 2: I'm saying the way Jed and Jake Cole don't like
Speaker 2: each other or have relationship, I'm not saying I don't
Speaker 2: think he feels a way either.
Speaker 3: I'm not saying they don't like each other. But if
Speaker 3: we hear Jed write a ball, spit a ball saying like,
Speaker 3: you know you want to, you want to. You know
Speaker 3: if you wanted to keep me out of that light,
Speaker 3: you ain't really want me to shine in that moment.
Speaker 1: Which you don't want me in that hone though, accord, it.
Speaker 4: Ain't gotta it ain't got to be rooted in beef.
Speaker 4: It's just like, yeah, you ain't wanna you ain't want
Speaker 4: to pass.
Speaker 2: Over fucking When they started with him and Eve and
Speaker 2: the Honda driving the Florida College, Jid was in in
Speaker 2: junior high at that time.
Speaker 4: Ay so, shorty, that's the little nigga in the back.
Speaker 4: They just weading me your head, shorty, what you gotta.
Speaker 1: Spit that ship? I spin my little rhymes and ship. Yeah.
Speaker 1: I think I think it's just you know, I get it.
Speaker 4: I'm just saying, like all of the big dog niggas
Speaker 4: is supposed to have their young niggas on their album
Speaker 4: because that's historically, that's how I went.
Speaker 1: And you're supposed to get on the album.
Speaker 4: A double disc. Jig can't get on none of that
Speaker 4: ship and all that boring one song. Let's get to
Speaker 4: that that ship was boring. You put out mad boring.
Speaker 4: Shout out to Joey Badass for pointing that out. You
Speaker 4: put out thirty boring songs. Joey Badas said he liked that,
Speaker 4: he loved that. I don't care what he said about.
Speaker 4: I'm talking about the the jit it references. You put
Speaker 4: out thirty boring ass on album nobody listening to today,
Speaker 4: and you ain't even put your man on it. You
Speaker 4: couldn't put your man on it. Maybe niggas would feel
Speaker 4: like how many tracks that nigga damn?
Speaker 5: Now?
Speaker 2: See, I thought I was about to get your off
Speaker 2: version of that, but but.
Speaker 3: I'm put up jay z discography and he didn't put
Speaker 3: nobody And.
Speaker 1: I'm looking on Blueprint too.
Speaker 2: Yeah, and I forgot Memphis Bleek, BBC, Freeway, Young Gus
Speaker 2: p D Krag Christ like us. And I'm obviously somehow
Speaker 2: somewhere smoked this out Kanye was Kanye, but but don't
Speaker 2: act like Jay with some of the artists that he
Speaker 2: signed later, not people like Bleak that he grew up with.
Speaker 2: You got to earn a verse from me, like you
Speaker 2: gotta put some of your own ranges. Yeah, they've already
Speaker 2: had songs together.
Speaker 3: I'm onto my own Cole's album. I'm not saying don't
Speaker 3: have songs together Cole's album. How many features does does
Speaker 3: Cole have in his whole career on his album? Not much,
Speaker 3: But he needs someth like it might add some bizazz
Speaker 3: and it might add a little sparkle. What I'm saying
Speaker 3: sometimes you need the motherfucking dim the lights and add
Speaker 3: some ambiance to make the.
Speaker 1: Party lit just because you gotta.
Speaker 3: You know what I'm saying, A ballroom, a big space
Speaker 3: and DJ equipment don't mean the party gonna be lit.
Speaker 1: And not saying that the streets matter. But I don't
Speaker 1: think J. Cole is real big in the streets.
Speaker 2: I think he's like, we all have to define the
Speaker 2: streets in twenty twenty six.
Speaker 1: Well, seven eleven is the streets right at the back
Speaker 1: of seven eleven. I think that's what a lot of J.
Speaker 1: Cole fans hang out. No, they hang out any store
Speaker 1: next to that where they got the laptop.
Speaker 3: Old fans in front of seven eleven, part the mom's car,
Speaker 3: listening to his ship eating twizzlers and ship eating eating
Speaker 3: sour straws.
Speaker 1: And dabbing smoking weed out of pipe. Great Saturday.
Speaker 3: No, I'm not saying it's not I'm saying, but that's
Speaker 3: where his fans are. Those type of fans. They have basements.
Speaker 4: They don't have cracks, they don't have cracked any cragg
Speaker 4: of the ash.
Speaker 1: Trying to wait for somebody to say, seven year basement.
Speaker 1: Everyone in Queen's got a basement. Not everyone.
Speaker 4: I'm from Queens. I did not have a basement, not everywhere.
Speaker 4: Well I know what you mean though, but not everyone
Speaker 4: in Queen's got a basement.
Speaker 2: Me a zips upbrings were probably a little bit different,
Speaker 2: just a.
Speaker 4: Little I'm gonna just go on the limits. Say you
Speaker 4: grew up slightly different.
Speaker 2: It was a little different, different quality Queens, different different Queen.
Speaker 2: A lot of basements over there around the corner they
Speaker 2: had basements.
Speaker 1: You didn't want to go in there though where you
Speaker 1: was at, you didn't want to go in the basements.
Speaker 1: I'm saying the basement of my building. Let me think
Speaker 1: you ain't want to go in the basement of you.
Speaker 1: I think I've been in the basement of my building.
Speaker 1: Maybe one time. I'm not going to the launchry. They're
Speaker 1: not gonnaven ask you why you was in the laundry. Listen,
Speaker 1: I'm I don't know. See he look, you don't do
Speaker 1: launch Why drop la the laund is down the blind Yeah,
Speaker 1: on the corner. You don't know what it is to
Speaker 1: push a shopping car.
Speaker 2: I mean I do know, but that's actually when I
Speaker 2: left my mom's I had to figure that out.
Speaker 1: Okay, yeah, but no, but J Coley, No, it's not.
Speaker 1: It's not a streat element with J Coles.
Speaker 2: Yeah.
Speaker 3: Like, I don't think Jake Cole is a He's an
Speaker 3: incredible MC's, incredible rapper, incredible artist.
Speaker 1: Smart niggas. Land Base is just a small nigga.
Speaker 3: Small you gotta have some like smart, but I mean
Speaker 3: smart smart small cats like a lot of like Jada,
Speaker 3: like fab.
Speaker 4: J Cole is like sin Feil to me, you had
Speaker 4: to have some level of intelligence to understand that ship.
Speaker 1: Okay, is not for the like the layman.
Speaker 3: Okay, all right, I'm not mad at that, not saying
Speaker 3: there's anything wrong with that, but you just identifying his
Speaker 3: fan base.
Speaker 1: Yeah, like I agree and don't agree. Jed got what
Speaker 1: is George Costanzo?
Speaker 2: Everybody like, no, he cra cramery next door and that
Speaker 2: they can't stand on. No, I think Seinfeld and people
Speaker 2: say this about Cold. I don't believe it's about Cole,
Speaker 2: But why that is actually good analogy? People think Seinfeld
Speaker 2: that show is is it's not as smart as people
Speaker 2: think it is, Like, like, it's really not like, oh,
Speaker 2: it's just it's too intelligent.
Speaker 1: You have to be a certain type. No, you don't.
Speaker 1: It's just not that funny. That ship was hilarious to me.
Speaker 1: What are you bugging? You thought was hilarious? Hell yeah?
Speaker 2: I like Feld like she's my mom and every day
Speaker 2: I grew up on Seinfeld. First of all, it's just
Speaker 2: not as great as people say.
Speaker 4: It's really about to say some bullshit, No, real real ship.
Speaker 4: I beat a body. I beat a body. This is
Speaker 4: real ship you're worried about. Right, I beat a body. Right,
Speaker 4: I can't hold My grandmother said, yo, you got to
Speaker 4: come to the house to the clock. I look that
Speaker 4: that lady man. I wanted to say, I just beat
Speaker 4: the motherfucking body. What is he talking about coming outs
Speaker 4: at ten o'clock. I couldn't say nothing to come down
Speaker 4: at ten o'clock.
Speaker 1: She was trying to keep the streets.
Speaker 4: Yeah, get this minute block, she said, Yo, she said, yo,
Speaker 4: you gotta come in the house at ten o'clock.
Speaker 1: I looked at it. Yeah, I think I'm growing down.
Speaker 1: Then the body, Yeah, I'm outside. That was your ba
Speaker 1: mitz ten o'clock. Yeah, I get. I was like, all right, man,
Speaker 1: I was so fucking pas. I used to you every day.
Speaker 1: Every day I shut it down at the same time,
Speaker 1: like nine forty five, I start counting my money, clean
Speaker 1: it up it all. I'll be looking around it. We
Speaker 1: want to make niggas go in the house like corny
Speaker 1: ass things out here. I gotta go out. Yeah, I
Speaker 1: got these niggas get to stay out.
Speaker 5: Yeah.
Speaker 4: I learned about its crazy. I used to look, I'm
Speaker 4: going to the house. I watch the news. Yeah, then
Speaker 4: I to watch sign Fell after.
Speaker 1: That, after terrorizic, after terrorizing the community for about my day,
Speaker 1: I'm going up right early. Yeah. Yeah, ain't no time
Speaker 1: living on six. Yeah, I'm out of here. What's what's
Speaker 1: the deal with selling crack.
Speaker 4: I'm out of here. I'm definitely not staying high at
Speaker 4: ten o'clock eleven o'clock.
Speaker 1: I'm not me. I gotta be in that ten year.
Speaker 4: Work. What everybody I've seen every day, I see every
Speaker 4: day happening, Yo, that is at ten o'clock.
Speaker 1: I gotta go to I gotta take it up. I
Speaker 1: gotta take it in time, yo. But that is such
Speaker 1: a hood thing.
Speaker 3: Like no matter what niggas was doing in the streets,
Speaker 3: how fair niggas was terrorizing. If Granny said something that
Speaker 3: was Lord, get your ass upstairs. Ten o'clock clock, nigga
Speaker 3: getting home.
Speaker 1: I'm sixteen. Ye, you got to be in the house
Speaker 1: at ten o'clock. Did you have did you have you?
Speaker 4: Granny had the latch on the door. Nah, Now you
Speaker 4: just keep Grandma will come down the block with the
Speaker 4: long coat. Grandma would come down the block. Grandma came
Speaker 4: down that block, mad time, let's go, let's go. It's
Speaker 4: just like that, come on, wrap all this up. Only
Speaker 4: time that nigga rolling dice. She just said she said
Speaker 4: she was going to stock. She was going to get
Speaker 4: something with you. When she come out, she knows she
Speaker 4: gonna look at you. She's you you know what times the.
Speaker 1: Nigga look at his wheel. Yeah, you're like, oh no,
Speaker 1: wonder she front.
Speaker 4: Like she gotta get some front of the store. She
Speaker 4: don't need nothing front of the store. She had the
Speaker 4: dice she loot that go.
Speaker 1: Yeah. But other than that, it's Toma roll back it up.
Speaker 2: I'm still crying that if didn't realize after you beat
Speaker 2: the body at sixteen that you gotta go.
Speaker 1: Home win the street lights is on. You know I've
Speaker 1: done that. It's so minutesku that my mom.
Speaker 2: Was like, now you can't be you can't go outside anymore.
Speaker 1: I got to wrap it up ten a clock. You
Speaker 1: look at it great, like this is what I do
Speaker 1: that home? You know why in the yo? Look this
Speaker 1: the l ship. Hm. When I caught the body, I
Speaker 1: had to be in the house at ten o'clock. Right,
Speaker 1: curfew should have been earlier for everyone.
Speaker 4: Look, no, it's summertime. It's July like July. Look boom,
Speaker 4: so it's summertime. And ship, you know niggas outside listening
Speaker 4: to that nah ship That ship had just.
Speaker 1: Came out ninety six. Yeah, it was rare. It just
Speaker 1: came out right. So the ship happened boom.
Speaker 4: So well, what happened was when I went upstairs, she said, Yo,
Speaker 4: you want to go back outside.
Speaker 1: I said, yeah, hell yeah, let's go. I went back
Speaker 1: out there and caught a body. She wasn't going for
Speaker 1: that ship. No more, no never, no more. You want
Speaker 1: to go back outside? No no, no, ten o'clock. You
Speaker 1: got to be ten o'clock. You remember the last time
Speaker 1: what happened. Shen't have to say that. A niggas were
Speaker 1: scared of the grandmother.
Speaker 5: I was.
Speaker 1: I was scared to death of my grandmother. And my
Speaker 1: grandmother had the big arms. You supposed the backhand was
Speaker 1: mad fast or never see it coming, got the backhand
Speaker 1: like Marty supreme sign you are you.
Speaker 4: Never see that she coming like you see like she
Speaker 4: she don't talk with her hands and none of that. Yeah,
Speaker 4: you just never saw that shit coming next to you, know,
Speaker 4: your teeth and all that lips and nose ring shut.
Speaker 1: You know what I'm saying.
Speaker 4: Yeah, pop fire, imagine your grandmother popping you. You just
Speaker 4: beat a body like you outside you outside the game, nigga.
Speaker 2: I think she was like pretty liberal and nice to
Speaker 2: give you a ten pm curse after beating no body yo. Oh,
Speaker 2: but the minute school he got sucked up at at sixteen, like, nah,
Speaker 2: you're not going outside anymore.
Speaker 1: Oh shit, I feel like we all lived the same
Speaker 1: life somehow. Man, that shit is fun. Definitely not that one,
Speaker 1: but definitely not that. Definitely not that. But being scared
Speaker 1: of your grandmother, you're that's a real thing. Get your
Speaker 1: ass in the house off, Mike.
Speaker 2: Zip was sting the funniest story of reading somebody's paperwork
Speaker 2: in jail. That's whose grandmother should have had them in
Speaker 2: at six pm.
Speaker 1: That she was talking about.
Speaker 2: Oo when you looked at homies paperwork and with the pop.
Speaker 4: So look right, so me and my men, me and
Speaker 4: my men veto from Poughkeepsie. Right, we're talking about some
Speaker 4: shit on the gate. We're trying to out tough each
Speaker 4: other on the gate. So he talking about shit, I'm
Speaker 4: talking about ship. So this old East New York nigger,
Speaker 4: he like, yo, zim, I'm about to send something down
Speaker 4: and pull the line. And so grab the line, pull
Speaker 4: it in and all that ship man heavy is this man?
Speaker 1: I was hoping it was some weed.
Speaker 4: I was gonna keep the ship, pull it down, mad
Speaker 4: legal working ship. So when I pull it out, the
Speaker 4: when I pull it out the envelopes, it's like you
Speaker 4: could tell what the nigga wants you to read. Like
Speaker 4: the nigga got like the fold of red, green, blue
Speaker 4: and all that he wants you to read some ship. Yeah,
Speaker 4: opening ship up. I start reading the day. It's the
Speaker 4: nigga trial minutes. Okay, nigga talking to a detective that
Speaker 4: they questioned it a detective. So they asked the detective,
Speaker 4: They like, Yo, what made you start investigating this such
Speaker 4: and such for these two homicides? Said well, we was
Speaker 4: already investigating them for seventy five.
Speaker 1: I close that ship, put that ship in get more.
Speaker 4: While I'm reading, I read call that nigga like an
Speaker 4: hour of yup, shit.
Speaker 1: A line down, shit, Hollo the line, yeah, hollow the line,
Speaker 1: pull a line and you read that. Yeah you read everything? Yeah,
Speaker 1: I read one page of that ship.
Speaker 2: Nigga.
Speaker 1: Fuck got it.
Speaker 4: Nigga talk about we was for seventy five, bitch, Rose,
Speaker 4: that ain't no way. Who an't investigating you for seventy
Speaker 4: five and you ain't doing none of them that the
Speaker 4: street that don't work, like niggas ain't telling niggas the
Speaker 4: police is investigating somebody told him you did that shit.
Speaker 1: Niggas ain't telling you that seventy five and you.
Speaker 4: Ain't do nothing. Niggas ain't lying on you like that. No, homie,
Speaker 4: the fuck I said, I was scared of that nigga
Speaker 4: after that, that man nigga was that nigga was smooth,
Speaker 4: He ain't raising his voice, none of that.
Speaker 1: I used to get that nigga pound to be scared, like, yeah, whatever,
Speaker 1: bro I at about saying my mothers nigga's dangerous on
Speaker 1: I was, what if if I read that first thing.
Speaker 2: Just said investigating for seventy five, I would close that ship.
Speaker 1: The less the less I know, the better.
Speaker 5: Yeah.
Speaker 2: I would send that ship back up and be like, Yo,
Speaker 2: I think the thing you got a shot of beating it.
Speaker 1: You know.
Speaker 4: So I didn't want to rip no ego perfn't look
Speaker 4: at the nigga that I was downstairs talking to, right,
Speaker 4: I said, Yo, son committed. I said, Yo, Son, pull
Speaker 4: up boom. You're like, Yo, what up? I said, y'all son,
Speaker 4: I said that nigga is a killer. I said, we
Speaker 4: can't fuck. I said, we can't fuck with that ship.
Speaker 4: We were talking about it about nothing, straight up, nigga.
Speaker 1: We well, we're gonna be seventy. We'll be seventy six
Speaker 1: over here. There's no no, oh no, I don't have
Speaker 1: no plans on ever. Like, yeah, he got me, he
Speaker 1: got me, yea to the marine. Don't let me go
Speaker 1: to the Marines. When I get out of here. That's
Speaker 1: the only I can can catch that ship nigga I
Speaker 1: got in. Yeah, let's leave him below.
Speaker 4: Man.
Speaker 1: I'm not taking the weed from this nigga because I
Speaker 1: always pay on time. Yeah, I always paid time, yo,
Speaker 1: you know I got. I'm good, I got what's the
Speaker 1: name of the nigga? Yeah, Yo'll holler at me. You
Speaker 1: should have never let me read that. Oh myar.
Speaker 2: There's no way you could get to seventy five for
Speaker 2: the reasons like somebody was page.
Speaker 1: I don't care what was going on out here to
Speaker 1: get to seventy five. That's what fucked up, though, Yo.
Speaker 4: If nigga could look at the number they used to be,
Speaker 4: having one hundred and fifty hundred and seventy murders and
Speaker 4: ship like that a year in East New York, just
Speaker 4: one neighborhood like now, when New York City be four
Speaker 4: or five hundred murders a year in one neighborhood that
Speaker 4: used to be having one hundred and fifty hundred, seventy
Speaker 4: five murders.
Speaker 1: The nigga said, we was investigating him for seventy five,
Speaker 1: so she nig's doing about seventy.
Speaker 4: Yeah, yeah, he wanted them. He wanted the ones going
Speaker 4: crazy out here like they had Yo man some wordboy,
Speaker 4: the only resting peace. The nigga puzzled the niggas. Cougie
Speaker 4: Rap made a song he had. He mentioned son in
Speaker 4: the verse, and I'm saying, I remember Puzzle was in
Speaker 4: my hood telling me he killed ten people like I
Speaker 4: killed ten people like we used to be.
Speaker 1: The use little niggas looking up this niggas like you
Speaker 1: lying your nigga. Nigga had the rusty mac like nigga.
Speaker 1: I'm not lying. I haven't thrown this thing away yet.
Speaker 1: That nigga had the rusty mac. Nigga, I'm not lying.
Speaker 4: He died, he got killed. You know, I'm saying a
Speaker 4: long time ago. I don't know who did that. Like
Speaker 4: he g Rapp brought that nigga firehood, I can assume
Speaker 4: he had tenus. He killed ten niggas. The niggas from
Speaker 4: East New York say that's a light number.
Speaker 1: You help me. This is the line there, that's the
Speaker 1: start of no. Like he'll tell you about puzzle, like
Speaker 1: he told me about puzzle.
Speaker 4: Like oh nah, I know for a fact he got
Speaker 4: more than that, like when you was with him, like
Speaker 4: oh ah, yeah, yeah, maybe he had ten then, Like.
Speaker 1: Like, I ain't gonna lie that. That group of niggas
Speaker 1: before us. Oh you know it was the eighties, wasn't
Speaker 1: He was born in the eighty The niggas born in
Speaker 1: seventy five.
Speaker 4: That was outside seventy I was outside fourteen, fifteen and
Speaker 4: eighty eight.
Speaker 1: It was different, man, it was different.
Speaker 4: There was a little nigga from named Shorty from my hood.
Speaker 4: He wasn't from my herd. He was from forty projects.
Speaker 4: He came to my hood and nigga shot everybody bro.
Speaker 4: That nigga shot everybody bro. That nigga shot Mike. He
Speaker 4: shot Mike. He tried to shoot Bill one time. He
Speaker 4: chose Bill Duck. Bill's fastest nigga the world. Nigga Bill
Speaker 4: Duck the bullet nigga fast nigga faster than Leroy. Leroy
Speaker 4: caught the shit with his teeth built up. He gotta
Speaker 4: wait work mother nigga in the big Apple.
Speaker 1: You know, they trying to shit in the crown fry lady,
Speaker 1: but it was called a big Apple.
Speaker 4: Nigga Shorty, Nigga Shorty tried to buck the nigga bill
Speaker 4: a nigga bill duck. That shit got a body on that.
Speaker 4: But he shot everybody, you know, he shot. He shot
Speaker 4: one of my men's in the ass, shot White Mic
Speaker 4: in the foot. Nigga was shooting everybody.
Speaker 1: It's a marksman was.
Speaker 4: Like fourteen, Yeah, it was like fourteen fifteen. It was
Speaker 4: shooting everybody. Another little nigga said, another little nigga from
Speaker 4: my whole put him down.
Speaker 3: It's always like that though. I feel like the ones
Speaker 3: that be outside, like really, it's always like the most
Speaker 3: random young no, not a random nothing or nothing little niggas.
Speaker 3: I was doing the same kind of shit.
Speaker 1: We got him. He was waiting for him. Yeah, oh
Speaker 1: my god, that shit was crazy.
Speaker 4: I ain't gonna lie they be saying that shit, man,
Speaker 4: I don't care when nobody say that. That violent shit
Speaker 4: they be talking about these days. This shit is a
Speaker 4: good place to raise kids.
Speaker 5: Man.
Speaker 1: That shit we went through. Yeah, it's different now.
Speaker 3: I mean, it's still a lot of shit going on,
Speaker 3: random unnecessary shit. But I tell people all the time,
Speaker 3: no comparison, it's New York, New York wise. Everywhere else
Speaker 3: is a fucking night no New York. In the eighties,
Speaker 3: I took you all the time. I vividly remember seeing
Speaker 3: shit that now. I'm just like, you'll have no idea
Speaker 3: with this block y'all standing on It used to look
Speaker 3: like in eighty seven, in eighty eight and eighty nine,
Speaker 3: like you wouldn't want to be standing over here, like
Speaker 3: it was abandoned buildings everywhere.
Speaker 1: Centen year old kids don't go to the store by themself, bro,
Speaker 1: no more. No, I was six.
Speaker 4: They used to just go to change here, go get
Speaker 4: me some cigarettes. You just go get a ship to
Speaker 4: the Spanish. Nigga, yoh, my mother, you know your mom,
Speaker 4: give me whatever. You smoke one of in the w
Speaker 4: all way, take the rights up stairs. Yeah, that's how
Speaker 4: I want six. This is first was smoking at six
Speaker 4: first grade. Nigga, did smoke half of this cigarette, Get
Speaker 4: that ship to your man, come back down and shit
Speaker 4: is bright.
Speaker 1: Yeah, we out smoking cigarettes and six absolutely so this
Speaker 1: is what was going on.
Speaker 4: Nigga used to take do you not used to come
Speaker 4: through with the Q pongs, put them on the fences
Speaker 4: and ship take those niggas in the back yard, putting
Speaker 4: leaves in the rolling up like were smoking weed and
Speaker 4: all that ship burning up a nigga chests and all that.
Speaker 1: We actually said that the exact same thing.
Speaker 2: Finally, if we found something from our childhood that we
Speaker 2: can we can relate to outside.
Speaker 1: I don't know.
Speaker 2: We was rolling the fucking like notebook paper and just
Speaker 2: try to smoke it, like.
Speaker 1: Yeah, I feel like that's white boys shit, just smoking
Speaker 1: notebook paper. I was the only white person. Oh yeah,
Speaker 1: I forgot you broke you brow with us?
Speaker 5: With us?
Speaker 1: Yeah, I forgot. Rory? Was that was Jerome? God Man?
Speaker 1: He said that was Jerome accurate name.
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Speaker 2: All right, before we get out of here, though, what
Speaker 2: does puff have on everybody? Pauls listen. I hope to
Speaker 2: god we don't have to talk about a J. Cole
Speaker 2: interview for a while.
Speaker 1: And why not.
Speaker 2: I don't mean that in a bad way. I love Cole,
Speaker 2: love J Cole.
Speaker 1: Watch.
Speaker 2: I think all of us are just exhausted with a
Speaker 2: lot of this stuff. But either way, Cole mentioned in
Speaker 2: the Cameron interview that he had a podcast episode where
Speaker 2: he was going to explain the entire fight he had
Speaker 2: with Diddy, which which has been rumored for quite some time,
Speaker 2: but he did confirm it did happen. They did get
Speaker 2: in some type of a scuffle, but he said hedn't
Speaker 2: want to put it out because he didn't want to
Speaker 2: kick him while he was down.
Speaker 1: He didn't want to kick Diddy while he was down,
Speaker 1: and he said everything was piling on. He want to
Speaker 1: add that to it. You ever seen did he kick
Speaker 1: somebody when they was down?
Speaker 2: I've seen did he kick a woman while she was
Speaker 2: down and out a little dainty joint. I don't know
Speaker 2: if I might have the grace to not kick someone
Speaker 2: when they down when I've watched him kick a woman
Speaker 2: while they're down. Yeah, you won't want me to do
Speaker 2: it figuratively or literally. Figuratively, I've seen you literally woman
Speaker 2: when she was down, a little dainty joint when she
Speaker 2: was down. But we can't kick him when he down.
Speaker 2: I don't care about none of that.
Speaker 1: I think I think we we we we. It's just
Speaker 1: too much politically correct talk.
Speaker 4: Like I'm not saying. I'm not saying, say the same
Speaker 4: ship even him. I used to live with him, though
Speaker 4: it should difference. It's a difference between j Cole and Diddy.
Speaker 4: Did he have a different us? She used to live
Speaker 4: with him when he was a child, You know what
Speaker 4: I'm saying, like some kind of like he helped raise
Speaker 4: him a little bit. He stayed, Yeah, that was his
Speaker 4: mentor that's big bro to him. You understand all unk whatever.
Speaker 4: You know what I'm saying, J Cole, you don't have
Speaker 4: that relationship with Diddy.
Speaker 2: I mean maybe optics of like, it may look like
Speaker 2: I'm conveniently putting this episode out during the Diddy thing,
Speaker 2: But that's not how Cole worded it. He worded it
Speaker 2: as if everyone was following on. Uh, I didn't want
Speaker 2: kick him. He didn't want to add to that, add
Speaker 2: to it as but I could see the point of like,
Speaker 2: so what that means? This would look like weird time
Speaker 2: like the way we talk we talked five times a week.
Speaker 2: If Coles wasting on a podcast episode right around that time,
Speaker 2: it could look exploitive, like, Okay, this is weird. But
Speaker 2: that's not what he said. So we just said he
Speaker 2: want to kick him while he's down?
Speaker 3: Okay, So when would be the right time to do it?
Speaker 3: When is it not gonna look like kick him cause
Speaker 3: hes gonna be down forever?
Speaker 2: No after this, I don't I mean the world we
Speaker 2: live in, and I don't think Puff's gonna be down. Unfortunately,
Speaker 2: I just don't think that nobody cares.
Speaker 1: I don't clearly.
Speaker 2: J Cole is the compass of morality in the hip
Speaker 2: hop game. Is not like, nah, I wanted to protect Diddy.
Speaker 1: Now I don't think. I don't.
Speaker 4: I'm saying like so bullmed, but not protect. I'm not
Speaker 4: saying Diddy is not gonna keep getting money, right. I
Speaker 4: think he's gonna get money, but a lot of ship
Speaker 4: that was going on is not gonna be able to
Speaker 4: go on. That girl got on stand and say he
Speaker 4: like mayonnaise rubbed on his nippoos.
Speaker 2: And then once that come like, I'm not like, it's
Speaker 2: this many like you know what I'm saying, the king
Speaker 2: with the comfort, it's the com shit, That's what I'm saying.
Speaker 2: It was like, that's what I'm saying, That's what he's saying.
Speaker 2: But I just don't want to say, come, you know
Speaker 2: what I'm saying because they said did he had a
Speaker 2: lot of things rubbed?
Speaker 1: I wasn't sure if he was actually saying.
Speaker 4: No, it was I'm saying, you another like another nigga
Speaker 4: busting your bro. You want her to take it out
Speaker 4: and put it on your chest like no niggas looking
Speaker 4: at you the saying that like like niggas might have
Speaker 4: thought you was freaky before, like, oh they heard some ship,
Speaker 4: but now we heard the specifics that nigga looking at
Speaker 4: you like, let me ask you this, Like Nigga, I said,
Speaker 4: I said, nobody, nobody cares.
Speaker 2: Right, you think it's over for Diddy based off that
Speaker 2: more than all of us watching him kick a woman. Yes,
Speaker 2: that's fucked up. And I don't think you think, but
Speaker 2: I agree with you. That's how society. I think society
Speaker 2: thinks it's crazier that he's on the nipples than kicking
Speaker 2: a woman.
Speaker 4: My thing is the reason why I didn't care about
Speaker 4: people palding on with Diddy is because I seen him
Speaker 4: kicking the bro like it was like once you like
Speaker 4: like like like.
Speaker 1: I don't know mad niggas that have fights with girls.
Speaker 1: Mm hmm. I don't fuck with niggas. You know what
Speaker 1: I'm saying.
Speaker 4: Once I know you be beating Shorty's up and the
Speaker 4: I don't fuck with you, homie, Like, yeah, I don't
Speaker 4: want none to.
Speaker 5: Do with you.
Speaker 1: Right, We watched this nigga do that.
Speaker 4: Then he catch a case and they say he was
Speaker 4: doing all this nasty ship, all this nasty shit coming
Speaker 4: out of child mad baby, all your ship shay.
Speaker 1: And they saying, with what it tapes.
Speaker 4: Maybe this is why everybody's sticking up for Diddy because
Speaker 4: they an't put them tapes out. They said it was
Speaker 4: tapes cameras everywhere, and no tapes came out. So maybe
Speaker 4: he still got them tapes. Maybe they said you could
Speaker 4: keep your tapes.
Speaker 1: You know, everybody like YO about it.
Speaker 4: Should the fans put the fucking tapes so out. The
Speaker 4: fans put the tapes out, and yours ain't dead. It
Speaker 4: ain't exhibit sea know I'm saying, that's what the that's
Speaker 4: what they wave for.
Speaker 1: I don't get it.
Speaker 2: Yeah, I just think that like Diddy will be home
Speaker 2: relatively soon. And I say, and he's watching all of
Speaker 2: the ship and I don't think there's anything with cold
Speaker 2: in that regard. But and I don't want to put
Speaker 2: anything on usher either. I don't want to like make
Speaker 2: accusations with no anything. But I could see if I
Speaker 2: did some freaky ship with Diddy that I didn't want out.
Speaker 2: And it's time for me to sit down. And I
Speaker 2: know he's in jail with nothing, but tom I might
Speaker 2: I might.
Speaker 1: Watch my words. And when I say about somebody.
Speaker 4: Man, don't watch you if you feel like your close
Speaker 4: you got some in Yeah, I'm like, but the ones
Speaker 4: that know that they ain't got but those are the ones.
Speaker 4: But the fifties where they feel like that whatever, it's like, Nigga,
Speaker 4: that's what. But that's what people dont understand about fifty
Speaker 4: Why he could talk like that is because he knows, like, bro, I.
Speaker 1: Don't got I don't gotten of that on me, Like that,
Speaker 1: ain't that ain't who I am. I ain't got that
Speaker 1: on my jacket. And like again, I don't want to
Speaker 1: push it on Usher.
Speaker 2: But everything Usher said on the first part, of course,
Speaker 2: I don't need Usher or anyone else to tell us
Speaker 2: that Diddy is an icon and has changed music, changed everything.
Speaker 1: I never heard of a remix until Paul.
Speaker 2: I don't need Usher to say that and then be like, well,
Speaker 2: that's why I'm not saying all right, but you could
Speaker 2: say you watched him literally punt a woman in a hallway,
Speaker 2: like what does one have to do with the other?
Speaker 2: But it's fucked that. Of course we know he's icon.
Speaker 2: Do I need to tell you that Ignition remix is incredible? No,
Speaker 2: he also fucked kids. That's where I'm lost with this
Speaker 2: whole Usher I don't get those points.
Speaker 1: Yeah, I get it.
Speaker 2: Yes, Like Puff has done amazing things for you and
Speaker 2: for other people. I'm not saying Puff has not done
Speaker 2: good things in his life.
Speaker 1: Right, Well, once you see that, once we see.
Speaker 2: That, why can't you just be like, well no, it's
Speaker 2: still like what the fuck?
Speaker 1: No?
Speaker 3: Yeah, Like, once you see that, you can be my
Speaker 3: mentor as a kid. And I'm a grown man now
Speaker 3: and I see you doing something but like kicking a woman,
Speaker 3: I'm gonna be like, Yo, that's absolutely fun.
Speaker 4: But I'm gonna say this though, Right, I'm gonna say this, right,
Speaker 4: I should got a relationship with Diddy that niggas don't got.
Speaker 1: So now he could have been like, Yo, what was
Speaker 1: going on there?
Speaker 2: Yo?
Speaker 1: Bro, that's the day I found out she gave me.
Speaker 1: That was it it all? That's the day a hundred
Speaker 1: thousand in that bag trying to run out that hotel
Speaker 1: room or we don't know.
Speaker 4: You know what I'm saying, whatever it is, though, if
Speaker 4: you grab her, you can't say whatever it is. Listen,
Speaker 4: what's what I'm saying. So if she burnt you, what
Speaker 4: if she burned the way she slipped in the package.
Speaker 3: Well, my thing is my thing is you're still kicking
Speaker 3: the while she's on the floor, though you grabbing the
Speaker 3: thrown on the floor. You know, like, Okay, if you're saying,
Speaker 3: let's say the situation is what you say, any man
Speaker 3: would lose his mind and go what you would do, right,
Speaker 3: But what I'm saying is.
Speaker 1: What is that gonna do? Though at that point, you
Speaker 1: to the ground, You're saying to yourself, you just gave
Speaker 1: me some ship that I can't get.
Speaker 4: Rid of for the rest of my I got to
Speaker 4: have this ship for the rest of my life.
Speaker 1: I wore incredible, hope. Everything that every makes me madder
Speaker 1: in that case. In that case, maybe I kind of
Speaker 1: be like, you understand what I Yeah, but if it
Speaker 1: ain't something like but if it.
Speaker 4: Ain't that, it's just you trying to leave and you
Speaker 4: doing that said something slick to you and you mad.
Speaker 4: You you're a bitch ass hit But yeah, right, it's
Speaker 4: some shot seen shit happened in the hood, like I do.
Speaker 4: It's I know, abroad to eighty thousand from a nigga.
Speaker 1: Yeah, gave it to her brother, right, Yeah, you can
Speaker 1: expect that if he was to run into her, if
Speaker 1: they would have found her in the trunk for it's warranted. Yeah,
Speaker 1: I get it.
Speaker 4: Yeah, absolutely, nigga stood out here all these days doing
Speaker 4: what he's doing whatever.
Speaker 1: But what he did to get this money and you're
Speaker 1: gonna get that ship to your brother, No, I get it.
Speaker 1: You understand what I'm saying. So nothing like that.
Speaker 4: If we just saw him stop out the nigga, we
Speaker 4: kind of understand that. You understand what I'm saying. So,
Speaker 4: but from the looks of it, it looked like she
Speaker 4: just was trying to leave, right, you know what I'm saying.
Speaker 4: He just was trying to leave and you wasn't trying
Speaker 4: to let her leave, and you put hands and feet
Speaker 4: on her and that's going and we ain't jacking that,
Speaker 4: you know what I'm saying. Then we hear all these
Speaker 4: stories about you watching you, you shaking our wild another
Speaker 4: niggas is jelling and all of that.
Speaker 1: That's nasty. Like we don't like.
Speaker 4: I'm not like once you got a case against ladies.
Speaker 4: Once it's a case against ladies, and we don't give
Speaker 4: a fuck.
Speaker 1: Ain't no yo, yo yo, that nigga snitched on that nigga.
Speaker 1: What he did, Yo used to be beating up his
Speaker 1: girl and his kids. And ship your call the police.
Speaker 1: That niggas a rat. No, he ain't no rat.
Speaker 4: You ain't gonna get me to call that nigga, no rat.
Speaker 4: You know what I'm saying with you to call the police. No,
Speaker 4: But i'd have told my bitch.
Speaker 1: Yeah, I know she was gonna You know what I'm saying,
Speaker 1: I ain't calling the police or nobody. He's still my car.
Speaker 4: I got a reported stolen. You know what I'm saying,
Speaker 4: But just calling police? What I know, I tell it
Speaker 4: to a bitch. I know what the bitch is gonna do.
Speaker 2: I'll get it all right before again, before we get
Speaker 2: out of here. New music that's out right now, maybe
Speaker 2: we're recording this Thursday night. Maybe Kanye West Bully is out.
Speaker 1: I don't know. I don't think so, I don't think.
Speaker 1: I don't think we get a Bully tonight.
Speaker 2: He already pushed back all the listening sessions because his
Speaker 2: own team put out a message said, you know, all
Speaker 2: the listening sessions tonight are canceled because he hates the Master.
Speaker 2: So I don't think we have Bully right now. If
Speaker 2: you're listening to this, I don't think Bully's here.
Speaker 1: No, it's not happening.
Speaker 2: But I mean, yet, that's that's that's your favorite artist.
Speaker 2: Shut eighty l that's a choice. Okay, listen, I'm gonna
Speaker 2: save that from my own my own podcast. I'm gonna
Speaker 2: start some some paywall ship that not to make money,
Speaker 2: but you have to pay a lot so you can't
Speaker 2: cancel you on my with certain things.
Speaker 1: Oh I wish I interested the songs interesting, album title interesting,
Speaker 1: Just leave it at that. Very interesting. What's she's real name?
Speaker 1: Noah Olivia Smith? Okay, Olivia Smith, Noah Olivia. Oh good man.
Speaker 2: Uh, congrats to Fetti. Everything Fetti went through that that
Speaker 2: I don't think he deserved whatsoever. I think that entire
Speaker 2: case is bullshit and I think it's awful that he
Speaker 2: had to do the time that he did. So I'm
Speaker 2: this album could stink, and I'm still here to support
Speaker 2: everything that he does. I'm not saying or think it's
Speaker 2: going to be bad, but it's tough.
Speaker 1: To album coming out right now.
Speaker 2: Yeah, That's why I'm saying it's quick. It's really quick.
Speaker 4: I feel like I'm gonna say this right as a
Speaker 4: nigga that did mad time a jail came home. He
Speaker 4: didn't do a lot of time A Yeah, you know
Speaker 4: what I'm saying. So he probably was like in ray
Speaker 4: Brook or one of these shits close the way you're from.
Speaker 4: You know what I'm saying, probably wasn't that far away
Speaker 4: he was. He was here, right, So we're in New
Speaker 4: York and the New Year.
Speaker 2: I think he was in the actual affairs. I don't
Speaker 2: think he was in so.
Speaker 4: Like ray Brook or Otisville is the New York does
Speaker 4: the FEN spots in New York. So I'm saying like
Speaker 4: he probably could have had a post on what was
Speaker 4: going on. But even with people telling you was you
Speaker 4: imagine and what's happening in the streets? Like they could
Speaker 4: tell you, like they could tell you your best friend
Speaker 4: did something, and you have to imagine this shit.
Speaker 1: You ain't see it. You gotta imagine the shit.
Speaker 4: Five people could tell you the story, you still have
Speaker 4: to imagine in your brain what happened.
Speaker 1: You understand what I'm saying to come home that nigga
Speaker 1: just got here to have a whole album. Ready.
Speaker 4: You ever see the like niggas on the internet come
Speaker 4: home from jail and they be rhyming like the blood niggas,
Speaker 4: And I don't want to like single them out, but
Speaker 4: specifically them because they the big gang in York. And
Speaker 4: so you see these niggas come home and they be
Speaker 4: rhyming on the internet and they be trash, but they swagger.
Speaker 1: It's like, how the fuck this nigga think this ship
Speaker 1: sound fire? Because I'm gonna tell you.
Speaker 4: I'm gonna tell you how to have the look they
Speaker 4: on a day in a in a in a dorm
Speaker 4: or or or or sell black.
Speaker 1: It's mad blood den Okay, they're gonna cheer you on home.
Speaker 4: They niggas fit that trash shit niggas Like, whoa nigga
Speaker 4: think this ship is fired?
Speaker 5: For ten years? Meanwhile, yeah, all the netral niggas they
Speaker 5: sound like you know what I'm saying.
Speaker 4: So now when you see these niggas on the internet,
Speaker 4: they like you like, nigga, what the fuck like, why
Speaker 4: would you be thinking that you getting it in right there?
Speaker 4: Just because he was in jail with the homies and
Speaker 4: they got him feeling like he's nice.
Speaker 1: I'm telling you it be like that.
Speaker 2: It should be happening like that. I mean ship, I'm neutral.
Speaker 2: I'd still be like, Yo, that's crazy.
Speaker 1: Bro that.
Speaker 4: You don't even hear nothing else. He's saying niggas banging
Speaker 4: on the walls and all that. He thought he just
Speaker 4: got busy me.
Speaker 1: So much stuff to rhyme with Mac Baller. You killing that?
Speaker 3: Oh my god, man, I am looking forward to the
Speaker 3: Stove Guard and Swiss Beats album. All this for me
Speaker 3: saying how you feel about Stove like Stove.
Speaker 4: I gotta start listening to Stove more, man, because I'm
Speaker 4: fucking with these upstate niggas, man, you know, and they
Speaker 4: selling mad drugs and the music and they seem like
Speaker 4: they don't own the niggas.
Speaker 1: That's consistent. I think you're like, you need to listen
Speaker 1: to reasonable Drought. Reasonable Drought? Is you never Stove girl?
Speaker 4: I might have heard it. Man, I'm telling I don't
Speaker 4: really like he got some ship. He got some ship
Speaker 4: on the Fuego based ship that I was doing that
Speaker 4: ship you like Fego Though he got some ship. I'm
Speaker 4: plugged in, superduper plugged. Dean.
Speaker 3: You gotta listen to Reasonable Drought though. That's Stove to me,
Speaker 3: that's a classic mix tape.
Speaker 2: Yeah, I was gonna say it's probably the last classic
Speaker 2: mixtape that I can think of. I mean, I know,
Speaker 2: I guess it's it's a mixtape to me, classic mixtape.
Speaker 1: Rock Marshon executive produced.
Speaker 4: You like rock Mossy love Ro I'm not a real
Speaker 4: big rock Mossy fan what not. I just I'm not
Speaker 4: have you like, really like listened to him?
Speaker 1: I got into the music. Yeah, but what don't you
Speaker 1: like about is the music?
Speaker 4: Is that the rhymes?
Speaker 1: It's like it ain't my eyes. I don't know it.
Speaker 1: Ship seemed like a little like I don't really know
Speaker 1: how to put it, but it ain't.
Speaker 4: You gotta really like, No, I really I really did, really,
Speaker 4: because niggas are saying rock Moss I listened to rock Massy,
Speaker 4: Rock Massy, his man Arrow from Long Island. It's something
Speaker 4: right rock lost Ever from all of them, I shoot
Speaker 4: the best friend. I don't funk with like that. Neither
Speaker 4: they nice.
Speaker 1: I ain't saying. I ain't saying one of the best
Speaker 1: players in the city right now, Like you know that's
Speaker 1: that old he round like a real nineties nigga.
Speaker 4: Like that's that, that's that flow. I know your personal
Speaker 4: is like ball for ball in New York. I just
Speaker 4: he better than Shooter, I think, so, yeah, that's ill. Yeah,
Speaker 4: they like best friends. It's errors it's his flow. I
Speaker 4: love his flow like it's that it's theMIND be everywhere
Speaker 4: some time.
Speaker 3: But but but it's it's it's if you just listening,
Speaker 3: it kind of feels like it's everywhere, but it's not.
Speaker 3: Though it's not I know what you mean by that,
Speaker 3: because like if you first listen to it, it's like
Speaker 3: it's like he's saying like he off the out the
Speaker 3: pocket a little bit, but he's not though. He just
Speaker 3: on a different downbeat, like he's not on the the
Speaker 3: nicest in the city.
Speaker 1: He's one of them. To me, yeah, he's one of them.
Speaker 1: He's one of the best nigga in New York right now.
Speaker 1: For sure, you should make songs. He can make songs.
Speaker 1: I'm just skill straight rapping. I'm just gonna if he's
Speaker 1: better than don Q, I'm gonna I'm gonna say, yes,
Speaker 1: I fuck with Donk.
Speaker 4: Don is nice. If my son could make songs better
Speaker 4: and he can make better, just give him to him.
Speaker 4: But do that, Okay, you know what it is. I
Speaker 4: think Errol will say some ship like don is nice,
Speaker 4: and he's gonna be like, yo, he smoked that.
Speaker 3: But Erro gonna say some ship make you think about
Speaker 3: it and you're gonna it's the type of ship that
Speaker 3: you'll you'll repeat.
Speaker 1: Like the next day, Like Yo, the nigga said, like
Speaker 1: he said to me.
Speaker 3: That's the difference in erroor it's like you're gonna you're
Speaker 3: gonna walk away from listening to him and you're gonna
Speaker 3: repeat what he said, or you're gonna like revisit what
Speaker 3: he said in your head more than what Don said.
Speaker 3: But you're gonna know Don is nice. You hear Donkey
Speaker 3: rap that niggas nice. But Errod just got a way
Speaker 3: of saying. It's the way he says.
Speaker 1: Ship. That's gonna I think live with you a little longer.
Speaker 1: Just tappen with it though, just tapping on the little
Speaker 1: nah I fu, I funk, I know who that is.
Speaker 1: Like niggas put me on the soun. Niggas put me
Speaker 1: on the sun. They told me that was They told
Speaker 1: me that was shooting best friend, growing up and ship.
Speaker 1: And I'm saying, you know, I was locked up with
Speaker 1: shooting sh What I'm saying, shout out the shooting punch,
Speaker 1: my man. I'm saying, mad ciphers with that nigga growing
Speaker 1: up and ship. What I'm saying, you know what I mean.
Speaker 1: So I passed him with saying he nice. Yeah, I'm
Speaker 1: sure see like me personally, niggas could be nice. But
Speaker 1: I don't be listening to that ship though. I'm saying.
Speaker 1: You know what I'm saying, like a lot of nice.
Speaker 1: But that's not like you know, it ain't my bot.
Speaker 1: I'm saying saying one, I totally get it. There'd be
Speaker 1: a lot of ship like that.
Speaker 4: I'll be like, there's a lot of ship like that
Speaker 4: going on right, Like I'm telling these the niggas selling drugs,
Speaker 4: maybe you ain't selling drugs. I don't really want to
Speaker 4: hear that ship right now, not like E s TG.
Speaker 1: Just Stove is gonna be your guy. Yeah, no, Flames
Speaker 1: not molk count me like flames. Yeah you don't funk
Speaker 1: with that. I do. Yeah, I like Flames.
Speaker 2: It's not something I throwing all the time. Plaines make
Speaker 2: better music though, Stove makes way better music.
Speaker 1: And it's but yeah, it make better songs. I'm saying.
Speaker 1: I'm saying.
Speaker 4: Melodic ship like like for instance, right Stove said talk
Speaker 4: to the plug Monday came on Friday, see me a
Speaker 4: hundred of I need a hundred off. Right, you found
Speaker 4: a hunded niggas in the hood. Out of them honey niggas.
Speaker 4: None of them niggas had a honey. You found a
Speaker 4: hunding niggas in the hood. Not am not one of
Speaker 4: the niggas had a honey. Flames Domali said, what you
Speaker 4: doing sitting in my bagging up some batas, sitting in
Speaker 4: my whip crack on my hands.
Speaker 1: I can't hit the blunt they put it to my lips.
Speaker 1: I did this ship. It's it's a big difference, you know,
Speaker 1: I'm bagging up the relate. You can't touch that blood.
Speaker 1: You can't touch that blood all the all, like wording
Speaker 1: up like that's autoble s I did that. Yeah, I'm saying,
Speaker 1: send me a hundred of them. It's more relatable, just.
Speaker 4: Like that.
Speaker 1: Yeah, yeah, I get it. It's more. It's way more related.
Speaker 1: I get what you're saying. I get what you say,
Speaker 1: and it's like I'm saying, like I just but.
Speaker 3: That don't mean it's still ain't hard though, Like just
Speaker 3: because you I'm saying, you could identify and relate to
Speaker 3: it more because that's something identify with.
Speaker 1: I get it.
Speaker 4: That nigga flaint everything you know, I like him he
Speaker 4: talked about that like that. Yeah, that's like nice. But
Speaker 4: Stove God Wago basis the plainest is hard Sho talking
Speaker 4: that ship. Yeah, he's definitely talking Stove God. Swiss beats
Speaker 4: all this for me. I'm looking forward to this joint.
Speaker 4: I'm gonna check it out though, Yeah, to check that out.
Speaker 2: That's my first click and I'm gonna stay up for
Speaker 2: the Stove gotsh I'm excited for this.
Speaker 1: Yeah, I want to hear that.
Speaker 2: And my sister Jozzie, she's putting out her album soundtrack
Speaker 2: to get her back. Josy, that's you know how you
Speaker 2: have like sisters in Christ. She's my sister in toxicity. Okay,
Speaker 2: nobody's more toxic than Jozzi even though she she's actually
Speaker 2: gonna come up next week. She's one of the coolest
Speaker 2: shicks ever. She's a sniper. You think young Amazon sniper
Speaker 2: be a sniper.
Speaker 1: Don't put Jozzy out there like Jossi is a sweetheart.
Speaker 1: She's a sweetheart. We ain't gonna put Jozzy business out
Speaker 1: there like that. We ain'tna do that.
Speaker 3: We're gonna talk to her. But Josey is super talented,
Speaker 3: one of the best pins in the game.
Speaker 1: Yeah, she sings. Yeah, she was.
Speaker 2: I hate with the puff shit that happened. Outside of
Speaker 2: the obvious she was. The last album was incredible. She
Speaker 2: was like she smoked that whole project.
Speaker 1: Yeah, but even her project that she put out though,
Speaker 1: oh yeah, that was that was to me was one
Speaker 1: of the best projects that year that she put out. Absolutely.
Speaker 1: So Yeah, I'm excited to have Jossy up here next week.
Speaker 2: But yeah, we're out of here. We'll see y'all on Saturday.
Speaker 2: Actually Saturday in New York City.
Speaker 3: If you're in New York, Cafe Comodol to eighty six
Speaker 3: Broome Street, come kick with us one to six.
Speaker 1: We'll be there selling some merchs. You're coming through offfee ubes.
Speaker 2: Pops you got you gotta you gotta monitor the playlist
Speaker 2: that that you sent over to Ryan.
Speaker 3: You gotta just stand outside with the All he gotta
Speaker 3: do is his shuffle on that ship.
Speaker 4: As long as the crowd is a New York centric crowd,
Speaker 4: he's gonna be good money.
Speaker 2: Ryan doesn't know his intern hazing yet. He's gonna have
Speaker 2: to babysit my daughter for five hours. He doesn't he
Speaker 2: has He does not know that, man, He doesn't know
Speaker 2: that he's about to say the backyard.
Speaker 1: She's three, and she's like a terror three. She's not
Speaker 1: like a regular three. Five hours. I would tell you,
Speaker 1: I would tell like, I don't know, ten years older
Speaker 1: than your genie. He's a genie.
Speaker 4: In that back that backyard behind the cafe, they just.
Speaker 1: Figure out things. Had this nigga going to get his
Speaker 1: nigga's a genie.
Speaker 2: She's gonna say, chase me for six hours with him.
Speaker 1: Oh my god.
Speaker 3: But either way, if you're in the city, come by,
Speaker 3: come check us our cafe Comodol Toy street Man will
Speaker 3: be there for a few hours, one to six having
Speaker 3: fun this Saturday. So yeah, if you're in the city,
Speaker 3: we'll see you then. If not, we'll talk to you soon.
Speaker 3: Be safe, Be blessed them. That nigga, he's a ginger.
Speaker 3: That's netflix it.
Speaker 1: Let's get to that