WEBVTT - #593 - Switchfoot Lead Singer Jon Foreman on Almost Breaking Up Before “Meant to Live” Getting Dropped & Bad Financial Decisions

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<v Speaker 1>Did anybody tell you anything about me coming into this

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<v Speaker 1>room at all?

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<v Speaker 2>The only text I received was like five minutes before,

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<v Speaker 2>did you know where you were coming?

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<v Speaker 3>No?

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<v Speaker 1>No, So you just stringed, you just follow feet, and

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<v Speaker 1>you came here and you didn't know what you're walking into.

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<v Speaker 3>Yeah, kind of didn't know.

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<v Speaker 2>I knew you were affiliate with sports and the Dancing

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<v Speaker 2>with the Stars, and that was kind of it.

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<v Speaker 1>Our guest today is John Foreman and the lead singer

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<v Speaker 1>of Switchfoot.

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<v Speaker 3>I'm a big switch Foot fan.

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<v Speaker 1>We were meant to live for so much more that

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<v Speaker 1>one and I dare you to move.

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<v Speaker 3>I sing them perfectly too.

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<v Speaker 1>He's a Grammy winning songwriter and the voice behind some

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<v Speaker 1>of the most well known songs and alternative rock. As

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<v Speaker 1>the lead singer of Switchfoot, he has led the band

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<v Speaker 1>through ten million albums sold crazy nearly three decades of touring,

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<v Speaker 1>and after five years, the band is back with their

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<v Speaker 1>fourteenth studio album, Forever Now, that comes out June twenty sixth.

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<v Speaker 1>I think you're going to love it if you like Switchfoot,

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<v Speaker 1>which I do. They got a brand new single, wake

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<v Speaker 1>Up Mister Crow. They're going on tour and this is

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<v Speaker 1>just a fun conversation about traveling and I know nothing

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<v Speaker 1>about surfing, surfing and music. So here he is John Foreman,

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<v Speaker 1>the lead singer of Switchfoot. John Good to see you, man. Yeah,

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<v Speaker 1>I've been a fan for a long time. I was

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<v Speaker 1>coming in and I left my radio show and I

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<v Speaker 1>was coming over and I was with my wife and

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<v Speaker 1>I said, Hey, do you know Switchfoot? And she said yeah,

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<v Speaker 1>because I know a lot of switch Foot songs. And

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<v Speaker 1>she's like eleven years younger than I am, eleven and

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<v Speaker 1>a half or so. And I said, what do you

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<v Speaker 1>know and she said Walk to Remember. And I was like, no,

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<v Speaker 1>I think you're talking about the wrong wrong band, And she'

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<v Speaker 1>was like, no you And I said, I don't know you,

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<v Speaker 1>and so we listened to you.

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<v Speaker 3>Yeah, so our switch foots are different.

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<v Speaker 1>My wife'switch Foot and my switch Foot are completely different.

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<v Speaker 3>Because that's where she was.

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<v Speaker 1>She knows, you know, she's probably seven songs deep on

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<v Speaker 1>you guys, which is significant for any band. And I

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<v Speaker 1>was I didn't even know you guys were in the

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<v Speaker 1>movie A Walk I don't think I've ever seen a.

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<v Speaker 3>Walk to Remember. Yeah, yeah, I know.

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<v Speaker 2>It is funny because we we had a ton of

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<v Speaker 2>songs in that movie, and yet that movie feels like

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<v Speaker 2>it represents a totally different cross section than say, the

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<v Speaker 2>songs we played you know two nights ago in Jersey,

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<v Speaker 2>like the songs that we would I don't. We haven't

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<v Speaker 2>played you Live in a long time. But yeah, I

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<v Speaker 2>still love those songs as well. It's feel like a

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<v Speaker 2>different band almost.

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<v Speaker 1>Is there a type of person that knows you for

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<v Speaker 1>a different thing all?

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<v Speaker 2>I mean, that's the funny thing. So I'm in this

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<v Speaker 2>other band, fiction Family that nobody knows about, with Sean

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<v Speaker 2>Walkins from Nickel Creek and a couple other guys and

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<v Speaker 2>this guy's I'm singing in switch Foot or I'm singing

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<v Speaker 2>a solo show and this guy comes up to me

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<v Speaker 2>and he's like, are you in a band? And like

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<v Speaker 2>I think I know where it's going, you know. He's like,

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<v Speaker 2>fiction Family, right.

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<v Speaker 3>You know, And I'm like, yeah, that's me, you got me.

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<v Speaker 1>It's funny how even with the people that will come

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<v Speaker 1>up to me, they'll know me. I can tell by

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<v Speaker 1>their age and their age, their age and their sex

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<v Speaker 1>what they know me from. Right, Like if it's a

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<v Speaker 1>dude and he's in his forties and fifties, he probably

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<v Speaker 1>listens to like my NFL show. If it's an old

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<v Speaker 1>lady she saw men dancing with the Stars, if it's

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<v Speaker 1>like a family American, like, I can tell when they're

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<v Speaker 1>coming up what they know me from. And I just

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<v Speaker 1>thought it was wild because I've been again, I've been

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<v Speaker 1>a fan of you guys forever. I did not know

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<v Speaker 1>you were in the movie. And my wife knows you

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<v Speaker 1>just from that, and she's like, I'm a massive fan

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<v Speaker 1>because of that.

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<v Speaker 3>That's fun.

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<v Speaker 2>My daughter probably, yeah, she would know you from Dancing

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<v Speaker 2>with the Stars.

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<v Speaker 3>She would apologize to her for that. Yeah.

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<v Speaker 1>For me, yeah, most people that didn't know me before

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<v Speaker 1>Dancing with the Stars didn't really enjoy me on Dancing

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<v Speaker 1>with the Stars.

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<v Speaker 3>That takes some khone though. Man.

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<v Speaker 1>My wife's all was like, you could do that, and

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<v Speaker 1>I'm like, no, I wouldn't. I don't think I ever

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<v Speaker 1>would they.

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<v Speaker 3>Ever ask you to do it?

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<v Speaker 1>I if they have, I've blocked it out. I don't think. I,

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<v Speaker 1>Like I said, that takes something special and I don't

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<v Speaker 1>know that I have it, So hats off. I have

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<v Speaker 1>a friend that was at a festival and I think

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<v Speaker 1>it was in like West Texas two thousand and two.

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<v Speaker 1>Or two thousand and three and you guys were playing

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<v Speaker 1>a five o'clock slot and I think it was after

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<v Speaker 1>Meant to Live a hit MTV, and he told me

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<v Speaker 1>that there were like twenty thousand people there for a

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<v Speaker 1>five o'clock slot because that song had popped so hard because.

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<v Speaker 3>It had landed on MTV. Does that sound familiar to you?

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<v Speaker 2>Yeah, that was a wild time. The whole experience of

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<v Speaker 2>that was surreal on a lot of levels because you

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<v Speaker 2>go from playing for twenty people that could kind of

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<v Speaker 2>care less, you know, to playing for a lot more

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<v Speaker 2>than that, and almost overnight, it felt like there.

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<v Speaker 3>Was a big shift.

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<v Speaker 2>Yeah, that was a strange period because that was our

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<v Speaker 2>fourth record and we made it with the attitude that,

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<v Speaker 2>you know, let's make one last record and then we'll

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<v Speaker 2>break up and get real jobs.

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<v Speaker 3>No way.

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<v Speaker 2>So yeah, that was like that was the mindset, let's

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<v Speaker 2>just give it all we have. And and we were

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<v Speaker 2>you know, independent at the time, and we recorded this

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<v Speaker 2>record up in La in a week and you know

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<v Speaker 2>had of course, you have high hopes you want to get.

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<v Speaker 3>It out there.

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<v Speaker 1>But right before the record came out, we got dropped

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<v Speaker 1>by Sony Records, And so I mean everything.

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<v Speaker 3>If you're thinking through your life at.

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<v Speaker 2>The age of you know, twenty three or so, you're

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<v Speaker 2>not thinking, oh, this is where everything turns around.

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<v Speaker 3>You're thinking, Okay, well that's cool. That was a good run.

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<v Speaker 2>Let's go back to college and yeah. So that was

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<v Speaker 2>that was my experience of that season.

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<v Speaker 1>The first three records that you put out, were you

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<v Speaker 1>guys just grinding in a van.

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<v Speaker 3>Yeah, we would.

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<v Speaker 2>So there was this thing in the nineties and early

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<v Speaker 2>two thousands called cred and if like, you wanted to

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<v Speaker 2>get cred and the only way you could get cred

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<v Speaker 2>was by doing it the hard way. So it was

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<v Speaker 2>not seen as some sort of flaw. It was seen

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<v Speaker 2>as whoa, those guys they tour in a minivan and

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<v Speaker 2>they eat ramen, and that's so cool.

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<v Speaker 3>They do that for their art.

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<v Speaker 2>I don't know that nowadays it's cool, but that's the

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<v Speaker 2>way we saw it.

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<v Speaker 3>So we would pack all our stuff.

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<v Speaker 2>In the minivan, and you know, we drive across the

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<v Speaker 2>country a lot of times. It was a rental, rented

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<v Speaker 2>minivan and we're you know, we're a three piece at

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<v Speaker 2>the time, and we turned the car in with thousands

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<v Speaker 2>of miles at the end of the tour. The guy

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<v Speaker 2>like checking out in is like this has to be

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<v Speaker 2>a mistake. You guys put two thousand miles on this thing.

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<v Speaker 3>So yeah, that was that was the early days when

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<v Speaker 3>you started.

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<v Speaker 1>Were you just playing like in your town like was

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<v Speaker 1>or was the idea Let's just start booking shows immediately.

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<v Speaker 2>So the dream when I was in high school, the

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<v Speaker 2>dream was to break even on an album that we

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<v Speaker 2>paid to record. So I spent you know, took all

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<v Speaker 2>my bus boy money from working at the restaurant and

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<v Speaker 2>spent it all on the studio and I did the math.

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<v Speaker 2>We needed to sell like two hundred and thirty copies

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<v Speaker 2>of this album and then we break even. And so

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<v Speaker 2>we had our sites real high. We wanted to sell

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<v Speaker 2>two hundred and thirty copies and when we did it,

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<v Speaker 2>that was success.

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<v Speaker 3>You know, we did.

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<v Speaker 2>You know, I think my brother and I were pretty resourceful.

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<v Speaker 2>We love the hustle, and it felt like we were

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<v Speaker 2>kind of cheating the system that we were actually breaking

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<v Speaker 2>even with rock and roll.

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<v Speaker 3>But we had no thought.

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<v Speaker 2>Of thinking like, oh this could actually you could get

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<v Speaker 2>a mortgage on a house with this kind of thing.

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<v Speaker 4>You know.

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<v Speaker 3>It was like, no, this is you have to graduate college,

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<v Speaker 3>you can get a real job, so you.

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<v Speaker 1>Would record your albums at a small studio in California.

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<v Speaker 3>We did the first few there.

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<v Speaker 2>The first switch Foot record, we were actually recorded here

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<v Speaker 2>in Nashville. So what were you before Switchway? We were

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<v Speaker 2>a band called et cetera, Were you etc?

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<v Speaker 3>Or just yeah, yeah, yeah?

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<v Speaker 1>And how many of those guys were the guys that

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<v Speaker 1>ended up being a switchlay My brother, myself and a

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<v Speaker 1>drummer who he left to go back to the East Coast.

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<v Speaker 2>And our drummer, now Chad, said we said, hey, you

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<v Speaker 2>should join our band, and he was like, well, let's

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<v Speaker 2>start a new one. And so that's that's why the

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<v Speaker 2>name changed. Well, yeah, we switched the switch names. We

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<v Speaker 2>had a another name in between, called chin Up, and

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<v Speaker 2>we thought that that was too hard to say, and

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<v Speaker 2>somehow switchfoot is easier, which it's not. I had a

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<v Speaker 2>lot of speech therapy as a kid, and I don't

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<v Speaker 2>know why we picked a Dave's switch Foot. It's it's yeah,

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<v Speaker 2>but it's that's that's what we thought was a better idea.

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<v Speaker 1>I don't know how to serf. I'm from Arkansas. Water

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<v Speaker 1>makes me uncomfortable still, so I'm not a water okay,

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<v Speaker 1>salt or fresh either both land land okay, yeah. Way,

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<v Speaker 1>generally speaking, do you like being near the water, not

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<v Speaker 1>even like sitting at a lake or Okay? If if

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<v Speaker 1>I am, I need to be doing something. I need

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<v Speaker 1>to be doing some kind of activity. I just never

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<v Speaker 1>grew up on water. And my wife loves the beach.

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<v Speaker 1>Most people love the beach. Yeah, I just at this

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<v Speaker 1>point in my life, I just like some good WiFi.

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<v Speaker 3>Okay, you know.

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<v Speaker 1>What about Okay, what about the mountain or like a

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<v Speaker 1>field or the streams or or any of that.

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<v Speaker 3>Do anything.

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<v Speaker 1>I've been in some cool places. Yeah, if you say what,

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<v Speaker 1>let's go back and forth. Coolest places we've ever been,

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<v Speaker 1>things we've seen to be a fun exercise. I remember

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<v Speaker 1>the first time I saw the Grand Canyon. I was

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<v Speaker 1>blown away. I could not believe how grand it actually was.

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<v Speaker 1>One of those things that lives up to the name, right, Yes,

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<v Speaker 1>very few do. And I remember seeing the Grand Canyon

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<v Speaker 1>and I had a show on that GEO where I

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<v Speaker 1>had to go and clean the skybridge underneath that clear

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<v Speaker 1>thing people stand on, and so I'm on a single.

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<v Speaker 1>It sucked because I hate it's crazy suck. It was

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<v Speaker 1>the worst thing ever, but you're you were you clean

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<v Speaker 1>that thing from underneath on a road.

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<v Speaker 3>Oh my gosh. Okay, now I've got some watching material.

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<v Speaker 3>I hated.

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<v Speaker 1>It was the first episode, and you knew I didn't

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<v Speaker 1>die because there were like eight episodes.

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<v Speaker 3>If they put it on Colley.

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<v Speaker 1>The Grand Canyon was awesome, and I used that word

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<v Speaker 1>like it was meant it was awesome. I could not

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<v Speaker 1>believe it. I'd never seen anything physically like that before.

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<v Speaker 1>So that's going to be in my draft. We'll do

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<v Speaker 1>three each. Grand Canyon number one.

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<v Speaker 3>Pick you're up.

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<v Speaker 2>Okay, this one holds a special place in my heart.

0:11:10.800 --> 0:11:16.760
<v Speaker 2>There's this place called Uluwatu in Bali, and it's a

0:11:16.800 --> 0:11:21.960
<v Speaker 2>surfing spot that is legendary and been there many times,

0:11:22.880 --> 0:11:27.640
<v Speaker 2>and it is stunning. I mean, the secrets out on it.

0:11:27.640 --> 0:11:32.320
<v Speaker 2>It's no longer like this hidden thing. I think Richard

0:11:32.320 --> 0:11:34.480
<v Speaker 2>Branson and a bunch of people have houses Oprah or

0:11:34.520 --> 0:11:36.559
<v Speaker 2>whoever on the top of it. But it's like this

0:11:37.960 --> 0:11:40.840
<v Speaker 2>four hundred foot cliff that just goes straight.

0:11:40.520 --> 0:11:44.400
<v Speaker 3>Down into the water. And then the.

0:11:44.520 --> 0:11:49.240
<v Speaker 2>Entire that entire coast is exposed to huge Indian Ocean

0:11:50.520 --> 0:11:55.560
<v Speaker 2>monsoon season swells, and so some of the best waves.

0:11:55.800 --> 0:11:58.319
<v Speaker 2>There's this cave that you walk through to.

0:11:58.320 --> 0:11:59.160
<v Speaker 3>Get to the ocean.

0:11:59.240 --> 0:12:02.960
<v Speaker 2>So you go down these stairs that are connected only

0:12:03.000 --> 0:12:06.839
<v Speaker 2>at the bottom and the top, and there's monkeys that

0:12:06.880 --> 0:12:09.520
<v Speaker 2>live in the caves, and then you paddle out through

0:12:09.559 --> 0:12:13.720
<v Speaker 2>the cave into the ocean and it's just this living

0:12:13.840 --> 0:12:18.360
<v Speaker 2>reef and these world class waves firing off in front

0:12:18.360 --> 0:12:20.839
<v Speaker 2>of you. So that's that's a special place in my heart.

0:12:21.080 --> 0:12:23.320
<v Speaker 1>Did you know I'm assuming the laura of it before

0:12:23.320 --> 0:12:24.680
<v Speaker 1>you got there and the when you got there.

0:12:25.760 --> 0:12:27.559
<v Speaker 3>Did it live up to it even though you've heard

0:12:27.559 --> 0:12:28.600
<v Speaker 3>about it? Yeah, So.

0:12:31.120 --> 0:12:37.000
<v Speaker 2>Being a surfer, it's funny because surfing it's a very

0:12:37.080 --> 0:12:42.880
<v Speaker 2>egalitarian sport where if you get to the spot and

0:12:43.000 --> 0:12:44.839
<v Speaker 2>you want to paddle out.

0:12:44.559 --> 0:12:45.120
<v Speaker 3>Go for it.

0:12:45.600 --> 0:12:47.480
<v Speaker 2>It's not like the super Bowl where you have to

0:12:47.880 --> 0:12:51.600
<v Speaker 2>get drafted and make your way there, you know, like

0:12:51.960 --> 0:12:54.600
<v Speaker 2>there's no one checking credentials or anything like that. But

0:12:54.880 --> 0:12:58.679
<v Speaker 2>every you know, I'd say probably ninety percent of the

0:12:58.720 --> 0:13:02.080
<v Speaker 2>surfers around the world would know what we're talking about.

0:13:02.760 --> 0:13:05.640
<v Speaker 2>And so, yeah, it absolutely lived up to the hype.

0:13:06.040 --> 0:13:07.520
<v Speaker 1>My number two is going to be because I had

0:13:07.559 --> 0:13:10.160
<v Speaker 1>seen it on television my whole life and growing up

0:13:10.160 --> 0:13:12.880
<v Speaker 1>I lived in Troilither Park, so I never really thought

0:13:12.880 --> 0:13:15.520
<v Speaker 1>i'd get to leave the state, much less the country,

0:13:16.320 --> 0:13:19.080
<v Speaker 1>and it really wasn't that big. But just seeing the

0:13:19.120 --> 0:13:22.360
<v Speaker 1>Eiffel Tower in person was the coolest thing to me

0:13:22.440 --> 0:13:26.880
<v Speaker 1>because it was like I was getting to experience things farther.

0:13:26.640 --> 0:13:28.280
<v Speaker 3>Away than I ever thought I would get.

0:13:28.120 --> 0:13:31.840
<v Speaker 1>To experience things. Yeah, so it meant that to me. Yeah,

0:13:31.920 --> 0:13:34.920
<v Speaker 1>so to because I'm assuming you've been to Paris. Yeah,

0:13:35.120 --> 0:13:37.160
<v Speaker 1>and I love the seventh or twice now we love it,

0:13:37.240 --> 0:13:38.960
<v Speaker 1>like yeah, and we have my wife and I have

0:13:39.040 --> 0:13:41.400
<v Speaker 1>great memories of being there. And I remember the first

0:13:41.400 --> 0:13:44.040
<v Speaker 1>time we were driving in we weren't driving, somebody was

0:13:44.080 --> 0:13:46.360
<v Speaker 1>driving us and seeing like the top of it, and

0:13:46.400 --> 0:13:49.240
<v Speaker 1>you get and I just had this like overwhelming feeling of.

0:13:50.840 --> 0:13:53.280
<v Speaker 3>Like I'm not I don't have to be that kid anymore.

0:13:53.559 --> 0:13:55.840
<v Speaker 1>Wow, because I'm getting to see things I never thought

0:13:55.840 --> 0:13:58.320
<v Speaker 1>I would get to see and something I only thought

0:13:58.320 --> 0:13:59.360
<v Speaker 1>that felt fictional.

0:14:00.040 --> 0:14:01.440
<v Speaker 3>Yeah, it almost.

0:14:01.720 --> 0:14:04.640
<v Speaker 2>Those are those moments where it feels like it's almost

0:14:04.720 --> 0:14:08.480
<v Speaker 2>like a mythical innerplay where you're like, oh, yeah, I've

0:14:08.480 --> 0:14:11.640
<v Speaker 2>read Harry Potter and then oh no, actually, oh it's real,

0:14:11.920 --> 0:14:12.400
<v Speaker 2>you know, like.

0:14:12.679 --> 0:14:15.400
<v Speaker 1>Yeah, that to me because the meaning to it. I'm

0:14:15.400 --> 0:14:17.800
<v Speaker 1>gonna put that as my number two. Seeing the Eiffel

0:14:17.800 --> 0:14:19.480
<v Speaker 1>Tower and then you get to basically go up to it.

0:14:19.520 --> 0:14:20.760
<v Speaker 1>We didn't go up in it, but you know, we

0:14:20.800 --> 0:14:23.040
<v Speaker 1>have a big picture in our house of us in

0:14:23.080 --> 0:14:25.160
<v Speaker 1>front of it. That means more to me than just

0:14:25.240 --> 0:14:29.080
<v Speaker 1>that old structure behind us. To me, it's something I

0:14:29.080 --> 0:14:30.720
<v Speaker 1>never thought I would get to see in person. Getting

0:14:30.720 --> 0:14:31.680
<v Speaker 1>to see it in person.

0:14:31.640 --> 0:14:33.360
<v Speaker 3>Yeah, I love that. Okay.

0:14:33.400 --> 0:14:40.520
<v Speaker 2>So my number two, I think the thing, so this

0:14:40.640 --> 0:14:44.240
<v Speaker 2>is going to be more of just a feeling that

0:14:44.360 --> 0:14:46.880
<v Speaker 2>I have in an entire country.

0:14:47.280 --> 0:14:50.840
<v Speaker 3>So when I'm in India. We've been in India.

0:14:50.560 --> 0:14:59.120
<v Speaker 2>Several times, and there's just this magnificent claustrophobic explosion of

0:14:59.360 --> 0:15:04.480
<v Speaker 2>color and smell and people and and taste and everything

0:15:04.600 --> 0:15:11.600
<v Speaker 2>is there. It feels otherworldly where you think to yourself, Okay,

0:15:12.240 --> 0:15:14.800
<v Speaker 2>I've arrived on some sort of Star Wars planet and

0:15:14.840 --> 0:15:17.280
<v Speaker 2>this is this is the way this planet behaves, because

0:15:17.280 --> 0:15:20.320
<v Speaker 2>there's no way this is Is this really Earth?

0:15:21.000 --> 0:15:23.720
<v Speaker 3>You know? So safe to you there? I don't.

0:15:23.880 --> 0:15:31.280
<v Speaker 2>Well, I've found that in most cultures, the it's the

0:15:31.320 --> 0:15:33.680
<v Speaker 2>brackish water. If we're going to go with a salt

0:15:33.880 --> 0:15:37.680
<v Speaker 2>saltwater freshwater analogy. That is, the feels like the places

0:15:37.680 --> 0:15:43.920
<v Speaker 2>that are dangerous, so like, for example, the border between

0:15:44.960 --> 0:15:49.760
<v Speaker 2>Mexico and the US. I never feel safe near the border,

0:15:49.760 --> 0:15:52.200
<v Speaker 2>but the further south you get into Mexico, the more

0:15:52.240 --> 0:15:54.520
<v Speaker 2>safe you feel. I feel the same thing in India,

0:15:54.560 --> 0:15:57.400
<v Speaker 2>like the further you get away from like the tourist spots,

0:15:57.920 --> 0:15:59.840
<v Speaker 2>the more you just feel like, oh, I can roll,

0:16:01.480 --> 0:16:04.840
<v Speaker 2>but I did. I never felt like I was letting

0:16:04.840 --> 0:16:08.440
<v Speaker 2>my guard down because it's such an abrasive affront on

0:16:08.600 --> 0:16:10.800
<v Speaker 2>every one of your senses all at once.

0:16:11.080 --> 0:16:12.920
<v Speaker 1>It doesn't mean my list, but when I went to Haiti,

0:16:13.680 --> 0:16:16.000
<v Speaker 1>I kind of felt that way. Yeah, Like the further

0:16:16.080 --> 0:16:20.200
<v Speaker 1>I got out of town, yes, my heart could rest

0:16:20.200 --> 0:16:24.200
<v Speaker 1>a little. My resting heart rate actually fell a bit

0:16:24.600 --> 0:16:28.160
<v Speaker 1>because in town there's people, there's gun people are holding guns,

0:16:28.240 --> 0:16:31.560
<v Speaker 1>there's but once you get out, I feel like everybody

0:16:31.640 --> 0:16:33.600
<v Speaker 1>was a little more chill, like that everybody was a

0:16:33.640 --> 0:16:38.560
<v Speaker 1>condensed Yes, So I don't totally relate. India's always been

0:16:38.600 --> 0:16:40.520
<v Speaker 1>something that I guess have friends that have been And

0:16:40.560 --> 0:16:43.120
<v Speaker 1>one of my friends went landed in the airport.

0:16:43.600 --> 0:16:44.920
<v Speaker 3>It was like, I'm not doing it came home.

0:16:45.480 --> 0:16:52.520
<v Speaker 2>I get that it's a very visceral, uh affronting feeling

0:16:52.600 --> 0:16:58.760
<v Speaker 2>where you're you're completely engulfed in humans and not an

0:16:58.840 --> 0:17:02.040
<v Speaker 2>always pleasant way, you know, I think. But I do

0:17:02.120 --> 0:17:07.480
<v Speaker 2>think maybe being around crowds all the time at festivals

0:17:07.560 --> 0:17:10.199
<v Speaker 2>or whatever, maybe that helps a little bit with that

0:17:10.320 --> 0:17:11.320
<v Speaker 2>kind of thing.

0:17:11.440 --> 0:17:14.800
<v Speaker 1>Okay, you got to go one more. Third one might

0:17:14.800 --> 0:17:16.120
<v Speaker 1>are going to be because of the way they made

0:17:16.160 --> 0:17:20.399
<v Speaker 1>me feel. Okay, I went to Japan, and this was

0:17:20.480 --> 0:17:23.200
<v Speaker 1>when I felt like, as different as everybody is, we're

0:17:23.200 --> 0:17:25.400
<v Speaker 1>all the same. Yeah. I went all the way around

0:17:25.440 --> 0:17:28.000
<v Speaker 1>the freaking world. Yeah, and I would see families doing

0:17:28.040 --> 0:17:34.640
<v Speaker 1>family things. Yeah, people solo doing solo people things, Dad's

0:17:35.840 --> 0:17:39.119
<v Speaker 1>religious everything that felt like it was supposed to be

0:17:39.160 --> 0:17:42.320
<v Speaker 1>so different from what we're taught, but it was just

0:17:42.359 --> 0:17:42.800
<v Speaker 1>the same.

0:17:43.119 --> 0:17:43.359
<v Speaker 3>Yeah.

0:17:43.520 --> 0:17:47.440
<v Speaker 1>Like there are universal languages, yeah, that we all share,

0:17:47.520 --> 0:17:50.280
<v Speaker 1>regardless of our cultures that we grew up in and

0:17:50.320 --> 0:17:54.280
<v Speaker 1>that were so bound to each other by them, even

0:17:54.359 --> 0:17:56.520
<v Speaker 1>if we constantly fight it or were taught were not

0:17:56.640 --> 0:18:00.240
<v Speaker 1>the same. Going to Japan made me feel like, man,

0:18:00.240 --> 0:18:03.040
<v Speaker 1>maybe I should listen to the news so much. Like

0:18:03.119 --> 0:18:05.280
<v Speaker 1>that's the feeling I got there because I felt like

0:18:05.320 --> 0:18:08.480
<v Speaker 1>I was exactly like them. Wow, when my whole life

0:18:08.480 --> 0:18:10.760
<v Speaker 1>I had been told that we're from different culture, so

0:18:10.840 --> 0:18:13.320
<v Speaker 1>we're so different. They use chopsticks, we use fox were

0:18:13.280 --> 0:18:17.240
<v Speaker 1>they're crazy. But in reality, what I learned by like

0:18:17.320 --> 0:18:20.639
<v Speaker 1>being there was God damn man, we're all the same,

0:18:20.880 --> 0:18:25.399
<v Speaker 1>just chasing the same thing, same dreams, same core values.

0:18:26.240 --> 0:18:29.000
<v Speaker 1>And that is how I felt about just being in

0:18:29.119 --> 0:18:33.000
<v Speaker 1>Japan in general, because it felt so foreign, because it

0:18:33.040 --> 0:18:35.479
<v Speaker 1>looked so different and it was so far, and there

0:18:35.480 --> 0:18:37.080
<v Speaker 1>were like two versions of it. There was like the

0:18:37.160 --> 0:18:39.600
<v Speaker 1>Japan that was like super chill, and there's like Space

0:18:39.640 --> 0:18:41.760
<v Speaker 1>Age Japan, and I was like, this is just like

0:18:41.760 --> 0:18:45.159
<v Speaker 1>the Jetson's crazy and there's Japanese music playing over and

0:18:45.280 --> 0:18:47.200
<v Speaker 1>had no idea, and I was learning, trying to say

0:18:47.240 --> 0:18:48.879
<v Speaker 1>the words like nisi wa and I was you know,

0:18:49.080 --> 0:18:50.840
<v Speaker 1>I got and I was saying the things. I was

0:18:50.880 --> 0:18:52.080
<v Speaker 1>trying as hard as I could, and they were so

0:18:52.080 --> 0:18:54.400
<v Speaker 1>appreciative that I was trying. And I remember just having

0:18:54.480 --> 0:18:57.320
<v Speaker 1>like a sense of man, Earth's kind of cool, like

0:18:57.359 --> 0:19:00.639
<v Speaker 1>I shouldn't fall into the traps that the divide.

0:19:01.320 --> 0:19:01.879
<v Speaker 3>That's good.

0:19:01.920 --> 0:19:05.639
<v Speaker 2>I love that, And I do think that travel is

0:19:06.280 --> 0:19:11.840
<v Speaker 2>probably the best education, you know. And yeah, I have

0:19:11.880 --> 0:19:16.480
<v Speaker 2>a friend from Taiwan who grew up here, moved there,

0:19:17.560 --> 0:19:21.280
<v Speaker 2>super smart guy, like double major math in computer science

0:19:21.359 --> 0:19:24.080
<v Speaker 2>in three years, and he's out to Taiwan and then.

0:19:25.840 --> 0:19:29.840
<v Speaker 3>And he comes and visits and.

0:19:29.680 --> 0:19:34.240
<v Speaker 2>He comes back to America and he's like, man, I thought, like,

0:19:34.440 --> 0:19:35.360
<v Speaker 2>he's like the same thing.

0:19:35.400 --> 0:19:35.600
<v Speaker 3>He's like.

0:19:35.640 --> 0:19:37.480
<v Speaker 2>I was reading the news and I was like, I

0:19:37.520 --> 0:19:40.679
<v Speaker 2>thought America was blowing up or something, I you know,

0:19:40.760 --> 0:19:44.160
<v Speaker 2>But then I realized I talk to people back home

0:19:44.200 --> 0:19:46.520
<v Speaker 2>in America, and I'm like, I don't know, Everything's fine.

0:19:46.560 --> 0:19:47.880
<v Speaker 3>People are people, and.

0:19:47.720 --> 0:19:50.159
<v Speaker 2>They still love each other, and they still love their family,

0:19:50.200 --> 0:19:54.760
<v Speaker 2>and they still are trying their best. And yeah, I

0:19:54.800 --> 0:20:00.320
<v Speaker 2>do think maybe the the thing that sells the news

0:20:00.359 --> 0:20:04.040
<v Speaker 2>often is the scandalous things in the in the margins,

0:20:04.040 --> 0:20:07.240
<v Speaker 2>and and for the most part, you know, people are

0:20:07.320 --> 0:20:10.119
<v Speaker 2>generally aiming for the right thing, you know.

0:20:10.480 --> 0:20:11.680
<v Speaker 3>So that's a that's a good point.

0:20:12.480 --> 0:20:15.160
<v Speaker 4>Let's take a quick pause for a message from our sponsor,

0:20:24.080 --> 0:20:26.280
<v Speaker 4>and we're back on the Bobby Cast.

0:20:27.200 --> 0:20:30.359
<v Speaker 3>All right, hit me with your three, Okay, number three.

0:20:30.680 --> 0:20:33.160
<v Speaker 1>I got so distracted by the story I wentn't even

0:20:33.200 --> 0:20:34.240
<v Speaker 1>thinking about it.

0:20:36.160 --> 0:20:38.120
<v Speaker 3>Okay, So if we're gonna go with number three.

0:20:38.160 --> 0:20:42.480
<v Speaker 2>I had the privilege of going to Italy with my

0:20:42.560 --> 0:20:45.680
<v Speaker 2>wife and it was a trip that had no agenda,

0:20:46.480 --> 0:20:50.520
<v Speaker 2>and it was a very you know, pre kids, and

0:20:51.119 --> 0:20:53.719
<v Speaker 2>I will never forget the taste. You know, you talk

0:20:53.760 --> 0:20:56.560
<v Speaker 2>about the feeling that you had. I'll never forget the tastes.

0:20:57.680 --> 0:21:02.680
<v Speaker 3>It was. We just kind of want We had no plan.

0:21:02.760 --> 0:21:04.159
<v Speaker 3>We just get an airbnb.

0:21:04.400 --> 0:21:08.480
<v Speaker 2>This is you know, back in the day, and every

0:21:08.520 --> 0:21:10.560
<v Speaker 2>day was just kind of a new adventure. And it

0:21:10.560 --> 0:21:14.960
<v Speaker 2>felt like I was. I was because of the way

0:21:15.000 --> 0:21:18.560
<v Speaker 2>we did it. So on kind of a micro level,

0:21:18.640 --> 0:21:21.400
<v Speaker 2>it was no, there's no we're going to do this

0:21:21.480 --> 0:21:23.520
<v Speaker 2>and this and this. I felt like we kind of

0:21:24.040 --> 0:21:26.720
<v Speaker 2>sunk down to the level of what it might have

0:21:26.800 --> 0:21:29.119
<v Speaker 2>been like on foot. You know, we didn't have a car.

0:21:29.280 --> 0:21:33.199
<v Speaker 2>We're just walking from from place to place. That'd probably

0:21:33.200 --> 0:21:36.640
<v Speaker 2>be my my third most memorable place on the planet.

0:21:37.000 --> 0:21:39.480
<v Speaker 1>We went to Italy and I started just going places because,

0:21:39.480 --> 0:21:40.879
<v Speaker 1>like I said, I never went anywhere, and then I

0:21:40.920 --> 0:21:43.359
<v Speaker 1>had made money and I was single forever, so I

0:21:43.359 --> 0:21:45.200
<v Speaker 1>was like, I'm a do crap and I started chasing

0:21:45.240 --> 0:21:47.480
<v Speaker 1>things from television. Yeah, like I only went to Japan

0:21:47.520 --> 0:21:49.760
<v Speaker 1>because Jesse and the Rippers from Full House played there.

0:21:49.800 --> 0:21:52.359
<v Speaker 3>Of course, right, why wouldn't you. I only went to

0:21:52.400 --> 0:21:54.080
<v Speaker 3>Hawaii because of the Ready Bunch.

0:21:54.520 --> 0:21:56.800
<v Speaker 1>I only went to London because of friends like and

0:21:56.840 --> 0:21:59.080
<v Speaker 1>I went a lot of these places by myself. Even Wow,

0:21:59.160 --> 0:22:00.960
<v Speaker 1>that's great, because I was just like, I want to

0:22:01.000 --> 0:22:04.560
<v Speaker 1>see stuff. And when I met my wife, that's when

0:22:04.600 --> 0:22:06.920
<v Speaker 1>I actually started traveling with somebody. And we've been married

0:22:06.920 --> 0:22:10.360
<v Speaker 1>almost five years now, and we went to Italy. We've

0:22:10.400 --> 0:22:13.640
<v Speaker 1>gone twice now, but I would hear people talk.

0:22:13.440 --> 0:22:15.800
<v Speaker 3>About that and go, you can eat whatever you want.

0:22:15.840 --> 0:22:17.760
<v Speaker 3>You don't even gain weight, And I was like, urban legend,

0:22:18.560 --> 0:22:19.399
<v Speaker 3>not real fake.

0:22:20.520 --> 0:22:24.560
<v Speaker 1>Then we went, you can eat whatever you want because

0:22:24.920 --> 0:22:27.760
<v Speaker 1>there are no preservatives. They're not like us we're packaging

0:22:27.840 --> 0:22:30.680
<v Speaker 1>U ding doll for seven months before we eat them.

0:22:31.000 --> 0:22:32.880
<v Speaker 3>They make their stuff to be eat right then.

0:22:33.520 --> 0:22:36.199
<v Speaker 1>And you can eat all the stuff here that you

0:22:36.240 --> 0:22:39.400
<v Speaker 1>can't eat because it'll sit in you forever. And it's

0:22:39.480 --> 0:22:41.439
<v Speaker 1>I compared it to like Chinese food. Here you go,

0:22:41.520 --> 0:22:43.639
<v Speaker 1>you get stuffed on Chinese food. Two hours later you're like,

0:22:43.640 --> 0:22:46.199
<v Speaker 1>where did it go? That's how like the thick the

0:22:46.240 --> 0:22:48.600
<v Speaker 1>breads were in Italy, And I was like this is

0:22:48.640 --> 0:22:50.280
<v Speaker 1>a everybody was right.

0:22:50.640 --> 0:22:54.240
<v Speaker 3>Yes, Italy was awesome. Yeah, Italy is amazing.

0:22:54.320 --> 0:22:57.119
<v Speaker 1>We did a cooking class in someone's house, Like we

0:22:57.200 --> 0:22:57.920
<v Speaker 1>totally embraced it.

0:22:58.640 --> 0:22:59.480
<v Speaker 3>I'm not an embracer.

0:22:59.560 --> 0:23:02.040
<v Speaker 1>My wife is embraces okay, And she said we should

0:23:02.080 --> 0:23:05.960
<v Speaker 1>really experience this, like let's not go to because we

0:23:05.960 --> 0:23:08.320
<v Speaker 1>we did Florence, which is freaking crazy because I wanted

0:23:08.320 --> 0:23:10.679
<v Speaker 1>to see art, like I like the stuff. It's like

0:23:10.720 --> 0:23:12.320
<v Speaker 1>the water, Like I don't like the water for the

0:23:12.359 --> 0:23:13.760
<v Speaker 1>sake of the water. I don't want to go to

0:23:13.760 --> 0:23:15.159
<v Speaker 1>the town for the sake of the town, Like I

0:23:15.200 --> 0:23:17.479
<v Speaker 1>want to do stuff. Yes, yeah, yeah, So we're like,

0:23:17.520 --> 0:23:18.639
<v Speaker 1>my mom has the list?

0:23:18.800 --> 0:23:20.679
<v Speaker 3>Do you have the list? Very much like things I

0:23:20.720 --> 0:23:22.120
<v Speaker 3>want to do. We got to check them off.

0:23:22.200 --> 0:23:24.960
<v Speaker 1>So, you know, it's super funny since I used to

0:23:24.960 --> 0:23:28.280
<v Speaker 1>be the kid who's like, mom, quit it, like we're here,

0:23:28.480 --> 0:23:30.960
<v Speaker 1>we're in Hawaii, Like why do we have to have

0:23:31.000 --> 0:23:31.359
<v Speaker 1>a list?

0:23:31.440 --> 0:23:35.000
<v Speaker 2>You know, it's just unfold and see what happens. And

0:23:35.080 --> 0:23:36.600
<v Speaker 2>now my wife is.

0:23:36.600 --> 0:23:38.639
<v Speaker 1>So far that way that I freaking have a list

0:23:39.040 --> 0:23:41.400
<v Speaker 1>because she's you know, I'm like, oh my, somebody's got

0:23:41.440 --> 0:23:43.840
<v Speaker 1>to be at home, dude, I have to be the

0:23:43.880 --> 0:23:44.440
<v Speaker 1>list person.

0:23:44.920 --> 0:23:45.160
<v Speaker 3>Yeah.

0:23:45.240 --> 0:23:47.240
<v Speaker 1>We went out to a lady's house and she found

0:23:48.400 --> 0:23:50.960
<v Speaker 1>on some Angie's List Italy. I don't know what they

0:23:50.960 --> 0:23:52.359
<v Speaker 1>have over there, but some version of that.

0:23:52.440 --> 0:23:59.440
<v Speaker 3>Yeah, and g and Jesus and so we we.

0:23:59.600 --> 0:24:03.440
<v Speaker 1>Travel like twenty miles out of Florence and went to

0:24:03.520 --> 0:24:05.919
<v Speaker 1>her house and stayed the whole day and she just

0:24:05.960 --> 0:24:07.720
<v Speaker 1>like she's just a lady, just taught us how to

0:24:07.760 --> 0:24:11.480
<v Speaker 1>cook and we made pasta. It was really one of

0:24:11.480 --> 0:24:13.720
<v Speaker 1>those experiences that I wasn't looking forward to. But I'm

0:24:13.760 --> 0:24:15.520
<v Speaker 1>so grateful that I listened to my wife and we

0:24:15.560 --> 0:24:17.840
<v Speaker 1>did it. Yeah, because it's still like so special in

0:24:17.880 --> 0:24:18.720
<v Speaker 1>my heart. Wow.

0:24:18.960 --> 0:24:22.119
<v Speaker 2>So do you do you have like those memory like

0:24:22.200 --> 0:24:25.720
<v Speaker 2>the all the all the recipes on lock and Usual.

0:24:25.800 --> 0:24:26.280
<v Speaker 3>She does.

0:24:26.400 --> 0:24:30.840
<v Speaker 1>She's a great cook, she knows how. There's once a

0:24:30.920 --> 0:24:34.120
<v Speaker 1>year we do homemade, all the homemade noodles and stuff

0:24:34.119 --> 0:24:35.720
<v Speaker 1>because we learned how to do that. Yeah, and it's

0:24:35.720 --> 0:24:38.440
<v Speaker 1>a process, like it takes hours to do. So I'll

0:24:38.440 --> 0:24:40.000
<v Speaker 1>commit to her once a year to do it.

0:24:40.160 --> 0:24:40.400
<v Speaker 3>Yeah.

0:24:40.480 --> 0:24:44.080
<v Speaker 1>But I think she learned two things from her specifically

0:24:44.320 --> 0:24:48.080
<v Speaker 1>that she does really well, and they're mostly improvements on pasta. Yeah,

0:24:48.160 --> 0:24:51.080
<v Speaker 1>I'm also not a pasta guy. Well yeah, I mean,

0:24:51.280 --> 0:24:54.600
<v Speaker 1>but the sauces, you know, it's right where like we're

0:24:54.640 --> 0:24:56.520
<v Speaker 1>like that, I've never tasted that before.

0:24:56.520 --> 0:24:58.399
<v Speaker 3>How did you do that? It's all so fresh? I

0:24:58.440 --> 0:25:01.920
<v Speaker 3>guess right, it's all all so fresh. Just chop the

0:25:01.960 --> 0:25:04.320
<v Speaker 3>pine nuts right then and yeah, all of it.

0:25:04.600 --> 0:25:06.920
<v Speaker 1>Yeah, so Italy to me, I have great memories there

0:25:06.960 --> 0:25:10.400
<v Speaker 1>of that and again just chasing television shows because that's

0:25:10.400 --> 0:25:11.320
<v Speaker 1>why I went places.

0:25:11.440 --> 0:25:14.359
<v Speaker 2>So you know, it's funny for me. I had that

0:25:14.480 --> 0:25:22.360
<v Speaker 2>same experience of travel. You know, just if I if

0:25:22.359 --> 0:25:25.199
<v Speaker 2>they book us a show there, it's said, yeah, let's go.

0:25:25.320 --> 0:25:26.960
<v Speaker 2>I mean, even if it was a break even or

0:25:27.000 --> 0:25:29.840
<v Speaker 2>we'd lose a little money. Our very first tour was

0:25:30.600 --> 0:25:34.960
<v Speaker 2>in the UK. We got booked on a couple festivals

0:25:35.640 --> 0:25:39.800
<v Speaker 2>and we found out that the touring and surfing they

0:25:39.840 --> 0:25:43.640
<v Speaker 2>go hand in hand music and surfing because they both

0:25:43.680 --> 0:25:47.920
<v Speaker 2>require travel. And so while we're in London, we had

0:25:47.960 --> 0:25:51.680
<v Speaker 2>like four days left before we needed to fly home,

0:25:52.440 --> 0:25:55.040
<v Speaker 2>and we found out there were waves in France that

0:25:55.119 --> 0:25:57.640
<v Speaker 2>as swell was hitting. So we checked out of our

0:25:57.880 --> 0:26:02.760
<v Speaker 2>hotel and into Central Park with all our gear and

0:26:02.840 --> 0:26:05.159
<v Speaker 2>tried to sleep during the day, like sleep on our

0:26:05.200 --> 0:26:07.800
<v Speaker 2>gear so no one could steal it. But sleeping and

0:26:07.880 --> 0:26:11.000
<v Speaker 2>scent you know where at Hyde Park or wherever in London,

0:26:12.840 --> 0:26:16.440
<v Speaker 2>it's this band shows up to play like marching band.

0:26:16.520 --> 0:26:19.959
<v Speaker 2>We're like trying to sleep like it was comical. And

0:26:20.000 --> 0:26:23.040
<v Speaker 2>so now we're we haven't slept at all. We're wired

0:26:25.520 --> 0:26:29.040
<v Speaker 2>and we're trying to now make it through London at

0:26:29.119 --> 0:26:32.520
<v Speaker 2>night and not get mugged with all our instruments at

0:26:32.560 --> 0:26:36.440
<v Speaker 2>like subways and getting kicked out of places. But by

0:26:36.760 --> 0:26:39.400
<v Speaker 2>checking out of our hotel for that for those four days,

0:26:40.119 --> 0:26:43.760
<v Speaker 2>we saved enough money to get the chunnel over and

0:26:43.880 --> 0:26:47.640
<v Speaker 2>surf in France. And so those are like, those are

0:26:47.680 --> 0:26:50.000
<v Speaker 2>core memories for us as a band to think through.

0:26:51.400 --> 0:26:51.800
<v Speaker 3>Yeah, and I.

0:26:51.800 --> 0:26:57.199
<v Speaker 2>Wouldn't trade it now. My travel is is still a

0:26:57.200 --> 0:27:01.879
<v Speaker 2>beautiful thing. But having kids, I feel like a new

0:27:02.080 --> 0:27:07.200
<v Speaker 2>understanding of what home means. Because when you're twenty two

0:27:08.280 --> 0:27:11.720
<v Speaker 2>and you've dropped out of college and you're living at home,

0:27:13.000 --> 0:27:19.000
<v Speaker 2>travel means success, you know. But then as you grow older,

0:27:19.280 --> 0:27:23.000
<v Speaker 2>being home means success because I love my kids, I

0:27:23.040 --> 0:27:25.400
<v Speaker 2>love my wife, I want to be there, so yeah,

0:27:25.680 --> 0:27:29.640
<v Speaker 2>it totally changes the perspective. And then when I get

0:27:29.640 --> 0:27:31.399
<v Speaker 2>a chance I can actually bring my kids with me.

0:27:31.440 --> 0:27:33.720
<v Speaker 2>I brought my son to Alaska. We toured up there

0:27:33.960 --> 0:27:37.359
<v Speaker 2>this summer, and yeah, I want to pass on that

0:27:37.560 --> 0:27:38.520
<v Speaker 2>education to them.

0:27:39.040 --> 0:27:42.040
<v Speaker 1>The first time that I had been to Hawaii, I

0:27:42.160 --> 0:27:43.760
<v Speaker 1>was in my thirties. I went by myself.

0:27:44.560 --> 0:27:45.119
<v Speaker 3>It was America.

0:27:45.119 --> 0:27:46.640
<v Speaker 1>I don't think I had a passport at that time,

0:27:46.680 --> 0:27:48.640
<v Speaker 1>so I stayed in the States.

0:27:48.680 --> 0:27:50.480
<v Speaker 3>But I went where the time zone was off.

0:27:50.320 --> 0:27:53.400
<v Speaker 1>Because I had to finish a book, okay, and if

0:27:53.440 --> 0:27:55.800
<v Speaker 1>my time's al was way different than everybody else's, then

0:27:55.840 --> 0:27:57.800
<v Speaker 1>I wouldn't be in the wheel.

0:27:58.000 --> 0:27:58.960
<v Speaker 3>The emails weren't coming.

0:27:59.000 --> 0:28:00.960
<v Speaker 1>There were like four five hours every day where I

0:28:00.960 --> 0:28:02.760
<v Speaker 1>did not have to worry about that. And so I

0:28:02.760 --> 0:28:06.439
<v Speaker 1>went to Hawaii by myself and I was staying at

0:28:06.480 --> 0:28:06.879
<v Speaker 1>a hotel.

0:28:07.040 --> 0:28:07.680
<v Speaker 3>I was just riding.

0:28:07.720 --> 0:28:09.359
<v Speaker 1>And again, Hawaii is a weird place for me to go.

0:28:09.359 --> 0:28:11.480
<v Speaker 1>But the Brady bunch went and they had that bad

0:28:11.560 --> 0:28:13.639
<v Speaker 1>luck mask. They threw it back in the oak. So

0:28:13.640 --> 0:28:16.160
<v Speaker 1>I just wanted to go and see it. Yeah, so

0:28:17.160 --> 0:28:20.240
<v Speaker 1>this is a Wahu. Well, first it was Honolulu, so

0:28:20.240 --> 0:28:21.800
<v Speaker 1>I bounced around a little bit, even by myself.

0:28:21.880 --> 0:28:22.120
<v Speaker 3>Yeah.

0:28:22.160 --> 0:28:23.680
<v Speaker 1>So first, because I didn't know what I was doing

0:28:23.680 --> 0:28:25.359
<v Speaker 1>I just went to Honolulu and stay at a hotel

0:28:25.720 --> 0:28:27.880
<v Speaker 1>and I was I thought I need to go do

0:28:27.960 --> 0:28:30.280
<v Speaker 1>something even by myself. And so I went to like

0:28:30.320 --> 0:28:32.920
<v Speaker 1>the Dole yeah where they make the pine app and

0:28:32.960 --> 0:28:34.720
<v Speaker 1>then I guess I make pineapples, but they you know,

0:28:34.760 --> 0:28:35.200
<v Speaker 1>the dole.

0:28:35.080 --> 0:28:36.399
<v Speaker 3>Plant, yeah, right in the center.

0:28:36.520 --> 0:28:38.160
<v Speaker 1>And so and then I went and hiked a did

0:28:38.160 --> 0:28:40.200
<v Speaker 1>a mountain by myself, and I remember asking somebody to

0:28:40.240 --> 0:28:41.400
<v Speaker 1>take a picture and they were like looking for the

0:28:41.440 --> 0:28:43.080
<v Speaker 1>other people to be in the picture, and I was like, nop,

0:28:43.200 --> 0:28:45.520
<v Speaker 1>just me, you know, like hold your arms out wide

0:28:45.560 --> 0:28:47.760
<v Speaker 1>and you take a picture. And so I thought I

0:28:47.760 --> 0:28:49.560
<v Speaker 1>should do something on the water. And I went down

0:28:50.080 --> 0:28:52.200
<v Speaker 1>and I don't know how to surf, and I wasn't

0:28:52.240 --> 0:28:54.440
<v Speaker 1>gonna take surf lessons, but I thought, I'll go and

0:28:54.480 --> 0:28:58.400
<v Speaker 1>get one of those like paddle stand up paddle boys. Yeah,

0:28:58.520 --> 0:28:59.959
<v Speaker 1>and I'll go and at least get on the wa

0:29:00.240 --> 0:29:01.240
<v Speaker 1>and have an experience doing that.

0:29:01.560 --> 0:29:04.600
<v Speaker 3>And so I go and I'm on and I'm you.

0:29:04.520 --> 0:29:06.240
<v Speaker 1>Know, strauch that thing to me so the board doesn't

0:29:06.240 --> 0:29:09.760
<v Speaker 1>fly off, but everybody's looking at me really weird, and

0:29:09.800 --> 0:29:11.720
<v Speaker 1>I'm like, either I'm killing this, and they're amazed at

0:29:11.720 --> 0:29:14.719
<v Speaker 1>a rookie or I'm doing something really wrong. And so

0:29:14.840 --> 0:29:16.400
<v Speaker 1>like I'm up, I'm standing up on the board. I'm

0:29:16.440 --> 0:29:18.400
<v Speaker 1>exact where I'm supposed to be, but people are like

0:29:18.440 --> 0:29:20.520
<v Speaker 1>looking at me, and then a lula me. He's like, oh,

0:29:20.520 --> 0:29:22.120
<v Speaker 1>they may recognize me. I got a couple of things

0:29:22.200 --> 0:29:25.480
<v Speaker 1>going maybe yeah, and it wasn't that. And so finally

0:29:26.160 --> 0:29:29.320
<v Speaker 1>a guy that I think he was giving lessons of

0:29:29.320 --> 0:29:31.400
<v Speaker 1>other people, he comes up and he's very nice and

0:29:31.440 --> 0:29:34.120
<v Speaker 1>he said, hey, man, that strap is not for your wrist,

0:29:34.160 --> 0:29:38.320
<v Speaker 1>it's for your ankle. So it's a strap, yes, yes, yeah, yeah,

0:29:38.320 --> 0:29:39.720
<v Speaker 1>so I had it on my wrist. I mean, you know,

0:29:40.160 --> 0:29:44.680
<v Speaker 1>different strokes. That's why everybody was staring at me. That's

0:29:44.720 --> 0:29:45.280
<v Speaker 1>really good.

0:29:45.560 --> 0:29:48.480
<v Speaker 3>I was really like, I mean it doesn't go could

0:29:48.520 --> 0:29:51.080
<v Speaker 3>have gone neck, you know. I could have gone neck. Yeah,

0:29:51.400 --> 0:29:54.600
<v Speaker 3>maybe like a sweatban. My head's too big for the sweatman,

0:29:54.760 --> 0:29:56.480
<v Speaker 3>but I could have gone neck. But I did. Risk.

0:29:57.200 --> 0:30:00.200
<v Speaker 1>Was surfing what brought you guys as the band together initially,

0:30:00.800 --> 0:30:05.120
<v Speaker 1>so kind of I definitely think it's what's kept us

0:30:05.280 --> 0:30:06.240
<v Speaker 1>together as a band.

0:30:08.360 --> 0:30:12.360
<v Speaker 3>It's for people that don't participate.

0:30:12.400 --> 0:30:14.480
<v Speaker 2>It sounds funny, but yeah, we were on surf teams

0:30:14.520 --> 0:30:18.720
<v Speaker 2>and high school and college. And I always joke UCSD,

0:30:19.240 --> 0:30:24.560
<v Speaker 2>the college we went to, is well known for you know,

0:30:24.960 --> 0:30:28.200
<v Speaker 2>math and science is not They don't have a football team,

0:30:28.240 --> 0:30:29.960
<v Speaker 2>but I will say our surf team is much better

0:30:30.000 --> 0:30:30.280
<v Speaker 2>than U. C.

0:30:30.480 --> 0:30:30.640
<v Speaker 1>L A.

0:30:32.480 --> 0:30:34.240
<v Speaker 3>And yeah, that's that was kind of.

0:30:35.720 --> 0:30:39.600
<v Speaker 2>We'd go surfing, we'd make music, but you know, surfing

0:30:39.640 --> 0:30:43.800
<v Speaker 2>and music are both kind of you do it because

0:30:43.840 --> 0:30:47.240
<v Speaker 2>you love it. You're not thinking I'm going to I'm

0:30:47.240 --> 0:30:50.840
<v Speaker 2>going to crush it financially with this occupation.

0:30:51.240 --> 0:30:53.840
<v Speaker 3>You know, surfing is it's.

0:30:53.720 --> 0:30:58.600
<v Speaker 2>A blast, it's a passion, it's a lifestyle. It's a

0:30:58.640 --> 0:31:03.160
<v Speaker 2>way to connect with nature, yourself, other people. But you're

0:31:03.160 --> 0:31:05.200
<v Speaker 2>never thinking, oh, this is going to make me some money.

0:31:05.360 --> 0:31:08.200
<v Speaker 2>I think the same thing holds you with songs, where

0:31:08.800 --> 0:31:11.800
<v Speaker 2>I think songs are the scaffolding for the soul. They

0:31:11.840 --> 0:31:14.640
<v Speaker 2>get me to places I could never get to otherwise.

0:31:15.400 --> 0:31:19.720
<v Speaker 2>And yet the same approach was you know, until our

0:31:19.760 --> 0:31:22.719
<v Speaker 2>fourth record, we had that approach where it's like, oh,

0:31:22.720 --> 0:31:24.600
<v Speaker 2>of course we're never going to make money with us,

0:31:24.640 --> 0:31:27.320
<v Speaker 2>but we're going to pour our life into it because

0:31:27.320 --> 0:31:28.000
<v Speaker 2>it's beautiful.

0:31:28.280 --> 0:31:31.080
<v Speaker 3>So why did you guys get dropped at that fourth record.

0:31:32.000 --> 0:31:36.440
<v Speaker 2>We played a show in New York for the head

0:31:37.080 --> 0:31:43.440
<v Speaker 2>of Sony and he walked out second song after saying

0:31:43.440 --> 0:31:46.840
<v Speaker 2>a couple of expletives and did not like us and

0:31:47.160 --> 0:31:49.120
<v Speaker 2>thought we were not a good band.

0:31:50.280 --> 0:31:52.800
<v Speaker 1>So he saw you play yeah and dropped you based

0:31:52.840 --> 0:31:54.920
<v Speaker 1>off a song he actually I think he.

0:31:54.920 --> 0:31:57.160
<v Speaker 2>Walked out during a song called Darry to Move, which

0:31:57.240 --> 0:31:58.840
<v Speaker 2>ended up being one of.

0:31:58.760 --> 0:31:59.960
<v Speaker 3>Our bigger songs. Yeah.

0:32:00.080 --> 0:32:04.040
<v Speaker 2>Uh so we we finished the show and we're thinking, man,

0:32:04.080 --> 0:32:06.920
<v Speaker 2>that went pretty good, right, and our managers like, no,

0:32:07.000 --> 0:32:07.400
<v Speaker 2>it did not.

0:32:08.240 --> 0:32:08.360
<v Speaker 4>You.

0:32:08.880 --> 0:32:11.000
<v Speaker 2>I don't think it went well at all, And I

0:32:11.000 --> 0:32:15.640
<v Speaker 2>think you guys got dropped And it ended up being

0:32:15.720 --> 0:32:17.880
<v Speaker 2>the best thing that could have happened to us.

0:32:18.960 --> 0:32:22.240
<v Speaker 3>Why because we.

0:32:21.760 --> 0:32:27.720
<v Speaker 2>Were then relegated to this basically the farm team of Sony,

0:32:27.880 --> 0:32:31.960
<v Speaker 2>which was r D and on Sony tons of money,

0:32:32.000 --> 0:32:35.800
<v Speaker 2>tons of power, tons of clout, but we would have

0:32:35.800 --> 0:32:37.600
<v Speaker 2>been one of a bunch of other bands, and we

0:32:37.600 --> 0:32:40.440
<v Speaker 2>were in a very small ship in a big pond,

0:32:41.000 --> 0:32:45.680
<v Speaker 2>and on r D they were hungry and excited and

0:32:45.720 --> 0:32:47.040
<v Speaker 2>they were like, let's go.

0:32:47.640 --> 0:32:49.720
<v Speaker 3>We love this, We love you guys.

0:32:49.520 --> 0:32:53.080
<v Speaker 2>And you're our priority, and so we would just basically,

0:32:53.840 --> 0:32:57.520
<v Speaker 2>you know, we'd travel around the country plan for folks.

0:32:57.880 --> 0:33:02.360
<v Speaker 2>You know, we'd play our our show in the evening

0:33:02.440 --> 0:33:04.800
<v Speaker 2>and play for the radio station in the morning, and

0:33:08.320 --> 0:33:11.280
<v Speaker 2>halfway through the tour, that's kind of when the aggregate

0:33:11.320 --> 0:33:16.240
<v Speaker 2>sum of people started to change, you know. And yeah,

0:33:16.280 --> 0:33:18.600
<v Speaker 2>so that was a big turning point for us. And

0:33:18.640 --> 0:33:21.240
<v Speaker 2>I don't think it would have happened on Sony, So

0:33:21.640 --> 0:33:23.400
<v Speaker 2>that's what I mean. It was a blessing in disguise.

0:33:23.760 --> 0:33:27.400
<v Speaker 2>What was the success story of Meant to Live. Meant

0:33:27.480 --> 0:33:34.480
<v Speaker 2>to Live was a song that is it still feels

0:33:35.120 --> 0:33:38.240
<v Speaker 2>true for me. And when I say was, I feel

0:33:38.240 --> 0:33:40.920
<v Speaker 2>like I should say is. It still is a song

0:33:40.960 --> 0:33:44.000
<v Speaker 2>that feels like it resonates. There's several lines in it

0:33:44.080 --> 0:33:49.440
<v Speaker 2>that feel more poignant now and almost prescient than when

0:33:49.440 --> 0:33:51.120
<v Speaker 2>I wrote them. We want more than the wars of

0:33:51.120 --> 0:33:53.600
<v Speaker 2>our fathers. That line every night when I sing that,

0:33:56.640 --> 0:34:01.200
<v Speaker 2>especially now and being a dad, that feels feels like

0:34:01.240 --> 0:34:06.640
<v Speaker 2>a very poignant line, and I feel like it resonated

0:34:06.680 --> 0:34:10.800
<v Speaker 2>with people. Music is you know, to state the obviously

0:34:10.920 --> 0:34:14.319
<v Speaker 2>you're dealing with resonance, and you know that note that

0:34:14.360 --> 0:34:17.120
<v Speaker 2>you hit in the shower where it just keeps going

0:34:17.160 --> 0:34:19.960
<v Speaker 2>on forever and you think Wow, my voice is amazing.

0:34:20.040 --> 0:34:23.319
<v Speaker 2>You know, you found what's called the resonant frequency of

0:34:23.360 --> 0:34:27.880
<v Speaker 2>the room, where all matter will have a resonant frequency

0:34:27.920 --> 0:34:30.200
<v Speaker 2>at which it will vibrate. Say a truck drive by

0:34:30.239 --> 0:34:33.160
<v Speaker 2>and your window starts rattling this because the truck hit

0:34:33.239 --> 0:34:35.240
<v Speaker 2>the frequency at which your window rattles.

0:34:35.280 --> 0:34:35.440
<v Speaker 3>Right.

0:34:35.960 --> 0:34:41.480
<v Speaker 2>So I think that music not only on a physical

0:34:41.600 --> 0:34:45.920
<v Speaker 2>level of resonance, but also with the lyrical level. Something's

0:34:46.000 --> 0:34:50.319
<v Speaker 2>resonant with me, Like I hear a poem or I

0:34:50.400 --> 0:34:52.840
<v Speaker 2>read a book or a phrase and it feels like

0:34:52.920 --> 0:34:55.840
<v Speaker 2>it sticks with me and begins to move me in

0:34:55.880 --> 0:34:59.440
<v Speaker 2>a way. I think Meant to Live did that for

0:34:59.520 --> 0:35:02.279
<v Speaker 2>a lot of people, people where it resonated with them

0:35:02.320 --> 0:35:04.960
<v Speaker 2>and it felt like that fist in the air kind

0:35:04.960 --> 0:35:08.399
<v Speaker 2>of moment where they want to sing along with it.

0:35:08.760 --> 0:35:11.759
<v Speaker 1>Was there a television performance or was it EMPTV or

0:35:11.840 --> 0:35:15.000
<v Speaker 1>was it a radio like what was kind of the

0:35:15.120 --> 0:35:17.879
<v Speaker 1>lever that actually like popped that song?

0:35:18.920 --> 0:35:20.399
<v Speaker 3>Well, I mean we did all of them.

0:35:20.760 --> 0:35:22.799
<v Speaker 2>You mentioned, you know, we were talking about the VC

0:35:22.880 --> 0:35:27.400
<v Speaker 2>Boys on Letterman. Yeah, we did Letterman, we did Leto,

0:35:28.200 --> 0:35:32.840
<v Speaker 2>we did EMPTV. There was there was one moment where

0:35:34.400 --> 0:35:39.800
<v Speaker 2>the last minute we were added to a radio show

0:35:39.920 --> 0:35:43.360
<v Speaker 2>at Madison Square Garden in New York City and it

0:35:43.440 --> 0:35:47.200
<v Speaker 2>was a last minute thing and so and they said, hey,

0:35:47.200 --> 0:35:48.520
<v Speaker 2>we want you to go out and play a.

0:35:48.520 --> 0:35:53.680
<v Speaker 3>Couple of songs, just acoustic, just you and so.

0:35:54.719 --> 0:35:56.839
<v Speaker 1>And it was and now that I'm thinking of it,

0:35:56.840 --> 0:36:00.719
<v Speaker 1>it was very odd. William Hung, I'm remember William Hung

0:36:00.880 --> 0:36:03.040
<v Speaker 1>was the Asma before us.

0:36:03.120 --> 0:36:04.520
<v Speaker 3>Yes, she bangs American Banks.

0:36:04.960 --> 0:36:08.160
<v Speaker 2>But you've got like Destiny's Child and Maroon five and

0:36:08.160 --> 0:36:13.320
<v Speaker 2>all these people everyone's backstage. Oh and also the Donald

0:36:13.320 --> 0:36:18.200
<v Speaker 2>Trump was there as the apprentice, right, so like it's

0:36:18.200 --> 0:36:19.120
<v Speaker 2>a cast of characters.

0:36:19.200 --> 0:36:21.360
<v Speaker 3>What is Z one hundred? Yes, yeah, yeah, it Z

0:36:21.440 --> 0:36:21.960
<v Speaker 3>one hundred.

0:36:22.480 --> 0:36:26.720
<v Speaker 2>And so I remember walking on stage with just an

0:36:26.760 --> 0:36:32.520
<v Speaker 2>acoustic guitar and uh and playing Meant to Live on

0:36:32.600 --> 0:36:36.000
<v Speaker 2>the acoustic guitar and having the entire Madison Square Guard

0:36:36.280 --> 0:36:40.160
<v Speaker 2>Garden singing along with me. And that was a moment

0:36:40.200 --> 0:36:44.800
<v Speaker 2>where I thought, Wow, they all know this song. That's

0:36:45.200 --> 0:36:46.000
<v Speaker 2>that's incredible.

0:36:46.480 --> 0:36:50.080
<v Speaker 3>And those are moments that I feel like that is.

0:36:50.120 --> 0:36:53.240
<v Speaker 2>Why I do what I do, whether it's an arena

0:36:53.360 --> 0:36:57.440
<v Speaker 2>or fourteen people backstage, or it could be I do

0:36:57.560 --> 0:36:59.880
<v Speaker 2>after shows where the show will finish and I'll go

0:36:59.880 --> 0:37:01.920
<v Speaker 2>to the parking lot in the back and send out

0:37:01.920 --> 0:37:05.160
<v Speaker 2>a tweet or Instagram and say, hey, let's keep the

0:37:05.239 --> 0:37:10.000
<v Speaker 2>night going where multiple people are all seeing the same thing.

0:37:10.719 --> 0:37:13.040
<v Speaker 2>When I was in high school going to the punk

0:37:14.000 --> 0:37:17.160
<v Speaker 2>show or church or wherever, it felt like, oh, I

0:37:18.480 --> 0:37:21.640
<v Speaker 2>resonate with this. I feel like I belong somewhere, And

0:37:22.080 --> 0:37:24.880
<v Speaker 2>in that moment at MSG, it felt like, Oh, I'm

0:37:24.960 --> 0:37:26.040
<v Speaker 2>a part of something bigger.

0:37:26.920 --> 0:37:27.880
<v Speaker 3>Resonating's interesting.

0:37:27.920 --> 0:37:29.560
<v Speaker 1>I just got off a call where I was being

0:37:29.560 --> 0:37:34.279
<v Speaker 1>interviewed about an artist that's killing it right now, and

0:37:34.719 --> 0:37:35.399
<v Speaker 1>they're like, why do.

0:37:35.320 --> 0:37:37.080
<v Speaker 3>You think she's making it?

0:37:37.920 --> 0:37:41.439
<v Speaker 1>And I said, well, first, you know, her songs are good,

0:37:41.840 --> 0:37:44.920
<v Speaker 1>and also the people she wrote with and sonically, you know.

0:37:45.440 --> 0:37:47.080
<v Speaker 1>And I said, you can have all eleven things, though,

0:37:47.120 --> 0:37:50.040
<v Speaker 1>and it's still not work. Yeah, Like if it were

0:37:50.080 --> 0:37:53.200
<v Speaker 1>a if you could predict it, if you could predict

0:37:53.320 --> 0:37:56.840
<v Speaker 1>what worked, Yeah, I think this job would be a

0:37:56.880 --> 0:37:59.759
<v Speaker 1>lot easier, I said, because I know I could list

0:37:59.840 --> 0:38:01.359
<v Speaker 1>all eleven of these things that I just said that

0:38:01.480 --> 0:38:03.600
<v Speaker 1>it's working for her that other people have done, and

0:38:03.640 --> 0:38:05.160
<v Speaker 1>for some reason it did not work. I said, but

0:38:05.200 --> 0:38:06.919
<v Speaker 1>you know what, it's so funny you said that. You said,

0:38:07.000 --> 0:38:09.640
<v Speaker 1>but you know why it's working is because it resonates

0:38:09.640 --> 0:38:13.520
<v Speaker 1>with people, like people either hear stories of themselves or

0:38:13.560 --> 0:38:16.080
<v Speaker 1>somebody they care about or root for, like there's something

0:38:16.280 --> 0:38:20.040
<v Speaker 1>that they're connecting to this artist music and this artist song.

0:38:20.640 --> 0:38:24.160
<v Speaker 1>And that was literally the conversation that I had with

0:38:24.160 --> 0:38:26.560
<v Speaker 1>the Wall Street Journal that was talking about music. And

0:38:26.600 --> 0:38:29.880
<v Speaker 1>it's such an odd thing because again, you can do

0:38:29.960 --> 0:38:33.400
<v Speaker 1>everything right and it's still not connect.

0:38:33.560 --> 0:38:35.080
<v Speaker 3>Yeah, And then you.

0:38:35.000 --> 0:38:39.319
<v Speaker 1>Could do everything wrong you connect like freaking crazy, yes,

0:38:39.680 --> 0:38:43.480
<v Speaker 1>because it would be like a video going viral that

0:38:43.520 --> 0:38:46.840
<v Speaker 1>someone is just like crappily shooting and holding up versus

0:38:46.920 --> 0:38:48.960
<v Speaker 1>one banks.

0:38:49.080 --> 0:38:51.480
<v Speaker 2>I think that's a great example where you're like, Okay,

0:38:51.520 --> 0:38:55.920
<v Speaker 2>so why is that the song that everyone wants to

0:38:57.000 --> 0:38:57.680
<v Speaker 2>hear right now?

0:38:57.760 --> 0:38:59.400
<v Speaker 1>And if you could predict it, or if you were

0:38:59.440 --> 0:39:01.640
<v Speaker 1>good enough to just do it every time, you would,

0:39:01.880 --> 0:39:05.720
<v Speaker 1>but really you can't, right, there's no way to produce

0:39:05.800 --> 0:39:08.560
<v Speaker 1>the perfect from the beginning, there's no way to produce

0:39:08.680 --> 0:39:09.399
<v Speaker 1>the perfect song.

0:39:10.000 --> 0:39:14.520
<v Speaker 2>Well, because I think imperfections need to be there. I

0:39:14.560 --> 0:39:18.480
<v Speaker 2>think that's where the human component comes in, Like I

0:39:18.800 --> 0:39:22.239
<v Speaker 2>resonate with something that feels human to me, and to

0:39:22.360 --> 0:39:25.440
<v Speaker 2>be human to errors to human, right, to be human.

0:39:25.480 --> 0:39:29.520
<v Speaker 2>So we think like, okay, so we're looking I'm looking

0:39:29.520 --> 0:39:30.880
<v Speaker 2>at Miles Davis Kind of Blue.

0:39:31.440 --> 0:39:33.360
<v Speaker 3>It's a perfect album. Hold that record up.

0:39:33.400 --> 0:39:35.520
<v Speaker 1>Okay, there's a segment we do where and we donate

0:39:35.560 --> 0:39:37.960
<v Speaker 1>all these records eventually, so we have people bring in

0:39:38.000 --> 0:39:39.560
<v Speaker 1>records that mean a lot to them. And you've brought

0:39:39.560 --> 0:39:41.279
<v Speaker 1>in Miles Davis Kind of Blue. Why did you bring

0:39:41.320 --> 0:39:43.799
<v Speaker 1>that in? Okay, So this is my favorite album. I

0:39:43.800 --> 0:39:45.000
<v Speaker 1>think it's a perfect album.

0:39:46.960 --> 0:39:50.919
<v Speaker 2>But it is a deeply human record because you have

0:39:51.640 --> 0:39:59.360
<v Speaker 2>these incredible artists, you know, masters of their craft, playing

0:39:59.400 --> 0:40:01.359
<v Speaker 2>the song for the first or the second time. Most

0:40:01.400 --> 0:40:04.040
<v Speaker 2>of the songs on here are first or second takes,

0:40:04.880 --> 0:40:08.680
<v Speaker 2>and I think that's where humanity comes in. I have

0:40:08.680 --> 0:40:10.960
<v Speaker 2>all these conversations with my friends that play jazz. They

0:40:10.960 --> 0:40:16.520
<v Speaker 2>talk about the bell curve where you have at the beginning,

0:40:17.040 --> 0:40:20.080
<v Speaker 2>you're you're so excited about the song, your interest, your

0:40:20.160 --> 0:40:22.520
<v Speaker 2>human connection with the song is at a peak, but

0:40:23.160 --> 0:40:26.680
<v Speaker 2>your aptitude to play the song is pretty low. These

0:40:26.680 --> 0:40:30.560
<v Speaker 2>guys not so much. But maybe the second take, third take,

0:40:30.600 --> 0:40:32.960
<v Speaker 2>four take, your aptitude gets better and better. You know

0:40:33.000 --> 0:40:36.080
<v Speaker 2>it better and better, so you now tenth take in

0:40:36.719 --> 0:40:41.960
<v Speaker 2>it's it's rope, it's all mapped out, but your interest

0:40:42.080 --> 0:40:44.279
<v Speaker 2>and your human connection with the song has gone down

0:40:44.280 --> 0:40:45.680
<v Speaker 2>because you've done it ten times.

0:40:45.520 --> 0:40:46.440
<v Speaker 3>You just are kind of bored.

0:40:46.640 --> 0:40:50.080
<v Speaker 2>So like usually like the fifth or sixth take, you're

0:40:50.120 --> 0:40:53.600
<v Speaker 2>like okay or fourth, it depends on what's happening. But

0:40:55.640 --> 0:40:59.560
<v Speaker 2>I think that's when I when I hear a perfect album,

0:40:59.640 --> 0:41:02.800
<v Speaker 2>I want to feel like there's humans that are making

0:41:02.840 --> 0:41:07.120
<v Speaker 2>the music, you know, because that's that's what resonates with me,

0:41:07.200 --> 0:41:10.200
<v Speaker 2>is the humanity, and that's what I feel like in

0:41:10.239 --> 0:41:13.040
<v Speaker 2>this what's perfect about it is that's the first or

0:41:13.080 --> 0:41:15.759
<v Speaker 2>second take you feel them kind of you feel the

0:41:15.880 --> 0:41:18.719
<v Speaker 2>song unfolding and it's nothing is forced about it.

0:41:19.080 --> 0:41:20.720
<v Speaker 3>How did you start listening to Miles Davis?

0:41:21.880 --> 0:41:28.759
<v Speaker 2>I played trumpet in junior high and so yeah, I

0:41:28.800 --> 0:41:34.680
<v Speaker 2>think this is a unique album though in the jazz world.

0:41:34.719 --> 0:41:37.080
<v Speaker 2>I mean, I think it's the most the best selling

0:41:37.160 --> 0:41:40.520
<v Speaker 2>jazz album of all time. So it definitely not only

0:41:40.560 --> 0:41:42.360
<v Speaker 2>resonated with me, but with a lot of people. But

0:41:42.400 --> 0:41:46.879
<v Speaker 2>I think it is you know, you talk about a

0:41:46.920 --> 0:41:50.920
<v Speaker 2>feeling that you had in Japan. Music is almost that

0:41:51.000 --> 0:41:53.719
<v Speaker 2>thing for a lot of us, where it's like a

0:41:53.760 --> 0:41:58.640
<v Speaker 2>smell where it takes you somewhere, and this album takes

0:41:58.680 --> 0:42:01.720
<v Speaker 2>me to a place that I want to go again

0:42:01.760 --> 0:42:08.319
<v Speaker 2>and again. It's a serene place that feels tranquil, it

0:42:08.360 --> 0:42:13.200
<v Speaker 2>feels human, but there's space for me there too, you know,

0:42:13.480 --> 0:42:16.320
<v Speaker 2>for my own thoughts to unfold. A lot of jazz,

0:42:17.400 --> 0:42:21.760
<v Speaker 2>incredible though it may be, is so filled with notes

0:42:22.160 --> 0:42:25.200
<v Speaker 2>and things that are flying by you that you really

0:42:25.280 --> 0:42:27.919
<v Speaker 2>have to pay attention. And this is an album where

0:42:28.200 --> 0:42:30.080
<v Speaker 2>it just kind of lets you drift again.

0:42:30.120 --> 0:42:31.279
<v Speaker 3>We're back to the ocean, but.

0:42:31.760 --> 0:42:33.960
<v Speaker 2>Maybe you're just kind of letting it take you where

0:42:34.000 --> 0:42:36.160
<v Speaker 2>it goes and you feel comfortable there.

0:42:37.440 --> 0:42:49.880
<v Speaker 4>The Bobby cast will be right back. This is the

0:42:49.880 --> 0:42:50.640
<v Speaker 4>Bobby Cast.

0:42:51.400 --> 0:42:54.160
<v Speaker 1>Flee also played the trumpet from Chili Pepper's Yeah and

0:42:54.200 --> 0:42:55.960
<v Speaker 1>he just did a jazz record, Yeah, And he talked

0:42:56.000 --> 0:42:58.960
<v Speaker 1>about how nervous he was and how after all the

0:42:59.160 --> 0:43:02.320
<v Speaker 1>forty years Chili Pepper's the highest level, that he still

0:43:02.440 --> 0:43:04.400
<v Speaker 1>felt like he did not have it in him to

0:43:05.160 --> 0:43:08.000
<v Speaker 1>pull off a successful jazz record that will be respected.

0:43:08.239 --> 0:43:11.000
<v Speaker 3>Yeah. I mean, imposter syndrome is.

0:43:11.480 --> 0:43:14.160
<v Speaker 2>At every level right where you're always like I don't know,

0:43:14.360 --> 0:43:17.440
<v Speaker 2>maybe I'm not sure, but when you delve into jazz.

0:43:17.520 --> 0:43:25.840
<v Speaker 2>That's when you know there's layers of mastery and everyone

0:43:25.880 --> 0:43:27.560
<v Speaker 2>can see right through it if you're faking it.

0:43:27.640 --> 0:43:30.239
<v Speaker 1>You know, whatever happened with the guy that said we're

0:43:30.320 --> 0:43:35.759
<v Speaker 1>dropping switch Foot so he oh man because because it

0:43:35.800 --> 0:43:36.880
<v Speaker 1>turned out bad decision.

0:43:37.080 --> 0:43:44.160
<v Speaker 2>Yeah, So after we sold two million copies, he brought

0:43:44.200 --> 0:43:47.239
<v Speaker 2>us back over and took a picture and talked about

0:43:47.320 --> 0:43:49.719
<v Speaker 2>artist development and all of these things. Of course he did,

0:43:51.280 --> 0:43:55.560
<v Speaker 2>but it was this thing where I don't like I

0:43:55.800 --> 0:43:58.480
<v Speaker 2>even now. I don't have any ill will or I

0:43:58.520 --> 0:44:01.960
<v Speaker 2>think he was trying his best. I think that's a

0:44:02.000 --> 0:44:04.520
<v Speaker 2>tough position to be in that I don't want his job,

0:44:05.360 --> 0:44:11.560
<v Speaker 2>and you can't change one thing without changing everything. So

0:44:12.280 --> 0:44:14.799
<v Speaker 2>I love the fact that I get to make music now.

0:44:15.000 --> 0:44:17.440
<v Speaker 2>I mean, we've done so many dumb things as a band.

0:44:18.000 --> 0:44:22.040
<v Speaker 2>We've signed record deals. The very first record deal we

0:44:22.160 --> 0:44:28.800
<v Speaker 2>signed as a band gave us seven thousand dollars every

0:44:28.960 --> 0:44:34.440
<v Speaker 2>record for our entire publishing, so seven thousand dollars per

0:44:34.600 --> 0:44:39.320
<v Speaker 2>album and published. That was for the first six albums.

0:44:40.480 --> 0:44:43.000
<v Speaker 2>So I mean, these are things that you look back

0:44:43.040 --> 0:44:46.920
<v Speaker 2>on and you're like, oh, that's a horrible financial decision.

0:44:47.320 --> 0:44:49.560
<v Speaker 2>We had a lawyer look at it found out he's

0:44:49.600 --> 0:44:53.320
<v Speaker 2>actually was also doing the legal stuff.

0:44:54.440 --> 0:44:57.160
<v Speaker 3>But all these things, you can either be bitter.

0:44:57.200 --> 0:45:01.879
<v Speaker 1>And like, oh, unt told think about all the numbers,

0:45:02.040 --> 0:45:06.359
<v Speaker 1>or you can say no, I mean I love where

0:45:06.360 --> 0:45:08.640
<v Speaker 1>I live. I love that I get to talk about

0:45:08.719 --> 0:45:11.360
<v Speaker 1>music with you, we got to talk about Miles Davis.

0:45:11.880 --> 0:45:14.680
<v Speaker 1>And none of this would happen if we hadn't to

0:45:14.719 --> 0:45:18.040
<v Speaker 1>sign that deal. I mean, sure, maybe a different deal,

0:45:18.239 --> 0:45:20.640
<v Speaker 1>maybe I meet a different woman. Maybe, but you can't

0:45:20.719 --> 0:45:25.080
<v Speaker 1>change one thing without changing everything. So I'm trying to

0:45:25.080 --> 0:45:27.680
<v Speaker 1>be content and fully present to the moment I'm in.

0:45:28.640 --> 0:45:32.279
<v Speaker 3>Did you fill the pressure with Darry to Move? After

0:45:32.400 --> 0:45:32.919
<v Speaker 3>Meant to Live?

0:45:33.160 --> 0:45:35.239
<v Speaker 1>Was that? Oh my god, we got one and it

0:45:35.280 --> 0:45:36.680
<v Speaker 1>was a crazy journey to get one.

0:45:37.520 --> 0:45:40.200
<v Speaker 2>Yeah, Well the funny thing, okay, so here's a funny

0:45:40.200 --> 0:45:41.879
<v Speaker 2>story about Meant.

0:45:41.320 --> 0:45:42.319
<v Speaker 3>To Live and Darry to Move.

0:45:43.880 --> 0:45:47.880
<v Speaker 1>Dairy to Move appeared on the album before that, in

0:45:48.200 --> 0:45:51.280
<v Speaker 1>switch Foot's catalog, which is an album called.

0:45:51.120 --> 0:45:54.120
<v Speaker 3>Learning to Breathe, and that.

0:45:54.200 --> 0:45:56.520
<v Speaker 2>Was a song that we thought, wow, this is such

0:45:56.560 --> 0:45:58.719
<v Speaker 2>a beautiful song. We're going to play it first on

0:45:58.760 --> 0:46:01.920
<v Speaker 2>the album. And but it was the same kind of

0:46:01.920 --> 0:46:04.160
<v Speaker 2>thing where the record label we were on at the

0:46:04.200 --> 0:46:08.320
<v Speaker 2>time was like, yeah, pretty good song. Then nothing happened

0:46:08.320 --> 0:46:11.680
<v Speaker 2>with it, but it took you know, we were like,

0:46:11.880 --> 0:46:13.240
<v Speaker 2>we still think it's a great.

0:46:13.000 --> 0:46:15.640
<v Speaker 3>Song when we were going to put it on.

0:46:15.600 --> 0:46:19.080
<v Speaker 2>Another album, and so we put it on this one

0:46:20.000 --> 0:46:23.560
<v Speaker 2>beautiful Letdown and that's when people thought it was a

0:46:23.600 --> 0:46:27.920
<v Speaker 2>great song. So but it is that thing where perspective

0:46:28.320 --> 0:46:31.759
<v Speaker 2>is it changes everything, right, So like people will say, well,

0:46:31.840 --> 0:46:33.560
<v Speaker 2>it's not a hit like Meant to Live or Dairy

0:46:33.600 --> 0:46:36.120
<v Speaker 2>to Move, And in the back of my mind, I'm like, well,

0:46:36.719 --> 0:46:40.120
<v Speaker 2>those are all songs that people thought weren't hits, and

0:46:40.160 --> 0:46:40.719
<v Speaker 2>what is a hit?

0:46:40.800 --> 0:46:41.440
<v Speaker 3>I think you know.

0:46:41.520 --> 0:46:45.040
<v Speaker 2>Ultimately, again we're talking about resonance, so it's like, well,

0:46:45.120 --> 0:46:47.480
<v Speaker 2>what moves you. If it moves you, then go like

0:46:47.520 --> 0:46:52.040
<v Speaker 2>we just came out with a single wake Up Mister Crow,

0:46:52.360 --> 0:46:57.160
<v Speaker 2>and it's it's all the things that maybe you would say, hey,

0:46:57.200 --> 0:46:59.960
<v Speaker 2>this is not where music sat. But our goal was

0:47:00.120 --> 0:47:04.000
<v Speaker 2>to resonate with that fourteen year old kid who picked

0:47:04.040 --> 0:47:05.720
<v Speaker 2>up a guitar and started playing Zeppelin.

0:47:06.200 --> 0:47:08.760
<v Speaker 3>You know that. We were like, let's make that album.

0:47:09.040 --> 0:47:13.840
<v Speaker 2>And so then it becomes kind of irrelevant what anyone says,

0:47:13.920 --> 0:47:15.520
<v Speaker 2>because you feel it from here.

0:47:16.840 --> 0:47:18.440
<v Speaker 3>The album comes out in June.

0:47:18.719 --> 0:47:22.839
<v Speaker 1>That's correct, six six twenty six. Is there is there

0:47:22.880 --> 0:47:24.480
<v Speaker 1>a meeting behind that or I just remember the date

0:47:24.840 --> 0:47:27.120
<v Speaker 1>we there. We came up with all sorts of meanings

0:47:27.200 --> 0:47:28.759
<v Speaker 1>once we found out what the date was.

0:47:29.000 --> 0:47:35.200
<v Speaker 2>Yeah, yeah, yeah, lots of meanings. Yeah yeah, thirteen Lucky thirteen,

0:47:35.280 --> 0:47:36.200
<v Speaker 2>double it and two.

0:47:36.480 --> 0:47:39.120
<v Speaker 3>So yeah, it's a palindrome all of it. Yeah, it's

0:47:39.160 --> 0:47:41.200
<v Speaker 3>been five years. Huh, since it's been.

0:47:41.080 --> 0:47:43.719
<v Speaker 2>A long time. Yeah, we've came out with the record.

0:47:44.239 --> 0:47:48.480
<v Speaker 2>The last record we made was recorded like the High

0:47:48.520 --> 0:47:54.360
<v Speaker 2>to COVID. There's so much tension, and I mean the

0:47:54.400 --> 0:47:58.240
<v Speaker 2>world has the tension is still there. But I felt

0:47:58.239 --> 0:48:06.520
<v Speaker 2>like this album is feels like as a band you

0:48:06.880 --> 0:48:08.600
<v Speaker 2>try on all sorts of different jackets.

0:48:08.600 --> 0:48:10.400
<v Speaker 3>You're like, oh this this feels good. I like this.

0:48:10.480 --> 0:48:12.560
<v Speaker 2>And as a songwriter you're always looking for new places,

0:48:13.160 --> 0:48:16.719
<v Speaker 2>you know, like your traveler. Right, this album feels like

0:48:16.800 --> 0:48:20.840
<v Speaker 2>it's a return to home where you think, oh, this

0:48:21.000 --> 0:48:24.880
<v Speaker 2>jacket feels nice, I'm comfortable in this. And again that

0:48:26.320 --> 0:48:28.480
<v Speaker 2>having the compass of well, what's going to make that

0:48:28.520 --> 0:48:31.240
<v Speaker 2>fourteen year old kid want to pick up the guitar.

0:48:31.560 --> 0:48:32.879
<v Speaker 3>Let's make that record.

0:48:33.120 --> 0:48:36.239
<v Speaker 1>Not the same at all but your new single. I

0:48:36.320 --> 0:48:40.160
<v Speaker 1>really liked Stars from you guys. Yes, they to me,

0:48:40.239 --> 0:48:43.480
<v Speaker 1>they feel a bit similar. Yeah, like and again, not

0:48:43.520 --> 0:48:45.120
<v Speaker 1>the same. I'm not saying they're the same. Yeah this

0:48:45.239 --> 0:48:49.359
<v Speaker 1>is you know, I'm a moron, but like that song

0:48:49.440 --> 0:48:51.600
<v Speaker 1>kind of made me feel like Stars made me feel.

0:48:51.760 --> 0:48:53.800
<v Speaker 3>Yes, it does have a similar.

0:48:55.120 --> 0:48:57.600
<v Speaker 2>It's they're both dropp d and they both have a

0:48:57.680 --> 0:49:01.720
<v Speaker 2>similar movement in the melody that's presented on the guitar.

0:49:02.000 --> 0:49:03.400
<v Speaker 3>I totally agree.

0:49:03.520 --> 0:49:06.080
<v Speaker 2>Oh good, Yes, And we have even thought about, like,

0:49:06.160 --> 0:49:10.040
<v Speaker 2>I want to make an intro that has one as

0:49:10.080 --> 0:49:11.759
<v Speaker 2>the intro and then you go into the other.

0:49:12.040 --> 0:49:13.880
<v Speaker 3>I think that'd be really fun. Ah good. I love

0:49:13.880 --> 0:49:15.440
<v Speaker 3>when I'm not in it. No you're not.

0:49:15.520 --> 0:49:19.440
<v Speaker 2>And actually that particular song is a motif that that

0:49:19.560 --> 0:49:23.319
<v Speaker 2>riff that appears in different forms. There's an upside down

0:49:23.400 --> 0:49:27.120
<v Speaker 2>version of it in a different song, and then it

0:49:27.160 --> 0:49:30.160
<v Speaker 2>comes back and again. It's kind of feels like like

0:49:30.200 --> 0:49:32.560
<v Speaker 2>an intentional thread to weave through the whole record.

0:49:33.320 --> 0:49:37.480
<v Speaker 3>Are you a coffee guy? I love coffee. I'm trying

0:49:37.480 --> 0:49:40.640
<v Speaker 3>to get there. Okay, I hate coffee. Do you like tea?

0:49:41.640 --> 0:49:44.960
<v Speaker 3>Sweet tea? Okay? Only you? I mean I love it.

0:49:45.000 --> 0:49:47.400
<v Speaker 3>You're hitting all the boxes, like you know what.

0:49:48.400 --> 0:49:50.440
<v Speaker 1>Like, It's just I feel like we're on the opposite

0:49:50.440 --> 0:49:52.040
<v Speaker 1>side on a lot of things, like let's go to

0:49:52.080 --> 0:49:52.440
<v Speaker 1>the beach.

0:49:52.640 --> 0:49:55.600
<v Speaker 3>No, well, let's have some coffee. No, let's have some

0:49:55.600 --> 0:49:57.399
<v Speaker 3>sweet I love that. It's so good.

0:49:59.080 --> 0:50:03.200
<v Speaker 1>I have been trying to will myself into liking coffee, okay,

0:50:03.360 --> 0:50:07.200
<v Speaker 1>because I do understand why people like coffee. I just

0:50:07.280 --> 0:50:09.520
<v Speaker 1>it just does not taste good to me. Do you

0:50:09.719 --> 0:50:12.520
<v Speaker 1>like okay, let's go back. Do you like coffee shops?

0:50:14.320 --> 0:50:14.680
<v Speaker 3>Yeah?

0:50:14.880 --> 0:50:18.320
<v Speaker 1>I like. I like a vibe of a coffee shop, especially.

0:50:18.560 --> 0:50:20.680
<v Speaker 1>I like the music in a coffee shop. I like

0:50:20.800 --> 0:50:26.440
<v Speaker 1>coffee house radio, I like all of that, everything, pastries, okay,

0:50:26.480 --> 0:50:28.400
<v Speaker 1>I like everything about coffee except the coffee.

0:50:28.440 --> 0:50:29.200
<v Speaker 3>Okay, that's fair.

0:50:29.360 --> 0:50:32.759
<v Speaker 2>It's kind of like me with smoking, Like I love

0:50:32.800 --> 0:50:35.919
<v Speaker 2>the idea of stepping outside and breathing for like five

0:50:35.960 --> 0:50:38.400
<v Speaker 2>minutes a couple of times a day and just hanging

0:50:38.400 --> 0:50:42.359
<v Speaker 2>with somebody and talking. I just don't like the idea of,

0:50:42.840 --> 0:50:45.600
<v Speaker 2>you know, smoking, but I love the you know. So

0:50:45.640 --> 0:50:47.680
<v Speaker 2>I feel like this is the same same concept. I'm

0:50:47.760 --> 0:50:50.560
<v Speaker 2>trying to drink coffee to make myself like it. I

0:50:50.680 --> 0:50:55.360
<v Speaker 2>just can't do it, well, is there if.

0:50:55.239 --> 0:51:00.920
<v Speaker 1>You tried, like like kombucha or okay, and I love kombucha,

0:51:02.280 --> 0:51:04.600
<v Speaker 1>could you disguise it like put some kombucha in like

0:51:04.640 --> 0:51:06.160
<v Speaker 1>a coffee cup and just but then I feel like

0:51:06.200 --> 0:51:07.880
<v Speaker 1>I'm not doing it, like if I'm doing all that

0:51:07.960 --> 0:51:10.840
<v Speaker 1>work because I'm trying to do it so I socially

0:51:10.880 --> 0:51:13.920
<v Speaker 1>can just while everybody's drinking coffee because I've never I've

0:51:13.920 --> 0:51:16.719
<v Speaker 1>never had alcohol ever, I've never tasted alcohol. So since

0:51:16.760 --> 0:51:19.640
<v Speaker 1>I can't do that, I never did bars and stuff. Okay,

0:51:19.680 --> 0:51:22.640
<v Speaker 1>well I'm older now I do coffee. Yeah, but nobody

0:51:22.600 --> 0:51:25.880
<v Speaker 1>I just I can't get there coffee of coffee less coffee.

0:51:26.400 --> 0:51:29.759
<v Speaker 1>But again, it's like non alcoholic beer. Yeah, I don't

0:51:29.800 --> 0:51:31.840
<v Speaker 1>want to drink non coffee coffee.

0:51:32.120 --> 0:51:32.319
<v Speaker 3>Yeah.

0:51:32.920 --> 0:51:35.200
<v Speaker 1>The point of coffee is like for that, I just

0:51:35.239 --> 0:51:37.640
<v Speaker 1>didn't know if you could if you are a coffee guy.

0:51:37.600 --> 0:51:39.960
<v Speaker 2>Or I love coffee, I really do, and I think

0:51:40.000 --> 0:51:43.120
<v Speaker 2>coffee like when when I show up in a new place,

0:51:43.600 --> 0:51:47.160
<v Speaker 2>I look on Yelp for coffee shops and there's usually

0:51:47.239 --> 0:51:50.040
<v Speaker 2>like two or three in a section of town, and

0:51:50.080 --> 0:51:53.520
<v Speaker 2>that's where I go, and it feels like coffee community conversation.

0:51:53.719 --> 0:51:56.120
<v Speaker 3>I like all that culture. It all feels right there.

0:51:56.160 --> 0:51:58.080
<v Speaker 3>I love all that except coffee part for the coffee,

0:51:58.160 --> 0:51:59.640
<v Speaker 3>but yeah, I mean you can you can.

0:51:59.600 --> 0:52:02.120
<v Speaker 1>Like kind of secondhand coffee, and I do it, and

0:52:02.120 --> 0:52:04.360
<v Speaker 1>that's mostly what I do. Yeah, and I can even

0:52:04.440 --> 0:52:07.960
<v Speaker 1>do like an espresso shot really in something like it

0:52:08.000 --> 0:52:09.399
<v Speaker 1>needs to be dumped over a cake.

0:52:09.680 --> 0:52:11.399
<v Speaker 3>I did a whole cake with one shot.

0:52:11.400 --> 0:52:14.520
<v Speaker 2>That My daughter, she's like, you know, she'll have like

0:52:14.560 --> 0:52:19.120
<v Speaker 2>the whatever, the latte with four donuts and everything.

0:52:19.280 --> 0:52:22.080
<v Speaker 1>That's exactly how I have to do. Yeah, you have kids,

0:52:22.080 --> 0:52:22.720
<v Speaker 1>tell many kids.

0:52:23.080 --> 0:52:23.640
<v Speaker 3>I have two.

0:52:23.880 --> 0:52:26.160
<v Speaker 2>I have a fourteen year old daughter and a seven

0:52:26.239 --> 0:52:29.680
<v Speaker 2>year old son. Your story of coffee reminds me of Vegemite.

0:52:30.120 --> 0:52:31.960
<v Speaker 2>I was convinced I was going to move to Australia

0:52:32.280 --> 0:52:34.560
<v Speaker 2>and go to college there. And I was like, well,

0:52:34.600 --> 0:52:36.840
<v Speaker 2>their version of a PBJ and I'm going to be

0:52:36.840 --> 0:52:39.360
<v Speaker 2>on a budget because I'm in Australia is Vegemite.

0:52:39.400 --> 0:52:42.839
<v Speaker 3>Sandwich. Could never figure out how to like Vegemite. It's

0:52:42.880 --> 0:52:46.400
<v Speaker 3>pretty disgusting. And so that's why I never went to Australia.

0:52:46.480 --> 0:52:49.440
<v Speaker 3>You know you never went. I never studied there. Oh,

0:52:49.440 --> 0:52:51.680
<v Speaker 3>I got to college. It kept you out of Australia. Oh,

0:52:51.719 --> 0:52:54.799
<v Speaker 3>I wear so many things. No, yeah, I can't stand it.

0:52:55.040 --> 0:53:02.680
<v Speaker 1>Yeah, there's an exchange student when I was in high school.

0:53:02.719 --> 0:53:05.239
<v Speaker 2>And then I'm like, dude, I'm coming back. I'm going

0:53:05.320 --> 0:53:08.719
<v Speaker 2>to fall in love with vegemite and yeah, never worked out.

0:53:09.640 --> 0:53:11.759
<v Speaker 4>Let's take a quick pause for a message from our

0:53:11.800 --> 0:53:23.760
<v Speaker 4>sponsor and we're back on the Bobby Cast.

0:53:24.600 --> 0:53:26.160
<v Speaker 3>I was asking about your kids, if you want, if

0:53:26.200 --> 0:53:28.759
<v Speaker 3>they love music. They do, and I so.

0:53:28.960 --> 0:53:33.200
<v Speaker 2>My friend is an artist, visual artist, and his definition

0:53:33.480 --> 0:53:40.560
<v Speaker 2>of an artist is someone who appreciates beauty visually, can

0:53:40.600 --> 0:53:43.200
<v Speaker 2>take it in and appreciate it because he says, you know,

0:53:43.840 --> 0:53:48.959
<v Speaker 2>replicating something with your hands or creating something that's that's

0:53:49.160 --> 0:53:51.359
<v Speaker 2>a form of art, but even just taking it in

0:53:51.480 --> 0:53:54.399
<v Speaker 2>is that's the highest form of artistry. And I feel

0:53:54.400 --> 0:53:55.960
<v Speaker 2>like the same is true with music because I have

0:53:56.880 --> 0:53:57.480
<v Speaker 2>both my kids.

0:53:57.520 --> 0:53:58.080
<v Speaker 3>They love it.

0:53:58.120 --> 0:54:01.719
<v Speaker 2>They take it in and they can they'll play different instruments.

0:54:03.000 --> 0:54:06.600
<v Speaker 2>But I think too about you know kids that you

0:54:06.640 --> 0:54:10.000
<v Speaker 2>know have autism or different on the spectrum in different

0:54:10.000 --> 0:54:13.319
<v Speaker 2>ways that may never be able to replicate a song

0:54:13.480 --> 0:54:17.320
<v Speaker 2>or create it with their fingers, but the music moves

0:54:17.360 --> 0:54:20.560
<v Speaker 2>them in ways that maybe doesn't move anyone else in

0:54:20.640 --> 0:54:23.799
<v Speaker 2>the room. So yeah, they love music and they feel

0:54:23.880 --> 0:54:26.319
<v Speaker 2>it on that level. I think most kids, do you know,

0:54:26.920 --> 0:54:28.520
<v Speaker 2>I'm in the I asked, God, your kids. We had

0:54:28.560 --> 0:54:32.879
<v Speaker 2>a baby like two weeks ago, first baby, and so

0:54:32.960 --> 0:54:36.279
<v Speaker 2>now I'm just deciding what scientifically I want to do

0:54:36.520 --> 0:54:37.440
<v Speaker 2>to her to make her.

0:54:40.360 --> 0:54:43.120
<v Speaker 1>Like you know the science experiment. Yes, yeah, and so

0:54:43.760 --> 0:54:47.520
<v Speaker 1>like what do I want to make her like? Well,

0:54:47.560 --> 0:54:50.600
<v Speaker 1>I will say this, you stack the deck. I had

0:54:51.200 --> 0:54:54.720
<v Speaker 1>all the playlists up until like five or six or seven.

0:54:55.480 --> 0:54:59.480
<v Speaker 1>You can you hold all the cards. So like I

0:54:59.520 --> 0:55:04.440
<v Speaker 1>would even take my daughter to record stores before she

0:55:04.480 --> 0:55:07.600
<v Speaker 1>could talk. There's a space, there's a spot called lose records.

0:55:08.520 --> 0:55:11.800
<v Speaker 1>All the records that you want, right, and I would pick.

0:55:12.000 --> 0:55:15.720
<v Speaker 1>I'd go through and pick albums that I wanted. I'd say, okay,

0:55:15.840 --> 0:55:19.440
<v Speaker 1>you want Miles Davis or do you want you know

0:55:19.760 --> 0:55:22.120
<v Speaker 1>this this Bob Dylan record? And it'd hold them up

0:55:22.160 --> 0:55:25.799
<v Speaker 1>both up to her and she would be like eh eh,

0:55:25.960 --> 0:55:26.480
<v Speaker 1>and I'd be like.

0:55:26.480 --> 0:55:28.040
<v Speaker 3>Okay, put this one down.

0:55:28.400 --> 0:55:30.480
<v Speaker 2>And then I'd pick up a David Bowie record, which

0:55:30.520 --> 0:55:33.200
<v Speaker 2>one do you want? And she would and so ultimately

0:55:33.280 --> 0:55:35.920
<v Speaker 2>she would pick what we would get and then we'd

0:55:35.960 --> 0:55:38.600
<v Speaker 2>go home and put it on and we'd listen to it.

0:55:38.840 --> 0:55:41.480
<v Speaker 2>And that was kind of one of our traditions. And

0:55:41.520 --> 0:55:43.560
<v Speaker 2>the other thing, I mean with Spotify or anything, you

0:55:44.280 --> 0:55:48.400
<v Speaker 2>are seating the field. You're you're you're saying, this is

0:55:48.520 --> 0:55:52.040
<v Speaker 2>music and it can be whatever you think good music is.

0:55:52.120 --> 0:55:54.800
<v Speaker 2>And that's what she's going to have as her foundational

0:55:54.840 --> 0:55:57.480
<v Speaker 2>element of what she loves, which is pretty awesome.

0:55:57.680 --> 0:55:58.960
<v Speaker 3>Yeah, I'm looking forward to that.

0:56:00.040 --> 0:56:02.759
<v Speaker 1>Gonna get he into coffee though, no coffee, Yeah, I mean,

0:56:02.880 --> 0:56:05.880
<v Speaker 1>so she's going to be like getting coffee in the

0:56:05.920 --> 0:56:09.520
<v Speaker 1>back alley, like you know, my dad doesn't let know

0:56:09.560 --> 0:56:13.080
<v Speaker 1>I'm doing this, but yeah, two final questions for you,

0:56:13.640 --> 0:56:16.040
<v Speaker 1>So talking about music, like, what what was it that

0:56:16.120 --> 0:56:19.560
<v Speaker 1>you listened to as a kid that you still find

0:56:20.200 --> 0:56:21.880
<v Speaker 1>that if you're putting music on, you still turn it

0:56:21.880 --> 0:56:23.480
<v Speaker 1>on because it makes you feel comfortable.

0:56:24.760 --> 0:56:32.680
<v Speaker 5>Oh, So Aretha was My mom and dad are both musicians,

0:56:33.400 --> 0:56:36.840
<v Speaker 5>and so music was always on a lot of records

0:56:37.560 --> 0:56:41.120
<v Speaker 5>and my mom had a like mostly.

0:56:40.800 --> 0:56:44.520
<v Speaker 2>Male artists looking back, and my mom didn't really tolerate

0:56:44.520 --> 0:56:46.560
<v Speaker 2>too many female singers she had.

0:56:46.680 --> 0:56:50.120
<v Speaker 3>She was very particular. She loved motown. But so Aretha

0:56:50.440 --> 0:56:50.920
<v Speaker 3>was one.

0:56:50.800 --> 0:56:55.200
<v Speaker 2>Of the the voices that felt like, you know, almost

0:56:55.200 --> 0:56:58.799
<v Speaker 2>like a mother kind of tone. For me, it just

0:56:58.840 --> 0:57:03.279
<v Speaker 2>felt like, you know that that's that's what Heaven sounds like.

0:57:03.320 --> 0:57:06.080
<v Speaker 2>So Aretha feels like my childhood.

0:57:07.400 --> 0:57:10.600
<v Speaker 1>Final question, Well, let me say this first before we

0:57:10.600 --> 0:57:11.279
<v Speaker 1>get to the final question.

0:57:11.280 --> 0:57:12.200
<v Speaker 3>And we mentioned it already.

0:57:12.840 --> 0:57:15.520
<v Speaker 1>The new album Forever Now comes out June twenty sixth.

0:57:15.560 --> 0:57:17.439
<v Speaker 1>There's a lot of a lot of reasons for that date,

0:57:17.480 --> 0:57:21.480
<v Speaker 1>Like we talked about, Yes, wake Up mister Crow is

0:57:21.520 --> 0:57:23.439
<v Speaker 1>out now, and I'm not crazy for thinking that felt

0:57:23.480 --> 0:57:24.880
<v Speaker 1>a little bit like Stars at least to me.

0:57:25.120 --> 0:57:26.320
<v Speaker 3>Yes made me feel like I was nervous.

0:57:26.480 --> 0:57:28.880
<v Speaker 1>I was never say I feel it okay, good, thank you,

0:57:28.920 --> 0:57:31.040
<v Speaker 1>thank you, And I'd like you to be honest.

0:57:31.080 --> 0:57:33.960
<v Speaker 3>I can show you why it feels. Please do which

0:57:33.960 --> 0:57:34.840
<v Speaker 3>that's tuned, yeah.

0:57:34.680 --> 0:57:47.280
<v Speaker 1>Okay, so the uh yeah, so this is they're both

0:57:47.280 --> 0:57:54.040
<v Speaker 1>and dropped, which is definitely like the fourteen year old

0:57:54.120 --> 0:57:56.600
<v Speaker 1>tuning where you're like, yeah, fourteen year old, I love

0:57:56.680 --> 0:57:57.880
<v Speaker 1>that sounds heavy.

0:57:58.400 --> 0:58:08.920
<v Speaker 3>So Stars is it has that right? And then the.

0:58:13.240 --> 0:58:16.800
<v Speaker 1>So it has a drop D droning and they're also

0:58:17.080 --> 0:58:20.720
<v Speaker 1>very similar at BPMS and they have that a lot

0:58:20.760 --> 0:58:21.560
<v Speaker 1>of the dissonance.

0:58:24.520 --> 0:58:27.120
<v Speaker 3>So yeah, they're they're they're they're brothers or sisters.

0:58:27.160 --> 0:58:29.080
<v Speaker 2>I don't know the gender, but they're one of those too,

0:58:29.240 --> 0:58:30.400
<v Speaker 2>at least strong cousins.

0:58:30.520 --> 0:58:32.360
<v Speaker 1>Yeah, I have double cousins. Ever heard of that?

0:58:32.480 --> 0:58:36.120
<v Speaker 3>Oh? Is that an Arkansas thing? I don't know what

0:58:36.160 --> 0:58:39.440
<v Speaker 3>double cousins are. I'm sorry the idea.

0:58:39.640 --> 0:58:44.040
<v Speaker 1>So my mom and her sister, two sisters, okay, married

0:58:44.200 --> 0:58:47.720
<v Speaker 1>my biological dad and his brother. No way, So two

0:58:47.800 --> 0:58:51.640
<v Speaker 1>sisters married two brothers, So all offspring, we're all doubled up.

0:58:51.720 --> 0:58:53.800
<v Speaker 1>Like to everybody that's related to me is related to them.

0:58:54.000 --> 0:58:57.400
<v Speaker 2>I so the people that live in the alley behind

0:58:57.640 --> 0:59:01.160
<v Speaker 2>me when I was writing meant to live same thing.

0:59:02.040 --> 0:59:06.640
<v Speaker 3>They're brothers that married two sisters. Yeah, so we're almost

0:59:06.680 --> 0:59:09.520
<v Speaker 3>incest but not quite. No, no, not no incest.

0:59:10.240 --> 0:59:14.040
<v Speaker 1>No no, no, I agree that just said almost the tree

0:59:14.080 --> 0:59:16.200
<v Speaker 1>goes up with no branches come out, but it's not.

0:59:16.360 --> 0:59:18.440
<v Speaker 3>Oh my gosh, but it almost feels.

0:59:18.960 --> 0:59:22.800
<v Speaker 1>Yeah, it's yeah, like you can you can almost walk

0:59:22.840 --> 0:59:24.360
<v Speaker 1>off the cliff, but you didn't fall off the cliff

0:59:24.360 --> 0:59:27.560
<v Speaker 1>and die. That's where we are, okay, okay, yeah almost

0:59:27.600 --> 0:59:30.600
<v Speaker 1>almost almost final question. Okay, and please be honest with

0:59:30.640 --> 0:59:32.880
<v Speaker 1>me here because I'd asked, Hey, I wonder I want

0:59:32.920 --> 0:59:35.840
<v Speaker 1>to what John's like, because I'm always curious of an impression.

0:59:35.920 --> 0:59:38.240
<v Speaker 1>Before I get to make my first impression, I like

0:59:38.280 --> 0:59:40.240
<v Speaker 1>to tell you what that is. Did anybody tell you

0:59:40.320 --> 0:59:42.360
<v Speaker 1>anything about me coming into this room at all?

0:59:43.560 --> 0:59:46.920
<v Speaker 2>The only text I received was like five minutes before,

0:59:47.320 --> 0:59:47.680
<v Speaker 2>did you.

0:59:47.600 --> 0:59:49.320
<v Speaker 3>Know where you were coming? No?

0:59:49.320 --> 0:59:51.200
<v Speaker 1>No, so you're just strained. You just fallow feet and

0:59:51.200 --> 0:59:52.600
<v Speaker 1>you came here and you didn't know what you're walking into.

0:59:52.680 --> 0:59:54.160
<v Speaker 3>Yeah, kind of didn't know. I knew.

0:59:54.280 --> 0:59:57.000
<v Speaker 2>I was like, I knew you were affiliate with sports

0:59:57.000 --> 1:00:00.040
<v Speaker 2>and the Dancing with the Stars, and that was kind of.

1:00:00.480 --> 1:00:03.240
<v Speaker 1>That's hilarious because that's like my eighth and ninth jobs. Okay,

1:00:04.000 --> 1:00:06.200
<v Speaker 1>all right, so that's what I'm saying. Okay, good, So

1:00:06.240 --> 1:00:08.720
<v Speaker 1>what what what information did you have before you walked

1:00:08.760 --> 1:00:09.000
<v Speaker 1>in here?

1:00:09.080 --> 1:00:11.800
<v Speaker 3>I can read you the text message. If that's okay, I.

1:00:11.720 --> 1:00:15.440
<v Speaker 1>Hope it's like strikingly good looking, it's very attractive, super funny,

1:00:15.760 --> 1:00:16.520
<v Speaker 1>he smells great.

1:00:16.600 --> 1:00:20.480
<v Speaker 2>Yes, why that was reletive irrelevant, but yeah, okay, it

1:00:20.560 --> 1:00:26.480
<v Speaker 2>says for the sake of posterity, pretending you've never heard

1:00:26.480 --> 1:00:29.280
<v Speaker 2>of Bobby bones for a second well known radio host

1:00:29.360 --> 1:00:33.120
<v Speaker 2>in the country. Space has a syndicated morning show on iHeartRadio.

1:00:33.600 --> 1:00:36.600
<v Speaker 2>He's also done some hosting. He's on American Idol as

1:00:36.600 --> 1:00:40.040
<v Speaker 2>a coach one, Dancing with the Stars and kind of

1:00:40.040 --> 1:00:40.840
<v Speaker 2>all over the place.

1:00:41.440 --> 1:00:43.840
<v Speaker 3>Interviews should be fairly straightforward. Hit me up if you

1:00:43.880 --> 1:00:46.920
<v Speaker 3>have any questions. Oh, christ I will see you there shortly.

1:00:47.280 --> 1:00:49.400
<v Speaker 3>All right, So that was what I knew. Do you

1:00:49.440 --> 1:00:51.160
<v Speaker 3>know what this is on? No?

1:00:52.400 --> 1:00:55.800
<v Speaker 1>Okay, so this is the show on Netflix. Okay, I'm

1:00:55.800 --> 1:00:58.400
<v Speaker 1>glad I didn't know. By the way, I'm Bobby. Nice

1:00:58.400 --> 1:01:03.320
<v Speaker 1>to meet John yet. I was like, yeah, that sounds fun.

1:01:03.560 --> 1:01:06.440
<v Speaker 1>I love talking about music. And I heard about the vinyl.

1:01:06.840 --> 1:01:09.760
<v Speaker 3>Yeah. Component I'm like, yeah, that sounds great. Did you

1:01:09.840 --> 1:01:12.520
<v Speaker 3>enjoy this? I loved it? Okay, I love that. I mean,

1:01:12.760 --> 1:01:13.520
<v Speaker 3>what's not to love.

1:01:13.560 --> 1:01:15.960
<v Speaker 1>We have to talk about our favorite spots on the

1:01:16.000 --> 1:01:19.120
<v Speaker 1>planet and Miles Davis.

1:01:19.240 --> 1:01:22.760
<v Speaker 3>Okay, yeah, what I got to teach me some dance moves? Now, No,

1:01:22.760 --> 1:01:23.240
<v Speaker 3>you don't want that.

1:01:23.280 --> 1:01:26.320
<v Speaker 1>Okay, you will somehow get worse if I teach you

1:01:26.360 --> 1:01:30.160
<v Speaker 1>anything dancing. What I was told was John is so nice,

1:01:30.200 --> 1:01:32.600
<v Speaker 1>it's going to blow you away. That was what I

1:01:32.640 --> 1:01:36.120
<v Speaker 1>was told about you coming in here. Okay, When I

1:01:36.160 --> 1:01:37.400
<v Speaker 1>say that, how does that make you feel?

1:01:39.400 --> 1:01:39.720
<v Speaker 3>Nice?

1:01:39.760 --> 1:01:40.240
<v Speaker 1>Is? Is?

1:01:40.920 --> 1:01:44.320
<v Speaker 3>Is an interesting adjective? I agree, I agree.

1:01:44.440 --> 1:01:50.000
<v Speaker 2>I appreciate being kind, and yet niceness is actually something

1:01:50.040 --> 1:01:53.280
<v Speaker 2>I'm trying to figure out come to terms with.

1:01:54.680 --> 1:01:58.000
<v Speaker 1>Nice doesn't always resonate with me. Yes, but I think

1:01:58.080 --> 1:01:59.800
<v Speaker 1>it was meant in a way of you're really going

1:01:59.800 --> 1:02:02.840
<v Speaker 1>to like him because he's a very kind and he'll

1:02:02.880 --> 1:02:03.520
<v Speaker 1>be generous.

1:02:03.720 --> 1:02:03.919
<v Speaker 3>Guy.

1:02:04.200 --> 1:02:08.840
<v Speaker 1>I think that's what the sentiment was. Yes, and met fully,

1:02:08.960 --> 1:02:10.720
<v Speaker 1>but you're the grand Canon. You're better than the Grand

1:02:10.760 --> 1:02:11.760
<v Speaker 1>Canyon like I expected.

1:02:11.840 --> 1:02:14.720
<v Speaker 3>And then whoa, look at this thing like it was.

1:02:14.720 --> 1:02:17.760
<v Speaker 1>That Wow, Okay, I'll take it. Yes, like India status

1:02:17.920 --> 1:02:21.480
<v Speaker 1>grand king. Sure, okay, but yeah, I have trouble with

1:02:21.560 --> 1:02:23.320
<v Speaker 1>nice because there are people that are nice, but don't

1:02:23.320 --> 1:02:25.120
<v Speaker 1>it doesn't feel genuine Yeah.

1:02:25.240 --> 1:02:26.800
<v Speaker 3>Well, and it's it's that thing where.

1:02:28.280 --> 1:02:31.000
<v Speaker 2>Yeah, I think, yeah, there's a lot there, but I

1:02:31.000 --> 1:02:36.200
<v Speaker 2>think for me, yeah, nice is a strange one. And

1:02:36.280 --> 1:02:38.800
<v Speaker 2>I think I'm trying to present myself. I want to

1:02:38.840 --> 1:02:40.960
<v Speaker 2>be kind, I want to be honest. I want to

1:02:40.960 --> 1:02:44.640
<v Speaker 2>be and I think sometimes nice can shave off all

1:02:44.720 --> 1:02:48.240
<v Speaker 2>the But I'm coming to you with you know, some scruff.

1:02:47.960 --> 1:02:51.400
<v Speaker 3>So here we go. I've really enjoyed this. I have

1:02:51.480 --> 1:02:52.680
<v Speaker 3>to thank you for your time.

1:02:52.800 --> 1:02:54.680
<v Speaker 1>This has been awesome and we talked about the record

1:02:54.720 --> 1:02:58.360
<v Speaker 1>before you got here. Congratulations. And I'm just a big fans.

1:02:58.400 --> 1:02:59.560
<v Speaker 1>I've been a big fan for a long time, so

1:02:59.600 --> 1:03:01.320
<v Speaker 1>for me, this is thrilling to be able to sit

1:03:01.360 --> 1:03:03.440
<v Speaker 1>and spend this time with you and not totally swing

1:03:03.600 --> 1:03:07.240
<v Speaker 1>and miss on stars. Let's go, yes, yes, all right,

1:03:07.320 --> 1:03:09.040
<v Speaker 1>there he is, John. Thanks for your time.

1:03:09.040 --> 1:03:12.360
<v Speaker 4>Man, all right, thank you, thanks for listening to a

1:03:12.400 --> 1:03:13.600
<v Speaker 4>Bobby Cast production