WEBVTT - Zuzanna Szadkowski Vol. 1

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<v Speaker 1>I'm Susanna Shotkovsky and I played Deronda on Desprol. Welcome back,

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<v Speaker 1>listeners to your one and only source into all things

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<v Speaker 1>gossip Girl. You know you love it. XO x oh, hello,

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<v Speaker 1>and welcome back to XO XO everyone. I'm your host,

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<v Speaker 1>Jessica's or Okay, so you've been waiting for this one.

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<v Speaker 1>I've been waiting for this one. I am beyond excited

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<v Speaker 1>to announce that my guest today is Susanna Shatkovsky, who

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<v Speaker 1>played the iconic de Roda on Gossip Girl. And you

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<v Speaker 1>know what, I don't even know where to begin with her,

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<v Speaker 1>so we're just going to skip the rewatch today and

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<v Speaker 1>just deep dive into her entire gossip Girl journey and

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<v Speaker 1>what made de Roda such an important character on the show.

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<v Speaker 1>Susanna and I were just together in Charleston, South Carolina.

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<v Speaker 1>We also were with some of our castmates, Chase Ed

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<v Speaker 1>and Aaron, so to have a little mini reunion and

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<v Speaker 1>get to see some of you amazing fans with such

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<v Speaker 1>a treat and it also leads Susanna coming on the podcast.

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<v Speaker 1>So I'm all smiles over here. And this one is

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<v Speaker 1>so good that we had to split it into two parts,

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<v Speaker 1>so this time will cover things like her casting story,

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<v Speaker 1>her relationship with Miss Blair, but obviously come back next

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<v Speaker 1>week for more from the one and only Susanna shatkov Ski.

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<v Speaker 1>Here she is everyone, Hi, Hi, Hi. Oh my gosh,

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<v Speaker 1>your baby is so cute. I was looking at your

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<v Speaker 1>Instagram pictures unless she looks just like you, It's insane.

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<v Speaker 1>That's so funny. Everyone keeps saying that I see it,

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<v Speaker 1>and then I'm also like, like, she's your twin. I'm like,

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<v Speaker 1>is she though? But I love that. I love that.

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<v Speaker 1>I want to be your twin. But wait, can I

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<v Speaker 1>just tell you? Seeing you in Charleston and every like,

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<v Speaker 1>all of us together just made me feel like so

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<v Speaker 1>good on every level, and then having you here today,

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<v Speaker 1>I'm just like so thrilled. We've been talking about you

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<v Speaker 1>for months, like from the beginning of the podcast, and

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<v Speaker 1>I'm like, I don't think she wants to do it, guys,

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<v Speaker 1>And she's not in She's not down so bad at

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<v Speaker 1>Instagram that I didn't see that, And it's like like

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<v Speaker 1>I never look at any messages or anything that I being, like,

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<v Speaker 1>I wish I could be on the podcast. You were

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<v Speaker 1>like one of our first people we wanted. That's amazing

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<v Speaker 1>and yeah, well thank you. I'm sorry, I'm so finally.

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<v Speaker 1>I know. It's so exciting because you're a legend and

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<v Speaker 1>a gangster and such an amazing actor. And here's the

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<v Speaker 1>other thing. Much on top of all of that, you're

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<v Speaker 1>just fucking cool, Like you're just a cool person. You've

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<v Speaker 1>got to like a good sense of humor. You're real

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<v Speaker 1>like radical and I appreciate because we had not been

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<v Speaker 1>around each other in a long time, but I was

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<v Speaker 1>just with you many years. I'm like, yo, this girl

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<v Speaker 1>is just she just knows what's up. She's got like

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<v Speaker 1>the coolest cute little elphit on. I'm like this, you're

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<v Speaker 1>just read. I do like to think that maybe I'm

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<v Speaker 1>a little bit cooler than Deronda on a daily basis.

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<v Speaker 1>I mean, I feel like I feel like she has

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<v Speaker 1>her her vibe and her style. But you know what, though,

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<v Speaker 1>you gave de Rota a real swagger and a real presence.

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<v Speaker 1>But before all of that, tell us where, tell everyone,

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<v Speaker 1>like where you're from? What made you get into acting? Well? Um, yeah,

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<v Speaker 1>so I was actually born in Poland like Deronda. So

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<v Speaker 1>that's that's my inn with um and I came here

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<v Speaker 1>when I was little, but I was only three when

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<v Speaker 1>I came to the US. I definitely am more of

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<v Speaker 1>a you know, American gal um, but I have a

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<v Speaker 1>Polish soul, so I like to maintain that. But I

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<v Speaker 1>grew up in the Midwest. So did you always speak

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<v Speaker 1>both languages? Yes, I mean I was already speaking, you know,

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<v Speaker 1>when I was a little baby when we came here

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<v Speaker 1>and then so that was really my first language. And

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<v Speaker 1>when I was a kid, I had an accent. So like,

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<v Speaker 1>it's so weird because I found a video of myself

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<v Speaker 1>when I was six or seven, and I had a

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<v Speaker 1>Polish accent, and so I was like a little Polish baby.

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<v Speaker 1>And I grew up in the Midwest in Indiana, so

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<v Speaker 1>there were not a lot of other Polish babies around.

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<v Speaker 1>So I was like a little a little unusual kid

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<v Speaker 1>in Fort Wayne, Indiana. Um, but I learned, you know,

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<v Speaker 1>I Americanized pretty quickly, but my parents always pushed me

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<v Speaker 1>to maintain my Polish. You know. I had to uh

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<v Speaker 1>read in Polish and write, which I really am grateful

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<v Speaker 1>for now because I use it, you know, professionally, and

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<v Speaker 1>I feel like it's an important part of my identity.

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<v Speaker 1>And I'm really grateful for it now. But yeah, but

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<v Speaker 1>like talking and speaking like this, it's like wild that

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<v Speaker 1>you're just like, I'll just take this other language, have

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<v Speaker 1>this other act, that be this completely different person from

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<v Speaker 1>this other culture. That's like ridiculously right. Well, it's funny

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<v Speaker 1>because it's like I've used my Polish accent as an

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<v Speaker 1>actor so much like my first TV job or jobs

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<v Speaker 1>actually were with Polish or Eastern European accents, and then

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<v Speaker 1>I got the Deronda Party, which was another one, and

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<v Speaker 1>I didn't have anything with an American accent, you know,

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<v Speaker 1>in my whole repertoire until like well into my acting career,

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<v Speaker 1>so it was like, you know, it definitely became a thing.

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<v Speaker 1>But I but I'm you know, I appreciate it, and

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<v Speaker 1>I've always been like, to me, it's been really important

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<v Speaker 1>to be authentically Polish for the Polish fans in the world,

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<v Speaker 1>because you know, it is an important part of my identity.

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<v Speaker 1>And you know, my parents had my mom passed away

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<v Speaker 1>Uhelve and my dad is um still to this day,

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<v Speaker 1>so many years had they had thick, thick accents that

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<v Speaker 1>never went away. So I had a plenty of experience

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<v Speaker 1>with the extreme polish accent stuff. So that comes pretty

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<v Speaker 1>naturally to me. Right, that's wild. But you went you

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<v Speaker 1>studied acting at Harvard? Yeah, I went to. Let's just okay,

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<v Speaker 1>don't just say yeah like that, you know I did.

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<v Speaker 1>You've never heard of studying acting at Harvard is kind

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<v Speaker 1>of funny because it's like all these Harvard students are

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<v Speaker 1>you know, I have their noses in the books, and

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<v Speaker 1>they're like super genious writing, writing amazing papers and thesis

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<v Speaker 1>and all this stuff. And I'm you know, rolling around

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<v Speaker 1>the floor pretending to be an animal or a tree,

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<v Speaker 1>because that's like acting school, even at Harvard is still

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<v Speaker 1>acting school, you know. But I did get to. Yeah,

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<v Speaker 1>I was there, and I was on the campus and

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<v Speaker 1>I pretended to be starting pants like the rest of them.

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<v Speaker 1>But you know, no, I went to M. Barner College

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<v Speaker 1>in Manhattan as an undergrad, and then I went to

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<v Speaker 1>the a Art Institute, which is the acting school at

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<v Speaker 1>Harvard for my graduate school. So sort of ussured me into,

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<v Speaker 1>I guess, my professional career. It was after grad schools

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<v Speaker 1>when I started auditioning and working. So back to New

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<v Speaker 1>York City and back to the grind. What made you

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<v Speaker 1>like I wanted take on acting. You know, I didn't

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<v Speaker 1>my first My first acting experience I think was like

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<v Speaker 1>sixth or seventh grade in Indiana in school, and it

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<v Speaker 1>was like I auditioned. It was for Diary of Anne

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<v Speaker 1>Frank and I got on the little stage for the audition.

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<v Speaker 1>In the minute I opened my mouth, I was like, Oh,

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<v Speaker 1>this is it. I was like, you know, and it

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<v Speaker 1>was like, you know, I totally got the bug. And

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<v Speaker 1>I'm not sure exactly what it was started. I always

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<v Speaker 1>kind of think my parents were pretty strict because it

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<v Speaker 1>was like I was an only child Polish parents, so

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<v Speaker 1>you know, I wasn't allowed to wear makeup, and I

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<v Speaker 1>think part of the appeal as a kid was that

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<v Speaker 1>you got to put on all this makeup and be

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<v Speaker 1>fabulous and glamorous. So I think that was like one

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<v Speaker 1>of the things I like, which is funny because then

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<v Speaker 1>my acting career was never glamorous again. I mean, not

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<v Speaker 1>that in Frank was, but you know, I did some

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<v Speaker 1>musicals and stuff in high school. You know, I had

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<v Speaker 1>really a lot of fun with the sort of not

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<v Speaker 1>just being on stage and kind of the fabulous magical transformation,

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<v Speaker 1>but also the community feeling of being in the theater like,

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<v Speaker 1>I really like that scene, and so I stuck with

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<v Speaker 1>it and there was no dissuading me after that. After

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<v Speaker 1>I got a taste of it. That's amazing. You're like,

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<v Speaker 1>I'm doing this. Yeah, so you got the bog You

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<v Speaker 1>were like great? And how was your family supportive? Indiana

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<v Speaker 1>is like the Midwest rid from Like people knew of it,

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<v Speaker 1>but they didn't really like they're like, what what are

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<v Speaker 1>you doing? What? It's a very weird thing. I mean

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<v Speaker 1>in high school, I was voted most likely to be famous. It'

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<v Speaker 1>just kind of funny because I am. It was just

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<v Speaker 1>because I did all the did all the plays, you know,

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<v Speaker 1>so it's like that was your that was the only,

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<v Speaker 1>you know, kind of way to do it. But um no,

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<v Speaker 1>my parents, what happens that they were that that's correct?

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<v Speaker 1>Do you go back and like did they win an

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<v Speaker 1>award for like being correct? Well? It was me, all right.

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<v Speaker 1>It was funny because like, yeah, I missed my I

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<v Speaker 1>just had my I won't even age myself to tell

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<v Speaker 1>you which anniversary I missed, but they just had like

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<v Speaker 1>the reunion for my high school, like a really big one,

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<v Speaker 1>and I did ten years right yeah, right right there

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<v Speaker 1>with you. Oh, but no. But you know, my parents,

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<v Speaker 1>my dad he has PhD in mathematics and he he

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<v Speaker 1>was he worked as a mechanical engineer and my mother

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<v Speaker 1>was biochemists. So for the two of them to have

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<v Speaker 1>an actor daughter was I think a little bit traumatizing.

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<v Speaker 1>Not exactly what they were looking for. They're like, who

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<v Speaker 1>are you saving? And how are you changing the world?

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<v Speaker 1>And you're like, trust do a math equation? Well, you know,

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<v Speaker 1>I do think, you know, they it was a little

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<v Speaker 1>bit of a hard sell at first, but I think

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<v Speaker 1>actually being on television made it a little bit easier

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<v Speaker 1>for them because they could watch me. Because then they

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<v Speaker 1>ended up living in North Carolina, Like they moved there

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<v Speaker 1>when I was in college, and so when I was

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<v Speaker 1>in New York working as an actor, the first time

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<v Speaker 1>they could see me on it on TV and they

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<v Speaker 1>could like show the neighbors. It was like, oh, she's

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<v Speaker 1>actually has a job. It's okay, It's gonna be okay.

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<v Speaker 1>So in the end, I mean, I think, yeah, they

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<v Speaker 1>you know, they've always been supportive and loving parents. But

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<v Speaker 1>I think that it was a little bit of a

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<v Speaker 1>hard cell. I mean, they didn't It wasn't so much

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<v Speaker 1>that they gave me a hard time. It was more

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<v Speaker 1>that they made fun of me and still do, but

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<v Speaker 1>my my fantastical acting aspirations. But I think that they're

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<v Speaker 1>happy that I kind of get to, you know, for

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<v Speaker 1>lack of a better word, like see the world and

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<v Speaker 1>and sort of live slash chase my dream, you know,

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<v Speaker 1>depending on the moment. Right, Okay, So your situation for

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<v Speaker 1>Gossip Girl, like it was never going to be that

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<v Speaker 1>de Roda was in start to finish, no, first, no, no,

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<v Speaker 1>it was totally unexpected. And I always tell like young

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<v Speaker 1>actors that you know, I always my advice is always

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<v Speaker 1>like you never know uh where the character ever know

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<v Speaker 1>where your opportunities lie. You know, you have this idea

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<v Speaker 1>that oh, this is gonna be the job that's it,

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<v Speaker 1>or this is the thing that this is gonna be

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<v Speaker 1>a great gig for me, this is my path, and

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<v Speaker 1>it's always a surprise, like it's never the one you

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<v Speaker 1>thought it was. It's always somewhere where you didn't expect

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<v Speaker 1>or see it. Because for me, um the Derotor role

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<v Speaker 1>was an audition for literally it was a possible recurring

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<v Speaker 1>guest star and the breakdown said something like sixty plus

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<v Speaker 1>plus housekeeper. Yeah, and there were and there were no

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<v Speaker 1>and I said no lines, and so I was like

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<v Speaker 1>Rota was sixty five years old and a mute, silent Yeah, yeah,

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<v Speaker 1>there are no lines in the There were no lines

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<v Speaker 1>in the first episode. And it was like, by the way,

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<v Speaker 1>there's so without Derota, so was no gossip Girl. Basically

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<v Speaker 1>it was gone, I'm I'm dropping the bike dub with

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<v Speaker 1>the podcast, like no gossip Girl exists. Yeah, So it

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<v Speaker 1>was like they were so basically it was like a

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<v Speaker 1>possibly going to recur housekeeper who didn't have any lines

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<v Speaker 1>and they were looking for an older woman. But the

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<v Speaker 1>only keyword, the only reason I even popped up, you know,

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<v Speaker 1>my agents even submitted me was the Polish part. I

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<v Speaker 1>had just played a Polish housekeeper and the Sopranos, like

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<v Speaker 1>in the final season this little show no one's ever

0:12:27.280 --> 0:12:31.200
<v Speaker 1>heard of that basically television a tiny part because then

0:12:31.240 --> 0:12:33.520
<v Speaker 1>like they had a really cool Polish housekeeper who did

0:12:33.559 --> 0:12:35.840
<v Speaker 1>a lot of stuff on that show, but that wasn't me.

0:12:36.200 --> 0:12:38.160
<v Speaker 1>And then in the final season when she was gone,

0:12:38.240 --> 0:12:42.040
<v Speaker 1>I played, uh, the Polish housekeeper for Carmel and Tony

0:12:42.160 --> 0:12:44.480
<v Speaker 1>for like three episodes. But I said a couple of

0:12:44.520 --> 0:12:47.600
<v Speaker 1>lines to Tony which was actually really thrilling, you know really,

0:12:47.640 --> 0:12:50.839
<v Speaker 1>and I'm like, you know, and he was really and

0:12:51.200 --> 0:12:52.760
<v Speaker 1>James sandal Pine, he was really nice to me and

0:12:52.760 --> 0:12:54.280
<v Speaker 1>he said I had a good accent and that I

0:12:54.360 --> 0:12:58.080
<v Speaker 1>was very good, and I was like so exciting. But

0:12:58.080 --> 0:13:00.360
<v Speaker 1>but it had just happened right before the gospel auditions,

0:13:00.360 --> 0:13:01.880
<v Speaker 1>so they were like, well, they know you you can

0:13:01.920 --> 0:13:05.440
<v Speaker 1>do a Polish maid, and they know you're not sixty five.

0:13:05.480 --> 0:13:08.360
<v Speaker 1>And in fact, like this always shocks people. But when

0:13:08.520 --> 0:13:12.200
<v Speaker 1>we started Gossipel, I was twenty eight, and I love

0:13:12.240 --> 0:13:17.440
<v Speaker 1>it because when you really look you don't like very young,

0:13:18.360 --> 0:13:22.000
<v Speaker 1>but people in person maybe say, oh, you look younger.

0:13:22.040 --> 0:13:24.040
<v Speaker 1>But the contrast and like what they did with the character,

0:13:24.080 --> 0:13:26.640
<v Speaker 1>it just made me seem like right, and we're in

0:13:26.679 --> 0:13:31.600
<v Speaker 1>a high yeah, yeah, like you and you're you know,

0:13:31.800 --> 0:13:34.839
<v Speaker 1>sixteen at the time. Yeah yeah, I supposed to be

0:13:34.920 --> 0:13:36.400
<v Speaker 1>like raising her. Yeah. And the thing is like we

0:13:36.400 --> 0:13:39.040
<v Speaker 1>always had all these lines about de Roto going to

0:13:39.120 --> 0:13:41.599
<v Speaker 1>feed ducks in Central Park with Blair when she was

0:13:41.640 --> 0:13:44.439
<v Speaker 1>a baby, and I was like, yes, Deronto was twelve,

0:13:44.880 --> 0:13:49.079
<v Speaker 1>you know, but anyway, literally Deronda was learning how to

0:13:49.120 --> 0:13:53.760
<v Speaker 1>walk as well. Don't worry. It's like Hollywood magic. But anyway,

0:13:53.800 --> 0:13:55.280
<v Speaker 1>so I went in for an audition and I had

0:13:56.080 --> 0:13:59.160
<v Speaker 1>there were no lines, So what do you like, you know,

0:13:59.400 --> 0:14:04.520
<v Speaker 1>just the different literally yes, literally for the audition, they said,

0:14:04.920 --> 0:14:07.840
<v Speaker 1>you know, improvised, like you're serving breakfast to some rich kids.

0:14:09.240 --> 0:14:14.839
<v Speaker 1>And I was like okay, um, And in the lobby right, well,

0:14:14.840 --> 0:14:15.959
<v Speaker 1>that's the thing is, I was like, I gotta do

0:14:16.040 --> 0:14:18.400
<v Speaker 1>something with personality, and so like when I signed in

0:14:18.400 --> 0:14:20.400
<v Speaker 1>in the lobby and you know the actors, I'll sign

0:14:20.480 --> 0:14:22.480
<v Speaker 1>in a sheet and I saw that I was the

0:14:22.480 --> 0:14:25.440
<v Speaker 1>only one with a Polish name, so I was like, oh,

0:14:25.440 --> 0:14:28.920
<v Speaker 1>I'm probably the only like, you know, legit pole in here.

0:14:29.320 --> 0:14:31.960
<v Speaker 1>So I figured let me lean into that. So when

0:14:31.960 --> 0:14:35.200
<v Speaker 1>I did the audition, I sort of improvised and I

0:14:35.240 --> 0:14:38.160
<v Speaker 1>was like mumbling and talking to myself in Polish, like

0:14:38.200 --> 0:14:44.000
<v Speaker 1>in a sort of like uh, you know, brilliant. I

0:14:44.080 --> 0:14:46.960
<v Speaker 1>love that. And I did it for so long and

0:14:47.000 --> 0:14:49.760
<v Speaker 1>I think it was I'm pretty sure it was Mark Pisnarski,

0:14:49.880 --> 0:14:52.200
<v Speaker 1>who was like who did the pilot and had directed

0:14:52.200 --> 0:14:53.720
<v Speaker 1>the pilot, but this I wasn't in the pilot, was

0:14:53.720 --> 0:14:55.280
<v Speaker 1>in the second episode. But I remember they let me

0:14:55.320 --> 0:14:58.720
<v Speaker 1>go on and on for you're just talking to yourself.

0:14:59.080 --> 0:15:02.000
<v Speaker 1>I'm just walking around out of polish, cursing and you know,

0:15:02.520 --> 0:15:06.040
<v Speaker 1>roll in my eyes. And and then I left. And

0:15:06.080 --> 0:15:08.280
<v Speaker 1>it was funny because I got the part, and I

0:15:08.280 --> 0:15:10.840
<v Speaker 1>didn't really think that was that. I was like, oh, okay,

0:15:10.880 --> 0:15:13.520
<v Speaker 1>I mean it's like no lines, like whatever. And my

0:15:13.560 --> 0:15:16.080
<v Speaker 1>agent said, you know, it's gonna probably be a good,

0:15:16.200 --> 0:15:19.280
<v Speaker 1>big show because it's based on a very popular book series.

0:15:19.800 --> 0:15:23.760
<v Speaker 1>And I thought another hit show. You're like, yeah, And

0:15:23.760 --> 0:15:25.520
<v Speaker 1>I didn't really know anything because I was just like

0:15:25.560 --> 0:15:27.920
<v Speaker 1>I never knew anything about anything I was, which is

0:15:27.960 --> 0:15:31.160
<v Speaker 1>also always good. I really am the same. Yeah, And

0:15:31.160 --> 0:15:33.040
<v Speaker 1>I've talked to I mean, I've heard I've listened to

0:15:33.040 --> 0:15:35.200
<v Speaker 1>your podcast. I'm a big fan, and I've heard a

0:15:35.200 --> 0:15:37.000
<v Speaker 1>lot of people can't talk with you about you know,

0:15:37.080 --> 0:15:41.720
<v Speaker 1>this idea that um, you know in this business, you know,

0:15:41.760 --> 0:15:43.880
<v Speaker 1>either make a pilot that will the pilot go? Who

0:15:43.920 --> 0:15:47.120
<v Speaker 1>knows will when we recast? Will it one continue? Will

0:15:47.160 --> 0:15:49.680
<v Speaker 1>the show get picked up? Like all of the variables

0:15:49.680 --> 0:15:52.880
<v Speaker 1>and uncertainty, the fact that any show ever goes at all,

0:15:53.040 --> 0:15:55.680
<v Speaker 1>much less that it becomes popular, much less that it continues,

0:15:56.120 --> 0:15:58.320
<v Speaker 1>much less that in that it then becomes part of

0:15:58.360 --> 0:16:01.400
<v Speaker 1>the Zeitgeister and you know, part of pop culture over time.

0:16:01.440 --> 0:16:05.040
<v Speaker 1>Like it's just so many phenomenal things one after the

0:16:05.040 --> 0:16:06.800
<v Speaker 1>other with the show that I didn't even know to

0:16:06.880 --> 0:16:09.040
<v Speaker 1>worry about. Like when we were talking show, I never

0:16:09.080 --> 0:16:11.600
<v Speaker 1>even occurred to me to worry that they wouldn't renew

0:16:11.640 --> 0:16:13.760
<v Speaker 1>it or you know, I was always on the ride,

0:16:13.840 --> 0:16:16.640
<v Speaker 1>you know, I'm just gonna talk to myself and the

0:16:17.240 --> 0:16:19.920
<v Speaker 1>most favorite pends on the show. No. But it was

0:16:19.960 --> 0:16:21.880
<v Speaker 1>like I just always was, you know. And the thing

0:16:22.080 --> 0:16:24.000
<v Speaker 1>for me is that I was always scared I would

0:16:24.040 --> 0:16:26.240
<v Speaker 1>never that they would never have me back. So it

0:16:26.320 --> 0:16:29.120
<v Speaker 1>was like in the beginning, I as Dorota's character sort

0:16:29.120 --> 0:16:32.400
<v Speaker 1>of grew over time. I never every single script, I

0:16:32.480 --> 0:16:34.600
<v Speaker 1>was like, I hope they didn't kill me off or

0:16:34.600 --> 0:16:36.480
<v Speaker 1>get rid of me. So I was like, I was

0:16:36.520 --> 0:16:39.440
<v Speaker 1>like waiting for that to happen for six seasons. UM.

0:16:39.680 --> 0:16:43.280
<v Speaker 1>So I never really even felt super comfortable in it. Um.

0:16:43.320 --> 0:16:44.840
<v Speaker 1>But yeah. But the funny part was the one I got,

0:16:44.840 --> 0:16:46.360
<v Speaker 1>the part they called me and said, you know, you

0:16:46.480 --> 0:16:50.040
<v Speaker 1>got the the show, And I text message my boyfriend

0:16:50.080 --> 0:16:53.240
<v Speaker 1>at the time and I said I got Gossip Girl

0:16:53.680 --> 0:16:55.520
<v Speaker 1>and he wrote back he was like, did you mean

0:16:55.520 --> 0:16:57.200
<v Speaker 1>this for somebody else? Because he thought I met I

0:16:57.280 --> 0:17:03.040
<v Speaker 1>got Gossip Girl, Like, hey all, I got got yeah,

0:17:03.040 --> 0:17:04.879
<v Speaker 1>And I was like, no, no, I got the show

0:17:04.960 --> 0:17:20.800
<v Speaker 1>calling off Girl. It was I showed up and my

0:17:20.880 --> 0:17:24.600
<v Speaker 1>first scene was with Layton. It was like a really

0:17:24.600 --> 0:17:27.000
<v Speaker 1>cool reveal for my character because it was like Lara's

0:17:27.080 --> 0:17:30.800
<v Speaker 1>speaking kind of lamenting about her day and her troubles,

0:17:31.320 --> 0:17:34.720
<v Speaker 1>and it looks like she must be talking to her

0:17:34.720 --> 0:17:36.720
<v Speaker 1>mother because he would only speak to your mother that way.

0:17:37.160 --> 0:17:41.160
<v Speaker 1>And then when they shot reverses, you see that it's

0:17:41.200 --> 0:17:44.120
<v Speaker 1>the housekeeper. And so even though the housekeeper had no lines,

0:17:44.160 --> 0:17:46.640
<v Speaker 1>you could see that, like, this is in this girl's life,

0:17:46.640 --> 0:17:49.640
<v Speaker 1>This is who she has to you know this, Yeah,

0:17:49.720 --> 0:17:52.640
<v Speaker 1>this is her maternal figure, and like this is kind

0:17:52.640 --> 0:17:55.800
<v Speaker 1>of you know, where she is um in terms of

0:17:55.800 --> 0:17:59.240
<v Speaker 1>her relationships her own mother. So it was automatically kind

0:17:59.240 --> 0:18:02.840
<v Speaker 1>of set up in that way, and I think, you know,

0:18:02.920 --> 0:18:07.760
<v Speaker 1>the the relationship between Blaren Dorota sort of grew, sort

0:18:07.760 --> 0:18:09.560
<v Speaker 1>of it grew organically, and then we had so much

0:18:09.560 --> 0:18:12.720
<v Speaker 1>fun with it, and then all this kind of silly

0:18:13.200 --> 0:18:15.800
<v Speaker 1>uh stuff started getting introduced. I remember the first episode

0:18:15.840 --> 0:18:18.240
<v Speaker 1>where it was like a funny thing happened for Deronda

0:18:18.320 --> 0:18:23.159
<v Speaker 1>was that Cyndy Lapper came in and and and Blair

0:18:23.280 --> 0:18:25.439
<v Speaker 1>wants to run off after Chuck or something, and then

0:18:25.480 --> 0:18:29.000
<v Speaker 1>so she ends up pushing Dorota on Cyndi Lauper like

0:18:29.040 --> 0:18:31.639
<v Speaker 1>She's like, you know, Derote is your biggest fan. And

0:18:31.640 --> 0:18:33.680
<v Speaker 1>I had this like fantastic scene with Cyndy Lapper where

0:18:33.680 --> 0:18:35.760
<v Speaker 1>I had to like, you know, freak out over her.

0:18:36.040 --> 0:18:38.240
<v Speaker 1>And so Throtta all of a sudden started having a

0:18:38.240 --> 0:18:40.520
<v Speaker 1>little you know, funny things to do, and I think

0:18:40.560 --> 0:18:44.640
<v Speaker 1>over time it started to to grow. Yeah, oh my god,

0:18:44.680 --> 0:18:49.159
<v Speaker 1>I love that love. And honestly, like when Norman Buckley

0:18:49.200 --> 0:18:53.800
<v Speaker 1>was on he was talking about yeah, yeah, where he

0:18:53.840 --> 0:18:56.080
<v Speaker 1>was like, you guys have to kind of lead into

0:18:56.119 --> 0:19:00.760
<v Speaker 1>this relationship because of the way Blair's relationship with her mother,

0:19:01.480 --> 0:19:04.760
<v Speaker 1>there has to be this thing. Basically, he was saying,

0:19:04.760 --> 0:19:08.879
<v Speaker 1>you guys have to explore this relationship right now. He

0:19:08.960 --> 0:19:10.720
<v Speaker 1>really was the guy. I mean, he and I know

0:19:10.760 --> 0:19:13.080
<v Speaker 1>you talked about this in the podcast, but he was

0:19:13.160 --> 0:19:17.320
<v Speaker 1>the one who really re established the possibilities for Dorota

0:19:17.400 --> 0:19:20.800
<v Speaker 1>because he switched up this scene where Margaret it was

0:19:20.840 --> 0:19:24.000
<v Speaker 1>written for um Claire's mom and then he made it

0:19:24.080 --> 0:19:26.040
<v Speaker 1>all of a sudden because of him and his collaboration

0:19:26.119 --> 0:19:30.000
<v Speaker 1>with the writers and producers, it became Derota scene and

0:19:30.040 --> 0:19:32.159
<v Speaker 1>it was really what to find that role all of

0:19:32.200 --> 0:19:35.240
<v Speaker 1>a sudden. It came from like an implied possibility to

0:19:35.359 --> 0:19:38.240
<v Speaker 1>a reality, and so he opened that door and it

0:19:38.320 --> 0:19:41.000
<v Speaker 1>was such a huge moment. It happens sometimes as an

0:19:41.000 --> 0:19:44.000
<v Speaker 1>actor where you have, uh, you know, you're sort of

0:19:44.040 --> 0:19:45.760
<v Speaker 1>doing your work over here on the side, and then

0:19:45.760 --> 0:19:47.920
<v Speaker 1>you kind of get a door that you can step through,

0:19:48.119 --> 0:19:49.840
<v Speaker 1>you know, and somebody has to open that up for you.

0:19:49.880 --> 0:19:52.040
<v Speaker 1>And it was for me and for Dorota it was

0:19:52.440 --> 0:19:55.520
<v Speaker 1>it literally just kind google down my whole body right now.

0:19:56.920 --> 0:20:01.320
<v Speaker 1>So cool. There's something so lovable and wonderful that you

0:20:02.080 --> 0:20:05.359
<v Speaker 1>do and bring to Deronda. The way you are balancing

0:20:05.440 --> 0:20:08.320
<v Speaker 1>all these kids that are trying to deal with all

0:20:08.320 --> 0:20:14.119
<v Speaker 1>these crazy emotions and money and wild, wild stuff. The

0:20:14.200 --> 0:20:18.399
<v Speaker 1>way that you played it, it's just it's it's really great.

0:20:18.480 --> 0:20:20.640
<v Speaker 1>I'm like so happy that I'm watching it now because

0:20:20.640 --> 0:20:24.320
<v Speaker 1>I'm like, really, what you did with this role is amazing,

0:20:24.400 --> 0:20:27.920
<v Speaker 1>Like you should really honestly win like an award. Oh

0:20:27.960 --> 0:20:30.199
<v Speaker 1>my god, that's well, I already have because of just

0:20:30.280 --> 0:20:33.119
<v Speaker 1>the nice things you're saying that means really means a

0:20:33.359 --> 0:20:35.879
<v Speaker 1>serious you know. Part of it, I think is that

0:20:36.000 --> 0:20:39.680
<v Speaker 1>like as an actor, it's like when I look at

0:20:39.840 --> 0:20:42.280
<v Speaker 1>Rona or As as that role was started developing and

0:20:42.320 --> 0:20:44.760
<v Speaker 1>those relationships with developing, it was like she was such

0:20:44.800 --> 0:20:47.879
<v Speaker 1>an easy and fulfilling characters played because she was like

0:20:48.200 --> 0:20:51.840
<v Speaker 1>all heart. So it's like the fact that um, I

0:20:51.840 --> 0:20:54.880
<v Speaker 1>think in a way she's functioned like dramaturgically, is sort

0:20:54.920 --> 0:20:57.000
<v Speaker 1>of like a moral center for that universe, you know,

0:20:57.040 --> 0:20:58.960
<v Speaker 1>because of just her position. You know. So it's like

0:20:59.000 --> 0:21:01.399
<v Speaker 1>all this drama was happening around her. She was the housekeeper.

0:21:01.760 --> 0:21:03.879
<v Speaker 1>But then in terms of her relationship with all the

0:21:04.240 --> 0:21:09.879
<v Speaker 1>you know kids, Uh, it was like she just loved

0:21:09.920 --> 0:21:11.800
<v Speaker 1>Blair and she was going to protect Blair and she

0:21:12.040 --> 0:21:14.520
<v Speaker 1>because of that, she loved Mr Chunk and she loved

0:21:15.359 --> 0:21:17.560
<v Speaker 1>and everybody you know, yeah, you know. So it was

0:21:17.640 --> 0:21:20.560
<v Speaker 1>like so it all came from that very maternal, like

0:21:21.119 --> 0:21:24.359
<v Speaker 1>very sort of um simple and deep deep deep like

0:21:24.480 --> 0:21:27.480
<v Speaker 1>maternal love center that she had, and so it was

0:21:27.560 --> 0:21:29.760
<v Speaker 1>kind of easy and fun. And it's like I can

0:21:29.800 --> 0:21:31.600
<v Speaker 1>relate to some of that. Some of that's very different

0:21:31.640 --> 0:21:35.280
<v Speaker 1>from me but you know, she um, it was always easy,

0:21:35.320 --> 0:21:37.240
<v Speaker 1>always had a north star, which was like what's best

0:21:37.280 --> 0:21:39.840
<v Speaker 1>for miss Blair, you know. And uh, I think that's

0:21:39.840 --> 0:21:42.920
<v Speaker 1>actually why a lot of fans like responded so much

0:21:43.400 --> 0:21:45.600
<v Speaker 1>to Grod. It was because you know, she was there

0:21:45.640 --> 0:21:49.080
<v Speaker 1>for Blair. But like when you were doing that, like

0:21:49.320 --> 0:21:52.720
<v Speaker 1>as an actor, your intentions going in to these seeds

0:21:52.720 --> 0:21:55.000
<v Speaker 1>and stuff, was it always that that was your thing.

0:21:55.240 --> 0:21:58.200
<v Speaker 1>It's to protect Lair, yeah kind of. And and part

0:21:58.240 --> 0:22:00.800
<v Speaker 1>of it what happened organically was so nice is that

0:22:00.880 --> 0:22:05.600
<v Speaker 1>I just like immediately had like a total um, you know,

0:22:05.720 --> 0:22:09.440
<v Speaker 1>such a nice, warm and loving relationship with Layton. So

0:22:09.840 --> 0:22:12.280
<v Speaker 1>she was the person I would always look too on set. Yeah,

0:22:12.280 --> 0:22:14.359
<v Speaker 1>and so I would find you know, her energy like

0:22:14.400 --> 0:22:16.399
<v Speaker 1>doing scenes with her. We had so much fun together

0:22:16.440 --> 0:22:18.520
<v Speaker 1>and I feel like we immediately had you know, love

0:22:18.520 --> 0:22:22.960
<v Speaker 1>and respect for each other. And so that translated very easily.

0:22:22.960 --> 0:22:25.240
<v Speaker 1>Like that in combination with the way the character was written,

0:22:25.560 --> 0:22:28.680
<v Speaker 1>it was really easy for me to you know, step

0:22:28.680 --> 0:22:30.840
<v Speaker 1>into sort of the protector of that character and to

0:22:31.200 --> 0:22:33.720
<v Speaker 1>go like whole hog team Blair, you know, and like

0:22:33.800 --> 0:22:35.879
<v Speaker 1>for me, some of them more fun stuff was you know,

0:22:35.920 --> 0:22:38.600
<v Speaker 1>this stuff where Dorota was sent off sort of as

0:22:38.680 --> 0:22:45.040
<v Speaker 1>like Blair's yes, yeah, yeah, yeah, like but I had

0:22:45.040 --> 0:22:47.040
<v Speaker 1>to go spy for her and do all that stuff.

0:22:47.320 --> 0:22:52.760
<v Speaker 1>That was so so. But it's also funny, like Chuck

0:22:53.200 --> 0:22:54.920
<v Speaker 1>is this one of these last episodes. He's like, de

0:22:55.040 --> 0:22:57.280
<v Speaker 1>Rota tip me off, she's here. I'm like, de Rota

0:22:57.320 --> 0:23:01.160
<v Speaker 1>is just talking to Mr Chuck. We got thanks going. Yes,

0:23:01.240 --> 0:23:04.600
<v Speaker 1>Deronda had like really good relations very interesting, detailed Blaired

0:23:04.600 --> 0:23:07.800
<v Speaker 1>relationship with Mr Chuck which I love too. Um And

0:23:08.000 --> 0:23:11.439
<v Speaker 1>because oh yeah yeah, I always say because like to me,

0:23:11.480 --> 0:23:13.080
<v Speaker 1>I'm always like when people say, like, why do you

0:23:13.119 --> 0:23:15.320
<v Speaker 1>think the fans like dr I'm like, I think it's because,

0:23:16.680 --> 0:23:20.200
<v Speaker 1>you know, something magical happened with Um Blair and Chuck,

0:23:20.280 --> 0:23:23.960
<v Speaker 1>which is the fans really but into that. That chemistry

0:23:24.000 --> 0:23:26.720
<v Speaker 1>of those two characters, right, you know, Team Chuck Blair

0:23:27.040 --> 0:23:29.760
<v Speaker 1>was really you know, the audience really grabbed onto that.

0:23:30.119 --> 0:23:32.760
<v Speaker 1>And then because Deronda was Blair's protector and also a

0:23:32.800 --> 0:23:36.879
<v Speaker 1>big proponent of that relations Chuck Blair all the time,

0:23:37.600 --> 0:23:39.720
<v Speaker 1>so it was very easy for fans to identify with Throat.

0:23:39.720 --> 0:23:41.840
<v Speaker 1>I almost became like an extension of fans, you know,

0:23:42.240 --> 0:23:44.359
<v Speaker 1>because I'm in there, I'm in there doing my best,

0:23:45.040 --> 0:23:46.600
<v Speaker 1>you know, de Rode is in there doing her best

0:23:46.640 --> 0:23:50.119
<v Speaker 1>to keep that relationship alive and keep everybody safe and happy.

0:23:50.160 --> 0:23:53.439
<v Speaker 1>So like fans saw themselves in that character, you know,

0:23:53.520 --> 0:23:58.080
<v Speaker 1>I think now that you see that, yes, that but

0:23:58.680 --> 0:24:01.560
<v Speaker 1>it's it's just like lovely and awesome and it's just

0:24:01.640 --> 0:24:06.040
<v Speaker 1>so funny. Obviously Dorota had a presence and all the things,

0:24:06.080 --> 0:24:10.359
<v Speaker 1>but watching it now, you really were this light in

0:24:10.480 --> 0:24:16.560
<v Speaker 1>her life that made her really get through all of that. Yeah,

0:24:16.600 --> 0:24:18.719
<v Speaker 1>and also she had she could kind of like you know,

0:24:19.080 --> 0:24:21.040
<v Speaker 1>ship on Derota when she needed to, which was great

0:24:21.040 --> 0:24:27.639
<v Speaker 1>because which is you know, it's a great relationship you

0:24:27.680 --> 0:24:30.080
<v Speaker 1>have with like you know, it's like a very classic

0:24:30.520 --> 0:24:35.320
<v Speaker 1>trope of all history, cinema, storytelling, literature. Everything was like

0:24:35.359 --> 0:24:40.160
<v Speaker 1>that you know, sort of sidekick, you know, nurse companion

0:24:40.359 --> 0:24:42.000
<v Speaker 1>person that you know has to do a lot of

0:24:42.000 --> 0:24:43.520
<v Speaker 1>the heavy lifting a lot of time and then also

0:24:43.640 --> 0:24:46.400
<v Speaker 1>gets the brunt of the things taken out on them

0:24:46.440 --> 0:24:48.360
<v Speaker 1>and it can be very comical. So I'd also think

0:24:48.400 --> 0:24:50.719
<v Speaker 1>that that was nice because Gossip Girl, I think had

0:24:50.760 --> 0:24:54.280
<v Speaker 1>such a nice mix of drama and comedy and some

0:24:54.359 --> 0:24:56.720
<v Speaker 1>tongue in cheek stuff and you know, as I think

0:24:56.760 --> 0:25:00.239
<v Speaker 1>Dorotta was a fun part to play because a lot

0:25:00.280 --> 0:25:03.800
<v Speaker 1>of the sort of sillier, more comedic moments kind of

0:25:03.840 --> 0:25:07.399
<v Speaker 1>came my way, which was also really exciting to develop that.

0:25:07.520 --> 0:25:10.800
<v Speaker 1>And you know, I had never really done I mean,

0:25:11.080 --> 0:25:14.680
<v Speaker 1>you know, I had done some TV, but nothing super substantial,

0:25:14.760 --> 0:25:17.080
<v Speaker 1>so it was always a learning curve to especially trying

0:25:17.119 --> 0:25:19.560
<v Speaker 1>to do funny things on camera and you're like, was

0:25:19.600 --> 0:25:21.760
<v Speaker 1>it funny? It wasn't good, I don't get a response.

0:25:22.240 --> 0:25:24.960
<v Speaker 1>And even if you're like, look when Deronda is like

0:25:25.080 --> 0:25:29.560
<v Speaker 1>surprised or shocked at things, were shocking moments at every scene,

0:25:30.600 --> 0:25:33.399
<v Speaker 1>there's like things happening on a level, and all of

0:25:33.440 --> 0:25:35.200
<v Speaker 1>a sudden, you see Rona in your eyes like popa

0:25:35.280 --> 0:25:38.320
<v Speaker 1>and it's just the cutest but like most real thing,

0:25:39.560 --> 0:25:41.600
<v Speaker 1>I just love it. Like I see those like you know,

0:25:41.920 --> 0:25:44.639
<v Speaker 1>little memes or whatever there are of Deronda, and you know,

0:25:45.080 --> 0:25:49.520
<v Speaker 1>it's like those funny captures of those like oh, mostly

0:25:49.600 --> 0:25:53.760
<v Speaker 1>the shock faces, like the faces of like like, OMG,

0:25:56.160 --> 0:25:59.359
<v Speaker 1>that's great. To the writing and producers on this like

0:25:59.760 --> 0:26:04.240
<v Speaker 1>what's great. We needed to have that because there's ship

0:26:04.400 --> 0:26:07.080
<v Speaker 1>that goes on in this show that's just not stuff

0:26:07.119 --> 0:26:09.359
<v Speaker 1>that we should just be like oh whatever, like it right.

0:26:10.040 --> 0:26:12.399
<v Speaker 1>It is shocking and it is wild and it is crazy,

0:26:12.600 --> 0:26:15.480
<v Speaker 1>and it's some of it's not okay that people and

0:26:15.600 --> 0:26:18.159
<v Speaker 1>everyone else is just like in the moment one up

0:26:18.240 --> 0:26:20.399
<v Speaker 1>in each other and throwing people under the bus and

0:26:20.480 --> 0:26:22.359
<v Speaker 1>like getting by like all the things. So when you

0:26:22.440 --> 0:26:25.000
<v Speaker 1>see the roads like eyes pop and chock, I'm like, yeah,

0:26:25.080 --> 0:26:28.159
<v Speaker 1>that's actually what everyone should be doing, because this is

0:26:28.240 --> 0:26:31.720
<v Speaker 1>not Yes. Yeah, sometimes she just like they're just like

0:26:31.880 --> 0:26:36.920
<v Speaker 1>observing and being like what in the world of these kids? Yeah?

0:26:37.000 --> 0:26:40.879
<v Speaker 1>And now we know Blair outside of your relationship with Blair,

0:26:41.000 --> 0:26:45.040
<v Speaker 1>like de Ronea Blair, who did you like? Well? I

0:26:45.160 --> 0:26:49.280
<v Speaker 1>really like For me, my favorite scenes were ones with

0:26:49.520 --> 0:26:54.720
<v Speaker 1>the old Waldorf family, like when when Cyrus Rose was introduced,

0:26:55.200 --> 0:26:58.359
<v Speaker 1>because while Sean is like such, I mean he is

0:26:58.440 --> 0:27:01.560
<v Speaker 1>such a character and like such an some phenomenon as

0:27:01.600 --> 0:27:04.639
<v Speaker 1>a human and as an artist, and so working with

0:27:04.760 --> 0:27:09.240
<v Speaker 1>him crazy. Margaret Colin, who played you know, Claire's mom,

0:27:09.560 --> 0:27:11.600
<v Speaker 1>I mean, she is an incredible I learned so much.

0:27:11.600 --> 0:27:15.600
<v Speaker 1>I always always I'm using something that I've learned from

0:27:15.680 --> 0:27:18.320
<v Speaker 1>Margaret whenever I work on camera and just watching her.

0:27:19.280 --> 0:27:21.679
<v Speaker 1>I mean when I say really, I don't mean like shocked.

0:27:21.720 --> 0:27:24.480
<v Speaker 1>I'm saying I love. Yeah, No, it's great because she

0:27:24.680 --> 0:27:28.480
<v Speaker 1>like had such a quality of like really embodying what

0:27:28.680 --> 0:27:31.639
<v Speaker 1>was on the page and then always somehow lifting it.

0:27:32.080 --> 0:27:34.120
<v Speaker 1>You know, she would meet the character in a really

0:27:34.160 --> 0:27:36.760
<v Speaker 1>interesting way. It was like so real, and then she

0:27:36.800 --> 0:27:38.840
<v Speaker 1>had such great sense of humor, but she didn't push anything.

0:27:38.960 --> 0:27:40.959
<v Speaker 1>It was like I was just was really admiring of her.

0:27:41.240 --> 0:27:42.840
<v Speaker 1>So I feel like when those scenes when it was

0:27:43.359 --> 0:27:45.879
<v Speaker 1>me and Leyton and Wally and Margaret and all the

0:27:46.000 --> 0:27:49.200
<v Speaker 1>you know, the Waldorf family, that was always blowing my

0:27:49.240 --> 0:27:54.959
<v Speaker 1>mind because it was just so many amazing that's much talent.

0:27:55.160 --> 0:27:57.080
<v Speaker 1>I don't even know what to do. And I mean

0:27:57.119 --> 0:27:58.879
<v Speaker 1>I had like when I had my wedding episode and

0:27:58.960 --> 0:28:01.560
<v Speaker 1>like Wally Sean this you know Cyrus character walked me

0:28:01.640 --> 0:28:03.879
<v Speaker 1>down the aisle and that was like such a thrill.

0:28:04.280 --> 0:28:09.160
<v Speaker 1>I was like, yeah, of course. Aaron, my husband, Eric Schwartz,

0:28:09.200 --> 0:28:11.159
<v Speaker 1>who played Vanya, is also one of my faves to

0:28:11.200 --> 0:28:13.240
<v Speaker 1>work with because like, all of a sudden road I

0:28:13.280 --> 0:28:15.879
<v Speaker 1>had a boyfriend and then a fiance and then a husband,

0:28:15.960 --> 0:28:18.040
<v Speaker 1>and he was He's so cute and so fun and

0:28:18.480 --> 0:28:20.800
<v Speaker 1>I really love Aaron and like he he also has

0:28:20.800 --> 0:28:22.520
<v Speaker 1>such a great story, you know, because he was like

0:28:23.200 --> 0:28:25.920
<v Speaker 1>child actor and he was like this, you know, very

0:28:26.040 --> 0:28:29.680
<v Speaker 1>cute kid and mighty ducks and what was out of

0:28:29.720 --> 0:28:32.040
<v Speaker 1>him that he did heavy weights that was very popular

0:28:32.080 --> 0:28:35.360
<v Speaker 1>back in the day. And then he kind of transformed

0:28:35.400 --> 0:28:38.560
<v Speaker 1>himself and became this like you know, physical specimen, this

0:28:38.720 --> 0:28:43.680
<v Speaker 1>like Adonis, like really uh you know his least, like

0:28:43.960 --> 0:28:46.920
<v Speaker 1>you're very buff and like hot guy. And so he

0:28:46.960 --> 0:28:49.000
<v Speaker 1>went from this like you know, cute little kid to

0:28:49.120 --> 0:28:51.440
<v Speaker 1>this like hot guy and you know, kind of really

0:28:51.480 --> 0:28:54.240
<v Speaker 1>the whole time working and you know, trying to make

0:28:54.360 --> 0:28:56.560
<v Speaker 1>this work for himself as an actor, which is such

0:28:56.600 --> 0:28:59.080
<v Speaker 1>a difficult road to hope for a long time, you

0:28:59.120 --> 0:29:01.480
<v Speaker 1>know what I mean, for to have a lengthy career.

0:29:01.560 --> 0:29:03.640
<v Speaker 1>So I'm always so excited for him when he gets

0:29:03.680 --> 0:29:06.360
<v Speaker 1>these career opportunities. And so when he became Vania, I

0:29:06.400 --> 0:29:08.360
<v Speaker 1>thought he was just like the sweetest and it was

0:29:08.440 --> 0:29:11.880
<v Speaker 1>like an inspirational story and exciting and he's you know,

0:29:12.360 --> 0:29:14.520
<v Speaker 1>really really funny as Bonnia. So we had a fun time.

0:29:14.960 --> 0:29:18.080
<v Speaker 1>I love that. And did you feel like that storyline

0:29:19.000 --> 0:29:22.320
<v Speaker 1>they kind of probably wrote into that as it was

0:29:22.360 --> 0:29:24.160
<v Speaker 1>like happening like I don't was that like in the

0:29:24.240 --> 0:29:26.680
<v Speaker 1>script before No, no, you know you know how that

0:29:26.800 --> 0:29:30.040
<v Speaker 1>started so weird um and it speaks to so much

0:29:30.080 --> 0:29:31.960
<v Speaker 1>about at a different time we were in when we

0:29:32.040 --> 0:29:34.840
<v Speaker 1>made Gossip Girl. Is that it was around season two.

0:29:35.000 --> 0:29:38.120
<v Speaker 1>I want to say Verizon, who was a huge sponsor

0:29:38.240 --> 0:29:43.600
<v Speaker 1>of Yeah, Verizon came to Gossip Girl and they they said,

0:29:43.800 --> 0:29:45.840
<v Speaker 1>because like they were always a big sponsor, because like

0:29:45.880 --> 0:29:47.640
<v Speaker 1>their phones were all you know, those like flip phones

0:29:47.720 --> 0:29:50.520
<v Speaker 1>and stuff that those like weird old phones that we had,

0:29:50.840 --> 0:29:52.840
<v Speaker 1>you know, they were always Brizon phones. The Verizon came

0:29:52.880 --> 0:29:55.040
<v Speaker 1>to Gossip Girl and they said that they wanted to

0:29:55.080 --> 0:29:58.600
<v Speaker 1>do a spinoff as a web series that would only

0:29:58.680 --> 0:30:03.479
<v Speaker 1>be available to Verizon customers on Verizon devices. So, by

0:30:03.560 --> 0:30:07.920
<v Speaker 1>the way, that's really awesome and gangster, it wasn't that funny,

0:30:08.040 --> 0:30:10.000
<v Speaker 1>and so they were like, so they're like, let's make

0:30:10.040 --> 0:30:12.200
<v Speaker 1>a staff and so they considered I think a couple

0:30:12.240 --> 0:30:16.000
<v Speaker 1>of options. One was the option that ended up becoming

0:30:16.320 --> 0:30:19.040
<v Speaker 1>the Gossipel spinoff. You know, when they they wanted to

0:30:19.120 --> 0:30:21.560
<v Speaker 1>make the one about Lily when she was a kid.

0:30:22.440 --> 0:30:24.760
<v Speaker 1>They ended up doing that storyline trying that one now

0:30:24.920 --> 0:30:27.680
<v Speaker 1>later on, but the other one, they thought, well, why

0:30:27.720 --> 0:30:30.320
<v Speaker 1>don't we just do a De Rota backstory spin off,

0:30:31.320 --> 0:30:34.640
<v Speaker 1>So they made this thing called Chasing de Rota, which

0:30:34.880 --> 0:30:37.840
<v Speaker 1>is available on the DVDs if you buy a DVD

0:30:38.040 --> 0:30:41.480
<v Speaker 1>can listen. Everyone go buy the d and this because

0:30:43.560 --> 0:30:44.880
<v Speaker 1>and then it's I think you can see it on

0:30:44.960 --> 0:30:47.520
<v Speaker 1>YouTube too. But it's like basically we made I can't

0:30:47.520 --> 0:30:49.760
<v Speaker 1>remember how many episodes, and it was like there were

0:30:49.800 --> 0:30:52.160
<v Speaker 1>many episodes. They were like a four minutes long eache

0:30:52.240 --> 0:30:55.480
<v Speaker 1>or something. We made several of them, six eight of them,

0:30:55.640 --> 0:30:58.360
<v Speaker 1>something like that. So it was like filmed on the

0:30:58.440 --> 0:31:02.360
<v Speaker 1>gospel sets, but it was ust Dorota Vanya and then

0:31:02.400 --> 0:31:05.560
<v Speaker 1>Dorota's two best friends. One was Um, one was like

0:31:05.960 --> 0:31:10.680
<v Speaker 1>Serena's cook, and then one was like Nates housekeeper or something,

0:31:10.800 --> 0:31:14.960
<v Speaker 1>you know. But no, they ended up both coming back

0:31:15.040 --> 0:31:18.040
<v Speaker 1>for like a little montage at one point, but Aaron.

0:31:18.120 --> 0:31:22.040
<v Speaker 1>That's where Aaron where Vanya was introduced. So in the

0:31:22.200 --> 0:31:24.960
<v Speaker 1>Chasing Derota series, we find out that in Poland she

0:31:25.040 --> 0:31:27.920
<v Speaker 1>had some sort of royal title, but her husband was

0:31:28.000 --> 0:31:31.560
<v Speaker 1>like abusive and she felt trapped, so she escaped from

0:31:31.640 --> 0:31:35.360
<v Speaker 1>Poland to escape her usive relationship, came to the US

0:31:35.560 --> 0:31:38.760
<v Speaker 1>became a housekeeper and then falls in love with Vanya

0:31:38.800 --> 0:31:41.680
<v Speaker 1>the dormant, and then the Polish husband ends up chasing

0:31:41.720 --> 0:31:44.200
<v Speaker 1>her down, and then Vania and the Polish husband had

0:31:44.280 --> 0:31:49.080
<v Speaker 1>like fisticuffs over her get into it, and this is

0:31:49.160 --> 0:31:50.760
<v Speaker 1>all in they's web sites, and it's so weird, and

0:31:50.840 --> 0:31:53.120
<v Speaker 1>it was like the weirdest thing for me because it

0:31:53.280 --> 0:31:57.160
<v Speaker 1>was like, um, you know, all of a sudden, Dorota

0:31:57.280 --> 0:31:59.880
<v Speaker 1>was like the lead of the show, which I was

0:32:00.040 --> 0:32:01.960
<v Speaker 1>so unused to, and I found it really like it

0:32:02.000 --> 0:32:04.120
<v Speaker 1>made me feel so vulnerable and strange because I used

0:32:04.160 --> 0:32:05.920
<v Speaker 1>to pop in and out and doing like a you know,

0:32:06.040 --> 0:32:07.880
<v Speaker 1>one liner here and there. But to all of a

0:32:07.920 --> 0:32:10.240
<v Speaker 1>sudden be the romantic lead was so foreign to me.

0:32:10.400 --> 0:32:12.680
<v Speaker 1>So I was like it was a strange thing. And

0:32:12.760 --> 0:32:16.400
<v Speaker 1>then it was I love that. So people watched, I

0:32:16.480 --> 0:32:18.840
<v Speaker 1>mean some people watched this thing on the Brizon you know,

0:32:18.960 --> 0:32:21.960
<v Speaker 1>phones or whatever. But then, because they were really happy

0:32:22.000 --> 0:32:24.800
<v Speaker 1>about the about Aaron and Ivania and they thought it

0:32:24.880 --> 0:32:27.640
<v Speaker 1>was a cute storyline and it worked, they ended up

0:32:27.640 --> 0:32:31.680
<v Speaker 1>introducing that character into the normal season and so he

0:32:31.760 --> 0:32:34.480
<v Speaker 1>showed up. He showed up then and then you know,

0:32:34.560 --> 0:32:36.920
<v Speaker 1>became Derota's boyfriend. And then then that proposing her. So

0:32:36.960 --> 0:32:39.240
<v Speaker 1>it was such a weird start, and but it really

0:32:39.280 --> 0:32:42.480
<v Speaker 1>speaks to the fact that back then Gossiper was on

0:32:42.560 --> 0:32:45.280
<v Speaker 1>the cusp of so many things in terms of, like,

0:32:46.440 --> 0:32:49.520
<v Speaker 1>you know, the way we watched television now, and one

0:32:49.520 --> 0:32:50.960
<v Speaker 1>of the things was like there were no like a

0:32:51.040 --> 0:32:53.880
<v Speaker 1>web series and streaming and stuff like that was so

0:32:54.080 --> 0:32:56.320
<v Speaker 1>brand new. So it was one of the first web series.

0:32:56.400 --> 0:33:01.320
<v Speaker 1>Really was this like Chasing Derota thing, so you know,

0:33:01.400 --> 0:33:04.480
<v Speaker 1>it was really kind of on the on the forefront

0:33:04.560 --> 0:33:08.560
<v Speaker 1>of television kind of moving to the internet. Yeah, so

0:33:09.640 --> 0:33:23.520
<v Speaker 1>it was pretty cool. Did you find it crazy that

0:33:23.840 --> 0:33:27.680
<v Speaker 1>dad was gossip Girl? Oh? Yeah, And like, Okay, that's

0:33:27.680 --> 0:33:29.080
<v Speaker 1>the number one I think you can say to me.

0:33:30.320 --> 0:33:32.320
<v Speaker 1>The number one thing people say to me is they're like, well,

0:33:32.360 --> 0:33:34.480
<v Speaker 1>we thought maybe through it was gossip Girl. And the

0:33:34.560 --> 0:33:37.640
<v Speaker 1>other thing is I thought maybe she would be too,

0:33:37.760 --> 0:33:41.080
<v Speaker 1>But I'm so glad she wasn't because of what we've

0:33:41.080 --> 0:33:43.160
<v Speaker 1>been talking about, which is the like, I feel like

0:33:43.240 --> 0:33:45.960
<v Speaker 1>Droto was a pure hearted human being who was like

0:33:46.120 --> 0:33:50.240
<v Speaker 1>earnest and like had a good intentions. So if if

0:33:50.280 --> 0:33:52.040
<v Speaker 1>she had ended up being gossip Girl, it would have

0:33:52.080 --> 0:33:56.240
<v Speaker 1>been like the what that would have meant about her

0:33:56.560 --> 0:33:59.800
<v Speaker 1>character and her like, you know, being duplicitness and backstabbing

0:33:59.840 --> 0:34:01.600
<v Speaker 1>too Blair and all that's like, like I really wouldn't.

0:34:01.920 --> 0:34:03.520
<v Speaker 1>Although it would have been a cool twist, it would

0:34:03.520 --> 0:34:05.600
<v Speaker 1>have been I think, really disappointing for me and my

0:34:05.760 --> 0:34:08.399
<v Speaker 1>understanding of who drown it is. So I'm really glad

0:34:08.480 --> 0:34:10.879
<v Speaker 1>it wasn't drow Up. Whether or not it makes sense

0:34:10.960 --> 0:34:15.200
<v Speaker 1>that Dan was constable, I'm not so sure on that either.

0:34:15.320 --> 0:34:17.440
<v Speaker 1>But you know, I don't know who it could have been.

0:34:18.680 --> 0:34:20.680
<v Speaker 1>But a lot of I thought it was going to

0:34:20.800 --> 0:34:23.319
<v Speaker 1>be you. Yeah, I really, I mean people always say

0:34:23.320 --> 0:34:25.160
<v Speaker 1>that to me, and who did you think it was you?

0:34:25.239 --> 0:34:27.400
<v Speaker 1>At one? Boy? I did, because like you know, we

0:34:27.480 --> 0:34:30.920
<v Speaker 1>all didn't know. I love that you thought. I mean,

0:34:30.960 --> 0:34:33.080
<v Speaker 1>I told itally just like maybe it's me and you know,

0:34:33.200 --> 0:34:35.160
<v Speaker 1>but the thing is that they I don't know. I mean,

0:34:35.200 --> 0:34:37.840
<v Speaker 1>I really don't know even if pen knew ahead of

0:34:37.880 --> 0:34:40.640
<v Speaker 1>that last episode, but that you know, all those redacted

0:34:40.680 --> 0:34:42.360
<v Speaker 1>scripts and the fact that we didn't know who it was,

0:34:42.440 --> 0:34:44.520
<v Speaker 1>and then I kept thinking it might be me, And

0:34:44.600 --> 0:34:46.279
<v Speaker 1>then when I found out it was Dan, I was

0:34:46.360 --> 0:34:49.160
<v Speaker 1>like I remember sitting around when we shot that those

0:34:49.239 --> 0:34:53.759
<v Speaker 1>last scenes, and we had there was a scene, yeah,

0:34:53.840 --> 0:34:58.000
<v Speaker 1>reacting to it, and everybody's like sitting there like being like, wow,

0:34:58.120 --> 0:35:01.600
<v Speaker 1>it's Dan And in between takes all of the actors

0:35:01.680 --> 0:35:04.960
<v Speaker 1>were like, wow, it's damn. But we were always doing

0:35:05.040 --> 0:35:07.160
<v Speaker 1>the same thing, like trying to make sense of it,

0:35:07.280 --> 0:35:09.320
<v Speaker 1>you know what I mean. So funny because that's like

0:35:09.400 --> 0:35:13.399
<v Speaker 1>a long that was a long time coming. Oh yeah,

0:35:13.719 --> 0:35:18.080
<v Speaker 1>I mean yeah, they really had to, yeah, go back

0:35:18.160 --> 0:35:21.320
<v Speaker 1>and trying to make sense of that. Yeah. Everyone always

0:35:21.320 --> 0:35:25.160
<v Speaker 1>asked did you know I'm like no, No one really knew. No. No,

0:35:25.320 --> 0:35:28.000
<v Speaker 1>the whole fairly were like fully blacked out, like it

0:35:28.120 --> 0:35:33.880
<v Speaker 1>was nuts. Did you have fittings every week? No? I

0:35:34.480 --> 0:35:37.200
<v Speaker 1>had like two fittings in the history of because I

0:35:37.280 --> 0:35:39.719
<v Speaker 1>held well, yeah, it was such a fashion show and

0:35:39.800 --> 0:35:41.400
<v Speaker 1>I was the only one that I mean, I always

0:35:41.440 --> 0:35:44.120
<v Speaker 1>had my same uniform. And then I had like a

0:35:44.160 --> 0:35:46.080
<v Speaker 1>couple of pregnancies on the show, so they would like,

0:35:46.280 --> 0:35:48.480
<v Speaker 1>you know, give me a pregnancy, but it was always

0:35:48.520 --> 0:35:51.600
<v Speaker 1>the same uniform. I mean, it wasn't me pregnant, right,

0:35:51.640 --> 0:35:54.840
<v Speaker 1>but she was, but she was, But so they you know,

0:35:54.960 --> 0:35:58.279
<v Speaker 1>they made those adjustments. But then um, I would say

0:35:58.360 --> 0:36:03.600
<v Speaker 1>probably maybe four or five times over six seasons did

0:36:03.680 --> 0:36:06.320
<v Speaker 1>I get in an outfit to where that wasn't my uniform.

0:36:06.360 --> 0:36:08.719
<v Speaker 1>And it was always some sort of wedding, so it

0:36:08.840 --> 0:36:10.680
<v Speaker 1>was like my own wedding and I had like a

0:36:10.760 --> 0:36:15.000
<v Speaker 1>rehearsal dinner dress. And then Blair's wedding to the Prince,

0:36:16.600 --> 0:36:19.800
<v Speaker 1>and there was I think I was invited to Lily's wedding.

0:36:20.520 --> 0:36:23.600
<v Speaker 1>One of her mother wrote up was invited everywhere at

0:36:23.600 --> 0:36:27.040
<v Speaker 1>all days because I remember being at a garden party wedding,

0:36:27.040 --> 0:36:29.200
<v Speaker 1>which I think was really so like the few weddings

0:36:29.640 --> 0:36:31.400
<v Speaker 1>I got to have like fancy dresses a minute. It

0:36:31.440 --> 0:36:33.040
<v Speaker 1>was so fun because I was like, this is what

0:36:33.120 --> 0:36:35.600
<v Speaker 1>you guys are experiencing, you know, going in and getting

0:36:35.600 --> 0:36:38.040
<v Speaker 1>all the fancy stuff and then and I always thought

0:36:38.040 --> 0:36:41.000
<v Speaker 1>it was such a thrill until you know, two hours

0:36:41.080 --> 0:36:43.000
<v Speaker 1>into shooting and I was like, oh, these offen suck.

0:36:43.080 --> 0:36:49.840
<v Speaker 1>These are uncomfortable, very very practical shoes, and it's very comfortable.

0:36:52.920 --> 0:36:56.200
<v Speaker 1>But you know what's really really crazy. There is a

0:36:56.280 --> 0:36:59.400
<v Speaker 1>world in which these people have money like that and

0:36:59.480 --> 0:37:02.640
<v Speaker 1>I have aids and have butlers and have drivers and

0:37:02.840 --> 0:37:07.120
<v Speaker 1>have and that was just wild to me because I'm

0:37:07.200 --> 0:37:10.799
<v Speaker 1>like Midwest grew up so far from that, like, oh

0:37:10.920 --> 0:37:13.960
<v Speaker 1>me too. I mean, don't you agree? Is that it crazy? No,

0:37:14.120 --> 0:37:15.480
<v Speaker 1>it's wild to me and I've never I mean, I

0:37:15.560 --> 0:37:17.200
<v Speaker 1>lived in New York for a while because they came

0:37:17.239 --> 0:37:19.319
<v Speaker 1>here to go to college, and I just didn't even

0:37:19.400 --> 0:37:22.680
<v Speaker 1>know that world really existed, you know, in the way

0:37:22.719 --> 0:37:24.640
<v Speaker 1>that it does. And but it had such a weird

0:37:24.680 --> 0:37:27.600
<v Speaker 1>experience on set we went to you know, most of

0:37:27.640 --> 0:37:29.680
<v Speaker 1>the time I was on set on the in the

0:37:29.800 --> 0:37:33.240
<v Speaker 1>sound stage. You know, we had the interiors of everything

0:37:33.280 --> 0:37:35.239
<v Speaker 1>built out in the sound stage. But once in a

0:37:35.280 --> 0:37:37.320
<v Speaker 1>while I would get to go on location, uh like

0:37:37.520 --> 0:37:39.080
<v Speaker 1>sort of less off and I think than other people

0:37:39.120 --> 0:37:41.080
<v Speaker 1>because they didn't leave the house that much as Torona.

0:37:41.400 --> 0:37:46.960
<v Speaker 1>But for the Thanksgiving episodes, the kitchen, like the Waldorf kitchen,

0:37:47.680 --> 0:37:51.160
<v Speaker 1>was in a house on Central Park West. It was

0:37:51.200 --> 0:37:55.320
<v Speaker 1>like a mansionette, so it was like a double house,

0:37:55.840 --> 0:37:58.239
<v Speaker 1>like right off Central Park in that up east side,

0:37:58.400 --> 0:38:00.279
<v Speaker 1>and that's where they had They had rented it out

0:38:00.880 --> 0:38:03.319
<v Speaker 1>to shoot the kitchen one year, so then every year

0:38:03.360 --> 0:38:05.480
<v Speaker 1>we went back for the same kitchen set, and then

0:38:05.800 --> 0:38:09.680
<v Speaker 1>they also shot I want to say it was Nate's

0:38:10.160 --> 0:38:12.840
<v Speaker 1>dining room was also in that same house. So whenever

0:38:12.920 --> 0:38:15.200
<v Speaker 1>there was a Thanksgiving episode, we always used that house.

0:38:15.320 --> 0:38:17.200
<v Speaker 1>And when we would go there, it was the most

0:38:17.239 --> 0:38:20.520
<v Speaker 1>incredible mansion. I mean, these people had like Rodan and

0:38:21.200 --> 0:38:27.879
<v Speaker 1>Monet and they had um oh, Norman Rockwell. So these

0:38:27.920 --> 0:38:29.920
<v Speaker 1>people had the most fantastic house I've ever seen in

0:38:30.000 --> 0:38:32.040
<v Speaker 1>my life, and it was like beyond anything even set

0:38:32.040 --> 0:38:34.439
<v Speaker 1>Young Gossip Grol. And I always wondered why they would

0:38:34.520 --> 0:38:38.000
<v Speaker 1>let the people in their their house, and I figured

0:38:38.040 --> 0:38:40.319
<v Speaker 1>it out finally, was because they had teenage daughters who

0:38:40.360 --> 0:38:43.080
<v Speaker 1>went to that school that Gossip Rol was based on.

0:38:43.440 --> 0:38:45.800
<v Speaker 1>So they so obviously they talked their parents into and

0:38:45.840 --> 0:38:47.239
<v Speaker 1>they were like, let them shoot at our house. And

0:38:47.239 --> 0:38:48.719
<v Speaker 1>then they used to always like come by and like

0:38:48.920 --> 0:38:50.960
<v Speaker 1>with their friends and like watch the shooting and pretend

0:38:51.040 --> 0:38:52.920
<v Speaker 1>like pretend not to be super excited about it. But

0:38:53.239 --> 0:38:57.680
<v Speaker 1>their video village, yeah, it was like their house. But

0:38:57.719 --> 0:38:58.920
<v Speaker 1>the reason I bring it up is that when I

0:38:59.000 --> 0:39:00.960
<v Speaker 1>was there, I was sitting in a chair, like you know,

0:39:01.040 --> 0:39:03.600
<v Speaker 1>waiting for whatever to happen, and I saw their Derota

0:39:04.239 --> 0:39:07.080
<v Speaker 1>and she walked past me and they look an elevator

0:39:07.120 --> 0:39:08.720
<v Speaker 1>in their house, and she got and she was wearing

0:39:08.840 --> 0:39:12.120
<v Speaker 1>the Derota uniform apron. She even had like a little

0:39:12.200 --> 0:39:15.080
<v Speaker 1>head like head gear thing on. It wasn't quite the headband,

0:39:15.120 --> 0:39:17.520
<v Speaker 1>but it was similar. And she was in the outfit

0:39:17.640 --> 0:39:19.279
<v Speaker 1>and she like looked at me, and we like looked

0:39:19.280 --> 0:39:21.160
<v Speaker 1>at each other and she just started like cracking up.

0:39:22.000 --> 0:39:25.040
<v Speaker 1>Like I was like, I play you on TV. I

0:39:25.120 --> 0:39:27.239
<v Speaker 1>was like, I play you on TV. And she was like, yeah,

0:39:27.960 --> 0:39:29.520
<v Speaker 1>this is so funny. And I was like, you know,

0:39:29.640 --> 0:39:31.400
<v Speaker 1>this is a world that we were portraying. It was

0:39:31.520 --> 0:39:34.320
<v Speaker 1>pretty you know, it was over the top certainly, but

0:39:34.400 --> 0:39:36.200
<v Speaker 1>I think a lot of it had it's you know,

0:39:36.719 --> 0:39:40.360
<v Speaker 1>the nuts and bolts were very real and and you know,

0:39:40.440 --> 0:39:43.920
<v Speaker 1>and my character was based on a real life character

0:39:44.120 --> 0:39:47.520
<v Speaker 1>from one of the show creators childhood. He had a

0:39:48.320 --> 0:39:51.280
<v Speaker 1>grow up with sudden like a Dorota type figure. Because

0:39:51.320 --> 0:39:53.240
<v Speaker 1>my character is one of the only people who didn't

0:39:53.239 --> 0:39:56.560
<v Speaker 1>originate from the books. Yeah, yeah, so there was some

0:39:56.680 --> 0:40:01.000
<v Speaker 1>kind of which also a volumes. Yeah, so that's so

0:40:01.239 --> 0:40:03.760
<v Speaker 1>rare that you're just like, I wasn't even in the books.

0:40:03.920 --> 0:40:08.360
<v Speaker 1>But listen, I'm here and I'm gonna make some noise.

0:40:09.360 --> 0:40:11.840
<v Speaker 1>But you know, that whole lifestyle of those kids, like

0:40:12.000 --> 0:40:14.680
<v Speaker 1>the I mean, the going out in the bar, hopping

0:40:14.800 --> 0:40:17.279
<v Speaker 1>and the clubs and all that like stuff. You know.

0:40:17.520 --> 0:40:21.160
<v Speaker 1>I feel like I've seen many different documentaries about weird

0:40:21.440 --> 0:40:23.239
<v Speaker 1>New York things now and I'm like, yeah, oh no,

0:40:23.400 --> 0:40:27.120
<v Speaker 1>that's true. That happens up there on the like they

0:40:27.200 --> 0:40:29.760
<v Speaker 1>go out and live it up. Yeah, it's a wild

0:40:30.200 --> 0:40:33.680
<v Speaker 1>living in New York. Everything's at your fingertips. So you

0:40:33.760 --> 0:40:35.480
<v Speaker 1>walk out of your home and you could get in

0:40:35.520 --> 0:40:37.520
<v Speaker 1>a cab, or you can get on the subway and

0:40:37.640 --> 0:40:41.080
<v Speaker 1>you can go anywhere. When you live in a small

0:40:41.160 --> 0:40:44.720
<v Speaker 1>town or other cities where it's like hard to get somewhere,

0:40:44.880 --> 0:40:48.000
<v Speaker 1>it takes a little more effort, you know what I mean. Yeah,

0:40:48.320 --> 0:40:50.080
<v Speaker 1>when I was in high school in Indiana, like the

0:40:50.120 --> 0:40:52.239
<v Speaker 1>only thing we did would drive around from the Then

0:40:52.280 --> 0:40:54.400
<v Speaker 1>we'd sit in the Taco Bell parking lot and just

0:40:54.600 --> 0:40:56.440
<v Speaker 1>wonder where we were gonna go next, you know what

0:40:56.480 --> 0:40:58.279
<v Speaker 1>I mean, Like we were just like whose house we're

0:40:58.320 --> 0:40:59.840
<v Speaker 1>going to? It was just like yeah, or there was

0:40:59.880 --> 0:41:02.600
<v Speaker 1>like a bomb yeah yeah, yeah, yeah, we had that

0:41:02.640 --> 0:41:04.719
<v Speaker 1>too because we had the country, you know, their foreign

0:41:04.800 --> 0:41:07.480
<v Speaker 1>parties and stuff. But you know, it's so wildly different. Yeah,

0:41:07.480 --> 0:41:09.880
<v Speaker 1>And I see, um young people who grew up in

0:41:09.880 --> 0:41:11.640
<v Speaker 1>New York City and they have the entire world with

0:41:11.719 --> 0:41:14.400
<v Speaker 1>their fingertips. You're so right about that. Yeah, it's just

0:41:14.520 --> 0:41:18.160
<v Speaker 1>a different way, and there's there's something so beautiful about that.

0:41:18.320 --> 0:41:22.080
<v Speaker 1>And also anyone that I know that grew up there,

0:41:22.200 --> 0:41:26.160
<v Speaker 1>they're so wise beyond their years. They are very like worldly,

0:41:26.320 --> 0:41:30.040
<v Speaker 1>they know stuff. They're streets smart. They because it's also

0:41:30.120 --> 0:41:33.760
<v Speaker 1>a city where you just learn. There's art and there's music,

0:41:33.880 --> 0:41:36.399
<v Speaker 1>and there's people of the culture. Yeah, there's just it's

0:41:36.440 --> 0:41:39.560
<v Speaker 1>a constant like That's that's what I love about that city.

0:41:39.680 --> 0:41:41.759
<v Speaker 1>You know, you never want to sit still. You want

0:41:41.800 --> 0:41:44.000
<v Speaker 1>to keep going and learning and doing things. And it's

0:41:44.040 --> 0:41:45.960
<v Speaker 1>also what I don't like about the city because I'm like,

0:41:46.239 --> 0:41:50.080
<v Speaker 1>you could never just I could never really being around. Yeah,

0:41:50.360 --> 0:41:52.719
<v Speaker 1>like read a script or a book on the couch

0:41:52.800 --> 0:41:55.000
<v Speaker 1>and I hear like the subway and the horns and

0:41:55.120 --> 0:41:57.839
<v Speaker 1>like music. I'm like, I gotta be doing something, get

0:41:57.880 --> 0:42:01.399
<v Speaker 1>out there. But such a great city in that way,

0:42:01.480 --> 0:42:04.919
<v Speaker 1>and I will say they did a really good job

0:42:05.200 --> 0:42:09.239
<v Speaker 1>of capturing that and and go absolutely, I think it's

0:42:09.320 --> 0:42:11.560
<v Speaker 1>huge and I feel like you can really see you know,

0:42:11.600 --> 0:42:14.719
<v Speaker 1>a lot of fans come to visit New York and

0:42:14.760 --> 0:42:16.360
<v Speaker 1>they go in the gossoepl Girl Tour of us and

0:42:16.960 --> 0:42:18.640
<v Speaker 1>they go to see the things, and I think it's

0:42:18.640 --> 0:42:21.399
<v Speaker 1>because you know, that essence of Gospel Girl, it really

0:42:21.520 --> 0:42:23.920
<v Speaker 1>is captured. It's like, you know, related to the physical

0:42:23.960 --> 0:42:26.239
<v Speaker 1>space that we're in, so you can actually go and

0:42:26.360 --> 0:42:29.040
<v Speaker 1>visit it, like it doesn't exist in fantasy land, like

0:42:29.120 --> 0:42:33.440
<v Speaker 1>it's it's here. So it's cool. When I talked to

0:42:33.520 --> 0:42:36.520
<v Speaker 1>New York next, let's go on that tour. Yeah, let's

0:42:36.560 --> 0:42:39.080
<v Speaker 1>do it. I didn't you did. I've never done it

0:42:39.520 --> 0:42:41.959
<v Speaker 1>when I was like back when we were shooting still

0:42:42.080 --> 0:42:44.960
<v Speaker 1>like it was happy when we were shooting, it was

0:42:45.000 --> 0:42:49.160
<v Speaker 1>like the final seasons. Yeah, yeah, you know, we have

0:42:49.239 --> 0:42:51.080
<v Speaker 1>to go. They were. People would love it because like

0:42:51.200 --> 0:42:55.880
<v Speaker 1>it's so fun because you you know, answered the insider juice,

0:42:55.960 --> 0:42:58.880
<v Speaker 1>you know. Yeah, yeah, I would love to do that

0:42:58.960 --> 0:43:01.040
<v Speaker 1>with you. Let's do it, and if anyone else is there,

0:43:02.320 --> 0:43:05.239
<v Speaker 1>we can get Sebastian or Chase or later and we

0:43:05.280 --> 0:43:07.399
<v Speaker 1>should do it. It would be really fun. That would

0:43:07.400 --> 0:43:15.279
<v Speaker 1>be so cool. Okay, I'm so sorry, guys. I know

0:43:15.400 --> 0:43:17.360
<v Speaker 1>you want to hear the rest of this conversation, so

0:43:17.560 --> 0:43:20.560
<v Speaker 1>just hold tight until next week's episode. We're going to

0:43:20.640 --> 0:43:24.120
<v Speaker 1>talk about the minions, some of Susanna's favorite memories on set,

0:43:24.640 --> 0:43:27.440
<v Speaker 1>and De Roda's accent might even come out. I promise

0:43:27.640 --> 0:43:29.880
<v Speaker 1>we'll be back before you know it. X O x

0:43:29.960 --> 0:43:37.719
<v Speaker 1>O x O XO is produced by Propagate Content and

0:43:37.840 --> 0:43:41.040
<v Speaker 1>Meat Jessica's Or. Our show is executive produced by Langley.

0:43:41.400 --> 0:43:45.320
<v Speaker 1>Our producers are Diego Tapia, Christin Vermilia, Emily Carr, and

0:43:45.440 --> 0:43:48.399
<v Speaker 1>Hannah Harris. Original music by Moxie and Luke