WEBVTT - Save a Recap, Ride a Cowboy

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<v Speaker 1>It's nine O Gen one Engine with Jenny Garth and

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<v Speaker 1>Tory spelling.

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<v Speaker 2>So sometimes I tried just to keep you know, I

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<v Speaker 2>just want to do what everybody's schedule says. So there

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<v Speaker 2>was a text and said, hey, Tuesday nine thirty, So

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<v Speaker 2>I was maybe getting the hair for me. It was

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<v Speaker 2>for everybody. I just want to commentate it.

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<v Speaker 1>I didn't realize it was nine thirty this morning. I

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<v Speaker 1>was like, oh, damn, that's early, I know, especially for you.

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<v Speaker 2>Normally we take it like two. This is like the

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<v Speaker 2>middle of the night for me.

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<v Speaker 3>But Jen, it was like, we're usually this week we're

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<v Speaker 3>on spring break. So but usually it works with kids

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<v Speaker 3>schedules and stuff, and but Amy just had to get

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<v Speaker 3>her hair colored.

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<v Speaker 2>So yeah, I literally was like, fine, I'm just going

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<v Speaker 2>to accommodate what everybody needs. I'll be there at nine thirty.

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<v Speaker 2>I have full hair color right now.

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<v Speaker 1>Look you look beautiful.

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<v Speaker 3>And Jen, what did you say?

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<v Speaker 1>It was? It was very wet.

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<v Speaker 2>Oh yeah, Jenny said it was so Hollywood because the

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<v Speaker 2>hair bow.

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<v Speaker 3>I was.

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<v Speaker 1>I was sure. I didn't say what you said. No,

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<v Speaker 1>I said, oh, it's so Hollywood. Amy actually getting her

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<v Speaker 1>hair colored as we're doing the podcast it's.

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<v Speaker 2>A nice distraction though from what I would call half

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<v Speaker 2>a good apple.

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<v Speaker 1>I need to get a pattic here. Should I have

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<v Speaker 1>them come in?

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<v Speaker 2>Well, we do ourn ice for sure, massage. I'd love

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<v Speaker 2>to get a massage.

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<v Speaker 3>Did the podcast because you had beautiful feet, and then

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<v Speaker 3>we can get you on wicked feet.

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<v Speaker 1>I don't want to be you'd get.

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<v Speaker 3>So many downloads. Oh, that's going to be my new

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<v Speaker 3>side hustle. Sorry, sorry Randall.

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<v Speaker 4>James.

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<v Speaker 3>May I manage you for Wiki feet? I'd like to

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<v Speaker 3>step in.

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<v Speaker 2>Do you get paid for that?

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<v Speaker 3>You can? I've heard allegedly you make a lot of money.

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<v Speaker 1>Whoa, it's not a select. I've been on which he

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<v Speaker 1>fee for years. I haven't made it die, so I'll

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<v Speaker 1>be looking for that chat.

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<v Speaker 3>Oh you know what I'm wrong. You're right. Feet they

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<v Speaker 3>just you get a score. Oh we've looked at this before.

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<v Speaker 3>You have a very high score. She has beautiful feet,

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<v Speaker 3>always had, but feet finder. Feet finder is the one

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<v Speaker 3>you actually get paid if they see your feet. So

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<v Speaker 3>you know, times ever get tough. You know where we'll

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<v Speaker 3>be heading, Amy, you may you may come with us.

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<v Speaker 2>Wait, I've never seen your feet, Amy, They're wonderful except

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<v Speaker 2>for I thought I could have been a foot model,

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<v Speaker 2>but then I broke a toe once and that kind

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<v Speaker 2>of ruined my career.

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<v Speaker 3>But otherwise I think they're fucking you did okay in

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<v Speaker 3>your career.

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<v Speaker 2>So and yes, it's all good. It's all good.

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<v Speaker 1>Let's tell me talk about the real McCoy please, Season five,

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<v Speaker 1>episode twenty nine. There's so much going on, we got

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<v Speaker 1>to get to this. Aired May tenth, nineteen ninety five.

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<v Speaker 2>I think the one is, oh, sorry, how Jenny felt

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<v Speaker 2>about it.

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<v Speaker 3>Let's just give them the I want to hear all

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<v Speaker 3>about it. You know. She likes an order like come

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<v Speaker 3>on okay. Synopsis from Beverly Hills to the Wild Wild West,

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<v Speaker 3>Dylan McKay becomes Billy McCoy during a regressive dream with

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<v Speaker 3>the help of Molly the hypnotist. While Dylan is convinced

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<v Speaker 3>that Kelly is his true soul mate, Brandon is back

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<v Speaker 3>at home and bombed when he loses the CU election.

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<v Speaker 3>When Kelly isn't there to support her, man, Valerie uses

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<v Speaker 3>her absence as an opportunity to make them move unbranded. Yes,

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<v Speaker 3>it's finally happening. Meanwhile, Donna is still in the dark

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<v Speaker 3>and not the Peepee Pad about Ray and Valerie directed but.

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<v Speaker 1>Your very favorite Jason Priestley written by Cheryles Cheryls written

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<v Speaker 1>by Charles Rosenmolin.

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<v Speaker 2>Don't you think Jason jumped at the chance to direct

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<v Speaker 2>this one because it's so weird? He would love it,

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<v Speaker 2>of course.

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<v Speaker 1>Yeah. I mean, given the fact that he had already

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<v Speaker 1>done Tombstone, he had the oh that's right, he had

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<v Speaker 1>the Western in his blood.

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<v Speaker 2>Oh my gosh.

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<v Speaker 1>He's probably the perfect person to do it because he

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<v Speaker 1>had just done it Stone, he had just been living

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<v Speaker 1>in that world for months.

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<v Speaker 2>He did get some interesting camera moves. Did you notice that,

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<v Speaker 2>like one point, the camera just totally on its side.

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<v Speaker 1>Well, that was Kelly's angle. Yeah, that was Kelly's point

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<v Speaker 1>of view of Dylan in the States.

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<v Speaker 2>Do you remember it? I mean, it's so rafy woo.

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<v Speaker 3>I got to interrupt your keen. Do do you think

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<v Speaker 3>that it's likely that the boys Jason and Luke pitch

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<v Speaker 3>this scenario. No, Like, they weren't like, hey, They're like, hey,

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<v Speaker 3>here's what we want to do. We're building up to

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<v Speaker 3>this hypnotist thing, anything you guys want to do, and

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<v Speaker 3>they're like, wild, wholl what, here's.

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<v Speaker 1>What I think I think that maybe Luke was giving

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<v Speaker 1>them some ideas. I think that I remember that Luke

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<v Speaker 1>was wanting to do different things than just Dylan McKay,

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<v Speaker 1>and I think that this was a way for the

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<v Speaker 1>show to sort of try to fulfill his you know,

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<v Speaker 1>blossoming creative needs and okay, at the risk of the

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<v Speaker 1>show basically.

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<v Speaker 3>Well, it didn't take us down, but it did take

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<v Speaker 3>us out of it. We do was he I'm blanking

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<v Speaker 3>on him the name of the movie because I'm stand

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<v Speaker 3>up with Eminem's.

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<v Speaker 1>Eight seconds, eight eight minutes would be a long ride.

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<v Speaker 2>It'll be a long time on the hole. Eight seconds.

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<v Speaker 3>When did that come out? I'm curious if it.

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<v Speaker 2>Overlapped nineteen ninety four.

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<v Speaker 1>Huh, so it had already come out. M h.

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<v Speaker 3>He got that.

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<v Speaker 1>He got the taste too of like, you know, Luke

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<v Speaker 1>loved animals, horses, cowboy things.

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<v Speaker 2>So he was like, I could really ride those horses

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<v Speaker 2>that he's riding in this Yeah, which is.

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<v Speaker 3>Well, we already had a little bit in there with Jen.

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<v Speaker 3>I'll direct this to you. This is my name's You're welcome.

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<v Speaker 1>I like to do that once a season, and that's it.

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<v Speaker 2>I know we've had a good an in a while.

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<v Speaker 3>It never gets old when you do that. Ever, We're

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<v Speaker 3>going to be in our rocking chairs and I'm going

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<v Speaker 3>to turn to you and you might not remember the.

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<v Speaker 1>Name of Bill, like to remind me for sure. I

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<v Speaker 1>just literally forgot it. Now, So when we're like eighty

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<v Speaker 1>year because I'm not gonna remember anything.

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<v Speaker 3>Okay, So what's our code when I.

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<v Speaker 1>Turned to you? When I go it doesn't matter, I

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<v Speaker 1>won't remember it. I'll be like, why are you looking

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<v Speaker 1>at me like that?

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<v Speaker 2>So do you remember?

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<v Speaker 1>Who are you?

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<v Speaker 3>And I'll be like, remember me, I'm your best friend.

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<v Speaker 3>And at this point for eighty years.

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<v Speaker 2>Jenny, do you remember any of this?

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<v Speaker 1>Do I remember any of this? Yeah?

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<v Speaker 2>I do, because you're in these crazy costumes and it

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<v Speaker 2>was so different. It must have Tell me what you remember?

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<v Speaker 1>Yeah? I had some gorgeous wigs on. Yeah, and bonnets.

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<v Speaker 3>Yeah.

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<v Speaker 1>Your long remember is back.

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<v Speaker 2>Your long hair was back.

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<v Speaker 1>I remember it. I was like, well, why am I?

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<v Speaker 1>Why am I getting dragged into these?

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<v Speaker 3>You're the chosen one regressions?

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<v Speaker 1>It was we had fun. Honestly, we had a really

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<v Speaker 1>good time shooting this.

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<v Speaker 2>Why did you.

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<v Speaker 3>Film it out there?

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<v Speaker 1>You know, in your neck of the woods, Like that's

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<v Speaker 1>like park, No, you know where they are the mag

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<v Speaker 1>or whatever?

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<v Speaker 2>Oh yeah, no way.

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<v Speaker 1>And what's that one with the medicine woman.

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<v Speaker 2>Oh Quinn, doctor Quinn.

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<v Speaker 3>Like Malibu Canyon mount only Park, Santa Monica that one? Yeah?

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<v Speaker 2>Oh Jenny, Jenny for the wind fully pulling out like

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<v Speaker 2>that was awesome dropping knowledge. So that's where they filmed

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<v Speaker 2>mash and doctor Quinn Medicine Woman. And that's where you

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<v Speaker 2>did this. And the interesting thing is you're really the

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<v Speaker 2>only it's only you and Luke. Everybody else is so random.

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<v Speaker 2>It's totally random.

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<v Speaker 1>Yeah, like who are these people? They're really good background

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<v Speaker 1>actors and actors. Like I was like, hey, I would

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<v Speaker 1>watch this movie, just not on nine or two, and oh,

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<v Speaker 1>but I might watch this movie.

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<v Speaker 2>It reminded me of the Yellowstone prequel.

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<v Speaker 3>No, I'm not a Western fan. I gotta be honest.

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<v Speaker 3>When you guys were filming it and it came up,

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<v Speaker 3>I was like, oh, and watching it again, I still

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<v Speaker 3>felt I loved watching you and Luke and it was hot,

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<v Speaker 3>but I don't love Western.

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<v Speaker 1>This isn't hot.

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<v Speaker 3>I didn't think it was hot.

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<v Speaker 1>There was nothing hot about sitting on a blanket under

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<v Speaker 1>a tree reading the Bible hot in a way.

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<v Speaker 3>That in the since I love when Kelly and fill

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<v Speaker 3>In her together, I just do because he's your soul. Mean,

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<v Speaker 3>it's great. I love it.

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<v Speaker 1>Yeah, I liked it too for the reason.

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<v Speaker 2>The end is crazy, but we won't get there yet.

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<v Speaker 2>But it's crazy.

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<v Speaker 1>Wait, I just wanted to shoot you some trivia here.

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<v Speaker 1>You see this tour while this episode, I can't see it.

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<v Speaker 1>I can't pull it up you While this episode has

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<v Speaker 1>been wildly thought of as one of the worst episodes

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<v Speaker 1>in the history of Not Too It aired in the

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<v Speaker 1>middle of May Sweeps and was directed by Jason Priestley,

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<v Speaker 1>which is shocking that it would get such dragged so much.

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<v Speaker 2>You know, yeah, because it was obviously like Sweeps. It

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<v Speaker 2>was expensive. I mean it's like it's a full Sweeps

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<v Speaker 2>episode because you're out on this other set with all

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<v Speaker 2>these actors out on location. It's not the.

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<v Speaker 3>Worst, I mean, I got I gotta say my dad

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<v Speaker 3>started like making Westerns. A little known fact when he

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<v Speaker 3>was an actor, he was in gun Smoke, which none

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<v Speaker 3>of our audience will know. But it's an old throwback series.

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<v Speaker 3>So he loved Westerns. But I just can't imagine Fox

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<v Speaker 3>being like, oh, for sweets, let's take a really bold chance.

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<v Speaker 3>That might not work. That didn't work, well?

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<v Speaker 1>What is their major stars on their network wanted to

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<v Speaker 1>do it.

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<v Speaker 2>So there you go.

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<v Speaker 1>That's why this is interesting too. Episode writer Larry Mullen

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<v Speaker 1>wanted to underline for some reason that Dylan thinking he

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<v Speaker 1>and Kelly were soulmates isn't the truth, but just Dylan's

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<v Speaker 1>interpretation at that moment in time. I'm wondering.

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<v Speaker 2>That's confusing to me why he was saying this. Yeah,

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<v Speaker 2>what is he's saying there? Will you read that?

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<v Speaker 1>I feel like he's covering his ass because the show

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<v Speaker 1>goes on and they're not soulmates, and you know, writing kind.

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<v Speaker 2>They kind of are because you end up. I don't

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<v Speaker 2>want to spoil wait Jenny read though. I really I've

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<v Speaker 2>heard that he said this, and I kind of want

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<v Speaker 2>to understand it say that way.

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<v Speaker 1>Harry Mullen wanted to underline that Dylan thinking he and

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<v Speaker 1>Kelly are soulmates isn't the truth, but merely Dylan's interpretation

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<v Speaker 1>at that moment in time.

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<v Speaker 3>Was Larry Highwood, he gave this, I don't get that.

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<v Speaker 2>Do you understand that?

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<v Speaker 3>Probably it literally doesn't make sense.

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<v Speaker 1>He honestly, he's saying in this episode that there's such

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<v Speaker 1>a big deal made about like oh, their soulmates. But

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<v Speaker 1>she wanted to like retract that. I think because he

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<v Speaker 1>didn't find that it lasted the length of the show.

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<v Speaker 1>Maybe I don't know, or just to justify Dylan going

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<v Speaker 1>to get married and Kelly whatever, Kelly. I have no idea,

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<v Speaker 1>but I know Dylan got married.

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<v Speaker 2>Oh right, right, right, right right?

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<v Speaker 3>So he's so okay, okay, that's starting yet that wait,

0:11:30.160 --> 0:11:31.920
<v Speaker 3>Tony's not coming in soon?

0:11:32.040 --> 0:11:33.079
<v Speaker 2>Is she next season?

0:11:33.520 --> 0:11:34.120
<v Speaker 1>Soon? Yeah?

0:11:34.280 --> 0:11:34.920
<v Speaker 4>Next season?

0:11:35.040 --> 0:11:37.360
<v Speaker 2>So they couldn't approved the we're only a couple episodes away.

0:11:37.400 --> 0:11:39.920
<v Speaker 1>But maybe you don't know Larry made this comment. No, no, no,

0:11:40.200 --> 0:11:42.200
<v Speaker 1>you don't know when Larry made this comment, so he could.

0:11:42.400 --> 0:11:47.520
<v Speaker 2>I have no idea either, so maybe respect Okay, Okay,

0:11:48.600 --> 0:11:52.280
<v Speaker 2>So I have so many questions.

0:11:52.280 --> 0:11:54.720
<v Speaker 1>Okay, let's just start. You want to start with your questions?

0:11:55.120 --> 0:11:55.880
<v Speaker 1>Or do you what?

0:11:55.920 --> 0:11:56.960
<v Speaker 3>Do you want to go through through it?

0:11:57.040 --> 0:11:59.080
<v Speaker 1>You can ask your questions as we go. How about that?

0:11:59.200 --> 0:12:03.360
<v Speaker 2>Yeah? Because it's such a weird episode and I but

0:12:03.480 --> 0:12:07.440
<v Speaker 2>yet with some major bombs, right like huge?

0:12:08.240 --> 0:12:10.480
<v Speaker 3>Wait before we start, Amy, is there some point you

0:12:10.520 --> 0:12:12.240
<v Speaker 3>need to take that off your hair.

0:12:12.240 --> 0:12:15.800
<v Speaker 2>So thank you so much Tori for asking. That's why

0:12:15.800 --> 0:12:18.240
<v Speaker 2>I've timed it so that right as we finished the podcast,

0:12:18.240 --> 0:12:19.320
<v Speaker 2>I will jump in the shower.

0:12:19.440 --> 0:12:25.040
<v Speaker 1>It's looking really good. Thanks, yeah, yeah, yeah.

0:12:23.600 --> 0:12:27.760
<v Speaker 2>Okay, So begin, because let's start. There's so much to address.

0:12:28.559 --> 0:12:33.000
<v Speaker 1>Well, we started the Caliber California University, where Brandon's term

0:12:33.000 --> 0:12:36.960
<v Speaker 1>ASU president has come to an end, sadly, but they're

0:12:36.960 --> 0:12:39.560
<v Speaker 1>throwing him a party, and it's what you love.

0:12:39.679 --> 0:12:41.680
<v Speaker 2>The whole cast is there, the whole.

0:12:41.480 --> 0:12:46.760
<v Speaker 1>Gang is there, oddly, uncomfortably in the room where they

0:12:46.800 --> 0:12:48.960
<v Speaker 1>have their big meetings with branded warth suits.

0:12:49.240 --> 0:12:53.240
<v Speaker 2>Yeah, awkward cake which I was willing to bet a

0:12:53.240 --> 0:12:55.679
<v Speaker 2>million dollars. He was going to say, let them eat cake.

0:12:56.120 --> 0:13:00.280
<v Speaker 1>I well that was a big cake, right yeah. Yeah.

0:13:00.559 --> 0:13:05.760
<v Speaker 1>The Brandon years the brand were they hoping that would

0:13:05.760 --> 0:13:08.280
<v Speaker 1>catch on or did it catch on? And I don't remember,

0:13:08.679 --> 0:13:13.840
<v Speaker 1>didn't catch on? We should be brand, which we're three over.

0:13:13.960 --> 0:13:18.160
<v Speaker 3>The Brandon years leaves an episode a season eight, I believe.

0:13:18.400 --> 0:13:19.480
<v Speaker 1>Yeah, I don't know.

0:13:19.800 --> 0:13:23.040
<v Speaker 2>At some point we got a little more time with them, but.

0:13:22.920 --> 0:13:27.920
<v Speaker 1>Brandon is celebrating, everybody's celebrating. Valerie's got her talons out

0:13:28.480 --> 0:13:32.679
<v Speaker 1>looking for her next pray and she's sinking her eyes

0:13:32.760 --> 0:13:34.440
<v Speaker 1>on Brandon right to Donna.

0:13:35.000 --> 0:13:36.679
<v Speaker 2>It doesn't make sense, Bright.

0:13:36.480 --> 0:13:37.439
<v Speaker 1>In front of everybody.

0:13:37.559 --> 0:13:41.800
<v Speaker 2>Thank you, Jenmy, it doesn't make sense. Wtf, Valerie.

0:13:41.840 --> 0:13:45.360
<v Speaker 3>I was like, gone through everybody else, you guys she

0:13:45.440 --> 0:13:47.360
<v Speaker 3>hasn't yet. Yeah, everyone but David.

0:13:48.679 --> 0:13:52.480
<v Speaker 1>They were dating, so that's what her real life boyfriend.

0:13:52.679 --> 0:13:54.040
<v Speaker 3>She was like, No, I don't want to go there.

0:13:54.679 --> 0:13:56.800
<v Speaker 3>That's why I go through all the rest of the cast,

0:13:56.920 --> 0:13:57.400
<v Speaker 3>and they're like.

0:13:57.880 --> 0:14:02.200
<v Speaker 1>Can you imagine how Brian must have felt with his

0:14:03.440 --> 0:14:08.800
<v Speaker 1>beautiful girlfriend joining the cast, yes, and then having systematically

0:14:09.679 --> 0:14:12.920
<v Speaker 1>to go make out or have like love affairs on

0:14:13.000 --> 0:14:15.600
<v Speaker 1>TV with every guy on the show.

0:14:18.440 --> 0:14:21.680
<v Speaker 3>Well, it's it's a good story about his feelings about that,

0:14:23.200 --> 0:14:25.920
<v Speaker 3>and we should ask him one day because he does

0:14:25.960 --> 0:14:26.840
<v Speaker 3>have feelings about that.

0:14:27.520 --> 0:14:33.400
<v Speaker 2>Oh wow, it's just very cringey. It's cringey, Like it's

0:14:33.440 --> 0:14:37.360
<v Speaker 2>cringey how she's so aggressive, and it's like, I know

0:14:37.440 --> 0:14:39.760
<v Speaker 2>she's not her relative, he's not. They're not related. I

0:14:39.840 --> 0:14:40.520
<v Speaker 2>understand that.

0:14:41.120 --> 0:14:43.000
<v Speaker 3>But we feel like they are weird.

0:14:43.720 --> 0:14:48.080
<v Speaker 1>Okay, Yeah, I don't know if it's going to be

0:14:48.080 --> 0:14:51.200
<v Speaker 1>a valve Kelly Taylor showdown. I'm here for it. I'm

0:14:51.240 --> 0:14:55.320
<v Speaker 1>ready bring it on. It's going to be like I've

0:14:55.360 --> 0:14:58.440
<v Speaker 1>always liked their friction, their tension, because somebody's got to

0:14:58.480 --> 0:15:01.000
<v Speaker 1>be calling this bitch out andpparently it's going to be killy.

0:15:01.800 --> 0:15:14.560
<v Speaker 4>Yeah.

0:15:15.120 --> 0:15:17.840
<v Speaker 2>Also, I did not care for the lipstick, and nobody

0:15:17.840 --> 0:15:19.720
<v Speaker 2>write me that I don't like Tiffany. I like Tiffany.

0:15:19.960 --> 0:15:22.240
<v Speaker 2>I did not like that lipstick.

0:15:23.160 --> 0:15:25.960
<v Speaker 1>I didn't even notice it. Her lips are so puffy

0:15:26.000 --> 0:15:27.240
<v Speaker 1>and beautiful, like happening.

0:15:27.320 --> 0:15:29.280
<v Speaker 2>It's sort of that nude look. And I think I'm

0:15:29.320 --> 0:15:31.520
<v Speaker 2>triggered by it because I think I took the nude

0:15:31.560 --> 0:15:35.640
<v Speaker 2>look because of that. Probably and admit it. I don't know.

0:15:35.920 --> 0:15:38.160
<v Speaker 2>I just I think I just don't like it that

0:15:38.240 --> 0:15:42.040
<v Speaker 2>she's I just know I'm really irritated by her in

0:15:42.080 --> 0:15:42.880
<v Speaker 2>this episode.

0:15:43.120 --> 0:15:45.880
<v Speaker 1>It's weird because on one episode I'm like, hey, it

0:15:45.960 --> 0:15:47.720
<v Speaker 1>must be so fun to play a boss like this.

0:15:47.920 --> 0:15:50.920
<v Speaker 1>She's so powerful and influential and what a strong character.

0:15:51.320 --> 0:15:53.280
<v Speaker 1>And then in the next episode, I'm like, I hate

0:15:53.280 --> 0:15:58.120
<v Speaker 1>this character because she has no moral compass. She only

0:15:58.160 --> 0:16:01.240
<v Speaker 1>does conniving things all the time. Is that going to

0:16:01.480 --> 0:16:04.000
<v Speaker 1>be the way? Is she ever going to redeem herself

0:16:04.040 --> 0:16:05.920
<v Speaker 1>in any real.

0:16:05.520 --> 0:16:11.080
<v Speaker 3>Way, so well done on the writer's part. As a viewer,

0:16:11.120 --> 0:16:14.920
<v Speaker 3>they're keeping you on your toes. You know what you're

0:16:14.920 --> 0:16:16.960
<v Speaker 3>going to get. You're like, oh, just when I started

0:16:17.000 --> 0:16:18.200
<v Speaker 3>to like her, Oh I hate her again.

0:16:18.400 --> 0:16:21.440
<v Speaker 2>That's I guess. I don't care for her in this

0:16:21.480 --> 0:16:24.080
<v Speaker 2>episode at all. Like I'm like you are.

0:16:25.960 --> 0:16:26.040
<v Speaker 4>Is.

0:16:26.080 --> 0:16:28.480
<v Speaker 1>She just feels like a cockerroach, like she's just like

0:16:28.880 --> 0:16:31.800
<v Speaker 1>hanging around waiting for food to fall so that she

0:16:31.800 --> 0:16:32.480
<v Speaker 1>could eat it up.

0:16:33.400 --> 0:16:36.280
<v Speaker 2>And this scene is just the beginning of the cringe

0:16:36.320 --> 0:16:39.200
<v Speaker 2>for me. The scene of the with Brandon, I'm just

0:16:41.040 --> 0:16:42.600
<v Speaker 2>which all pause until we get it.

0:16:42.520 --> 0:16:45.200
<v Speaker 3>It does feel very out of the blue, but that

0:16:45.320 --> 0:16:47.640
<v Speaker 3>happens often an I am to one out and.

0:16:47.640 --> 0:16:50.360
<v Speaker 1>Then they go out on Kelly asking if she's going

0:16:50.400 --> 0:16:54.200
<v Speaker 1>to make a move on Brandon, and Valerie says that

0:16:54.280 --> 0:16:56.200
<v Speaker 1>she's going to keep an eye on her man, but

0:16:56.280 --> 0:16:59.680
<v Speaker 1>she really meant Dylan because he's the one Kelly dreams about.

0:17:00.320 --> 0:17:00.480
<v Speaker 3>Oh.

0:17:00.520 --> 0:17:05.960
<v Speaker 2>That was very bizarre too, That just was I'm sorry

0:17:05.960 --> 0:17:09.840
<v Speaker 2>to be frustrated because it was so weird because first

0:17:09.880 --> 0:17:12.040
<v Speaker 2>you're teasing me with this sort of valor he's going

0:17:12.080 --> 0:17:14.320
<v Speaker 2>to make her move on Brandon but then you're throwing

0:17:14.320 --> 0:17:16.600
<v Speaker 2>me this curveball, which I think is because of the

0:17:16.680 --> 0:17:19.720
<v Speaker 2>Dylan Kelly undertones in this episode. It just feels like

0:17:19.720 --> 0:17:23.240
<v Speaker 2>they're forcing Valerie to do all these weird things to

0:17:23.600 --> 0:17:26.680
<v Speaker 2>move the plot along, and it's just so irritating.

0:17:27.960 --> 0:17:32.840
<v Speaker 1>I agree, but it's fun to watch. Okay. So they're

0:17:32.880 --> 0:17:36.080
<v Speaker 1>running out of the wallsh house where val is packing

0:17:36.200 --> 0:17:38.480
<v Speaker 1>a lovely picnic basket and complete with.

0:17:38.440 --> 0:17:41.560
<v Speaker 2>Wine, which did look lovely.

0:17:41.800 --> 0:17:43.320
<v Speaker 1>I know I wanted to go on that picnic.

0:17:44.160 --> 0:17:48.040
<v Speaker 2>The fruit spread the only thing I know. The cheese selection,

0:17:48.160 --> 0:17:50.600
<v Speaker 2>it looked like straight from Bristol Farms, although.

0:17:51.000 --> 0:17:52.879
<v Speaker 3>Came through on that one looked dry.

0:17:53.600 --> 0:17:56.760
<v Speaker 1>I was like, we need a little mayo or some

0:17:56.880 --> 0:17:59.240
<v Speaker 1>muscamea yeah, a little splash of something and.

0:17:59.160 --> 0:18:00.840
<v Speaker 2>She's cutting it. That was the only part that I

0:18:00.880 --> 0:18:03.000
<v Speaker 2>was like, that's not as gourmet as the rest of

0:18:03.040 --> 0:18:03.840
<v Speaker 2>your presentation.

0:18:05.000 --> 0:18:07.879
<v Speaker 1>So she takes it over to Dylan's house and is

0:18:07.960 --> 0:18:10.720
<v Speaker 1>met by Charlie, who doesn't let her in because Dylan

0:18:10.920 --> 0:18:18.880
<v Speaker 1>is inside going under hypnosis again with his Molly Mall Mollie.

0:18:19.080 --> 0:18:22.560
<v Speaker 2>He says fifty times moll.

0:18:22.480 --> 0:18:24.920
<v Speaker 1>Mollie, who's starting to get a little hot shot shot

0:18:25.080 --> 0:18:29.359
<v Speaker 1>if you ask me resting a little inappropro for her sessions.

0:18:29.400 --> 0:18:32.360
<v Speaker 2>Her high rise mom jeans were rough. She was very

0:18:32.400 --> 0:18:35.040
<v Speaker 2>pretty at the end, but those moms is that.

0:18:35.160 --> 0:18:39.919
<v Speaker 1>Shot where she bends over like and her like just

0:18:40.200 --> 0:18:42.879
<v Speaker 1>I've been on the set when these things happen, and

0:18:42.880 --> 0:18:48.800
<v Speaker 1>it just triggers me. She's Brandon's directing, Oops, Jason directing.

0:18:49.280 --> 0:18:53.920
<v Speaker 1>It's a shot on dylanops to Sean Luke and they

0:18:53.920 --> 0:18:58.080
<v Speaker 1>have big boob shot right, just come right in and

0:18:58.280 --> 0:19:02.640
<v Speaker 1>linger for a while and then right out. Nobody was like, hey,

0:19:02.760 --> 0:19:04.800
<v Speaker 1>you guys, that's a little good too. It is maybe

0:19:04.800 --> 0:19:08.439
<v Speaker 1>she should pull her shirt up a little. Nope, and

0:19:08.600 --> 0:19:09.840
<v Speaker 1>she's as.

0:19:09.840 --> 0:19:11.960
<v Speaker 3>She wanted to go for it. Yeah, she's a.

0:19:11.960 --> 0:19:13.959
<v Speaker 1>Girl and she can dress however she wants. But I

0:19:14.000 --> 0:19:14.920
<v Speaker 1>was like, she.

0:19:14.960 --> 0:19:17.680
<v Speaker 2>Looks gorgeous at the end. I was like, whoa, she's

0:19:17.760 --> 0:19:21.400
<v Speaker 2>quite pretty black. But the mom jeans, I.

0:19:21.359 --> 0:19:24.520
<v Speaker 3>Feel like they were like didn't have something and they

0:19:24.640 --> 0:19:28.560
<v Speaker 3>just like pulled from Cindy Walsh's wardrobe.

0:19:28.680 --> 0:19:32.480
<v Speaker 2>Am I the only one? Okay? If anyone listening can

0:19:32.480 --> 0:19:34.880
<v Speaker 2>relate to this, I sort of look away when they're

0:19:34.920 --> 0:19:37.360
<v Speaker 2>doing the hypnotizing because I think to myself, I don't

0:19:37.359 --> 0:19:39.920
<v Speaker 2>want to be hypnotized accidentally while watching this.

0:19:42.680 --> 0:19:45.520
<v Speaker 1>She doesn't do anything though, to hypnotize him. She's just

0:19:46.400 --> 0:19:48.000
<v Speaker 1>I guess she already does that name.

0:19:48.280 --> 0:19:52.840
<v Speaker 3>You're fine, I'm already not I'm and they do that.

0:19:54.440 --> 0:19:57.840
<v Speaker 1>Or the Black Circle A think and you're like, I

0:19:57.880 --> 0:20:00.200
<v Speaker 1>don't want look away.

0:20:00.920 --> 0:20:03.480
<v Speaker 2>The Chicken episode that I won't explain to Jenny what

0:20:03.520 --> 0:20:06.159
<v Speaker 2>it is if she doesn't remember, but because I'm afraid

0:20:06.240 --> 0:20:06.840
<v Speaker 2>I'll be like.

0:20:08.040 --> 0:20:13.040
<v Speaker 1>Are you messing with me right now? Amy?

0:20:12.760 --> 0:20:13.000
<v Speaker 4>Amy?

0:20:13.359 --> 0:20:14.560
<v Speaker 1>That is an episode of.

0:20:16.240 --> 0:20:16.760
<v Speaker 2>This show.

0:20:17.119 --> 0:20:20.359
<v Speaker 1>No, that's an episode of Learn Liver and Truly, And

0:20:20.600 --> 0:20:24.480
<v Speaker 1>you're messing with me right now? Oh my god, Okay,

0:20:25.200 --> 0:20:28.359
<v Speaker 1>I'm it's going to walk away from that and get nervous. Yeah,

0:20:28.400 --> 0:20:30.760
<v Speaker 1>I don't know any idea what you're talking about now.

0:20:31.400 --> 0:20:36.479
<v Speaker 1>I really hope it's me or Kelly, like a Chicken trust,

0:20:36.560 --> 0:20:40.480
<v Speaker 1>but we'll see. Oh my god, we're gonna find out.

0:20:41.680 --> 0:20:43.399
<v Speaker 1>Did you guys ever, did you feel like this was

0:20:43.440 --> 0:20:46.920
<v Speaker 1>the longest hypno trance you've ever Like He's in there

0:20:46.960 --> 0:20:50.159
<v Speaker 1>for hours and I don't really get it, Like I

0:20:50.160 --> 0:20:54.159
<v Speaker 1>don't want to be so like trying to understand what

0:20:54.280 --> 0:20:57.320
<v Speaker 1>are they doing? Why is he doing this for what right?

0:20:57.359 --> 0:21:00.160
<v Speaker 3>They don't explain that. That's the problem. It's like he's

0:21:01.359 --> 0:21:03.200
<v Speaker 3>he's trying to evolve.

0:21:02.800 --> 0:21:05.720
<v Speaker 1>And trying to figure out like his hang ups from

0:21:05.720 --> 0:21:08.560
<v Speaker 1>his past lives or past Yeah, so.

0:21:08.640 --> 0:21:10.480
<v Speaker 2>Is that what we're to understand that in a past

0:21:10.560 --> 0:21:16.760
<v Speaker 2>life he was a gunslinging cowboy who found the goods

0:21:17.240 --> 0:21:19.240
<v Speaker 2>the good in him because he fell in love with

0:21:20.320 --> 0:21:24.359
<v Speaker 2>a Kelly Taylor joppel Ganger. Like, that's my problem is

0:21:24.400 --> 0:21:26.919
<v Speaker 2>I don't understand what I'm supposed to understand.

0:21:27.760 --> 0:21:32.040
<v Speaker 1>I guess it's like his dream state, like I don't know. Yeah,

0:21:32.160 --> 0:21:33.760
<v Speaker 1>I can't answer it anymore.

0:21:33.840 --> 0:21:36.040
<v Speaker 2>And then when it then when it blurs, and then

0:21:36.400 --> 0:21:41.840
<v Speaker 2>it's the Old West and it's his see through casket funeral. No, okay,

0:21:41.840 --> 0:21:43.280
<v Speaker 2>I'll wait till we get there, right, run up. And

0:21:43.680 --> 0:21:47.280
<v Speaker 2>my frustration is because I don't get it. That'll get it.

0:21:49.080 --> 0:21:50.280
<v Speaker 1>I think a lot of people felt that.

0:21:52.280 --> 0:21:54.680
<v Speaker 2>If I got it, then I might enjoy that half

0:21:54.720 --> 0:21:56.160
<v Speaker 2>of it more. But anyway, I wonder.

0:21:56.040 --> 0:21:59.679
<v Speaker 3>If Jason, while he did this and executed it, was

0:21:59.720 --> 0:22:01.639
<v Speaker 3>like and they're not going to get it. But if

0:22:01.640 --> 0:22:06.480
<v Speaker 3>they don't get it, sorry, it's cool ding ding Like

0:22:06.600 --> 0:22:07.000
<v Speaker 3>I don't know.

0:22:09.400 --> 0:22:12.600
<v Speaker 2>Yeah, anybody really can answer it actually from it, like

0:22:12.640 --> 0:22:14.560
<v Speaker 2>it'd be like waking up from a dream and then

0:22:14.840 --> 0:22:17.320
<v Speaker 2>being like I must call the person in my dream.

0:22:17.440 --> 0:22:19.879
<v Speaker 2>It's like, dude, it's just a dream.

0:22:20.400 --> 0:22:21.640
<v Speaker 3>What do you mean? I've gon.

0:22:24.200 --> 0:22:30.320
<v Speaker 2>Wait Anyway, I'm frustrated by the episode. I don't hate it,

0:22:30.880 --> 0:22:32.400
<v Speaker 2>but I'm befuddled.

0:22:33.840 --> 0:22:36.240
<v Speaker 3>And can we talk about that? You fell asleep during it?

0:22:36.680 --> 0:22:37.080
<v Speaker 4>So I.

0:22:38.880 --> 0:22:42.000
<v Speaker 2>Went back and rewatched the whole thing. So I fell asleep.

0:22:42.520 --> 0:22:44.119
<v Speaker 2>I watched it two nights ago, and then I went

0:22:44.119 --> 0:22:45.199
<v Speaker 2>back and watched the whole thing. And I think that's

0:22:45.200 --> 0:22:47.159
<v Speaker 2>why I'm so frustrated, because then I really I was like,

0:22:47.200 --> 0:22:49.840
<v Speaker 2>I'm not going to be distracted. I'm going to try

0:22:49.880 --> 0:22:53.240
<v Speaker 2>to get this. And I'm like, I don't get it,

0:22:54.680 --> 0:22:56.199
<v Speaker 2>do you No?

0:22:56.560 --> 0:22:59.920
<v Speaker 1>It was just the weirdest departure. It was the whole

0:23:00.080 --> 0:23:02.720
<v Speaker 1>other show.

0:23:02.000 --> 0:23:04.160
<v Speaker 2>Like a sort of another bad show.

0:23:04.560 --> 0:23:06.320
<v Speaker 1>I mean, at least if they if they had had

0:23:06.760 --> 0:23:09.520
<v Speaker 1>the rest of the cast just up in their costumes

0:23:09.840 --> 0:23:12.120
<v Speaker 1>from you know, at the saloon, it would have been.

0:23:12.280 --> 0:23:15.240
<v Speaker 3>That would have been more like breaking afford all those outfits.

0:23:15.320 --> 0:23:15.960
<v Speaker 3>That was too far.

0:23:16.440 --> 0:23:18.560
<v Speaker 2>That would have been like when Brenda found the journal

0:23:19.040 --> 0:23:22.679
<v Speaker 2>and all y'all were playing the characters exactly. So that

0:23:22.960 --> 0:23:25.320
<v Speaker 2>was that. But this is sort of more film noir

0:23:25.400 --> 0:23:27.440
<v Speaker 2>and I'm supposed to understand it or something, and.

0:23:27.400 --> 0:23:31.359
<v Speaker 1>I'm like, dude, didn't like the spad effect, the tone,

0:23:31.480 --> 0:23:33.440
<v Speaker 1>the black and it was like not black and white,

0:23:33.480 --> 0:23:34.560
<v Speaker 1>it was like cream and white.

0:23:34.600 --> 0:23:38.200
<v Speaker 2>I don't know, right, And then I kind of anyway,

0:23:38.280 --> 0:23:40.840
<v Speaker 2>keep going, I'll just keep being annoyed and annoying everyone.

0:23:41.119 --> 0:23:43.520
<v Speaker 1>Oh yeah, we have our hypnotic trance. We see all

0:23:43.560 --> 0:23:47.119
<v Speaker 1>of the Billy, the Billy, the what Billy McCoy. First

0:23:47.160 --> 0:23:47.920
<v Speaker 1>he's the kid.

0:23:47.920 --> 0:23:53.040
<v Speaker 2>And he's bad, right, Like he's like killing robbing people bad. Yeah,

0:23:53.200 --> 0:23:55.760
<v Speaker 2>out of law. And then I didn't understand is he

0:23:55.840 --> 0:23:56.920
<v Speaker 2>in love with that woman in the.

0:23:57.440 --> 0:24:00.840
<v Speaker 1>Yeah he beds down with the saloon singer.

0:24:01.720 --> 0:24:04.320
<v Speaker 3>But you know at that point that doesn't see amount

0:24:04.320 --> 0:24:09.840
<v Speaker 3>of character that happens with previously.

0:24:09.960 --> 0:24:14.720
<v Speaker 2>Yeah, I do have respect for the Old West underwear lingerie,

0:24:15.040 --> 0:24:17.040
<v Speaker 2>like that was cute to wearing her like Bloomers.

0:24:17.160 --> 0:24:20.320
<v Speaker 1>I was really cute, but she was I want to

0:24:20.359 --> 0:24:22.720
<v Speaker 1>say she was a panter. Did you guys notice she

0:24:22.800 --> 0:24:26.399
<v Speaker 1>was a hardcore heavy breather after sex, like really couldn't

0:24:26.400 --> 0:24:31.200
<v Speaker 1>catch your breath. After that session, Billy McCoy must be good.

0:24:31.840 --> 0:24:33.000
<v Speaker 3>I was like, who are you?

0:24:33.160 --> 0:24:35.600
<v Speaker 2>That was my problem. I'm like, okay, this is meaning

0:24:36.240 --> 0:24:41.760
<v Speaker 2>it's going to be nothing. Who are you? Yeah?

0:24:41.960 --> 0:24:44.560
<v Speaker 3>They do that all the time, you guys. It be someone.

0:24:44.600 --> 0:24:46.960
<v Speaker 3>We're like, okay, like when they went to Mexico, like,

0:24:47.240 --> 0:24:48.159
<v Speaker 3>is that supposed to be so?

0:24:48.280 --> 0:24:48.800
<v Speaker 1>And it's not.

0:24:49.359 --> 0:24:50.679
<v Speaker 3>It's not even a red harring.

0:24:50.680 --> 0:24:52.200
<v Speaker 1>It's just said.

0:24:52.040 --> 0:24:55.760
<v Speaker 2>Hairing good word. It would have been like, okay, pretend

0:24:55.800 --> 0:24:57.720
<v Speaker 2>that was the law. Like I would have loved it

0:24:57.760 --> 0:25:01.320
<v Speaker 2>if that was Brenda Walshes. Yes, great great great great

0:25:01.359 --> 0:25:03.879
<v Speaker 2>great great grandmother. And it was like, oh my god,

0:25:04.000 --> 0:25:06.280
<v Speaker 2>oh my, it was what I was waiting for.

0:25:06.400 --> 0:25:07.240
<v Speaker 3>And that wasn't it.

0:25:07.480 --> 0:25:11.080
<v Speaker 1>There was no tie And I'm sorry, Yeah, I feel

0:25:11.160 --> 0:25:14.400
<v Speaker 1>somehow responsible I was in it.

0:25:14.480 --> 0:25:17.080
<v Speaker 2>Yeah, but you're significant at least, like, at least I

0:25:17.160 --> 0:25:21.680
<v Speaker 2>understand the meaning of having whoever really there, whatever your

0:25:21.760 --> 0:25:24.800
<v Speaker 2>old West name was, Did I have a name?

0:25:24.920 --> 0:25:25.600
<v Speaker 1>What I think?

0:25:26.200 --> 0:25:26.240
<v Speaker 4>No?

0:25:26.520 --> 0:25:29.600
<v Speaker 2>Actually, and sort of your love And then that I

0:25:29.640 --> 0:25:32.000
<v Speaker 2>could break down and was anybody having Back to the

0:25:32.000 --> 0:25:36.480
<v Speaker 2>Future three where they're like because they don't like Westerns,

0:25:36.560 --> 0:25:39.120
<v Speaker 2>I love Back to the Future when they weighed number

0:25:39.119 --> 0:25:40.320
<v Speaker 2>three in the Old Old West.

0:25:40.320 --> 0:25:41.040
<v Speaker 3>They lost me.

0:25:41.600 --> 0:25:46.480
<v Speaker 2>I was so kind of yeah, it's the same problems

0:25:46.480 --> 0:25:48.119
<v Speaker 2>I have with Back to Future three.

0:25:48.720 --> 0:25:51.119
<v Speaker 1>But I love all of the horses in the in

0:25:51.160 --> 0:25:54.320
<v Speaker 1>the I love the costumes because I say, appreciate like

0:25:54.359 --> 0:25:57.240
<v Speaker 1>all the work that went into them, and by the

0:25:57.240 --> 0:25:59.359
<v Speaker 1>whole crew. They all had to pivot on such a

0:25:59.359 --> 0:26:02.920
<v Speaker 1>hard dime about Wait, what are we doing this week

0:26:02.960 --> 0:26:03.480
<v Speaker 1>in the show?

0:26:03.720 --> 0:26:05.800
<v Speaker 2>And we're sure we're not in the.

0:26:05.760 --> 0:26:09.359
<v Speaker 1>Peach bit serving that burger French fries. I don't know

0:26:09.400 --> 0:26:09.880
<v Speaker 1>what to do.

0:26:10.840 --> 0:26:13.840
<v Speaker 3>I'm hungry. Wait, they were probably all psyched, right jan

0:26:14.040 --> 0:26:18.320
<v Speaker 3>like you know, you know you was a little excited

0:26:18.359 --> 0:26:20.080
<v Speaker 3>when you got released from Van Eys.

0:26:20.119 --> 0:26:22.359
<v Speaker 2>So this is it would be nice to be on

0:26:22.560 --> 0:26:26.000
<v Speaker 2>the time in Malbourne. Here's my other annoying thing. It's

0:26:26.160 --> 0:26:29.280
<v Speaker 2>campy Old West, which I'm not a fan of the

0:26:29.359 --> 0:26:37.520
<v Speaker 2>campy Old West, Whereas if you give me realistic Old West.

0:26:36.000 --> 0:26:39.040
<v Speaker 1>Walk the line like I thought it was true, lightly dampy,

0:26:39.160 --> 0:26:41.159
<v Speaker 1>but it tried to be serious and I wish it

0:26:41.200 --> 0:26:42.880
<v Speaker 1>would have gone in one direction to the other.

0:26:43.160 --> 0:26:46.480
<v Speaker 3>Fair fair point, do not tell Jason that you thought

0:26:46.480 --> 0:26:50.240
<v Speaker 3>it was campy and not realistic. He doesn't like camp.

0:26:51.160 --> 0:26:53.760
<v Speaker 1>Oh, what do you mean that he's he's so campy

0:26:53.920 --> 0:27:01.000
<v Speaker 1>his genre directing our show like he does all.

0:26:57.800 --> 0:27:03.480
<v Speaker 2>The Yeah, yeah, I feel like he loves camp.

0:27:04.000 --> 0:27:06.240
<v Speaker 3>I don't know if he would call it that word.

0:27:06.320 --> 0:27:08.240
<v Speaker 3>I'm trying to think the word he would call it.

0:27:10.440 --> 0:27:12.520
<v Speaker 3>I don't know, but those ready.

0:27:12.640 --> 0:27:15.679
<v Speaker 2>Like almost bugs bunny to come out, like.

0:27:17.320 --> 0:27:20.840
<v Speaker 1>The energy that he always brought in with his quote

0:27:20.920 --> 0:27:24.960
<v Speaker 1>unquote campiness are our term, not anyone else's. But it

0:27:25.080 --> 0:27:28.760
<v Speaker 1>was fun like he brought in a fun lighting, an

0:27:28.920 --> 0:27:32.520
<v Speaker 1>energy that. Yeah, but I didn't feel that in this

0:27:32.600 --> 0:27:36.520
<v Speaker 1>episode that I was confused saying it wasn't didn't feel

0:27:36.520 --> 0:27:37.520
<v Speaker 1>like a brand.

0:27:37.520 --> 0:27:40.879
<v Speaker 3>I don't know what was going for that I was.

0:27:41.880 --> 0:27:45.080
<v Speaker 2>I'm like, I don't understand. And then I'm supposed to

0:27:45.119 --> 0:27:50.920
<v Speaker 2>like lou is this McCoy guy, and then there's this

0:27:51.040 --> 0:27:53.439
<v Speaker 2>partner who I'm like, who is that?

0:27:55.359 --> 0:27:55.439
<v Speaker 1>Like?

0:27:55.520 --> 0:27:59.640
<v Speaker 2>Why anyway, I'll shut up because I could talk about

0:27:59.640 --> 0:28:01.320
<v Speaker 2>this all the time because I'm so.

0:28:01.960 --> 0:28:03.959
<v Speaker 3>This is a podcast. The three of the do not

0:28:04.040 --> 0:28:04.840
<v Speaker 3>shut up.

0:28:05.920 --> 0:28:07.600
<v Speaker 2>I keep going because I just all right.

0:28:07.560 --> 0:28:10.359
<v Speaker 1>So we come back from I guess that's our first

0:28:10.520 --> 0:28:11.600
<v Speaker 1>flashy back thing.

0:28:11.880 --> 0:28:16.199
<v Speaker 2>Hypnotic Trance Rights when you're in the in the covered wagon.

0:28:16.240 --> 0:28:17.080
<v Speaker 2>I don't know what it is.

0:28:17.359 --> 0:28:21.359
<v Speaker 1>We come back from that teach pit where everything's normal again.

0:28:21.960 --> 0:28:26.400
<v Speaker 1>Briton is there talking about his campaign, and Charlie tells

0:28:26.480 --> 0:28:29.040
<v Speaker 1>Valerie how real the regression therapy is.

0:28:31.760 --> 0:28:32.760
<v Speaker 2>Are you in New York? Get?

0:28:33.800 --> 0:28:36.560
<v Speaker 1>No, not there yet. Billan tells Valerie, we're going to

0:28:36.640 --> 0:28:41.000
<v Speaker 1>Dylantown now. Dylan tells Valerie and Charlie that his regression

0:28:41.680 --> 0:28:44.640
<v Speaker 1>has made him realize that he was going to hell

0:28:44.960 --> 0:28:48.800
<v Speaker 1>until Kelly Taylor come along, came along that, Yeah, that's

0:28:48.840 --> 0:28:55.520
<v Speaker 1>a pretty big statement. Yeah, that's love, you guys. Charlie

0:28:55.520 --> 0:28:57.800
<v Speaker 1>tells him that Dylan and Kelly have a seminal link

0:28:58.320 --> 0:29:02.640
<v Speaker 1>and they are soulmates for life, because Charlie says, trust

0:29:02.640 --> 0:29:04.880
<v Speaker 1>that guy. Okay, go to the wall.

0:29:05.160 --> 0:29:07.680
<v Speaker 3>What seminal means, you guys, because I don't like the

0:29:07.720 --> 0:29:08.120
<v Speaker 3>sound of it.

0:29:08.160 --> 0:29:08.840
<v Speaker 1>But what does it mean?

0:29:11.040 --> 0:29:14.320
<v Speaker 2>Yeah? Or beyond above significant?

0:29:15.280 --> 0:29:18.400
<v Speaker 1>Like very importante, the importante.

0:29:18.640 --> 0:29:25.320
<v Speaker 3>Yeah, you guys are my seminal friends. That works just

0:29:25.360 --> 0:29:26.000
<v Speaker 3>sounds gross.

0:29:26.080 --> 0:29:29.680
<v Speaker 1>Okay, move on, what because it sounds a little bit

0:29:29.720 --> 0:29:31.880
<v Speaker 1>like semen? Is that where your mind is going?

0:29:32.320 --> 0:29:34.480
<v Speaker 3>Obviously? You know where my mind always goes?

0:29:35.760 --> 0:29:51.960
<v Speaker 1>Okay, while Charles Valery asks Brandon in this is she's

0:29:52.000 --> 0:29:56.200
<v Speaker 1>smoking pot, right, This girl is crazy. She's smoking pot

0:29:56.240 --> 0:29:58.880
<v Speaker 1>thro the window. She thinks that death doesn't stink up

0:29:58.880 --> 0:30:02.800
<v Speaker 1>the entire house. I'm hard to tell you it does.

0:30:03.320 --> 0:30:05.760
<v Speaker 2>Is this the you've never touched me? Conversation?

0:30:06.280 --> 0:30:06.720
<v Speaker 4>Yeah?

0:30:07.040 --> 0:30:10.720
<v Speaker 2>I can't, I actually cannot.

0:30:11.120 --> 0:30:13.280
<v Speaker 1>They've never touched before? Why?

0:30:13.560 --> 0:30:15.200
<v Speaker 2>I was like, what what?

0:30:15.320 --> 0:30:15.400
<v Speaker 3>Like?

0:30:15.480 --> 0:30:16.280
<v Speaker 2>What like hugged?

0:30:16.320 --> 0:30:17.320
<v Speaker 3>Like you never hugged?

0:30:17.360 --> 0:30:19.360
<v Speaker 1>Like no, she she spells it out. She's like, we

0:30:19.440 --> 0:30:24.200
<v Speaker 1>never even high five. Yeah, it was so weird that

0:30:24.560 --> 0:30:27.240
<v Speaker 1>she wants she wants to touchy, she wants can we

0:30:27.360 --> 0:30:31.240
<v Speaker 1>dispect that? You guys? Why have didn't they touch?

0:30:31.840 --> 0:30:36.440
<v Speaker 3>But first of all, exactly grown up together?

0:30:36.640 --> 0:30:36.760
<v Speaker 4>Oh?

0:30:37.120 --> 0:30:41.480
<v Speaker 1>Sorry, like he just moved in recently. I mean you're

0:30:41.520 --> 0:30:44.480
<v Speaker 1>talking about before. Yeah, they grew up together.

0:30:44.640 --> 0:30:49.680
<v Speaker 3>How many she's supposed to our same age? Correct? Yeah,

0:30:49.800 --> 0:30:52.880
<v Speaker 3>so they're alluding to But okay, so you're telling me

0:30:53.080 --> 0:30:56.560
<v Speaker 3>that Brandon and Valerie when they were young family all

0:30:56.600 --> 0:30:58.200
<v Speaker 3>grew up together, never played doctor.

0:30:58.440 --> 0:31:02.960
<v Speaker 2>Okay, Okay, It's it's just so weird though, Jenny. It's like, okay,

0:31:03.600 --> 0:31:06.680
<v Speaker 2>who says that to someone their friends with? Like, I

0:31:06.720 --> 0:31:09.800
<v Speaker 2>am very very close with your manager, Randy. Can you

0:31:09.880 --> 0:31:12.760
<v Speaker 2>imagine if Randy and I are sitting at lunch and

0:31:12.800 --> 0:31:16.400
<v Speaker 2>I said, you know what, Randy, we've never touched. I

0:31:16.440 --> 0:31:17.440
<v Speaker 2>think he would run out of.

0:31:17.440 --> 0:31:19.280
<v Speaker 3>There so fast. No, he would not.

0:31:19.360 --> 0:31:21.000
<v Speaker 1>You would say, well, let's touch.

0:31:24.280 --> 0:31:26.840
<v Speaker 3>But I can't believe that's the reference.

0:31:26.360 --> 0:31:29.440
<v Speaker 1>You just made. Let me let me get this straight

0:31:29.720 --> 0:31:31.120
<v Speaker 1>and admire at lunch.

0:31:32.480 --> 0:31:35.480
<v Speaker 2>I just for clarity, your hair is looking exactly the

0:31:35.480 --> 0:31:36.200
<v Speaker 2>way it is now.

0:31:36.640 --> 0:31:38.800
<v Speaker 3>And for clarity, Randy, or do you think you're in

0:31:38.840 --> 0:31:40.760
<v Speaker 3>your tank top? You looks great in the top, by

0:31:40.760 --> 0:31:43.720
<v Speaker 3>the way, I'm just saying.

0:31:43.800 --> 0:31:46.960
<v Speaker 2>I actually am. But but we this is this is

0:31:47.000 --> 0:31:47.560
<v Speaker 2>not about me.

0:31:48.880 --> 0:31:49.080
<v Speaker 4>Uh.

0:31:49.120 --> 0:31:52.200
<v Speaker 2>And so we're at lunch, Amy and you reach out

0:31:52.280 --> 0:31:57.240
<v Speaker 2>and touch me. No, I'm just gonna tell you. We've

0:31:57.280 --> 0:32:01.520
<v Speaker 2>been friends for five years and you you've never touched.

0:32:01.920 --> 0:32:05.120
<v Speaker 2>It was so weird and gaggy. I didn't know what

0:32:05.200 --> 0:32:08.440
<v Speaker 2>to do with myself. Yeah.

0:32:08.600 --> 0:32:10.040
<v Speaker 3>I would probably give you.

0:32:10.000 --> 0:32:10.680
<v Speaker 4>A hug at that.

0:32:11.200 --> 0:32:13.200
<v Speaker 2>Yeah, Well that's what brand.

0:32:14.280 --> 0:32:15.440
<v Speaker 3>That's what brand too.

0:32:15.600 --> 0:32:18.720
<v Speaker 2>But if I were branded, and I have a girlfriend

0:32:18.840 --> 0:32:23.080
<v Speaker 2>who I love, and this sort of seductress Charla, I

0:32:23.120 --> 0:32:26.120
<v Speaker 2>happened to have a Jack and Jill bathroom with says to.

0:32:26.080 --> 0:32:28.480
<v Speaker 1>Me, Brandon sees her at that at all that he

0:32:28.560 --> 0:32:30.760
<v Speaker 1>doesn't he's got like blinders on when it comes to

0:32:30.800 --> 0:32:31.840
<v Speaker 1>bew Then.

0:32:31.680 --> 0:32:34.640
<v Speaker 2>It's even weirder that she's like, we've never touched.

0:32:34.480 --> 0:32:38.520
<v Speaker 3>He's not a male, Like, come on, you know he's branded.

0:32:39.680 --> 0:32:44.120
<v Speaker 2>But he'd be like touch where, touch where like and

0:32:44.240 --> 0:32:44.480
<v Speaker 2>they have.

0:32:48.600 --> 0:32:55.200
<v Speaker 3>No God like, literally what this girl is insinuating?

0:32:55.400 --> 0:32:57.160
<v Speaker 2>Like this is why not.

0:32:57.680 --> 0:33:00.720
<v Speaker 1>Insinuating that she wants to be touched on her Yes

0:33:00.840 --> 0:33:03.480
<v Speaker 1>she was Jenny, Yes she was not an invitation.

0:33:03.800 --> 0:33:10.240
<v Speaker 2>Yes, it was what she wanted to hug you guys, Jenny, Jenny.

0:33:11.720 --> 0:33:15.360
<v Speaker 3>If someone called Tiffany right now, if he literally would have.

0:33:15.320 --> 0:33:18.000
<v Speaker 2>Said, do you want me to touch you right now?

0:33:18.400 --> 0:33:20.680
<v Speaker 1>Like, I mean, that's probably what would have actually happened

0:33:20.680 --> 0:33:22.520
<v Speaker 1>in real life, but I don't think.

0:33:23.360 --> 0:33:25.200
<v Speaker 3>Yeah, here is my hot take.

0:33:25.800 --> 0:33:28.560
<v Speaker 2>Everybody can be mad as mad as they are about

0:33:28.560 --> 0:33:33.040
<v Speaker 2>my Andrea should be with Dylan take. Here's my hot

0:33:33.040 --> 0:33:38.360
<v Speaker 2>take about Valerie, not Tiffany. Valerie, she actually has no game.

0:33:39.080 --> 0:33:43.920
<v Speaker 2>She's she's pretty, she's smart, she's clever, but she doesn't

0:33:43.920 --> 0:33:48.080
<v Speaker 2>have game. That's why she's so bad at all of

0:33:48.120 --> 0:33:49.560
<v Speaker 2>these relationships.

0:33:49.560 --> 0:33:51.800
<v Speaker 1>She's oh wait, wait, wait, wait if she had game,

0:33:52.200 --> 0:33:54.400
<v Speaker 1>what you're saying now, if she had game in that moment,

0:33:54.560 --> 0:33:56.040
<v Speaker 1>how would she had handled it differently?

0:33:56.320 --> 0:34:00.280
<v Speaker 2>Way more subtle and accidental bump into it like a

0:34:00.320 --> 0:34:06.640
<v Speaker 2>bronchial bathroom. Oh sorry, you know, leaning over with a

0:34:06.680 --> 0:34:11.560
<v Speaker 2>little bit of a maybe a whatever booby shock cleavan

0:34:11.840 --> 0:34:16.560
<v Speaker 2>something at the dinner to very subtle.

0:34:15.640 --> 0:34:18.640
<v Speaker 3>Him slowly over time, like he doesn't.

0:34:18.280 --> 0:34:20.120
<v Speaker 2>Have game and I stand.

0:34:19.800 --> 0:34:21.560
<v Speaker 3>By me, or in the middle of the night, you

0:34:21.600 --> 0:34:25.560
<v Speaker 3>just slip into the bed, you know, and they don't

0:34:25.600 --> 0:34:28.160
<v Speaker 3>know who it is or where you are, and that

0:34:28.200 --> 0:34:31.200
<v Speaker 3>would be level. So wait when I go back to this,

0:34:31.440 --> 0:34:33.480
<v Speaker 3>I love that you say she doesn't have games. She

0:34:33.840 --> 0:34:38.360
<v Speaker 3>so she plays games very well access but she doesn't

0:34:38.480 --> 0:34:42.640
<v Speaker 3>have game. Well, she's a manipulator, you're right, yeah, right,

0:34:42.760 --> 0:34:43.359
<v Speaker 3>she doesn't have game.

0:34:43.440 --> 0:34:45.400
<v Speaker 1>I agree with you, but I will I would have

0:34:45.440 --> 0:34:47.560
<v Speaker 1>to say that there, she has a lot more game

0:34:47.640 --> 0:34:51.200
<v Speaker 1>than a lot of other people. Like I think people

0:34:51.280 --> 0:34:55.040
<v Speaker 1>watching the show are like, oh man, that's not game.

0:34:55.719 --> 0:34:58.520
<v Speaker 3>But take notes, we've never touched my.

0:34:58.560 --> 0:35:01.799
<v Speaker 2>Take on it is she's just a aggressively forward like

0:35:01.840 --> 0:35:04.160
<v Speaker 2>she doesn't actually have games. She's not mysterious she's not.

0:35:04.440 --> 0:35:10.200
<v Speaker 2>She's not flirty. She's the aggressively forward. Hey, Ray, I'll

0:35:10.200 --> 0:35:12.360
<v Speaker 2>give you a spot at the Peapad if you just

0:35:12.920 --> 0:35:14.799
<v Speaker 2>sleep with me at this weird hotel I live in.

0:35:14.840 --> 0:35:16.600
<v Speaker 3>It's just like, you're right, and then when it doesn't

0:35:16.600 --> 0:35:19.200
<v Speaker 3>go well, she just threatens to take something down in

0:35:19.239 --> 0:35:19.720
<v Speaker 3>your life.

0:35:20.239 --> 0:35:21.400
<v Speaker 2>She doesn't that game.

0:35:21.800 --> 0:35:24.319
<v Speaker 1>She's young, you guys. She's got to grow into her

0:35:24.360 --> 0:35:26.879
<v Speaker 1>game because she's got the brains. She's got the box.

0:35:27.000 --> 0:35:28.240
<v Speaker 2>Yeah, true, true, good.

0:35:28.160 --> 0:35:31.600
<v Speaker 1>Point, She's going to grow into it, make lots of money.

0:35:32.120 --> 0:35:35.840
<v Speaker 2>Okay, she would be served well by just doing nothing

0:35:36.080 --> 0:35:39.360
<v Speaker 2>and just being her smart clever even if she's evil

0:35:39.640 --> 0:35:42.840
<v Speaker 2>and evil genius, she's too weird.

0:35:43.239 --> 0:35:46.200
<v Speaker 3>Can I ask you guys a question, where do you believe?

0:35:46.280 --> 0:35:50.760
<v Speaker 3>If you both had to answer, Valerie Malone is currently

0:35:51.000 --> 0:35:52.600
<v Speaker 3>like what happened?

0:35:52.920 --> 0:35:56.319
<v Speaker 2>Okay, so knowing only what we know, knowing only what

0:35:56.320 --> 0:35:59.640
<v Speaker 2>we know till now, not factoring in the next because

0:35:59.680 --> 0:36:01.399
<v Speaker 2>Jenny is not going to be able to do it right.

0:36:01.880 --> 0:36:03.759
<v Speaker 2>We have to just do it if we only know

0:36:03.800 --> 0:36:06.200
<v Speaker 2>what we know now, because Jenny can't remember what happens

0:36:06.200 --> 0:36:09.080
<v Speaker 2>to her. Okay, good question, Jenny, you go first.

0:36:09.560 --> 0:36:14.120
<v Speaker 1>Oh gosh, she's probably still on the club circuit, like

0:36:14.320 --> 0:36:18.600
<v Speaker 1>promoting clubs in LA and she's just tired out and

0:36:19.920 --> 0:36:23.160
<v Speaker 1>has a house in the hills. Maybe. I don't know, you.

0:36:23.160 --> 0:36:25.640
<v Speaker 3>Don't think maybe she's a madam O.

0:36:25.840 --> 0:36:28.520
<v Speaker 1>See I was gonna say that, but I didn't. I

0:36:28.520 --> 0:36:29.680
<v Speaker 1>don't want to see the worst.

0:36:30.120 --> 0:36:32.239
<v Speaker 2>I think she's running a tech company that at any

0:36:32.280 --> 0:36:36.160
<v Speaker 2>moment is going to have trouble with like tax of Oh,

0:36:36.320 --> 0:36:40.160
<v Speaker 2>like the Bad Blood lady, you know that lady. She's

0:36:40.200 --> 0:36:43.279
<v Speaker 2>like that where she was running a company saying we

0:36:43.280 --> 0:36:45.000
<v Speaker 2>can test your blood with one.

0:36:44.840 --> 0:36:46.760
<v Speaker 3>Draw yea, but really it didn't work.

0:36:47.080 --> 0:36:50.640
<v Speaker 2>She's doing that like she's saying I've got this device

0:36:50.680 --> 0:36:53.320
<v Speaker 2>and it's going to change the world and it doesn't work.

0:36:53.600 --> 0:36:59.279
<v Speaker 3>Well genius, yeah she is. But what about personally in relationships?

0:36:59.480 --> 0:36:59.960
<v Speaker 3>She's single?

0:37:00.239 --> 0:37:03.960
<v Speaker 1>Oh no, she's had three married she wait wait, wait,

0:37:04.000 --> 0:37:08.680
<v Speaker 1>what's wrong with three divorces? There? I mean I'm only

0:37:08.880 --> 0:37:14.520
<v Speaker 1>technical too, but okay, well, you know I think she doesn't.

0:37:16.280 --> 0:37:20.839
<v Speaker 1>She's still they have two divorces. That's the difference, Oh,

0:37:20.880 --> 0:37:27.640
<v Speaker 1>thim or just don't even try. No, she's gonna be easier.

0:37:27.960 --> 0:37:31.680
<v Speaker 2>She's got kids and they're ok. She's definitely got kids,

0:37:31.719 --> 0:37:33.440
<v Speaker 2>and they're all messed up because they're being raised by

0:37:33.480 --> 0:37:34.960
<v Speaker 2>a narcissist.

0:37:35.520 --> 0:37:36.759
<v Speaker 3>Maybe she has one kids.

0:37:37.200 --> 0:37:38.879
<v Speaker 1>I don't want to talk about this anymore. We got

0:37:38.880 --> 0:37:42.080
<v Speaker 1>to get back to the show. Okay, come on, the

0:37:42.120 --> 0:37:45.000
<v Speaker 1>people that love Valley are going to hate this episode. Okay,

0:37:45.120 --> 0:37:48.120
<v Speaker 1>so we uh we see them hug and it's really weird.

0:37:48.440 --> 0:37:49.800
<v Speaker 2>We go to the beach, weird.

0:37:50.160 --> 0:37:55.480
<v Speaker 1>Claire and David are excited to go with Donna Bowling,

0:37:55.600 --> 0:37:56.919
<v Speaker 1>but then they see that raise going.

0:37:57.120 --> 0:37:58.480
<v Speaker 2>That was a good scene.

0:37:58.600 --> 0:37:59.960
<v Speaker 1>I liked it you too.

0:38:00.400 --> 0:38:03.160
<v Speaker 2>That was a good scene because you were cute, Tory

0:38:03.719 --> 0:38:06.680
<v Speaker 2>and you were kind of not getting it and Ray

0:38:06.840 --> 0:38:11.120
<v Speaker 2>gets it. And I respect David and Claire for being like,

0:38:11.160 --> 0:38:13.920
<v Speaker 2>we got Betsy's That was a good scene.

0:38:14.640 --> 0:38:17.120
<v Speaker 1>Yeah, he goes, I don't even know anybody named Betsy.

0:38:17.920 --> 0:38:21.440
<v Speaker 2>Claire is a good fake actor because at first, when

0:38:21.440 --> 0:38:24.080
<v Speaker 2>she's like, oh, what about the surprise, buddy, we gotta go,

0:38:24.360 --> 0:38:26.120
<v Speaker 2>it wasn't It was good fake acting.

0:38:26.840 --> 0:38:29.080
<v Speaker 3>Wait, that voice was amazing. I've never heard you do

0:38:29.200 --> 0:38:31.640
<v Speaker 3>that voice.

0:38:33.200 --> 0:38:35.239
<v Speaker 1>That was a good scene. We're gonna go to New

0:38:35.320 --> 0:38:38.440
<v Speaker 1>York City now with the world's worst backdrop of New

0:38:38.520 --> 0:38:40.879
<v Speaker 1>York City if you noticed in the background, I've never

0:38:41.000 --> 0:38:45.400
<v Speaker 1>seen a worse backdrop. What's that called the backdrop? Is

0:38:45.400 --> 0:38:48.399
<v Speaker 1>it called a backdrop? M yeah, it's got something else,

0:38:48.480 --> 0:38:51.360
<v Speaker 1>you know, that thing they put out besides, like you know,

0:38:51.400 --> 0:38:54.359
<v Speaker 1>when you have a set and like on trends, when

0:38:54.640 --> 0:38:58.360
<v Speaker 1>they look out onto the naked neighbors house, that's not

0:38:58.520 --> 0:39:04.319
<v Speaker 1>real that that's a screen scrim the screen scrim. No,

0:39:04.640 --> 0:39:08.480
<v Speaker 1>I don't know. Anyways, it was terrible. It looked like

0:39:08.920 --> 0:39:10.799
<v Speaker 1>right out of like like what they do outside our

0:39:10.800 --> 0:39:13.560
<v Speaker 1>beach apartment. And then she pulls something down that yes,

0:39:13.640 --> 0:39:21.640
<v Speaker 1>they pull down exactly. So what happens next, Let's see,

0:39:21.719 --> 0:39:25.960
<v Speaker 1>let's see, let's see Kelly, Kelly and Steve come back.

0:39:26.040 --> 0:39:30.680
<v Speaker 1>Kelly finds out she's got a million messages from Dylan.

0:39:32.239 --> 0:39:35.160
<v Speaker 2>And uh oh, that was unhinged.

0:39:35.239 --> 0:39:38.360
<v Speaker 1>It was so odd her reaction to all the messages.

0:39:38.400 --> 0:39:40.560
<v Speaker 1>And then Steve says, you guys, don't have anything going.

0:39:40.560 --> 0:39:42.480
<v Speaker 1>You don't have anything going with this guy again, do you?

0:39:42.880 --> 0:39:44.759
<v Speaker 1>And she says no, and then she gets in the

0:39:44.800 --> 0:39:47.279
<v Speaker 1>weirdest little look. And I'm not sure what that looked meant,

0:39:47.400 --> 0:39:52.840
<v Speaker 1>because it looked very like conniving or almost like something

0:39:53.760 --> 0:39:56.080
<v Speaker 1>I don't know it was weird. Well, I can't help it.

0:39:56.080 --> 0:39:58.279
<v Speaker 3>It just comes out on your face because you're in

0:39:58.320 --> 0:39:59.080
<v Speaker 3>love with him.

0:39:59.080 --> 0:39:59.319
<v Speaker 4>Sorry.

0:39:59.400 --> 0:40:02.440
<v Speaker 2>I agree with Toy because I think we needed that

0:40:02.520 --> 0:40:05.719
<v Speaker 2>look so that at the end of the episode it

0:40:06.000 --> 0:40:09.040
<v Speaker 2>tracked a little bit more than instead of Kelly being like, bro,

0:40:09.280 --> 0:40:11.920
<v Speaker 2>what are you doing? You know like that. So I

0:40:12.000 --> 0:40:14.879
<v Speaker 2>felt like some of that was intentional and that you're

0:40:14.880 --> 0:40:18.160
<v Speaker 2>not like you're not even bothered by the twenty messages

0:40:18.719 --> 0:40:20.600
<v Speaker 2>or that he's like, call me right when you get home,

0:40:20.640 --> 0:40:24.080
<v Speaker 2>like it's all seems very normal to you, whereas in

0:40:24.120 --> 0:40:26.719
<v Speaker 2>reality a person would be like, why is my ex

0:40:26.800 --> 0:40:28.799
<v Speaker 2>boyfriend leaving twenty messages here?

0:40:29.760 --> 0:40:29.840
<v Speaker 4>No?

0:40:29.920 --> 0:40:34.400
<v Speaker 1>Because they still love each other, correct, I mean there's.

0:40:34.280 --> 0:40:36.920
<v Speaker 3>People that being a good friend to Brandon, he doesn't

0:40:36.920 --> 0:40:40.520
<v Speaker 3>give a oh. He just he's like, oh, well, I'm

0:40:40.600 --> 0:40:42.399
<v Speaker 3>still jealous because I'm still in love with her.

0:40:42.560 --> 0:40:44.640
<v Speaker 2>Dylan is a terrible friend to Brandon in love with

0:40:44.719 --> 0:40:48.200
<v Speaker 2>Kelly Taylor, yes, And they're terrible friends and terrible friends

0:40:48.239 --> 0:40:50.680
<v Speaker 2>to each other. And I hate to say Kelly's not

0:40:50.760 --> 0:40:51.440
<v Speaker 2>a good girlfriend.

0:40:51.960 --> 0:40:54.080
<v Speaker 1>No, she's not being very She just can never be

0:40:54.160 --> 0:40:57.040
<v Speaker 1>a good girlfriend. I think ever since the fire, I'm

0:40:57.040 --> 0:41:00.960
<v Speaker 1>gonna just say this. Ever since the fire, things have

0:41:01.080 --> 0:41:05.960
<v Speaker 1>changed for Kelly, But look at how she grew up, Like,

0:41:06.440 --> 0:41:09.760
<v Speaker 1>I mean, she was not I mean.

0:41:09.760 --> 0:41:12.040
<v Speaker 3>She was kissing a lot in her heart.

0:41:12.360 --> 0:41:16.560
<v Speaker 2>Yeah, she was kissing Dylan in the pool when Brenda

0:41:16.600 --> 0:41:20.040
<v Speaker 2>was away, and I understand it was a little fuzzier,

0:41:20.280 --> 0:41:23.400
<v Speaker 2>but it wasn't that fuzzy.

0:41:23.560 --> 0:41:26.920
<v Speaker 3>She's a great She's a really good person. She's conflicted,

0:41:27.000 --> 0:41:30.200
<v Speaker 3>and I understand, like, oh, to have these like great gut,

0:41:30.480 --> 0:41:33.040
<v Speaker 3>oh my god, I'm not having to. I mean they're

0:41:33.120 --> 0:41:36.360
<v Speaker 3>kind of great, like you can't lose either way, Dylan

0:41:36.480 --> 0:41:39.600
<v Speaker 3>or Branded. I mean, theoretically they're great.

0:41:39.840 --> 0:41:42.799
<v Speaker 1>They're theoretically they're great, but we've all seen them have

0:41:43.360 --> 0:41:48.239
<v Speaker 1>they're not so great qualities true on the show. I'm

0:41:48.280 --> 0:41:51.040
<v Speaker 1>just talking about like, yeah, watching them go, you know,

0:41:51.160 --> 0:41:54.279
<v Speaker 1>do make their decisions. I feel like she's kind of

0:41:54.280 --> 0:41:56.520
<v Speaker 1>in that same place right now too. But that's where

0:41:56.719 --> 0:41:59.400
<v Speaker 1>people are when they're young, like that, they make mistakes,

0:41:59.440 --> 0:42:01.080
<v Speaker 1>they have to they have to learn from.

0:42:01.000 --> 0:42:02.640
<v Speaker 3>Them when they're young.

0:42:03.480 --> 0:42:03.719
<v Speaker 4>Cool.

0:42:05.320 --> 0:42:12.040
<v Speaker 1>Okay, let's continue fourth, shall we. Brandon is back at

0:42:12.080 --> 0:42:16.880
<v Speaker 1>the CEO there, back again in the college turmoil. I

0:42:16.920 --> 0:42:19.880
<v Speaker 1>mean that was weird. This whole thing is just weird,

0:42:20.360 --> 0:42:25.440
<v Speaker 1>and because of the tuition increases. Janie tells him that

0:42:25.520 --> 0:42:27.640
<v Speaker 1>his chances of getting re elected or low, I mean

0:42:27.719 --> 0:42:30.799
<v Speaker 1>chance of any of us caring are very very very low.

0:42:30.760 --> 0:42:34.600
<v Speaker 2>Very low. And also, what student body president wouldn't get

0:42:34.600 --> 0:42:41.680
<v Speaker 2>elected because something like the Capitol Sacramento was raising the taxes?

0:42:41.920 --> 0:42:45.239
<v Speaker 1>Who was governor Brandon's supposed to jump in and.

0:42:45.280 --> 0:42:50.880
<v Speaker 2>Have controlling this? Oh yeah, who was the governor of

0:42:50.920 --> 0:42:53.240
<v Speaker 2>California in are we in ninety five?

0:42:54.120 --> 0:42:56.800
<v Speaker 1>It doesn't really matter because Valerie steps in and tells Branda,

0:42:56.880 --> 0:42:59.200
<v Speaker 1>but she would love to help him with his campaign.

0:43:00.880 --> 0:43:03.480
<v Speaker 3>People help him.

0:43:03.760 --> 0:43:05.320
<v Speaker 1>She would really love to touch his candid.

0:43:05.360 --> 0:43:08.120
<v Speaker 3>Yeah, that was weird, Bill him is what I heard?

0:43:09.320 --> 0:43:13.680
<v Speaker 2>That was so weird too, Like huh huh.

0:43:18.040 --> 0:43:20.480
<v Speaker 3>Tially, he's not going to move on you guys. I

0:43:20.520 --> 0:43:22.960
<v Speaker 3>hate the storyline so much. I don't want to continue.

0:43:23.239 --> 0:43:25.120
<v Speaker 2>I'm believing it. And Pete Wilson was the king.

0:43:25.239 --> 0:43:28.799
<v Speaker 1>You don't want to talk about the cu presidency at all.

0:43:29.560 --> 0:43:31.520
<v Speaker 1>I don't ever want to hear you say the word

0:43:31.680 --> 0:43:34.640
<v Speaker 1>see you again. I can't believe he did that. It's

0:43:34.719 --> 0:43:37.560
<v Speaker 1>just it's all of it, really triggers me.

0:43:37.760 --> 0:43:41.120
<v Speaker 2>Out of nowhere. The guy who gave him the cake

0:43:42.280 --> 0:43:44.840
<v Speaker 2>was a rite in candidate and is now president.

0:43:46.520 --> 0:43:49.279
<v Speaker 1>That's not not out of nowhere. That's that's that's the

0:43:49.280 --> 0:43:52.440
<v Speaker 1>guy that's been his like sort of competitor all along.

0:43:52.600 --> 0:43:55.960
<v Speaker 2>Isn't it because that many people were watching the cable

0:43:57.680 --> 0:44:01.880
<v Speaker 2>college television station that they became fully informed of the

0:44:01.920 --> 0:44:05.200
<v Speaker 2>tuition hike and they changed their vote.

0:44:05.960 --> 0:44:09.560
<v Speaker 3>At the cu No, they all were watching their TV

0:44:09.640 --> 0:44:11.719
<v Speaker 3>from their couch and then they all started talking, went

0:44:11.760 --> 0:44:14.080
<v Speaker 3>to the kitchen, got snacks and drinks during that scene,

0:44:14.080 --> 0:44:16.200
<v Speaker 3>and then came back. That's what happened.

0:44:16.320 --> 0:44:18.720
<v Speaker 1>No, that's what you did when you were watching the show.

0:44:19.200 --> 0:44:21.719
<v Speaker 2>That whole storyline was so. And then fast forward and

0:44:22.120 --> 0:44:25.359
<v Speaker 2>so the weird party, the whole thing.

0:44:37.920 --> 0:44:40.720
<v Speaker 1>Here we go back to Dylan's house, where Dylan begs

0:44:40.760 --> 0:44:43.799
<v Speaker 1>Mollie to take him back in time because he wants

0:44:43.840 --> 0:44:48.000
<v Speaker 1>to find out what happened between him and old West.

0:44:48.080 --> 0:44:52.480
<v Speaker 2>Kelly, I also have a flag on this. Have you

0:44:52.600 --> 0:44:54.960
<v Speaker 2>ever had a dream that you love You're like, oh

0:44:55.000 --> 0:44:57.320
<v Speaker 2>my god, I'm making out with Patrick Dempsey in my dream,

0:44:57.560 --> 0:44:59.040
<v Speaker 2>and you're like, I need to fall back asleep and

0:44:59.080 --> 0:45:00.720
<v Speaker 2>continue that never happened.

0:45:01.120 --> 0:45:05.080
<v Speaker 3>Never, But let's talk about that later because I'm intrigued

0:45:06.680 --> 0:45:08.800
<v Speaker 3>and you know, fall back asleep, and now.

0:45:08.680 --> 0:45:11.839
<v Speaker 1>He's try and go back to the same This isn't

0:45:11.840 --> 0:45:16.760
<v Speaker 1>a dream, This isn't a dream, this is no fair, correct.

0:45:16.600 --> 0:45:18.800
<v Speaker 3>Right, so he can easily go back. He just pays

0:45:18.840 --> 0:45:19.879
<v Speaker 3>her more and goes back.

0:45:19.960 --> 0:45:21.640
<v Speaker 2>Cool, So we go back to.

0:45:23.640 --> 0:45:28.040
<v Speaker 1>Cowboy. Yeah, nice sign up. Dylan sees himself at church

0:45:28.080 --> 0:45:31.319
<v Speaker 1>with Kelly on your tap. A bad guy comes to

0:45:31.360 --> 0:45:33.839
<v Speaker 1>tell Billy that Dixie is in trouble and he needs

0:45:33.880 --> 0:45:38.319
<v Speaker 1>to save her. So Billy McCoy goes to save the

0:45:38.400 --> 0:45:39.400
<v Speaker 1>saloon singer.

0:45:39.440 --> 0:45:41.360
<v Speaker 2>But he had a new name. You called him like

0:45:41.440 --> 0:45:42.880
<v Speaker 2>Sebastopol or something.

0:45:43.840 --> 0:45:47.200
<v Speaker 3>What I remember this, yeah, Sebastian.

0:45:46.760 --> 0:45:47.799
<v Speaker 2>So I don't remember that.

0:45:47.840 --> 0:45:48.839
<v Speaker 1>Why did she change his name?

0:45:49.200 --> 0:45:51.600
<v Speaker 2>Because he was he was trying to change his identity.

0:45:51.600 --> 0:45:54.600
<v Speaker 2>He didn't want to be gunsling and Billy McCoy so

0:45:54.800 --> 0:45:56.640
<v Speaker 2>I can't remember exactly what you called him, but it

0:45:56.680 --> 0:46:00.480
<v Speaker 2>was weird, and it was something like sebast to some thing.

0:46:00.600 --> 0:46:01.719
<v Speaker 3>We didn't want to be called.

0:46:02.120 --> 0:46:05.760
<v Speaker 1>And you cann't understand because of this, well, you couldn't understand.

0:46:06.080 --> 0:46:12.120
<v Speaker 1>My old West accent.

0:46:10.600 --> 0:46:13.200
<v Speaker 2>Had a little bit of a British Old West accent,

0:46:15.560 --> 0:46:17.319
<v Speaker 2>it was.

0:46:16.800 --> 0:46:19.879
<v Speaker 1>And that is messed up, you guys, because they're literally like, yeah,

0:46:20.040 --> 0:46:22.160
<v Speaker 1>just do it with an accent. You're like, wait what,

0:46:22.320 --> 0:46:26.319
<v Speaker 1>I don't know how to do that? O couch try right?

0:46:27.680 --> 0:46:30.680
<v Speaker 3>When you do like feature films, you guys, actress get

0:46:30.719 --> 0:46:33.759
<v Speaker 3>training and dialect coaches. And then they were probably to

0:46:33.800 --> 0:46:35.920
<v Speaker 3>you like they probably didn't put in the script and

0:46:36.160 --> 0:46:38.680
<v Speaker 3>the day of they were like, hey, by the way, Ken,

0:46:38.800 --> 0:46:45.640
<v Speaker 3>just do an old you bought this god two.

0:46:45.640 --> 0:46:49.239
<v Speaker 1>Kids and the boys were adorable by the way, the

0:46:49.280 --> 0:46:49.920
<v Speaker 1>little boys.

0:46:50.200 --> 0:46:53.680
<v Speaker 2>You know how the young kids say it's giving, it's giving.

0:46:54.080 --> 0:46:57.680
<v Speaker 2>It was really giving back to the future three for me,

0:46:57.960 --> 0:47:00.719
<v Speaker 2>like a lot of future out.

0:47:02.719 --> 0:47:05.880
<v Speaker 1>So Dylan eventually tells Mollie that his mom took him

0:47:05.920 --> 0:47:10.080
<v Speaker 1>to a poem reader once who told him he wasn't

0:47:10.080 --> 0:47:11.200
<v Speaker 1>gonna live long.

0:47:11.520 --> 0:47:13.000
<v Speaker 2>That was uncomfortable too.

0:47:13.760 --> 0:47:17.000
<v Speaker 1>Yeah, this whole part was uncomfortable and emotional because I

0:47:17.040 --> 0:47:19.600
<v Speaker 1>they why do they keep doing this? It doesn't keep

0:47:19.600 --> 0:47:23.440
<v Speaker 1>happening with any other character, but there's something about this

0:47:23.640 --> 0:47:27.120
<v Speaker 1>Dylan character that they keep writing these like near death

0:47:27.160 --> 0:47:32.040
<v Speaker 1>experiences or premonitions, and it's so hard to watch Like

0:47:32.160 --> 0:47:34.239
<v Speaker 1>I never even realized, did you tour that like we

0:47:34.280 --> 0:47:38.480
<v Speaker 1>would that we would be watching this and like just

0:47:38.600 --> 0:47:43.399
<v Speaker 1>suddenly like yeah, because he's crazy.

0:47:43.840 --> 0:47:47.239
<v Speaker 3>It's like we have to keep living through something that

0:47:47.520 --> 0:47:49.480
<v Speaker 3>we didn't want to have to live through and we

0:47:49.560 --> 0:47:50.239
<v Speaker 3>had to, and.

0:47:50.200 --> 0:47:55.200
<v Speaker 1>Like, yeah, it's awful. It's like a weird I don't

0:47:55.239 --> 0:47:57.400
<v Speaker 1>know what what why is this happening?

0:47:58.160 --> 0:48:01.960
<v Speaker 2>Well at the time, it probably didn't seem noticeable, but

0:48:02.160 --> 0:48:03.080
<v Speaker 2>now it's all that.

0:48:03.360 --> 0:48:06.120
<v Speaker 3>Yeah, when you rewatch it and you're just multiple times

0:48:06.160 --> 0:48:11.200
<v Speaker 3>though it keeps happening, it's really strange.

0:48:11.680 --> 0:48:19.279
<v Speaker 1>Yeah. AnyWho, that was therapy needed after that episode. But

0:48:21.160 --> 0:48:24.440
<v Speaker 1>back at the Pea Pad, this is this the party.

0:48:24.640 --> 0:48:29.520
<v Speaker 1>This is the party where nobody's party waw party, even

0:48:29.600 --> 0:48:31.360
<v Speaker 1>Jim and Cindy are gluming.

0:48:31.920 --> 0:48:35.960
<v Speaker 2>Oh and Jim's random storyline about his work that was

0:48:36.000 --> 0:48:38.120
<v Speaker 2>also hard to follow that, you know, I.

0:48:38.160 --> 0:48:41.279
<v Speaker 1>Was like, wait, what's happening there? Bring about something and.

0:48:41.239 --> 0:48:43.960
<v Speaker 2>It's all setting us up for their departure. But it's

0:48:44.000 --> 0:48:46.600
<v Speaker 2>like he's weird, he's got work proms, he wasn't included

0:48:46.600 --> 0:48:47.600
<v Speaker 2>in a meeting.

0:48:47.760 --> 0:48:49.880
<v Speaker 1>And it was like a double banger too, because we

0:48:49.880 --> 0:48:53.280
<v Speaker 1>were getting warned about their upcoming departure, and we're getting

0:48:53.320 --> 0:48:57.719
<v Speaker 1>like information about Andre and upcoming departure.

0:48:58.000 --> 0:49:01.600
<v Speaker 2>So there's trouble as a f at Jim's work. He's

0:49:01.600 --> 0:49:04.440
<v Speaker 2>not included in the big meetings and he almost resigned

0:49:04.520 --> 0:49:05.040
<v Speaker 2>and it's.

0:49:04.880 --> 0:49:07.359
<v Speaker 1>Just like what and you know what, it's given him

0:49:07.360 --> 0:49:08.000
<v Speaker 1>a headache.

0:49:08.200 --> 0:49:11.440
<v Speaker 2>It's giving him a splitting Did she say he has

0:49:11.480 --> 0:49:12.680
<v Speaker 2>a splitting headache?

0:49:12.920 --> 0:49:17.279
<v Speaker 3>Wait? In one false swoop they take away four main characters.

0:49:17.280 --> 0:49:21.120
<v Speaker 1>Correct. At the end of the season, yes, wow, three

0:49:21.280 --> 0:49:22.600
<v Speaker 1>ogs like.

0:49:22.920 --> 0:49:29.880
<v Speaker 2>Yes, and we learned that Hungaria's dude can't we're moving forward.

0:49:29.920 --> 0:49:31.360
<v Speaker 1>I feel like I don't know what's happening.

0:49:31.880 --> 0:49:35.160
<v Speaker 2>Is this where we learn about Yale? Is this where

0:49:35.160 --> 0:49:36.520
<v Speaker 2>we get the Yale info? Two?

0:49:36.719 --> 0:49:40.560
<v Speaker 1>Yes, Yale, that they're going to go off to Yale? Probably,

0:49:41.600 --> 0:49:44.279
<v Speaker 1>But Brandon's really bummed that he lost the election, rightly so,

0:49:44.880 --> 0:49:46.680
<v Speaker 1>because he loves wearing those suits.

0:49:46.719 --> 0:49:49.160
<v Speaker 3>I don't know where he's gonna wear those now. I

0:49:49.160 --> 0:49:53.279
<v Speaker 3>hope he retires. That was like someone to buy them

0:49:53.280 --> 0:49:53.880
<v Speaker 3>on eBay.

0:49:54.200 --> 0:49:59.319
<v Speaker 1>That suit was like that like boxy oh, like from

0:49:59.360 --> 0:50:02.839
<v Speaker 1>the Mask you know that movie you carry That's such

0:50:02.840 --> 0:50:03.360
<v Speaker 1>a great.

0:50:04.400 --> 0:50:06.240
<v Speaker 2>Oh my god, Jenny, that's so accurate.

0:50:06.440 --> 0:50:07.560
<v Speaker 1>I don't know what that era was.

0:50:08.120 --> 0:50:11.440
<v Speaker 2>That's so accurate. I feel like that oversized suit is

0:50:11.480 --> 0:50:14.840
<v Speaker 2>coming back. Justin Timberlake's been wearing like a suit that

0:50:14.920 --> 0:50:18.120
<v Speaker 2>seems three sizes too big, and I noticed that's sort

0:50:18.160 --> 0:50:18.720
<v Speaker 2>of around.

0:50:19.840 --> 0:50:20.080
<v Speaker 4>Well.

0:50:20.160 --> 0:50:22.560
<v Speaker 1>I think that a lot of people are losing a

0:50:22.600 --> 0:50:25.880
<v Speaker 1>lot of weight, so everything looks big up, especially suits.

0:50:26.200 --> 0:50:29.040
<v Speaker 3>It's one of those fashion trends that it's this era

0:50:29.280 --> 0:50:30.000
<v Speaker 3>of the nineties.

0:50:30.080 --> 0:50:34.520
<v Speaker 1>I'm like, yeah, I do enjoy that, Like the thin

0:50:34.560 --> 0:50:36.839
<v Speaker 1>eyebrows that all the girls are having. No, I kind

0:50:36.880 --> 0:50:37.399
<v Speaker 1>of like it.

0:50:39.040 --> 0:50:42.000
<v Speaker 3>I like it too, but well, you're okay, but none

0:50:42.000 --> 0:50:44.319
<v Speaker 3>of the rest of us are okay, Like we never

0:50:44.360 --> 0:50:45.480
<v Speaker 3>could come back from it.

0:50:45.680 --> 0:50:47.560
<v Speaker 2>I used to have amazing eyebrows, and now I have

0:50:47.680 --> 0:50:48.600
<v Speaker 2>this because of you.

0:50:48.640 --> 0:50:52.360
<v Speaker 3>Too at you but so mad about it.

0:50:52.400 --> 0:50:55.080
<v Speaker 2>I should show you as a picture of my college eyebrows.

0:50:55.320 --> 0:50:55.919
<v Speaker 1>I want to see.

0:50:56.320 --> 0:50:59.120
<v Speaker 2>You're so much better. I actually just had one because

0:50:59.280 --> 0:51:03.000
<v Speaker 2>it's to pull a picture for someone's fiftieth They're so

0:51:03.200 --> 0:51:06.600
<v Speaker 2>much better your own. No, I had to find a

0:51:06.640 --> 0:51:10.160
<v Speaker 2>picture of my friend Lisa, so look so much better.

0:51:10.239 --> 0:51:13.319
<v Speaker 1>Oh my god, is that you on the left? Yeah,

0:51:14.160 --> 0:51:17.319
<v Speaker 1>you're in the orange yep. Wow. Yeah, those are just

0:51:17.320 --> 0:51:18.040
<v Speaker 1>some good brows.

0:51:18.120 --> 0:51:21.600
<v Speaker 2>Yeah, and then you guys ruined them, like literally, you.

0:51:22.280 --> 0:51:25.040
<v Speaker 3>Dance came back like mine. I had good ones too,

0:51:25.040 --> 0:51:28.040
<v Speaker 3>and I was so ashamed of them, like the first

0:51:28.040 --> 0:51:31.480
<v Speaker 3>couple of seasons, and then the you know, plucking trend.

0:51:31.520 --> 0:51:33.440
<v Speaker 3>I'm told I'm not supposed to say plucking. That's what

0:51:33.480 --> 0:51:38.840
<v Speaker 3>you do to a chicken. The tweezing of them. Mine

0:51:38.960 --> 0:51:41.440
<v Speaker 3>just never came back. That was it done for life.

0:51:41.480 --> 0:51:43.799
<v Speaker 3>I tell my daughters all the time, don't ever touch

0:51:43.840 --> 0:51:47.719
<v Speaker 3>your eyebrows. Yeah, seriously, because it's like the friends, they're

0:51:47.760 --> 0:51:48.319
<v Speaker 3>going to change.

0:51:48.400 --> 0:51:48.919
<v Speaker 4>Just keep them.

0:51:49.400 --> 0:51:53.359
<v Speaker 1>Me too, me too, they have such beautiful eyebrows. Let's

0:51:53.360 --> 0:51:57.680
<v Speaker 1>see where were we? Kelly uh calls Brandon at the

0:51:57.800 --> 0:51:59.760
<v Speaker 1>at the pea patch. She calls him and says, Brandon,

0:52:00.280 --> 0:52:03.520
<v Speaker 1>I'm so sorry. I wasn't there to say. That was

0:52:03.640 --> 0:52:09.160
<v Speaker 1>so weird you lost the presidency. I'm really tired by.

0:52:08.920 --> 0:52:11.799
<v Speaker 2>Right, you're literally back at the beach apartment, Like, I'm

0:52:11.840 --> 0:52:16.879
<v Speaker 2>really tired. I'm jet lagged on your weird cordless phone bye.

0:52:17.120 --> 0:52:19.719
<v Speaker 3>And then not getting Dylan right now.

0:52:19.800 --> 0:52:23.239
<v Speaker 2>She has to like knock, knock, knock at a knock

0:52:23.320 --> 0:52:25.760
<v Speaker 2>and this is this had me shook.

0:52:26.440 --> 0:52:31.080
<v Speaker 1>H he's been thinking about her a lot, and he

0:52:31.160 --> 0:52:32.799
<v Speaker 1>looks at her like he wants to eat her.

0:52:33.520 --> 0:52:37.160
<v Speaker 3>Oh god, I loved this moment. I wanted him to

0:52:37.360 --> 0:52:43.280
<v Speaker 3>eat you. You pretty much did, and your friend.

0:52:43.560 --> 0:52:45.880
<v Speaker 1>But I don't understand why they're making out what about

0:52:45.920 --> 0:52:47.400
<v Speaker 1>Brandon's exactly?

0:52:47.640 --> 0:52:52.239
<v Speaker 2>Thank you, Jenny. It's so confused, it's so great. It's

0:52:52.280 --> 0:52:53.760
<v Speaker 2>weird cool.

0:52:54.480 --> 0:52:55.960
<v Speaker 3>Well to go with things.

0:52:56.120 --> 0:52:58.240
<v Speaker 1>This is the best, like the great, These are the

0:52:58.239 --> 0:53:00.440
<v Speaker 1>These are the kind of like end of episode moments

0:53:00.480 --> 0:53:03.160
<v Speaker 1>that I love about the show where you're like, what

0:53:04.480 --> 0:53:06.759
<v Speaker 1>is happening? And then you can't wait to watch it again.

0:53:06.840 --> 0:53:08.960
<v Speaker 2>Well, correct, because it's leading us up to one of

0:53:09.000 --> 0:53:12.240
<v Speaker 2>the most iconic lines in nine o two one OHO

0:53:12.280 --> 0:53:14.240
<v Speaker 2>history cracked.

0:53:13.960 --> 0:53:17.799
<v Speaker 1>Because she is getting real conflicted here. This is I'm

0:53:17.880 --> 0:53:19.480
<v Speaker 1>not working out for Kelly Taylor.

0:53:19.880 --> 0:53:22.319
<v Speaker 3>Yeah, well you guys, I think we've got to wrap

0:53:22.360 --> 0:53:23.640
<v Speaker 3>this up. Amy, your hair's gonna fall.

0:53:23.719 --> 0:53:27.200
<v Speaker 2>First of all, I don't. I'm gonna go take a shower.

0:53:27.239 --> 0:53:29.480
<v Speaker 2>But I could talk about this episode. I could do

0:53:29.680 --> 0:53:30.799
<v Speaker 2>literally a whole nother hour.

0:53:31.160 --> 0:53:32.080
<v Speaker 1>What do you give it?

0:53:32.120 --> 0:53:32.839
<v Speaker 3>What do you rate it?

0:53:33.480 --> 0:53:36.680
<v Speaker 2>Back? I'm going to be shocking with my rating.

0:53:37.280 --> 0:53:39.960
<v Speaker 1>You did not like it, but you yet you want

0:53:40.000 --> 0:53:40.839
<v Speaker 1>to talk about it more.

0:53:41.040 --> 0:53:41.879
<v Speaker 2>I'm giving it a ten.

0:53:42.440 --> 0:53:47.200
<v Speaker 1>What No, no, No, that's the producer in her.

0:53:47.480 --> 0:53:50.359
<v Speaker 2>Because here's the thing. It's got me so fired up.

0:53:51.719 --> 0:53:55.480
<v Speaker 2>The West part was half of it totally peculiar that

0:53:55.560 --> 0:53:57.680
<v Speaker 2>I feel like I need to watch six more times

0:53:57.680 --> 0:53:59.840
<v Speaker 2>to try to analyze and take a class on. And

0:54:00.040 --> 0:54:04.600
<v Speaker 2>then there was bombs being dropped, you guys, the Valerie stuff,

0:54:04.880 --> 0:54:07.960
<v Speaker 2>the Andrea and Jesse stuff, the Jim and Cindy stuff.

0:54:08.239 --> 0:54:12.719
<v Speaker 2>I'm sorry, Kelly Taylor's making out with Dylan McKay at

0:54:12.719 --> 0:54:16.080
<v Speaker 2>the end of the episode. That's a ten in itself.

0:54:16.719 --> 0:54:20.680
<v Speaker 1>That, right, A lot of a lot of stuff happens.

0:54:20.560 --> 0:54:28.360
<v Speaker 2>And it has lost the presidency, like we've got the contra. Yeah,

0:54:28.400 --> 0:54:31.560
<v Speaker 2>there's touching the gout the conflict now with David and

0:54:31.560 --> 0:54:34.719
<v Speaker 2>Claire being in the know on something and using it

0:54:34.719 --> 0:54:36.560
<v Speaker 2>against right. I mean, the whole thing is like.

0:54:36.800 --> 0:54:40.160
<v Speaker 1>You know what, it's a juicy you like juicy.

0:54:40.520 --> 0:54:43.799
<v Speaker 2>Yeah, it's a forny weird episode also, but I'm like,

0:54:43.840 --> 0:54:48.160
<v Speaker 2>you know what, it's weird. I'm totally here for it.

0:54:48.160 --> 0:54:49.640
<v Speaker 1>It is good. I like it. I'm right up there

0:54:49.680 --> 0:54:52.040
<v Speaker 1>with you. And now that you talk me out of

0:54:52.040 --> 0:54:54.080
<v Speaker 1>my like six, I'm gonna go up to a nine.

0:54:54.719 --> 0:54:55.440
<v Speaker 2>I'm happy to.

0:54:55.400 --> 0:54:59.000
<v Speaker 3>Hear it well a nine, okay? Will you both talked

0:54:59.000 --> 0:55:00.880
<v Speaker 3>me out of my seven? And I'm only giving it

0:55:00.920 --> 0:55:04.279
<v Speaker 3>a seven point five because of the end moment of

0:55:04.440 --> 0:55:06.799
<v Speaker 3>Kelly and Dylan kissing. Sorry, actually I'll give it an

0:55:06.800 --> 0:55:09.600
<v Speaker 3>eight for that just based on that, because that was everything.

0:55:10.239 --> 0:55:14.880
<v Speaker 2>Here's what I want to know through our astute commentary.

0:55:15.440 --> 0:55:19.360
<v Speaker 2>Is anybody listening changing their mind about it being the

0:55:19.400 --> 0:55:22.640
<v Speaker 2>worst episode ever? Like now they're really breaking it down.

0:55:24.080 --> 0:55:24.880
<v Speaker 2>I'm curious.

0:55:25.400 --> 0:55:27.080
<v Speaker 1>Let's let's hear from you guys us.

0:55:27.239 --> 0:55:28.560
<v Speaker 2>You can't hate this episode.

0:55:28.560 --> 0:55:33.240
<v Speaker 3>It's filled with gold, filled with week gold.

0:55:33.520 --> 0:55:40.399
<v Speaker 1>There's gold in them there episodes. On that note, thank

0:55:40.440 --> 0:55:43.439
<v Speaker 1>you for everybody that's listening. We love you guys so much.

0:55:43.600 --> 0:55:46.000
<v Speaker 1>Be sure to do all the things that you're supposed

0:55:46.000 --> 0:55:50.560
<v Speaker 1>to do. Like it, subscribe to it comments, please send

0:55:50.640 --> 0:55:53.200
<v Speaker 1>us messages. We'd love to hear from you. Five stars

0:55:54.280 --> 0:56:00.960
<v Speaker 1>say thanks, love you