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Speaker 1: It was me and Lucas, you know, the brothers.

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Speaker 2: Yeah, and we are doing all comedy at the children's hospital.

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Speaker 2: Doing what we're doing this like their specific brand of

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Speaker 2: comedy where they talk very slow.

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Speaker 1: Mm hmm and they say like.

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Speaker 2: I was like smoking weed with my brother the other day,

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Speaker 2: and I thought I was having an out of body experience.

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Speaker 2: But it turned out that we were just twin brothers.

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Speaker 1: And the kids are.

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Speaker 2: The kids are interested, and we got some of a

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Speaker 2: Bret Yellman was there. He did ten thousand cats, so

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Speaker 2: or he does all ten thousands the comedy.

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Speaker 3: So the comedy is outside the mainstream somehow.

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Speaker 2: Yes, for most of the it's so funny. It is

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Speaker 2: just it's either longer or quieter. Do people know normal

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Speaker 2: stuff that it's these kids that really love it.

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Speaker 1: Oh man, it's little kids.

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Speaker 3: And so we go to the hospital.

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Speaker 2: Maybe it yes, because it's so random. We go to

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Speaker 2: the hospital and make the kids laugh.

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Speaker 4: Uh.

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Speaker 2: And the kids are like more like studying it than laughing.

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Speaker 1: You know, it's not like they're like.

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Speaker 3: Am I doing it?

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Speaker 2: Now?

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Speaker 3: If I just go like let me think about something,

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Speaker 3: like I go like, oh boy, uh glass of water

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Speaker 3: or I hope it doesn't get up and walk around.

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Speaker 1: Yes, that's it. That's really good. Yes.

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Speaker 2: And what I sort of do it is not normally so

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Speaker 2: alto much as like confessional comedy. I just go out

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Speaker 2: there and just like rip my heart you know that.

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Speaker 2: I mean, like, yes, I.

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Speaker 3: Have seen you expose your soul.

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Speaker 2: And so with the kids, I just take my heart

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Speaker 2: out and show it to them and I talk about it.

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Speaker 2: I'm seeing this girl.

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Speaker 3: She means the whole world to you.

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Speaker 2: Yeah, but you know if she thinks you exist, but

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Speaker 2: she looks you know, I've seen her, and I know

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Speaker 2: it's because she like looks like my mom, And like,

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Speaker 2: does that mean that I want to like sleep.

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Speaker 1: With my mom?

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Speaker 2: And yeah, yeah, like all the like just like rip

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Speaker 2: it out and showing it to these kids and they're

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Speaker 2: laughing and it's it's making them.

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Speaker 3: Artemis Res not sick anymore. Yeah. I used to do

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Speaker 3: a confessional brand of comedy, which was I would do

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Speaker 3: a joke and then I'd do tenailberries.

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Speaker 4: Twisting turns of Hollywood's stories and rule books, rule books, Handbooks,

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Speaker 4: Insiders Insider's Guide to the twists and turns that are

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Speaker 4: the big we call show biz From three Guys who

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Speaker 4: know what is what?

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Speaker 1: Twist and turns is in the wrong.

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Speaker 3: Yeah, please, let's start over, and we only say biz twice.

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Speaker 4: One, two, three.

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Speaker 5: Ay, Welcome to the Hollywood Insider's Guide to the Twist

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Speaker 5: and Turns that we call show biz from three guys

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Speaker 5: who know what for?

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Speaker 1: All right, what up?

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Speaker 5: What up?

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Speaker 6: What up?

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Speaker 3: So Hayes's friend Tom is here.

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Speaker 1: It's an exciting day.

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Speaker 2: We for a while, Tom Sharpling used to come on

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Speaker 2: the show all the time. I am we were worried

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Speaker 2: about grown, worried about you. Sure I reached out. You did,

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Speaker 2: Thank you. You came here very fast, very fast, and.

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Speaker 3: Remember very fine juice. Yeah. I just love to trip

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Speaker 3: out on nostalgia all the different clearly Canadian you remember that?

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Speaker 1: Yes?

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Speaker 4: Remember Boku?

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Speaker 3: Oh no, well those boxes are a little too big.

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Speaker 1: I don't remember it was.

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Speaker 4: Richard Lewis did these commercials where he's like, they want

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Speaker 4: me to drink this juice Boku. I'm doing a commercial

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Speaker 4: for Boku. And then you're just like, oh, that was

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Speaker 4: the commercial. He wasn't just moaning about a commercial he

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Speaker 4: got hired to do. That was just the commercial for

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Speaker 4: the juice.

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Speaker 2: I believe you that I'm saying I don't remember it.

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Speaker 2: I believe you, but it was.

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Speaker 3: Sort of the early version of the Honda commercial that

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Speaker 3: happened during the Super Bowl where the guy just looked

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Speaker 3: for a while at the camera.

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Speaker 4: And then was like, like tide pods, that guy, they're

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Speaker 4: all tide Pod commercials.

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Speaker 2: Uh.

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Speaker 1: So, we're glad that you're here.

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Speaker 4: Thanks for having me here. It's great to be here.

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Speaker 4: The it feels like the puzzle pieces have clicked back

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Speaker 4: into place.

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Speaker 1: It's good.

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Speaker 3: Hayes didn't check with me before he reached out, but

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Speaker 3: at the same time, here you are and we're doing this.

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Speaker 2: And I will say I didn't reach out explicitly saying

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Speaker 2: please come on the show. That became part of the

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Speaker 2: conversation very quickly. I don't remember initiating it specifically. I'm

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Speaker 2: very excited that you're hearing that you are fine.

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Speaker 4: And if I had either of your emails or phone numbers,

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Speaker 4: I would have reached out. But whenever I talked to Hayes,

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Speaker 4: it says private. And I've yet to speak to Sean

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Speaker 4: on the phone.

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Speaker 3: Mm hmm. Yeah, Well, if you spoke to me, it'd

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Speaker 3: say colonel. Because I outrank Hayes.

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Speaker 7: You know what, I mean, but oh yeah, but it's

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Speaker 7: you know, contractually we have to make a bunch of

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Speaker 7: episodes anyway.

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Speaker 3: So it's awesome you're here.

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Speaker 4: Thanks for having me here. It's great to be back.

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Speaker 2: Do you want to talk about what you've been doing?

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Speaker 4: Quicker if I talk about what I'm not up to

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Speaker 4: at this point.

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Speaker 6: Sure, let's start there.

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Speaker 4: You know, the usual, best show, still killing it every

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Speaker 4: Tuesday night.

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Speaker 3: Wait, this is what you're not up to.

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Speaker 4: That was a joke. Come on, get with it. These

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Speaker 4: are jokes. These are the jokes, son, Get with it.

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Speaker 3: Yeah, I'm a little out of touch with comedy stuff.

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Speaker 3: Hey has been catching me up on what's going on

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Speaker 3: in the scene.

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Speaker 2: No, I'm and I'm not really used to this Tommy.

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Speaker 2: Tom is really cracking wise a lot more yeah than

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Speaker 2: I remember.

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Speaker 4: So yeah, best show killing it every Tuesday, just showing

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Speaker 4: everyone how it's done. Got a Friend's recap podcast blowing

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Speaker 4: up untouchable, Yes, and then more.

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Speaker 3: So, I haven't. I haven't heard that stuff.

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Speaker 7: I have.

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Speaker 3: I heard a lot of the stings from the friends podcast.

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Speaker 3: Those have gone viral. Just the sort of little music

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Speaker 3: cues that you use. Yeah, those are blowing up.

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Speaker 4: Look the whole thing's blowing up. It depends where you

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Speaker 4: check it out. You go to a friends message board.

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Speaker 4: They can't get enough of it to go to like

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Speaker 4: some sort of audio geek thing. They're talking about the

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Speaker 4: production quality on the thing. Everybody's just getting off on

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Speaker 4: this thing from all angles.

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Speaker 3: Yeah, A special thing had a big right up. I

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Speaker 3: understand you sent me the link, but when I clicked it,

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Speaker 3: I got a virus.

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Speaker 4: I'm sorting that out with the guys over there. It's

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Speaker 4: talking to Ilis Who and Ambigham and we're getting to

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Speaker 4: the bottom of all the techi stuff over to ast

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Speaker 4: is there.

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Speaker 2: Hey, I don't want to spoil anything for the show,

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Speaker 2: but you think about like good more guys and these

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Speaker 2: like very big recap podcast. They got like the whole cast,

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Speaker 2: and I you know, eventually they got even like a

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Speaker 2: reunion show, got the show to come back for a

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Speaker 2: little while. Sure, I don't know, like, is there anything

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Speaker 2: with the cast? Are you talking to any of them

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Speaker 2: about A.

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Speaker 4: Few lines have been cast? And yeah, I'm not gonna

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Speaker 4: say too much about it now because because there's six

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Speaker 4: of them, right, and the just don't want to It's

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Speaker 4: an all or nothing kind of thing. It's like you

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Speaker 4: can't do with You're going to have all of them

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Speaker 4: on unless any of the zero no at once. No,

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Speaker 4: I know that's and the goal. Look, the goal is

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Speaker 4: I'm going to write a reunion episode and we'll do

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Speaker 4: it as an audio.

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Speaker 3: A live audio reunion episode.

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Speaker 4: Kind of like the yeah, kind of like the Wolverine

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Speaker 4: which is coming to uh scripts plus or whatever that

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Speaker 4: thing is.

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Speaker 3: Okay, I don't know what that is.

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Speaker 4: But Wolverine, you know him snicked.

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Speaker 1: They're gonna say that.

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Speaker 4: It's gonna be snicks. I auditioned for that also to

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Speaker 4: be the guy who did the sound effects. Yeah, yeah, snicked,

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Speaker 4: bub Here comes Wolverine snicked, snicked bub Yeah he bub snicked.

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Speaker 3: I'm the best at what I do, but what I.

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Speaker 1: Do snicked Yeah, and oh.

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Speaker 3: Yeah, I'm sorry that you weren't able to get that.

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Speaker 3: I think it was just that I was so nearby

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Speaker 3: that they decided to go with some of my stuff,

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Speaker 3: which is here's Wolverine walking up, you doubled it, and

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Speaker 3: here's the and here's the snick.

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Speaker 6: Sneaked.

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Speaker 3: It's kind of a secret.

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Speaker 4: Okay, And then you're like, are those claws?

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Speaker 3: What the hell's coming on of his hold.

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Speaker 2: So Tom, Yeah, you haven't been on the show and

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Speaker 2: over your years.

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Speaker 4: It's not exactly true as on the we did the

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Speaker 4: two hundredth together, which was kind of a I remember

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Speaker 4: co hosting that one with you guys was a sweet honor.

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Speaker 1: And the pretense of all this seems to.

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Speaker 4: Be that you consider yourself a very big part of

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Speaker 4: the show, effectively the third co host. Well, I wouldn't

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Speaker 4: even want to put a number on where any of

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Speaker 4: us ranking is. There are three, and I mean some

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Speaker 4: would probably say Hayes, Seawan Tom, Tom, Tom Sean Hayes.

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Speaker 4: I don't want if that's not my place to do.

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Speaker 4: I just do the show. It's like, I really, that's

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Speaker 4: what that's what the boards are for. Okay, Well, I've

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Speaker 4: seen I've seen some.

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Speaker 3: May say a lot of things. Some people say the

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Speaker 3: freaking night.

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Speaker 4: It's not for me to decide. I just do this.

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Speaker 4: I am the thing. See that's the thing. I am

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Speaker 4: the thing. I don't comment on the thing. I am

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Speaker 4: the thing. It's like when you get some dipshit who's

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Speaker 4: mad about like that, a baseball player that doesn't care

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Speaker 4: about baseball, and then it's like they don't need to

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Speaker 4: they are a baseball but they don't know to Ted

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Speaker 4: musial Is, so they are baseball.

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Speaker 1: They are a baseball Is that what you said before?

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Speaker 4: Yeah, Ted musal Is? And then they.

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Speaker 3: Who stand musical?

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Speaker 1: Who's that?

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Speaker 3: Okay, you're a baseball player and you're doing comedy again?

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Speaker 1: Wise again, this is really something I've not used to.

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Speaker 3: Get a variation on the who's on first? Routine? That

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Speaker 3: you say Ted musical and then you say who's that?

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Speaker 3: And to me doesn't feel like it has as many

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Speaker 3: places to go. Huh, But I haven't seen the whole

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Speaker 3: routine yet. You keep telling me there's more to come.

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Speaker 2: It's more about capturing a victim and getting someone to

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Speaker 2: correct him.

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Speaker 1: And then he.

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Speaker 2: Says, I'm rising you, and then he does like he

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Speaker 2: pretends to rev a motorcycle with his hands and he

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Speaker 2: makes a police siren noise, which.

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Speaker 4: Is probably something I should have done at the Wolverine audition.

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Speaker 4: Be a motorcycle.

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Speaker 1: Yeah, he's on that thing a lot.

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Speaker 4: I'm out of.

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Speaker 3: Here sneaked, Yeah yeah, yeah, I'll oh.

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Speaker 1: Instead it's.

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Speaker 3: I'm out of here.

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Speaker 1: Sneaked.

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Speaker 4: You got it. I can see why you got it.

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Speaker 1: It's just a.

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Speaker 3: Play on what you know what you expect. Look, comedy's

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Speaker 3: nothing but surprises. I don't got to tell you that.

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Speaker 4: No, you don't.

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Speaker 3: You're the first guy who ever surprised me. M hm,

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Speaker 3: he said, I'm doubling down on the podcast. I'm going

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Speaker 3: to start even another one.

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Speaker 4: Yeah, I see an opening in the field. Not enough

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Speaker 4: room for one more. Let me squeeze it in there.

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Speaker 2: Now, what are you doing any thing else while you're well, that's.

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Speaker 4: A good question. Uh huh, am I doing anything else?

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Speaker 4: It's probably shorter for me to say what I'm not doing?

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Speaker 3: Okay, well, let's hear it.

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Speaker 4: Well, actually that's again, that's as a joke. So what

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Speaker 4: I am doing?

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Speaker 3: I wish we had a hand signal or something.

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Speaker 2: I like while you're in LA just like, is there anything.

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Speaker 4: I'd just like to hang out? See friends?

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Speaker 1: Okay, yeah to the show.

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Speaker 4: Thanks for bringing that back, and that's a people should

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Speaker 4: check the Friends podcast. They do out. Thanks for the

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Speaker 4: for the plug. Is it.

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Speaker 2: Have you gotten the first result on the Google service

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Speaker 2: term Friends podcast?

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Speaker 1: Yeah?

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Speaker 4: I know that was something you were really that's going well,

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Speaker 4: getting to that first page. The problem is that about

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Speaker 4: four months ago, and I did not know this that

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Speaker 4: Matt LeBlanc started a podcast, and I'm kind of it's

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Speaker 4: throwing the whole algorithm off.

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Speaker 1: Where he's going through every episode.

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Speaker 2: I hear he's like two episodes ahead of you.

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Speaker 4: It's pretty tight.

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Speaker 2: So a lot of people who love Freds with they

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Speaker 2: listened to the newest episode of your show, they have

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Speaker 2: often just heard Matt LeBlanc talk about it, and he

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Speaker 2: is telling very good stories that really only he and

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Speaker 2: the other friends would know.

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Speaker 4: Yeah. Well, it's also tricky because he mentions he did

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Speaker 4: that show episodes, and in the thing it says friends episodes, podcasts,

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Speaker 4: and then it goes to because Matthew Perry is doing

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Speaker 4: a recap show of the show episodes, Uh huh, where

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Speaker 4: he's going through and he's more where I'm like, that's.

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Speaker 3: Better, because with LeBlanc, I almost think he's too close

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Speaker 3: to it. And when I listen to his Friends podcast,

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Speaker 3: it almost feels alienating that he's always describing like, well,

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Speaker 3: you know, at this point, we're on stage B and

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Speaker 3: I'm thinking, I don't know what that means, Matt, you know,

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Speaker 3: But when Tom says that, he goes they were in

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Speaker 3: the Monica's apartment, and that to me is more where

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Speaker 3: I have access to the show.

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Speaker 4: I'm glad you feel that, because I feel the same

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Speaker 4: way about it. I feel like there is a if

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Speaker 4: you go look at a painting and you get too

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Speaker 4: close to it, you don't see the whole painting.

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Speaker 3: And pointism and and and and this is such an

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Speaker 3: important thing to talk about, and especially in the world

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Speaker 3: of podcasts that look, the audience is a participant, and

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Speaker 3: the thing is different when it's being enjoyed. The way

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Speaker 3: people listen to a show like this. Uh, if you

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Speaker 3: were to just hear this episode, for instance, it might

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Speaker 3: sound like a total mess, you know, But in the

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Speaker 3: scope of the entirety of all the episodes we've done,

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Speaker 3: sure you start to get enough distance to see, oh wait,

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Speaker 3: these guys are you.

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Speaker 2: Have to listen to so many episod so is to

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Speaker 2: enjoy it. It's because they are forming.

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Speaker 3: Well, this picture this episode is a red dot, and

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Speaker 3: then we're going to do a blue dot very close

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Speaker 3: to it, and then a red and then a blue.

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Speaker 3: But then when you look, you'll see a much richer

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Speaker 3: violent than you ever would if we had just done

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Speaker 3: a purple episode.

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Speaker 2: I will say, I am really enjoying the show. Tom,

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Speaker 2: And people ask me all the time. I mentioned the

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Speaker 2: show and usually listen to this show, and they asked me,

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Speaker 2: do I have to like the show Friends to listen

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Speaker 2: to it?

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Speaker 1: And I say, yes, you do. You have to have

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Speaker 1: you have to be very familiar with the show.

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Speaker 4: To see I feel like that might be some faulty

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Speaker 4: info not my experience.

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Speaker 2: I am very well versed in the show. I've seen

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Speaker 2: every episode, but probably like a few years ago, and

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Speaker 2: I think I would enjoy it more if I had

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Speaker 2: just seen every episode, sure, like within the past year.

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Speaker 1: That's who I think.

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Speaker 2: It's really for people who have seen every episode of

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Speaker 2: Friends within the past here and I have read like

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Speaker 2: some booet about it.

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Speaker 7: Yeah, they should have read and they should have dug

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Speaker 7: up the Entertainment Week where they were really all, yeah's

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Speaker 7: you're gonna watch Schwartzen.

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Speaker 3: I mean you're gonna want, you know, Ken Tucker and

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Speaker 3: all those guys to sort of like get in there

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Speaker 3: and just slap your around with some hard.

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Speaker 2: Fast and Joey I'm a rich understanding of Joey. I

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Speaker 2: don't have that, And sometimes on your show, I'm lost.

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Speaker 3: Yeah, when you bring up Drea da Matteo, uh and

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Speaker 3: sort of her involvement in the Friends of verse. I

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00:17:36,320 --> 00:17:39,399
Speaker 3: sometimes will go I don't remember this, Joey, let me

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Speaker 3: go back and watch it. Luckily I can, but not

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Speaker 3: everyone has that privilege.

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Speaker 4: Yeah, none of this is required to see I can

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Speaker 4: just listen to the thing, enjoy the thing. The thing

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Speaker 4: is its own thing.

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Speaker 7: And I keep not being able to catch what Tom's doing.

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Speaker 7: Good joke, But I do think I'm ahead of this one.

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Speaker 7: So picture me, I sit down to listen to the

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Speaker 7: Friends podcast. Yeah, but I haven't seen Ed the first

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Speaker 7: movie to come out of the Friends cast post Friends,

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Speaker 7: where Matt LeBlanc is part of a baseball team with a.

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Speaker 4: Moment, don't take my picture? Boy?

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Speaker 1: Okay? Who Okay? This is Chef Kevin.

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Speaker 2: I know you haven't really been around the show in

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Speaker 2: a while, because the last one you haven't been in

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Speaker 2: this studio in a very long time. Chef Kevin is

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Speaker 2: he's taken on this sort of little increasing role on

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Speaker 2: the show. He wasn't intern. What's his name is, Chef Kevin?

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Speaker 4: Chef Kevin.

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Speaker 2: Yes, it's like a little bit that we do.

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Speaker 4: Kevin.

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Speaker 6: Do you want to say, Hi, Hey, guys, Chef Kevin here,

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Speaker 6: say what's that that's like his thing.

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Speaker 4: That's his thing. Yeah, okay, he.

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Speaker 2: Has like every time he comes on, he says, hey, guys,

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Speaker 2: Chef Kevin here, and we play off him and like

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Speaker 2: we can throw it to him sometime and he just

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Speaker 2: has developed this you.

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Speaker 4: Can you can skip that today.

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Speaker 3: It's not rather not fans really like Chef Kevin. He's

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Speaker 3: almost sort of an honorary third host.

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Speaker 1: Of the show in a lot of ways.

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Speaker 3: So we do the ads with them all the time.

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Speaker 2: And uh, this could be fine if they kind of

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Speaker 2: got to who oh yeah, the two of them.

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Speaker 1: Yeah, so Chef Kevin.

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Speaker 2: Sometimes we would just like throw my question or do

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Speaker 2: you have any questions for tom or anything?

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Speaker 6: Uh? Yeah, what's your greatest strength? Take your time.

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Speaker 4: I got to just say I'm not here to talk

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Speaker 4: to you. It's and don't take this the wrong way,

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00:19:40,480 --> 00:19:42,240
Speaker 4: and it's that's not meant to be rude to you.

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Speaker 4: I'm sure you serve a very important function here. I mean,

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00:19:47,400 --> 00:19:47,720
Speaker 4: you have a.

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Speaker 3: Camera cracking people up.

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Speaker 4: You're hanging a camera down at crotch level, taking creepshots

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Speaker 4: of everybody in the room. And I don't know if

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Speaker 4: that's the thing they know about, if you're hiding the

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00:19:59,160 --> 00:20:02,640
Speaker 4: camera from them or I don't know. I actually don't care.

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Speaker 4: That's part of his bit because he does creepho is

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Speaker 4: like part of his Okay, cool, well.

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Speaker 3: Yeah, people people now really look forward. Yeah, we used

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Speaker 3: to give him a hard time about it, but it's

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Speaker 3: actually become part of the fabric of the show.

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Speaker 4: Cool cool, Well you can you can, you can uh

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Speaker 4: ride the pine on this one, Uh, Chef Kevin, it's a.

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Speaker 2: I think there there's room on the show for honestly,

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Speaker 2: he fits in. It's whatever shape is available to That's

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Speaker 2: what I love about that.

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Speaker 4: Into whatever shape. Why don't you flatten yourself out and

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Speaker 4: go under the door.

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Speaker 6: Uh oh, I'll I'll try.

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Speaker 3: That would kill him.

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00:20:49,080 --> 00:20:50,639
Speaker 4: I'm not flat himself.

401
00:20:51,520 --> 00:20:57,720
Speaker 3: No, no, no, he said he's like water, and he

402
00:20:57,720 --> 00:21:01,280
Speaker 3: said whatever shape the show takes one. Okay, all right,

403
00:21:01,560 --> 00:21:04,000
Speaker 3: So you say flatten himself out? That would kill him.

404
00:21:04,000 --> 00:21:07,080
Speaker 3: That's disgusting, all right. Look, and the smush his guts.

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Speaker 7: Let's just do no, let's not no, no, no, smush

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Speaker 7: his guts everywhere.

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Speaker 4: All right, Fine, don't put yourself under the door.

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Speaker 3: You pay for the cleaning bill.

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Speaker 7: Tom.

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Speaker 2: I'm saying here with a very what I'm saying we

411
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Speaker 2: can do a say, I think a segment with the

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Speaker 2: two of you, two sort of beloved characters from the show.

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Speaker 4: The World of the Human Being, not that you're not

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Speaker 4: a human being, Chef Kevin.

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00:21:34,440 --> 00:21:36,520
Speaker 3: All the characters are human beings. We've had half of

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Speaker 3: them on this show.

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00:21:37,640 --> 00:21:38,280
Speaker 4: Yeah.

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00:21:38,480 --> 00:21:44,960
Speaker 3: But and a line on another one getting close very Netflix,

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Speaker 3: the characters, Netflix, the characters.

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Speaker 4: Well, let's get back to see now the whole rhythm

421
00:21:52,840 --> 00:21:58,000
Speaker 4: of the thing's thrown off, right, Yeah, yeah it is.

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00:21:58,400 --> 00:22:00,600
Speaker 4: I can while the bad guy. Now I'm a bad

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Speaker 4: guy because I take a fence. That is, I will say.

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Speaker 3: Oh man, I'm the bad guy. I'm the one that

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00:22:05,119 --> 00:22:07,720
Speaker 3: told a human being to flatten himself out, smush his

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Speaker 3: guts everywhere.

427
00:22:08,640 --> 00:22:10,960
Speaker 2: And just for a different perspective on it, I think

428
00:22:11,200 --> 00:22:13,400
Speaker 2: the show is feeling a little disjointed.

429
00:22:13,600 --> 00:22:17,639
Speaker 4: It was hard to have a great flow going. We

430
00:22:17,720 --> 00:22:18,960
Speaker 4: had a fun flow going.

431
00:22:19,640 --> 00:22:22,480
Speaker 3: I tried to save it by by basically saying, from

432
00:22:22,560 --> 00:22:26,200
Speaker 3: a pointless perspective, m M that you know, the show

433
00:22:26,359 --> 00:22:28,520
Speaker 3: was going well and nobody's I was doing it. I

434
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Speaker 3: was going like, what is this?

435
00:22:29,720 --> 00:22:32,119
Speaker 2: And nobody cares more about this stuff than me. My

436
00:22:32,359 --> 00:22:35,760
Speaker 2: job is to keep the thing like a coherent episode.

437
00:22:35,840 --> 00:22:36,520
Speaker 1: I'm the host.

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00:22:36,560 --> 00:22:39,000
Speaker 2: I'm looking at it from ten thousand feet and putting

439
00:22:39,080 --> 00:22:41,359
Speaker 2: all the ducks in a row. I'm checking the boxes.

440
00:22:41,400 --> 00:22:42,680
Speaker 2: So I'm like, Okay, now we're at this point in

441
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Speaker 2: the episode. I'm giving it a subtle arc. People don't

442
00:22:45,720 --> 00:22:47,879
Speaker 2: see me doing these things, but I'm doing them. But

443
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Speaker 2: with the way it has been going so far, it

444
00:22:52,040 --> 00:22:54,119
Speaker 2: feels like there's like an energy in the room that

445
00:22:54,240 --> 00:22:57,520
Speaker 2: was a little aggressive. That with Kevin here, I think

446
00:22:57,560 --> 00:22:59,520
Speaker 2: we can kind of like balance.

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Speaker 4: That out, all due respect all, It's just like the

448
00:23:02,960 --> 00:23:04,840
Speaker 4: way I look at it is always when I do

449
00:23:04,880 --> 00:23:07,439
Speaker 4: this thing. And so Hayes first at bat, gets on

450
00:23:07,520 --> 00:23:12,880
Speaker 4: base with a single or a walk, kind of sean solid,

451
00:23:13,280 --> 00:23:17,640
Speaker 4: solid single first and third maybe, and then I come

452
00:23:17,720 --> 00:23:21,439
Speaker 4: up swinging the bat right knock you all.

453
00:23:21,320 --> 00:23:23,879
Speaker 6: In, right, Well, if I get you on base and

454
00:23:23,880 --> 00:23:25,800
Speaker 6: you hit a grand slam.

455
00:23:25,640 --> 00:23:28,159
Speaker 3: See whoa and see how he's willing.

456
00:23:27,920 --> 00:23:30,119
Speaker 4: Okay, okay, then okay. Then you're up next and you

457
00:23:30,160 --> 00:23:33,399
Speaker 4: get hit by a pitch in the face, yeah, and

458
00:23:33,440 --> 00:23:35,679
Speaker 4: it's still yeah, and then you're going to the hospital.

459
00:23:35,720 --> 00:23:37,119
Speaker 4: But we'll put in a pinch runner.

460
00:23:37,240 --> 00:23:42,360
Speaker 1: But that's his that's his he's willing to do that.

461
00:23:42,440 --> 00:23:45,439
Speaker 4: There's no way this kid contributes to the show. What

462
00:23:45,560 --> 00:23:46,520
Speaker 4: do you do on the show?

463
00:23:46,600 --> 00:23:46,840
Speaker 1: Boy?

464
00:23:48,600 --> 00:23:50,440
Speaker 4: Do what you do on the show? Boy? I want

465
00:23:50,480 --> 00:23:51,080
Speaker 4: to see this.

466
00:23:51,720 --> 00:23:51,879
Speaker 1: You know.

467
00:23:51,960 --> 00:23:54,280
Speaker 6: I do blue apron ads with the guys. Or they'll

468
00:23:54,280 --> 00:23:55,880
Speaker 6: ask me questions and I'll.

469
00:23:56,000 --> 00:23:59,520
Speaker 4: Answer, Sure, are we doing a blue apron ad?

470
00:23:59,600 --> 00:24:00,760
Speaker 3: Now we could?

471
00:24:01,280 --> 00:24:06,200
Speaker 2: Okay, stop calling it takes me uncomfortable.

472
00:24:07,560 --> 00:24:08,960
Speaker 4: Do a blue apron ad? Now?

473
00:24:09,040 --> 00:24:11,680
Speaker 1: Boy? Okay, how about kid?

474
00:24:11,840 --> 00:24:12,000
Speaker 4: Is?

475
00:24:12,119 --> 00:24:12,960
Speaker 1: If it has to.

476
00:24:12,960 --> 00:24:15,680
Speaker 3: Be anything, and I think we'd all be a little

477
00:24:15,680 --> 00:24:16,879
Speaker 3: more comfortable with Jack.

478
00:24:17,280 --> 00:24:23,360
Speaker 1: Yeah, anything else, let's hear the ad.

479
00:24:23,440 --> 00:24:27,120
Speaker 6: Hey, guys, chef Kevin here, that's right, I'm working on

480
00:24:26,640 --> 00:24:29,720
Speaker 6: a blue apron playground where I'm taking the figure.

481
00:24:29,800 --> 00:24:33,800
Speaker 4: Not you're sitting in a chair talking anything, so you're

482
00:24:33,920 --> 00:24:36,840
Speaker 4: lying to this fun? Is it fun?

483
00:24:36,920 --> 00:24:39,600
Speaker 3: The show is really light and fun. I mean that's

484
00:24:39,640 --> 00:24:41,000
Speaker 3: always been at the heart of it.

485
00:24:41,040 --> 00:24:41,119
Speaker 4: Is.

486
00:24:41,520 --> 00:24:44,280
Speaker 3: You know why we wanted to start doing this show, Tom.

487
00:24:44,200 --> 00:24:47,280
Speaker 4: I know, because I am the show I know. I

488
00:24:47,320 --> 00:24:49,359
Speaker 4: know why we wanted to start doing the show.

489
00:24:50,000 --> 00:24:53,879
Speaker 3: Was to have some lighthearted fun about things that we do,

490
00:24:54,040 --> 00:24:59,640
Speaker 3: things we love that we love Tom and to sort

491
00:24:59,680 --> 00:25:02,199
Speaker 3: of sell break that and to just thankfully, you know,

492
00:25:02,400 --> 00:25:07,760
Speaker 3: at long last nerd out without being afraid. Yeah, that

493
00:25:07,840 --> 00:25:10,000
Speaker 3: the bullies were gonna come in yet, sure, No.

494
00:25:10,000 --> 00:25:12,720
Speaker 4: And I'm not a bully and I'm nice. I've never thought.

495
00:25:13,080 --> 00:25:15,520
Speaker 4: But it also the bummer is when you get a

496
00:25:15,560 --> 00:25:19,879
Speaker 4: thing right and then there's just one thing, just fucking

497
00:25:19,960 --> 00:25:21,600
Speaker 4: the whole thing up, you know what I mean. Just

498
00:25:21,640 --> 00:25:26,119
Speaker 4: it takes us one element, one person, and then the

499
00:25:26,160 --> 00:25:28,640
Speaker 4: whole thing's just I will.

500
00:25:28,480 --> 00:25:31,320
Speaker 2: Say to you, you know, we love having you here. Yeah,

501
00:25:31,359 --> 00:25:33,800
Speaker 2: you first showed up I think for episode ninety one.

502
00:25:34,080 --> 00:25:35,919
Speaker 4: Hmm, yeah, we.

503
00:25:35,800 --> 00:25:39,360
Speaker 2: Had we had it at that point already established.

504
00:25:39,640 --> 00:25:42,400
Speaker 3: We were at minimum finding our feet, yes.

505
00:25:42,320 --> 00:25:47,720
Speaker 4: Yeah, and then feet the feet showed up, and then

506
00:25:47,760 --> 00:25:49,199
Speaker 4: suddenly the thing came together.

507
00:25:50,080 --> 00:25:52,240
Speaker 1: Yeah, I guess you were kind of setting that.

508
00:25:52,280 --> 00:25:56,280
Speaker 4: Up for you guys. Look, no offense. And again I'm

509
00:25:56,320 --> 00:25:59,640
Speaker 4: gonna just preface this by saying, it's been about two

510
00:25:59,680 --> 00:26:01,920
Speaker 4: and a half years since I've listened to an episode

511
00:26:01,960 --> 00:26:02,400
Speaker 4: of the show.

512
00:26:03,320 --> 00:26:04,960
Speaker 1: Okay, Yeah, I.

513
00:26:04,880 --> 00:26:08,560
Speaker 4: Think the last one I heard was when you guys

514
00:26:08,600 --> 00:26:11,520
Speaker 4: had was it? Like, was it Carlos Mencia in here?

515
00:26:12,440 --> 00:26:14,320
Speaker 1: That your lips of God's ears? Buddy?

516
00:26:15,160 --> 00:26:15,800
Speaker 4: Who was it?

517
00:26:16,160 --> 00:26:19,880
Speaker 3: I'd love to bag a big fish like Mencia, Yike's

518
00:26:20,560 --> 00:26:21,320
Speaker 3: mind like that.

519
00:26:21,359 --> 00:26:22,520
Speaker 1: We have not had him.

520
00:26:22,720 --> 00:26:28,439
Speaker 2: I I struggle to think about who you are thinking of.

521
00:26:29,000 --> 00:26:34,520
Speaker 3: Yeah, any guess for me is gonna be prettyf.

522
00:26:33,000 --> 00:26:36,160
Speaker 4: I'm so sorry. I'm thinking of wtfh.

523
00:26:35,400 --> 00:26:38,760
Speaker 2: Okay, you were the show you were listening to was WTF?

524
00:26:38,880 --> 00:26:40,000
Speaker 4: Yeah, well he was on that.

525
00:26:40,000 --> 00:26:41,879
Speaker 1: That was the last show of ours that you listened

526
00:26:41,920 --> 00:26:45,800
Speaker 1: to podcast. I listened to Carlos Mencia episode of WTF.

527
00:26:45,760 --> 00:26:49,480
Speaker 4: I have not listened to a podcast since. Okay, so

528
00:26:49,600 --> 00:26:51,960
Speaker 4: we've had a good thing going here. You guys go

529
00:26:52,080 --> 00:26:53,640
Speaker 4: out on what's that now?

530
00:26:53,960 --> 00:26:55,400
Speaker 3: Just a good one to go out on. If you're

531
00:26:55,480 --> 00:26:57,120
Speaker 3: just going to listen to one and kind of hang

532
00:26:57,119 --> 00:26:59,960
Speaker 3: it up, I'd say that Carlos Mencia WTF is.

533
00:27:00,119 --> 00:27:02,840
Speaker 4: And I just take it. Look, I take offence.

534
00:27:03,119 --> 00:27:05,040
Speaker 6: I take offence none taken.

535
00:27:05,400 --> 00:27:08,960
Speaker 4: See how offense not none taken?

536
00:27:08,960 --> 00:27:09,280
Speaker 1: I'm not.

537
00:27:11,280 --> 00:27:14,040
Speaker 4: And that's is that what he does on the show here?

538
00:27:14,080 --> 00:27:16,040
Speaker 4: Is that what chef he does.

539
00:27:16,400 --> 00:27:18,080
Speaker 2: I will say he didn't do a great job with

540
00:27:18,119 --> 00:27:20,560
Speaker 2: the Blue apron Ad. He couldn't think of anything, and

541
00:27:20,640 --> 00:27:23,280
Speaker 2: he started doing one that was like just kind of

542
00:27:23,320 --> 00:27:25,800
Speaker 2: a half age version of one that we already did.

543
00:27:26,200 --> 00:27:30,280
Speaker 4: So I'm gonna zip my lips and I'm gonna give you,

544
00:27:30,720 --> 00:27:33,000
Speaker 4: Chef Kevin, the flooris. I want to see what you

545
00:27:33,160 --> 00:27:36,080
Speaker 4: do when you're just in your element and you're just

546
00:27:36,200 --> 00:27:36,639
Speaker 4: killing go.

547
00:27:37,240 --> 00:27:42,040
Speaker 6: I think me and my ad now, boy, I think

548
00:27:42,080 --> 00:27:45,600
Speaker 6: me and my element is like contributing to the show.

549
00:27:45,680 --> 00:27:48,840
Speaker 6: I try to think of myself of like, uh, like

550
00:27:48,960 --> 00:27:51,160
Speaker 6: someone I have the most assist on the team. I'm

551
00:27:51,200 --> 00:27:54,800
Speaker 6: not trying to score all the points, you know, like.

552
00:27:55,720 --> 00:27:59,719
Speaker 3: You can't or any point. Yeah, maybe not that many assists.

553
00:28:00,080 --> 00:28:02,400
Speaker 4: You can't shoot, that's what you're saying, right, Yeah, I'm

554
00:28:02,400 --> 00:28:06,760
Speaker 4: okay Ki shot right. The team's gonna get exploited on that.

555
00:28:07,000 --> 00:28:10,400
Speaker 2: But when we get tired, it's safe to get wet.

556
00:28:10,440 --> 00:28:12,240
Speaker 4: Alonzo ball up in here.

557
00:28:12,160 --> 00:28:15,440
Speaker 3: Right, yeah, right right.

558
00:28:15,760 --> 00:28:18,520
Speaker 4: Yeah, kid's got a janky shot.

559
00:28:18,680 --> 00:28:21,520
Speaker 3: Sure, yeah, yeah, comes across his body, takes a little

560
00:28:21,560 --> 00:28:22,440
Speaker 3: longer to put it up.

561
00:28:22,600 --> 00:28:26,440
Speaker 4: Yeah. So blockable, very blockable.

562
00:28:27,000 --> 00:28:29,480
Speaker 6: This is what you contribute to Hollywood Handbook.

563
00:28:30,960 --> 00:28:33,159
Speaker 1: The Chef Kevin, this.

564
00:28:39,400 --> 00:28:42,760
Speaker 3: Sucks. If you use that get you every time.

565
00:28:42,760 --> 00:28:46,320
Speaker 4: We just talk real talk. Let's get real, real talk.

566
00:28:47,040 --> 00:28:48,160
Speaker 4: This kid sucks.

567
00:28:48,680 --> 00:28:51,040
Speaker 2: I know I will agree that that sucks.

568
00:28:51,160 --> 00:28:52,360
Speaker 3: That what he just did suck.

569
00:28:52,480 --> 00:28:55,320
Speaker 1: That definitely sucks, and a lot of stuff sucks.

570
00:28:55,360 --> 00:28:56,640
Speaker 4: He's bringing the show down.

571
00:28:57,840 --> 00:29:01,160
Speaker 3: That I don't think is it's not all like this

572
00:29:01,360 --> 00:29:02,280
Speaker 3: actually happening.

573
00:29:02,360 --> 00:29:04,840
Speaker 4: I've heard him chicken out on a blue apron ad

574
00:29:05,240 --> 00:29:08,600
Speaker 4: and then just says I passed the ball, and then

575
00:29:08,640 --> 00:29:11,840
Speaker 4: he just said, is that way? Yay? Damn, that's what

576
00:29:11,920 --> 00:29:14,160
Speaker 4: he's added to the show. So he knocked me off

577
00:29:14,240 --> 00:29:16,880
Speaker 4: my game. He knocked me away. I came in here

578
00:29:16,960 --> 00:29:19,880
Speaker 4: loaded for bear. I came in here hot as shit,

579
00:29:20,400 --> 00:29:22,920
Speaker 4: and I was killing it. And then this kid, Now,

580
00:29:23,240 --> 00:29:25,920
Speaker 4: now I'm I don't even know which ways up I

581
00:29:26,040 --> 00:29:29,800
Speaker 4: was locked in. I've been drinking cold brew all day.

582
00:29:30,320 --> 00:29:33,440
Speaker 4: I am fired up for this. You have been writing lines.

583
00:29:33,880 --> 00:29:36,440
Speaker 4: I've been writing lines like crazy for today's show.

584
00:29:36,600 --> 00:29:38,520
Speaker 3: Heavy pour on the cold brew. And you do have

585
00:29:38,640 --> 00:29:39,600
Speaker 3: several notebooks.

586
00:29:39,800 --> 00:29:43,160
Speaker 4: And he comes in and I come in ready for

587
00:29:43,320 --> 00:29:45,280
Speaker 4: my what tenth appearance on this show?

588
00:29:45,720 --> 00:29:48,040
Speaker 3: I guess you were thrown right He Yeah, I haven't

589
00:29:48,080 --> 00:29:50,680
Speaker 3: counted your appearance as ten sounds high to me, but yeah,

590
00:29:50,720 --> 00:29:50,960
Speaker 3: you know.

591
00:29:51,320 --> 00:29:53,560
Speaker 4: I count him. I've done two live shows.

592
00:29:54,280 --> 00:29:57,160
Speaker 6: Tom can be real with you for a second.

593
00:29:56,480 --> 00:29:57,480
Speaker 3: Okay, and I'm scared.

594
00:29:59,080 --> 00:30:02,240
Speaker 4: Sure, Chef Kevin, I'm sorry.

595
00:30:02,280 --> 00:30:06,560
Speaker 6: I got mean. I'm normally not like that. I'm normally

596
00:30:06,560 --> 00:30:10,120
Speaker 6: not put in a hot seat like this, and I panicked.

597
00:30:11,640 --> 00:30:14,920
Speaker 4: Well, this is podcasting, kid, This is podcasting.

598
00:30:15,080 --> 00:30:15,800
Speaker 1: Boy boy.

599
00:30:17,000 --> 00:30:18,600
Speaker 4: No, they asked me to call you kid, so I'm

600
00:30:18,680 --> 00:30:22,320
Speaker 4: upgrading you see, I'm trying to trying to mend fences here. Okay,

601
00:30:23,280 --> 00:30:25,280
Speaker 4: they said call them kids, so I'm calling you kid.

602
00:30:25,320 --> 00:30:29,320
Speaker 4: All right, So this is podcasting kid. You feel like

603
00:30:29,320 --> 00:30:31,360
Speaker 4: you're in the hot seat. Every second on the mic

604
00:30:31,440 --> 00:30:35,120
Speaker 4: is a hot seat. You got to remember that this

605
00:30:35,240 --> 00:30:38,640
Speaker 4: is war. This is literally war. You know, people talk

606
00:30:38,640 --> 00:30:41,400
Speaker 4: about what People throw that around and it's it's rude

607
00:30:41,440 --> 00:30:44,240
Speaker 4: and insulting to people that actually fight a war. In

608
00:30:44,280 --> 00:30:50,080
Speaker 4: this case, it's not. This is war, life or death.

609
00:30:51,240 --> 00:30:54,000
Speaker 4: You step in front of that mic, you could die

610
00:30:54,440 --> 00:31:00,719
Speaker 4: if you don't watch your back. Yes, it's actually the

611
00:31:00,760 --> 00:31:05,440
Speaker 4: only thing that's insulting. War is insulting to podcasting.

612
00:31:04,800 --> 00:31:07,680
Speaker 3: Because the stakes are in a lot of ways even higher.

613
00:31:07,720 --> 00:31:10,680
Speaker 1: And none of them could do it. Yeah, none of

614
00:31:10,720 --> 00:31:11,320
Speaker 1: them could do this.

615
00:31:11,640 --> 00:31:13,480
Speaker 4: So this is Warid.

616
00:31:13,160 --> 00:31:15,680
Speaker 3: Hayes and Chef Kevin probably both could do a war,

617
00:31:18,040 --> 00:31:20,640
Speaker 3: but none of the war guys could probably do a

618
00:31:20,720 --> 00:31:21,840
Speaker 3: real podcast.

619
00:31:21,960 --> 00:31:25,640
Speaker 2: No especially and I'll say this for you, you know,

620
00:31:25,800 --> 00:31:29,840
Speaker 2: to like do it by yourself for three hours.

621
00:31:29,920 --> 00:31:33,160
Speaker 1: At a time. Yeah, none of those guys could do that.

622
00:31:33,520 --> 00:31:37,200
Speaker 4: No, So so listen to me, kid.

623
00:31:37,360 --> 00:31:39,160
Speaker 3: And there's only one thing I can do for three

624
00:31:39,160 --> 00:31:40,600
Speaker 3: hours by myself at a time.

625
00:31:42,320 --> 00:31:42,680
Speaker 4: What's that?

626
00:31:47,240 --> 00:31:47,360
Speaker 6: Uh?

627
00:31:47,840 --> 00:31:53,640
Speaker 3: Sleep tom? Okay, And he's not and I'm not talking

628
00:31:53,640 --> 00:31:54,320
Speaker 3: about sleeping.

629
00:31:54,440 --> 00:31:58,479
Speaker 1: His eyes are closed. Yeah, oh yeah, but he's not sleeping.

630
00:31:58,480 --> 00:32:00,640
Speaker 3: And I'm unconscious and he is.

631
00:32:01,200 --> 00:32:05,240
Speaker 1: He is resting on his side while he's doing it.

632
00:32:06,080 --> 00:32:08,960
Speaker 3: One hugger pillow, one pillow between the knees, and another

633
00:32:09,000 --> 00:32:13,760
Speaker 3: one under my neck. But I'm not sleep Oh and

634
00:32:13,880 --> 00:32:15,440
Speaker 3: my alarm does go off at the end.

635
00:32:19,640 --> 00:32:20,600
Speaker 4: So what did you want to know?

636
00:32:21,560 --> 00:32:22,480
Speaker 6: What did I want? Now?

637
00:32:22,800 --> 00:32:23,960
Speaker 4: What did you want to know?

638
00:32:25,840 --> 00:32:28,280
Speaker 6: Uh? What's your greatest strength is? Because you're kind of

639
00:32:28,280 --> 00:32:29,760
Speaker 6: throwing me for a curve yourself?

640
00:32:30,000 --> 00:32:31,240
Speaker 1: Uh huh?

641
00:32:31,360 --> 00:32:35,880
Speaker 6: Like God, I started listening to WTS, Postman CS, So

642
00:32:35,920 --> 00:32:38,360
Speaker 6: now I'm trying to like understand how to interview people.

643
00:32:39,400 --> 00:32:41,440
Speaker 6: What's your greatest strength? What's your greatest weakness?

644
00:32:41,600 --> 00:32:43,480
Speaker 1: He read? He read Marenth's book.

645
00:32:43,600 --> 00:32:46,280
Speaker 6: Yeah, all the quotes about episodes.

646
00:32:48,320 --> 00:32:54,680
Speaker 3: He's always running around here quote in thinking pain. Every

647
00:32:54,720 --> 00:32:58,440
Speaker 3: time I think I'm out, he freaking sucks me back in.

648
00:32:58,520 --> 00:33:04,040
Speaker 3: With another observation from Payne. So you know, Chef Kevin,

649
00:33:04,480 --> 00:33:08,000
Speaker 3: I guess is something of a student of comedy. Sure,

650
00:33:08,680 --> 00:33:11,920
Speaker 3: so we might not want to dismiss him. At worst,

651
00:33:11,960 --> 00:33:14,640
Speaker 3: he could be somebody who could listen to something that's

652
00:33:14,680 --> 00:33:15,360
Speaker 3: like what you do.

653
00:33:16,040 --> 00:33:18,600
Speaker 4: Look, guys, we've been doing this show for a long time.

654
00:33:19,000 --> 00:33:21,520
Speaker 3: Yeah, yeah, twenty five minutes or.

655
00:33:21,520 --> 00:33:24,480
Speaker 4: So, no, no, no, yeah, but twenty five minutes, we're

656
00:33:24,480 --> 00:33:27,960
Speaker 4: hours deep in the thing. Some of the episodes we've

657
00:33:27,960 --> 00:33:31,360
Speaker 4: done are classics. So I've done episodes of Hollywood Handbook

658
00:33:31,360 --> 00:33:36,360
Speaker 4: that are all timers that I'm on more of than you. Sean,

659
00:33:36,640 --> 00:33:40,640
Speaker 4: There was, right, Sean, wasn't that There's one that, yeah,

660
00:33:40,760 --> 00:33:43,000
Speaker 4: lit up the little if anything. That's the one that

661
00:33:43,080 --> 00:33:45,520
Speaker 4: put the show on the map, made some end of

662
00:33:45,640 --> 00:33:46,760
Speaker 4: year less as I recorded.

663
00:33:46,840 --> 00:33:47,960
Speaker 3: Yeah, best of.

664
00:33:49,040 --> 00:33:51,200
Speaker 4: But look, I've been doing this. What I'm trying to

665
00:33:51,200 --> 00:33:54,880
Speaker 4: say is I've been doing it a long time. Just

666
00:33:54,920 --> 00:33:57,200
Speaker 4: like you were saying we were talking about with LeBlanc,

667
00:33:57,560 --> 00:34:00,920
Speaker 4: he's too close to it. You're too close to it.

668
00:34:01,040 --> 00:34:06,400
Speaker 4: Sean Hayes, you're too close to it. It's get suck ship. Jesus,

669
00:34:06,600 --> 00:34:09,760
Speaker 4: you gotta bounce him. He's gonna kill the show.

670
00:34:10,640 --> 00:34:13,399
Speaker 6: Wait, is there anything I could do before you make

671
00:34:13,440 --> 00:34:17,400
Speaker 6: that decision to prove myself before you just bounce me.

672
00:34:18,400 --> 00:34:19,640
Speaker 4: Well, we're going to take a vote at the end

673
00:34:19,680 --> 00:34:21,520
Speaker 4: of the show and whether you're a part of it

674
00:34:21,600 --> 00:34:22,520
Speaker 4: in the future or not.

675
00:34:22,880 --> 00:34:25,120
Speaker 1: Okay, do you ever have you seen Friends?

676
00:34:26,040 --> 00:34:30,000
Speaker 6: I watched five minutes of an episode and I don't

677
00:34:30,040 --> 00:34:30,359
Speaker 6: like it.

678
00:34:30,480 --> 00:34:32,680
Speaker 4: Okay, yeah, all right, what do you like? What kind

679
00:34:32,719 --> 00:34:33,360
Speaker 4: of shows you like?

680
00:34:33,840 --> 00:34:35,000
Speaker 1: You could recab something in.

681
00:34:35,040 --> 00:34:39,760
Speaker 6: The office development? Oh yeah, check it out with Steve.

682
00:34:40,920 --> 00:34:43,400
Speaker 6: Oh great, Yeah, that's kind of my zone.

683
00:34:43,680 --> 00:34:45,239
Speaker 4: That's your zone.

684
00:34:45,520 --> 00:34:48,640
Speaker 1: Do you want Do you want to recap an office episode?

685
00:34:49,120 --> 00:34:50,560
Speaker 3: Yeah? That could be bad ass?

686
00:34:50,960 --> 00:34:54,480
Speaker 2: And Tom, how about this? You recap an obvious episode.

687
00:34:54,840 --> 00:34:58,480
Speaker 2: Tom can kind of help you through the process. I'll

688
00:34:58,520 --> 00:35:00,440
Speaker 2: give you a few pointers and then we.

689
00:35:00,400 --> 00:35:02,439
Speaker 1: Can be nice. We can be helping each Yeah.

690
00:35:02,600 --> 00:35:05,480
Speaker 3: Maybe, and then what will happen? A new podcast will

691
00:35:05,520 --> 00:35:05,960
Speaker 3: be born?

692
00:35:06,280 --> 00:35:11,920
Speaker 4: Yes, yes, again, I'm not against you. I'm not against you.

693
00:35:12,000 --> 00:35:17,400
Speaker 7: I like you said that he sucks ship, and you

694
00:35:17,520 --> 00:35:18,879
Speaker 7: have said that we gotta lose.

695
00:35:19,040 --> 00:35:21,399
Speaker 4: He sucks ship on this show.

696
00:35:21,880 --> 00:35:23,799
Speaker 3: But Office Recap show.

697
00:35:23,880 --> 00:35:26,839
Speaker 4: As a person, he seems like an al right guy.

698
00:35:26,960 --> 00:35:28,680
Speaker 1: But you think he should be fired.

699
00:35:28,560 --> 00:35:31,160
Speaker 4: On the show. Yeah, you gotta get him off. He's

700
00:35:31,280 --> 00:35:35,000
Speaker 4: killing the show. Is this what every episode has been? Like?

701
00:35:35,280 --> 00:35:37,680
Speaker 3: No, no, no, no, you've.

702
00:35:37,520 --> 00:35:39,719
Speaker 4: Been here just when I've been here.

703
00:35:40,560 --> 00:35:42,920
Speaker 1: Yeah, okay, I'm sorry, Right, that's what we were.

704
00:35:43,160 --> 00:35:44,439
Speaker 4: Is this what he does on the thing?

705
00:35:46,040 --> 00:35:47,280
Speaker 3: He takes shots again?

706
00:35:47,600 --> 00:35:48,200
Speaker 4: How's that going on?

707
00:35:48,360 --> 00:35:48,799
Speaker 1: In my head?

708
00:35:48,840 --> 00:35:51,120
Speaker 2: I'm like, this is worse than normal, but it might

709
00:35:51,200 --> 00:35:52,360
Speaker 2: just be how it normally is.

710
00:35:52,680 --> 00:35:55,600
Speaker 4: Yeah, this is a good episode.

711
00:35:55,840 --> 00:35:59,200
Speaker 3: This one is a good one. This one's good. What

712
00:35:59,320 --> 00:36:05,160
Speaker 3: other ones have been good lately? This one's a good one.

713
00:36:05,239 --> 00:36:07,799
Speaker 2: Are you trying to think of an office episode that

714
00:36:07,960 --> 00:36:09,080
Speaker 2: you know a lot about?

715
00:36:09,280 --> 00:36:09,520
Speaker 1: Sure?

716
00:36:09,719 --> 00:36:13,760
Speaker 2: Yeah, so you start talking about the episode and Tom

717
00:36:13,800 --> 00:36:18,359
Speaker 2: will help you get better at doing okay, and they.

718
00:36:18,280 --> 00:36:20,640
Speaker 4: Want to do it together? Yeah, like we're co hosting

719
00:36:20,680 --> 00:36:22,120
Speaker 4: it or am I just giving him advice?

720
00:36:22,239 --> 00:36:24,359
Speaker 2: I think maybe you're just giving him an Okay, let's

721
00:36:24,400 --> 00:36:25,719
Speaker 2: do it.

722
00:36:25,160 --> 00:36:27,640
Speaker 1: So I can sort of say how you would.

723
00:36:27,360 --> 00:36:29,360
Speaker 4: Do and I'm gonna do it as if I'm talking

724
00:36:29,400 --> 00:36:31,400
Speaker 4: inter your ear. Okay, so I'm not gonna you just

725
00:36:31,480 --> 00:36:33,120
Speaker 4: keep talking though, just take the advice.

726
00:36:33,320 --> 00:36:35,320
Speaker 1: Here we go, Hey.

727
00:36:35,120 --> 00:36:39,400
Speaker 6: Guys, Chef Covin here and welcome to the Office hours.

728
00:36:39,880 --> 00:36:40,840
Speaker 6: The office hours.

729
00:36:41,560 --> 00:36:41,719
Speaker 2: Uh.

730
00:36:42,760 --> 00:36:44,640
Speaker 6: Today, I'm going to be recaped.

731
00:36:44,200 --> 00:36:47,200
Speaker 1: One an hour one yeah long remember show.

732
00:36:48,160 --> 00:36:53,200
Speaker 6: Today, I'm going to be recapping the episode where Michael

733
00:36:53,239 --> 00:37:00,920
Speaker 6: goes to Chili's with Tim Meadows and season one or two, uh,

734
00:37:01,600 --> 00:37:04,320
Speaker 6: and he makes a big deal. It's a big episode.

735
00:37:04,320 --> 00:37:08,120
Speaker 6: It's a big episode because he proves to uh Jan

736
00:37:08,880 --> 00:37:12,440
Speaker 6: that he's actually a good business man, even though everyone

737
00:37:12,440 --> 00:37:13,359
Speaker 6: thinks he's really bad.

738
00:37:13,560 --> 00:37:15,200
Speaker 4: Who wrote it? Who directed it?

739
00:37:17,120 --> 00:37:23,719
Speaker 6: Uh? Michael Sure wrote it. It's gonna be compus, Quampus

740
00:37:24,920 --> 00:37:30,920
Speaker 6: wrote it. The Quampus wrote it, and Michael Shure directed it.

741
00:37:31,040 --> 00:37:36,200
Speaker 4: Okay, I'm about yourself. Now you got anything? Because he's

742
00:37:36,200 --> 00:37:39,120
Speaker 4: got to differentiate from any other office podcast.

743
00:37:39,320 --> 00:37:41,440
Speaker 6: Before we go into this episode, I'd like to just

744
00:37:41,560 --> 00:37:43,000
Speaker 6: dabble in my personal life.

745
00:37:43,200 --> 00:37:44,800
Speaker 4: You say, before you go into it, that sounds like

746
00:37:44,880 --> 00:37:46,680
Speaker 4: it sounds a little stage. You just say, Hey, it's

747
00:37:46,760 --> 00:37:48,080
Speaker 4: me Tom.

748
00:37:48,080 --> 00:37:50,839
Speaker 3: Can I give you a tip on Kevin Well? His

749
00:37:50,960 --> 00:37:53,160
Speaker 3: name's Kevin and one of the best characters from the

750
00:37:53,200 --> 00:37:57,080
Speaker 3: show isn't heame Kevin? So maybe there's Kevin's Corner where

751
00:37:57,239 --> 00:38:00,000
Speaker 3: Chef Kevin tells you about what Kevin from the office

752
00:38:00,840 --> 00:38:04,120
Speaker 3: talking from the perspective of a Kevin.

753
00:38:04,239 --> 00:38:09,960
Speaker 4: Yeah, okay, talk talk like you're just like, don't act

754
00:38:10,040 --> 00:38:12,160
Speaker 4: like you just acts like you're friends with the audience. No,

755
00:38:12,200 --> 00:38:14,080
Speaker 4: I'm not trying to plug my thing again now, but

756
00:38:14,160 --> 00:38:16,839
Speaker 4: it's just like you're friends with the audience, like they've

757
00:38:16,880 --> 00:38:20,239
Speaker 4: been here before. Yeah it's me again, Say hey, it's

758
00:38:20,280 --> 00:38:21,120
Speaker 4: it's Kevin again.

759
00:38:21,760 --> 00:38:24,719
Speaker 6: So it's me again. Uh yeah, life's going well. I

760
00:38:24,760 --> 00:38:25,520
Speaker 6: can't complain.

761
00:38:25,640 --> 00:38:27,840
Speaker 4: No, nobody cares about your own life. And this, this

762
00:38:27,960 --> 00:38:30,279
Speaker 4: is the office, is what we're focusing on.

763
00:38:30,320 --> 00:38:33,440
Speaker 6: Here, we're focusing We're focusing on the office right now.

764
00:38:33,680 --> 00:38:36,600
Speaker 6: And I want to hop into Kevin's corner in this

765
00:38:36,719 --> 00:38:37,640
Speaker 6: episode a.

766
00:38:37,600 --> 00:38:42,239
Speaker 4: Little early to hop into Kevin's corner. Way supplementary bit.

767
00:38:42,480 --> 00:38:45,600
Speaker 4: Supplementary bit. Yeah, we'll start with a sidebar.

768
00:38:45,719 --> 00:38:47,480
Speaker 3: People should be looking forward to it for a lot

769
00:38:47,480 --> 00:38:49,640
Speaker 3: of the episode, so that they actually stick around through

770
00:38:49,640 --> 00:38:51,120
Speaker 3: a lot of the crawday.

771
00:38:52,360 --> 00:38:54,480
Speaker 4: In two minutes, we got Kevin's Corner coming up. But

772
00:38:54,560 --> 00:38:56,600
Speaker 4: let me tell you about the episode first.

773
00:38:56,719 --> 00:38:58,960
Speaker 6: In two minutes, we got Kevin. Go back to the beginning, though,

774
00:38:59,000 --> 00:39:01,320
Speaker 6: Hey guys, Chef Kevin here, and welcome to an episode

775
00:39:01,360 --> 00:39:02,200
Speaker 6: of Office.

776
00:39:02,200 --> 00:39:03,799
Speaker 4: Sure you want to be Chef Kevin on this not

777
00:39:03,880 --> 00:39:06,440
Speaker 4: a chance to differentiate from Hollywood Handbook a little bit.

778
00:39:07,280 --> 00:39:09,840
Speaker 6: Hey guys, it's it's Kevin Bartel here and I'm on

779
00:39:09,880 --> 00:39:10,520
Speaker 6: an episode.

780
00:39:10,640 --> 00:39:12,239
Speaker 3: I feel like chef CON's the only thing he has.

781
00:39:12,239 --> 00:39:13,520
Speaker 3: I don't think I'm going to say the fact that

782
00:39:13,520 --> 00:39:14,279
Speaker 3: he's recognized that.

783
00:39:16,000 --> 00:39:17,240
Speaker 4: Go back to Chef Kevin.

784
00:39:17,320 --> 00:39:19,760
Speaker 6: Hey, guys, Chef Kevin here, and this is an episode

785
00:39:19,800 --> 00:39:22,879
Speaker 6: of The Office Hours. Today we're going to talk about that.

786
00:39:22,840 --> 00:39:27,879
Speaker 4: Pisode Office Hours, the Ultimate Office Recap Podcast.

787
00:39:28,600 --> 00:39:31,800
Speaker 6: Today. Hey guys, Chef Kevin here, and today's up every

788
00:39:31,800 --> 00:39:37,000
Speaker 6: hour on the hour. Hey guys, Chef Kevin here.

789
00:39:37,040 --> 00:39:38,120
Speaker 1: Comes out every hour.

790
00:39:38,760 --> 00:39:43,399
Speaker 4: Yeah, okay, it gets for a season day.

791
00:39:45,320 --> 00:39:48,360
Speaker 6: Hey guys, Chef Kevin here, and welcome to The Office Hours,

792
00:39:48,480 --> 00:39:51,560
Speaker 6: the Ultimate Office Recap show. Every hour on the hour.

793
00:39:52,160 --> 00:39:55,480
Speaker 6: It's it's two pm. And so that means we're going

794
00:39:55,560 --> 00:39:59,360
Speaker 6: to be talking about the Chilis episode where Michael and

795
00:39:59,440 --> 00:40:04,439
Speaker 6: Jan have a big meeting out of Chili's. In about

796
00:40:04,440 --> 00:40:06,919
Speaker 6: two minutes, we're gonna hop into a Kevin's corner, So.

797
00:40:06,920 --> 00:40:07,680
Speaker 1: Look forward to that.

798
00:40:08,680 --> 00:40:11,799
Speaker 6: Uh So this episode, you know, it's it's kind of

799
00:40:11,800 --> 00:40:16,239
Speaker 6: a turning point for Michael Scott because he uh as

800
00:40:16,280 --> 00:40:17,440
Speaker 6: played by Steve Correll.

801
00:40:17,680 --> 00:40:19,400
Speaker 4: Because I just got to make sure people don't confuse

802
00:40:19,440 --> 00:40:21,640
Speaker 4: it with it, because there's a lot of all around

803
00:40:21,680 --> 00:40:22,120
Speaker 4: the world.

804
00:40:22,280 --> 00:40:25,000
Speaker 6: Yeah, should we say what Steve Carrell's from?

805
00:40:25,239 --> 00:40:27,440
Speaker 4: Yeah, that's good. Give some of his credits.

806
00:40:27,560 --> 00:40:30,640
Speaker 6: You know Steve Correll from forty Dan in real life,

807
00:40:30,800 --> 00:40:34,800
Speaker 6: Dan in real life forty year Old Virgin, the Freaks Dinner,

808
00:40:35,120 --> 00:40:39,920
Speaker 6: and the Freak's Dinner, Dinner for Freaks, Dinner for Freaks.

809
00:40:40,760 --> 00:40:43,839
Speaker 6: This episode of the Office was written.

810
00:40:43,520 --> 00:40:45,920
Speaker 4: By Dinner for Smokes or as I call it, the

811
00:40:45,920 --> 00:40:46,680
Speaker 4: Freaks Dinner.

812
00:40:47,160 --> 00:40:49,359
Speaker 3: Yeah, this is uh.

813
00:40:50,120 --> 00:40:53,040
Speaker 6: You also know him from Dan in real life.

814
00:40:52,920 --> 00:40:56,400
Speaker 3: For Then Say and Then Say, and from Fox Catcher

815
00:40:56,480 --> 00:40:58,400
Speaker 3: or as I call it, the Freak's Other Dinner.

816
00:41:04,400 --> 00:41:06,640
Speaker 6: Do you know Michael Scott? Or sorry, you know Steve

817
00:41:06,760 --> 00:41:11,040
Speaker 6: Correll from Dan in real Life Dinner for Schmucks, which

818
00:41:11,040 --> 00:41:18,400
Speaker 6: I call the Freak's Dinner, or on Fox which was

819
00:41:18,160 --> 00:41:22,480
Speaker 6: a Fox Catcher, which I call the Other Dinner for Freaks.

820
00:41:23,080 --> 00:41:28,200
Speaker 6: Today's the freaks.

821
00:41:28,280 --> 00:41:30,880
Speaker 1: Other difference today's episode.

822
00:41:30,920 --> 00:41:35,480
Speaker 6: Today's episode is when Michael and Jan go to Chili's.

823
00:41:35,560 --> 00:41:39,560
Speaker 2: This was It's not Michael and Jane go to Chili's.

824
00:41:39,600 --> 00:41:41,080
Speaker 2: Michael has a client.

825
00:41:41,400 --> 00:41:46,080
Speaker 6: Michael has a client and he goes to Chili's with Jan.

826
00:41:46,719 --> 00:41:49,760
Speaker 2: Initially, there's supposed to be a conference room and Michael

827
00:41:49,880 --> 00:41:53,040
Speaker 2: changes the venue to Chili's and Jan is disgusted with

828
00:41:53,160 --> 00:41:54,359
Speaker 2: Michael's antics.

829
00:41:54,400 --> 00:41:57,799
Speaker 6: In this episode, Uh, Michael is supposed to have a

830
00:41:57,840 --> 00:41:59,600
Speaker 6: meeting with a client in a conference room.

831
00:41:59,840 --> 00:42:02,279
Speaker 4: But then probably also make it clear that the show

832
00:42:02,320 --> 00:42:05,360
Speaker 4: is not sponsored by chili It's just from an integrity standpoint,

833
00:42:05,400 --> 00:42:08,799
Speaker 4: there's not some sort of covert share replacement.

834
00:42:09,080 --> 00:42:11,200
Speaker 6: Before I hop into the details of the episode, I

835
00:42:11,239 --> 00:42:14,200
Speaker 6: just want to let my listeners know Chili's is in

836
00:42:14,239 --> 00:42:17,600
Speaker 6: no way sponsoring this show. We have no feelings.

837
00:42:17,719 --> 00:42:20,440
Speaker 3: Maybe say a couple of your favorite dishes, yeah, because

838
00:42:20,440 --> 00:42:22,359
Speaker 3: it's a way to lure them in and it can

839
00:42:22,480 --> 00:42:23,000
Speaker 3: actually be.

840
00:42:24,480 --> 00:42:26,880
Speaker 6: And maybe make it the Southwestern rolls.

841
00:42:27,840 --> 00:42:28,480
Speaker 4: Uh.

842
00:42:28,680 --> 00:42:32,480
Speaker 6: You know, Chili's is not sponsoring the show in any way,

843
00:42:32,600 --> 00:42:34,400
Speaker 6: but you know I am a fan of a couple

844
00:42:34,440 --> 00:42:37,040
Speaker 6: of their dishes, the Southwestern egg roll.

845
00:42:37,360 --> 00:42:39,600
Speaker 3: Yeah, we may want to describe those as yum diddle

846
00:42:39,719 --> 00:42:41,280
Speaker 3: umptious their chef cat.

847
00:42:41,480 --> 00:42:43,640
Speaker 6: And you know, I like to call them the diddle

848
00:42:43,760 --> 00:42:46,480
Speaker 6: umptious or you can you know, check out the awesome

849
00:42:46,520 --> 00:42:49,920
Speaker 6: blossom extra awesome, which is you know something that Michael

850
00:42:49,960 --> 00:42:52,800
Speaker 6: says later on in the episode, so you know Chili's

851
00:42:52,840 --> 00:42:56,520
Speaker 6: if you're listening, is the awesome blossom at outback as well?

852
00:42:57,080 --> 00:43:00,000
Speaker 6: That's a little that's the bloomin on you.

853
00:43:00,280 --> 00:43:01,520
Speaker 1: I don't know if they do it anymore.

854
00:43:01,600 --> 00:43:04,160
Speaker 6: You have to be confused with the onion. The awesome

855
00:43:04,200 --> 00:43:06,920
Speaker 6: blossom is not to be confused with the bloomin onion.

856
00:43:07,239 --> 00:43:11,759
Speaker 6: That's out back steakhouse. No chef can remember who played Jan.

857
00:43:14,040 --> 00:43:15,520
Speaker 4: Don't touch that computer?

858
00:43:16,640 --> 00:43:18,960
Speaker 3: Come on, and I have a guess.

859
00:43:20,600 --> 00:43:22,680
Speaker 1: I know the answer, and I do not like the show.

860
00:43:24,120 --> 00:43:31,040
Speaker 6: Laura hard Jan is played by Laura Harding and it's

861
00:43:31,080 --> 00:43:34,080
Speaker 6: written by qualms In directed.

862
00:43:35,120 --> 00:43:38,160
Speaker 1: He directed every episode almost.

863
00:43:38,680 --> 00:43:42,320
Speaker 6: Written and directed by the Quampus. So in this episode,

864
00:43:42,400 --> 00:43:45,000
Speaker 6: Michael takes a client, well, they're supposed to have a

865
00:43:45,000 --> 00:43:49,400
Speaker 6: meeting in a conference room. However, Michael and Jan are

866
00:43:49,440 --> 00:43:51,239
Speaker 6: supposed to have a meeting with a client in a

867
00:43:51,280 --> 00:43:56,120
Speaker 6: conference room for their company h to see if they'd

868
00:43:56,160 --> 00:44:01,319
Speaker 6: be uh dony mitflin. Uh. They're supposed to have a

869
00:44:01,360 --> 00:44:05,520
Speaker 6: meeting to see if this favorite clients, this clients like

870
00:44:05,600 --> 00:44:08,919
Speaker 6: your favorite the world. They're supposed to have a meeting

871
00:44:08,920 --> 00:44:10,920
Speaker 6: with his client to see if you know he's interested

872
00:44:10,960 --> 00:44:17,200
Speaker 6: in paper paper with thunder Mifflin Paper company. Talk about Scranton.

873
00:44:18,239 --> 00:44:21,200
Speaker 6: They're supposed to have a meeting. Uh see, you're not

874
00:44:21,239 --> 00:44:24,040
Speaker 6: going to do Scranton fun facts on the office hours. Yeah,

875
00:44:24,360 --> 00:44:25,920
Speaker 6: it happened, Vin Scorner.

876
00:44:26,280 --> 00:44:28,879
Speaker 3: No, No, God, damn Kevin.

877
00:44:29,320 --> 00:44:34,120
Speaker 6: You're only like fifteen seconds. I'm sorry. Uh so the dundermuth?

878
00:44:34,800 --> 00:44:38,919
Speaker 6: What's hop into Scranton fun facts? Did you know that

879
00:44:39,160 --> 00:44:43,000
Speaker 6: Scranton doesn't have a Major League Baseball team? Did you

880
00:44:43,040 --> 00:44:49,200
Speaker 6: also know that Scranton is true? Do you know that? Uh?

881
00:44:50,160 --> 00:44:51,160
Speaker 1: I think it is.

882
00:44:51,520 --> 00:44:51,960
Speaker 2: Uh.

883
00:44:52,160 --> 00:44:58,560
Speaker 6: Scranton has the number one car dealership in Pennsylvania, believe

884
00:44:58,600 --> 00:45:02,960
Speaker 6: it or not. Did you know we don't need three facts?

885
00:45:03,040 --> 00:45:06,000
Speaker 3: Yeah, and they don't need the editorializing. Just tell us

886
00:45:06,080 --> 00:45:07,480
Speaker 3: it has the best car dealership.

887
00:45:07,520 --> 00:45:10,840
Speaker 4: I just have to say. Also, it's if you're going

888
00:45:10,920 --> 00:45:12,920
Speaker 4: to do two facts and a thing, then you're making

889
00:45:12,960 --> 00:45:16,080
Speaker 4: one fact the funner fact and then one fact is

890
00:45:16,120 --> 00:45:20,320
Speaker 4: the fun fact. You just say the fun fact Scranton

891
00:45:20,320 --> 00:45:24,440
Speaker 4: doesn't baseball team. The funner fact is the thing you

892
00:45:24,440 --> 00:45:25,040
Speaker 4: said about the.

893
00:45:24,960 --> 00:45:28,959
Speaker 6: Car dealership, and I would maybe swap them. I would

894
00:45:28,960 --> 00:45:29,960
Speaker 6: maybe swap the facts.

895
00:45:30,000 --> 00:45:32,480
Speaker 1: The first one is interesting, but not swap.

896
00:45:32,920 --> 00:45:35,320
Speaker 6: Here's my quick Scranton facts for you.

897
00:45:35,920 --> 00:45:38,440
Speaker 1: I don't this team again. Just keep go back to

898
00:45:38,480 --> 00:45:39,440
Speaker 1: the plot of the episode.

899
00:45:39,600 --> 00:45:42,239
Speaker 6: Yeah, anyway, jam, We also want to make it.

900
00:45:42,160 --> 00:45:45,880
Speaker 4: Clear that the car dealership is not a sponsor of

901
00:45:45,960 --> 00:45:47,279
Speaker 4: the podcast as well.

902
00:45:47,800 --> 00:45:49,439
Speaker 6: I just want to say real quick before I hop

903
00:45:49,480 --> 00:45:51,840
Speaker 6: back into the episode, that the car dealership is not

904
00:45:51,920 --> 00:45:52,959
Speaker 6: as I don't think they.

905
00:45:52,880 --> 00:45:55,319
Speaker 3: Ever will be one, so you can kind of earn

906
00:45:55,360 --> 00:45:58,759
Speaker 3: some credibility by really slamming them and maybe say that

907
00:45:58,800 --> 00:45:59,600
Speaker 3: their cars sucks.

908
00:45:59,600 --> 00:45:59,839
Speaker 6: Ship.

909
00:46:00,160 --> 00:46:02,520
Speaker 4: Yeah, say you bought a car.

910
00:46:03,760 --> 00:46:06,760
Speaker 6: So I just to let you guys know, this Grand

911
00:46:06,800 --> 00:46:10,960
Speaker 6: Dealer car dealership is not We don't have any sort

912
00:46:11,000 --> 00:46:12,919
Speaker 6: of partnership. They're not an advertiser.

913
00:46:13,080 --> 00:46:14,920
Speaker 4: And I bought a car from them.

914
00:46:14,760 --> 00:46:16,719
Speaker 6: And I just to be honest, I bought a car

915
00:46:16,760 --> 00:46:19,640
Speaker 6: from them and it blew up, and it pretty much

916
00:46:19,680 --> 00:46:24,399
Speaker 6: it blew up. So I'm lucky to be alive. I'm

917
00:46:24,400 --> 00:46:26,839
Speaker 6: truly lucky to be alive. But some others were not

918
00:46:26,960 --> 00:46:30,440
Speaker 6: so lucky, right, but some others were not so lucky.

919
00:46:30,640 --> 00:46:35,320
Speaker 4: Six people, six people died that day.

920
00:46:35,440 --> 00:46:38,319
Speaker 6: Died that day. It's very should I take like a

921
00:46:38,360 --> 00:46:40,879
Speaker 6: moment of silence or something, and.

922
00:46:40,960 --> 00:46:44,600
Speaker 4: You know, we'll edit it. And the owner of the

923
00:46:44,640 --> 00:46:45,880
Speaker 4: car dealership.

924
00:46:45,400 --> 00:46:48,200
Speaker 6: And the owner of the car dealership is.

925
00:46:48,320 --> 00:46:50,840
Speaker 4: Going to be the next one to fall, you know

926
00:46:50,920 --> 00:46:51,399
Speaker 4: what I mean?

927
00:46:54,560 --> 00:46:56,480
Speaker 6: The owner of the car dealership is going to be

928
00:46:56,520 --> 00:46:57,640
Speaker 6: the next one to fall.

929
00:46:57,760 --> 00:46:59,400
Speaker 1: If you know what I mean? And then you do

930
00:46:59,560 --> 00:47:02,279
Speaker 1: know that? Yeah, and then and then explain don't yeah,

931
00:47:02,320 --> 00:47:03,399
Speaker 1: and then explain what you mean?

932
00:47:04,480 --> 00:47:06,280
Speaker 3: Then what you mean in your words?

933
00:47:06,320 --> 00:47:09,400
Speaker 1: You know, yeah, you know what I mean? Now explain

934
00:47:09,440 --> 00:47:10,160
Speaker 1: what you mean by that.

935
00:47:10,200 --> 00:47:12,080
Speaker 4: I'm going to give you a line reading on this, okay,

936
00:47:13,680 --> 00:47:15,640
Speaker 4: and the owner let me give you the line, right,

937
00:47:16,200 --> 00:47:18,040
Speaker 4: And the owner of the car dealership.

938
00:47:17,680 --> 00:47:19,880
Speaker 6: And the owner of the car dealership.

939
00:47:19,600 --> 00:47:20,960
Speaker 4: Is going to be the next one to fall.

940
00:47:21,080 --> 00:47:22,480
Speaker 1: It is going to be the next one to fall.

941
00:47:22,680 --> 00:47:24,719
Speaker 4: You know what I mean? You know what I mean?

942
00:47:25,520 --> 00:47:26,640
Speaker 6: And then say what you mean?

943
00:47:28,160 --> 00:47:30,040
Speaker 4: Then that's on you that you put in your own words.

944
00:47:30,560 --> 00:47:35,520
Speaker 6: Uh, I'm kinda run them over with the car. So

945
00:47:35,640 --> 00:47:40,680
Speaker 6: the episode begins with Jan and Michael Michael and Michael Michael,

946
00:47:40,880 --> 00:47:45,799
Speaker 6: Jan and Uh, they're having a miscommunication about the meeting

947
00:47:45,800 --> 00:47:48,440
Speaker 6: they're supposed to have with the client who's interested in

948
00:47:48,480 --> 00:47:53,680
Speaker 6: buying some paper with dunder Mifflin. Meanwhile, meanwhile, Dwight is

949
00:47:53,680 --> 00:47:59,760
Speaker 6: is what Meanwhile, Dwight is dealing with Jim and Pam

950
00:47:59,800 --> 00:48:02,800
Speaker 6: because they're pulling pranks on him and he does not

951
00:48:02,880 --> 00:48:03,480
Speaker 6: appreciate it.

952
00:48:03,520 --> 00:48:06,399
Speaker 1: And I don't even like this show.

953
00:48:06,600 --> 00:48:09,600
Speaker 2: I think this is the episode with Threat Level Midnight.

954
00:48:09,800 --> 00:48:15,680
Speaker 6: Well awesome, Yeah, so, uh, Pam. Meanwhile, Pam and Jim,

955
00:48:17,080 --> 00:48:20,640
Speaker 6: Jim and Jim and Pam because Jim's a primary character, Jim.

956
00:48:20,640 --> 00:48:24,040
Speaker 4: Also primary character. It's alphabetical order.

957
00:48:25,040 --> 00:48:28,640
Speaker 6: Meanwhile, Jim and Pam find in Michael's desk you should

958
00:48:29,080 --> 00:48:31,240
Speaker 6: and Jim. Meanwhile, Pam and Jim.

959
00:48:31,160 --> 00:48:36,040
Speaker 3: Fine, yeah, thought of this episode to you.

960
00:48:36,120 --> 00:48:38,239
Speaker 1: It was just about they go to Chili's.

961
00:48:38,719 --> 00:48:42,239
Speaker 6: Meanwhile, Pam and Jim find a script that Michael has

962
00:48:42,239 --> 00:48:47,000
Speaker 6: written called Threat Threat Level Midnight Emotion Picture scrap Emotion

963
00:48:47,200 --> 00:48:53,040
Speaker 6: picture script screenplay screenplay. Uh. They all agree that they're

964
00:48:53,080 --> 00:48:59,200
Speaker 6: going to do a table read of script Threat Level Midnight. Meanwhile,

965
00:48:59,239 --> 00:49:02,800
Speaker 6: should I happen to Evan's corner? Michael Scarn? Michael Scarn,

966
00:49:02,920 --> 00:49:05,560
Speaker 6: And this is a favorite character you'll probably know called

967
00:49:05,600 --> 00:49:06,400
Speaker 6: Michael Scarn.

968
00:49:06,640 --> 00:49:10,360
Speaker 4: Now's the corner?

969
00:49:10,960 --> 00:49:12,960
Speaker 1: Do you you know nothing about the show?

970
00:49:13,320 --> 00:49:15,840
Speaker 6: That's like it's in the in the script, go to

971
00:49:15,920 --> 00:49:16,680
Speaker 6: Kevin's Corner.

972
00:49:16,800 --> 00:49:20,120
Speaker 3: I mean you may want to say what Stanley's doing, Phillis,

973
00:49:21,000 --> 00:49:23,240
Speaker 3: thank you, Angela Kinsey.

974
00:49:24,640 --> 00:49:26,320
Speaker 1: Do you know who plays Kevin Kevin?

975
00:49:27,680 --> 00:49:29,640
Speaker 6: His last name's Bombgartner, Right.

976
00:49:29,560 --> 00:49:33,040
Speaker 2: You don't know that his first name is Brian, Brian Bombgartner.

977
00:49:33,280 --> 00:49:34,920
Speaker 4: And do an impression of him. You have to do

978
00:49:35,040 --> 00:49:37,120
Speaker 4: Kevin's Corner as Kevin.

979
00:49:37,360 --> 00:49:39,000
Speaker 3: Yeah, let's just get that out of the way. Let's

980
00:49:39,040 --> 00:49:41,360
Speaker 3: knock out Kevin's Corner and then we can stitch it

981
00:49:41,360 --> 00:49:41,960
Speaker 3: in anywhere.

982
00:49:43,480 --> 00:49:47,719
Speaker 6: Welcome to Kevin's Corner, Draw it.

983
00:49:47,719 --> 00:49:52,040
Speaker 4: Out, draw it out, Welcome to Kevin's Corner, make.

984
00:49:51,960 --> 00:49:56,640
Speaker 6: A meal of it. Welcome, Welcome to Kevin's Corner.

985
00:49:56,840 --> 00:50:01,840
Speaker 4: It's me, It's Kevin Kevin. I'm in accounting.

986
00:50:02,280 --> 00:50:03,399
Speaker 6: I'm in accounting.

987
00:50:03,680 --> 00:50:04,440
Speaker 4: Is he in accounting?

988
00:50:05,480 --> 00:50:05,760
Speaker 1: Yes?

989
00:50:07,600 --> 00:50:10,319
Speaker 6: In this episode, I.

990
00:50:10,600 --> 00:50:12,719
Speaker 4: Don't talk about the oven. Do what Kevin would be

991
00:50:12,760 --> 00:50:14,600
Speaker 4: talking about? Now? In twenty eighteen.

992
00:50:15,719 --> 00:50:20,280
Speaker 6: In twenty eighteen, I just watched the Super.

993
00:50:19,960 --> 00:50:23,960
Speaker 4: Bowl, but do watch it on tape as old.

994
00:50:24,160 --> 00:50:29,440
Speaker 6: But I watched it on tape updated, but I watched

995
00:50:29,480 --> 00:50:33,680
Speaker 6: it on Vimeo.

996
00:50:33,840 --> 00:50:38,160
Speaker 4: That's good. That's good, slipping that Charlie's plug. Slipping a

997
00:50:38,239 --> 00:50:39,440
Speaker 4: Chili's plug from Kevin.

998
00:50:40,480 --> 00:50:43,680
Speaker 6: Are you hungry for lunch? Well, then you gotta check

999
00:50:43,719 --> 00:50:47,920
Speaker 6: out Chili's. Their sides are gonna blow your mom.

1000
00:50:48,040 --> 00:50:51,000
Speaker 3: You can only get lunch commercials from them now, like,

1001
00:50:51,080 --> 00:50:52,200
Speaker 3: think about that stuff.

1002
00:50:52,239 --> 00:50:52,879
Speaker 1: You know what I mean.

1003
00:50:52,960 --> 00:50:55,080
Speaker 3: You're gonna just do lunch commercials for them, and you're

1004
00:50:55,120 --> 00:50:57,200
Speaker 3: leaving a bunch of the big commercials on the table.

1005
00:50:57,400 --> 00:51:00,320
Speaker 4: Mention the baby back ribs and the margaritas.

1006
00:51:00,840 --> 00:51:03,560
Speaker 6: You definitely got to check out for any meal.

1007
00:51:04,000 --> 00:51:06,120
Speaker 1: The baby back, Baby back, baby back.

1008
00:51:06,280 --> 00:51:09,240
Speaker 6: Don't sing the song, you gotta check out the baby

1009
00:51:09,280 --> 00:51:13,279
Speaker 6: back ribs and the margaritas if.

1010
00:51:13,160 --> 00:51:14,680
Speaker 3: You're going to do the song to it like the

1011
00:51:14,719 --> 00:51:21,680
Speaker 3: old ninety sevens. Guy, uh, jelly, baby back, baby back baby.

1012
00:51:22,920 --> 00:51:24,040
Speaker 6: Is that Kevin's corner.

1013
00:51:25,760 --> 00:51:27,120
Speaker 4: I'll be back next week.

1014
00:51:27,600 --> 00:51:29,200
Speaker 6: I'll be back next week.

1015
00:51:29,320 --> 00:51:32,880
Speaker 4: With with what should be back next week.

1016
00:51:32,680 --> 00:51:37,200
Speaker 6: With well maybe he shouldn't come back.

1017
00:51:38,160 --> 00:51:40,720
Speaker 2: Yeah, maybe or not saying. I mean, he should probably

1018
00:51:40,719 --> 00:51:43,879
Speaker 2: say he won't be back. Yeah, you should say I'm

1019
00:51:43,880 --> 00:51:44,640
Speaker 2: never coming back.

1020
00:51:44,800 --> 00:51:47,000
Speaker 3: Oh yeah, he should say he's never coming back. And

1021
00:51:47,480 --> 00:51:50,360
Speaker 3: he should say something tells me that car I'm about

1022
00:51:50,360 --> 00:51:52,200
Speaker 3: to drive home and is going to get the job

1023
00:51:52,239 --> 00:51:52,959
Speaker 3: done this time.

1024
00:51:53,080 --> 00:51:54,600
Speaker 4: Do the end? Do the end? Now?

1025
00:51:55,600 --> 00:52:01,560
Speaker 6: Uh, this wasn't This was an episode of Kevin's Corner.

1026
00:52:02,040 --> 00:52:03,560
Speaker 6: I won't be back next week.

1027
00:52:03,800 --> 00:52:04,160
Speaker 4: I will.

1028
00:52:04,880 --> 00:52:06,160
Speaker 6: I will be back next.

1029
00:52:06,040 --> 00:52:08,640
Speaker 4: Week after I go get my new car.

1030
00:52:08,520 --> 00:52:10,280
Speaker 6: After I go get my new car.

1031
00:52:10,320 --> 00:52:12,800
Speaker 4: From the biggest car dealership.

1032
00:52:12,800 --> 00:52:17,880
Speaker 6: From the biggest car dealership in Scranton. It'll definitely do

1033
00:52:18,000 --> 00:52:21,160
Speaker 6: the job of this time. See you next week.

1034
00:52:21,760 --> 00:52:23,759
Speaker 2: So just getting out to like the big thing that

1035
00:52:23,800 --> 00:52:25,640
Speaker 2: happens in the episode with Michael.

1036
00:52:26,200 --> 00:52:30,239
Speaker 6: So the the big thing that happens in this episode

1037
00:52:30,680 --> 00:52:37,840
Speaker 6: is Michael Scott does like he makes the deal and

1038
00:52:37,880 --> 00:52:40,560
Speaker 6: then at the end of the episode, Jan is so

1039
00:52:40,760 --> 00:52:44,640
Speaker 6: like overwhelmed and impressed that her and Michael Scott kiss

1040
00:52:44,680 --> 00:52:45,520
Speaker 6: in the parking lot.

1041
00:52:45,680 --> 00:52:48,439
Speaker 2: It makes me it's weird that like that this one

1042
00:52:48,560 --> 00:52:50,600
Speaker 2: is the one that used zero did that. This was

1043
00:52:50,680 --> 00:52:54,600
Speaker 2: like like an exciting episode for you.

1044
00:52:56,080 --> 00:52:59,520
Speaker 1: Because you saw like two like when you watched it.

1045
00:52:59,520 --> 00:53:02,280
Speaker 6: It just like stuck with you and Michael and Jan kissed,

1046
00:53:04,040 --> 00:53:04,719
Speaker 6: you know what I mean.

1047
00:53:05,360 --> 00:53:07,359
Speaker 1: Yeah, you've just picture of watching that.

1048
00:53:07,560 --> 00:53:10,400
Speaker 4: Lean into it though, Get describe.

1049
00:53:09,880 --> 00:53:13,000
Speaker 6: That and how to make it if it's erotic for you.

1050
00:53:14,880 --> 00:53:17,320
Speaker 2: Yeah, Like what's creepy for me is how you seem

1051
00:53:17,360 --> 00:53:19,920
Speaker 2: to be like under selling You're.

1052
00:53:20,000 --> 00:53:24,520
Speaker 3: You're so detached from this moment that was clearly sort

1053
00:53:24,560 --> 00:53:29,520
Speaker 3: of a formative sexual experience of yours. And it's upsetting

1054
00:53:29,600 --> 00:53:32,120
Speaker 3: because it's, you know, normally that is associated with some

1055
00:53:32,239 --> 00:53:34,440
Speaker 3: kind of passion when it's like the first time you

1056
00:53:34,520 --> 00:53:36,879
Speaker 3: ever you know, took a nap.

1057
00:53:37,040 --> 00:53:38,640
Speaker 2: Because we did, you know, we asked you to pick it.

1058
00:53:38,680 --> 00:53:42,239
Speaker 2: They did hundreds of episodes. You zeroed in on the

1059
00:53:42,239 --> 00:53:46,280
Speaker 2: episode where Michael and Jad kiss. It's an interesting psychological experiment.

1060
00:53:46,719 --> 00:53:49,239
Speaker 2: Let's take us back to when you first watched the

1061
00:53:49,400 --> 00:53:51,080
Speaker 2: episode and talk about that.

1062
00:53:51,239 --> 00:53:52,000
Speaker 1: What that was like.

1063
00:53:52,640 --> 00:53:55,360
Speaker 6: The big thing in this episode was when Michael and

1064
00:53:55,480 --> 00:53:59,319
Speaker 6: Jan kiss. I saw this at fourteen years old, and

1065
00:53:59,440 --> 00:54:04,439
Speaker 6: let's just it changed my life sexually. I never saw

1066
00:54:04,480 --> 00:54:10,600
Speaker 6: anyone kiss on screen, uh so intimately, and it opened

1067
00:54:10,680 --> 00:54:16,040
Speaker 6: up a whole new world for me. I became brave

1068
00:54:16,640 --> 00:54:19,640
Speaker 6: and you know started talking to two women.

1069
00:54:20,120 --> 00:54:23,719
Speaker 4: How many one to five boners? How many boners you're

1070
00:54:23,719 --> 00:54:24,279
Speaker 4: gonna give it?

1071
00:54:24,719 --> 00:54:27,840
Speaker 6: Yeah, if I were to give this scene one to

1072
00:54:27,960 --> 00:54:31,239
Speaker 6: five boners, I give it five boners, that's right.

1073
00:54:32,160 --> 00:54:34,320
Speaker 4: And how many boners do give the episode overall?

1074
00:54:34,800 --> 00:54:38,239
Speaker 6: Overall? I also give the episode five boners. You can't

1075
00:54:38,280 --> 00:54:41,799
Speaker 6: give everything five? Okay, four bonus? You're right, You're right.

1076
00:54:42,080 --> 00:54:45,319
Speaker 6: I give the kiss five boners, and I give the

1077
00:54:45,400 --> 00:54:49,920
Speaker 6: episode four four boners?

1078
00:54:49,960 --> 00:54:52,359
Speaker 3: And what didn't you? What lost the boner for it?

1079
00:54:53,560 --> 00:54:55,160
Speaker 6: What lost the boner for me?

1080
00:54:55,320 --> 00:54:57,160
Speaker 1: I kild just say four boner?

1081
00:54:57,440 --> 00:54:57,920
Speaker 4: Explained what.

1082
00:55:00,080 --> 00:55:02,680
Speaker 6: What lost the boner for me? You?

1083
00:55:02,760 --> 00:55:06,120
Speaker 3: And and to really be able to you know, understand where

1084
00:55:06,160 --> 00:55:07,720
Speaker 3: the boner ratings coming from.

1085
00:55:08,360 --> 00:55:12,480
Speaker 6: We lost the boner for me? Was one uh threat level?

1086
00:55:12,520 --> 00:55:17,080
Speaker 6: Midnight Uh just got a little too like detailed and

1087
00:55:17,120 --> 00:55:19,640
Speaker 6: it was it was a good like bee story, but

1088
00:55:19,760 --> 00:55:22,399
Speaker 6: it wasn't really blowing me away. I kind of wish

1089
00:55:22,400 --> 00:55:27,279
Speaker 6: they focused more on Jan and Sorry Michael and Jan

1090
00:55:28,520 --> 00:55:37,719
Speaker 6: talking to the client about Christian tim Meadows from Saturday

1091
00:55:37,800 --> 00:55:38,600
Speaker 6: Night Live.

1092
00:55:38,520 --> 00:55:43,720
Speaker 3: And Jennifer Schmucks ladies man, ladies man son of Zorn,

1093
00:55:43,960 --> 00:55:47,719
Speaker 3: Son of Zorn and Dewey Cox walk Hard.

1094
00:55:48,360 --> 00:55:54,680
Speaker 8: And uh Goldbergs in the Goldbergs, that's what where he

1095
00:55:54,760 --> 00:55:58,479
Speaker 8: plays where he plays say who.

1096
00:55:58,440 --> 00:56:02,400
Speaker 6: Plays uh John Goldberg?

1097
00:56:05,040 --> 00:56:08,200
Speaker 4: Okay, we just got to get to the Uh. I'm

1098
00:56:08,200 --> 00:56:12,080
Speaker 4: feeling like what this needs is like a like if

1099
00:56:12,239 --> 00:56:19,160
Speaker 4: if he does a character like it's I think his characters. Yeah,

1100
00:56:19,320 --> 00:56:23,560
Speaker 4: what if he does a thing where he is a

1101
00:56:23,719 --> 00:56:26,600
Speaker 4: toilet in the dunder Mifflin men's room.

1102
00:56:27,239 --> 00:56:29,279
Speaker 3: Oh, and he talks about all the stuff he's seen

1103
00:56:29,400 --> 00:56:31,320
Speaker 3: and who's the stinky is or whatever?

1104
00:56:32,920 --> 00:56:35,960
Speaker 4: And now what's the what's the voice of a toilet

1105
00:56:36,400 --> 00:56:40,560
Speaker 4: that would be in that that men's room?

1106
00:56:40,680 --> 00:56:43,600
Speaker 6: Should I like segue this, like, is that the voice?

1107
00:56:44,480 --> 00:56:46,320
Speaker 6: I am Tommy the toilet.

1108
00:56:46,120 --> 00:56:52,680
Speaker 4: Tommy the toilet. Oh that's nice, Tommy the toilet, and.

1109
00:56:52,680 --> 00:56:53,960
Speaker 6: Welcome the ship happens.

1110
00:56:54,000 --> 00:56:58,920
Speaker 4: Oh so you're just calling please make it Tony, the

1111
00:57:00,120 --> 00:57:01,360
Speaker 4: make it Tony the toilet.

1112
00:57:01,400 --> 00:57:06,440
Speaker 6: Okay, Hi, I'm Tony the I'm Toning the toilet and

1113
00:57:06,440 --> 00:57:10,360
Speaker 6: welcome that ship happens. Today we're talking this is like

1114
00:57:10,400 --> 00:57:15,480
Speaker 6: a sub Yeah, the podcast where we talk about.

1115
00:57:14,560 --> 00:57:17,000
Speaker 4: Who has what goes on in my world?

1116
00:57:17,240 --> 00:57:20,960
Speaker 6: What goes on in my world? In the dundermuth toilet.

1117
00:57:20,600 --> 00:57:22,360
Speaker 4: In the thunder Mifflin men's room.

1118
00:57:22,760 --> 00:57:25,200
Speaker 6: A toilet in the dunder Mifflins men's room.

1119
00:57:25,640 --> 00:57:28,600
Speaker 3: Oh and PS, the women's room is broken this week.

1120
00:57:29,280 --> 00:57:31,560
Speaker 6: PS. The women's room is broken this week.

1121
00:57:33,160 --> 00:57:35,520
Speaker 1: Have to be using me, So.

1122
00:57:35,800 --> 00:57:37,640
Speaker 6: The women are gonna have to be using me.

1123
00:57:39,840 --> 00:57:41,840
Speaker 3: And then you tick how you feel about that. I mean,

1124
00:57:41,840 --> 00:57:44,720
Speaker 3: you can remember lucky me if you're a creepy, or

1125
00:57:44,760 --> 00:57:48,160
Speaker 3: you can be like you know, I'm pissed.

1126
00:57:48,560 --> 00:57:48,840
Speaker 1: Choice.

1127
00:57:49,200 --> 00:57:52,120
Speaker 3: Okay, that's okay, a choice. It's a choice, and we'll

1128
00:57:52,120 --> 00:57:52,680
Speaker 3: go back and fix.

1129
00:57:52,720 --> 00:58:00,320
Speaker 2: When you call the company, dunder Mifflin's a.

1130
00:57:57,520 --> 00:58:01,040
Speaker 6: Uh, yeah you. I thought I was gonna have the

1131
00:58:01,120 --> 00:58:03,800
Speaker 6: week off because I thought they were doing construction in

1132
00:58:04,400 --> 00:58:07,040
Speaker 6: the men's room, but nope, turns out the ladies room.

1133
00:58:07,800 --> 00:58:10,360
Speaker 6: So I got, you've completely lost the voice.

1134
00:58:10,760 --> 00:58:11,840
Speaker 4: I got, I.

1135
00:58:11,760 --> 00:58:18,760
Speaker 6: Got loads of tops. And let's just say, Angela is bringing.

1136
00:58:20,800 --> 00:58:30,560
Speaker 9: You flush flush excuse me, sorry, yeah, but excuse me,

1137
00:58:30,960 --> 00:58:32,600
Speaker 9: excuse me while I clear my throat.

1138
00:58:32,680 --> 00:58:35,160
Speaker 6: They had a big flush. Excuse me as I clear

1139
00:58:35,200 --> 00:58:36,120
Speaker 6: my throat.

1140
00:58:41,840 --> 00:58:44,400
Speaker 3: Anyway, and then for a long time, make this sound

1141
00:58:49,840 --> 00:58:56,680
Speaker 3: as the bowlry filled. And now the float valve is

1142
00:58:56,800 --> 00:58:59,600
Speaker 3: clicking into place in the tank.

1143
00:59:00,160 --> 00:59:03,600
Speaker 6: Mhm, that's that ship happens.

1144
00:59:04,520 --> 00:59:07,560
Speaker 4: Let's say, uh oh, uh oh, you don't get to

1145
00:59:07,640 --> 00:59:08,080
Speaker 4: end it yet.

1146
00:59:08,160 --> 00:59:11,880
Speaker 6: Here comes here comes who comes in Dwight.

1147
00:59:12,680 --> 00:59:13,520
Speaker 4: Here comes Dwight.

1148
00:59:14,240 --> 00:59:18,200
Speaker 3: Dude, Dwight and maybe references what his beat farm does

1149
00:59:18,240 --> 00:59:19,480
Speaker 3: to his bowl move fits.

1150
00:59:20,720 --> 00:59:22,000
Speaker 6: Uh oh, here comes Dwight.

1151
00:59:23,560 --> 00:59:25,760
Speaker 3: Oh man, but nothing gross.

1152
00:59:26,160 --> 00:59:29,480
Speaker 6: These beats are really a beat. I feel like a

1153
00:59:29,480 --> 00:59:31,000
Speaker 6: beat is going to come out of me.

1154
00:59:36,920 --> 00:59:42,480
Speaker 4: Groom. I mentioned now Backstrom is coming into the bathroom.

1155
00:59:43,360 --> 00:59:47,280
Speaker 3: Backstrom, Yeah, and maybe a combo between Backstrom, Dwight and

1156
00:59:47,320 --> 00:59:48,240
Speaker 3: the rocker.

1157
00:59:53,880 --> 00:59:59,720
Speaker 6: Hates me, Backstrom and the Rocker. I'm going to solve

1158
00:59:59,720 --> 01:00:03,720
Speaker 6: the I'm going to solve the mystery of this toilet.

1159
01:00:04,240 --> 01:00:12,480
Speaker 3: Of this toilet, no, yeah, and maybe the mystery is

1160
01:00:12,520 --> 01:00:16,320
Speaker 3: who clogged it, and maybe Backstrom knows it was him.

1161
01:00:16,440 --> 01:00:21,240
Speaker 6: Then someone clogged this toilet. Oh it smells like beats.

1162
01:00:21,640 --> 01:00:26,840
Speaker 6: I think it's Dwight lost. Yeah, yeah, that's okay. Is

1163
01:00:26,880 --> 01:00:29,720
Speaker 6: Tony solving the mystery or is Backstrom?

1164
01:00:29,760 --> 01:00:31,880
Speaker 1: It seems like they could help each other.

1165
01:00:31,880 --> 01:00:33,040
Speaker 4: It could be an interesting.

1166
01:00:32,880 --> 01:00:36,440
Speaker 3: Due backstroum asks Tony for now, you've got my attention,

1167
01:00:36,800 --> 01:00:38,120
Speaker 3: like he interviews him, like, what's the.

1168
01:00:38,440 --> 01:00:42,640
Speaker 2: Backstrum again that you liked the show, like your favorite show,

1169
01:00:42,640 --> 01:00:45,280
Speaker 2: and you don't go and support the cast of your

1170
01:00:45,320 --> 01:00:48,080
Speaker 2: favorite show and they go do their next big project

1171
01:00:48,080 --> 01:00:48,680
Speaker 2: is because.

1172
01:00:48,440 --> 01:00:51,440
Speaker 3: If you don't remember that Backstrom is a total dick.

1173
01:00:51,960 --> 01:00:55,880
Speaker 3: Yeah yeah, uh detective.

1174
01:00:57,200 --> 01:01:02,720
Speaker 6: Uh man, this beat, he really dropped a beat in here.

1175
01:01:03,240 --> 01:01:06,400
Speaker 6: Uh maybe I'd like a drum beat too or something.

1176
01:01:06,160 --> 01:01:09,640
Speaker 1: And the other that's good. That's good.

1177
01:01:10,240 --> 01:01:14,200
Speaker 6: Yeah, yeah, someone really dropped a beat in here. And

1178
01:01:14,280 --> 01:01:19,640
Speaker 6: the rocker goes boom boom boom, and then Tony rolls

1179
01:01:19,680 --> 01:01:23,160
Speaker 6: his eyes. But it's just like the toilet lever just

1180
01:01:23,240 --> 01:01:25,280
Speaker 6: kind of like go or maybe it's his eyebrows, kind

1181
01:01:25,280 --> 01:01:26,160
Speaker 6: of like one up or down.

1182
01:01:26,480 --> 01:01:28,600
Speaker 1: It's the it's the lid of the tank.

1183
01:01:29,000 --> 01:01:31,560
Speaker 6: Yeah kind of yeah.

1184
01:01:32,400 --> 01:01:36,560
Speaker 3: Uh, it's just not going to read as a eye roll, okay.

1185
01:01:37,440 --> 01:01:42,840
Speaker 6: Uh. And then here comes mos. Here comes Mo's what's

1186
01:01:42,880 --> 01:01:53,600
Speaker 6: most say? I really gotta spray?

1187
01:01:57,280 --> 01:02:00,800
Speaker 3: And then and middle ditches busted and in now.

1188
01:02:03,480 --> 01:02:05,080
Speaker 6: And the middle ditch comes in.

1189
01:02:05,440 --> 01:02:08,760
Speaker 4: Uh yeah, it comes Robert California.

1190
01:02:09,160 --> 01:02:14,160
Speaker 6: Yeah, and Robert California. Hey, are are all our bowels

1191
01:02:14,200 --> 01:02:19,320
Speaker 6: all synced up? Seems like we all gotta go do do.

1192
01:02:20,320 --> 01:02:23,320
Speaker 2: It seems like this was the season that Kevin like

1193
01:02:23,360 --> 01:02:25,520
Speaker 2: that was what he was most excited about, was doing

1194
01:02:25,640 --> 01:02:26,480
Speaker 2: Robert California.

1195
01:02:26,520 --> 01:02:27,479
Speaker 1: It feels like that's when.

1196
01:02:29,840 --> 01:02:34,800
Speaker 3: Yeah, well, I think that's a decent first episode.

1197
01:02:34,960 --> 01:02:35,520
Speaker 1: That was good.

1198
01:02:35,560 --> 01:02:39,040
Speaker 2: I will say the the toilet thing is a Gilmour

1199
01:02:39,120 --> 01:02:42,000
Speaker 2: Guys segment, So we can't, like do.

1200
01:02:42,480 --> 01:02:46,480
Speaker 3: Use that, Yeah, we can't. Yeah, but I think it's

1201
01:02:46,480 --> 01:02:47,080
Speaker 3: good to have it.

1202
01:02:47,480 --> 01:02:50,440
Speaker 2: It's great for practice, especially you go you do it

1203
01:02:50,480 --> 01:02:53,600
Speaker 2: in the style of the people that have done it successfully.

1204
01:02:54,640 --> 01:02:57,240
Speaker 4: I gotta say, kid, he showed me something.

1205
01:02:58,480 --> 01:03:00,800
Speaker 6: Thank you. I appreciate your help.

1206
01:03:00,840 --> 01:03:01,160
Speaker 1: You helped.

1207
01:03:01,280 --> 01:03:03,120
Speaker 4: I didn't say it was good what you showed me.

1208
01:03:03,680 --> 01:03:07,200
Speaker 4: I was the thaying I gotta say, you showed me something.

1209
01:03:07,760 --> 01:03:11,360
Speaker 4: And I still stand by Yeah, okay, I'll put up

1210
01:03:11,360 --> 01:03:13,840
Speaker 4: on time for you, time for you to leave the nest.

1211
01:03:14,720 --> 01:03:17,440
Speaker 4: This this office podcast is going to take a lot

1212
01:03:17,440 --> 01:03:21,800
Speaker 4: of time and a lot of focus, and I feel

1213
01:03:21,800 --> 01:03:26,000
Speaker 4: like the Hollywood Handbook things probably just gonna gonna just

1214
01:03:26,080 --> 01:03:28,439
Speaker 4: clog up too much of your schedule, right.

1215
01:03:30,360 --> 01:03:32,760
Speaker 3: I like that you put it in terms Tony could understand.

1216
01:03:33,680 --> 01:03:35,720
Speaker 4: Well, I figure he's had he has to come out

1217
01:03:35,760 --> 01:03:39,200
Speaker 4: of the character still, so there's still traces of Tony

1218
01:03:39,880 --> 01:03:41,760
Speaker 4: kind of processing the thoughts.

1219
01:03:42,040 --> 01:03:48,080
Speaker 3: Yeah, it can be tough to shake that. Uh so,

1220
01:03:48,240 --> 01:03:50,760
Speaker 3: are you suggesting that Kevin go full time on the

1221
01:03:50,800 --> 01:03:53,560
Speaker 3: office thing and then Hollywood hamb but can go back

1222
01:03:53,600 --> 01:03:55,960
Speaker 3: to being in your conception just three of us, Yeah,

1223
01:03:56,120 --> 01:03:56,840
Speaker 3: just the three.

1224
01:03:56,680 --> 01:04:00,280
Speaker 4: Of us, the three amigos are back again, right.

1225
01:04:01,680 --> 01:04:04,360
Speaker 3: I will say that Kevin. The one thing that Kevin

1226
01:04:04,440 --> 01:04:06,800
Speaker 3: does that you do not that doesn't necessarily show up

1227
01:04:06,800 --> 01:04:10,200
Speaker 3: on Mike is he asks if we want a guest,

1228
01:04:10,840 --> 01:04:13,720
Speaker 3: texts them and then text us back that they can't

1229
01:04:13,760 --> 01:04:14,080
Speaker 3: do that.

1230
01:04:14,240 --> 01:04:16,240
Speaker 4: Okay, Well, the one thing I would say is that

1231
01:04:16,360 --> 01:04:19,800
Speaker 4: Kevin can do and has that I don't have is

1232
01:04:19,840 --> 01:04:25,120
Speaker 4: either of your phone numbers. I would have loved nothing

1233
01:04:25,160 --> 01:04:29,720
Speaker 4: more than to have shot you text and say I'm

1234
01:04:29,720 --> 01:04:31,120
Speaker 4: in town guys.

1235
01:04:31,280 --> 01:04:33,520
Speaker 3: When Yeah, but it would have to be a guest

1236
01:04:33,560 --> 01:04:39,000
Speaker 3: other than you. Have you seen yourself as one of

1237
01:04:39,000 --> 01:04:41,640
Speaker 3: those things that have to get Yeah, maybe lose the

1238
01:04:41,680 --> 01:04:42,080
Speaker 3: guest thing.

1239
01:04:42,160 --> 01:04:44,200
Speaker 4: I'm kind of like it's kind of like guard Forward

1240
01:04:45,480 --> 01:04:49,280
Speaker 4: guest host, like guest slash host. Can I can send

1241
01:04:49,240 --> 01:04:49,840
Speaker 4: in either chair?

1242
01:04:50,520 --> 01:04:53,120
Speaker 3: We're both m Yeah.

1243
01:04:53,440 --> 01:04:57,400
Speaker 4: So yeah, it was fun doing this, and uh, let's not,

1244
01:04:57,480 --> 01:05:02,840
Speaker 4: let's do another one, like Ernie Banks said, let's play two. Okay, right,

1245
01:05:02,880 --> 01:05:05,440
Speaker 4: so we're gonna ramp it up now. Thanks everyone for

1246
01:05:05,520 --> 01:05:09,040
Speaker 4: listening to this episode of Hollywood Handbook. Well, we're gonna

1247
01:05:09,040 --> 01:05:11,520
Speaker 4: double dip. Now, we're gonna knock another one out. It's

1248
01:05:11,560 --> 01:05:13,360
Speaker 4: a little long. We'll do a longer one on the

1249
01:05:13,400 --> 01:05:16,240
Speaker 4: second and go around, so a little bonus around, probably

1250
01:05:16,240 --> 01:05:18,560
Speaker 4: pull a half hour out of that. Slap it up

1251
01:05:18,600 --> 01:05:23,880
Speaker 4: on the premium content and uh yeah, thank you. I'll

1252
01:05:23,880 --> 01:05:30,960
Speaker 4: start off so yeah, so it's me and Dennis from

1253
01:05:31,000 --> 01:05:39,880
Speaker 4: Sonny and Dennis the Menace and we're listening to the

1254
01:05:39,880 --> 01:05:46,040
Speaker 4: Office podcast. And then Dennis the Menace is like, where's

1255
01:05:46,080 --> 01:05:50,280
Speaker 4: Tony the toilet? And then Dennis from Sonny is like,

1256
01:05:53,440 --> 01:06:00,520
Speaker 4: it's coming up. It's a supplementary segment. What no, what up?

1257
01:06:00,600 --> 01:06:01,040
Speaker 4: What up?

1258
01:06:01,480 --> 01:06:01,720
Speaker 1: Hey?

1259
01:06:01,960 --> 01:06:04,960
Speaker 4: Everyone? Thanks for listening to Hollywood Handbook, the free and

1260
01:06:05,120 --> 01:06:09,760
Speaker 4: open source guide to Twists in Turns of the Show Business.

1261
01:06:09,760 --> 01:06:13,920
Speaker 2: And we all show business and what first?

1262
01:06:14,000 --> 01:06:14,760
Speaker 3: And what a week?

1263
01:06:14,920 --> 01:06:18,120
Speaker 4: Yeah, And it's me Tom, I'm here and I've got

1264
01:06:18,160 --> 01:06:22,439
Speaker 4: with me, Sean and Hayes are with me this week. Hey,

1265
01:06:22,840 --> 01:06:26,000
Speaker 4: let's uh so, what's been going on? In Hollywood. That's

1266
01:06:26,080 --> 01:06:30,440
Speaker 4: driving you guys. What's gotta be in your bonnet? What's Hollywood? Yeah,

1267
01:06:31,760 --> 01:06:34,120
Speaker 4: in the bonnet? What a b do you have in

1268
01:06:34,160 --> 01:06:36,960
Speaker 4: your bonnet? The oscars are coming up.

1269
01:06:38,120 --> 01:06:41,560
Speaker 3: Right, yes, and that really steams my clams. I can't

1270
01:06:41,600 --> 01:06:43,600
Speaker 3: believe they're doing the oscars so soon.

1271
01:06:44,000 --> 01:06:47,400
Speaker 4: Well, thanks for everyone listening. The Friends podcast is going great.

1272
01:06:47,400 --> 01:06:50,040
Speaker 4: I appreciate you. Let me plug it on here and uh.

1273
01:06:51,040 --> 01:06:56,480
Speaker 3: Yeah, yeah, okay, okay great?

1274
01:06:57,280 --> 01:07:05,480
Speaker 1: Is that it? The week by.

1275
01:07:04,800 --> 01:07:06,280
Speaker 3: I'm a Horny Girl Wolf.

1276
01:07:06,600 --> 01:07:10,360
Speaker 2: This has been an Earwolf production executive produced by Scott Ackerman,

1277
01:07:10,480 --> 01:07:13,880
Speaker 2: Colin Anderson, and Chris Bannon. For more information and content,

1278
01:07:14,000 --> 01:07:16,880
Speaker 2: visit earwolf dot com ow