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Speaker 1: This guy. He's very selectful with the artist to sit

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Speaker 1: on the couch. He got a problem. He turns down

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Speaker 1: guys this big and your name came up and in

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Speaker 1: one second he was like, yo, one hundred percent, we

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Speaker 1: need to This is Joeah Dawn on my Mafia ship.

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Speaker 1: You know what it is, your boy, Jada, This is

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Speaker 1: the Joe and Jada Show. Every show is exclusive, every

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Speaker 1: show is iconic. Today we like to welcome our guests.

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Speaker 1: My brother one third of Griselda, one hundred percent of

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Speaker 1: drum work east side of Buffalo's own Conway. The machine

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Speaker 1: makes some noise. What what up? What up? What up? Man?

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Speaker 1: What up? Man? My brother was good life man, life

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Speaker 1: is good man, no doubt appreciate it. I've seen you've

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Speaker 1: been over the water crushing them crowds doing you know

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Speaker 1: what I mean, getting them bags, doing what we do.

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Speaker 1: I was that it was in some places I never

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Speaker 1: even I thought I've been everywhere. When you're looking at something,

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Speaker 1: shows like Damn Widdy congering Land for no question. Shit man,

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Speaker 1: that shit is. That shit is unbelievable. Man. Like the

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Speaker 1: way that the way that they love hip hop.

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Speaker 2: Man, they tapped into the culture over there is this,

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Speaker 2: you know what I mean, It's overwhelming, man, the love

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Speaker 2: I felt out there, like I was on out in Columbia,

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Speaker 2: I was on an Argentina, I was out in fucking Georgia.

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Speaker 2: I was everywhere like like you said, like I was

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Speaker 2: touching I was touching Land. I I ain't never thought

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Speaker 2: i'd be and I ain't. I ain't think they can

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Speaker 2: they understand like when I when I'm bringing to the

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Speaker 2: table with my lyrics.

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Speaker 1: Yeah, so for for.

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Speaker 2: The motherfuckers to be able to barely speak English and

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Speaker 2: wrapping my ship word for word, dog It's a different

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Speaker 2: type of feeling.

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Speaker 1: You know, you do you do my cloth out cloth

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Speaker 1: for music? So I follow you, I follow you griseled

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Speaker 1: in a whole crew. I could tell you like stages,

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Speaker 1: you like performing, Yeah, yeah, that's my favor element.

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Speaker 2: Yeah yeah, watching like dog Man, watching DMX, watching Boston.

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Speaker 1: You know what I'm saying. Definitely too on the top.

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Speaker 2: Of saying, you know, I could just tell like they

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Speaker 2: put a lot of emphasis in the in the stage

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Speaker 2: performance part of it more than just like the pend

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Speaker 2: you know what I'm saying.

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Speaker 1: And I just.

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Speaker 2: Like to go out there and just have like an

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Speaker 2: outer body experience just just leave it all on the

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Speaker 2: stage world.

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Speaker 1: How for the people that don't know, how did Grisel?

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Speaker 1: How y'all did did somebody meet in jail? Was it

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Speaker 1: y'all grew up? How y'all? How did y'all even link up? Yeah?

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Speaker 2: Ships, it says the beginning like since it says the

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Speaker 2: beginning like niggas, So it's like, you know what I mean.

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Speaker 2: It started with like me Wes Benny and machine Gun

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Speaker 2: Black rest in peace, you know what I'm saying. Then

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Speaker 2: my man cut her, my man cutter locked up right now.

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Speaker 2: But he you know what I'm saying, he started rapping

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Speaker 2: the shit with us. But this is well, when we

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Speaker 2: was older, like you know what I'm saying, they.

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Speaker 1: Was a little younger than me. I was always like

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Speaker 1: the rapping, like I've been battle rapping and fucking niggas

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Speaker 1: up since, like I was twelve years old, thirteen years

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Speaker 1: old in the city, just just going crazy on whoever

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Speaker 1: was was that guy at the time. They had to

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Speaker 1: see me, So that started with that.

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Speaker 2: And you know, them boys just seeing me watching me,

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Speaker 2: you know what I'm saying, saying, how I get busy.

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Speaker 2: It just turned into like yo, so crazy and Dan

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Speaker 2: you know what I'm saying, Like Benny just started becoming

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Speaker 2: a monster himself, you know what I'm saying.

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Speaker 1: And shit, just you know, man, we grew like that.

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Speaker 1: That shit grew like that. Well it ain't really like

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Speaker 1: get good.

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Speaker 2: Ain't really take it to like the business side or

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Speaker 2: really started trying to get sere it till like after

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Speaker 2: I got shot, you know what I'm saying. Once I

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Speaker 2: got shot, and like everybody was home, like because niggas

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Speaker 2: will never really be home from jail at the same

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Speaker 2: science too, so like sh ain't gonna be locked up,

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Speaker 2: Benny'll be home, Benny would be locked up West locked up.

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Speaker 1: You know.

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Speaker 2: I mean, it was we weren't really never all on

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Speaker 2: the streets at the same time until after I got shot,

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Speaker 2: you know what I'm saying.

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Speaker 1: And then after I got shot, it was just like nah, bro,

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Speaker 1: let's just you're going to be the one to take

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Speaker 1: us there go crazy, just put everything and then get

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Speaker 1: to get you stirdy, you know what I'm saying. The

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Speaker 1: question I have is I've been to Buffalo. Yeah, you know,

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Speaker 1: he's still got the Bronx crackheads in Buffalo. Wondered where

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Speaker 1: the crackheads went in Buffalo. You know, it's just crazy

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Speaker 1: Bronx crackheads is in Buffalo, right, and I've been there. Dang,

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Speaker 1: it's so hard to get out of Buffalo. Ye, So

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Speaker 1: to explain to everybody out there, you from upstate New York,

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Speaker 1: that's like a six seven hour drive from the boroughs, Right,

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Speaker 1: how did you have hope? Not only that, how did

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Speaker 1: you really get on from Buffalo? And then the hope

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Speaker 1: ko got on too? Like how did you think you

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Speaker 1: can make it from Buffalo? Yeah?

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Speaker 2: And no, like nobody think they gonna make it and

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Speaker 2: nothing like foot niggas, nothing they gonna make it to

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Speaker 2: the league. Niggas gonna be niggas. You know what I'm saying.

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Speaker 2: Like it's cracked, and that's it. You feel me the streets,

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Speaker 2: that's it.

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Speaker 1: You feel me in.

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Speaker 2: But I always had the mind state dog just the

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Speaker 2: white people hear me, I'm out of here because I just.

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Speaker 1: Always feeling I ain't it ain't too many niggas like

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Speaker 1: a fuck with me. And that was way back then,

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Speaker 1: Like you know what I'm saying.

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Speaker 2: Ninety six, ninety seven, ninety nine, two thousand, you know

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Speaker 2: what I'm saying, And I think it ain't happened for me,

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Speaker 2: for us, I think that was a blessing in the

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Speaker 2: sky though, you know what I'm saying, because we was

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Speaker 2: blessed with the.

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Speaker 1: Journey. We was able to learn.

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Speaker 2: We was able to watch errors, We was able to

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Speaker 2: study film, watch y'all game tape.

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Speaker 1: You know what I'm saying, See how y'all doing it?

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Speaker 2: Like you said, Like I was saying, like I'm watching

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Speaker 2: Bust the Rhymes perform, watching DMX go crazy from the

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Speaker 2: fifty thousand. You know what I'm saying, I'm able to

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Speaker 2: see that shit and learning able to take little elements

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Speaker 2: from everything, and it sharpened my blade till it was time,

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Speaker 2: you know, man. But it's definitely to answer your question, man,

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Speaker 2: it's tough, you know what I mean. I don't really

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Speaker 2: know how we did it, man, It's just I think

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Speaker 2: it was just time, you know what I'm saying, Like

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Speaker 2: he just got Like I said, we got all shit

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Speaker 2: in the right people to the right people, man, and

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Speaker 2: it's just like the bus they started just talking, you

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Speaker 2: know what I mean. But we like we was getting

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Speaker 2: so we was just on our bullshit, like we ain't

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Speaker 2: want to even sign no days and none of that.

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Speaker 2: We ain't want to fuck with nobody. We were just

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Speaker 2: laying nobody coming to fuck with us. Fucking were doing

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Speaker 2: our own shit. We ain't really signing, but we shit

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Speaker 2: just start getting too crazy, like we the hoodies and

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Speaker 2: shit flying off the table, the CDs. We can't sell

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Speaker 2: the vinyls selling for like a thousand dollars, Like somebody

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Speaker 2: will buy the vinyl for for fifty this shit it's

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Speaker 2: on eBay or something for like twelve hundred. Were looking

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Speaker 2: at this ship like we gained mirrors painting in Japan

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Speaker 2: and and shit Paris. It's like this shit getting too crazy.

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Speaker 2: We need we need management now, you know what I'm saying.

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Speaker 2: At least gets management. And you know what I'm saying,

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Speaker 2: that's how we met Paul and all that. But that's

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Speaker 2: how we really got our introduction in the game, just

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Speaker 2: hustling and making our ship boutique, like you know what

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Speaker 2: I mean. It was like we was getting into this

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Speaker 2: stream era. This was in the beginning of that. We

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Speaker 2: like went against that, like fuck that, you gotta come

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Speaker 2: see me.

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Speaker 1: We get that. Yeah, you can only get it.

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Speaker 2: It's only one hundred and eighty seven of these, you know,

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Speaker 2: we having a one A seven on the back of

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Speaker 2: the hoodies.

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Speaker 1: So the hoodies is getting marked up resale.

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Speaker 2: They light took this formula from like the sneaker game

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Speaker 2: took that same formula.

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Speaker 1: That ship man we hear today. Man, you know what

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Speaker 1: I'm saying. So went from a mission impossible to get

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Speaker 1: signed to something like that in Buffalo. Once y'all got

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Speaker 1: popping the whole Grisella, they was going out there trying

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Speaker 1: to sign your cousins. Everybody they out there, they've been

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Speaker 1: pulling up, they've been they've been pulling up because you know,

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Speaker 1: I'm good friends with bone Thug. They from Cleveland. That's

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Speaker 1: a little further to get on the Buffalo. And when

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Speaker 1: they started popping, they signed every cousin in Cleveland they

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Speaker 1: ever heard, they liked, didn't like. You know, this industry

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Speaker 1: is the industry. They just pull up once they know,

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Speaker 1: like Warren g he got snatched from under. He's doctor

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Speaker 1: Dre's stepbrother. They went out there and Leo Cohen went

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Speaker 1: to Compton. You know that's what they do. Well, came

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Speaker 1: to the School street c X to the Jets. He

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Speaker 1: wasn't scared, but you gotta get it popping. Though. One

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Speaker 1: thing I love about you guys. First of all, you

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Speaker 1: guys get it right. Everybody don't get it. And the

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Speaker 1: one thing I loved about you guys is, you know,

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Speaker 1: I come from digging in the crace. I come from

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Speaker 1: the underground boom bat right. But what I love about

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Speaker 1: yas y'all always invested in your fashion, in your fly.

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Speaker 1: That was a big difference Merge too. They took merg

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Speaker 1: to theeduct if they merged to a rocket ship and

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Speaker 1: took that ship. But my thing is fashion, right, So

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Speaker 1: I'm looking at y'all. Y'all sound beats and bombs, you know,

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Speaker 1: that's where we come from, That's where we started. And

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Speaker 1: then but you guys was like throwing that ship on

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Speaker 1: and all that, And now I could go to an

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Speaker 1: underground concert today. Not for nothing that you ain't wearing.

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Speaker 1: They wearing whatever you gave him free death Jam coming

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Speaker 1: out now or something. They don't give a fuck, right,

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Speaker 1: And so but these guys got it. They were like, Okay,

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Speaker 1: we're gonna be underground superstars. We're gonna throw that ship

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Speaker 1: on it. Who really started that up? That's just what

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Speaker 1: it was.

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Speaker 2: I mean, that was really the kind of the nature

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Speaker 2: of it in a sense, like but I think that's

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Speaker 2: why too, Like you know, our music and ship, like

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Speaker 2: the young young boys and shit kind of fuck with

200
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Speaker 2: us and and like tapped into our ship too, because

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Speaker 2: we able to able to relate to us, you know

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Speaker 2: what I'm saying, Like we we was outside doing that.

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Speaker 2: We was the niggas who was having having the Apa

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Speaker 2: rexs and ship on, giving them, you know what I'm saying,

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Speaker 2: a little five dollars to go to the store signing

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Speaker 2: fun me. So they looked up to us and stuff,

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Speaker 2: and I think it just kind of translates worldwide, like

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Speaker 2: like looking at them niggas, cause shit, I ain't I

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Speaker 2: ain't that young. You fuel me so young niggas tap

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Speaker 2: in and fuck with me and look at to me

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Speaker 2: like yo, what up?

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Speaker 1: Big road type ship? What up?

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Speaker 2: So you know we'd be having that ship on and

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Speaker 2: we be talking that ship too. That's well relevant, But

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Speaker 2: over them them same type of I mean, I got

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Speaker 2: conducted in the Cut, I got Darrener and the Cut Alchemists.

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Speaker 1: I needed darn too, man, I need a couple of

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Speaker 1: darrenes man daring to get that man right, hell right, Diesel.

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Speaker 1: So many influences. You work with a lot of legends.

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Speaker 1: I mean that that's your show tested. How you get busy.

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Speaker 1: You get a lot of calls from us for me,

222
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Speaker 1: styles can dudes that really do music with substance. How

223
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Speaker 1: you feel about that because you don't want to work

224
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Speaker 1: with some of these garbage? Now, you know?

225
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Speaker 2: For me, that's to me, that's the fucking that's the award,

226
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Speaker 2: you know what I mean, that's the to get get

227
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Speaker 2: my flowers from the MC's and I respect looking at that.

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Speaker 1: Like at the end of the day, I look at myself.

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Speaker 1: I'm an MC.

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Speaker 2: I'm true to this hip hop, this MCing element of it.

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Speaker 2: Everything else, Like I don't really you know what I'm saying.

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Speaker 2: I'm MC first for me, So it's like for me

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Speaker 2: to just you know, get that, get that love, get

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Speaker 2: that embraced.

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Speaker 1: You know what I'm saying.

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Speaker 2: For niggas like Buster from the Chef, you know what

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Speaker 2: I mean, Starks and them niggas, you know what I mean.

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Speaker 1: From y'all what it is.

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Speaker 2: I remember we had our first show ever. We ain't

240
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Speaker 2: never sell a record or nothing. We did our first

241
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Speaker 2: first show.

242
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Speaker 1: He was on tour.

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Speaker 2: We did it that on I think Webster All. First

244
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Speaker 2: stop was in New York City and wester Hall. Man

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Speaker 2: I came to the show with Prodigy, like Prodigy was

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Speaker 2: with us hanging all day.

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Speaker 1: Ship y'all pulled up, you know what I'm saying. Ray

248
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Speaker 1: pulled up and performed like hell is done. That ship

249
00:12:40,000 --> 00:12:42,760
Speaker 1: was wal l It was like a real hell. I

250
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Speaker 1: don't think it was crazy.

251
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Speaker 2: I don't know if it's been no show like that

252
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Speaker 2: in New York City that that feel was tight and intimate.

253
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Speaker 2: Since that s Obs got me that that on wester

254
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Speaker 2: All ship, I've been to a lot of ship's just

255
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Speaker 2: the love like it was graffiti and it on the wall.

256
00:13:00,640 --> 00:13:02,920
Speaker 2: I know it was all type of little box cutters

257
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Speaker 2: and pocket rockers in there. It was well twelve pocket

258
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Speaker 2: rockers in there, you know what I mean, A couple

259
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Speaker 2: of butter Knice.

260
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Speaker 1: A lot of MC's that were the greatest in the game.

261
00:13:14,840 --> 00:13:18,319
Speaker 1: Didn't know how to pick beats. You guys know how

262
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Speaker 1: to pick beasts. I won't say their names because the

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Speaker 1: living legends you're not gonna say, don't do that already

264
00:13:27,360 --> 00:13:32,880
Speaker 1: know that ain't go. But there's some legendary artists. When

265
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Speaker 1: people ask me, you don't watch such and such a blow.

266
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Speaker 1: Homeboy was the nicest this and this and that. But

267
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Speaker 1: when you heard they beat selection, you know, just now

268
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Speaker 1: we was just vibing to your ship. You play like

269
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Speaker 1: five in the row. All them beats feel like they

270
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Speaker 1: shooting heir on on the street. You know, the back

271
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Speaker 1: room usual going down all of them. I don't know

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Speaker 1: the sixties.

273
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Speaker 2: Now I feel like that ship come from like you

274
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Speaker 2: know what I mean, having access sometimes when you might

275
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Speaker 2: have got no access to no fire. You know what

276
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Speaker 2: I mean, You're making the best of what you what

277
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Speaker 2: you what you got in front of you.

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Speaker 1: You know what I'm saying.

279
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Speaker 2: It's like I don't been in it in the city

280
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Speaker 2: in times like that where the beast was, you know

281
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Speaker 2: what I mean? Yeah, damn. And we got darrenjer You

282
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Speaker 2: know what I'm saying. He was in house like I'm

283
00:14:23,480 --> 00:14:25,720
Speaker 2: sleeping on a nigga couch, you feel me, And I'm

284
00:14:25,720 --> 00:14:28,280
Speaker 2: getting asked that he making these ships on the spot.

285
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Speaker 1: Now we got out, We.

286
00:14:29,720 --> 00:14:32,960
Speaker 2: Got conductors and you know what I mean, different different niggas,

287
00:14:32,960 --> 00:14:35,040
Speaker 2: Like it's just the access.

288
00:14:35,120 --> 00:14:36,120
Speaker 1: We got the resource.

289
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Speaker 2: Now, you know what I'm saying, Can I can ahead, Swiss,

290
00:14:38,640 --> 00:14:41,560
Speaker 2: I can ahead different niggas and get I got the resource.

291
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Speaker 1: Now you know what I'm saying, but as far as

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Speaker 1: like you know, that's what I put it.

293
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Speaker 2: As to, like you know what you said, my legends

294
00:14:48,720 --> 00:14:51,000
Speaker 2: is said you might not have you know what I'm

295
00:14:51,000 --> 00:14:54,520
Speaker 2: meaning to reach to get no nothing crazy And then

296
00:14:54,560 --> 00:14:56,760
Speaker 2: you want to you need the money or you're trying

297
00:14:56,760 --> 00:14:58,840
Speaker 2: to push something out so bad, like fuck it. I'm

298
00:14:58,880 --> 00:15:01,480
Speaker 2: just going I'm gonna picture saying how this ship that

299
00:15:01,600 --> 00:15:02,400
Speaker 2: I got right here?

300
00:15:02,520 --> 00:15:04,560
Speaker 1: Fuck it? You know what I mean? The twelve these twelve?

301
00:15:04,840 --> 00:15:07,600
Speaker 1: What's your creative process? I know you need some zob

302
00:15:08,000 --> 00:15:12,760
Speaker 1: yeah yeah, yeah, yeah, I'm just smoking me one you

303
00:15:12,840 --> 00:15:16,760
Speaker 1: feel me? You know a lot of a lot of

304
00:15:16,920 --> 00:15:18,800
Speaker 1: a lot of reposodo.

305
00:15:20,160 --> 00:15:23,080
Speaker 2: You know what I'm saying, some type of some type

306
00:15:23,080 --> 00:15:26,760
Speaker 2: of sports, you know what I mean, presentation on the

307
00:15:26,800 --> 00:15:32,640
Speaker 2: screen and on mute and share some beats crazy and

308
00:15:32,720 --> 00:15:36,040
Speaker 2: why myself like I just me and the engineer maybe

309
00:15:36,120 --> 00:15:38,760
Speaker 2: like one of my mans like that shit, I don't

310
00:15:38,800 --> 00:15:42,000
Speaker 2: really I don't need a party, yeah, and they probably

311
00:15:42,960 --> 00:15:44,760
Speaker 2: I take everybody to work with me to day.

312
00:15:45,080 --> 00:15:47,600
Speaker 1: I do what I see. I got a sweep first

313
00:15:47,800 --> 00:15:50,560
Speaker 1: yeah that yeah, same ship like you, but I gotta

314
00:15:50,640 --> 00:15:58,000
Speaker 1: sweep at the sweep sweet Actually sweep. No, it's this.

315
00:15:58,560 --> 00:16:02,440
Speaker 1: It's just like a like a full here. I gotta

316
00:16:02,480 --> 00:16:06,520
Speaker 1: sweep it ain't even dirty, it's not even nothing on

317
00:16:06,600 --> 00:16:08,800
Speaker 1: the floor. But you gotta sweet first before you go

318
00:16:08,880 --> 00:16:11,920
Speaker 1: as the last team. Yeah, I gotta sweep. Mm hmm,

319
00:16:12,880 --> 00:16:17,640
Speaker 1: I'm sweeping it. I'm sweeping something negativity. You right, you

320
00:16:17,840 --> 00:16:20,160
Speaker 1: right at home or you right right at the studio,

321
00:16:21,480 --> 00:16:24,440
Speaker 1: every both like a.

322
00:16:24,480 --> 00:16:27,360
Speaker 2: Lot of us that ship don't even I don't even

323
00:16:27,480 --> 00:16:29,880
Speaker 2: be hitting no pad. A lot of that ship off

324
00:16:29,960 --> 00:16:33,600
Speaker 2: the top. I mean, I ain't really free styling stick

325
00:16:33,640 --> 00:16:33,840
Speaker 2: it up.

326
00:16:34,040 --> 00:16:34,760
Speaker 1: I'm thinking of it.

327
00:16:34,840 --> 00:16:37,080
Speaker 2: I'm giving a thought smoked me one or two, and

328
00:16:37,200 --> 00:16:39,480
Speaker 2: then I'm like, all right, I might taking me in nap,

329
00:16:39,760 --> 00:16:40,520
Speaker 2: saying wake up.

330
00:16:40,600 --> 00:16:43,640
Speaker 1: Yeah, I am ready low me up, and then I

331
00:16:43,880 --> 00:16:45,800
Speaker 1: just go like that. So a lot of that ship

332
00:16:45,840 --> 00:16:48,040
Speaker 1: on that album I hadn't even wrote.

333
00:16:48,120 --> 00:16:51,840
Speaker 2: I ain't write that, write that down. I'm writing the

334
00:16:51,920 --> 00:16:54,720
Speaker 2: lyrics down now because you know, I like, yo, I

335
00:16:54,800 --> 00:16:56,160
Speaker 2: need the lyrics. I need the lyrics.

336
00:16:56,920 --> 00:16:59,000
Speaker 1: So I gotta go back and listen and ship like damn,

337
00:16:59,040 --> 00:17:01,840
Speaker 1: what the fuck I said? You know, man, is there

338
00:17:01,840 --> 00:17:06,199
Speaker 1: a difference from being high writing lyrics or being sober

339
00:17:06,440 --> 00:17:09,359
Speaker 1: for me. Nah, for me, now, you know what I'm saying.

340
00:17:10,000 --> 00:17:12,320
Speaker 1: How people say they gotta be hot to write, do

341
00:17:12,400 --> 00:17:15,520
Speaker 1: you think it's a difference, just puts me into better

342
00:17:15,720 --> 00:17:19,640
Speaker 1: comfortable I mean sometimes you don't need for me, it's

343
00:17:19,800 --> 00:17:23,119
Speaker 1: really the beat. Yes, if the beat is super is

344
00:17:23,200 --> 00:17:27,760
Speaker 1: fucking incredible. I don't need nothing, you know what I'm saying. Yeah,

345
00:17:28,080 --> 00:17:31,840
Speaker 1: because I used to write, and then, you know, towards

346
00:17:31,960 --> 00:17:35,719
Speaker 1: my latest stage in my career, it's more like, let

347
00:17:35,760 --> 00:17:37,680
Speaker 1: me go in the studio, throw that beat on. I

348
00:17:37,760 --> 00:17:40,280
Speaker 1: don't even want to hear it. Before that, then it's

349
00:17:40,359 --> 00:17:45,359
Speaker 1: just yeah, I'm just flowing this ship. Like you know.

350
00:17:45,480 --> 00:17:49,200
Speaker 1: They asked me one time, and this guy was incredible.

351
00:17:49,720 --> 00:17:52,800
Speaker 1: I was overseas on one of them tours as some

352
00:17:53,000 --> 00:17:55,960
Speaker 1: journalists from some fucking country out there. He said, man,

353
00:17:56,000 --> 00:18:00,320
Speaker 1: what's the process of writing? And I explained to him debt.

354
00:18:01,920 --> 00:18:04,760
Speaker 1: Once they put a fire beat on, it's like remember

355
00:18:04,800 --> 00:18:06,520
Speaker 1: when we was in kindergarten and all that, and they

356
00:18:06,560 --> 00:18:09,280
Speaker 1: would make them books that the fucking trees pop out

357
00:18:09,400 --> 00:18:12,240
Speaker 1: and all that. Yeah, the rhymes just pop out. He

358
00:18:12,359 --> 00:18:14,359
Speaker 1: was looking at me like I was crazy, but I

359
00:18:14,520 --> 00:18:17,480
Speaker 1: realized I was sounded crazy, but I was explaining it

360
00:18:17,560 --> 00:18:19,639
Speaker 1: to him. But that's how I really worked. When they

361
00:18:19,680 --> 00:18:22,480
Speaker 1: throw the beat on, you know, to me to be

362
00:18:22,680 --> 00:18:27,080
Speaker 1: telling me what to say, whether good or bad, happy, sad, party, whatever,

363
00:18:27,680 --> 00:18:29,760
Speaker 1: the beat always tell me what to say. That's how

364
00:18:29,800 --> 00:18:31,639
Speaker 1: it is for me. For me too, I need that

365
00:18:31,760 --> 00:18:34,240
Speaker 1: beat and they need to be in a gud space.

366
00:18:35,359 --> 00:18:35,760
Speaker 1: That beat.

367
00:18:35,760 --> 00:18:37,600
Speaker 2: They'll wake me up on my sleep. I don't care

368
00:18:37,640 --> 00:18:40,040
Speaker 2: what fuck, what kind of states something is that be crazy.

369
00:18:41,119 --> 00:18:43,080
Speaker 2: I'm gonna stop with my try. Like I did a

370
00:18:43,200 --> 00:18:46,800
Speaker 2: song going on my last shit, I was leaving the stoody.

371
00:18:46,840 --> 00:18:48,800
Speaker 2: It was like six thirty in the morning. I've been in,

372
00:18:48,880 --> 00:18:50,440
Speaker 2: out and out of the day like four ships.

373
00:18:50,480 --> 00:18:53,440
Speaker 1: I'm drunk. I'm all, I'm on my way, I'm ready

374
00:18:53,480 --> 00:18:54,720
Speaker 1: to go to sleep. I'm leaving.

375
00:18:55,240 --> 00:18:57,440
Speaker 2: So the producer came in. I ain't never worked with

376
00:18:57,520 --> 00:18:59,639
Speaker 2: this producer or nothing. He just plugging his shit up

377
00:18:59,640 --> 00:19:02,840
Speaker 2: while he cleaning the jointy. That's take a place, and

378
00:19:02,960 --> 00:19:05,320
Speaker 2: I'm like, I stopped at the door, like, yo, what's that?

379
00:19:06,440 --> 00:19:08,640
Speaker 1: No? I had that and ended again on my album

380
00:19:09,080 --> 00:19:12,359
Speaker 1: was crazy. Was crazy. That's how it works with music,

381
00:19:12,960 --> 00:19:15,959
Speaker 1: And you know, they give us the least credit they

382
00:19:16,080 --> 00:19:19,800
Speaker 1: know for it being on art form. But it's it's art.

383
00:19:19,960 --> 00:19:24,280
Speaker 1: When you hear something that measurement rises you, you gotta

384
00:19:24,359 --> 00:19:26,600
Speaker 1: have it, you know what I mean? I tell you

385
00:19:26,680 --> 00:19:31,240
Speaker 1: all the time, this is how we do. It's Friday

386
00:19:31,359 --> 00:19:35,480
Speaker 1: night and I'm doing the fun. You go to a party,

387
00:19:35,560 --> 00:19:39,400
Speaker 1: you throw that ship? Are you rocking? I just told

388
00:19:39,480 --> 00:19:44,400
Speaker 1: Test the last time you play that all the time, man,

389
00:19:45,359 --> 00:19:47,639
Speaker 1: I mean I just told Test movie go DJ in

390
00:19:47,720 --> 00:19:51,720
Speaker 1: my house for my birthday. I said, Yo, bro strictly hallm.

391
00:19:52,040 --> 00:19:54,320
Speaker 1: I want to feel like I want to thank you.

392
00:19:54,400 --> 00:19:57,600
Speaker 1: I want I do not play. I need that vibe

393
00:19:58,240 --> 00:20:00,960
Speaker 1: because for some reason, I'm telling Chris today, right, I

394
00:20:01,040 --> 00:20:05,040
Speaker 1: say how they was killing dudes in that time, right,

395
00:20:05,520 --> 00:20:07,479
Speaker 1: like when you if you think about when they been

396
00:20:07,560 --> 00:20:10,480
Speaker 1: the music I'm just talking about you know, you know,

397
00:20:10,680 --> 00:20:14,159
Speaker 1: wait your time young man or mama used to and

398
00:20:14,359 --> 00:20:16,960
Speaker 1: you and the club and the beautiful woman that death

399
00:20:17,080 --> 00:20:20,159
Speaker 1: they dancing. I'm not talking about hip hop. How do

400
00:20:20,280 --> 00:20:25,119
Speaker 1: they get the clapping sas own money? Dudes was clapping

401
00:20:25,240 --> 00:20:28,359
Speaker 1: over their girls this this like if you think about

402
00:20:28,400 --> 00:20:29,760
Speaker 1: that time, right, that's it.

403
00:20:31,119 --> 00:20:37,760
Speaker 3: Then then then you're like, how the hell these guys

404
00:20:38,640 --> 00:20:39,679
Speaker 3: shoot the place up?

405
00:20:40,080 --> 00:20:43,040
Speaker 1: Like what I heard? Yeah, they need they old money

406
00:20:44,000 --> 00:20:48,760
Speaker 1: that somebody fuck with somebody girl, somebody, you know, and

407
00:20:48,880 --> 00:20:51,040
Speaker 1: so they got the clapping. But you know that ship

408
00:20:51,200 --> 00:21:04,720
Speaker 1: make me happy? You know what makes you happy? Brother?

409
00:21:05,520 --> 00:21:10,000
Speaker 1: Maybe fucking with my dog man go down.

410
00:21:10,200 --> 00:21:13,560
Speaker 3: You know what I'm saying, Fucking with my little bulldog,

411
00:21:13,680 --> 00:21:15,480
Speaker 3: my little French bulldog man.

412
00:21:16,880 --> 00:21:23,200
Speaker 2: Other than that, being left alone, Yeah, no phone or phone.

413
00:21:23,320 --> 00:21:29,280
Speaker 2: All he's telling I find my happiness doing that. Show

414
00:21:29,359 --> 00:21:32,440
Speaker 2: me playing a little two k or something or in

415
00:21:32,520 --> 00:21:36,720
Speaker 2: the studio. What's an adulte beat makes me happy?

416
00:21:38,119 --> 00:21:41,080
Speaker 1: That's the right fact. What's going on with drum work?

417
00:21:42,680 --> 00:21:46,440
Speaker 1: Were getting to it? Man? I got you know Skis?

418
00:21:46,480 --> 00:21:51,080
Speaker 1: Why Jay Skis? We put him out. We started him

419
00:21:51,119 --> 00:21:54,480
Speaker 1: in like twenty twenty, twenty twenty one, but he just

420
00:21:54,560 --> 00:21:58,440
Speaker 1: did another He dropped like two ships this year. He tour,

421
00:21:58,520 --> 00:22:02,000
Speaker 1: He did a tour this year. I got a sk

422
00:22:02,520 --> 00:22:07,480
Speaker 1: or Man Kendricks, I got a couple of shooters, Mandy.

423
00:22:07,960 --> 00:22:10,440
Speaker 1: You know that's beautiful. We're doing news. We got this

424
00:22:10,600 --> 00:22:13,359
Speaker 1: album of compilation like an arm with all of us,

425
00:22:13,840 --> 00:22:16,480
Speaker 1: don't you know what I'm saying. Put that shit out

426
00:22:16,560 --> 00:22:19,880
Speaker 1: this ship too broadly. You know it's beautiful that people

427
00:22:19,920 --> 00:22:23,680
Speaker 1: don't understand. Is like when God give you the opportunity

428
00:22:24,440 --> 00:22:27,520
Speaker 1: to be the first to get on and live your

429
00:22:27,640 --> 00:22:30,399
Speaker 1: dream about and then you go back and say, all right,

430
00:22:30,440 --> 00:22:33,640
Speaker 1: I'm ship with you. Yep, you know what I'm saying.

431
00:22:33,720 --> 00:22:36,960
Speaker 1: There's nothing like that putting somebody on, helping them see

432
00:22:37,000 --> 00:22:42,200
Speaker 1: their vision go through it. And uh, that's very commendable

433
00:22:42,280 --> 00:22:45,159
Speaker 1: because you could just be thinking about yourself. You know,

434
00:22:45,240 --> 00:22:48,920
Speaker 1: I could think of phenomenal artists that we love to

435
00:22:49,080 --> 00:22:53,320
Speaker 1: death that never put nobody on, meaning rack wise, you know.

436
00:22:53,480 --> 00:22:55,119
Speaker 1: So when you go out your way to do that,

437
00:22:55,440 --> 00:23:00,280
Speaker 1: you know, we all get what shortcomings or we all

438
00:23:00,560 --> 00:23:03,200
Speaker 1: try to help certain people that went bad, you know

439
00:23:03,240 --> 00:23:06,399
Speaker 1: what I'm saying. But for the most part, that's a

440
00:23:06,440 --> 00:23:08,879
Speaker 1: beautiful thing to ship your journey and your dream with

441
00:23:09,000 --> 00:23:12,520
Speaker 1: some up and coming artists. It is that is you

442
00:23:12,560 --> 00:23:15,440
Speaker 1: know what I mean, Especially for me, like because I

443
00:23:15,720 --> 00:23:18,119
Speaker 1: was always a type of person I don't really like

444
00:23:18,760 --> 00:23:21,160
Speaker 1: I don't mesh well with everybody, Like I don't really

445
00:23:21,800 --> 00:23:23,800
Speaker 1: hang around a lot of people. I don't keep a

446
00:23:23,840 --> 00:23:26,879
Speaker 1: lot of I keep a small circle. So you know

447
00:23:26,880 --> 00:23:29,959
Speaker 1: what I mean for me, even you know what I mean,

448
00:23:30,720 --> 00:23:33,480
Speaker 1: just open up pause like that, like feel me and

449
00:23:33,600 --> 00:23:36,520
Speaker 1: let people just come come fuck with me, you know

450
00:23:36,560 --> 00:23:37,920
Speaker 1: what I mean, Jump in the back seat.

451
00:23:38,000 --> 00:23:42,600
Speaker 2: Man, let's let's ride up there together. It is actually

452
00:23:42,720 --> 00:23:43,439
Speaker 2: inspiring for.

453
00:23:43,560 --> 00:23:44,280
Speaker 1: Me, you know what I mean.

454
00:23:44,280 --> 00:23:46,520
Speaker 2: It's actually doing more for me than them. You know

455
00:23:46,520 --> 00:23:48,960
Speaker 2: what i mean, because I'm getting out of my my,

456
00:23:49,320 --> 00:23:53,400
Speaker 2: my old self, you know what I'm saying. Yeah, Man,

457
00:23:53,560 --> 00:23:58,600
Speaker 2: just a short, temperate, uh hot headed type dude. I'm

458
00:23:58,680 --> 00:24:01,919
Speaker 2: just more patient with things now and I know how

459
00:24:01,960 --> 00:24:04,480
Speaker 2: to calm myself down. I'll get upset and stuff. So

460
00:24:05,160 --> 00:24:08,080
Speaker 2: that's why I like to be alone, like the isolation,

461
00:24:08,760 --> 00:24:09,320
Speaker 2: you know what I mean.

462
00:24:10,280 --> 00:24:12,520
Speaker 1: What you got going any more? Touring? What's going on?

463
00:24:12,680 --> 00:24:13,840
Speaker 1: You got you going back out?

464
00:24:14,119 --> 00:24:16,240
Speaker 2: Yeah, I'm at the tour. I'm at the tour of

465
00:24:16,280 --> 00:24:20,120
Speaker 2: the States starting in November. I'm thinking at the show

466
00:24:20,440 --> 00:24:21,879
Speaker 2: at the end of October, though.

467
00:24:22,480 --> 00:24:25,600
Speaker 1: Out here I'm not sure. But yeah, I'm going back

468
00:24:25,640 --> 00:24:27,360
Speaker 1: on that road. You know. I stay on that road,

469
00:24:27,480 --> 00:24:29,720
Speaker 1: no doubt. Touching the people. Yeah, I like to man,

470
00:24:29,840 --> 00:24:31,120
Speaker 1: I like to be on that stage.

471
00:24:31,240 --> 00:24:34,879
Speaker 2: And that's you know, fucking with my fans, man, you know,

472
00:24:35,160 --> 00:24:38,680
Speaker 2: taking them pictures and signing thirty vinyls.

473
00:24:39,320 --> 00:24:42,240
Speaker 1: You know what I'm saying. Wait, niggas with the vinyls thing.

474
00:24:43,000 --> 00:24:45,760
Speaker 1: Got apple tags on niggas. That's a fact. You know,

475
00:24:45,920 --> 00:24:46,800
Speaker 1: where are you at them?

476
00:24:47,160 --> 00:24:50,080
Speaker 2: Niggas are like thirty hours, so they're like, Noah, I

477
00:24:50,160 --> 00:24:54,360
Speaker 2: got the mall machine, h man. But yeah, I'm going

478
00:24:54,480 --> 00:24:58,080
Speaker 2: back on roll, going back over overseas and shit, I

479
00:24:58,160 --> 00:24:59,720
Speaker 2: got some couple of shows.

480
00:24:59,440 --> 00:25:03,200
Speaker 1: On the green. You know what I'm saying. Fire, I'm

481
00:25:03,200 --> 00:25:08,879
Speaker 1: about Mongolia. You ever been to Mongolia? That's when you

482
00:25:09,000 --> 00:25:10,879
Speaker 1: know crack trying to get the bag. Well, he go

483
00:25:11,040 --> 00:25:13,200
Speaker 1: to Mongolia. I had a dude in jail with me,

484
00:25:13,280 --> 00:25:15,520
Speaker 1: a white boy. You know, it's real ratio in jail,

485
00:25:15,600 --> 00:25:17,720
Speaker 1: but I put him down with our cool Nobody wanted them,

486
00:25:17,720 --> 00:25:20,399
Speaker 1: but I seen it. I seen the strength of him.

487
00:25:20,440 --> 00:25:24,320
Speaker 1: I used to call him Hong Kong's Mongolia Man. So

488
00:25:24,440 --> 00:25:26,360
Speaker 1: one day he comes up to me. A month later,

489
00:25:26,440 --> 00:25:28,640
Speaker 1: he says, hey, boss, I said, what's up? He said,

490
00:25:29,240 --> 00:25:33,360
Speaker 1: I just realized Hong Kong and Mongolia is two different places.

491
00:25:33,440 --> 00:25:35,159
Speaker 1: I said, I don't give a fuck. We lucky. I

492
00:25:35,280 --> 00:25:39,800
Speaker 1: gave you a nickname, all the fuck, Hong Kong's Monolian.

493
00:25:40,320 --> 00:25:43,399
Speaker 1: I'm going to Mongolia. That ship. That's a trip on

494
00:25:43,560 --> 00:25:46,480
Speaker 1: that show. Who's on there with her bag is on

495
00:25:46,680 --> 00:25:50,760
Speaker 1: the show? Who are you going there with? Superior? If

496
00:25:50,800 --> 00:25:52,880
Speaker 1: you hear fat Joe, you know I hate the flyp

497
00:25:52,960 --> 00:25:58,440
Speaker 1: you'll be firing Mongolia. Is this sh ship like eight

498
00:25:58,560 --> 00:26:01,439
Speaker 1: hours after China or something? Wow, ship, it's a mission.

499
00:26:01,480 --> 00:26:04,960
Speaker 1: I gotta go to Dubai. From Dubai to China, then

500
00:26:05,040 --> 00:26:08,200
Speaker 1: Monk Golden stop in Dubai. Do I pick up a

501
00:26:08,240 --> 00:26:12,040
Speaker 1: couple of you know, bags? And then you know what's up? Man?

502
00:26:12,160 --> 00:26:14,400
Speaker 1: You know what's going on. You know what I'm saying.

503
00:26:14,480 --> 00:26:18,560
Speaker 1: But you know that's that goalie man that ship far

504
00:26:18,640 --> 00:26:22,080
Speaker 1: as fuck. We're gonna see what it is. Where you've

505
00:26:22,119 --> 00:26:26,160
Speaker 1: been at where the fans was the craziest about y'all?

506
00:26:27,119 --> 00:26:35,760
Speaker 1: Everywhere niggash Man. Probably the way you didn't probably probably

507
00:26:35,840 --> 00:26:42,080
Speaker 1: in Greece probably, Uh, South America. South America is Daisy,

508
00:26:42,280 --> 00:26:43,239
Speaker 1: It was crazy, bro.

509
00:26:43,720 --> 00:26:48,040
Speaker 2: South America is it's a whole It's electricity, man, it's

510
00:26:48,040 --> 00:26:50,240
Speaker 2: a whole different type of energy.

511
00:26:51,400 --> 00:26:56,480
Speaker 3: Sh sh insane. All the shoulders shows. The line was

512
00:26:56,520 --> 00:27:00,840
Speaker 3: around two blocks. I got promoter. Your promoter was.

513
00:27:03,800 --> 00:27:07,159
Speaker 1: I didn't do so good. Yeah, I'm gonna keep it rid.

514
00:27:07,240 --> 00:27:09,440
Speaker 1: That's one of the only places I ain't do good. Look,

515
00:27:09,480 --> 00:27:12,000
Speaker 1: I sell my ship out all the time. Boy, I

516
00:27:12,040 --> 00:27:14,359
Speaker 1: went to South America. That ship was light work. But

517
00:27:14,480 --> 00:27:20,879
Speaker 1: I've seen Wu Tang go out there and that'sh it wasmonios.

518
00:27:19,600 --> 00:27:21,480
Speaker 3: And I was like, damn, I must have went with

519
00:27:21,600 --> 00:27:26,960
Speaker 3: a whack promoter. No, that was crazy when promoter, Yeah,

520
00:27:27,080 --> 00:27:30,040
Speaker 3: we need that guy. That was insanity out there and

521
00:27:30,200 --> 00:27:34,199
Speaker 3: do wow whoa shot? The video out there and bo

522
00:27:34,320 --> 00:27:40,000
Speaker 3: Guitar ship man were just out there. That's ex videos

523
00:27:40,040 --> 00:27:42,840
Speaker 3: in bol Guitar. You're doing ship well.

524
00:27:44,000 --> 00:27:49,600
Speaker 1: The danger element was was definitely profound though in and

525
00:27:49,720 --> 00:27:52,000
Speaker 1: out her you got that shot. Let's get out of

526
00:27:52,000 --> 00:27:52,639
Speaker 1: there and go go.

527
00:27:54,280 --> 00:27:59,520
Speaker 4: Contels over there abducting people in all type bol guitar.

528
00:28:00,160 --> 00:28:04,760
Speaker 4: His name in Deecay, in Glee Kate, you know in

529
00:28:04,920 --> 00:28:05,800
Speaker 4: gaygate Gon.

530
00:28:07,560 --> 00:28:10,520
Speaker 1: Do you want me to tell a story? Do you

531
00:28:10,560 --> 00:28:12,480
Speaker 1: want me to tell a story? I got one to

532
00:28:12,600 --> 00:28:15,720
Speaker 1: hear me. So they paid me wow money to go

533
00:28:15,840 --> 00:28:18,920
Speaker 1: to Columbia, like wow money, right, and they did like

534
00:28:19,080 --> 00:28:23,640
Speaker 1: stadiums and they were empty. They had a little five

535
00:28:23,760 --> 00:28:28,040
Speaker 1: hundred thousand people. Shit supposed to have ten fifteen thousand people.

536
00:28:29,080 --> 00:28:32,600
Speaker 1: I walk in after the second show in the hotel

537
00:28:32,920 --> 00:28:37,320
Speaker 1: and fly hotels. This guy flew the bag and I

538
00:28:37,440 --> 00:28:40,320
Speaker 1: see his workers just looking like man nervous and shit,

539
00:28:40,960 --> 00:28:42,680
Speaker 1: you know, people who are being nice to me and

540
00:28:42,800 --> 00:28:44,880
Speaker 1: all that. And he was over there talking to him

541
00:28:44,960 --> 00:28:48,080
Speaker 1: like this. I walked over, send my wife upstairs. I

542
00:28:48,160 --> 00:28:49,880
Speaker 1: wanted my wife. I was like, Yo, what's up, buppy?

543
00:28:50,680 --> 00:28:55,440
Speaker 1: He said, what's up? I would like to take at

544
00:28:55,680 --> 00:28:59,160
Speaker 1: a bet with nails in it and put it in

545
00:28:59,280 --> 00:29:06,880
Speaker 1: your ass, turn it inside, said far the rock. So

546
00:29:07,000 --> 00:29:10,560
Speaker 1: I'm like, take a back with nails and turn it

547
00:29:10,640 --> 00:29:14,800
Speaker 1: in your ass. I want to hang you upside down?

548
00:29:15,360 --> 00:29:19,840
Speaker 1: And did he start talking all this in Colombia? Right,

549
00:29:20,480 --> 00:29:23,560
Speaker 1: So I get it. He lost a super bad with

550
00:29:23,800 --> 00:29:27,560
Speaker 1: just what he paid me. Then he had to rent stadiums.

551
00:29:27,640 --> 00:29:29,840
Speaker 1: He thought Fat Joe was gonna be paying pneumonium and

552
00:29:29,920 --> 00:29:35,360
Speaker 1: ship was light work, right, So he talking crazy Tony

553
00:29:35,440 --> 00:29:38,440
Speaker 1: Montana shit. But I tell him when he finished, I say, yo,

554
00:29:38,520 --> 00:29:42,080
Speaker 1: you know what, man, you missed your calling. You should

555
00:29:42,120 --> 00:29:47,680
Speaker 1: be in Hollywood writing them scripts because the ship you saying, no,

556
00:29:47,800 --> 00:29:51,600
Speaker 1: I'm not gonna lie shit phenomena like you got that ship,

557
00:29:52,200 --> 00:29:54,360
Speaker 1: you know, But me, I don't give a fuck. I'm

558
00:29:54,360 --> 00:29:56,240
Speaker 1: not really scared of you, ma man. So it is

559
00:29:56,320 --> 00:29:58,440
Speaker 1: what it is. You should stop all getting with your think.

560
00:29:59,160 --> 00:30:03,000
Speaker 1: I go upstairs. The next day we go to medi Ying.

561
00:30:04,320 --> 00:30:08,040
Speaker 1: My daughter grew up with a little girl since they

562
00:30:08,160 --> 00:30:13,680
Speaker 1: was in kindergarten. Her father comes to school and all

563
00:30:13,720 --> 00:30:17,200
Speaker 1: events I know in Columbian. Man dressed nice, nice, most

564
00:30:17,280 --> 00:30:21,120
Speaker 1: decent guy. This this that he invited us to his

565
00:30:21,320 --> 00:30:26,800
Speaker 1: house and meda Ying. So we got four cops our security.

566
00:30:27,160 --> 00:30:29,719
Speaker 1: We get to the block to the hill because it's

567
00:30:29,800 --> 00:30:32,520
Speaker 1: up on a mountain, and there was like, big mistake,

568
00:30:32,800 --> 00:30:34,680
Speaker 1: You're not going to I said, yeah, I'm going up there.

569
00:30:34,720 --> 00:30:39,280
Speaker 1: He was like, no way, no way. I'm like senor

570
00:30:39,440 --> 00:30:42,280
Speaker 1: such and such as my friend. He said, he's your friend,

571
00:30:43,240 --> 00:30:46,520
Speaker 1: is my friend? We go up there. Bro. They made

572
00:30:46,680 --> 00:30:48,400
Speaker 1: I don't know if you know what sun culture is.

573
00:30:49,520 --> 00:30:52,640
Speaker 1: They made a pot of sun culture suit. This ship

574
00:30:52,800 --> 00:30:54,560
Speaker 1: was like a human could fit in there. They was

575
00:30:54,680 --> 00:30:58,680
Speaker 1: like this. Then they had a living room, a living

576
00:30:58,800 --> 00:31:03,720
Speaker 1: room with a glass opens you you was you wasn't

577
00:31:03,720 --> 00:31:06,880
Speaker 1: with us ass and the horses was doing fossa finos

578
00:31:06,920 --> 00:31:09,040
Speaker 1: doing the horses you see with the tricks and this

579
00:31:09,160 --> 00:31:11,040
Speaker 1: and this and that. It was in the living man

580
00:31:11,080 --> 00:31:13,720
Speaker 1: they had a swimming pool of horses. They were swimming

581
00:31:13,800 --> 00:31:16,320
Speaker 1: and shit in the living room. So imagine how we

582
00:31:16,440 --> 00:31:20,120
Speaker 1: watched NFL. They got the horses topping doing this and

583
00:31:20,240 --> 00:31:22,840
Speaker 1: this and that. Right, I never seen no ship like this.

584
00:31:23,000 --> 00:31:25,520
Speaker 1: I've never been a part of this. I get back

585
00:31:25,560 --> 00:31:29,240
Speaker 1: to the hotel. The promoter dude just told me he

586
00:31:29,320 --> 00:31:31,560
Speaker 1: wants to shove a bat and my ass flipped me

587
00:31:31,640 --> 00:31:38,360
Speaker 1: himself for you, why didn't you tell me? You know,

588
00:31:38,560 --> 00:31:44,720
Speaker 1: mister moll, I said, I didn't even know he was

589
00:31:44,800 --> 00:31:50,120
Speaker 1: that dude. He's in Miami, undercovered, nicest guy, and he

590
00:31:50,240 --> 00:31:54,720
Speaker 1: looked like ghosts, like ghosts. He's the Colombian ghosts. When

591
00:31:54,800 --> 00:31:56,680
Speaker 1: I go over there, he was say, why you don't

592
00:31:56,960 --> 00:32:02,800
Speaker 1: sell me? You know, mister life. I say, my guys,

593
00:32:02,960 --> 00:32:07,680
Speaker 1: my hurry for everything I said the day before, I'm

594
00:32:07,920 --> 00:32:11,240
Speaker 1: so sorry. I said, nah, not so good. Brother sow

595
00:32:11,360 --> 00:32:13,840
Speaker 1: love and I happened to know the god by mistake.

596
00:32:15,120 --> 00:32:19,640
Speaker 1: That's my Columbia story that I was a girl. I

597
00:32:19,760 --> 00:32:22,880
Speaker 1: was a girl. What else you got going on outside

598
00:32:22,920 --> 00:32:25,920
Speaker 1: of music? Now? You like the advest I know you

599
00:32:26,120 --> 00:32:28,920
Speaker 1: like it. You got the label, you do, the merch,

600
00:32:29,040 --> 00:32:30,880
Speaker 1: you do ship, you got any cannabis.

601
00:32:31,040 --> 00:32:33,640
Speaker 3: You got some cannabis. We got some we got some

602
00:32:33,800 --> 00:32:36,480
Speaker 3: drawn work exotics. You know what I'm saying.

603
00:32:36,640 --> 00:32:40,440
Speaker 1: We got I'm writing a little short film fire about

604
00:32:40,480 --> 00:32:43,680
Speaker 1: the about the dibble in the podcast space. No doubt.

605
00:32:44,080 --> 00:32:47,720
Speaker 1: I got some bad I got like some fool ship

606
00:32:47,960 --> 00:32:52,320
Speaker 1: like fool review ship to another another little space like that,

607
00:32:53,040 --> 00:32:56,680
Speaker 1: and just getting We're getting more artists. It's still a foodie. Yeah,

608
00:32:58,440 --> 00:33:03,960
Speaker 1: only certain ship that anything or certain turning away. Yeah,

609
00:33:06,880 --> 00:33:10,320
Speaker 1: you know. I went to uh Thimeland. We did uh

610
00:33:11,160 --> 00:33:16,480
Speaker 1: Rolling Loud. We did Rolling Loud and Thiland High that one.

611
00:33:16,760 --> 00:33:19,640
Speaker 1: I wanted to do that, all right, but listen, it is.

612
00:33:19,760 --> 00:33:21,960
Speaker 1: It's a little bit of a culture shock or whatever.

613
00:33:22,040 --> 00:33:24,480
Speaker 1: But the point is he I stood in the hotel.

614
00:33:24,600 --> 00:33:28,200
Speaker 1: I was scared. I'm gonna keeping like them. You don't know.

615
00:33:28,240 --> 00:33:31,720
Speaker 1: If I was in the fanciest record the hotel, you

616
00:33:31,800 --> 00:33:34,520
Speaker 1: could be it. Man. This ship was incredible. But I

617
00:33:34,640 --> 00:33:37,000
Speaker 1: was scared to eat, like if it wasn't like eggs

618
00:33:37,720 --> 00:33:41,040
Speaker 1: and turkey. Bit I was not eating this ship. Sure enough,

619
00:33:41,080 --> 00:33:44,760
Speaker 1: I go on Instagram and little Uzzi is eating like

620
00:33:44,880 --> 00:33:50,240
Speaker 1: a fucking fucking rot roach or some ship. That ship

621
00:33:50,280 --> 00:33:53,600
Speaker 1: went v I said, I am not leaving this fucking room.

622
00:33:54,640 --> 00:33:59,720
Speaker 1: I'm sitting here watching see it the regulars ship breakfast,

623
00:34:00,400 --> 00:34:03,680
Speaker 1: the fucking listen. The hotel was at a control fly.

624
00:34:04,040 --> 00:34:07,520
Speaker 1: You know, I'm sitting my sweetest head, CARDI B's head,

625
00:34:07,560 --> 00:34:10,719
Speaker 1: little WOZI like everybody with somebody. So the ship was

626
00:34:10,760 --> 00:34:15,200
Speaker 1: too fly. But I was scared, with no disrespect. I

627
00:34:15,320 --> 00:34:17,760
Speaker 1: was scared to like try ship like going the street.

628
00:34:17,840 --> 00:34:21,680
Speaker 5: And that's how you still got your festival. Yeah, I

629
00:34:21,719 --> 00:34:25,000
Speaker 5: stuck got the festal shy. I mean that ship, that

630
00:34:25,040 --> 00:34:29,120
Speaker 5: ship was Yeah, it was crazy. Yeah, yeah, that's old festival. Yeah,

631
00:34:29,600 --> 00:34:30,520
Speaker 5: drum work fast.

632
00:34:31,800 --> 00:34:33,719
Speaker 1: We did it for a couple of years and show

633
00:34:33,719 --> 00:34:36,520
Speaker 1: we're gonna rebooth that I mean, probably bring it back

634
00:34:36,600 --> 00:34:41,279
Speaker 1: twenty six, twenty six, you know I did it two

635
00:34:41,400 --> 00:34:45,359
Speaker 1: three weeks from now, and yeah, saying that buffalo's God

636
00:34:45,480 --> 00:34:48,680
Speaker 1: coming throat. You know what I'm saying. Yeah, hip hop

637
00:34:48,800 --> 00:34:52,600
Speaker 1: and no your chest you got God coming man, shout

638
00:34:52,600 --> 00:34:54,200
Speaker 1: out to my ball and should have went the heck.

639
00:34:54,280 --> 00:34:57,319
Speaker 1: You know, my ship's symmetric, my ship. You can look

640
00:34:57,320 --> 00:35:00,680
Speaker 1: at this ship through deep from every you see what

641
00:35:00,760 --> 00:35:03,080
Speaker 1: I gotta deal with. I should have went the heck.

642
00:35:03,200 --> 00:35:05,239
Speaker 1: His wedding is that same day, and I can't make

643
00:35:05,280 --> 00:35:07,960
Speaker 1: it because I got that show with it was the time,

644
00:35:08,000 --> 00:35:09,600
Speaker 1: but shout out should have went the heck and his

645
00:35:09,680 --> 00:35:15,800
Speaker 1: wife to be. How do you meet Alchems just on Twitter?

646
00:35:16,000 --> 00:35:20,040
Speaker 1: Like he heards once? I know you could spit. He'll

647
00:35:20,080 --> 00:35:23,239
Speaker 1: reach out the exactly why and like he he t

648
00:35:23,960 --> 00:35:26,399
Speaker 1: a guy like people was tagging me. He didn't even

649
00:35:26,440 --> 00:35:28,600
Speaker 1: know my Twitter handle. I ain't evenly have that many

650
00:35:28,640 --> 00:35:31,480
Speaker 1: followers or nothing. I had just started the page and

651
00:35:31,640 --> 00:35:33,920
Speaker 1: he was he's seen a free styles saying I was

652
00:35:33,960 --> 00:35:37,480
Speaker 1: on YouTube like yo, you created old d m me

653
00:35:37,760 --> 00:35:40,200
Speaker 1: the number, like yo, let's late next time you come

654
00:35:40,239 --> 00:35:43,600
Speaker 1: to l A come through. And we did that and

655
00:35:43,680 --> 00:35:49,040
Speaker 1: the rest was rest was history. Love Alchemists, Bro. I'm

656
00:35:49,080 --> 00:35:52,640
Speaker 1: glad everybody you know he always was that dude, but

657
00:35:53,560 --> 00:35:56,120
Speaker 1: I'm glad they're acknowledging it now when they see in

658
00:35:56,200 --> 00:35:59,919
Speaker 1: his greatness, you know, you know, guy like al comit

659
00:36:00,760 --> 00:36:06,760
Speaker 1: quiet real hip hop and how he's doing Erikabadu album.

660
00:36:06,800 --> 00:36:09,200
Speaker 1: I listened to the Freddie Gibbs album. I listened to,

661
00:36:10,000 --> 00:36:12,239
Speaker 1: you know, pretty much anything he got to do with.

662
00:36:13,239 --> 00:36:16,640
Speaker 1: I tuned in on Alchemist. What was the big moments

663
00:36:16,680 --> 00:36:18,880
Speaker 1: for you, like who did you meet? What was the

664
00:36:19,040 --> 00:36:22,080
Speaker 1: time that someone came up to you and just said,

665
00:36:22,239 --> 00:36:29,479
Speaker 1: like you guys, oh man probably probably oh, probably hope.

666
00:36:29,520 --> 00:36:34,239
Speaker 1: He was doing that show on LA and he pulled up. Yeah,

667
00:36:34,280 --> 00:36:36,799
Speaker 1: he just pulled up like there was at a game

668
00:36:36,960 --> 00:36:39,040
Speaker 1: or some shit. Sohoon. We crossed the straight at the

669
00:36:39,080 --> 00:36:43,680
Speaker 1: stables and Nigga just pulled up. Watch the show like

670
00:36:43,760 --> 00:36:46,880
Speaker 1: I'm performing on Go for a time. Look He's standing

671
00:36:46,960 --> 00:36:49,839
Speaker 1: there on the stage. Just watch it. I'm like, Yo,

672
00:36:51,040 --> 00:36:56,960
Speaker 1: my bugging now you even though it happened, don't do

673
00:36:57,960 --> 00:37:00,719
Speaker 1: I mean I invited him to thirty six birthday part.

674
00:37:00,920 --> 00:37:05,800
Speaker 1: He ain't never put out. Yeah, KD. You know what

675
00:37:05,840 --> 00:37:08,520
Speaker 1: I'm saying. I Nigga pulled on to a show I

676
00:37:08,640 --> 00:37:12,240
Speaker 1: was tapped in, just like knowing the music easy money, Sniper,

677
00:37:12,320 --> 00:37:15,520
Speaker 1: he loves he love hip hop, hip hop. We got

678
00:37:15,560 --> 00:37:20,600
Speaker 1: some dope beats too. Yeah, KD produced. I ain't know

679
00:37:20,719 --> 00:37:23,759
Speaker 1: that KD k KD one of them dudes that if

680
00:37:23,800 --> 00:37:25,880
Speaker 1: I big him up a certain he'll dis me on Twitter.

681
00:37:26,600 --> 00:37:29,239
Speaker 1: You know. I keep telling you certain guys that when

682
00:37:29,280 --> 00:37:32,600
Speaker 1: I big them up, they're this me for the culture.

683
00:37:32,600 --> 00:37:36,160
Speaker 1: They'll be like, yo, crack for this. I don't really

684
00:37:36,280 --> 00:37:39,000
Speaker 1: know about that. This like I got a selective list

685
00:37:39,080 --> 00:37:42,319
Speaker 1: now that I could big up. You can't even big motherfuckers. Oct.

686
00:37:42,360 --> 00:37:44,960
Speaker 1: Twenty t Waite Big up JD. Man, that's my boy

687
00:37:45,160 --> 00:37:46,759
Speaker 1: trying to tell you I big them up. Yo. I

688
00:37:46,880 --> 00:37:48,600
Speaker 1: never seen a better dude at the rock of this

689
00:37:48,760 --> 00:37:52,359
Speaker 1: this that you cat crack that they did. I'm like, yo,

690
00:37:52,560 --> 00:37:55,920
Speaker 1: this god like I can't. I don't know. Man. We

691
00:37:56,080 --> 00:37:58,800
Speaker 1: in the media space now, so we ain't in the

692
00:37:58,960 --> 00:38:03,160
Speaker 1: rapping space. You got the hoodie yon still chilling. We

693
00:38:03,320 --> 00:38:06,080
Speaker 1: out here talking to dude. Sometimes our big dudes up

694
00:38:06,160 --> 00:38:08,960
Speaker 1: and they come at me like, fuck that, that's not

695
00:38:09,120 --> 00:38:12,600
Speaker 1: how And I'm man, I big you up though, I'm like,

696
00:38:13,080 --> 00:38:18,320
Speaker 1: what the fuck? So KD. I remember that jay Z

697
00:38:18,719 --> 00:38:20,719
Speaker 1: You know what I mean? Yeah, that went viral. Hold

698
00:38:20,760 --> 00:38:24,880
Speaker 1: pull up your man, west Side gun Man. I love

699
00:38:24,960 --> 00:38:29,880
Speaker 1: this guy, man. He I remember going down Tom Squared

700
00:38:30,920 --> 00:38:35,440
Speaker 1: and he had the whole the big billboy, but he

701
00:38:35,560 --> 00:38:38,800
Speaker 1: had the balenci Like that motherfucker he want to dress

702
00:38:39,000 --> 00:38:41,640
Speaker 1: right like I love that ship, like he got that

703
00:38:41,760 --> 00:38:45,399
Speaker 1: fucking BALESSI yaga three carters shit on this with the back.

704
00:38:45,440 --> 00:38:48,800
Speaker 1: I'm like, I had to step out the car because

705
00:38:48,880 --> 00:38:51,120
Speaker 1: you know that ship hip hop, But that's that ship

706
00:38:51,280 --> 00:38:54,239
Speaker 1: right there. You know what I'm saying, So shout out

707
00:38:54,280 --> 00:38:59,120
Speaker 1: your man west Side Gunner, Benny. You guys, you know

708
00:39:00,000 --> 00:39:04,719
Speaker 1: pretty much. You guys just restored the feeling right a

709
00:39:04,880 --> 00:39:08,680
Speaker 1: void that was really really missing. And even guys who

710
00:39:08,800 --> 00:39:12,840
Speaker 1: felt like you, who are nice like you, they chose

711
00:39:12,920 --> 00:39:15,960
Speaker 1: the other route, trying to be the gimmick or the

712
00:39:16,120 --> 00:39:19,440
Speaker 1: new or the this or the that. Microwaves shit, Michael

713
00:39:19,480 --> 00:39:22,399
Speaker 1: waves shit, and y'all just said, you know what we're going,

714
00:39:22,600 --> 00:39:27,800
Speaker 1: beats and rhymes, and and then you caught everybody like

715
00:39:27,920 --> 00:39:31,759
Speaker 1: a whole that loves real hip hop, the essence, the

716
00:39:31,880 --> 00:39:36,879
Speaker 1: purity because it's very rare with the youth to see

717
00:39:36,960 --> 00:39:40,720
Speaker 1: somebody because that is the harder route to beat some rhymes, correct,

718
00:39:42,160 --> 00:39:46,520
Speaker 1: because the overnight success is the gimmick shit. You understand

719
00:39:46,560 --> 00:39:48,239
Speaker 1: what I'm saying, but you know not to say some

720
00:39:48,400 --> 00:39:50,520
Speaker 1: of them ain nice, Oh my god, some of them.

721
00:39:51,160 --> 00:39:58,920
Speaker 1: You know, I'm overnight. It's not it's not too many overnights,

722
00:39:59,600 --> 00:40:03,680
Speaker 1: you know, but that's what we feel like like pain.

723
00:40:04,040 --> 00:40:07,399
Speaker 1: There was a huge void there, you know what I mean.

724
00:40:07,600 --> 00:40:10,359
Speaker 1: And guys who were doing. What you were doing never

725
00:40:10,440 --> 00:40:13,960
Speaker 1: really took off. And so when y'all start taking off

726
00:40:14,040 --> 00:40:28,360
Speaker 1: and y'all start creating your own ship, we loving that legacy.

727
00:40:28,440 --> 00:40:31,960
Speaker 1: Where do you see yourself drum work for Zelda in

728
00:40:32,080 --> 00:40:43,040
Speaker 1: the next five years? Rich? Like y'all rich, I count

729
00:40:43,080 --> 00:40:48,440
Speaker 1: everybody pocketing you come in with a yash, come in

730
00:40:48,520 --> 00:40:51,279
Speaker 1: with a staff for five count everybody he.

731
00:40:51,360 --> 00:40:54,400
Speaker 3: Got the fuck that had the bucket low like fuck it, dope,

732
00:40:55,040 --> 00:40:56,480
Speaker 3: he got some money this guy.

733
00:40:56,560 --> 00:40:58,680
Speaker 1: How important is it to give back? You know what

734
00:40:58,719 --> 00:41:02,920
Speaker 1: I mean? Showing that the younger, the what they call

735
00:41:03,000 --> 00:41:07,160
Speaker 1: these guys, the hyans in Buffalo, that you know you

736
00:41:07,239 --> 00:41:10,480
Speaker 1: can make it. It's some hope, there's some sense of encouragement.

737
00:41:10,960 --> 00:41:15,120
Speaker 1: It's extremely important, man, because especially coming from Buffalo or

738
00:41:15,200 --> 00:41:18,279
Speaker 1: we ain't ad that, we ain't had nobody to give us,

739
00:41:18,360 --> 00:41:23,080
Speaker 1: no no advice, no encouraging words, or even show us

740
00:41:23,080 --> 00:41:26,040
Speaker 1: a blueprint. How to you know what I'm saying, make

741
00:41:26,120 --> 00:41:29,560
Speaker 1: it in that space. So it's important, you know what

742
00:41:29,560 --> 00:41:32,360
Speaker 1: I mean, That's what it's all about. You know what

743
00:41:32,400 --> 00:41:35,960
Speaker 1: I mean? You uh, you can't take none of this

744
00:41:36,040 --> 00:41:38,640
Speaker 1: ship with you, man, but you're gonna leave it here.

745
00:41:38,760 --> 00:41:41,960
Speaker 1: You can leave a liar get back. So I don't

746
00:41:42,000 --> 00:41:44,040
Speaker 1: want it. I don't want it to end. You know

747
00:41:44,080 --> 00:41:46,520
Speaker 1: what I'm saying. What we was able to accomplish for

748
00:41:47,000 --> 00:41:49,680
Speaker 1: the city of Buffalo and the whole upstate. You know

749
00:41:49,719 --> 00:41:52,680
Speaker 1: what I'm saying. I don't want it to end with

750
00:41:52,840 --> 00:41:53,200
Speaker 1: just us.

751
00:41:53,640 --> 00:41:55,479
Speaker 3: So we gotta we gotta you know what I'm saying,

752
00:41:55,600 --> 00:41:58,040
Speaker 3: Gonna have pour it back in, put it back in

753
00:41:58,120 --> 00:41:58,920
Speaker 3: the part feel me.

754
00:42:00,080 --> 00:42:03,040
Speaker 1: Yeah, Like I said, I seen Wanda, I've seen Tyrone,

755
00:42:03,920 --> 00:42:06,719
Speaker 1: I've seen Juneba. All the crack AADs from eighty eight

756
00:42:07,239 --> 00:42:12,480
Speaker 1: in that Buffalo went up there. They shipped them up.

757
00:42:12,760 --> 00:42:16,520
Speaker 1: I'm telling you. I was outside in Buffalo. I said,

758
00:42:16,600 --> 00:42:21,680
Speaker 1: God damn, got the fucking Bronx crackeads up here. So

759
00:42:22,040 --> 00:42:24,880
Speaker 1: let me let me ask you something in the streets perspective, right,

760
00:42:24,960 --> 00:42:26,800
Speaker 1: could you said one of y'all was always in jail?

761
00:42:27,480 --> 00:42:30,920
Speaker 1: I never heard that perspective. So, being from Buffalo enough

762
00:42:31,040 --> 00:42:37,399
Speaker 1: state jails. Yeah, but all the jails are up there, right,

763
00:42:37,680 --> 00:42:41,120
Speaker 1: and so like when you go Bigger crew, I wonder

764
00:42:41,160 --> 00:42:44,319
Speaker 1: if they send them down did they send us up there?

765
00:42:45,320 --> 00:42:47,960
Speaker 1: This is the question, do you go to jail upstate

766
00:42:48,560 --> 00:42:51,360
Speaker 1: with everybody you grew up with is all, y'all, Like deeper,

767
00:42:54,040 --> 00:42:56,319
Speaker 1: it would be a lot of buffalo niggas in state

768
00:42:56,440 --> 00:42:59,520
Speaker 1: pens and even the cops like here, we can't relate

769
00:42:59,560 --> 00:43:02,120
Speaker 1: to them. Right. So if you and RK as Island,

770
00:43:02,320 --> 00:43:05,200
Speaker 1: you got some black Spanish cops stay talking to you

771
00:43:05,440 --> 00:43:08,719
Speaker 1: like black and Spanish cops. Then you go up north

772
00:43:09,360 --> 00:43:13,719
Speaker 1: and that's that's what you're dealing with, the baby. But

773
00:43:13,840 --> 00:43:18,120
Speaker 1: you're already dealing with them, y'all living So, y'all, y'all

774
00:43:18,200 --> 00:43:25,200
Speaker 1: know Uncle Tom, Yeah, Scott, No, that's a fan. I

775
00:43:25,320 --> 00:43:28,080
Speaker 1: never know. Every time I went upstate to visit somebody,

776
00:43:28,160 --> 00:43:32,680
Speaker 1: I always thought of like, it's there like a Buffalo crew?

777
00:43:32,719 --> 00:43:36,560
Speaker 1: Are Upstate crew? That they're right there there there across

778
00:43:36,640 --> 00:43:40,160
Speaker 1: the street. Now, I don't want to go there. Don't

779
00:43:40,200 --> 00:43:42,200
Speaker 1: do that to me. I'm not good with the cold.

780
00:43:43,080 --> 00:43:46,319
Speaker 1: I'm a sunshine motherfucker that blows up. My brother did

781
00:43:46,440 --> 00:43:50,120
Speaker 1: time up state, man, motherfucker. I don't give a fuck

782
00:43:50,200 --> 00:43:52,839
Speaker 1: what clothes you sent them. That motherfucker was cold. He'd

783
00:43:52,840 --> 00:43:55,480
Speaker 1: be like, yo, Joe, I ain't going outside this ship cold.

784
00:44:00,040 --> 00:44:02,359
Speaker 1: A couple of artists, you ain't gotta say top five,

785
00:44:02,440 --> 00:44:04,360
Speaker 1: but a couple of artists to pave the way for

786
00:44:04,440 --> 00:44:08,680
Speaker 1: you that you that you know, you consider living legend.

787
00:44:08,800 --> 00:44:13,160
Speaker 1: You know you really fuck what they work. It's plenty

788
00:44:13,160 --> 00:44:15,360
Speaker 1: of It's plenty, you know what I mean. It was

789
00:44:15,440 --> 00:44:19,040
Speaker 1: just like recent like i'ma say, I'm gonna say, like,

790
00:44:20,920 --> 00:44:24,680
Speaker 1: let's say my nigga Mars Rock Marcy, Yeah, shout out

791
00:44:24,719 --> 00:44:31,600
Speaker 1: to rock Musky. I'm gonna say my nigga Sauce Walker likes.

792
00:44:31,640 --> 00:44:36,879
Speaker 1: Walker's nice to you. Hey, Jada, why you always act

793
00:44:36,960 --> 00:44:40,879
Speaker 1: like I'm I'm just saying, that's a great I like him.

794
00:44:41,800 --> 00:44:45,200
Speaker 1: I like him, I like I like I like I

795
00:44:45,400 --> 00:44:48,200
Speaker 1: like her, I like g Herbal he is my nigga.

796
00:44:49,600 --> 00:44:51,719
Speaker 1: Can't lotty. You just had a show with Vegas. When

797
00:44:51,719 --> 00:44:53,759
Speaker 1: I walked off stage, they played the record and I

798
00:44:53,880 --> 00:44:57,480
Speaker 1: had to ask, like four or five, who's that? Who's that?

799
00:44:57,560 --> 00:44:59,560
Speaker 1: Who that? And then it was like, yo, that's gee, Herbal.

800
00:44:59,640 --> 00:45:04,040
Speaker 1: I was no Herb like that. Herb was nice, verb nice.

801
00:45:04,160 --> 00:45:07,959
Speaker 1: That record kind of like touched the third rap, saying

802
00:45:08,080 --> 00:45:10,439
Speaker 1: every now and then the record, you hear a song

803
00:45:10,520 --> 00:45:14,520
Speaker 1: and that ship touched the third rap. This ship crazy.

804
00:45:16,280 --> 00:45:19,000
Speaker 1: That's your guys. Yeah, right now, that's what That's what

805
00:45:19,120 --> 00:45:22,040
Speaker 1: I'm listening to on fucking right now. You know what

806
00:45:22,080 --> 00:45:26,320
Speaker 1: I'm saying. Yeah, listen to our clips. You know you

807
00:45:26,400 --> 00:45:29,320
Speaker 1: know you know ship that's out right now. You already

808
00:45:29,360 --> 00:45:35,279
Speaker 1: know that. Go to that show, James. You call me

809
00:45:35,360 --> 00:45:37,360
Speaker 1: by everything else. You ain't telling me the clips was

810
00:45:37,400 --> 00:45:40,360
Speaker 1: here too. I was sitting on the couch, I was

811
00:45:40,480 --> 00:45:44,799
Speaker 1: doing apps. You text all these shows and then tell

812
00:45:44,880 --> 00:45:47,759
Speaker 1: us that the clips. Bro, you think we wasn't fucking

813
00:45:47,840 --> 00:45:50,920
Speaker 1: pulling up. You gotta be out of fuck it like

814
00:45:51,080 --> 00:45:54,399
Speaker 1: this ship. I wanted to be in attendance. I don't

815
00:45:54,440 --> 00:45:56,640
Speaker 1: want vi P. I would have been writing the crowd

816
00:45:57,880 --> 00:46:01,080
Speaker 1: loving this show, real hip hop shit. James. You see

817
00:46:01,120 --> 00:46:02,800
Speaker 1: when I say they be trying to do ship to

818
00:46:02,880 --> 00:46:04,680
Speaker 1: me like I'm trying to go to the I'm going

819
00:46:04,719 --> 00:46:08,719
Speaker 1: with the family to the Bad Bunny concert. And I

820
00:46:08,800 --> 00:46:11,080
Speaker 1: got the call. I ain't really want today even though

821
00:46:11,080 --> 00:46:14,160
Speaker 1: it's nothing but love, But I got the call, Yo,

822
00:46:14,320 --> 00:46:16,719
Speaker 1: we don't want you to see people. We're gonna take

823
00:46:16,760 --> 00:46:18,680
Speaker 1: you through the house where you get the free drinks

824
00:46:18,680 --> 00:46:20,520
Speaker 1: with the I thought we was gonna be in the crowd,

825
00:46:20,640 --> 00:46:25,080
Speaker 1: like you know, eipe either they don't want to if

826
00:46:25,120 --> 00:46:28,920
Speaker 1: we starts to pull off at this clip. See humans, Nah,

827
00:46:29,000 --> 00:46:31,239
Speaker 1: they ain't let me see humans. You think I'll be

828
00:46:31,360 --> 00:46:34,319
Speaker 1: joking about that ship? They just gave me the call

829
00:46:34,640 --> 00:46:37,879
Speaker 1: urge you coming. No human was gonna no humans gonna

830
00:46:37,880 --> 00:46:40,520
Speaker 1: slip you in backstage, put you through the I'm like,

831
00:46:41,520 --> 00:46:43,920
Speaker 1: I thought I was gonna really act up. You know

832
00:46:43,920 --> 00:46:47,560
Speaker 1: what I'm saying. But yeah, the clips Clips album is

833
00:46:48,080 --> 00:46:52,480
Speaker 1: he's uh, man, I hope, I hope what they did

834
00:46:53,280 --> 00:46:57,560
Speaker 1: just Beats and Rhymes continues to do the numbers they did.

835
00:46:57,680 --> 00:46:59,719
Speaker 1: Now everybody want to make up hoax and this and that.

836
00:47:00,040 --> 00:47:02,680
Speaker 1: Some boys did numbers, you know what I'm saying for

837
00:47:02,840 --> 00:47:06,400
Speaker 1: not commercial lies like you guys, you'll ever do it?

838
00:47:06,440 --> 00:47:09,000
Speaker 1: Something with like Selena Goldmez and ship like that. I

839
00:47:09,000 --> 00:47:15,600
Speaker 1: would love. So I can't wait. So are you ready? Yeah? Yeah,

840
00:47:16,640 --> 00:47:21,800
Speaker 1: I've hung out for a couple of times. I definitely

841
00:47:21,880 --> 00:47:24,600
Speaker 1: threw that on the table with my man. Cloth is like, yeah, man,

842
00:47:24,680 --> 00:47:27,480
Speaker 1: we gotta we gotta get in that studio together. You

843
00:47:27,600 --> 00:47:30,520
Speaker 1: know what I'm saying. I see it, I see you

844
00:47:30,640 --> 00:47:34,800
Speaker 1: know me, I'm you know, you know I started Underground

845
00:47:34,840 --> 00:47:38,960
Speaker 1: Brother and my dream was to be a big artist

846
00:47:39,000 --> 00:47:42,600
Speaker 1: in the Superstar and the minute, and I got the opportunity.

847
00:47:43,600 --> 00:47:45,560
Speaker 1: I did it. You know what I'm saying, And you

848
00:47:46,160 --> 00:47:49,359
Speaker 1: know I get it. I see what you're saying. I'm

849
00:47:49,600 --> 00:47:54,200
Speaker 1: fuck with that. Everybody don't fuck with that. Just everybody don't.

850
00:47:54,680 --> 00:47:57,560
Speaker 1: The gods did not get the fuck out of here.

851
00:47:58,160 --> 00:48:00,600
Speaker 1: So you got a new album and this stroke deal

852
00:48:00,680 --> 00:48:04,880
Speaker 1: with rock Nation. Told us about that bag delicious. You

853
00:48:05,480 --> 00:48:09,080
Speaker 1: can't kill God with bullets? Uh about to drop that?

854
00:48:09,200 --> 00:48:12,640
Speaker 1: Ship Man? It was like, I said, what don't kill

855
00:48:12,760 --> 00:48:16,400
Speaker 1: God with bullets? These titles? It was important for me

856
00:48:16,520 --> 00:48:19,200
Speaker 1: to you know, dow this a part of my chapter

857
00:48:19,320 --> 00:48:21,760
Speaker 1: to be with rock Nation and you know what I'm saying,

858
00:48:21,840 --> 00:48:25,640
Speaker 1: and bring my album, bring my business over here with them.

859
00:48:25,840 --> 00:48:30,200
Speaker 1: You know what I'm saying. Ship Let now should let

860
00:48:31,640 --> 00:48:34,920
Speaker 1: you know what I mean? Bettc Man belt the Kolo

861
00:48:35,680 --> 00:48:42,640
Speaker 1: Seasons put giving belt Man, be not surprised. I ain't

862
00:48:42,719 --> 00:48:47,080
Speaker 1: think of that one right pull Poppy, We're gonna whip

863
00:48:47,160 --> 00:48:52,480
Speaker 1: your ass. How is your relationship with God? The most High?

864
00:48:52,600 --> 00:48:59,240
Speaker 1: Or God is the greatest Man? That was the greatest

865
00:48:59,600 --> 00:49:01,680
Speaker 1: say of the guys in the back, God is the

866
00:49:01,920 --> 00:49:04,719
Speaker 1: greatest man. There for the back of the congregation. You

867
00:49:04,840 --> 00:49:09,840
Speaker 1: know that's how I feel right. So if God forbid,

868
00:49:09,920 --> 00:49:12,040
Speaker 1: I got shot right now and I got five seconds,

869
00:49:12,120 --> 00:49:15,279
Speaker 1: I'm praying to God. That's that's how much belief and

870
00:49:15,360 --> 00:49:19,040
Speaker 1: faith I having God, or some guys don't want to

871
00:49:19,080 --> 00:49:21,080
Speaker 1: pray to it. It's what I'm trying to tell you

872
00:49:21,239 --> 00:49:23,759
Speaker 1: is I've seen the God preaching in the UK and

873
00:49:23,880 --> 00:49:26,640
Speaker 1: a man took his time to stop and argue with him.

874
00:49:26,680 --> 00:49:29,759
Speaker 1: That's fake. This you preaching faith? You this this is

875
00:49:31,480 --> 00:49:33,439
Speaker 1: you know, It's good to see because I've never seen

876
00:49:33,480 --> 00:49:36,759
Speaker 1: that before. I never seen somebody, you know, have that

877
00:49:37,920 --> 00:49:41,120
Speaker 1: energy and that perspective against God. But some guy was

878
00:49:41,280 --> 00:49:43,040
Speaker 1: they were just arguing with the guy in the UK,

879
00:49:43,280 --> 00:49:44,840
Speaker 1: was like, hey, God told me to tell you he

880
00:49:44,960 --> 00:49:47,760
Speaker 1: loves you. This is that we don't care we about

881
00:49:48,440 --> 00:49:51,000
Speaker 1: you know what. This is the opposite side of that.

882
00:49:51,280 --> 00:49:54,120
Speaker 1: So you know to know that God is the greatest

883
00:49:54,560 --> 00:49:57,120
Speaker 1: you know, it's the greatest key to have. I mean

884
00:49:57,719 --> 00:49:59,719
Speaker 1: for me, you know what I'm saying that you know,

885
00:50:00,080 --> 00:50:04,960
Speaker 1: artist everything to me, But for real, what's all it's

886
00:50:04,960 --> 00:50:13,600
Speaker 1: a great duties. This guy crazy with Jada crazy, y'all

887
00:50:13,640 --> 00:50:16,840
Speaker 1: think I'm crazy? He witty like a man. Now I

888
00:50:16,960 --> 00:50:20,160
Speaker 1: know why you top five because you be shooting me

889
00:50:20,320 --> 00:50:25,040
Speaker 1: every episode like this. Never shoot from the sun. Hey Joe,

890
00:50:25,239 --> 00:50:28,680
Speaker 1: what about the wags? What I'm looking at this? This

891
00:50:28,880 --> 00:50:33,120
Speaker 1: guy other, you will destroying me other than a leg deal?

892
00:50:36,440 --> 00:50:38,520
Speaker 1: Whether get you a deal? Then you go? This is

893
00:50:38,640 --> 00:50:44,200
Speaker 1: did what hundred million for the cave? Now? This guy's insane?

894
00:50:44,320 --> 00:50:46,480
Speaker 1: But brother man, we like to thank you for taking

895
00:50:46,520 --> 00:50:49,600
Speaker 1: the time off pulling Gil God wait will it's check

896
00:50:49,680 --> 00:50:52,799
Speaker 1: it out? Look forwardy down with rock Nation, dish Bro

897
00:50:53,640 --> 00:50:57,680
Speaker 1: drum work is coming with Elders already here. You know

898
00:50:57,800 --> 00:51:03,680
Speaker 1: what we're doing. Fuck, he's BTC felt the cooler. I

899
00:51:03,840 --> 00:51:08,439
Speaker 1: got to tell you we sit down and thank god,

900
00:51:09,120 --> 00:51:12,279
Speaker 1: a whole bunch of artists want to sit on the

901
00:51:12,320 --> 00:51:17,439
Speaker 1: blue couch. And my business partner, I gotta say, y'all

902
00:51:17,480 --> 00:51:20,359
Speaker 1: think we're doing good and fat Jo crazy. But this guy,

903
00:51:21,080 --> 00:51:25,320
Speaker 1: he's very selectful with the artist to sit on the couch.

904
00:51:26,040 --> 00:51:28,439
Speaker 1: He got a problem. He turns down guys just big

905
00:51:29,680 --> 00:51:32,400
Speaker 1: and your name came up and in one second he

906
00:51:32,560 --> 00:51:38,120
Speaker 1: was like, yo, one hundred percent, we need to do that,

907
00:51:40,120 --> 00:51:43,440
Speaker 1: you know me? For a guy like me, I look up,

908
00:51:43,800 --> 00:51:46,160
Speaker 1: I don't even say nothing. I ain't even because I

909
00:51:46,200 --> 00:51:49,200
Speaker 1: don't think that ever happened when someone that's mentioned and

910
00:51:49,280 --> 00:51:54,080
Speaker 1: he's like, I just look up, Okay, stay down.

911
00:51:55,000 --> 00:51:57,680
Speaker 3: I guess we got a show because it got on

912
00:51:57,840 --> 00:52:03,360
Speaker 3: coach who he's a hard one to catch. Sometimes everybody

913
00:52:03,440 --> 00:52:05,560
Speaker 3: come up the same thing with it. But you want

914
00:52:05,600 --> 00:52:10,320
Speaker 3: to Jo, don't say nobody's damn yo yo kiss. He

915
00:52:10,480 --> 00:52:11,440
Speaker 3: ain't ship man.

916
00:52:12,040 --> 00:52:13,799
Speaker 1: Let me tell you I think he's a nice guy.

917
00:52:13,920 --> 00:52:17,880
Speaker 1: He's got diabolical boy he got I just be like,

918
00:52:18,200 --> 00:52:21,800
Speaker 1: you don't. I don't listen, bro. We just want you

919
00:52:21,920 --> 00:52:24,279
Speaker 1: to know we love you. Know you should to the game.

920
00:52:24,520 --> 00:52:28,239
Speaker 1: Ladies and gentlemen, make some noise to Conway the machine right,