1 00:00:00,160 --> 00:00:01,920 Speaker 1: A's number one at music station. It is one or 2 00:00:01,960 --> 00:00:04,120 Speaker 1: two point seven kiss FM. Chany, let's get to a 3 00:00:04,120 --> 00:00:05,440 Speaker 1: trend and report in a second. What do you have 4 00:00:05,480 --> 00:00:07,600 Speaker 1: coming up? Okay, remember how you guys made fun of 5 00:00:07,600 --> 00:00:09,760 Speaker 1: me for going on a retreat before? No one ever 6 00:00:09,800 --> 00:00:13,319 Speaker 1: has made fun of anyone on this show. We just okay, no, 7 00:00:13,480 --> 00:00:15,480 Speaker 1: we were surprised that you were surprised that you called 8 00:00:15,520 --> 00:00:17,440 Speaker 1: it a retreat when really you just went on vacation 9 00:00:17,480 --> 00:00:19,880 Speaker 1: with your boyfriend. We don't make fun. We point things out, 10 00:00:20,000 --> 00:00:22,520 Speaker 1: and we point things out with redundancy, and we never 11 00:00:22,560 --> 00:00:26,920 Speaker 1: make fun. Okay, Well, Ryan, your buddy Aaron Rodgers is 12 00:00:26,960 --> 00:00:29,360 Speaker 1: going on one to decide the fate of his football career. 13 00:00:29,400 --> 00:00:32,199 Speaker 1: He's going on one. What retreat he is? Yeah, and 14 00:00:32,240 --> 00:00:34,280 Speaker 1: I'm gonna tell you about it. Okay, that's coming up 15 00:00:34,280 --> 00:00:36,240 Speaker 1: in a second in the training report. It's more. I 16 00:00:36,280 --> 00:00:39,800 Speaker 1: would say it's making much more playful banter, wouldn't you say, Cysany? Yeah, 17 00:00:39,920 --> 00:00:44,479 Speaker 1: playful banter doesn't roll off the tongue banter. That's what 18 00:00:44,520 --> 00:00:46,160 Speaker 1: they told us to do when we got these jobs. 19 00:00:46,440 --> 00:00:49,640 Speaker 1: Come up with some playful banter, like who is that? 20 00:00:49,720 --> 00:00:51,279 Speaker 1: I don't I don't go over to my friend's house 21 00:00:51,280 --> 00:00:54,279 Speaker 1: looking for a playful banter. It's a cocktail party, that's 22 00:00:54,280 --> 00:00:57,160 Speaker 1: what I was told. They said's a cocktail party. It's 23 00:00:57,160 --> 00:01:00,400 Speaker 1: a cocktail party. Invite, invite everyone over to the cocktail party. 24 00:01:01,760 --> 00:01:03,840 Speaker 1: Didn't listen to them. I don't even know who they are, 25 00:01:05,640 --> 00:01:08,560 Speaker 1: all right, So did Robbie get back to you about 26 00:01:08,640 --> 00:01:11,920 Speaker 1: Lizzo's house? Yet he did not busy that, Robbie. Yeah, 27 00:01:12,080 --> 00:01:15,360 Speaker 1: it's kind of a random texting. Even if you guys 28 00:01:15,400 --> 00:01:17,679 Speaker 1: lobbed that to me, I might not be text everyone. 29 00:01:17,840 --> 00:01:19,880 Speaker 1: She texts everyone we know. Well, I gave it and 30 00:01:19,959 --> 00:01:21,959 Speaker 1: I said, what would you name Lizzo's house? Like you 31 00:01:22,120 --> 00:01:27,640 Speaker 1: like how you named your car? So there's context. I 32 00:01:27,680 --> 00:01:29,760 Speaker 1: felt a little bad that I directed a Texas night 33 00:01:29,760 --> 00:01:31,720 Speaker 1: to siss Any Tanya, and you were on it. So 34 00:01:32,000 --> 00:01:36,000 Speaker 1: you didn't feel bad about that, right, Huh? The text 35 00:01:36,040 --> 00:01:38,800 Speaker 1: that you said thank you Sis, Yeah, no, because you 36 00:01:38,840 --> 00:01:42,319 Speaker 1: were thanking her for what she just didn't you know 37 00:01:42,319 --> 00:01:43,760 Speaker 1: when you care that guilt of like, oh gosh, I 38 00:01:43,800 --> 00:01:45,960 Speaker 1: was really texting a lot with Sissany and leaving Tanya 39 00:01:45,959 --> 00:01:48,560 Speaker 1: out of the group. Text's Tany going to take that personally? 40 00:01:48,560 --> 00:01:52,880 Speaker 1: Tomorrow morning? I did not take that personal good. But 41 00:01:52,920 --> 00:01:55,160 Speaker 1: I appreciate you like thinking about me. Well, think of 42 00:01:55,240 --> 00:01:58,120 Speaker 1: these things, right, it's the guilty carry. It is the 43 00:01:58,120 --> 00:02:02,400 Speaker 1: guilty carry. All right, let's get to this training report. 44 00:02:02,480 --> 00:02:06,040 Speaker 1: So Aaron Rodgers, quarterback of the oh of Mark's team, 45 00:02:06,080 --> 00:02:10,160 Speaker 1: the Green Bay Packers. Yes, so he revealed that he 46 00:02:10,280 --> 00:02:13,480 Speaker 1: is going to decide his NFL future while being isolated 47 00:02:13,520 --> 00:02:16,440 Speaker 1: in darkness for nearly a week. So I've never done 48 00:02:16,480 --> 00:02:19,280 Speaker 1: a darkness retreat, but I'm kind of really into this experience. 49 00:02:19,280 --> 00:02:21,560 Speaker 1: So Aaron said that he will make a decision that 50 00:02:21,680 --> 00:02:24,800 Speaker 1: is best for me moving forward in the highest interest 51 00:02:24,880 --> 00:02:27,840 Speaker 1: of my happiness, and then move forward. So what is 52 00:02:27,880 --> 00:02:30,520 Speaker 1: a darkness retreat, you might ask. It's four nights of 53 00:02:30,560 --> 00:02:35,480 Speaker 1: complete darkness. It's just sitting in isolation, meditation, dealing with 54 00:02:35,520 --> 00:02:38,480 Speaker 1: your thoughts for nights of darkness. Isn't that what we do? 55 00:02:40,000 --> 00:02:44,320 Speaker 1: Never coming, never survived. There can be some hallucinations in there, 56 00:02:44,320 --> 00:02:46,480 Speaker 1: but it's just kind of sitting in silence, which which 57 00:02:46,480 --> 00:02:49,360 Speaker 1: most of us never do. We rarely ever even turn 58 00:02:49,440 --> 00:02:51,800 Speaker 1: our phone off or put the blinds down to sleep 59 00:02:51,840 --> 00:02:55,200 Speaker 1: in darkness. I'm really looking forward to people know he's 60 00:02:55,200 --> 00:02:57,200 Speaker 1: going to be alone in the little house with no 61 00:02:57,320 --> 00:03:01,200 Speaker 1: music or sounds. But it's eye time, don't don't we 62 00:03:01,240 --> 00:03:03,080 Speaker 1: all go to sleep at night and it's dark. What 63 00:03:03,120 --> 00:03:04,320 Speaker 1: do you do when you go to sleep at night? 64 00:03:04,400 --> 00:03:07,960 Speaker 1: You when you watch TV? What about your phone? How's 65 00:03:07,960 --> 00:03:10,000 Speaker 1: it going to be dark in the day. I imagine 66 00:03:10,000 --> 00:03:13,760 Speaker 1: he's just gonna have the blinds clothes. Immagin Is it night? 67 00:03:13,919 --> 00:03:17,919 Speaker 1: You said four nights of complete darkness? No? I think 68 00:03:17,919 --> 00:03:19,960 Speaker 1: it's just you're in this little house. I don't know. 69 00:03:20,040 --> 00:03:22,280 Speaker 1: I mean, I can only take what I read. I 70 00:03:22,520 --> 00:03:25,320 Speaker 1: don't know Aaron Rodgers. But I imagine that he's in 71 00:03:25,320 --> 00:03:27,880 Speaker 1: this little house for four days and it's just dark. 72 00:03:27,960 --> 00:03:31,040 Speaker 1: The blinds are drawn, and like he can't have TV, music, 73 00:03:31,240 --> 00:03:33,760 Speaker 1: no sound. I think I get it right. He's trying 74 00:03:33,760 --> 00:03:36,880 Speaker 1: to focus and think and have his inner thoughts inner 75 00:03:36,960 --> 00:03:40,560 Speaker 1: voices be very clear. For me, I would find it 76 00:03:40,640 --> 00:03:44,200 Speaker 1: incredibly depressing. I think it would be really interesting to 77 00:03:44,320 --> 00:03:48,160 Speaker 1: just have not like, no other distraction, to have your 78 00:03:48,160 --> 00:03:53,200 Speaker 1: phone not darkness. That freaks me out. I don't like 79 00:03:53,280 --> 00:03:55,440 Speaker 1: the dark. I don't feel like my body responds with 80 00:03:55,480 --> 00:03:59,120 Speaker 1: clarity in the dark. I don't know. I think it 81 00:03:59,160 --> 00:04:02,280 Speaker 1: could be pretty powerful. I'm excited to hear him come 82 00:04:02,280 --> 00:04:05,040 Speaker 1: out of it and talk about it. I prefer playful, 83 00:04:05,080 --> 00:04:10,520 Speaker 1: bantern soft lighting with friends. Why don't you try this 84 00:04:10,640 --> 00:04:14,600 Speaker 1: some weekend. I don't think I could do it. Does 85 00:04:14,600 --> 00:04:17,120 Speaker 1: sound appealing to me, like this is something that I 86 00:04:17,160 --> 00:04:19,680 Speaker 1: think that I would like to do. I just don't 87 00:04:19,720 --> 00:04:25,080 Speaker 1: know how realistic it is for me. Yeah, I'm out. 88 00:04:26,640 --> 00:04:28,800 Speaker 1: It's not for me, but let's see how it goes 89 00:04:28,880 --> 00:04:32,440 Speaker 1: for him. Yeah, I'm really interested. No, I'm I'm okay 90 00:04:32,480 --> 00:04:38,760 Speaker 1: with this. What not doing it did hit you back? Yet? 91 00:04:39,320 --> 00:04:43,240 Speaker 1: He did not. He's really thinking about this, not every 92 00:04:43,279 --> 00:04:46,800 Speaker 1: day of the pressure of naming Lizzo's house. Right fall 93 00:04:46,880 --> 00:04:50,279 Speaker 1: Out Boy playing downtown in July. Tickets are next for you.