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Speaker 1: It's nine O Gen one Engine with Jenny Garth and

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Speaker 1: Tory spelling.

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Speaker 2: So sometimes I tried just to keep you know, I

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Speaker 2: just want to do what everybody's schedule says. So there

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Speaker 2: was a text and said, hey, Tuesday nine thirty, So

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Speaker 2: I was maybe getting the hair for me. It was

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Speaker 2: for everybody. I just want to commentate it.

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Speaker 1: I didn't realize it was nine thirty this morning. I

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Speaker 1: was like, oh, damn, that's early, I know, especially for you.

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Speaker 2: Normally we take it like two. This is like the

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Speaker 2: middle of the night for me.

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Speaker 3: But Jen, it was like, we're usually this week we're

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Speaker 3: on spring break. So but usually it works with kids

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Speaker 3: schedules and stuff, and but Amy just had to get

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Speaker 3: her hair colored.

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Speaker 2: So yeah, I literally was like, fine, I'm just going

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Speaker 2: to accommodate what everybody needs. I'll be there at nine thirty.

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Speaker 2: I have full hair color right now.

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Speaker 1: Look you look beautiful.

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Speaker 3: And Jen, what did you say?

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Speaker 1: It was? It was very wet.

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Speaker 2: Oh yeah, Jenny said it was so Hollywood because the

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Speaker 2: hair bow.

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Speaker 3: I was.

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Speaker 1: I was sure. I didn't say what you said. No,

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Speaker 1: I said, oh, it's so Hollywood. Amy actually getting her

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Speaker 1: hair colored as we're doing the podcast it's.

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Speaker 2: A nice distraction though from what I would call half

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Speaker 2: a good apple.

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Speaker 1: I need to get a pattic here. Should I have

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Speaker 1: them come in?

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Speaker 2: Well, we do ourn ice for sure, massage. I'd love

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Speaker 2: to get a massage.

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Speaker 3: Did the podcast because you had beautiful feet, and then

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Speaker 3: we can get you on wicked feet.

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Speaker 1: I don't want to be you'd get.

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Speaker 3: So many downloads. Oh, that's going to be my new

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Speaker 3: side hustle. Sorry, sorry Randall.

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Speaker 4: James.

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Speaker 3: May I manage you for Wiki feet? I'd like to

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Speaker 3: step in.

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Speaker 2: Do you get paid for that?

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Speaker 3: You can? I've heard allegedly you make a lot of money.

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Speaker 1: Whoa, it's not a select. I've been on which he

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Speaker 1: fee for years. I haven't made it die, so I'll

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Speaker 1: be looking for that chat.

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Speaker 3: Oh you know what I'm wrong. You're right. Feet they

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Speaker 3: just you get a score. Oh we've looked at this before.

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Speaker 3: You have a very high score. She has beautiful feet,

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Speaker 3: always had, but feet finder. Feet finder is the one

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Speaker 3: you actually get paid if they see your feet. So

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Speaker 3: you know, times ever get tough. You know where we'll

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Speaker 3: be heading, Amy, you may you may come with us.

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Speaker 2: Wait, I've never seen your feet, Amy, They're wonderful except

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Speaker 2: for I thought I could have been a foot model,

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Speaker 2: but then I broke a toe once and that kind

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Speaker 2: of ruined my career.

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Speaker 3: But otherwise I think they're fucking you did okay in

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Speaker 3: your career.

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Speaker 2: So and yes, it's all good. It's all good.

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Speaker 1: Let's tell me talk about the real McCoy please, Season five,

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Speaker 1: episode twenty nine. There's so much going on, we got

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Speaker 1: to get to this. Aired May tenth, nineteen ninety five.

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Speaker 2: I think the one is, oh, sorry, how Jenny felt

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Speaker 2: about it.

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Speaker 3: Let's just give them the I want to hear all

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Speaker 3: about it. You know. She likes an order like come

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Speaker 3: on okay. Synopsis from Beverly Hills to the Wild Wild West,

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Speaker 3: Dylan McKay becomes Billy McCoy during a regressive dream with

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Speaker 3: the help of Molly the hypnotist. While Dylan is convinced

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Speaker 3: that Kelly is his true soul mate, Brandon is back

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Speaker 3: at home and bombed when he loses the CU election.

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Speaker 3: When Kelly isn't there to support her, man, Valerie uses

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Speaker 3: her absence as an opportunity to make them move unbranded. Yes,

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Speaker 3: it's finally happening. Meanwhile, Donna is still in the dark

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Speaker 3: and not the Peepee Pad about Ray and Valerie directed but.

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Speaker 1: Your very favorite Jason Priestley written by Cheryles Cheryls written

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Speaker 1: by Charles Rosenmolin.

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Speaker 2: Don't you think Jason jumped at the chance to direct

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Speaker 2: this one because it's so weird? He would love it,

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Speaker 2: of course.

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Speaker 1: Yeah. I mean, given the fact that he had already

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Speaker 1: done Tombstone, he had the oh that's right, he had

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Speaker 1: the Western in his blood.

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Speaker 2: Oh my gosh.

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Speaker 1: He's probably the perfect person to do it because he

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Speaker 1: had just done it Stone, he had just been living

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Speaker 1: in that world for months.

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Speaker 2: He did get some interesting camera moves. Did you notice that,

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Speaker 2: like one point, the camera just totally on its side.

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Speaker 1: Well, that was Kelly's angle. Yeah, that was Kelly's point

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Speaker 1: of view of Dylan in the States.

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Speaker 2: Do you remember it? I mean, it's so rafy woo.

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Speaker 3: I got to interrupt your keen. Do do you think

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Speaker 3: that it's likely that the boys Jason and Luke pitch

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Speaker 3: this scenario. No, Like, they weren't like, hey, They're like, hey,

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Speaker 3: here's what we want to do. We're building up to

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Speaker 3: this hypnotist thing, anything you guys want to do, and

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Speaker 3: they're like, wild, wholl what, here's.

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Speaker 1: What I think I think that maybe Luke was giving

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Speaker 1: them some ideas. I think that I remember that Luke

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Speaker 1: was wanting to do different things than just Dylan McKay,

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Speaker 1: and I think that this was a way for the

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Speaker 1: show to sort of try to fulfill his you know,

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Speaker 1: blossoming creative needs and okay, at the risk of the

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Speaker 1: show basically.

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Speaker 3: Well, it didn't take us down, but it did take

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Speaker 3: us out of it. We do was he I'm blanking

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Speaker 3: on him the name of the movie because I'm stand

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Speaker 3: up with Eminem's.

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Speaker 1: Eight seconds, eight eight minutes would be a long ride.

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Speaker 2: It'll be a long time on the hole. Eight seconds.

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Speaker 3: When did that come out? I'm curious if it.

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Speaker 2: Overlapped nineteen ninety four.

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Speaker 1: Huh, so it had already come out. M h.

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Speaker 3: He got that.

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Speaker 1: He got the taste too of like, you know, Luke

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Speaker 1: loved animals, horses, cowboy things.

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Speaker 2: So he was like, I could really ride those horses

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Speaker 2: that he's riding in this Yeah, which is.

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Speaker 3: Well, we already had a little bit in there with Jen.

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Speaker 3: I'll direct this to you. This is my name's You're welcome.

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Speaker 1: I like to do that once a season, and that's it.

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Speaker 2: I know we've had a good an in a while.

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Speaker 3: It never gets old when you do that. Ever, We're

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Speaker 3: going to be in our rocking chairs and I'm going

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Speaker 3: to turn to you and you might not remember the.

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Speaker 1: Name of Bill, like to remind me for sure. I

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Speaker 1: just literally forgot it. Now, So when we're like eighty

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Speaker 1: year because I'm not gonna remember anything.

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Speaker 3: Okay, So what's our code when I.

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Speaker 1: Turned to you? When I go it doesn't matter, I

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Speaker 1: won't remember it. I'll be like, why are you looking

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Speaker 1: at me like that?

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Speaker 2: So do you remember?

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Speaker 1: Who are you?

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Speaker 3: And I'll be like, remember me, I'm your best friend.

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Speaker 3: And at this point for eighty years.

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Speaker 2: Jenny, do you remember any of this?

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Speaker 1: Do I remember any of this? Yeah?

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Speaker 2: I do, because you're in these crazy costumes and it

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Speaker 2: was so different. It must have Tell me what you remember?

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Speaker 1: Yeah? I had some gorgeous wigs on. Yeah, and bonnets.

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Speaker 3: Yeah.

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Speaker 1: Your long remember is back.

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Speaker 2: Your long hair was back.

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Speaker 1: I remember it. I was like, well, why am I?

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Speaker 1: Why am I getting dragged into these?

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Speaker 3: You're the chosen one regressions?

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Speaker 1: It was we had fun. Honestly, we had a really

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Speaker 1: good time shooting this.

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Speaker 2: Why did you.

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Speaker 3: Film it out there?

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Speaker 1: You know, in your neck of the woods, Like that's

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Speaker 1: like park, No, you know where they are the mag

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Speaker 1: or whatever?

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Speaker 2: Oh yeah, no way.

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Speaker 1: And what's that one with the medicine woman.

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Speaker 2: Oh Quinn, doctor Quinn.

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Speaker 3: Like Malibu Canyon mount only Park, Santa Monica that one? Yeah?

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Speaker 2: Oh Jenny, Jenny for the wind fully pulling out like

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Speaker 2: that was awesome dropping knowledge. So that's where they filmed

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Speaker 2: mash and doctor Quinn Medicine Woman. And that's where you

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Speaker 2: did this. And the interesting thing is you're really the

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Speaker 2: only it's only you and Luke. Everybody else is so random.

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Speaker 2: It's totally random.

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Speaker 1: Yeah, like who are these people? They're really good background

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Speaker 1: actors and actors. Like I was like, hey, I would

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Speaker 1: watch this movie, just not on nine or two, and oh,

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Speaker 1: but I might watch this movie.

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Speaker 2: It reminded me of the Yellowstone prequel.

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Speaker 3: No, I'm not a Western fan. I gotta be honest.

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Speaker 3: When you guys were filming it and it came up,

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Speaker 3: I was like, oh, and watching it again, I still

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Speaker 3: felt I loved watching you and Luke and it was hot,

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Speaker 3: but I don't love Western.

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Speaker 1: This isn't hot.

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Speaker 3: I didn't think it was hot.

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Speaker 1: There was nothing hot about sitting on a blanket under

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Speaker 1: a tree reading the Bible hot in a way.

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Speaker 3: That in the since I love when Kelly and fill

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Speaker 3: In her together, I just do because he's your soul. Mean,

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Speaker 3: it's great. I love it.

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Speaker 1: Yeah, I liked it too for the reason.

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Speaker 2: The end is crazy, but we won't get there yet.

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Speaker 2: But it's crazy.

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Speaker 1: Wait, I just wanted to shoot you some trivia here.

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Speaker 1: You see this tour while this episode, I can't see it.

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Speaker 1: I can't pull it up you While this episode has

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Speaker 1: been wildly thought of as one of the worst episodes

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Speaker 1: in the history of Not Too It aired in the

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Speaker 1: middle of May Sweeps and was directed by Jason Priestley,

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Speaker 1: which is shocking that it would get such dragged so much.

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Speaker 2: You know, yeah, because it was obviously like Sweeps. It

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Speaker 2: was expensive. I mean it's like it's a full Sweeps

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Speaker 2: episode because you're out on this other set with all

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Speaker 2: these actors out on location. It's not the.

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Speaker 3: Worst, I mean, I got I gotta say my dad

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Speaker 3: started like making Westerns. A little known fact when he

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Speaker 3: was an actor, he was in gun Smoke, which none

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Speaker 3: of our audience will know. But it's an old throwback series.

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Speaker 3: So he loved Westerns. But I just can't imagine Fox

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Speaker 3: being like, oh, for sweets, let's take a really bold chance.

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Speaker 3: That might not work. That didn't work, well?

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Speaker 1: What is their major stars on their network wanted to

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Speaker 1: do it.

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Speaker 2: So there you go.

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Speaker 1: That's why this is interesting too. Episode writer Larry Mullen

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Speaker 1: wanted to underline for some reason that Dylan thinking he

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Speaker 1: and Kelly were soulmates isn't the truth, but just Dylan's

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Speaker 1: interpretation at that moment in time. I'm wondering.

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Speaker 2: That's confusing to me why he was saying this. Yeah,

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Speaker 2: what is he's saying there? Will you read that?

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Speaker 1: I feel like he's covering his ass because the show

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Speaker 1: goes on and they're not soulmates, and you know, writing kind.

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Speaker 2: They kind of are because you end up. I don't

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Speaker 2: want to spoil wait Jenny read though. I really I've

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Speaker 2: heard that he said this, and I kind of want

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Speaker 2: to understand it say that way.

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Speaker 1: Harry Mullen wanted to underline that Dylan thinking he and

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Speaker 1: Kelly are soulmates isn't the truth, but merely Dylan's interpretation

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Speaker 1: at that moment in time.

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Speaker 3: Was Larry Highwood, he gave this, I don't get that.

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Speaker 2: Do you understand that?

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Speaker 3: Probably it literally doesn't make sense.

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Speaker 1: He honestly, he's saying in this episode that there's such

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Speaker 1: a big deal made about like oh, their soulmates. But

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Speaker 1: she wanted to like retract that. I think because he

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Speaker 1: didn't find that it lasted the length of the show.

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Speaker 1: Maybe I don't know, or just to justify Dylan going

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Speaker 1: to get married and Kelly whatever, Kelly. I have no idea,

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Speaker 1: but I know Dylan got married.

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Speaker 2: Oh right, right, right, right right?

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Speaker 3: So he's so okay, okay, that's starting yet that wait,

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Speaker 3: Tony's not coming in soon?

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Speaker 2: Is she next season?

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Speaker 1: Soon? Yeah?

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Speaker 4: Next season?

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Speaker 2: So they couldn't approved the we're only a couple episodes away.

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Speaker 1: But maybe you don't know Larry made this comment. No, no, no,

241
00:11:40,200 --> 00:11:42,200
Speaker 1: you don't know when Larry made this comment, so he could.

242
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Speaker 2: I have no idea either, so maybe respect Okay, Okay,

243
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Speaker 2: So I have so many questions.

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Speaker 1: Okay, let's just start. You want to start with your questions?

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Speaker 1: Or do you what?

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00:11:55,920 --> 00:11:56,960
Speaker 3: Do you want to go through through it?

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Speaker 1: You can ask your questions as we go. How about that?

248
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Speaker 2: Yeah? Because it's such a weird episode and I but

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00:12:03,480 --> 00:12:07,440
Speaker 2: yet with some major bombs, right like huge?

250
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Speaker 3: Wait before we start, Amy, is there some point you

251
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Speaker 3: need to take that off your hair.

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Speaker 2: So thank you so much Tori for asking. That's why

253
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Speaker 2: I've timed it so that right as we finished the podcast,

254
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Speaker 2: I will jump in the shower.

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Speaker 1: It's looking really good. Thanks, yeah, yeah, yeah.

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Speaker 2: Okay, So begin, because let's start. There's so much to address.

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Speaker 1: Well, we started the Caliber California University, where Brandon's term

258
00:12:33,000 --> 00:12:36,960
Speaker 1: ASU president has come to an end, sadly, but they're

259
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Speaker 1: throwing him a party, and it's what you love.

260
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Speaker 2: The whole cast is there, the whole.

261
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Speaker 1: Gang is there, oddly, uncomfortably in the room where they

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Speaker 1: have their big meetings with branded warth suits.

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Speaker 2: Yeah, awkward cake which I was willing to bet a

264
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Speaker 2: million dollars. He was going to say, let them eat cake.

265
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Speaker 1: I well that was a big cake, right yeah. Yeah.

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Speaker 1: The Brandon years the brand were they hoping that would

267
00:13:05,760 --> 00:13:08,280
Speaker 1: catch on or did it catch on? And I don't remember,

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00:13:08,679 --> 00:13:13,840
Speaker 1: didn't catch on? We should be brand, which we're three over.

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Speaker 3: The Brandon years leaves an episode a season eight, I believe.

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Speaker 1: Yeah, I don't know.

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Speaker 2: At some point we got a little more time with them, but.

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Speaker 1: Brandon is celebrating, everybody's celebrating. Valerie's got her talons out

273
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Speaker 1: looking for her next pray and she's sinking her eyes

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Speaker 1: on Brandon right to Donna.

275
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Speaker 2: It doesn't make sense, Bright.

276
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Speaker 1: In front of everybody.

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Speaker 2: Thank you, Jenmy, it doesn't make sense. Wtf, Valerie.

278
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Speaker 3: I was like, gone through everybody else, you guys she

279
00:13:45,440 --> 00:13:47,360
Speaker 3: hasn't yet. Yeah, everyone but David.

280
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Speaker 1: They were dating, so that's what her real life boyfriend.

281
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Speaker 3: She was like, No, I don't want to go there.

282
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Speaker 3: That's why I go through all the rest of the cast,

283
00:13:56,920 --> 00:13:57,400
Speaker 3: and they're like.

284
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Speaker 1: Can you imagine how Brian must have felt with his

285
00:14:03,440 --> 00:14:08,800
Speaker 1: beautiful girlfriend joining the cast, yes, and then having systematically

286
00:14:09,679 --> 00:14:12,920
Speaker 1: to go make out or have like love affairs on

287
00:14:13,000 --> 00:14:15,600
Speaker 1: TV with every guy on the show.

288
00:14:18,440 --> 00:14:21,680
Speaker 3: Well, it's it's a good story about his feelings about that,

289
00:14:23,200 --> 00:14:25,920
Speaker 3: and we should ask him one day because he does

290
00:14:25,960 --> 00:14:26,840
Speaker 3: have feelings about that.

291
00:14:27,520 --> 00:14:33,400
Speaker 2: Oh wow, it's just very cringey. It's cringey, Like it's

292
00:14:33,440 --> 00:14:37,360
Speaker 2: cringey how she's so aggressive, and it's like, I know

293
00:14:37,440 --> 00:14:39,760
Speaker 2: she's not her relative, he's not. They're not related. I

294
00:14:39,840 --> 00:14:40,520
Speaker 2: understand that.

295
00:14:41,120 --> 00:14:43,000
Speaker 3: But we feel like they are weird.

296
00:14:43,720 --> 00:14:48,080
Speaker 1: Okay, Yeah, I don't know if it's going to be

297
00:14:48,080 --> 00:14:51,200
Speaker 1: a valve Kelly Taylor showdown. I'm here for it. I'm

298
00:14:51,240 --> 00:14:55,320
Speaker 1: ready bring it on. It's going to be like I've

299
00:14:55,360 --> 00:14:58,440
Speaker 1: always liked their friction, their tension, because somebody's got to

300
00:14:58,480 --> 00:15:01,000
Speaker 1: be calling this bitch out andpparently it's going to be killy.

301
00:15:01,800 --> 00:15:14,560
Speaker 4: Yeah.

302
00:15:15,120 --> 00:15:17,840
Speaker 2: Also, I did not care for the lipstick, and nobody

303
00:15:17,840 --> 00:15:19,720
Speaker 2: write me that I don't like Tiffany. I like Tiffany.

304
00:15:19,960 --> 00:15:22,240
Speaker 2: I did not like that lipstick.

305
00:15:23,160 --> 00:15:25,960
Speaker 1: I didn't even notice it. Her lips are so puffy

306
00:15:26,000 --> 00:15:27,240
Speaker 1: and beautiful, like happening.

307
00:15:27,320 --> 00:15:29,280
Speaker 2: It's sort of that nude look. And I think I'm

308
00:15:29,320 --> 00:15:31,520
Speaker 2: triggered by it because I think I took the nude

309
00:15:31,560 --> 00:15:35,640
Speaker 2: look because of that. Probably and admit it. I don't know.

310
00:15:35,920 --> 00:15:38,160
Speaker 2: I just I think I just don't like it that

311
00:15:38,240 --> 00:15:42,040
Speaker 2: she's I just know I'm really irritated by her in

312
00:15:42,080 --> 00:15:42,880
Speaker 2: this episode.

313
00:15:43,120 --> 00:15:45,880
Speaker 1: It's weird because on one episode I'm like, hey, it

314
00:15:45,960 --> 00:15:47,720
Speaker 1: must be so fun to play a boss like this.

315
00:15:47,920 --> 00:15:50,920
Speaker 1: She's so powerful and influential and what a strong character.

316
00:15:51,320 --> 00:15:53,280
Speaker 1: And then in the next episode, I'm like, I hate

317
00:15:53,280 --> 00:15:58,120
Speaker 1: this character because she has no moral compass. She only

318
00:15:58,160 --> 00:16:01,240
Speaker 1: does conniving things all the time. Is that going to

319
00:16:01,480 --> 00:16:04,000
Speaker 1: be the way? Is she ever going to redeem herself

320
00:16:04,040 --> 00:16:05,920
Speaker 1: in any real.

321
00:16:05,520 --> 00:16:11,080
Speaker 3: Way, so well done on the writer's part. As a viewer,

322
00:16:11,120 --> 00:16:14,920
Speaker 3: they're keeping you on your toes. You know what you're

323
00:16:14,920 --> 00:16:16,960
Speaker 3: going to get. You're like, oh, just when I started

324
00:16:17,000 --> 00:16:18,200
Speaker 3: to like her, Oh I hate her again.

325
00:16:18,400 --> 00:16:21,440
Speaker 2: That's I guess. I don't care for her in this

326
00:16:21,480 --> 00:16:24,080
Speaker 2: episode at all. Like I'm like you are.

327
00:16:25,960 --> 00:16:26,040
Speaker 4: Is.

328
00:16:26,080 --> 00:16:28,480
Speaker 1: She just feels like a cockerroach, like she's just like

329
00:16:28,880 --> 00:16:31,800
Speaker 1: hanging around waiting for food to fall so that she

330
00:16:31,800 --> 00:16:32,480
Speaker 1: could eat it up.

331
00:16:33,400 --> 00:16:36,280
Speaker 2: And this scene is just the beginning of the cringe

332
00:16:36,320 --> 00:16:39,200
Speaker 2: for me. The scene of the with Brandon, I'm just

333
00:16:41,040 --> 00:16:42,600
Speaker 2: which all pause until we get it.

334
00:16:42,520 --> 00:16:45,200
Speaker 3: It does feel very out of the blue, but that

335
00:16:45,320 --> 00:16:47,640
Speaker 3: happens often an I am to one out and.

336
00:16:47,640 --> 00:16:50,360
Speaker 1: Then they go out on Kelly asking if she's going

337
00:16:50,400 --> 00:16:54,200
Speaker 1: to make a move on Brandon, and Valerie says that

338
00:16:54,280 --> 00:16:56,200
Speaker 1: she's going to keep an eye on her man, but

339
00:16:56,280 --> 00:16:59,680
Speaker 1: she really meant Dylan because he's the one Kelly dreams about.

340
00:17:00,320 --> 00:17:00,480
Speaker 3: Oh.

341
00:17:00,520 --> 00:17:05,960
Speaker 2: That was very bizarre too, That just was I'm sorry

342
00:17:05,960 --> 00:17:09,840
Speaker 2: to be frustrated because it was so weird because first

343
00:17:09,880 --> 00:17:12,040
Speaker 2: you're teasing me with this sort of valor he's going

344
00:17:12,080 --> 00:17:14,320
Speaker 2: to make her move on Brandon but then you're throwing

345
00:17:14,320 --> 00:17:16,600
Speaker 2: me this curveball, which I think is because of the

346
00:17:16,680 --> 00:17:19,720
Speaker 2: Dylan Kelly undertones in this episode. It just feels like

347
00:17:19,720 --> 00:17:23,240
Speaker 2: they're forcing Valerie to do all these weird things to

348
00:17:23,600 --> 00:17:26,680
Speaker 2: move the plot along, and it's just so irritating.

349
00:17:27,960 --> 00:17:32,840
Speaker 1: I agree, but it's fun to watch. Okay. So they're

350
00:17:32,880 --> 00:17:36,080
Speaker 1: running out of the wallsh house where val is packing

351
00:17:36,200 --> 00:17:38,480
Speaker 1: a lovely picnic basket and complete with.

352
00:17:38,440 --> 00:17:41,560
Speaker 2: Wine, which did look lovely.

353
00:17:41,800 --> 00:17:43,320
Speaker 1: I know I wanted to go on that picnic.

354
00:17:44,160 --> 00:17:48,040
Speaker 2: The fruit spread the only thing I know. The cheese selection,

355
00:17:48,160 --> 00:17:50,600
Speaker 2: it looked like straight from Bristol Farms, although.

356
00:17:51,000 --> 00:17:52,879
Speaker 3: Came through on that one looked dry.

357
00:17:53,600 --> 00:17:56,760
Speaker 1: I was like, we need a little mayo or some

358
00:17:56,880 --> 00:17:59,240
Speaker 1: muscamea yeah, a little splash of something and.

359
00:17:59,160 --> 00:18:00,840
Speaker 2: She's cutting it. That was the only part that I

360
00:18:00,880 --> 00:18:03,000
Speaker 2: was like, that's not as gourmet as the rest of

361
00:18:03,040 --> 00:18:03,840
Speaker 2: your presentation.

362
00:18:05,000 --> 00:18:07,879
Speaker 1: So she takes it over to Dylan's house and is

363
00:18:07,960 --> 00:18:10,720
Speaker 1: met by Charlie, who doesn't let her in because Dylan

364
00:18:10,920 --> 00:18:18,880
Speaker 1: is inside going under hypnosis again with his Molly Mall Mollie.

365
00:18:19,080 --> 00:18:22,560
Speaker 2: He says fifty times moll.

366
00:18:22,480 --> 00:18:24,920
Speaker 1: Mollie, who's starting to get a little hot shot shot

367
00:18:25,080 --> 00:18:29,359
Speaker 1: if you ask me resting a little inappropro for her sessions.

368
00:18:29,400 --> 00:18:32,360
Speaker 2: Her high rise mom jeans were rough. She was very

369
00:18:32,400 --> 00:18:35,040
Speaker 2: pretty at the end, but those moms is that.

370
00:18:35,160 --> 00:18:39,919
Speaker 1: Shot where she bends over like and her like just

371
00:18:40,200 --> 00:18:42,879
Speaker 1: I've been on the set when these things happen, and

372
00:18:42,880 --> 00:18:48,800
Speaker 1: it just triggers me. She's Brandon's directing, Oops, Jason directing.

373
00:18:49,280 --> 00:18:53,920
Speaker 1: It's a shot on dylanops to Sean Luke and they

374
00:18:53,920 --> 00:18:58,080
Speaker 1: have big boob shot right, just come right in and

375
00:18:58,280 --> 00:19:02,640
Speaker 1: linger for a while and then right out. Nobody was like, hey,

376
00:19:02,760 --> 00:19:04,800
Speaker 1: you guys, that's a little good too. It is maybe

377
00:19:04,800 --> 00:19:08,439
Speaker 1: she should pull her shirt up a little. Nope, and

378
00:19:08,600 --> 00:19:09,840
Speaker 1: she's as.

379
00:19:09,840 --> 00:19:11,960
Speaker 3: She wanted to go for it. Yeah, she's a.

380
00:19:11,960 --> 00:19:13,959
Speaker 1: Girl and she can dress however she wants. But I

381
00:19:14,000 --> 00:19:14,920
Speaker 1: was like, she.

382
00:19:14,960 --> 00:19:17,680
Speaker 2: Looks gorgeous at the end. I was like, whoa, she's

383
00:19:17,760 --> 00:19:21,400
Speaker 2: quite pretty black. But the mom jeans, I.

384
00:19:21,359 --> 00:19:24,520
Speaker 3: Feel like they were like didn't have something and they

385
00:19:24,640 --> 00:19:28,560
Speaker 3: just like pulled from Cindy Walsh's wardrobe.

386
00:19:28,680 --> 00:19:32,480
Speaker 2: Am I the only one? Okay? If anyone listening can

387
00:19:32,480 --> 00:19:34,880
Speaker 2: relate to this, I sort of look away when they're

388
00:19:34,920 --> 00:19:37,360
Speaker 2: doing the hypnotizing because I think to myself, I don't

389
00:19:37,359 --> 00:19:39,920
Speaker 2: want to be hypnotized accidentally while watching this.

390
00:19:42,680 --> 00:19:45,520
Speaker 1: She doesn't do anything though, to hypnotize him. She's just

391
00:19:46,400 --> 00:19:48,000
Speaker 1: I guess she already does that name.

392
00:19:48,280 --> 00:19:52,840
Speaker 3: You're fine, I'm already not I'm and they do that.

393
00:19:54,440 --> 00:19:57,840
Speaker 1: Or the Black Circle A think and you're like, I

394
00:19:57,880 --> 00:20:00,200
Speaker 1: don't want look away.

395
00:20:00,920 --> 00:20:03,480
Speaker 2: The Chicken episode that I won't explain to Jenny what

396
00:20:03,520 --> 00:20:06,159
Speaker 2: it is if she doesn't remember, but because I'm afraid

397
00:20:06,240 --> 00:20:06,840
Speaker 2: I'll be like.

398
00:20:08,040 --> 00:20:13,040
Speaker 1: Are you messing with me right now? Amy?

399
00:20:12,760 --> 00:20:13,000
Speaker 4: Amy?

400
00:20:13,359 --> 00:20:14,560
Speaker 1: That is an episode of.

401
00:20:16,240 --> 00:20:16,760
Speaker 2: This show.

402
00:20:17,119 --> 00:20:20,359
Speaker 1: No, that's an episode of Learn Liver and Truly, And

403
00:20:20,600 --> 00:20:24,480
Speaker 1: you're messing with me right now? Oh my god, Okay,

404
00:20:25,200 --> 00:20:28,359
Speaker 1: I'm it's going to walk away from that and get nervous. Yeah,

405
00:20:28,400 --> 00:20:30,760
Speaker 1: I don't know any idea what you're talking about now.

406
00:20:31,400 --> 00:20:36,479
Speaker 1: I really hope it's me or Kelly, like a Chicken trust,

407
00:20:36,560 --> 00:20:40,480
Speaker 1: but we'll see. Oh my god, we're gonna find out.

408
00:20:41,680 --> 00:20:43,399
Speaker 1: Did you guys ever, did you feel like this was

409
00:20:43,440 --> 00:20:46,920
Speaker 1: the longest hypno trance you've ever Like He's in there

410
00:20:46,960 --> 00:20:50,159
Speaker 1: for hours and I don't really get it, Like I

411
00:20:50,160 --> 00:20:54,159
Speaker 1: don't want to be so like trying to understand what

412
00:20:54,280 --> 00:20:57,320
Speaker 1: are they doing? Why is he doing this for what right?

413
00:20:57,359 --> 00:21:00,160
Speaker 3: They don't explain that. That's the problem. It's like he's

414
00:21:01,359 --> 00:21:03,200
Speaker 3: he's trying to evolve.

415
00:21:02,800 --> 00:21:05,720
Speaker 1: And trying to figure out like his hang ups from

416
00:21:05,720 --> 00:21:08,560
Speaker 1: his past lives or past Yeah, so.

417
00:21:08,640 --> 00:21:10,480
Speaker 2: Is that what we're to understand that in a past

418
00:21:10,560 --> 00:21:16,760
Speaker 2: life he was a gunslinging cowboy who found the goods

419
00:21:17,240 --> 00:21:19,240
Speaker 2: the good in him because he fell in love with

420
00:21:20,320 --> 00:21:24,359
Speaker 2: a Kelly Taylor joppel Ganger. Like, that's my problem is

421
00:21:24,400 --> 00:21:26,919
Speaker 2: I don't understand what I'm supposed to understand.

422
00:21:27,760 --> 00:21:32,040
Speaker 1: I guess it's like his dream state, like I don't know. Yeah,

423
00:21:32,160 --> 00:21:33,760
Speaker 1: I can't answer it anymore.

424
00:21:33,840 --> 00:21:36,040
Speaker 2: And then when it then when it blurs, and then

425
00:21:36,400 --> 00:21:41,840
Speaker 2: it's the Old West and it's his see through casket funeral. No, okay,

426
00:21:41,840 --> 00:21:43,280
Speaker 2: I'll wait till we get there, right, run up. And

427
00:21:43,680 --> 00:21:47,280
Speaker 2: my frustration is because I don't get it. That'll get it.

428
00:21:49,080 --> 00:21:50,280
Speaker 1: I think a lot of people felt that.

429
00:21:52,280 --> 00:21:54,680
Speaker 2: If I got it, then I might enjoy that half

430
00:21:54,720 --> 00:21:56,160
Speaker 2: of it more. But anyway, I wonder.

431
00:21:56,040 --> 00:21:59,679
Speaker 3: If Jason, while he did this and executed it, was

432
00:21:59,720 --> 00:22:01,639
Speaker 3: like and they're not going to get it. But if

433
00:22:01,640 --> 00:22:06,480
Speaker 3: they don't get it, sorry, it's cool ding ding Like

434
00:22:06,600 --> 00:22:07,000
Speaker 3: I don't know.

435
00:22:09,400 --> 00:22:12,600
Speaker 2: Yeah, anybody really can answer it actually from it, like

436
00:22:12,640 --> 00:22:14,560
Speaker 2: it'd be like waking up from a dream and then

437
00:22:14,840 --> 00:22:17,320
Speaker 2: being like I must call the person in my dream.

438
00:22:17,440 --> 00:22:19,879
Speaker 2: It's like, dude, it's just a dream.

439
00:22:20,400 --> 00:22:21,640
Speaker 3: What do you mean? I've gon.

440
00:22:24,200 --> 00:22:30,320
Speaker 2: Wait Anyway, I'm frustrated by the episode. I don't hate it,

441
00:22:30,880 --> 00:22:32,400
Speaker 2: but I'm befuddled.

442
00:22:33,840 --> 00:22:36,240
Speaker 3: And can we talk about that? You fell asleep during it?

443
00:22:36,680 --> 00:22:37,080
Speaker 4: So I.

444
00:22:38,880 --> 00:22:42,000
Speaker 2: Went back and rewatched the whole thing. So I fell asleep.

445
00:22:42,520 --> 00:22:44,119
Speaker 2: I watched it two nights ago, and then I went

446
00:22:44,119 --> 00:22:45,199
Speaker 2: back and watched the whole thing. And I think that's

447
00:22:45,200 --> 00:22:47,159
Speaker 2: why I'm so frustrated, because then I really I was like,

448
00:22:47,200 --> 00:22:49,840
Speaker 2: I'm not going to be distracted. I'm going to try

449
00:22:49,880 --> 00:22:53,240
Speaker 2: to get this. And I'm like, I don't get it,

450
00:22:54,680 --> 00:22:56,199
Speaker 2: do you No?

451
00:22:56,560 --> 00:22:59,920
Speaker 1: It was just the weirdest departure. It was the whole

452
00:23:00,080 --> 00:23:02,720
Speaker 1: other show.

453
00:23:02,000 --> 00:23:04,160
Speaker 2: Like a sort of another bad show.

454
00:23:04,560 --> 00:23:06,320
Speaker 1: I mean, at least if they if they had had

455
00:23:06,760 --> 00:23:09,520
Speaker 1: the rest of the cast just up in their costumes

456
00:23:09,840 --> 00:23:12,120
Speaker 1: from you know, at the saloon, it would have been.

457
00:23:12,280 --> 00:23:15,240
Speaker 3: That would have been more like breaking afford all those outfits.

458
00:23:15,320 --> 00:23:15,960
Speaker 3: That was too far.

459
00:23:16,440 --> 00:23:18,560
Speaker 2: That would have been like when Brenda found the journal

460
00:23:19,040 --> 00:23:22,679
Speaker 2: and all y'all were playing the characters exactly. So that

461
00:23:22,960 --> 00:23:25,320
Speaker 2: was that. But this is sort of more film noir

462
00:23:25,400 --> 00:23:27,440
Speaker 2: and I'm supposed to understand it or something, and.

463
00:23:27,400 --> 00:23:31,359
Speaker 1: I'm like, dude, didn't like the spad effect, the tone,

464
00:23:31,480 --> 00:23:33,440
Speaker 1: the black and it was like not black and white,

465
00:23:33,480 --> 00:23:34,560
Speaker 1: it was like cream and white.

466
00:23:34,600 --> 00:23:38,200
Speaker 2: I don't know, right, And then I kind of anyway,

467
00:23:38,280 --> 00:23:40,840
Speaker 2: keep going, I'll just keep being annoyed and annoying everyone.

468
00:23:41,119 --> 00:23:43,520
Speaker 1: Oh yeah, we have our hypnotic trance. We see all

469
00:23:43,560 --> 00:23:47,119
Speaker 1: of the Billy, the Billy, the what Billy McCoy. First

470
00:23:47,160 --> 00:23:47,920
Speaker 1: he's the kid.

471
00:23:47,920 --> 00:23:53,040
Speaker 2: And he's bad, right, Like he's like killing robbing people bad. Yeah,

472
00:23:53,200 --> 00:23:55,760
Speaker 2: out of law. And then I didn't understand is he

473
00:23:55,840 --> 00:23:56,920
Speaker 2: in love with that woman in the.

474
00:23:57,440 --> 00:24:00,840
Speaker 1: Yeah he beds down with the saloon singer.

475
00:24:01,720 --> 00:24:04,320
Speaker 3: But you know at that point that doesn't see amount

476
00:24:04,320 --> 00:24:09,840
Speaker 3: of character that happens with previously.

477
00:24:09,960 --> 00:24:14,720
Speaker 2: Yeah, I do have respect for the Old West underwear lingerie,

478
00:24:15,040 --> 00:24:17,040
Speaker 2: like that was cute to wearing her like Bloomers.

479
00:24:17,160 --> 00:24:20,320
Speaker 1: I was really cute, but she was I want to

480
00:24:20,359 --> 00:24:22,720
Speaker 1: say she was a panter. Did you guys notice she

481
00:24:22,800 --> 00:24:26,399
Speaker 1: was a hardcore heavy breather after sex, like really couldn't

482
00:24:26,400 --> 00:24:31,200
Speaker 1: catch your breath. After that session, Billy McCoy must be good.

483
00:24:31,840 --> 00:24:33,000
Speaker 3: I was like, who are you?

484
00:24:33,160 --> 00:24:35,600
Speaker 2: That was my problem. I'm like, okay, this is meaning

485
00:24:36,240 --> 00:24:41,760
Speaker 2: it's going to be nothing. Who are you? Yeah?

486
00:24:41,960 --> 00:24:44,560
Speaker 3: They do that all the time, you guys. It be someone.

487
00:24:44,600 --> 00:24:46,960
Speaker 3: We're like, okay, like when they went to Mexico, like,

488
00:24:47,240 --> 00:24:48,159
Speaker 3: is that supposed to be so?

489
00:24:48,280 --> 00:24:48,800
Speaker 1: And it's not.

490
00:24:49,359 --> 00:24:50,679
Speaker 3: It's not even a red harring.

491
00:24:50,680 --> 00:24:52,200
Speaker 1: It's just said.

492
00:24:52,040 --> 00:24:55,760
Speaker 2: Hairing good word. It would have been like, okay, pretend

493
00:24:55,800 --> 00:24:57,720
Speaker 2: that was the law. Like I would have loved it

494
00:24:57,760 --> 00:25:01,320
Speaker 2: if that was Brenda Walshes. Yes, great great great great

495
00:25:01,359 --> 00:25:03,879
Speaker 2: great great grandmother. And it was like, oh my god,

496
00:25:04,000 --> 00:25:06,280
Speaker 2: oh my, it was what I was waiting for.

497
00:25:06,400 --> 00:25:07,240
Speaker 3: And that wasn't it.

498
00:25:07,480 --> 00:25:11,080
Speaker 1: There was no tie And I'm sorry, Yeah, I feel

499
00:25:11,160 --> 00:25:14,400
Speaker 1: somehow responsible I was in it.

500
00:25:14,480 --> 00:25:17,080
Speaker 2: Yeah, but you're significant at least, like, at least I

501
00:25:17,160 --> 00:25:21,680
Speaker 2: understand the meaning of having whoever really there, whatever your

502
00:25:21,760 --> 00:25:24,800
Speaker 2: old West name was, Did I have a name?

503
00:25:24,920 --> 00:25:25,600
Speaker 1: What I think?

504
00:25:26,200 --> 00:25:26,240
Speaker 4: No?

505
00:25:26,520 --> 00:25:29,600
Speaker 2: Actually, and sort of your love And then that I

506
00:25:29,640 --> 00:25:32,000
Speaker 2: could break down and was anybody having Back to the

507
00:25:32,000 --> 00:25:36,480
Speaker 2: Future three where they're like because they don't like Westerns,

508
00:25:36,560 --> 00:25:39,120
Speaker 2: I love Back to the Future when they weighed number

509
00:25:39,119 --> 00:25:40,320
Speaker 2: three in the Old Old West.

510
00:25:40,320 --> 00:25:41,040
Speaker 3: They lost me.

511
00:25:41,600 --> 00:25:46,480
Speaker 2: I was so kind of yeah, it's the same problems

512
00:25:46,480 --> 00:25:48,119
Speaker 2: I have with Back to Future three.

513
00:25:48,720 --> 00:25:51,119
Speaker 1: But I love all of the horses in the in

514
00:25:51,160 --> 00:25:54,320
Speaker 1: the I love the costumes because I say, appreciate like

515
00:25:54,359 --> 00:25:57,240
Speaker 1: all the work that went into them, and by the

516
00:25:57,240 --> 00:25:59,359
Speaker 1: whole crew. They all had to pivot on such a

517
00:25:59,359 --> 00:26:02,920
Speaker 1: hard dime about Wait, what are we doing this week

518
00:26:02,960 --> 00:26:03,480
Speaker 1: in the show?

519
00:26:03,720 --> 00:26:05,800
Speaker 2: And we're sure we're not in the.

520
00:26:05,760 --> 00:26:09,359
Speaker 1: Peach bit serving that burger French fries. I don't know

521
00:26:09,400 --> 00:26:09,880
Speaker 1: what to do.

522
00:26:10,840 --> 00:26:13,840
Speaker 3: I'm hungry. Wait, they were probably all psyched, right jan

523
00:26:14,040 --> 00:26:18,320
Speaker 3: like you know, you know you was a little excited

524
00:26:18,359 --> 00:26:20,080
Speaker 3: when you got released from Van Eys.

525
00:26:20,119 --> 00:26:22,359
Speaker 2: So this is it would be nice to be on

526
00:26:22,560 --> 00:26:26,000
Speaker 2: the time in Malbourne. Here's my other annoying thing. It's

527
00:26:26,160 --> 00:26:29,280
Speaker 2: campy Old West, which I'm not a fan of the

528
00:26:29,359 --> 00:26:37,520
Speaker 2: campy Old West, Whereas if you give me realistic Old West.

529
00:26:36,000 --> 00:26:39,040
Speaker 1: Walk the line like I thought it was true, lightly dampy,

530
00:26:39,160 --> 00:26:41,159
Speaker 1: but it tried to be serious and I wish it

531
00:26:41,200 --> 00:26:42,880
Speaker 1: would have gone in one direction to the other.

532
00:26:43,160 --> 00:26:46,480
Speaker 3: Fair fair point, do not tell Jason that you thought

533
00:26:46,480 --> 00:26:50,240
Speaker 3: it was campy and not realistic. He doesn't like camp.

534
00:26:51,160 --> 00:26:53,760
Speaker 1: Oh, what do you mean that he's he's so campy

535
00:26:53,920 --> 00:27:01,000
Speaker 1: his genre directing our show like he does all.

536
00:26:57,800 --> 00:27:03,480
Speaker 2: The Yeah, yeah, I feel like he loves camp.

537
00:27:04,000 --> 00:27:06,240
Speaker 3: I don't know if he would call it that word.

538
00:27:06,320 --> 00:27:08,240
Speaker 3: I'm trying to think the word he would call it.

539
00:27:10,440 --> 00:27:12,520
Speaker 3: I don't know, but those ready.

540
00:27:12,640 --> 00:27:15,679
Speaker 2: Like almost bugs bunny to come out, like.

541
00:27:17,320 --> 00:27:20,840
Speaker 1: The energy that he always brought in with his quote

542
00:27:20,920 --> 00:27:24,960
Speaker 1: unquote campiness are our term, not anyone else's. But it

543
00:27:25,080 --> 00:27:28,760
Speaker 1: was fun like he brought in a fun lighting, an

544
00:27:28,920 --> 00:27:32,520
Speaker 1: energy that. Yeah, but I didn't feel that in this

545
00:27:32,600 --> 00:27:36,520
Speaker 1: episode that I was confused saying it wasn't didn't feel

546
00:27:36,520 --> 00:27:37,520
Speaker 1: like a brand.

547
00:27:37,520 --> 00:27:40,879
Speaker 3: I don't know what was going for that I was.

548
00:27:41,880 --> 00:27:45,080
Speaker 2: I'm like, I don't understand. And then I'm supposed to

549
00:27:45,119 --> 00:27:50,920
Speaker 2: like lou is this McCoy guy, and then there's this

550
00:27:51,040 --> 00:27:53,439
Speaker 2: partner who I'm like, who is that?

551
00:27:55,359 --> 00:27:55,439
Speaker 1: Like?

552
00:27:55,520 --> 00:27:59,640
Speaker 2: Why anyway, I'll shut up because I could talk about

553
00:27:59,640 --> 00:28:01,320
Speaker 2: this all the time because I'm so.

554
00:28:01,960 --> 00:28:03,959
Speaker 3: This is a podcast. The three of the do not

555
00:28:04,040 --> 00:28:04,840
Speaker 3: shut up.

556
00:28:05,920 --> 00:28:07,600
Speaker 2: I keep going because I just all right.

557
00:28:07,560 --> 00:28:10,359
Speaker 1: So we come back from I guess that's our first

558
00:28:10,520 --> 00:28:11,600
Speaker 1: flashy back thing.

559
00:28:11,880 --> 00:28:16,199
Speaker 2: Hypnotic Trance Rights when you're in the in the covered wagon.

560
00:28:16,240 --> 00:28:17,080
Speaker 2: I don't know what it is.

561
00:28:17,359 --> 00:28:21,359
Speaker 1: We come back from that teach pit where everything's normal again.

562
00:28:21,960 --> 00:28:26,400
Speaker 1: Briton is there talking about his campaign, and Charlie tells

563
00:28:26,480 --> 00:28:29,040
Speaker 1: Valerie how real the regression therapy is.

564
00:28:31,760 --> 00:28:32,760
Speaker 2: Are you in New York? Get?

565
00:28:33,800 --> 00:28:36,560
Speaker 1: No, not there yet. Billan tells Valerie, we're going to

566
00:28:36,640 --> 00:28:41,000
Speaker 1: Dylantown now. Dylan tells Valerie and Charlie that his regression

567
00:28:41,680 --> 00:28:44,640
Speaker 1: has made him realize that he was going to hell

568
00:28:44,960 --> 00:28:48,800
Speaker 1: until Kelly Taylor come along, came along that, Yeah, that's

569
00:28:48,840 --> 00:28:55,520
Speaker 1: a pretty big statement. Yeah, that's love, you guys. Charlie

570
00:28:55,520 --> 00:28:57,800
Speaker 1: tells him that Dylan and Kelly have a seminal link

571
00:28:58,320 --> 00:29:02,640
Speaker 1: and they are soulmates for life, because Charlie says, trust

572
00:29:02,640 --> 00:29:04,880
Speaker 1: that guy. Okay, go to the wall.

573
00:29:05,160 --> 00:29:07,680
Speaker 3: What seminal means, you guys, because I don't like the

574
00:29:07,720 --> 00:29:08,120
Speaker 3: sound of it.

575
00:29:08,160 --> 00:29:08,840
Speaker 1: But what does it mean?

576
00:29:11,040 --> 00:29:14,320
Speaker 2: Yeah? Or beyond above significant?

577
00:29:15,280 --> 00:29:18,400
Speaker 1: Like very importante, the importante.

578
00:29:18,640 --> 00:29:25,320
Speaker 3: Yeah, you guys are my seminal friends. That works just

579
00:29:25,360 --> 00:29:26,000
Speaker 3: sounds gross.

580
00:29:26,080 --> 00:29:29,680
Speaker 1: Okay, move on, what because it sounds a little bit

581
00:29:29,720 --> 00:29:31,880
Speaker 1: like semen? Is that where your mind is going?

582
00:29:32,320 --> 00:29:34,480
Speaker 3: Obviously? You know where my mind always goes?

583
00:29:35,760 --> 00:29:51,960
Speaker 1: Okay, while Charles Valery asks Brandon in this is she's

584
00:29:52,000 --> 00:29:56,200
Speaker 1: smoking pot, right, This girl is crazy. She's smoking pot

585
00:29:56,240 --> 00:29:58,880
Speaker 1: thro the window. She thinks that death doesn't stink up

586
00:29:58,880 --> 00:30:02,800
Speaker 1: the entire house. I'm hard to tell you it does.

587
00:30:03,320 --> 00:30:05,760
Speaker 2: Is this the you've never touched me? Conversation?

588
00:30:06,280 --> 00:30:06,720
Speaker 4: Yeah?

589
00:30:07,040 --> 00:30:10,720
Speaker 2: I can't, I actually cannot.

590
00:30:11,120 --> 00:30:13,280
Speaker 1: They've never touched before? Why?

591
00:30:13,560 --> 00:30:15,200
Speaker 2: I was like, what what?

592
00:30:15,320 --> 00:30:15,400
Speaker 3: Like?

593
00:30:15,480 --> 00:30:16,280
Speaker 2: What like hugged?

594
00:30:16,320 --> 00:30:17,320
Speaker 3: Like you never hugged?

595
00:30:17,360 --> 00:30:19,360
Speaker 1: Like no, she she spells it out. She's like, we

596
00:30:19,440 --> 00:30:24,200
Speaker 1: never even high five. Yeah, it was so weird that

597
00:30:24,560 --> 00:30:27,240
Speaker 1: she wants she wants to touchy, she wants can we

598
00:30:27,360 --> 00:30:31,240
Speaker 1: dispect that? You guys? Why have didn't they touch?

599
00:30:31,840 --> 00:30:36,440
Speaker 3: But first of all, exactly grown up together?

600
00:30:36,640 --> 00:30:36,760
Speaker 4: Oh?

601
00:30:37,120 --> 00:30:41,480
Speaker 1: Sorry, like he just moved in recently. I mean you're

602
00:30:41,520 --> 00:30:44,480
Speaker 1: talking about before. Yeah, they grew up together.

603
00:30:44,640 --> 00:30:49,680
Speaker 3: How many she's supposed to our same age? Correct? Yeah,

604
00:30:49,800 --> 00:30:52,880
Speaker 3: so they're alluding to But okay, so you're telling me

605
00:30:53,080 --> 00:30:56,560
Speaker 3: that Brandon and Valerie when they were young family all

606
00:30:56,600 --> 00:30:58,200
Speaker 3: grew up together, never played doctor.

607
00:30:58,440 --> 00:31:02,960
Speaker 2: Okay, Okay, It's it's just so weird though, Jenny. It's like, okay,

608
00:31:03,600 --> 00:31:06,680
Speaker 2: who says that to someone their friends with? Like, I

609
00:31:06,720 --> 00:31:09,800
Speaker 2: am very very close with your manager, Randy. Can you

610
00:31:09,880 --> 00:31:12,760
Speaker 2: imagine if Randy and I are sitting at lunch and

611
00:31:12,800 --> 00:31:16,400
Speaker 2: I said, you know what, Randy, we've never touched. I

612
00:31:16,440 --> 00:31:17,440
Speaker 2: think he would run out of.

613
00:31:17,440 --> 00:31:19,280
Speaker 3: There so fast. No, he would not.

614
00:31:19,360 --> 00:31:21,000
Speaker 1: You would say, well, let's touch.

615
00:31:24,280 --> 00:31:26,840
Speaker 3: But I can't believe that's the reference.

616
00:31:26,360 --> 00:31:29,440
Speaker 1: You just made. Let me let me get this straight

617
00:31:29,720 --> 00:31:31,120
Speaker 1: and admire at lunch.

618
00:31:32,480 --> 00:31:35,480
Speaker 2: I just for clarity, your hair is looking exactly the

619
00:31:35,480 --> 00:31:36,200
Speaker 2: way it is now.

620
00:31:36,640 --> 00:31:38,800
Speaker 3: And for clarity, Randy, or do you think you're in

621
00:31:38,840 --> 00:31:40,760
Speaker 3: your tank top? You looks great in the top, by

622
00:31:40,760 --> 00:31:43,720
Speaker 3: the way, I'm just saying.

623
00:31:43,800 --> 00:31:46,960
Speaker 2: I actually am. But but we this is this is

624
00:31:47,000 --> 00:31:47,560
Speaker 2: not about me.

625
00:31:48,880 --> 00:31:49,080
Speaker 4: Uh.

626
00:31:49,120 --> 00:31:52,200
Speaker 2: And so we're at lunch, Amy and you reach out

627
00:31:52,280 --> 00:31:57,240
Speaker 2: and touch me. No, I'm just gonna tell you. We've

628
00:31:57,280 --> 00:32:01,520
Speaker 2: been friends for five years and you you've never touched.

629
00:32:01,920 --> 00:32:05,120
Speaker 2: It was so weird and gaggy. I didn't know what

630
00:32:05,200 --> 00:32:08,440
Speaker 2: to do with myself. Yeah.

631
00:32:08,600 --> 00:32:10,040
Speaker 3: I would probably give you.

632
00:32:10,000 --> 00:32:10,680
Speaker 4: A hug at that.

633
00:32:11,200 --> 00:32:13,200
Speaker 2: Yeah, Well that's what brand.

634
00:32:14,280 --> 00:32:15,440
Speaker 3: That's what brand too.

635
00:32:15,600 --> 00:32:18,720
Speaker 2: But if I were branded, and I have a girlfriend

636
00:32:18,840 --> 00:32:23,080
Speaker 2: who I love, and this sort of seductress Charla, I

637
00:32:23,120 --> 00:32:26,120
Speaker 2: happened to have a Jack and Jill bathroom with says to.

638
00:32:26,080 --> 00:32:28,480
Speaker 1: Me, Brandon sees her at that at all that he

639
00:32:28,560 --> 00:32:30,760
Speaker 1: doesn't he's got like blinders on when it comes to

640
00:32:30,800 --> 00:32:31,840
Speaker 1: bew Then.

641
00:32:31,680 --> 00:32:34,640
Speaker 2: It's even weirder that she's like, we've never touched.

642
00:32:34,480 --> 00:32:38,520
Speaker 3: He's not a male, Like, come on, you know he's branded.

643
00:32:39,680 --> 00:32:44,120
Speaker 2: But he'd be like touch where, touch where like and

644
00:32:44,240 --> 00:32:44,480
Speaker 2: they have.

645
00:32:48,600 --> 00:32:55,200
Speaker 3: No God like, literally what this girl is insinuating?

646
00:32:55,400 --> 00:32:57,160
Speaker 2: Like this is why not.

647
00:32:57,680 --> 00:33:00,720
Speaker 1: Insinuating that she wants to be touched on her Yes

648
00:33:00,840 --> 00:33:03,480
Speaker 1: she was Jenny, Yes she was not an invitation.

649
00:33:03,800 --> 00:33:10,240
Speaker 2: Yes, it was what she wanted to hug you guys, Jenny, Jenny.

650
00:33:11,720 --> 00:33:15,360
Speaker 3: If someone called Tiffany right now, if he literally would have.

651
00:33:15,320 --> 00:33:18,000
Speaker 2: Said, do you want me to touch you right now?

652
00:33:18,400 --> 00:33:20,680
Speaker 1: Like, I mean, that's probably what would have actually happened

653
00:33:20,680 --> 00:33:22,520
Speaker 1: in real life, but I don't think.

654
00:33:23,360 --> 00:33:25,200
Speaker 3: Yeah, here is my hot take.

655
00:33:25,800 --> 00:33:28,560
Speaker 2: Everybody can be mad as mad as they are about

656
00:33:28,560 --> 00:33:33,040
Speaker 2: my Andrea should be with Dylan take. Here's my hot

657
00:33:33,040 --> 00:33:38,360
Speaker 2: take about Valerie, not Tiffany. Valerie, she actually has no game.

658
00:33:39,080 --> 00:33:43,920
Speaker 2: She's she's pretty, she's smart, she's clever, but she doesn't

659
00:33:43,920 --> 00:33:48,080
Speaker 2: have game. That's why she's so bad at all of

660
00:33:48,120 --> 00:33:49,560
Speaker 2: these relationships.

661
00:33:49,560 --> 00:33:51,800
Speaker 1: She's oh wait, wait, wait, wait if she had game,

662
00:33:52,200 --> 00:33:54,400
Speaker 1: what you're saying now, if she had game in that moment,

663
00:33:54,560 --> 00:33:56,040
Speaker 1: how would she had handled it differently?

664
00:33:56,320 --> 00:34:00,280
Speaker 2: Way more subtle and accidental bump into it like a

665
00:34:00,320 --> 00:34:06,640
Speaker 2: bronchial bathroom. Oh sorry, you know, leaning over with a

666
00:34:06,680 --> 00:34:11,560
Speaker 2: little bit of a maybe a whatever booby shock cleavan

667
00:34:11,840 --> 00:34:16,560
Speaker 2: something at the dinner to very subtle.

668
00:34:15,640 --> 00:34:18,640
Speaker 3: Him slowly over time, like he doesn't.

669
00:34:18,280 --> 00:34:20,120
Speaker 2: Have game and I stand.

670
00:34:19,800 --> 00:34:21,560
Speaker 3: By me, or in the middle of the night, you

671
00:34:21,600 --> 00:34:25,560
Speaker 3: just slip into the bed, you know, and they don't

672
00:34:25,600 --> 00:34:28,160
Speaker 3: know who it is or where you are, and that

673
00:34:28,200 --> 00:34:31,200
Speaker 3: would be level. So wait when I go back to this,

674
00:34:31,440 --> 00:34:33,480
Speaker 3: I love that you say she doesn't have games. She

675
00:34:33,840 --> 00:34:38,360
Speaker 3: so she plays games very well access but she doesn't

676
00:34:38,480 --> 00:34:42,640
Speaker 3: have game. Well, she's a manipulator, you're right, yeah, right,

677
00:34:42,760 --> 00:34:43,359
Speaker 3: she doesn't have game.

678
00:34:43,440 --> 00:34:45,400
Speaker 1: I agree with you, but I will I would have

679
00:34:45,440 --> 00:34:47,560
Speaker 1: to say that there, she has a lot more game

680
00:34:47,640 --> 00:34:51,200
Speaker 1: than a lot of other people. Like I think people

681
00:34:51,280 --> 00:34:55,040
Speaker 1: watching the show are like, oh man, that's not game.

682
00:34:55,719 --> 00:34:58,520
Speaker 3: But take notes, we've never touched my.

683
00:34:58,560 --> 00:35:01,799
Speaker 2: Take on it is she's just a aggressively forward like

684
00:35:01,840 --> 00:35:04,160
Speaker 2: she doesn't actually have games. She's not mysterious she's not.

685
00:35:04,440 --> 00:35:10,200
Speaker 2: She's not flirty. She's the aggressively forward. Hey, Ray, I'll

686
00:35:10,200 --> 00:35:12,360
Speaker 2: give you a spot at the Peapad if you just

687
00:35:12,920 --> 00:35:14,799
Speaker 2: sleep with me at this weird hotel I live in.

688
00:35:14,840 --> 00:35:16,600
Speaker 3: It's just like, you're right, and then when it doesn't

689
00:35:16,600 --> 00:35:19,200
Speaker 3: go well, she just threatens to take something down in

690
00:35:19,239 --> 00:35:19,720
Speaker 3: your life.

691
00:35:20,239 --> 00:35:21,400
Speaker 2: She doesn't that game.

692
00:35:21,800 --> 00:35:24,319
Speaker 1: She's young, you guys. She's got to grow into her

693
00:35:24,360 --> 00:35:26,879
Speaker 1: game because she's got the brains. She's got the box.

694
00:35:27,000 --> 00:35:28,240
Speaker 2: Yeah, true, true, good.

695
00:35:28,160 --> 00:35:31,600
Speaker 1: Point, She's going to grow into it, make lots of money.

696
00:35:32,120 --> 00:35:35,840
Speaker 2: Okay, she would be served well by just doing nothing

697
00:35:36,080 --> 00:35:39,360
Speaker 2: and just being her smart clever even if she's evil

698
00:35:39,640 --> 00:35:42,840
Speaker 2: and evil genius, she's too weird.

699
00:35:43,239 --> 00:35:46,200
Speaker 3: Can I ask you guys a question, where do you believe?

700
00:35:46,280 --> 00:35:50,760
Speaker 3: If you both had to answer, Valerie Malone is currently

701
00:35:51,000 --> 00:35:52,600
Speaker 3: like what happened?

702
00:35:52,920 --> 00:35:56,319
Speaker 2: Okay, so knowing only what we know, knowing only what

703
00:35:56,320 --> 00:35:59,640
Speaker 2: we know till now, not factoring in the next because

704
00:35:59,680 --> 00:36:01,399
Speaker 2: Jenny is not going to be able to do it right.

705
00:36:01,880 --> 00:36:03,759
Speaker 2: We have to just do it if we only know

706
00:36:03,800 --> 00:36:06,200
Speaker 2: what we know now, because Jenny can't remember what happens

707
00:36:06,200 --> 00:36:09,080
Speaker 2: to her. Okay, good question, Jenny, you go first.

708
00:36:09,560 --> 00:36:14,120
Speaker 1: Oh gosh, she's probably still on the club circuit, like

709
00:36:14,320 --> 00:36:18,600
Speaker 1: promoting clubs in LA and she's just tired out and

710
00:36:19,920 --> 00:36:23,160
Speaker 1: has a house in the hills. Maybe. I don't know, you.

711
00:36:23,160 --> 00:36:25,640
Speaker 3: Don't think maybe she's a madam O.

712
00:36:25,840 --> 00:36:28,520
Speaker 1: See I was gonna say that, but I didn't. I

713
00:36:28,520 --> 00:36:29,680
Speaker 1: don't want to see the worst.

714
00:36:30,120 --> 00:36:32,239
Speaker 2: I think she's running a tech company that at any

715
00:36:32,280 --> 00:36:36,160
Speaker 2: moment is going to have trouble with like tax of Oh,

716
00:36:36,320 --> 00:36:40,160
Speaker 2: like the Bad Blood lady, you know that lady. She's

717
00:36:40,200 --> 00:36:43,279
Speaker 2: like that where she was running a company saying we

718
00:36:43,280 --> 00:36:45,000
Speaker 2: can test your blood with one.

719
00:36:44,840 --> 00:36:46,760
Speaker 3: Draw yea, but really it didn't work.

720
00:36:47,080 --> 00:36:50,640
Speaker 2: She's doing that like she's saying I've got this device

721
00:36:50,680 --> 00:36:53,320
Speaker 2: and it's going to change the world and it doesn't work.

722
00:36:53,600 --> 00:36:59,279
Speaker 3: Well genius, yeah she is. But what about personally in relationships?

723
00:36:59,480 --> 00:36:59,960
Speaker 3: She's single?

724
00:37:00,239 --> 00:37:03,960
Speaker 1: Oh no, she's had three married she wait wait, wait,

725
00:37:04,000 --> 00:37:08,680
Speaker 1: what's wrong with three divorces? There? I mean I'm only

726
00:37:08,880 --> 00:37:14,520
Speaker 1: technical too, but okay, well, you know I think she doesn't.

727
00:37:16,280 --> 00:37:20,839
Speaker 1: She's still they have two divorces. That's the difference, Oh,

728
00:37:20,880 --> 00:37:27,640
Speaker 1: thim or just don't even try. No, she's gonna be easier.

729
00:37:27,960 --> 00:37:31,680
Speaker 2: She's got kids and they're ok. She's definitely got kids,

730
00:37:31,719 --> 00:37:33,440
Speaker 2: and they're all messed up because they're being raised by

731
00:37:33,480 --> 00:37:34,960
Speaker 2: a narcissist.

732
00:37:35,520 --> 00:37:36,759
Speaker 3: Maybe she has one kids.

733
00:37:37,200 --> 00:37:38,879
Speaker 1: I don't want to talk about this anymore. We got

734
00:37:38,880 --> 00:37:42,080
Speaker 1: to get back to the show. Okay, come on, the

735
00:37:42,120 --> 00:37:45,000
Speaker 1: people that love Valley are going to hate this episode. Okay,

736
00:37:45,120 --> 00:37:48,120
Speaker 1: so we uh we see them hug and it's really weird.

737
00:37:48,440 --> 00:37:49,800
Speaker 2: We go to the beach, weird.

738
00:37:50,160 --> 00:37:55,480
Speaker 1: Claire and David are excited to go with Donna Bowling,

739
00:37:55,600 --> 00:37:56,919
Speaker 1: but then they see that raise going.

740
00:37:57,120 --> 00:37:58,480
Speaker 2: That was a good scene.

741
00:37:58,600 --> 00:37:59,960
Speaker 1: I liked it you too.

742
00:38:00,400 --> 00:38:03,160
Speaker 2: That was a good scene because you were cute, Tory

743
00:38:03,719 --> 00:38:06,680
Speaker 2: and you were kind of not getting it and Ray

744
00:38:06,840 --> 00:38:11,120
Speaker 2: gets it. And I respect David and Claire for being like,

745
00:38:11,160 --> 00:38:13,920
Speaker 2: we got Betsy's That was a good scene.

746
00:38:14,640 --> 00:38:17,120
Speaker 1: Yeah, he goes, I don't even know anybody named Betsy.

747
00:38:17,920 --> 00:38:21,440
Speaker 2: Claire is a good fake actor because at first, when

748
00:38:21,440 --> 00:38:24,080
Speaker 2: she's like, oh, what about the surprise, buddy, we gotta go,

749
00:38:24,360 --> 00:38:26,120
Speaker 2: it wasn't It was good fake acting.

750
00:38:26,840 --> 00:38:29,080
Speaker 3: Wait, that voice was amazing. I've never heard you do

751
00:38:29,200 --> 00:38:31,640
Speaker 3: that voice.

752
00:38:33,200 --> 00:38:35,239
Speaker 1: That was a good scene. We're gonna go to New

753
00:38:35,320 --> 00:38:38,440
Speaker 1: York City now with the world's worst backdrop of New

754
00:38:38,520 --> 00:38:40,879
Speaker 1: York City if you noticed in the background, I've never

755
00:38:41,000 --> 00:38:45,400
Speaker 1: seen a worse backdrop. What's that called the backdrop? Is

756
00:38:45,400 --> 00:38:48,399
Speaker 1: it called a backdrop? M yeah, it's got something else,

757
00:38:48,480 --> 00:38:51,360
Speaker 1: you know, that thing they put out besides, like you know,

758
00:38:51,400 --> 00:38:54,359
Speaker 1: when you have a set and like on trends, when

759
00:38:54,640 --> 00:38:58,360
Speaker 1: they look out onto the naked neighbors house, that's not

760
00:38:58,520 --> 00:39:04,319
Speaker 1: real that that's a screen scrim the screen scrim. No,

761
00:39:04,640 --> 00:39:08,480
Speaker 1: I don't know. Anyways, it was terrible. It looked like

762
00:39:08,920 --> 00:39:10,799
Speaker 1: right out of like like what they do outside our

763
00:39:10,800 --> 00:39:13,560
Speaker 1: beach apartment. And then she pulls something down that yes,

764
00:39:13,640 --> 00:39:21,640
Speaker 1: they pull down exactly. So what happens next, Let's see,

765
00:39:21,719 --> 00:39:25,960
Speaker 1: let's see, let's see Kelly, Kelly and Steve come back.

766
00:39:26,040 --> 00:39:30,680
Speaker 1: Kelly finds out she's got a million messages from Dylan.

767
00:39:32,239 --> 00:39:35,160
Speaker 2: And uh oh, that was unhinged.

768
00:39:35,239 --> 00:39:38,360
Speaker 1: It was so odd her reaction to all the messages.

769
00:39:38,400 --> 00:39:40,560
Speaker 1: And then Steve says, you guys, don't have anything going.

770
00:39:40,560 --> 00:39:42,480
Speaker 1: You don't have anything going with this guy again, do you?

771
00:39:42,880 --> 00:39:44,759
Speaker 1: And she says no, and then she gets in the

772
00:39:44,800 --> 00:39:47,279
Speaker 1: weirdest little look. And I'm not sure what that looked meant,

773
00:39:47,400 --> 00:39:52,840
Speaker 1: because it looked very like conniving or almost like something

774
00:39:53,760 --> 00:39:56,080
Speaker 1: I don't know it was weird. Well, I can't help it.

775
00:39:56,080 --> 00:39:58,279
Speaker 3: It just comes out on your face because you're in

776
00:39:58,320 --> 00:39:59,080
Speaker 3: love with him.

777
00:39:59,080 --> 00:39:59,319
Speaker 4: Sorry.

778
00:39:59,400 --> 00:40:02,440
Speaker 2: I agree with Toy because I think we needed that

779
00:40:02,520 --> 00:40:05,719
Speaker 2: look so that at the end of the episode it

780
00:40:06,000 --> 00:40:09,040
Speaker 2: tracked a little bit more than instead of Kelly being like, bro,

781
00:40:09,280 --> 00:40:11,920
Speaker 2: what are you doing? You know like that. So I

782
00:40:12,000 --> 00:40:14,879
Speaker 2: felt like some of that was intentional and that you're

783
00:40:14,880 --> 00:40:18,160
Speaker 2: not like you're not even bothered by the twenty messages

784
00:40:18,719 --> 00:40:20,600
Speaker 2: or that he's like, call me right when you get home,

785
00:40:20,640 --> 00:40:24,080
Speaker 2: like it's all seems very normal to you, whereas in

786
00:40:24,120 --> 00:40:26,719
Speaker 2: reality a person would be like, why is my ex

787
00:40:26,800 --> 00:40:28,799
Speaker 2: boyfriend leaving twenty messages here?

788
00:40:29,760 --> 00:40:29,840
Speaker 4: No?

789
00:40:29,920 --> 00:40:34,400
Speaker 1: Because they still love each other, correct, I mean there's.

790
00:40:34,280 --> 00:40:36,920
Speaker 3: People that being a good friend to Brandon, he doesn't

791
00:40:36,920 --> 00:40:40,520
Speaker 3: give a oh. He just he's like, oh, well, I'm

792
00:40:40,600 --> 00:40:42,399
Speaker 3: still jealous because I'm still in love with her.

793
00:40:42,560 --> 00:40:44,640
Speaker 2: Dylan is a terrible friend to Brandon in love with

794
00:40:44,719 --> 00:40:48,200
Speaker 2: Kelly Taylor, yes, And they're terrible friends and terrible friends

795
00:40:48,239 --> 00:40:50,680
Speaker 2: to each other. And I hate to say Kelly's not

796
00:40:50,760 --> 00:40:51,440
Speaker 2: a good girlfriend.

797
00:40:51,960 --> 00:40:54,080
Speaker 1: No, she's not being very She just can never be

798
00:40:54,160 --> 00:40:57,040
Speaker 1: a good girlfriend. I think ever since the fire, I'm

799
00:40:57,040 --> 00:41:00,960
Speaker 1: gonna just say this. Ever since the fire, things have

800
00:41:01,080 --> 00:41:05,960
Speaker 1: changed for Kelly, But look at how she grew up, Like,

801
00:41:06,440 --> 00:41:09,760
Speaker 1: I mean, she was not I mean.

802
00:41:09,760 --> 00:41:12,040
Speaker 3: She was kissing a lot in her heart.

803
00:41:12,360 --> 00:41:16,560
Speaker 2: Yeah, she was kissing Dylan in the pool when Brenda

804
00:41:16,600 --> 00:41:20,040
Speaker 2: was away, and I understand it was a little fuzzier,

805
00:41:20,280 --> 00:41:23,400
Speaker 2: but it wasn't that fuzzy.

806
00:41:23,560 --> 00:41:26,920
Speaker 3: She's a great She's a really good person. She's conflicted,

807
00:41:27,000 --> 00:41:30,200
Speaker 3: and I understand, like, oh, to have these like great gut,

808
00:41:30,480 --> 00:41:33,040
Speaker 3: oh my god, I'm not having to. I mean they're

809
00:41:33,120 --> 00:41:36,360
Speaker 3: kind of great, like you can't lose either way, Dylan

810
00:41:36,480 --> 00:41:39,600
Speaker 3: or Branded. I mean, theoretically they're great.

811
00:41:39,840 --> 00:41:42,799
Speaker 1: They're theoretically they're great, but we've all seen them have

812
00:41:43,360 --> 00:41:48,239
Speaker 1: they're not so great qualities true on the show. I'm

813
00:41:48,280 --> 00:41:51,040
Speaker 1: just talking about like, yeah, watching them go, you know,

814
00:41:51,160 --> 00:41:54,279
Speaker 1: do make their decisions. I feel like she's kind of

815
00:41:54,280 --> 00:41:56,520
Speaker 1: in that same place right now too. But that's where

816
00:41:56,719 --> 00:41:59,400
Speaker 1: people are when they're young, like that, they make mistakes,

817
00:41:59,440 --> 00:42:01,080
Speaker 1: they have to they have to learn from.

818
00:42:01,000 --> 00:42:02,640
Speaker 3: Them when they're young.

819
00:42:03,480 --> 00:42:03,719
Speaker 4: Cool.

820
00:42:05,320 --> 00:42:12,040
Speaker 1: Okay, let's continue fourth, shall we. Brandon is back at

821
00:42:12,080 --> 00:42:16,880
Speaker 1: the CEO there, back again in the college turmoil. I

822
00:42:16,920 --> 00:42:19,880
Speaker 1: mean that was weird. This whole thing is just weird,

823
00:42:20,360 --> 00:42:25,440
Speaker 1: and because of the tuition increases. Janie tells him that

824
00:42:25,520 --> 00:42:27,640
Speaker 1: his chances of getting re elected or low, I mean

825
00:42:27,719 --> 00:42:30,799
Speaker 1: chance of any of us caring are very very very low.

826
00:42:30,760 --> 00:42:34,600
Speaker 2: Very low. And also, what student body president wouldn't get

827
00:42:34,600 --> 00:42:41,680
Speaker 2: elected because something like the Capitol Sacramento was raising the taxes?

828
00:42:41,920 --> 00:42:45,239
Speaker 1: Who was governor Brandon's supposed to jump in and.

829
00:42:45,280 --> 00:42:50,880
Speaker 2: Have controlling this? Oh yeah, who was the governor of

830
00:42:50,920 --> 00:42:53,240
Speaker 2: California in are we in ninety five?

831
00:42:54,120 --> 00:42:56,800
Speaker 1: It doesn't really matter because Valerie steps in and tells Branda,

832
00:42:56,880 --> 00:42:59,200
Speaker 1: but she would love to help him with his campaign.

833
00:43:00,880 --> 00:43:03,480
Speaker 3: People help him.

834
00:43:03,760 --> 00:43:05,320
Speaker 1: She would really love to touch his candid.

835
00:43:05,360 --> 00:43:08,120
Speaker 3: Yeah, that was weird, Bill him is what I heard?

836
00:43:09,320 --> 00:43:13,680
Speaker 2: That was so weird too, Like huh huh.

837
00:43:18,040 --> 00:43:20,480
Speaker 3: Tially, he's not going to move on you guys. I

838
00:43:20,520 --> 00:43:22,960
Speaker 3: hate the storyline so much. I don't want to continue.

839
00:43:23,239 --> 00:43:25,120
Speaker 2: I'm believing it. And Pete Wilson was the king.

840
00:43:25,239 --> 00:43:28,799
Speaker 1: You don't want to talk about the cu presidency at all.

841
00:43:29,560 --> 00:43:31,520
Speaker 1: I don't ever want to hear you say the word

842
00:43:31,680 --> 00:43:34,640
Speaker 1: see you again. I can't believe he did that. It's

843
00:43:34,719 --> 00:43:37,560
Speaker 1: just it's all of it, really triggers me.

844
00:43:37,760 --> 00:43:41,120
Speaker 2: Out of nowhere. The guy who gave him the cake

845
00:43:42,280 --> 00:43:44,840
Speaker 2: was a rite in candidate and is now president.

846
00:43:46,520 --> 00:43:49,279
Speaker 1: That's not not out of nowhere. That's that's that's the

847
00:43:49,280 --> 00:43:52,440
Speaker 1: guy that's been his like sort of competitor all along.

848
00:43:52,600 --> 00:43:55,960
Speaker 2: Isn't it because that many people were watching the cable

849
00:43:57,680 --> 00:44:01,880
Speaker 2: college television station that they became fully informed of the

850
00:44:01,920 --> 00:44:05,200
Speaker 2: tuition hike and they changed their vote.

851
00:44:05,960 --> 00:44:09,560
Speaker 3: At the cu No, they all were watching their TV

852
00:44:09,640 --> 00:44:11,719
Speaker 3: from their couch and then they all started talking, went

853
00:44:11,760 --> 00:44:14,080
Speaker 3: to the kitchen, got snacks and drinks during that scene,

854
00:44:14,080 --> 00:44:16,200
Speaker 3: and then came back. That's what happened.

855
00:44:16,320 --> 00:44:18,720
Speaker 1: No, that's what you did when you were watching the show.

856
00:44:19,200 --> 00:44:21,719
Speaker 2: That whole storyline was so. And then fast forward and

857
00:44:22,120 --> 00:44:25,359
Speaker 2: so the weird party, the whole thing.

858
00:44:37,920 --> 00:44:40,720
Speaker 1: Here we go back to Dylan's house, where Dylan begs

859
00:44:40,760 --> 00:44:43,799
Speaker 1: Mollie to take him back in time because he wants

860
00:44:43,840 --> 00:44:48,000
Speaker 1: to find out what happened between him and old West.

861
00:44:48,080 --> 00:44:52,480
Speaker 2: Kelly, I also have a flag on this. Have you

862
00:44:52,600 --> 00:44:54,960
Speaker 2: ever had a dream that you love You're like, oh

863
00:44:55,000 --> 00:44:57,320
Speaker 2: my god, I'm making out with Patrick Dempsey in my dream,

864
00:44:57,560 --> 00:44:59,040
Speaker 2: and you're like, I need to fall back asleep and

865
00:44:59,080 --> 00:45:00,720
Speaker 2: continue that never happened.

866
00:45:01,120 --> 00:45:05,080
Speaker 3: Never, But let's talk about that later because I'm intrigued

867
00:45:06,680 --> 00:45:08,800
Speaker 3: and you know, fall back asleep, and now.

868
00:45:08,680 --> 00:45:11,839
Speaker 1: He's try and go back to the same This isn't

869
00:45:11,840 --> 00:45:16,760
Speaker 1: a dream, This isn't a dream, this is no fair, correct.

870
00:45:16,600 --> 00:45:18,800
Speaker 3: Right, so he can easily go back. He just pays

871
00:45:18,840 --> 00:45:19,879
Speaker 3: her more and goes back.

872
00:45:19,960 --> 00:45:21,640
Speaker 2: Cool, So we go back to.

873
00:45:23,640 --> 00:45:28,040
Speaker 1: Cowboy. Yeah, nice sign up. Dylan sees himself at church

874
00:45:28,080 --> 00:45:31,319
Speaker 1: with Kelly on your tap. A bad guy comes to

875
00:45:31,360 --> 00:45:33,839
Speaker 1: tell Billy that Dixie is in trouble and he needs

876
00:45:33,880 --> 00:45:38,319
Speaker 1: to save her. So Billy McCoy goes to save the

877
00:45:38,400 --> 00:45:39,400
Speaker 1: saloon singer.

878
00:45:39,440 --> 00:45:41,360
Speaker 2: But he had a new name. You called him like

879
00:45:41,440 --> 00:45:42,880
Speaker 2: Sebastopol or something.

880
00:45:43,840 --> 00:45:47,200
Speaker 3: What I remember this, yeah, Sebastian.

881
00:45:46,760 --> 00:45:47,799
Speaker 2: So I don't remember that.

882
00:45:47,840 --> 00:45:48,839
Speaker 1: Why did she change his name?

883
00:45:49,200 --> 00:45:51,600
Speaker 2: Because he was he was trying to change his identity.

884
00:45:51,600 --> 00:45:54,600
Speaker 2: He didn't want to be gunsling and Billy McCoy so

885
00:45:54,800 --> 00:45:56,640
Speaker 2: I can't remember exactly what you called him, but it

886
00:45:56,680 --> 00:46:00,480
Speaker 2: was weird, and it was something like sebast to some thing.

887
00:46:00,600 --> 00:46:01,719
Speaker 3: We didn't want to be called.

888
00:46:02,120 --> 00:46:05,760
Speaker 1: And you cann't understand because of this, well, you couldn't understand.

889
00:46:06,080 --> 00:46:12,120
Speaker 1: My old West accent.

890
00:46:10,600 --> 00:46:13,200
Speaker 2: Had a little bit of a British Old West accent,

891
00:46:15,560 --> 00:46:17,319
Speaker 2: it was.

892
00:46:16,800 --> 00:46:19,879
Speaker 1: And that is messed up, you guys, because they're literally like, yeah,

893
00:46:20,040 --> 00:46:22,160
Speaker 1: just do it with an accent. You're like, wait what,

894
00:46:22,320 --> 00:46:26,319
Speaker 1: I don't know how to do that? O couch try right?

895
00:46:27,680 --> 00:46:30,680
Speaker 3: When you do like feature films, you guys, actress get

896
00:46:30,719 --> 00:46:33,759
Speaker 3: training and dialect coaches. And then they were probably to

897
00:46:33,800 --> 00:46:35,920
Speaker 3: you like they probably didn't put in the script and

898
00:46:36,160 --> 00:46:38,680
Speaker 3: the day of they were like, hey, by the way, Ken,

899
00:46:38,800 --> 00:46:45,640
Speaker 3: just do an old you bought this god two.

900
00:46:45,640 --> 00:46:49,239
Speaker 1: Kids and the boys were adorable by the way, the

901
00:46:49,280 --> 00:46:49,920
Speaker 1: little boys.

902
00:46:50,200 --> 00:46:53,680
Speaker 2: You know how the young kids say it's giving, it's giving.

903
00:46:54,080 --> 00:46:57,680
Speaker 2: It was really giving back to the future three for me,

904
00:46:57,960 --> 00:47:00,719
Speaker 2: like a lot of future out.

905
00:47:02,719 --> 00:47:05,880
Speaker 1: So Dylan eventually tells Mollie that his mom took him

906
00:47:05,920 --> 00:47:10,080
Speaker 1: to a poem reader once who told him he wasn't

907
00:47:10,080 --> 00:47:11,200
Speaker 1: gonna live long.

908
00:47:11,520 --> 00:47:13,000
Speaker 2: That was uncomfortable too.

909
00:47:13,760 --> 00:47:17,000
Speaker 1: Yeah, this whole part was uncomfortable and emotional because I

910
00:47:17,040 --> 00:47:19,600
Speaker 1: they why do they keep doing this? It doesn't keep

911
00:47:19,600 --> 00:47:23,440
Speaker 1: happening with any other character, but there's something about this

912
00:47:23,640 --> 00:47:27,120
Speaker 1: Dylan character that they keep writing these like near death

913
00:47:27,160 --> 00:47:32,040
Speaker 1: experiences or premonitions, and it's so hard to watch Like

914
00:47:32,160 --> 00:47:34,239
Speaker 1: I never even realized, did you tour that like we

915
00:47:34,280 --> 00:47:38,480
Speaker 1: would that we would be watching this and like just

916
00:47:38,600 --> 00:47:43,399
Speaker 1: suddenly like yeah, because he's crazy.

917
00:47:43,840 --> 00:47:47,239
Speaker 3: It's like we have to keep living through something that

918
00:47:47,520 --> 00:47:49,480
Speaker 3: we didn't want to have to live through and we

919
00:47:49,560 --> 00:47:50,239
Speaker 3: had to, and.

920
00:47:50,200 --> 00:47:55,200
Speaker 1: Like, yeah, it's awful. It's like a weird I don't

921
00:47:55,239 --> 00:47:57,400
Speaker 1: know what what why is this happening?

922
00:47:58,160 --> 00:48:01,960
Speaker 2: Well at the time, it probably didn't seem noticeable, but

923
00:48:02,160 --> 00:48:03,080
Speaker 2: now it's all that.

924
00:48:03,360 --> 00:48:06,120
Speaker 3: Yeah, when you rewatch it and you're just multiple times

925
00:48:06,160 --> 00:48:11,200
Speaker 3: though it keeps happening, it's really strange.

926
00:48:11,680 --> 00:48:19,279
Speaker 1: Yeah. AnyWho, that was therapy needed after that episode. But

927
00:48:21,160 --> 00:48:24,440
Speaker 1: back at the Pea Pad, this is this the party.

928
00:48:24,640 --> 00:48:29,520
Speaker 1: This is the party where nobody's party waw party, even

929
00:48:29,600 --> 00:48:31,360
Speaker 1: Jim and Cindy are gluming.

930
00:48:31,920 --> 00:48:35,960
Speaker 2: Oh and Jim's random storyline about his work that was

931
00:48:36,000 --> 00:48:38,120
Speaker 2: also hard to follow that, you know, I.

932
00:48:38,160 --> 00:48:41,279
Speaker 1: Was like, wait, what's happening there? Bring about something and.

933
00:48:41,239 --> 00:48:43,960
Speaker 2: It's all setting us up for their departure. But it's

934
00:48:44,000 --> 00:48:46,600
Speaker 2: like he's weird, he's got work proms, he wasn't included

935
00:48:46,600 --> 00:48:47,600
Speaker 2: in a meeting.

936
00:48:47,760 --> 00:48:49,880
Speaker 1: And it was like a double banger too, because we

937
00:48:49,880 --> 00:48:53,280
Speaker 1: were getting warned about their upcoming departure, and we're getting

938
00:48:53,320 --> 00:48:57,719
Speaker 1: like information about Andre and upcoming departure.

939
00:48:58,000 --> 00:49:01,600
Speaker 2: So there's trouble as a f at Jim's work. He's

940
00:49:01,600 --> 00:49:04,440
Speaker 2: not included in the big meetings and he almost resigned

941
00:49:04,520 --> 00:49:05,040
Speaker 2: and it's.

942
00:49:04,880 --> 00:49:07,359
Speaker 1: Just like what and you know what, it's given him

943
00:49:07,360 --> 00:49:08,000
Speaker 1: a headache.

944
00:49:08,200 --> 00:49:11,440
Speaker 2: It's giving him a splitting Did she say he has

945
00:49:11,480 --> 00:49:12,680
Speaker 2: a splitting headache?

946
00:49:12,920 --> 00:49:17,279
Speaker 3: Wait? In one false swoop they take away four main characters.

947
00:49:17,280 --> 00:49:21,120
Speaker 1: Correct. At the end of the season, yes, wow, three

948
00:49:21,280 --> 00:49:22,600
Speaker 1: ogs like.

949
00:49:22,920 --> 00:49:29,880
Speaker 2: Yes, and we learned that Hungaria's dude can't we're moving forward.

950
00:49:29,920 --> 00:49:31,360
Speaker 1: I feel like I don't know what's happening.

951
00:49:31,880 --> 00:49:35,160
Speaker 2: Is this where we learn about Yale? Is this where

952
00:49:35,160 --> 00:49:36,520
Speaker 2: we get the Yale info? Two?

953
00:49:36,719 --> 00:49:40,560
Speaker 1: Yes, Yale, that they're going to go off to Yale? Probably,

954
00:49:41,600 --> 00:49:44,279
Speaker 1: But Brandon's really bummed that he lost the election, rightly so,

955
00:49:44,880 --> 00:49:46,680
Speaker 1: because he loves wearing those suits.

956
00:49:46,719 --> 00:49:49,160
Speaker 3: I don't know where he's gonna wear those now. I

957
00:49:49,160 --> 00:49:53,279
Speaker 3: hope he retires. That was like someone to buy them

958
00:49:53,280 --> 00:49:53,880
Speaker 3: on eBay.

959
00:49:54,200 --> 00:49:59,319
Speaker 1: That suit was like that like boxy oh, like from

960
00:49:59,360 --> 00:50:02,839
Speaker 1: the Mask you know that movie you carry That's such

961
00:50:02,840 --> 00:50:03,360
Speaker 1: a great.

962
00:50:04,400 --> 00:50:06,240
Speaker 2: Oh my god, Jenny, that's so accurate.

963
00:50:06,440 --> 00:50:07,560
Speaker 1: I don't know what that era was.

964
00:50:08,120 --> 00:50:11,440
Speaker 2: That's so accurate. I feel like that oversized suit is

965
00:50:11,480 --> 00:50:14,840
Speaker 2: coming back. Justin Timberlake's been wearing like a suit that

966
00:50:14,920 --> 00:50:18,120
Speaker 2: seems three sizes too big, and I noticed that's sort

967
00:50:18,160 --> 00:50:18,720
Speaker 2: of around.

968
00:50:19,840 --> 00:50:20,080
Speaker 4: Well.

969
00:50:20,160 --> 00:50:22,560
Speaker 1: I think that a lot of people are losing a

970
00:50:22,600 --> 00:50:25,880
Speaker 1: lot of weight, so everything looks big up, especially suits.

971
00:50:26,200 --> 00:50:29,040
Speaker 3: It's one of those fashion trends that it's this era

972
00:50:29,280 --> 00:50:30,000
Speaker 3: of the nineties.

973
00:50:30,080 --> 00:50:34,520
Speaker 1: I'm like, yeah, I do enjoy that, Like the thin

974
00:50:34,560 --> 00:50:36,839
Speaker 1: eyebrows that all the girls are having. No, I kind

975
00:50:36,880 --> 00:50:37,399
Speaker 1: of like it.

976
00:50:39,040 --> 00:50:42,000
Speaker 3: I like it too, but well, you're okay, but none

977
00:50:42,000 --> 00:50:44,319
Speaker 3: of the rest of us are okay, Like we never

978
00:50:44,360 --> 00:50:45,480
Speaker 3: could come back from it.

979
00:50:45,680 --> 00:50:47,560
Speaker 2: I used to have amazing eyebrows, and now I have

980
00:50:47,680 --> 00:50:48,600
Speaker 2: this because of you.

981
00:50:48,640 --> 00:50:52,360
Speaker 3: Too at you but so mad about it.

982
00:50:52,400 --> 00:50:55,080
Speaker 2: I should show you as a picture of my college eyebrows.

983
00:50:55,320 --> 00:50:55,919
Speaker 1: I want to see.

984
00:50:56,320 --> 00:50:59,120
Speaker 2: You're so much better. I actually just had one because

985
00:50:59,280 --> 00:51:03,000
Speaker 2: it's to pull a picture for someone's fiftieth They're so

986
00:51:03,200 --> 00:51:06,600
Speaker 2: much better your own. No, I had to find a

987
00:51:06,640 --> 00:51:10,160
Speaker 2: picture of my friend Lisa, so look so much better.

988
00:51:10,239 --> 00:51:13,319
Speaker 1: Oh my god, is that you on the left? Yeah,

989
00:51:14,160 --> 00:51:17,319
Speaker 1: you're in the orange yep. Wow. Yeah, those are just

990
00:51:17,320 --> 00:51:18,040
Speaker 1: some good brows.

991
00:51:18,120 --> 00:51:21,600
Speaker 2: Yeah, and then you guys ruined them, like literally, you.

992
00:51:22,280 --> 00:51:25,040
Speaker 3: Dance came back like mine. I had good ones too,

993
00:51:25,040 --> 00:51:28,040
Speaker 3: and I was so ashamed of them, like the first

994
00:51:28,040 --> 00:51:31,480
Speaker 3: couple of seasons, and then the you know, plucking trend.

995
00:51:31,520 --> 00:51:33,440
Speaker 3: I'm told I'm not supposed to say plucking. That's what

996
00:51:33,480 --> 00:51:38,840
Speaker 3: you do to a chicken. The tweezing of them. Mine

997
00:51:38,960 --> 00:51:41,440
Speaker 3: just never came back. That was it done for life.

998
00:51:41,480 --> 00:51:43,799
Speaker 3: I tell my daughters all the time, don't ever touch

999
00:51:43,840 --> 00:51:47,719
Speaker 3: your eyebrows. Yeah, seriously, because it's like the friends, they're

1000
00:51:47,760 --> 00:51:48,319
Speaker 3: going to change.

1001
00:51:48,400 --> 00:51:48,919
Speaker 4: Just keep them.

1002
00:51:49,400 --> 00:51:53,359
Speaker 1: Me too, me too, they have such beautiful eyebrows. Let's

1003
00:51:53,360 --> 00:51:57,680
Speaker 1: see where were we? Kelly uh calls Brandon at the

1004
00:51:57,800 --> 00:51:59,760
Speaker 1: at the pea patch. She calls him and says, Brandon,

1005
00:52:00,280 --> 00:52:03,520
Speaker 1: I'm so sorry. I wasn't there to say. That was

1006
00:52:03,640 --> 00:52:09,160
Speaker 1: so weird you lost the presidency. I'm really tired by.

1007
00:52:08,920 --> 00:52:11,799
Speaker 2: Right, you're literally back at the beach apartment, Like, I'm

1008
00:52:11,840 --> 00:52:16,879
Speaker 2: really tired. I'm jet lagged on your weird cordless phone bye.

1009
00:52:17,120 --> 00:52:19,719
Speaker 3: And then not getting Dylan right now.

1010
00:52:19,800 --> 00:52:23,239
Speaker 2: She has to like knock, knock, knock at a knock

1011
00:52:23,320 --> 00:52:25,760
Speaker 2: and this is this had me shook.

1012
00:52:26,440 --> 00:52:31,080
Speaker 1: H he's been thinking about her a lot, and he

1013
00:52:31,160 --> 00:52:32,799
Speaker 1: looks at her like he wants to eat her.

1014
00:52:33,520 --> 00:52:37,160
Speaker 3: Oh god, I loved this moment. I wanted him to

1015
00:52:37,360 --> 00:52:43,280
Speaker 3: eat you. You pretty much did, and your friend.

1016
00:52:43,560 --> 00:52:45,880
Speaker 1: But I don't understand why they're making out what about

1017
00:52:45,920 --> 00:52:47,400
Speaker 1: Brandon's exactly?

1018
00:52:47,640 --> 00:52:52,239
Speaker 2: Thank you, Jenny. It's so confused, it's so great. It's

1019
00:52:52,280 --> 00:52:53,760
Speaker 2: weird cool.

1020
00:52:54,480 --> 00:52:55,960
Speaker 3: Well to go with things.

1021
00:52:56,120 --> 00:52:58,240
Speaker 1: This is the best, like the great, These are the

1022
00:52:58,239 --> 00:53:00,440
Speaker 1: These are the kind of like end of episode moments

1023
00:53:00,480 --> 00:53:03,160
Speaker 1: that I love about the show where you're like, what

1024
00:53:04,480 --> 00:53:06,759
Speaker 1: is happening? And then you can't wait to watch it again.

1025
00:53:06,840 --> 00:53:08,960
Speaker 2: Well, correct, because it's leading us up to one of

1026
00:53:09,000 --> 00:53:12,240
Speaker 2: the most iconic lines in nine o two one OHO

1027
00:53:12,280 --> 00:53:14,240
Speaker 2: history cracked.

1028
00:53:13,960 --> 00:53:17,799
Speaker 1: Because she is getting real conflicted here. This is I'm

1029
00:53:17,880 --> 00:53:19,480
Speaker 1: not working out for Kelly Taylor.

1030
00:53:19,880 --> 00:53:22,319
Speaker 3: Yeah, well you guys, I think we've got to wrap

1031
00:53:22,360 --> 00:53:23,640
Speaker 3: this up. Amy, your hair's gonna fall.

1032
00:53:23,719 --> 00:53:27,200
Speaker 2: First of all, I don't. I'm gonna go take a shower.

1033
00:53:27,239 --> 00:53:29,480
Speaker 2: But I could talk about this episode. I could do

1034
00:53:29,680 --> 00:53:30,799
Speaker 2: literally a whole nother hour.

1035
00:53:31,160 --> 00:53:32,080
Speaker 1: What do you give it?

1036
00:53:32,120 --> 00:53:32,839
Speaker 3: What do you rate it?

1037
00:53:33,480 --> 00:53:36,680
Speaker 2: Back? I'm going to be shocking with my rating.

1038
00:53:37,280 --> 00:53:39,960
Speaker 1: You did not like it, but you yet you want

1039
00:53:40,000 --> 00:53:40,839
Speaker 1: to talk about it more.

1040
00:53:41,040 --> 00:53:41,879
Speaker 2: I'm giving it a ten.

1041
00:53:42,440 --> 00:53:47,200
Speaker 1: What No, no, No, that's the producer in her.

1042
00:53:47,480 --> 00:53:50,359
Speaker 2: Because here's the thing. It's got me so fired up.

1043
00:53:51,719 --> 00:53:55,480
Speaker 2: The West part was half of it totally peculiar that

1044
00:53:55,560 --> 00:53:57,680
Speaker 2: I feel like I need to watch six more times

1045
00:53:57,680 --> 00:53:59,840
Speaker 2: to try to analyze and take a class on. And

1046
00:54:00,040 --> 00:54:04,600
Speaker 2: then there was bombs being dropped, you guys, the Valerie stuff,

1047
00:54:04,880 --> 00:54:07,960
Speaker 2: the Andrea and Jesse stuff, the Jim and Cindy stuff.

1048
00:54:08,239 --> 00:54:12,719
Speaker 2: I'm sorry, Kelly Taylor's making out with Dylan McKay at

1049
00:54:12,719 --> 00:54:16,080
Speaker 2: the end of the episode. That's a ten in itself.

1050
00:54:16,719 --> 00:54:20,680
Speaker 1: That, right, A lot of a lot of stuff happens.

1051
00:54:20,560 --> 00:54:28,360
Speaker 2: And it has lost the presidency, like we've got the contra. Yeah,

1052
00:54:28,400 --> 00:54:31,560
Speaker 2: there's touching the gout the conflict now with David and

1053
00:54:31,560 --> 00:54:34,719
Speaker 2: Claire being in the know on something and using it

1054
00:54:34,719 --> 00:54:36,560
Speaker 2: against right. I mean, the whole thing is like.

1055
00:54:36,800 --> 00:54:40,160
Speaker 1: You know what, it's a juicy you like juicy.

1056
00:54:40,520 --> 00:54:43,799
Speaker 2: Yeah, it's a forny weird episode also, but I'm like,

1057
00:54:43,840 --> 00:54:48,160
Speaker 2: you know what, it's weird. I'm totally here for it.

1058
00:54:48,160 --> 00:54:49,640
Speaker 1: It is good. I like it. I'm right up there

1059
00:54:49,680 --> 00:54:52,040
Speaker 1: with you. And now that you talk me out of

1060
00:54:52,040 --> 00:54:54,080
Speaker 1: my like six, I'm gonna go up to a nine.

1061
00:54:54,719 --> 00:54:55,440
Speaker 2: I'm happy to.

1062
00:54:55,400 --> 00:54:59,000
Speaker 3: Hear it well a nine, okay? Will you both talked

1063
00:54:59,000 --> 00:55:00,880
Speaker 3: me out of my seven? And I'm only giving it

1064
00:55:00,920 --> 00:55:04,279
Speaker 3: a seven point five because of the end moment of

1065
00:55:04,440 --> 00:55:06,799
Speaker 3: Kelly and Dylan kissing. Sorry, actually I'll give it an

1066
00:55:06,800 --> 00:55:09,600
Speaker 3: eight for that just based on that, because that was everything.

1067
00:55:10,239 --> 00:55:14,880
Speaker 2: Here's what I want to know through our astute commentary.

1068
00:55:15,440 --> 00:55:19,360
Speaker 2: Is anybody listening changing their mind about it being the

1069
00:55:19,400 --> 00:55:22,640
Speaker 2: worst episode ever? Like now they're really breaking it down.

1070
00:55:24,080 --> 00:55:24,880
Speaker 2: I'm curious.

1071
00:55:25,400 --> 00:55:27,080
Speaker 1: Let's let's hear from you guys us.

1072
00:55:27,239 --> 00:55:28,560
Speaker 2: You can't hate this episode.

1073
00:55:28,560 --> 00:55:33,240
Speaker 3: It's filled with gold, filled with week gold.

1074
00:55:33,520 --> 00:55:40,399
Speaker 1: There's gold in them there episodes. On that note, thank

1075
00:55:40,440 --> 00:55:43,439
Speaker 1: you for everybody that's listening. We love you guys so much.

1076
00:55:43,600 --> 00:55:46,000
Speaker 1: Be sure to do all the things that you're supposed

1077
00:55:46,000 --> 00:55:50,560
Speaker 1: to do. Like it, subscribe to it comments, please send

1078
00:55:50,640 --> 00:55:53,200
Speaker 1: us messages. We'd love to hear from you. Five stars

1079
00:55:54,280 --> 00:56:00,960
Speaker 1: say thanks, love you