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Speaker 1: No Willian Doctor.

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Speaker 2: Welcome back. End of the week. We're sponsored by Boost.

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Speaker 2: This Saturday we have our pop up shop for our

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Speaker 2: merch Come through one to six.

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Speaker 3: Cafe Cole Model. Yes, eady six Broome Street. Pull up

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Speaker 3: on us, We'll be there.

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Speaker 2: Ryan has been practicing all week on his DJ set.

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Speaker 3: You Ryan, it's a lot of pressure on you Saturday.

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Speaker 3: I've been telling I've been telling everybody. I'm like, yo, Ryan,

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Speaker 3: this is his first gig. It's not his first, I

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Speaker 3: mean New York. This first gig in New York. Okay,

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Speaker 3: fair first gig. I mean it's the only gig that

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Speaker 3: matters and the only only New York for your first

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Speaker 3: in your last first gig in New York City. Say,

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Speaker 3: eybody's looking forward to your to your set. Not to

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Speaker 3: put a lot I want too much pressure on you,

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Speaker 3: all right. I don't want to put too much pressure

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Speaker 3: on you. But the players Trim was good. You said

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Speaker 3: them something see Zip gonna send you too much. It's

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Speaker 3: it's gonna be thirty minutes to mob. I was about

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Speaker 3: to say it's gonna be sing, it's gonna be.

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Speaker 2: They play Coolie rap at that cafe anyways.

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Speaker 1: No, that's cafe co model.

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Speaker 3: They definitely a hip hop friendly establishment, so it won't

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Speaker 3: be too too far out the out the warehouse.

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Speaker 1: But we are doing shuffle on that playlist.

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Speaker 3: There's no skips on the playlist said, there's not a skip.

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Speaker 3: Send me to send me to send me the playlist

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Speaker 3: that Zip sent you, because I I don't know, man,

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Speaker 3: because Zip Zip told me one definitely got who album

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Speaker 3: you said was a classic and I looked at you

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Speaker 3: like mob Deep the War Report.

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Speaker 4: No, it wasn't that one. I wouldn't give you too much.

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Speaker 4: You should get rid. Trying is not a classic, So.

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Speaker 2: There's that that doesn't exist.

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Speaker 1: All right?

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Speaker 3: Is a classic album if it's two skips on the

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Speaker 3: classic albums at?

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Speaker 1: A classic?

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Speaker 4: Is ready to Die classic album? Yes, yes, there's two

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Speaker 4: skips on it. I can skip through ships, right. I

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Speaker 4: live for the funk. I'm down for the Let me

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Speaker 4: get that out of here.

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Speaker 1: Not a skip to me. You was gonna say, like.

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Speaker 3: Because because but now you making it a thing like

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Speaker 3: this is the second time you win that Big.

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Speaker 1: No, I'm just saying and like, but why he disrespected you?

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Speaker 4: Know what I'm saying what I'm saying, But what is

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Speaker 4: it about Big in particular because you go right the

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Speaker 4: big because those is the classics, Like we know the classics.

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Speaker 1: That's okay, we.

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Speaker 4: Know the classic. After a while, you're gonna skip some

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Speaker 4: ship on the classic is what was the name of

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Speaker 4: that ship? I think get rich of do trying? Because

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Speaker 4: of it all lies on me. It's all lives on me.

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Speaker 1: A classic. Yes, yes, that's Parks classic. Is there not

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Speaker 1: five skips on that album? I don't know about. Baby.

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Speaker 1: Let me give you a call.

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Speaker 5: How much will it take to break you if you

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Speaker 5: really want it? Yo?

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Speaker 4: Man?

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Speaker 3: But looks, but that's another one of the grates that

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Speaker 3: we lost, Like what is it what you going at

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Speaker 3: the greats that we lost that's no longer here, Like

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Speaker 3: people deem that to be, like, come on, that's a

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Speaker 3: little disrespectful. You can't go at the grace that's not here.

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Speaker 4: So if I see an ugly ass Michelangelo painting and

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Speaker 4: I say that's ugly, they're gonna say.

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Speaker 1: Oh, y'all, you can't go out the greats. She's no

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Speaker 1: longer here.

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Speaker 3: But that's not our that's not our culture. That's a

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Speaker 3: little different. That's not our colture. We're talking about our

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Speaker 3: culture hip hop because you win that big, then pop.

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Speaker 4: Listen, I spend money on these niggas. These niggas ain't

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Speaker 4: never spend money on me. I could say, what the

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Speaker 4: fuck I want to say about it? Y'all spend my

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Speaker 4: money on this shit.

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Speaker 1: That's the fact. Five skips all eyes on me. So

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Speaker 1: I got to go back and listen to it. I'm looking.

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Speaker 1: I don't know if it's double CD.

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Speaker 4: Definitely five skips on that shit in two thousand, okay,

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Speaker 4: but if it's a double that came out thirty years ago,

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Speaker 4: thirty one years years ago, thirty years ago.

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Speaker 2: But you you just said machine gun Funk is a skip,

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Speaker 2: and that's crazy to me.

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Speaker 1: All I want this bitch, big body chairs Pat got Yeah.

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Speaker 2: Well, when I went to Big Big kids are opening

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Speaker 2: up a restaurant. So I went to like the tasting

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Speaker 2: for the ship, and when I walked in, I I

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Speaker 2: was like, man, Zip just called their father gay yesterday.

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Speaker 1: So I don't know I should be walking in and

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Speaker 1: laughing like what's up with you. I didn't call him gay.

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Speaker 1: I just say he was the king of the gay raps.

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Speaker 1: He just he just don't want to say a little bit, okay,

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Speaker 1: just say nasty ship you say mad nasty. I respect that.

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Speaker 1: I mean you ain't. I ain't saying the niggas. They

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Speaker 1: had a nice little bit, but he just had some

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Speaker 1: a little bit. He had some bars that he said.

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Speaker 1: It was kind of like what you what you said?

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Speaker 1: Why you? Why? How you landed on that big? That's

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Speaker 1: so I understand that, but it's it's classic. Some skips

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Speaker 1: skips on it.

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Speaker 4: When that ship furgured come out, I think if it's

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Speaker 4: more than two then it can't be. It can be

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Speaker 4: a good And that's the thing I think people why

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Speaker 4: we just can't say that album is dope butmless. It

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Speaker 4: ain't time niggas get caught up in when when it

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Speaker 4: come out, this ship is fire, we bumping this.

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Speaker 1: We jacking it. And then five years lady, you don't

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Speaker 1: hit the same no more. It's not timeless.

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Speaker 4: Like like I always say it, Big got the best

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Speaker 4: rap album all time than me Life after Death. I

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Speaker 4: don't think nobody made a better album than that Me personally,

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Speaker 4: I don't think nobody made a more complete album than

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Speaker 4: Life after Death. I feel like that shit got every

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Speaker 4: kind of song on it. It got fun shit, they

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Speaker 4: got shit. He just bullshitting around.

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Speaker 1: Play he got every type of like, every type of

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Speaker 1: vibe is on that album.

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Speaker 3: So that, to you, Life after Death would be the

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Speaker 3: best hip hop album. Yes, I don't know if I

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Speaker 3: share that sentiment with you, but that is one of

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Speaker 3: my favorite albums, though I don't know if.

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Speaker 1: It's like what you think is better than that take care.

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Speaker 3: I think Reasonable Doll is a better album than that

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Speaker 3: than Life after Death top to bottom. Like, if you

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Speaker 3: listen to Reasonable Doubts to there's no skips on there.

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Speaker 2: I don't think there's any skips on Life after Death today. Yeah,

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Speaker 2: but I'm just crazy. It's a double disk like, but.

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Speaker 4: I mean the music is better on I think the

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Speaker 4: music is better on Life after That. I think it's

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Speaker 4: way better production on Life after Death than Reasonable Doubt.

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Speaker 2: Yeah, yeah, the production is definitely better Reasonaly great production,

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Speaker 2: don't get it, but it's better beat Life after Death.

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Speaker 2: On beat selection is you could make a case it's

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Speaker 2: like the best produced hip hop album until you get

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Speaker 2: to some Kanye shit.

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Speaker 1: But Life after Death has the best beats out of

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Speaker 1: them two albums for sure, you know what I'm saying.

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Speaker 4: And I like I came outside of them ships like

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Speaker 4: that Reasonable Doubt, like I was really hustling to that shit.

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Speaker 4: I knew that I knew what he was saying. A

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Speaker 4: lot of that shit was fine over my idea, but

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Speaker 4: I understand that you could listen to that ship right

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Speaker 4: now here. Some shitn't be like reason that ship thirty

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Speaker 4: years ago.

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Speaker 1: Bro Reasonable Doubt.

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Speaker 3: Yeah, yeah, I mean that's why you know what Jay

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Speaker 3: doing the shows that Yankee Stadium. You know, I'm laughing

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Speaker 3: looking at everybody on the internet that's like in their

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Speaker 3: you know, early thirties, late twenties, and they raving about this,

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Speaker 3: and I'm just like, y'all, don't even y'all think it

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Speaker 3: wasn't even y'all was either just born or you know

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Speaker 3: what I'm saying, Like it was three years old when

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Speaker 3: that album came out. But to see people thirty years later,

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Speaker 3: it's still like so much excitement and energy around the

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Speaker 3: idea that Jay is doing a show based on that album.

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Speaker 3: I think it's dope, but it's just funny to see

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Speaker 3: like younger cats like really raving and going crazy to

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Speaker 3: get tickets for it.

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Speaker 2: I hate you ages because I was six years old

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Speaker 2: when Reasonable Doubt came out. But no, I don't know

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Speaker 2: what the experience of walking outside when reasonable doubt was

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Speaker 2: was going on, and even that was it wasn't like

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Speaker 2: a big release. Ain't no ten all that experience that nah,

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Speaker 2: I ain't no nigga. We all went back to reasonable doubt.

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Speaker 2: Ain't ain't going on. That shit went gold bro. Going

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Speaker 2: gold in ninety.

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Speaker 1: Six was a big deal. Reasonable doubt went gold bro.

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Speaker 4: Like people try to take that away from home, like, yo,

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Speaker 4: it ain't really doing nothing because it ain't gonna platinum

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Speaker 4: in ninety six.

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Speaker 1: Platinum wasn't the standing.

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Speaker 4: Gold was the standy and that ship went gold, and

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Speaker 4: then he re released it and it went platinum two

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Speaker 4: or three years later.

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Speaker 1: How long did it take to go go though? Probably

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Speaker 1: the a lot of.

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Speaker 4: The amount of time that it used to take them

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Speaker 4: ships to go gold, because I'm sure he got the

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Speaker 4: he got the checks for that ship.

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Speaker 2: I think it sold like twenty seven thousand first week,

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Speaker 2: which isn't bad, but like I mean, it was independence

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Speaker 2: like he.

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Speaker 1: Was still back then. It was written solar first week.

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Speaker 2: Back then, that ship might have went gold the first week,

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Speaker 2: because now went gol first.

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Speaker 1: A star at that point, Naves was a star.

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Speaker 4: But I don't think it went gold of first week

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Speaker 4: because because the three to me, those are the three big.

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Speaker 1: Albums that came out that song with Yeah, all eyes

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Speaker 1: on me.

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Speaker 4: It was written in reasonable doubt. Those are the three

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Speaker 4: Hello ears came out that year that went gold in

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Speaker 4: three months.

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Speaker 1: That's crazy. Yeah, that's a lot of time out here

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Speaker 1: to get out your check. That used to get you

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Speaker 1: your check right there.

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Speaker 2: I'm just saying that it was like jay Z wasn't

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Speaker 2: a star at that point. I've had heard out of

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Speaker 2: his own mouth in interviews where he's like, I would

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Speaker 2: go to the grocery store, like no one knew what

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Speaker 2: the fuck I was when reasonable doalcutt.

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Speaker 1: But it was different back then.

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Speaker 4: At three thousand, first week on the debut in ninety six,

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Speaker 4: they buying physical copies of the ship and like you said,

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Speaker 4: nobody know who he is.

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Speaker 1: That's flying. Oh no, I think it's incredible. I'm not

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Speaker 1: a nigga. Ain't no nigga was.

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Speaker 4: Rocking for like a whole year before the album came out. Yeah,

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Speaker 4: it was fox Yeah, him and Foxy that it was.

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Speaker 3: Right, that's when, that's when, that's the when, that's how

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Speaker 3: they used to break artists on the soundtrack. Yeah, the

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Speaker 3: first time you would hear a lot of artists would

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Speaker 3: be on the soundtrack from movies. It's like, oh, who's

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Speaker 3: that and you're gonna look and be like okay, and

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Speaker 3: then eventually the label like, okay, that song caught. Now

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Speaker 3: let's start working this artist because obviously this is people's

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Speaker 3: favorite song off the soundtrack, and like that.

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Speaker 4: My favorite pot shit is on the soundtrack, which one

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Speaker 4: above above the rim is so much pain Ship.

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Speaker 2: Yeah, that's probably that's probably the top. They never take

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Speaker 2: me a love year with my full five cock?

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Speaker 4: Is that?

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Speaker 3: That's my favorite part ship. That's a classic soundtrack. Above

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Speaker 3: the room above the rim Ship was Death Road did

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Speaker 3: the Sugar Ship?

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Speaker 1: About the rooms? The classical sounds, right, that's what I think.

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Speaker 1: That's what's missing.

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Speaker 3: We need moments like that, like to attach songs, like

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Speaker 3: specifically to movies where it's like.

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Speaker 4: Niggas just punching their homie. They ain't write rhymes no more.

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Speaker 4: It's never gonna be like that no more.

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Speaker 2: Bro. I mean they kind of they try to do

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Speaker 2: it sometimes, like Black Panther Kendrick did that that soundtrack.

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Speaker 2: I think Cold did uh Ship. I was at the

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Speaker 2: right in session. I forgot what movie that was dream

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Speaker 2: Bell did a whole movie sounds they've been trying. It's

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Speaker 2: not like songs anymore though, it's just much. It's just

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Speaker 2: full projects that they try to.

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Speaker 4: Put with You see these albums that we talk about,

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Speaker 4: like the classics and shit like that. These albums sat

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Speaker 4: with us for mad long before we got other music.

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Speaker 2: Bro.

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Speaker 1: Yeah, of course, yeah. We get music way too fast.

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Speaker 1: It's too much shit coming. It's too much. It's too

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Speaker 1: much music coming down the pipeline pulls like we get.

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Speaker 3: Too much music for that ship. But it's the same

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Speaker 3: thing even with It's funny. I saw somebody on Instagram video.

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Speaker 3: He said, y'all remember when you would only see maybe

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Speaker 3: eight bad women in your life, Like only eight, it

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Speaker 3: will be.

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Speaker 1: No bad bitches as soon as you press scroll.

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Speaker 4: It's like, yo, homie, I told my men and that ship,

255
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Speaker 4: I say, your son back in the day's son, it

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Speaker 4: was ten bad bros out here.

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Speaker 1: Bro. It was ten bad bros out here.

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Speaker 2: Bro.

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Speaker 1: That's it, just ten bad bro, not only ce ten Bro.

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Speaker 1: It's so many bad bases in the world. I don't

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Speaker 1: do that. Nigga wasn't supposed to know it was that.

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Speaker 4: Many of them at all, because now It's like, how

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Speaker 4: how can I like commit to this ship right here?

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Speaker 1: Why would better than would I? I saw some ship.

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Speaker 4: I don't know if she's better than you, like spiritually

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Speaker 4: and mentally, but physically she's better. It's a lot of them. Yeah,

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Speaker 4: every day I see them. Oh they got filters on.

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Speaker 4: I saw you with filters on you with the is

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Speaker 4: you talking about? Oh she got come and filed on you.

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Speaker 4: You'll be doing that too.

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Speaker 2: So I know you look different. I know she looks different,

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Speaker 2: but I want to find out right.

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Speaker 1: Yeah, I think it's just too much.

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Speaker 4: It's just too much, way too much pick and choose

275
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Speaker 4: for the bruhs tudo because they ain't used to know.

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Speaker 4: It was all of these niggas jinking in the world.

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Speaker 4: They see you in the hood, you're doing your day.

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Speaker 4: But even it was a bitch ticket. Yeah, you're doing

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Speaker 4: your day. Use a bitch ticket out the hoods. So

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Speaker 4: she now it's like, don't even speak in the street.

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Speaker 4: Some girls don't speak in the streets. Son, they won't

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Speaker 4: act like but get on the internet and put the

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Speaker 4: whole ass on the internet. Don't want say one word

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Speaker 4: in the street.

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Speaker 3: But you know, but but but but me and Rory

286
00:12:36,440 --> 00:12:38,760
Speaker 3: talk about that, like you can't even you almost can't

287
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Speaker 3: even approach women and say hello, no more.

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Speaker 4: No, it's better to just give them your phone in

289
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Speaker 4: the Instagram spot to search.

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Speaker 1: Just it be better off to just pass your phone

291
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Speaker 1: like that. That's your business. Don't say nothing. Yeah, she

292
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Speaker 1: just put us in and.

293
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Speaker 4: Then you start dming the bit of hit follow for

294
00:12:56,000 --> 00:12:59,439
Speaker 4: you and all that, and I'm saying, yeah, bitch of

295
00:12:59,520 --> 00:13:01,760
Speaker 4: hit file going all that, like I was doing that.

296
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Speaker 2: But it's better than trusting the girl. I don't say

297
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Speaker 2: a word and just handing my phone with the search.

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Speaker 1: I've seen that, and she do it. I've seen. That's

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00:13:08,320 --> 00:13:11,240
Speaker 1: a red flag. That's what you gotta do, nig I've

300
00:13:11,280 --> 00:13:14,000
Speaker 1: seen it. Though I've seen it. I've seen it. That's

301
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Speaker 1: how I go, Homie, I'm dead ass, That's how I go.

302
00:13:16,320 --> 00:13:18,520
Speaker 2: But to your point with that, the same with the women,

303
00:13:19,080 --> 00:13:22,959
Speaker 2: the ability and access women have to millionaires.

304
00:13:23,920 --> 00:13:25,480
Speaker 1: Yeah, it's so crazy.

305
00:13:25,559 --> 00:13:28,000
Speaker 2: Like a girl like the same way you only see

306
00:13:28,000 --> 00:13:30,520
Speaker 2: the ten chicks that was there, she probably see one

307
00:13:30,679 --> 00:13:32,559
Speaker 2: rich guy her whole life.

308
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Speaker 3: And did not even like SuperM fifty millionaires. But it

309
00:13:37,559 --> 00:13:39,319
Speaker 3: was like he wasn't even like super riches that he

310
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Speaker 3: owned the corner store.

311
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Speaker 1: Fun.

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00:13:41,679 --> 00:13:43,079
Speaker 4: He was like he only bean in front of the

313
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Speaker 4: corner store with a big shame take it out the

314
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Speaker 4: hood like this.

315
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Speaker 1: He ain't own ship.

316
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Speaker 4: He had an Audi saying he had an audis a.

317
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Speaker 1: Nice little condo. And watch that was it. She think, oh, yeah,

318
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Speaker 1: he's the richest nigga in the hoo. Yeah. But now

319
00:14:01,240 --> 00:14:03,160
Speaker 1: she put her phone on it. She see these niggas

320
00:14:03,160 --> 00:14:03,920
Speaker 1: everywhere in the country.

321
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Speaker 4: Niggas they got all the domins, the Cali niggas, they

322
00:14:07,280 --> 00:14:10,320
Speaker 4: looking like they're stacking all of the money. The athlete niggas,

323
00:14:10,440 --> 00:14:14,400
Speaker 4: the actors. The athlete niggas is telling brous their whole name.

324
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Speaker 1: Why not they know they they know what They're gonna

325
00:14:17,480 --> 00:14:21,320
Speaker 1: donna google that the media. Yeah, what's it? He just

326
00:14:21,400 --> 00:14:24,720
Speaker 1: signed for what they saying their whole name. You're standing

327
00:14:24,760 --> 00:14:26,840
Speaker 1: no chance fas staying no chance.

328
00:14:26,880 --> 00:14:28,920
Speaker 4: Regular niggas stand no chances with them niggas, them niggas

329
00:14:28,920 --> 00:14:30,080
Speaker 4: giveing their whole name out shait.

330
00:14:30,880 --> 00:14:32,920
Speaker 2: We thought the rich athletes were the final boss we

331
00:14:33,080 --> 00:14:35,240
Speaker 2: have to compete with like Saudi princes.

332
00:14:36,440 --> 00:14:39,480
Speaker 4: They fucking regular chicks from the neighborhood. This is what

333
00:14:39,600 --> 00:14:42,280
Speaker 4: I'm saying, your homie, do you know how they say

334
00:14:42,280 --> 00:14:44,800
Speaker 4: the world is big. That ship is the side of.

335
00:14:44,840 --> 00:14:45,360
Speaker 1: Your phone home.

336
00:14:45,640 --> 00:14:48,440
Speaker 4: Yeah, yeah, the world's size of your phone, homie, that

337
00:14:48,480 --> 00:14:51,480
Speaker 4: ship is smallest. You can see all the brothers in Brazil.

338
00:14:51,600 --> 00:14:53,920
Speaker 4: If you want everywhere, you could go wherever you want

339
00:14:53,960 --> 00:14:54,640
Speaker 4: to go on that phone.

340
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Speaker 5: Bro.

341
00:14:55,440 --> 00:14:55,600
Speaker 1: Yeah.

342
00:14:55,640 --> 00:14:57,440
Speaker 3: So that's what I'm saying. Even with music and art

343
00:14:57,480 --> 00:14:59,840
Speaker 3: and shit that we consume, it's like it's just too much.

344
00:15:00,200 --> 00:15:02,760
Speaker 3: It's tough because by the time I'm really settling in

345
00:15:02,880 --> 00:15:06,880
Speaker 3: with this album and this artist, Thursday comes around again.

346
00:15:07,040 --> 00:15:10,640
Speaker 3: Thursday night. We got a whole new batch coming into

347
00:15:10,720 --> 00:15:12,920
Speaker 3: new music and things like that, and sometimes.

348
00:15:13,040 --> 00:15:15,240
Speaker 4: A lot of this you're talking about label all this stove.

349
00:15:15,680 --> 00:15:19,880
Speaker 4: I'm saying, every day somebody is putting some shit out.

350
00:15:20,320 --> 00:15:24,800
Speaker 3: Yeah, yeah, yeah, yeah, that's something because everybody, anybody could upload, right.

351
00:15:24,960 --> 00:15:26,640
Speaker 3: The dude that just that working the you know, in

352
00:15:26,640 --> 00:15:28,240
Speaker 3: the pizza shop, he could upload, right.

353
00:15:28,320 --> 00:15:30,440
Speaker 4: You hear some shit, nigga, you you vibitism shit, you

354
00:15:30,560 --> 00:15:32,840
Speaker 4: scroll another nigga put a freestyle and what the fuck

355
00:15:32,920 --> 00:15:33,040
Speaker 4: is this?

356
00:15:33,120 --> 00:15:33,400
Speaker 1: Nigga?

357
00:15:33,400 --> 00:15:35,960
Speaker 4: Click on his ship? Now you overhead, but you forgot

358
00:15:36,000 --> 00:15:38,680
Speaker 4: about the other person. You was listening to it's over.

359
00:15:38,880 --> 00:15:41,480
Speaker 3: But it's also but it's also advantageous too though, because

360
00:15:41,560 --> 00:15:44,080
Speaker 3: now it's easier, you know, like if you go viral,

361
00:15:44,240 --> 00:15:46,880
Speaker 3: Like if a kid from a random city puts out

362
00:15:46,920 --> 00:15:49,720
Speaker 3: a record and you know, it takes off, and you know,

363
00:15:49,800 --> 00:15:51,800
Speaker 3: he's never been to LA, he's never been to New York,

364
00:15:51,840 --> 00:15:54,280
Speaker 3: he's never been to Chicago, Miami, he's never been outside

365
00:15:54,320 --> 00:15:56,840
Speaker 3: of his hood. But he did a freestyle in his

366
00:15:56,960 --> 00:16:01,480
Speaker 3: homeboys basement, uploaded it to instagramn it goes viral, everybody

367
00:16:01,560 --> 00:16:05,920
Speaker 3: starts sharing it. You get real rappers and successful artists

368
00:16:05,960 --> 00:16:08,840
Speaker 3: underneath the post, you know, comment and things like that.

369
00:16:09,360 --> 00:16:13,960
Speaker 1: So the access so it goes both ways. That there's

370
00:16:14,000 --> 00:16:14,680
Speaker 1: a gift inner Curt.

371
00:16:14,720 --> 00:16:16,680
Speaker 2: We got AI now, and I feel like AI needs

372
00:16:16,720 --> 00:16:19,360
Speaker 2: to come up with some type of program for Spotify

373
00:16:20,240 --> 00:16:22,160
Speaker 2: that it has to run through when you upload and

374
00:16:22,240 --> 00:16:24,560
Speaker 2: it can say like, nah, we're not wasting data.

375
00:16:25,200 --> 00:16:26,520
Speaker 1: As far as the song is good enough.

376
00:16:26,520 --> 00:16:28,400
Speaker 2: If it's trash, I don't think your man at the

377
00:16:28,400 --> 00:16:30,440
Speaker 2: Piece of Shop should have that the ability to just

378
00:16:30,520 --> 00:16:32,680
Speaker 2: upload his song at any point, like we're wasting a

379
00:16:32,720 --> 00:16:34,520
Speaker 2: lot of it. But if they check, but the whole

380
00:16:34,520 --> 00:16:36,840
Speaker 2: bottle of water to create a snare with AI right now.

381
00:16:36,960 --> 00:16:39,240
Speaker 2: But we're wasting water on people's broken dreams.

382
00:16:39,560 --> 00:16:42,360
Speaker 4: But what if I say, I'm gonna go back and

383
00:16:42,400 --> 00:16:44,280
Speaker 4: I'm gonna look at a bunch of songs that they

384
00:16:44,480 --> 00:16:46,880
Speaker 4: good throughout history to hold it to that level.

385
00:16:47,320 --> 00:16:51,360
Speaker 1: And so now you break that, boy, you break that?

386
00:16:52,200 --> 00:16:52,520
Speaker 4: Do that.

387
00:16:55,680 --> 00:16:56,240
Speaker 1: Here's the thing.

388
00:16:58,920 --> 00:17:02,000
Speaker 4: We don't but it should have not passed the AI

389
00:17:02,360 --> 00:17:06,119
Speaker 4: test be uploaded. But it's a legend a past data though.

390
00:17:06,160 --> 00:17:08,720
Speaker 4: If it's going off for past data songs that did good.

391
00:17:09,280 --> 00:17:11,800
Speaker 4: If it don't, we think about songs that did good.

392
00:17:12,200 --> 00:17:14,200
Speaker 4: If it do that, ship, it might start laying mad

393
00:17:14,280 --> 00:17:16,160
Speaker 4: bullshit come through like no, this did good?

394
00:17:16,280 --> 00:17:19,959
Speaker 3: What's anyone could upload shit? Yeah, but it's still used

395
00:17:19,960 --> 00:17:21,680
Speaker 3: to have to break through though. There's still a certain

396
00:17:21,800 --> 00:17:24,800
Speaker 3: level that the music has to be at in order

397
00:17:24,880 --> 00:17:25,920
Speaker 3: for it to really break through.

398
00:17:26,000 --> 00:17:27,080
Speaker 1: Like we'll sit here and.

399
00:17:27,119 --> 00:17:30,080
Speaker 3: Talk about ship that goes viral and debated whether or

400
00:17:30,080 --> 00:17:32,200
Speaker 3: not like this is an artist that has longevity and

401
00:17:32,320 --> 00:17:34,840
Speaker 3: have fun with it. But we know the ones that's like, bro,

402
00:17:34,960 --> 00:17:36,640
Speaker 3: this he just caught a moment or she just caught

403
00:17:36,640 --> 00:17:38,360
Speaker 3: a moment, Like this ain't gonna be around for two

404
00:17:38,440 --> 00:17:40,520
Speaker 3: years or even a year like you, I think we

405
00:17:40,640 --> 00:17:44,600
Speaker 3: still can feel if an artist has that type of

406
00:17:44,680 --> 00:17:46,240
Speaker 3: talent level where they're gonna sustain that.

407
00:17:46,520 --> 00:17:49,400
Speaker 2: That nigga from Queen's Bridge be going viral all the time.

408
00:17:49,840 --> 00:17:55,359
Speaker 2: Who the turking with your friends? Somebody quings Bridge doing

409
00:17:55,400 --> 00:17:55,880
Speaker 2: Quirk music.

410
00:17:55,960 --> 00:18:00,920
Speaker 1: That's that nigga. Man, what's his name? Bro tylell? He's

411
00:18:00,920 --> 00:18:06,320
Speaker 1: a good Is he a streamer? Zeddi will zi about

412
00:18:06,359 --> 00:18:07,720
Speaker 1: say was a streamer? He will?

413
00:18:08,040 --> 00:18:10,240
Speaker 4: Now you're in the club working with your friend the

414
00:18:10,480 --> 00:18:13,520
Speaker 4: turking with your friend that heard that he he every

415
00:18:13,640 --> 00:18:16,639
Speaker 4: trip viral, every trip he'd be wilding on TikTok with

416
00:18:16,720 --> 00:18:17,000
Speaker 4: that ship.

417
00:18:17,080 --> 00:18:19,040
Speaker 1: Bro, Like he's be on Vernon doing that ship.

418
00:18:19,400 --> 00:18:21,040
Speaker 4: I don't know where he'd be like he just be

419
00:18:21,520 --> 00:18:24,040
Speaker 4: lit like he's not knowing this ship is not regular,

420
00:18:24,200 --> 00:18:25,520
Speaker 4: Like he's got I'm not here.

421
00:18:26,320 --> 00:18:30,200
Speaker 1: One million followers on Instagram. I love that and probably

422
00:18:30,760 --> 00:18:37,280
Speaker 1: I'm here for and ship. He's lit. Listen, sometimes I'm

423
00:18:37,320 --> 00:18:40,680
Speaker 1: out of touch. You never heard that friend and didn't

424
00:18:40,680 --> 00:18:42,000
Speaker 1: even know I think I heard that song. I definitely

425
00:18:42,000 --> 00:18:42,480
Speaker 1: heard that song.

426
00:18:43,160 --> 00:18:44,800
Speaker 2: But you think he'll have like a follow up. Actually,

427
00:18:44,840 --> 00:18:46,399
Speaker 2: I have seen this ship before the two of them,

428
00:18:46,800 --> 00:18:48,080
Speaker 2: and he's the one that's.

429
00:18:47,760 --> 00:18:48,439
Speaker 1: On the mic now right.

430
00:18:48,600 --> 00:18:52,920
Speaker 2: Yeah, And Queensbridge told I've seen this on the radar

431
00:18:52,960 --> 00:18:55,760
Speaker 2: ship before. But you think he'll have like a follow

432
00:18:55,880 --> 00:18:57,560
Speaker 2: up or is it one of those moments.

433
00:18:57,520 --> 00:18:59,440
Speaker 4: Because he got some more ships, he got he got

434
00:18:59,480 --> 00:19:00,800
Speaker 4: like is he got like you got to have at

435
00:19:00,880 --> 00:19:03,399
Speaker 4: least three viral songs, But.

436
00:19:03,520 --> 00:19:06,200
Speaker 2: I mean even that becomes like artists and songs have

437
00:19:06,359 --> 00:19:08,520
Speaker 2: just become like products in the way, like remember them

438
00:19:08,560 --> 00:19:10,880
Speaker 2: little widget things that spun like it's just the trend

439
00:19:10,920 --> 00:19:12,360
Speaker 2: for the second and it moves on to the next,

440
00:19:13,160 --> 00:19:16,600
Speaker 2: the next drink camp for the album. Why would they

441
00:19:17,359 --> 00:19:20,280
Speaker 2: if you don't have to just viral songs and just

442
00:19:20,359 --> 00:19:22,960
Speaker 2: go song to song like damn near run it up

443
00:19:23,000 --> 00:19:25,760
Speaker 2: over everything. Well, why would you even bother doing an album?

444
00:19:26,119 --> 00:19:28,119
Speaker 1: Yeah? At this point and also you.

445
00:19:28,160 --> 00:19:31,280
Speaker 2: Got to like dedicate so much time because you wouldn't

446
00:19:31,320 --> 00:19:33,440
Speaker 2: be a musician if it wasn't for this to that

447
00:19:33,600 --> 00:19:37,000
Speaker 2: one song and all the marketing around it. You can't

448
00:19:37,040 --> 00:19:39,240
Speaker 2: do that with twenty fucking songs. You're not that talented

449
00:19:39,320 --> 00:19:42,320
Speaker 2: or have that much time. But I'm never mad at that.

450
00:19:42,640 --> 00:19:44,119
Speaker 2: The kids that are just trying to go vout for

451
00:19:44,200 --> 00:19:46,359
Speaker 2: each song. Just stay out of the album lane. It's

452
00:19:46,440 --> 00:19:48,080
Speaker 2: kind of pointless. Like I get it, you just want

453
00:19:48,119 --> 00:19:51,960
Speaker 2: to make bread, get it out you live. But an album.

454
00:19:51,680 --> 00:19:54,920
Speaker 1: Microwave is a microwave society. But even some music is

455
00:19:55,200 --> 00:19:58,280
Speaker 1: meant for that. Yeah, I think it's I think it's

456
00:19:58,280 --> 00:19:59,680
Speaker 1: a lane for that. I think it's a lane for

457
00:20:00,440 --> 00:20:00,639
Speaker 1: you know.

458
00:20:00,800 --> 00:20:04,480
Speaker 3: Just the viral artists, the viral you know guy, the

459
00:20:04,600 --> 00:20:06,800
Speaker 3: viral girl that just every now and then they'll put

460
00:20:06,800 --> 00:20:09,560
Speaker 3: a record out and you know there'll be some success.

461
00:20:09,600 --> 00:20:10,119
Speaker 1: But we not.

462
00:20:10,240 --> 00:20:12,720
Speaker 3: We can't look at them with the same lens of

463
00:20:13,760 --> 00:20:16,959
Speaker 3: jay Z or nas or Oh no, we can't look

464
00:20:17,000 --> 00:20:17,119
Speaker 3: at that.

465
00:20:17,160 --> 00:20:17,800
Speaker 1: Shit is over.

466
00:20:17,880 --> 00:20:21,280
Speaker 4: They they punch it in Broven. Even the niggas who

467
00:20:21,280 --> 00:20:23,840
Speaker 4: we say got balls, They going in the booth. They

468
00:20:23,920 --> 00:20:26,160
Speaker 4: giving a nigga six balls. They tell they hold a hold,

469
00:20:26,200 --> 00:20:28,320
Speaker 4: hold away right there. They think about it, go out,

470
00:20:28,320 --> 00:20:30,520
Speaker 4: smokes your weed, drank some niggas that go back in there.

471
00:20:31,040 --> 00:20:33,560
Speaker 1: I got six mall. You know what I'm saying. They

472
00:20:33,880 --> 00:20:35,159
Speaker 1: shelled for a while. That shit is.

473
00:20:35,240 --> 00:20:38,000
Speaker 4: That's that's why I feel like, that's why the music

474
00:20:38,080 --> 00:20:41,040
Speaker 4: ain't ain't lasting.

475
00:20:42,440 --> 00:20:44,800
Speaker 1: I watched that ship myself as a nigga that I

476
00:20:45,600 --> 00:20:47,159
Speaker 1: went to the stool with these niggas. I see these

477
00:20:47,200 --> 00:20:49,480
Speaker 1: niggas in the stool punching in, like to me, that

478
00:20:49,560 --> 00:20:49,919
Speaker 1: shit is.

479
00:20:50,000 --> 00:20:53,200
Speaker 4: Mad corny, Like as a rap nigga, like reading off

480
00:20:53,240 --> 00:20:56,520
Speaker 4: your phone freestyling, you mad corny. You know what I'm saying,

481
00:20:56,640 --> 00:20:59,480
Speaker 4: Like in the booth punching in, that shit is mad corny.

482
00:20:59,480 --> 00:21:01,440
Speaker 4: I don't kill who you is, and I don't care

483
00:21:01,480 --> 00:21:03,240
Speaker 4: who like who. I don't care who said, Oh I

484
00:21:03,320 --> 00:21:04,720
Speaker 4: did that, oh such and such as to do that,

485
00:21:04,880 --> 00:21:08,280
Speaker 4: I don't care. That's corny. Know your raps, go in there,

486
00:21:08,359 --> 00:21:10,560
Speaker 4: spit your wraps, and get up out of there. That's

487
00:21:10,600 --> 00:21:12,080
Speaker 4: how you're gonna be able to freak the beat.

488
00:21:12,119 --> 00:21:12,960
Speaker 1: Homey, you ain't gonna be.

489
00:21:12,920 --> 00:21:15,200
Speaker 4: Able to freak that beat not knowing your raps. Reading

490
00:21:15,320 --> 00:21:17,720
Speaker 4: off your phone and shit is mad monotorne. You're reading

491
00:21:17,760 --> 00:21:18,360
Speaker 4: it off your phone.

492
00:21:18,400 --> 00:21:18,800
Speaker 1: You don't know that.

493
00:21:19,160 --> 00:21:22,680
Speaker 3: Yeah, I mean, there are some some artists that still

494
00:21:22,680 --> 00:21:25,080
Speaker 3: write pin the paper and we'll read the paper. But

495
00:21:25,119 --> 00:21:27,920
Speaker 3: I do I do understand what you're saying. Where you

496
00:21:28,080 --> 00:21:30,879
Speaker 3: need to live with the music and the beat and

497
00:21:30,920 --> 00:21:34,240
Speaker 3: your and your lyrics so that it becomes natural rapping

498
00:21:34,359 --> 00:21:37,720
Speaker 3: and they don't feel so like very likely right on

499
00:21:37,880 --> 00:21:38,440
Speaker 3: top of the beat.

500
00:21:38,480 --> 00:21:39,440
Speaker 1: It has to feel like it's in.

501
00:21:40,000 --> 00:21:42,120
Speaker 4: You had this beat in your cred for a month.

502
00:21:42,200 --> 00:21:44,560
Speaker 4: You've been in your bathroom and shower with this shit.

503
00:21:44,960 --> 00:21:48,280
Speaker 4: Oh then when you wald so now when when you're

504
00:21:48,280 --> 00:21:50,840
Speaker 4: in the booth with it style, use an instrument on

505
00:21:50,920 --> 00:21:53,119
Speaker 4: the beat. That's what you're doing to the beat. But

506
00:21:53,200 --> 00:21:55,600
Speaker 4: these niggas don't got that. These niggas going to the studio,

507
00:21:56,040 --> 00:21:58,840
Speaker 4: you'll find a beat. You'll find a beat, all right,

508
00:21:58,920 --> 00:21:59,840
Speaker 4: boom yo, you'll like that.

509
00:22:00,240 --> 00:22:02,359
Speaker 1: We liked the a right. The rhyme they type of

510
00:22:02,400 --> 00:22:04,240
Speaker 1: a rhyme on like that. We like that.

511
00:22:04,440 --> 00:22:06,679
Speaker 4: Yeah, yeah, they typed the rhyme on the phone. Then

512
00:22:06,720 --> 00:22:08,720
Speaker 4: they go on to booth and do that ship that's

513
00:22:08,880 --> 00:22:12,000
Speaker 4: corny rap. I don't care who it is. That's corny rap.

514
00:22:12,240 --> 00:22:13,840
Speaker 4: You can tell what someone is just read. That's why

515
00:22:13,960 --> 00:22:16,280
Speaker 4: nobody know these niggas rhymes. That's why you can hear

516
00:22:16,280 --> 00:22:18,399
Speaker 4: these niggas and be like that ship was fire. But

517
00:22:18,520 --> 00:22:20,320
Speaker 4: you don't know that rhyme. He didn't know that rhyme.

518
00:22:20,760 --> 00:22:22,800
Speaker 4: I don't want to know, right right, he didn't know

519
00:22:22,880 --> 00:22:25,560
Speaker 4: that rhyme? You know, I feel that definitely makes sense.

520
00:22:25,680 --> 00:22:28,800
Speaker 4: That's what happened, is that's they should have kept the

521
00:22:28,840 --> 00:22:31,080
Speaker 4: studio prices mad high.

522
00:22:33,920 --> 00:22:34,920
Speaker 1: That hurt the rap game.

523
00:22:35,240 --> 00:22:37,879
Speaker 4: I'm trying to find that stopped getting to the studio

524
00:22:38,000 --> 00:22:40,040
Speaker 4: back in the days. That ship was madd E Spencial.

525
00:22:40,200 --> 00:22:41,080
Speaker 1: What I ain't got that?

526
00:22:41,400 --> 00:22:43,879
Speaker 4: Yeah, whatever it was, I don't care. I never had

527
00:22:43,960 --> 00:22:45,120
Speaker 4: money for the studio.

528
00:22:45,320 --> 00:22:48,040
Speaker 1: In my life. Ability, yes, I never. But once I

529
00:22:48,160 --> 00:22:50,560
Speaker 1: came home and that ship was, Nigga, tell you like

530
00:22:51,000 --> 00:22:54,840
Speaker 1: forty dollars an hour? What we end it all that?

531
00:22:55,040 --> 00:22:57,439
Speaker 2: That's a good point because then you're just chilling, whereas

532
00:22:57,560 --> 00:22:59,960
Speaker 2: when you had five of the bucks, you could be

533
00:23:00,119 --> 00:23:01,240
Speaker 2: there for hours.

534
00:23:01,320 --> 00:23:05,600
Speaker 1: You're taking the whole weekend. No your r You a nigga, Yo,

535
00:23:05,640 --> 00:23:09,640
Speaker 1: we're gonna do seven joys. What you mean watch rapping

536
00:23:09,920 --> 00:23:11,400
Speaker 1: for two weeks? Nigga? Know these rhymes?

537
00:23:11,440 --> 00:23:13,280
Speaker 4: You put the beat on, Nigga, gonna make no mistakes on.

538
00:23:13,480 --> 00:23:16,800
Speaker 4: Take this, nigga like this, niggas load the next one up?

539
00:23:17,280 --> 00:23:21,160
Speaker 1: Fuck? You mean we on a Tom Cray five hundred hour?

540
00:23:21,320 --> 00:23:23,600
Speaker 1: That's done? Load the next one up? Nigga?

541
00:23:23,640 --> 00:23:23,800
Speaker 4: Fuck?

542
00:23:23,880 --> 00:23:24,879
Speaker 1: Is you talking about.

543
00:23:26,480 --> 00:23:26,760
Speaker 5: The hour?

544
00:23:26,880 --> 00:23:26,960
Speaker 1: Ye?

545
00:23:27,080 --> 00:23:27,240
Speaker 5: Yeah?

546
00:23:27,280 --> 00:23:28,760
Speaker 1: Yeah, you can't go in there. Happen.

547
00:23:28,840 --> 00:23:30,959
Speaker 4: You couldn't go in there bullshit. But now no one

548
00:23:31,040 --> 00:23:32,920
Speaker 4: play for two hours hours for you can put any

549
00:23:32,920 --> 00:23:36,080
Speaker 4: one of your man's in there that looks experiment. Yo

550
00:23:36,320 --> 00:23:40,119
Speaker 4: yo yoah. You come in here the corner, your one twenty,

551
00:23:41,119 --> 00:23:43,520
Speaker 4: get this nigga one twenty. You'll get these niggas off

552
00:23:43,560 --> 00:23:46,879
Speaker 4: the corner. Man niggas in it saying anything. Niggas just

553
00:23:46,960 --> 00:23:47,720
Speaker 4: going and say anything.

554
00:23:47,800 --> 00:23:48,919
Speaker 1: Man. No, that's one.

555
00:23:49,920 --> 00:23:52,520
Speaker 2: That's what's going on with the games. They putting mattresses

556
00:23:52,560 --> 00:23:53,840
Speaker 2: in Quad. People just sleeping there.

557
00:23:54,280 --> 00:23:56,320
Speaker 4: When I went to Quads and I didn't understand it,

558
00:23:57,080 --> 00:23:59,520
Speaker 4: but I ain't gonna lie. Buster was acting. Ain't's the

559
00:23:59,560 --> 00:24:01,280
Speaker 4: only squad Buss is probably right now. I don't even

560
00:24:01,280 --> 00:24:01,879
Speaker 4: want to get into that.

561
00:24:02,080 --> 00:24:02,399
Speaker 2: I did it.

562
00:24:02,920 --> 00:24:05,560
Speaker 1: I did a joint, right, I did a joint. I

563
00:24:05,600 --> 00:24:08,639
Speaker 1: don't know, But I don't know. Buster is top floor.

564
00:24:08,840 --> 00:24:12,760
Speaker 1: Quad is his ship. I don't notice. All I know

565
00:24:12,920 --> 00:24:15,639
Speaker 1: is I'm going to Quad. I'm just fresh out of jail.

566
00:24:15,760 --> 00:24:16,400
Speaker 1: You know what I'm saying.

567
00:24:16,520 --> 00:24:22,000
Speaker 4: I'm going to call to do some ship. So one

568
00:24:22,040 --> 00:24:24,000
Speaker 4: of my men's out of nowhere. He's like yo, Buster

569
00:24:24,119 --> 00:24:26,440
Speaker 4: rhymes used to be this nigga favorite rapper bag of

570
00:24:26,480 --> 00:24:26,800
Speaker 4: the days.

571
00:24:26,840 --> 00:24:28,240
Speaker 1: I was like, get the fuck out of here.

572
00:24:28,160 --> 00:24:31,280
Speaker 4: But yo, put that what's the name beat on? Put

573
00:24:31,320 --> 00:24:33,120
Speaker 4: your hands with my eyes see it, or to put

574
00:24:33,119 --> 00:24:33,520
Speaker 4: that beat on.

575
00:24:33,600 --> 00:24:34,920
Speaker 1: I'm going in there. I got some ship for that,

576
00:24:35,400 --> 00:24:36,800
Speaker 1: So I go. I got some dope shit for that,

577
00:24:36,920 --> 00:24:38,520
Speaker 1: talking about solling dope and all that. I go in there.

578
00:24:38,520 --> 00:24:43,639
Speaker 1: I spent that shit. So now that nigga farns that

579
00:24:43,840 --> 00:24:47,680
Speaker 1: be with Buster rhymes, Nigga fawns figures he in the studio.

580
00:24:48,000 --> 00:24:49,960
Speaker 4: I was up north with this nigga for like, oh ship.

581
00:24:50,040 --> 00:24:52,199
Speaker 4: So he's sitting there, he and the little shit. Now

582
00:24:52,240 --> 00:24:54,400
Speaker 4: you be in the studio, you shiit niggas filming. He's

583
00:24:54,440 --> 00:24:56,600
Speaker 4: sitting there here doing that. When we come out, Buster

584
00:25:01,480 --> 00:25:03,200
Speaker 4: look at this nigg You know, I'm kind of drunk,

585
00:25:03,280 --> 00:25:08,520
Speaker 4: man like looking like you mad niggas just like yeah yeah.

586
00:25:08,920 --> 00:25:10,560
Speaker 4: So my man told him, like, yo, take a picture.

587
00:25:10,600 --> 00:25:12,600
Speaker 1: He was like nah. I was like, you're men. Fuck

588
00:25:12,720 --> 00:25:13,240
Speaker 1: this nigga.

589
00:25:14,040 --> 00:25:15,680
Speaker 4: Fuck you mean you don't take no picture. I don't

590
00:25:15,720 --> 00:25:18,840
Speaker 4: take pictures with niggas like you. Nigga like hell to

591
00:25:18,840 --> 00:25:20,359
Speaker 4: take a picture with you, I don't know.

592
00:25:20,600 --> 00:25:23,200
Speaker 1: He was mad. He was I think so. I think

593
00:25:23,240 --> 00:25:23,720
Speaker 1: he was mad.

594
00:25:23,800 --> 00:25:25,600
Speaker 4: I was rapping on that beat and I was smoking

595
00:25:25,680 --> 00:25:28,560
Speaker 4: that ship like I was really smoking a beat, and

596
00:25:28,640 --> 00:25:29,480
Speaker 4: I swear to God.

597
00:25:29,359 --> 00:25:32,040
Speaker 1: That nigga was standing there. He was like, no, no picture.

598
00:25:32,080 --> 00:25:34,080
Speaker 1: I was like, you're men, fuck this snigger man. My

599
00:25:34,200 --> 00:25:35,919
Speaker 1: man was like, Yo, chill Yo. He was like, yo,

600
00:25:36,000 --> 00:25:39,280
Speaker 1: my man just did twenty years. He was like, you're

601
00:25:39,320 --> 00:25:41,480
Speaker 1: welcome home. I was like, fuck all that.

602
00:25:41,960 --> 00:25:44,679
Speaker 4: Welcome home. Shi you know what I'm saying. He was like, Yo,

603
00:25:44,720 --> 00:25:46,800
Speaker 4: hopefully you stay here. I was like, yo, inshaw law.

604
00:25:46,880 --> 00:25:52,680
Speaker 4: He hit me with the no inshaw law. No my mouth,

605
00:25:53,160 --> 00:25:58,280
Speaker 4: I'm getting out, got shot man, Get out here. Ain't

606
00:25:58,320 --> 00:25:59,000
Speaker 4: no guard here.

607
00:25:59,640 --> 00:26:02,280
Speaker 1: Niggas said no when Charlotte this got shot?

608
00:26:03,720 --> 00:26:06,760
Speaker 2: Poster Robinson is a song called The Founder of the

609
00:26:06,880 --> 00:26:09,840
Speaker 2: Nation of Isla is a song with the full name Yo, sir.

610
00:26:12,200 --> 00:26:17,760
Speaker 1: Island, I've heard yo. One of my mens was like yo.

611
00:26:18,400 --> 00:26:22,000
Speaker 2: He was like Yo, it's like my older nigga, right

612
00:26:24,359 --> 00:26:31,440
Speaker 2: he said yo that He said no said, oh yeah, no, God,

613
00:26:31,520 --> 00:26:32,040
Speaker 2: don't look.

614
00:26:31,920 --> 00:26:32,159
Speaker 5: At you.

615
00:26:35,560 --> 00:26:39,160
Speaker 1: Up there. Give me the funk out of here, man, cash.

616
00:26:41,119 --> 00:26:44,639
Speaker 3: Oh my god, that's funny. And I said, no is

617
00:26:44,760 --> 00:26:47,639
Speaker 3: Charlotte I've never heard that before. That's crazy, y'all saw

618
00:26:47,680 --> 00:26:49,520
Speaker 3: what Joey Badass says. It's kind of what you talk

619
00:26:49,560 --> 00:26:52,399
Speaker 3: about it. He tweeted out, think about it.

620
00:26:52,560 --> 00:26:56,000
Speaker 2: If somebody at the top gave somebody coming up an

621
00:26:56,040 --> 00:26:58,520
Speaker 2: opportunity to come after them on a record, you know

622
00:26:58,640 --> 00:27:01,320
Speaker 2: what happened. They would get their food a ranters, due

623
00:27:01,359 --> 00:27:02,640
Speaker 2: bills and paid expedience whatever.

624
00:27:02,680 --> 00:27:03,040
Speaker 1: He's saying.

625
00:27:03,080 --> 00:27:06,119
Speaker 2: Public perception of who's the best would be drastically different

626
00:27:06,200 --> 00:27:08,199
Speaker 2: if this were a regular occurrence. This is exactly why

627
00:27:08,240 --> 00:27:10,400
Speaker 2: you didn't see Jid on the fall off. He would

628
00:27:10,400 --> 00:27:12,720
Speaker 2: have overstood the assignment. To me, personally, it makes no

629
00:27:12,840 --> 00:27:13,600
Speaker 2: sense he wasn't on it.

630
00:27:14,520 --> 00:27:15,320
Speaker 1: But maybe that's just me.

631
00:27:15,600 --> 00:27:18,200
Speaker 2: He's saying that a lot of bigger rappers, like in

632
00:27:18,520 --> 00:27:21,280
Speaker 2: your situation of being in the studio with Bus and

633
00:27:21,359 --> 00:27:23,359
Speaker 2: you're saying like, oh, you probably hate this because I'm

634
00:27:23,359 --> 00:27:28,320
Speaker 2: smoking your shit, But I don't feel like that's the

635
00:27:28,440 --> 00:27:29,440
Speaker 2: case all of the time.

636
00:27:30,080 --> 00:27:32,400
Speaker 4: You know what I'm saying, Like, you gotta stay exclusive.

637
00:27:32,720 --> 00:27:35,359
Speaker 4: We see what's happening to these niggas when they losing

638
00:27:35,440 --> 00:27:37,240
Speaker 4: their exclusivity that's a word.

639
00:27:37,720 --> 00:27:40,520
Speaker 1: They losing that shit with this internet. So we don't like.

640
00:27:40,640 --> 00:27:43,399
Speaker 1: It's like before you used to hear these niggas.

641
00:27:43,560 --> 00:27:46,080
Speaker 4: Is read about these niggas once every two years in

642
00:27:46,119 --> 00:27:48,840
Speaker 4: the xxxale. Maybe he come in the source that same

643
00:27:48,960 --> 00:27:51,000
Speaker 4: year if he got to roll out going. But we

644
00:27:51,080 --> 00:27:53,240
Speaker 4: don't know these niggas really. We know they're giving me

645
00:27:53,400 --> 00:27:56,320
Speaker 4: this much quotes from the niggas, and then the nigga

646
00:27:56,359 --> 00:27:58,600
Speaker 4: that's doing the article we hear from them. We don't

647
00:27:58,640 --> 00:28:01,040
Speaker 4: know these niggas back in the days. Now we know everything.

648
00:28:01,359 --> 00:28:03,240
Speaker 4: You niggas be on the internet too much.

649
00:28:03,320 --> 00:28:03,960
Speaker 1: We know everything.

650
00:28:04,080 --> 00:28:06,280
Speaker 4: But you call you a corny nigga at a rap,

651
00:28:06,960 --> 00:28:09,119
Speaker 4: we say it you all corny nigga at most of

652
00:28:09,160 --> 00:28:11,600
Speaker 4: these niggas. Right, So with Joey chucking about, he acting

653
00:28:11,720 --> 00:28:14,879
Speaker 4: like all these new niggas or niggas will be smoking

654
00:28:14,920 --> 00:28:16,920
Speaker 4: these old nigga. Nigga, you'll get on the track with Kiss.

655
00:28:16,920 --> 00:28:19,920
Speaker 4: You're not smoking Kiss. You not smoking Fab, You not

656
00:28:20,119 --> 00:28:23,080
Speaker 4: smoking Jay. You might smoke some of these niggas, but

657
00:28:23,119 --> 00:28:25,840
Speaker 4: you're not just gonna be smoking niggas. I remember Vodo

658
00:28:26,000 --> 00:28:28,480
Speaker 4: was doing this big one on almost every song he

659
00:28:28,640 --> 00:28:29,320
Speaker 4: was on with Ken.

660
00:28:29,680 --> 00:28:30,520
Speaker 1: He was going off.

661
00:28:30,600 --> 00:28:35,040
Speaker 4: I was saying Votto was trash because of him fucking

662
00:28:35,119 --> 00:28:37,880
Speaker 4: up on Hot ninety seven. My shit is you from

663
00:28:38,040 --> 00:28:41,880
Speaker 4: New York City, nigga, Ain't I don't want to go

664
00:28:42,040 --> 00:28:44,000
Speaker 4: platinum more than I want to go to flex and

665
00:28:44,080 --> 00:28:46,600
Speaker 4: get busy as a rap nigga from New York.

666
00:28:46,680 --> 00:28:48,680
Speaker 1: It's a different year, it's a different stand you understand what.

667
00:28:48,720 --> 00:28:50,480
Speaker 4: I want to go up there and have this nigga

668
00:28:50,480 --> 00:28:52,480
Speaker 4: play this shit for the next ten to fifteen years.

669
00:28:52,600 --> 00:28:54,840
Speaker 1: Like on one of his good nights, here come my shit,

670
00:28:55,240 --> 00:28:56,120
Speaker 1: like fuck platinum.

671
00:28:56,160 --> 00:28:58,160
Speaker 4: And I'm saying, like, that's what that's like in every

672
00:28:58,240 --> 00:29:01,000
Speaker 4: New York Nigga's like that, you was up there fucking up,

673
00:29:01,040 --> 00:29:02,600
Speaker 4: back to back to back like he was up there

674
00:29:02,640 --> 00:29:04,600
Speaker 4: sucking up. So I used to think the nigga was trashed.

675
00:29:05,240 --> 00:29:07,000
Speaker 4: So I'm telling the nigga that ship one time on

676
00:29:07,120 --> 00:29:09,440
Speaker 4: the gate. I'm telling that ship that to the mac

677
00:29:09,480 --> 00:29:11,640
Speaker 4: Baller nigga. He like, nigga, you bugging that nigga had

678
00:29:11,680 --> 00:29:14,640
Speaker 4: all of the mixtapes with Kim and Vidal, Yeah, guns

679
00:29:14,680 --> 00:29:17,840
Speaker 4: and butter Guns and butter Ship son. I had that

680
00:29:17,880 --> 00:29:19,960
Speaker 4: ship on the keyboard blast and that ship, and I'm

681
00:29:20,000 --> 00:29:22,880
Speaker 4: like this little nigga going off on everything.

682
00:29:23,040 --> 00:29:24,200
Speaker 1: Yeah, he is nice like that.

683
00:29:24,440 --> 00:29:26,600
Speaker 4: You know, he was going off on everything. I'm talking

684
00:29:26,640 --> 00:29:29,400
Speaker 4: about every song. I'm like, Yo, this nigga is wildent.

685
00:29:29,640 --> 00:29:31,840
Speaker 1: I feel like is one of the most underrated I've

686
00:29:31,920 --> 00:29:33,000
Speaker 1: seen that nigga I met.

687
00:29:33,040 --> 00:29:34,640
Speaker 4: When I met that nigga, I told that nigga said,

688
00:29:34,640 --> 00:29:36,280
Speaker 4: ain't gonna lie home. I gotta tell you this man,

689
00:29:36,320 --> 00:29:37,440
Speaker 4: I feel like you one of them ones.

690
00:29:38,200 --> 00:29:39,840
Speaker 1: I always felt like that. I always felt like, I

691
00:29:39,880 --> 00:29:43,120
Speaker 1: feel like if he could make a better hook songs, if.

692
00:29:43,080 --> 00:29:46,160
Speaker 4: He could make better songs rapping bars, ball of ball,

693
00:29:46,440 --> 00:29:48,280
Speaker 4: not a lot of niggas from the y Hall of

694
00:29:48,360 --> 00:29:50,320
Speaker 4: the topic styling on you he got, he got, he

695
00:29:50,400 --> 00:29:51,160
Speaker 4: got bars like.

696
00:29:51,520 --> 00:29:53,480
Speaker 3: But it's but a lot of a lot of the

697
00:29:53,560 --> 00:29:56,320
Speaker 3: guys that love Vado will say like they just wish

698
00:29:56,400 --> 00:29:58,440
Speaker 3: he would make better songs, but rapping.

699
00:29:58,680 --> 00:30:01,400
Speaker 1: A lot of these niggas can'trap. That's why I don't if.

700
00:30:01,440 --> 00:30:02,840
Speaker 2: I would love to have Bottle up here to ask

701
00:30:02,920 --> 00:30:06,000
Speaker 2: him about the Kalid situation because it was weird with

702
00:30:06,120 --> 00:30:08,040
Speaker 2: him and Cam at the time, and I'm with y'all,

703
00:30:08,280 --> 00:30:10,680
Speaker 2: Bottle was just smoking versus but there was no real

704
00:30:10,760 --> 00:30:13,959
Speaker 2: record yet. When he signed with kal it I was like, Oh,

705
00:30:14,000 --> 00:30:17,680
Speaker 2: that's the perfect and then perfect d Like I.

706
00:30:17,760 --> 00:30:20,719
Speaker 1: Was like, get him to a place where he had one.

707
00:30:20,760 --> 00:30:21,280
Speaker 1: I don't know what.

708
00:30:21,720 --> 00:30:23,720
Speaker 2: Caldill gifts him a bunch of hit records and Bottle

709
00:30:23,840 --> 00:30:25,480
Speaker 2: just has to fill in the piece. He wasn't doing

710
00:30:25,560 --> 00:30:27,640
Speaker 2: that ship, which is kind of crazy, Like I really

711
00:30:27,960 --> 00:30:30,640
Speaker 2: think he was drive like he was on bag.

712
00:30:30,800 --> 00:30:33,520
Speaker 1: He was saying like it wasn't really giving him know

713
00:30:33,520 --> 00:30:36,320
Speaker 1: what I'm saying. Yeah, but as far as skills, like

714
00:30:37,080 --> 00:30:39,080
Speaker 1: Va is one of the best in New York for

715
00:30:39,200 --> 00:30:42,880
Speaker 1: sure when ball football, absolutely.

716
00:30:42,400 --> 00:30:44,960
Speaker 2: But I mean I don't really agree with with Joey

717
00:30:45,080 --> 00:30:49,240
Speaker 2: on this entire thing because even how Cole not Cole

718
00:30:49,360 --> 00:30:49,640
Speaker 2: got on.

719
00:30:49,800 --> 00:30:52,000
Speaker 1: But a big moment for Cole early.

720
00:30:51,840 --> 00:30:53,640
Speaker 2: In his career was when Kanye was doing the Good

721
00:30:54,400 --> 00:30:56,480
Speaker 2: Music Friday ship, Like Good Friday, he put out a

722
00:30:56,520 --> 00:30:59,320
Speaker 2: record every Friday. He put Cole at the end of

723
00:31:00,080 --> 00:31:02,680
Speaker 2: looking for Trouble with the name of the record and

724
00:31:02,840 --> 00:31:05,800
Speaker 2: he just left left the end for cold to smoke

725
00:31:05,880 --> 00:31:09,360
Speaker 2: of fucking thirty two and completely stood out and killed everybody.

726
00:31:10,440 --> 00:31:13,560
Speaker 2: Every time I've seen Jay bring State property up to

727
00:31:13,680 --> 00:31:16,160
Speaker 2: flex Jay rapt, he wasn't.

728
00:31:16,080 --> 00:31:18,800
Speaker 1: Like, I just don't believe that. So niggas don't always

729
00:31:18,920 --> 00:31:20,640
Speaker 1: kill the nigga like you always like like I.

730
00:31:22,440 --> 00:31:27,400
Speaker 4: In my opinion, Jay got busier than Big on Brooklyn's finess.

731
00:31:27,440 --> 00:31:29,239
Speaker 4: I think Big got him back on the next when

732
00:31:29,280 --> 00:31:30,840
Speaker 4: we were talking about the Hayes suite, I love it,

733
00:31:30,920 --> 00:31:34,840
Speaker 4: du classes. I used to project off like shit flashes.

734
00:31:34,600 --> 00:31:36,240
Speaker 1: But I feel like he got him back. And I'm saying,

735
00:31:36,320 --> 00:31:39,000
Speaker 1: but he had to because this nigga, you know what

736
00:31:39,000 --> 00:31:39,640
Speaker 1: I'm saying.

737
00:31:39,440 --> 00:31:42,240
Speaker 4: Like he got he got record after But niggas normally

738
00:31:43,000 --> 00:31:45,520
Speaker 4: don't really wile out like when you put him on.

739
00:31:45,680 --> 00:31:47,720
Speaker 1: They don't really would out on the niggas that put

740
00:31:47,800 --> 00:31:47,960
Speaker 1: him on.

741
00:31:48,160 --> 00:31:50,160
Speaker 3: Yeah, and my thing with with Joe you're saying is

742
00:31:50,200 --> 00:31:53,440
Speaker 3: this too though, Yeah, you can be hungry, right, So

743
00:31:53,640 --> 00:31:56,040
Speaker 3: if the top dog is given one of the young

744
00:31:56,080 --> 00:31:57,800
Speaker 3: pups a look like all right, come on, you're gonna

745
00:31:57,800 --> 00:32:01,400
Speaker 3: get on this joint, you could hungry for like, But

746
00:32:01,480 --> 00:32:03,920
Speaker 3: then it's also the side where you find out there's

747
00:32:03,960 --> 00:32:05,840
Speaker 3: a big gap difference when the talent.

748
00:32:06,080 --> 00:32:08,120
Speaker 4: I know, Pop, you can't stand it because we cocked

749
00:32:08,120 --> 00:32:11,080
Speaker 4: the mammas running your crib no prisoners, Pop your grima.

750
00:32:11,520 --> 00:32:15,120
Speaker 4: That ship made niggas understand jay was a few notches

751
00:32:15,160 --> 00:32:18,480
Speaker 4: above niggas, right, and I feel like everybody got busy

752
00:32:18,600 --> 00:32:22,080
Speaker 4: on that Song's for sure. But when you started talking,

753
00:32:22,160 --> 00:32:24,480
Speaker 4: it was like, what the fuck? You find out that

754
00:32:24,880 --> 00:32:27,400
Speaker 4: it's still a It's still it's still a gap. It's

755
00:32:27,480 --> 00:32:32,000
Speaker 4: like your best. It's good if you're talking to somebody

756
00:32:32,040 --> 00:32:32,880
Speaker 4: else other than me.

757
00:32:33,400 --> 00:32:37,160
Speaker 1: I said, that is the nicest nigga me personally, I

758
00:32:37,320 --> 00:32:39,680
Speaker 1: like kiss and Fad more than j Sorry to hear

759
00:32:39,720 --> 00:32:41,000
Speaker 1: that you like Fad more than jay Z.

760
00:32:41,240 --> 00:32:44,160
Speaker 4: Yes, but if you're gonna ask me who's the greatest

761
00:32:44,280 --> 00:32:48,400
Speaker 4: MC jay Z, jay Z is Muhammad Ali. But you're

762
00:32:48,400 --> 00:32:51,280
Speaker 4: talking about what you like personally, my I like. The

763
00:32:51,440 --> 00:32:54,080
Speaker 4: nicest nigga to me is kiss in Fat Them niggas

764
00:32:54,120 --> 00:32:54,760
Speaker 4: is nicer than you.

765
00:32:55,240 --> 00:32:56,960
Speaker 1: I don't care who you are. They could rap better

766
00:32:57,000 --> 00:32:58,480
Speaker 1: than you. You know what I'm saying.

767
00:32:58,480 --> 00:33:00,400
Speaker 4: They could rap better than you, bro sing butter than

768
00:33:00,520 --> 00:33:03,440
Speaker 4: jay Z. Yeah, okay, and what I'm saying, yeah, you

769
00:33:03,480 --> 00:33:05,760
Speaker 4: know what I'm saying. That time you heard jay Z,

770
00:33:05,880 --> 00:33:08,200
Speaker 4: I ain't heard jay Z spend no nice shit in

771
00:33:08,320 --> 00:33:12,000
Speaker 4: ten years. It been ten years he.

772
00:33:12,120 --> 00:33:16,360
Speaker 2: Did the God did versus fucking insane The last.

773
00:33:16,240 --> 00:33:18,480
Speaker 1: Time you heard whole fire, God did.

774
00:33:19,920 --> 00:33:21,760
Speaker 4: I feel like even but not what I'm saying. One

775
00:33:21,840 --> 00:33:23,800
Speaker 4: verse we give a nigga one version, But how many

776
00:33:23,880 --> 00:33:26,320
Speaker 4: verses he really? I mean even though four four fourth verse, Yeah,

777
00:33:26,360 --> 00:33:29,320
Speaker 4: that was crazy. Ten years he got crazy verses everything

778
00:33:29,640 --> 00:33:32,720
Speaker 4: his love four four four ten years ago. Wait, written

779
00:33:32,800 --> 00:33:35,240
Speaker 4: testimony was five years ago. He has crazy verses on

780
00:33:35,280 --> 00:33:37,360
Speaker 4: written testimony, crazy verses.

781
00:33:37,400 --> 00:33:39,240
Speaker 1: No, written testimony might have been more than five years ago.

782
00:33:39,480 --> 00:33:41,520
Speaker 2: We just did the vinyl press for five year aniversary.

783
00:33:41,840 --> 00:33:44,640
Speaker 2: It was COVID, so it'll be now six years. But

784
00:33:44,720 --> 00:33:45,920
Speaker 2: last year was a five year anniversary.

785
00:33:46,320 --> 00:33:47,520
Speaker 1: I ain't got that.

786
00:33:47,600 --> 00:33:50,240
Speaker 4: I'm not saying Whole can't go on the booth and

787
00:33:50,440 --> 00:33:52,479
Speaker 4: act bad. I'm not saying he can't do that right,

788
00:33:52,960 --> 00:33:56,600
Speaker 4: But I'm saying I've heard way more fab and way

789
00:33:56,680 --> 00:34:00,440
Speaker 4: more kiss in the last ten years, way more. And

790
00:34:00,520 --> 00:34:02,480
Speaker 4: I started hearing all your niggas around the same time.

791
00:34:03,080 --> 00:34:04,400
Speaker 1: Mm hmm. This is what I'm saying.

792
00:34:04,920 --> 00:34:06,600
Speaker 4: I heard all that, I started hearting all your niggas

793
00:34:06,600 --> 00:34:08,800
Speaker 4: around the same time. But I've been hearing these niggas

794
00:34:08,840 --> 00:34:11,000
Speaker 4: way more for these last ten years.

795
00:34:11,920 --> 00:34:14,759
Speaker 2: I mean, this has been more active the last the

796
00:34:14,840 --> 00:34:18,279
Speaker 2: last time I felt Fab was really really in shape.

797
00:34:18,320 --> 00:34:21,600
Speaker 1: Was the Freddie versus Jason Kiss sometime shootouts?

798
00:34:22,800 --> 00:34:22,960
Speaker 4: Was there?

799
00:34:23,000 --> 00:34:24,960
Speaker 2: Sometimes shoot off that Fab hasn't been as act.

800
00:34:25,200 --> 00:34:29,160
Speaker 1: I think you think Shootout three is twenty twenty right, okay,

801
00:34:29,200 --> 00:34:30,160
Speaker 1: yeah that was around COVID.

802
00:34:30,400 --> 00:34:32,600
Speaker 2: Okay, right, yeah, yeah, I'm saying I remember you know,

803
00:34:32,680 --> 00:34:35,080
Speaker 2: no that that that tape is fire. But I'm still

804
00:34:35,160 --> 00:34:40,400
Speaker 2: in no way co signing that I whole God Did

805
00:34:40,520 --> 00:34:43,239
Speaker 2: Verse could compete with the fucking some Shootout three. Like

806
00:34:43,400 --> 00:34:46,360
Speaker 2: as far as rapping goes, you gotta go back and

807
00:34:46,400 --> 00:34:48,760
Speaker 2: listen to that God Didverse. That shit is is unreal.

808
00:34:49,600 --> 00:34:50,239
Speaker 1: I actually think you.

809
00:34:50,200 --> 00:34:52,440
Speaker 3: Want to be saying sometimes Shootout three came out before COVID.

810
00:34:52,920 --> 00:34:54,719
Speaker 3: It's twenty years ready for it, so you know, seven

811
00:34:54,800 --> 00:34:55,839
Speaker 3: years that's unready to tape.

812
00:34:55,880 --> 00:34:58,600
Speaker 1: Though that's right for COVID. No, Fab is one of

813
00:34:58,640 --> 00:35:03,120
Speaker 1: my things. COVID nineteen started right there. Yeah, that's the fact.

814
00:35:04,000 --> 00:35:05,600
Speaker 3: You know, Fab is Fab to me is one of

815
00:35:05,680 --> 00:35:08,319
Speaker 3: the He's one of the underrated ones too though that's

816
00:35:08,400 --> 00:35:10,879
Speaker 3: my top five. I don't think people talk about Fab

817
00:35:10,960 --> 00:35:13,440
Speaker 3: and and respect Fab as much as they should.

818
00:35:13,320 --> 00:35:16,080
Speaker 1: But he's to me, he's definitely. But I don't.

819
00:35:16,160 --> 00:35:18,239
Speaker 4: I don't think he's a better rap my preference. I

820
00:35:18,280 --> 00:35:20,280
Speaker 4: don't like that's what once you said that. I respect

821
00:35:20,280 --> 00:35:22,400
Speaker 4: that alight. So look, fab albums ain't all act to me.

822
00:35:22,520 --> 00:35:25,520
Speaker 4: I don't really fuck with FAB albums like that. The

823
00:35:25,640 --> 00:35:28,360
Speaker 4: soul tapes, the Young O G, Freddy Versus Jason was

824
00:35:28,640 --> 00:35:34,000
Speaker 4: Freddy Versus Jason, Summertime shootouts, that's the that's the fab.

825
00:35:34,080 --> 00:35:36,279
Speaker 1: You like, the core, Like, if you're gonna give me

826
00:35:36,320 --> 00:35:39,120
Speaker 1: some fab, give me that fab. The funeral fabs and

827
00:35:39,160 --> 00:35:40,879
Speaker 1: all that. I can miss me with the ship. I'm

828
00:35:40,920 --> 00:35:43,160
Speaker 1: good with some ship on funeral. But I'm but that's

829
00:35:43,200 --> 00:35:44,080
Speaker 1: not who I'm talking about.

830
00:35:44,080 --> 00:35:48,280
Speaker 4: Okay, I'm talking about the soul tape Nigga shootout nigga,

831
00:35:48,360 --> 00:35:51,440
Speaker 4: Like you know what I'm saying, Like Jason Young Young

832
00:35:51,480 --> 00:35:52,440
Speaker 4: O G Fab.

833
00:35:52,360 --> 00:35:53,880
Speaker 1: That's that niggas.

834
00:35:54,080 --> 00:35:55,759
Speaker 3: I think that's probably one of his best. That's probably

835
00:35:55,800 --> 00:35:58,439
Speaker 3: his best project, Young O G. Freddy Versus.

836
00:35:58,640 --> 00:36:01,839
Speaker 1: That's his best album. It's up there for me. Yeah,

837
00:36:02,760 --> 00:36:05,040
Speaker 1: for me, it's up there. He got plattin the albums,

838
00:36:05,080 --> 00:36:07,240
Speaker 1: though you're no for sure he got He had big records,

839
00:36:07,719 --> 00:36:10,839
Speaker 1: a big, big fucking records. So yeah, but I'm saying

840
00:36:10,880 --> 00:36:12,360
Speaker 1: like that I could really go back to and that

841
00:36:12,440 --> 00:36:14,160
Speaker 1: all like listen to him like he was getting going

842
00:36:14,239 --> 00:36:16,319
Speaker 1: crazy on this young Og.

843
00:36:16,440 --> 00:36:18,759
Speaker 3: I think it's overlooked and fab discography. I don't think

844
00:36:18,760 --> 00:36:20,040
Speaker 3: people talk about that album.

845
00:36:19,880 --> 00:36:23,799
Speaker 1: Cover situationn't a leguation. Yeah it's some ship on there.

846
00:36:24,200 --> 00:36:28,279
Speaker 1: WHOA yeah, yeah, maybe Real Talk or Young o G.

847
00:36:28,600 --> 00:36:30,680
Speaker 1: Now I'm looking at catalog Real Talk.

848
00:36:30,800 --> 00:36:32,480
Speaker 2: That that that ship with all of the features. That

849
00:36:32,560 --> 00:36:35,200
Speaker 2: can't be the best one. Listen, I was fourteen when

850
00:36:35,200 --> 00:36:36,800
Speaker 2: that ship came out. It just that it's a different

851
00:36:36,840 --> 00:36:38,960
Speaker 2: it's a nostalgic ship for me with Real Talk.

852
00:36:39,239 --> 00:36:39,920
Speaker 1: So what year was that?

853
00:36:40,280 --> 00:36:43,200
Speaker 2: Two thousand and four? That's not that's not there's a

854
00:36:43,239 --> 00:36:47,800
Speaker 2: ship on the features. It was his second album, right, No,

855
00:36:47,920 --> 00:36:50,239
Speaker 2: it was his third because it was ghetto fabulous. Oh

856
00:36:50,280 --> 00:36:52,839
Speaker 2: one Street Dreams two thousand and three, Real Talk two

857
00:36:52,840 --> 00:36:53,319
Speaker 2: thousand and four.

858
00:36:55,480 --> 00:36:57,040
Speaker 1: All of them ships went platinum right there?

859
00:36:57,640 --> 00:37:01,000
Speaker 2: Yeah, probably mean, I'm sure platinum on nine to eleven

860
00:37:02,239 --> 00:37:03,720
Speaker 2: mm hm, which is crazy.

861
00:37:03,960 --> 00:37:06,040
Speaker 1: He dropped nine to eleven to win platinum on a debut.

862
00:37:07,480 --> 00:37:11,880
Speaker 2: Yet, maul I heard you talking in the lounge earlier

863
00:37:11,960 --> 00:37:14,640
Speaker 2: that you feel like you have to overpay for great Wireless.

864
00:37:14,840 --> 00:37:16,440
Speaker 1: It's like a big thing that you preach all the time.

865
00:37:16,840 --> 00:37:18,120
Speaker 1: But I can preached that all the time.

866
00:37:18,360 --> 00:37:20,760
Speaker 2: But Maul, you can get off your soapbox because boost

867
00:37:20,840 --> 00:37:23,640
Speaker 2: Mobile is proving that you don't have to overpay for

868
00:37:23,800 --> 00:37:27,200
Speaker 2: great wireless. Unlock the savings with twenty five dollars a

869
00:37:27,360 --> 00:37:33,240
Speaker 2: month forever unlimited plan. It's a permanent price with no contracts,

870
00:37:33,320 --> 00:37:35,600
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871
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876
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877
00:37:48,520 --> 00:37:50,560
Speaker 1: Full off of details, visit boostmobile dot com.

878
00:37:56,600 --> 00:38:01,000
Speaker 2: Yeah, but so Joey, I guess, explaining himself further in

879
00:38:01,120 --> 00:38:02,839
Speaker 2: that tweet, moll you in my eyes of it if

880
00:38:02,840 --> 00:38:03,680
Speaker 2: you want to read that all.

881
00:38:03,640 --> 00:38:04,319
Speaker 1: Right, what do you say? He said?

882
00:38:04,360 --> 00:38:06,359
Speaker 3: My sentiment is this type of thing happens all the time.

883
00:38:06,440 --> 00:38:08,839
Speaker 3: This is just a recent example that I think is clear.

884
00:38:08,920 --> 00:38:11,960
Speaker 3: By the way, the topic was about sparring in hip hop.

885
00:38:12,080 --> 00:38:15,480
Speaker 3: Regarding the whole interview. This is not just about J Cole,

886
00:38:15,560 --> 00:38:19,360
Speaker 3: This is about lyrical rap as a subgenre period. My

887
00:38:19,480 --> 00:38:23,440
Speaker 3: sentiment is that there's a scarcity mindset in the subgenre,

888
00:38:23,520 --> 00:38:26,160
Speaker 3: and usually the top guys don't invite other hungry spinners

889
00:38:26,200 --> 00:38:29,120
Speaker 3: onto their own tracks. Let me give Coles Flowers real quick,

890
00:38:29,200 --> 00:38:31,200
Speaker 3: just to be clear, because I loved the album and

891
00:38:31,280 --> 00:38:33,440
Speaker 3: I've always loved him as an MC and person.

892
00:38:34,320 --> 00:38:35,359
Speaker 1: But I stand on what I'm saying.

893
00:38:35,400 --> 00:38:37,800
Speaker 3: The evidence is there there's a difference between doing features

894
00:38:37,840 --> 00:38:40,719
Speaker 3: for niggas and featuring niggas on your own work. And

895
00:38:40,800 --> 00:38:43,200
Speaker 3: for the record, if niggas whole heartily thought Jed didn't

896
00:38:43,239 --> 00:38:46,120
Speaker 3: fit on the fall Off, that's your opinion, but he's

897
00:38:46,160 --> 00:38:48,240
Speaker 3: also not featured on any other J Cole album.

898
00:38:49,080 --> 00:38:52,120
Speaker 1: Didn't J Cole just say hip hop was dead? Jid?

899
00:38:52,200 --> 00:38:54,719
Speaker 3: If hip hop was dead, Jed would be platinum on

900
00:38:54,800 --> 00:38:56,960
Speaker 3: a throwaway mixtape, by the way, but then not feature

901
00:38:57,000 --> 00:39:00,839
Speaker 3: him at all on the mixtape or the album when

902
00:39:01,160 --> 00:39:03,840
Speaker 3: either or would have made sense. All I'm saying is

903
00:39:03,920 --> 00:39:08,440
Speaker 3: noticed the trend in this specific subgenre. I mean, I

904
00:39:08,600 --> 00:39:10,360
Speaker 3: get that, I understand that, I.

905
00:39:10,440 --> 00:39:12,920
Speaker 4: Get that they've rapped all right, I know, I know

906
00:39:12,960 --> 00:39:14,160
Speaker 4: I understand what he's Why do we.

907
00:39:14,160 --> 00:39:16,799
Speaker 1: Think Jid wasn't on the mixtape or the album though?

908
00:39:18,200 --> 00:39:20,520
Speaker 1: Do we think it's because like that.

909
00:39:20,640 --> 00:39:23,480
Speaker 2: No, because they've wrapped together and on. On top of that,

910
00:39:23,640 --> 00:39:28,840
Speaker 2: Dreamville as a label has put out so many group

911
00:39:28,960 --> 00:39:33,040
Speaker 2: projects that Cole has anchored that has has let j

912
00:39:33,160 --> 00:39:38,640
Speaker 2: I d Sean Brennan, I'm with you that it would

913
00:39:38,719 --> 00:39:41,479
Speaker 2: be cool to have Jid on an actual J Cole album,

914
00:39:41,520 --> 00:39:43,960
Speaker 2: but one he stings you with features to begin with. Two,

915
00:39:44,200 --> 00:39:48,440
Speaker 2: Not every single artist has the same mindset as jay Z.

916
00:39:48,800 --> 00:39:52,080
Speaker 2: Where if I got you signed, you're gonna be on

917
00:39:52,280 --> 00:39:56,200
Speaker 2: my album to the point like Memphis Bleak on your album,

918
00:39:56,239 --> 00:39:58,240
Speaker 2: I'm gonna give you a whole song called Deer Summer

919
00:39:58,640 --> 00:40:00,799
Speaker 2: like he. I think Jaj has a different mind state

920
00:40:00,880 --> 00:40:03,120
Speaker 2: with the people he signs. It's a business one. Cole,

921
00:40:03,160 --> 00:40:04,319
Speaker 2: I think the artistic one.

922
00:40:06,840 --> 00:40:09,040
Speaker 3: I understand what Rory was saying, But Rory, where, I'm

923
00:40:09,040 --> 00:40:10,600
Speaker 3: gonna give you a little bit of push back before

924
00:40:10,640 --> 00:40:15,279
Speaker 3: you finish your point. Jed was just Grammy nominated. Yeah,

925
00:40:15,360 --> 00:40:18,279
Speaker 3: you have an artist that's Grammy nominated. Currently, you put

926
00:40:18,320 --> 00:40:20,960
Speaker 3: out a mixtape before your most anticipated album.

927
00:40:22,040 --> 00:40:23,880
Speaker 1: He can't get a look on nothing.

928
00:40:24,760 --> 00:40:27,640
Speaker 3: He's doing him like Jay did him. I'm not yes,

929
00:40:27,760 --> 00:40:30,279
Speaker 3: j I did. I'm not saying Jed needs it. I'm

930
00:40:30,680 --> 00:40:32,640
Speaker 3: saying it would be a good Dame. Cole was doing

931
00:40:32,719 --> 00:40:34,520
Speaker 3: the same thing jay Z did them.

932
00:40:34,920 --> 00:40:35,440
Speaker 1: He gave him.

933
00:40:35,520 --> 00:40:37,680
Speaker 2: I mean what you mean Cole picked the wrong song

934
00:40:38,040 --> 00:40:41,040
Speaker 2: was given. J was giving cold features like yeah, his

935
00:40:41,120 --> 00:40:44,600
Speaker 2: first his first album, a host feature on mister Nice

936
00:40:44,640 --> 00:40:46,080
Speaker 2: watch the song stinks but yeah.

937
00:40:46,360 --> 00:40:50,200
Speaker 4: But on j cole album, Yeah, his first Cole whole

938
00:40:50,280 --> 00:40:55,200
Speaker 4: album was boring, right, which which he gave him a

939
00:40:55,320 --> 00:40:57,399
Speaker 4: platform to rap.

940
00:40:58,960 --> 00:41:02,399
Speaker 3: But but saying, don't get Grammy nominated right now when

941
00:41:02,440 --> 00:41:03,480
Speaker 3: this album is coming out.

942
00:41:04,440 --> 00:41:06,960
Speaker 1: He not on your album and that's your artist. Maybe

943
00:41:06,960 --> 00:41:07,640
Speaker 1: you don't like him.

944
00:41:07,840 --> 00:41:13,640
Speaker 2: Maybe he just said on the mixtape that Maybe maybe

945
00:41:13,680 --> 00:41:16,120
Speaker 2: I'm saying because because Jid should be platinum of his

946
00:41:16,239 --> 00:41:18,040
Speaker 2: talent level, like he shadowed him out on that record.

947
00:41:18,080 --> 00:41:19,600
Speaker 1: But also where I will.

948
00:41:19,480 --> 00:41:22,240
Speaker 2: Get pushback is Coles explained this as a concept album

949
00:41:22,280 --> 00:41:25,399
Speaker 2: with being twenty nine driving a Fairville. Uh, then it's

950
00:41:26,719 --> 00:41:30,200
Speaker 2: twenty whatever fucking agency picked. Where does Jid fit in

951
00:41:30,280 --> 00:41:32,640
Speaker 2: that story? Like I could get Future to sing a

952
00:41:32,680 --> 00:41:33,520
Speaker 2: hook that makes sense.

953
00:41:33,560 --> 00:41:34,359
Speaker 1: We're doing in top.

954
00:41:34,480 --> 00:41:38,359
Speaker 4: We're big and pock fitted in that story, which, huh,

955
00:41:39,000 --> 00:41:40,640
Speaker 4: we're big and pock fitted in that story.

956
00:41:41,080 --> 00:41:42,200
Speaker 1: This is what I'm saying. I can't sell.

957
00:41:42,960 --> 00:41:45,759
Speaker 2: I know she would have left that chapter out big

958
00:41:45,920 --> 00:41:46,920
Speaker 2: and pop fitting.

959
00:41:46,680 --> 00:41:50,440
Speaker 1: That twenty nine old you know, big pops, you know what.

960
00:41:50,920 --> 00:41:56,000
Speaker 1: I'm humble enough to say, you got me. You're right.

961
00:41:56,040 --> 00:41:59,719
Speaker 4: That was weird because trying to say, oh my yo, yo,

962
00:41:59,800 --> 00:42:02,080
Speaker 4: ma man yo, we was doing this, he fits how.

963
00:42:02,000 --> 00:42:04,520
Speaker 1: The biggie pot fit in. That's scenarioda.

964
00:42:05,840 --> 00:42:07,799
Speaker 2: Because that's what he was so he was thinking when

965
00:42:07,840 --> 00:42:10,319
Speaker 2: he was driving, right, not.

966
00:42:10,480 --> 00:42:14,640
Speaker 1: Yo, I'm gonna sign a nigga, get filthy richal for this. Nigga.

967
00:42:16,000 --> 00:42:17,880
Speaker 1: I'm saying, if every nigga richie your clink, then your

968
00:42:17,880 --> 00:42:19,920
Speaker 1: clink is running. Yeah, he ain't digging that.

969
00:42:21,520 --> 00:42:24,000
Speaker 2: But I don't like that because Cole, like what what

970
00:42:24,120 --> 00:42:28,320
Speaker 2: he does with the Revenge of the Dreamers projects, like

971
00:42:29,080 --> 00:42:30,520
Speaker 2: or even at that camp that they did in that

972
00:42:30,640 --> 00:42:34,400
Speaker 2: campaign where they had everyone in Atlanta, like, they definitely

973
00:42:34,560 --> 00:42:36,759
Speaker 2: pushed their artists the best they can. I actually think

974
00:42:36,800 --> 00:42:42,640
Speaker 2: it's whack when a label entire game plan is, oh,

975
00:42:42,800 --> 00:42:45,560
Speaker 2: I'll just do a feature for you that's where the

976
00:42:45,600 --> 00:42:48,160
Speaker 2: shit be failing. Anytime a rapper gets big and starts

977
00:42:48,200 --> 00:42:50,400
Speaker 2: to sign people, a lot of them have the stupid

978
00:42:50,440 --> 00:42:52,160
Speaker 2: mindset of all I have to do is just be

979
00:42:52,239 --> 00:42:54,279
Speaker 2: a feature on their ship and they'll pop instead of

980
00:42:54,320 --> 00:42:56,000
Speaker 2: trying to develop them and do what what dream but

981
00:42:56,120 --> 00:42:56,680
Speaker 2: has done with you?

982
00:42:58,360 --> 00:43:00,640
Speaker 1: If you is not gonna do this is what I'm saying.

983
00:43:00,640 --> 00:43:03,000
Speaker 4: If you already did the develop the artist development with

984
00:43:03,040 --> 00:43:06,399
Speaker 4: the nigga and you say he's Grammy nominated Holley, I'm

985
00:43:06,440 --> 00:43:09,799
Speaker 4: getting on his song, bro, you was getting.

986
00:43:09,520 --> 00:43:10,839
Speaker 1: On his song. Yeah, it ain't.

987
00:43:11,239 --> 00:43:14,000
Speaker 3: It ain't like three songs. It ain't like Jed is

988
00:43:14,000 --> 00:43:15,400
Speaker 3: still on the come up. He still got to make

989
00:43:15,440 --> 00:43:19,480
Speaker 3: his bones Grammy nominated. He's Grammy nominated for a rap album.

990
00:43:20,840 --> 00:43:22,520
Speaker 3: Maybe Cole's looking like, what do you need me for?

991
00:43:22,880 --> 00:43:25,279
Speaker 3: It's not a need, it's not let's take that word

992
00:43:25,320 --> 00:43:28,040
Speaker 3: out of it. Jed doesn't need the look from j Cole.

993
00:43:28,200 --> 00:43:30,719
Speaker 3: J Cole doesn't need the look from Jed. I'm saying

994
00:43:30,800 --> 00:43:35,480
Speaker 3: Jid's skill set, his success, his energy right now around

995
00:43:35,560 --> 00:43:40,160
Speaker 3: him and his project that warrants a look from his

996
00:43:40,440 --> 00:43:43,360
Speaker 3: peer now one of the tap peer now has j

997
00:43:43,520 --> 00:43:45,719
Speaker 3: Cole never been Grammy nominated for Rap Album.

998
00:43:45,560 --> 00:43:48,560
Speaker 2: To you probably, I don't know if the top top

999
00:43:48,600 --> 00:43:50,480
Speaker 2: of my yeah, he's that that famous meme where he's

1000
00:43:50,480 --> 00:43:52,080
Speaker 2: sitting there tight when he lost.

1001
00:43:52,520 --> 00:43:55,759
Speaker 1: So that's his peer. We're both Grammy nominated artists. Now

1002
00:43:56,360 --> 00:43:59,520
Speaker 1: it's not it's nice peer. If I'm Grammy nominated and

1003
00:43:59,560 --> 00:44:02,360
Speaker 1: you Grammy nominated me, not peers, come on, so everybody

1004
00:44:02,400 --> 00:44:05,560
Speaker 1: would it Grammy on me, not Piers. I'm not saying that.

1005
00:44:05,800 --> 00:44:07,719
Speaker 4: The kid that just got a viral song is j

1006
00:44:07,880 --> 00:44:10,759
Speaker 4: Co I agreed to singing on the train gott a

1007
00:44:10,800 --> 00:44:11,480
Speaker 4: Grammy homie.

1008
00:44:11,480 --> 00:44:12,920
Speaker 1: He ain't nominated. He got it.

1009
00:44:14,480 --> 00:44:18,719
Speaker 2: The station, Kendrick Drake, Future Nikki. Those are his peers.

1010
00:44:18,520 --> 00:44:20,560
Speaker 3: Because of you talking about because of time in the

1011
00:44:20,680 --> 00:44:23,000
Speaker 3: in the game. I'm saying he's just peer, meaning my

1012
00:44:23,160 --> 00:44:26,600
Speaker 3: skill set, my audience, my fucking I.

1013
00:44:26,600 --> 00:44:27,200
Speaker 1: Don't to find that.

1014
00:44:27,280 --> 00:44:29,680
Speaker 4: To me, if you nominated that, that don't make you

1015
00:44:29,760 --> 00:44:33,480
Speaker 4: the trash people is nominated for for rap albums that

1016
00:44:33,560 --> 00:44:34,719
Speaker 4: don't make them away.

1017
00:44:34,760 --> 00:44:36,480
Speaker 1: Holdo, wait, holda hold on, hold on.

1018
00:44:36,920 --> 00:44:40,960
Speaker 3: If I'm nominated for a Rap Album of the Year, okay,

1019
00:44:41,040 --> 00:44:44,520
Speaker 3: and I'm your artist, you wouldn't think that.

1020
00:44:44,760 --> 00:44:47,000
Speaker 1: Okay, I'm artist.

1021
00:44:47,160 --> 00:44:51,080
Speaker 2: I'm st Yeah, it's j Cole and I love Jid,

1022
00:44:51,160 --> 00:44:53,160
Speaker 2: but Jid would say he's beneath Cole.

1023
00:44:53,239 --> 00:44:54,440
Speaker 1: I don't know if you I don't know if Jim

1024
00:44:54,440 --> 00:44:55,480
Speaker 1: would say that. Well.

1025
00:44:55,560 --> 00:44:57,480
Speaker 2: As a rapper, he would say when it's time to

1026
00:44:57,520 --> 00:44:57,960
Speaker 2: get that busy.

1027
00:44:58,200 --> 00:44:59,280
Speaker 1: So that's what I'm talking saying.

1028
00:44:59,080 --> 00:45:02,400
Speaker 4: Peer wise, and I'm talking as far as rappers, it

1029
00:45:02,480 --> 00:45:06,239
Speaker 4: is Maclamore, coles Per, I mean all of them, not

1030
00:45:06,320 --> 00:45:06,799
Speaker 4: skill set.

1031
00:45:07,160 --> 00:45:08,120
Speaker 1: But we know what that was about.

1032
00:45:08,200 --> 00:45:10,560
Speaker 4: I'm talking about. I'm talking about Jid being a rapper

1033
00:45:10,640 --> 00:45:15,040
Speaker 4: that Cold signed. Glorilla was nominated, but Gloriala got so

1034
00:45:15,480 --> 00:45:18,040
Speaker 4: Cold give Glorilla the verse. The funny shit is I

1035
00:45:18,080 --> 00:45:21,560
Speaker 4: could see Cold giving Glooriala verse. That's the funny ship.

1036
00:45:21,920 --> 00:45:24,160
Speaker 4: I could see J Cole doing the song with Glorilla

1037
00:45:24,239 --> 00:45:27,160
Speaker 4: before before Jed. But are you guys keep failing to

1038
00:45:27,200 --> 00:45:30,719
Speaker 4: mist that they've done records together. Understand that I'm doing

1039
00:45:30,920 --> 00:45:37,880
Speaker 4: multiple j I DJ y whole album though, bro, even then,

1040
00:45:38,120 --> 00:45:38,600
Speaker 4: even if.

1041
00:45:38,480 --> 00:45:41,640
Speaker 1: It's not the al even if it's not the album.

1042
00:45:41,920 --> 00:45:45,279
Speaker 4: He put out a mixtape right before the album, and

1043
00:45:45,320 --> 00:45:46,120
Speaker 4: ain't put them on there.

1044
00:45:46,239 --> 00:45:46,719
Speaker 5: This is just a.

1045
00:45:46,760 --> 00:45:49,560
Speaker 4: Mixtape, This is just your every nigga, every nigga who

1046
00:45:49,600 --> 00:45:52,200
Speaker 4: you could think about that had the crew them niggas

1047
00:45:52,320 --> 00:45:53,680
Speaker 4: was on their album sign.

1048
00:45:55,800 --> 00:46:00,160
Speaker 3: Cameron had on the album. To me, big Ship is

1049
00:46:00,200 --> 00:46:02,040
Speaker 3: a peer of j Cole. He has his skill set,

1050
00:46:02,520 --> 00:46:04,440
Speaker 3: his his artistry, his.

1051
00:46:05,000 --> 00:46:07,680
Speaker 1: I love sh it is nice. But he's not.

1052
00:46:07,840 --> 00:46:08,080
Speaker 2: He's not.

1053
00:46:08,280 --> 00:46:10,400
Speaker 1: He can't eventually get to be his peer, but he's not.

1054
00:46:10,600 --> 00:46:11,080
Speaker 1: I'm not gonna.

1055
00:46:11,360 --> 00:46:13,440
Speaker 4: I'm not gonna look the word peer of me because

1056
00:46:13,440 --> 00:46:15,000
Speaker 4: I like you. I like to know the kid I said,

1057
00:46:15,040 --> 00:46:17,480
Speaker 4: I didn't like the other week that Rory said he was,

1058
00:46:21,520 --> 00:46:22,040
Speaker 4: But it's peer.

1059
00:46:23,200 --> 00:46:25,040
Speaker 1: Look look keenly. Oh no, that's nothing.

1060
00:46:25,040 --> 00:46:27,200
Speaker 4: I don't know what peer peer me like peering is

1061
00:46:27,320 --> 00:46:30,480
Speaker 4: something that looked keenly right. That means it's to give

1062
00:46:30,560 --> 00:46:34,480
Speaker 4: us the other year, give us the other definition something

1063
00:46:34,520 --> 00:46:37,280
Speaker 4: that now Ireland Now Rory is a here Ireland's.

1064
00:46:36,960 --> 00:46:37,640
Speaker 1: Up there, huh.

1065
00:46:40,080 --> 00:46:44,319
Speaker 3: A person of the same age, status, or ability as

1066
00:46:44,360 --> 00:46:45,720
Speaker 3: another specified person.

1067
00:46:46,320 --> 00:46:51,120
Speaker 2: So status status little key he said I didn't like

1068
00:46:51,200 --> 00:46:53,560
Speaker 2: he put an album out, said he liked it. Who

1069
00:46:54,160 --> 00:46:55,200
Speaker 2: look Little Keith.

1070
00:46:55,080 --> 00:46:55,760
Speaker 1: With his name.

1071
00:46:58,120 --> 00:47:02,239
Speaker 2: Baby King okay Jit and Baby Keeam is pizzed man.

1072
00:47:03,320 --> 00:47:05,879
Speaker 1: No they're not. Why not? I think?

1073
00:47:06,120 --> 00:47:08,000
Speaker 2: Uh Jid.

1074
00:47:09,920 --> 00:47:13,759
Speaker 1: J is just say it, Jed is a better artist

1075
00:47:13,760 --> 00:47:15,480
Speaker 1: than Baby King, Like, oh, I know, I feel that way.

1076
00:47:15,480 --> 00:47:16,120
Speaker 1: I feel that way.

1077
00:47:16,239 --> 00:47:19,120
Speaker 2: I'm saying they're not pis though I think has been

1078
00:47:19,200 --> 00:47:21,200
Speaker 2: way more active. Keem, I think is about to get

1079
00:47:21,239 --> 00:47:23,880
Speaker 2: to that place. But it has been so active the

1080
00:47:25,160 --> 00:47:27,239
Speaker 2: right where King took a lot of time off. And

1081
00:47:28,040 --> 00:47:29,800
Speaker 2: I don't think that their peers in that regard, just

1082
00:47:29,840 --> 00:47:31,840
Speaker 2: because I think Jed has put out more stuff. But

1083
00:47:32,000 --> 00:47:35,200
Speaker 2: now that Keem has this other project, he said he

1084
00:47:35,239 --> 00:47:36,640
Speaker 2: has two more on the tuck, he's going on to it.

1085
00:47:36,680 --> 00:47:38,520
Speaker 2: I think Kim is about to get there because he's

1086
00:47:38,719 --> 00:47:41,200
Speaker 2: focused on his career. He took five years off.

1087
00:47:41,560 --> 00:47:45,839
Speaker 1: About Joey Badass, you see a pier of who Jid?

1088
00:47:47,719 --> 00:47:47,839
Speaker 4: Uh?

1089
00:47:48,480 --> 00:47:51,240
Speaker 2: Yeah, I mean ud, Joey's a little bit more established

1090
00:47:51,239 --> 00:47:53,239
Speaker 2: than Jid in my opinion, because Joey's been around here

1091
00:47:53,440 --> 00:47:55,440
Speaker 2: for over a decade.

1092
00:47:56,000 --> 00:47:57,439
Speaker 1: More than that way, more.

1093
00:47:57,360 --> 00:47:59,520
Speaker 2: Than that is a better is a better artist, and

1094
00:48:00,040 --> 00:48:03,600
Speaker 2: Joy bad so so so I don't know if if

1095
00:48:03,719 --> 00:48:05,880
Speaker 2: jad has has a better project than nineteen ninety nine.

1096
00:48:08,120 --> 00:48:11,320
Speaker 2: And you guys know I love Jid. I don't know

1097
00:48:11,360 --> 00:48:12,960
Speaker 2: if he has a better project than that.

1098
00:48:14,800 --> 00:48:16,719
Speaker 1: I think jad is a better artist. I think he's

1099
00:48:16,719 --> 00:48:18,000
Speaker 1: a better Is he a better rapper.

1100
00:48:17,760 --> 00:48:22,920
Speaker 2: If we're talking about right now? So so so, like

1101
00:48:23,760 --> 00:48:27,239
Speaker 2: Ji's ounds better than Joey's last one. But I'm still

1102
00:48:27,280 --> 00:48:29,480
Speaker 2: on the status side of like you do have to

1103
00:48:29,520 --> 00:48:33,239
Speaker 2: take longevity to some account when you're using here. I

1104
00:48:33,480 --> 00:48:37,000
Speaker 2: like that Joey is is differently because he's been around.

1105
00:48:36,800 --> 00:48:39,440
Speaker 4: For so high so to both of y'all's arguments, So

1106
00:48:39,719 --> 00:48:42,359
Speaker 4: Noriega would be jad Kiss's bid.

1107
00:48:43,440 --> 00:48:48,239
Speaker 3: Yeah, you say no, because the ability is not the same, well,

1108
00:48:48,320 --> 00:48:51,399
Speaker 3: not not just ability, but the status. Like Norway has

1109
00:48:51,480 --> 00:48:54,960
Speaker 3: classic songs, he has in my opinion, a classic album

1110
00:48:56,239 --> 00:48:59,520
Speaker 3: full go albums, Yeah none, So yeah, I would, I

1111
00:48:59,520 --> 00:49:00,520
Speaker 3: would degree there.

1112
00:49:01,320 --> 00:49:04,320
Speaker 1: The skill set is not. The skill set is different.

1113
00:49:04,440 --> 00:49:08,680
Speaker 3: But as far as you know, just discography and and

1114
00:49:08,880 --> 00:49:13,359
Speaker 3: and and longevity and time in the game and accomplishments

1115
00:49:13,400 --> 00:49:16,800
Speaker 3: and things like that, bodies of work. Yeah, he's a PJ.

1116
00:49:17,280 --> 00:49:21,120
Speaker 2: I think Jacob can rap circles around Future, but I

1117
00:49:21,160 --> 00:49:25,200
Speaker 2: still think Future is is peer just as far as accomplishments,

1118
00:49:25,239 --> 00:49:27,520
Speaker 2: what they've they've contributed, how they've changed music, that's his

1119
00:49:27,800 --> 00:49:30,680
Speaker 2: future is Jacob's peer. But the ability as far as

1120
00:49:30,760 --> 00:49:33,520
Speaker 2: rapping is is obviously different. Future would say the same.

1121
00:49:34,040 --> 00:49:36,279
Speaker 2: But when it comes to just creating music, that's where

1122
00:49:36,320 --> 00:49:41,000
Speaker 2: I say with with peers like I listen Travis Travis.

1123
00:49:41,120 --> 00:49:43,920
Speaker 2: Travis can't rap like Nikki, but there are peers in

1124
00:49:44,000 --> 00:49:48,000
Speaker 2: some degree if you want to start getting to status albums.

1125
00:49:48,040 --> 00:49:50,120
Speaker 3: Ji's album. It's just last album better than the Fallow.

1126
00:49:51,840 --> 00:49:53,360
Speaker 1: Yeah, I think so.

1127
00:49:54,040 --> 00:49:57,800
Speaker 2: Yeah, I'm I'm not mad at all. It fell off already,

1128
00:49:58,400 --> 00:50:02,040
Speaker 2: all right, see the fall Off. Listen to the first disc.

1129
00:50:02,040 --> 00:50:04,279
Speaker 2: The first disc is great, really good.

1130
00:50:07,080 --> 00:50:10,040
Speaker 1: Half the album is good. Now it's two albums. It's

1131
00:50:10,080 --> 00:50:12,640
Speaker 1: the Fall and order like half the album like After Project. No,

1132
00:50:13,920 --> 00:50:14,080
Speaker 1: like the.

1133
00:50:15,800 --> 00:50:19,080
Speaker 2: Fall, the first one, I like my favorite time is.

1134
00:50:20,320 --> 00:50:22,120
Speaker 2: I like the first one, and I like a few

1135
00:50:22,200 --> 00:50:24,840
Speaker 2: joints on the second one. But again I'm not I

1136
00:50:24,960 --> 00:50:26,880
Speaker 2: don't like double disc to begin with. That's something that

1137
00:50:27,080 --> 00:50:29,640
Speaker 2: I don't like when artists do. Unless you have a

1138
00:50:29,719 --> 00:50:31,160
Speaker 2: life after death, which is impossible.

1139
00:50:31,200 --> 00:50:33,520
Speaker 1: You gotta go crazy on a double dish, bro.

1140
00:50:34,000 --> 00:50:36,600
Speaker 2: But I'm just saying I don't understand, like, see the

1141
00:50:36,680 --> 00:50:41,640
Speaker 2: point of everything that Cole has done FORGID, whether it

1142
00:50:41,719 --> 00:50:43,560
Speaker 2: be in the public eye or behind the scenes.

1143
00:50:44,320 --> 00:50:46,800
Speaker 1: I don't know if you're just old not old. But

1144
00:50:46,880 --> 00:50:47,239
Speaker 1: I don't know.

1145
00:50:47,320 --> 00:50:52,080
Speaker 2: If I'm putting together my project that's about my history

1146
00:50:52,160 --> 00:50:54,239
Speaker 2: in life and this is my last album, I don't

1147
00:50:54,239 --> 00:50:55,480
Speaker 2: know if my mind state is just like I have

1148
00:50:55,560 --> 00:50:59,359
Speaker 2: to place Jids somewhere in this story just because now

1149
00:50:59,520 --> 00:51:03,520
Speaker 2: this is the Yeah, I don't like making excuses for him,

1150
00:51:04,400 --> 00:51:07,800
Speaker 2: like I don't want to make any Drake that this,

1151
00:51:07,920 --> 00:51:10,800
Speaker 2: but I mean, yeah, Drake does a lot of features

1152
00:51:10,800 --> 00:51:14,840
Speaker 2: for people that he signs. But when it's time for

1153
00:51:15,000 --> 00:51:18,120
Speaker 2: Drake to make an album, Bro, I'm going I'm gonna

1154
00:51:18,160 --> 00:51:19,959
Speaker 2: hit future, I'm gonna hit a little baby, I'm gonna

1155
00:51:20,000 --> 00:51:24,160
Speaker 2: hit people. I'm not putting Roy Woods. And of course

1156
00:51:24,200 --> 00:51:26,200
Speaker 2: he put division on views and and all that. I'm

1157
00:51:26,200 --> 00:51:28,320
Speaker 2: not saying he hasn't done that for you to say that,

1158
00:51:28,800 --> 00:51:31,200
Speaker 2: oh no, he's he's had party. I'm just saying it's.

1159
00:51:32,600 --> 00:51:33,480
Speaker 1: A hit me out.

1160
00:51:33,719 --> 00:51:35,360
Speaker 2: Well a lot of stuff with with the party stuff.

1161
00:51:35,360 --> 00:51:38,600
Speaker 2: And I mean this respectfully. Party and him are great

1162
00:51:38,640 --> 00:51:43,640
Speaker 2: collaborators when they write music together, whereas that's different between

1163
00:51:43,800 --> 00:51:45,960
Speaker 2: J I D. And J Cole because they're not collaborating

1164
00:51:46,040 --> 00:51:48,480
Speaker 2: to write with each other or create melodies. And this

1165
00:51:48,560 --> 00:51:51,759
Speaker 2: and that like the intro to if you're reading It's

1166
00:51:51,800 --> 00:51:54,919
Speaker 2: Too Late, was originally a party demo. Then that Drake

1167
00:51:54,960 --> 00:51:57,719
Speaker 2: flipped and figured out that's different album.

1168
00:51:57,800 --> 00:51:58,360
Speaker 1: That's my favorite.

1169
00:51:58,840 --> 00:52:01,480
Speaker 2: At that's time she.

1170
00:52:01,600 --> 00:52:03,160
Speaker 1: Reading this is too late. Now we're in the basement

1171
00:52:03,200 --> 00:52:04,280
Speaker 1: that we're working on their phones.

1172
00:52:04,920 --> 00:52:06,840
Speaker 2: He was tracking on that. He was traveling on that

1173
00:52:07,000 --> 00:52:09,480
Speaker 2: album to the album he was trapped off Bro. He

1174
00:52:10,239 --> 00:52:13,360
Speaker 2: shift happened where he went from like soft to aggressive.

1175
00:52:13,600 --> 00:52:15,880
Speaker 2: He was trapping bro like they was getting money. But

1176
00:52:16,040 --> 00:52:19,160
Speaker 2: to me, he does that with his artists more on

1177
00:52:19,239 --> 00:52:22,400
Speaker 2: their projects than he does on his own. Not every

1178
00:52:22,560 --> 00:52:26,080
Speaker 2: single Drake album is like just a fleet odo teacher.

1179
00:52:26,360 --> 00:52:28,320
Speaker 4: I get what you say, because they might not anybody

1180
00:52:29,200 --> 00:52:32,759
Speaker 4: get on one joint. You know my game on you

1181
00:52:33,200 --> 00:52:35,560
Speaker 4: you didn't hear around. But for the most part, Drake

1182
00:52:35,680 --> 00:52:37,239
Speaker 4: is on that ship a lot is.

1183
00:52:37,760 --> 00:52:39,839
Speaker 2: J Cole on a lot of dig I mean, even

1184
00:52:40,040 --> 00:52:42,479
Speaker 2: even if you go through everything, you get the guys

1185
00:52:42,560 --> 00:52:44,800
Speaker 2: the album, you don't get the whole rock my album?

1186
00:52:45,040 --> 00:52:47,400
Speaker 1: Did J Cole? Was he on JID album?

1187
00:52:47,680 --> 00:52:47,719
Speaker 2: No?

1188
00:52:48,719 --> 00:52:50,759
Speaker 1: No, he was supposed to be. If he's not going

1189
00:52:50,840 --> 00:52:53,279
Speaker 1: to have Jid on his album, you gotta get on

1190
00:52:53,440 --> 00:52:54,200
Speaker 1: son album bro.

1191
00:52:54,320 --> 00:52:57,160
Speaker 3: But you know why he wasn't through Why I think

1192
00:52:57,200 --> 00:52:59,359
Speaker 3: that Jake Cole didn't want nobody to really hit him

1193
00:52:59,400 --> 00:53:02,800
Speaker 3: like that until because everything the time and he was

1194
00:53:03,320 --> 00:53:04,600
Speaker 3: finishing up his project and the.

1195
00:53:04,640 --> 00:53:06,799
Speaker 1: Rap game is too I ain't gonna lie. I don't.

1196
00:53:06,800 --> 00:53:07,880
Speaker 1: I don't like.

1197
00:53:08,000 --> 00:53:10,600
Speaker 4: I like niggas not talk about I was selling drugs.

1198
00:53:10,680 --> 00:53:13,799
Speaker 4: Only now these other niggas, these other niggas is too

1199
00:53:13,960 --> 00:53:16,960
Speaker 4: weig bro y'all too fucking wig y'all got too much

1200
00:53:17,400 --> 00:53:18,200
Speaker 4: like what ain't said?

1201
00:53:18,200 --> 00:53:20,920
Speaker 1: What what you're doing? You need the perfect beat. I

1202
00:53:21,000 --> 00:53:25,160
Speaker 1: need the perfect on fuck out of here, y'all.

1203
00:53:25,239 --> 00:53:27,320
Speaker 4: Niggas need to I like the niggas that it seemed

1204
00:53:27,320 --> 00:53:29,880
Speaker 4: like the niggas that's selling drugs, Benny the Butcher and

1205
00:53:30,000 --> 00:53:32,200
Speaker 4: them kind of niggas. Get him niggas a beat, they're

1206
00:53:32,200 --> 00:53:33,960
Speaker 4: gonna go in there, talk about this ship and get

1207
00:53:34,000 --> 00:53:34,239
Speaker 4: it over.

1208
00:53:34,760 --> 00:53:37,759
Speaker 1: Oh. I knew he wasn't gonna get on there. He

1209
00:53:37,760 --> 00:53:40,960
Speaker 1: ain't want to be heard. What nigga. But the more

1210
00:53:41,000 --> 00:53:43,160
Speaker 1: nigga used to want to be hurt every fucking chance

1211
00:53:43,239 --> 00:53:43,520
Speaker 1: he got.

1212
00:53:43,760 --> 00:53:45,480
Speaker 3: Yeah, but coming off of everything that cold, you know

1213
00:53:45,560 --> 00:53:48,359
Speaker 3: obviously the last two years and then you know, right,

1214
00:53:48,760 --> 00:53:51,000
Speaker 3: very calculated niggas deleting songs.

1215
00:53:51,400 --> 00:53:53,840
Speaker 1: Where the fuck is this ship? Yeah, I don't like this.

1216
00:53:54,360 --> 00:53:56,520
Speaker 4: I like the niggas that selling drugs. They ain't deleting

1217
00:53:56,560 --> 00:53:59,080
Speaker 4: that ship. They need that, They need the DSPs and

1218
00:53:59,080 --> 00:54:01,719
Speaker 4: send him niggas a few. They ain't gonna delete that shit, man,

1219
00:54:02,280 --> 00:54:04,800
Speaker 4: straight up. The niggas didn't got all this money and change.

1220
00:54:04,920 --> 00:54:05,080
Speaker 5: Man.

1221
00:54:05,560 --> 00:54:07,520
Speaker 1: No, niggas don't even like rapping no more.

1222
00:54:07,560 --> 00:54:10,120
Speaker 4: The shit is more about instead of rapping, the shit

1223
00:54:10,239 --> 00:54:11,920
Speaker 4: is like it seems like it's more about.

1224
00:54:11,840 --> 00:54:13,640
Speaker 1: What it's business. With J Cole. It has to be

1225
00:54:14,120 --> 00:54:15,680
Speaker 1: the type of artisty is. He has to think more

1226
00:54:15,719 --> 00:54:16,319
Speaker 1: business than.

1227
00:54:16,360 --> 00:54:19,319
Speaker 3: Just It's always been a business though, Yeah, but when

1228
00:54:19,360 --> 00:54:22,080
Speaker 3: you at the level of J Cole, especially right now

1229
00:54:22,120 --> 00:54:25,040
Speaker 3: and everything going, you know, from twenty twenty four currently,

1230
00:54:26,080 --> 00:54:29,560
Speaker 3: everything had to be very meticulous. Everything had to be

1231
00:54:29,719 --> 00:54:32,719
Speaker 3: very intentional, Everything had to be calculated like it was,

1232
00:54:32,760 --> 00:54:34,560
Speaker 3: just it was a little different. So I'm not I'm

1233
00:54:34,600 --> 00:54:35,360
Speaker 3: not looking at you.

1234
00:54:36,280 --> 00:54:39,279
Speaker 1: I don't feel like J Cole will ever be as

1235
00:54:39,400 --> 00:54:44,160
Speaker 1: big as whole was in oh four. I don't think.

1236
00:54:44,360 --> 00:54:45,440
Speaker 1: I don't think for you all right.

1237
00:54:45,960 --> 00:54:48,960
Speaker 4: Jay Z was on HOGH ninety seven Step aside the

1238
00:54:49,040 --> 00:54:52,320
Speaker 4: move Superman is alive, Like we can still get shipped

1239
00:54:52,400 --> 00:54:55,560
Speaker 4: like that from jay Z when he was jay Z Nigga.

1240
00:54:56,400 --> 00:54:58,560
Speaker 4: We could get these niggas getting on the radio giving

1241
00:54:58,640 --> 00:55:01,640
Speaker 4: us fire free styles all like the top Dog is

1242
00:55:01,680 --> 00:55:04,520
Speaker 4: the greatest of the greatest, and y'all niggas be acting

1243
00:55:04,600 --> 00:55:05,280
Speaker 4: like y'all too.

1244
00:55:05,200 --> 00:55:06,880
Speaker 2: Good to get off a ship like this because Cole,

1245
00:55:06,960 --> 00:55:10,000
Speaker 2: I mean, it was a while ago coded Leakers his

1246
00:55:10,160 --> 00:55:10,840
Speaker 2: leakers freestyle.

1247
00:55:11,960 --> 00:55:13,840
Speaker 1: I'm not I heard that she was I.

1248
00:55:14,120 --> 00:55:16,440
Speaker 4: She was I, And I'm saying I'm just saying, though,

1249
00:55:16,520 --> 00:55:19,120
Speaker 4: light you niggas is just too tom though too, because

1250
00:55:19,160 --> 00:55:21,600
Speaker 4: like niggas is too batmanaged with this ship man.

1251
00:55:22,120 --> 00:55:24,120
Speaker 2: But that was always a marketing plan too. When anytime

1252
00:55:24,200 --> 00:55:28,200
Speaker 2: Hove went up to Flex or was bringing someone, it

1253
00:55:28,320 --> 00:55:30,480
Speaker 2: wasn't for the love of the game random, it was

1254
00:55:30,600 --> 00:55:32,440
Speaker 2: for an intention of something that we're doing. It was

1255
00:55:32,480 --> 00:55:35,759
Speaker 2: a tool and that tool isn't the way it was

1256
00:55:36,000 --> 00:55:39,040
Speaker 2: before when it comes to rappers like j Cole. Of course,

1257
00:55:39,440 --> 00:55:41,400
Speaker 2: it's great when Drake goes to on the radar. I

1258
00:55:41,480 --> 00:55:43,120
Speaker 2: love that type of ship. I love when rappers that

1259
00:55:43,160 --> 00:55:45,160
Speaker 2: are that established do that, but it's not the tool

1260
00:55:45,239 --> 00:55:48,399
Speaker 2: it was before where you gotta get your whole crew

1261
00:55:48,520 --> 00:55:50,640
Speaker 2: up to the radio because we need to hear all

1262
00:55:50,719 --> 00:55:53,359
Speaker 2: them rap because we're about to put something out. It's

1263
00:55:53,560 --> 00:55:55,840
Speaker 2: like when when people like Cole or Drake do that,

1264
00:55:56,239 --> 00:55:59,200
Speaker 2: that's actually because they love the sport, Like that's not

1265
00:55:59,320 --> 00:56:03,719
Speaker 2: really the biggest marketing plan on earth. Like Drake didn't

1266
00:56:03,760 --> 00:56:05,759
Speaker 2: need to do the the on the radar shit.

1267
00:56:05,960 --> 00:56:08,480
Speaker 4: He did it because he likes that platform and wanted

1268
00:56:08,480 --> 00:56:12,200
Speaker 4: to rap with Central C and like that shit Cole loves.

1269
00:56:12,480 --> 00:56:14,160
Speaker 4: I'm sure Cole loves the l a Leaker ship and

1270
00:56:14,280 --> 00:56:16,080
Speaker 4: was like I got to get up there. Co didn't

1271
00:56:16,160 --> 00:56:19,160
Speaker 4: need to do that, but Jay needed to go to

1272
00:56:19,239 --> 00:56:21,040
Speaker 4: flex as a marketing player, he needed to.

1273
00:56:21,640 --> 00:56:22,160
Speaker 1: It was different.

1274
00:56:22,200 --> 00:56:25,240
Speaker 2: You had to go up if radio was controlling everything,

1275
00:56:25,320 --> 00:56:27,719
Speaker 2: so you have to go up there, and you got

1276
00:56:27,840 --> 00:56:29,719
Speaker 2: to make a moment like you got it has to

1277
00:56:29,800 --> 00:56:31,319
Speaker 2: be a thing when you go up there, like y'all

1278
00:56:31,360 --> 00:56:33,560
Speaker 2: got my mans that could wrap too. People calling in

1279
00:56:33,719 --> 00:56:34,319
Speaker 2: like it's a thing.

1280
00:56:34,520 --> 00:56:37,640
Speaker 4: You know what I'm saying. What I'm saying, is this right?

1281
00:56:37,920 --> 00:56:44,120
Speaker 4: If everybody's saying like rap was better when ship like

1282
00:56:44,200 --> 00:56:47,600
Speaker 4: this was going on, why do you why getting this

1283
00:56:47,760 --> 00:56:50,080
Speaker 4: old ass hall there ride around like you want some

1284
00:56:50,280 --> 00:56:54,120
Speaker 4: throwback ship, but you ain't doing the throwback ship. Could

1285
00:56:54,200 --> 00:56:57,560
Speaker 4: Joey Badass has said this, if j Cole would have

1286
00:56:57,600 --> 00:57:01,320
Speaker 4: got the Dreamville niggas together and packed the sprint of

1287
00:57:01,400 --> 00:57:03,280
Speaker 4: van and went to New York City like your flexs,

1288
00:57:03,280 --> 00:57:04,520
Speaker 4: we're about to fuck this ship.

1289
00:57:04,400 --> 00:57:05,359
Speaker 1: Up a bit. Nah.

1290
00:57:05,520 --> 00:57:09,000
Speaker 4: But see, could he have said that though this is

1291
00:57:09,040 --> 00:57:11,239
Speaker 4: my last quote unquote last album, why can't I make

1292
00:57:11,239 --> 00:57:11,640
Speaker 4: it about me?

1293
00:57:12,880 --> 00:57:14,799
Speaker 2: The only the only thing, the only thing? When when

1294
00:57:14,880 --> 00:57:16,360
Speaker 2: what album didn't you make about you?

1295
00:57:16,560 --> 00:57:21,520
Speaker 1: Jay Gold? It's his fucking yeah.

1296
00:57:21,560 --> 00:57:23,760
Speaker 3: But that's what Zipp is saying, like when it didn't

1297
00:57:23,800 --> 00:57:25,720
Speaker 3: you make about you? When is it not you said

1298
00:57:25,720 --> 00:57:27,040
Speaker 3: the Revenge of the Nerves? Should we get all that?

1299
00:57:27,120 --> 00:57:29,400
Speaker 3: So he does make way for the guys that he has,

1300
00:57:29,880 --> 00:57:31,560
Speaker 3: you know, under his umbrella and things like that. But

1301
00:57:32,520 --> 00:57:35,400
Speaker 3: what Zipp is saying is if you the top dog,

1302
00:57:35,480 --> 00:57:37,600
Speaker 3: when you think you're the top dog and you have

1303
00:57:37,760 --> 00:57:40,320
Speaker 3: this certain you know, aesthetic you're trying to keep like

1304
00:57:40,360 --> 00:57:41,960
Speaker 3: you know, we're taking it back old school, we really

1305
00:57:42,000 --> 00:57:43,880
Speaker 3: hitting the streets and all that, why you ain't got

1306
00:57:43,880 --> 00:57:44,440
Speaker 3: your team with you?

1307
00:57:44,520 --> 00:57:45,400
Speaker 1: Why you ain't giving them that.

1308
00:57:45,560 --> 00:57:47,320
Speaker 2: Done that before? Why does he have to do it

1309
00:57:47,400 --> 00:57:50,280
Speaker 2: every time? My last album, I want.

1310
00:57:50,160 --> 00:57:51,400
Speaker 1: To make this about your name too.

1311
00:57:51,520 --> 00:57:51,840
Speaker 5: I get that.

1312
00:57:52,240 --> 00:57:53,000
Speaker 1: Like, I get that too.

1313
00:57:53,360 --> 00:57:55,240
Speaker 2: If it's the middle of your career, yeah, like if

1314
00:57:55,280 --> 00:57:56,760
Speaker 2: you want to start a label and take take on

1315
00:57:56,920 --> 00:57:59,840
Speaker 2: that responsibility. Yeah, you should pack the whole sprint of

1316
00:57:59,840 --> 00:58:03,480
Speaker 2: event with all of dream Bill, which he's done every

1317
00:58:03,520 --> 00:58:07,880
Speaker 2: single dream bell Fest. You could, you could have a

1318
00:58:07,960 --> 00:58:10,840
Speaker 2: thousand streams. If you're signed to Dreamville, you are are

1319
00:58:10,920 --> 00:58:11,720
Speaker 2: on the main stage.

1320
00:58:12,080 --> 00:58:12,280
Speaker 1: Yeah.

1321
00:58:12,360 --> 00:58:15,320
Speaker 2: And on top of that, when Cold closed, he brings

1322
00:58:15,440 --> 00:58:17,920
Speaker 2: he brings all of Dreamville on stage with him for

1323
00:58:18,000 --> 00:58:18,480
Speaker 2: half the set.

1324
00:58:19,040 --> 00:58:23,520
Speaker 1: I'm like, like that for that, I understand that's that's their.

1325
00:58:22,760 --> 00:58:26,120
Speaker 2: Festival's biggest first single. He's on Shade by the Baby

1326
00:58:26,240 --> 00:58:28,400
Speaker 2: like he did his Why you have to do that

1327
00:58:28,520 --> 00:58:29,439
Speaker 2: every single time?

1328
00:58:29,520 --> 00:58:31,440
Speaker 3: I'm not saying every time. I'm just saying that j

1329
00:58:31,600 --> 00:58:34,440
Speaker 3: I D had a very successful year. He had a

1330
00:58:34,480 --> 00:58:37,120
Speaker 3: lot of energy around surrounding his last his last project

1331
00:58:37,160 --> 00:58:40,560
Speaker 3: he just put out. I'm just saying, I think we

1332
00:58:40,640 --> 00:58:43,480
Speaker 3: could have found we could have hit spaceball somewhere on

1333
00:58:43,520 --> 00:58:44,360
Speaker 3: the mixtape for him.

1334
00:58:44,360 --> 00:58:45,080
Speaker 1: It's all I'm saying.

1335
00:58:45,920 --> 00:58:48,000
Speaker 3: I think we could have found somewhere we could have

1336
00:58:48,040 --> 00:58:50,080
Speaker 3: found a loop somewhere on on.

1337
00:58:50,440 --> 00:58:52,080
Speaker 1: The what was the name of the the mixtape?

1338
00:58:52,800 --> 00:58:54,640
Speaker 2: It was called Birthday, but it was his birthday, man,

1339
00:58:58,240 --> 00:58:58,520
Speaker 2: So for.

1340
00:58:58,560 --> 00:59:00,000
Speaker 1: Your birthday, you don't invite none of the whole.

1341
00:59:00,360 --> 00:59:02,240
Speaker 2: Me and Jid don't get to blow the candles out.

1342
00:59:02,280 --> 00:59:04,600
Speaker 2: It's my motherfucking birthday. But I'm the only one blowing

1343
00:59:04,640 --> 00:59:06,960
Speaker 2: the candles out. Me and Jed are not blowing out

1344
00:59:07,040 --> 00:59:09,240
Speaker 2: our birthday candles. To God, don't want Jude to blow

1345
00:59:09,280 --> 00:59:10,720
Speaker 2: out Jao's candles.

1346
00:59:11,720 --> 00:59:14,200
Speaker 4: It's his birthday. I don't even want to think about that.

1347
00:59:14,560 --> 00:59:16,160
Speaker 4: I'm just saying I feel.

1348
00:59:16,000 --> 00:59:20,360
Speaker 3: Like Cole could have found somewhere on that birthday blizzard

1349
00:59:20,400 --> 00:59:23,080
Speaker 3: mikes tape to let Jig get his ship off.

1350
00:59:23,480 --> 00:59:26,600
Speaker 1: That's all the album. We understand the thing.

1351
00:59:27,160 --> 00:59:30,200
Speaker 2: Jid's birthday is on Halloween. Nah wait, you have to

1352
00:59:30,240 --> 00:59:33,160
Speaker 2: wait till October. If I put a mix about them,

1353
00:59:33,200 --> 00:59:35,000
Speaker 2: then we could do Spooky Season together.

1354
00:59:35,160 --> 00:59:37,560
Speaker 3: All right, But just so we can close this, would

1355
00:59:37,600 --> 00:59:40,600
Speaker 3: we find it surprising at all if a year from

1356
00:59:40,680 --> 00:59:43,240
Speaker 3: now we hear Jed throwing shots at Cold.

1357
00:59:44,040 --> 00:59:46,880
Speaker 1: I just said, maybe they don't like each other, okay, yo.

1358
00:59:47,920 --> 00:59:50,560
Speaker 2: Usually I'm the one that has the terrible conspiracy theories.

1359
00:59:50,640 --> 00:59:52,400
Speaker 1: I'm a conspiracy theory.

1360
00:59:52,520 --> 00:59:54,880
Speaker 2: I'm saying the way Jed and Jake Cole don't like

1361
00:59:54,960 --> 00:59:57,320
Speaker 2: each other or have relationship, I'm not saying I don't

1362
00:59:57,360 --> 00:59:58,240
Speaker 2: think he feels a way either.

1363
00:59:58,280 --> 00:59:59,920
Speaker 3: I'm not saying they don't like each other. But if

1364
01:00:00,080 --> 01:00:03,720
Speaker 3: we hear Jed write a ball, spit a ball saying like,

1365
01:00:03,920 --> 01:00:06,120
Speaker 3: you know you want to, you want to. You know

1366
01:00:06,160 --> 01:00:07,560
Speaker 3: if you wanted to keep me out of that light,

1367
01:00:07,600 --> 01:00:09,440
Speaker 3: you ain't really want me to shine in that moment.

1368
01:00:09,240 --> 01:00:12,560
Speaker 1: Which you don't want me in that hone though, accord, it.

1369
01:00:12,600 --> 01:00:14,520
Speaker 4: Ain't gotta it ain't got to be rooted in beef.

1370
01:00:14,640 --> 01:00:17,040
Speaker 4: It's just like, yeah, you ain't wanna you ain't want

1371
01:00:17,080 --> 01:00:17,720
Speaker 4: to pass.

1372
01:00:17,560 --> 01:00:21,920
Speaker 2: Over fucking When they started with him and Eve and

1373
01:00:21,960 --> 01:00:25,360
Speaker 2: the Honda driving the Florida College, Jid was in in

1374
01:00:25,920 --> 01:00:27,160
Speaker 2: junior high at that time.

1375
01:00:27,360 --> 01:00:29,440
Speaker 4: Ay so, shorty, that's the little nigga in the back.

1376
01:00:31,600 --> 01:00:34,880
Speaker 4: They just weading me your head, shorty, what you gotta.

1377
01:00:34,640 --> 01:00:38,040
Speaker 1: Spit that ship? I spin my little rhymes and ship. Yeah.

1378
01:00:38,160 --> 01:00:40,360
Speaker 1: I think I think it's just you know, I get it.

1379
01:00:40,440 --> 01:00:42,640
Speaker 4: I'm just saying, like all of the big dog niggas

1380
01:00:42,920 --> 01:00:46,400
Speaker 4: is supposed to have their young niggas on their album

1381
01:00:47,400 --> 01:00:49,680
Speaker 4: because that's historically, that's how I went.

1382
01:00:51,000 --> 01:00:53,480
Speaker 1: And you're supposed to get on the album.

1383
01:00:54,360 --> 01:00:57,840
Speaker 4: A double disc. Jig can't get on none of that

1384
01:00:57,920 --> 01:01:00,440
Speaker 4: ship and all that boring one song. Let's get to

1385
01:01:00,480 --> 01:01:02,960
Speaker 4: that that ship was boring. You put out mad boring.

1386
01:01:03,040 --> 01:01:05,400
Speaker 4: Shout out to Joey Badass for pointing that out. You

1387
01:01:05,520 --> 01:01:09,360
Speaker 4: put out thirty boring songs. Joey Badas said he liked that,

1388
01:01:09,560 --> 01:01:11,160
Speaker 4: he loved that. I don't care what he said about.

1389
01:01:11,160 --> 01:01:14,640
Speaker 4: I'm talking about the the jit it references. You put

1390
01:01:14,680 --> 01:01:17,600
Speaker 4: out thirty boring ass on album nobody listening to today,

1391
01:01:18,400 --> 01:01:19,840
Speaker 4: and you ain't even put your man on it. You

1392
01:01:19,880 --> 01:01:22,720
Speaker 4: couldn't put your man on it. Maybe niggas would feel

1393
01:01:22,720 --> 01:01:26,120
Speaker 4: like how many tracks that nigga damn?

1394
01:01:26,200 --> 01:01:26,280
Speaker 5: Now?

1395
01:01:26,360 --> 01:01:27,960
Speaker 2: See, I thought I was about to get your off

1396
01:01:28,280 --> 01:01:29,040
Speaker 2: version of that, but but.

1397
01:01:29,040 --> 01:01:31,360
Speaker 3: I'm put up jay z discography and he didn't put

1398
01:01:31,360 --> 01:01:31,800
Speaker 3: nobody And.

1399
01:01:31,800 --> 01:01:33,160
Speaker 1: I'm looking on Blueprint too.

1400
01:01:33,280 --> 01:01:36,280
Speaker 2: Yeah, and I forgot Memphis Bleek, BBC, Freeway, Young Gus

1401
01:01:36,320 --> 01:01:41,439
Speaker 2: p D Krag Christ like us. And I'm obviously somehow

1402
01:01:41,480 --> 01:01:45,000
Speaker 2: somewhere smoked this out Kanye was Kanye, but but don't

1403
01:01:45,040 --> 01:01:47,640
Speaker 2: act like Jay with some of the artists that he

1404
01:01:47,720 --> 01:01:49,920
Speaker 2: signed later, not people like Bleak that he grew up with.

1405
01:01:50,400 --> 01:01:53,120
Speaker 2: You got to earn a verse from me, like you

1406
01:01:53,160 --> 01:01:58,760
Speaker 2: gotta put some of your own ranges. Yeah, they've already

1407
01:01:58,800 --> 01:01:59,479
Speaker 2: had songs together.

1408
01:01:59,720 --> 01:02:02,880
Speaker 3: I'm onto my own Cole's album. I'm not saying don't

1409
01:02:02,880 --> 01:02:07,040
Speaker 3: have songs together Cole's album. How many features does does

1410
01:02:07,120 --> 01:02:09,600
Speaker 3: Cole have in his whole career on his album? Not much,

1411
01:02:10,160 --> 01:02:12,920
Speaker 3: But he needs someth like it might add some bizazz

1412
01:02:13,600 --> 01:02:15,360
Speaker 3: and it might add a little sparkle. What I'm saying

1413
01:02:15,400 --> 01:02:17,960
Speaker 3: sometimes you need the motherfucking dim the lights and add

1414
01:02:18,000 --> 01:02:19,120
Speaker 3: some ambiance to make the.

1415
01:02:19,120 --> 01:02:22,280
Speaker 1: Party lit just because you gotta.

1416
01:02:22,280 --> 01:02:24,760
Speaker 3: You know what I'm saying, A ballroom, a big space

1417
01:02:25,280 --> 01:02:27,240
Speaker 3: and DJ equipment don't mean the party gonna be lit.

1418
01:02:30,680 --> 01:02:32,960
Speaker 1: And not saying that the streets matter. But I don't

1419
01:02:33,040 --> 01:02:35,160
Speaker 1: think J. Cole is real big in the streets.

1420
01:02:37,000 --> 01:02:39,240
Speaker 2: I think he's like, we all have to define the

1421
01:02:39,280 --> 01:02:40,360
Speaker 2: streets in twenty twenty six.

1422
01:02:40,440 --> 01:02:42,440
Speaker 1: Well, seven eleven is the streets right at the back

1423
01:02:42,480 --> 01:02:43,880
Speaker 1: of seven eleven. I think that's what a lot of J.

1424
01:02:44,000 --> 01:02:47,919
Speaker 1: Cole fans hang out. No, they hang out any store

1425
01:02:48,040 --> 01:02:49,840
Speaker 1: next to that where they got the laptop.

1426
01:02:50,240 --> 01:02:53,280
Speaker 3: Old fans in front of seven eleven, part the mom's car,

1427
01:02:54,160 --> 01:02:57,040
Speaker 3: listening to his ship eating twizzlers and ship eating eating

1428
01:02:57,240 --> 01:02:58,560
Speaker 3: sour straws.

1429
01:02:58,160 --> 01:03:02,000
Speaker 1: And dabbing smoking weed out of pipe. Great Saturday.

1430
01:03:02,120 --> 01:03:04,120
Speaker 3: No, I'm not saying it's not I'm saying, but that's

1431
01:03:04,160 --> 01:03:07,120
Speaker 3: where his fans are. Those type of fans. They have basements.

1432
01:03:07,520 --> 01:03:11,040
Speaker 4: They don't have cracks, they don't have cracked any cragg

1433
01:03:11,120 --> 01:03:11,600
Speaker 4: of the ash.

1434
01:03:14,160 --> 01:03:17,360
Speaker 1: Trying to wait for somebody to say, seven year basement.

1435
01:03:18,480 --> 01:03:20,480
Speaker 1: Everyone in Queen's got a basement. Not everyone.

1436
01:03:21,720 --> 01:03:24,520
Speaker 4: I'm from Queens. I did not have a basement, not everywhere.

1437
01:03:24,560 --> 01:03:26,560
Speaker 4: Well I know what you mean though, but not everyone

1438
01:03:26,600 --> 01:03:27,560
Speaker 4: in Queen's got a basement.

1439
01:03:27,640 --> 01:03:29,960
Speaker 2: Me a zips upbrings were probably a little bit different,

1440
01:03:30,040 --> 01:03:30,240
Speaker 2: just a.

1441
01:03:30,240 --> 01:03:33,080
Speaker 4: Little I'm gonna just go on the limits. Say you

1442
01:03:33,720 --> 01:03:35,360
Speaker 4: grew up slightly different.

1443
01:03:35,600 --> 01:03:41,160
Speaker 2: It was a little different, different quality Queens, different different Queen.

1444
01:03:41,680 --> 01:03:44,960
Speaker 2: A lot of basements over there around the corner they

1445
01:03:45,040 --> 01:03:45,640
Speaker 2: had basements.

1446
01:03:46,120 --> 01:03:47,880
Speaker 1: You didn't want to go in there though where you

1447
01:03:48,000 --> 01:03:49,400
Speaker 1: was at, you didn't want to go in the basements.

1448
01:03:50,280 --> 01:03:52,040
Speaker 1: I'm saying the basement of my building. Let me think

1449
01:03:52,120 --> 01:03:53,200
Speaker 1: you ain't want to go in the basement of you.

1450
01:03:53,560 --> 01:03:55,160
Speaker 1: I think I've been in the basement of my building.

1451
01:03:55,240 --> 01:03:57,200
Speaker 1: Maybe one time. I'm not going to the launchry. They're

1452
01:03:57,200 --> 01:03:59,400
Speaker 1: not gonnaven ask you why you was in the laundry. Listen,

1453
01:03:59,560 --> 01:04:02,440
Speaker 1: I'm I don't know. See he look, you don't do

1454
01:04:02,520 --> 01:04:06,240
Speaker 1: launch Why drop la the laund is down the blind Yeah,

1455
01:04:07,360 --> 01:04:08,680
Speaker 1: on the corner. You don't know what it is to

1456
01:04:08,720 --> 01:04:09,640
Speaker 1: push a shopping car.

1457
01:04:09,840 --> 01:04:12,000
Speaker 2: I mean I do know, but that's actually when I

1458
01:04:12,080 --> 01:04:13,480
Speaker 2: left my mom's I had to figure that out.

1459
01:04:13,600 --> 01:04:17,040
Speaker 1: Okay, yeah, but no, but J Coley, No, it's not.

1460
01:04:17,200 --> 01:04:19,840
Speaker 1: It's not a streat element with J Coles.

1461
01:04:19,960 --> 01:04:20,160
Speaker 2: Yeah.

1462
01:04:20,560 --> 01:04:22,480
Speaker 3: Like, I don't think Jake Cole is a He's an

1463
01:04:22,520 --> 01:04:26,040
Speaker 3: incredible MC's, incredible rapper, incredible artist.

1464
01:04:26,160 --> 01:04:28,280
Speaker 1: Smart niggas. Land Base is just a small nigga.

1465
01:04:28,320 --> 01:04:30,200
Speaker 3: Small you gotta have some like smart, but I mean

1466
01:04:30,280 --> 01:04:32,800
Speaker 3: smart smart small cats like a lot of like Jada,

1467
01:04:33,080 --> 01:04:33,760
Speaker 3: like fab.

1468
01:04:33,760 --> 01:04:37,360
Speaker 4: J Cole is like sin Feil to me, you had

1469
01:04:37,400 --> 01:04:40,120
Speaker 4: to have some level of intelligence to understand that ship.

1470
01:04:41,160 --> 01:04:44,400
Speaker 1: Okay, is not for the like the layman.

1471
01:04:44,840 --> 01:04:48,000
Speaker 3: Okay, all right, I'm not mad at that, not saying

1472
01:04:48,000 --> 01:04:50,800
Speaker 3: there's anything wrong with that, but you just identifying his

1473
01:04:50,960 --> 01:04:51,439
Speaker 3: fan base.

1474
01:04:51,760 --> 01:04:56,160
Speaker 1: Yeah, like I agree and don't agree. Jed got what

1475
01:04:58,600 --> 01:04:59,560
Speaker 1: is George Costanzo?

1476
01:04:59,640 --> 01:05:03,280
Speaker 2: Everybody like, no, he cra cramery next door and that

1477
01:05:03,360 --> 01:05:07,640
Speaker 2: they can't stand on. No, I think Seinfeld and people

1478
01:05:07,760 --> 01:05:09,480
Speaker 2: say this about Cold. I don't believe it's about Cole,

1479
01:05:09,560 --> 01:05:12,440
Speaker 2: But why that is actually good analogy? People think Seinfeld

1480
01:05:13,280 --> 01:05:16,360
Speaker 2: that show is is it's not as smart as people

1481
01:05:16,400 --> 01:05:20,760
Speaker 2: think it is, Like, like, it's really not like, oh,

1482
01:05:20,840 --> 01:05:22,080
Speaker 2: it's just it's too intelligent.

1483
01:05:22,120 --> 01:05:23,520
Speaker 1: You have to be a certain type. No, you don't.

1484
01:05:23,520 --> 01:05:27,000
Speaker 1: It's just not that funny. That ship was hilarious to me.

1485
01:05:27,120 --> 01:05:31,000
Speaker 1: What are you bugging? You thought was hilarious? Hell yeah?

1486
01:05:31,720 --> 01:05:34,960
Speaker 2: I like Feld like she's my mom and every day

1487
01:05:35,120 --> 01:05:38,360
Speaker 2: I grew up on Seinfeld. First of all, it's just

1488
01:05:38,480 --> 01:05:39,640
Speaker 2: not as great as people say.

1489
01:05:39,640 --> 01:05:43,520
Speaker 4: It's really about to say some bullshit, No, real real ship.

1490
01:05:44,480 --> 01:05:50,120
Speaker 4: I beat a body. I beat a body. This is

1491
01:05:50,200 --> 01:05:53,280
Speaker 4: real ship you're worried about. Right, I beat a body. Right,

1492
01:05:54,440 --> 01:05:56,280
Speaker 4: I can't hold My grandmother said, yo, you got to

1493
01:05:56,280 --> 01:05:59,440
Speaker 4: come to the house to the clock. I look that

1494
01:05:59,560 --> 01:06:01,640
Speaker 4: that lady man. I wanted to say, I just beat

1495
01:06:01,640 --> 01:06:04,640
Speaker 4: the motherfucking body. What is he talking about coming outs

1496
01:06:04,640 --> 01:06:07,200
Speaker 4: at ten o'clock. I couldn't say nothing to come down

1497
01:06:07,240 --> 01:06:07,880
Speaker 4: at ten o'clock.

1498
01:06:08,120 --> 01:06:10,000
Speaker 1: She was trying to keep the streets.

1499
01:06:11,040 --> 01:06:19,040
Speaker 4: Yeah, get this minute block, she said, Yo, she said, yo,

1500
01:06:19,080 --> 01:06:20,560
Speaker 4: you gotta come in the house at ten o'clock.

1501
01:06:20,600 --> 01:06:23,120
Speaker 1: I looked at it. Yeah, I think I'm growing down.

1502
01:06:23,160 --> 01:06:26,600
Speaker 1: Then the body, Yeah, I'm outside. That was your ba

1503
01:06:26,720 --> 01:06:30,960
Speaker 1: mitz ten o'clock. Yeah, I get. I was like, all right, man,

1504
01:06:32,080 --> 01:06:35,560
Speaker 1: I was so fucking pas. I used to you every day.

1505
01:06:35,640 --> 01:06:37,360
Speaker 1: Every day I shut it down at the same time,

1506
01:06:37,440 --> 01:06:40,280
Speaker 1: like nine forty five, I start counting my money, clean

1507
01:06:40,360 --> 01:06:42,440
Speaker 1: it up it all. I'll be looking around it. We

1508
01:06:42,560 --> 01:06:45,360
Speaker 1: want to make niggas go in the house like corny

1509
01:06:45,440 --> 01:06:49,800
Speaker 1: ass things out here. I gotta go out. Yeah, I

1510
01:06:49,920 --> 01:06:52,120
Speaker 1: got these niggas get to stay out.

1511
01:06:53,400 --> 01:06:53,600
Speaker 5: Yeah.

1512
01:06:53,600 --> 01:06:56,920
Speaker 4: I learned about its crazy. I used to look, I'm

1513
01:06:56,960 --> 01:06:59,760
Speaker 4: going to the house. I watch the news. Yeah, then

1514
01:06:59,800 --> 01:07:01,480
Speaker 4: I to watch sign Fell after.

1515
01:07:01,360 --> 01:07:05,880
Speaker 1: That, after terrorizic, after terrorizing the community for about my day,

1516
01:07:06,360 --> 01:07:11,360
Speaker 1: I'm going up right early. Yeah. Yeah, ain't no time

1517
01:07:11,440 --> 01:07:17,200
Speaker 1: living on six. Yeah, I'm out of here. What's what's

1518
01:07:17,280 --> 01:07:18,280
Speaker 1: the deal with selling crack.

1519
01:07:20,000 --> 01:07:24,520
Speaker 4: I'm out of here. I'm definitely not staying high at

1520
01:07:24,560 --> 01:07:25,800
Speaker 4: ten o'clock eleven o'clock.

1521
01:07:26,200 --> 01:07:29,480
Speaker 1: I'm not me. I gotta be in that ten year.

1522
01:07:31,160 --> 01:07:36,000
Speaker 4: Work. What everybody I've seen every day, I see every

1523
01:07:36,080 --> 01:07:38,960
Speaker 4: day happening, Yo, that is at ten o'clock.

1524
01:07:38,960 --> 01:07:40,440
Speaker 1: I gotta go to I gotta take it up. I

1525
01:07:40,480 --> 01:07:42,520
Speaker 1: gotta take it in time, yo. But that is such

1526
01:07:42,560 --> 01:07:43,120
Speaker 1: a hood thing.

1527
01:07:43,280 --> 01:07:45,480
Speaker 3: Like no matter what niggas was doing in the streets,

1528
01:07:45,560 --> 01:07:49,520
Speaker 3: how fair niggas was terrorizing. If Granny said something that

1529
01:07:49,760 --> 01:07:54,960
Speaker 3: was Lord, get your ass upstairs. Ten o'clock clock, nigga

1530
01:07:55,040 --> 01:07:55,560
Speaker 3: getting home.

1531
01:07:55,680 --> 01:07:58,960
Speaker 1: I'm sixteen. Ye, you got to be in the house

1532
01:07:59,000 --> 01:08:01,400
Speaker 1: at ten o'clock. Did you have did you have you?

1533
01:08:01,480 --> 01:08:06,120
Speaker 4: Granny had the latch on the door. Nah, Now you

1534
01:08:06,360 --> 01:08:10,960
Speaker 4: just keep Grandma will come down the block with the

1535
01:08:11,080 --> 01:08:14,840
Speaker 4: long coat. Grandma would come down the block. Grandma came

1536
01:08:14,880 --> 01:08:18,880
Speaker 4: down that block, mad time, let's go, let's go. It's

1537
01:08:18,960 --> 01:08:23,679
Speaker 4: just like that, come on, wrap all this up. Only

1538
01:08:23,760 --> 01:08:27,080
Speaker 4: time that nigga rolling dice. She just said she said

1539
01:08:27,120 --> 01:08:28,599
Speaker 4: she was going to stock. She was going to get

1540
01:08:28,640 --> 01:08:32,040
Speaker 4: something with you. When she come out, she knows she

1541
01:08:32,120 --> 01:08:35,439
Speaker 4: gonna look at you. She's you you know what times the.

1542
01:08:35,439 --> 01:08:38,320
Speaker 1: Nigga look at his wheel. Yeah, you're like, oh no,

1543
01:08:38,479 --> 01:08:40,160
Speaker 1: wonder she front.

1544
01:08:40,000 --> 01:08:41,519
Speaker 4: Like she gotta get some front of the store. She

1545
01:08:41,520 --> 01:08:44,560
Speaker 4: don't need nothing front of the store. She had the

1546
01:08:44,640 --> 01:08:45,560
Speaker 4: dice she loot that go.

1547
01:08:47,560 --> 01:08:51,800
Speaker 1: Yeah. But other than that, it's Toma roll back it up.

1548
01:08:51,840 --> 01:08:55,439
Speaker 2: I'm still crying that if didn't realize after you beat

1549
01:08:55,479 --> 01:08:57,040
Speaker 2: the body at sixteen that you gotta go.

1550
01:08:57,120 --> 01:09:01,000
Speaker 1: Home win the street lights is on. You know I've

1551
01:09:01,000 --> 01:09:02,759
Speaker 1: done that. It's so minutesku that my mom.

1552
01:09:02,760 --> 01:09:04,880
Speaker 2: Was like, now you can't be you can't go outside anymore.

1553
01:09:04,880 --> 01:09:06,160
Speaker 1: I got to wrap it up ten a clock. You

1554
01:09:06,200 --> 01:09:07,439
Speaker 1: look at it great, like this is what I do

1555
01:09:08,400 --> 01:09:11,240
Speaker 1: that home? You know why in the yo? Look this

1556
01:09:11,320 --> 01:09:14,920
Speaker 1: the l ship. Hm. When I caught the body, I

1557
01:09:15,000 --> 01:09:18,040
Speaker 1: had to be in the house at ten o'clock. Right,

1558
01:09:18,280 --> 01:09:19,759
Speaker 1: curfew should have been earlier for everyone.

1559
01:09:19,960 --> 01:09:23,519
Speaker 4: Look, no, it's summertime. It's July like July. Look boom,

1560
01:09:23,600 --> 01:09:26,000
Speaker 4: so it's summertime. And ship, you know niggas outside listening

1561
01:09:26,000 --> 01:09:27,200
Speaker 4: to that nah ship That ship had just.

1562
01:09:27,240 --> 01:09:31,040
Speaker 1: Came out ninety six. Yeah, it was rare. It just

1563
01:09:31,120 --> 01:09:33,720
Speaker 1: came out right. So the ship happened boom.

1564
01:09:35,240 --> 01:09:41,160
Speaker 4: So well, what happened was when I went upstairs, she said, Yo,

1565
01:09:41,200 --> 01:09:42,600
Speaker 4: you want to go back outside.

1566
01:09:43,439 --> 01:09:49,360
Speaker 1: I said, yeah, hell yeah, let's go. I went back

1567
01:09:49,400 --> 01:09:55,280
Speaker 1: out there and caught a body. She wasn't going for

1568
01:09:55,360 --> 01:09:58,160
Speaker 1: that ship. No more, no never, no more. You want

1569
01:09:58,200 --> 01:10:01,040
Speaker 1: to go back outside? No no, no, ten o'clock. You

1570
01:10:01,120 --> 01:10:04,439
Speaker 1: got to be ten o'clock. You remember the last time

1571
01:10:04,479 --> 01:10:13,400
Speaker 1: what happened. Shen't have to say that. A niggas were

1572
01:10:13,439 --> 01:10:14,400
Speaker 1: scared of the grandmother.

1573
01:10:15,439 --> 01:10:15,640
Speaker 5: I was.

1574
01:10:15,800 --> 01:10:17,360
Speaker 1: I was scared to death of my grandmother. And my

1575
01:10:17,400 --> 01:10:21,240
Speaker 1: grandmother had the big arms. You supposed the backhand was

1576
01:10:21,439 --> 01:10:27,599
Speaker 1: mad fast or never see it coming, got the backhand

1577
01:10:27,640 --> 01:10:29,040
Speaker 1: like Marty supreme sign you are you.

1578
01:10:29,120 --> 01:10:31,360
Speaker 4: Never see that she coming like you see like she

1579
01:10:31,800 --> 01:10:33,599
Speaker 4: she don't talk with her hands and none of that. Yeah,

1580
01:10:34,080 --> 01:10:36,080
Speaker 4: you just never saw that shit coming next to you, know,

1581
01:10:36,160 --> 01:10:39,920
Speaker 4: your teeth and all that lips and nose ring shut.

1582
01:10:39,960 --> 01:10:40,559
Speaker 1: You know what I'm saying.

1583
01:10:40,840 --> 01:10:50,120
Speaker 4: Yeah, pop fire, imagine your grandmother popping you. You just

1584
01:10:50,280 --> 01:10:56,559
Speaker 4: beat a body like you outside you outside the game, nigga.

1585
01:10:56,600 --> 01:10:59,320
Speaker 2: I think she was like pretty liberal and nice to

1586
01:10:59,400 --> 01:11:09,920
Speaker 2: give you a ten pm curse after beating no body yo. Oh,

1587
01:11:10,120 --> 01:11:13,360
Speaker 2: but the minute school he got sucked up at at sixteen, like, nah,

1588
01:11:13,400 --> 01:11:14,679
Speaker 2: you're not going outside anymore.

1589
01:11:14,760 --> 01:11:16,760
Speaker 1: Oh shit, I feel like we all lived the same

1590
01:11:16,800 --> 01:11:19,240
Speaker 1: life somehow. Man, that shit is fun. Definitely not that one,

1591
01:11:19,479 --> 01:11:24,280
Speaker 1: but definitely not that. Definitely not that. But being scared

1592
01:11:24,320 --> 01:11:27,280
Speaker 1: of your grandmother, you're that's a real thing. Get your

1593
01:11:27,360 --> 01:11:28,519
Speaker 1: ass in the house off, Mike.

1594
01:11:28,640 --> 01:11:32,120
Speaker 2: Zip was sting the funniest story of reading somebody's paperwork

1595
01:11:32,640 --> 01:11:34,960
Speaker 2: in jail. That's whose grandmother should have had them in

1596
01:11:35,040 --> 01:11:35,760
Speaker 2: at six pm.

1597
01:11:36,360 --> 01:11:37,280
Speaker 1: That she was talking about.

1598
01:11:38,840 --> 01:11:43,040
Speaker 2: Oo when you looked at homies paperwork and with the pop.

1599
01:11:43,520 --> 01:11:45,840
Speaker 4: So look right, so me and my men, me and

1600
01:11:45,920 --> 01:11:48,320
Speaker 4: my men veto from Poughkeepsie. Right, we're talking about some

1601
01:11:48,360 --> 01:11:50,080
Speaker 4: shit on the gate. We're trying to out tough each

1602
01:11:50,080 --> 01:11:53,439
Speaker 4: other on the gate. So he talking about shit, I'm

1603
01:11:53,479 --> 01:11:56,760
Speaker 4: talking about ship. So this old East New York nigger,

1604
01:11:56,760 --> 01:11:58,559
Speaker 4: he like, yo, zim, I'm about to send something down

1605
01:11:58,640 --> 01:12:02,000
Speaker 4: and pull the line. And so grab the line, pull

1606
01:12:02,040 --> 01:12:04,360
Speaker 4: it in and all that ship man heavy is this man?

1607
01:12:04,400 --> 01:12:05,360
Speaker 1: I was hoping it was some weed.

1608
01:12:05,400 --> 01:12:08,880
Speaker 4: I was gonna keep the ship, pull it down, mad

1609
01:12:09,000 --> 01:12:11,840
Speaker 4: legal working ship. So when I pull it out, the

1610
01:12:12,000 --> 01:12:14,400
Speaker 4: when I pull it out the envelopes, it's like you

1611
01:12:14,520 --> 01:12:16,360
Speaker 4: could tell what the nigga wants you to read. Like

1612
01:12:16,479 --> 01:12:20,000
Speaker 4: the nigga got like the fold of red, green, blue

1613
01:12:20,040 --> 01:12:22,120
Speaker 4: and all that he wants you to read some ship. Yeah,

1614
01:12:22,760 --> 01:12:25,240
Speaker 4: opening ship up. I start reading the day. It's the

1615
01:12:25,320 --> 01:12:28,760
Speaker 4: nigga trial minutes. Okay, nigga talking to a detective that

1616
01:12:29,040 --> 01:12:32,439
Speaker 4: they questioned it a detective. So they asked the detective,

1617
01:12:32,479 --> 01:12:37,040
Speaker 4: They like, Yo, what made you start investigating this such

1618
01:12:37,080 --> 01:12:42,000
Speaker 4: and such for these two homicides? Said well, we was

1619
01:12:42,080 --> 01:12:44,400
Speaker 4: already investigating them for seventy five.

1620
01:12:47,280 --> 01:12:52,479
Speaker 1: I close that ship, put that ship in get more.

1621
01:12:52,600 --> 01:12:58,640
Speaker 4: While I'm reading, I read call that nigga like an

1622
01:12:58,640 --> 01:13:00,639
Speaker 4: hour of yup, shit.

1623
01:13:00,560 --> 01:13:05,200
Speaker 1: A line down, shit, Hollo the line, yeah, hollow the line,

1624
01:13:05,400 --> 01:13:09,200
Speaker 1: pull a line and you read that. Yeah you read everything? Yeah,

1625
01:13:11,600 --> 01:13:13,360
Speaker 1: I read one page of that ship.

1626
01:13:13,479 --> 01:13:13,759
Speaker 2: Nigga.

1627
01:13:14,200 --> 01:13:14,760
Speaker 1: Fuck got it.

1628
01:13:14,880 --> 01:13:20,800
Speaker 4: Nigga talk about we was for seventy five, bitch, Rose,

1629
01:13:23,479 --> 01:13:26,799
Speaker 4: that ain't no way. Who an't investigating you for seventy

1630
01:13:26,880 --> 01:13:29,800
Speaker 4: five and you ain't doing none of them that the

1631
01:13:31,080 --> 01:13:34,240
Speaker 4: street that don't work, like niggas ain't telling niggas the

1632
01:13:34,320 --> 01:13:36,760
Speaker 4: police is investigating somebody told him you did that shit.

1633
01:13:37,040 --> 01:13:40,360
Speaker 1: Niggas ain't telling you that seventy five and you.

1634
01:13:40,400 --> 01:13:43,840
Speaker 4: Ain't do nothing. Niggas ain't lying on you like that. No, homie,

1635
01:13:44,200 --> 01:13:46,439
Speaker 4: the fuck I said, I was scared of that nigga

1636
01:13:46,439 --> 01:13:49,960
Speaker 4: after that, that man nigga was that nigga was smooth,

1637
01:13:50,520 --> 01:13:52,360
Speaker 4: He ain't raising his voice, none of that.

1638
01:13:52,880 --> 01:13:55,519
Speaker 1: I used to get that nigga pound to be scared, like, yeah, whatever,

1639
01:13:55,600 --> 01:13:58,960
Speaker 1: bro I at about saying my mothers nigga's dangerous on

1640
01:14:00,600 --> 01:14:02,920
Speaker 1: I was, what if if I read that first thing.

1641
01:14:03,040 --> 01:14:05,360
Speaker 2: Just said investigating for seventy five, I would close that ship.

1642
01:14:05,400 --> 01:14:06,800
Speaker 1: The less the less I know, the better.

1643
01:14:07,080 --> 01:14:07,280
Speaker 5: Yeah.

1644
01:14:07,320 --> 01:14:09,640
Speaker 2: I would send that ship back up and be like, Yo,

1645
01:14:09,680 --> 01:14:11,160
Speaker 2: I think the thing you got a shot of beating it.

1646
01:14:11,320 --> 01:14:11,439
Speaker 1: You know.

1647
01:14:11,479 --> 01:14:17,840
Speaker 4: So I didn't want to rip no ego perfn't look

1648
01:14:17,840 --> 01:14:19,800
Speaker 4: at the nigga that I was downstairs talking to, right,

1649
01:14:20,280 --> 01:14:25,960
Speaker 4: I said, Yo, son committed. I said, Yo, Son, pull

1650
01:14:26,040 --> 01:14:30,639
Speaker 4: up boom. You're like, Yo, what up? I said, y'all son,

1651
01:14:31,600 --> 01:14:33,640
Speaker 4: I said that nigga is a killer. I said, we

1652
01:14:33,720 --> 01:14:43,559
Speaker 4: can't fuck. I said, we can't fuck with that ship.

1653
01:14:43,600 --> 01:14:46,880
Speaker 4: We were talking about it about nothing, straight up, nigga.

1654
01:14:49,600 --> 01:14:52,120
Speaker 1: We well, we're gonna be seventy. We'll be seventy six

1655
01:14:52,360 --> 01:14:57,920
Speaker 1: over here. There's no no, oh no, I don't have

1656
01:14:58,120 --> 01:15:03,200
Speaker 1: no plans on ever. Like, yeah, he got me, he

1657
01:15:03,360 --> 01:15:08,479
Speaker 1: got me, yea to the marine. Don't let me go

1658
01:15:08,520 --> 01:15:10,360
Speaker 1: to the Marines. When I get out of here. That's

1659
01:15:10,360 --> 01:15:12,320
Speaker 1: the only I can can catch that ship nigga I

1660
01:15:12,560 --> 01:15:14,400
Speaker 1: got in. Yeah, let's leave him below.

1661
01:15:14,560 --> 01:15:14,680
Speaker 4: Man.

1662
01:15:16,240 --> 01:15:18,519
Speaker 1: I'm not taking the weed from this nigga because I

1663
01:15:18,600 --> 01:15:22,960
Speaker 1: always pay on time. Yeah, I always paid time, yo,

1664
01:15:23,040 --> 01:15:25,720
Speaker 1: you know I got. I'm good, I got what's the

1665
01:15:25,800 --> 01:15:30,000
Speaker 1: name of the nigga? Yeah, Yo'll holler at me. You

1666
01:15:30,040 --> 01:15:33,000
Speaker 1: should have never let me read that. Oh myar.

1667
01:15:33,200 --> 01:15:35,200
Speaker 2: There's no way you could get to seventy five for

1668
01:15:35,240 --> 01:15:38,559
Speaker 2: the reasons like somebody was page.

1669
01:15:38,760 --> 01:15:40,280
Speaker 1: I don't care what was going on out here to

1670
01:15:40,360 --> 01:15:43,920
Speaker 1: get to seventy five. That's what fucked up, though, Yo.

1671
01:15:44,160 --> 01:15:47,000
Speaker 4: If nigga could look at the number they used to be,

1672
01:15:47,040 --> 01:15:49,160
Speaker 4: having one hundred and fifty hundred and seventy murders and

1673
01:15:49,160 --> 01:15:50,760
Speaker 4: ship like that a year in East New York, just

1674
01:15:50,840 --> 01:15:54,360
Speaker 4: one neighborhood like now, when New York City be four

1675
01:15:54,400 --> 01:15:56,320
Speaker 4: or five hundred murders a year in one neighborhood that

1676
01:15:56,400 --> 01:15:58,080
Speaker 4: used to be having one hundred and fifty hundred, seventy

1677
01:15:58,120 --> 01:15:58,559
Speaker 4: five murders.

1678
01:15:58,560 --> 01:16:01,200
Speaker 1: The nigga said, we was investigating him for seventy five,

1679
01:16:02,520 --> 01:16:03,840
Speaker 1: so she nig's doing about seventy.

1680
01:16:03,920 --> 01:16:09,840
Speaker 4: Yeah, yeah, he wanted them. He wanted the ones going

1681
01:16:09,880 --> 01:16:14,800
Speaker 4: crazy out here like they had Yo man some wordboy,

1682
01:16:14,920 --> 01:16:18,320
Speaker 4: the only resting peace. The nigga puzzled the niggas. Cougie

1683
01:16:18,360 --> 01:16:21,479
Speaker 4: Rap made a song he had. He mentioned son in

1684
01:16:21,520 --> 01:16:23,160
Speaker 4: the verse, and I'm saying, I remember Puzzle was in

1685
01:16:23,240 --> 01:16:25,519
Speaker 4: my hood telling me he killed ten people like I

1686
01:16:25,680 --> 01:16:27,640
Speaker 4: killed ten people like we used to be.

1687
01:16:27,720 --> 01:16:29,479
Speaker 1: The use little niggas looking up this niggas like you

1688
01:16:29,680 --> 01:16:31,840
Speaker 1: lying your nigga. Nigga had the rusty mac like nigga.

1689
01:16:31,840 --> 01:16:36,400
Speaker 1: I'm not lying. I haven't thrown this thing away yet.

1690
01:16:37,000 --> 01:16:39,759
Speaker 1: That nigga had the rusty mac. Nigga, I'm not lying.

1691
01:16:41,720 --> 01:16:43,880
Speaker 4: He died, he got killed. You know, I'm saying a

1692
01:16:43,920 --> 01:16:46,000
Speaker 4: long time ago. I don't know who did that. Like

1693
01:16:46,040 --> 01:16:49,000
Speaker 4: he g Rapp brought that nigga firehood, I can assume

1694
01:16:49,240 --> 01:16:53,000
Speaker 4: he had tenus. He killed ten niggas. The niggas from

1695
01:16:53,040 --> 01:16:56,000
Speaker 4: East New York say that's a light number.

1696
01:16:57,760 --> 01:17:00,360
Speaker 1: You help me. This is the line there, that's the

1697
01:17:00,400 --> 01:17:02,360
Speaker 1: start of no. Like he'll tell you about puzzle, like

1698
01:17:02,400 --> 01:17:03,360
Speaker 1: he told me about puzzle.

1699
01:17:03,479 --> 01:17:04,960
Speaker 4: Like oh nah, I know for a fact he got

1700
01:17:05,040 --> 01:17:07,560
Speaker 4: more than that, like when you was with him, like

1701
01:17:07,760 --> 01:17:09,960
Speaker 4: oh ah, yeah, yeah, maybe he had ten then, Like.

1702
01:17:14,439 --> 01:17:16,200
Speaker 1: Like, I ain't gonna lie that. That group of niggas

1703
01:17:16,240 --> 01:17:20,080
Speaker 1: before us. Oh you know it was the eighties, wasn't

1704
01:17:20,120 --> 01:17:23,000
Speaker 1: He was born in the eighty The niggas born in

1705
01:17:23,080 --> 01:17:23,760
Speaker 1: seventy five.

1706
01:17:23,840 --> 01:17:28,160
Speaker 4: That was outside seventy I was outside fourteen, fifteen and

1707
01:17:28,280 --> 01:17:28,680
Speaker 4: eighty eight.

1708
01:17:28,880 --> 01:17:30,639
Speaker 1: It was different, man, it was different.

1709
01:17:31,120 --> 01:17:33,240
Speaker 4: There was a little nigga from named Shorty from my hood.

1710
01:17:33,320 --> 01:17:35,560
Speaker 4: He wasn't from my herd. He was from forty projects.

1711
01:17:36,240 --> 01:17:39,000
Speaker 4: He came to my hood and nigga shot everybody bro.

1712
01:17:42,360 --> 01:17:48,800
Speaker 4: That nigga shot everybody bro. That nigga shot Mike. He

1713
01:17:48,880 --> 01:17:51,519
Speaker 4: shot Mike. He tried to shoot Bill one time. He

1714
01:17:51,640 --> 01:17:54,240
Speaker 4: chose Bill Duck. Bill's fastest nigga the world. Nigga Bill

1715
01:17:54,320 --> 01:17:57,960
Speaker 4: Duck the bullet nigga fast nigga faster than Leroy. Leroy

1716
01:17:58,000 --> 01:18:00,360
Speaker 4: caught the shit with his teeth built up. He gotta

1717
01:18:00,400 --> 01:18:04,120
Speaker 4: wait work mother nigga in the big Apple.

1718
01:18:04,560 --> 01:18:06,400
Speaker 1: You know, they trying to shit in the crown fry lady,

1719
01:18:07,080 --> 01:18:08,000
Speaker 1: but it was called a big Apple.

1720
01:18:08,280 --> 01:18:10,360
Speaker 4: Nigga Shorty, Nigga Shorty tried to buck the nigga bill

1721
01:18:10,360 --> 01:18:12,240
Speaker 4: a nigga bill duck. That shit got a body on that.

1722
01:18:13,080 --> 01:18:14,960
Speaker 4: But he shot everybody, you know, he shot. He shot

1723
01:18:15,000 --> 01:18:17,240
Speaker 4: one of my men's in the ass, shot White Mic

1724
01:18:17,320 --> 01:18:19,680
Speaker 4: in the foot. Nigga was shooting everybody.

1725
01:18:19,880 --> 01:18:21,080
Speaker 1: It's a marksman was.

1726
01:18:21,160 --> 01:18:25,280
Speaker 4: Like fourteen, Yeah, it was like fourteen fifteen. It was

1727
01:18:25,320 --> 01:18:28,479
Speaker 4: shooting everybody. Another little nigga said, another little nigga from

1728
01:18:28,479 --> 01:18:29,240
Speaker 4: my whole put him down.

1729
01:18:30,040 --> 01:18:32,200
Speaker 3: It's always like that though. I feel like the ones

1730
01:18:32,240 --> 01:18:34,200
Speaker 3: that be outside, like really, it's always like the most

1731
01:18:34,360 --> 01:18:37,679
Speaker 3: random young no, not a random nothing or nothing little niggas.

1732
01:18:37,680 --> 01:18:38,840
Speaker 3: I was doing the same kind of shit.

1733
01:18:39,280 --> 01:18:42,479
Speaker 1: We got him. He was waiting for him. Yeah, oh

1734
01:18:42,560 --> 01:18:43,880
Speaker 1: my god, that shit was crazy.

1735
01:18:43,960 --> 01:18:46,800
Speaker 4: I ain't gonna lie they be saying that shit, man,

1736
01:18:46,840 --> 01:18:49,080
Speaker 4: I don't care when nobody say that. That violent shit

1737
01:18:49,120 --> 01:18:50,840
Speaker 4: they be talking about these days. This shit is a

1738
01:18:50,920 --> 01:18:52,120
Speaker 4: good place to raise kids.

1739
01:18:52,240 --> 01:18:52,360
Speaker 5: Man.

1740
01:18:52,439 --> 01:18:54,599
Speaker 1: That shit we went through. Yeah, it's different now.

1741
01:18:54,920 --> 01:18:58,080
Speaker 3: I mean, it's still a lot of shit going on,

1742
01:18:58,320 --> 01:19:00,800
Speaker 3: random unnecessary shit. But I tell people all the time,

1743
01:19:00,880 --> 01:19:04,519
Speaker 3: no comparison, it's New York, New York wise. Everywhere else

1744
01:19:04,640 --> 01:19:06,519
Speaker 3: is a fucking night no New York. In the eighties,

1745
01:19:07,200 --> 01:19:09,479
Speaker 3: I took you all the time. I vividly remember seeing

1746
01:19:09,479 --> 01:19:12,679
Speaker 3: shit that now. I'm just like, you'll have no idea

1747
01:19:13,760 --> 01:19:15,800
Speaker 3: with this block y'all standing on It used to look

1748
01:19:15,880 --> 01:19:18,200
Speaker 3: like in eighty seven, in eighty eight and eighty nine,

1749
01:19:18,320 --> 01:19:20,479
Speaker 3: like you wouldn't want to be standing over here, like

1750
01:19:20,560 --> 01:19:22,799
Speaker 3: it was abandoned buildings everywhere.

1751
01:19:22,960 --> 01:19:25,559
Speaker 1: Centen year old kids don't go to the store by themself, bro,

1752
01:19:26,800 --> 01:19:28,960
Speaker 1: no more. No, I was six.

1753
01:19:29,040 --> 01:19:31,160
Speaker 4: They used to just go to change here, go get

1754
01:19:31,160 --> 01:19:33,360
Speaker 4: me some cigarettes. You just go get a ship to

1755
01:19:33,400 --> 01:19:36,160
Speaker 4: the Spanish. Nigga, yoh, my mother, you know your mom,

1756
01:19:36,240 --> 01:19:38,160
Speaker 4: give me whatever. You smoke one of in the w

1757
01:19:38,160 --> 01:19:41,960
Speaker 4: all way, take the rights up stairs. Yeah, that's how

1758
01:19:42,000 --> 01:19:45,000
Speaker 4: I want six. This is first was smoking at six

1759
01:19:45,479 --> 01:19:48,760
Speaker 4: first grade. Nigga, did smoke half of this cigarette, Get

1760
01:19:48,760 --> 01:19:50,880
Speaker 4: that ship to your man, come back down and shit

1761
01:19:50,960 --> 01:19:51,320
Speaker 4: is bright.

1762
01:19:52,400 --> 01:19:58,120
Speaker 1: Yeah, we out smoking cigarettes and six absolutely so this

1763
01:19:58,240 --> 01:19:59,120
Speaker 1: is what was going on.

1764
01:20:00,040 --> 01:20:03,320
Speaker 4: Nigga used to take do you not used to come

1765
01:20:03,360 --> 01:20:05,200
Speaker 4: through with the Q pongs, put them on the fences

1766
01:20:05,240 --> 01:20:09,040
Speaker 4: and ship take those niggas in the back yard, putting

1767
01:20:09,120 --> 01:20:11,160
Speaker 4: leaves in the rolling up like were smoking weed and

1768
01:20:11,240 --> 01:20:14,880
Speaker 4: all that ship burning up a nigga chests and all that.

1769
01:20:16,000 --> 01:20:17,519
Speaker 1: We actually said that the exact same thing.

1770
01:20:18,160 --> 01:20:20,120
Speaker 2: Finally, if we found something from our childhood that we

1771
01:20:20,160 --> 01:20:23,120
Speaker 2: can we can relate to outside.

1772
01:20:23,439 --> 01:20:23,720
Speaker 1: I don't know.

1773
01:20:24,479 --> 01:20:27,640
Speaker 2: We was rolling the fucking like notebook paper and just

1774
01:20:27,680 --> 01:20:28,720
Speaker 2: try to smoke it, like.

1775
01:20:30,000 --> 01:20:31,799
Speaker 1: Yeah, I feel like that's white boys shit, just smoking

1776
01:20:32,040 --> 01:20:34,720
Speaker 1: notebook paper. I was the only white person. Oh yeah,

1777
01:20:34,720 --> 01:20:36,400
Speaker 1: I forgot you broke you brow with us?

1778
01:20:36,960 --> 01:20:37,240
Speaker 5: With us?

1779
01:20:37,320 --> 01:20:41,040
Speaker 1: Yeah, I forgot. Rory? Was that was Jerome? God Man?

1780
01:20:41,120 --> 01:20:44,400
Speaker 1: He said that was Jerome accurate name.

1781
01:20:48,280 --> 01:20:50,559
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1782
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1785
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1786
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1787
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1788
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1789
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1791
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1792
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1793
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1794
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1795
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1797
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1799
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1800
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1801
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1802
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1803
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1804
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1806
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1808
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1809
01:22:07,600 --> 01:22:12,719
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1810
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1811
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1812
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1813
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1814
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1815
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1816
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1817
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Speaker 2: All right, before we get out of here, though, what

1818
01:22:39,240 --> 01:22:45,280
Speaker 2: does puff have on everybody? Pauls listen. I hope to

1819
01:22:45,320 --> 01:22:46,639
Speaker 2: god we don't have to talk about a J. Cole

1820
01:22:46,680 --> 01:22:48,320
Speaker 2: interview for a while.

1821
01:22:48,520 --> 01:22:48,880
Speaker 1: And why not.

1822
01:22:49,040 --> 01:22:50,599
Speaker 2: I don't mean that in a bad way. I love Cole,

1823
01:22:51,200 --> 01:22:51,800
Speaker 2: love J Cole.

1824
01:22:51,840 --> 01:22:52,040
Speaker 1: Watch.

1825
01:22:52,240 --> 01:22:54,560
Speaker 2: I think all of us are just exhausted with a

1826
01:22:54,600 --> 01:22:58,120
Speaker 2: lot of this stuff. But either way, Cole mentioned in

1827
01:22:58,160 --> 01:23:05,040
Speaker 2: the Cameron interview that he had a podcast episode where

1828
01:23:05,080 --> 01:23:06,760
Speaker 2: he was going to explain the entire fight he had

1829
01:23:06,800 --> 01:23:09,439
Speaker 2: with Diddy, which which has been rumored for quite some time,

1830
01:23:09,479 --> 01:23:11,160
Speaker 2: but he did confirm it did happen. They did get

1831
01:23:11,280 --> 01:23:14,040
Speaker 2: in some type of a scuffle, but he said hedn't

1832
01:23:14,040 --> 01:23:16,439
Speaker 2: want to put it out because he didn't want to

1833
01:23:16,520 --> 01:23:17,439
Speaker 2: kick him while he was down.

1834
01:23:19,040 --> 01:23:20,479
Speaker 1: He didn't want to kick Diddy while he was down,

1835
01:23:20,720 --> 01:23:22,400
Speaker 1: and he said everything was piling on. He want to

1836
01:23:22,400 --> 01:23:24,680
Speaker 1: add that to it. You ever seen did he kick

1837
01:23:24,720 --> 01:23:25,680
Speaker 1: somebody when they was down?

1838
01:23:26,040 --> 01:23:28,360
Speaker 2: I've seen did he kick a woman while she was

1839
01:23:28,560 --> 01:23:31,519
Speaker 2: down and out a little dainty joint. I don't know

1840
01:23:31,560 --> 01:23:33,280
Speaker 2: if I might have the grace to not kick someone

1841
01:23:33,280 --> 01:23:34,800
Speaker 2: when they down when I've watched him kick a woman

1842
01:23:34,840 --> 01:23:36,600
Speaker 2: while they're down. Yeah, you won't want me to do

1843
01:23:36,760 --> 01:23:42,240
Speaker 2: it figuratively or literally. Figuratively, I've seen you literally woman

1844
01:23:42,320 --> 01:23:44,560
Speaker 2: when she was down, a little dainty joint when she

1845
01:23:44,720 --> 01:23:46,400
Speaker 2: was down. But we can't kick him when he down.

1846
01:23:46,560 --> 01:23:47,640
Speaker 2: I don't care about none of that.

1847
01:23:48,120 --> 01:23:51,519
Speaker 1: I think I think we we we we. It's just

1848
01:23:51,560 --> 01:23:53,200
Speaker 1: too much politically correct talk.

1849
01:23:53,320 --> 01:23:56,120
Speaker 4: Like I'm not saying. I'm not saying, say the same

1850
01:23:56,160 --> 01:23:59,639
Speaker 4: ship even him. I used to live with him, though

1851
01:23:59,640 --> 01:24:02,360
Speaker 4: it should difference. It's a difference between j Cole and Diddy.

1852
01:24:03,280 --> 01:24:05,080
Speaker 4: Did he have a different us? She used to live

1853
01:24:05,120 --> 01:24:06,519
Speaker 4: with him when he was a child, You know what

1854
01:24:06,520 --> 01:24:09,040
Speaker 4: I'm saying, like some kind of like he helped raise

1855
01:24:09,120 --> 01:24:11,920
Speaker 4: him a little bit. He stayed, Yeah, that was his

1856
01:24:12,040 --> 01:24:15,120
Speaker 4: mentor that's big bro to him. You understand all unk whatever.

1857
01:24:15,439 --> 01:24:16,880
Speaker 4: You know what I'm saying, J Cole, you don't have

1858
01:24:17,040 --> 01:24:18,679
Speaker 4: that relationship with Diddy.

1859
01:24:19,320 --> 01:24:22,320
Speaker 2: I mean maybe optics of like, it may look like

1860
01:24:22,400 --> 01:24:25,559
Speaker 2: I'm conveniently putting this episode out during the Diddy thing,

1861
01:24:25,960 --> 01:24:28,640
Speaker 2: But that's not how Cole worded it. He worded it

1862
01:24:28,800 --> 01:24:31,280
Speaker 2: as if everyone was following on. Uh, I didn't want

1863
01:24:31,360 --> 01:24:32,880
Speaker 2: kick him. He didn't want to add to that, add

1864
01:24:32,920 --> 01:24:34,800
Speaker 2: to it as but I could see the point of like,

1865
01:24:34,960 --> 01:24:37,360
Speaker 2: so what that means? This would look like weird time

1866
01:24:37,520 --> 01:24:39,439
Speaker 2: like the way we talk we talked five times a week.

1867
01:24:39,680 --> 01:24:41,960
Speaker 2: If Coles wasting on a podcast episode right around that time,

1868
01:24:42,000 --> 01:24:45,080
Speaker 2: it could look exploitive, like, Okay, this is weird. But

1869
01:24:45,200 --> 01:24:46,800
Speaker 2: that's not what he said. So we just said he

1870
01:24:46,840 --> 01:24:47,800
Speaker 2: want to kick him while he's down?

1871
01:24:47,840 --> 01:24:49,400
Speaker 3: Okay, So when would be the right time to do it?

1872
01:24:49,760 --> 01:24:51,240
Speaker 3: When is it not gonna look like kick him cause

1873
01:24:51,240 --> 01:24:51,920
Speaker 3: hes gonna be down forever?

1874
01:24:52,040 --> 01:24:54,320
Speaker 2: No after this, I don't I mean the world we

1875
01:24:54,360 --> 01:24:56,160
Speaker 2: live in, and I don't think Puff's gonna be down. Unfortunately,

1876
01:24:56,360 --> 01:24:58,559
Speaker 2: I just don't think that nobody cares.

1877
01:24:59,600 --> 01:25:00,559
Speaker 1: I don't clearly.

1878
01:25:01,880 --> 01:25:04,920
Speaker 2: J Cole is the compass of morality in the hip

1879
01:25:04,960 --> 01:25:08,559
Speaker 2: hop game. Is not like, nah, I wanted to protect Diddy.

1880
01:25:09,040 --> 01:25:09,960
Speaker 1: Now I don't think. I don't.

1881
01:25:10,000 --> 01:25:12,479
Speaker 4: I'm saying like so bullmed, but not protect. I'm not

1882
01:25:12,560 --> 01:25:15,160
Speaker 4: saying Diddy is not gonna keep getting money, right. I

1883
01:25:15,240 --> 01:25:18,160
Speaker 4: think he's gonna get money, but a lot of ship

1884
01:25:18,280 --> 01:25:20,320
Speaker 4: that was going on is not gonna be able to

1885
01:25:20,439 --> 01:25:23,080
Speaker 4: go on. That girl got on stand and say he

1886
01:25:23,360 --> 01:25:25,559
Speaker 4: like mayonnaise rubbed on his nippoos.

1887
01:25:26,560 --> 01:25:29,880
Speaker 2: And then once that come like, I'm not like, it's

1888
01:25:29,920 --> 01:25:32,000
Speaker 2: this many like you know what I'm saying, the king

1889
01:25:32,520 --> 01:25:34,599
Speaker 2: with the comfort, it's the com shit, That's what I'm saying.

1890
01:25:34,600 --> 01:25:36,040
Speaker 2: It was like, that's what I'm saying, That's what he's saying.

1891
01:25:36,520 --> 01:25:37,680
Speaker 2: But I just don't want to say, come, you know

1892
01:25:37,680 --> 01:25:39,280
Speaker 2: what I'm saying because they said did he had a

1893
01:25:39,320 --> 01:25:39,960
Speaker 2: lot of things rubbed?

1894
01:25:39,960 --> 01:25:41,519
Speaker 1: I wasn't sure if he was actually saying.

1895
01:25:41,320 --> 01:25:45,120
Speaker 4: No, it was I'm saying, you another like another nigga

1896
01:25:45,200 --> 01:25:47,040
Speaker 4: busting your bro. You want her to take it out

1897
01:25:47,080 --> 01:25:50,040
Speaker 4: and put it on your chest like no niggas looking

1898
01:25:50,120 --> 01:25:52,280
Speaker 4: at you the saying that like like niggas might have

1899
01:25:52,320 --> 01:25:54,679
Speaker 4: thought you was freaky before, like, oh they heard some ship,

1900
01:25:55,000 --> 01:25:58,040
Speaker 4: but now we heard the specifics that nigga looking at

1901
01:25:58,080 --> 01:26:02,360
Speaker 4: you like, let me ask you this, Like Nigga, I said,

1902
01:26:02,360 --> 01:26:03,400
Speaker 4: I said, nobody, nobody cares.

1903
01:26:03,720 --> 01:26:07,800
Speaker 2: Right, you think it's over for Diddy based off that

1904
01:26:08,320 --> 01:26:11,320
Speaker 2: more than all of us watching him kick a woman. Yes,

1905
01:26:11,920 --> 01:26:13,760
Speaker 2: that's fucked up. And I don't think you think, but

1906
01:26:13,800 --> 01:26:16,479
Speaker 2: I agree with you. That's how society. I think society

1907
01:26:16,560 --> 01:26:19,960
Speaker 2: thinks it's crazier that he's on the nipples than kicking

1908
01:26:20,000 --> 01:26:20,280
Speaker 2: a woman.

1909
01:26:20,439 --> 01:26:22,679
Speaker 4: My thing is the reason why I didn't care about

1910
01:26:22,680 --> 01:26:25,320
Speaker 4: people palding on with Diddy is because I seen him

1911
01:26:25,400 --> 01:26:28,479
Speaker 4: kicking the bro like it was like once you like

1912
01:26:28,640 --> 01:26:29,120
Speaker 4: like like like.

1913
01:26:32,120 --> 01:26:34,080
Speaker 1: I don't know mad niggas that have fights with girls.

1914
01:26:35,040 --> 01:26:38,640
Speaker 1: Mm hmm. I don't fuck with niggas. You know what

1915
01:26:38,640 --> 01:26:38,960
Speaker 1: I'm saying.

1916
01:26:39,000 --> 01:26:40,519
Speaker 4: Once I know you be beating Shorty's up and the

1917
01:26:40,560 --> 01:26:42,559
Speaker 4: I don't fuck with you, homie, Like, yeah, I don't

1918
01:26:42,560 --> 01:26:42,920
Speaker 4: want none to.

1919
01:26:42,960 --> 01:26:43,240
Speaker 5: Do with you.

1920
01:26:43,360 --> 01:26:46,680
Speaker 1: Right, We watched this nigga do that.

1921
01:26:47,240 --> 01:26:49,240
Speaker 4: Then he catch a case and they say he was

1922
01:26:49,280 --> 01:26:51,479
Speaker 4: doing all this nasty ship, all this nasty shit coming

1923
01:26:51,520 --> 01:26:53,519
Speaker 4: out of child mad baby, all your ship shay.

1924
01:26:53,400 --> 01:26:54,639
Speaker 1: And they saying, with what it tapes.

1925
01:26:55,120 --> 01:26:56,920
Speaker 4: Maybe this is why everybody's sticking up for Diddy because

1926
01:26:56,920 --> 01:26:58,720
Speaker 4: they an't put them tapes out. They said it was

1927
01:26:58,840 --> 01:27:04,320
Speaker 4: tapes cameras everywhere, and no tapes came out. So maybe

1928
01:27:04,360 --> 01:27:06,559
Speaker 4: he still got them tapes. Maybe they said you could

1929
01:27:06,640 --> 01:27:07,200
Speaker 4: keep your tapes.

1930
01:27:09,600 --> 01:27:14,519
Speaker 1: You know, everybody like YO about it.

1931
01:27:15,120 --> 01:27:17,600
Speaker 4: Should the fans put the fucking tapes so out. The

1932
01:27:17,800 --> 01:27:21,080
Speaker 4: fans put the tapes out, and yours ain't dead. It

1933
01:27:21,160 --> 01:27:25,880
Speaker 4: ain't exhibit sea know I'm saying, that's what the that's

1934
01:27:25,880 --> 01:27:26,439
Speaker 4: what they wave for.

1935
01:27:26,760 --> 01:27:27,720
Speaker 1: I don't get it.

1936
01:27:27,960 --> 01:27:30,120
Speaker 2: Yeah, I just think that like Diddy will be home

1937
01:27:30,200 --> 01:27:33,640
Speaker 2: relatively soon. And I say, and he's watching all of

1938
01:27:33,720 --> 01:27:35,599
Speaker 2: the ship and I don't think there's anything with cold

1939
01:27:35,600 --> 01:27:37,680
Speaker 2: in that regard. But and I don't want to put

1940
01:27:37,720 --> 01:27:39,840
Speaker 2: anything on usher either. I don't want to like make

1941
01:27:39,960 --> 01:27:44,560
Speaker 2: accusations with no anything. But I could see if I

1942
01:27:44,600 --> 01:27:47,479
Speaker 2: did some freaky ship with Diddy that I didn't want out.

1943
01:27:47,680 --> 01:27:49,560
Speaker 2: And it's time for me to sit down. And I

1944
01:27:49,720 --> 01:27:53,760
Speaker 2: know he's in jail with nothing, but tom I might

1945
01:27:53,880 --> 01:27:54,240
Speaker 2: I might.

1946
01:27:54,160 --> 01:27:56,040
Speaker 1: Watch my words. And when I say about somebody.

1947
01:27:55,960 --> 01:27:58,120
Speaker 4: Man, don't watch you if you feel like your close

1948
01:27:58,240 --> 01:28:01,200
Speaker 4: you got some in Yeah, I'm like, but the ones

1949
01:28:01,280 --> 01:28:03,080
Speaker 4: that know that they ain't got but those are the ones.

1950
01:28:03,160 --> 01:28:07,760
Speaker 4: But the fifties where they feel like that whatever, it's like, Nigga,

1951
01:28:07,800 --> 01:28:09,439
Speaker 4: that's what. But that's what people dont understand about fifty

1952
01:28:09,439 --> 01:28:12,479
Speaker 4: Why he could talk like that is because he knows, like, bro, I.

1953
01:28:12,479 --> 01:28:14,800
Speaker 1: Don't got I don't gotten of that on me, Like that,

1954
01:28:14,880 --> 01:28:16,240
Speaker 1: ain't that ain't who I am. I ain't got that

1955
01:28:16,280 --> 01:28:18,400
Speaker 1: on my jacket. And like again, I don't want to

1956
01:28:18,400 --> 01:28:19,599
Speaker 1: push it on Usher.

1957
01:28:20,040 --> 01:28:23,439
Speaker 2: But everything Usher said on the first part, of course,

1958
01:28:24,120 --> 01:28:26,240
Speaker 2: I don't need Usher or anyone else to tell us

1959
01:28:26,240 --> 01:28:29,719
Speaker 2: that Diddy is an icon and has changed music, changed everything.

1960
01:28:30,200 --> 01:28:31,760
Speaker 1: I never heard of a remix until Paul.

1961
01:28:32,840 --> 01:28:34,760
Speaker 2: I don't need Usher to say that and then be like, well,

1962
01:28:34,760 --> 01:28:36,519
Speaker 2: that's why I'm not saying all right, but you could

1963
01:28:36,560 --> 01:28:40,280
Speaker 2: say you watched him literally punt a woman in a hallway,

1964
01:28:41,120 --> 01:28:42,880
Speaker 2: like what does one have to do with the other?

1965
01:28:43,120 --> 01:28:45,479
Speaker 2: But it's fucked that. Of course we know he's icon.

1966
01:28:46,560 --> 01:28:49,400
Speaker 2: Do I need to tell you that Ignition remix is incredible? No,

1967
01:28:50,520 --> 01:28:54,240
Speaker 2: he also fucked kids. That's where I'm lost with this

1968
01:28:54,280 --> 01:28:55,800
Speaker 2: whole Usher I don't get those points.

1969
01:28:56,280 --> 01:28:58,479
Speaker 1: Yeah, I get it.

1970
01:28:58,640 --> 01:29:02,479
Speaker 2: Yes, Like Puff has done amazing things for you and

1971
01:29:02,600 --> 01:29:05,240
Speaker 2: for other people. I'm not saying Puff has not done

1972
01:29:05,280 --> 01:29:06,080
Speaker 2: good things in his life.

1973
01:29:06,200 --> 01:29:08,439
Speaker 1: Right, Well, once you see that, once we see.

1974
01:29:08,360 --> 01:29:10,280
Speaker 2: That, why can't you just be like, well no, it's

1975
01:29:10,280 --> 01:29:11,320
Speaker 2: still like what the fuck?

1976
01:29:11,439 --> 01:29:11,479
Speaker 1: No?

1977
01:29:11,760 --> 01:29:13,479
Speaker 3: Yeah, Like, once you see that, you can be my

1978
01:29:13,600 --> 01:29:15,360
Speaker 3: mentor as a kid. And I'm a grown man now

1979
01:29:15,360 --> 01:29:17,519
Speaker 3: and I see you doing something but like kicking a woman,

1980
01:29:17,560 --> 01:29:19,200
Speaker 3: I'm gonna be like, Yo, that's absolutely fun.

1981
01:29:19,360 --> 01:29:21,400
Speaker 4: But I'm gonna say this though, Right, I'm gonna say this, right,

1982
01:29:22,439 --> 01:29:25,760
Speaker 4: I should got a relationship with Diddy that niggas don't got.

1983
01:29:26,320 --> 01:29:27,800
Speaker 1: So now he could have been like, Yo, what was

1984
01:29:27,880 --> 01:29:28,559
Speaker 1: going on there?

1985
01:29:28,920 --> 01:29:29,040
Speaker 2: Yo?

1986
01:29:29,600 --> 01:29:31,680
Speaker 1: Bro, that's the day I found out she gave me.

1987
01:29:31,800 --> 01:29:35,519
Speaker 1: That was it it all? That's the day a hundred

1988
01:29:35,560 --> 01:29:37,599
Speaker 1: thousand in that bag trying to run out that hotel

1989
01:29:37,720 --> 01:29:38,680
Speaker 1: room or we don't know.

1990
01:29:39,439 --> 01:29:41,559
Speaker 4: You know what I'm saying, whatever it is, though, if

1991
01:29:41,600 --> 01:29:43,760
Speaker 4: you grab her, you can't say whatever it is. Listen,

1992
01:29:44,000 --> 01:29:45,479
Speaker 4: what's what I'm saying. So if she burnt you, what

1993
01:29:45,560 --> 01:29:47,680
Speaker 4: if she burned the way she slipped in the package.

1994
01:29:47,439 --> 01:29:50,360
Speaker 3: Well, my thing is my thing is you're still kicking

1995
01:29:50,400 --> 01:29:52,600
Speaker 3: the while she's on the floor, though you grabbing the

1996
01:29:52,680 --> 01:29:56,040
Speaker 3: thrown on the floor. You know, like, Okay, if you're saying,

1997
01:29:56,160 --> 01:29:58,680
Speaker 3: let's say the situation is what you say, any man

1998
01:29:58,680 --> 01:30:01,320
Speaker 3: would lose his mind and go what you would do, right,

1999
01:30:01,680 --> 01:30:02,519
Speaker 3: But what I'm saying is.

2000
01:30:03,760 --> 01:30:06,640
Speaker 1: What is that gonna do? Though at that point, you

2001
01:30:07,640 --> 01:30:09,280
Speaker 1: to the ground, You're saying to yourself, you just gave

2002
01:30:09,360 --> 01:30:10,400
Speaker 1: me some ship that I can't get.

2003
01:30:10,360 --> 01:30:11,360
Speaker 4: Rid of for the rest of my I got to

2004
01:30:11,360 --> 01:30:12,479
Speaker 4: have this ship for the rest of my life.

2005
01:30:12,520 --> 01:30:18,200
Speaker 1: I wore incredible, hope. Everything that every makes me madder

2006
01:30:18,280 --> 01:30:20,960
Speaker 1: in that case. In that case, maybe I kind of

2007
01:30:21,000 --> 01:30:24,040
Speaker 1: be like, you understand what I Yeah, but if it

2008
01:30:24,080 --> 01:30:25,240
Speaker 1: ain't something like but if it.

2009
01:30:25,240 --> 01:30:26,760
Speaker 4: Ain't that, it's just you trying to leave and you

2010
01:30:26,920 --> 01:30:29,760
Speaker 4: doing that said something slick to you and you mad.

2011
01:30:30,200 --> 01:30:33,680
Speaker 4: You you're a bitch ass hit But yeah, right, it's

2012
01:30:33,680 --> 01:30:35,479
Speaker 4: some shot seen shit happened in the hood, like I do.

2013
01:30:36,240 --> 01:30:41,160
Speaker 4: It's I know, abroad to eighty thousand from a nigga.

2014
01:30:41,400 --> 01:30:47,439
Speaker 1: Yeah, gave it to her brother, right, Yeah, you can

2015
01:30:47,560 --> 01:30:50,080
Speaker 1: expect that if he was to run into her, if

2016
01:30:50,120 --> 01:30:54,400
Speaker 1: they would have found her in the trunk for it's warranted. Yeah,

2017
01:30:54,680 --> 01:30:55,080
Speaker 1: I get it.

2018
01:30:55,240 --> 01:30:58,280
Speaker 4: Yeah, absolutely, nigga stood out here all these days doing

2019
01:30:58,320 --> 01:30:59,240
Speaker 4: what he's doing whatever.

2020
01:31:00,000 --> 01:31:02,240
Speaker 1: But what he did to get this money and you're

2021
01:31:02,240 --> 01:31:06,240
Speaker 1: gonna get that ship to your brother, No, I get it.

2022
01:31:06,439 --> 01:31:09,320
Speaker 1: You understand what I'm saying. So nothing like that.

2023
01:31:09,479 --> 01:31:12,920
Speaker 4: If we just saw him stop out the nigga, we

2024
01:31:13,040 --> 01:31:14,680
Speaker 4: kind of understand that. You understand what I'm saying. So,

2025
01:31:14,800 --> 01:31:17,000
Speaker 4: but from the looks of it, it looked like she

2026
01:31:17,160 --> 01:31:19,719
Speaker 4: just was trying to leave, right, you know what I'm saying.

2027
01:31:20,120 --> 01:31:21,880
Speaker 4: He just was trying to leave and you wasn't trying

2028
01:31:21,880 --> 01:31:23,559
Speaker 4: to let her leave, and you put hands and feet

2029
01:31:23,600 --> 01:31:25,920
Speaker 4: on her and that's going and we ain't jacking that,

2030
01:31:26,600 --> 01:31:27,960
Speaker 4: you know what I'm saying. Then we hear all these

2031
01:31:28,000 --> 01:31:32,120
Speaker 4: stories about you watching you, you shaking our wild another

2032
01:31:32,200 --> 01:31:33,680
Speaker 4: niggas is jelling and all of that.

2033
01:31:33,840 --> 01:31:35,760
Speaker 1: That's nasty. Like we don't like.

2034
01:31:35,920 --> 01:31:38,959
Speaker 4: I'm not like once you got a case against ladies.

2035
01:31:39,080 --> 01:31:42,439
Speaker 4: Once it's a case against ladies, and we don't give

2036
01:31:42,479 --> 01:31:42,880
Speaker 4: a fuck.

2037
01:31:42,920 --> 01:31:46,200
Speaker 1: Ain't no yo, yo yo, that nigga snitched on that nigga.

2038
01:31:46,200 --> 01:31:47,880
Speaker 1: What he did, Yo used to be beating up his

2039
01:31:48,000 --> 01:31:50,040
Speaker 1: girl and his kids. And ship your call the police.

2040
01:31:50,080 --> 01:31:51,639
Speaker 1: That niggas a rat. No, he ain't no rat.

2041
01:31:52,040 --> 01:31:54,000
Speaker 4: You ain't gonna get me to call that nigga, no rat.

2042
01:31:54,560 --> 01:31:56,400
Speaker 4: You know what I'm saying with you to call the police. No,

2043
01:31:57,040 --> 01:31:58,040
Speaker 4: But i'd have told my bitch.

2044
01:31:58,439 --> 01:32:03,559
Speaker 1: Yeah, I know she was gonna You know what I'm saying,

2045
01:32:05,600 --> 01:32:08,000
Speaker 1: I ain't calling the police or nobody. He's still my car.

2046
01:32:08,040 --> 01:32:10,120
Speaker 4: I got a reported stolen. You know what I'm saying,

2047
01:32:10,160 --> 01:32:13,600
Speaker 4: But just calling police? What I know, I tell it

2048
01:32:13,640 --> 01:32:15,240
Speaker 4: to a bitch. I know what the bitch is gonna do.

2049
01:32:16,240 --> 01:32:18,840
Speaker 2: I'll get it all right before again, before we get

2050
01:32:18,840 --> 01:32:22,800
Speaker 2: out of here. New music that's out right now, maybe

2051
01:32:23,120 --> 01:32:27,559
Speaker 2: we're recording this Thursday night. Maybe Kanye West Bully is out.

2052
01:32:27,640 --> 01:32:29,200
Speaker 1: I don't know. I don't think so, I don't think.

2053
01:32:29,280 --> 01:32:30,519
Speaker 1: I don't think we get a Bully tonight.

2054
01:32:30,600 --> 01:32:33,439
Speaker 2: He already pushed back all the listening sessions because his

2055
01:32:33,560 --> 01:32:35,439
Speaker 2: own team put out a message said, you know, all

2056
01:32:35,479 --> 01:32:37,840
Speaker 2: the listening sessions tonight are canceled because he hates the Master.

2057
01:32:38,320 --> 01:32:40,080
Speaker 2: So I don't think we have Bully right now. If

2058
01:32:40,080 --> 01:32:41,640
Speaker 2: you're listening to this, I don't think Bully's here.

2059
01:32:41,760 --> 01:32:42,559
Speaker 1: No, it's not happening.

2060
01:32:43,360 --> 01:32:46,320
Speaker 2: But I mean, yet, that's that's that's your favorite artist.

2061
01:32:46,600 --> 01:32:55,040
Speaker 2: Shut eighty l that's a choice. Okay, listen, I'm gonna

2062
01:32:55,040 --> 01:32:59,160
Speaker 2: save that from my own my own podcast. I'm gonna

2063
01:32:59,160 --> 01:33:01,720
Speaker 2: start some some paywall ship that not to make money,

2064
01:33:01,760 --> 01:33:03,679
Speaker 2: but you have to pay a lot so you can't

2065
01:33:03,720 --> 01:33:05,439
Speaker 2: cancel you on my with certain things.

2066
01:33:06,760 --> 01:33:10,240
Speaker 1: Oh I wish I interested the songs interesting, album title interesting,

2067
01:33:10,479 --> 01:33:12,559
Speaker 1: Just leave it at that. Very interesting. What's she's real name?

2068
01:33:19,840 --> 01:33:25,559
Speaker 1: Noah Olivia Smith? Okay, Olivia Smith, Noah Olivia. Oh good man.

2069
01:33:27,320 --> 01:33:30,200
Speaker 2: Uh, congrats to Fetti. Everything Fetti went through that that

2070
01:33:30,320 --> 01:33:32,599
Speaker 2: I don't think he deserved whatsoever. I think that entire

2071
01:33:32,720 --> 01:33:35,800
Speaker 2: case is bullshit and I think it's awful that he

2072
01:33:35,880 --> 01:33:37,360
Speaker 2: had to do the time that he did. So I'm

2073
01:33:38,360 --> 01:33:40,639
Speaker 2: this album could stink, and I'm still here to support

2074
01:33:41,479 --> 01:33:44,040
Speaker 2: everything that he does. I'm not saying or think it's

2075
01:33:44,080 --> 01:33:46,240
Speaker 2: going to be bad, but it's tough.

2076
01:33:46,160 --> 01:33:48,360
Speaker 1: To album coming out right now.

2077
01:33:48,520 --> 01:33:50,840
Speaker 2: Yeah, That's why I'm saying it's quick. It's really quick.

2078
01:33:51,840 --> 01:33:54,680
Speaker 4: I feel like I'm gonna say this right as a

2079
01:33:54,720 --> 01:33:57,600
Speaker 4: nigga that did mad time a jail came home. He

2080
01:33:57,680 --> 01:34:00,160
Speaker 4: didn't do a lot of time A Yeah, you know

2081
01:34:00,200 --> 01:34:02,880
Speaker 4: what I'm saying. So he probably was like in ray

2082
01:34:02,960 --> 01:34:05,160
Speaker 4: Brook or one of these shits close the way you're from.

2083
01:34:05,200 --> 01:34:07,040
Speaker 4: You know what I'm saying, probably wasn't that far away

2084
01:34:07,320 --> 01:34:09,599
Speaker 4: he was. He was here, right, So we're in New

2085
01:34:09,680 --> 01:34:10,640
Speaker 4: York and the New Year.

2086
01:34:10,880 --> 01:34:12,720
Speaker 2: I think he was in the actual affairs. I don't

2087
01:34:12,720 --> 01:34:14,040
Speaker 2: think he was in so.

2088
01:34:14,120 --> 01:34:16,720
Speaker 4: Like ray Brook or Otisville is the New York does

2089
01:34:16,720 --> 01:34:18,720
Speaker 4: the FEN spots in New York. So I'm saying like

2090
01:34:18,800 --> 01:34:20,479
Speaker 4: he probably could have had a post on what was

2091
01:34:20,520 --> 01:34:23,320
Speaker 4: going on. But even with people telling you was you

2092
01:34:23,439 --> 01:34:26,240
Speaker 4: imagine and what's happening in the streets? Like they could

2093
01:34:26,280 --> 01:34:28,439
Speaker 4: tell you, like they could tell you your best friend

2094
01:34:28,840 --> 01:34:31,280
Speaker 4: did something, and you have to imagine this shit.

2095
01:34:31,400 --> 01:34:33,240
Speaker 1: You ain't see it. You gotta imagine the shit.

2096
01:34:33,640 --> 01:34:35,600
Speaker 4: Five people could tell you the story, you still have

2097
01:34:35,760 --> 01:34:38,040
Speaker 4: to imagine in your brain what happened.

2098
01:34:38,080 --> 01:34:41,800
Speaker 1: You understand what I'm saying to come home that nigga

2099
01:34:41,880 --> 01:34:43,719
Speaker 1: just got here to have a whole album. Ready.

2100
01:34:48,560 --> 01:34:51,639
Speaker 4: You ever see the like niggas on the internet come

2101
01:34:51,680 --> 01:34:54,920
Speaker 4: home from jail and they be rhyming like the blood niggas,

2102
01:34:55,280 --> 01:34:56,840
Speaker 4: And I don't want to like single them out, but

2103
01:34:57,120 --> 01:35:01,040
Speaker 4: specifically them because they the big gang in York. And

2104
01:35:01,160 --> 01:35:03,040
Speaker 4: so you see these niggas come home and they be

2105
01:35:03,160 --> 01:35:06,719
Speaker 4: rhyming on the internet and they be trash, but they swagger.

2106
01:35:06,720 --> 01:35:08,679
Speaker 1: It's like, how the fuck this nigga think this ship

2107
01:35:08,760 --> 01:35:11,760
Speaker 1: sound fire? Because I'm gonna tell you.

2108
01:35:12,120 --> 01:35:14,439
Speaker 4: I'm gonna tell you how to have the look they

2109
01:35:14,560 --> 01:35:16,400
Speaker 4: on a day in a in a in a dorm

2110
01:35:16,680 --> 01:35:18,320
Speaker 4: or or or or sell black.

2111
01:35:18,400 --> 01:35:21,479
Speaker 1: It's mad blood den Okay, they're gonna cheer you on home.

2112
01:35:23,000 --> 01:35:28,200
Speaker 4: They niggas fit that trash shit niggas Like, whoa nigga

2113
01:35:28,240 --> 01:35:29,320
Speaker 4: think this ship is fired?

2114
01:35:29,439 --> 01:35:35,760
Speaker 5: For ten years? Meanwhile, yeah, all the netral niggas they

2115
01:35:35,840 --> 01:35:39,679
Speaker 5: sound like you know what I'm saying.

2116
01:35:40,360 --> 01:35:42,120
Speaker 4: So now when you see these niggas on the internet,

2117
01:35:42,479 --> 01:35:45,760
Speaker 4: they like you like, nigga, what the fuck like, why

2118
01:35:45,800 --> 01:35:47,800
Speaker 4: would you be thinking that you getting it in right there?

2119
01:35:48,000 --> 01:35:52,519
Speaker 4: Just because he was in jail with the homies and

2120
01:35:52,600 --> 01:35:54,200
Speaker 4: they got him feeling like he's nice.

2121
01:35:56,000 --> 01:35:57,880
Speaker 1: I'm telling you it be like that.

2122
01:35:58,560 --> 01:36:01,920
Speaker 2: It should be happening like that. I mean ship, I'm neutral.

2123
01:36:01,920 --> 01:36:03,560
Speaker 2: I'd still be like, Yo, that's crazy.

2124
01:36:03,320 --> 01:36:04,680
Speaker 1: Bro that.

2125
01:36:12,840 --> 01:36:15,120
Speaker 4: You don't even hear nothing else. He's saying niggas banging

2126
01:36:15,160 --> 01:36:16,720
Speaker 4: on the walls and all that. He thought he just

2127
01:36:16,800 --> 01:36:18,840
Speaker 4: got busy me.

2128
01:36:19,320 --> 01:36:21,400
Speaker 1: So much stuff to rhyme with Mac Baller. You killing that?

2129
01:36:22,640 --> 01:36:24,880
Speaker 3: Oh my god, man, I am looking forward to the

2130
01:36:24,920 --> 01:36:27,240
Speaker 3: Stove Guard and Swiss Beats album. All this for me

2131
01:36:27,600 --> 01:36:29,519
Speaker 3: saying how you feel about Stove like Stove.

2132
01:36:30,280 --> 01:36:33,160
Speaker 4: I gotta start listening to Stove more, man, because I'm

2133
01:36:33,200 --> 01:36:36,000
Speaker 4: fucking with these upstate niggas, man, you know, and they

2134
01:36:36,080 --> 01:36:38,200
Speaker 4: selling mad drugs and the music and they seem like

2135
01:36:38,240 --> 01:36:39,160
Speaker 4: they don't own the niggas.

2136
01:36:39,200 --> 01:36:41,479
Speaker 1: That's consistent. I think you're like, you need to listen

2137
01:36:41,479 --> 01:36:44,880
Speaker 1: to reasonable Drought. Reasonable Drought? Is you never Stove girl?

2138
01:36:45,360 --> 01:36:47,080
Speaker 4: I might have heard it. Man, I'm telling I don't

2139
01:36:47,080 --> 01:36:48,639
Speaker 4: really like he got some ship. He got some ship

2140
01:36:48,720 --> 01:36:50,920
Speaker 4: on the Fuego based ship that I was doing that

2141
01:36:50,960 --> 01:36:53,240
Speaker 4: ship you like Fego Though he got some ship. I'm

2142
01:36:53,280 --> 01:36:56,280
Speaker 4: plugged in, superduper plugged. Dean.

2143
01:36:56,520 --> 01:36:58,479
Speaker 3: You gotta listen to Reasonable Drought though. That's Stove to me,

2144
01:36:58,560 --> 01:36:59,920
Speaker 3: that's a classic mix tape.

2145
01:37:00,120 --> 01:37:02,400
Speaker 2: Yeah, I was gonna say it's probably the last classic

2146
01:37:02,479 --> 01:37:04,080
Speaker 2: mixtape that I can think of. I mean, I know,

2147
01:37:04,120 --> 01:37:07,839
Speaker 2: I guess it's it's a mixtape to me, classic mixtape.

2148
01:37:07,920 --> 01:37:09,679
Speaker 1: Rock Marshon executive produced.

2149
01:37:10,560 --> 01:37:14,040
Speaker 4: You like rock Mossy love Ro I'm not a real

2150
01:37:14,080 --> 01:37:18,040
Speaker 4: big rock Mossy fan what not. I just I'm not

2151
01:37:18,880 --> 01:37:20,360
Speaker 4: have you like, really like listened to him?

2152
01:37:20,400 --> 01:37:24,519
Speaker 1: I got into the music. Yeah, but what don't you

2153
01:37:24,600 --> 01:37:25,599
Speaker 1: like about is the music?

2154
01:37:25,760 --> 01:37:26,639
Speaker 4: Is that the rhymes?

2155
01:37:27,200 --> 01:37:30,680
Speaker 1: It's like it ain't my eyes. I don't know it.

2156
01:37:30,760 --> 01:37:36,120
Speaker 1: Ship seemed like a little like I don't really know

2157
01:37:36,200 --> 01:37:37,280
Speaker 1: how to put it, but it ain't.

2158
01:37:37,439 --> 01:37:40,400
Speaker 4: You gotta really like, No, I really I really did, really,

2159
01:37:41,080 --> 01:37:44,639
Speaker 4: because niggas are saying rock Moss I listened to rock Massy,

2160
01:37:44,760 --> 01:37:47,880
Speaker 4: Rock Massy, his man Arrow from Long Island. It's something

2161
01:37:47,960 --> 01:37:52,679
Speaker 4: right rock lost Ever from all of them, I shoot

2162
01:37:52,720 --> 01:37:54,720
Speaker 4: the best friend. I don't funk with like that. Neither

2163
01:37:55,520 --> 01:37:56,000
Speaker 4: they nice.

2164
01:37:56,040 --> 01:37:59,000
Speaker 1: I ain't saying. I ain't saying one of the best

2165
01:37:59,040 --> 01:38:03,479
Speaker 1: players in the city right now, Like you know that's

2166
01:38:03,479 --> 01:38:05,719
Speaker 1: that old he round like a real nineties nigga.

2167
01:38:05,800 --> 01:38:09,760
Speaker 4: Like that's that, that's that flow. I know your personal

2168
01:38:09,800 --> 01:38:12,479
Speaker 4: is like ball for ball in New York. I just

2169
01:38:12,880 --> 01:38:19,160
Speaker 4: he better than Shooter, I think, so, yeah, that's ill. Yeah,

2170
01:38:19,439 --> 01:38:24,120
Speaker 4: they like best friends. It's errors it's his flow. I

2171
01:38:24,280 --> 01:38:28,200
Speaker 4: love his flow like it's that it's theMIND be everywhere

2172
01:38:28,320 --> 01:38:28,639
Speaker 4: some time.

2173
01:38:28,720 --> 01:38:32,320
Speaker 3: But but but it's it's it's if you just listening,

2174
01:38:32,720 --> 01:38:35,080
Speaker 3: it kind of feels like it's everywhere, but it's not.

2175
01:38:35,320 --> 01:38:38,080
Speaker 3: Though it's not I know what you mean by that,

2176
01:38:38,240 --> 01:38:39,840
Speaker 3: because like if you first listen to it, it's like

2177
01:38:40,400 --> 01:38:42,000
Speaker 3: it's like he's saying like he off the out the

2178
01:38:42,080 --> 01:38:45,519
Speaker 3: pocket a little bit, but he's not though. He just

2179
01:38:45,640 --> 01:38:48,600
Speaker 3: on a different downbeat, like he's not on the the

2180
01:38:48,760 --> 01:38:49,719
Speaker 3: nicest in the city.

2181
01:38:50,120 --> 01:38:52,840
Speaker 1: He's one of them. To me, yeah, he's one of them.

2182
01:38:53,040 --> 01:38:54,559
Speaker 1: He's one of the best nigga in New York right now.

2183
01:38:54,600 --> 01:38:58,240
Speaker 1: For sure, you should make songs. He can make songs.

2184
01:38:59,560 --> 01:39:03,519
Speaker 1: I'm just skill straight rapping. I'm just gonna if he's

2185
01:39:03,560 --> 01:39:08,280
Speaker 1: better than don Q, I'm gonna I'm gonna say, yes,

2186
01:39:10,720 --> 01:39:11,840
Speaker 1: I fuck with Donk.

2187
01:39:12,120 --> 01:39:15,679
Speaker 4: Don is nice. If my son could make songs better

2188
01:39:16,080 --> 01:39:20,000
Speaker 4: and he can make better, just give him to him.

2189
01:39:20,080 --> 01:39:23,320
Speaker 4: But do that, Okay, you know what it is. I

2190
01:39:23,400 --> 01:39:27,920
Speaker 4: think Errol will say some ship like don is nice,

2191
01:39:27,960 --> 01:39:29,280
Speaker 4: and he's gonna be like, yo, he smoked that.

2192
01:39:29,800 --> 01:39:31,960
Speaker 3: But Erro gonna say some ship make you think about

2193
01:39:31,960 --> 01:39:33,640
Speaker 3: it and you're gonna it's the type of ship that

2194
01:39:33,720 --> 01:39:35,040
Speaker 3: you'll you'll repeat.

2195
01:39:35,000 --> 01:39:38,120
Speaker 1: Like the next day, Like Yo, the nigga said, like

2196
01:39:38,200 --> 01:39:39,120
Speaker 1: he said to me.

2197
01:39:39,240 --> 01:39:41,599
Speaker 3: That's the difference in erroor it's like you're gonna you're

2198
01:39:41,600 --> 01:39:44,679
Speaker 3: gonna walk away from listening to him and you're gonna

2199
01:39:44,680 --> 01:39:47,000
Speaker 3: repeat what he said, or you're gonna like revisit what

2200
01:39:47,040 --> 01:39:49,000
Speaker 3: he said in your head more than what Don said.

2201
01:39:49,000 --> 01:39:50,799
Speaker 3: But you're gonna know Don is nice. You hear Donkey

2202
01:39:50,960 --> 01:39:54,040
Speaker 3: rap that niggas nice. But Errod just got a way

2203
01:39:54,080 --> 01:39:55,719
Speaker 3: of saying. It's the way he says.

2204
01:39:55,720 --> 01:39:58,679
Speaker 1: Ship. That's gonna I think live with you a little longer.

2205
01:40:00,840 --> 01:40:02,400
Speaker 1: Just tappen with it though, just tapping on the little

2206
01:40:02,560 --> 01:40:04,080
Speaker 1: nah I fu, I funk, I know who that is.

2207
01:40:04,200 --> 01:40:05,800
Speaker 1: Like niggas put me on the soun. Niggas put me

2208
01:40:05,800 --> 01:40:07,760
Speaker 1: on the sun. They told me that was They told

2209
01:40:07,760 --> 01:40:09,599
Speaker 1: me that was shooting best friend, growing up and ship.

2210
01:40:09,600 --> 01:40:10,840
Speaker 1: And I'm saying, you know, I was locked up with

2211
01:40:10,840 --> 01:40:12,880
Speaker 1: shooting sh What I'm saying, shout out the shooting punch,

2212
01:40:12,960 --> 01:40:16,120
Speaker 1: my man. I'm saying, mad ciphers with that nigga growing

2213
01:40:16,200 --> 01:40:18,360
Speaker 1: up and ship. What I'm saying, you know what I mean.

2214
01:40:19,040 --> 01:40:23,240
Speaker 1: So I passed him with saying he nice. Yeah, I'm

2215
01:40:23,280 --> 01:40:26,519
Speaker 1: sure see like me personally, niggas could be nice. But

2216
01:40:26,600 --> 01:40:29,040
Speaker 1: I don't be listening to that ship though. I'm saying.

2217
01:40:29,400 --> 01:40:30,800
Speaker 1: You know what I'm saying, like a lot of nice.

2218
01:40:30,840 --> 01:40:34,479
Speaker 1: But that's not like you know, it ain't my bot.

2219
01:40:34,800 --> 01:40:37,439
Speaker 1: I'm saying saying one, I totally get it. There'd be

2220
01:40:37,479 --> 01:40:38,240
Speaker 1: a lot of ship like that.

2221
01:40:38,360 --> 01:40:39,600
Speaker 4: I'll be like, there's a lot of ship like that

2222
01:40:39,680 --> 01:40:42,599
Speaker 4: going on right, Like I'm telling these the niggas selling drugs,

2223
01:40:42,640 --> 01:40:44,080
Speaker 4: maybe you ain't selling drugs. I don't really want to

2224
01:40:44,120 --> 01:40:46,479
Speaker 4: hear that ship right now, not like E s TG.

2225
01:40:47,320 --> 01:40:50,439
Speaker 1: Just Stove is gonna be your guy. Yeah, no, Flames

2226
01:40:50,600 --> 01:40:56,000
Speaker 1: not molk count me like flames. Yeah you don't funk

2227
01:40:56,040 --> 01:40:58,200
Speaker 1: with that. I do. Yeah, I like Flames.

2228
01:40:58,560 --> 01:41:01,880
Speaker 2: It's not something I throwing all the time. Plaines make

2229
01:41:01,920 --> 01:41:03,840
Speaker 2: better music though, Stove makes way better music.

2230
01:41:04,240 --> 01:41:09,599
Speaker 1: And it's but yeah, it make better songs. I'm saying.

2231
01:41:09,960 --> 01:41:10,559
Speaker 1: I'm saying.

2232
01:41:12,280 --> 01:41:17,599
Speaker 4: Melodic ship like like for instance, right Stove said talk

2233
01:41:17,760 --> 01:41:22,200
Speaker 4: to the plug Monday came on Friday, see me a

2234
01:41:22,360 --> 01:41:28,960
Speaker 4: hundred of I need a hundred off. Right, you found

2235
01:41:28,960 --> 01:41:32,439
Speaker 4: a hunded niggas in the hood. Out of them honey niggas.

2236
01:41:33,280 --> 01:41:38,880
Speaker 4: None of them niggas had a honey. You found a

2237
01:41:38,960 --> 01:41:41,080
Speaker 4: hunding niggas in the hood. Not am not one of

2238
01:41:41,120 --> 01:41:45,760
Speaker 4: the niggas had a honey. Flames Domali said, what you

2239
01:41:45,920 --> 01:41:49,360
Speaker 4: doing sitting in my bagging up some batas, sitting in

2240
01:41:49,439 --> 01:41:51,200
Speaker 4: my whip crack on my hands.

2241
01:41:51,280 --> 01:41:53,320
Speaker 1: I can't hit the blunt they put it to my lips.

2242
01:41:53,400 --> 01:41:57,840
Speaker 1: I did this ship. It's it's a big difference, you know,

2243
01:41:59,360 --> 01:42:04,400
Speaker 1: I'm bagging up the relate. You can't touch that blood.

2244
01:42:05,240 --> 01:42:13,479
Speaker 1: You can't touch that blood all the all, like wording

2245
01:42:13,600 --> 01:42:17,479
Speaker 1: up like that's autoble s I did that. Yeah, I'm saying,

2246
01:42:18,280 --> 01:42:23,439
Speaker 1: send me a hundred of them. It's more relatable, just.

2247
01:42:27,200 --> 01:42:27,360
Speaker 4: Like that.

2248
01:42:28,680 --> 01:42:31,320
Speaker 1: Yeah, yeah, I get it. It's more. It's way more related.

2249
01:42:31,360 --> 01:42:32,720
Speaker 1: I get what you're saying. I get what you say,

2250
01:42:32,840 --> 01:42:35,200
Speaker 1: and it's like I'm saying, like I just but.

2251
01:42:35,280 --> 01:42:37,000
Speaker 3: That don't mean it's still ain't hard though, Like just

2252
01:42:37,040 --> 01:42:39,960
Speaker 3: because you I'm saying, you could identify and relate to

2253
01:42:40,080 --> 01:42:43,200
Speaker 3: it more because that's something identify with.

2254
01:42:43,240 --> 01:42:43,560
Speaker 1: I get it.

2255
01:42:44,160 --> 01:42:46,519
Speaker 4: That nigga flaint everything you know, I like him he

2256
01:42:46,640 --> 01:42:48,960
Speaker 4: talked about that like that. Yeah, that's like nice. But

2257
01:42:49,080 --> 01:42:54,000
Speaker 4: Stove God Wago basis the plainest is hard Sho talking

2258
01:42:54,040 --> 01:42:57,240
Speaker 4: that ship. Yeah, he's definitely talking Stove God. Swiss beats

2259
01:42:57,240 --> 01:42:58,720
Speaker 4: all this for me. I'm looking forward to this joint.

2260
01:42:58,720 --> 01:43:00,639
Speaker 4: I'm gonna check it out though, Yeah, to check that out.

2261
01:43:01,000 --> 01:43:03,439
Speaker 2: That's my first click and I'm gonna stay up for

2262
01:43:03,479 --> 01:43:05,280
Speaker 2: the Stove gotsh I'm excited for this.

2263
01:43:05,439 --> 01:43:06,200
Speaker 1: Yeah, I want to hear that.

2264
01:43:06,960 --> 01:43:09,400
Speaker 2: And my sister Jozzie, she's putting out her album soundtrack

2265
01:43:09,479 --> 01:43:12,840
Speaker 2: to get her back. Josy, that's you know how you

2266
01:43:12,920 --> 01:43:16,400
Speaker 2: have like sisters in Christ. She's my sister in toxicity. Okay,

2267
01:43:16,520 --> 01:43:19,519
Speaker 2: nobody's more toxic than Jozzi even though she she's actually

2268
01:43:19,520 --> 01:43:21,920
Speaker 2: gonna come up next week. She's one of the coolest

2269
01:43:21,920 --> 01:43:25,920
Speaker 2: shicks ever. She's a sniper. You think young Amazon sniper

2270
01:43:26,880 --> 01:43:27,599
Speaker 2: be a sniper.

2271
01:43:28,680 --> 01:43:31,240
Speaker 1: Don't put Jozzy out there like Jossi is a sweetheart.

2272
01:43:31,400 --> 01:43:33,680
Speaker 1: She's a sweetheart. We ain't gonna put Jozzy business out

2273
01:43:33,680 --> 01:43:34,560
Speaker 1: there like that. We ain'tna do that.

2274
01:43:34,640 --> 01:43:36,639
Speaker 3: We're gonna talk to her. But Josey is super talented,

2275
01:43:36,680 --> 01:43:37,880
Speaker 3: one of the best pins in the game.

2276
01:43:39,520 --> 01:43:41,200
Speaker 1: Yeah, she sings. Yeah, she was.

2277
01:43:41,920 --> 01:43:43,840
Speaker 2: I hate with the puff shit that happened. Outside of

2278
01:43:43,880 --> 01:43:46,920
Speaker 2: the obvious she was. The last album was incredible. She

2279
01:43:47,040 --> 01:43:48,960
Speaker 2: was like she smoked that whole project.

2280
01:43:49,080 --> 01:43:51,320
Speaker 1: Yeah, but even her project that she put out though,

2281
01:43:52,080 --> 01:43:53,920
Speaker 1: oh yeah, that was that was to me was one

2282
01:43:53,960 --> 01:43:56,080
Speaker 1: of the best projects that year that she put out. Absolutely.

2283
01:43:56,640 --> 01:43:58,920
Speaker 1: So Yeah, I'm excited to have Jossy up here next week.

2284
01:43:59,120 --> 01:44:02,759
Speaker 2: But yeah, we're out of here. We'll see y'all on Saturday.

2285
01:44:02,800 --> 01:44:04,720
Speaker 2: Actually Saturday in New York City.

2286
01:44:04,880 --> 01:44:07,080
Speaker 3: If you're in New York, Cafe Comodol to eighty six

2287
01:44:07,120 --> 01:44:08,840
Speaker 3: Broome Street, come kick with us one to six.

2288
01:44:09,680 --> 01:44:13,680
Speaker 1: We'll be there selling some merchs. You're coming through offfee ubes.

2289
01:44:13,520 --> 01:44:16,920
Speaker 2: Pops you got you gotta you gotta monitor the playlist

2290
01:44:17,000 --> 01:44:18,719
Speaker 2: that that you sent over to Ryan.

2291
01:44:18,880 --> 01:44:20,960
Speaker 3: You gotta just stand outside with the All he gotta

2292
01:44:21,000 --> 01:44:22,479
Speaker 3: do is his shuffle on that ship.

2293
01:44:23,200 --> 01:44:27,639
Speaker 4: As long as the crowd is a New York centric crowd,

2294
01:44:27,960 --> 01:44:29,000
Speaker 4: he's gonna be good money.

2295
01:44:29,680 --> 01:44:32,040
Speaker 2: Ryan doesn't know his intern hazing yet. He's gonna have

2296
01:44:32,040 --> 01:44:33,920
Speaker 2: to babysit my daughter for five hours. He doesn't he

2297
01:44:33,920 --> 01:44:38,960
Speaker 2: has He does not know that, man, He doesn't know

2298
01:44:39,120 --> 01:44:41,120
Speaker 2: that he's about to say the backyard.

2299
01:44:41,400 --> 01:44:44,360
Speaker 1: She's three, and she's like a terror three. She's not

2300
01:44:44,520 --> 01:44:50,120
Speaker 1: like a regular three. Five hours. I would tell you,

2301
01:44:50,400 --> 01:44:52,920
Speaker 1: I would tell like, I don't know, ten years older

2302
01:44:52,960 --> 01:44:56,800
Speaker 1: than your genie. He's a genie.

2303
01:44:58,479 --> 01:45:02,040
Speaker 4: In that back that backyard behind the cafe, they just.

2304
01:45:02,040 --> 01:45:05,040
Speaker 1: Figure out things. Had this nigga going to get his

2305
01:45:05,120 --> 01:45:05,880
Speaker 1: nigga's a genie.

2306
01:45:07,360 --> 01:45:09,400
Speaker 2: She's gonna say, chase me for six hours with him.

2307
01:45:09,840 --> 01:45:10,599
Speaker 1: Oh my god.

2308
01:45:10,760 --> 01:45:12,120
Speaker 3: But either way, if you're in the city, come by,

2309
01:45:12,160 --> 01:45:14,960
Speaker 3: come check us our cafe Comodol Toy street Man will

2310
01:45:15,000 --> 01:45:17,320
Speaker 3: be there for a few hours, one to six having

2311
01:45:17,360 --> 01:45:20,200
Speaker 3: fun this Saturday. So yeah, if you're in the city,

2312
01:45:20,280 --> 01:45:22,559
Speaker 3: we'll see you then. If not, we'll talk to you soon.

2313
01:45:22,680 --> 01:45:24,559
Speaker 3: Be safe, Be blessed them. That nigga, he's a ginger.

2314
01:45:24,960 --> 01:45:25,880
Speaker 3: That's netflix it.

2315
01:45:26,640 --> 01:45:27,160
Speaker 1: Let's get to that